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Blake Lively and Justin Baldoni have reached an agreement to resolve their legal dispute, bringing an abrupt end to a high-profile and increasingly contentious battle that had been set to go to trial in two weeks.

“The parties in the Blake Lively and Wayfarer Studios litigation have reached an agreement to resolve the matters,” lawyers for both sides said in a joint statement Monday in a case that has drawn outsized attention for more than a year.

“The end product — the movie ‘It Ends With Us’ — is a source of pride to all of us who worked to bring it to life. Raising awareness, and making a meaningful impact in the lives of domestic violence survivors — and all survivors — is a goal that we stand behind. We acknowledge the process presented challenges and recognize concerns raised by Ms. Lively deserved to be heard. We remain firmly committed to workplaces free of improprieties and unproductive environments. It is our sincere hope that this brings closure and allows all involved to move forward constructively and in peace, including a respectful environment online.”

The statement did not disclose the terms of the agreement.

The bitter dispute, which grew out of the production of the 2024 romantic drama “It Ends With Us,” had sprawled over months into a series of lawsuits, countersuits and public claims, with both sides offering sharply different accounts of what took place during and after filming.

Lively sued Baldoni, his production company Wayfarer Studios and others in December 2024, alleging sexual harassment, retaliation and other claims tied to her experience on the film. Baldoni denied the allegations and pushed back in court filings, arguing that the dispute had been mischaracterized.

Last month, U.S. District Judge Lewis Liman dismissed most of Lively’s claims, including her sexual harassment allegations, significantly narrowing the case ahead of a trial that had been scheduled to begin May 18 in New York.

The remaining claims, centered largely on alleged retaliation, had been expected to be the focus of the trial, which was likely to last two to three weeks and risked reputational damage to both parties.

It was not immediately clear whether the court had formally vacated the trial date.

After the game, Murphy had hinted at frustration about comparisons to other Ulster teams who had come up short in previous semi-finals.

He went as far to say that “this team hasn’t been in a semi-final before”.

And, in truth, he was right.

Of the starting team that were pipped by the Stormers in a dramatic United Rugby Championship semi-finals in 2022, only five were in action on Saturday.

Along with Timoney, Iain Henderson, Tom O’Toole, Stuart McCloskey and Ethan McIlroy were the sole survivors from the starting team that day.

Even on the bench that day in Cape Town, only Nathan Doak and Eric O’Sullivan featured against Exeter.

“It’s such a different team since then,” Timoney said.

“There’s been a lot of change now to the group, so it’s about this current journey.

“Sometimes it’s good for individuals, and for me and the likes, to have those lessons built up over a number of years.

“But the beauty sometimes of newer lads who don’t have those experiences, they don’t have those scars and it doesn’t even factor into their minds.”

Social media is full of posts showing off photos and videos of fancy-looking cafes and restaurants in Gaza. Pro-Israeli accounts often use these images to claim that life is back to normal in Gaza, that people are not suffering and that no genocide ever took place.

These cafes and restaurants do exist. I have seen them myself.

In late March, I went on my first visit to Gaza City since the war started. I was shocked to see the destruction wrought on the city. There were piles of rubble at every corner. Unable to recognise the streets, I felt as if I were strolling through a maze. I soon arrived at an area nearby that shocked me even more. It was full of new cafes that did not exist before the war.

These were not makeshift or temporary places as one might expect; they were built with expensive materials, carefully painted, furnished with tables, sofas, and elegant chairs, with glass facades and shining lights. A luxury feel emanated from them. They looked so out of place amid the rubble and the half-collapsed buildings that it felt almost surreal to see them.

These new establishments do not prove that normality is coming back to Gaza. They are a testament to its continuing genocidal abnormality.

The war made some people in Gaza rich, especially those who engaged in illicit activities like smuggling, looting, and hoarding during acute shortages. This wealth is now coming out in various forms, including luxury cafes and restaurants.

In parallel, the vast majority of Gaza’s population has been thrown into abject poverty. While before the war, the average person was able to afford to sit at a cafe and have a drink and a bite to eat, today this is no longer the case.

Most people cannot even look at these new places, let alone enter them and order something. The vast majority of Gaza’s population lives in tents, has no electricity or potable water, and suffers from the loss of livelihoods. They are surviving on what little aid Israel is allowing through.

I am one of them. My family and I live in a tent pitched near the rubble of our home in the Nuseirat camp. We have lost our family livelihood. The comfortable life we used to have is now just a distant memory.

The expensive new establishments reflect the deeply unjust social order that has emerged in Gaza – one where war profiteering has elevated a new privileged class and collapsed the vast majority into misery with no access to proper education, healthcare and even food. The genocide did not just kill and maim people and destroy homes and schools; it eliminated the prospect of a normal life for most people in Gaza.

I could not afford the fancy cafes, so I continued down the street till I reached a more modest restaurant, which used to go to with friends before the war. Entering it felt like stepping back in time to the days before the war; the place was the same, with the same chairs and tables, and the familiar smells that filled the space.

I sat and observed, dwelling on fond memories of spending time there after university lectures. I ordered what I used to order: a chicken wrap, a soda and a small salad plate. The bill was 60 shekels ($20) – more than three times what I would pay before the war, when my family actually had a normal income.

The restaurant bill, together with the fare I paid for a shared ride to get to Gaza City (15 shekels or $5 one way), cost me a fortune. I felt guilty spending all this money to enjoy a glimpse of normalcy.

The few who are fortunate enough to be able to afford going to cafes and restaurants in Gaza may enjoy short moments of relief, a temporary escape from the horrors of reality. Yet these moments are limited, often accompanied by anxiety about returning to the destroyed streets, the bombed-out landscape and the trauma.

As I sat at Al-Taboon, I thought of the friends with whom I used to spend time: Rama, who was martyred and Ranan, who escaped to Belgium. I sat there alone, holding on to these memories amid the greyness of Gaza’s rubble and the lights of the generator-powered cafés.

The genocide has devasted everyone – even those who have profiteered from it. No amount of time spent in shiny cafes and restaurants will ever erase this reality.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

Writer Octavia Lillywhite discovered the latest ‘moorcore’ trend with a wild and windswept escape in Bronte country, West Yorkshire

“Wuthering” is a Northern English term for a strong, roaring wind or a storm-lashed place, which is highly appropriate for Emily Brönte’s only novel – Cathy and Healthcliff’s tempestuous story of passion and revenge. It’s a harder sell for a holiday.

That hasn’t stopped ‘Moorcore’ from becoming the latest trend in UK breaks. And what is Moorcore? It’s a move-on from the cutesy cottagecore vibe (all roses round the windows, thatched roofs and cats curled by the fire). It’s wild and free. The feeling of standing atop a gritstone edge, a heathery moorland vista stretching to the horizon, tumbling waterfalls, fairy glens, fresh air in your lungs.

READ MORE: I found the perfect Tuscany Hotel for a week of incredible food and wine in Italy

There’s no better place to channel moorcore than on Haworth Moor – whose wild, heather-strews footpaths were well-traipsed by the Brontës. Two miles from their parsonage, Royds Hall Cottage is marked on maps from 1847, the very year Wuthering Heights published, and it’s likely it was a familiar sight for the sisters on their rambles. As we arrive, the breeze tusseling daffodils along the embankment and a buzzard hovering above, it feels magical.

Stay in the heart of the Yorkshire moors… near the pub

The kitchen is panelled on two sides with windows – a 180º view. There’s Ponden Reservoir shimmering, purple hills rising beyond and, in front, the owner’s horses tearing up the grass. The view changes moment to moment, as clouds scud across the sky, rolling shadows over the dale. You can watch the weather curl in from the east, like two days visible from the same window. I could marvel at it all day.

Just the right mix of old and new, the cottage sleeps four in two cosy rooms upstairs. Downstairs, the living room has the same vast view as the kitchen, exposed oak beams, a woodburner and sofas for cosying up in. And there’s a copy of Wuthering Heights if you forgot yours.

I’d had some concerns that wilderness could feel remote, but from the cottage’s kitchen window I could see the comforting sign of the nearest pub, and two more are a 10-minute walk away, in the village.

Walking in the footsteps of Wuthering Heights

On an energetic five-and-a-half mile loop from the cottage front door, we took in the waterfall at Lumb Beck (detailed in Charlotte’s letters to her friend, Ellen) and the desolate farmhouse at Top Withens – said to be the setting for Cathy and Healthcliff’s home. From there, across the moorland paths we discovered the Fairy Kirk at Ponden Clough (‘Penistone Crags’ in the novel), and beautiful Ponden Hall, which Emily Brontë used as Edgar Linton’s Thrushcross Grange and where her sister Anne set The Tenant of Wildfell Hall.

Around Top Withens and the waterfall, there were scores of walkers admiring the famous views but, only a crow-call beyond, we saw barely a soul – just swooping curlews with their strange warbling cries and a roe deer bouncing off into the distance. It’s easy to find both wild inspiration and, afterwards, scones and clotted cream at Ponden Mill.

In the other direction, Haworth village was less than an hour’s stroll. It’s the focal point of Brontë pilgrimage, so it was busy – yet still so beguiling, with a sense of the sisters at every turn. Visiting on foot meant we could skip the car park and enter the village – just as they would have – from the footpath at the end of Church Street.

Their house (now an unmissable museum) is the first you come to on the cobbled street. From the parlour table, the one Emily and her sisters worked at, you can still look out at the graveyard with its overcrowded, flat-lying gravestones.

The best places to eat and shop near Stanbury and Haworth

In Stanbury village, a 10-minute walk from the house, we found the Wuthering Heights Inn serves excellent pub food classics, is family and dog friendly and didn’t bat an eyelid at our muddy boots.

If you prefer to eat in, don’t miss Robertshaw’s Farm Shop at Thornton, 20 minutes by car. It’s packed to the rafters with local meats, dairy, vegetables and baked goods plus wine and Yorkshire ales. We loved it so much we stopped there again on the way home to pack the car with extras.

How to book this Yorkshire Moors cottage stay

Royds Hall Cottage sleeps four (a double room and a twin) and is available to book through booking.com or cottages.com, from £370 for 3 nights.

More ‘moorcore’ destinations to try in the UK, with great literary links

The wild places of Britain have been inspiring literary classics for generations, and Haworth is not the only place to find it.

Lorna Doone

Where to find it: Riverside Cottage overlooks dappling Badgeworthy Water, the river where John and Lorna meet, just at the ford in Malmesmead. In a seven-ish mile walk you can head up into their moorland valley among the rolling hills, or a 3-mile loop takes in the 13th-century church at Oare. Either way, you end back at your cottage, next door to The Buttery café. Further afield, don’t miss Tarr Steps (about 35 minutes by car) where a 1000-year old clapper bridge spans the river, and in summer families picnic on the grassy meadow before heading to Liscombe Dairy for the best ice creams.

How much? Riverside Cottage sleeps four from £699 for 7 nights, see nationaltrust.org.uk/holidays

The Secret Garden

Where to find it: Wood Cottage nestles in the rugged North York Moors, circled almost entirely by wild uplands with footpaths in any direction. One of the area’s most inspiring views, The Wainstones, is a 3-mile hike, and on the way back you can drop by The Buck Inn. The cottage is 200 years old but recently – and so prettily refurbished – with the living room upstairs for the best light and views. It’s set on a working sheep farm, so expect fluffy Herdwick lambs to visit at the back gate for your very own Dicken moment from the patio. Twenty minutes drive away, Hemsley Walled Garden could rival the garden Mary Lennox found, while right next door, Dunscombe Park served as Misselthwaite Manor in the 2020 Secret Garden film.

How much? Wood Cottage sleeps four from £697 for 7 nights, see sykescottages.co.uk

Manchester City face a fixture pile-up of four games in 11 days next month after the Premier League confirmed the rescheduled dates for two of their key matches in the race for the title.

Pep Guardiola’s side will host Crystal Palace on Wednesday, 13 May and travel to Bournemouth six days later, with the FA Cup final against Chelsea taking place in between on Saturday, 16 May.

The Palace game was originally scheduled for 22 March but had to be postponed because of City’s participation in the Carabao Cup final against Arsenal, while the Bournemouth match was pushed back because of a clash with the FA Cup final.

City, Palace and Bournemouth had been involved in dialogue with the Premier League over the dates for the games, which have now been resolved.

Should City and Arsenal win all their remaining five games they will both end on 85 points, meaning goal difference or goals scored could be the determining factor come May.

This is how tight it is – both teams have played the same number of games (33), have the same number of points (70) and their results are identical too – having won 21, drawn seven and lost five of their matches.

The only factor separating the two sides is the number of goals scored, with City netting 66 to Arsenal‘s 63.

Such is the topsy-turvy nature of this season’s race, City could find themselves trailing by six points by the time they next play in the league at Everton on Monday, 4 May – if Arsenal beat Newcastle and Fulham during that period.

City have previously scored five or more goals against Burnley in five different Premier League games – the most one side has done against another in the competition – and would have been eyeing up similar before this match.

Although City had 65% possession, a total of 28 shots with an expected goals (xG) of 3.54, they could only muster one goal through Haaland’s winner in the opening five minutes.

“Not many Arsenal players would have expected Burnley to get a result today, but if you are an Arsenal player or fan, you would take a 1-0 loss for Burnley,” former City defender Nedum Onuoha told BBC Radio 5 Live.

“Arsenal play Burnley in a few weeks and they will probably not be as wasteful with their chances as City, with so much on the line. Before you know it City are chasing Arsenal. I don’t think psychologically it matters that much.

“Now they have played each other, there is no longer this talk about the title decider in April. You have your five games, they have their five games. If you do well enough and win your games, the league title could very much be Arsenal‘s.

“They have to back themselves. The fact this only finished 1-0 to City when they had 28 shots, maybe this is the boost they need to turn their form around.”

Former Premier League goalkeeper Tim Krul added: “Arsenal have been so close the last few years, I think we all half want them to get it. But you can’t rule out Manchester City.

“My money would be on City, just with the experience. They are serial winners with the best manager in the world looking after them. You can’t not back them.”

There is anger directed at Rosenior, but many Chelsea supporters also point the finger at Eghbali, Boehly and the rest of the BlueCo ownership.

The latest protest saw supporters march from The Wolfpack Inn pub to Stamford Bridge before kick-off, having grown from a turnout of about 200 before the Brentford match to more than 500 before Saturday’s tie.

There were flares, banners and chants directed at the owners, as well as calls in support of former owner Abramovich.

Under the terms of the takeover agreement in 2022, the current ownership group cannot sell the club until at least 2032. However, there are signs they are willing to listen to some of the criticism, including calls to recruit more experienced players.

“We recognise we need balance. You tweak a model, you improve and you learn from mistakes,” Eghbali said. “We have a strong core, but we need to add experience to take the team to the next level and achieve consistency. That is not lost on us.”

However, failure to qualify for the Champions League would undermine any rebuild. Chelsea have already spent about £1.5bn on signings under the current ownership and, despite recouping approximately £750m in sales, they remain under financial scrutiny from Uefa, having faced fines for breaching their regulations.

The club has announced Premier League record pre-tax losses in its latest accounts and – without the additional revenue generated by Europe’s premier competition through broadcasting, sponsorship and ticket sales – questions remain over whether Chelsea can recruit effectively in the summer.

Before kick-off, Cole Palmer told TNT Sports: “If we’re not in the Champions League, everything changes.”

Asked about Palmer’s comments and the potential financial implications, Rosenior replied: “The honest answer is I don’t know. We’re still fighting and we’ll address that situation at the end of the season, whatever the situation is.”

Meanwhile, Enzo Fernandez’s agent, Javier Pastore, has said his client would view missing out on Champions League football as an issue, despite the midfielder’s two-match internal ban – imposed following comments linking him with a move to Real Madrid – coming to an end on Saturday.

While the protest movement has largely been driven by younger supporters, there are signs of apathy among older match-going fans. Boos were heard at full-time, with the atmosphere inside Stamford Bridge growing quieter with each game.

With its sunsoaked Californian desert setting, A-list celeb guests and top music acts, hip US festival Coachella might look like the dream destination when scrolling through the Instagram feed of one of the myriad of Love Island stars in attendance.

But while influencers are given the VIP experience, thanks to the brands who pay big bucks to take them there for free, the reality for normal punters can be a whole different story.

As the cult festival kicks off its second consecutive weekend in Palm Springs, social media has been awash with complaints from regular folk exposing the ‘truth’ about what it’s like to go there as a non VIP – and it makes for some pretty grim reading.

From nightmarish queues for cold showers, to hefty £3,000 price tags for three days at the event, various TikTok testimonials may make you think twice before booking for next year’s gig.

As someone who went as a normal person and not as an influencer, it was one of the worst concert experiences I’ve ever had,” TikTok user @lottiestars ranted in a recent social media video.

“Firstly, there’s no place for you to be dropped off. The festival is, like, really disorganised. So I remember we asked 20 different people: ‘Where do we go?’ and they they were like: ‘Oh, we don’t know’. And they actually worked for the event! So you’ll end up sitting in traffic for most of the time before you can find a spot and get dropped off.”

PARTIED HARD

Love Island’s Chloe & Millie admit they were thrown OUT of VIP at Coachella

PEACHY SNAP

Sabrina Carpenter flashes bum in tiny denim hotpants ahead of Coachella

She added that when she then finally arrived, the event proved a nightmare for her pal who was disabled.

“You have another what feels like an hour long walk to actually get into the festival, you have to do is on this super dusty, bumpy, unpaved road, which was really hard for my friend because they were in a wheelchair… they kept getting knocked over and falling out of their wheelchair, so it was not like wheelchair accessible.”

Once inside the venue, Lottie alleged that the atmosphere was not enjoyable thanks to a myriad of influencers creating a stressful environment.

“Everyone’s vibe is really, really bad. A lot of people were pretty mean. They’re like, ‘No, you’re not coming this way and stuff, you can’t go through’ so it’s harder to work your way through the crowd or to reconnect through your friends.

“It’s not as easy to take cute pictures as you think. Literally, everyone’s taking pictures. It’s like a field of cow, but instead of cows, it’s people.”

To top it all, Lottie wrapped up her video by claiming she got sick from the notorious desert winds.

She said: “I was so sick because during the daytime, it’s burning hot, and then at nighttime, it’s freezing cold, and the dust is really, really intense. Like, you’ll blow your nose, and they’ll be black dirt coming out of your nose.

“The third night, I couldn’t even enjoy the festival, and I probably was only there for like 30 minutes and I had to leave.”

And it seems this is far from a one-off negative review.

The Strokes fan @emilyjadebispo says her experience watching her favourite band was ruined by influencers who were only there to watch Justin Bieber and had no idea about ‘festival etiquette’.

She claimed: “The people around me who were there for Justin Bieber were f***ing insufferable. Oh, my God. It’s like they have never been to a festival before. They have no idea what it’s like that other genres exist.

“They are just completely unaware of any sort of concert etiquette at all. The people to my left, during one of my favourite bands sets, were talking the entire time saying: ‘I don’t even know who this is. What even is this? This is really honestly killing my vibe for Bieber.’”

For those who camp and aren’t holed up in pricey villas like the influencer crowd, some describe the experience as “endurance training.”

@huioyg3 said in one TikTok video: “Basic shower access has turned into a survival challenge, people are waiting in line for hours just to get a quick rinse, often with freezing cold water.

“To avoid this nightmare, some festival goers are spending hundreds of dollars on portable shower setups, building their own tents just to maintain a sense of hygiene.

“Another issue is making things worse, extreme heat. Phones are overheating, energy levels are dropping, and what’s supposed to be a fun four day experience is starting to feel more like endurance training.”

Of course, the biggest issue for many is how the festival impacted their wallet.

General admission tickets cost around $799 [£590] for three days, while VIP – which allows you to get closer to the stage and gives you a shuttle pass into the venue – will mean you shell out even more, clocking in around $1299 [£959].

“Coachella started as a low price event to protest against high cost events,” one music fan vented online.

“How are people affording this?” fumed another.

Some, however, claimed it was worth the price of VIP.

“It was 100% worth it We do get closer viewing to some of the stages. And honestly, when the big performers do come out, it gets super packed,” said tiktok user @noesilva

If you shun camping though, hotels can be extortionate due to high demand, as Noa explains.

“Next thing I spent money on was a hotel, which was the most expensive part. It was $2,300 [£1698] for three nights, and I know it sounds like a lot of money, but for me personally, I was not going to go camping.

And finally, you got to think of all the extra expenses that are probably gonna be happening during the trip, which is food, drinks, merch, like all the extra stuff that you’re going to be paying for, and realistically, that’s going to cost me around $500 [£370]. So in total, this trip is costing me around $4,000 [£2950].”

Another furious former Coachella fan, Nick Holiday, summed it up in a top-rated TikTok video.

“They’re charging $100 [£74]for one bite of caviar, four chicken nuggets and seven french fries. That’s honestly a crime against humanity.”

The first stop on Sabine Phillips’ three-hour inspection of her neighborhood was at Fountain Avenue and St. Andrew’s Place, where detached pieces of a sofa had been plopped onto the sidewalk as if this were an outdoor living room.

Phillips slid off her yellow Huffy cruiser, grabbed a pen, and entered the finding into her spiral notebook.

“This stretch is a common dumping ground,” she told me, eyes hidden behind sunglasses under a floppy sun hat.

Her part-time assistant, Keith Johnson, was wearing a “Trash Club Hollyood” T-shirt. He squeezed the handle of his garbage-grabbing tool to snare cookie and chip wrappers that floated near some empty Pacifico beer bottles and a Big Gulp container the size of a drum. When they report neighborhood problems to the city, Johnson said, “sometimes they’re helpful and many times they’re not, so we end up doing things on our own.”

Sabine Phillips, 66, and Keith Johnson, 71, right, ride their bikes documenting debris left on sidewalks of their East Hollywood neighborhood on April 15.

(Genaro Molina / Los Angeles Times)

Much of the discarded furniture and other goods left on the streets ends up being used to build homeless encampments, Phillips said. That often leads to more trash, fires, drug activity and other nuisances that threaten public safety and set residents on edge.

Phillips doesn’t just take notes. She reports her findings into the city’s MyLA311 system on Wednesdays, so city crews can make pickups on Thursdays and Fridays. And they usually do respond, Phillips said. But the cycle immediately repeats, and she has typically reported 50 or more additional items, week after week, month after month.

In a quarter of a century of writing about the many plundered patches of paradise, I’ve been repeatedly impressed by those who step up and make a difference out of some combination of pride, frustration and the spirit of volunteerism. But I also understand the rage of taxpayers who wonder why Los Angeles City Hall is so incapable of managing the basics.

In the race for leadership of the city, even Mayor Karen Bass and Councilmember Nithya Raman say things have got to change, which isn’t necessarily the best commentary on their stewardship.

“Unfortunately, it’s become fairly universal across all 99 neighborhoods in this city that L.A. government isn’t working,” mayoral candidate Adam Miller said at a recent West L.A. appearance I dropped in on, and he added that he’d use his business and nonprofit experience to tackle homelessness, housing and public safety challenges, among other issues. “We pay some of the highest taxes in the country, where people feel like we’re not getting our money’s worth anymore.”

Last week, after my column about the substantial inventory of blight around City Hall — including a graffiti-scarred fountain that’s been out of operation for most of the last 60 years (no lie) — I heard from readers with their own problems.

Richard Vasquez wrote to say the Plaza de Mexico in Lincoln Heights is still a cemetery of missing statues. Richard Zaldivar wrote to say the nearby AIDS memorial was vandalized and multiple calls for help fell on deaf ears. Estela Lopez of the downtown industrial improvement district, where trash is routinely dumped illegally, wrote to say a county report warned that typhus levels downtown had reached an all-time high.

Sabine Phillips documents abandoned furniture and debris found on sidewalks of her neighborhood on Wednesday in East Hollywood.

(Genaro Molina / Los Angeles Times)

I also heard from Stefanie Keenan, who had a clever idea a few years ago, born of exasperation with City Hall. She hired her own housekeeper — that would be Phillips — to help patrol and clean the neighborhood they both live in, and Phillips’ work was featured by NBCLA and substacker Sam Quinones.

“It’s not getting done otherwise, and our neighborhood would have burned down,” Keenan told me.

Keenan, who has been tending to her streets for several years, has been paying Phillips $100 for Wednesday scouting forays and another $100 to fill four or five huge bags on Saturday trash patrol. Keenan, a photographer, told me she has spent tens of thousands of dollars out of her own pocket.

But Keenan doesn’t have unlimited funds, and this was Phillips’ last week on the job. Lord knows what the neighborhood will look like without her on patrol. As she pedaled along her regular route Wednesday, Phillips found several more sofas, among other things.

A freezer. A refrigerator. Rugs. Chairs. Stools. Dressers. Drawers. Bed frames. Mattresses. Box springs. A printer. Electronics. Televisions.

And heaps of trash, some of which blocked sidewalks and some of which spilled off curbs and into streets.

On Lexington Avenue she stopped to make the following entry in her log:

“3 toilets.”

Nothing surprised her, and nothing slowed her down. At a house where a construction worker dumped lumber onto the sidewalk, Phillips strode up and asked what the thought would happen to the scrap pile. He said he had no idea; she made an entry in her log.

Phillips takes a break from documenting addresses of abandoned furniture and debris.

(Genaro Molina / Los Angeles Times)

I tried to recruit Phillips to run for mayor, but the native of Germany wasn’t interested. She did say, however, that she was “the first female bouncer in Berlin,” and that was “at a Hells Angel discotheque.”

The Berlin bouncer kept moving, and scribbling. She filled three pages in her notebook with more than 60 notations, including sidewalk graffiti.

“I’ve seen some weird stuff,” Phillips said. “Twice I found safes outside, just on the side of the curb.”

The studio-adjacent neighborhood she patrols has an eclectic mix of upscale houses and block-long stretches of apartment buildings, with people moving in and out and leaving possessions on the curb as they come and go.

That’s not the city’s fault. But the city could do a better job of educating residents on how to arrange for pickups, and a better job of cracking down when they don’t. I reached out to the office of Councilmember Hugo Soto-Martinez, but we hadn’t yet connected when I hit my deadline.

At the Lexington Avenue pocket park, Phillips told me she had never seen kids on the grounds.

“I will show you why I would never have kids playing here,” she said, pointing into the sandbox. “There is glass … needles, and … you will see human waste there in the corner.”

A blue tarp covered a makeshift home next to the sandbox. Someone slept on a bench. The slide had a gang tag painted onto it, and two people hovered under the slide on the edge of the sandbox. Phillips said she has seen homeless people use the water fountain to bathe, and a 15-year-old from a nearby high school died in 2022 after buying drugs here.

Jenny Carpio and her dog, Sky, walk past debris along a sidewalk in East Hollywood.

(Genaro Molina / Los Angeles Times)

While Phillips and Johnson were in the park, a city rec and parks employee pulled up. He said he was there to check the condition of the park, which was slated for a new playground that would cost about $300,000. He said a body had been found in the park not long ago. He guessed about 30% to 50% of the city’s parks have similar iproblems.

I’m reminded of Kurt Vonnegut’s refrain in “Slaughterhouse-Five.”

So it goes.

The insanity of investing in a new playground when a dozen festering issues make the park unsafe should be crystal clear to one and all. Surely there’s more to the plan, one would hope — something substantive and sustainable. But that’s a risky bet.

It might be better to admit defeat for now, close the park, and do something else with that $300,000.

Use it to put Phillips, and a team trained and supervised by her, on a fleet of yellow Huffys.

I guarantee it would be money well spent.

steve.lopez@latimes.com

Praise be to Allah.

For the second time in two weeks, President Trump used that phrase in a post about the Israel-U.S. war against Iran.

Crowing about the alleged destruction of Iran’s planes, ships and bases in a Truth Social post Saturday, he emphasized his greatest victory in the monthlong campaign: “Most importantly, their longtime ‘Leaders’ are no longer with us, praise be to Allah!”

Making sense of anything Trump says in the heat of posting is a fool’s errand, but it’s also entirely necessary. Sane wash his words we must, because no matter how unhinged or infantile, the world’s safety, fortunes and future are inextricably tied to America’s next move, and therefore to his next move.

So what is Trump trying to communicate, or provoke, by using the Arabic word for God, as Muslims do? Let’s translate.

The first and most likely explanation: “Praise be to Allah” was meant to disparage his adversaries in the Islamic Republic of Iran. They are Muslim, they refer to God as “Allah,” therefore, he will turn their phrasing against them. Word bombs to accompany the deadly ones falling in Iran and Lebanon.

All leaders deploy tough talk in times of war, but Trump’s posts read more like the feverish ramblings of mad Col. Kurtz (Marlon Brando) in “Apocalypse Now” — “You’re an errand boy sent by grocery clerks to collect a bill” — than Winston Churchill’s galvanizing call to arms against the Nazis, “We shall fight on the beaches…”

Unlike the fictional Kurtz or the real Churchill, Trump has no military experience. He avoided the Vietnam War draft with four student deferments and one medical deferment for bone spurs. An area where he is experienced? Baiting foes. Antagonizing enemies, genuine or imagined, is a Trump specialty, be it from the Oval Office, on the campaign trail, or in the before times, as a reality TV personality.

Painting Muslims as the Other is nothing new for Trump, (unless they come bearing luxury airliners as gifts — then they’re friends). The same goes for others in his party. Since the U.S. and Israel attacked Iran on Feb. 28, Rep. Andy Ogles (R-Tenn.) posted that Muslims don’t belong in American society. Rep. Randy Fine (R-Fla.) wrote, “We need more Islamophobia, not less. Fear of Islam is rational.” And Sen. Tommy Tuberville (R-Ala.) reposted an image of the Twin Towers burning side by side with an image of New York City Mayor Zohran Mamdani, with his own caption: “The enemy is inside the gates.”

The president’s first usage of “Praise be to Allah” as a middle finger to Iran landed on a Christian holy day, Easter Sunday. He posted a demand that Iran open the Strait of Hormuz: “Open the F— Strait, you crazy b—, or you’ll be living in Hell – JUST WATCH! Praise be to Allah.” Hardly messaging that brings to mind Easter egg hunts on the White House lawn.

If the idea was to humiliate Iran into submission, it’s not working. Iran doesn’t appear to be backing down, even after Trump’s week-ago threat that a “whole civilization will die tonight” if it failed to meet his deadline to reopen the strait. The critical global shipping route is still closed. Trump didn’t appear all that interested in the art of the deal, either, even as Vice President JD Vance tried and failed to negotiate with Iranian leaders in Pakistan on Saturday. The president told reporters that he didn’t “care” what happens with Iran negotiations because “regardless what happens, we win.” He also said, “Whether we make a deal or not makes no difference to me.” He was seen later in Miami at an Ultimate Fighting Championship cage match with Secretary of State Marco Rubio.

Making the Allah references all the stranger were Trump’s other religious-themed posts this past weekend. One was a lengthy screed against Pope Leo XIV, whom Trump described as too liberal and “weak on crime.” It’s worth noting that more than half of American Catholics voted for Trump in the last election, and that his vice president is Catholic, as is the secretary of State and the first lady.

The other was a stand-alone, AI-generated image of himself as a Christ-like figure. It showed the 79-year-old clad in a white robe and papal-red cape, a divine light emanating from the palm of one hand while the other hand was placed on an ailing man. The post was deleted Monday morning after a sizable backlash.

“I did post it, and I thought it was me as a doctor, and had to do with Red Cross, as a Red Cross worker there, which we support,” Trump said, responding to a reporter Monday during a presser at the White House as DoorDash delivered an order from McDonald’s to promote the president’s “no tax on tips” policy.

There was no mention of Allah during that particular event.

Alhamdulillah.

JUST off the Algarve coast, near Faro, is the Ilha Deserta.

This literally means “deserted island”, but there was no going hungry when I hopped on a boat to this unique spot.

Call me Jill Robinson Crusoe, if you will.

Alongside seven kilometres of gorgeous white sand, the island is home to just one building – the fish restaurant Estamine.

And every dish on the menu is worth the trip alone.

My delicate, buttery, grilled sea bass was cooked to perfection and served with roasted potatoes and vegetables.

SANDS GREAT

Portugal’s ‘Silver Coast’ that is cheaper than the Algarve with £1.08 beers

SANDS GREAT

The sprawling Algarve resort with 10 swimming pools & beach turtle spotting

The choice is dizzying, with everything from giant carabinero prawns and Atlantic lobster to crispy sand shrimps and Grandma’s squid stew.

Reached by boat taxi in around 15 minutes, the restaurant has stunning views of the Atlantic from its floor-to-ceiling windows.

Afterwards, you can sunbathe beside the crystal-clear waters, or take a peaceful stroll while trying to spot the rare birds and chameleons that frequent the island.

If, however, you prefer something a little more fancy, you can enjoy a catamaran trip around the Ilha Deserta, which is part of the Ria Formosa Natural Park — a coastal lagoon stretching 60km from Faro to Manta Rota.

I sailed with a local company called iSea and have to admit, sitting on deck with a glass of prosecco and the sun on my face was a highlight of my trip.

But if you don’t have the sea legs for a boat trip, the Algarve has plenty for you to enjoy on dry land.

Faro itself has a marina and historic old town with cobbled streets.

And here, you can delve into fabulous Portuguese cuisine at Tertulia Algarvia, which is set in an historic whitewashed building.

Alongside cooking classes, craft workshops and cooking demonstrations, it serves up some real classics.

There’s still plenty of seafood, from octopus rice to grilled golden bream, but a standout on the menu was the chicken piri-piri.

This original grilled chicken dish comes with a spicier marinade than your local Nando’s as well as a huge portion of crispy chips, all for just £12.60.

Meat dishes are as big a deal as seafood and fish across much of the region, and I was always spoilt for choice when it came to getting my daily fix of protein.

One of my favourite places was in Aldeia da Pedralva — a rural village which has been lovingly rebuilt after many of the buildings were left in ruins.

Now, most of the village buildings are available as accommodation to hire, but the main restaurant, Sitio da Pedralva, is a destination in itself thanks to its incredible farm-to-table offerings.

From succulent wild boar to melt-in-your-mouth pork cheeks, it was a true meat lover’s paradise.

As well as the meat dishes, the chef also serves another classic dish from the region, bacalhau no pao — creamy cod served in a rustic, hollowed-out crusty-bread bowl. Delicious.

After all that food, I needed a walk and, thankfully, a short drive away was a stunning coastal route which makes up part of the Fisherman’s Trail.

Covering 226km from Sao Torpes (near Sines) to Lagos, it is considered one of the best coastal paths in the world.

Along the way, it offers views of dramatic, rugged cliffs that drop off into incredible turquoise waters, and waves that keen surfers seek to ride.

If you want to see the sights but don’t fancy a hike or walk, a Jeep tour is another fun option — and I did a morning trip with Sagres Discovery.

Our charismatic driver took us off-roading to the western Algarve, including Sagres and Cape St Vincent Lighthouse — one of the most powerful in Europe.

All the adventure, food and sea air can certainly make you feel sleepy and, thankfully, I had the perfect place to stay a little further along the coast.

Praia Do Canal Nature Retreat is a five-star hotel set in the heart of the Vicentine Coast, offering tranquillity and relaxation, not to mention incredible decor and attention to detail.

With an infinity pool, yoga classes and exceptional food in its restaurant, it’s perfect if you want to reconnect with nature — and yourself.

The huge rooms also offer a shower that is bigger than my entire bathroom at home, massive beds and views across the rolling hills to the Atlantic Ocean.

But if you want to stay closer to the action and not somewhere as remote as Praia Do Canal Nature Retreat, Faro is a great place to base yourself.

I finished my stay in the region with a couple of nights at 3*B Faro, the only five-star hotel in the downtown area of the city, and just a short walk from the old town and marina.

With a rooftop infinity pool and terrace, as well as indoor spa facilities, the hotel offers some quiet calm once you’ve finished a day of exploring the region.

The Algarve is also a top destination for wine lovers, and a trip to a local vineyard is a must for any itinerary.

I enjoyed a lovely lunch and afternoon at Morgado do Quintão — a family-owned vineyard that also offers a farm-stay experience if you want to linger a little longer.

The estate offers guests a farm-to-table experience with a wine flight from its collection, which has revived the indigenous Negra Mole grape.

It is known for having an unusual variation of grape colour within the same bunch.

I had the chance to try a white, rose and red during my visit, all while enjoying fine views of the vineyard and the imposing 2,000-year-old olive tree which sits in the grounds.

I left the Algarve with a totally different perspective.

From deserted islands to delicious dishes, I’d encourage anyone to go and enjoy every tasty morsel of it for themselves.

St. John Bosco, the new No. 1 high school baseball team in Southern California after taking two of three games last week from the previous No. 1 team, Orange Lutheran, could end up facing the Lancers (8-3) again at this week’s Boras Classic if both teams make it to Friday’s final at Mater Dei.

St. John Bosco, however, is in the toughest part of the 16-team Boras Classic bracket. The Braves (11-3) face a big challenge in their opener on Tuesday at 9 a.m. at Mater Dei against 12-1 Norco, which has the option of throwing either sophomore star Jordan Ayala or senior Landon Hovermale.

Also on St. John Bosco’s side is Huntington Beach and star pitcher Jared Grindlinger. The Oilers open at noon against Los Osos at Mater Dei.

Orange Lutheran plays Fountain Valley in a 9 a.m. opener at JSerra. Corona could be strongest challenger on Orange Lutheran’s side and plays JSerra in a 6 p.m. opener on Tuesday.

Quarterfinals are Wednesday and semifinals are Thursday.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

In the event of an emergency, the U-turn is the fastest way home in the first 36 hours after the TLI. After that it can be just as quick, and often simpler, to stay on course around the Moon and fall back to Earth, Orion programme manager Howard Hu said before the launch.

5 Star’s gripping documentary series A+E After Dark returns for its seventh series at a time when new figures reveal a stark and troubling reality for frontline NHS workers

Gripping documentary series A+E After Dark returns for its seventh series on Thursday night on 5 Star.

The new season is filmed inside the A+E departments of Norfolk and Norwich University Hospital, Newham Hospital in East London, and Royal Victoria Hospital in Belfast.

The show offers unprecedented access to the night shifts where staff pressure, violent attacks and life-or-death decisions collide.

The first episode shows shocking racist abuse towards an A+E nurse in Newham, attempts to save a stabbing victim and their attacker in Norwich and two injured young men involved in a 70mph collision during wet weather in Belfast

A synopsis for episode one reads: “At Norfolk and Norwich University Hospital, doctors race to save both victim and attacker after a shocking stabbing brings two critically injured men into A+E at the same time.

“In Belfast, a high-speed crash during extreme weather leaves multiple patients at risk of spinal injuries, while an elderly woman undergoes a painful procedure for a broken femur.

“Meanwhile in Newham, security intervene when a patient refuses to stop live streaming inside the department, and in Norwich, a team fights to restart a patient’s heart during a sudden cardiac arrest.”

In a chilling first look clip at the collision in Belfast, it sees four young men rushed into the department after a high impact car crash at 70mph.

It then sees Doctor Michael examining one of the front passengers, David, who is in serious pain. Speaking in a VT, Doctor Michael explains: “Obviously, the faster the car is going, the more severe injuries you will get.”

Looking over David, Doctor Michael says the patient will be sent for X-rays on his face, neck, lower back and knees to check there are no fractures or breaks.

It comes as NHS England sadly reports a three-year high in violence against staff. Almost 1 in 7 NHS workers (14.47%) were physically attacked by patients or the public last year, with a record number of staff subjected to unwanted sexual behaviour, rising sharply to nearly 1 in 3 ambulance workers (31%), while 9% reported experiencing discrimination – the highest level ever recorded, according to new data from NHS England.

A+E After Dark captures the relentless reality of night-time emergency care across the UK. The new series follows dedicated teams in Belfast, Newham and Norwich as they battle exhaustion, overcrowding and escalating violence to save lives.

**A+E After Dark airs on 5 Star at 9pm on Thursday 2 April and is available to stream on My5. You can follow the series on **Facebook** and **Instagram** and **TikTok.

There were fireworks, there was a flyover, there was Will Ferrell screaming and Keith Williams Jr. crooning and four months of cheers unleashed by fans wearing championship belts and howling grins.

But the real stars of Thursday’s Dodger opening day show never made a sound.

They arrived silently at the end of the pregame ceremony, carefully held by two of the men who helped win them, lifted high for all those who so passionately longed for them.

They were the last two Commissioner’s Trophies, the back-to-back World Series championship trophies, the two symbols of the Dodgers domination held side by side in the afternoon sun.

Man, it was beautiful. Goodness, how they sparkled. Incredible, how they glowed.

It was almost as if they were powered by some electrical force, some sort of championship current running between them, lighting them up with a blinding power curated by the battered fingers of the two veterans who touched them.

Freddie Freeman, whose grand slam doomed the New York Yankees, held the 2024 trophy. Miguel Rojas, whose home run stunned the Toronto Blue Jays, held the 2025 trophy.

Together they brought the trophies to the dugout from center field while riding in the back of a blue convertible driven by Ferrell as part of an elaborate video skit.

It was the first time many had seen the hardware side by side, and, amid audible gasps, their power was unmistakable. The greatness of the Dodgers accomplishment came to life on a day when their new task became equally clear.

“Three-peat!” screamed one of the pregame musicians.

Welcome, Dodgers, to 2026.

While manager Dave Roberts downplayed the three-peat talk before the opening 8-2 victory over the Arizona Diamondbacks, you know it’s here, it’s there, it’s everywhere.

“At this moment, very minimal,” said Roberts when asked about the pressure. “…So yeah, hopefully we can keep that to a minimum throughout the season. But yeah, there’s obviously going to be a lot of talk about it.”

Thursday did nothing to dampen that talk. It was as if last season’s Game 7 against the Toronto Blue Jays was still being played. The Dodgers behaved like the exact same team with some of the same heroes.

The winning pitcher? Once again, it was Yoshinobu Yamamoto, who threw six solid innings with six strikeouts and no walks.

The game-changing play? Once again, it was Andy Pages, whose three-run home run in the fifth inning gave the Dodgers a lead they never lost.

The final big blow? Yep, Will Smith, whose two-run homer in the seventh inning clinched it.

Dodgers unveil the plaque for the 2025 World Series win.

(Ronaldo Bolanos / Los Angeles Times)

There was even a World Series star coming out of the bullpen, new cult hero Will Klein entering the game to the night’s loudest ovation and throwing a scoreless inning.

It’s as if the Dodgers have been on the same roll for four months…with no signs of slowing. This could be crazy. This already is crazy.

Other than the cool trophies and the Diamondbacks trampling, the most notable show Thursday was unwittingly staged by Dodger Stadium itself.

Your dutiful correspondent’s first impression of his favorite place on earth upon returning here for his 37th home opener wasn’t about the deep green or brilliant blue or enduring mountainscape.

It was, when did this place become Las Vegas?

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Illuminated by the new grotesquely red Uniqlo Field billboard hanging high above center field, the stadium appears to have been transformed into something straight from NASCAR, advertisements filling every nook and cranny of the pavilion and beyond. There are giant billboards above the bullpens. There are scribbled ads on the bullpen walls. There are screaming displays for beer, soda and healthcare, the latter of which you will need if you heed too many of these ads.

The incessant sales pitches are buffeted by the usual deafening pounding music, which makes Vin Scully Avenue seem like Las Vegas Boulevard.

Was it always like this? It doesn’t seem like it. The Dodgers have always been relentless billboard salesmen, but since the arrival of Shohei Ohtani, they’ve become a global attraction with seemingly every major company on earth willing to pay for a piece of their success.

Fans will probably notice that the biggest difference this year is the $125-million sponsorship deal with Uniqlo, a Japanese apparel company that bought center field. Chavez Ravine is now officially known as Uniqlo Field at Dodger Stadium and, yeah, on Thursday it was awful hearing public address announcer Todd Leitz introduce it like that.

Not to worry, nobody in their right mind is ever going to call it that. Nonetheless, the whole atmosphere was weird and unsettling.

Still, it’s hard to blame the Dodgers. They’ve spent gobs of money building a two-time defending champion, and those bucks have got to come from somewhere.

You want Kyle Tucker? Live with the beer ad. You want a $1 billion rotation? Deal with the bank ad.

Dodgers Blake Snell, Kiké Hernandez, Roki Sasaki and Alex Call during player introductions before the game.

(Gina Ferazzi / Los Angeles Times)

Unlike many other teams that have made baseball a haven for cheapskates, the Dodgers invest much of their revenue back into the roster.

It’s not always pretty. It can be loud and distracting and obnoxious. But it works.

As night fell on a blessed blue Thursday, the Dodgers had won their eighth straight home opener. They did it with pitching, hitting, depth, and two of the prettiest pieces of jewelry you’ve ever seen.

It was a day to celebrate the completion of the most incredible two-year journey in franchise history.

It was also a day to realize that the journey has just begun.

BRUSSELS — The European Parliament voted Thursday to approve a trade deal between Washington and Brussels but with amendments added to protect European interests should the United States fail to hold up its end of the bargain.

The deal was negotiated last July in Turnberry, Scotland, by President Trump and European Commission President Ursula von der Leyen. It set a 15% tariff on most goods in an effort to stave off far higher import duties on both sides that might have sent shock waves through economies around the globe.

New language now says that the deal can be suspended if Washington “undermined the objectives of the deal, discriminated against EU economic operators, threatened member states’ territorial integrity, foreign and defence policies, or engaged in economic coercion.”

That clause was forged because of the tensions over Greenland, said Bernd Lange, a German lawmaker and head of the EU’s parliamentary trade committee.

Trump drew widespread condemnation across the 27-nation bloc by threatening to take control of Greenland, a semiautonomous territory of Denmark. He has backed away from the threat, at least for now.

“If this would happen again, then immediately the tariffs would be installed,” he said at a news conference after lawmakers voted. He said the protective modifications were “weatherproofing” the Turnberry deal.

The deal will now be further negotiated by EU trade representatives Maroš Šefčovič and his U.S. counterpart Jamieson Greer, who are meeting Friday on the sidelines of the World Trade Organization meeting in Yaoundé, Cameroon.

“We need the EU-U.S. deal in force on both sides — delivering real certainty for EU businesses and showing that genuine partnership gets results,” Šefčovič said after the vote in Brussels.

There were formally two votes to introduce clauses to the deal. One passed 417-154 and the other 437-144 with dozens of abstentions each.

The U.S. Ambassador to the EU Andrew Pudzer said the vote would provide “stability and predictability” for U.S. and EU businesses and drive economic growth. “We encourage all parties to think to the future and the importance of unleashing opportunities for businesses on both sides of the Atlantic,” he said.

Malte Lohan, CEO of American Chamber of Commerce to the European Union, said the vote is “the right signal for businesses that have been stuck in limbo over the past year” and “a necessary step towards a more predictable transatlantic marketplace.”

Croatian lawmaker Željana Zovko said that despite the trade spat between Brussels and Washington, trade across the Atlantic had grown over the past year. “This resilience proves the trans-Atlantic trade works, and if it works, we should strengthen it, not hold it back.”

McNeil writes for the Associated Press.

Huddersfield Giants have sacked head coach Luke Robinson after a poor start to the 2026 Super League season.

Giants have lost all of their opening five matches, leaving them without a point and bottom of the table.

Robinson began his second spell as Giants boss in September 2024, replacing Ian Watson, and went on to lose his first nine matches in charge before finally tasting success with a narrow victory against Hull FC at Magic Weekend last May.

Hampered by financial limitations, Robinson eventually guided the club to 10th in the final Super League standings last year.

This season, the 41-year-old has had to deal with a number of injuries to key players, including star full-back George Flanagan Jr, one of 16 first-team members who were unavailable during an injury crisis labelled as “unprecedented” by the club earlier this month.

Robinson was left looking a forlorn figure following his side’s defeat by Bradford Bulls on Friday night, which has ended up being his final match in charge.

He previously, but briefly, acted as interim head coach of Giants during the end of the Covid-affected 2020 season after Simon Woolford resigned, taking charge of the final eight matches of the campaign.

Director of rugby Andy Kelly will take charge of the first team until Robinson’s successor is appointed.

Huddersfield continue their Super League campaign with a trip to league leaders Wigan on Saturday [15:00 GMT].

SACRAMENTO — During the Los Angeles writers’ strike in 2023, Democratic Rep. Eric Swalwell wanted to reach out to his donors in Hollywood and ask what he could do to help them. But he didn’t have an easy way to find the screenwriters who backed his many campaigns.

So Swalwell and his congressional chief of staff launched an AI technology company that sifts and analyzes campaign fundraising data.

The company has since been used by dozens of political campaigns, including by Sen. Adam Schiff (D-Calif.) and Rep. Jimmy Gomez (D-Los Angeles). Even Swalwell’s current campaign for California governor hired the artificial intelligence company, called Findraiser.

But some details of Swalwell’s private venture remain unclear, including the company’s investors.

Craig Holman, a governmental ethics expert with the nonprofit consumer advocacy organization Public Citizen, said it’s common and legal for candidates to use their own businesses to promote their campaigns or the campaigns of others, as long as all business interactions are charged at market value.

He said Swalwell can talk about his business privately but cannot do so in relation to his role in Congress, to avoid running afoul of ethics rules barring using one’s position for personal monetary gain.

Holman called it “odd and politically unwise” that Swalwell’s business will not publicly disclose all of its investors.

Swalwell, who has represented Northern California in Congress since 2013, is among the top Democrats in the governor’s race, according to a recent poll, but thus far none of the candidates has a breakaway lead.

Findraiser is close to profitability, his onetime chief of staff, current campaign manager and Findraiser CEO Yardena Wolf said in a podcast interview that aired in October.

The company received more than $67,400 from congressional campaigns in the 2025-26 cycle, according to filings with the federal government.

Members of Congress are not barred from owning outside companies or accepting a small outside salary, with exceptions. Swalwell makes no income from the company, according to filings he has made with the state of California, though he could benefit if the company was ever sold.

“Findraiser is a platform like hundreds of other tools in the market that helps Democratic campaigns communicate more efficiently,” a Swalwell spokesperson said. “Congressman Swalwell and the Findraiser team consulted the House Committee on Ethics on the conception and implementation of the tool every step of the way.”

Still, it highlights how mixing public service and private business can raise ethics questions.

Wolf told The Times that none of Findraiser’s investors have business before Congress, but she declined to reveal the names of the backers.

The fair market value of Findraiser is between $100,001 and $1 million, according to campaign finance documents filed with the state this month.

Swalwell stated on the documents that he is a part owner. Besides the Congress member and Wolf, the other member of the company listed with the state is Paul Mandell, who runs an event business.

The company’s website boasts that it provides a “straightforward AI-powered chatbot that supercharges your fundraising database searches. This first-of-its-kind tool sits on top of your political fundraising database, allowing you to ask simple, intuitive questions and receive the results you need instantly.”

The website also contains testimonials, including from former Democratic National Committee Chair Jaime Harrison, who says Findraiser provides the AI technology that makes it “easier than ever for campaigns to connect with the right donors and raise what they need to win.”

The amount of money campaigns are paying to use Findraiser is nominal, federal campaign finance records show. During the 2025-26 cycle, Swalwell’s campaign for Congress reported paying Findraiser $6,630. His campaign for governor paid the company $975.

Wolf, in an interview with The Times, declined to provide details about the company’s staff or how much it charges customers.

In her interview with the political podcast “The Great Battlefield,” she recounted that the writers’ strike was the impetus for Findraiser and said Swalwell came up with the name.

She conceded that it is “pretty unusual” for a member of Congress to start a company with his chief of staff. She also said there was “a lot of ethics back and forth — of lawyers and all of that, to make sure that we were aboveboard and that everything is kosher.”

Among other things, Findraiser has helped Swalwell’s campaigns pull in more money, she said. For example, the campaign could identify donors who gave small amounts to Swalwell but larger checks to other politicians, Wolf said.

“We’ve been able to set up meetings with people like that, and they’ve increased their contributions.”

Aside from Wolf, one other staff member who works for both Swalwell’s campaign and his government office is also being paid via a contract to do digital work for Findraiser, Wolf confirmed.

Michael Beckel, director of money in politics reform at Issue One, a bipartisan advocacy group, said that although there is no prohibition on a member of Congress hiring his own company, voters may perceive an issue.

“Voters may see self-dealing as evidence that a candidate is prioritizing personal enrichment over public service, which damages confidence in elections and governmental institutions,” he said.

“If donors give money knowing it will personally benefit the candidate, that undermines the integrity of the political system.”

Swalwell’s campaign declined to respond to Beckel’s statements.

Wolf in her podcast interview last year said the business was “going really well.”

“We have PACs that use it. We have first-time candidates, as well as 20-year incumbents who are using it. We have congressional races and Senate races,” Wolf said.

Around 2024, the company began offering beta testing, she said.

“Obviously, both Eric’s and my network are people who are in the political space and just in our day to day, as we were talking to people, we had people say, ‘Well, I want to use it,’” Wolf said. “And so we had a group of people who ended up beta testing.”

A spokesperson for Swalwell’s campaign said that “Findraiser spread through word of mouth among campaigns across the country. Any decision by a campaign or candidate to utilize the tool is based on their choice and their organization’s strategic prioritization.”

The Times contacted 16 congressional campaigns that reported using Findraiser in recent federal filings. None would tell The Times how they came to hire the company.

Both Schiff and Gomez have endorsed Swalwell in his campaign for governor.

Schiff’s paid about $2,000 for two months of Findraiser services last year. However, Wolf, in her podcast interview, said Findraiser works with Schiff “a lot.”

Ian Mariani, a spokesperson for Schiff’s campaign, said the company “is one of many campaign vendors used by our team, and it helped us engage with several people.”

OSCARS host Conan O’Brien has taken a dig at Timothee Chalamet in his opening speech after the actor’s controversial comments about the arts.

The Marty Supreme star found himself facing serious backlash after claiming “no one cares” about opera or ballet.

Conan, 62, kicked off the Oscars with a dig at Timothee, 30, as he smiled and laughed next to girlfriend Kylie Jenner, who arrived at the show dressed to the nines in a slinky red gown.

He joked about heightened security amid ongoing uncertainty in the world, pointing to an unexpected source of tension.

The former late night TV host quipped: “Security is extremely tight tonight…I’m told theres concerns about attacks from both the opera and ballet communities.”

He looked down at Timothee, who was giggling slightly.

O-M-TEY!

Teyana Taylor steals the spotlight in a skintight gown on Oscars red carpet

RED HOT

Kylie Jenner stuns in low-cut Jessica Rabbit-inspired Oscars dress

Kylie, 28, shifted slightly in her seat, smiling although she looked slightly uncomfortable.

Conan then added: “They are just mad you left out jazz!”

Later in the show, the Conan O’Brien Needs a Friend host circled back with Timothee, seemingly trying to smooth things over.

“I’m vibing with Timothee right now, we’re vibing, right?!” he asked, looking down at the Willy Wonka actor.

The camera did not pan to the star, but it doesn’t seem like he was feeling the same vibe.

Conan added: “He doesn’t think so, alright!”

At this point, Timothee must be somewhat used to the blowback.

He’s been taking heat for his comment for days now.

The Oscar-nominee was chatting with Matthew McConaughey at the University of Texas about efforts to preserve cinema back in February.

“I don’t want to be working in ballet, or opera, or things where it’s like, ‘Hey, keep this thing alive, even though like no one cares about this anymore’,” he said.

“All respect to all the ballet and opera people out there,” he added.

Since then, he’s taken heat from ballet and opera stars, as well as other big figures in Hollywood.

Steven Spielberg, for example, disagreed vehemently.

According to Page Six, he said of the arts during a 2026 SXSW panel: “At the end of a really good movie experience, we are all united with a whole bunch of feelings that we walks into the daylight with, or into the nighttime with.

Biggest Oscar Nominees of 2026 Academy Awards

Everyone in Hollywood hopes to snag a nod on the industry’s biggest night but only few get that honor. Here are the nominees from the major categories of the 2026 Academy Awards:

Best Picture

• Bugonia
• F1
• Frankenstein
• Hamnet
• Marty Supreme
• One Battle After Another
• The Secret Agent
• Sentimental Value
• Sinners
• Train Dreams

Best Director

• Chloé Zhao — Hamnet
• Josh Safdie — Marty Supreme
• Paul Thomas Anderson — One Battle After Another
• Joachim Trier — Sentimental Value
• Ryan Coogler — Sinners

Best Actor (Leading Role)

• Timothée Chalamet — Marty Supreme
• Leonardo DiCaprio — One Battle After Another
• Ethan Hawke — Blue Moon
• Michael B. Jordan — Sinners
• Wagner Moura — The Secret Agent

Best Actress (Leading Role)

• Jessie Buckley — Hamnet
• Rose Byrne — If I Had Legs I’d Kick You
• Renate Reinsve — Sentimental Value
• Emma Stone — Bugonia
• Kate Hudson — Song Sung Blue

Best Supporting Actor

• Benicio Del Toro — One Battle After Another
• Jacob Elordi — Frankenstein
• Delroy Lindo — Sinners
• Sean Penn — One Battle After Another
• Stellan Skarsgård — Sentimental Value

Best Supporting Actress

• Teyana Taylor — One Battle After Another
• Wunmi Mosaku — Sinners
• Amy Madigan — Weapons
• Elle Fanning — Sentimental Value
• Inga Ibsdotter Lilleaas — Sentimental Value

Best Original Screenplay

• Bugonia — Yorgos Lanthimos & Will Tracy
• Marty Supreme — Josh Safdie & Ronald Bronstein
• One Battle After Another — Paul Thomas Anderson
• Sentimental Value — Joachim Trier & Eskil Vogt
• Sinners — Ryan Coogler

Best Adapted Screenplay

• Blue Moon — Richard Linklater & Glen Powell
• Frankenstein — Guillermo del Toro
• Hamnet — Chloé Zhao
• The Secret Agent — Kleber Mendonça Filho
• Train Dreams — Clint Bentley & Greg Kwedar

Best Animated Feature

• Arco
• KPop Demon Hunters
• The Magnificent Life of Marcel Pagnol
• Zootopia 2
• The Night Gardener

Best International Feature Film

• The Secret Agent — Brazil
• Sentimental Value — Norway
• It Was Just an Accident — Iran
• Universal Language — Canada
• Sujo — Mexico

Best Documentary Feature

• The Alabama Solution
• Come See Me in the Good Light
• Four Daughters
• No Other Land
• The Perfect Neighbor

“And there’s nothing like that. It happens in movies, and in concerts. And it happens in ballet and opera, by the way.”

Timothee is nominated for two Oscars during the 2026 awards show.

He’s up for Best Actor for his role in Marty Supreme and Best Picture.

He will be up against Michael B. Jordan in Sinners; Leonardo DeCaprio in One Battle After Another; Wagner Moura in The Secret Agent; and Ethan Hawke in Blue Moon in the Best Actor category.

In Best Picture, Timothee is up against The Secret Agent, Bugonia, Train Dreams, F1, and Sinners.

SHE is an Oscar-winner married to a former James Bond, but Rachel Weisz says Hollywood made her feel so ugly she considered having plastic surgery.

When the British beauty first went there in the Nineties, she contemplated a nose job, boob job or liposuction to get noticed and boost her career.

Rachel, now 56 and one of the world’s most sought-after stars, said: “I went into quite a major depression.

“I was watching so many daytime TV shows. And then I would get in my car and drive to these auditions while listening to the radio.

“I feel sick now when I listen to the radio, all these commercials for different car dealers.

“I just felt like the world was so desperate and lonely and sad and people were trying to sell cars and no one wanted to buy them.

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“People are very focused on their own thing. In LA unless you’ve just won an Oscar or you’re ‘Mr Studio Head’, no one talks to you. Even at parties. I was at this big Hollywood party, and no one looked.

“Everyone is blinkered and they just kind of scan the room for ­anyone important. LA makes you feel ugly. Because if you’re an actress, no one pays you any attention.

“And you immediately start thinking, ‘God, I must have a nose job. Or, I must get that boob job, or I must get that lipo’, whatever it is.”

For Rachel, who started her career with bit-parts on Inspector Morse and whose new thriller Vladimir was released on Netflix on March 5, real success and happiness came when she turned her back on the glitz and glamour of Los Angeles.

She decided to split her time between London, where she grew up, and New York with her then-partner, director Darren Aronofsky, and their son Henry, now 19.

Rachel, who has been married to 007 actor Daniel Craig since 2011, told Index mag: “There’s not much room for eccentricity in Hollywood, and eccentricity is what’s sexy in people.

“I think London’s sexy because it’s so full of eccentrics.”

The actress’s breakthrough came in 1999 when she landed the role of feisty librarian Evelyn Carnahan in blockbuster The Mummy.

By 2006 her A-list status was cemented when she won the Best Supporting Actress Oscar for The Constant Gardener.

She went on to star in 2009’s The Lovely Bones and 2015’s Youth, as well as 2021 Marvel film Black Widow.

Now Vladimir sees her as ­married college professor M, whose life spirals into a steamy, all-consuming obsession with her younger colleague, played by One Day and White Lotus star Leo Woodall.

The series is based on the book of the same name by Julia May Jonas, which Rachel describes as a ­brilliant piece of writing.

She added of the character she plays: “I deeply empathise with her and understand her. But I left her when I got home.

“She’s like a projection of what a viewer might want to live out.”

Rachel and Daniel, who ­officially ended his 15-year stint as James Bond with No Time To Die in 2021, were friends for years before falling for each other in 2010 while filming thriller Dream House.

Within months they secretly wed in New York and went on to have daughter Grace, now seven. They split their time between Brooklyn in New York and ­Primrose Hill in North London.

But the couple deliberately choose not to do films together.

Rachel said: “I think we really love our private life as a life, as a family, and then we go to work separately.

“It means we can alternate, so I can stay home with the family while he works. We can swap out. If we’re both doing ­something at the same time, it’s probably less ideal.”

Rachel grew up in ­Hampstead, North London, with dad George, a Hungarian-Jewish mechanical engineer, and mum Edith, who originated from ­Austria and was a teacher-turned-psychotherapist.

The star started modelling at 14 and studied English at ­Cambridge University, with her parents hoping she would choose a more traditional career.

Rachel told the Sunday Sitdown With Willie Geist podcast: “They were just the kind of ­parents who were like, ‘You’ve got to get a degree, like you have to go to ­college’, which in the end I did.

“They wanted me to have a fall-back, so I could be a teacher . . . that would be a really good job.

“My parents would be really happy if I was a teacher. My dad was very sceptical about my career choice. I think he wasn’t very impressed by what I was doing.

“He was my harshest critic for a very long time. I think he only, after a good 15 years, was like, ‘OK, yeah’.

“He was tough — yeah, he was tough, in a good way. He was always honest, he didn’t make it nice. He’d take things apart and say, ‘I didn’t understand what you were doing,’ or, ‘That was a bit wooden’.”

But winning her Oscar changed everything.

Rachel said: “That definitely changed my life. Maybe my dad was like, ‘OK, all right, you were OK’.

“He would never be more over the top than that.”

And that Oscar meant she had the freedom to choose the roles she truly wanted, just like the one in Vladimir.

She said: “In the beginning of my career, I just did whatever job I got so I could pay the rent. I wasn’t picky.

“Now I’m in this luxurious position where I can choose things. It’s really about the character and writing, if it appeals to me or if it seems it would be interesting to ­pretend that story.

“I was never the kind of kid that got on the table and did a tap dance and a song. I wasn’t the star of the school plays or ­anything. I was ­actually really shy.

“I think a lot of actors, when I meet them as grown-ups, they go, ‘I was really shy too’.

“I think I’m just a daydreamer. I think storytelling is, in a way, daydreaming, but ­putting your daydreams into ­writing and getting people to embody them.

“I think my daydreaming skills have just come into it, I get paid for it.”

Despite now being praised for her stylish looks, ranging from velvet trouser suits to Valentino haute ­couture, walking the red carpet still makes Rachel nervous even today.

She said: “I don’t think any actress would say doing the red ­carpet is not terrifying. The way to get through it is to pretend.

“It’s a fantasy, like walking into a fantasy world. These people, they transform you, and that is fun.

“What you see on the red ­carpet is not a character that has anything to say.

“I used to be very shy, and in a way that was what was so great about the idea of ­acting. You can hide the real you behind that character.”

But after years of ­struggling with fame, Rachel says she has finally learned to be ­content with exactly where she is in life.

She said: “Someone once said to me when I was younger, ‘Never think the best party is somewhere else’. You know that feeling of being somewhere and thinking you should go somewhere better?

“You can’t do that. ­Wherever you are is the right place to be.”