stage

Greaney said blame rested with Travelodge as an organisation rather than with individual staff, and a culture had developed in which room intrusions were regarded as “one of those things”.

The woman emailed a complaint to Travelodge in January 2023, addressed to chief executive Jo Boydell and others.

The review concluded the email was handled by her office without her knowledge, and did not come to Boydell’s attention until March 2026.

The woman’s complaint was instead investigated by a manager who was himself criticised in it, and the customer services team offered her a refund for her night’s stay, which she understood to be £30.

Boydell stepped down as chief executive in August following criticism over the company’s handling of safety complaints. The review said she deserved credit for driving improvements from March.

The attack became national news in March after the woman contacted the BBC, saying the case raised serious questions about room security at Travelodge hotels.

Since then, dozens of people have shared experiences of strangers entering their rooms, including a domestic abuse victim whose abuser was given a key to her room at a Travelodge in London.

Then prime minister Sir Keir Starmer wrote to Boydell in March urging her to “seriously engage” with the government over security. Greaney was appointed to lead the review the following month.

THEY are marking 25 years with a record-breaking anniversary tour.

But despite celebrating a quarter of a century together, Westlife say they have never felt younger — thanks to fans still throwing their bras onto the stage.

Kian Egan, Shane Filan and Nicky Byrne have been inundated with fans throwing their undergarments on to the stage during their gigs at Dublin’s 3Arena.

Speaking to Biz on Sunday’s Emily backstage on Friday night, Kian said: “We have a B-stage where we get quite close to the audience. One bra got thrown up, and before we knew [it], it started growing to ten, 14 . . .  It is a bit of fun, and nostalgic.”

Shane added: “We aren’t leaning into it too much or the stage would be covered!”

The Irish hitmakers are on track to surpass 150 dates on their 25th Anniversary World Tour and completed a record-breaking 13-show residency at the 3Arena last night.

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They head to Aberdeen on Tuesday before playing dates across England, Wales and Scotland for their diehard fans.

Shane said: “We have 150 dates and it is growing. We don’t know how many it is going to be, but it is going to be more than 150 for sure.

“You keep yourself fit, you go to the gym, go for a run or surf — you just want to be in good shape for it. It is a very physical show.

“We aren’t out drinking every night, but we still get to enjoy it. We came off stage on the first night with a few pints of Guinness together. It was a lovely moment.”

The boys were fresh-faced twenty-somethings when they embarked on their first tour, East Meets Westlife, in 2000.

Asked if they feel fitter now, Shane said: “Without a doubt. We are getting older but we feel the same on stage.”

Now on their 15th tour, the band have made sure their hits World Of Our Own and Flying Without Wings still form part of their two-hour set.

“All these people have been with us since day one and now they get to relive these 25 years in one show for two hours,” Shane said.

The band are also keen to get former One Direction singer Niall Horan up on stage with them.

Kian said: “It has never been discussed, but you never know.”

Niall, over to you . . . 

NEW LOOK IS A CARDI BY GUCCI

CARDI B looked ready for winter in her furry white jacket at Milan Fashion Week on Friday.

The American rapper was spotted out in the Italian city, where she proved she’s quite the fashion queen herself.

Cardi teamed the Gucci coat with tights from the same Italian luxury fashion house.

And she shared snaps of her look to her 160million online followers, captioning them: “Lord that new Gucci collection.

“So clean, sickening, sexy and detailed.

“Go ahead, just take my whole wallet.”

If I had Cardi’s money, I’d do the same.

ENGLAND rugby legend James Haskell would love to follow ex-footballer Vinnie Jones into acting in a gangster drama, like Guy Ritchie’s hit Netflix series The Gentlemen.

He told me: “I met Guy once. We didn’t talk about roles but if there was ever the opportunity, I’d 100 per cent do it.”

SINGER TALIA MAR has released her video for track Pyscho On A Couch.

The Stay The Night hitmaker stars in the video as herself and a therapist as she explains her troubles.

Fans can catch Talia at Koko in London on October 6.

If this video is anything to go by, Talia will certainly put on a show.

PALOMA HAS FAITH IN VOICE

PALOMA FAITH is ready to teach contestants on The Voice how to make their own kind of music.

The singer will join Sir Tom Jones as one of the guest mentors as the ITV show’s Battles – in which teammates duet – kick off on October 10.

Delta Goodrem joins Kelly Rowland’s group; Cheryl Tweedy works with WILL.I.AM’s team; and McFly’s Dougie Poynter and Harry Judd assist bandmates Danny Jones and Tom Fletcher.

Next Saturday, viewers get a glimpse of the guests at London’s Alexandra Palace, discussing which acts should make the semi-finals.

A source said: “Watching Cheryl’s return to TV and a glimpse of her role as a coach next series will give fans plenty to look forward to.

“Alongside the experience brought by Paloma, Delta, Dougie and Harry, the Battles will be a series highlight.”

When Israeli Prime Minister Benjamin Netanyahu takes to his feet at the United Nations General Assembly (UNGA) in New York later on Thursday, he does so at a critical point in both his political career and in his country’s long and fractious relationship with the international body.

Israel has faced repeated accusations of genocide at the UN, as well as systematic war crimes in Gaza and the occupied West Bank. Those criticisms continue to shape the country’s fractious relationship with the body.

For Netanyahu, appearing in front of the UNGA for the 15th time, the stakes have rarely been higher. Addressing a domestic Israeli audience that polls show to be losing faith in him and his Likud party ahead of crucial elections later this year, Netanyahu has already pitched himself as Israel’s primary voice on the international stage.

Nevertheless, analysts say Netanyahu’s address could prove a pivotal moment domestically, amplified by international criticism of Israel and expected to dominate headlines and be carried live across the country’s television networks.

“This is a regular fixture for him,” former Israeli consul general in New York and ex-government adviser Alon Pinkas told Al Jazeera. “It’s his way of being seen in Israel as standing up against the world and of telling members that he will never give up or surrender. He’s also turned the event into some kind of national holiday in Israel, with everyone sitting down to watch the address on television. He’s brainwashed people in Israel into believing his speech is somehow an announcement of policy, stated in defiance of the [rest of the world] who don’t believe a word he says.”

A history of hostility

Israeli leaders have long framed their stance towards the UN as one of defiance in the face of hostility. The UN has long been a platform for critics of Israel’s illegal occupation of Palestinian land and repeated attacks on its neighbours. It has included attempts to censure Israel over what UN investigators have described as apartheid in the West Bank, as well as accusations of genocide and pogroms across the occupied Palestinian territory since October 2023.

There have been numerous UNGA resolutions criticising Israel’s conduct — nearly all dismissed by Israeli lawmakers as evidence of institutional bias — culminating in Israel declaring UN Secretary-General Antonio Guterres persona non grata and severely restricting the operations of the UN’s agency for Palestinian refugees, UNRWA.

“Generally speaking, many Israelis tend to see the UN as anti-Israeli,” Nimrod Goren, the president of the Israeli Institute for Regional Foreign Policy, Mitvim, said.

Against that background, criticism from New York Mayor Zohran Mamdani — already cast as anti-Israel in the Israeli press — has drawn greater public attention to the event. Underscoring the sense of hostility towards Israel are stories within the country’s media suggesting that Netanyahu’s visit to New York has been curtailed due to unspecified security concerns, with the Israeli premier expected to fly out of New York on the same day as his arrival.

In response, Israel’s ambassador to the UN, Danny Danon, who has repeatedly accused the organisation of waging “diplomatic terrorism” against the state called for Mamdani’s arrest for what he said was the mayor’s incitement against New York’s Jewish community ahead of Netanyahu’s visit.

“Netanyahu is going into his UNGA speech with not one but both eyes focused firmly on the upcoming Israeli election,” Goren said. “The speech is usually treated in Israel as a major event, receiving broad coverage and dominating the news cycle. Netanyahu will likely try to leverage this to bolster his image as a close ally of the US and to talk up the threat posed by Iran.”

US backing

Some have interpreted US President Donald Trump’s apparent lack of availability to meet Netanyahu during this trip as a sign of waning support. But US backing for Israel at the UN has remained steadfast since the October 7 attack and has contributed to growing frustration within the UN over what they see as Israel’s ability to resist international censure.

Alongside the creation of the Board of Peace, which shifted significant responsibility for Gaza’s future from the UN to the Trump-founded organisation, Washington has repeatedly used its veto at the UN Security Council to shield Israel from resolutions it opposes. The US has vetoed at least six UN Security Council resolutions on Gaza since October 2023, most of them demanding an immediate ceasefire.

“There seems to be genuine frustration within the UN General Assembly over the body’s failure to play a significant political role in Gaza and the West Bank, but also in its failure to protect its own staff and agencies,” Chatham House Associate Fellow Zizette Darkazally, who previously worked with the UN, said.

“However, it’s worth remembering the context the UN operates within in the occupied territories and the important humanitarian role it plays. The UN continues to get aid and medical support into Gaza and the West Bank, which are both areas where Israel has absolute control over access,” she said. “It’s also worth remembering that the UN is only as strong as the commitment of its member states.”

“That, combined with a system of veto that’s more than 80 years old, has left the organisation weaker now than it had ever been,” she said of the confrontations between the UN and Israel. “And we’re seeing the effects of that, not just in Palestine, but in Yemen, Sudan and Iran, where the UN is playing next to no political role.”

The In Memoriam segment at the 78th Emmy Awards opened with a tribute to Catherine O’Hara from her movie and TV kids — Macaulay Culkin, Annie Murphy and Dan Levy.

“There are all kinds of words I could use to describe Catherine,” Culkin said as he took the stage with the “Schitt’s Creek” stars. “She was encouraging, she was warm, she was funny, but the word that I think of is ‘mama.’”

O’Hara, of course, played Culkin’s mother in “Home Alone” and “Home Alone 2.”

“She wasn’t just a wife and mother to [husband] Bo and [sons] Matthew and Luke. She was my mom. She was our mama,” Culkin said, looking toward Murphy and Levy. “And by extension, she’s all of our mama…. She may have forgotten me twice, but we will always remember her.”

Murphy and Levy also shared personal anecdotes about their TV mom. Murphy spoke about O’Hara’s laugh, and the many interactions she’s had with fans “that remind [her] how profoundly Catherine has impacted the world … because she brought us joy.” Levy shared what it was like to work with O’Hara and how she taught him to “always say yes.”

Singer-songwriter Noah Kahan performed a cover of Simon & Garfunkel’s “Bridge Over Troubled Water” as images of actors, writers, directors and other industry figures who died this year were projected onto the stage.

Among those honored in the segment were James Van Der Beek, Hayden Panettiere, Eric Dane, Vincent Pastore, Hal Williams, Tim Curry, Shelley Fabares, Isiah Whitlock Jr., Anthony Head, Diane Ladd, Sid Krofft, Ted Turner and Bob Mackie.

The segment closed with tributes to James Burrows and Rob Reiner from Jamie Lee Curtis.

“For over 1,000 episodes of television, the great James Burrows set a standard of comedy directing that will be cherished and studied for generations to come,” Curtis said. “And sadly, last year, we lost another cherished legend. Our beloved Meathead, Rob Reiner.”

Reiner won a posthumous Emmy for guest actor in a comedy series for his work on “The Bear” earlier this month. Curtis said Reiner broke the record set by his father, Carl Reiner, for the longest gap between acting Emmys.

“He was generous and kind and funny as hell and a friend to all,” Curtis said. “We all miss Rob and Michele [Singer] and all those we lost this year.”

The ceremony also featured a tribute to Dolly Parton earlier in the evening with Sally Field and Reba McEntire.

The 78th Primetime Emmy Awards saw a number of firsts: A first-time host, a first-time Emmy winner and the first to win two lead acting Emmys in a night. These notable achievements were coupled with moments of remembrance for legendary actors and creators, like Dolly Parton, Rob Reiner and Catherine O’Hara, among many others.

With Mariska Hargitay at the helm, the show ran at a quick pace without feeling rushed, giving room to winners to say their thanks in acceptance speeches while still having moments of fun in between. Here, our writers discuss some of the best moments of the ceremony. — Maira Garcia

Best moment of overdue recognition: Rhea Seehorn

Rhea Seehorn finally won an acting Emmy, an accolade that was long overdue.

(Robert Gauthier/Los Angeles Times)

If you appreciate Rhea Seehorn’s complex, subtle acting, her dynamic range and her deadpan humor, then you’ve probably found the Emmys to be maddening over the years. She famously wasn’t nominated for playing poker-faced attorney Kim Wexler on “Better Call Saul” until the show’s two-part final season. And she never won, not even for the raw, heartbreaking work she did in those last episodes. So seeing her win, finally, for her lead turn on “Pluribus” was thrilling, long overdue recognition that, given her history, made you wonder if it would ever come. Awards voters typically don’t appreciate nuanced acting, too often equating “best” with “most.” But Seehorn’s work on “Pluribus” was undeniable. Playing Carol Sturka, a sad woman forced to save the world from happiness and hive mind, Seehorn had the role of a lifetime and ran with it. This Emmy was a long time coming, and you could feel that when she choked up on stage accepting it. Her palpable joy thanking “Pluribus” creator Vince Gilligan, wiping away tears, is one reason why we keep watching the ceremony. — Glenn Whipp

Best double Emmy haul: Matthew Rhys

Matthew Rhys with his double Emmy haul for “The Beast in Me” and “Widow’s Bay.”

(Ronaldo Bolanos/Los Angeles Times)

It was the sort of epic night that might make life vest-wearing mayor Tom Loftis jolt from his boat seat in shock or compel the villainous real estate heir Nile Jarvis to scarf down a whole rotisserie chicken with a glint in his eye — Matthew Rhys, the actor who brought both characters to life on screen, won two Emmys during Monday’s ceremony.

In doing so, he achieved a feat no actor has accomplished in 78 editions of the Emmy Awards: he won two lead acting Emmys in the same night. He was recognized for lead actor in a limited series for his turn in Netflix’s psychological thriller “The Beast in Me,” where he played Nile equal parts charming and terrifying. Later, he took the stage to accept the lead comedy actor prize for his optimistic but skeptical take on a mayor of a small, haunted island town in Apple TV’s horror comedy “Widow’s Bay.”

Rhys didn’t react like his characters might have — instead, he thanked his homeland: “To the great and good people of Wales… we are a small but mighty nation!”) And he took in the moment being feted by his partner, Keri Russell, who hung on him with pride as he made his way back to the main seating area after his first win.

The double wins add to Rhys’s collection of gold across the acting categories. In 2018, he took home the prize for lead drama actor for “The Americans.” — Yvonne Villarreal

Best reaction to someone else winning: Martin Short

Martin Short, left, with his “Only Murders in the Building” co-star Steve Martin on the red carpet at the Emmys.

(Christina House/Los Angeles Times)

Rhys may have taken home lead actor Emmys for limited series and comedy series, but the award for best reaction belongs to Martin Short.

During Rhys’ acceptance speech for lead actor in a comedy, the camera briefly panned to Short, who was nominated for “Only Murders in the Building,” just in time to catch him ripping paper into pieces — presumably his speech — and throwing it on the floor in anger and disbelief.

It lasted only a few seconds, but Short took advantage of the moment.

The timing. The commitment. The expressive performance. Short’s full comedic arsenal was on display before the camera moved on. It was the kind of quick visual gag that was easy to miss, and plenty of people probably did. But for those who caught it, I hope it was worth the spit-take. I am certainly glad I had a napkin at hand.

Short may have lost the Emmy, but his comedic timing remains undefeated. Stay funny, Short. — Anthony Solorzano

Best emotional moment that emptied our tissue box: Michael J. Fox

Michael J. Fox received the Bob Hope Humanitarian Award for his work and advocacy on Parkinson’s disease.

(Robert Gauthier/Los Angeles Times)

In an Emmys telecast full of genuine emotion — Reba McEntire’s musical celebration of Dolly Parton, a heartbreaking In Memoriam segment that ended with Jamie Lee Curtis’ personal tribute to Rob Reiner — the most moving moments were claimed by Michael J. Fox, receiving the Bob Hope Humanitarian award.

Fox’s decades-long battle with Parkinson‘s disease, and for those who suffer from it, is well known, as is his refusal to let it define him or his career — he received his 19th Emmy nomination this year, for guest actor in “Shrinking.” But when he first came out on stage, in a wheelchair and classic black, he spoke first about his admiration for Bob Hope, a man whose tireless support of soldiers “and military families like mine” illuminated, for Fox, the necessity of showing up for others. “When it starts to get tough, you show up, you help, and if you add a little joy while you’re doing it, that’s so you know it’s even better.”

The utter silence of that room as he spoke, the admiration on all those famous faces said it all. Fox remains as he has long been — funny, sincere, wildly talented and one of the most courageous people many of us will ever know. — Mary McNamara

Best self-depricating host: Mariska Hargitay

Mariska Hargitay didn’t take herself too seriously as host, cracking a number of silly jokes throughout the night.

(Robert Gauthier/Los Angeles Times)

Host Mariska Hargitay was refreshingly lewd and charmingly self-deprecating as the first female host of the Emmys in 15 years.

By not taking herself too seriously, she set a laid-back tone for a high pressure show that for many nominees feels like a life or death moment.

Winning is not everything, Hargitay regularly reminded the crowd, with bits that grounded actors’ experience, like a clip from a 1984 B-horror film she starred in called, “Ghoulies,” which, as she explained to everyone, is a film, “where a monster pops out of a toilet.”

“Jamie Lee Curtis isn’t the only scream queen around here,” Hargitay quipped.

That joke came after an ongoing series of goofy, blue wisecracks, including one about “Law & Order” producer Dick Wolf, saying his real name was “Richard Penis;” that her “SVU” character, Olivia Benson, was “America’s sweetheart sex cop;” that aging fans who once loved and watched “Hannah Montana” would soon need “Hannah Mammogramas;” and an aside about her packed work schedule, noting that “Margo may have money troubles, but Mariska’s doing just fine.”

She ended the night with a mic drop by introducing Woody Harrelson and Matthew McConaughey as “my two favorite flavors of vape.” — Jessica Gelt

Best changes to a host’s hair: Hargitay and her hairstylist

A sampling of Mariska Hargitay’s hairstyles at the Emmy Awards.

(Robert Gauthier/Los Angeles Times)

Beach waves, bombshell, Targaryen-inspired twists, luscious locks and a tousled bob. Mariska Hargitay changed her hairstyle so many times throughout the Emmy Awards it was hard to keep track. One can only imagine the quick work happening backstage to get her hair coiffed amid costume changes. And one can only hope there was a wig wall somewhere inspired by Catherine O’Hara’s Moira Rose. The bombshell blowout was reportedly a tribute to her late mother, ‘50s starlet Jayne Mansfield — Hargitay took home two Emmys earlier this month for a documentary she directed about her. Her quick-turn tresses were yet another example of the first-time host’s infectious enthusiasm. — Brittany Levine Beckman

Best presenter who should host the next awards show: John Mulaney

John Mulaney introduced the award for lead actor in a drama series, but not before sending up men.

(Robert Gauthier/Los Angeles Times)

I’ll say it: I’m not sure how I feel about John Mulaney. I’ve waffled over the years. I used to love his work, then I found it tired, then I fell off the bandwagon altogether. So believe me when I tell you: I wasn’t sure how I’d feel about him presenting lead actor in a drama series. I wasn’t primed to like his speech. And yet.

He won me — I’m not necessarily a certified Mulaney hater, but certainly not a full-blooded Mulaney lover — over with a truly funny arpeggio of riffs about the mediocrity we accept from men and male actors. I was trepidatious, as was the live audience. (“This award is for the guys. Just men being men,” is a scary start.)

But then Mulaney rounded the curve with a tongue-in-cheek reference to the “Bluey” dad controversy and I sat up straighter. If the line, “some of the men in this category do method acting, and some do regular, less annoying acting” didn’t get me, then “they can play anything, these nominees, not just doctors — they can play a cop or an FBI agent or a secret agent, and then that’s it, no other examples,” certainly did. Don’t get me started on the DJ Khaled quote (I loved it).

Let this man host an awards show, as he is clearly trying to do. I recognize the game, and I respect it.

Also: a very honorable mention to Meg Stalter dressed as a literal Emmy statue. Meg, you are the only method actor I respect. — Laura Zornosa

Best Targaryen family reunion: Emma D’Arcy and Emilia Clarke

Emma D’Arcy and Emilia Clarke nodded to “Game of Thrones” before presenting the award for lead actress in a limited series or television movie .

(Robert Gauthier/Los Angeles Times)

One of the last things I ever expected to see on an awards show in 2026 is the Mother of Dragons speaking in High Valyrian on stage. So “Game of Thrones” star Emilia Clarke hitting the stage with “House of the Dragon’s” Emma D’Arcy to present the award for lead actress in a limited series or television movie was a pleasant surprise.

“In the ‘Game of Thrones’ universe, Emilia is my great-great-great-great-really-great granddaughter,” D’Arcy said. “And in honor of our shared Targaryen lineage, Emilia is going to address you in High Valyrian — our mother tongue — and I will translate.”

Clarke earned four Emmy nominations during “Game of Thrones’” run for portraying Daenerys Targaryen, one of the last surviving members of the family that long reigned over Westeros. D’Arcy, meanwhile, plays Rhaenyra Targaryen in “House of the Dragons,” which is set at a time when there are so many Targaryens that a war of succession became inevitable.

The Targaryen team-up was my favorite but it wasn’t the only name-based collaboration of the night. An earlier segment saw Olivia Benson, the fan-favorite “Law & Order: SVU” character played by Hargitay, share the screen with another Olivia Benson — Taylor Swift’s cat that is named after her. The cat made a surprise cameo along with the mega pop star in a pre-recorded segment about the likelihood of Swift appearing at the Emmys. — Tracy Brown

Best invitation to dinner at their house: Marcello Hernández

Marcello Hernández presented an award, but not before presenting some dinner invitations to a few people in the crowd.

(Robert Gauthier/Los Angeles Times)

When I saw “SNL’s” Marcello Hernández would be presenting at the Emmys, I knew it would be a special moment, and he didn’t let me down. The actor, who presented the award for directing for a comedy series, promptly made himself at home, shouting out, “Donde ‘tan los Latinos?” He then took the opportunity to say hello to a few fellow actors in the room.

“Very quickly, I would like to say hello to Harrison Ford,” he said, looking at the actor sitting in the audience, who gave an exasperated look and waved. “You are a legend and a real inspiration to me and I would like to invite you to have dinner at my house.”

The room erupted in laughter, but he wasn’t finished. He then extended an invitation to Zendaya and her partner, Tom Holland: “I want to say hi to Zendaya, you’re a beast and you’re amazing. And I saw you and I wanted to play it cool, and I decided I can’t do that. So I would like to invite you and Spider-Man to have dinner at my house.”

Then he proceeded to invite Oscar Isaac, the Guatemalan actor who utilizes his given name professionally, suggesting they might be related. “You are so good in ‘Beef’ and you are also Hernández, like I am. So we could be cousins, you never know. And I will see you at Christmas, I will cook you whatever you want.”

Lastly, he said a hello to Matthew McConaughey, and quoted his Cuban tía, who told him if he works very hard, he can hang out with “Matthew McCon-i-purse.” It was a light-hearted speech that spoke to anyone who suddenly finds themselves in a room wondering how they got there. — M.G.

AN emotional Celine Dion has been hailed a ‘true fighter’ as she sobbed through her return to stage after her battle with stiff-person syndrome.

The singer, 58, who was diagnosed with the rare autoimmune neurological disorder in 2022, is performing at the Plenitude Arena in Nanterre, west of Paris, tonight.

According to Patient Info, SPS “is a very rare, long-term condition that causes painful muscle spasms and debilitating muscle stiffness”.

When she revealed her diagnosis, Celine cancelled all of her tour dates for 2023 and 2024, but in March this year it was reported that she was going to return to stage for her first tour in six years.

Talking to her fans at the venue, which has a capacity of 40,000, Celine said: “I had promised myself not to cry.

“I don’t keep my promises. But I’m so happy to see you all.

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“I missed you. I’m going to sing like you without crying.”

Many rushed to X, formerly known as Twitter, to share their love and support towards the star.

One said: “You really did it Celine Dion! Thank you for coming back, you did better than ever legend.”

“What a come back! Celine Dion in Paris – powerful, emotional and simply unforgettable. A true legend,” another wrote.

A third added: “The best to ever do it has returned! Great to see Celine back after so many health challenges and she still sounds amazing.”

A fourth chimed in: “I admire her strength, her courage and her incredible talent.”

A fifth said: “So happy for Celine Dion. All she wanted is go back on stage. She did it. What a fighter!”

Celine will be performing another 25 shows at the arena.

Her last date this year is October 17, and then she will return next year in May for her remaining gigs.

It comes after she made her made her first public performance after revealing she is living with SPS when she closed the Olympics opening ceremony in Paris for the 2024 Olympics.

Some of Celine’s songs include My Heart Will Go On, The Power of Love and All By Myself.

Matthew Brennan emerged victorious in the 16th stage of the Vuelta a Espana to claim his fourth stage win of this year’s race.

The British Visma Lease-a-bike rider sprinted to victory ahead of Bryan Coquard and Vito Braet in Palos de la Frontera.

Brennan, 21, held up four fingers to celebrate each of his four stage wins in his first Grand Tour.

“It’s unbelievable, four victories here and the plan was for one,” Brennan said after the 181km stage.

Stage 16 was expected to be another chance for the sprinters.

A five-man breakaway got up the road early on, but with 100km remaining the peloton started to reel them in. The break was caught with around 23km remaining, setting up the bunch sprint finale.

Spanish rider Enric Mas of Team Movistar maintained his 2min 6sec general classification lead on Felix Gall, with Primoz Roglic a further four seconds behind.

The next stage takes place on Wednesday, consisting of 185km from Dos Hermanas to Seville, offering another sprint finale.