star trek

Walter Koenig’s official cause of death has been revealed.

The actor, who portrayed Pavel Chekov in the original “Star Trek” series, died at age 90 on Oct. 25. His immediate cause of death was cardiopulmonary arrest, according to the death certificate obtained by TMZ and People. Chronic diastolic congestive heart failure was an underlying cause, and acute renal failure was also listed as a significant contributing condition.

Koenig was cremated on Oct. 30, per the outlets.

Cardiopulmonary arrest, also called cardiac arrest, is when a person’s heart suddenly and unexpectedly stops beating. It is different from a heart attack.

Koenig’s representative previously told The Times that he died of natural causes and that his daughter Danielle and niece were with him when he died.

“Walter helped inspire audiences with his optimism, humor, and adventurous spirit,” the representative said in the statement. “Beyond ‘Star Trek,’ his long and distinguished career showcased his versatility as an actor and his genuine love for his craft. … Through countless convention appearances and interactions with fans, he shared his kindness, wit and appreciation with everyone fortunate enough to meet him. He understood what Star Trek meant to people and embraced the community that grew around it.”

Koenig made his debut on “Star Trek” during the second season of the original series when Chekov was introduced as the navigator of the starship. He also portrayed the character in seven subsequent “Star Trek” films. Koenig is also known for portraying the notorious Psi Cop officer Alfred Bester in the TV series “Babylon 5.”

Tributes for Patrick Stewart are flooding social media after the news of the British actor’s death at 86.

Stewart, who played “X-Men” mutant headmaster Professor Charles Xavier across nine Marvel films, died Wednesday at his home in Los Angeles “in the loving care of his beloved wife Sunny, following a brief and poignant journey with Alzheimer’s disease and Lewy body dementia,” his longtime spokesperson Kelly Bush Novak said in a statement.

The acclaimed actor, whose career spanned 60 years in film, television and stage, cemented his place in the hearts of audiences and his peers in the industry.

Hugh Jackman, who played Wolverine in more than 10 Marvel films, penned a tribute on Instagram.

“We lost one of the greats of stage and screen today,” Jackman wrote. “And, in my book, a tremendous friend and man. I learned so much from him. I will miss you, Patrick Stewart, all of my days.”

“Logan” and “The Wolverine” director James Mangold emailed The Times a statement, writing, “A generous and kind man, Patrick was very dear to me but also a towering, magnificent talent. There is no ‘Logan’ without his brave portrayal of Charles Xavier. He is the beating heart of our film and our collaboration will be a cherished gift in my life.”

Stewart’s co-star in the “Star Trek” universe, Jonathan Frakes, wrote in an emailed statement to The Times, “There’s no one on this planet that I have acted with or directed more often than my late great friend Patrick Stewart. He will be with me forever. May he rest in Peace.” Frakes played Cmdr. William T. Riker opposite Stewart’s Capt. Jean-Luc Picard in the series “Star Trek: The Next Generation” and “Star Trek: Picard” and four “Star Trek” films.

William Shatner, who played Capt. James T. Kirk in “Star Trek: The Original Series” and its subsequent films and who lost another former co-star in the “Star Trek” franchise, Walter Koenig, this week, posted a photo of an embrace with Stewart alongside a tribute.

“What a heartbreaking week it has been,” Shatner wrote. “Sir Patrick Stewart was a friend, a colleague, and a magnificent actor. From the stage to the bridge of the Enterprise, he brought intelligence, grace, and a deep sense of humanity to everything he did. Captain Picard stood for the best of us, and so did the man who played him. I was filled with affection and admiration for him and his work.

“My heart goes out to Sunny and his family. He will be deeply missed.”

Rebecca Romijn, who starred in both “X-Men” and “Star Trek” films alongside Stewart, posted a video on Instagram memorializing the actor. “Heard the very sad news about the passing of my dear friend Patrick Stewart,” she said.

“I feel so grateful to have known him for the last 25 years … both as a fellow mutant and as a fellow member of Starfleet. He was positively delicious, hilarious, naughty, incredible sense of humor, and that booming voice of his that always spoke to the very back of the room, as every classically trained Shakespearean great needs to master. … Rest in peace, Patrick.”

Minnie Driver, who acted alongside Stewart in the 2017 romantic comedy film “The Wilde Wedding,” posted on Instagram, “Is this year some kind of portal to a much, much better place that all the greatest people know about and so have gently made their exits? Dearest Patrick. Who always had the best advice, the funniest story, the patience to listen. I’m just bereft. All love to your family, and you, in my heart forever.”

Stewart also starred in the AIDS-era 1995 romantic comedy film “Jeffrey” alongside actor Bryan Batt.

“Heartbroken at the news of Sir Patrick’s passing,” Batt wrote on Facebook. “He was one of the most talented, kindest, and generous actors I’ve ever had the honor of working with. I was lucky to play his lover in the film of Paul Rudnick’s JEFFREY. Even though I created the role on stage, it was my 1st film and needless to say I [was] a bit anxious. Patrick took me under his wing and guided me along, teaching me so much. A wonderful giving actor and true gentleman of the theatre. Flights of angels sing thee to thy rest.”

Rock star and author Patti Smith also commented on the announcement of Stewart’s death on Instagram, writing “Tears of love.”

Marvel’s Kevin Feige told The Times in a statement, “I’ll never forget the first time I saw Sir Patrick Stewart on the set of the first X-Men. After years of knowing him as the inimitable Captain Picard, I was in awe — and he turned out to be everything I had seen on screen and more: brilliant, charming, warm, generous, with a quiet strength and gravitas. Away from the cameras, he was even more remarkable, with a wonderfully sharp sense of humor.

“It was a true privilege to know him and to work with him. His legacy lives on not only in decades of extraordinary work, but in the many, many people he mentored. He will be deeply missed.”

Marvel also posted a tribute to Stewart, who was held dear by audiences who saw themselves in the mutants cared for and protected by Stewart’s Charles Xavier.

“All of us at Marvel Studios are deeply saddened by the passing of Sir Patrick Stewart,” Marvel wrote on social media. “Sir Patrick brought Professor Charles Xavier to life with extraordinary grace, intelligence, and humanity, defining the character for generations of fans, from X-Men to Logan to Avengers: Doomsday. He was a singular talent, a generous collaborator, and a true gentleman. Our hearts go out to his wife Sunny, his children, his friends, and the countless fans around the world whose lives he touched with his art.”

Unless you’re writing for a major national magazine or shooting video for Architectural Digest, it’s rare for a reporter to be invited into a celebrity subject’s home. More likely, it’ll be some neutral space like a publicist’s office, or coffee shop, or hotel room; even more likely, over the phone or Zoom. But Patrick Stewart, when I interviewed him in 2023 at the end of “Star Trek: Picard,” the “The Next Generation” sequel series in which he starred, asked to meet at his house.

Stewart, who died Wednesday at 86, was 82 then, friendly and dapper and emanating a youthful sense of wonder and readiness. He spoke of wanting to learn to play the piano and speak French — ironic for an actor perhaps best known as Jean-Luc Picard. He had written a memoir, “Make It So,” titled for a Picard catchphrase. And he was excited about the house, located on a leafy, McMansion-free, comparatively modest street in what real estate agents would call Hancock Park, where he’d been living with his wife, Sunny Ozell, since just before the COVID-19 pandemic shutdown.

“We were safe,” Stewart said of the COVID days. “We felt protected here. It was just a walk that way or a walk that way to some shops. I walk to a little post office and my pharmacy is on 3rd Street, and I always take the backstreets. It’s a fabulous neighborhood, it really is. No two houses are the same. I mean, I never thought I’d live in a house that had just got archways everywhere — no doors! Sitting here, you see one, two, three, four, five, six archways.”

From sheer weight of screen time and franchise muscle, “Star Trek: TNG” — which ran for seven seasons (on first-run syndication, a dynamic format that no longer exists), plus four films — and the “X-Men” movies have dominated coverage of Stewart’s death. (Confession: I have possibly seen one “X-Men” movie, though long before there were “X-Men” movies, I read the comics — so I am familiar with Professor Charles Xavier, a part for which Stewart did not need to shave his head, as well as his nemesis Magneto, played by Stewart’s good pal Ian McKellen.) But there’s more to the story.

Patrick Stewart’s Picard comes face-to-face with Alice Krige’s Borg Queen in the 1996 film “Star Trek: First Contact.”

(Elliott Marks / Paramount Pictures)

Stewart’s 70-year career does neatly divide into BST and AST — before and after “Star Trek,” which arrived in 1987 at its chronological midpoint. The first half is dominated by theater. He joined the Royal Shakespeare Company in 1968, after a decade on regional stages, and was a core member until 1982. “So that was my daily experience,” he told me. “Shakespeare and his contemporaries and other great 19th century, 20th century playwrights. It was home to me.” In 1982, he took part alongside fellow RSC members, including David Suchet, Ben Kingsley, Judi Dench and McKellen, in director John Barton’s illuminating series “Playing Shakespeare,” demonstrating the relation of text and performance. You can find it all on YouTube from the Shakespeare Network and really should.

American audiences might have gotten a look at him in David Lynch’s “Dune” or PBS-imported British TV productions like “I, Claudius” and “Tinker Tailor Soldier Spy,” or as Claudius opposite Derek Jacobi in BBC’s “Hamlet” — but for many Stewart appeared new and fully formed in September 1987 on the bridge of the USS Enterprise. (This paper, reporting on his casting, apparently called him “an unknown British Shakespearean actor,” a fact you will see printed many times over in the wake of his death, and which Stewart liked to repeat.) With a handsome, sculpted head unencumbered by hair and a rich musical baritone, he exuded compassionate authority. You felt you could trust him, not just because it was in the script. With his classical training, he could make the most mundane line sing as if it were written in iambic pentameter, and do it without sounding hammy. He was a fit 47 when the show premiered. And he rocked his body-hugging Starfleet uniform.

After “Star Trek” made him Hollywood-famous, making way for his “X-Men” role — which he reprised for his final film, “Avengers: Doomsday,” coming in December — other projects followed. As an established personality there were opportunities for self-mockery and oddball choices. In Ricky Gervais’ “Extras,” playing himself, he describes a screenplay he’s writing in which his character has the power to make women’s clothes fall off (“and I’ve seen everything”). In Riz Ahmed’s “Bait,” which premiered earlier this year, he was the hallucinated voice of “Pigtrick,” a decapitated pig’s head that is somehow also Patrick Stewart. He donned a bad wig to portray John Oliver on “The Daily Show” and was a regular voice on “American Dad!” More traditionally, he played Captain Ahab, Ebenezer Scrooge and Captain Nemo.

Patrick Stewart as Macbeth and Kate Fleetwood as Lady Macbeth in “Macbeth,” the film version of Rupert Goold’s production.

(Manuel Harlan / Illuminations TV)

Did success on the screen boost his stage career? Or was it just a different route to the same place? With McKellen he starred in Samuel Beckett’s “Waiting for Godot” and Harold Pinter’s “No Man’s Land” in repertory. He adapted Charles Dickens’ “A Christmas Carol” into a one-man show and played George in “Who’s Afraid of Virginia Woolf?” But it always came back to Shakespeare. Returning to the RSC, he played the Ghost and Claudius to David Tennant’s “Hamlet” and the lead in “Macbeth” (both were filmed and broadcast) as well as Prospero in “The Tempest.” He stayed busy as he aged, if not always as busy as he would have liked — the actor’s lot — and when the pandemic killed regular work, he went onto social media and spoke directly to the people in the language he loved so well, reading and commenting on all of Shakespeare’s 154 sonnets — “A Sonnet a Day” — from March to October 2020 (they’re available on CD).

“We play this game often,” he told me. “I played it when I was a kid: If you could go back in time, where would you go? And I’ve worked on my answer to that question — I want to be in the audience at the very first performance of ‘Hamlet, Prince of Denmark,’ that’s all, because I know Shakespeare would be there.”

As Star Trek captain Jean-Luc Picard and X-Men leader Professor Charles Xavier, he was the epitome of calm leadership under pressure.

But actor Sir Patrick Stewart, who has passed away aged 86 after a secret health battle with Alzheimer’s, spent his life fighting his own personal demons, coming to terms with his abusive childhood.

His father Alf was one of the last men evacuated from Dunkirk and then parachuted into Italy to fight in the brutal Battle of Monte Cassino where 54,000 Allied troops were killed or injured.

Back home in Mirfield, Huddersfield, he subjected the seven-year-old’s mother to brutal beatings.

Often, the young child would stand between his father’s fists and his mother in a desperate attempt to shield her.

“As a child I witnessed his repeated violence against my mother, and the terror and misery he caused was such that, if I felt I could have succeeded, I would have killed him,” he said. “If my mother had attempted it, I would have held him down.

‘INVINCIBLE GRACE’

Full heartbreaking statement after Patrick Stewart’s death at 86

ICON GONE

Hollywood icon Sir Patrick Stewart dead aged 86 after legendary career

“For those who struggle to comprehend these feelings in a child, imagine living in an environment of emotional unpredictability, danger and humiliation week after week, year after year, from the age of seven.

“My childish instinct was to protect my mother, but the man hurting her was my father, whom I respected, admired and feared.”

It was on stage where he found a way to break free from his home life and forge his own path.

“I managed to find my own refuge in acting,” he said. “The stage was a far safer place for me than anything I had to live through at home – it offered escape.

“I could be someone else, in another place, in another time.

“However, whenever the role called for anger, fury, or the expression of murderous impulses, I was always afraid of what I might unleash if I surrendered myself to those feelings.”

Born on July 13, 1940, in Mirfield, near Huddersfield, life was bliss until his father Alf returned home from war with what would now be called post-traumatic stress disorder.

He said: ”My parents’ bedroom had a partition built into it, which is where my old brother Trevor and I slept. No hot water, no cooking facilities, no toilet, bathroom. Just an open fire and a gas ring.

“I’d never known anything else.”

Reflecting the violence at home, Stewart’s own anger was close to the surface and he struggled to contain it at school.

He said: “I was beaten with a cane by my headmaster when I was 14, when I was innocent of what he was accusing me of.

“It was one of the hardest moments ever, because I wanted to attack him. I would have killed him.

“If I’d actually got my hands on him, I don’t think he’d have made it out.”

His salvation came in the form of English teacher Cecil Dormand who put a copy of Shakespeare in his hands and encouraged him to perform.

It was the Mirfield Secondary Modern School drama club that gave him a glimpse of something beyond the confines of his terraced home and violent abuse.

He said: “The first moment that I walked onto the school stage I felt safe — it was the safest place I’d ever been.

“For one thing I wasn’t Patrick Stewart because I didn’t like Patrick Stewart very much.

“And it was a different world, it wasn’t my world — because I didn’t like that very much either.”

He got another dreaded summons to his headmaster’s office. But this time instead of a caning he saw Mr Dormand and someone from the West Riding County Council who offered him an eight-day residential drama course.

It was there he met a young Brian Blessed, who he would later perform with in the classic TV drama I, Claudius.

Years later they bumped into each other together at a glitzy awards ceremony in Los Angeles:

“There we were: two working-class boys from Yorkshire, walking down the red carpet.”

He left school at 15 and got a job as a junior reporter on his local paper the Mirfield & District while dedicating every moment to acting, much to the annoyance of his editor.

He said: “There were about a dozen amateur dramatic societies in my community. Every church, every chapel had one — even if it only meant doing a pantomime once a year.

“The editor eventually said ‘You’ve got to give it all up, this acting business, and learn to be a journalist. If you don’t, you can get off my paper.’

“So I went upstairs, packed up my typewriter and left.”

He got a scholarship to the Bristol Old Vic Theatre School, and in 1966 joined the Royal Shakespeare Company, a relationship that would last for nearly three decades.

He went on to win two supporting actor Olivier Awards for his Shakespeare performances, for Antony and Cleopatra in 1979 and Hamlet in 2009.

He was awarded a knighthood for services to drama in 2009 and was knighted by the late Queen in 2010.

The stage was his true love despite one appearance on Coronation Street in 1966 and playing John Le Carre’s Russian spy Karla in Tinker, Tailor, Soldier, Spy and Smiley’s People.

But in 1987 he was tempted by what he thought would be a quick Hollywood cash grab and be back home on the stage in a few months.

But Star Trek: The Next Generation became a global smash and his cultured, thoughtful Picard became an iconic role.

The sci-fi TV series ran for seven years, with Sir Patrick starring in Star Trek Generations in 1994, Star Trek: First Contact in 1996 and Star Trek: Insurrection in 1998 and Star Trek: Nemesis (2002).

He said: “I was contemptuous. I knew of the original Star Trek, of course… I thought, ‘This is not what I do. I’m a classical actor.’

“I thought I’d just go to California for a year, get a tan and earn some money.

“I came to love Jean-Luc Picard and to admire him, and he has had an effect on me. Some of his qualities, I believe, have rubbed off on me.

“The sense of responsibility, the sense of duty, the determination that you will not be compromised.”

In 2000, he was cast as powerful telepath Professor Charles Xavier in the film adaptation of Marvel‘s X-Men comics.

He would come back to the series in 2014’s X-Men: Days Of Future Past, 2017’s Logan, 2022’s Doctor Strange In The Multiverse of Madness and 2024’s Deadpool & Wolverine.

Again, his thoughtful, nurturing persona and his rivalry with old friend Sir Ian McKellen’s Magneto became cinema legend.

He said: “I love him deeply. So does my wife. He married us — he performed the ceremony in a Mexican restaurant.”

Singer-songwriter Sunny Ozell was Stewart’s third wife and eyebrows were raised at their 38-year age gap.

He had two children, Daniel, 59, and Sophie, 54, with his first wife Sheila Falconer who he married in 1966 and divorced 24 years later.

He was briefly married to producer Wendy Neuss in 2000 then he met and married Sunny in 2013.

The couples’ fun Instagram posts of the Shakespearean actor in hilarious situations, like being dressed as a lobster, burst his rather serious Shakespearean public face.

Making home in Los Angeles, where he watched every game of his beloved Huddersfield Town, he started having weekly therapy sessions to deal with his traumatic childhood.

Stewart said: “It wasn’t until I came to California and people would say, ‘You’re not in therapy? Let me recommend somebody.’ I was introduced to a brilliant woman with whom I did therapy weekly for about six years.

“It was thanks to her that all this stuff came out and I realised that acting was an escape for me.”

In 2006 a routine check up discovered an 85 per cent blockage in his heart and he underwent emergency surgery to fix it by having a stent inserted.

He said: “I was diagnosed very unexpectedly during my annual physical by my cardiologist, who said ‘What are you doing this afternoon?’

“To which I said ‘Well actually, I’m going for lunch.’ And he said, ‘I’d rather you didn’t.’

“And in five minutes I was on a gurney giving details of my next of kin and so it was rather dramatic.

“I didn’t have time to brood on it, but what I did know was that I was in the best possible hands I could’ve been in and I was going to be taken care of whatever the outcome.

His mother Gladys died in 1977, three years before Alfred. After turning 80 in 2020 and with the pandemic and lockdown in full swing he began to think about his own mortality.

He said: “When my father was living alone, I believe he missed her badly.

“And perhaps he might even have regretted aspects of their married life.

“I was already older than both my parents when they died, but I think it was the coronavirus. It did something to me.

“It made me feel so vulnerable.”

In a final video posted on Instagram before his death, Sir Patrick reflected on love and the emotions evoked by his performances of Shakespeare’s sonnets.

He said: “I hope it has brought pleasure and curiosity but more than anything else I want it to have communicated all the multiple features that love might have.”

Patrick Stewart was an imposing figure, on screens big and small, and on stage in the many theatrical productions he starred in over his long career. Depending on the role, his baritone voice could command a legion of Starfleet officers, superhero mutants or a royal court. The actor, who died Wednesday, will be best remembered for the iconic characters he portrayed, particularly in the “Star Trek” and “X-Men” franchises, but over the course of his career, he proved his versatility, playing comedic roles as brilliantly as his dramatic ones. Here, our writers detail some of his most memorable onscreen work.

‘Dune’ (1984)

Even in the wake of Denis Villeneuve’s mega-productions, David Lynch’s dreamy version has found its fandom of acolytes. To watch Stewart commit to the director’s vision is to wish he had more film opportunities outside the shadow of Capt. Picard. He’s playing Gurney Halleck (Josh Brolin does the role in the new movies), a war advisor to young Paul Atreides, and Stewart brings gruff family-friend vibes to his few scenes, which have become legendary in the Lynch pantheon. When Kyle MacLachlan’s Paul says he’s “not in the mood” for combat training, Gurney explodes at him: “Mood’s a thing for cattle and loveplay, not fighting!” Later, you can watch Gurney charging into planetary battle holding — what’s this? — a sweet-looking pug. They must be symbolic to House Atreides. The dogs don’t appear in Frank Herbert’s novel. Lynch just added them. It’s how I choose to remember Stewart. — Joshua Rothkopf

Patrick Stewart as Captain Picard in “Star Trek: The Next Generation.”

(Elliott Marks/Paramount)

‘Star Trek: The Next Generation’ (1987-1994)

Whichever captain in the “Star Trek” franchise you fancy — Janeway, Kirk, Sisko, Pike, etc. — Jean-Luc Picard was always in the conversation. He was serious, stern, smart, curious, with the hint of whimsy that it takes to soar among the stars with theoretical science and a diplomatic flair with alien races. Undoubtedly, Stewart’s Shakespearean training helped him look past the costumes, sets and CGI into the humanity of what the writers and Gene Roddenberry intended. Though “Star Trek” was set hundreds of years into the future, Stewart gave the character a sense of now, with some of the same problems we face today. Indeed, one of his most famous quotes from the show, from the fifth-season episode “The Inner Light,” embodied how he kept Picard in the present: “Seize the time … live now. Make now always the most precious time. Now will never come again.” — Jevon Phillips

‘Robin Hood: Men in Tights’ (1993)

My nascent cinephilia was nurtured by movies on VHS. One tape (and eventually DVD, then Blu-ray) we often found ourselves watching was Mel Brooks’ “Robin Hood: Men in Tights.” The spoof of early Hollywood’s swashbuckling action-adventure movies is one of the comedy titan’s most quotable films, thanks in large part to the timing of the cast. Stewart, in a cameo at the end of the film, plays a regal King Richard who returns from the Crusades to chastise his younger brother Prince John (played by a scene-stealing Richard Lewis). Stewart gets one of the film’s best jokes, delivering one final indignity to Prince John with the panache that only a formally trained actor of his caliber could. — David Viramontes

James Marsden, left, and Patrick Stewart in “X-Men.”

(Attila Dory / 20th Century Fox)

‘X-Men’ (2000)

Casting Stewart as Professor Charles Xavier in Bryan Singer’s “X-Men” must have seemed almost too easy. He looked remarkably like the bald, wheelchair-using Marvel comic-book character and had already spent seven seasons playing a similarly cerebral, principled leader as Capt. Picard on “Star Trek: The Next Generation.” But Stewart brought more to the role than a physical resemblance and a voice that could make a grocery list sound like a royal decree. As the powerful telepath who ran a school for young mutants and believed they could coexist peacefully with humans, his Xavier barely needed to raise an eyebrow to command attention, even when surrounded by characters who could sprout claws, control the weather and shoot beams from their eyes. Playing opposite Ian McKellen as Xavier’s old friend turned rival Magneto, Stewart brought a touch of Shakespearean gravitas to the fledgling franchise, returning to the role for seven more films over the next 22 years. He’ll reprise the role a final time in “Avengers: Doomsday” in December. — Josh Rottenberg

Patrick Stewart and Hugh Jackman in the film “Logan.”

(James Mangold / Marvel / Twentieth Century Fox)

‘Logan’ (2017)

Previous installments of the “X-Men” films are more typical of the superhero genre, with grand CGI battle sequences and a foe or foes that must be defeated. But “Logan,” which centers on the titular character, a.k.a. Wolverine (Hugh Jackman), is different, with a grounded, gritty story set in 2029 in the desert of Northern Mexico near El Paso. Logan is now a limousine driver addicted to prescription painkillers and he’s a caretaker, along with fellow mutant Caliban, for an elderly Charles Xavier. Ten minutes into the film, we see the professor not in his usual dignified manner, dressed in a sharp suit; instead, we see him thin and frail, in a dirty T-shirt, zooming around in circles in his motorized wheelchair repeating the lines of a Taco Bell commercial. Logan attempts to medicate him so that he and Caliban can rest, but Xavier fights him off, falls out of his wheelchair and has a telepathic seizure that begins to affect everyone around him. “What are you doing to me?” he whispers in a scared voice as Logan tries to inject him. It’s a scene that Stewart imbues with terror and sadness as we see the formerly stoic Xavier shrivel in his hospital bed, reminded of his ailments and his mortality. — Maira Garcia

Richard Riehle, a prolific character actor who portrayed Tom Smykowski, the product manager with “people skills” in Mike Judge’s cult classic, “Office Space,” has died. He was 78.

Riehle died Thursday of natural causes in Los Angeles, his representatives from Artists & Representatives and Wright Entertainment Inc. confirmed Monday to The Times. No additional details were provided.

“A remarkable actor whose career in theater, film, and television spanned nearly five decades and more than 400 projects, Richard leaves behind an extraordinary legacy,” read the joint statement from his talent agency and management company. “Beyond his immense talent, he will be remembered for his genuine goodness, boundless kindness, and unwavering generosity, particularly toward emerging actors and filmmakers, whom he encouraged and supported at every opportunity.

“Our industry has lost an exceptional talent, and our community has lost a truly wonderful man,” it continued.

In the 1999 corporate comedy “Office Space,” Riehle portrayed Tom, a middle manager who is laid off by the company before being seriously injured in a hit-and-run accident and winning a large settlement.

“We didn’t have a regular effects person to put me into a body cast for my scene after the character’s accident, so we hired an EMT guy to put me in a real cast,” Riehle said in an interview with Notre Dame Magazine. “I couldn’t get out of it for 8 hours — and when the EMT had to go to work he left a cast-cutter for the PA [production assistant]. That was fun.”

Richard Riehle, right, portrays a co-worker of Ajay Naidu, left, Ron Livingston and David Herman in the 1999 classic “Office Space.”

(20th Century Fox)

Riehle’s other credits include portraying the guard who lets Harrison Ford’s character escape custody in “The Fugitive” (1993); the mechanic with a punny name, Bill Cozbi, in “Bridesmaids” (2011); and the proprietor of a local diner in “Pee-wee’s Big Holiday” (2016).

His wide-ranging resume also includes TV roles in episodes of “Star Trek: The Next Generation,” “Star Trek: Voyager” and “Star Trek: Enterprise,” as well as multiple stints in shows including “Quantum Leap,” “Murder She Wrote,” “L.A. Law” and “Drunk History.” He was also a voice actor on animated projects such as “The Legend of Korra” and “Home on the Range.”

For five seasons, Riehle portrayed Walt Finnerty, the father of Donal Logue’s Sean Finnerty, in the sitcom “Grounded for Life,” which aired from 2001 to 2005.

“Richard Riehle was an amazing human being,” Logue wrote in a tribute shared Monday on Instagram. “A consummate professional, he was an actor’s actor — humble, kind, and incredible at his craft.”

Logue said that he “loved every minute” he spent with Riehle and recalled how the late actor made him laugh so hard during his final audition for the show that he fell to the floor.

“I’ll always remember small details — how he always had a novel (never pulp stuff — always Hugo or Dostoevsky or another classic) stuffed into the back pocket of his old-school slacks,” Logue added. “He loved the House of Pies on the corner of Franklin and Vermont (I did, too).”

Richard Mathias Riehle was born May 12, 1948, in Menomonee Falls, Wis. He graduated from Notre Dame with a degree in speech and drama in 1970 before pursuing a master’s in fine arts at the University of Minnesota.

He started his acting career in local theater. His first uncredited onscreen role was in the 1975 western “Rooster Cogburn,” though he mentioned that he couldn’t find himself in it in a 2017 interview with the A.V. Club. His first screen role “with lines” came a couple of years later, in the 1977 movie “Joyride.” One of his earliest breakout roles was in the 1989 Civil War film “Glory.”

“I always wanted the role that would bring something out of me, force me to find something extra,” he said in the Notre Dame Magazine feature. “As I get older, the roles may not be there as much on high-profile projects, but I’m always going to look for ways I can work and maybe even be a part of ways to change the business. When I work, I feel great. That doesn’t ever have to stop.”