Small

The most famous 15-minute cruise around a miniature world is almost ready for its holiday close-up. Disneyland’s It’s a Small World Holiday opens Friday, and it’s a seasonal delight, a bright and wintry jaunt to the North Pole and then around the globe and back.

Closed from just before Halloween, the attraction has undergone nearly two weeks of round-the-clock work, with set dressing during the day, and maintenance and facade work at night. Hours before the boat ride was to be refilled with water on Monday afternoon, Disneyland team members gave me a walkthrough, providing me with a rare peek behind the scenes. As a devotee of Mary Blair and Rolly Crump, so much so that It’s a Small World is my favorite ride at the park, I was eager to see the attraction from a new perspective.

Here’s just some of what I learned as I strolled the dry waterway and took a brief jaunt into the ride’s attic, a maze of wooden paths with vintage automations and a handful of small openings into the magical world below.

If you’ve been on the ride during the regular season, you’ve glided right past the holiday fixtures without knowing it

Troy Romero, a Disneyland stage technician, left, and David Miller, director of entertainment tech services, give a tour of It’s a Small World Holiday.

(Ronaldo Bolaños / Los Angeles Times)

Disneyland teams of late have been focused on reducing ride downtime, and last year the It’s a Small World team was able to trim the refurbishment time from 18 days to 14 days. This was mostly accomplished by adding and shifting crew hours, but It’s a Small World is a delicate attraction, with the vast majority of its wooden set pieces dating to the mid-1960s. Navigating around such a fragile work is difficult, especially with much of the holiday version of the attraction stored on the ride itself.

That means that for most of the year, guests are gliding right past the Christmas-heavy overlays. They’re stationed behind the facades or tucked on the floor just under the elevated flume.

It’s a Small World Holiday is a Disneyland tradition that began in 1997.

(Ronaldo Bolaños / Los Angeles Times)

Snowflake lights that glisten near the start of the attraction, for instance, had been kept in the South America section until someone suggested simply laying them down when they’re not in use. It’s a simple fix that has saved hours of time lifting props over and around set pieces. Additionally, four snow animals in the finale were previously housed in Africa, but have been moved closer to their winter homes, eliminating the process of lifting the animals or dissembling and reassembling set pieces to traverse around the attraction. That also means less risk, both to the staff and the delicate scenery.

Reducing the closure period by four days may not sound like much, but David Miller, Disneyland’s director of entertainment tech services, says that equates to 74,000 more guests being able to ride the attraction.

Miss the old finale of the Main Street Electrical Parade? A piece of it lives on in the Asia section

Details from the Asia section of It’s a Small World.

(Ronaldo Bolaños / Los Angeles Times)

In 2022, Disneyland changed the finale of its Main Street Electrical Parade. Gone was a patriotic float at its end, one in which fireworks twinkled over a red, white and blue tapestry. Those fireworks, however, found a new home. They now reside in the Asia section of It’s a Small World Holiday. Look for them near the end of the room, off to the left above a translucent, glowing dragon.

“We want to make sure we’re leveraging what we’ve got,” Miller says. “So when our finale float changed, the fireworks were moved and brought over to help us celebrate the season.”

Guess the weight of the candy arch

A Christmas critter in It’s a Small World Holiday.

(Ronaldo Bolaños / Los Angeles Times)

One of the largest set pieces in It’s a Small World Holiday is the Christmas tree in the Europe section of the park, a towering monument of glowing candles and glistening ribbons that is replacing a chess board. The metal and aluminum tree is then raised in parts, all seven of them. The top is placed first, and each section is affixed underneath until it takes shape. A heavy piece, the back of the tree is wired up into the attic to ensure it stays in place.

But it’s not the heaviest set piece in the Europe section of the attraction. That would be the candy arch, detailed with candy canes, gingerbread and frosting. While Miller didn’t know its total weight, just the top of that arch is more than a ton. As one can imagine, moving it is no easy feat. It’s stored nearby, and slotted into place by a series of stitched-together chain motors. Theme park attractions often utilize tricks of old-fashioned theater, such as painted Styrofoam or hollowed-out wood. But not here. “It is built to withstand much,” Miller says.

“Funny thing, I heard one of the riggers say, if there was an earthquake, I’d run to the candy arch,” says Georg Schanz, an entertainment tech manager with the resort.

Numerous scents are piped in throughout It’s a Small World Holiday.

(Ronaldo Bolaños / Los Angeles Times)

Anyone smell gingerbread?

As boats glide under the candy arch, don’t be surprised if you start craving a cookie. That’s because Disneyland is piping in a gingebread aroma. There are at least five scents throughout It’s a Small World Holiday, says Schanz, but the gingerbread was the only one I detected, so you’re on your own to count the rest.

Elvis is back in the building

A small Elvis Presley toy stands on a surfboard with Lilo and Stitch.

(Ronaldo Bolaños / Los Angeles Times)

A guest favorite of It’s a Small World Holiday is the tiny Elvis Presley figure affixed to a surfboard featuring the characters of Lilo and Stitch. The Elvis toy only comes out for the holiday edition of the attraction. The figure was not part of the initial design of It’s a Small World Holiday, and was added, Miller says, by a stage technician.

“Every once in a while there are little moments that can influence an attraction,” Miller says.

Watch the bells in the opening room

The bells inside It’s a Small World Holiday are outfitted with motion sensors.

(Ronaldo Bolaños / Los Angeles Times)

One of the most complex builds of It’s a Small World Holiday is actually its opening scene, which the team calls the “hello room.” Composed of mostly flat figures — toy soldiers, a rocking horse, doll-like characters holding balloons — it may not look like one of the most intense scenes to construct, but these are large wooden pieces that have to navigate places with low ceilings. This space alone takes three days to empty and repopulate.

Pay attention to the bells that lead out of the room and into the North Pole. Those operate only by motion sensors as a boat approaches.

A holiday adornment for nearly every doll — all 300 of them

The It’s a Small World dolls are ready for the holidays.

(Ronaldo Bolaños / Los Angeles Times)

The brightly lit finale — an explosion of whites and lights — is another tricky scene to construct. That’s because each and every doll in the room is touched up. Disney says there are about 300 dolls on the entire ride, and it feels like a large percentage are in this closing scene. “Every doll in here gets something,” Miller says of the grand finale room. “Whether it’s holly, a choir book or just a sparkle, every doll in here gets something.”

Consistency from year to year is important. That’s why the entire ride is 3D-scanned. The teams can call up a room to compare images from earlier editions. “It’s a lot like a real estate tour, where you see little point-to-points throughout the house,” Miller says. “That helps us make sure everything is where it’s supposed to be.”

Like a real estate tour? I know I’m ready to move in. We just may have to turn down the music, though.

This week in SoCal theme parks

Christmas decorations have arrived at the Disneyland Resort.

(Todd Martens / Los Angeles Times)

• Christmas is upon us. Disneyland’s holiday season begins Friday, although many of the decorations are already in place. Come the end of the week, however, there will be new foods to sample, and a number of returning shows. Don’t miss the terrific “¡Viva Navidad!,” or “World of Color — Season of Light,” back after a hiatus due to Disneyland’s 70th anniversary celebrations.
• Calling all Tinker Bell fans! “Tinker Bell’s Neverland Adventure: An Illuminated Adventure” opens Friday at South Coast Botanic Garden in Palos Verdes Estates. The illuminated night walk will take guests on a journey through numerous locales from the fairy tale, ranging from the rooftops of London to the Lost Boys’ secret hideout to Captain Hook’s pirate ship. The trail is designed for all ages.
• A new pass for Universal fans. Universal Studios Hollywood has introduced a new “Diamond Pass,” now its highest tier annual passport. Selling for $999, the pass has no blockout days and includes daily access to the park’s line-skipping express pass as well as a ticket to after-hours events Halloween Horror Nights and Fan Fest. The pass also includes access to an Universal VIP tour.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

—

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The stocking stuffer is one of the toughest of holiday challenges: a small gift, but not an impersonal one, and ideally something on the more affordable end of the spectrum. But the stocking stuffer is also an opportunity, a chance to be a little playful, and maybe a bit silly in our gift-giving prowess.

The list here runs the gamut. There are tech-savvy items, contemplative presents and, yes, even a lighthearted option or two. Stickers, anyone? That’s because gift giving should be fun. You’re here, I hope, looking to be inspired, and that’s why this list prioritized variety. Here are some ideas to hopefully provide a bit of gift-giving motivation this holiday season.

Editor’s note: If you make a purchase using some of our links, the L.A. Times may be compensated. Prices and availability are subject to change. In some cases, listed websites may use location-based pricing.

There’s a reason why people like to shop locally during the holidays. You don’t have to worry anxiously about when your gift will arrive — for the kids; it’s always for the kids. It doesn’t have to be like that.

This year, try visiting a local gift shop or a holiday craft fair and pick out a gift in person from a neighbor right here in L.A.

As in past years, many of the items in our Made in L.A. list are small-batch or made-to-order. You’ll find things including unique ceramics, puzzle candles, handmade jewelry and even a life-affirming baseball cap designed by an 11-year-old.

The best holiday gifts aren’t just those that arrive quickly. They also have heart. If you’re searching for the perfect gift, whether it’s the perfect handmade coffee mug or silk-screened tee boasting local pride, check out our list of favorites below.

Editor’s note: If you make a purchase using some of our links, the L.A. Times may be compensated. Prices and availability are subject to change. In some cases, listed websites may use location-based pricing.

The story of “Small Prophets” — the gentle, magical, nostalgic British comedy streaming on Apple TV — begins and ends in a garden shed. The show’s creator, writer and director, Mackenzie Crook, and the animator Ainslie Henderson have been friends for at least 20 years. One day, Henderson went to visit Crook in the shed at the end of his garden.

It’s “a big mess of a creative little place,” Henderson said, where Crook makes things. He writes in there, but it’s a workshop too: he illustrates and he crafts. He made many of the props in the show by hand. Both the shed and his house are peppered with his “beautiful little objects.” “If I’ve got a whole day with no other interruptions, that’s where I am,” Crook said.

When Henderson walked into the shed that day, a weird, white, papier-mâché creature on the shelf caught his eye. It was, as Crook told Henderson, a homunculus: one of a set of tiny prophets, or magical spirits, who lived in glass jars full of water. They could answer any question, and they had to answer truthfully.

“Small Prophets” follows Michael Sleep (Pearce Quigley), who works in a DIY store (a British term for a home improvement store), visits his dad Brian (Michael Palin) in a retirement home, and yearns for his girlfriend Clea to come home. Clea vanished seven years ago, and Michael’s dad suggests that the homunculi — which he learned about from an Italian alchemist in Egypt — might be able to tell him what happened to her.

The show premiered on BBC Two in February, when it quickly became the BBC’s biggest new scripted launch of the year. (It was renewed for a second season in September, this time on BBC One.) In the U.K., Crook is well-known for playing Gareth Keenan in the original British version of “The Office” (Gareth’s an analogue to Dwight Schrute in the U.S. version) — and for writing, directing and starring in “Detectorists,” which won the 2015 BAFTA for television scripted comedy.

“Detectorists” and “Small Prophets” share a singular comedic sensibility, which arose from Crook’s realization that some shows at that time, like “The Office” or “The Inbetweeners,” were drawing humor from cruelty, embarrassment and awkwardness. This is how he stumbled upon his genre: gentle comedy.

“I didn’t like the word ‘gentle’ at first,” Crook said on a video call earlier this month from Leeds, Yorkshire, where he’s directing his first feature film. “It’s taken me a while to make my peace with that. But now I realize that it’s something to do with being uncynical, being optimistic, but hopefully that doesn’t mean bland or unfunny. … It’s sort of a surprise to find that this is what I do, and this is what I’ve become known for. But I’m thankful for it, as well, because I think this world does need more optimism and hope than it presently has.”

He worries that “gentle” might suggest something not particularly funny or challenging, and would like to clarify that was not his intent. It wasn’t the outcome, either: “Small Prophets” is about some of the most challenging subject matter — grief and loss — while remaining genuinely funny and rather extraordinary.

Mackenzie Crook, who created “Small Prophets,” plays Gordon, Michael’s boss at the DIY store. (Apple)

Michael (Pearce Quigley) befriends Kacey (Lauren Patel), his co-worker at the store. (Apple)

Michael has the epitome of an ordinary life, living a mundane existence in a suburban cul-de-sac, dutifully eating his Malted Squares cereal each morning, and evading his boss at the DIY store (played by a ponytailed, bespectacled Crook). He befriends Kacey (Lauren Patel) at work, a May-December friendship somewhat based on Patel and Quigley’s own (they met working on a radio play). But somehow, Michael is simultaneously “a magnet for beautiful, crazy things,” Crook said.

When oil spills from his dusty, beat-up blue car, it pools into the shape of a big, black rabbit. A shooting star, or rather a meteor, may or may not have landed somewhere inside his house. A room inside is frozen in time, forever decorated for an ‘80s-themed Christmas — a surprise that Clea never got to see. And then there are the homunculi.

The inspiration came from a short passage in “Clea,” the fourth book in Lawrence Durrell’s “Alexandria Quartet,” which references the creatures. “It just fascinated me that he put it in this novel apropos of nothing else,” Crook said. “It didn’t add to the plot.” He squirreled the idea away until he knew what to do with it. Crook is a big fan of David Lynch, and referenced an old trick of his: To make a movie, first come up with 70 ideas.

The homunculi were one of those seed ideas for “Small Prophets.” Crook knew he wanted to set the show in modern-day suburbia, in a cul-de-sac. He knew he wanted to work with Quigley, who plays Michael. And he knew he wanted to work with Henderson, his animator friend, on those homunculi. (In the early stages of design, Crook made illustrations of what the prophets might look like. “They’re like Francis Bacon paintings,” Henderson said. “They’re mad-looking things.”)

Henderson worked on the show with Will Anderson, the former as a stop-motion animator, the latter on digital animation, 2-D animation, compositing and finishing shots. (Glen Southern designed and sculpted the creatures themselves, and they collaborated with Mackinnon & Saunders, a puppet fabricator that has worked on Guillermo del Toro’s “Pinocchio,” Wes Anderson’s “Fantastic Mr. Fox” and Tim Burton’s “Corpse Bride.” There were seven total puppets for three homunculi.)

As much as possible, Crook wanted this world to feel tangible; to achieve it, the team used in-camera effects and props as much as possible, rather than CGI. “It feels a bit more authentic … when it’s stop-motion. You can see the mark of the maker in every movement,” said Anderson in a video call with Henderson. The prophet puppets float “behind this warped glass, which is slightly abstracted and a bit more magical, and separates you from them in a really interesting way with reflections and inks.”

It’s almost as if the flesh-colored prophet puppets were actors, and Henderson directed them, Anderson said, manipulating their silicon bodies into position over and over again. In this analogy, Anderson would be ironing out logistics like camera angles or lighting. He made their garments, like the queen’s billowing cape (“ethereal clothes,” Henderson called them), digitally after the fact.

Crook knew that he wanted the homunculi to be almost still, as if someone had fallen into icy water, their cold, wet clothes clinging to them, barely wanting to move. Near-stillness is one of the hardest things to animate, Anderson pointed out. But “when it’s done well, it really binds, because they are thinking, alive things; they are. That’s our job to animate.”

For many, stop-motion holds a real nostalgia, Henderson said — another theme of the show, dovetailing with Michael’s yearning. Production designer Lucy Spink wove nostalgia into “Small Prophets,” especially in the Christmas room. She texted her sisters pictures of wallpaper options. “Which one makes you cry more?” she asked. “Or makes you feel like you remember being there?”

From a production angle, creating gentle comedy is “a tonal thing,” Spink said on a video call from the Yorkshire Dales. “You know how far to take it. That it isn’t extreme fantasy, but you’re pulling somewhere back from that. And it was a visual serendipity, is what I felt was what we tried to do, which was like the world was saying there’s a little something strange going on.”

If someone described this show as magical realism, Crook would “find that a compliment.” The first time he heard the phrase was about the 1992 Mexican romantic drama “Like Water for Chocolate,” which really struck him. “I just thought, wow, OK, you can do stuff like that, impossible stuff” — like a crocheted bedspread flying in a swirl of colors for a kilometer behind a carriage — “and ask people to believe it.”

“Like Water for Chocolate” is based on Laura Esquivel’s 1989 novel by the same name, which folds recipes into its story. One is for quail in rose petal sauce, which Crook made for his girlfriend at the time, whose name was Clea. She cried because she found the tiny bird so sad.

Kacey (Lauren Patel) gazes at one of the homunculi in a scene from the series.

(Apple)

There’s a quote from “Justine,” the first novel in the “Alexandria Quartet,” that I shared with Crook. It reminded me of how he had spoken about wanting to believe in the unexplained: “We are all hunting for rational reasons for believing in the absurd.”

“I’d not even picked up on that, but that’s it,” Crook said. “I’ve never believed in ghosts, but I would love to see one. And if I did, it would flip my world upside down. I’d have to reevaluate everything, and that would be an exciting thing. And I think ‘Small Prophets’ is a lot about that.”

The “Small Prophets” finale, dropping on Apple TV Nov. 4, channels that essence of storytelling — inexplicable but undeniably real — back into a garden shed. This time it’s Michael’s, engulfed by his wild garden, built with the exact same footprint as Crook’s own.

“That spirit that’s in the show: that gentle, warm funniness — that’s what he’s like to be with,” Henderson said. “Will and I went and stayed in his house, and he made us dinner, and we sat ‘round and drank wine and had a fun time storyboarding. That’s cool. That’s how life should be when you’re making stuff with people.”

The landmark Casa Vega Mexican restaurant in Sherman Oaks was honored in May with a sign proclaiming its corner of Ventura Boulevard as “Casa Vega Square.”

Mayor Karen Bass was there, and so was City Councilmember Monica Rodriguez, whose district is on the other side of the San Fernando Valley. The event was perhaps more notable for who wasn’t there: Nithya Raman, the mayoral candidate whose City Council district includes Casa Vega.

To Raman’s critics, the episode represents what they say is one of her biggest flaws as an elected official: not tending to the parochial needs of her district. Bass has sounded that theme repeatedly during the mayoral election campaign, including calling Raman “contemptuous of her constituents” during their televised debate on NBC4 and Telemundo 52 Oct. 13.

Raman called that “a lie.” Some of Raman’s constituents beg to differ, saying her office has seemed unwilling to help with a broad array of city services, including fixing broken sidewalks and removing homeless encampments.

“She’s just been MIA,” said Jessica Lewis, who owns Dragonfly Cycle and Train, a fitness studio in Sherman Oaks. “I would send photos of what I was experiencing, like human feces at my front door, encampments at the back door … all those emails just fell on deaf ears.”

Raman spokesperson Stella Stahl disputed that contention, saying the council office has “a proactive constituent service team.”

“Our approach is to listen to those who live and work in a neighborhood, then use every tool the city has to fix what they’ve told us is broken,” Stahl said.

L.A. Mayor Karen Bass, left, and challenger Nithya Raman during their debate before the Sherman Oaks Homeowners Assn.

(David Butow / For The Times)

Raman co-presented the motion to designate Vega Square, along with Councilmember Rodriguez, according to documents filed in March. Raman was unable to attend the ceremony because of scheduling conflicts, Stahl said, but other Raman staffers were present.

Councilmember Rodriguez said her staff spearheaded the designation, part of her broader work to “enshrining the many positive contributions that Latino families have made throughout our city.”

To be sure, Raman has constituents who are big fans. Marissa Rodriguez said she wasn’t aware of the web of licenses and city permits she would have to obtain before she could open her wine shop in Studio City, Dia Natural Wine. The process felt monumental, she said, and nearly impossible to complete on her own.

She reached out to Raman’s team, and said the council office’s help was integral to Dia Natural Wine making its debut in 2022.

“I thought I could do this myself, and at a certain point, I hit a ton of roadblocks at the city,” Marissa Rodriguez said. “They were extremely helpful in just sort of helping me navigate who I needed to talk to.”

Tyler Simmons, who owns a coffee wine bar, Reunion & Co., on Hyperion Avenue in the Franklin Hills neighborhood of Los Feliz, said Raman and her team have always been receptive to his community’s needs.

In response to complaints of speeding, he said, Raman’s office helped get four speed tables — a flatter, wider version of speed bumps — installed in the intersection near his business last year.

“She’s done her best,” Simmons said. “I think there’s larger systemic issues at play within the city … it’s bigger than a councilperson, unfortunately. I’m hoping, if she wins, she’ll help change all that.”

Sidewalks in disrepair along the 1300 block of Ventura Blvd on Friday, Oct. 16, 2026, in Sherman Oaks, California. Christy Vega, owner of Casa Vega, claims that Nithya Raman, Councilmember, Fourth District, has been unhelpful and ignored her requests to get certain city services, including street sidewalk repairs and addressing homelessness in her parking lot. (Gary Coronado/For The Times)

A street in disrepair along the 1300 block of Ventura Blvd on Friday, Oct. 16, 2026, in Sherman Oaks, California. Christy Vega, owner of Casa Vega, claims that Nithya Raman, Councilmember, Fourth District, has been unhelpful and ignored her requests to get certain city services, including street sidewalk repairs and addressing homelessness in her parking lot. (Gary Coronado/For The Times)

On the other hand, Casa Vega owner Christy Vega rattles off a long list of complaints when discussing Raman and her office. She said she’s spent years seeking help from Raman’s staff, including to make repairs on sidewalks and pavement outside the restaurant, and to remove a homeless encampment that sprang up during the COVID-19 pandemic.

“With Raman’s office, they viewed me as a nuisance rather than someone who’s trying to keep her employees safe,” Vega said.

Vega is supporting Bass in the Nov. 3 election, and she sits on on the board of Thrive LA, an advocacy group backed by business and community leaders that is running ads against Raman in the mayoral race and also ran anti-Raman ads during her 2024 City Council reelection campaign.

Vega says she’s not supporting Raman because of her experience seeking help from Raman’s council office for problems her business encountered, including cars being broken into in the restaurant’s parking lot and muggings on the street out front. One employee was stabbed at a nearby bus stop, and another fell because of the potholes in the alley behind her restaurant, she said.

At one point, Vega said, she called Raman’s office to ask for help in fixing the curb near her restaurant that was damaged during a street racing incident.

Vega said she was told by Raman’s office that she would need to fix the curb herself, meaning she’d have to pull permits, hire a contractor and pay out of pocket for the repairs Vega said she pushed back, and a staff member suggested she move to another district.

Raman’s office didn’t comment on that assertion, but Stahl said that the Bureau of Street Services isn’t funded to repair damaged sidewalks, and the responsibility falls to the adjacent property owners.

“Every constituent who contacts our office deserves a response, and we take Ms. Vega’s concerns seriously. People often reach out to us on their hardest days,” Stahl said. “Unfortunately, we weren’t able to accommodate it at that time. Telling constituents no to basic service requests is frustrating for residents and for us, and it’s part of why the council member ran for office.”

Councilmember Rodriguez, who represents the northeast San Fernando Valley, said she’s stepped in to help business owners in Raman’s district over the years. Most recently, she helped Vega with permitting issues on the restaurant’s outdoor patio.

A sign for L.A. Councilmember Nithya Raman’s district office on Ventura Boulevard in the San Fernando Valley.

(Gary Coronado / For The Times)

“I’ve heard some of the same frustrations and stories from many people. … It reflects a pattern,” said Rodriguez, who is backing Bass for mayor. “If this is your audition [for mayor] based on your performance in your own district, I think it’s an example of the responsiveness of what people can expect.”

Sophia Brodetsky, who owns the Valley Inn restaurant with her husband in Sherman Oaks, isn’t happy with either mayoral candidate, but said Bass’ office has been more receptive to her needs.

Brodetsky has endured robberies, property damage and homeless encampments that have disrupted her restaurant that dates back to 1947, she said.

“They’re running for office right now. They promise you an arm and a leg, but they don’t deliver,” Brodetsky said.

According to Vega and Lewis, owner of the Dragonfly gym, a number of Sherman Oaks business owners reached out to Bass after she was elected mayor in 2022 to voice their concerns about Raman’s stewardship of the district.

The mayor met with a group of business owners in the area in 2023 and she convened weekly safety meetings between business owners, district leaders and local law enforcement to address their concerns, Vega said.

Vega said it was Bass and Rodriguez who helped her navigate the permit process when she sought to open an outdoor patio for her restaurant last year.

“I wasn’t a supporter of hers. I wasn’t someone that she owed any favors to,” Vega said of Bass. “She answered the phone immediately, and she heard the panic of my voice and my tears, and she said, ‘I’m on it.’”

Lewis, however, said she and others felt betrayed by Bass when she endorsed Raman for reelection in 2024.

“That just felt like a huge slap in the face,” Lewis said.

Lewis said she plans to vote for Bass, but reluctantly. Keeping her business afloat has felt nearly impossible at times, she said, but getting help from both the council and the mayor’s office has been an even tougher hurdle.

“The council office would blame the mayor’s office. The mayor’s office would blame the county,” Lewis said. “It was like everyone was just pointing fingers at someone else, and no one was actually doing anything about it.”

Free travel to a Salzberg gem

Bad Gastein is a relatively unknown gem. The Austrian state it sits in, Salzburg, offers free local transport (the guest mobility ticket) if you are staying in the state, so you can travel to the resort via train for nothing. The slopes are directly next to the station, too.

Rob Owen

Family fun in the French Alps

Puy-Saint-Vincent in France is a wonderful, small, child-friendly resort. Our grandchildren learned to ski each morning with great instructors on the gentle slopes under amazing azure skies. Three generations then made memories of a lifetime, skiing the wide quiet slopes together each afternoon. We enjoyed dog sleds and cosy hot chocolate in the slopeside cafes. A wonderful trip.

Barbara

A historic railway and superb skiing in Norway

Gausta, Norway, is such fun. Stay at Gaustablikk, the hotel built by Kirk Douglas’s stuntman, a wonderfully quirky piece of local history. Explore Vemork, the historic heavy-water plant where British and Norwegian resistance fighters carried out their daring sabotage during the second world war. For families, the on-piste skiing is friendly and accessible; while the cross-country trails are simply stunning. Then there’s the real adventure: an old US military train climbs Gaustatoppen, opening up spectacular off-piste skiing with views and terrain that rival much of mainland Europe. It’s a brilliant mix of history, skiing, scenery and adventure, and somehow remains a wonderfully under-the-radar destination.

Fiona

Markets and gluhwein in the Austrian Tirol

As a family of four, we loved St Johann in Tirol. It’s a comfortable Austrian village with Christmas markets, picturesque churches and gorgeous frozen valley walks – with little marmosets and weasels to look out for along the river. Wherever you stay, you can walk to a gondola. It’s really near to Salzburg airport, too. In Austria, kids get all-day lessons, which is a big bonus. Parents can just kick back or wander around and have a gluhwein or two. Prices were very reasonable in the Christmas holidays.

Nick

A locals’ favourite on the Italian border

Tarvisio-Monte Lussari on the Italian-Slovenian border covers 24km (15 miles) of skiable terrain interconnected across two main sectors: the historic and stunning Monte Lussari pilgrimage peak and the Priesnig area. Used by local people and those in the know, it offers sufficient ski runs and good value ski passes and restaurants, and is much cheaper than neighbouring resorts in Austria.

Neil

Magic in the air at La Rosière, France

Stay in the attractive resort of La Rosière in France, in the foothills of the Mont Blanc region. Enjoy the short forest walk to the village, with wind chimes and magic in the air, for an après-ski drink and a cheese fondue in a local tavern with the kids.

Oliver

Off-piste heaven in the Norwegian Alps

About 50km (30 miles) from Ålesund, Strandafjellet has excellent pistes, but also some of the best off-piste skiing in Norway. Strap on a pair of randonnée skis and you can use the lifts to access spectacular backcountry skiing in the Sunnmøre Alps. The views down to the fjord make this truly special. Pistes are illuminated for evening skiing.

Graham

A charming village in Les Trois Vallées

Saint-Martin-de-Belleville, in the French Alps (Les Trois Vallées), is low at about 1,500 metres, so go mid-season. The single run ends smack in the centre of the village, which has retained its historical features along with small, friendly bars and places to eat. Plus, it gives access to the whole of the Trois Vallées ski area – absolutely amazing from one small but beautiful village. There are plenty of choices for accommodation, both expensive and cheap.

Russell Walker

Queue-free skiing for all in Italy’s Dolomites

Brunico is tucked away in the Dolomites, just a 90-minute transfer from Innsbruck. I had a great week at the beginning of March. Unlike bigger resorts, queues were nonexistent here. There are runs for beginners through to experts. Great snow and plenty of opportunities to use it.

Ian B

Winning tip: Bavarian charm and quiet slopes

Oberstdorf in Germany continues to be my go-to for a quiet and restorative ski week away. There are 130km (80 miles) of pistes for all levels, stacks of Bavarian restaurants, a wide variety of mountain huts, plenty of hotels for all budgets and family sizes, and the novelty of skiing into and out of Austria daily. Neuschwanstein Castle is a short hop away for a day off. Unbeatable value.

Daniel Stephens

For the past eight years, a small group of influential Ventura County Republicans has played a pivotal role in the selection of every new judge in the Superior and Municipal courts.

Working out of the public eye, this little-known group of judicial advisers has helped pick almost half the judges now serving in the Ventura County courts–its recommendations almost always accepted by Gov. George Deukmejian.

The most influential of the advisers–according to several sources–is Dist. Atty. Michael D. Bradbury, who has helped secure judicial appointments for nine assistant prosecutors out of the 11 judgeships that have opened up since Deukmejian’s election in 1982.

In addition to Bradbury’s input, three of the county’s top Republican Party stalwarts serve as an informal judicial screening panel for Deukmejian.

They are Paul Leavens of Ventura, former county campaign chairman for Deukmejian; Gwen Tillemans of Oxnard, county Republican chairwoman; and Katherine H. Haley of Ojai, a major Republican fund-raiser.

The four have helped give a conservative and prosecution-oriented shape to the county’s bench for years to come, but whether they will enjoy a similar advisory role in the administration of Republican Gov.-elect Pete Wilson remains to be seen.

Leavens, Tillemans and Haley say that, in the informal structure of the county panel’s makeup, they see themselves as a separate panel of political advisers to the governor that usually checks with Bradbury before making judicial recommendations to Deukmejian.

Leavens is among those who candidly admit that Bradbury is probably the most influential of Deukmejian’s local advisers, an opinion shared by many in the legal community.

“The district attorney in Ventura County, as I recall, is a very influential person,” said Charles Vogel, president of the California Bar Assn. “I think that he’s not shy about expressing his views and I think that he will endeavor to influence the composition of the court, since it’s important to him.”

“It is not sufficient for Kay Haley to say, ‘Gee, I’d like you to make Chuck Campbell a judge now,’ ” said Wendy Lascher, president of the Ventura County Bar Assn., referring to Municipal Judge Charles W. Campbell Jr.

“That’s how the governor gets the ideas for choosing who to nominate, and if it comes down to one or the other it makes a difference,” Lascher added. “I suspect Mike Bradbury has had more influence than the rest of those people put together.”

And Leavens conceded:

“I would never send a recommendation to the governor without checking with Mike. He’s probably the most influential one of all. He’s in and out of the courts. He knows who they are.”

Bradbury downplays his role in picking the county’s judges, insisting that the governor’s office consults the local district attorney on judicial openings in every county in California.

That statement is supported by Terry Flanigan, the governor’s appointment secretary, but disputed by a spokeswoman for Dist. Atty. Ira Reiner in Los Angeles, a Democrat, who said Deukmejian never consults Reiner or any other Democratic head prosecutors around the state.

“I’m treated no differently than any other district attorney in the state . . . the governor’s office seeks our input and we provide it if we have the pertinent information,” Bradbury said. “The governor is clearly his own person when it comes to judge appointments and he does not simply rubber-stamp the recommendations of others.”

Nonetheless, Bradbury said that all 11 judges appointed by Deukmejian in the last eight years were recommended by him during the initial review process, including the nine former prosecutors from Bradbury’s office.

All the judges are white, nine of the 11 are Republicans and all but one are men.

Deukmejian appointed five out of the 15 sitting Superior Court judges, including Robert C. Bradley in 1984 and Barbara A. Lane, Kenneth R. Yegan, Frederick A. Jones and Edwin M. Osborne in 1986. All were elevated from Municipal Court positions. Osborne, a Democrat, is now presiding Superior Court judge.

Deukmejian also installed half of the 12 Ventura County Municipal Court judges, including Democrat Herbert Curtis III in 1984, John R. Smiley in 1986, Barry B. Klopfer in 1987, Charles W. Campbell Jr. and Ken W. Riley in 1988 and Thomas J. Hutchins in 1989.

Lane and Smiley, the only non-prosecutors, were appointed from private practice.

Bradbury’s influence in the judicial selection process, especially the elevation of Municipal Court judges to the Superior Court, brought an expression of concern from one expert on legal ethics, Dean Gerald F. Uelmen of the Santa Clara University School of Law.

“I wouldn’t go so far as to say it’s a conflict that should preclude him from serving on the committee, but I think it’s a legitimate concern,” Uelmen said. “The danger would be that a judge would be more reluctant to rule against the D.A. on an issue that comes before him, for fear that it would jeopardize his prospects for advancement.”

Bradbury retorted:

“Gerry’s comment is the typical BS that he throws out on this and every other issue where he takes a very pro-defense point of view. I’ve never had any judge try and curry favor with me for any reason.”

Bradbury said he has “a fairly combative relationship” with Ventura County’s judges who dislike the fact that his policy against plea bargaining forces 12% to 15% of cases to trial, compared with 5% to 7% in most other counties.

Bradbury vehemently insisted he is “not on any committee” and added that “my views do not carry the kind of weight people attribute to me.” He said that Deukmejian’s office also consults with Sheriff John V. Gillespie on some appointments. Gillespie was out of town and unavailable for comment.

Each of Deukmejian’s judicial appointees in Ventura County began the selection process by calling or being recommended by someone on the informal three-member review panel, Leavens said.

Panel members never meet to discuss their work, but they often call each other and Bradbury to confer on nominees, said Leavens, whose Ventura-based Leavens Ranches company owns more than 1,000 acres of citrus and avocado orchards in Ventura and Monterey counties.

Each sends a letter of recommendation to Deukmejian’s office only “after conversing with people that know these people and learning who is well-respected, who has a good reputation and who would not embarrass the governor,” Leavens said.

Haley, a third-generation Ventura County resident described by some as “Mrs. Republican” in Ventura County, said she agrees with Leavens’ description of their work.

“The gist of it is that when there were people who had contacted us that were interested in serving as a judge . . . we investigated whether they were qualified people who could do the job. We’d write a letter and send it to the governor,” Haley said. “He wouldn’t always take our suggestion.”

Bradbury said that party loyalties play no role in his recommendations to Deukmejian. As for the fact that nearly all of Ventura County’s judges are Republican, he said:

“I have a hunch it’s because people that go into law enforcement organizations, for example, prosecutors, tend to be Republican. But we’ve got our share of Democrats in the office.”

Although the three review panel members do not automatically reject Democrats, Leavens and Tillemans said they screen the legal records, family background and political views of potential nominees to make sure that they will hew to Republican philosophies.

“Through the years, we’ve had so many judges that were very lenient in so many ways . . . so we look for the good Republican principles,” Tillemans said. Asked to outline the principles that are reflected in nominees’ legal briefs and judicial rulings, she said, “It’s more government by the people than government for the people.”

However, the three said that they do not delve into nominees’ personal lives.

“The kind of people we were talking to were all law-abiding citizens that were well-known in the legal community. Besides, isn’t that against the law anyway?” Haley said. “I never had anybody talk to us that had murdered anybody or threw his wife downstairs.”

And Leavens said they do not concern themselves with the nominees’ drinking habits or marital fidelity. “I think those things you wouldn’t have to ask about. You’d hear about them from other sources. Anybody that wants to go up is essentially pretty clean.”

The process of settling on a recommendation can take four to six months, said Tillemans, who when not working for her party promotes housing developments for the Dolphin Group, a Los Angeles-based lobbying and public relations firm with strong Republican political connections.

“We go over their resumes and we recommend the ones who we think are suitable and then the governor’s appointment secretary looks over them and it goes to Deukmejian,” she said.

But before Deukmejian makes any appointment, each nominee is reviewed by the state Judicial Nominees Evaluation Commission, a panel of 20 lawyers and six lay people, which does extensive background checks.

The so-called Jenny Commission also reviews a seven-page questionnaire in which each nominee lists experience on the bench and at the bar, outlines political affiliations and personal history, and answers the question, “Why do you want to be a judge?”

Once that process ends, the commission rates each nominee as extremely well qualified, well qualified, qualified or “not ready for appointment at this time,” Flanigan said.

After reviewing the commission’s recommendations and letters on the nominees from local bar associations, the governor picks the nominee he feels is best suited for the slot, Flanigan said.

But this process could change in January–after what is sure to be a flurry of appointments by the outgoing Deukmejian–when Sen. Pete Wilson becomes governor, legal experts and Wilson associates agree.

Wilson has relied on an eight-member merit selection committee to make initial recommendations for federal judge appointments in the Central District of California. The panel included U.S. 9th Circuit Court of Appeals Judge Cynthia Holcomb Hall, U.S. District Judge William D. Keller and California Supreme Court Justice Malcolm M. Lucas, who also served while a federal district judge.

Although critics on the federal bench challenged the propriety of letting federal judges help name their colleagues when the Wilson committee’s makeup was first revealed in 1986, the panel has continued to advise Wilson on federal judicial nominees. Federal judges are appointed by the President upon the recommendation of legislators.

And if Wilson’s taste in federal judges is any guide, his appointments to the state bench will differ to some degree from Deukmejian’s, said Vogel, the state bar association chief.

“It appears he is impressed with people who have good academic records,” Vogel said of Wilson. “If you look at his federal appointments, many of them were high achievers in college or law school.”

Vogel continued, “Deukmejian was the attorney general, he did work with prosecutors, he did work with government lawyers. He was pretty proud of them and felt somewhat in line with them and felt their expertise in government would fit them well in the bench.”

However, Wilson’s method of weeding out unwanted nominees probably will change for state appointees because state law requires nominees to be reviewed by the Jenny Commission, said John G. Davies, a San Diego lawyer who served as Wilson’s judicial selection adviser.

“Deukmejian and all the other governors in my lifetime have had local screening committees. I have no idea what Pete’s intentions are on that,” Davies said.

“We have over 4,000 judicial applications on file for Deukmejian,” Flanigan said. He predicted the lame-duck governor will fill many of the judicial vacancies before leaving office. “I think he’ll look at it as his greatest legacy.”

The retirement last week of Presiding Municipal Judge Lee E. Cooper Jr. virtually guarantees that Deukmejian’s local advisers will have further impact on the bench before Wilson takes office.

The Jenny Commission already has pumped nominees through the pipeline and readied them for the governor’s final approval, and the local advisers have made their recommendations for new openings, Bradbury said.

“It’s my sense that Deukmejian will fill every opening that he has available before he leaves office because the judiciary was a very important issue for him,” Bradbury said.

Once Wilson takes office, he will find the California justice system far larger and more of a challenge–with 1,500 judgeships–than the federal system he is accustomed to, said Flanigan, the governor’s appointment secretary.

Flanigan, who has been asked to keep his job through the first year of Wilson’s term, said that relying on a fixed group of people for input “would not be reasonable,” even though “there are lawyers and non-lawyers who we may talk to in the Deukmejian or future Wilson administration.” The ideal situation, he said, “is to talk to as broad a group as possible.”

Flanigan said the work of local advisers such as Bradbury, Leavens, Tillemans and Haley is vital to selecting the nominees that his office sends to the Jenny Commission–that is, the nominees who have a shot at being appointed by the governor.

“Wilson will follow the same road as Deukmejian in appointing conservative judges,” Tillemans predicted, “and we’re on that governor’s council now.”

Leavens’ wife, Carolyn Leavens, who was chairwoman of Wilson’s campaign in Ventura County, said she made a recommendation on one of Deukmejian’s judicial appointees–a duty she would gladly repeat for Wilson.

Bradbury, who actively campaigned for Wilson this year, said he is uncertain what his role will be in helping the new governor select future Ventura County judges.

But he added, “I would hope that Sen. Wilson would continue to seek the input of local public officials.”

MILWAUKEE — The Dodgers executed their game plan and lost. The Milwaukee Brewers executed their game plan and won.

Back in California, Dodgers fans screamed at their television sets. This is postseason baseball, where the best pitchers take center stage and runs are at a premium.

Why don’t the Dodgers at least try to mimic the Brewers? Would a stolen base or a sacrifice bunt every so often kill the Dodgers?

“I think we should play Dodger baseball,” shortstop Mookie Betts said. “So, whatever Dodger baseball is, that’s what we should do. We should not try and play Milwaukee Brewers baseball.”

And what is Dodger baseball?

“It’s a very complex thing,” Betts said. “We pitch. We play defense. We hit. We’ve got to figure out a way to get some timely hits. If we’ve got to steal a base, we’ll steal a base. But we don’t need to change our identity.”

In the big picture, no need to overreact to the Dodgers’ 2-1 loss in the National League Championship Series opener.

But take a close look at the bottom of the fifth inning, when the Brewers scored the decisive run. With the score tied 1-1, Garrett Mitchell walked to start the inning, and Cooper Pratt sacrificed him to second. Luis Lara singled him home, scoring a runner in scoring position.

Joey Ortiz then grounded into what would have been a double play, had the Brewers not started Lara from first base. That was huge: Ortiz was out at first but, by staying out of the double play, the Brewers forced Dodgers starter Tarik Skubal to throw an additional 15 pitches to secure that third out.

That forced the Dodgers to remove Skubal from the game after he made 26 pitches in the fifth inning, and 81 overall.

“They’re willing to give up an out to get a guy in scoring position to get a hit,” Dodgers manager Dave Roberts said.

The Dodgers have not dropped a sacrifice bunt this postseason. In their World Series championship run last year, they dropped five sacrifice bunts: two by outfielder Andy Pages, who wasn’t hitting; two by light-hitting backup catcher Ben Rortvedt; and one by infielder Miguel Rojas.

This is Dodger baseball: The Dodgers hit 50 more home runs this season than the Brewers, who finished last in the NL in homers.

The Brewers had more than twice as many stolen bases as the Dodgers and more than twice as many sacrifice bunts. The Dodgers’ NLCS roster accounted for six sacrifices this season, including three by infielder-outfielder Tommy Edman.

Brice Turang, who bats second for Milwaukee, homered off Skubal in the fourth inning Sunday and sacrificed in the eighth.

If you want to say the Dodgers should slug away and play for the big inning, fine. If you want to say the Dodgers should be reluctant to bunt in October with players not asked to bunt during the regular season, Edman isn’t buying that.

“It’s definitely tough,” Edman said. “But it’s definitely something that we should all be able to do. If you’re a big leaguer, you should be able to do everything on the field that you’re asked to do. If that’s what the situation of the game calls for, we should be able to do it.”

The Brewers have played five postseason games, scoring 15 runs. They have won four games, three of them by one run. If the Dodgers can take a few big swings, they could get mighty comfortable.

The Dodgers also have played five postseason games, scoring 15 runs. But here’s a defining difference: In each of their five games, the Brewers have two hits with runners in scoring position.

In their five games, the Dodgers have a total of two hits with runners in scoring position.

This is the place where you, gentle reader, remind me that I said the Dodgers executed their game plan. What the heck?

They did, actually: They thought their best chance to win was to run up the pitch count on Milwaukee ace Jacob Misiorowski and get him out of the game early.

Seven of the first nine batters did not swing at the first pitch. More than half the at-bats off Misiorowski took at least four pitches.

They fouled off 20 pitches and got him out of the game after 4⅓ innings, so the Milwaukee bullpen would have to cover more innings than he would.

“We lost, so it didn’t really work,” Betts said. “But we did a good job with some good at-bats and fouled off some pitches and made him work. That’s really all you can do.”

The Brewers have scored five of their 15 runs via the home run, the Dodgers 11 of 15. Do the Dodgers need to mix in some small ball and change their approach at bat?

“I don’t think guys are going up there trying to hit home runs,” Betts said. “Guys are going up there just trying to have good at-bats. Sometimes, you get ‘em. Sometimes you don’t. But we are playing against a really good team. We just have to put it behind us and just come out and play Dodger baseball.”

It’s time for Dodger baseball. Lose Game 2, and the Dodgers will be two defeats from a bitter winter.