thrills

What in the name of common sense is a 16-year-old who lives in Venice dreaming about competing in the Olympic Games as a snowboarder instead of a skateboarder or surfer?

“I really liked skateboarding but needed something more exhilarating flying into the air,” said Tristam Henkels, who’s been spending this month training in Switzerland and Austria as a member of the U.S. snowboard rookie team for halfpipe.

He used to spend nine hours a day skateboarding at a park in Santa Monica. He watched snowboarder Chloe Kim compete at the Mammoth Mountain World Cup shortly before her gold-medal performance at the 2018 Winter Olympics in PyeongChang.

Then his mother, Judy, decided to become his chauffeur when he was 10, taking him to Big Bear to practice snowboarding. She’s still traveling with Tristam, who’s enrolled in an online school but prefers snowboarding over everything else. He previously attended Canyon Elementary School in Santa Monica.

He’s so obsessed with being the best that three broken arms suffered from falls, along with a compression back fracture, hardly deters him to think twice about flying through the air trying to perform tricks. He did admit that hitting ice feels like hitting concrete, so he has learned to be careful and hasn’t had any major injuries in the last three years.

“If you fall and get back up, you’re going to be stronger the next time,” he said of his philosophy during a phone conversation from Switzerland.

There will be lots of competition for a 2030 Olympic team berth in France. Henkels is working his way up in a sport filled with talented athletes who have to maneuver their bodies like a gymnast in pursuit of a perfect score of 100 from the judges.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

Halloween at Kew is back for its third year and it’s even more spectacular than ever

Kew Gardens – the world famous botanical garden nestled in West London is famed for its serene and tranquil atmosphere.

Nothing can beat whiling away the hours, meandering through the vast open space with some of the oldest, most impressive and most endangered plants, trees and flowers on the planet.

The calm that befalls people when they amble into the Palm House, soon to undergo an incredible multi-million transformation where every pane of glass will be replaced, or the Temperate House, should be bottled and sold – it would make the world a far nicer place.

However, as soon as October hits and darkness falls, Kew Gardens is transformed into a terrifying Halloween wonderland of ghouls, witches, Egyptian mummies, spectres and monsters – and it’s genuinely both awe-inspiring and a little bit terrifying.

The younger sibling of the botanical gardens Kew at Christmas, Halloween at Kew first burst onto the light trail scene two years ago and is so popular it’s definitely here to stay.

Running for two weeks until November 1, the trail is suitable for all ages and comes in three time slots – warning, I’m a fully grown adult and the later slot definitely sent shivers up my spine.

There are daylight sessions for little ones (or those not keen to be spooked) with the absolute bare minimum of scaries, a twilight slot between 6pm and 7.30pm where things are certainly getting a little spookier as the sun starts to disappear and the moonlight session from 7.30pm onwards, where everything is completely dark – and scarier.

Now, full disclaimer, I am an absolute wimp. I will not watch horror films because I get so frightened I start to cry and even cartoons have been known to make me jump.

With this in mind, one of the more intense Halloween experiences on offer around the country is definitely not something I want to be experiencing, but having been an avid fan of Christmas at Kew, there was no way I was passing up the chance to see what the brains behind the stunning light trails could cook up for Halloween – and it certainly didn’t disappoint.

From the very off it’s both magical and just the right side of spooky – a stunning tree, bedecked in ghoulish green lights with a real cloaked horseman (with his head I must say) guarding it, onto an enchanted tunnel of pumpkins and a witch cooking up spells in the front garden of a cottage in the woods.

Next up is the Egyptian section. You are warned before entering – this light trail is very interactive – things could get a little spooky. A mummy (don’t worry, yhey don’t touch you) growls at walkers as they make their way through. Even though I knew this wasn’t real, I have to confess I jumped about six feet in the air when he popped up.

What makes Kew at Halloween so spookily magical isn’t just the huge array of lights, concepts and scary scenes before you… it’s also the music and soundtrack as you walk through the black as night garden.

From ghostly moans, to creaking doors in grave yards, to a sinister and chilling sound track as you move through woodland filled with chilling cloaked figures, you really feel totally immersed in the whole experience.

From vampires putting on shows, the pumpkin patches with a real life dancing Mr Pumpkin head and haunted tractors, from giant disco skeletons (these have to be seen to be believed) to pagan gods lining the walkways, there really is nothing that hasn’t been thought of and whoever dreamt this up is an absolute genius.

We took part in the moonlight walk and there were many moments where I was genuinely unsettled and at times really frightened. If you’re parents to younger children – and there were a few on the walk in our time slot – I would recommend taking them to an earlier one. There were plenty of tears in the pitch black spooky world.

But this really is a family friendly experience. The interactive characters along the way add enormously to the fun and there are plenty of places to stop for food, a hot chocolate, or to toast marshmallows (and even something stronger if you feel your nerves need it).

So, yes, Kew is already a magical place in daylight hours, make sure you run don’t walk to get your tickets for Halloween at Kew to see this incredible offering after dark.

Tickets for Halloween at Kew start at £19.50 and family tickets are available.

What is pornography? We tend to think of it monolithically, as something created by and for hetero men, reinforcing sexist stereotypes and machismo behavioral codes. For over 20 years, Erika Lust has been fighting against those preconceptions, creating adult content that expands the parameters of pornography while approaching it as something akin to mainstream independent cinema. Her subscription-only website features content that leaps over gender boundaries, and has pulled in fans around the globe.

In her new book “Lust,” the filmmaker makes a convincing case for an ethical, intelligent porn that can expand our ideas about sex and intimacy. I recently chatted with Lust about sex, power and the internet.

✍️ Author Chat

Are we calling it pornography? Adult content? What do you call it?

For me, it is pornography. What I do is pornography because I work with explicit images, but I also work with cinema, and I strive for cinematic vision and craft. I don’t just pick up a camera, film people having sex and put it online. It is a whole creative process. So when I talk about my work, I see myself first as a filmmaker whose subject matter happens to be pornography.

What compelled you to create adult content?

I was born in Sweden, and I became a feminist quite young. I studied political science in college. When I was exploring my sexuality in my late teens and early twenties, I became more and more interested in finding out about our desires and who we are and what we are attracted to. And then I started to watch porn [and] felt horrible watching it. I felt a little bit troubled by the images. Why are all these female characters just there to please the man? It wasn’t about the women, it wasn’t their stories, and that made me feel a bit angry. When I talked to other women about this, they felt the same way. I felt there was something to explore there. Of course at the time, I had no idea I would be doing this for a living.

There are a lot of tired tropes about adult content that you debunk in your book. That the performers come from broken homes and are forced to do things on camera without their consent and so on.

It’s so easy for people to think that in the sex industry there’s going to be exploitation. But my experience is the opposite. Because people I work with dare to talk about sex. The conversation is over the table, not under the table. The people I have met and worked with in this business are intelligent and smart, with a very clear plan of their future. They take care of themselves, their bodies and their sexuality.

In “Lust,” Erika Lust debunks tropes and stereotypes surrounding the production of pornography.

(Jahel Guerra)

How has technology affected how we think about sex?

There’s a lot of sex anxiety going on in our society, and I think that also has a lot to do with technology and how it has taken over our lives. And I’m reading more articles about the intimacy crisis, and the fear that people have of connecting with other people, and young people who are not having sex. Technology has gone wild. It has taken over our lives. People are afraid of other people, of friction, of negotiating boundaries. They don’t know how to explain their own desires so they would rather talk to robots. I think we need to disconnect from technology, and think more deeply and talk to each other — not just about sex, but about everything.

Given the ubiquity of free adult content on the web, how do you compel customers to subscribe to your site?

I think people that subscribe are looking for something completely different, something more elevated, and they understand that that kind of film costs money. I can’t shoot without paying my crew and my staff. Shooting with an Alexa camera is not the same thing as picking up my mobile phone. And then I need crew members who can work with that technology, I need gaffers and electricians, I need to pre-light the set the day before, and so on. The budgets that I’m working with are really budgets for independent films. We have a staff of 45 working with me and my husband.

It’s the last artistic underground, really. I did notice that Bruce LaBruce, a filmmaker whom you mention in your book, has a collection of his films presently being shown on Criterion Channel.

I never think it’s going to become mainstream. My true hope is that we can at least be known as an independent porn culture making quality films that aren’t exploitative. That people understand that it exists, and that it’s an option apart from the mainstream porn websites.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Chuck Lorre has written a memoir, “Sitcom,” about his career

(Christopher Patey / For The Times)

How does Bonnie Garmus follow her blockbuster 2022 novel “Lessons in Chemistry”? With “Peck & Peck,” a “whimsical and winning ode to the written word, and send-up of the pretensions of its gatekeepers,” writes Leigh Haber.

Chuck Lorre, one of the most successful and prolific writers and producers in TV history, has written “Sitcom,” a memoir in which he reveals, among other things, his decade-long tenure as a card-carrying Scientologist. Writing the book “was cathartic,” he tells Mary McNamara. “There’s a little bit of therapy going on in this book. I got to say some things out loud that in the past I would have kept hidden because they were embarrassing.”

At a time when it seems like anger and hostility has become the fossil fuel of everyday life, author and conflict expert Priya Parker’s new book “The Art of Fighting” argues for civil and spirited debate as a balm for our troubled times. “As a conflict resolution facilitator for the last 25 years, I can say that healthy community needs healthy conflict,” Parker tells Margaret Wappler.

Finally, Maddie Connors talked to Michael Douglas about his new memoir, “One Helluva Ride,” a book about his life and career. “Your 80s may be a good time to share,” the 82-year-old actor tells Connors. “People interested in movies, we give them a certain insight into the process, and maybe they could learn something. For others, it’s just gossip.”

📖 Bookstore Faves

Formerly a pop-up bookstand, Reverie Bookstand is a brick-and-mortar bookstore on Sunset Boulevard in Echo Park.

(Reverie Bookstand)

Located on a busy stretch of Sunset Boulevard in Echo Park, Reverie Bookstand is doing its level best to buck the AI tsunami, selling used books created by humans in a variety of subjects. In an email exchange, owner Tim Horner tells us what’s selling in his store.

What prompted you to open the store?

I was driving by and I saw it was for lease. I had been selling books for some years as a scout for other bookstores, and also at flea markets where I would pop up with a ”bookstand.” So it wasn’t a brand new idea; I had always dreamt of it. The owner of the building was a part of a small team that ran a collective DIY venue and gallery called Echo Curio around 12 years ago. It has since shut down, but Echo Curio was a place I came to as a young person back in the day. So the landlord was sympathetic to the cause and the idea of having a bookstore here. So I went for it.

What genres does the store tend to emphasize?

I specialize in poetry, mysticism, occult and out-of-print secondhand books and paper goods. All the books here in the store are used books. So far it hasn’t been difficult to keep the shelves full, I know some spots.

Who are you customers?

The clientele here is diverse. Students, working-class people, artists, local neighborhood families, musicians and people from all walks of life who simply love books and reading. A thing I am grateful for is how kindhearted and empathetic (most) book people are. It gives me a lot of strength and motivation everyday to know that my book-buying addiction is not in vain but is actually going to some strange use in helping connect people with literature.

What’s selling right now?

The things that are selling the most are things California-related and writers from California especially — Joan Didion, John Steinbeck, Octavia Butler.

Why do we still need bookstores when AI can write books for us?

I think bookstores are relevant still because we all need some type of human connection for our well-being, and books encourage that behavior. Whether it’s connecting with a space and people or connecting with authors, a bookstore is a place where you can actually browse for something and be in the moment with other people that are possibly interesting. The gesture alone validates itself in that you’re telling the world. I am open to ideas, things, places, people, and along the way you find a book you didn’t know existed, a nicer copy of something you already have, or a book you’ve been meaning to read but had forgotten about. And until this point there is no tangible way to browse for these things I have online yet and hopefully ever.

Reverie Bookstand is located at 1519 Sunset Blvd., Los Angeles.