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However Shanahan’s decision paid off in the pool, and she was seen fighting back tears after securing silver on Friday night.

Having been inspired by seeing Hannah Miley in action at the 2014 Games, Shanahan told BBC Scotland News she hoped future generations might have be likewise inspired by watching her in the pool this time around.

“I’ve always said that if I can inspire the next generation of athletes coming through, then my job has been done,” she explained.

“I know after 2014 watching Hannah I felt inspired, and it would be nice to think that maybe there’s some younger girls watching the 200m backstroke this time, and maybe they’ll get into swimming from it.”

She joked that the main problem since last Friday was finding the time to get back to various friends and well-wishers sending her messages to congratulate her.

“I’m so grateful for the support, and with it being a home Games it feels like that support has been ramped up a bit, which is so nice to experience.”

“I was really struggling to get food down, and was stressing about things like getting a medley relay slot instead of thinking about getting a medal tonight.

“My coach said to me I had nothing to lose but to just relax and enjoy it.”

Alongside fellow Scots Ciara Schlosshan and Lucy Grieve – who finished fifth and sixth respectively – MacInnes did just that.

Third at the turn, she overhauled South Africa’s Erin Gallagher as the noise grew louder to earn a spot on the second step of the podium. Australia’s Alex Perkins took gold.

“Oh, God, I’m just starting to get my breath back,” MacInnes said. “That was so incredible.

“I’m so grateful to the crowd for making it such a special memory for me. I’m so grateful to my parents and boyfriend who are up in the crowd and I’m so glad I was able to do it in front of them.

“A silver is crazy to me. Maybe I was thinking ‘bronze could be really cool’ so this is just so amazing.”

Duncan Scott knows all about Games medals, given he has 14 of them in the house.

Gold in Friday’s 200m individual medley was a fine start to proceedings, but a couple of relay near-misses over the weekend were followed by another fourth place in the 200m butterfly on Monday.

“More is more and less is a bore.” ― Iris Apfel

After spending decades collecting clean-lined Midcentury Modern furniture and accessories, stylist Wendi Weger felt it was time to give her Silver Lake apartment a playful update.

“Everything was brown,” Weger says as she sits on a plush sofa covered in pink and chartreuse striped Christian Lacroix fabric. “It looked like a UPS truck in here. I mean, look at me,” she adds, fluffing the ruffles of her Accidente Con Flores dress, her intricately manicured fingers decorated with colorful Zuni Toons rings. “That is not me.”

In this series, we spotlight L.A. rentals with style. From perfect gallery walls to temporary decor hacks, these renters get creative, even in small spaces. And Angelenos need the inspiration: Most are renters.

Indeed.

Weger, who grew up in Madison, Wis., studied cinema during graduate school at NYU and later moved to Los Angeles to work in Hollywood as a producer and stylist, is no minimalist. Always expressive, she describes her style as more akin to a “Victorian parlor meets hunting lodge.”

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So it’s no surprise that her one-bedroom apartment, in a Storybook-style fourplex built in 1922, is just as dramatic as she is.

Wendi Weger views her Silver Lake apartment as her creative studio. “I don’t mind a lot of frenetic activity,” she says.

A wall covered in hollyhock wallpaper from House of Hackney stands out in Weger’s bedroom, along with a handmade quilt signed by Grace Verburg that includes crochet, beadwork and hundreds of ribbon rosettes.

Weger thrives on “kinetic energy,” be it color, texture or a pair of bedazzled Italian loafers. In her bedroom, she mixes floral textiles and modern art with a quirky stepstool shaped like an ear of corn. In the dining room, vintage Doyle Lane ceramic beads dangle from a Mission-style wooden clock while designer handbags are draped over chairs and hat racks.

On her fireplace, an ornate gilded mirror from the 1940s she found at Sunbeam Vintage is flanked by porcelain figurines. A porcelain Capodimonte lamp nestled under vintage Japanese prints is described as “Rococo on acid.” Nearby, a handmade chandelier by artist Helen Stickler, decorated with vintage Swarovski crystals and beads, adds to what Weger describes as her “Candyland vibe.”

Weger twirls in a pink taffeta Batsheva dress. “My apartment is basically how I dress — like an Edwardian ghost in a prairie dress who wandered into a circus and decided to keep everything,” she says.

“That’s where I am right now,” she says about the apartment she has called home for 17 years. “I feel like I can finally play. I’m trying to bring in a candy theme without making it too grandma. At this point in my life, I don’t care what anyone thinks about me.”

Her friend, creative director Dana Sidell, says self-expression is central to how Weger lives her life. “Wendi has the unique ability to bring nostalgia, whimsy and individuality all together into maximalist style,” she says in an email.

In 2020, as the film industry slowed down because of COVID-19, Weger took a chance and opened the Curatorial Dept., a vintage and designer resale shop in Atwater Village. Popular with celebrities including Lake Bell, Nick Thune and politicians Nithya Raman and Laura Friedman, the store is known for Weger’s signature “clothing sculptures,” where she layers mannequins with dozens of pieces of clothing and accessories.

“Styling is my art,” she says. “To me, clothing is sculpture.”

A silk Gucci skirt hangs alongside artworks in Weger’s bedroom. “Whether it’s producing a film, building a boutique, styling a room or a mannequin, it’s about assemblage and synergy,” she says.

To demonstrate, Weger starts layering a mannequin in her bedroom, picking from racks of clothes, handbags, color-coordinated shoes and jewelry nearby. She layers an “I’m With Stupid” T-shirt over a dress shirt and Yohji Yamamoto linen pants, then keeps adding more. “It needs a ruffle,” she says, caught up in the process, before adding a frilly collar and glittering vintage brooch.

A bright blue first-place ribbon materializes and becomes the perfect accessory. “It’s not maximalist enough,” she says with a sigh.

Weger says her apartment reflects the way she dresses, with layers of art, vintage clothes and accessories, each with its own story. She jokes that it looks like one of her clothing sculptures has “exploded across a room.”

When asked if there’s such a thing as too much, she shakes her head with conviction.

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1. Weger holds a pair of sparkling JVB X Nomasei ‘Nono’ loafers. 2. The hollyhock pattern from House of Hackney appears throughout Weger’s apartment, even on this fabric lampshade.

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1. A Gucci cashmere bunny cape hangs like an artwork in the bedroom. 2. Doyle Lane ceramic beads hang on a wooden clock above a collection of $2 bills.

“I’ll wear a baby cup as jewelry,” she says, picking up a small silver cup from a cabinet to show her point. What’s one more charm on one of several necklaces already heavy with lockets and hearts?

Weger’s home decor follows the same idea. Some pieces, like a pink silk pleated Gucci skirt by Alessandro Michele, hang on her bedroom wall next to vintage artworks, including a framed cross stitch by a friend that reads “Live. Laugh. Toaster Bath.” Others are neatly arranged in her butler’s pantry. Clothing racks fill the hallway, living room and even her bedroom. “Clothing and handbags are art to me,” she says.

Then there’s the cashmere embroidered rabbit cape by Gucci, which she purchased secondhand.

“People chase me down on the street whenever I wear it and ask me where I got it,” she says. “To me, it’s art.”

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Humor is important to her too. In the living room, a blue resin coffee table shaped like a candy wrapper adds to the playful feel, along with vintage candy dishes.

“There’s a lot of absurdity and comedy here,” she says, pointing out the Spanish angels with guns, a series of artworks from the 1600s.

“There’s something about these Spanish archangels with weapons,” she says. “They look tough and unisex to me, with mild expressions, beautiful clothes, tights, ruffles and sleeves, plus a firearm. It’s a great symbol for being a warrior, especially as a small business owner.”

Nearly everything in her apartment is secondhand, from the vintage Audubon prints arranged salon-style in the living room to the Navajo rugs and David Shrigley print she found at a garage sale. Mixing old and new is important, she says, referring to the House of Hackney hollyhock pattern she recently added to the walls of the living room and bedrooms, as well as the dining room lampshade.

Handbags are draped over dining chairs.

Her place settings are also layered, including Weger’s grandmother’s Wedgwood china.

Her apartment is essentially her atelier, or as she calls it, “the creative engine behind” the Curatorial Dept. She often does intake for her store at her kitchen table, surrounded by needlepoint pillows made by her Great-Uncle Elliott, who was also an entrepreneur. “This is not cluttered to me,” she says. “This is just where everything gets sorted.”

“Wendi’s style has a touch of the harlequin to it — playful, theatrical and always ready for an occasion,” writer and former NYU classmate Josh Rothenberger says in an email. “Her world is a warm pastiche of vintage and bespoke, histories inherited and histories invented on the fly. Her furniture invites the kind of existential frolic that pairs best with Cuvée — only to remind us, hours later, that true beauty should never be too precious to dance on.”

Although Weger says she isn’t a “woo-woo person,” she believes her apartment and store came from asking the universe for what she wanted. “Tell people what you want,” she says. “Especially in L.A. People support you and help you reach your dreams. I said I wanted this apartment, and because of that, my friend thought of me when she was moving. The same thing happened with my shop. I was in a different industry when I told a shop owner friend I’d always wanted a shop, that I intended to have a shop, and she thought of me when hers became available.”

She’s already thinking about what she wants next: “I’ll be sure to tell everyone I know.”

A sickening injury to England’s Gabriel Langton overshadowed his team’s silver medal in the men’s team gymnastics final at the Commonwealth Games in Glasgow.

The 19-year-old, from the City of Birmingham Gymnastics Club, needed lengthy treatment on the mat after a horrible fall in the final rotation of the evening at The Arena.

Langton fell head first to the floor after missing his catch on the horizontal metal bar, three metres in the air, leading to a lengthy delay to the action as he was tended to by up to a dozen medical staff.

He was eventually led away on a trolley after being moved on to a stretcher with his head and neck braced and left to huge applause from the packed crowd who had spent much of the previous 10 minutes in hushed silence.

Langton was seen to be conscious and moving his legs and arms before leaving the arena floor, while team officials later said he was moving and speaking to doctors.

In a statement, Team England said: “We are grateful to the medical teams who responded immediately to provide assistance.

“He has been taken to hospital and we will share more information when it is available.”

When competition resumed, his England team-mates were unable to overhaul their deficit to Canada who claimed their first gold medal in the event in 20 years, having finished second to England at the past two games.

Langton, a late call-up to Team England in the place of the injured six-time Olympic medallist Max Whitlock, was unable to join his teammates on the podium as England collected their silver medals.

Team-mate Luke Whitehouse, who was first on to the apparatus after the competition restarted and posted a relatively low score of 11.700, said: “When something like that happens, you’ve just got to forget about it and reset. I just had to focus on my routine one skill at a time.”

Whitehouse added: “From what we’ve heard, he’s doing OK. Gymnastics is such a dangerous sport and things like this remind us of that. It’s one of those things you have to put out of your mind.”

Felix Dolci, who helped Canada to gold and led qualifying for the all-around competition, said: “It’s terrible but it goes to show that gymnastics is a very, very difficult and complicated sport. It’s dangerous you know sometimes.

“All our thoughts go to Gabriel and the team. Pushing through this is definitely not easy, England stayed focussed, they stayed in the zone, a huge shout out to them because that’s not an easy one.

“For any gymnast that was on the field of play, seeing this not only is difficult, but something you never want to see. It goes to show how hard the sport is.”

Hamish Carter from Team Scotland – who narrowly missed out on a bronze medal to Australia in the final rotation – said: “I didn’t actually see what happened. I’m just so happy that he’s alright and, having experienced that, anything could have happened.

“We’ve walked away with no medal but I’m thinking of Gabe in this moment.”

LAS VEGAS — NBA commissioner Adam Silver reiterated Tuesday night after the Board of Governors meeting that the investigation into whether the Clippers circumvented the salary cap by funneling money to Kawhi Leonard for an endorsement deal he allegedly never fulfilled still is not completed.

Silver said his “timeline remains this summer” to make his findings known after high-powered New York law firm Wachtell, Lipton, Rosen & Katz wraps up its investigation and presents the findings to the NBA.

The investigation centers on a $28-million endorsement deal to Leonard from a company called Aspiration that Clippers owner Steve Ballmer invested $60 million into.

With the investigation being about 11 months old, Silver was asked about a timeline for the NBA to announce the results.

“As you know, I am not conducting the investigation, nor is the league office,” Silver said. “It’s being conducted by the Wachtell law firm, independent of the league. Of course, as I have said previously, we all have an interest in wrapping this up and as I most recently said in an interview, that I’m hopeful that it will wrap up this summer so that will continue to be the goal here.”

The Clippers traded Leonard to the Raptors for Brandon Ingram, Gradey Dick, two first-round picks, a pick swap and two second-round picks. Leonard, who spent the last seven seasons with the Clippers, led the Raptors to the NBA championship in 2019. The Raptors then decided to put the trade on hold until the investigation is over.

“And I just want to clarify, so everyone understands, the league did not pause the trade,” Silver said. “The parties that did the trade made the decision not to go forward given that the investigation would remain open and the possible impact on Kawhi or his contract was yet to be known and so they chose not to live with that uncertainty. But, that was well-known before the trade was proposed and I didn’t think there was any reason for people to believe that the status of Kawhi Leonard would change merely because he was traded. The investigation needs to run its course.”

The Clippers have consistently denied any wrongdoing regarding the investigation.

Because of the probable length of the report, Silver was asked about reading such a voluminous amount of information and if things would be resolved before the start of next season.

Silver also didn’t talk about whether Leonard is being investigated for any other side deals.

“I don’t know specifically what will be in the report,” Silver said. “To the best of my information, the report is not done. I do get regular updates from our general counsel, who is Rick Buchanan, and he deals with on a weekly basis on who they are talking to and what they are finding on a preliminary basis. But my understanding is that Wachtell is now in the process of going through the information they’ve gathered and drawing conclusions from that information. And I think, yes, it is realistic to think that this can be wrapped up, and I would say needs to be wrapped up before the beginning of next season.”

NEW YORK — With their highest draft pick since 2009, the Clippers selected Illinois guard Keaton Wagler fifth overall at the NBA draft on Tuesday at Barclays Center.

The 6-foot-6 guard was selected Big Ten freshman of the year after averaging 17.9 points, 5.1 rebounds and 4.2 assists per game. When NBA Commissioner Adam Silver read Wagler’s name aloud, he hugged everyone at his table, walked between two smoke towers and grabbed a Clippers hat with a bedazzled team logo before shaking Silver’s hand.

Wagler smiled in relief as he walked across the room, a welcome change after a nervy first 40 minutes of the draft. Wagler anxiously bounced his legs after Silver announced to the crowd that the Washington Wizards had five minutes to make the first selection. Cameras were poised at every side of AJ Dybantsa’s table, where the Brigham Young forward sat with his elbows resting on his knees and head bowed.

The No. 1 pick crossed himself when Silver read his name aloud.

The leading scorer in college basketball last year led an NBA draft class that is regarded as one of the deepest in a generation. Dybantsa was in a heated race against Darryn Peterson and Cameron Boozer to be the top pick as all three are projected to make immediate impacts at the professional level.

Peterson of Kansas went second to the Utah Jazz while the Memphis Grizzlies picked Boozer third. Chicago selected North Carolina forward Caleb Wilson fourth, completing an elite quartet of players at the top of the draft.

After the top four picks, the draft was considered wide open with a logjam of talented guards. The Clippers, who added former All-Star Darius Garland last year in a midseason trade, had options for a trade at the coveted No. 5 spot.

Wagler can team immediately with Garland to make a dynamic, young backcourt for a franchise hoping to win its first playoff series since 2021. The Clippers have never picked fifth overall and Wagler is the team’s highest selection since taking Blake Griffin first overall in 2009.

The Clippers also have the sixth (36th overall) and 22nd (52nd overall) picks of the second round, which begins Wednesday at 5 p.m. PDT.

RIVALS star Emily Atack has sent pulses racing at the sexy bonkbuster’s London world premiere as she donned an incredible plunging silver dress.

The blonde bombshell, who plays temptress Sarah Stratton on the Disney+ show, sizzled in the daring outfit as she was snapped alongside her co-stars.

Emily, 36, went all out for the premiere wearing a sculpted silver gown that hugged her sensational figure as it flared out at the bottom.

The dramatic dress was complete with a low-cut sweetheart neckline, a huge bow down the centre and a matching bag.

She had her blonde locks styled in loose waves and she finished the look with simple silver jewellery – small hoop earrings and a single diamond bracelet.

The actress wowed in a natural makeup as she was seen hugging her on-screen husband Rufus Jones – who plays Paul Stratton. 

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Glamourous Emily smiled and waved to fans as she walked the star-studded red carpet.

The premiere for Rivals series two, which lands on Disney+ this Friday, was held at the BFI IMAX South Bank in London.

All the leading castmembers were present on the carpet with Bella Maclean (Taggie) and Alex Hassel (Rupert) posing together before making there way inside.

Danny Dyer (Freddie Jones), 48, looked very dapper in a dark grey suit and turquoise shirt as he was pictured with Katherine Parkinson (Lizzie Veriker).

Elsewhere, David Tennant and Nafessa Williams – who play Lord Tony Baddingham and Cameron – looked sensational as they made their debut.

Stunning Nafessa, 36, put on a leggy display in a beautiful pink ensemble.

The top of her dress was a tightly-fitted corset and the skirt, embroidered with sparkles, knotted at the waist before flowing down.

David, 55, put a spin of the classic suit and opted to wear one of purple velvet.

Other stars Aiden Turner (Declan O’Hara), Victoria Smurfit (Maud O’Hara), Claire Rushbrook (Lady Baddingham), Lisa McGrills (Valerie Jones) and Catriona Chandler (Caitlin O’Hara) made an appearance ahead of the big launch.

Stanley Tucci, Fleur East, Lady Penny Lancaster, Felicity Blunt and Dee Koppang and were also spotted by fans on the carpet.

Rivals, based on Dame Jilly Cooper’s 1988 novels, became an instant hint after it debuted on Disney+ in October 2024.

The raunchy comedy-drama was of course renewed for a second season and fans cannot wait.

This series has 12 episodes – four more than the previous- and the first three will be released on Friday 15 May, three more the following week and then the rest will come at a later date.