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WASHINGTON — Confronted by an intransigent Iranian government that has refused to back down in the face of a massive military campaign, President Trump appears to have settled on a dual-prong approach that combines economic pressure with the potential of a devastating escalation in force.

Having launched “Operation Economic Outcast” just last week to try to isolate Iran from its remaining global trade partners, the Trump administration also resumed strikes in recent days, prompting Iranian retaliation that has renewed concerns of an all-out regional war.

However, the combination of already intense sanctions on Iran and an off-and-on bombing campaign since the war began more than six months ago has not bowed the Iranian leadership and has left the administration struggling to find a way to wind down the conflict. Tehran has dug in its heels — to Trump’s frustration — as energy prices rise, the global economy roils and poll numbers on the administration’s handling of the war dip ahead of November’s midterm congressional elections.

Trump said Wednesday that he didn’t think the conflict would last “much longer,” but he again shrugged off suggestions that its unpopularity and high gasoline prices resulting from Iran’s chokehold on the Strait of Hormuz would affect the elections for Republicans.

“It doesn’t matter. And I’m not affected by the election,” he told reporters. “I’m not running. But my party is running, and I’m going to help my party. But I think my party respects the fact that we’re not allowing Iran to have a nuclear weapon.”

A regional diplomat briefed on the matter described the current impasse between Tehran and Washington as reflective of both countries’ domestic priorities: the midterm elections for Trump and Republicans and the internal crises within Iran.

Domestic issues are critical reasons why neither side is willing to blink first, said the diplomat, who spoke on condition of anonymity to discuss sensitive negotiations.

The diplomat said negotiations, including those between Iran and Oman or even Iran and the U.S., will not go anywhere without addressing the initial catalyst of war: Israel. And the diplomat was skeptical of the Trump administration’s new sanctions plan, saying the threats require more explanation than what the U.S. has provided so far.

The Trump administration’s economic isolation of Iran is off to a slow start

The administration’s new push for Iran’s economic isolation was announced with great fanfare last week and a dire warning for all remaining countries to cut off financial and trade ties with Iran or face U.S. retaliation — but the campaign so far has fallen flat.

Just one branch of an Egyptian bank in the United Arab Emirates has been targeted so far. For actual sanctions to bite, experts agree that they must apply to Iran’s main trading partners: mainly China but also India and Russia. But Trump is loath to target China especially as he is preparing to host President Xi Jinping later this month.

Trump also insists that the U.S. has control over the Strait of Hormuz, where one-fifth of the world’s oil transited before the war began. The strategic waterway has been a key pressure point for Iran, and reopening it fully has become one of the prime goals for the U.S. administration.

Ship traffic through the strait is well below pre-war levels due to the risk of attack if vessels don’t comply with an Iranian vetting regime near its coastline, which is in sharp contrast to the unhindered navigation before the war. There were 102 transits last week and 126 the week before, according to shipping data company Lloyd’s List Intelligence, compared with 130 or more per day before the war.

“As President Trump said, the strait is open and all mines have been cleared,” White House spokeswoman Anna Kelly said Thursday. “The naval blockade remains in full force and effect, and Operation Economic Outcast is underway to sever every remaining economic lifeline sustaining the regime.”

The White House has repeatedly touted the economic impact that the sanctions have had on Iran, citing its rampant inflation and the massive loss in the value of its currency. U.S. officials have described Iran’s financial system as “one big house of cards.”

Going forward, Secretary of State Marco Rubio said “the price” Iran will pay will be primarily economic, “but we reserve the right … to take military action when necessary — not just to protect ourselves but to prevent them from being able to threaten others as well.”

“They’re going to continue to feel the squeeze,” he told Fox News host Brian Kilmeade in an interview that aired Wednesday.

Treasury Secretary Scott Bessent this week likened Iran to a snake that has been decapitated but whose body is still writhing.

“We are burying the head of the Iranian snake,” he said Tuesday. “The snake doesn’t know it’s dead yet, but it will stop wiggling when the sun goes down. And so the Iranian regime — they are in demise, and they will figure it out.”

Combining military force and sanctions on Iran ‘is the only option,’ one analyst says

Complicating things for the U.S., Iran’s leadership has shown signs of divisions between moderates more open to a diplomatic solution and hardliners who want to press ahead with a more confrontational approach.

President Masoud Pezeshkian is one of the most prominent voices still calling for a negotiated solution. But the hardliners appear to have gained the upper hand, and Iran shows no sign of backing down. Tehran continues to lash out at U.S. interests and allies around the region in response to military strikes.

“This kind of a hybrid approach — the combination of military force, blockade and economic pressure — that is the only option that seems to be available to the United States at this moment,” said Hamidreza Azizi, consulting senior Iran analyst for the International Crisis Group.

Still, he said, “it’s been for a long time, but now maybe more than ever, a battle of endurance between the two sides.”

Amr Hamzawy, director of the Middle East program at the Carnegie Endowment for International Peace, pointed to two main reasons for the deteriorating situation.

“One, none of the two parties is satisfied with the outcome — meaning that the current situation does not serve U.S. interests well, and it does not serve Iranian interests well,” Hamzawy said.

The other reason is how leaders from both sides are perceived at home.

“The Trump administration is afraid of being portrayed in the U.S. as an administration that failed to end a military campaign successfully, and that’s going to impact the midterm elections,” he said. “And the Iranians, especially the Revolutionary Guard, are quite afraid of appearing as if they are submitting to U.S. sanctions with no actions on their side, which might hurt them domestically.”

Lee, Magdy and Amiri write for the Associated Press. Magdy reported from Cairo. AP writers Will Weissert in Washington and David McHugh in Frankfurt, Germany, contributed to this report.

The $1 coin designed to celebrate America’s 250th birthday and seemingly President Trump, whose face gazes from one side of the gold finish, will go on sale Wednesday, according the U.S. Mint.

The coin’s design — Trump’s visage as “heads” and the Great Seal of the United States as “tails” — was given the stamp of approval this year by the U.S. Commission of Fine Arts, whose members Trump appointed. In past comments, the president said that the idea to stamp his face on a coin was “very unusual” but that he was “honored by it.”

The president’s second term has come with several such brandings, or attempts at them that have become tangled up in lawsuits. That includes moves to put Trump’s name on the Kennedy Center, as well as the U.S. Institute for Peace, as Trump works to leave his stamp on history and Washington, D.C.

The coins, which can be used as legal tender, stirred some criticism particularly because of federal law that bars the depiction of a living president on U.S. currency. But in some circumstances, the treasury secretary does have authority to authorize the minting and issuance of special coins.

The coins were struck to “honor 250 years of great American heritage,” the U.S. Mint wrote on its website. In an arc above Trump’s face is written “LIBERTY,” and below is “1776 — 2026.” On the flip side is the Great Seal of the United States, with the bald eagle gripping arrows in one claw and an olive branch in the other. In a banner clutched in its beak is written “E PLURIBUS UNUM,” Latin for “out of many, one”

A roll of 25 coins will cost $61, and a bag of 100 will cost $154.50, and the U.S. Mint said they randomly hid some special-issue coins among the rolls and bags. Those will be marked “July 4th,” because they were stuck on that day, the anniversary of the Declaration of Independence.

Households are limited to only two orders, the U.S. Mint wrote, but that cap will lift at 2 p.m. Eastern time on Thursday.

Bedayn writes for the Associated Press.

The Amass case is a strange one. A natural left-back in United’s academy, who did well in a loan spell at Sheffield Wednesday last season, then got injured straight after switching to Norwich in the winter window, Amass, 19, impressed many observers with his performances during pre-season, when he shadowed Shaw.

Yet, for some reason, United were willing to let him leave.

In the summer of 2024, then manager Erik ten Hag opted not to pick the teenager in his squad for the Community Shield, even though Amass had given a creditable account of himself up against Mo Salah in a pre-season game in the United States just a week earlier.

Ten Hag felt, physically, Amass was not at the level required. In theory, the two years that have elapsed since then should have made the defender bigger and stronger.

There have been multiple expressions of interest in Amass. Even heading into deadline day, his omission from United’s Premier League 2 game against Leicester on Monday reinforced a widespread belief he would leave, probably on loan.

But that has not happened and it is not clear what his role will be within the senior squad.

The willingness to view Mazraoui as a left-back option was helped by the performances of Leny Yoro in pre-season.

Signed from Lille for £52m in 2024 as a central defender, Carrick used Yoro mainly as a right-back this summer.

Against Ipswich on Sunday, that was the slot Yoro was introduced into as a replacement for Dalot, at the same time as Mazraoui was coming on for Shaw.

At just 20, Yoro has plenty to learn about the right-back role. However, he has pace, is strong and is good on the ball. United supporters only have to look at how Josko Gvardiol has adapted to the full-back role at Manchester City after signing as a central defender to realise switching positions can have a positive outcome.

That is the calculated risk United have taken.

What they absolutely did not want to do, having taken a hardline stance all summer on the fees they were willing to pay, and a refusal to spend more than they thought a player was worth, was end up making a signing like Alex Telles, or Matteo Darmian, or Sergio Reguilon, who all arrived in recent years but were evidently short of the standard required.

It makes sense. It is probably the right call.

But that is a view taken away from the emotion of matches and the rollercoaster of results. And the reality is they will be the deciding factor in whether it was a good decision or not.

Manchester City have agreed to sign winger Allan Elias from Palmeiras in a deal worth up to £34.2m.

The 22-year-old Brazilian will come in as a replacement for compatriot Savinho, who looks set to join Tottenham.

City have agreed to pay a fixed fee of £32m, plus £2.2m in add-ons, for Allan with a medical scheduled to take place in the coming days.

They remain in advanced talks to sell Egypt forward Omar Marmoush to Spurs, and sources with knowledge of the situation say there is a “good chance” the deal gets completed before the 1 September transfer deadline.

Discussions are ongoing between the two clubs and there are some details yet to be agreed.

Midfielder Nico Gonzalez may also depart Etihad Stadium before the end of the transfer window, with strong interest in the Spaniard from Newcastle.

There were early glimpses of just what Jaissle’s side could be – the intensity, the balls in behind, the grit, spirit and work rate.

Few embodied those qualities quite like new arrival Amar Dedic, who only completed his £30m move from Benfica on Tuesday, but what was just as striking was the performances of one or two of last summer’s signings following difficult first seasons on Tyneside.

It was Anthony Elanga who opened the scoring against Liverpool with a well-taken finish into the bottom corner while Yoane Wissa, who set up substitute Joe Willock’s second, is clearly relishing added responsibility under Jaissle.

It said it all that Wissa, a forward, won more duels (11) than any other Newcastle player on Sunday.

“The manager expects me to be a leader and lead the group,” the 29-year-old told Sky Sports.

“He wants me to be winning balls, making sure everyone is going forward, going for the kill, and sometimes just be calm.”

Jaissle saluted Wissa’s display, even if he could not help but add he also had the chance to “kill the game” to make it 3-1.

This was Newcastle‘s achilles heel last season.

No other side dropped more points (27) from winning positions in 2025-26 and predecessor Howe was the first to admit last May that “anything can happen” after he was asked if such a habit could seep into this campaign.

Yet the reaction of those Newcastle supporters who stayed behind to applaud afterwards was telling on Sunday.

“We were there for each other if something went wrong,” Jaissle said of his players.

“We acted like a unit. In such a short amount of time, this is a top starting point and the frustration was there as well, but these are the challenges we have now.

“With the pre-season, with the transition phase, it’s normal. Today someone threw stones in the way and we need to take that out to be successful again.”

After leading Leeds to safety, Farke had threatened to quit, saying he is “not the right choice” to lead the club if they fail to match his ambition in the summer.

The club hierarchy listened and backed the German in the transfer market in the summer, investing about £80m on new arrivals.

Three of them started for Leeds in their season opener and encouragingly for Farke offered early signs of promise.

Goalkeeper James Trafford justified the £45m – a record for a British goalkeeper – Leeds paid to Manchester City for his services with some decisive stops.

Bosnia-Herzegovina defender Tarik Muharemovic not only put in a solid shift in defence but also proved he is a weapon from set-pieces as he tested Forest goalkeeper Matz Sels with a towering header at the other end.

Harry Wilson, who signed for free after 10 goals and seven assists for Fulham last season, almost marked his debut with a goal before he was denied by the offside flag.

“From the very first minute they walked into the building, they have shown their quality,” Ampadu said.

“They have shown why they have been brought in to try and help us get to the next level. They’ve shown that hunger and drive to take Leeds to a better place so that has been very good.”

Farke also echoed his captain’s sentiments, saying: “I am very happy because they have big boots to fill.

“Trafford is a good player but he hasn’t played that many Premier League games, Tarik too. So they both shined and showed why we agreed to sign them, but the whole group was excellent today.

“Wilson too was excellent. The vibe and mood is good around the place,” said Farke, who is now the third-longest-serving manager in the league after Arsenal‘s Mikel Arteta and Aston Villa‘s Unai Emery.

With new arrivals making an immediate impact and old faces such as Stach continuing to deliver the goods, Leeds have every reason to believe this season could be their best yet under Farke.

People picking this side of the plane could get a lot less – and for some that could actually be a good thing

When aircraft manufacturers like Boeing and Airbus build planes, they design the windows to line up perfectly with standard, comfortable legroom (usually a 31-to-32-inch seat pitch). But most budget airlines make a change to their seating set-up that some passengers might actually prefer.

Because aircraft seats are mounted on floor tracks, airlines can move them freely. Budget airlines like Ryanair, Jet2, TUI and Easyjet will often deliberately push the seat rows much closer together (down to a tight 28-to-29-inch pitch) to fit extra rows onto the plane.

Although the seats move, the window cut-outs in the metal body of the plane stay. It’s this shrinking legroom that instantly forces the seats and windows out of sync.

Most window seats that passengers pick will have a view out of the plane, but some are known to have restricted views. In some cases, there are seats that have no window at all.

While this might sound like a complaint waiting to happen, some people may actually see this as a perk. Unlike the ‘extra legroom’ trick, this flat surface offers the best spot for those wanting to take a nap during their flight – or those nervous fliers who would rather not know what being 30,000ft in the air looks like.

Certain people claim that the window-free wall space offers a great place to rest a pillow. These misaligned seats often run down the left-hand side of the plane.

For people wanting to benefit from less of a view, check your plane’s seating chart before confirming your choice. You can often see how the window situation will work.

• Ryanair (Boeing 737-800): The misalignment runs heavily down the left side of the aircraft. It is so pronounced that Seat 11A and 11F often has no window at all.
• EasyJet (Airbus A319/A320): Highly noticeable misalignment on the left-hand side. The final rows (Row 31 on A320s and Row 26 on A319s) are completely windowless as well as certain overwing exit rows which may also have slightly altered alignment.
• Jet2 (Boeing 737-800 or Airbus A321neo): On their Boeing 737s, you will find the Jet2 windows out of alignment past the front bulkhead. If you book an “A” seat on the left, you will frequently find yourself staring directly at the plastic pillar between two windows rather than out of the glass.
• TUI (Boeing 737 MAX or 787 Dreamliner): On TUI’s short-haul Boeing 737s, the misalignment works exactly like Ryanair and Jet2 models. However, if you are flying on TUI’s long-haul Boeing 787 Dreamliner, the rule does not apply as long-haul aircrafts usually maintain standard legroom pitches, meaning the seats and windows stay properly aligned.

If your goal is to sleep on your next flight, sitting on the left side (Seats A) of a short-haul flight on these airlines gives you a higher statistical chance of getting a solid wall or a heavily forward-shifted window to rest your head against.

If you actually want to enjoy the view, you are better off sitting on the right side (Seats F). Booking these seats may also offer a little ‘extra’ legroom at a fraction of the cost.

Taryn Brasher and Kristen Cruz clinched an AVP Manhattan Beach Open three-peat on Sunday, sweeping Kelly Cheng and Megan Kraft.

It was the tournament’s first three-peat since Misty May-Treanor and Kerri Walsh Jennings won four straight titles from 2005-08.

Brasher and Cruz, the top-ranked women’s pro beach volleyball team out of Louisiana State, rolled past Cheng and Kraft 2-1 (21-18, 21-16).

Brasher and Cruz took a commanding 4-1 lead to start the first set, the first of back-and-forth surges by both sides. Cheng and Kraft tied the set at 15, but Brasher and Cruz pulled ahead for the 21-18 win.

Kristen Cruz dives for a dig during the AVP Manhattan Beach Open women’s final at Manhattan Beach Pier on Sunday.

(Ronaldo Bolaños / Los Angeles Times)

Taryn Brasher, left, and Kristen Cruz celebrate after defeating Kelly Cheng and Megan Kraft during the AVP Manhattan Beach Open women’s final Sunday.

(Ronaldo Bolaños / Los Angeles Times)

Brasher and Cruz kept the pressure on during the second match, pulling ahead early 8-6 and leading by as much as 17-12 before closing out the victory.

On the men’s side, Andy Benesh and Taylor Crabb defeated Thomas Hurst and Gage Basey in two sets (21-14, 21-13) to clinch the tournament title.

Crabb previously clinched a Manhattan Beach Pier bronze plaque, but it was Benesh’s first time winning the open.

Crabb and Benesh took a commanding 8-3 lead in the first set with all of the energy flowing on their side. Hurst and Basey rallied to cut the deficit to 8-7, but Benesh ended the scoring drought with a monster block.

Taylor Crabb dives for a ball during the AVP Manhattan Beach Open men’s final at Manhattan Beach Pier on Sunday.

(Ronaldo Bolaños / Los Angeles Times)

Andy Benesh, left, spikes the ball under pressure from Thomas Hurst.

(Ronaldo Bolaños / Los Angeles Times)

Andy Benesh and Taylor Crabb stand alongside friends and family after winning the AVP Manhattan Beach Open on Sunday.

(Ronaldo Bolaños / Los Angeles Times)

Benesh and Crabb added to their lead to 13-8 with back-to-back blocks and rolled to a 21-14 win.

The duo led early in the final set and had little trouble delivering a 21-13 victory.

Crabb had 10 kills and 14 digs during the match, with many of the kills coming during the second set. Benesh closed with 14 kills and eight blocks.

When the doors to the emergency room in “The Pitt” swing open and a new patient arrives, we, like the doctors, are on high alert, wondering what the acclaimed medical drama is about to throw at us.

We know two things: The actors will be superb. And it’s best not to become too attached to the characters they’re playing.

Five of those actors earned Emmy nominations for Season 2 guest turns on “The Pitt” last month, a long-overdue return to the time when the guest categories regularly rewarded working actors doing exemplary work.

Even better: Two of the five “Pitt” nominees self-submitted their performances after HBO Max, looking to streamline its submissions in the guest categories, did not put them forward.

If you watched the second season of the show, you could probably name the actors who made the Emmys’ guest list: Tina Ivlev, heartbreaking as the sexual assault survivor; Brittany Allen, poignant as the dying mom; Tal Anderson, combative and funny as Dr. King’s neurodivergent sister, who craves independence from her protective sibling; Ernest Harden Jr., devastating as the doomed Louie; and Jeff Kober, who, playing Dr. Robby’s motorcycle mechanic, has some of the most affecting scenes in the season.

HBO Max entered Ivlev, Harden and Anderson, leaving Allen and Kober to pony up the $225 to submit themselves, joining the ranks of 84 entrants for guest actor and 51 for guest actress. (To be eligible to compete in guest, actors must appear in less than 50% of a show’s eligible episodes.) Eight other actors appearing on “The Pitt” also self-submitted.

“The three actors that HBO put forward delivered beautiful, human work that resonated deeply with audiences, and they were in a tough position having so many actors who had all delivered great performances,” Allen told me over a call from her Pasadena home.

“Though at first there was a moment of disappointment, I quickly moved on from that,” Allen continues. “I didn’t take it personally because as an actor, you get good at not taking things personally.”

Kober, calling from the Valley, signs off on that sentiment. He won a daytime Emmy in 2022 for “General Hospital” after he submitted himself.

“I guess that’s how the Emmys work for me,” he says, laughing. “I don’t know any other way.”

There is precedent for self-submission success at the Emmys. Three “Game of Thrones” cast members — Gwendoline Christie, Alfie Allen and Carice van Houten — entered themselves in 2019 and were nominated. Kelly Jenrette did the same in 2018 for “The Handmaid’s Tale” and earned a nod.

For Allen, it came down to believing in herself and the work she did on “The Pitt.” As her seven-episode arc aired, strangers often stopped her at her local Trader Joe’s and at the park with her 3-year-old son to tell her how moved they were by her performance and her character Roxie’s decision to accept that her life was coming to an end and say goodbye.

But, good as it was and seen as it was, that work didn’t translate into landing an agent. Having recently turned 40, Allen figured she had nothing to lose, having reached an age where she wasn’t “as worried about being perceived as the quiet little girl who doesn’t ruffle any feathers.”

In a challenging industry, that approach has resonated deeply with her peers.

“I’ve had similar moments in the past where I’ve had a memorable role on a high-profile show and I’ve thought, ‘Maybe this will make it a little easier moving forward’ and it hasn’t,” Allen says. “So if ever there was a time to go, ‘I’m going to try to put my name out there in a way that might make me a little more bankable,’ this is it.”

Kober, 72, has had ups and downs over the course of his 40-year acting career and like Duke, the grounded mentor he played on “The Pitt,” he possesses a calm acuity when talking about the profession.

“Acting is the most profoundly spiritual career a person could have because you don’t get into it unless you need approval, and then when you get that approval, you find it doesn’t do a thing for you,” Kober says. “Then you’ve got to find a way to do something with this thing you love that isn’t about getting approval. It’s only when you’re not working for that when you know the work matters.”

With his shoulder-length hair, goatee and go-with-the-flow manner, Kober gives off distinct vibes of another Jeff — Jeff “The Dude” Lebowski.

“I have heard that comparison made,” Kober says, smiling.

Both Kober and Allen express deep appreciation for “The Pitt” as a workplace where actors can come in and do the kind of work that they aspire to do, work that resonates with audiences and reminds them why they entered the profession in the first place.

“I love being on set,” Allen says, “so going to Warner Bros. every morning as the sun rose and watching that miniature city come to life and having the privilege of working in an environment that is so ripe for accessing truth and play and shared humanity was a gift. When Roxie came along, I saw it as the epitome of what I want to offer as an actor and as a person in this life.”

Because of her character’s fate, Allen will not be returning to “The Pitt.” The fate of Duke, diagnosed with a life-threatening ascending aortic aneurysm, is ambiguous. Dr. Robby encourages him to follow up with further tests, which Duke agrees to do if Robby promises to return from his sabbatical and let him take his Triumph Bonneville for a ride.

So … Duke’s coming back, right?

“One would think,” Kober says, hopeful. But then, he jokes that maybe there will be a line next season where someone in the ER says, “Did you hear about Duke? What a shame.”

“Or he could come back in Season 4, who knows,” Kober adds, noting he has heard nothing from the show’s producers. “One thing I’ve learned over the years as an actor is the importance of letting go. That’s the life of an actor.”

THREE steps. That was all it took to go from my villa’s back door to the pool.

Around me, the gentle hum of cicadas and the fragrant breeze of Mediterranean flora filled the air.

It was everything I had imagined rural Greece to be, and more.

While I was on the popular island of Crete, Ella Resorts’ Rocrita sits on the quieter, eastern side where many tourists don’t venture.

For miles around, the only views are of the shimmering Aegean and a blanket of green olive groves across the rolling hills.

The all-inclusive 5* resort only opened a few months ago, so everything still had that new feel and fresh scent.

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Rooms range from deluxe to two-bedroom suites, many with swim-up pool access.

My earthy-toned villa had a spacious bedroom with customisable lighting, and a plush lounge with stylish sofas, a Nespresso machine, TV and writing desk.

The lounge also had a mini-fridge, restocked daily with complimentary soft drinks.

The bathroom had all the essentials plus a few luxuries — think high-end exfoliating loofahs and boujee body lotion.

When you aren’t in your swim-up pool, there are other pools across the resort lined with loungers looking out to the ocean.

Sprawled in a cabana by one of the main pools with a spritz, I tucked into a freshly made pistachio tiramisu from the street food hub right next to the pool — just one of many mouthwatering desserts to tempt you.

Guests can also enjoy direct beach access to a quiet stretch of coast, dotted with the comfiest beanbag loungers I’ve had the pleasure of laying on.

Families are well-served, with a Ninja Warrior-style obstacle course suspended over a pool, a creche and a kids’ club.

Couples can head to Roée Spa for a treatment, plus steam rooms and a sauna.

And when it came to dining, I was spoilt for choice with six à la carte and buffet restaurants.

These featured a wide mix of cuisines curated by Michelin-star chefs including traditional Greek dishes as well as Italian and Mexican.

At Smigo, there were cold and warm plates, freshly made bread and locally caught seafood.

It was a feast for the eyes as well as the stomach, with colourful, fragrant ingredients in every dish.

The star of the show, though, was definitely breakfast — in fact, it was the biggest I’ve ever seen.

Spread across four buffet stations, there were all the breakfast items I could think (or dream) of, including semolina pudding, fresh pastries, antipasti, fully cooked breakfast items, pancakes, yoghurt, omelettes, cakes, fresh fruit . . .  the list goes on.

Without exaggerating, I ate so much each morning I didn’t need to have lunch.

For a tipple, there were four bars, including one stocking 300 local and international wines.

There’s enough to do that you needn’t leave the resort, but staff can arrange excursions if you want to explore.

Try the historic island of Spinalonga, an hour’s drive away.

Once a Venetian fortress, the island later became a leper colony — which was one of the last in Europe, before being abandoned and left as it is, with the same sights on the island there today.

A ferry runs every half hour and costs €12 (£10.44) return.

For something slower-paced, head up into the mountains to the 15th-century Toplou Monastery, where you can taste a flight of eight organic wines including white, rose and red.

To accompany the wines you’ll get a plate of cheeses, olives, figs, breadsticks and oil, and a host talking you through how the wine is made and the history of the monastery.

Whether I’d spent the day uncovering the history of a forgotten island or tasting wine in the hills, the best part was always returning to my villa in this untouched corner of Greece, sliding into my swim-up pool with a glass of local wine in hand and floating to the familiar soundtrack of the cicadas.

Thursday’s defeat – which drops Rangers into a Conference League play-off against Czechs Jablonec – comes on the back of the nightmare news Youssef Chermiti was ruled out with a long-term knee injury just after Rangers rejected a big-money bid for the 22-year-old.

It means Rangers have had to set their sights on recruiting a new striker in addition to the wingers and defenders McInnes had already targeted. He says the club are “working so hard to get the necessary type of players”, with PSV Eindhoven winger Couhaib Driouech set to be the latest arrival.

Halliday thinks the squad “shouldn’t be that imbalanced this late into the transfer window” and reckons they need “three centre-halves, one left-back, two, arguably, three wingers”.

“But the current squad that’s available should be enough to beat Dundee United, it should be enough to beat Hibs and, to be honest, it should be enough to beat Jagiellonia Bialystok,” he said.

Rangers were obviously hoping reuniting McInnes with Lawrence Shankland would be a winning formula after they went so close to wrenching the title away from Celtic while at Hearts last season.

However, former Rangers striker Steven Thompson thinks Shankland is already finding out the extra pressure he faces as the club’s new captain.

“It’s the weight of playing for Rangers, the weight of not having the start that he wanted, and the weight of taking a bad touch,” he said.

“At previous clubs, if you take a bad touch and give it away, you might get a few pelters. Here tonight, when Lawrence Shankland’s link-up play wasn’t that good or he should’ve had a shot when he didn’t, they are on you and it is going to take him a bit to get used to that I think. It’s not physical, it’s mental.”

Dodgers southpaw Blake Snell called his shot.

It wasn’t quite Babe Ruth pointing from the batter’s box. The moment won’t make its way into any movie. But Snell did tell manager Dave Roberts over text message that he was going to throw six innings in his first start back from the injured list after undergoing surgery to remove loose bodies from his elbow.

Then, en route to a 5-4 walk-off Dodgers victory in 10 innings against the Royals, Snell did just that.

“I knew that’s what the plan was coming in, and I really wanted to execute that plan,” Snell said after limiting the Royals to one run and three hits.

Despite Snell’s resume, the two-time Cy Young winner wasn’t guaranteed a smooth return. It had been three months since he’d last started a major-league game. And it was only his second start of the season, after a late buildup in spring training due to shoulder fatigue, a May season debut against the Braves, and surgery shortly after.

Eventually getting back this version of him, however, was key to the Dodgers’ postseason aspirations.

“I think the biggest thing was just being aggressive,” Snell said. “Be in the zone, attack. I know how good my stuff is, so I didn’t want to just be nibbling and then complaining like, ‘Oh that’s a strike.’ I didn’t want to do any of that again like I did versus Atlanta.”

That was a short and not so sweet season debut. He exited after three innings, having put his team in a five-run (four earned runs) hole.

The difference Tuesday was “stark,” as Roberts put it.

To clear room on the roster to activate Snell, the Dodgers (72-48) optioned left-handed pitcher Charlie Barnes to triple-A and transferred right-handed reliever Blake Treinen (right elbow inflammation) from the 15-day IL to the 60-day. Though he has not yet begun a minor-league rehab assignment, manager Dave Roberts said Treinen has not had a setback.

Snell, who had 10 strikeouts Tuesday, kept the Royals off balance all night leaning on a fastball that had a little extra life to it, a curveball that generated a 63% whiff rate, and a changeup that was especially effective against right-handed hitters.

Max Muncy and teammates celebrate after his walk-off single Tuesday.

(Eric Thayer / Los Angeles Times)

“I was more calm than I thought I was going to be, so that was good,” Snell said. “But the curveball’s finally coming back to how I remember it being. It was always a pitch that was a wipeout, I could throw it, but now I’m finally releasing it where I need to release it. And I’m kind of releasing everything in the same slot out in front.”

Counterintuitively, Snell pointed to his last rehab start, in high-altitude Salt Lake City, as another factor that helped lock him in for Tuesday. It’s a notoriously difficult place to pitch, with the thin mountain air affecting the way the ball moves.

“To have that start and be that frustrated pitching knowing that I can’t throw anything that I want with any shape,” Snell said, “to be able to come here and just pitch and know I can throw a curveball where I want, whenever I want, and a fastball, that felt way better.

“But Salt Lake was so difficult. Oh my God. If I played in Salt Lake growing up, I don’t know if I’d be here today.”

Roberts set expectations low in his pregame availability, saying the hope was to get Snell through five innings. Snell had other plans.

He struck out the side in the first inning and retired the first 10 hitters he faced.

When he finally gave up back-to-back singles to the Royals’ Bobby Witt Jr. and Jac Caglianone, neither was particularly well struck — a soft line drive and a grounder that found a hole on the right side of the infield.

With runners on the corners and one out, Snell gave up the only run of his start, on a sacrifice fly by Salvador Perez.

The next inning, Snell worked around a leadoff hit — a blooper into shallow right field that speedy Tyler Tolbert stretched into a double — and a stolen base, to strand Tolbert at third.

Back out for the sixth, Snell retired the side in order. He finished his outing by getting Perez to chase a changeup below the zone and pop it up behind second base.

“He was fantastic tonight,” Roberts said. “And you know we pushed him a little bit into the six and through the six, but just because he was so efficient, certainly that extra inning was huge for us.”

It was especially important once the back and forth in late innings pushed the game into extras.

Hard-throwing right-hander Seth Halvorsen tossed a scoreless tenth inning in his Dodgers debut, setting up Max Muncy for a walk-off single in the bottom half of the inning.

“That’s the Snell that we’re used to seeing,” Muncy said. “And hopefully we have him for the next two, three months — for the long run.”

JON Cypher, the actor who played Prince Charming in the original TV production of Cinderella, has died at the age of 94.

A family announcement said the thespian died at his home in Central Point, Oregon, on August 3.

His wife of 40 years Carol Rosin was by his side.

The cause of death has not been disclosed.

Jon will perhaps be well-known as the ambitious police chief Fletcher Daniels on the long-running Hill Street Blues.

He appeared throughout the acclaimed TV drama.

Jon also had a prominent role as General March Craig on Major Dad.

He, though, had a long list of credits including Dynasty, Knots Landing, Walker, Texas Ranger, Law & Order, As the World Turns, Santa Barbara and JAG.

Jon first appeared on the small screen alongside Julie Andrews in Rodgers and Hammerstein’s live 1957 CBS broadcast of Cinderella.

At the time, Jon was a virtual unknown,

The big-budget production aired live and in color on CBS in March 1957.

It attracted an audience of more than 107million, more than 60 per cent of US households tuning in.

He went on to play Man-At-Arms in the 1987 film Masters of the Universe.

Jon also made regular appearances on Broadway, with credits including Man of La Mancha, The Great White Hope, Big, Coco and 1776.