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Premiering Sunday on PBS, “Trespasses,” a four-part adaptation of Louise Kennedy’s 2022 debut novel, is a story of love in a time of choler. Set outside of Belfast in 1975 during the Troubles, it follows a clandestine affair between Cushla Lavery (Lola Petticrew, the serial killer in “Furious”), a 24-year-old Catholic elementary school teacher, and Michael Agnew (Tom Cullen), an older, married Protestant barrister known for defending stone-throwing Catholic youth with an eye to keeping them out of the IRA.

Emptying the thesaurus, press materials stress the hot stuff — “scandalous,” “risqué,” “racy,” “torrid,” “titillating” and “steamy” — and while there is more than a modicum of modest sex scenes, the actual tone of the limited series, as adapted by Ailbhe Keogan and directed by Dawn Shadforth, is quite measured; it runs on talk. That’s not to say, given the setting and the setup, which betokens tragedy as surely as Romeo meeting Juliet, it doesn’t throb with tension, let’s say, three-quarters of the time.

Along with teaching, Cushla works for her brother Eamonn (Martin McCann) at the family bar. The clientele includes Catholics and Protestants, united in their love of whiskey, lately including Michael — whose opposition to extremism grants him the honor of being disliked by both sides — seemingly there expressly, even too expressly, to gaze upon Cushla while he pretends to do crosswords. And she gazes back. Moving through discussions of Malcolm McDowell’s typecasting and group lessons in Irish, led by Cushla, they will go beyond gazing.

She’s a ray of light; he’s magnetically mature. You may or may not buy the mutual attraction the series insists upon, or for that matter, trust the lovers’ motivations. (I think we’re meant at least not to wholly trust Michael, as the older party, with a reputation as a womanizer — I didn’t, anyway.) But you will also be invited to change your mind. Because the camera never leaves Cushla’s side, anything there is to learn we learn along with her, which pays some dramatic dividends and means we’ll be forced to revise earlier judgments, usually for the better.

It’s a dangerous liaison. Michael, who is given to speechifying (and actual speechmaking), declares, “We cannot let the old bigots and the boys with guns tell us how to live … Otherwise nothing will ever change. Hate wins” and, in a favorite refrain, “We must find the bravery to choose freedom over fear.” Cushla, however notes that she comes “from a long line of Catholics that have survived by keeping their heads down and their mouths shut. Having a big opinion like yours, it’s a luxury I don’t have.”

Gerry Harkin (Oisin Thompson), left, Cushla’s colleague and confidant.

(Peter Marley / Channel 4)

Many shots are framed as if Cushla and Michael are being watched, whether or not they are, though sometimes they are, including by each other. (“They like to let me know they know where I am,” Michael says, when Cushla mentions seeing a patrol car outside his flat.) We’re shown the oppressive presence of loyalist troops, and some anti-Catholic vandalism, and a neighbor reflexively checking his car for a bomb, but the greater violence comes through as background noise on the radio or TV news, or reported by Cushla’s young students.

Fortunately, if no less terribly, there is more to the story, and many of the most compelling scenes have little or nothing to do with Michael. (Every scene is a Cushla scene.) She’s wonderful with her class, and her colleague and confidant Gerry Harkin (Oisin Thompson), who will jump onstage at a school assembly to interrupt a strident, bigoted superior, leading the students in a peace song — “Take away the hate and the violence / Bring love into our hearts.” Viewers will consider his bowl haircut a romantic nonstarter, but there are levels to be revealed.

Cushla may not have the luxury of big opinions, but as an obviously good person, whatever one thinks of adultery, she’s unafraid to go against the grain in support of her student Davy McGeown (Daithi Ó Haragain), whose mother (Emily Taaffe) is Protestant and whose Catholic father, in the child’s words, has been “beat up for loving my mummy.” She’s also supportive of Davy’s bright older brother Tommy (Conlaoch Gough-Cunningham), teetering on the edge after the attack on his father.

Above all, there is Cushla’s mother, Gina, played by Gillian Anderson, in a downward spiral since the death of her husband, some two years earlier. Introduced in a state of drunken collapse, Anderson — fearful, bitter, despairing, protective — is quite magnificent limning different levels of intoxication. But she’s even more impressive in her sober scenes, participating in the world beyond her couch, bringing food to the McGeowns and, finally, acting as a mother to Gina.

Michael’s declarations not even aside, Keoghan has a gift for writing dialogue that feels native to the speaker and doesn’t land heavily on a point, and apart from the lovemaking interludes and a gauzy montage of a romantic trip to Dublin, Shadforth’s naturalistic direction enhances the drama by not underscoring it. She has an especially convincing way with party scenes — a school disco, a wedding, an art opening, a birthday party (at which Michael performs a soulful, foreshadowing version of the Carter Family’s “The Last Move For Me”) — where so many productions fall down.

Come for the promised steaminess. Stay for the rest of it.

The Aichi-Nagoya Asian Games get under way this weekend under the shadow of a housing crisis that has organisers scrambling to placate athletes and officials from participating nations.

The tournament has been mired in complaints over housing options for athletes travelling to Japan, after the host nation decided not to build a dedicated Games village for the 17,000 competitors and officials.

To cut costs this year, organisers are relying on a cruise ship, temporary wooden cabins and hotels, but this temporary accommodation has met with criticism in the days leading up to the continental competition.

On Monday, South Korean officials slammed beds in shipping container-style huts as the “worst-ever”, as the South Korean basketball chief said the beds were too short to stretch out in.

Here’s everything we know:

Why are the Asian Games facing an accommodation crisis?

The official housing committee said the issue arose because they expected 15,000 athletes and officials, but numbers increased as new sports were added.

This year’s Games will feature several newcomers, including mixed martial arts, padel and surfing, as well as virtual taekwondo and teqball, which ‌‌combines aspects of football and table tennis.

Ahead of the Games’ opening, chief organiser Hideaki Omura said efforts are being made to ensure athletes are comfortable.

“If there are different opinions, then we will respond to them appropriately,” Omura, who also serves as governor of Aichi prefecture, told the AFP news agency.

“At this point, while we are responding to individual opinions, we have been improving everything as issues arise, and we will continue to respond that way.”

He added that a committee of former athletes, including Olympians, gave a favourable assessment of the plans for the huts built this year.

“We explained everything to them and had them take a look around, and they said it looked functional and good,” he said.

Where will the Asian Games athletes stay?

Alternative housing options range from a cruise liner and wooden containers to hotel rooms.

On Tuesday, the Italian cruise ship, Costa Serena, which will host 4,000 athletes and officials, arrived in Nagoya.

The shipping container-style huts in the dock area of Japan’s biggest port will host 2,000 other athletes and officials.

On Thursday, Japan’s deputy Chef de Mission Hisashi Mizutori told a news conference that athletes have been going through entry procedures since the cruise ship village opened a day earlier.

“There have been cases where coaches, team officials and athletes have been assigned to the same room. There are also situations where room assignments were made purely based on the numbers, such as assigning five twin rooms for a group of five men and five women,” Mizutori said.

“While the numbers match on paper, practically it creates challenging situations such as men and women being assigned together, coaches being assigned with athletes, or trainers who need to accommodate a lot of medical equipment being assigned together.”

He added that the Japanese Olympic Committee (JOC) had also anticipated accommodation “challenges” and secured hotels in the city as a backup.

“We are currently working to coordinate and negotiate adjustments wherever possible. For cases where that proves too difficult, we are considering using the backup accommodations that Team Japan prepared in advance as alternatives.”

Why are participating nations and athletes complaining about the accommodation?

Jung Jae-yong, vice president of the Korea Basketball Association (KBA), slammed the cabins hosting the men’s basketball team.

“Athletes who are over two metres tall cannot even stretch their legs out on the beds. It’s unreasonable.”

Jung also accused the organisers of failing to respond to South Korea’s concerns about the housing options.

“The organisers have still not said anything,” he said, adding: “We are very concerned and discussing extensively with the Korean Sport and Olympic Committee what to do about this.”

Player Byeon Jun-hyeong, from the basketball team, posted a video on social media showing a leaking sink and a soaked floor in his hut.

“Please help us,” he posted.

Philippine Olympic Committee president Abraham Tolentino also said that while all his athletes had been given a room, “some officials, like coaches, were moved to different hotels and Airbnb”.

Why will cricketers get the best accommodation at the Asian Games?

Head of Japan’s cricket association, Naoki Alex Miyaji, said in early September that cricket would get better accommodation than other sports.

According to Miyaji, the cricket tournament is being run by the Asian Games organising committee in collaboration with the Asian Cricket Council.

He said that the two bodies had been discussing accommodation options “for a long time”.

“The participating teams in cricket are being offered hotel accommodation,” Miyaji said.

“Many other sports are being accommodated in much more limited facilities, such as a cruise ship or container hotels.”

What other issues have hit the Asian Games?

While the opening ceremony has yet to take place, several events such as basketball, football, cricket, hockey and modern pentathlon have already begun.

On Thursday, Tropical Storm Dujuan was located off Japan’s Pacific coast as of 03:00 GMT and heading northwest towards central Japan, where Nagoya is located.

Last week, torrential rains hit Nagoya and the surrounding areas, forcing schools to close and suspending train services. Several hundred athletes were also forced to leave their accommodation.

Kosei Inoue, Japan’s chef de mission for the Games and a senior executive board member of the JOC, said at a news conference on Thursday that some competitions have already experienced “delays or postponements, and there is also a possibility that a typhoon could approach on September 21”.

“Under these circumstances, we are holding thorough meetings within the JOC to ensure that we are fully prepared and capable of responding appropriately to these situations.”

KATIE Price has begged her terminally ill mum Amy to “find the strength to stay” in an emotional Instagram post.

The 48-year-old star said she’s never loved anyone as much as seriously ill Amy, 74, who is living lung condition Idiopathic Pulmonary Fibrosis (IPF).

She wrote: “Mum please don’t leave me, please find the strength to stay
with me longer on this earth your my EVERYTHING.

“And you know I’ve turned everything around and your so proud of me.
Your my eyes, my voice, my strength, my absolute Everything.

“You’re a warrior and I’m your baby girl always and you love me through everything and held my hand. I can’t lose yo, u not n, ow not EVE”R.”

Just days ago, Katie revealed on her podcast with sister Sophie that their mum Amy is in hospital and “very poorly”.

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Amy was diagnosed with IPF in 2017 and the chronic condition causes irreversible scarring of the lung’s air sacs making it difficult to breathe.

She had a lifesaving lung transplant in 2023 after drifting into a coma and being days away from death.

In July, Katie said she feared Amy might die while filming her recent autobiographical Sky documentary.

“There were so many times we thought we were gonna lose mum through the filming,” admitted Katie.

Sophie agreed, saying she didn’t think Amy was “going to make it.”

Katie went on: “She just keeps battling through and I never thought she’d make the BAFTAs [in February], none of us did.”

LONDON: Tottenham were booed off after their goalless start to the Premier League season stretched to a fourth match following Saturday’s dismal 0-0 draw against Everton.

Roberto De Zerbi’s expensively assembled side have made a wretched opening to the new campaign and they were easily held by Everton in north London.

Tottenham have taken two points from their first four matches, with their only goals this season coming against second tier Charlton in the League Cup.

Their search for a goal takes them to Liverpool in the League Cup third round on Tuesday before they host Aston Villa in the top-flight next weekend.

David Moyes’s Everton remain unbeaten after three draws and a win.

Despite spending more than £300 million ($406 million) on 10 signings since the end of last term, Tottenham’s crisis is mounting after a remarkably bad start.

Defeats against Brentford and Newcastle and a draw against Nottingham Forest left them languishing in the relegation zone ahead of this weekend’s action.

With the spectre of another relegation battle looming after last season’s final-day escape, De Zerbi desperately needed a morale-boosting victory.

Tottenham, who finished 17th for the last two seasons, climbed out of the bottom three after this draw, but it was hardly any reason for celebration.

They had secured their top-flight survival with a win against Everton in north London.

De Zerbi’s men rarely looked like recreating that success, with Savio shooting just wide from Sandro Tonali’s delivery.

Ainsley Maitland-Niles scored a stunner to salvage a draw against Manchester United last weekend, but the Everton midfielder was off-target from the edge of the area this time.

Mateus Fernandes, one of Tottenham’s expensive recruits, fired over from a good position.

Omar Marmoush made a hash of another decent chance, triggering groans of frustration from the disgruntled Tottenham fans.

Everton went close to snatching the lead just before half-time when James Garner’s free-kick was clawed away by Antonin Kinsky.

When Fernandes forced a routine save from Jordan Pickford, Tottenham supporters responded with ironic cheers to mark their team’s first shot on target.

Thierno Barry should have added to the fans’ angst after Tyrique George’s cross picked him out but the Everton striker’s header was parried by Kinsky.

De Zerbi had seen enough of Tottenham’s lethargic performance and sent on Mohammed Kudus, Mathys Tel and Lucas Bergvall.

Kinsky gifted Everton a golden opportunity when his attempt to find Tonali instead rolled to Kiernan Dewsbury-Hall, but the midfielder took too long to shoot and the chance was gone.

Picked out by Dewsbury-Hall, former Tottenham forward Brennan Johnson blazed over with the goal at his mercy to let his old club off the hook.

Bergvall was denied by Pickford in the closing minutes but it was not long before jeers were cascading down from the stands.

HAVE you ever struggled to get to sleep on a plane? Well, what if the plane was actually a hotel?

A new hotel has just opened in Malaysia where you can stay on two planes.

In Johor Bahru – the third-largest city in Malaysia – you’ll find the new 1975 Avenue & Hotel formed of two Boeing 747 planes once used by Pan Am and Japan Airlines.

The planes – nicknamed Bove and Bey – form part of the new hotel, which has 38 rooms in total.

To get on each plane, guests will have to board via a jet bridge from the main hotel.

Each plane then has nine suites onboard designed around different countries including Indonesia, China, England and Thailand.

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In the Premium Suites, guests will be able to enjoy two levels of accommodation including a king-sized bed, a freestanding bath, a rain shower and a separate lounge area.

Even the cockpit on each plane has been transformed into a lounge area, complete with original details.

The suites cost from 1,706 Malaysian Ringgits (£267.36) per night.

The two planes sit in the middle of the wider hotel complex where you can book into regular rooms – many of which have views of the two orange-painted planes.

And below the wings of the planes is where you will find a man-made beach pool, a kid’s waterpark and bar.

The hotel also boasts a rooftop pool, sunken hot tub, a fully equipped gym and a spa as well.

When it comes to grabbing something to eat, the hotel has an all-day dining restaurant as well.

The hotel isn’t too far from Singapore either, as well as just 20 minutes from Senai International Airport.

Liverpool’s Dutch forward Gakpo is a transfer target for Premier League rivals Manchester City.

Virgil van Dijk is hoping Liverpool hang on to Cody Gakpo, with Manchester City reportedly closing in on the Dutch international before Tuesday’s Premier League transfer deadline.

Gakpo looks set to be pushed down the pecking order at Anfield by the arrival of Bradley Barcola from Paris Saint-Germain for a fee that could rise to $166m, making the Frenchman the second-most expensive player in Premier League history.

In three and a half years at Liverpool, Gakpo has scored 51 goals and played a major role in the club’s 20th English top-flight title in the 2024–25 campaign.

The 27-year-old has made a bright start to this season, scoring one goal and providing an assist as Liverpool have drawn their opening two games 2-2 against Newcastle and Nottingham Forest under Andoni Iraola.

But Liverpool appear open to cashing in on Gakpo, with City reportedly set to pay 75 million pounds ($101.6m).

“He’s a quality player, and I think we should keep quality players, but let’s see what the next three days bring,” said Van Dijk.

“Obviously, it’s pretty clear that I want him to stay, not only because he is the quality player that he is, but also [because] he’s a friend of mine, and I think he will be very important for us.”

Barcola has been tempted to England by the European champions despite a difficult time for the Reds, who finished fifth in the Premier League last season.

But Van Dijk is confident Liverpool will always remain a popular destination for the world’s top players.

“I think Liverpool are still one of the biggest clubs in the world. Obviously, we all know that we’re going through a transition, and you either want to be part of it, or you don’t. I’m part of it now,” he added.

“He’s [Barcola] a very good player. If he comes, he’ll be welcomed with open arms, but until it’s there, there’s no point speaking about it now.”

Iraola has had an early awakening as to why he was given the chance to replace the sacked Arne Slot, as Liverpool’s defensive issues have been exposed by Newcastle and Forest.

But in both games, Liverpool have twice come back from behind to salvage a point.

“It takes some time, but obviously we all want it to work as soon as possible and for 90 minutes,” said Van Dijk.

“That’s now two games in a row we’ve had to fight back. Obviously, it’s a good sign that we fight back, but I think we can still do much better than what we have been showing.

“We have to score more; we have to concede less. Nottingham Forest came here three times in the last three seasons and came away unbeaten, and that shouldn’t happen.”

IT’S half nine at night on the summer solstice.

The light is doing the golden hour thing it only does in June, and my four-year-old is scattering dragonflies as she launches herself into the cold water.

“Can we go in the ‘cold pool’ again?” she asks the next morning. Again. She has asked roughly 200 times this week.

The pool in question is the natural swim pond at Tanylan Farm, on the coast road between Ferryside and Kidwelly in Carmarthenshire.

We stayed in Ty Llo (Calf House), one of a handful of holiday barns on site — and the pool was the single best thing that has ever happened to my daughter.

Rain or shine, morning or night, she was in it.

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There was a sauna next to it for the grown-ups, a private hot tub outside our holiday cottage, and the beach was 400 yards down the lane.

My wife and I, our daughter and baby son had travelled by train to Swansea then picked up a hire car and made our way to Carmarthenshire — that bit of Wales everyone drives past on the way to Pembrokeshire. Their loss.

On day one, the sun was out so we visited Pembrey Country Park — 500 acres of woodland backing on to Cefn Sidan, an eight-mile stretch of sand that was the first beach in Wales to win a Blue Flag.

The sand is absurdly fine and the water so shallow that by mid- afternoon it had warmed up like a paddling pool.

For small children, it is close to perfect.

The park itself is the showstopper, though.

There’s a dry ski slope, a toboggan run, crazy golf, a pirate adventure playground and miles of flat, traffic-free cycling on rental bikes.

We arrived planning to stay two hours and left after seven.

Next day, the National Botanic Garden of Wales, just over half an hour’s drive from the farm, was one of the most relaxing family days out we’ve ever done.

Monty Python fame

Think Eden Project but at a size you can easily get round with a buggy and a pre-schooler.

The Great Glasshouse, packed with plants of six Mediterranean climates, sits in the landscape like a dropped raindrop.

We ate our picnic sandwiches in the “Canary Islands”, with the smell of cedar and lavender.

Outside is 568 acres of restored Regency parkland, lakes, waterfalls — and a Gruffalo trail themed on the kids’ book character.

Kidwelly Castle, of Monty Python movie fame, is a 20-minute drive away.

“Let’s climb to the top, Daddy,” my daughter begged. So we did — and the views over the Gwendraeth estuary are worth the effort.

From on high, I told my princess-obsessed daughter about a real one, Gwenllian, who rode out from this castle to lead an army into battle against the Normans.

I left out how it ended (head lopped off) and she was suitably impressed.

Our final stop was the British Bird of Prey Centre which recently moved to a purpose-built site at Idole, near Carmarthen, after years at the National Botanic Garden of Wales.

It flies golden eagles, red kites, owls and peregrines, with three shows a day and an indoor arena for when the Welsh rain sets in.

We did get four days of rain but it barely affected our week’s getaway.

There was always a glasshouse, a castle, an indoor flying arena — or that cold pool.

We’ll be going back for more — she’s already asked.

Hig (Jacob Elordi) may be the most perfect guy alive, not that he’s got much competition. In Ridley Scott’s simple-minded sociological study “The Dog Stars,” an influenza epidemic wiped out the majority of our squabblesome species sometime during the last decade. The LCD screens outside the Denver Nuggets basketball arena continue to flicker, although weeds and wolves have overrun the fast-food joints in a bit of postapocalyptic product placement.

A former mechanic and construction worker, Hig lives 25 miles north of the city on what appears to be a combination high school football field/rural airport. Periodically, the soft-spoken and generous man flies his Cessna into town to scavenge soda pop for a dozen or so cherubic Mennonite children on a nearby homestead. Those wholesome visits seem to cheer him up a little, what with the kids’ minder (Benedict Wong) striding around in a straw hat and overalls like something out of Norman Rockwell, and the youngsters thanking Hig with crayoned portraits of his doting German shepard, Jasper. Still, he’s bummed out about his dead wife (Sai Bennett), who, like most dead movie wives, appears in flashbacks as beatific, mute and adoring.

The script by Mark L. Smith (“The Revenant”) wants us to fret that Hig may succumb to suicide but whiffs that idea by trying to get it across in a scene where Hig shuts off the Cessna’s engine mid-flight with Jasper happily riding shotgun. Even if we were willing to accept that Hig might deliberately crash his plane, we can’t buy for a second that he’d hurt his sweet pup. Nevertheless, the film’s dystopian beats are so familiar, you’ve probably guessed by now that you shouldn’t get too attached to the dog.

Hig has bunkered down with a grouchy companion, Bangley (Josh Brolin), who thrives in this harsh world. To Bangley, the four essentials of life are “power, food, water and weapons.” Their armory is formidable; their cash supply, a source of comic relief. At night, Hig and Bangley play poker with stacks of $5,000 bills that they throw around as casually as nickels. Patrolling their two-man compound, Bangley insists on killing all outsiders before they might cause any trouble. Adding insult to headshot, he calls his casualties “cockroaches.”

Soon, Hig will meet a freckled widow named Cima (Margaret Qualley) and her suspicious father, Pops (Guy Pearce). The young pair make eyes at each other. Yet these survivors are so hard-wired to be fearful of their neighbors that Hig and Cima’s rusty, tentative flirtation takes place under the gaze of her daddy’s gun, a heck of a chaperone. The most they get up to is heavy spooning.

This is an uncomplicated yarn about a man prying open his heart and nudging other hard nuts to do the same. There’s little tension or drive, just shaggy scenes about paranoia, trust and hope. The characters seem to endure only to get to their next traumatic memory reveal.

At once plain-spoken and vague, the story lacks a firm grip on facts like the distance between places and how long this mess has been going on. It snatches at our attention with no more finesse than a losing fighter fumbling for a weapon. Hig’s Cessna works fine until it’s narratively convenient that it doesn’t. Then when needed, it works again. Meanwhile, Brolin’s Bangley oscillates in personality from miserable bastard to laugh factory.

At 88, Scott remains the cinema’s uneasy philosopher, continually fretting about the technological and societal tools we’ve developed to destroy ourselves. He’s made one genuinely optimistic film, 2015’s “The Martian,” which also happens to be his biggest box office success. Other than that, he’s never seemed confident that the future will turn out all right, although he’s kept on working out his worries onscreen, forever hunting for flakes of hope in the rubble. (If you take Scott’s IMDb as gospel, he’s got seven upcoming features in various stages of preproduction, more than George Lucas has ever made.)

“The Dog Stars” is based on Peter Heller’s 2012 novel of the same name, which, in those naive, pre-COVID times, was received as a rosier take on Cormac McCarthy’s “The Road.” Scott’s version of“The Dog Stars” borrows its title, premise and a handful of proper names. Otherwise, it’s loud where the book was quiet and subtle where the book got sweaty. A barrage of newly concocted action sequences in the second half makes the pacing so off-balance that the film feels like a heron trying to fly with one blinged-out wing.

I’m only half-complaining — those giddy, bloody scenes are the best parts of the movie. But we in the audience could have used some of that pizzazz at the beginning, too, before we spent nearly an hour settling into the idea that we’ve seen all of this before.

The attackers to come are a bizarre grab bag of baddies. One gang wears football pads as armor and comes galloping in on horses, whooping like the Apaches in a John Ford movie. Another horde, the Reapers, runs around shirtless to show off their thick black tattoos. The Reapers look awesome through cinematographer Erik Messerschmidt’s night-vision binoculars that make their skin glow an alien shade of green. Neither group comes across like human beings. The film handles them more like zombies or rabid raccoons, and since these extras are the only characters of color, I won’t fault anyone who finds their treatment morally queasy.

Late in the film, we also meet a third group headed by Allison Janney doing a cap-tip to Nurse Ratched as the soundtrack cues the mind-numbing waltz from “One Flew Over the Cuckoo’s Nest.” Otherwise, Harry Gregson-Williams’ meddlesome score tells us everything that’s about to happen 30 seconds before it does. Besides Janney and Qualley’s plucky Cima (what in the made-up name is that?), few grown women seem to be left alive for reasons probably better left unsaid. (A goon in the book wears a necklace made of dried labia. Scott sagely omits that detail.)

Elordi nearly shoulders the running time but plays his Hig a bit too humbly. I’ve rarely seen Elordi wearing his lanky, handsome screen presence comfortably; something about the actor usually seems to be apologizing for his own existence. His recessive Hig needs more charisma so we can care about him as a character, not just an idealized hero. But you like him anyway. How can you not when Hig is giving his dog a good scratch?

Having lived through a seismic pandemic himself, it makes sense that Scott would be drawn to the original novel’s blend of patience and poetry. Yet, it’s odd how little of it he’s kept. To hold my own interest, I imagined myself as a hunter-explorer trying to figure out why Scott had bothered to adapt it at all, and turned up a line where Brolin’s Bangley looks back on his old life and admits that he couldn’t understand what he had until it was gone. A lovely moment, although I don’t believe it’s in the book either.

That’s the theme of this rote exercise. But I preferred a minor beat a few minutes later when a character puts down their gun and picks up a guitar. Bad as this world feels, there’s still pleasure in making art. Which is why Scott keeps at it, too — and while I don’t think much of this one, I’m awful glad he does.