stadium

As the intro of his song “Girls, Girls, Girls” poured over the crowd at SoFi Stadium late Friday night, Jay-Z locked eyes (from behind his ever-present shades) with a guy near the stage whose excitement had bubbled over at last.

“Oh, this yo s—,” the rapper observed with a knowing little laugh. “You was waiting for this s— all night long.”

Dude was lucky not to wait even longer: The first of two SoFi gigs, Friday’s show was an almost comically overstuffed display of hits by an aging cultural giant in the middle of a legend-reclamation project; Jay-Z performed parts of three dozen songs over two hours, which was still only a fraction of the 152 entries he’s notched on Billboard’s Hot R&B/Hip-Hop Songs chart since 1996.

“We got a million of these,” he said after doling out a few verses of “On to the Next One” — not bragging so much as explaining.

Having earlier visited stadiums in London, Paris and his hometown of New York, the 56-year-old is in Inglewood this weekend as part of what he’s calling JAŸ-Z30: a yearlong celebration of himself timed to the 30th anniversary of his debut album, “Reasonable Doubt,” and the 25th anniversary of his commercial high point, “The Blueprint.” Last month, HBO premiered an 8-part docuseries in which Jay-Z combs through the minutiae of his songwriting with the producer Rick Rubin; any day now, the rapper is expected to announce that he’ll return to SoFi in February to headline the halftime show at Super Bowl LXI.

That’s a lot of action for an artist who’s spent much of the last decade in éminence-grise mode — Jay-Z’s most recent solo album, “4:44,” came out in 2017 — but he seemed in fighting trim Friday, moving nimbly through the songs that made him a superstar and helped put hip-hop at the center of pop music. He was backed by a muscular live band (complete with horn players and a string section) that could push the music toward plush soul, sticky funk or crunching hard rock; “99 Problems,” in particular, made you think about how funny it’ll be, if indeed Jay-Z ends up at the Super Bowl, to see a rapper bring big guitars back to an event that rock fans love these days to lament.

Jay-Z’s daughter Blue Ivy joined him to play piano during “The Story of OJ” and “Dead Presidents II”; he beamed as she walked offstage afterward — a moving vision of fatherly pride. He also brought out Scarface, the veteran Houston MC, to do “This Can’t Be Life” and Scarface’s Geto Boys classic “Mind Playing Tricks on Me.” A pair of OGs still competing in a young man’s game, the two traded compliments before parting: “Jay-Z is a killer,” said Scarface, whom Jay-Z hailed as “one of the best writers of any genre.”

With a set list that jumped freely among albums and eras, the concert felt a little scattershot; it wasn’t always clear what story Jay-Z was trying to tell about his life and career beyond the glorification of his success. And you have to wonder how a man who’s found work as an event planner — booking the halftime show falls under the purview of his Roc Nation company — could end the night so anticlimactically with an appearance by a past-his-prime DJ Khaled. (It didn’t help that many in the audience were anxiously awaiting Jay-Z’s wife, Beyoncé, who performed with him at Yankee Stadium but didn’t show on Friday.)

The evening’s emotional peak came maybe two-thirds of the way through in “Never Change” and “Song Cry,” two tracks from “The Blueprint” written by a guy in his early 30s struggling with how — or whether — to hold onto his complicated past. That he performed them here as a middle-aged billionaire proved he figured it out; that they were so lush with the pain of nostalgia proved he remains an artist.

SoFi Stadium is going strong. The deal that built it is in a smoldering heap.

A decade ago, Rams owner Stan Kroenke and Inglewood Mayor James T. Butts Jr. happily dug ceremonial shovels into the dirt at Hollywood Park, celebrating the impending construction of the world’s most expensive stadium.

Electronic billboards are seen along Century Boulevard in Inglewood on Tuesday, Oct. 20.

(Eric Thayer / Los Angeles Times)

Now they’re on opposite sides of a court fight that has spilled onto the Nov. 3 ballot and threatens further development on the nearly 300-acre site.

The feud started over billboards. Last year, Inglewood signed a deal with WOW Media to put electronic advertising all around the city — 60 digital signs carrying 108 screens. Some are bus-shelter-sized kiosks, while others are street displays up to 22 feet tall and positioned on sidewalks and medians.

Those present problems for SoFi Stadium, Intuit Dome and the Forum because they have their own advertising deals and sponsors who paid for exclusivity. Those venues collectively sued Inglewood and WOW Media to block the deal, raising this scenario in a court filing: “Will Pepsi want to sponsor the Super Bowl, knowing Coca-Cola could pay WOW to put up full-motion billboards next to the stadium?”

Skip Miller, lead attorney for the city, said the kiosks are “quite nice and blend in with the surrounding areas,” and that they are connected to a network that provides critical traffic and safety information to thousands of drivers and pedestrians.

Electronic billboards are seen on along Century Boulevard on Tuesday, Oct. 20, 2026 in Inglewood, CA.

(Eric Thayer / Los Angeles Times)

A judge sided with Inglewood, and an appeal is under way.

In the meantime, those opposed to the billboards are taking it to the voters. On the ballot is Measure BB — as in “Billboard Blight” — which would restrict billboard advertising on public property. Miller said the city will challenge it in court if it passes, calling it free-speech discrimination.

The signs generate as much as $7.4 million a year, according to Inglewood budget records.

A consultant hired by the Yes on BB campaign estimated the city’s digital kiosk deal with WOW Media would generate $280,000 to $1.1 million a year, roughly 0.1% to 0.5% of Inglewood’s $238-million general fund.

John Shallman, a Los Angeles-based political strategist managing the “Yes on BB” campaign, also pointed to the unusual length of the billboard deal, which is 20 years plus two 10-year options.

Rams owner Stan Kroenke, right, talks to team president Kevin Demoff before a game against the New York Giant at SoFi Stadium on Sept. 21.

(Allen J. Schaben / Los Angeles Times)

“It’s biblical in length,” Shallman said. “You go back 40 years. We didn’t even have the Internet. We didn’t have cellphones.”

The billboards are part of the fight, but there’s a lot more. Back when the development agreement was signed in 2015, the deal was that Hollywood Park — interchangeable here with Kroenke’s companies — would pay up front for all the improvements around SoFi Stadium and eventually be reimbursed by the city. That means all the road upgrades, water lines, streetlights and the like. Same for event-day police and emergency services.

Over the years, that ran up a significant bill. Kroenke’s companies now want $448 million from the city. Inglewood, which last year wired Kroenke $20 million, is demanding that money back.

So how could that chasm be so wide? A turning point came last month when Los Angeles County Superior Court Judge David K. Reinart ruled the 2015 development agreement “void from the beginning and unenforceable.”

To understand why the judge ruled that way, it’s important to go back a decade and examine how the agreement was constructed.

One of the appealing aspects of building an NFL stadium in Inglewood was the speed with which a development agreement could be assembled and approved. Los Angeles went 20 years without an NFL franchise, during which all sorts of stadium ideas were proposed and eventually died. One of the stumbling blocks for those was the environmental-review process, which could take months or even years.

But at that time in California, there was an opportunity for Inglewood to fast-track the process. Instead of negotiating a new development agreement — there was one from 2009, when Hollywood Park was still a racetrack — supporters of the NFL stadium could bring it to the Inglewood City Council as a voter initiative.

People cross Century Boulevard near an electronic billboard in Inglewood.

(Eric Thayer / Los Angeles Times)

The council then had the choice to either adopt the initiative word for word, or send it to voters. No new environmental review required. Sure enough, in February 2015, the council approved the initiative, 5-0.

Now Kroenke had an approved stadium plan and not just fancy renderings to bring to fellow NFL owners, who 11 months later gave the thumbs up to a state-of-the-art venue at Hollywood Park. There was a competing stadium plan in Carson backed by the San Diego Chargers and Oakland Raiders that was taking the same fast-track approach with its city.

Regardless, the Hollywood Park plan won and the stadium was ultimately constructed, a $5-billion marvel that in February will play host to its second Super Bowl. It has also played host to the World Cup, major concerts by Taylor Swift and Beyoncé, and will be the swimming venue for the 2028 Summer Olympic Games. The Chargers moved to Los Angeles as tenants in the stadium.

“Inglewood loves SoFi Stadium,” said Miller, the city’s attorney. “Nothing is ever going to happen to SoFi Stadium. … As far as the rest of Hollywood Park, the developer has to follow the law, just like any other developer. This developer, who’s a very powerful, very wealthy person, has to follow the law just like anybody else.”

That’s not something you would have heard in 2015 when Kroenke and the city were pulling in the same direction. Something happened in 2018 that changed the landscape in California, and gave Inglewood an argument for why it shouldn’t be required to reimburse the developer for nearly half a billion dollars in public improvements.

It was a court decision involving Moreno Valley, a city about 75 miles east of Inglewood that planned to build a major development through the same approval process that was used in Inglewood. But environmental groups challenged that in court and won. A judge determined that type of development agreement requires negotiations and public hearings, not just a voter initiative. The agreement was voided.

SoFi Stadium in Inglewood, home of the Los Angeles Rams, hosts events throughout the year.

(Eric Thayer / Los Angeles Times)

Meanwhile, everything was moving forward in Inglewood. SoFi Stadium was constructed. The big events rolled in. Promises made, promises kept.

All the while, there was the outstanding issue of the city paying back Hollywood Park for all those improvements, but that arrangement was configured to ensure Inglewood could do so without going into the red. The deal said the city could keep the first $25 million in tax revenue from the stadium every year, then use the revenue generated beyond that to reimburse Kroenke’s companies.

In May 2025, Inglewood made a payment of $20 million.

Two months later, pointing to the Moreno Valley decision, the city deemed the development agreement invalid and demanded its money back.

Hollywood Park found that especially galling because four times over the past decade the city signed assurances to Kroenke’s lenders that the money would be paid back — and three of those times were after the Moreno Valley decision.

In the view of Hollywood Park, Inglewood welcomed the jobs, tax revenue, increased property values and heightened prestige for a decade, then walked away from the deal when the bills came due.

“Now that it’s time for the city to essentially uphold its end of the bargain, now that it’s received all the benefits, it’s saying, ‘Well, actually, we consider this agreement void. Thank you for the stadium, thank you for everything else, but we’re not going to uphold our end of the deal,’” said John Quinn, outside counsel for Hollywood Park in the matter.

An electronic billboard on Century Boulevard in Inglewood.

(Eric Thayer / Los Angeles Times)

Hollywood Park’s argument is that it followed the rules in 2015 in getting the development agreement unanimously approved by the City Council, and the results — a bustling stadium district and development around it — speak for themselves.

The city’s side said it connected the dots on the Moreno Valley case only after the lawsuit was filed against Inglewood and WOW Media last year.

And the city is backing a ballot initiative of its own, Measure AT, which would eliminate a $15-million cap on the 10% admission tax on ticket sales the stadium pays. Venues with fewer than 20,000 seats, including Intuit Dome, would for the first time be charged a 2.5% admission tax on ticket sales.

The ballot measure could generate an additional $47 million to $50 million annually, a city of Inglewood impact report states. Olympic events at both venues in 2028 could be especially lucrative for the city.

Hollywood Park sees that as punishment for challenging the billboard deal.

Also on the ballot, the contentious Inglewood mayor’s race. Butts is running for a fifth term, and his main challenger is Gloria Gray, an Inglewood City Council member.

Meanwhile, Hollywood Park’s legal losses are stacking up. The judge last month rejected the argument that because Inglewood is a charter city, one that operates under its own constitution, it should abide by the original development agreement.

The city is billing the fight as a billionaire versus the people. Those representing Kroenke’s interests say Inglewood should honor its commitment and provide the reimbursements it long promised.

An attorney representing Hollywood Park says changing the rules midstream could have a chilling effect on future developments in California.

“It’s going to seriously discourage new development throughout the state, and we’re not just talking about stadiums,” said Quinn, chairman and founding partner of Quinn Emanuel Urquhart & Sullivan LLP. “We’re talking about all kinds of planning and zoning decisions — including affordable housing projects.

“This just creates a really damaging cloud of legal uncertainty over all development in California.”

The Savannah Bananas embarked on their first so-called world tour five years ago. It included only one stop — in Mobile, Ala.

As the unique brand of baseball entertainment known as Banana Ball expanded into a six-team league, the tours have grown in size and scope but never actually ventured out of the United States.

That will change next year. The 2027 Banana Ball Championship League tour will visit 79 stadiums across 74 cities, including the first-ever international stops. Four teams will travel to Mexico, with the Bananas playing the Texas Tailgaters in Monterrey on Feb. 5 and 6 and the Party Animals taking on the Loco Beach Coconuts in Tijuana on Feb. 12 and 13.

The tour swings to Canada in late summer, with the Bananas playing the Indiananapolis Clowns in Toronto on Aug. 14 and 15 and the Tailgaters facing the Party Animals in Winnipeg on Aug. 26 and 28.

“We got a lot of criticism over the years. ‘It’s not a world tour, you’re playing in one city! It’s not a world tour, you’re playing in seven cities in the southeast!’” Banana Ball creator and owner Jesse Cole said Thursday on ESPN2. “But we saw where we could go, and we’ve always had a vision to create 1 billion fans, one fan at a time. And over the last two or three years, we’ve heard from a lot of different countries all over the world.”

The Savannah Bananas, featuring Banana Ball creator and owner Jesse Cole in his signature yellow suit and derby hat, perform onstage during the 2026 ESPY Awards in New York.

(Mike Coppola / Getty Images)

Cole said he expects the 2027 tour to draw an estimated 4.3 million fans.

“Everything we do is do one experiment and then see where it can go,” he said. “And this crazy experiment of Banana Ball has gone some places we never imagined.”

Another new stop next year will be Dodger Stadium, where the Bananas will play the Firefighters on April 23 and 24. The same teams also will face off at Angel Stadium on July 2 and 3, marking the third consecutive year the Bananas have played at the venue.

The schedule reveal show included a number of announcements, including the debut of a concept called Banana Ball 360 on June 26 at Notre Dame Stadium. Two baseball fields will be set up on opposite ends of the stadium, with the game taking place on each during alternating innings.

“I do believe that fans at that show are going to be able to see things they’ve never seen before, and also every single seat is a great seat,” Cole said. “And that was the idea.”

Also announced were a new Disney-produced film documenting the growth of Banana Ball, which will premiere June 12 at Atlanta’s Truist Park, and the league’s third cruise, “Bananaland at Sea + Puerto Rico,” in January 2028. The cruise will depart from the Port of Miami and will feature a Banana Ball game at Hiram Bithorn Stadium in San Juan.

BILLIE EILISH is gearing up for a return in 2027 – and planning to perform on the biggest stages of her career so far.

I have been told the American singer has almost completed work on her fourth studio album, and a tour is also in the works to coincide with its release next year.

The last time Billie performed in the UK, she sold out six nights at London’s O2 Arena, four at Manchester’s Co-op Live, as well as two in Dublin’s 3Arena.

But now she is hoping to go even bigger, with her team in talks for major stadium concerts and festivals in 2027 and 2028.

My music insider explained: “Billie has been hard at work on her fourth album this year and her team are already putting a plan together for its rollout.

“She has grown and grown in popularity, and promoters are speaking to her team about putting on the biggest shows of her career.

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“She has the popularity to be a stadium act now and sell out massive venues.

“On her first few tours, her team were conscious that she was very young and didn’t want to overwhelm her with venues which were too big, too early on.

“But Billie is in a really good place and she is raring to get out on the road again.”

Remarkably, next year will also mark ten years since her debut EP, Don’t Smile At Me, which was released when she was just 15.

Billie has had an incredible career so far, scoring three No1 albums.

She released her debut When We All Fall Asleep, Where Do We Go? in 2019, followed by 2021’s Happier Than Ever and 2024’s Hit Me Hard And Soft. Meanwhile, her 14 Top Ten singles include No Time To Die, What Was I Made For and Guess, with Charli XCX.

She has also won ten Grammys — including Song Of The Year three times since 2020 — as well as two Oscars and two Golden Globes.

In April, Billie commented on the progress on her fourth album, saying: “We’re more than halfway.”

She took time out over the summer to shoot a movie adaptation of The Bell Jar.

But from what I’ve been told, there isn’t too long to go before we get to hear a few more tunes from her.