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DAVID Beckham can’t keep away from his Hollywood Walk of Fame star, proving to be is own biggest fan.

It has been a monumentous week for David, 51, who got honoured with the coveted star on the iconic walkway on Friday.

And it seems that Sir David still can’t get over the exciting honour.

He was seen posing with it the day after it was unveiled at a formal event attended by his famous family.

Crouching down to see it while donning casual clothes, the sporting legend looked proud as punch as she took a selfie with the star.

His wife Victoria then snapped a photo of her husband as he took the selfie, with her sitting several feet away from him.

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She then uploaded the snap to her own Instagram story and wrote: “Spotted. @davidbeckham fan.”

David’s wife Victoria Beckham and three of their children, Harper Seven, Cruz and Romeo were all in attendance at the formal event that saw the iconic star unveiled on Friday.

David’s eldest child Brooklyn failed to show up to the very special event, despite living down the road from the Los Angeles location that the unveiling took place.

As David gave his speech before unveiling the star, he mentioned his children – but did not name them individually.

“My beautiful children who are the reason I get out of bed in the morning,” he said while choking back tears.

“Kids, I hope you bring my grandchildren here one day and tell them about a boy who dreamed big,” he added.

After the star’s unveiling, the Beckham’s youngest child Harper visited eldest sibling Brooklyn’s Los Angeles home.

The 14-year-old, who was in the US to see footballer dad get his star on the Hollywood Walk of Fame, was seen arriving at the plush Beverly Hills pad in a SUV.

According to claims in Page Six, Harper arrived “unannounced” and “left seconds later without seeing him”.

A source then told the publication how the budding chef, married to actress Nicola Peltz, was out of town with his wife.

Earlier this year, David and Victoria Beckham‘s eldest son let rip at his parents in a brutal social media takedown – and said he has no wish to reconcile.

In a scathing statement, Brooklyn told how he grew up with “overwhelming anxiety” having been “controlled” by his parents most of his life.

His initial statement read: “I have been silent for years and made every effort to keep these matters private.

“Unfortunately my parents and their team have continued to go to the press, leaving me with no choice but to speak for myself and tell the truth about only some of the lies that have been printed.

“I do not want to reconcile with my family. I’m not being controlled, I’m standing up for myself for the first time in my life.”

He then went on to recall the night of his wedding and how his mother danced in an “inappropriate way”.

Brooklyn also sent his parents David and Victoria a legal notice warning they can now contact him only via lawyers.

The extraordinary “desist” letter also instructed them not to “tag” him on social media.

In this week’s episode of The Envelope podcast, Riz Ahmed talks about drawing on his own experience for “Bait,” his Prime Video series about a British Muslim actor whose life is upended when he’s rumored to be the next James Bond.

Kelvin Washington: Hello, everyone, and welcome to the next episode of The Envelope. Kelvin Washington, Yvonne Villarreal, we have Mark Olsen. And Mark, I’ll stay with you for a second. You had a chance to speak with Riz Ahmed, who is the creator and the star of “Bait,” which centers around the idea of who could be the next James Bond. So then, dang it, I’m asking you two the same question: Who could be, should be the next James Bond? Is there somebody or somebodies that you’ve thought about for a while and said, “Well, that would fit, that could work”?

Mark Olsen: It was recently announced that they have begun the casting process to replace Daniel Craig in the beloved and long-running James Bond franchise. And there have already been at least one sort of confirmed person, the actor Tom Francis, auditioned. But then there’s a lot of other names being thrown around, like Callum Turner, Jacob Elordi, Aaron Taylor-Johnson. Kind of everybody about that age bracket you could think of. You know, it’s funny, in the last movie, “No Time to Die,” Lashana Lynch was given the number 007, so she was not James Bond, but she was 007. And I always thought, actually, in the last couple of movies, that Léa Seydoux would make a perfect [00 agent] — she’s cool, she feels kind of dangerous. She would have seemed to me like a great person for that kind of role. But then also, that’s obviously not James Bond. So who knows who it could be. Yvonne, what do you think? Do you have anybody in mind?

Yvonne Villarreal: Can it be a toss-up between you two? How would you fare?

Olsen: I don’t know if I’d pass basic training.

Washington: They have doubles, OK? They got stunt doubles and CGI and AI for all of that and for you, OK.

Villarreal: It’d be like the Leslie Nielsen version.

Washington So it’d be like 007 with a question mark: 007?

Villarreal: More seriously — not that I don’t take you two seriously as candidates — I would throw my enthusiasm around Jonathan Bailey or Damson Idris.

Washington: I’m gonna one-up your Idris and just go [with] the obvious, Idris Elba. It’s been sitting there for the last 15 years or so.

Villarreal: That’s why I didn’t [say that], because I’m like, “It’s been sitting there and they still haven’t.”

Washington: But sometimes it just makes sense. Sometimes it’s just sitting smacking you in the face, or shooting you with a silent 9mm — whatever he uses, James Bond. It just makes sense, and to be honest, it’s one of those, he’s probably passing [on the role] because you wanna have a franchise you can hold on to for 20 years with a particular actor, give or take, and he seems like he’d be probably too senior for that at a certain point. The podcast, the conversation behind what really happened there is going to be fascinating because, to your point, it just seems like the momentum was building for it and it didn’t happen. So it would be interesting to hear what actually comes out of that. But those are my are my guesses right there.

All right, Mark, you had a chance to speak with Riz Ahmed, obviously the creator and the star of “Bait.” Fascinating to me, just the concept of the show as a whole.

Olsen: Riz Ahmed is someone who, he’s so thoughtful about his own career, but also his place in the world. And so he does such a great job with this show and taking this idea of like, “Could an actor like Riz Ahmed, could he be James Bond? Should he be James Bond? Why not?” And so the show is just so thoughtful and finds all these really inventive ways of exploring that idea. He’s playing a little-known actor who it becomes public that he’s auditioned for the role and that throws his whole life into tumult both within the industry, with sort of like online hate towards him, but then also with his own family. And the show is also meant to be kind of a real love letter to the South Asian communities of London. Riz in the conversation talks about how they went out of their way to shoot in parts of London that you don’t normally see. So the show, it’s just so inventive and fun in a lot of really terrific ways.

Washington: Well, let’s hear more of your conversation with Riz now.

Riz Ahmed.

(Christina House / Los Angeles Times)

Mark Olsen: On the show, you play an actor who auditions for the part of James Bond. It leaks to the press, and then his whole world turns upside down. For you, is the premise of the show predicated on the idea that someone like you would never get that part, or is it that, of course you should get that? Which end of the telescope are you looking at it from?

Riz Ahmed: Kind of neither, really. The premise of the show was something a bit more emotional than that. The James Bond thing came right at the end, to be honest, of the creative process. Really, the heart of the show is the idea of auditioning. James Bond really serves as a symbol in the show, a symbol of aspiration, pinnacle of achievement in this industry and also of alpha masculinity and all this kind of stuff. And so it’s really the idea of trying to be that guy, which on some level, we’re all trying to be this kind of preferred version of ourselves, right? We’re all performing. We’re actually all always auditioning. So it’s about that feeling, [which] I think extends outside this industry. We’re doing that on LinkedIn or social media, on this podcast right now. We’re performing a version of ourselves. When actually the true version of ourselves is kind of messy, chaotic and vulnerable. So it’s that distance between the public and private self that I was really interested in, and James Bond just served as an aspirational symbol of that public way that you would love to be seen.

Olsen: But Bond, because of the specific cultural baggage that comes with that franchise, did you feel like it fit thematically with what you were trying to do?

Ahmed: Oh, perfectly. It was a godsend. It was like one of those moments where it’s like, “OK, so we want to do something about, like, aspiring to be anything but yourself. We want to do something about feeling like life is one big audition, but we need something that encapsulates success and cultural acceptance.” And it was like … Of course: Bond. And because the process of making this show was one of pulling so much from my own personal life, there was a moment or two when my name was mentioned in that conversation. I mean, along with, you know, everyone and their dog. But it was an interesting kind of thought experiment, it was an interesting, as I said, kind of vessel to place all of the themes into. And so when that idea came about, it was like, “This is perfect. We can talk about everything we want to talk about using this symbol.” We’re like, “OK, now how are we gonna get it?” And everyone told us Barbara Broccoli would never let us use it. Rightly so, she was very protective of this IP. But I wrote her a letter, sat down with her, showed her the scripts and she understood. She understood that it’s not really about Bond. It’s a show about self-love, and she really kind of vibed with that. Shout out Barbara Broccoli, thank you for letting us use Bond exactly how we wanted to.

Olsen: You recently hosted the new “SNL UK” and in your monologue, you made this joke that you don’t just play intense roles, that there’s this image of you that it’s all that you do. Did you purposely want to make “Bait” as a way to break you out of that perception?

Ahmed: It wasn’t that careerist and calculating, to be honest. I was just trying to make something that was authentically me. And I think the people who know me know that I’m a lover of comedy. My first rap song was a comedy rap song. I got banned on British radio back in the day because it was a quite an acerbic kind of satire. And actually it’s funny because I think that’s an American perception of me. In the UK, nine times out of 10, when I get stopped is for a British comedy I did called “Four Lions.” Which is like a kind of cult classic British movie. It’s a very British comedy. That’s like me, that’s like how I am in real life. And so when I wanted to make my own show, it just stands to reason it would be a reflection of my taste. So the overall frame was comedy, but I kind of have quite a maximalist sensibility. I want to have my cake and eat it. So I also wanted it to be a spy thriller and a family drama and quite surreal and psychological thriller and all of these elements kind of put together, but the frame of it all, I would say, is comedy. And yet it was really actually important to us that we tried to defy genre and defy categorization in that way.

Olsen: Did you feel like this was a role that, like, nobody was going to give you, like you had to write this for yourself?

Ahmed: It wasn’t so much out of a kind of frustration or a desire to create work for myself or break out of a pigeonhole or anything like that. Honestly, I just tried to make something as honest and authentic and vulnerable as possible, if that doesn’t sound too eye-rolly. I guess I reached a point in my life as a creative where I realized, actually, performance isn’t about putting on the mask, it’s about taking it off. It’s about sharing with the world who you are, sharing your privacy and your insanity. And if you do that, people will connect with it because it’s honest. And if you name your pain and your craziness, there’s something healing in that for yourself and others. I had kind of gotten to that place in my life. And so I wanted to kind of follow that through to a place that felt quite scary and pull on the most personal aspects of my own neuroses and my life and my neighborhood that I grew up in — so many locations are literally where I’ve grown up. So many moments in the show I pulled very directly from my life experience. My character has a panic attack at the end of Episode 1 at this particular music venue in North London. I had a panic attack in that venue in North London when I was supporting Wu-Tang Clan. My character is approached by MI5 and MI6. They say, “Hey, you’re a rising actor, do you wanna work with us, help with messaging?” That happened to me specifically once I started to become a bit more well known. There’s just so many things that kind of came from that place, and it was all based on this idea of like, “If I wanna make a show about a character who needs to learn how to take off the mask, then I need to do that as well.” And we kind of had a mantra in the room, which was like, “If it feels scary and it’s true, do it.” And there were times when I didn’t want to do it, definitely times when I wanted to kind of hide, but I just increasingly have this feeling that if you can offer up a part of yourself, then that’s one of the most liberating things you can do as an artist. And also for an audience, it just feels honest. That’s where you can connect most with people, if you’re willing to share that vulnerability.

Olsen: What was the writing process of the show like for you? Was there a moment where you had like a whiteboard with a list of awkward things that had happened to you?

Ahmed: That whiteboard would be very, very big, very, very large. Let’s say we’ve got a lot left in the tank if we ever do another season. The writing process was a learning curve for me, never having been in an American writers’ room system before. Hugely grateful to my co-showrunner, Ben Karlin, who’s got himself a really eclectic background. He’s one of the founding writers of the Onion, the satirical website. He has this track record, “The Daily Show With Jon Stewart” and “The Colbert Report,” but also “Modern Family.” And so I wanted someone who had that eclectic background, and we had a writers’ room that was similarly very eclectic. We had stand-up comedians. We had novelists. We had playwrights. We had experienced TV writers. We had U.S. [people], we had UK people. I just knew that I wanted this to feel quite eclectic, and as I say, kind of genre-bending. And so I wanted that breadth. So actually the writing process for this was like, “How do we make this feel as chaotic and messy and unpredictable as possible?” That requires a crazy amount of craft. And there were a lot of late nights, there was a lot of hair being pulled out. And it was, I think, one of the most intense periods, more so than the shoot, even. It was just trying to figure out what this show was. And I came to this realization, which is, Shah Latif, my character, is having an identity crisis. He’s trying to work out who he is. So it stands to reason the show should also be trying to work out what it is. The show needs to be having an identity crisis. So then we gave up on this mission of trying to make it feel coherent and consistent. And we said, “Of course, he’s an actor trying to work out who he is. Every episode should be a different genre. We should have our James Bond-goes-to-the-gala-in-a-tux episode. We should to have our Bollywood-proper episode. We should have our Linklater walk and talk. We should have our Greengrass does a spy thriller.” So we really deliberately and really defiantly tried to embrace the identity crisis of the character in how we told the story. And when we did that, everything fell into place. We would stop trying to straitjacket this into something more predictable.

Olsen: And what was it like for you to be filling this role of not just actor but also writer, producer, showrunner? How did you feel about taking on all those roles?

Ahmed: I felt scared. I felt out of my depth. I felt like I needed the help of people much smarter than me. Luckily, I had that help. And more than that help, their patience. I continually said, “No, we’ve got to go back and do it again. We’ve got to rewrite that episode. We’ve gotta redo this whole section,” as it felt so personal to me. Not just because it’s my personal experiences, but because there’s a world that hasn’t quite been put on screen before in this show, and I felt a tremendous sense of responsibility and emotional connection to that world and these characters. So at times it felt overwhelming. ButI’m of this philosophy that usually when you’re making something, you kind of end up feeling how the character is feeling. The character feels out of his depth, feels overwhelmed, feels like he does not quite know what he’s doing, it stands to reason I should feel like that. If I really feel like I’ve got it all worked out and I’m in control, we’re doing something wrong. So as far as possible, I tried to remind myself that that was a sign of almost being in touch with the material. At least that’s how I tried to talk myself off the ledge, man.

Olsen: Can you just talk to me a little bit about the title? As I understand it, “Bait” is UK slang?

Ahmed: The title actually has many different layers to it. I always say this is a show that’s hard to sum up in a sentence, but it’s really easy to sum up in one word, and that word is bait, because it has like five or six different meanings. So one key meaning is British slang. It means really blatant and in your face. So if you’re blowing up someone’s spot, you’re baiting them up. You’re being really kind of, “Look at me, look at me,” you’re being bait. So that speaks to Shah Latif, the character, and his attention seeking. But bait also means, online, trolling. It also means, in Urdu, your loyalty or your allegiance. It also mean in Arabic, in Hebrew, home. And it also, in literal meaning, it’s something used as part of a trap, which speaks to the spy thriller element to the show. So all these different layers to the word bait correspond to a different layer of show, correspond to each different episode. That’s exploring that meaning. And I wish I could tell you we had this all worked out upfront, but we struggled with the title for so long and it kind of like hiccuped itself up into the ether in a late-night kind of hair-pulling session. We realized, “Oh, my God, that’s it. That’s exactly what it should be.” So yeah, the title I think encapsulates how we’re trying to explore these different genres and all the different narrative threads in the show.

Olsen: All the things that your character of Shah Latif is going through trying to move forward in his career as an actor, remaining true to his community and his sense of self, how much of those are your own issues? Are there things that you feel like you’re on the other side of now? Are those things that you’re sort of constantly trying to figure out for yourself?

Ahmed: Of course, like this idea of searching for your identity in a world that either commodifies it or punishes it, that’s something I relate to. But I also kind of feel like that’s something we all relate to. There’s a lot of me in Shah Latif, but I actually think there’s a lot of Shah Latif in all of us. This idea of feeling as though you’re not enough. This idea of trying to cultivate a public version of yourself because you’re ashamed of the private version of your self. I think that’s such a universal feeling right now in this performative culture that we live in. We all wanna be looked at, but we don’t wanna be seen. And somebody once told me that the distance between your public and private self is the amount of shame that you carry. I think it’s true, more or less. I’m not saying you shouldn’t have a private life and some things shouldn’t be kept private. It probably should. But in a kind of deeper sense, I think there’s a truth in that. So I wanted to make a comedy in this playground of shame because it’s something that I can relate to, but I just had a sense that this is a very universal feeling.

Olsen: How much of these are issues or things you were going through in your career maybe five years ago, 10 years ago? What are the the sort of top-line things that you feel like you’re struggling with now?

Ahmed: This is where it becomes a full-blown therapy session. I would say that there was a period of time when I was just really desperate to be in the room. And now I’m in a place where I’m really excited to try and build my own room. And that, in a way, is a journey that the character goes on. I think it’s a journey that I’ve gone on, and the show, in a way, is a culmination of that journey. You know, it was just such a privilege to be able to create a playground and bring together this kind of ensemble. I don’t think there’s ever quite been a brown ensemble like this on screen before and [to] showcase all that talent and create that sense of family and specificity. And yeah, as I said, kind of build my own room rather than asking for a seat at someone else’s table. So I think that journey is one that I’ve been on and one that, I think, the show is exploring.

Olsen: There are these title cards throughout the series that give you these neighborhoods and locations, and I don’t know London super well, but like, it feels like it’s a very specific version of London. What was the importance of those locations for you?

Ahmed: The shows that I really adore and the ones that really inspired me on this journey are ones that are unapologetically specific. The Holy Trinity in my mind was “Atlanta,” “I May Destroy You” and “Fleabag.” These half-hour shows that are super personal, but also super specific in the world they’re exploring, whether they’re a city like Atlanta or a certain kind of Black London, or a very particular kind of white, middle-class British family in “Fleabag.” And so I wanted that unapologetic specificity. I wanted it to be a love letter to my London. And so I wanted to shout out these neighborhoods that really mean something to me. But more than that, I wanted to give a nod to the spy genre with those title cards. You know, in a Bond movie it says like, “Somewhere in the Caribbean,” you know, “Mexico City.” I wanted do that with Kentish Town, with Brick Lane, with Wembley. I wanted to elevate our daily experience and those neighborhoods to that kind of grand stage and those epic stakes and say, “Actually, this is as magical, as important, as exotic, as thrilling as any of those locations within that kind of genre.” Jordan Peele, when he made “Get Out,” said, “Being Black in America is like living in a horror movie. That’s why I made ‘Get Out.’” I can add this thesis that being brown in the West is like being in a spy thriller. And that’s why we made this. So I wanted those neighborhoods to feel like those chyrons you have in a spy thriller.

Olsen: You’ve often mentioned in the past, it’s a phrase I’m very taken with, “stretching culture,” expanding the idea of what’s possible. And I’m just curious, like, how is that going for you?

Ahmed: There’s the idea that the universe is expanding in all directions at the same time. I feel like that with culture. I feel like things are getting crazier and better at the same time simultaneously at an accelerating pace. You know, that’s kind of how I feel about it. And it’s like our consciousness, right? You get a little bit crazier, even as you get smarter. It’s that kind of feeling. For whatever it’s worth, it may sound pretentious, but I kind of feel it’s important to try and anchor myself in some sense of purpose. And I think that’s the purpose of storytelling, is to kind of constantly expand horizons of who is considered human and what is considered human. And I think for me, at least in this moment in my journey, I want that to be about telling stories that haven’t been told before, portraying worlds and communities and characters that maybe we haven’t been that familiar with.

Olsen: You’ve expressed some frustration recently with the phrase “representation” — that it’s become kind of a hollow gesture. What would you like to see happen moving forward?

Ahmed: Well, I was really proud to be part of the conversation, when we were kind of collectively coining that term, right, going from diversity to representation. But I do think it’s not an end in itself. Like I said, being in the room doesn’t necessarily change anything. It’s what are you allowed to do in that room? Does the room change you, or do you change it? It’s what the show’s exploring. And so at least for me right now, the kind of representation I’m interested in is how authentically we can represent ourselves. Do you know what I mean? Like, do I have to code switch? Do I have put on a mask or do I get to take it off? That to me is, I think, the most exciting kind of knot to unpick right now. And as I said, that’s kind of at the heart of the show.

Olsen: I want to be sure to ask you about some of the other cast on the show, specifically Guz Khan. I feel like I could watch the two of you just driving around in a car together for hours.

Ahmed: I’ll send you the rushes.

Olsen: Did you two have an immediate chemistry?

Ahmed: Can I tell you, the story of me and Guz is its own bizarre bromance. Here’s how I thought I knew Guz. Guz went viral in the UK because he did a joke, kind of like [a] shout-out against Steven Spielberg, right? Because there’s a kind of dinosaur in his “Jurassic Park” reboot that sounds like a racial slur in the UK. I’m just gonna let people check it out for themselves. I’m not gonna say more than that. This is like 10 years ago, something like that. He goes viral, he starts blowing up, people start offering him his own TV show. He DMs me on Twitter and he’s like, “Bro, like, what’s the industry like? Is it like crazy Illuminati vibes?” I was like, “Yes, but the Illuminatis are actually very fun, come and join us.” And just started this banter with him, and he goes on his journey, becomes one of the most beloved comedians. I’m on set with him, shooting “Bait.” And he goes, “You don’t remember the first time we met and we spoke, do you?” I said, “I remember, you DM’d me like a crazy guy.” And he was like, “No, no. We met 20 years ago.” I was like, “What are you talking about?” I was doing a spoken-word performance in the Midlands in the UK. No one was coming to see it. It was a completely empty club. So I take it upon myself to go outside and start flyering passers-by. Down a dark alley, I see guys with some of his friends engaged in a business of some sort. His legal team have asked me to refer to it as “selling tulips.” They were selling tulips, OK? I go down to this alleyway, I hand him flyers, him and his friends. I’m like, “How are you doing there, gentlemen? Would you like to come and see me do some spoken word?” They’re like, “What the hell? We’re in their mid-tulip transaction.” He decides out of the kindness of his heart with his boys to come and watch me do spoken word at Coventry Student Union. And he said it was the first time he saw someone that looked like him doing something like that in a space like that. … Twenty years later, we’re on set together. We met when we were like 20 years old and I’d completely forgotten him, but he remembered. We have like a brotherhood and a friendship in real life. I wrote that role for him. He is someone who constantly reminds me that as an artist, your art can only be as expansive as your heart is. He’s just that guy on set you want to be around. He brings the positive energy, he reminds you this is meant to be fun. And actually, when you’re having fun, you’re feeling relaxed and loose, you do great work. He’s evidence of that. And so I just have so much love for him, but I would only say that because he’s not here. If he was here, I would be making fun of him aggressively.

Olsen: Now that to me seems like this notion of stretching culture, where you’ve had this influence on him that you kind of didn’t even know.

Ahmed: I would love it if he would say that publicly, rather than me having to tell the world that I’m responsible for his career. Thank you for saying it. If we can clip that bit, that would be great. Send it to Guz, yeah? Email that to him. I don’t know, man. I kind of feel like we’re all in this relay race, right, and we’re just fumbling the ball to one another and trying to move forward. And one of the great things about this show was being in community in that way. I think for some people, particularly in the UK, they’re familiar with the world that’s portrayed here. I think, for a lot of Americans, they’re really not. Interestingly, I’ve had a lot of Latin viewers and Latina viewers approach me saying, “That’s my family, I get that, I know what that is.” And so I don’t know, I just think it’s kind of exciting. One of the things I love most about storytelling on screen is we can bring people into worlds they haven’t been to before. That’s what I remember falling in love with when I watched “Goodfellas” and “Mean Streets” in that world that Scorsese creates. So yeah, I think as long as we’re all leaning into this specificity, doing so in community, maybe that’s how we get to stretch culture.

Olsen: In a recent profile on you, the actor Sandra Hüller, who you work with on the upcoming movie “Digger,” she said that one of the things she most admires about you is that you take yourself and your work seriously. And I think I feel the same way, like there’s an intentionality to what you do, there’s a sense of purpose to what do.

Ahmed: It sounds so boring, though, when you put it like that. Doesn’t it? I hope I don’t take myself too seriously. I guess I take it seriously that I’ve got this opportunity to try and tell stories, and I believe that they matter. But I actually hope I don’t take myself seriously, very seriously. I hope this show in a way is evidence of that. That’s Exhibit A. Yeah, you got Hüller’s testimony here and then you got “Bait” over here. Who do you believe?

Olsen: Is there anything you can tell me about “Digger”? It’s a new film from Alejandro González Iñárritu, it stars Tom Cruise, and it has quickly become, I think, one of the most anticipated movies of the year. People are very excited about it. And there’s very little known about it, is there anything you can say about it?

Ahmed: It’s funny you should say that because I spoke to Alejandro today and he gave me permission to reveal something exclusively to you on this podcast. No, not really. There’s nothing. Absolutely nothing. I actually might get assassinated for just saying that even.

Olsen: And have you seen it?

Ahmed: I feel like anything I say, there’s like a bomb on my leg that might go off. I’ll say this, it was a really unique and incredible experience. Alejandro is this crazy genius and being around that level of — Tom Cruise as well — they’re all obsessive perfectionists that have just like endless rocket fuel in them. It’s just inspiring to be around, honestly. Really, really unique. I don’t know if I’ll ever have an experience like that again.

Olsen: And then you were nominated for an Academy Award for acting for “Sound of Metal,” but you won an Academy Award for the short film “The Long Goodbye” that was based on an album that you put out. As you’ve become busier in your acting career, has it become difficult for you to still make time for your music?

Ahmed: The projects that I have out right now with “Hamlet” and “Bait” are things that I’ve built. I’m not saying this is the way, necessarily, it’ll always be, but at least over the last several years, acting is like this cherry on the cake. I’m spending all this time building these other things and writing these things and producing these things. And in a way making music is part of that. It’s like being in a writers’ room, with musicians in a studio. And one of the things that I’ve enjoyed most is bringing the development of stories together with the development of albums. “The Long Goodbye” short film is an example of that. But I mean, I joke about this to my friends, one of the main reasons I made “Bait” as a TV show is so that I could make a soundtrack. You know, I grew up on Bollywood where, in a way, the movie was just an excuse for the music. I partly almost feel the same way here. We’ve got a soundtrack for “Bait,” which I’m very, very proud of. And it’s a reflection, I think again, of that eclectic, multicultural London that I know and love. It pulls together artists from across the diaspora, from the Bay Area and the U.S. through to India and Pakistan, from Trinidad and Bangladesh and Karachi and London. And it’s something that I think kind of speaks to the genre-bendiness of the show as well. So in a weird way, as I’m developing more of my own stories, I’m able to incorporate music into that process more.

Olsen: But are you making music of your own?

Ahmed: Yeah, I’ve got two tracks on that soundtrack, for example. Yeah, one of them with a rapper who I’ve been a huge fan of for many, many years. So that was a lovely moment. His name is Casisdead, makes very kind of cinematic UK hip-hop. So I’ve got two tracks on that and yeah, I mean, watch this space. Hopefully I’ll have some more time.

Olsen: And then, this is a moment in the show, and I know it’s something that’s happened in the past, but are you still ever mistaken for Dev Patel?

Ahmed: Honestly, every time I’m mistaken for Dev Patel, I’ll take the flowers. I’m such a fan of his, personally, and he’s actually also from that very particular pocket of Northwest London where I’m from, that this show is almost a love letter to. That pocket of London has produced, if I may humbly put myself in that bracket, myself, but also Dev Patel, Jay Paul, Jay Sean and Jay Shetty. All the Jays. All of them. So I’m very proud of Dev and everything he’s doing, and he’s telling his own stories as well in a way that I find really inspiring.

CHICAGO — Dodgers superstar Shohei Ohtani stepped into the Rate Field batter’s box for the first time this series on Saturday, greeted by a smattering of boos from White Sox fans.

He took his first swing at the second pitch of the game. And he sent it into the right-field stands. A no-doubter, proclaiming that his availability was no longer in doubt.

Ohtani returned to the lineup for the Dodgers’ 7-1 win against the White Sox on Saturday, after exiting the Dodgers’ game Thursday against the Pittsburgh Pirates and missing Friday against the White Sox because of inflammation in his left knee.

“I felt good waking up in the morning,” Ohtani said through interpreter Will Ireton after going one for three with a home runs and three walks Saturday. “I feel good now. So I’m pretty confident that I’ll be able to stay healthy, and should be good to go [Sunday] as well.”

Ohtani also tested his knee playing catch before the game Saturday. And the Dodgers will continue to monitor him as he prepares to take the mound Wednesday against the Tampa Bay Rays at Dodger Stadium.

“It wasn’t 100% today,” Ohtani said. “But with the next three, four days, I feel pretty confident, with enough recovery, that I should be able to make the next start.”

Even Ohtani said he hasn’t been able to pinpoint the cause of the swelling. But he has a theory.

“All I can really know for sure is that I think my mechanics weren’t quite great in terms of my pitching side,” he said, “so I believe that had something to do with this.”

Even before Ohtani’s knee swelled the Dodgers planned to have him pitch the day before their Thursday off day.

They switched Ohtani and left-hander Justin Wrobleski in the rotation order, having Wrobleski pitch Thursday on regular rest.

That remains the plan, even after Wrobleski was hit in the leg by a comebacker during his start Thursday. He left the game after that play in the fifth inning with a bruised right hamstring.

The Dodgers considered bringing in a spot starter, manager Dave Roberts said, in order to keep the full rotation on extra rest.

Shohei Ohtani leads off the game with a home run to spark the Dodgers to a 7-1 win over the White Sox on Saturday.

(Matt Marton / Associated Press)

“But considering how Wrobo’s start went short, feels good after it, we feel the four days’ rest will be fine for him,” Roberts said. “And then where Shohei is at, we feel good about just leaving it status quo.”

Ohtani returned Saturday without restrictions in his designated hitter role — except one request from his manager, after a couple days of parsing whether a steal attempt that was snuffed out by a foul ball had contributed to Ohtani’s injury.

Though they didn’t find a clear cause for the injury, Roberts made it clear Saturday: “There will be no basestealing.”

NOT everyone sees their childhood dream become a reality, but Sian Welby is one of the lucky ones. 

The This Morning and Capital radio presenter has wanted to be in Toy Story since she was ten. 

And Sian says she was so surprised to get the call asking her to be in the new movie that she thought she was being pranked by one of her co-hosts.

In an exclusive interview, the 39-year-old, who voices the Inflatable Flamingo, says: “If you’d told me as a nine or ten-year-old when the very first Toy Story movie came out, that one day I’d have a role in one of the sequels and that I’d be laughing and joking with Tom Hanks, I’d have never believed you.

“If a clairvoyant had predicted it, I’d have said, ‘No way, what a con’.

“I’m from a village in the Midlands with no showbiz connections, without a hope or a prayer of making it in the TV industry so what’s happened to me is just magical.”

Sian and her radio co-host, I’m A Celeb star Jordan North, 36, were talent-spotted by the Disney UK team, who were looking for people to do regional voice cameos.

Jordan plays a Garden Gnome in the film, which will be released in cinemas on Friday.

Sian says: “I honestly thought it was a Capital Radio prank by Jordan and Chris Stark, because we always begin the year telling each other what’s on our bucket list.

“Jordan said he wanted to interview Barack Obama, Chris said he wanted a barbecue with David Beckham and I said I wanted to be a little voice in a Pixar movie.

“Then, in March, I got the call. I was actually a bit angry as I thought, ‘That’s really mean to pretend I’ve got a role in Toy Story as they know it’s my dream’.

“I told my agent the email must be a con but she came back and said, ‘I have double-checked and triple-checked and it’s definitely from Disney’.”

Weeks later Sian, who has presented the flagship breakfast show since 2020 and been a main studio co- host on This Morning since 2024, recorded her voice role.

Then she was given the job of interviewing Tom Hanks, who plays cowboy doll Woody, and Tim Allen — Buzz Lightyear himself — before the film’s premiere last month.

Sian has spoken to many A-list celebrities but giggles as she says: “I grew up watching Tom Hanks in Big and I loved Tim Allen in The Santa Claus.

“These guys are absolute legends and there I was, meeting my heroes.

“I’ve interviewed huge stars like Harrison Ford, and they make you feel on edge the entire time, but Tom and Tim were so nice and warm and giving. They were brilliant.”

And when the duo took to the red carpet, Sian says Oscar-winner Tom treated her like a “full-on co-star”.

She says: “I had chronic imposter syndrome, but he was such a decent man and included us in all the cast photos. He was so welcoming.

“I was in disbelief the whole time and literally felt like a competition winner, but I rem- ember Tom saying to me, ‘You’re in good company, co-star’. We had such a laugh.

“I have to pinch myself most days at the moment. Every week, something else happens where I think, ‘Is this my actual life?’.”

In 2010, Sian, who hails from Newark in Nottinghamshire, would record videos from the New Look store where she worked as a shop assistant to try to get on TV.

One, filmed in the fitting room, was spotted by former Channel 5 boss Richard Desmond and Sian became the station’s lead weather presenter, despite having no experience.

She went on to present Channel 5’s Formula E: Street Racers show about electric car racing before landing a hosting role on Heart FM in 2017.

Instead of feeling over- whelmed when meeting and interviewing high-profile celebrities, Sian has ended up becoming friends with many of them.

Kylie Minogue stayed in touch after they chatted and American actor Chris Pratt even forgave her for giving him an electric shock with a cattle prod.

Sian recalls: “I got on famously with Chris Pratt. There was a scene in the Jurassic Park movie where they use electric shocks on dinosaurs, so we found these mini electric shock things and did a quiz where if you got an answer wrong, you electrocuted each other.

“Chris was like, ‘Sian, I can’t electrocute you’, but I said, ‘You can, because I’m going to get you’, then I gave him a proper zap like you’d feel from a TENS machine when you’re giving birth, and he said, ‘I kind of liked that’, so we carried on.”

Another famous name who got on board with Sian’s sense of mischief was Mariah Carey, who she interviewed a year ago.

Sian says: “I bonded with her and we talked about the fact that she gets followed around with this Mariah Carey lighting rig and gets a lot of jip for it.

“She has this special Mariah Carey light — like a floor light, that lights upwards.

“I said to her, ‘You get a lot of heat for being a diva, but I bet you carry these lights because you’ve had some interviews where you were lit so badly and you felt gross’, and she was, like, ‘I’ve had hundreds’. She was basically saying that she did so many interviews where she felt like she looked awful because of the lighting that she was, like, ‘I’m solving this problem and I’m bringing my own’, and I really applauded it.

“I thought she was actually a very nice person — very sweet. And I don’t know how to phrase this without swearing, but I think that she is just a diva, not a d*ck.

“She’s not awful for the sake of it or difficult for the sake of it, but she’s definitely got high standards.”

The one celebrity who almost made unflappable Sian lose her cool was Bridgerton, Wicked and Jurassic World Rebirth actor Jonathan Bailey, who was voted People Magazine’s Sexiest Man Alive last year.

Sian says: “Whether you’re boy, girl or beast, there is something about that man. He’s gay, but absolutely everyone fancied him and he’s got the most charming charisma you could ever ask for.

“I was interviewing him for Capital last summer and when he entered the room, I just got lost. I was hanging off every word he said.

“And what was really lovely, too, was that even though he’s been in these massive movies and might have gone all Hollywood, he was just really nice and down to earth.”

Sian has presented at both the Baftas and Brits. Last weekend, she hosted the Capital’s Summertime Ball at Wembley Stadium, which was headlined by acts including Fatboy Slim, Calvin Harris, Raye and former One Direction singer Niall Horan.

But she says her biggest challenge to date is juggling her career with being a mum to her two-year-old daughter, Ruby.

Sian is also planning her wedding to Heart Breakfast producer Jake Beckett, 33.

She says: “I try not to think too much about how I do it, or I’ll have a nervous breakdown.

“There have been moments when I have been physically and emotionally exhausted, and I’ve burst out crying.

“I’ve literally been running from a Timothee Chalamet interview to sort out an explosive nappy at home.”

When she and Jake get married next year, little Ruby will play a key part in the ceremony.

Sian says: “It’s great Ruby will be old enough to be involved. Jake is my biggest fan and I’m his, and we make such a good team. He’s definitely the groomzilla — he’s a man that plans an outfit three months in advance.

“But because my job is so stressful, I’m way more relaxed. I’ve learned to just go with the flow.”

First though, Sian will be celebrating her 40th birthday this September.

Laughing, she says: “It feels like being a proper grown-up and I feel like I have been masquerading as an adult for years. When I look back at my sliding doors moments in my career, it was probably a bit of skill versus luck versus chance versus opportunity.

“As for the future, I still want to be doing radio.

“I’d love to do a big Saturday night TV show and maybe I could co-star in a comedy movie with Tom Hanks.

“We could be the new comedy double act no one saw coming.”

TIKTOK star Becki Jones has revealed what she REALLY eats in a day on holiday at an all inclusive hotel.

Showing off her 10 stone weight loss in Tunisia, Becki, 32, could be seen eating yummy food and enjoying herself following the news of her engagement.

Becki, who has denied having used fat jabs or having surgery to shed the weight in around six months, began her day with some scrambled eggs and one slice of toast.

The slimmed down star then looked at the yummy cakes and pastries before opting for a bowl of yogurt with jam on top of it, a sprinkling of cereal and a tiny cupcake.

After breakfast, Becki headed outside and enjoyed a carton of apple juice.

She later sipped a fruity cocktail, which looked as though it had the consistency of a smoothie.

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Becki and her husband-to-be then looked at some of the food that was on offer on the beach.

Sitting down, Becki then zoomed into what was on her partner’s plate, which was fries and chicken nuggets, though it is not known if Becki ate anything.

Later on in the day, Becki ate a bowl of food that looked like minced beef, coleslaw, fries and some baguette without any butter.

She then headed outside again and enjoyed a yummy frozen cocktail.

Lounging beneath the sunshine, Becki opted for an ice cream which was in the flavour of ‘berries and cream’.

Back in her room, Becki had showered as she tucked into a packet of savoury snacks with some water.

Heading out again, Becki had a wander around before sitting down to eat two chunky spring rolls with a chilli dip.

She then ate what looked like mashed potatoes with a chicken kiev and broccoli.

Becki then enjoyed what looked like a creamy risotto dish before tucking into a berry-flavoured cake for dessert.

One fan commented on the post: “That risotto looked lush not gonna lie.”

While another said: “Great day of food!!! Looks so yum!”

This comes after Becki confirmed that her partner Chris Beattie had popped the question to her during a dreamy beachside proposal on their holiday.

Becki took to Instagram to share the moment that Chris got down on one knee to pop the question to the TikTok legend.

“We’ve been keeping a secret. I said yes. My fiancé, my Chrissy. What a surprise!!

“I was shocked, emotional, nervous laughing and we’ve been in a little bubble since Monday,” she penned online.

“You’ve not only shown me love but you’ve shown me kindness, respect and what it feels like to be treated like a princess.

“This was so special, romantic and the best kept secret.

“I love you Chrissy so so so much.

“Here’s to the future and making more memories.”

CELEBRITIES are turning up in droves for Jake Hall‘s funeral this afternoon.

Boxer Derek Chisora is among the celebrities arriving at Grade-I church St Mary the Virgin, in Wanstead, London, for the service.

Cops found the 35-year-old former reality show star in a pool of blood after he ran through a single-glazed glass door.

He was found dead at a Spanish holiday villa with head injuries after a night out partying on May 6.

Officers were called to the rented house in Santa Margalida in the north of the holiday island at around 7.30am.

Police quizzed four men and two women staying at the house.

They reportedly told officers that they had been out in the evening and continued partying after returning to the property in the early hours.

Authorities have not released the nationalities of the others who were at the property.

The Guardia Civil confirmed there was no “criminal activity”.

Hours before he died, he shared a last post on Instagram vowing to “remember the good things”.

Set to the Rolling Stones’ classic Beast of Burden, it showed him enjoying painting, Spanish scenery and fashion.

It was captioned: “Life is bollocks sometimes but I’m gonna try remember the good things – ️ looking through things – I’m just making art – in many forms.”

Footballer and model Jake leaves behind the mother of his child, Misse Beqiri, who he had an on-off relationship with since 2016.

The couple share a daughter, River, who was born in November 2017.

Misse posted an emotional tribute, writing: “There was no way you were ever supposed to go. My heart is shattered, and so is our daughter’s.

“You lit up every room you walked into – your smile, your charm, your energy filled the air.”

She then paid tribute to his love of music and creativity, as well as how many people really loved him.

Chloe Lewis also posted a tribute to her “first love” at the time of his death,

Chloe, who began a 10 year relationship with Jake when she was 16, shared a collection of photos on Instagram from their time together and wrote heartbreaking words that moved celeb pals including Michelle Keegan and Ferne McCann.

“My first love, my childhood sweetheart,” began Chloe. “A love that taught me so much about life and myself, and even more so now your presence is no longer here.”

In their early 20s Towie turned them into stars, but fame had a detrimental impact on their relationship.

Chloe said neither of them wanted to be in the public eye and the pressures of the show put a strain on their romance.

Leading tributes to the star at the time of his death was legendary DJ Fat Tony, who shared an image of the star and captioned it: “Devastating news we Love you such an awful loss to the world you beautiful man x.”

Blue’s Antony Costa wrote: “So sad, what a lovely bloke you were mate R.I.P.”

Love Island’s Jack Fincham wrote on a picture of the pair posted on Instagram: “Cannot believe what I have just read. Condolences to Jake’s family a very sad day. Rest in perfect peace mate.”

Jake first shot to fame on The Only Way Is Essex in 2015, where he famously dated Chloe Lewis before quitting the show in 2024.

An EastEnders star is set for the exit less than a year after bursting onto the Albert Square cobbles, but they look to be heading out with a gripping story line

An EastEnders star is set to say goodbye to Walford following a shocking story line. After signing as a high-profile star on the BBC soap last year, Ronni Ancona is set to bow out of her role in dramatic fashion.

The comedian and impressionist set foot in Albert Square as Linda Carter’s old school friend Bea Pollard. She was first seen on screen in January, but now, less than a year later, her time is said to be up.

After being outed as a villain and a thief, Ronni’s character is ready to bow out in another shocking twist. A source said that the character shone but is now ready to leave.

Speaking to The Sun, the insider said: “She came in for a six month stint but there was talk of it being extended if everyone agreed. Sadly, that won’t be happening and Ronni will be leaving.”

A spokeswoman for EastEnders said: “As we previously announced, Ronni Ancona joined EastEnders for a short stint, which was then extended, for a very dramatic storyline which will unfold over the next few weeks”

Last month things came to blows for Bea. She had had been telling people how besotted she was with Ian Beale, unaware that just days before, he had passionately kissed Elaine after he won the local councillor elections.

While Bea had believed their love was blossoming, Ian clearly didn’t have the same thoughts – and made his feelings very clear.

After the local newspaper branded the duo Mr and Mrs Beale, he was fuming and thought that Bea may have been behind it, as she was a huge driving force in his campaigning.

Raging, Ian Billy and Honey’s to confront Bea. He fumed that she had been “overenthusiastic”, but she didn’t take the signals and explained she was excited for their future, attending fancy dinners and events as the partner of a local politician.

Bea later confirmed that, along with the libellous video she shared of Elaine, she had also purchased more social media followers for Ian in a bid to make him look “more popular”.

She told Ian: “”I do have feelings for you, Ian,” before adding that she didn’t want to jinx anything. But Ian rebuffed her offering and fired back: “I don’t have feelings for you.”

He then told her she lived in “cloud cuckoo land”, adding she was a “deluded, needy fantasist, trying to live her life through other people.”

Bea saw red and instantly marched Ian out of the flat. Grabbing him in an arm lock she then threw him on the street. But as time went on, Ian headed home to pack away his election campaign materials, including posters. But as he was doing so, he noticed something confusing – invoices made out to Susan Mitchell, Honey’s real name.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Emmerdale’s Dr Todd, played by Caroline Harker, has been causing chaos in the village but the actress comes from a famous acting family

Dr Todd has caused nothing but chaos since her arrival on Emmerdale.

After bullying young trainee doctor Jacob Sugden (Joe-Warren Plant) at the hospital, Dr Todd, played by Caroline Harker, turned her attentions to Charity Dingle (Emma Atkins).

On Sunday night, Dr Todd sexually assaulted Charity after weeks of blackmailing her over the true parentage of baby Leyla.

Charity served as a surrogate for granddaughter Sarah Sugden and Sarah’s husband Jacob, giving birth to baby Leyla. However, Charity has failed to tell the new parents that she and Ross Barton are actually Leyla’s biological parents following a short fling together.

After Dr Todd discovered this secret, she demanded £100,000 from Charity, and things took a horrifying turn when Dr Todd sexually assaulted Charity on Sunday’s episode.

With Dr Todd currently dominating storylines on the ITV soap viewers may be interested to learn that actress Caroline, 60, hails from quite a distinguished acting family.

Who is Dr Todd star Caroline Harker’s family?

Away from the soap, it transpires that Dr Todd actress Caroline comes from quite a celebrated family. Her mother, Polly Adams, is an accomplished actress who has worked extensively across both the UK and the US.

She is perhaps best known for playing Mrs Brown in the 1990s television series Just William, with further TV credits including Kingdom and The Cinder Path.

In 1975, Polly made her Broadway debut in the award-nominated role of Grace Harkaway in a revival of London Assurance. However, Polly isn’t the only celebrated family member Caroline has.

Her sister is Susannah Harker, who has featured in hit BBC 1995 series Pride and Prejudice as Jane Bennet, alongside Jennifer Ehle, who played Elizabeth Bennet, and Colin Firth, who played Mr Darcy.

Other roles include Midsomer Murders and Grantchester. She also received a BAFTA TV Award nomination in 1990 for her portrayal of Mattie Storin in House of Cards.

Who is Dr Todd star Caroline Harker’s husband?

Caroline is wed to actor Anthony Calf, and together the couple have three daughters: Louise Emma Calf, Cecilia Ann L Calf, and Anemone Georgiana Calf.

The 66-year-old boasts an extensive acting career and is best known for his roles in The Madness of King George, Beau Geste, and I Came By, alongside his appearances in Lewis.

Between 2023 and 2025, Anthony portrayed Lord Brightlingsea in the costume drama The Buccaneers, and has also featured in the film A Teacher’s Gift (2025) and the series Insomnia (2024).

From 2005, Anthony spent a decade playing DAC Robert Strickland in New Tricks, having previously taken on the role of Michael Beauchamp in Holby City (2005 – 2006).

In 2019, Anthony stepped into the role of William Wickham in the hugely popular series Poldark, and also appeared in Doctor Who as Godsacre (2017) as well as Death in Paradise in 2021 as Phillip Carlton. His former brother-in-law is Game of Thrones star Iain Glen.

What else has Dr Todd star Caroline Harker been in?

Away from her work in the Dales, Caroline has cropped up in a host of productions, including Harry Enfield and Chums, Holding On, The Man Who Lost His Head with Martin Clunes, Auf Wiedersehen, Pet, Midsomer Murders, and Doctors.

In 2012, Caroline took on the role of Alicia Davenport for a brief stint in Coronation Street. She is also widely recognised for her portrayal of PC Hazel Wallace in A Touch of Frost, starring opposite Sir David Jason.

Her most recent roles include Julia in the Apple TV series Hijack, Bethany Hastings in The Stolen Girl, and Mrs. Taylor-Brown. Back in 2011, she made a one-off appearance in New Tricks, sharing the screen with her husband, portraying the character Tabitha Hall-Chalmers.

Emmerdale airs Monday to Friday at 8:00pm on ITV1 and ITVX

IPSWICH isn’t the first destination that most of us think of when looking for a UK staycation or weekend break.

But it has recently been revealed to be one of the country’s most underrated towns, and it has an award-winning attraction owned by TV presenter Jimmy Doherty.

Jimmy’s Farm and Wildlife Park started out as nothing but an abandoned barn and a big dream.

Now, it’s a multi-award-winning attraction and sees Brits travel all over the country to Ipswich to visit.

Jimmy’s Farm and Wildlife Park was recently crowned ‘England’s Best Large Visitor Attraction’ by VisitEngland.

Not only that, but this year it won Visitor Attraction of the Year at the 2026 Suffolk and Norfolk Tourism Awards and a Tripadvisor Travellers’ Choice Award.

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On Tripadvisor it has over 1,800 ‘excellent’ reviews.

Reviewers have described it as an ‘amazing day out’ with others calling it ‘magical’ for the whole family.

Jimmy first eyed up the space in Suffolk for the attraction back in 2002 when it was nothing but an empty barn.

Talking to Sun Travel, Jimmy said: “It was humble beginnings really, it’s been an incredible journey and it’s all about having a really great team with you.

“We’ve moved from being a rare-breed, free-range farm to being a farm park to now a fully-blown wildlife park with all sorts of animals.

“I would love to say this was a well-thought out plan, but it wasn’t at all.”

On the farm are more than 100 species and breeds, from classic farm animals all the way to lions and arctic wolves.

Talking about his favourite ones to see, Jimmy confessed: “I love our ring-tailed lemurs, most of those are rescues.

“They sometimes come and jump on you, and they’ve got youngsters at the moment.”

For those who want to visit the farm, it’s very easy to get there from London.

Just hop on the train from Stratford or London Liverpool Street to get into Ipswich in just over an hour.

The town of Ipswich itself was revealed one of the most ‘underrated’ in the UK by The Telegraph earlier this year.

Found in the south of the country of Suffolk, it was praised for its ‘traffic-free shopping streets lined with ancient buildings’ as well as its open parklands.

The waterfront is a popular spot for ‘trendy cafes, bars, restaurants and galleries’.

Talking about the town, Jimmy said: “Ipswich is a fantastic place, it’s interesting and vibrant, and there’s lots to do down on the waterfront.

“If you’re into football, Ipswich Town has just gone up into the premiership again.

“We’re less than hour from Stratford, and Ed Sheeran is a local – what’s not to love?”

Singer-songwriter Ed Sheeran is regularly popping up in Ipswich and last week played a surprise gig near the town’s university.

Being a Suffolk resident Jimmy has lots of recommendations when it comes to other local spots to check out, alongside wider Suffolk which he calls the ‘gem of England’.

Jimmy said: “As a family, we love going to Easton Farm Park in Suffolk, it was one of the very first farm parks to open.

“Then, in Waldringfield, go to the Maybush Inn. It’s great on a sunny day and if you’ve got a paddleboard you can have a paddle in the water there.

“I love Sutton Hoo which is run by the National Trust, the history of it is incredible.

“Other spots are Bury St Edmunds which is brilliant for shopping and markets. Then there’s Woodbridge, which is fantastic for antique shops, and Snape is a great spot too.”

Jimmy is pals with celebrity chef Jamie Oliver having first met when they were kids growing up in Essex.

The pair are still in touch and regularly catch-up at their old stomping ground.

Jimmy said: “When we catch-up, it tends to be over a good dinner or lunch with a bottle of red wine.

“But when we were growing up we went to The Eight Bells in Saffron Walden which is still the same today.

“Growing up there, we used to call it Saffron ‘boredom’, but now it’s a mecca – it’s brilliant.”

If you fancy a trip to Jimmy’s Farm and Wildlife Park this summer – it’s open seven days a week.

You can book tickets from £25 for adults and £20 for children – or buy them at the gate.

Jimmy has teased some new arrivals for the summer season too.

He told us: “We’ve got loads going on over the next few months, including some very exciting animals that I can’t tell you about now – but they are arriving at the end of this summer.

“We’ve also just rehomed two Asiatic lions called Rani and Kamal, and a beautiful called Kalinka tiger who are all retiring with us.”

Potential new arrivals could be five Moon Bears which Jimmy is currently trying to save from South Korea.

Jimmy told us: “We’re trying to bring back and give them the life they deserve.”

If successful, the bears could find themselves living out final years and being rehabilitated at the park.

If you want to find out more about the ‘Bears Behind Bars Mission’, click here.

The BBC star was absent from her usual space on the green sofa as JB Gill and Angelica Bell fronted the programme.

Things looked slightly different during the latest episode of The One Show as people were quick to notice Alex Jones’ absence.

The Welsh star usually fronts the programme alongside a plethora of rotating presenters, including Roman Kemp, Vernon Kay and Clara Amfo.

However, on Wednesday night (June 10), BBC fans saw Angellica Bell and JB Gill opening the programme as they explained where the 49-year-old was.

Angellica said: “If you’re wondering where Alex is tonight, she’s at the Royal Academy Summer Exhibition before it opens to the public next Tuesday.

“Last night, we revealed the successful artists, both amateur and professional, who were selected to have their work displayed in the world-famous gallery. Tonight, we’ve been invited to a special launch party to celebrate.”

The camera then cut to a clip of Alex inside Burlington House, where the event is taking place, as she walked through one of the rooms holding the artwork.

She said: “It’s one of my favourite nights of the year. Oh my goodness, there is so much to see here. Now, we’ve been following some of the artists all week who are hoping to get their work on the wall.

“Tonight, after 22 years of submitting, Vincent will finally see his on one of these walls, it’s going to be quite an emotional moment, I think.

“Also, you should see the guest list! There are celebrities everywhere here, and I might just get one for a chat later, who knows.”

The BBC star later spoke with Vincent who was overcome with emotion when he saw his artwork on the wall after two decades trying to achieve his goal.

Elsewhere on the show, Nikki Fox informed viewers that they won’t be seeing her on-screen for a while as Watchdog was taking a hiatus.

She told viewers: “We’re having a little break now. Going to have a little lie down and a bacon roll!

“But we are going to be back very soon with plenty more investigations from me, Matt and our new team members! We’ve got Nick Stapleton, who you saw tonight and Amanda Haque.”

As she wrapped up, Angellica told fans the Watchdog segment would return again in September.

The One Show is available to watch weeknights on BBC One from 7pm

Nearly 17 years after the King of Pop’s death, Michael Jackson is dominating the box office, television ratings and headlines.

“Michael,” the biopic about the star that hit theaters in April, has surpassed $900 million at box offices globally, according to Deadline, making it the second-highest-grossing film of 2026 behind “The Super Mario Galaxy Movie,” which hit $1 billion. Although “Bohemian Rhapsody” is still the highest-grossing musical biopic, “Michael” is a mere $11 million behind and will likely snag the title in coming weeks.

The film, which stars Jackson’s nephew Jaafar Jackson, follows the “Thriller” hitmaker from his early career leading the Jackson Five to reaching pinnacle star status in the late ’80s. The film’s timeline ends before 1993, when Jackson faced sexual abuse allegations brought by 13-year-old Jordan Chandler.

On Tuesday, “Michael” was released to streaming services, and fans at home can rent or buy on-demand from Amazon Prime Video and other platforms.

Also available for streaming is the Netflix docuseries “Michael Jackson: The Verdict,” which became available on June 3 and dominated the streamer’s charts with nearly 18 million views in its first week. The three-part series examines the pop star’s 2005 molestation trial, in which he was acquitted of all charges, and features key players from the trial, including jurors, eyewitnesses and prosecutors.

The lead prosecutor, Ron Zonen, spoke with TMZ on Tuesday and said that, although he wasn’t sure audiences would view the allegations with a different lens 20 years later, he wanted the documentary to be “as accurate as possible” and feature “the perspective of people who were involved in the trial.”

As far as the response from viewers, Zonen told the outlet that he’d received threats via email. “Well, there are people who are fans, who express their displeasure at the position that we took in this documentary, and express their displeasure very clearly to me,” he said, adding that he’s not bothered by the bad blood with mega-fans, and that the threats were more numerous at the time of the trial.

Welcome to our brand new Who am I? game.

The rules are simple. Each day there’s a new footballer and the challenge is to guess who they are in as few attempts as possible.

After each wrong guess you unlock a new clue. Guess the answer after as few clues as possible to score more points.

Three is a good score, four or five points is exceptional.

So, take part in quiz number three and return for more tomorrow.

Today’s player and clues are set by BBC Sport’s Joe Rindl.

OSCAR-nominated actor Terence Stamp left ­£1million in his will, ­documents show.

The star, who died last August aged 87, played villain General Zod in the original Superman movie and its sequel Superman II.

High Court records seen by The Sun show Stamp — who was divorced and had no children — left £1,015,564 to his wider family.

Stamp was born in London’s East End in 1938 and worked in advertising before ­winning a drama school scholarship in the 1950s.

His movie debut, Billy Budd in 1962, won him an Oscar nomination.

He dated actress Julie Christie and became a Sixties cultural figure.

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In 1994, he shocked fans by playing trans woman Bernadette in The Adventures Of Priscilla, Queen of the Desert.

The role won him a Golden Globe nomination.

Stamp went on to appear in a string of other films, including Valkyrie with Tom Cruise and Yes Man with Jim Carrey.

He continued to act well into his 80s with parts in various films and in TV’s adaptation of His Dark Materials.

But despite appearing in dozens of productions, he said he was annoyed he had not done more. He revealed: “My only regrets are the films that I passed on because I was fearful.”

Stamp died on August 17 last year, with tributes flooding in from acting royalty.

Former EastEnders star Ben Hardy is returning to screens in an Agatha Christie film that also includes a Game of Thrones actor

Former Peter Beale actor Ben Hardy is set to start filming an exciting new ‘whounnit’ based on real-life events.

The new film Eleven Missing Days will also star Vincent Cassel and Felicity Jones and tell the story of Agatha Christie’s real-life disappearance.

The novelist’s disappearance made national and international headlines during the 1920s, with famous names joining the search to find her, including leading politicians and fellow writers such as Arthur Conan Doyle, according to Deadline.

There has been a lot of speculation over what happened to the author, and now 100 years on, some details still remain a mystery.

The synopsis reads for the film: “In December 1926, at the height of her fame, Agatha Christie became front-page news when she vanished in bizarre circumstances from her home.

“In a case of life imitating art, this whodunnit explores the investigation behind her disappearance, strangely resembling an Agatha Christie novel itself, where everyone in her life became a suspect.”

A stellar cast joins Ben Hardy in the forthcoming movie, including Say Nothing star Ryan McParland, Game of Thrones’s Alfie Allen, The Brutalist’s Stacy Martin, Nicole Elizabeth Berger from He’s Watching You, and The Gorge actor Oliver Trevena.

Currently in pre-production, the picture is on course to shoot this summer in the UK.

Who did Ben Hardy play in EastEnders?

The 35-year-old found fame on the BBC soap in 2013 when he arrived in Walford as legendary character Peter Beale. He had taken over the role from Thomas Law, who had played the part between 2006 and 2010 before returning in 2023.

Ben’s version of Peter was most memorable for being caught up in the ‘Who Killed Lucy Beale?’ saga and for dating Lola Peace (Danielle Harold) before rekindling his romance with Lauren Branning (Jacqueline Jossa).

After finding out his own brother Bobby (Eliot Carrington) had killed Lucy, Peter struggled with life in Walford and moved to New Zealand to start a new life in 2015.

In an interview with The Independent, Ben said that he had “been battling it for a year, how to make things work” before ultimately deciding to leave the show.

“I have so much respect for everyone who works on that show, I felt myself getting lazy as an actor,” he explained. “I felt myself constantly going, ‘This scene doesn’t work’.”

Ben went on to say: “That laziness scared me. I said, ‘I have to get out of here’.”

He has since traded in his fruit-and-veg market stall for the bright lights of Hollywood and landed a role in the 2016 film X-Men: Apocalypse.

He also played Roger Taylor in the biopic Bohemian Rhapsody and portrayed the role of Four in the Netflix movie ‘6 Underground’ alongside Ryan Reynolds.

Ben also played Frank McCulled in the film Pixie, Seb in The Voyeurs, Simon in The Girl Before, and Tre in Tagged.

Most recently, he starred as Oliver Jones in the Netflix movie Love at First Sight (2023) and the 2025 horror movie The Conjuring: Last Rites.

EastEnders airs Monday to Thursday on BBC One and iPlayer

A Four in a Bed star was moved to tears after receiving mixed feedback on their B&B.

A Four in a Bed contestant broke down in tears just moments into the episode.

Father-daughter team Dennis and Holly were competing in the show, which broadcast a repeat episode on Saturday.

The pair had been first to host their rivals at their Norwich B&B, impressing them with the spotless standards and Holly’s culinary talents at breakfast.

So taken were the guests that when the final round arrived, Holly and Dennis were showered with such glowing feedback that she became emotional.

During payment day, the duo heard responses from Kent hosts Harry and Sarah, Oxfordshire B&B proprietor Dawn, and Ollie, who runs a boutique hotel in Kent, reports Cambridgeshire Live.

While Ollie settled the full amount owed for his visit, Dawn deducted £10 citing the absence of a wardrobe in her room and unclean windows.

Addressing her remarks, Dennis confessed: “I’m genuinely disappointed by [the windows] because our standards should be much higher and generally are, so apologise for that. Not good enough.”

He subsequently told the camera: “Taking the money off was arguably a bit harsh, but I get it. We can’t complain too much, although it was uncomfortable.”

Dawn, however, defended her position, stating: “I stand by my payment because I believe that a wardrobe is a facility that should be in a B&B. And the window not being clean, everything should be spotless.”

Yet Harry and Sarah adopted a completely different approach, and actually paid Holly and Dennis more than expected for their accommodation. After presenting them with a £12 overpayment, Harry praised: “We had an amazing stay at your place. Everything you needed and more.”

Overwhelmed by his kind words, Holly broke down in tears, saying: “Thank you, sorry I get really emotional!”

Sarah, also becoming emotional, responded: “You’ll get me going!”

“It means a lot,” Holly added, while Harry later told the camera: “They ticked every box,” as Sarah commented: “They rival some of the best hotels that I’ve ever stayed in.”

Holly continued: “It means so much for us, and we’ve put so much into the business.”

Shortly afterwards, it emerged that Harry and Sarah’s overpayment had secured Holly and Dennis the top spot.

“I’m delighted,” Dennis said, as Holly added: “It’s the best feeling.”

He joked in front of the group: “We are all winners, but we’re the best winners.”

Dennis then told his daughter: “I’m very proud of Holly,” as she replied: “It wouldn’t be possible without you!”

Four in a Bed is available to watch on Channel 4.

Callum Woodhouse, who plays Tristan Farnon, has warned that things may be “coming to change” for his character’s relationship in the upcoming series

A star from All Creatures Great and Small has hinted at potential turbulence ahead for a blossoming romance between two characters.

Callum Woodhouse is set to reprise his role in the cherished period drama for its seventh series later this year.

Taking place during the 1930s and 40s, the much-loved programme chronicles Yorkshire veterinary surgeon James Herriot as he tackles the demands of his countryside practice.

With Nicholas Ralph portraying James Herriot and Rachel Shenton as his on-screen partner Helen, Callum takes on the role of Tristan Farnon, sibling to Siegfried Farnon, portrayed by Samuel West.

The last series and festive special witnessed Tristan confronting his own difficulties following his return from combat, before developing feelings for Charlotte Beauvoir. However, Callum has now cautioned that “things may be coming to change”, reports the Express.

Speaking to RadioTimes, he revealed: “It’s not really a massive spoiler to say I’m still with Charlotte Beauvoir, who is really good for him and helps him with his mental health.

“She keeps him happy and… I think he’s a little bit more content. But there’s only so long that that can last. So, things may be coming to change, but we don’t know.”

Following his character’s arc which depicted him battling PTSD after serving on the front line, Callum previously shared with the publication: “I think she’s come into his life at a time when he just really, really needs her.”

He added: “I think they’ve got a great chemistry and they get on really well.”

He continued: “Tristan, right now, needs someone who is sympathetic and understanding to what he’s been through, and is very much still going through.”

While fans eagerly await the new series of All Creatures Great and Small, the programme has already been confirmed to return for both series 7 and 8, each featuring six hour-long episodes, alongside Christmas specials.

Greg Barnett, Commissioning Editor at 5, had hinted that there remain “many new stories still to tell and more unforgettable adventures ahead”.

Barnett said: “All Creatures Great and Small is a jewel in 5’s drama crown and continues to delight viewers year after year. Its warmth, humour and heart, set against the beauty of Yorkshire, have made it a firm audience favourite.

“We’re thrilled to extend its future with two more series, with many new stories still to tell and more unforgettable adventures ahead for our Skeldale family.”

All Creatures Great and Small is available to watch on My5

THE heartbroken girlfriend of James Handy has spoken out in anguish after her own son was accused of brutally stabbing the veteran actor to death.

Wendy Gledhill, 76, fought back tears as she broke her silence outside her home, reeling from the horror of losing her partner and the devastating allegations against her son.

“I’m just trying to make it through one day at a time, a minute at a time,” she said.

“I loved James and my son. I still can’t believe it….I can’t believe my son did it. I’m just trying to …,” she added, before retreating inside, overcome with emotion.

Her son, Michael Gledhill, 44, stands accused of fatally stabbing the 81-year-old actor multiple times in the chest  in a shocking attack at the family home in Tarzana, Los Angeles.

Authorities say the horror unfolded on Wednesday morning when police were called to the property on the 19200 block of Erwin Street following a disturbing 911 call.

A voice reportedly told dispatchers: “I am the son of man, I just killed the man of sin.”

When officers arrived at around 9:30am, they found Handy unconscious and bleeding out in the front yard, suffering from multiple stab wounds.

“We also need [a rescue ambulance] for a male, not conscious, not breathing, suffering from a stab wound,” a responding officer said in chilling dispatch audio.

The beloved actor was rushed to hospital but was later pronounced dead.

In a dramatic twist, Gledhill himself allegedly waved down officers as they approached, telling them he was the suspect they were looking for.

He was arrested at the scene and charged with murder. He is currently being held on a $2,000,000 bond.

Disturbing Ring doorbell footage later emerged showing a man believed to be Gledhill pacing near the home.

He was dressed in a purple or pink shirt and blue trousers, at times touching his face before returning to the property and flagging down police.

Another clip showed him walking back towards the house where Handy’s body was later found, with footage also appearing to capture him leading officers across the lawn.

Neighbours described Gledhill as acting erratically in the past, with one claiming his behaviour raised alarm.

“He looked really rugged … he looks like he doesn’t really change his clothes,” said neighbor Joheina Quibol.

She also recalled a bizarre encounter in which he allegedly questioned her father about cameras inside their home, describing him as “paranoid” and suggesting he may have struggled with mental health issues.

Other neighbours claimed the suspect and Handy had been overheard arguing overnight before the fatal attack.

Despite the brutal nature of the killing, the Los Angeles Police Department said they believe it to be an isolated incident, adding there is no ongoing danger to the public.

A motive for the attack has not yet been established.

Handy’s death has sent shockwaves through Hollywood, with his talent agent Pam Ellis-Evenas confirming the tragedy in a statement.

“With great sadness I can confirm that the gentleman who was attacked and killed on Wednesday in Tarzana was the actor James Handy.”

The New York City-born star enjoyed a glittering career spanning nearly five decades, racking up close to 150 screen credits across film and television.

He was most recently seen as bartender Jimmy in Top Gun: Maverick alongside Tom Cruise.

Handy also appeared in the 2017 superhero film Logan, starring Hugh Jackman, playing a doctor treating an ageing Wolverine.

One of his most memorable roles came in the 1995 classic Jumanji, where he starred alongside Robin Williams, Bonnie Hunt and Kirsten Dunst.

His extensive television career included appearances in hit series such as The West Wing, 9-1-1, NCIS: Los Angeles, CSI: NY, The Young and the Restless, Castle, Criminal Minds, Cold Case, Without a Trace, ER and The X-Files.

He also had notable roles in Alias as Arthur Devlin, and recurring appearances in Melrose Place and NYPD Blue.

Handy’s brutal killing comes less than a year after another shocking Hollywood tragedy involving Rob Reiner, 78, who was found with his throat slit inside his Los Angeles home.

His son, Nick Reiner, 32, has been accused of killing both him and his mother Michelle, 68, while they were in bed on December 14, 2025. He has pleaded not guilty and is awaiting trial.

SARATOGA SPRINGS, N.Y. — The Belmont Stakes is less than 34 hours away, and Cherie DeVaux is feeling stressed.

Not about the race. DeVaux has done what she can do to prepare her 3-year-old colt, Golden Tempo, for Saturday’s third leg of the Triple Crown. Questions about post position, track bias, even the increasing threat of potentially severe thunderstorms before the evening post time (4:04 PDT, Fox) are brushed aside because, as she said, those are all out of a trainer’s control.

No, it’s her makeup bag.

She forgot to bring it with her to Saratoga Race Course and she has a Fox Sports TV interview scheduled right after she finishes speaking with a reporter inside her small office adjacent to Barn 83.

“I have to be on national TV, and I have not a stitch of makeup on right now, all the while having to try to make sure I enter my horses and not forget and mess that up too badly,” DeVaux said, smiling. “So it’s been a lot.”

But DeVaux is not complaining, because it’s been a lot since 7:10 p.m. EDT on May 2, the exact time Golden Tempo crossed the finish line first in the Kentucky Derby. And those 35 days have been filled with many great experiences.

Golden Tempo’s trainer Cherie DeVaux kisses a trophy after winning the Kentucky Derby.

(Michael Reaves / Getty Images)

The coolest?

“We won the Derby,” she said. “I don’t know if there’s anything cooler than that.

“There have been a lot of really neat opportunities,” she added. “A lot of different people have reached out. But you know, just the whole experience itself.”

Winning the Derby changes anyone’s life, but it’s magnified when you make history, as DeVaux did by becoming the first female trainer to win the world’s most famous horse race. It began a whirlwind that included more than 65 TV interviews and dozens upon dozens of text messages and phone calls.

And, truthfully, there was one experience that, for a college softball player and lifelong New York Yankees fan, exceeded the others.

“I did get to throw the first pitch out at a Yankees game, which I thought was amazing,” DeVaux said. “To stand on the field and look at the cheap seats [where I sat] when I was a kid. … And I’ve had much better seats in recent times, but to really sit there and have that dichotomy of that was where you started and this is where you are, was really a profound feeling.”

Kentucky Derby winning trainer Cherie DeVaux and jockey Jose Ortiz throw out the first pitch at Yankee Stadium on May 7.

(Ishika Samant / Getty Images)

Technically she’s back home for the Belmont, which is being run at Saratoga for the third and final year while Belmont Park is rebuilt. But she has few memories of Saratoga as a child; the family moved to Florida when she was 9 and she lived there until she was 19. Much of her family, including her parents and several siblings, live in the area, though, and DeVaux, who spends most of the year in Kentucky, said she’s been able to enjoy some time with them this week.

The big question is whether her large cheering section will be able to celebrate another victory. Handicappers are more than a bit pessimistic. Saturday’s Daily Racing Form has 1-2-3-4 selections by 19 experts, and not one selected Golden Tempo. Just two picked him second and five had him third. The consensus was he would not finish in the top four.

His chances in Kentucky were aided by a fast pace that tired out the front-runners, and on paper the Belmont figures to be run at a more moderate pace, which doesn’t always help a late-running horse. But he is a colt who relishes the distance and he has improved his Beyer Speed Figure with every start.

DeVaux is excited for the race, obviously, but she’s also eager for this “season” to end. She knows life will never be the same as it was before May 2, but she’d like to slow down a bit, in part, so she can enjoy the feeling of winning the Derby.

“I couldn’t prepare myself,” said DeVaux, who had never had a Derby starter. “I didn’t really think about winning the race. I thought Golden Tempo was going to run really well. I thought he would hit the board, … but I never allowed myself to think that he would win and what that would look like.

“And I’m one of those people I want to think about, you know, we win the race, what does that look like? But I was just so excited to be at the Derby and I wanted to just really be present, that it really didn’t cross my mind what would happen if we won the race.”

Golden Tempo’s trainer Cherie DeVaux holds her nephew while speaking to reporters after winning the Kentucky Derby on May 2.

(Andy Lyons / Getty Images)

Others weren’t prepared, either. DeVaux was carrying one of her nephews on her hip immediately after the Derby, and some people watching on TV immediately praised her for being a working mom. One problem: She doesn’t have children of her own (her husband has full custody of a teenage girl).

“Can I just not be a really good horse trainer that did something really profound and amazing in a short amount of time after I had to work my rear end off for it?” DeVaux said. “Like, why can’t that just be the story?”

Etc.

The Belmont is the 13th race on a 14-race card that begins at 8 a.m. PDT. The first seven races will be on FS2 before coverage shifts to Fox at noon (the Belmont show starts at 1). A separate handicapping-oriented show will air from 1-4:30 p.m. on FS1.

There are five Grade 1 races scheduled, including Bob Baffert’s Nysos against Michael McCarthy’s Journalism in the Met Mile (2:32 p.m.) and Baffert’s Crude Velocity against DeVaux’s Englishman in the Woody Stephens (1:52 p.m.). The Belmont is slated to start at about 4:10 p.m.

It’s Broadway’s time to shine Sunday when the 79th Tony Awards take New York City.

Broadcast live from Radio City Music Hall, the night promises plenty of onstage drama and hopefully some real-life intrigue. The number of new Broadway productions this year — 30 — shrunk from last year’s 42, but there are still some standout shows and performances to watch out for, from flashy revivals like “Cats: The Jellicle Ball” to Laurie Metcalf’s stunning turns in both “Death of a Salesman” and “Little Bear Ridge Road.”

Grammy Award winner Pink is hosting for the first time, and though the pop star lacks direct Broadway roots, her songs have been featured in the jukebox musicals “Moulin Rouge!” and “& Juliet.”

Here’s everything else you should know about this year’s ceremony, including how to tune in.

How can I watch?

The three-hour awards ceremony will air live on CBS on Sunday at 5 p.m. Paramount+ premium-level subscribers can also stream it on the app, while those with other membership tiers can watch the show on-demand after it airs.

The annual pre-show, “The Tony Awards: Act One,” will stream live on free service Pluto TV at 3:35 p.m. that same day. It is hosted by Tony Award nominee Laura Benanti and actor Tituss Burgess and includes the first round of Tony Award presentations.

Who is performing?

This year’s opening number, a show-stopping Tonys tradition, will feature more than 170 Broadway performers. It’s choreographed by Sarah O’Gleby and written by Benj Pasek, Justin Paul and Mark Sonnenblick.

As always, casts from the productions nominated for best musical — “The Lost Boys,” “Schmigadoon!,” “Titaníque” and “Two Strangers (Carry a Cake Across New York)” — and for best revival of a musical — “Cats: The Jellicle Ball,” “Ragtime” and Richard O’Brien’s “The Rocky Horror Show” — will perform during the ceremony.

Rachel Zegler will pay tribute to “A Chorus Line” and Tony Award winner Leslie Odom Jr. will perform “Without You” from “Rent” to honor the show’s 30th anniversary as well as those in the theater community who have died this year.

The “Chicago” revival will also celebrate its 30th anniversary on Broadway with a performance from stars including Queen Latifah, who was nominated for an Academy Award for her portrayal of Matron Mama Morton in the show’s 2002 film adaptation, and Tony Awards host Pink. The entire original cast of “The Book of Mormon,” including Tony Award nominees Josh Gad, Andrew Rannells and Rory O’Malley and Tony winner Nikki M. James, will also perform in celebration of the show’s 15th anniversary on Broadway.

Who is presenting?

Notable stars of stage, screen and music presenting awards include Grammy Award winner Megan Thee Stallion, who made her Broadway debut this year in “Moulin Rouge!”; Nicole Scherzinger, who won a Tony last year for her performance in the revival of “Sunset Boulevard”; and Academy Award winner Adrien Brody.

You can find the star-studded presenter lineup here.

What is nominated?

“Schmigadoon!” and “The Lost Boys,” both nominated for best musical, lead the pack with 12 nominations each going into Sunday’s awards ceremony. The “Ragtime” revival trails with 11 nominations, and lauded revivals “Death of a Salesman,” “Cats: The Jellicle Ball” and “The Rocky Horror Show” are each nominated for nine awards.

Find a full list of nominees here.

EXCLUSIVE: Love Island fans were shocked to hear that George Knight had quit the show just hours after arriving in the villa as a bombshell and now they reckon someone else has left

Love Island fans reckon another contestant has secretly quit the show. Just days into the new series, viewers were shocked to hear that George Knight had left the villa after arriving as a bombshell in Spain due to “personal reasons”.

Lifting the lid on his sudden exit, a Love Island spokesperson said: “For private reasons, George has left the Love Island villa. Duty of care for the Islanders is paramount so at this stage any further comment will come from George. Bosses and viewers alike had been loving his contribution.”

Viewers were left reeling by the news, however they are now convinced that another Islander has left after claiming he had gone ‘missing’ from the show.

Electrician, Sam Workman from Dudley, says he came on the show because he feels “genuinely ready to settle down.” However, he wasn’t featured once in last night’s episode, promoting some fans to speculate he’d followed George back to Blighty.

Taking to social media, one viewer said: “Wait… where was Sam in this episode? Is he still around? A second asked: “Did we even hear Sam speak once in this episode?” Meanwhile, a third mused: “Is Sam still here?”

However, the Mirror understands that Sam is still very much part of the show and will be featured in tonight’s episode. Sam also features on today’s First Look from Love Island on the show’s Instagram page.

The electrician’s ‘disappearance’ comes after it was confirmed that footballer George had left after shortly after sending Samraj and Ellie home.

George made his mark upon arrival at the villa and wasted no time in getting to know Robyn and Mica. Robyn, who quickly friend-zoned Sam, appeared keen to forge a pairing with George, after they shared a snog on the terrace.

Before leaving, George and fellow bombshell Yasmin were given the tough task of choosing one guy and girl to dump from the villa for any reason they chose.

They had only 24 hours to make the decision while everyone in the villa was completely oblivious to what was going to unfold.

The pressure left Yasmin reduced to tears, but in the end the duo sent Ellie Chadwick and Samraj Toor packing. But while tears were shed and gutted Samraj and Ellie headed for the exit, they were told that all may not be as it seemed. It left fans confused over what’s to come next in the series that has already thrown up a number of twists in the first week.

Straight off the bat, Islanders had to choose their own couples. This moved away from the public who normally picked who they thought was best matched.

Love Island All Stars winner, Gaby Allen, told us of the bold move: “The producers are doing a great job at changing things up. This has never been done before.

“A recoupling done by themselves is crazy! I would panic in this situation and hope somebody whisked me off my feet so I didn’t have the decision.”

The Mirror has contacted ITV for comment.

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A Love Island star has made a surprise exit from the competition just days into the latest series and after a shock double eviction

Love Island fans are set to be stunned as one islander has left the show just days into their time on the villa. After a double bombshell eviction, a third member of the villa has now cut their time short.

George Knight has sensationally quit the villa shortly after sending Samraj and Ellie home. The footballer had only arrived as a bombshell, but is now said to have left due to “private reasons”.

He is still set to feature on Thursday evening’s show, but is thought to already have said his goodbyes. His exit is reportedly not going to be aired.

A Love Island spokesperson said: “For private reasons, George has left the Love Island villa. Duty of care for the Islanders is paramount so at this stage any further comment will come from George. Bosses and viewers alike had been loving his contribution.”

The contestant had made a big entrance and was getting to know Robyn and Mica. Robyn, who quickly friend zoned Sam appeared keen to forge a pairing with George, so it remains to be seen how she will take the news. The pair had already shared a kiss on the terrace.

On Wednesday’s show, Yasmin was in tears as the time for the bombshells to make their decision approached. And their decision wasn’t well received by viewers at home. One labelled it a “sinister” move, while others were shocked.

But while tears ran down the villa and gutted Samraj and Ellie heading for the exit, they were told that all may not be as it seemed. It left fans confused as to what might come next in a series that has already thrown up a number of twists in the first week.

Straight off the bat, islanders had to choose their own couples. This moved away from the public who normally picked who they thought was best matched.

Love Island All Stars winner Gabby Allen told us of the bold move at the time: “The producers are doing a great job at changing things up. This has never been done before.

“A recoupling done by themselves is crazy! I would panic in this situation and hope somebody whisked me off my feet so I didn’t have the decision.”

After the first episode, Gabby also predicted high energy between some of the cast – and Gabby knows vibes when she sees them! “OMG!!! The vibes between Lola & Ope already,” she said.

“These two coming in I feel like is already spicing things up. BOTH of them have very good energy. You heard it here first, Ope is going to do well. Player of not. People are going to like him.”

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