The Connecticut Sun have reached an agreement to sell the team to Rockets owner Tilman Fertitta for $300 million and will move to Houston in 2027, according to a person familiar with the deal.
The person spoke on condition of anonymity to The Associated Press on Friday because the deal hasn’t been announced publicly.
The WNBA Board of Governors still needs to approve the sale and the move. The team will play in Connecticut for the upcoming season before moving to Houston and becoming the Comets again.
This will end a 23-year run by the team in New England after the team moved to Connecticut from Orlando in 2003.
Houston was one of the groups that expressed interest in buying the team last year, eventually raising its bid to $250 million — the amount that Cleveland, Detroit and Philadelphia paid for expansion fees. Now with the $300 million sale price that’s the highest a team has been sold for in WNBA history.
The Sun had an offer for $325 million from a group led by Celtics minority owner Steve Pagliuca that would have moved the franchise to Boston. The WNBA basically blocked that deal from happening by saying that “relocation decisions are made by the WNBA Board of Governors and not by individual teams.”
The league also went on to say that other teams had gone through the expansion process and had priority over Boston.
WNBA Commissioner Cathy Engelbert said during a news conference to announce the three new expansion teams that Houston was up next.
Ever since Mark Davis bought the Las Vegas Aces in 2021, the league has added new owners that have some sort of NBA tie. Golden State, which came into the league last season, is owned by the Warriors. Portland and Toronto are coming into the WNBA this season and the ownership groups are connected to NBA teams.
The next three expansion teams — Cleveland, Detroit and Philadelphia — are all owned by NBA groups in those cities.
The WNBA just agreed to a new collective bargaining agreement last week where teams need to have top notch facilities similar to those of NBA franchises.
With the news of the deal on Friday, it allows the franchise to have clarity for potential free agents who could sign with the Sun next month.
The Houston Comets were one of the original franchises in the league that won the first four WNBA championships from 1997-2000. The franchise disbanded after the 2008 season.
The last WNBA team to move cities was the Las Vegas Aces, who relocated from San Antonio in 2017.
It’s time to discover the timeless charm of Türkiye’s Aegean Coast, where you can find sun-drenched olive groves encircling ancient cities, scenic wine routes dotted with Michelin-starred restaurants and buzzing beach clubs…
AUSTIN, Texas — “The Sun Never Sets” is filmmaker Joe Swanberg’s 10th indie to premiere at SXSW but his first to play the event since 2017. The astonishing pace with which he made his early work — loose, idiosyncratic stories that were progenitors of the emergent style known as mumblecore — has slowed significantly, but also given way to a newfound maturity as both a person and an artist.
Introducing “The Sun Never Sets” at its world premiere on Friday night to a sold-out crowd at the Zach Theater, Swanberg called his latest “my favorite film I’ve ever made.” Shot on 35mm in Anchorage, the movie follows a 30-ish woman, Wendy (Dakota Fanning in a vibrant turn), torn between pursuing a fresh romance with a reckless old flame (Cory Michael Smith) or continuing on with the settled-in-his-ways divorced father of two (Jake Johnson) she’s been seeing for a few years.
Dakota Fanning in Joe Swanberg’s “The Sun Never Sets,” filmed in Alaska.
(SXSW)
“I guess this is what they tell you about getting older and doing this job longer,” said a thoughtful Swanberg in a video interview from his home in Chicago shortly before the South by Southwest festival. “You get better at it and you sort of mature and all of this.”
The film marks Swanberg’s fourth collaboration with Johnson, a partnership that goes back to 2013’s “Drinking Buddies.” (The actor partly financed the new project along with his brother.) Following completion of the third season of the Netflix anthology series “Easy” in 2019, for which he wrote and directed all the episodes, Swanberg was planning to take a break. A divorce and the pandemic caused that pause to grow even longer.
In the intervening years Swanberg produced a number of projects for other filmmakers, did some acting and opened a small video store in Chicago. Swanberg knew Anchorage-based producer Ashleigh Snead, who encouraged him to consider shooting something there. The scenic location would give Swanberg the opportunity to expand his visual style from his usual couches, bars and apartments of much of his work. (There still are a surprising number of scenes on couches and in bars.)
“Joe’s a real filmmaker,” says Johnson in a separate interview. “And I think sometimes he doesn’t get that credit because he can make movies with nothing. This is a real adult movie. This is a film about how complicated breakups are and how messy they get. And it’s in beautiful Alaska.”
Swanberg, center, on the set of “The Sun Never Sets.”
(SXSW)
Swanberg has now gone from someone making talky, provocative and at times controversial films about the lives of post-collegiate 20-somethings to exploring the nuances and specifics of being a 44-year-old divorced father of two still trying to figure out his place in the world. His original cohort of SXSW-affiliated filmmakers, many of whom also fell under the rubric of mumblecore — nobody much liked the name, but no one ever came up with anything better, so it stuck — included Greta Gerwig, Lena Dunham, Barry Jenkins, Ti West and others who have gone on to more conventional mainstream success.
But Swanberg doesn’t seem to feel left behind. Rather, he only sees doors opening.
“It’s gone so much better than I thought it was going to go for me,” he says. “I mean, when I was making these really tiny, sexually explicit 71-minute movies, I was like, I’m just grateful to be here. I can’t even believe these festivals are showing this work and it’s so cool that there’s a space for me in this ecosystem.
“And so to watch my friends go off to do these giant movies, to see Greta doing ‘Barbie’ and stuff like that, to me it just opens up the possibilities,” he adds. “Each time a friend of mine sets some new record or moves into some new space, I’m kind of like: Oh, that just opened up for all of us now.”
His earlier work often featured raw sex scenes, sometimes featuring Swanberg himself. From practically the start of his career, well predating the #MeToo-era reckoning that began in 2017, Swanberg weathered accusations that he was exploitative and manipulative of his female performers. His stepback from productivity coincided with a moment when his explorations of sexual power dynamics fell out of favor. It would be easy to interpret that Swanberg preemptively soft-canceled himself to avoid a broader scandal. He doesn’t see it that way.
“Certainly in Chicago, where I’ve spent the last five years, I’m not unwelcome places,” he says, drawing a distinction between himself and “people who lose jobs or are capital-C canceled. But also my work has always pushed those boundaries and always attracted some amount of positive and negative attention.”
Though “The Sun Never Sets” has numerous kissing scenes, it doesn’t go too much further than that.
“I won’t do it,” Johnson says of more graphic scenes. “When I worked with Joe early on, I was like, ‘I love you, man — I’m not doing this.’”
For her part, Fanning had no reservations about working with Swanberg. He offered both Fanning and Smith the opportunity to work with an intimacy coordinator, but neither felt it was necessary.
“There was no planet where you’d ever be asked to do anything you were uncomfortable with,” Fanning says. “If there was ever a moment like, ‘I don’t want to do that,’ he’d be like, ‘Oh, then let’s not.’ There was a day where there was a scene and it was pouring rain outside. And we both looked at each other and he was like, ‘We’re not going to do it. The scene’s cut.’ He’s just open. And I just trusted him implicitly.”
Jake Johnson and Dakota Fanning in the movie “The Sun Never Sets.”
(SXSW)
Swanberg has long worked in an unusual style in which the script is essentially a detailed outline and the actors work to come up with their own dialogue during rehearsals. For “The Sun Never Sets,” Swanberg and Johnson developed the longest, most complete outline Swanberg has ever used, including some dialogue exchanges. Then the actors were allowed to make it their own.
Fanning recalled an early Zoom call with Swanberg and Johnson on which they explained the process.
“It’s still made like a real film,” Fanning says. “And Jake and Joe promised it’s not like we’re just flying by the seat of our pants: ‘You will know what to say, I promise.’ And then friends that know me asked, ‘Are you so nervous?’ And I was, but for some reason, I don’t know why, I just knew that it was going to be fine. And that just proved to be true.”
Even though it takes places in Anchorage, Swanberg calls “The Sun Never Sets” “extremely personal.”
“I was definitely writing a movie about a divorced mid-40s guy dating a younger person,” he says. “The questions of marriage and having children were sort of an amalgam of two real relationships that I merged into one onscreen.” He describes the material as “questions that I had and have about what my own relationships are going to look like post-divorce.”
That comes through in Fanning’s rich, layered performance, which might rank among the best of her already lengthy career. Swanberg’s style draws both an ease and an intensity from Fanning, who captures a woman at a pivotal moment of figuring out what she wants amid the emotional whirlwind she is going through. (At the film’s premiere, Fanning said, “I’ve never put so much of myself into a role before.”)
“I think the goal of Joe’s films, and I think at least my goal with this film, is trying to make everything feel real,” she says. “Things are just a mess some of the time.”
Dakota Fanning and Cory Michael Smith in “The Sun Never Sets.”
(SXSW)
Swanberg himself appears in a small role as the new husband of the ex-wife of Johnson’s character. And the characters of the two kids in the movie are named after the director’s own children. With a newfound maturity and emotional depth, Swanberg is continuing to make movies that are part diary, part generational markers.
“It’d be really cool in my 40s to make movies about characters in their 40s,” he says, “and in my 50s, 60s and 70s. It’d be neat to be making sexually explicit movies about 70-year-olds in their dating lives and sex lives and stuff. It’s really exciting to have movies about characters at this phase of their life, whether they’re finally settling down in their 40s or whether they’re getting out of relationships and reexamining their life. It’s where my head is at.” .
If you’re on the hunt for the perfect spring getaway, this beach needs to be on your radar.
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This spot has some of the best views in the country(Image: Getty)
As the UK welcomes warmer weather and springtime approaches, the allure of the beach becomes irresistible. With an abundance of stunning coastlines to choose from in the UK, deciding on the perfect spot can be a challenge.
Thankfully, the experts at Go Outdoors have done the hard work for you, compiling a list of the crème de la crème by analysing data from across the country. The research considered spring temperatures, rainfall records, sunshine hours and Google reviews of UK beaches, culminating in a definitive list of the nation’s top springtime beaches.
Taking the top spot is a breathtaking beach boasting 7.8 hours of daily sunshine during spring and minimal rainfall.
This idyllic location is none other than Cuckmere Haven in East Sussex, which achieved an impressive score of 9.60 out of ten in the Go Outdoors study. Visitors can enjoy picturesque river walks, a vast coastline and views of some of the country’s most renowned cliffs.
The beach itself is a sight to behold, but there’s also plenty to discover in the surrounding area. It offers one of the best vantage points of the Seven Sisters – England’s iconic white cliffs – and you can meander along the Cuckmere River towards the sea, reports the Express.
Praise for the beach abounds on TripAdvisor, with one gentleman enthusing: “Absolutely stunning scenery. Long walks and perfect for the family I loved every second of walking these beautiful cliffs. You can also see the Seven Sisters the whole time for those are into history.”
Another commented: “Wow – this iconic sight takes your breath away! The cliffs are blindingly white and the beach and surrounding countryside is so pretty. Everyone should see this once in their lifetime.”
Numerous visitors caution that some of the pathways around the beach can become muddy and slippery, so proper footwear is essential – though there are ample spots to pause and rest along your journey.
Calum Jones, author and outdoor enthusiast at GO Outdoors, advised: “When planning your spring beach trip, keep in mind that British weather can still be unpredictable. Bring a waterproof jacket to stay dry in case of sudden showers, choose supportive, waterproof footwear for any slippery sand or rocks, and layer your clothing so you can easily adjust to changing temperatures.
“Sun protection is also important, even in spring. Apply a generous layer of suncream before you head out, and don’t forget a cap and sunglasses to shield yourself from harmful UV rays.”
Our journalists strive for accuracy but on occasion we make mistakes. For further details of our complaints policy and to make a complaint please click this link: thesun.co.uk/editorial-complaints/
Eight players were ejected and a referee was knocked to the floor, requiring medical attention, after a brawl broke out during South Alabama’s 80-70 victory against Coastal Carolina in a Sun Belt Conference women’s basketball tournament game Wednesday in Pensacola, Fla.
Coastal Carolina forward Tracey Hueston has been suspended by the conference for the rest of the postseason. South Alabama’s Cordasia Harris, Amyah Sutton and Daniela Gonzalez each received a one-game suspension.
The incident started during a stop in action with 5:39 remaining in the fourth quarter when Harris appeared to bump into Hueston from behind underneath the basket. Hueston turned and took a swing at Harris, and others rushed in to separate the players.
Hueston took another swing and appeared to inadvertently hit referee Marla Gearhar with a forearm to the head or neck area. Gearhar was knocked to the floor and remained on her back until multiple staff members and a medical professional were able to attend to her.
The conference later announced that Gearhar “was evaluated by medical personnel at the Pensacola Bay Center and was released.”
A double technical foul was called on Hueston and Harris. They were ejected from the game, along with South Alabama’s Sutton, Gonzalez, Terren Coffil, Saneea Bevley, Princess Okafor Nweze and Jeriyah Baines.
“It’s unfortunate we had the incident with South Al today. I know Tracey Hueston regrets that,” Coastal Carolina coach Kevin Pederson said after the game. “She’s an incredible model citizen off the floor and she knows she can’t act that way. That was extremely frustrating for everybody, certainly something we don’t approve of in this program. It’s nothing you want to see.”
South Alabama athletic director Joel Erdmann said in a statement that while “the incident that took place during Wednesday’s game is extremely unfortunate and unacceptable,” he does not believe Harris, Sutton and Gonzalez were deserving of suspensions.
“After an extensive internal review, I do not believe the actions of all three of our student-athletes rose to the level of being classified as fighting as defined by the NCAA rule book,” Erdmann said. “This judgment has negatively impacted the tournament experience of our suspended student-athletes and stripped them of limited opportunities to compete in the postseason.
“Though I strongly disagree with the judgment of the officials, we will accept the decision from the Sun Belt Conference and turn our focus to supporting coach [Yolisha] Jackson and her team in [Thursday’s] tournament game against Texas State.”
