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Dec. 23 (UPI) — The Department of Justice Tuesday released a third cache of files from the Jeffrey Epstein case, including flight logs that show President Donald Trump flew on Epstein’s plane more than has been reported.

The logs show Trump flew on Epstein’s plane at least eight times in the 1990s. One of those flights included an unnamed 20-year old woman.

The documents are released to comply with the Epstein Files Transparency Act, which became law on Nov. 19, though the Justice Department didn’t release all the files on time.

Epstein was an American billionaire financier who was a convicted sex offender. He died by suicide in jail while awaiting trial.

The information about the flights comes from an email sent in January 2020 from a New York federal prosecutor to an unnamed person. The email doesn’t accuse Trump of any wrongdoing.

“For your situational awareness, wanted to let you know that the flight records we received yesterday reflect that Donald Trump traveled on Epstein’s private jet many more times than previously has been reported (or that we were aware), including during the period we would expect to charge in a [Ghislaine] Maxwell case,” the email said.

Ghislaine Maxwell, Epstein’s accomplice, is serving time for sex trafficking.

It said Trump “is listed as a passenger on at least eight flights between 1993 and 1996, including at least four flights on which Maxwell was also present. He is listed as having traveled with, among others and at various times, Marla Maples, his daughter Tiffany, and his son Eric,” it said.

“On one flight in 1993, he and Epstein are the only two listed passengers; on another, the only three passengers are Epstein, Trump, and then-20-year-old [redacted]. On two other flights, two of the passengers, respectively, were women who would be possible witnesses in a Maxwell case.”

The Justice Department said there were multiple references to Trump in the latest release. It called some of the mentions “untrue and sensationalist claims.”

“The Department of Justice has officially released nearly 30,000 more pages of documents related to Jeffrey Epstein. Some of these documents contain untrue and sensationalist claims made against President Trump that were submitted to the FBI right before the 2020 election. To be clear: the claims are unfounded and false, and if they had a shred of credibility, they certainly would have been weaponized against President Trump already,” the department said on X.

“Nevertheless, out of our commitment to the law and transparency, the DOJ is releasing these documents with the legally required protections for Epstein’s victims.”

HAVE you ever wanted to feel like you are drifting in space? Well, you can at a new planetarium coming to the UK with cheap tickets.

A new planetarium attraction will be popping up across the UK throughout 2026.

The planetarium will initially pop-up in London, before travelling to Sheffield, Hull, Manchester and then finally, Northampton.

The first destination where the Planetarium Go! experience will take place is at Battersea Power Station in South London, between January 30 and March 1.

It will then head to Sheffield from March 6 to 28, then Hull between April 3 and 25, then Manchester from May 1 to 23 and Northampton between May 29 and June 21 – though specific destinations have not been revealed yet.

Inside, the planetarium will feature a 360-degree screen which will show different films either science-related or of fictional stories and each will last between 20 to 35 minutes.

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And of course, some visitors will be able to travel through space.

The experience itself will be in a large, spherical pop-up dome and different film showings will be suitable for different age groups.

For example, you could opt to watch ‘Exploring The Solar System + The Ring World’, a film that takes visitors on an exploration of the solar system, seeing Venus, Mars and the moon.

Viewers will the head to ‘The Ring World’ to see a star and find out whether humans could live on other planets.

For younger kids, ‘3-2-1 Lift Off’ might be better; visitors follow Alan the hamster scientist, who discovers a robot that has crashed from outer space.

There is also ‘From Earth to the Universe’, a documentary film lasting 30 minutes that is more of an educational option for kids aged over 10-years-old.

The planetarium will be open at Battersea Power Station Monday to Thursday and Sunday between 10am and 7:10pm and on Friday and Saturdays between 10am and 9pm.

Tickets cost from £15 per person or £12 for students and children under four go free.

If heading to the planetarium whilst it is at Battersea Power Station, there are a number of other attractions there to explore as well, so you can make it a day out.

Until January 4, visitors can head to the Jurassic World: The Experience at Neon at Battersea Power Station.

Inside the experience visitors can explore 10 immersive zones across two floors.

You can walk under a giant Brachiosaurus, look around the genetics lab and even meet Blue the Velociraptor from the Jurassic World films.

The experience costs £36.70 per adult and £29.55 per child.

Alternatively, there is the Lift 109 experience, which recently had a refresh.

Visitors can travel 109 metres up a chimney that makes you feel as if you are in Charlie and the Chocolate Factory.

The lift then appears out of the top of the chimney and boasts panoramic views of London.

There is also a small museum experience with a number of interactive features ideal for families, including a touchscreen quiz table.

Tickets cost from £16 per person when booked online, or £24 on the day.

In other attraction news, here’s everything you can do at one of London’s most popular attractions before it closes ahead of £240million renovation.

Plus, the 20 most-visited attractions in England that are completely free to enter.

Barry Manilow has been diagnosed with lung cancer and will be postponing his January concerts.

“I’m very sorry that you have to change your plans,” the “Mandy” singer wrote in a statement posted to Instagram on Monday revealing his diagnosis. According to Manilow, his doctors had discovered “a cancerous spot” on his left lung that he will have surgically removed.

“As many of you know I recently went through six weeks of bronchitis followed by a relapse of another five weeks,” Manilow wrote in the statement. “Even though I was over the bronchitis and back on stage at the Westgate Las Vegas, my wonderful doctor ordered an MRI just to make sure that everything was OK.”

The “Copacabana (At the Copa)” singer said it was “pure luck” that the cancer was found early and that his doctors “do not believe it has spread.” He added that he is taking additional tests to confirm that diagnosis.

“[N]ow that the Christmas A Gift of Love concerts are over I’m going into surgery to have the spot removed,” Manilow continued in his statement. “So that’s it. No chemo. No radiation. Just chicken soup and I Love Lucy reruns.”

The January arena concerts have been rescheduled because recovery from the surgery will take a month, said the 82-year-old singer, whose hits also include “Could It Be Magic,” “I Write the Songs” and “Weekend in New England.” The new dates, starting in late February and continuing through April, were included in the Instagram post. Ticketholders for the canceled shows will be able to reschedule to the new dates.

Manilow also noted his next scheduled performances will be over Valentine’s Day weekend back at the Westgate Las Vegas, where he has a lifetime residency.

“Something tells me that February weekend is going to be one big party,” Manilow wrote, before wishing his fans “a wonderful Christmas and New Year.” “And remember, if you even have the slightest symptom… get tested!”

Dianne Buswell made Strictly Come Dancing history this year as the first dancer to take to the ballroom and compete whilst pregnant, and the show’s tribute to her pregnancy left fans in tears

Strictly Come Dancing gave a special tribute to Dianne Buswell‘s pregnancy during the live final. The dancer, who competed with fellow Aussie Stefan Dennis this year, was the first to compete on the show whilst pregnant.

During the final, the eliminated couples all took to the dancefloor again for a big group dance. When Dianne and Stefan performed their part of the routine, Strictly first paid tribute to Stefan’s legendary run on the TV show Neighbours by framing the couple as though they were in the title credits for the soap.

As the tribute continued, fans noticed another little tribute to Dianne’s pregnancy. The words that came up on the screen read: “Starring Stefan, Dianne and Bump!”

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This tribute left fans in tears. One took to X to say: “‘And Bump’ is the moment I burst out crying, oh my God I’m such a wreck.” Another said: “Dianne and bump I’m sobbing!!”

Others used the moment to come to the dancer’s defence. “Can we give Dianne her own little trophy because that girl deserves it and more. The amount of hate, criticism and judgment she’s received the whole series just because she showed everyone you can still live out your passions even if you’re pregnant. What a woman.”

Throughout her time on the series this year, Dianne has faced heaps of scrutiny for continuing to dance, with many worried about how the cartwheels and running up and down stairs would affect the baby. The criticism came despite Dianne getting assurances from a doctor that dancing would be safe for the baby.

Dianne herself had to take to social media to hit back at trolls who said they “can’t watch a pregnant girl dance”. She shared a clip to her Instagram where she did a cartwheel and wrote over the top: “For all those people saying they can’t watch a pregnant girl dance! I just can’t help it when I hear the beat.”

She also shared a post to her Stories where she shared how much she hated the comments. Over a screenshot of a comment that said they were “uncomfortable” watching Dianne dance and that they felt the BBC had “made a mistake” by letting an “advanced maternal age mother” dance, Dianne wrote: “I have honestly had enough of comments like these.”

These were not the only times Dianne had to defend herself. After Stefan Dennis exited the show following an injury, one fan said they thought it was a set up to “keep her and baby safe”. A frustrated Dianne shared a statement on Instagram.

“I sound like a broken record but I’m seeing a bit of this floating around again! I know people say ignore it but actually why should I,” she said on her Instagram stories.

“I will speak up… I would love nothing more than to keep dancing this week next week the week after that so so on and so forth. In fact I have more energy this year than I did this time last year.”

She added: “Please respect Stefan who is extremely gutted to not be able to dance and stop presuming this was a set up! because believe me we would if we could!”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Joe Root avoids being given out for one after review shows an edge behind drops just short of Australian wicketkeeper Alex Carey, with England 42-3, still 329 runs behind Australia’s first innings score of 371 on day two of the third Ashes Test in Adelaide.

FOLLOW LIVE: The Ashes third Test – day two

Available to UK users only.

Latinos remain severely underrepresented in the television industry, according to UCLA’s latest Hollywood Diversity Report.

Released Tuesday, the report examined the top 250 series available on streaming, including both library offerings and current titles. Overall, it revealed a steep fall in cultural diversity among 2024’s top comedies and dramas, as well as fewer projects created by people of color and women.

For Latinos, representation on screen and behind the camera is scarce. Only 1.1% of the top streaming scripted shows were created by Latinos. Of the top streaming comedies and dramas, 3.3% had Latino lead actors and 5.2% were co-led by Latino actors. When looking exclusively at current streaming shows (excluding library titles), 1.1% were created by Latinos and 6.2% were led by Latino actors.

UCLA’s Hollywood Diversity Report dates back to 2014. The first iteration of the study used data that had been collected since 2011. Ana-Christina Ramón, UCLA’s director of the Entertainment and Media Research Initiative, says that this level of underrepresentation across all kinds of media is nothing new.

“It’s a consistent finding in our reports. But the numbers are such a stark level of underrepresentation because of the fact that we’re almost 20% of the population,” said Ramón. “Even when the numbers are a little bit better, they’re never close to where they should be.”

This lack of representation isn’t exclusive to the Latino population. The report found that four out of five leads in the most-watched streaming comedies and dramas were white actors, and white men account for nearly 79% of all show creators — leaving nearly every other race and ethnicity severely marginalized.

The downward trend comes at a time when President Trump has consistently targeted and called to end all diversity, equity and inclusion efforts. As a result, much of Hollywood has followed his lead. Paramount Global changed its staffing goals related to gender, race, ethnicity and sex; Warner Bros. Discovery restated its DEI activities as “inclusion”; and Walt Disney Co. got rid of its “diversity and inclusion” performance standard used to calculate executive compensation.

These findings generally defy American audiences’ preference for diverse content. The research shows that “a relatively diverse cast and diverse credited writers often resulted in higher ratings,” especially when these stories from diverse communities are live-action and scripted.

This trend isn’t isolated to television — eight of 2024’s top 10 streaming films and 14 of the top 20 streaming films featured casts with more than 30% people of color, according to previous UCLA research.

Despite the lack of Latino representation, Netflix’s narco-drama starring Sofia Vergara, “Griselda,” was the fifth-most-streamed television of 2024. In Latino households specifically, it reached third place, behind children’s TV shows “Bluey” and “Bebefinn.”

“The silver lining is that [‘Griselda’] was very popular, and though it’s a stereotypical topic, because it was made by the same people that made ‘Narcos,’ it had a prestige factor that gets passed along,” said Ramón.

She finds that the shows that tend to do well have to have a well-known lead actor, be of an interesting topic and be attached to something that is already established or popular. In 2023, the report included Netflix’s “Wednesday” at the fourth-most-streamed show and “The Last of Us” at No. 7, both shows featuring Latino lead actors.

All three titles “have a high production value and are familiar stories” — as “Griselda” was based on a true story, “Wednesday” builds off the IP of “The Addams Family” and “The Last of Us” is based on a video game.

“Regardless of which [ethnic] group you’re talking about, it really has to do with these very specific pieces,” said Ramón. “The very promising finding is the fact that underrepresented stories, which include Latinx stories and other BIPOC stories, tend to do better than shows that don’t, in terms of reviews and ratings.”

When word came of Rob Reiner’s senseless death, America fell into familiar rites of mourning and remembrance. A waterfall of tributes poured in from the twin worlds — Hollywood and politics — that the actor, director and liberal activist inhabited.

Through the shock and haze, before all but the sketchiest details were known, President Trump weighed in as well, driving by his diarrhetic compulsion to muse on just about every passing event, as though he was elected not to govern but to serve as America’s commentator in chief.

Trump’s response, fairly shimmying on Reiner’s grave as he wrongly attributed his death to an act of political vengeance, managed to plumb new depths of heartlessness and cruelty; more than a decade into his acrid emergence as a political force, the president still manages to stoop to surprise.

But as vile and tasteless as Trump’s self-pitying statement was — Reiner, he averred, was a victim of “Trump Derangement Syndrome” and, essentially, got what he deserved — it also pointed out a singular truism of his vengeful residency in the Oval Office.

In recent decades, the nation has had a president who lied and deceived to cover up his personal vices. Another who plunged the country into a costly and needless war. A third whose willfulness and vanity led him to overstay his time, hurting his party and America as well.

Still, each acted as though he was a president of all the people, not just those who voted him into office, contributed lavishly to his campaign or blindly cheered his every move, however reckless or ill-considered.

As Trump has repeatedly made clear, he sees the world in black-and-white, red-versus-blue, us-versus-them.

There are the states he carried that deserve federal funding. The voters whose support entitles them to food aid and other benefits. The sycophants bestowed with medals and presidential commendations.

And then there are his critics and political opponents — those he proudly and admittedly hates — whose suffering and even demise he openly savors.

When Charlie Kirk was killed, Trump ordered flags be flown at half-staff. He flew to Arizona to headline his memorial service. His vice president, JD Vance, suggested people should be fired for showing any disrespect toward the late conservative provocateur.

By noteworthy contrast, when a gunman killed Minnesota’s Democratic former House speaker, Melissa Hortman, Trump couldn’t be bothered with even a simple act of grace. Asked if he’d called to offer his condolences to Minnesota Gov. Tim Walz, a personal friend of Hortman, Trump responded, “Why waste time?”

This is not normal, much less humane.

This is not politics as usual, or someone rewarding allies and seeking to disadvantage the political opposition, as all presidents have done. This is the nation’s chief executive using the immense powers of his office and the world’s largest, most resonant megaphone to deliver retribution, ruin people’s lives, inflict misery — and revel in the pain.

There were the usual denunciations of Trump’s callous and contemptuous response to Reiner’s stabbing death.

“I’d expect to hear something like this from a drunk guy at a bar, not the president of the United States,” said Republican Rep. Don Bacon of Nebraska, who is retiring rather than seeking reelection in 2026. (Which may be why he was so candid and spoke so bracingly.)

But this time, the criticisms did not just come from the typical anti-Trump chorus, or heterodox Republicans like Bacon and MAGA-stalwart-turned-taunter Marjorie Taylor Greene. Even some of the president’s longest and loudest advocates felt compelled to speak out.

“This is a dreadful thing to say about a man who just got murdered by his troubled son,” British broadcaster Piers Morgan posted on X. “Delete it, Mr. President.”

More telling, though, was the response from the Republican Party’s leadership.

“I don’t have much more to say about it, other than it’s a tragedy, and my sympathies and prayers go out to the Reiner family and to their friends,” Senate Majority Leader John Thune told CNN when asked about Trump’s response. House Speaker Mike Johnson responded in a similarly nonresponsive vein.

Clearly, the see-and-hear-no-evil impulse remains strong in the upper echelons of the GOP — at least until more election returns show the price Republicans are paying as Trump keeps putting personal vendettas ahead of voters’ personal finances.

One of the enduring reasons supporters say they back the president is Trump’s supposed honesty. (Never mind the many voluminously documented lies he has told on a near-constant basis.)

Honesty, in this sense, means saying things that a more temperate and careful politician would never utter, and it’s an odd thing to condone in the nation’s foremost leader. Those with even a modicum of caring and compassion, who would never tell a friend they’re ugly or call a neighbor stupid — and who expect the same respect and decency in return — routinely ignore or explain away such casual cruelty when it comes from this president.

Those who insist Trump can do no wrong, who defend his every foul utterance or engage in but-what-about relativism to minimize the import, need not remain in his constant thrall.

When Trump steps so egregiously over a line, when his malice is so extravagant and spitefulness so manifest — as it was when he mocked Reiner in death — then, even the most fervent of the president’s backers should call him out.

Do it, and reclaim a little piece of your humanity.

Hours after Rob Reiner and his wife, Michele, were found dead in their home in what is shaping up to be a heartbreaking family tragedy, our president blamed Reiner for his own death.

“A very sad thing happened last night in Hollywood. Rob Reiner, a tortured and struggling, but once very talented movie director and comedy star, has passed away, together with his wife, Michele, reportedly due to the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME, sometimes referred to as TDS,” President Trump wrote on his social media platform. “He was known to have driven people CRAZY by his raging obsession of President Donald J. Trump, with his obvious paranoia reaching new heights as the Trump Administration surpassed all goals and expectations of greatness, and with the Golden Age of America upon us, perhaps like never before. May Rob and Michele rest in peace!”

Rest in peace, indeed.

It’s a message steeped in cruelty and delusion, unbelievable and despicable even by the low, buried-in-the-dirt bar by which we have collectively come to judge Trump. In a town — and a time — of selfishness and self-serving, Reiner was one of the good guys, always fighting, both through his films and his politics, to make the world kinder and closer. And yes, that meant fighting against Trump and his increasingly erratic and authoritarian rule.

For years, Reiner made the politics of inclusion and decency central to his life. He was a key player in overturning California’s ban on same-sex marriage and fought to expand early childhood education.

For the last few months, he was laser-focused on the upcoming midterms as the last and best chance of protecting American democracy — which clearly enraged Trump.

“Make no mistake, we have a year before this country becomes a full on autocracy,” Reiner told MSNBC host Ali Velshi in October. “People care about their pocketbook issues, the price of eggs. They care about their healthcare, and they should. Those are the things that directly affect them. But if they lose their democracy, all of these rights, the freedom of speech, the freedom to pray the way you want, the freedom to protest and not go to jail, not be sent out of the country with no due process, all these things will be taken away from them.”

The Reiners’ son, Nick Reiner, has been arrested on suspicion of murder. Nick Reiner has struggled with addiction, and been in and out of rehab. But Trump seems to be saying that if Nick is indeed the perpetrator, he acted for pro-Trump political reasons — which obviously is highly unlikely and, well, just a weird and unhinged thing to claim.

But also, deeply hypocritical.

It was only a few months ago, in September, that Charlie Kirk was killed and Trump and his MAGA regime went nuts over anyone who dared whisper a critical word about Kirk. Trump called it “sick” and “deranged” that anyone could celebrate Kirk’s death, and blamed the “radical left” for violence-inciting rhetoric.

Vice President JD Vance, channeling his inner Scarlett O’Hara, vowed “with God as my witness,” he would use the full power of the state to crack down on political “networks” deemed terrorist. In reality, he’s largely just using the state to target people who oppose Trump out loud.

And just in case you thought maybe, maybe our president somehow really does have the good of all Americans at heart, recall that in speaking of Kirk, Trump said that he had one point of disagreement. Kirk, he claimed, forgave him enemies.

“That’s where I disagreed with Charlie,” Trump said. “I hate my opponent and I don’t want the best for them.”

There’s a malevolence so deep in Trump’s post about Reiner that even Marjorie Taylor Greene objected. She was once Trump’s staunchest supporter before he called her a traitor, empowering his goon squad to terrorize her with death threats.

“This is a family tragedy, not about politics or political enemies,” Greene wrote on social media. “Many families deal with a family member with drug addiction and mental health issues. It’s incredibly difficult and should be met with empathy especially when it ends in murder.”

But Trump has made cruelty the point. His need to dehumanize everyone who opposes him, including Reiner and even Greene, is exactly what Reiner was warning us about.

Because when you allow people to be dehumanized, you stop caring about them — and Reiner was not about to let us stop caring.

He saw the world with an artist’s eye and awarrior’s heart, a mighty combination reflected in his films. He challenged us to believe in true love, to set aside our cynicism, to be both silly and brave, knowing both were crucial to a successful life.

This clarity from a man who commanded not just our attention and our respect, but our hearts, is what drove Trump crazy — and what made Reiner such a powerful threat to him. Republican or Democrat, his movies reminded us of what we hold in common.

But it might be Michael Douglas’ speech in 1995’s “The American President” that is most relevant in this moment. Douglas’ character, President Andrew Shepherd, says that “America is advanced citizenship. You’ve got to want it bad, because it’s going to put up a fight.”

Shepard’s rival, a man pursuing power over purpose, “is interested in two things and two things only — making you afraid of ‘it’ and telling you who’s to blame for ‘it.’ ”

Sound familiar?

That our president felt the need to trash Reiner before his body is even buried would be a badge of honor to Reiner, an acknowledgment that Reiner’s warnings carried weight, and that Reiner was a messenger to be reckoned with.

Reiner knew what advanced citizenship meant, and he wanted badly for democracy to survive.

If Trump’s eulogy sickens you the way it sickens me, then here’s what you can do about it: Vote in November in Reiner’s memory.

Your ballot is the rebuke Trump fears most.

And your vote is the most powerful way to honor a man who dedicated his life to reminding us that bravery is having the audacity to care.

United States President Donald Trump has eased sanctions on Belarus after it freed more than 100 political prisoners.

But stiff European sanctions remain in place against the close Russian ally.

Why has the US deal been struck now, and what is the reaction in Russia, Ukraine and the European Union?

Presenter: Adrian Finighan

Guests:

Sviatlana Tsikhanouskaya – Belarusian opposition leader

Franak Viacorka – non-resident fellow at the Atlantic Council

Mark Episkopos – research fellow at Quincy Institute’s Eurasia programme

Andrey Kortunov – Russian foreign affairs analyst

SINGER Sabrina Carpenter is so Espress-ive as she steps out in New York City.

The Taste star wore an oversized sweatshirt and tights as she left filming of US chat show Late Night with Seth Meyers.

During the recording 26-year-old Sabrina wore a retro black-and-white ­layered dress.

The outfit appeared in designer Chantal Thomass’ 1994 Fall collection during Paris Fashion Week and was modelled on the runway by Claudia Schiffer.

Sabrina enjoys the sweet smell of success as one of the most streamed artists in the UK this year.

But no British stars made the annual Spotify Top Ten as fans turned their backs on homegrown music.

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US singer Sabrina was the third most played artist among millions of UK Spotify users — while her 2024 album Short n’ Sweet, featuring hit Espresso, was the most streamed.

Sabrina, who has just launched her new Sweet Tooth range of perfumes, was beaten by US pop superstar Taylor Swift and the Canadian rapper Drake.

Oasis were a surprise omission after 1.5 million fans saw their reunion gigs this summer.

South London’s Lola Young, 24, was the only Brit with a song in the UK Top Ten.

Messy, which hit No1 in November 2024, was the third most streamed track.

Tunes from American singer-songwriters took the first and second spots: the emotional track Ordinary by Alex Warren and the break-up song That’s So True by Gracie Abrams.

Globally, Puerto Rican rapper Bad Bunny topped the streaming chart with 19.8 billion, followed by Taylor Swift.

The most streamed song of the year worldwide was Die With a Smile by Lady Gaga and Bruno Mars, with 1.7 billion streams.