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I’d like to pen an ode to the once-L.A.-based artist Mel Kadel on the occasion of the release of her first coloring book for women and girls, published by Secret Headquarters in Atwater Village. Titled “Dream Drops,” the detailed hand drawings allow blossoming artists to participate in Kadel’s elaborate, imaginative world of fragile, brave, timid, hopeful, brash, adventurous women — characters she’s drawn for decades now.

I first met Kadel more than 25 years ago when I moved to L.A. from Boston with my then-up-and-coming indie rock band called the Movies. The band moved into a two-bedroom triplex in Silver Lake that cost $845 per month and immediately fell in with a ragtag group of iconoclastic and wildly talented artists including Kadel, photographer Alex Prager, painter America Martin, artist Mercedes Helnwein and bands and musicians such as the Silversun Pickups, Jimmy Tamborello, the Jealous Sound, Earlimart, Radar Bros. and Irving.

Kadel and her then-partner Travis Millard — another prolific and accomplished artist — lived in a cabin near the wild mountainy edges of Echo Park, and friends would gather there to draw, drink and make music. Kadel always had her head bent over her work, page after page of detailed line drawings that later appeared on friends’ bedroom and living room walls and sometimes on fliers for shows at Spaceland or the Silverlake Lounge.

It was Kadel who encouraged many of us to try our hand at creating art, and she once staged a group show at an Echo Park record shop called Sea Level that was owned by a friend of ours. I painted a self-portrait on a piece of wood for the show that still hangs on my wall today.

Kadel created the album cover for the Silversun Pickups’ debut EP, “Pikul,” which was released on Dangerbird Records in 2005, and later, after the band and the label soared to new heights, she covered Dangerbird headquarters near Sunset Junction in Silver Lake with a building-sized mural featuring her otherworldly woman clad in blue stripes with forever flowing flowered hair.

In many ways it is Kadel whom I credit with opening a young me up to the magical world of art and the ideas that flow from it — Kadel and those early L.A. friends, many of whom I no longer see regularly, but whose accomplishments I relish in when they come to my attention. Which is just what I did when I saw that Kadel had released her coloring book — a project that she has worked on (no doubt in the same intentional, intense way that she always has) for the past year.

I’m arts editor Jessica Gelt, glad for what was and looking forward to what will be. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Eleanora Owen in “Being Piaf.”

(Doug Engalla )

Being Piaf
Written and performed by Eleanora Owen, this solo theatrical piece explores the life and songs of French singer and lyricist Edith Piaf. Directed by Tim Byron Owen.
8 p.m. Fridays and Saturdays; 4 p.m. Sundays; through Aug. 30. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

Green Corridors
The West Coast premiere of Natalka Vorozhbyt’s darkly humorous drama about the plight of four Ukrainian women — refugees from the full-scale Russian invasion in 2022. Translated by John Freedman with Natalia Bratus. Directed by Frédérique Michel and produced by Charles A. Duncombe.
8 p.m. Fridays and Saturdays; 4 p.m. Sundays; through Sept. 27. City Garage Theater, Bergamot Station Arts Center, 2525 Michigan Ave T1, Santa Monica. citygarage.org

Tercera Raíz
The contributions of the African diaspora to Mexican culture are celebrated with dance and mariachi music. Produced in partnership with Grandeza Mexicana Folk Ballet Company.
8 p.m. The Ford, 2580 Cahuenga Blvd. East. theford.com

SATURDAY

New–Music Game Night!
Brightwork Ensemble and People Inside Electronics present an evening of game-inspired works by Cristina Lord, Isaac Schankler, Siobhán Dougall and Richard An, and audience participation.
8 p.m. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

SUNDAY

Eileen Cowin: Between Panic and Paradise
The Los Angeles–based photographer and artist’s 50-year career has produced visual narratives that incorporate cinema, literature, poetry and painting, erasing the boundaries between fiction and nonfiction.
Through Jan 3, 2027. Los Angeles County Museum of Art, 5905 Wilshire Blvd. lacma.org

Jamar Gilbert and Amber Liekhus in “Ma Rainey’s Black Bottom” at a Noise Within.

(Daniel Reichert)

Ma Rainey’s Black Bottom
A Noise Within opens its season with the seventh of the 10 plays in August Wilson’s Century Cycle to be produced by the company. Amber Liekhus stars as an iconic blues singer during a tempestuous recording session in 1927 Chicago. Directed by Gregg T. Daniel.
Previews, 2 p.m. Sunday; 7:30 p.m. Wednesday-Aug. 28; Aug. 29-Sept. 20. A Noise Within, 3352 E. Foothill Blvd., Pasadena. https://www.anoisewithin.org/play/ma-raineys-black-bottom/

TUESDAY

Beethoven’s Fifth with Anna Handler

Da-da-da-DUM. The Los Angeles Philharmonic’s incoming conductor-in-residence leads the orchestra in one of classical music’s most iconic pieces, along with the composer’s rarely heard Triple Concerto and the U.S. premiere of Grace-Evangeline Mason’s “Ablaze the Moon.”
8 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

Jeff Goldblum and the Mildred Snitzer Orchestra will play Blue Note LA on Tuesday and Wednesday.

(Blue Note LA)

Jeff Goldblum & the Mildred Snitzer Orchestra
As they’ve been doing for three decades, the actor-musician and his band perform contemporary arrangements of classic jazz and American Songbook standards.
7 and 9:30 p.m. Tuesday and Wednesday. Blue Note Los Angeles, 6372 Sunset Blvd. bluenotejazz.com

Looking West: How the Myth of the Western Frontier Got Its Start
Muse/ique takes a deep dive into the legends and reality of the American West through classic Hollywood film scores, folk songs and contemporary compositions that reclaim the era’s diversity. Led by artistic and music director Rachael Worby with Damon Daunno, Raye Zaragoza, Glynn Turman and Muse/ique Orchestra.
7:30 p.m. Tuesday and Wednesday. The Huntington, 1151 Oxford Road, San Marino; 3 pm. (premium RSVPs only) and 7:30 p.m. Aug. 30. Skirball Cultural Center, 2701 N. Sepulveda Blvd. muse-ique.com

WEDNESDAY

California African American Museum
The museum augments two of its ongoing shows with special events. On Wednesday, Justen LeRoy of Art + Practice offers a curatorial walkthrough of “The Sound of Gordon Parks,” an immersive exhibition highlighting the sonic dimension of the photographer, composer, author, poet and filmmaker’s work. Thursday night, poets Pam Ward, Luis Rodriguez and Lynne Thompson share original work inspired by “A New Song: Langston Hughes in the West.”
Gordon Parks, 2 p.m. Wednesday; Langston Hughes, 7 p.m. Thursday. CAAM, 600 State Drive, Exposition Park. caamuseum.org

“Conscience” by playwright Joe DiPietro will have its L.A. premiere at International City Theatre in Long Beach.

(Justin Patterson)

Conscience
The Los Angeles premiere of Tony Award-winning playwright Joe DiPietro’s drama about pioneering politician Margaret Chase Smith, who famously challenged Joseph McCarthy’s tactics and was the first woman to serve in both houses of the U.S. Congress. Directed by Caryn Desai.
Previews, 7:30 p.m. Wednesday and Thursday; 7:30 p.m. Thursdays-Saturdays; 2 p.m. Sundays; through Sept. 13. International City Theatre the Beverly O’Neill Theater, 330 E. Seaside Way, Long Beach. ictlongbeach.org

THURSDAY

Rachmaninoff & Adams
Gemma New conducts John Adams’ “Short Ride in a Fast Machine,” ahead of Sergei Rachmaninoff’s Second Piano Concerto (with Jeneba Kanneh-Mason in her L.A. Phil debut) and Symphonic Dances.
8 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

— Kevin Crust

Retrospective

L.A. Times arts coverage from the past …

Eisa Davis, playwright and actor, who appeared in Melissa Jane Gibson’s play “This” at the Kirk Douglas Theater in Culver City in 2011.

(Mel Melcon / Los Angeles Times)

A double life as actor, playwright

Aug. 14, 2011

“I’m in a play called ‘This.’ ”

“OK, what is it called?”

“No, no, it’s called ‘This.’ ”

“Yes? What? It’s called what?”

With a lighthearted laugh, Eisa Davis says she often encounters this response when revealing that she is in a new production of “This,” which recently opened at the Kirk Douglas Theatre. The perplexity may be fitting for the universe playwright Melissa James Gibson has created: a world of confusion in which close friends enter a vulnerable time of unforeseen circumstances testing their expectations — a time also known as middle age.

Davis’ work as an actor and a playwright has contributed to a textured career. She was a finalist for the Pulitzer Prize in drama in 2007 for her play “Bulrusher,” about a biracial orphan infant found in a basket and raised by a quiet schoolteacher. She went on to write and star in the autobiographical “Angela’s Mixtape,” which was among the New Yorker’s best plays of 2009. Other plays she has written include “Ramp,” as well as “The History of Light,” which is returning to the stage this fall in New Jersey. READ MORE

– Jasmine Elist

Culture news and the SoCal scene

Conservators examine “Portrait of Mai” by Joshua Reynolds at the Getty museum.

(Genaro Molina / Los Angeles Times)

A 250-year-old portrait by painter Joshua Reynolds recently arrived at the Getty and is being examined by conservators before going on view in its West Coast debut later next month. “The Portrait of Mai” was acquired by the Getty for $61 million in a rare joint purchase with the National Portrait Gallery in London and depicts a young, regal-looking Tahitian man who arrived in London with Capt. James Cook in 1774.

If you’ve seen the recent national tour of Disney’s “Beauty and the Beast” at the Hollywood Pantages Theatre, you may have wondered how on earth the actor playing the living chandelier Lumiere sings and dances for more than two hours while wearing lighted candles on both of his hands. The answer has arrived via this fun story written by Times contributor Jenelle Riley, who headed backstage during a recent performance to trail Danny Gardner as he donned the 7-pound props and went about the business of performing in the rigorous show.

The group show “To Share a Stomach” recently opened at the Brick in East Hollywood. Times contributor Sharon Mizota wrote a review that included her take on the unique and difficult-to-execute concept. The show was made manifest when 25 Iranian artists, working under challenging wartime conditions, sent instructions to artists counterparts in L.A. for how to create artworks using various levels of collaboration. Mizota found the results understandably uneven, but deeply touching and impactful.

The Kennedy Center’s National Symphony Orchestra performs at the Hollywood Bowl under musical director Gianandrea Noseda on Aug. 18.

(Carlin Stiehl / For The Times)

The newly homeless National Symphony Orchestra, whose fate has become uncertain as a court battle wages over whether or not the Kennedy Center will close down for two years, performed at the Hollywood Bowl earlier this week. Times classical music critic Mark Swed was there to watch, along with many effusive supporters of music director Gianandrea Noseda’s now wandering orchestra. Swed found the program lacking in imagination, but noted, “with its smooth strings, creamy brass, pungent winds and friendly percussion, Noseda’s NSO came across as a gracious orchestra meant to please, and, consequently, a seemingly marvelous anomaly in an otherwise divisive present-day D.C.”

Speaking of the Kennedy Center, last week proved a pivotal one for its fate. The Kennedy Center Board of Trustees voted late in the week to move forward with President Trump’s plan to close the building for renovations for two years. According to multiple news reports, the board also voted to inscribe Trump’s name on the building using the language “Restored and Renovated by President Donald J. Trump.”

Brett Littman has been named the new director and chief executive of the the Museum of Contemporary Art San Diego.

(Don Stahl)

The Museum of Contemporary Art San Diego announced earlier this week that it has appointed Brett Littman as its new director and chief executive. Littman is replacing Kathryn Kanjo, who left to become the new director of the UC Irvine Langson Orange County Museum of Art. Littman has previously served in a variety of leadership roles in the arts in New York City, including as director of the Isamu Noguchi Foundation and Garden Museum; executive director of the Drawing Center; and deputy director of MoMA PS1. He was also co-director of Dieu Donné Papermill and associate director of UrbanGlass. He will start at MCASD in early October as the fifth director and chief executive in the museum’s history.

The Perenchio Foundation has awarded a $2,040,000 grant to the Los Angeles Children’s Chorus, representing the largest grant in the Grammy-winning organization’s history. The 2026 General Operating Support grant, which aids many aspects of the organization’s programming and community offerings, will be distributed over three years, and arrives at LACC celebrates its 40th anniversary.

— Jessica Gelt

And last but not least

Here are 16 burger and drink deals for when you need an “adult happy meal,” from The Times food section. Who doesn’t?

Werro’s triumph was all the more impressive given she suffered a nasty fall in her semi-final on Thursday, before later being reinstated into the final.

Replays showed the left hand of France’s Anais Bourgoin had clipped Werro’s right foot. But, clutching her chest in pain as she jogged across the line, she still faced a race against time to recover.

That drama led to a congested 10-athlete final – but, despite Briton Jemma Reekie’s best efforts, there only ever appeared three contenders for gold.

Hodgkinson had twice beaten Werro during the indoor season – including to win her first world title – but was stunned when the European under-23 champion surged past her at the Stockholm Diamond League this summer and produced the first sub-1:54 clocking since 1983.

Hodgkinson, who achieved the first major outdoor title of her career at the European Championships in 2022 before retaining the title in Rome two years ago, vowed not to allow that to happen again.

But Werro crashed her bid to become the first British woman to win three consecutive European titles in the same event, proving she will be a force to be reckoned with on athletics’ biggest stages over the coming years.

Hodgkinson can also expect Broeders-Bol, third in 1:55.54, to only improve with World Championship gold up for grabs next year, following the rapid progress made by the two-time world 400m hurdles champion since switching events this season.

However Shanahan’s decision paid off in the pool, and she was seen fighting back tears after securing silver on Friday night.

Having been inspired by seeing Hannah Miley in action at the 2014 Games, Shanahan told BBC Scotland News she hoped future generations might have be likewise inspired by watching her in the pool this time around.

“I’ve always said that if I can inspire the next generation of athletes coming through, then my job has been done,” she explained.

“I know after 2014 watching Hannah I felt inspired, and it would be nice to think that maybe there’s some younger girls watching the 200m backstroke this time, and maybe they’ll get into swimming from it.”

She joked that the main problem since last Friday was finding the time to get back to various friends and well-wishers sending her messages to congratulate her.

“I’m so grateful for the support, and with it being a home Games it feels like that support has been ramped up a bit, which is so nice to experience.”

“I was really struggling to get food down, and was stressing about things like getting a medley relay slot instead of thinking about getting a medal tonight.

“My coach said to me I had nothing to lose but to just relax and enjoy it.”

Alongside fellow Scots Ciara Schlosshan and Lucy Grieve – who finished fifth and sixth respectively – MacInnes did just that.

Third at the turn, she overhauled South Africa’s Erin Gallagher as the noise grew louder to earn a spot on the second step of the podium. Australia’s Alex Perkins took gold.

“Oh, God, I’m just starting to get my breath back,” MacInnes said. “That was so incredible.

“I’m so grateful to the crowd for making it such a special memory for me. I’m so grateful to my parents and boyfriend who are up in the crowd and I’m so glad I was able to do it in front of them.

“A silver is crazy to me. Maybe I was thinking ‘bronze could be really cool’ so this is just so amazing.”

Duncan Scott knows all about Games medals, given he has 14 of them in the house.

Gold in Friday’s 200m individual medley was a fine start to proceedings, but a couple of relay near-misses over the weekend were followed by another fourth place in the 200m butterfly on Monday.

“More is more and less is a bore.” ― Iris Apfel

After spending decades collecting clean-lined Midcentury Modern furniture and accessories, stylist Wendi Weger felt it was time to give her Silver Lake apartment a playful update.

“Everything was brown,” Weger says as she sits on a plush sofa covered in pink and chartreuse striped Christian Lacroix fabric. “It looked like a UPS truck in here. I mean, look at me,” she adds, fluffing the ruffles of her Accidente Con Flores dress, her intricately manicured fingers decorated with colorful Zuni Toons rings. “That is not me.”

In this series, we spotlight L.A. rentals with style. From perfect gallery walls to temporary decor hacks, these renters get creative, even in small spaces. And Angelenos need the inspiration: Most are renters.

Indeed.

Weger, who grew up in Madison, Wis., studied cinema during graduate school at NYU and later moved to Los Angeles to work in Hollywood as a producer and stylist, is no minimalist. Always expressive, she describes her style as more akin to a “Victorian parlor meets hunting lodge.”

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So it’s no surprise that her one-bedroom apartment, in a Storybook-style fourplex built in 1922, is just as dramatic as she is.

Wendi Weger views her Silver Lake apartment as her creative studio. “I don’t mind a lot of frenetic activity,” she says.

A wall covered in hollyhock wallpaper from House of Hackney stands out in Weger’s bedroom, along with a handmade quilt signed by Grace Verburg that includes crochet, beadwork and hundreds of ribbon rosettes.

Weger thrives on “kinetic energy,” be it color, texture or a pair of bedazzled Italian loafers. In her bedroom, she mixes floral textiles and modern art with a quirky stepstool shaped like an ear of corn. In the dining room, vintage Doyle Lane ceramic beads dangle from a Mission-style wooden clock while designer handbags are draped over chairs and hat racks.

On her fireplace, an ornate gilded mirror from the 1940s she found at Sunbeam Vintage is flanked by porcelain figurines. A porcelain Capodimonte lamp nestled under vintage Japanese prints is described as “Rococo on acid.” Nearby, a handmade chandelier by artist Helen Stickler, decorated with vintage Swarovski crystals and beads, adds to what Weger describes as her “Candyland vibe.”

Weger twirls in a pink taffeta Batsheva dress. “My apartment is basically how I dress — like an Edwardian ghost in a prairie dress who wandered into a circus and decided to keep everything,” she says.

“That’s where I am right now,” she says about the apartment she has called home for 17 years. “I feel like I can finally play. I’m trying to bring in a candy theme without making it too grandma. At this point in my life, I don’t care what anyone thinks about me.”

Her friend, creative director Dana Sidell, says self-expression is central to how Weger lives her life. “Wendi has the unique ability to bring nostalgia, whimsy and individuality all together into maximalist style,” she says in an email.

In 2020, as the film industry slowed down because of COVID-19, Weger took a chance and opened the Curatorial Dept., a vintage and designer resale shop in Atwater Village. Popular with celebrities including Lake Bell, Nick Thune and politicians Nithya Raman and Laura Friedman, the store is known for Weger’s signature “clothing sculptures,” where she layers mannequins with dozens of pieces of clothing and accessories.

“Styling is my art,” she says. “To me, clothing is sculpture.”

A silk Gucci skirt hangs alongside artworks in Weger’s bedroom. “Whether it’s producing a film, building a boutique, styling a room or a mannequin, it’s about assemblage and synergy,” she says.

To demonstrate, Weger starts layering a mannequin in her bedroom, picking from racks of clothes, handbags, color-coordinated shoes and jewelry nearby. She layers an “I’m With Stupid” T-shirt over a dress shirt and Yohji Yamamoto linen pants, then keeps adding more. “It needs a ruffle,” she says, caught up in the process, before adding a frilly collar and glittering vintage brooch.

A bright blue first-place ribbon materializes and becomes the perfect accessory. “It’s not maximalist enough,” she says with a sigh.

Weger says her apartment reflects the way she dresses, with layers of art, vintage clothes and accessories, each with its own story. She jokes that it looks like one of her clothing sculptures has “exploded across a room.”

When asked if there’s such a thing as too much, she shakes her head with conviction.

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1. Weger holds a pair of sparkling JVB X Nomasei ‘Nono’ loafers. 2. The hollyhock pattern from House of Hackney appears throughout Weger’s apartment, even on this fabric lampshade.

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1. A Gucci cashmere bunny cape hangs like an artwork in the bedroom. 2. Doyle Lane ceramic beads hang on a wooden clock above a collection of $2 bills.

“I’ll wear a baby cup as jewelry,” she says, picking up a small silver cup from a cabinet to show her point. What’s one more charm on one of several necklaces already heavy with lockets and hearts?

Weger’s home decor follows the same idea. Some pieces, like a pink silk pleated Gucci skirt by Alessandro Michele, hang on her bedroom wall next to vintage artworks, including a framed cross stitch by a friend that reads “Live. Laugh. Toaster Bath.” Others are neatly arranged in her butler’s pantry. Clothing racks fill the hallway, living room and even her bedroom. “Clothing and handbags are art to me,” she says.

Then there’s the cashmere embroidered rabbit cape by Gucci, which she purchased secondhand.

“People chase me down on the street whenever I wear it and ask me where I got it,” she says. “To me, it’s art.”

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

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(Myung J. Chun/Los Angeles Times)

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(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

(Myung J. Chun/Los Angeles Times)

Humor is important to her too. In the living room, a blue resin coffee table shaped like a candy wrapper adds to the playful feel, along with vintage candy dishes.

“There’s a lot of absurdity and comedy here,” she says, pointing out the Spanish angels with guns, a series of artworks from the 1600s.

“There’s something about these Spanish archangels with weapons,” she says. “They look tough and unisex to me, with mild expressions, beautiful clothes, tights, ruffles and sleeves, plus a firearm. It’s a great symbol for being a warrior, especially as a small business owner.”

Nearly everything in her apartment is secondhand, from the vintage Audubon prints arranged salon-style in the living room to the Navajo rugs and David Shrigley print she found at a garage sale. Mixing old and new is important, she says, referring to the House of Hackney hollyhock pattern she recently added to the walls of the living room and bedrooms, as well as the dining room lampshade.

Handbags are draped over dining chairs.

Her place settings are also layered, including Weger’s grandmother’s Wedgwood china.

Her apartment is essentially her atelier, or as she calls it, “the creative engine behind” the Curatorial Dept. She often does intake for her store at her kitchen table, surrounded by needlepoint pillows made by her Great-Uncle Elliott, who was also an entrepreneur. “This is not cluttered to me,” she says. “This is just where everything gets sorted.”

“Wendi’s style has a touch of the harlequin to it — playful, theatrical and always ready for an occasion,” writer and former NYU classmate Josh Rothenberger says in an email. “Her world is a warm pastiche of vintage and bespoke, histories inherited and histories invented on the fly. Her furniture invites the kind of existential frolic that pairs best with Cuvée — only to remind us, hours later, that true beauty should never be too precious to dance on.”

Although Weger says she isn’t a “woo-woo person,” she believes her apartment and store came from asking the universe for what she wanted. “Tell people what you want,” she says. “Especially in L.A. People support you and help you reach your dreams. I said I wanted this apartment, and because of that, my friend thought of me when she was moving. The same thing happened with my shop. I was in a different industry when I told a shop owner friend I’d always wanted a shop, that I intended to have a shop, and she thought of me when hers became available.”

She’s already thinking about what she wants next: “I’ll be sure to tell everyone I know.”

A sickening injury to England’s Gabriel Langton overshadowed his team’s silver medal in the men’s team gymnastics final at the Commonwealth Games in Glasgow.

The 19-year-old, from the City of Birmingham Gymnastics Club, needed lengthy treatment on the mat after a horrible fall in the final rotation of the evening at The Arena.

Langton fell head first to the floor after missing his catch on the horizontal metal bar, three metres in the air, leading to a lengthy delay to the action as he was tended to by up to a dozen medical staff.

He was eventually led away on a trolley after being moved on to a stretcher with his head and neck braced and left to huge applause from the packed crowd who had spent much of the previous 10 minutes in hushed silence.

Langton was seen to be conscious and moving his legs and arms before leaving the arena floor, while team officials later said he was moving and speaking to doctors.

In a statement, Team England said: “We are grateful to the medical teams who responded immediately to provide assistance.

“He has been taken to hospital and we will share more information when it is available.”

When competition resumed, his England team-mates were unable to overhaul their deficit to Canada who claimed their first gold medal in the event in 20 years, having finished second to England at the past two games.

Langton, a late call-up to Team England in the place of the injured six-time Olympic medallist Max Whitlock, was unable to join his teammates on the podium as England collected their silver medals.

Team-mate Luke Whitehouse, who was first on to the apparatus after the competition restarted and posted a relatively low score of 11.700, said: “When something like that happens, you’ve just got to forget about it and reset. I just had to focus on my routine one skill at a time.”

Whitehouse added: “From what we’ve heard, he’s doing OK. Gymnastics is such a dangerous sport and things like this remind us of that. It’s one of those things you have to put out of your mind.”

Felix Dolci, who helped Canada to gold and led qualifying for the all-around competition, said: “It’s terrible but it goes to show that gymnastics is a very, very difficult and complicated sport. It’s dangerous you know sometimes.

“All our thoughts go to Gabriel and the team. Pushing through this is definitely not easy, England stayed focussed, they stayed in the zone, a huge shout out to them because that’s not an easy one.

“For any gymnast that was on the field of play, seeing this not only is difficult, but something you never want to see. It goes to show how hard the sport is.”

Hamish Carter from Team Scotland – who narrowly missed out on a bronze medal to Australia in the final rotation – said: “I didn’t actually see what happened. I’m just so happy that he’s alright and, having experienced that, anything could have happened.

“We’ve walked away with no medal but I’m thinking of Gabe in this moment.”

LAS VEGAS — NBA commissioner Adam Silver reiterated Tuesday night after the Board of Governors meeting that the investigation into whether the Clippers circumvented the salary cap by funneling money to Kawhi Leonard for an endorsement deal he allegedly never fulfilled still is not completed.

Silver said his “timeline remains this summer” to make his findings known after high-powered New York law firm Wachtell, Lipton, Rosen & Katz wraps up its investigation and presents the findings to the NBA.

The investigation centers on a $28-million endorsement deal to Leonard from a company called Aspiration that Clippers owner Steve Ballmer invested $60 million into.

With the investigation being about 11 months old, Silver was asked about a timeline for the NBA to announce the results.

“As you know, I am not conducting the investigation, nor is the league office,” Silver said. “It’s being conducted by the Wachtell law firm, independent of the league. Of course, as I have said previously, we all have an interest in wrapping this up and as I most recently said in an interview, that I’m hopeful that it will wrap up this summer so that will continue to be the goal here.”

The Clippers traded Leonard to the Raptors for Brandon Ingram, Gradey Dick, two first-round picks, a pick swap and two second-round picks. Leonard, who spent the last seven seasons with the Clippers, led the Raptors to the NBA championship in 2019. The Raptors then decided to put the trade on hold until the investigation is over.

“And I just want to clarify, so everyone understands, the league did not pause the trade,” Silver said. “The parties that did the trade made the decision not to go forward given that the investigation would remain open and the possible impact on Kawhi or his contract was yet to be known and so they chose not to live with that uncertainty. But, that was well-known before the trade was proposed and I didn’t think there was any reason for people to believe that the status of Kawhi Leonard would change merely because he was traded. The investigation needs to run its course.”

The Clippers have consistently denied any wrongdoing regarding the investigation.

Because of the probable length of the report, Silver was asked about reading such a voluminous amount of information and if things would be resolved before the start of next season.

Silver also didn’t talk about whether Leonard is being investigated for any other side deals.

“I don’t know specifically what will be in the report,” Silver said. “To the best of my information, the report is not done. I do get regular updates from our general counsel, who is Rick Buchanan, and he deals with on a weekly basis on who they are talking to and what they are finding on a preliminary basis. But my understanding is that Wachtell is now in the process of going through the information they’ve gathered and drawing conclusions from that information. And I think, yes, it is realistic to think that this can be wrapped up, and I would say needs to be wrapped up before the beginning of next season.”

NEW YORK — With their highest draft pick since 2009, the Clippers selected Illinois guard Keaton Wagler fifth overall at the NBA draft on Tuesday at Barclays Center.

The 6-foot-6 guard was selected Big Ten freshman of the year after averaging 17.9 points, 5.1 rebounds and 4.2 assists per game. When NBA Commissioner Adam Silver read Wagler’s name aloud, he hugged everyone at his table, walked between two smoke towers and grabbed a Clippers hat with a bedazzled team logo before shaking Silver’s hand.

Wagler smiled in relief as he walked across the room, a welcome change after a nervy first 40 minutes of the draft. Wagler anxiously bounced his legs after Silver announced to the crowd that the Washington Wizards had five minutes to make the first selection. Cameras were poised at every side of AJ Dybantsa’s table, where the Brigham Young forward sat with his elbows resting on his knees and head bowed.

The No. 1 pick crossed himself when Silver read his name aloud.

The leading scorer in college basketball last year led an NBA draft class that is regarded as one of the deepest in a generation. Dybantsa was in a heated race against Darryn Peterson and Cameron Boozer to be the top pick as all three are projected to make immediate impacts at the professional level.

Peterson of Kansas went second to the Utah Jazz while the Memphis Grizzlies picked Boozer third. Chicago selected North Carolina forward Caleb Wilson fourth, completing an elite quartet of players at the top of the draft.

After the top four picks, the draft was considered wide open with a logjam of talented guards. The Clippers, who added former All-Star Darius Garland last year in a midseason trade, had options for a trade at the coveted No. 5 spot.

Wagler can team immediately with Garland to make a dynamic, young backcourt for a franchise hoping to win its first playoff series since 2021. The Clippers have never picked fifth overall and Wagler is the team’s highest selection since taking Blake Griffin first overall in 2009.

The Clippers also have the sixth (36th overall) and 22nd (52nd overall) picks of the second round, which begins Wednesday at 5 p.m. PDT.