takes

More than a century after the Gilded Age, we have entered another: The gilded age of Trump.

A little over a year after President Trump was sworn into office for the second time, the country has borne witness to a striking aesthetic makeover of the White House and Washington, D.C. A week ago, when the Trump-packed Commission of Fine Arts approved a 24-karat commemorative coin stamped with Trump’s image, that makeover ascended to staggering new heights.

The coin, which breaks with the country’s longstanding tradition of not featuring a living person on its currency, joins a swiftly growing list of other Trumpian imprints on arts and culture, including architectural choices deemed gaudy and garish by experts and laypeople alike.

These include the conspicuous gilding of the Oval Office; the paved-over Rose Garden; the so-called Presidential Walk of Fame along the White House West Colonnade; the bulldozing of the East Wing and the plans for a $400 million, 90,000-square-foot ballroom that will dwarf the original building; a proposed 250-foot-tall “Triumphal Arch” to be constructed in Washington, D.C., on a roundabout near the Lincoln Memorial and Arlington National Cemetery; a desire to paint the Eisenhower Executive Office Building a glaring shade of white; the imminent creation of a Garden of American Heroes populated with more than 250 life-size statues of historical figures including pop-culture icons like Alex Trebek; the addition of Trump’s name to the John F. Kennedy Center for Performing Arts and the decision to close the beloved venue for a remodel that many fear will rival that of the East Wing.

That’s not to mention his crusade to erase a “woke” mentality from the Smithsonian Institution’s 21 museums by policing what kind of art can and cannot be displayed; his efforts to eradicate mentions of slavery in exhibits staged by the National Park Service; his face alongside George Washington’s on National Park Passes; and the many other places his face is draped on giant banners throughout the Capitol city.

Plenty of people are on guard against these changes. This week a coalition of eight cultural heritage and architectural organizations, including the National Trust for Historic Preservation and the American Institute of Architects, filed a lawsuit to require the Trump administration to comply with historic preservation laws and get congressional authorization before making any changes to the Kennedy Center.

“The Kennedy Center is not a personal project of any president. It is a national cultural monument built to honor John F. Kennedy and to serve the American people. Federal law requires transparency, expert review, and public participation before it can be fundamentally altered,” Rebecca Miller, executive director of the DC Preservation League, said in a statement.

The same could be said of the White House, the Smithsonian, the NPS and the United States Mint. But Trump doesn’t care about due process, congressional approval or the courts. Time and again he has shown his willingness to go it alone when making big decisions that affect not only America but the world. This includes his actions in Venezuela and Iran. But if he decides he wants to take the Kennedy Center “down to the steel,” as he once threatened, there isn’t really anything that can stop him.

The gilded age of Trump proves that the look of things really does affect how the country sees itself — and how it acts as a result of its new self-image. Golden gaudiness conjures thoughts of empire and imperial rule, but it is also unserious and incidental, bombastic and self-centered. The Trump aesthetic screams, “Me, me, mine!” A willingness to tear down historic structures without care for their symbolic meaning reveals an inability to learn from the past, a tendency that has proved frighteningly perilous.

Will the leader who rises after Trump tear down all that Trump has built? And even if they do, can the damage really be undone?

I’m Arts editor Jessica Gelt, keeping it small and simple for posterity. Here’s your arts and culture news for the week.

FRIDAY

Laura Aguilar
The late trailblazing photographer’s exploration of her queer Chicana identity against the natural backdrops of Southern California and the Southwest is on display in the exhibition “Body and Landscape.” More of the artist’s work will be on display starting Sept. 20 in “Laura Aguilar: Day of the Dead.”
Through Sept. 7. The Huntington, 1151 Oxford Road, San Marino. huntington.org

Cassandra Kulukundis holds the first-ever Oscar for casting for her work on “One Battle After Another” during the Academy Awards, March 15, 2026.

(Robert Gauthier/Los Angeles Times)

The Art of Casting
With Cassandra Kulukundis recently winning the first Oscar in the category for her work on Paul Thomas Anderson’s “One Battle After Another,” what better time to learn more about the subject? The academy’s video presentation goes inside the casting process with casting directors discussing their craft and includes previously unseen auditions and screen tests.
Through July 6. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

Brahms & Beethoven
Uzbek pianist Behzod Abduraimov performs Beethoven’s “Piano Concerto No. 3” as Paavo Järvi conducts the L.A. Phil in Brahms’ “Second Symphony” and Schumann’s “Overture, Scherzo and Finale.”
8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

A performance of “Escape.”

(Traj George Simian)

Escape
Diavolo reprises this production featuring its trademark blend of dance, movement and storytelling as 22 artists challenge their abilities against a variety of architectural structures.
8 p.m. Fridays and Saturdays; 6 p.m. Sundays, through June 14. L’Espace Diavolo, 616 Moulton Ave. diavolo.org

Arshile Gorky: Horizon West
In the summer of 1941, the Armenian immigrant artist, his soon-to-be wife Agnes “Mougouch” Magruder and the artist and furniture designer Isamu Noguchi drove from New York City to L.A. Gorky was emerging as one of the most important figures in the nascent Abstract Expressionism movement, and his cross-country adventures had an enormous impact on his art, which is explored in depth in this exhibit. A selection of landscapes include Gorky’s rich, surrealistic paintings and drawings from before, during and after the life-changing trip. (Jessica Gelt)
Through April 25. Hauser & Wirth West Hollywood, 8980 Santa Monica Blvd. hauserwirth.com

A New Song: Langston Hughes in the West
The exhibition reveals Hughes’ time spent in California, Nevada and Mexico during the Great Depression, World War II and into the 1950s, when he produced significant work, including lectures, film scripts, plays and his first book of short stories.
Through Sept. 13. California African American Museum, 600 State Drive, Exposition Park. caamuseum.org

The White Album
Arthur Jafa’s 2018 30-minute experimental film, a social critique of whiteness, uses found and produced footage to demonstrate how the creative work of Black Americans has been co-opted by white culture throughout history.
Through Aug 30. UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. hammer.ucla.edu

SATURDAY

Akira Kurosawa’s “Seven Samurai,”starring Takashi Shimura, from left, Toshiro Mifune and Yoshio Inaba.

(Janus Films)

Darkness and Humanity: The Complete Akira Kurosawa
The 1954 classic “Seven Samurai,” starring Toshiro Mifune, kicks off this comprehensive retrospective of the great Japanese filmmaker’s work.
6 p.m. Saturday; series continues through May 30. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

from rock to rock… aka how magnolia was taken for granite
Choreographer Jeremy Nedd’s exploration of the hidden poetry, virtuosic freedom and ownership features five performers examining “the Milly Rock,” a viral dance move.
8 p.m. UCLA Macgowan Hall, Freud Playhouse, 245 Charles E. Young Drive East. cap.ucla.edu

A Queer Arcana: Art, Magic, and Spirit On
The exhibition collects an intergenerational group of Queer artists whose work examines hidden and mystical knowledge to find sources of connection and transformation.
Through Oct. 18. Palm Springs Art Museum, 101 Museum Drive psmuseum.org

Ralph Steadman
More than 140 original artworks and ephemera, including sketchbooks, handwritten notes and personal photographs are included in “And Another Thing,” a traveling exhibition tracing six decades of the artist and illustrator’s career.
Through May 9 Torrance Art Museum, 3320 Civic Center Drive torranceartmuseum.com

Tonality
The vocal ensemble performs “Refuge/Requiem,” a program that includes Caroline Shaw’s 17th-century-influenced contemporary work “To the Hands,” and “1605 Requiem,” composed for the funeral rites of Empress María by Tomás Luis de Victoria. Presented with the Wallis.
7:30 p.m. All Saints’ Beverly Hills, 504 N. Camden Drive thewallis.org

SUNDAY
To Sleep With Anger
Written and directed by the protean Charles Burnett, this film does more than vividly illuminate South-Central’s rarely portrayed Black middle class. A deft domestic horror story, it’s a contemporary tale with a folkloric twist that has old friend Harry (Danny Glover) visiting a married couple and gradually revealing himself to be a trickster with trouble on his mind. With a terrific ensemble headed by Mary Alice and Paul Butler as the couple in question. (Kenneth Turan)
7 p.m. The 35mm screening includes a Q&A with the filmmaker and Ashley Clark, author of “The World of Black Film: A Journey Through Cinematic Blackness in 100 Films.” Beginning at 6 p.m. Clark will sign copies of the book. Billy Wilder Theater, UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. cinema.ucla.edu

TUESDAY
Philip Glass’ Cocteau Trilogy
Pianists and siblings Katia and Marielle Labèque perform the composer’s triptych inspired by the films of Jean Cocteau. Part of the LA Phil’s “Body and Sound” festival.
8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Mary Halvorson
The contemporary jazz musician, guitarist and composer and new quartet project Canis Major — featuring Dave Adewumi on trumpet, Henry Fraser on bass and Tomas Fujiwara on drums — perform an evening of music designed for deep listening and total immersion.
7 p.m. Getty Center, Harold M. Williams Auditorium, 1200 Getty Center Drive, L.A. getty.edu

Arts anywhere

New releases of arts-related media.

Album cover for “Evening Light: Raga Cycle I.”

(Cantaloupe Music)

Evening Light: Raga Cycle I
The first release of an eight-album series in which American composer and pianist Michael Harrison collaborates with a global assortment of artists combining Eastern and Western musical traditions. Each chapter represents three hours of day or night following the Indian raga time cycle. For “Evening Light,” Quebec-based Brazilian vocalist Ina Filip co-composed the music with Harrison. Also appearing on the album are American composer Elliot Cole on synthesizer, French composer Benoit Rolland on electro-acoustics and Bangladeshi tabla virtuoso Mir Naqibul Islam. Cantaloupe Music: download ($10).

Book jacket for “Stephen Sondheim: Art Isn’t Easy” by Daniel Okrent.

(Yale University Press)

Stephen Sondheim: Art Isn’t Easy
Part of Yale University Press’ Jewish Lives series, Daniel Okrent’s new biography of the award-winning composer-lyricist who took Broadway musicals to new heights “is a brisk, engaging read that avoids hagiography,” writes Julia M. Klein in a review for The Times. “Okrent highlights the emotional frailties that coexisted with the brilliance and generosity. He seeks to liberate Sondheim’s reputation from the encrustation of myth and to demystify his relationships, while offering a succinct analysis of his achievements. That’s a tall order for a compact book, especially given its subject’s long, complicated life. Okrent’s failings are, unsurprisingly, primarily those of omission.” Yale University Press: 320 pages, $35

Martha Graham Dance Company: We Are Our Times
A two-part documentary goes behind the scenes with the troupe as it prepares for its 100th anniversary celebration. Producer-directors Peter Schnall and Cyndee Readdean followed the dancers from rehearsal to premiere on a global tour, capturing their artistic routines and everyday lives.
Episode 1, “American Spirit,” 9 p.m. Friday; Episode 2, ““Athletes of God,” 9 p.m. April 3 on PBS. Streaming at pbs.org and on the PBS app.

Culture news and the SoCal scene

Pritzker Prize-winning architect Frank Gehry is photographed in May 2019 with a model of the Grand Avenue Project at his L.A. offices.

(Jay L. Clendenin / Los Angeles Times)

Can downtown L.A. still benefit from the vision of late-great architect Frank Gehry, who put so much time and energy into lifting the area up? Times classical music critic Mark Swed says yes in an optimistic column noting that, “So many plans Frank Gehry imagined for L.A. still remain. Gehry bequeathed blueprints and models, sketches and concepts, for his large and devoted team of younger architects and next-generation visionaries equipped to fabricate our way out of angst.” The time to build, Swed writes, is now.

Freelance writer Jane Horowitz got the skinny on the fifth edition of High Desert Art Fair, which arrives in Pioneertown this weekend, transforming “the rooms of the historic Pioneertown Motel into exhibition spaces for 20 galleries and publishers, while expanding into a broader mix of programming — something akin to a mini Coachella Valley Music & Arts Festival. This year’s edition includes an opening night party with a DJ set by street artist Shepard Fairey, panel discussions, guided meditation and even a sound bath.”

Monty Python” alum Eric Idle poses for a portrait at the Hollywood Pantages.

(Jason Armond / Los Angeles Times)

Malia Mendez sat down with British comedy legend Eric Idle to talk about his spoof musical “Spamalot,” which arrives at the Pantages more than a decade after its last stop at the stage. Over a margarita with a side of chef olives, Idle opened up to Mendez about “his earliest forays into comedy, his legendary run and subsequent break with his former ‘Monty Python’ castmates, and why ‘Spamalot’ arrives in L.A. at the perfect time.”

Times theater critic Charles McNulty headed to the Matrix Theatre to watch Rogue Machine’s production of Jackie Sibblies Drury’s Pulitzer Prize-winning 2018 drama “Fairview.” He writes that the play is “a shape-shifting work that eludes an audience’s assumptions at every turn,” and concludes that the new production “may struggle with the slipperiness of Drury’s writing.” The dramatic construction, however, is solid enough to withstand some of the overly broad strokes of the staging.”

Richard Neutra imagined his first Los Angeles project, the Jardinette Apartments, as a prototype for future garden apartment buildings.

(Myung J. Chun / Los Angeles Times)

Sam Lubell wrote a fascinating story about the painstaking rehabilitation of Modernist architect Richard Neutra’s first L.A. commission: the Jardinette Apartments in Hollywood. The building was hailed a structural and technical breakthrough when it opened in 1928, but it soon dropped from public view and sank into disrepair. The new owner spent more than $5 million on the historic preservation project and the complex may soon go on the market.

The Hammer Museum Gala on Oct. 8, 2022, in Los Angeles.

(Michelle Groskopf / For The Times)

The Hammer Museum has announced the honorees for its annual gala. They are artist Betye Saar and television creator Darren Star. The highly anticipated event, set to take place in the Hammer’s garden courtyard on May 2, aims to honor impactful artists while raising funds to support the museum’s exhibitions and public programs.

The 80th Ojai Music Festival, set to take place June 11-14, recently announced this season’s programming and artistic collaborators. Much of this year’s event will be devoted to unpacking and performing works that have been central to the 2026 festival’s music director‘s artistic life. “Esa-Pekka Salonen is one of the most vibrant and adventurous creative forces in our musical world,” said Executive Director Ara Guzelimian in a statement. “It has been an absolute joy to dream up programs together that focus on numerous personal dimensions — his work as composer and conductor, his rich associations with and remarkable history in Los Angeles, the formative influence of his teachers and the giant musical figures of 20th century music, his deep friendships with many peer composers, and his championing of a new generation of composers.”

Washington National Opera Artistic Director Francesca Zambello, who was instrumental in the company’s decision to leave the Kennedy Center after Trump’s takeover, was inducted into the Opera Hall of Fame at the OPERA America Salutes Awards Dinner on March 20, at the Plaza Hotel in New York City.

— Jessica Gelt

And last but not least

Stop the presses: That notorious Chevron gas station in Chinatown is charging $8.71 per gallon!

Redondo Union didn’t care that Mira Costa’s volleyball team was ranked No. 1 in California. This was their South Bay rival coming to their gym Thursday night, and anything can happen when a team digs deep and doesn’t fear losing.

The Sea Hawks (14-2) were aggressive from the outset and came away with a 27-25, 21-25, 25-22, 21-25, 15-13 victory.

“Chemistry,” setter Tommy Spalding said about the Sea Hawks’ triumph. He’s one of three players headed to MIT, and all three had big matches.

At one point on back-to-back plays, Carter Mirabal had a block and Vaughan Flaherty followed with a kill off an assist from Spalding. Chemistry.

JR Boice, a Long Beach State commit, was delivering kills, and Cash Essert’s serving and all-around play kept Mira Costa’s Mateo Fuerbringer looking frustrated. The Sea Hawks’ focus was on Fuerbringer, who came alive in the fifth set with six kills, but Redondo was able to come back from an 11-9 deficit.

It was only Mira Costa’s second loss in 25 matches. Redondo Union took over first place in the Bay League.

Baseball

Orange Lutheran 3, Jacksonville (Fla.) Trinity Christian 2: The Lancers advanced to the semifinals of the National High School Invitational in Cary, N.C., behind a walk-off single in the eighth inning by Andrew Felizzari. Brady Murrietta had tied the score with a squeeze bunt in the bottom of the seventh. CJ Weinstein had two doubles for the Lancers.

Venice (Fla.) 12, Harvard-Westlake 0: The Wolverines were limited to three hits at the National High School Invitational in Cary, N.C.

Casteel (Queen Creek, Ariz.) 3, St. John Bosco 2: The Braves suffered their first defeat in North Carolina. Jack Champlin threw five innings and also had two RBIs.

Chatsworth 6, Taft 3: Tony Del Rio Nava threw six innings and had two RBIs in the West Valley League win.

Granada Hills 4, El Camino Real 3: A two-run single by Nicholas Penaranda in the seventh inning keyed a three-run inning for the Highlanders in their West Valley League upset. JJ Saffie had three hits for ECR.

Cleveland 4, Birmingham 3: The Cavaliers pushed across a run in the top of the 10th inning to break a 3-3 tie in the West Valley League win. Joshua Pearlstein finished with three hits, including a home run.

Sun Valley Poly 4, San Fernando 2: Fabian Bravo gave up four hits in 6 2/3 innings for the Parrots, who are tied with Sylmar for first place in the Valley Mission League. Ray Pelayo struck out eight for San Fernando.

Verdugo Hills 15, Kennedy 1: Cutlor Fannon had two doubles and four RBIs in the five-inning win. Anthony Velasquez added two singles and four RBIs.

Westlake 9, Agoura 4: Jaxson Neckien hit a three-run home run to power the Warriors.

Thousand Oaks 7, Calabasas 5: Gavin Berigan, Jeff Adams and Cru Hopkins each had two hits for the Lancers.

Oaks Christian 11, Newbury Park 2: Dane Disney contributed three hits in the Marmonte League win. Carson Sheffer had two doubles and three RBIs.

Santa Monica 12, Simi Valley 4: Ryan Breslo and Johnny Recendez had two RBIs and a triple for Santa Monica. Ravi Chernack had three RBIs.

Dana Hills 7, Corona Santiago 0: Gavin Giese finished with eight strikeouts over six innings and gave up one hit for Dana Hills.

Softball

Sherman Oaks Notre Dame 10, Sierra Canyon 0: Kelsey Luderer contributed three hits and two RBIs while freshman Ainsley Jenkins threw five scoreless innings.

Chaminade 15, Louisville 2: Norah Pettersen had two hits and four RBIs.

Carson 10, San Pedro 0: Atiana Rodriguez finished with three hits, including a double and triple, and three RBIs.

Huntington Beach 6, El Modena 2: Willow Kellen had three hits for the Oilers.

Murrieta Mesa 15, Chaparral 0: It’s a 16-0 start for the Rams. Tatum Wolff hit two home runs.

BRADLEY Dack has finally removed his wedding ring three months after splitting up from wife Olivia Attwood.

The couple married in 2023 but split in January this year, with the footballer continuing to wear his ring until this weekend – as Olivia’s romance with Pete Wicks was confirmed.

Gillingham footballer Bradley was seen on Sunday without his wedding band.

Dressed in black, the sportsman appeared downcast as he headed from his car to catch a train.

It came just hours after Olivia’s new romance with Pete Wicks was confirmed, as The Sun shared a snap of them kissing during a night out on Friday.

A source confirmed to us that friendship had turned to romance for the longtime pals, but assured there was no crossover with Olivia and Bradley’s marriage.

Read more on Olivia Attwood

Dack’s it

‘Furious’ Bradley Dack unfollows ex Olivia Attwood hours after Wicks kiss pic

OUT IN OPEN

Olivia Attwood and Pete Wicks seen for first time since public snog

Nonetheless, Bradley has made his feeling’s on his estranged wife’s new romance clear.

The footballer unfollowed Olivia on Instagram following the news, alongside taking off his ring.

In January, it was revealed that Olivia split from Bradley following a “breach of trust” on his side.

Now, a source has told The Sun on Sunday that this romance has also dashed Bradley’s hopes of a reconciliation with Olivia.

“Bradley is livid, he’s not surprised at all but is completely embarrassed and upset,” they said.

The source continued: “He can’t believe Olivia has moved on so publicly and they’ve not even signed the divorce papers.

“Bradley was hopeful for a reunion with Olivia but after this, he’s just livid and will take her to the cleaners.

“He’s suspected things for the past year but she’s always denied it.”

Before their kiss, and her split from Bradley, Pete and Olivia’s close friendship has raised eyebrows since they were pictured cosying up on a yacht in Ibiza last summer.

But confirming the timelines, a source told us over the weekend that the romance has come around naturally over recent weeks.

“They have been spending a lot of time together and an unexpected romance has blossomed from friendship,” they said.

Governing liberals edge ahead of opposition conservatives in a race too close to call, according to exit poll.

Slovenia’s governing Freedom Movement (GS) is on track to win a parliamentary election but will need to find more coalition partners to form a government, according to an exit poll.

GS was set to secure 29.9 percent of the votes, or 30 seats in the country’s 90-seat parliament, in a dip from its previous result of 41 seats, according to the poll, published by TV Slovenia and Pop TV on Sunday.

The opposition Slovenian Democratic Party, led by populist Janez Jansa, is expected to come second and secure 27 seats in parliament, according to the Mediana polling agency.

As he voted, incumbent Prime Minister Robert Golob, 59, called on citizens to cast their ballots.

“Democracy and Slovenia’s sovereignty cannot be taken for granted any more,” he told reporters.

Jansa welcomed the exit poll results and said he would wait for the final result.

“If someone wants a government like the one we’ve had so far, then they are probably satisfied with what these parallel results indicate,” Jansa said.

“Whoever wants change will likely have to wait for the final results, just as we will, and then we will analyse the situation. But we have done everything that was within our power,” he said.

The opposition party leader has served as prime minister three times, most recently from 2020 to 2022.

Ahead of the vote, the election had been marred by controversy after a report last week alleged that Jansa met with officials from the Israeli spy firm Black Cube in December.

Golob told journalists after the report: “The fact that … foreign services are interfering in the elections of a democratic member state of the European Union is something unheard of.”

Mexico’s reigning pop princess is entering her femme fatale era.

Kenia Os played up her cute and cuddly side in her previous album, 2024’s “Pink Aura” — but with her upcoming album “K de Karma,” out Friday, Os is putting that era to bed.

Os, born Kenia Guadalupe Flores Osuna in Mazatlán, Sinaloa, has made an incredible leap from social media influencer to Latin Grammy-nominated pop star in under a decade. Yet at 26, she has weathered countless storms — whether facing incessant body-shaming online, or defending her pop music pivot from cynics in the comments.

In an interview with the L.A. Times, the Mexican superstar explains how she transmuted that energy into her most fierce and sexy musical offering yet.

“In that darkness, I found myself,” the 26-year-old says over Zoom from her hotel room in Los Angeles — where she’s traded her signature blood red dress for a black tank top and jeans as she prepares for her upcoming tour.

“This album is totally about empowerment. There’s an energy behind it of divine justice… What’s for you belongs to you.”

Os had plenty of examples of powerful pop divas to draw inspiration from. Though she fondly recalls her mother playing the music of the late Selena Quintanilla and Jenni Rivera, Os was tapped into American talents like Miley Cyrus — namely her “Hannah Montana” alter ego — as well as Demi Lovato, Ariana Grande and Selena Gomez.

“I’ve always been inspired by a lot of female artists,” she recalls. “The power that women wield has always been at the core of who I am an artist.”

As Os looks back on being a teen girl who shared her life gratuitously on YouTube, and later social media platforms like Instagram and TikTok, she still feels the sting of body-shaming comments. Os reveals during that time, her weight would fluctuate from dealing with hormonal issues such as PCOS (polycystic ovary syndrome) and endometriosis.

“It’s very difficult how people judge you for your body, if you gain weight, have a tummy, or whatever,” she says. “It was very complicated to grow from a young girl into a woman [in a world] where you are how you look. Currently, I feel at ease because thanks to the universe, I’ve had the opportunity to take care of my body, understand it, and heal from within. It’s made me a stronger woman.”

Another hurdle that Os had to overcome in her career is an ongoing stigma placed on influencers-turned-pop stars. Although artists like Addison Rae, Tate McRae, and Charli D’Amelio successfully forged their careers as performers on social media before taking center stage, Os sees Mexico as being less receptive to that kind of career transition as the U.S. or Canada.

“In Mexico, it hasn’t been that easy for people to understand that I am a singer,” she says. “I’m not the best, but I’m here, I have my fandom that I love and we’re doing incredible things together.” (Os is referring to her massive following online, which includes 26.3 million fans on TikTok and 18.2 million fans on Instagram.)

When Os first launched as a singer in 2018, some immediately took aim at her dance moves and the digitally augmented sound of her voice. Os admits that she’s come a long way since that first iteration with rigorous singing and choreography lessons; three years later, she signed a record deal with her current label Sony Music Mexico, and released her glossy debut album, “Cambios De Luna,” in 2022.

Since then, Os has come to rule the Latin pop scene in Mexico, boasting multiple sold-out tours of the country.

“It’s been difficult for people to understand that I started out making content — which I still love to do — and suddenly, I’m [also] a singer,” she says. “They try to devalue my work and what I do as an artist. At the end of the day, I’m still as hard-working as I [was] on day one. I’m on the charts with a lot of artists. I’ve put myself in a position where I can say that I’m fully dedicated to music. For me, it’s been a beautiful journey where I’ve learned a lot about myself and I’ve grown so much.”

Os achieved an international breakthrough with her visual album, 2022’s “K23.” The following year she scored a viral hit on TikTok with the flirty “Malas Decisiones,” which has over 340 million streams on Spotify. Os would soon tour the U.S. for the first time, and at the 2023 Latin Grammy Awards, “K23” was nominated in the category of long form music video.

“I loved that experience, and I believe it would be beautiful to win a Grammy, but now I’m more dedicated to my fans, my music and what I like without expecting an award,” she says.

Last year, Os also pulled a page from Taylor Swift’s playbook by releasing the concert film “Kenia Os: La OG” in theaters in both the U.S. and Mexico.

Now with “K De Karma” out, Os is finding strength in further harnessing a sexier and more defiant alter ego — which she introduced in her cinematic music video for “Belladona.” Directed by Daniel Eguren, the visuals emphasize the fatality of her femininity with a car explosion and suited-up businessmen bending to her will.

“It doesn’t feel like that I have to act or pretend to be sexy or sensual,” Os admits. “Now, this feels very natural. It feels very me. This is who I am at this moment as a woman.”

She adds that her album was also inspired by a marginalized group that stuck by her side through her ups and downs: the LGBTQ+ community. As a show of gratitude to the girls and the gays, Os transforms from “Belladona” to Primadonna in vogue-ready house bangers like “Slay,” “Problemática,” and “Boom In Your Face.”

“I wanted to do something fun and different for the LGBTQ+ community,” she says. “I’m very happy and grateful for the love they’ve given me. I believe they’re my most passionate fans — they’re the kind of fans that are there for you the most. To put on concerts where you know most of the crowd belongs to that community, it’s an incredible experience.”

A surprising collaborator on “K De Karma” is Mexican singer-songwriter Carla Morrison. She co-wrote the tender love song “Tú y Yo X Siempre” with Os; the two also collaborated on “Días Tristes,” which is reminiscent of the moody ‘80s pop anthem by Jeanette, “El Muchacho De Los Ojos Tristes.”

Os reveals that she and Morrison worked on a third song that they’re still putting the finishing touches on. “It was very magical to work with her,” she adds. “She’s an exceptional and incredible human being with a big heart. She told me very beautiful words that motivated me all of last year. Those were words that I needed to hear.”

On the personal side, Os is also relishing her relationship with Peso Pluma. After collaborating on the reggaeton track “Tommy & Pamela” in 2024, the two Mexican artists went public as an item last year. Os has even accompanied Pluma on a few stops of his recent Dinastía Tour.

“It’s very beautiful to know that you have a partner that knows what you go through and that can give you advice from his experiences as well,” Os says. “I love that I can count on someone that understands me completely and supports me.”

As for now, she is raring for the Mexican leg of her “K de Karma Tour” that kicks off on April 25 in her hometown. She is hoping to eventually add some dates in the States.

“I want to grow more internationally with this album,” says Os. “As long as my fans love and enjoy this album, that’s all that matters to me.”

Harvard-Westlake doesn’t drop too many series in baseball these days, but if there’s one coach who gives the Wolverines fits, it’s Randy Thompson of Bishop Alemany. The reminder happened years ago when Harvard-Westlake had three future first-round draft picks on the same team in Max Fried, Lucas Giolito and Jack Flaherty, and Alemany defeated that powerful Wolverines team with Giolito on the mound.

On Friday, Alemany (8-3, 4-1 Mission League) completed a week in which it took two of three games from the Wolverines with a 10-4 victory. Apparently success against Harvard-Westlake isn’t just limited to the head coach. Thompson’s son, Brody, hit two home runs and a double and finished with three RBIs. Also hitting two home runs was Chase Stevenson, who had three hits and two RBIs.

Alemany had 16 hits on the day.

Sherman Oaks Notre Dame 5, Chaminade 4: The Knights (10-0) stayed unbeaten, with Dru Wilson’s RBI single in the sixth breaking a 4-4 tie. Malakye Matsumoto had three hits and three RBIs, including a home run. Lachlan Clark threw four innings of scoreless relief with seven strikeouts and no walks. Andrew Chute had a home run and three RBIs for Chaminade.

Loyola 5, St. Francis 4: Freshman Anthony Adame closed out the win with two innings of stellar relief and three strikeouts in the eight-inning contest. Austin Junk drove in the winning run with a double.

Sierra Canyon 19, Crespi 2: Charlie Cummings had two doubles, a single and three RBIs for Sierra Canyon.

Royal 6, Simi Valley 2: Dustin Dunwoody struck out 16 in six innings for Royal.

Hart 15, Valencia 14: The Hawks survived a four-run rally by Valencia in the seventh to win a wild Foothill League game. Justin Gaisford had a home run and five RBIs for Valencia. Hart received four hits and three RBIs for Matix Frithsmith. Josh Whitson had three hits and four RBIs and Hayden Rhodes hit a three-run home run. The two teams combined for 49 runs and 11 errors in two games. Another game ended in a 10-10 tie.

El Camino Real 6, Chatsworth 3: RJ De La Rosa and Jackson Sellz each had two RBIs to help El Camino Real stay unbeaten in the West Valley League.

Birmingham 8, Granada Hills 2: Carlos Acuna struck out five in six innings, Aidan Martinez struck out three in one inning of relief and Julius Monroe-Truitt had three RBIs for Birmingham.

Cleveland 3, Taft 2: Ezra Preis had two hits and two RBIs for the Cavaliers.

Bell 17, Huntington Park 1: Daniel Garcia had two triples and three RBIs for 12-1 Bell.

Carson 6, Banning 4: The Colts took control of the Marine League race this week. Skylar Vinson had two hits.

St. John Bosco 13, JSerra 0: For the fifth time in seven games, St. John Bosco (7-0), ranked No. 1 by The Times, recorded a shutout. Jack Champlin started and gave up one hit in five innings. Jhett Ohira had three hits and three RBIs. Ohira was seven for 12 in the Braves’ three-game sweep of JSerra.

Corona del Mar 8, Newport Harbor 1: Stevie Jones gave up one run in 6⅔ innings and Ryan Williams and Grant Horsley each had two hits.

La Canada 6, San Marino 0: Joe Bell threw a five-hit shutout and had two hits and three RBIs.

El Dorado 4, Villa Park 2: Brady Abner had the tying triple and Xavi Cadena hit the winning home run.

Corona 19, King 7: Anthony Murphy had a home run, a double and two singles. He also struck out three batters in his one inning of relief. Trey Ebel added two hits and three RBIs.

Norco 7, Corona Centennial 4: Dylan Seward and Jordan Ayala hit home runs for Norco.

Corona Santiago 9, Eastvale Roosevelt 1: Striker Pence hit a two-run home run and Joshua Angulo had two hits and three RBIs for Santiago. Ayden White threw three innings of hitless relief.

Redondo Union 6, Mira Costa 2: Robby Zimmerman struck out eight in 5⅔ innings.

Cypress 7, Mater Dei 5: Austin Gerken hit a three-run home run for Mater Dei, but Drew Slevcove got the save for Cypress.

Los Alamitos 6, Edison 5: A two-run double by Willie Adams keyed the comeback win.

Bishop Amat 7, St. Paul 0: Ashton Chavez, Kevin Martin and Izaac Muniz combined on the shutout. Omar Arretche had three hits for Bishop Amat.

Softball

Norco 14, Corona Centennial 0: Leighton Gray hit two home runs for Norco.

Ryder Cup stars Ludvig Aberg and Matt Fitzpatrick both falter as American Cameron Young comes from behind to win the Players Championship 2026 at TPC Sawgrass.

WATCH MORE: Young wins Players Championship after Fitzpatrick bogey on final hole

Available to UK users only.

Singapore Airlines holds the record for the world’s longest flight

The world’s longest flight connects America to Asia, with travellers spending nearly 19 hours in the air. Singapore Airlines currently holds the record for the longest long-haul route, operating between New York’s JFK Airport and Singapore Changi.

Covering an impressive 9,537 miles, the mammoth journey takes 18 hours and 50 minutes and has been running since the airline launched it in 2018. Singapore Airlines deploys its latest Airbus A350-900ULR on the route, an aircraft engineered to remain airborne for more than 20 hours without needing to refuel.

The aircraft achieves these remarkable flight times thanks to an enhanced fuel system, which increases the plane’s total fuel capacity to an extraordinary 24,000 litres.

However, the service isn’t available to all travellers, as Singapore Airlines has removed economy class from this particular route. Instead, the airline offers 67 Business Class seats and 94 Premium Economy Class seats.

Premium Economy travellers can enjoy extra legroom, a footrest, and an adjustable headrest. They’re also given noise-cancelling headphones and WiFi throughout their flight, reports the Express.

Those flying in Business class enjoy maximum privacy, with their seats converting into fully flat beds for a proper sleep whilst airborne. The aircraft features a host of premium amenities including higher ceilings, larger windows and bespoke lighting designed to reduce jetlag.

The carrier maintains that the aircraft’s cutting-edge carbon composite airframe also delivers exceptional air quality.

Those hoping to book a seat will require substantial funds, as fares routinely reach well into five figures. Singapore Airlines’ Chief Executive, Mr Goh Choon Phong, has previously described the new route as the “fastest way” to journey between the two major cities.

He stated: “Singapore Airlines has always taken pride in pushing the boundaries to provide the best possible travel convenience for our customers, and we are pleased to be leading the way with these new non-stop flights using the latest technology, ultra-long-range Airbus A350-900ULR.

“The flights will offer our customers the fastest way to travel between the two cities – in great comfort, together with Singapore Airlines’ legendary service – and will help boost connectivity to and through the Singapore hub.”

Whilst Singapore Airlines’ aircraft is undoubtedly remarkable, the world’s largest plane remains the Antonov An-225 Mriya, capable of transporting “52 mature elephants”.

Antonelli’s new record – he is 19 years and 212 days old – beat the previous held by Sebastian Vettel, who was 21 years and 72 days old when he took pole at the 2008 Italian Grand Prix.

Antonelli said he was “very happy” but accepted that he might well not have taken pole had Russell had a problem-free qualifying.

He said: “George had an issue, so probably could have been a different story but happy to be on pole for the first time.”

Russell described his second place as “damage limitation” after a litany of problems through qualifying.

The championship leader said: “It was a crazy session. Front wing broke at the end of Q2. The team weren’t sure it had broken but I was sure it had. Then got stranded on track and just made it back out in time. It was more a case of just getting a lap done.

“P2 is better than I was expecting when I started the lap with no battery and tyre temperature. Really happy to be here because I could have been down in 10th.”

In the first session, Leclerc became the first driver to beat Russell in a competitive session this year with a time just under 0.1secs quicker than the Briton.

Then in the second session, Russell ended up third fastest behind Antonelli and Leclerc after he suffered a broken front wing flap.

Heading out for the final session with a new wing, Russell’s car stopped on track on his out lap as the gearbox refused to change gear.

Antonelli drove past his team-mate as he set the fastest time on his first flying lap, 0.3secs quicker than Leclerc.

After frantic work in the garage, Mercedes managed to fix Russell’s car by applying a series of default procedures such as switching the car off and on again and swapping out the steering wheel.

He got just out in time to set a lap but his rushed preparation meant the car was not in its optimum condition as he went for a time.

However, Antonelli had his own problems on his final run – he suffered the same front wing problem has Russell had done in Q2.

Hamilton, who tussled with Russell for the lead in the opening laps of the sprint race earlier on Saturday, was 0.351secs off pole and said he had hopes of challenging the Mercedes again in the grand prix.

“It was a really tough qualifying,” Hamilton said. “A bit harder with the wind. It is so gusty today. So challenging.

“Really happy and grateful to be up here with these guys. Engineers did some great work over the break and managed to get a little closer to these guys.

“It’s still going to be a challenge but I am sure we’re going to have some fun. Learned a lot in the sprint race and our goal is to break the gap to these guys somehow.”

The McLarens were just over 0.1secs behind the Ferraris and Norris said: “We’re happy we’re close to them, gives us a good shot at tomorrow.”

But Verstappen was downcast to be nearly a second off the pace in the Red Bull.

“We change a lot on the car, and it makes zero difference,” the four-time world champion said.

“The whole weekend we’ve been off. The car is completely undriveable. I cannot even put a bit of a reference in. Every lap is like survival.”

ITV has shared images from its upcoming true crime series about convicted sex offender John Worboys

Broadcaster ITV has released a first look at its new true crime drama Believe Me.

Filmed in Cardiff, the four-part series tells the story of John Worboys – who was dubbed the ‘black cab rapist’ after preying on women under the cover of being a licensed taxi-cab driver.

He was convicted in 2009 for crimes including sexual assault and drugging with intent against 12 women.

His modus operandi was to claim that he’d had a win at a casino or on the lottery, then offer women he’d picked up in his cab after a night out a glass of champagne, which he’d laced with drugs, and which rendered his victims unconscious.

ITV said the drama “tells the story of how the victims of one of the most prolific sex attackers in British history were failed by the system”.

The series focuses on the ordeal of Sarah (played by Peaky Blinders‘ Aimée-Ffion Edwards) and Laila (played by Raised By Wolves’ Aasiya Shah), who reported sexual assaults by Worboys (Daniel Mays), and how their allegations were not thoroughly investigated.

Sarah and Laila – both pseudonyms – joined forces with solicitor Harriet Wistrich, played by Philippa Dunne and barrister Phillippa Kaufmann QC, played by Rachael Stirling, to sue the Metropolitan Police under the Human Rights Act for their failure to properly conduct investigations into their allegations of sexual assault, leading to their being subjected to degrading treatment and contributing to their distress.

They won, and when the Met appealed that judgment to the Supreme Court, they won again.

As these women fought to have their cases heard, looming in the background was Worboys’ first parole hearing. Eight years after he was convicted for his crimes, his victims had to fight again to keep him behind bars.

Sarah, Laila, Harriet and Phillippa were joined by Carrie Symonds (played by Industry’s Miriam Petche), a senior figure in the Conservative Party press team. She put her career on the line to spearhead a huge media and political campaign pushing for an unprecedented judicial review of the Parole Board’s decision. The campaign, with Sarah, Laila and Carrie at the forefront, was successful, and Worboys’ parole was quashed.

Sarah, whose identity has been protected, said: “Believe Me is about the courage of every woman who came forward to help put John Worboys behind bars.

“What happened to me changed my life, but in many ways the hardest part was not being believed for so many years. Without the people who stood by me, Worboys would have been freed and continued to pose a huge risk to women. Seeking justice shouldn’t mean more trauma. We shouldn’t have to fight to be believed or feel like we’re the ones on trial. The shame never belongs to the survivor.”

Believe Me will air on ITV

If you or somebody you know has been affected by this story, contact Victim Support for free, confidential advice on 08 08 16 89 111 or visit their website, http://www.victimsupport.org.uk.

Kathdhara village is a riot of colour as the early evening light turns the clouds the rosy hue of Himalayan salt. Bright red chillies lie drying in front of cornflower blue doorways. The pink of a sari and the orange of marigolds pop against a backdrop of verdant terraced fields, where cabbages grow in perfect rows like a picture from a Peter Rabbit book.

Just 22 families live in this remote hamlet in Binsar Wildlife Sanctuary, in the Kumaon region of Uttarakhand, north-east India. As we stroll with our guide, Deepak, taking in views of the layered hills and soaring, snow-capped Panchachuli peaks beyond, we are welcomed by villagers tending homes and gardens, strings of Diwali fairy lights adding extra sparkle to the scene.

I’m here to explore the foothills of the Himalayas and sample village life on a walking holiday with Village Ways, a pioneer of responsible, community-based tourism in India, which is celebrating its 21st anniversary this year. Dreamed up by Manisha and Himanshu Pande, the couple who run the Khali Estate, a small hotel in the reserve, the goal is to help address urban migration and support traditional rural life through low-impact tourism. Village Ways launched in 2005 with just five villages in the reserve, which guests hike between, and now more than 30 villages are involved in different parts of the country, from Madhya Pradesh to Kerala.

“The idea was to bring the community together to run something collectively, training people in all aspects of business. Everyone has a role to play,” says Manisha. “The Village Ways model has captured the attention of the government, too, and we’re collaborating on various projects in other states now, which is exciting.”

Most accommodation is in small, village-built guesthouses sleeping up to eight, rather than homestays, and money is evenly distributed to everyone from cleaners to porters, with committees making joint decisions. Back at the Kathdhara guesthouse, we join Diwali celebrations, sharing sweets, lighting lamps and praying to the goddess Lakshmi by a makeshift shrine. We feast on a delicious thali – spicy yams, dal, hemp chutney and warm roti – and sleep soundly, cocooned by the silence of the mountains.

The next day brings blue skies, and after breakfast we set out on a gentle walk to the neighbouring Gonap village. Binsar Wildlife Sanctuary was created in 1988, a 47 sq km (18 sq mile) area to help protect the broadleaf oak forest and wildlife. For the people living here, it altered their relationship with the forest, ending tree felling and hunting – tempting many to abandon village life for the cities. Village Ways offered an alternative – former hunters turned guides, sharing knowledge of the land and wildlife with guests, and seeing outsiders’ interest in local customs and traditions renewed their sense of pride.

We hike through pristine pine, oak and rhododendron forests (come in March or April to see the land painted red, pink and white when they bloom). I’m fascinated by the Himalayan oaks, which play a key role in storing and releasing water and stabilising the land with their vast root networks. We see the bright red flowers of wild turmeric and countless medicinal plants, from goat weed (some believe the juice stops bleeding) to Indian tobacco (used for toothache).

Leopards roam here too and, though they remain elusive, we spy footprints and scat, as well as porcupine quills. But the sanctuary is best known for its amazing birdlife – more than 200 species are found here – and we stop frequently as Deepak points out the crested serpent eagle, leaf warbler, black-headed jay and noisy parakeets.

Gonap itself is tiny – home to just seven families today. We’re welcomed to the guesthouse with chai and plates of warm pakora – enjoyed with staggering mountain views as Eurasian griffon vultures float on the thermals. Deepak leads us to a tiny temple, past houses with gardens heaving with jumbo lemons and air potatoes on giant stalks, the sounds of cicadas in the air.

No roads connect the five villages in the Binsar circuit, but the paths between them offer easy walking and there’s plenty of time to rest. A higher-altitude route in the nearby Saryu and Pindar valleys, close to the border with Tibet, offers more challenging hikes. But limited time means we head back to the Khali Estate from Gonap, stopping at Zero Point lookout – the highest vantage spot in the reserve, at 2,500 metres – to gawp at the 360-degree Himalayan panorama, dominated by Nanda Devi, the second highest mountain in India.

Built 150 years ago by a British commissioner, Gen Sir Henry Ramsay, the Khali Estate makes a picturesque base, with accommodation in stone rondavel cabins and a sitting room with roaring fire. During his time in Kumaon, Ramsay is credited with developing local infrastructure, founding a leper colony in the historical capital of the region, Almora, and regulating tree felling. We delve into the estate’s history on a tour with Himanshu, poring over photos and library texts, and learn how it was also a retreat for the Nehru family and an ashram for Mahatma Gandhi. Surrounded by forest, it’s utterly peaceful. Later, I fall asleep to the distant sound of barking deer.

For visitors wanting to learn more about the region’s history and the characters who shaped it, Village Ways has launched a new itinerary, Khali in Kumaon. As well as the Binsar walks, it takes in the lakeside hill station of Nainital, where we had stopped on the 270-mile journey from Delhi. Guests will also explore Almora, with its local primary school supported by Village Ways, the museum of the Anglo-Indian hunter turned conservationist Jim Corbett, and the Gandhi trail, heading into the hills to see some of the first looms he established for homespun cotton – a symbol of economic independence and resistance to British rule – at Anasakti ashram.

But our last day is very much focused on the present, as a stream of villagers arrive at Khali from far and wide to join the anniversary celebrations. Other Village Ways founders – Brits who worked in development and tourism – are here too, and there are talks, feasting and dancing. I learn about the Village Ways charitable trust, which supports healthcare in these remote villages, training local women to run mobile clinics. Since Village Ways’ inception, it has hosted 7,000 guests, benefiting about 5,000 people, from artists to taxi drivers, according to Manisha, and 470 villagers are directly involved in decision-making as members of the village tourism committees in six states.

I buy locally made scarves and handicrafts, and many of the young villagers – now guides, cooks or porters – tell me about the positive impact tourism has had on their lives. “Since I joined as a guide three years ago I’ve learned lots about Binsar and our birds – and my English has really improved,” said 23-year-old Ashirwad Joshi from Dalar village. “I’m very happy to be part of it and share my knowledge with visitors – it makes me proud.”

When we leave the next morning for the long drive to Kathgodam and onward train journey to Delhi, it’s the feeling of mutual respect and warmth that stays with me. The challenges are many, from ageing village populations to a decline in international visitor numbers to the area since Covid, but the Village Ways mission is very much full steam ahead – taking its ethos to other parts of the country. This type of tourism – one that involves communities as partners and is collaborative rather than exploitative – benefits locals and travellers alike. In these times of division, it is to be celebrated more than ever.

The trip was provided by Village Ways, which creates bespoke itineraries, tailored to travellers’ interests. The suggested 10-day Khali in Kumaon itinerary (available until 30 May, and from 15 September to 30 November 2026) costs from £1,315pp, based on a party of four, including transfers, rail travel, accommodation and most meals

Naledi Raptou has joined Channel 4 soap Hollyoaks as Kathleen-Angel McQueen replacing actress Kiara Mellor

A Hollyoaks teenager is set to played by a new actress.

Naledi Raptou has joined the cast of the Channel 4 soap and has been already filming with Jorgie Porter and Danny Mac as she takes on the role of Kathleen-Angel McQueen, the daughter of Theresa McQueen and the late Calvin Valentine.

In the coming weeks, Theresa (Jorgie Porter) will find herself navigating the realities of raising a rapidly maturing teenager when her sixteen-year-old daughter Kathleen-Angel has unprotected sex with her Ant Hutchinson (Brook Debio).

Naledi’s first episode on Hollyoaks will air on Tuesday (March 17). Actress Kiara Mellor had previously played the role since 2021. Theresa also shares a daughter, Myra-Pocahontas, with now boyfriend Dodger Savage (Danny Mac).

Talking about joining Hollyoaks, Naledi said “I’m really grateful for the opportunity to join the cast of Hollyoaks, it’s a great place to work and a very nurturing environment to grow.

“It’s been a pleasure to play Kathleen-Angel as she develops into a young adult. We’re learning new things about her and I’m excited to be able to present a different side of her.”

Naledi has previously appeared in an episode of ITV’s Significant Other as Chloe in 2023.

Hollyoaks spoilers for next week reveal the Hutchinson teens decide to bunk off school for the day in upcoming scenes.

Kathleen-Angel decides to join them but she’s caught sneaking out by Dodger who ends up covering for her.

At the park, Kathleen-Angel tries to find out if Ant still likes classmate Trina (Sadie Williams) but berates him in the process and he leaves.

Back at the flat, Ant is playing computer games when Kathleen-Angel arrives. Tension rises between the teens when they both call out each other’s behaviour. Ant tells Kathleen-Angel to leave if he’s such an awful person but she refuses.

Uncle Dom Reilly (John Pickard), who is looking after the kids while Tony and Diane Hutchinson are in London seeking a second opinion following her cancer diagnosis, later learns the teens have bunked off school.

He finds Ant at home who claims he is unwell and admits Ro and Dee Dee are at the park. As Dom leaves, Kathleen-Angel emerges from the bedroom and it’s revealed the pair discover they have slept together.

The following day, In need of the morning after pill, Kathleen-Angel goes to text Dee Dee Hutchinson (Chloe Atkinson) for help but startled when Ant comes up behind her and she accidentally sends it Dodger.

Not wanting her mum to find out, Kathleen-Angel returns home and tries to delete the text from Dodger’s phone but he catches her and reveals he’s already read the text.

The teen pleads with him not to tell her mum and Dodger says he won’t because she must. Coming into the room, Theresa catches the end of the conversation.

Theresa is devastated to learn that her daughter has slept with someone and Kathleen-Angel pleads with her mum not to make a scene as she really likes Ant.

The mum is horrified to learn who her daughter slept with given his past behaviour but Dodger encourages Theresa to listen to her daughter.

Hollyoaks airs Monday to Wednesday on E4 at 7pm and first look episodes can be streamed Channel 4 from 7am

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

March 4 (UPI) — NATO air and missile defenses intercepted a ballistic missile launched from Iran heading toward Turkish airspace on Wednesday.

The Turkish Ministry of National Defense announced that the ballistic missile had crossed Iraqi and Syrian airspace before being neutralized by NATO air defenses posted in the Mediterranean Sea. There were no casualties or injuries.

“Our resolve and capacity to ensure the security of our country and citizens are at the highest level,” the Ministry of Defense said in a press release translated from Turkish. “While Turkey supports regional stability and peace, it is capable of ensuring the security of its territory and citizens, regardless of who or where the threat comes from.”

The ministry did not say what it believed the intended target of the missile to be.

The Iranian missile is the first fired toward NATO territory since the conflict began. It followed a warning from Tehran that European countries supporting the United States and Israel would face retaliation from Iran.

Iran has launched missiles and drones toward countries in the Middle East that have a U.S. military presence in response to the U.S. and Israeli strikes on Iran.

“NATO stands firmly with all allies, including Turkey, as Iran continues its indiscriminate attacks across the region,” Allison Hart, NATO spokeswoman, said in a statement. “Our deterrence and defense posture remains strong across all domains, including when it comes to air and missile defense.”

After being intercepted, debris from the missile fell in the Turkish province Hatay in south-central Turkey near the Syrian border.

Turkish President Recep Tayyip Erdogan said in a social media post on Tuesday that he wishes to see a diplomatic solution to the ongoing conflict.

“We do not wish to witness conflict, war, tension and massacre right next door,” Erdogan said. “Our stance on the illegal attacks targeting Iran is also in this direction.

There are All-Star teams. Then there’s Sierra Canyon’s boys’ basketball team, made up of two McDonald’s All-Americans, a former Trinity League MVP, a star guard from North Carolina and several other newcomers that complete a nine-man rotation that no one in Southern California has been able to beat.

Coach Andre Chevalier pushes the buttons and has so much depth that it gives him the kind of options any coach would welcome. About the only question regarding the Trailblazers has been with so many top players, would they be unselfish enough to share the ball with teammates?

The answer is a resounding yes. The Trailblazers (27-1) won their first Southern Section Open Division title since the pandemic season of 2020 on Saturday night, defeating Mission League rival Harvard-Westlake 59-53 at Toyota Arena in Ontario.

Maxi Adams of Sierra Canyon celebrates the Open Division championship.

(Steve Galluzzo)

Harvard-Westlake kept battling despite trailing by 11 points at halftime. They trailed 56-53 with 19 seconds left after a three by Joe Sterling. The Trailblazers were able to clinch victory thanks to one free throw from JJ Sati-Grier and two from Brannon Martinsen. Martinsen finished with 18 points, Brandon McCoy had 13 points and Maxi Adams had 12 points.

“This group has been amazing,” Chevalier said. “It’s been one of the best seasons, maybe ever.”

Said Harvard-Westlake coach David Rebibo: “I thought they made some big shots in big moments, but I’m incredibly proud of our fight.”

No opponent had finished within 13 points of Sierra Canyon over the last month, and Chevalier gave credit to Rebibo and the Wolverines for taking them to the brink.

“David Rebibo is a heck of a coach,” he said. “No matter what roster we have, he always manages to have an elite team every year.”

Sterling finished with 18 points and Pierce Thompson scored 15 points.

Sierra Canyon has reached peak form. One curiosity was seeing how well the Trailblazers would fare leaving their comfortable home court in Chatsworth to play in an arena setting. But there was little difference.

More important is Sierra Canyon’s depth, which was put on display with seven minutes left in the fourth quarter after McDonald’s All-American McCoy picked up his fourth foul and went to the bench with a 45-39 lead. Over the next 2½ minutes, Sierra Canyon’s lead expanded to 12 points, aided by threes from Sati-Grier, a sophomore guard from North Carolina, and Martinsen, who was the Trinity League MVP two years ago at Mater Dei. That’s the challenge in trying to topple the Trailblazers — there’s always someone ready to step forward to deliver.

Now the Trailblazers can get ready to be the No. 1 seed in the Southern California Open Division regional playoffs, with an opportunity to advance to the state championship game in Sacramento in two weeks. The team looks focused, and even if one or two top players are off their games, the magic of being nine deep is knowing there’s always someone ready to come to the rescue.

Chevalier, though, wondered, “Can we stay hungry?”

McCoy answered that he’s “starving” for a state championship in the postgame news conference, which made his coach smile.

It’s been pretty clear for more than a month that Sierra Canyon has separated itself, and it will take a major upset to halt the Trailblazers’ clear path to Sacramento.