New videos show destruction across Iran after US and Israeli air strikes, including damage to government buildings, residential neighbourhoods and Iran’s main sports stadium. Iranian media say dozens of strikes have hit multiple locations as fears grow of a wider regional conflict.
Running free during a game of catch on the empty field at SoFi Stadium is a fantasy most Angelenos will never experience. For comedians Jo Koy and Gabriel Iglesias, it’s just a warm-up to a dream that’s been a lifetime in the making.
Gripping the football with fingers covered in Filipino tribal tattoos extending in a sleeve up his arm, Koy looks across the expanse of emerald green turf at his son jogging toward the south end zone of the Inglewood stadium on a recent afternoon. “To be able to throw at SoFi is crazy,” Koy said with a sparkling grin of bright white veneers.
The 54-year-old comedian with a beard full of gray stubble drops back to pass, launching a tight spiral underneath SoFi’s massive technicolor halo scoreboard hovering above a sea of empty stands. Joseph Jr. — a wiry 22-year-old with a head full of curly dark brown hair — runs briskly toward the goal line with a black cast on his left arm. He raises his right arm just in time to scoop it into his chest for a touchdown. The imaginary crowd goes wild.
“Yes!!!” Koy shouts, his excitement echoing in the stadium. He jogs over to Joseph in his navy blue coverall jumpsuit and L.A. Dodgers cap to deliver a satisfying father-son chest bump.
A few yards away, Iglesias is watching Roka, his tiny black chihuahua, dart around the field like four pounds of rambunctious entitlement. The plus-sized comedian — better known as “Fluffy” — is sporting his typical loose-fitting vintage Hawaiian shirt, denim shorts and black flat cap. Whenever they stand together, the duo’s dynamic is like a modern-day Laurel and Hardy.
Nearly 70% of tickets for Koy and Iglesias’ SoFi show sold within days, making this the largest stadium stand-up performance to date.
(Christina House/Los Angeles Times)
“The fact that we’ve known each other as long as we have is wild … we’ve known each other since we both had hair,” Iglesias, 49, says as they both lift up their caps in unison, laughing and exposing their shiny bald heads.
On March 21, this stadium will be filled with more than 70,000 guests as the pair takes center stage at the Super Bowl of comedy — the largest stadium stand-up show to date. Koy and Iglesias are now part of a small fraternity of comics, including Kevin Hart, Dane Cook, Bill Burr and Larry the Cable Guy, who’ve sold out stadiums across the country.
The one-night-only show, which won’t be televised or recorded as a special, is meant to be one giant party for comedy fans who’ve supported Koy and Iglesias since their early days. The comics will be passing the mic back and forth throughout the night, which will feature special guests, surprise moments and plenty of other unplanned interruptions that will make for a roughly four-hour show. Though the L.A. comedy scene tends to exist in the shadow of Hollywood, this feat managed by two of its biggest names puts a historic spotlight on stand-up.
“It’s more sweet because it’s taken so long,” Iglesias said. “This wasn’t an overnight thing. Nowadays, everybody wants everything so fast. Between the two of us, we’ve got about 60 years of comedy experience.”
“It’s insane. I can’t explain it,” Koy adds, staring up at the stadium’s glass roof, preparing to crack it with decibels of laughter. “Every time we come in here and look up, I’m like, ‘There’s going to be a stage here the size of the end zone.’ We took the stage from the arenas that we normally play and injected steroids into it.”
For comedians who’ve witnessed their ascent, which now literally includes hands and feet cemented in front of TCL Chinese Theatre and a star for Fluffy on the Hollywood Walk of Fame, the journey has been incredible to watch.
“It’s huge for stand-up, it used to be just in dingy clubs and bars and always something small and intimate and kinda like an afterthought,” said fellow comedy star Tiffany Haddish, a longtime friend to both Koy and Iglesias. “To be honest I never thought comedy would be this big.”
Jay Leno, a confidant to Iglesias and the man who inspired him to start his own insane car collection and offered Koy his first late-night appearance on “The Tonight Show,” agrees that a show like this is a huge step for comedy.
“My attitude when I came to this town was if you can’t get in through the front door, go in the back door,” Leno said. “And they didn’t do it the traditional way, they got to where they are as comedians, one audience member at a time.”
For the two L.A. comedians, the historic milestone represents decades of work and signals comedy’s arrival in mainstream entertainment venues.
(Christina House/Los Angeles Times)
When the pair of arena-selling comics announced last year they’d be joining forces to perform at SoFi, the task of filling the massive concert venue and football stadium seemed laughable. But within a week, it clearly wasn’t a joke. Nearly 70% of the tickets were sold just days after going on sale. Now, weeks before the gig, the show is completely sold out with more seats being added. If there’s one person who is not necessarily surprised, it’s Iglesias. By his calculations — including his ability to sell out Dodger Stadium twice for the filming of his 2022 Netflix special, “Stadium Fluffy,” and Koy’s ability to sell out the Forum a record-setting six consecutive times (more than any other comedian) — the math checked out.
“At a certain point it’s like we’ve been doing [huge stand-up shows] for so many years, it becomes normal,” Iglesias said. “What do you do to change things? What do you do to grow? The worst thing that happens is it fails. But at least we know we tried it. Then we know what our ceiling is. But as of now, this isn’t the ceiling.”
Despite the logic, looking at the stadium’s massive seating chart during an initial meeting with the venue made the task feel akin to climbing Mt. Everest.
“SoFi is the size of like five Forums. That seating chart on a wall was the most discouraging thing I could possibly look at,” Koy said. “And then looking at the amount of money it was gonna cost us even before we sell one ticket. Me and Gabe should’ve been looking at that and been like, ‘What … are we thinking? Hell nah we ain’t doing this … !’”
It took more than a little convincing from Iglesias to get Koy on board. “[Jo] does not like change. I had to break down the math for him and I pushed it a lot,” Iglesias said. “And I’m glad we did because now that it’s sold out, the hard part is over. We just have to show up and deliver a kick-ass show. And then we can both celebrate after, crack a couple bottles and I know I’m taking a week off after that.”
Unlike a typical arena show, which takes several months to coordinate, their big night at SoFi required a full year of planning. The production and stage will be three times the size of the comedians’ normal stages and will be managed by the same team that produces stadium shows for acts like Los Bukis and Bad Bunny.
“It’s more sweet because it’s taken so long,” Iglesias said. “This wasn’t an overnight thing. Nowadays, everybody wants everything so fast. Between the two of us, we’ve got about 60 years of comedy experience.”
(Christina House/Los Angeles Times)
“It’s almost like a chessboard,” Iglesias said. “You got to do a bunch of moves in order to pull something like this off, it’s not just we’re gonna do it. This took a lot of planning, a lot of coordinating.”
When asked how the tickets could’ve possibly moved so fast, outside of typical avenues of good marketing and promotion, Koy says it was really comedy fans making a statement of support for them and for stand-up.
“There’s no such thing as marketing on this one, to me it’s a phenom,” he said, noting the pride both he and Iglesias have to see the excitement and support from local fans, especially Filipino and Latin communities across L.A. that have been a major part of their respective fanbases. “That type of reaction and that response to us saying we’re gonna be at SoFi is almost like a bragging right and it’s ‘our night, we’re gonna be there, I don’t care where we’re sitting.’”
The SoFi gig was conceived in February of 2024 during Koy’s sixth sold-out show at Kia Forum. In the hoopla of Koy breaking his own audience record at the venue, Iglesias crashed the show, presented his friend with a plaque and laid down the gauntlet in front of 17,500 fans. When Iglesias asked Koy if they should contemplate performing “across the street” together, the crowd erupted with excitement.
“Our agents and managers were like, ‘Are you sure you wanna do that?’’’ Iglesias said. “I think they missed a couple bonuses. But at the end of the day, it’s part of history.”
“That’s what’s beautiful about Gabe, he’s not scared to take on those big risks,” Koy said. “But the whole thing was a risk. We gotta alter our tour dates and sacrifice other opportunities to make this happen.”
“Every time we come in here and look up, I’m like, ‘There’s going to be a stage here the size of the end zone,‘” Koy said about the upcoming SoFi show on Mar. 21. “We took the stage from the arenas that we normally play and injected steroids into it.”
(Christina House/Los Angeles Times)
For Koy, a life of comedy was a risk inspired by his heroes while growing up in Tacoma, Wash. He traces it back to being 15 and seeing Eddie Murphy perform at Climate Pledge Arena during his “Raw” tour in Seattle. He remembers taking a panoramic look at the sold-out crowd roaring in the darkness before the leather-suited legend even took the stage. “I’m like, ‘Wait a minute, this guy got this many people in here?’ I just thought that was the most impossible thing,” Koy remembers. “And now I get to share this moment with my son and let him walk with me and let him see that this is possible.”
When Koy was moving up the comedy ranks under his real name Joseph Glenn Herbert, the thought of calling himself a comedian felt like a pipe dream. Koy, the son of a white father and Filipina mother, saw comedy as a way to channel an overactive personality and need to make people laugh into a career. Going from coffee shop open mics in Tacoma to clubs and casinos in Las Vegas in 1989, Koy scratched out a living doing random jobs to move to L.A. in 2001 with hopes of making it big.
Working at a bank or Nordstrom Rack offered some stability as he drove up and down Sunset Boulevard in his battered Honda Prelude with one broken headlight, looking for a way forward to pursue his passion. Haddish, his longtime friend, spent years working with Koy, who served as her mentor at the Laugh Factory. Between sets on stage, the two would often take breaks to fantasize about fame.
“Jo and I would sit outside of the Laugh Factory and have these conversations and we’d be eating hot dogs wrapped in bacon and we’d be dreaming about being in a big movie, playing big theaters and helping people heal through laughter,” Haddish said. “Now here we are.”
“At the end of the day, this is a big stamp. And I think it also lets other comics know, ‘Hey, man, step up your game. Let’s grow this,’” Iglesias said.
(Christina House/Los Angeles Times)
Pulling off a show of this magnitude is jaw-dropping to think about, Iglesias said, even after having achieved a similar feat just a few years ago at Dodgers Stadium where he filmed his special over the course of two shows. He also set a record for fines incurred by a performer for going over his allotted time slot (a hefty $250,000 for not leaving the venue until 4 a.m.). The SoFi gig leaves him only one shot to get it right. This time around, Iglesias feels infinitely less pressure despite the bigger venue.
“[Dodger Stadium] for me was grueling,” Iglesias said. “I didn’t know what to expect, I didn’t know how it was gonna go. Every day we were pulling our hair out trying to figure it out. Fortunately we were still able to pull it off and we learned a lot from it. This time around, believe me when I tell you the stress of this show is not even there.”
Iglesias, a native of Long Beach, has spent over 30 years rising up the comedy ranks. Among his accomplishments are seven major comedy specials, a TV show (“Mr. Iglesias”) and becoming the first Mexican American comic with a top-grossing worldwide tour. Like Koy, who also has seven major specials, Iglesias went through a lot of metamorphosis on stage prior to finding his calling as a gregarious, fun-loving comedian with a penchant for doing cartoon-ish voices.
Leno says one of the key factors in Fluffy’s mass appeal is his likability.
“The great thing about Gabriel is that the kindness comes across, there’s not a mean spirit in his body,” he said. “There’s a lot of comics who are really funny but people don’t like them because they think they’re mean-spirited. … When you watch Gabe even when he does something that’s not fall-down hysterical, you smile because you like him. … I find him a joy to watch.”
Much of what Iglesias learned about marketing himself was inspired by the WWE. The costumes, witty banter and theatrics of the wrestling ring influenced his consistent look and even allowed the name “Fluffy” to become his calling card.
Comedians Gabriel Iglesias, aka, “Fluffy,” in front, and Jo Koy are photographed at SoFi Stadium in Inglewood on February 10, 2026, ahead of their March 21st show.
(Christina House/Los Angeles Times)
“There is a certain level of pandemonium, as they say in wrestling, that’s needed to get people excited,” Iglesias said. “Then there’s the marketing and the way that you do it — so I did study wrestling a lot.”
Handing the kingdom of SoFi over to the court jesters for a night is a feat worthy of celebration.
“At the end of the day, this is a big stamp. And I think it also lets other comics know, ‘Hey, man, step up your game. Let’s grow this,’” Iglesias said. “And it’s not, ‘Step up your game,’ like we’re competing with each other. It’s more so like, ‘Let’s elevate the game of comedy.’”
Right now Koy feels plenty elevated, as though he’s floating every time he enters the stadium and looks up at the stands — like the night he saw Eddie Murphy all those years ago.
“You should’ve heard the whispers me and Gabe had to ourselves walking out of the stadium tunnel, like, ‘Yo, is this really happening?!’” Koy said with a megawatt smile. “Coming from an open mic night at a coffee house, never in my wildest dreams did I say, ‘Someday, a football stadium’ … we’re literally living our dreams right now.”
Here’s the story…of how a seemingly non-descript home in the San Fernando Valley turned into an L.A. landmark.
The L.A. City Council voted to designate the “Brady Bunch” house as a historic-cultural monument on Wednesday, enshrining the Studio City Midcentury as a piece of the city’s history.
“Long before it became a pop‑culture pilgrimage site and backdrop for countless photo ops, the Brady Bunch House helped shape America’s vision of family life in the late 1960s and early ’70s — especially the idea of a blended family,” said Adrian Scott Fine, president of the L.A. Conservancy. “We’re thrilled to see it now designated as a Historic-Cultural Monument, ensuring the Brady Bunch — and their iconic home — remain part of Los Angeles’ story.”
The Los Angeles Cultural Heritage Commission unanimously voted to recommend the house, located at 11222 Dilling St. in Studio City, as a landmark on Jan. 15. The Planning and Land Use Commission approved the designation a month later, sending final say to the City Council.
“I look forward to seeing this memorialized in the appropriate way as part of San Fernando Valley television history,” Councilmember Adin Nazarian said during the Planning meeting.
The landmark status protects the home from demolition, but doesn’t prohibit it. If the owner ever wants to destroy the home, the Cultural Heritage Commission can delay the process for up to a year to find preservation solutions. The commission also gets more oversight on proposed alterations.
“The Brady Bunch” was filmed in a studio for the entirety of its iconic run from 1969 to 1974. So how does a house that was merely for exterior shots wind up as a landmark?
Through painstaking renovations and a bit of reality TV magic.
The house was built in 1959 by architect Harry M. Londelius, who gave the contemporary ranch a shake roof, cathedral ceilings and heaps of Palos Verdes stone. After starring in the show, the home became a symbol for Southern California’s suburban, single-family charm.
For decades, it was owned by Violet and George McCallister, who bought it for $61,000 in 1973. Once they died, their children sold it in 2018 for $3.5 million — nearly twice the original ask.
The bloated sale price was the result of a bidding war, as offers poured in from TV enthusiasts and celebrities, including ‘N Sync’s Lance Bass. In the end, cable network HGTV emerged as the winner.
The channel had big plans for the property, announcing a $1.9-million remodel that would recreate the interiors exactly how they looked in the show. The entire process was documented in a four-part miniseries titled “A Very Brady Renovation.”
The show featured the actors who played the Brady kids taking sledgehammers to the interiors while “Property Brothers” stars Drew and Jonathan Scott reshaped the living spaces.
An inside look at the “Brady Bunch” house in Studio City.
(Ryan Lahiff for Eklund | Gomes)
The final result was a near picture-perfect replica of the Brady abode: the floating staircase, the groovy orange kitchen counters, even the famous vase destroyed by a stray basketball during a famous episode. (“She always says don’t play ball in the house.”) To make space for the throwback bedrooms, the crew added 2,000 square feet to the rear of the house, as well as a second story — which they hid from the street by lowering the foundation by a foot.
The renovation nearly doubled the square footage, featuring five bedrooms and five bathrooms across more than 5,000 square feet.
After the miniseries, HGTV took a bath on the sale. They flipped it for $3.2 million in 2023 — $300,000 less than they paid for it five years earlier and $2 million less than the asking price.
The house was bought by historic-home enthusiast Tina Trahan and her husband Chris Elbrecht, former chief executive of HBO. It came with a few Brady-themed furniture throw-ins such as a green floral couch and credenza complete with a 3-D printed horse sculpture.
Fans still flock to the house to take photos from the street, but Trahan and Elbrecht opened it to the public for the first time in November, offering a limited run of tours for $275.
The Hollywood star was on the BBC programme’s sofa on Wednesday (March 4) to promote her latest television project The Madison, in which she stars alongside Kurt Russell, reports Wales Online.
However, whilst she was talking to the show’s presenters Alex Jones and Clara Amfo, viewers found themselves distracted by her timeless beauty. Many took to X, which was previously known as Twitter, expressing disbelief at how young the 67-year-old actress appeared.
One viewer wrote on the platform: “Dang Michelle Pfeiffer is still hot even at almost 70.”
“Michelle is unreal I mean look at her,” another enthused, whilst a fellow admirer noted: “I’m amazed how beautiful Michelle Pfeiffer looks on The One Show tonight x.”
“How does Michelle still look so amazing,” questioned one fan, whilst another revealed: “Michelle Pfeiffer in Grease 2 was my first crush oof!”
“Michelle Pfeiffer is so great and beautiful!” gushed another fan, as one viewer noted that the star “still looks great”.
“Love her,” said someone else, as another fan posted: “I b***** adore Michelle Pfeiffer.”
Another fan wrote: “Michelle Pfeiffer looks amazing. She looks so at ease on the sofa and interviews really well. I bet she’s great to work with. A seasoned professional.”
Her new series The Madison centres on the Clyburn family, who relocate from New York to Montana following a tragedy in the family.
Hollywood star Michelle opened up about the role and the show as she appeared on The One Show, explaining: “I play Stacy Clyburn, and I am the matriarch of the family based in New York, and a tragedy fractures the family, and then actually pulls it back together in ways that were unexpected.”
The star went on: “And, you know, it’s a story about, you know, it’s tender and visceral and actually unexpectedly funny at times, and it is a story about self-discovery and the messy and profound work to rebuild everything that you knew that has fallen apart.”
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website
Todd Meadows, a crewmember on one of the fishing vessels featured on the long-running reality series “Deadliest Catch,” has died. He was 25.
Rick Shelford, the captain of the Aleutian Lady, announced in a Monday post on Facebook and Instagram that Meadows died Feb. 25. He called it “the most tragic day in the history of the Aleutian Lady on the Bering Sea.”
“We lost our brother,” Shelford wrote in his lengthy tribute. “Todd was the newest member of our crew, he quickly became family. His love for fishing and his strong work ethic earned everyone’s respect right away. His smile was contagious, and the sound of his laughter coming up the wheelhouse stairs or over the deck hailer is something we will carry with us always.
“He worked hard, loved deeply, and brought joy to those around him,” he added. “Todd will forever be part of this boat, this crew, and this brotherhood. Though we lost him far too soon, his legacy will live on through his children and in every memory we carry of him.”
A fundraiser set up in Meadows’ name described the deckhand from Montesano, Wash., as a father to “three amazing little boys” who died “while doing what he loved — crabbing out on Alaskan waters.”
According to the Associated Press, Meadows died after he was reported to have fallen overboard around 170 miles north of Dutch Harbor, Alaska.
“He was recovered unresponsive by the crew approximately ten minutes later,” Chief Petty Officer Travis Magee, a spokesperson with the Coast Guard’s Arctic District, told the AP. The Coast Guard is investigating the incident.
Meadows was a first-year cast member of “Deadliest Catch,” the Discovery Channel reality series that follows crab fishermen navigating the perilous winds and waves of the Bering Sea during the Alaskan king crab and snow crab fishing seasons. The show debuted in 2005. No episodes from Meadows’ season has aired.
Deadline reported that the show was in production on its 22nd season when the incident occurred, with the Shelford-led Aleutian Lady being the last of the vessels still out at sea at the time. Production has subsequently concluded, per the outlet.
“We are deeply saddened by the tragic passing of Todd Meadows,” a Discovery Channel spokesperson said in a statement that has been widely circulated. “This is a devastating loss, and our hearts are with his loved ones, his crewmates, and the entire fishing community during this incredibly difficult time.”
Meadows is the latest among “Deadliest Catch” cast members who have died. Previous deaths include Phil Harris, a captain of one of the ships featured on the show, who died after suffering a stroke while filming the show’s sixth season in 2010. Todd Kochutin, a crew member of the Patricia Lee, died in 2021 from injuries he sustained while aboard the fishing vessel, according to an obituary. Other cast members have died from substance abuse or natural causes.
Silent Witness star David Caves has hinted at the BBC crime drama’s future after the latest series concluded
Fans are hoping for another series of Silent Witness(Image: BBC)
Silent Witness star David Caves has dropped a hint about the future of the show as the current series concluded.
The 29th series of the BBC crime drama, which centres on a team of pathologists probing mysterious deaths, finished on Tuesday night (March 3) with a nail-biting episode where Dr Nikki Alexander (Emilia Fox) found herself in peril after being drugged.
The programme has been a huge success with audiences and has been airing since 1996, so fans are hopeful for a 30th instalment, reports the Express.
As the final episode aired, David – who portrays Nikki’s spouse and colleague Jack Hodgson – gave a clue on X (formerly Twitter), posting: “Can’t believe that’s it for another series. To everyone who has watched and supported – thank you!”
“Here’s to the stories we’ve told – and to those still to come…” he added, tagging co-stars Emilia, Francesca Mills and Maggie Steed.
The latest series of the show kicked off in February and has featured several gripping tales including two-part finale Shame, which began on Monday (March 2).
It saw the team investigating what seemed to be the suicide of a British-Chinese pro-democracy activist, whose body was found floating in a lake.
However, as Nikki and Harriet Maven (Maggie Steed) delved deeper into the woman’s fate, evidence started to suggest something far more sinister had transpired and it became evident that things were not as they appeared.
There has already been a hint that Silent Witness is poised for a 30th series, after a photo emerged last month showing some cast and crew seemingly on location.
The image was posted on Instagram by Bodenham Arboretum in Worcestershire, accompanied by a caption which read: “For those of you who have visited Bodenham in the last two weeks you may have wondered what was going on… cryptic signage, trailers, security etc, occupying two of our car parks… well now all can be revealed..
“Bodenham had the privilege of being chosen as the BBC drama’s Silent Witness base camp whilst filming locally for the 30th series.”
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.
Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source.** Click here to activate**** or add us as your Preferred Source in your Google search settings.**
Silent Witness airs on BBC One and is available on BBC iPlayer
Call the Midwife fan favourite Helen George has revealed why BBC viewers can resonate with the hit period drama as the latest series comes to an end
Dan Laurie Deputy Editor of Screen Time
18:12, 03 Mar 2026Updated 18:14, 03 Mar 2026
Helen George has played Nurse Trixie Aylward in Call the Midwife since 2012(Image: BBC / Neal Street Productions / Nicky Johnston)
Helen George has made a heartfelt admission as the countdown to the final episode of Call the Midwife series 15 begins.
The last episode of the current season airs this Sunday (March 8) before the BBC drama is rested to make way for a Second World War spin-off prequel and a film.
Ahead of the farewell before the residents of Poplar take a well-deserved break, Helen, who stars as Trixie Aylward, revealed how the believes programme is so popular because it shows the “truthful” side to real-life which many viewers relate too.
She told Radio Times: “It’s ugly and it’s dirty and it’s painful and it’s hard – it’s f***ing hard -and all that is shown on Call the Midwife. Not grotesquely glamorised and not sensationalised. Just truthfully.”
Helen added the period drama, which follows a group of midwives working in the East End of London around the 1950s and 60s and now early 70s “won’t be the same” when the series returns.
The 41-year-old actress added: “It is just a pause, because we know it’s coming back but it won’t be the same, with different characters leaving and whatever.”
Writer Heidi Thomas previously told Yours last month: “I don’t think it’s the last series in the classic form but we are going to take a break from it for a couple of years.”
“We’re going to do a film that involves most the current cast, set in 1972, possibly 1973.
“We’re going to do that first, then we’ll return to the current style.
“Series 16 will have a slightly different setting because of changes in NHS. It’ll still be in the East End of London but possibly something like a small community hospital or a GP practice, but that’s something I’ll be working on later this year.”
The synopsis for the final episode of series 15 teases: ““Sister Veronica must decide her future now she is not currently a nun, but not fully part of the world either.
“The Maternity Home prepares to close its doors, but Dr Turner is determined to preserve equipment and resources for his patients until the last possible moment. The Mullucks fight for the rights of all Thalidomide victims, while Cyril and Rosalind prepare for their wedding.”
The BBC has also released a photo of Sister Monica Joan lying in bed, eyes closed, with her hands by her side.
Is this the end for the adored sister? Viewers will have to wait and see what lies ahead for Sister Monica Joan.
Call the Midwife continues Sunday, March 8 at 8pm on BBC One and iPlayer
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.
Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source.** Click here to activate**** or add us as your Preferred Source in your Google search settings.**
The BBC show about midwives at Nonnatus House is taking a break after its latest series
Call The Midwife will not air a Christmas special this year(Image: BBC/Neal Street Productions/Olly Courtney)
Call The Midwife will not be back for a Christmas special this year.
The much-loved BBC period drama about midwives working in the East End is currently in its 15th series, but that is set to end on March 8 and show creator Heidi Thomas has previously confirmed the programme is then taking a break.
While it is due to return for a 16th run in the future, that will not be in January as usual, with the series on hiatus.
It has also been confirmed that its usual festive special – which is a usually a highlight of the Christmas TV schedule for viewers – will not air this December.
“We have made 15 series in 15 years – I’ve known for a couple of years that that situation won’t go on for ever,” Heidi told Radio Times.
“The sets need repair. The nuns’ habits are worn out. It takes 14 months to make every series.”
The show creator said that for two months of each year she and producer Annie Tricklebank work on two series at the same time and that the workload is “immense” and can only be sustained for “so long”.
During the Call The Midwife interlude, audiences will be treated to a wartime prequel series instead.
It commences on Christmas Day and will showcase 1940s incarnations of Sister Monica Joan, Sister Julienne (Jenny Agutter), and the late Sister Evangeline, who was previously portrayed by Pam Ferris.
A film featuring the regular cast set in the Commonwealth, probably Australia, in the year 1972 is also in the pipeline.
So far it isn’t known when the 16th series of the show will air.
But Heidi told Radio Times that it will return “slightly recalibrated”. “Changes will have taken place, but the change itself is not destructive,” she said. “It’s nourishing.”
Call The Midwife – which stars Helen George as Nurse Trixie Franklin – started in 2012 and has aired 15 series set between the 1950s and 1970s, as well as several festive specials.
The current series about the midwives of Nonnatus House started in January and is set in 1971.
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.
Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source.** Click here to activate**** or add us as your Preferred Source in your Google search settings.**
Call The Midwife airs at 8pm on BBC One on Sunday March 8
Silent Witness fans were left baffled after the latest episode of the BBC One crime drama featured an internal monologue scene
22:54, 02 Mar 2026Updated 22:55, 02 Mar 2026
Nikki and the team had a new case in Silent Witness(Image: BBC)
Silent Witness viewers were left scratching their heads over one scene in the latest episode of the BBC programme.
Monday night’s instalment (March 2) of the crime drama saw Dr Nikki Alexander (Emilia Fox) and Jack Hodgson (David Caves) and their fellow pathologists examining what appeared to be the suicide of a British-Chinese pro-democracy activist.
The woman’s remains were found in water and it was initially believed to be a suicide. However, as Nikki and Harriet Maven (Maggie Steed) delved deeper, evidence began suggesting something more sinister had occurred, reports the Express.
During the post-mortem examination, Maggie’s inner thoughts were heard, with her reflecting: “Shame, a quality which alerts us of the gap between who we are today and the best version of ourselves. It’s not a disparagement of the essence of our being, but a reminder of who we could be. Inspiring. Helping us to rise. Not driving us to despair.”
She continued: “Shame is an overlooked quality in a society which rewards celebrity over accomplishments.”
The sequence baffled many viewers, prompting a flurry of reactions on X, previously known as Twitter.
“I have never heard such droning piffle as Harriet’s ‘Shame’ soliloquy,” commented one, whilst another simply questioned: “Harriet???”
“What’s with the internal monologue, a meditation on shame in Silent Witness? Just give us the crime story,” remarked someone else.
Another queried what the character was “prattling on about it”, adding: “She’s talking in riddles.”
Another posted: “Silent Witness venturing into thought monologues now? Or is Harriet good at ventriloquism.”
Somebody else said: “Not keen on the latest series of Silent Witness after the awful episode last week and now cheesy internal monologues. New writers?”
However, other people who had tuned in to the drama appreciated the technique, with one remarking on the platform: “Oh I like the way they’re doing this one. Inside everyone’s heads.”
The instalment of Silent Witness was part one of the two-part series finale episode, which is entitled Shame. The second part of the story, which will conclude season 29 of the hit show, is scheduled to be broadcast on Tuesday March 3.
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.
Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source.** Click here to activate**** or add us as your Preferred Source in your Google search settings.**
Introduced by host Jonathan Ross, the 18 Handcuffed: Last Pair Standing contestants will have to endure being chained to each other round-the-clock, doing everything in unison.
If the pressure becomes unbearable, they can choose to uncuff at any moment, but doing so means they’re out of the running, with the last pair standing claiming the entire pot.
The competitors are a diverse mix from all walks of life and are strangers to each other, reports the Daily Star.
As the cuffs are secured, with the duos separated by a special screen, they’ll only find out who they’ve been chained to once the partition is removed.
Discussing the biggest hurdle they encountered, Antony revealed: “Being a man of 60 years of age, I have to get up in the middle of the night to go to the loo so I was conscious of the fact that wouldn’t be something Tilly would be doing.
“I practised for weeks before we filmed with every contraption known to man on how to actually wee in the bed and I managed to get the right contraption so that was a really tough thing but I don’t think I ever woke her up when I was doing it.”
He continued: “She used to snuggle down sort of hip level and I got this contraption on the old man to pee and her head was six inches away from it and then, of course, once it’s finished, you’ve got to put the lid back on and put it by the side of the bed.
“So I had all that to deal with without waking her up and I was very proud of the fact that I mastered it. I carried this thing around with me everywhere but I found that difficult to begin with.”
Tilly, who has previously appeared on The Island with Bear Grylls, went on to share the biggest lessons she learned after taking part in the social experiment, saying: “I think to listen more, be patient and realise that everybody is different, everybody comes from a different background and that makes them who they are.
“Me and Antony had a chat quite early on, I think it was on the first day, and I said ‘listen, I’m not gonna quit’ and Antony was like ‘neither am I’. So we were like, okay, well, cool’.
“I wouldn’t have bothered entering the competition if I thought for a minute that I wouldn’t see it through on my part. I done it for the money.”
Fans will have to wait and see exactly how far Tilly and Antony progress in the competition, but the pair remain friends despite showering and using the toilet mere inches from one another.
Antony said: “I think I have changed a lot since the show and I’m not quite as private a person as I was. I was determined that the person I was gonna be handcuffed to I would get on with.
“When the screen went back, we had a connection and it’s as simple that. I thought to myself ‘thank God for that’. I consider she’ll always be a friend and there’s quite a lot planned for the future for us.”
Handcuffed: Last Pair Standing launches Monday, March 2 at 9pm. Watch or stream on Channel 4.
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.
Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source.** Click here to activate**** or add us as your Preferred Source in your Google search settings.**
A Netflix drama that’s been deemed “the best show ever produced” is said to be so good, viewers keep rewatching it again and again. It seems fans are totally hooked
12:14, 02 Mar 2026Updated 12:14, 02 Mar 2026
The drama has been deemed one of the “best ever produced”(Image: Courtesy of Netflix)
Occasionally we’re all on the hunt for a compelling series to immerse ourselves in, and Netflix currently boasts an impressive selection. However, if you’re after something genuinely gripping that’ll leave you craving the next episode, you might want to consider a television drama that’s been hailed as the “best ever” on Netflix.
The programme recently surfaced in discussions on Reddit, when a viewer was eager to gauge people’s opinions on the drama. It rapidly sparked considerable debate, with many unable to contain their enthusiasm for how exceptional they believe the show to be, whilst others confessed to binge-watching it multiple times.
The Reddit user enquired: “Is Mindhunter worth a watch? I’m gearing up for the Fincher series and realised that I’ve completely overlooked this show.”
The query prompted substantial discussion, with respondents rushing to share their views. The consensus appears overwhelmingly positive.
One responded, stating: “Very good. Probably the best show Netflix ever produced.” Another contributed: “The most disturbing crime of the show is that it only got two seasons.”
A third commented: “It’s really good. I rewatched it recently and still think it was very well done.” In separate discussions, viewers also voiced their disappointment that only two seasons were produced.
One viewer expressed: “I’m still mad about this. On my third rewatch.” Another chimed in with: “This is the only show that’s been cancelled that makes me angry. I miss other shows, but this one burns me.”
One more fan noted: “I’m not a crime or true crime show fan at all. Mindhunter is amazing. Watch it for sure. Holt McCallany is so good in it.”
Many labelled it as “fantastic”, with several pleading for its return someday. It appears fans are holding onto the dream of their hope becoming reality at some point, but for now, they can only continue to rewatch previous episodes.
What’s it about?
For those unfamiliar, Mindhunter is an American psychological crime thriller television series created by Joe Penhall, inspired by the 1995 true-crime book Mindhunter: Inside the FBI’s Elite Serial Crime Unit by John E. Douglas and Mark Olshaker. The series first graced screens back in 2017, and ran for just two seasons.
It boasts a cast including Jonathan Groff, Holt McCallany and Anna Torv, and delves into the establishment of the Behavioural Science Unit in the Federal Bureau of Investigation (FBI) during the late 1970s and early 1980s. This era also marked the advent of criminal profiling.
The series revolves around FBI agents Holden Ford and Bill Tench, along with psychologist Wendy Carr. They operate the FBI’s Behavioural Science Unit within the Training Division at the FBI Academy in Quantico, Virginia.
In addition to this, they collaborate to initiate a research initiative interviewing incarcerated serial killers. Their aim is to gain insight into the criminals’ psychological makeup.
Essentially, they hope the information they gather will assist in cracking active investigations. It’s regarded as essential viewing for crime drama enthusiasts, although reports suggest no additional episodes are planned.
Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source. Click here to activate or add us as your Preferred Source in your Google search settings.
This story contains spoilers for the pilot of “Marshals.”
When the curtain came down on “Yellowstone” last year, Kayce Dutton had finally found his happily-ever-after.
The youngest son of wealthy rancher John Dutton (Kevin Costner) had secured a modest cabin in a mountainous region where he could reside in secluded peace with his beloved wife, Monica (Kelsey Asbille), and son, Tate (Brecken Merrill), far from the turbulent dysfunction of his family.
“Kayce found his little peace of heaven, getting everything he ever wanted and fought for,” said Luke Grimes, who plays the soft-spoken Dutton in “Yellowstone.”
Grimes reprises the role in CBS’ “Marshals,” which premiered Sunday. But in the new series, Kayce’s serenity has been brutally shattered, forcing him to find a new path forward after an unimaginable tragedy.
The drama is the first of several planned spinoffs of “Yellowstone,” which became TV’s hottest scripted series during its five-season run. And while some familiar faces return and events unfold against the magnificent backdrop of towering mountains and lush greenery, “Marshals” is definitely not “Yellowstone” 2.0.
Luke Grimes as Kayce Dutton in “Marshals,” which combines the gritty Western flavor of “Yellowstone” with the procedural genre.
(Sonja Flemming / CBS )
In “Marshals,” Kayce joins an elite squad of U.S. Marshals headed by his Navy SEAL teammate Pete Calvin (Logan Marshall-Green). The drama combines two distinct brands — the gritty Western flavor of “Yellowstone” with the procedural genre, a flagship of CBS’ prime-time slate.
During an interview at an exclusive club in downtown Los Angeles, Grimes expressed excitement about dusting off his cowboy hat and boots, though he admitted to having initial concerns about whether the project was a fit.
“I had never watched a procedural before, so I had to do some homework on what that was,” Grimes said hours before the gala premiere of “Marshals” at the Autry Museum of the American West in Griffith Park. “And I just couldn’t wrap my head around it at first. In the finale, Kayce had ridden off into the sunset. So I thought, ‘Let him be, let him go.’ ”
Those doubts eventually ebbed away.
“To be honest, there was a part of me that didn’t want to let Kayce go just yet,” Grimes said. “Saying goodbye to him was really hard, so the opportunity to keep this going was something I couldn’t pass up. We get to show his backstory and also this other side of him that we didn’t see in ‘Yellowstone.’ ”
But this Kayce is a man in crisis. “Yellowstone” devotees will likely be shocked by the “elephant in the room” — the revelation in the pilot episode that Monica has died of cancer. The couple’s sexy and loving chemistry was a key element in the series while also establishing Grimes as a heartthrob.
“I think fans will be upset — and they should be,” Grimes said as he looked downward. “Kayce is very upset. It’s the worst thing that could have happened to him. But as much as I’m really upset not to work with Kelsey, it’s a good idea for the show.”
He added, “His dream life is no longer available to him. Now the only thing he has is his son, who is not so sure he wants the same life as Kayce. A big part of the season is Kayce learning how to manage all these new things — new job, being a single father.”
“His dream life is no longer available to him. Now the only thing he has is his son, who is not so sure he wants the same life as Kayce,” said Luke Grimes about his character Kayce.
(Jay L. Clendenin / For The Times)
Executive producer and showrunner Spencer Hudnut (CBS’ “SEAL Team”) acknowledged in a separate interview that viewers may be stunned by the tragedy. “Real life intervenes for Kayce. Unfortunately it happens to so many of us.”
But he stressed that although Monica is physically gone, her presence will be heavily felt this season.
“She is guiding Kayce, and their relationship is moving forward,” Hudnut said. “His dealing with his inability to confront his grief is a big part of the season. It became clear that something horrible had to happen to put Kayce on a different path.”
As the development evolved, Grimes embraced the procedural concept: “This is a very different show and structure. This is an action show, very fast paced. I meet a lot of fans who say they really want to see Kayce go full Navy SEAL.”
Alumni from “Yellowstone” returning in “Marshals” include Gil Birmingham as tribal Chairman Thomas Rainwater and Mo Brings Plenty as his confidante Mo.
“Yellowstone” co-creator Taylor Sheridan, who had already spearheaded the prequels “1883” and “1923,” will further expand the “Yellowstone” universe later this month with “The Madison,” starring Michelle Pfeiffer and Kurt Russell, about a New York City family living in Montana’s Madison River territory. Later this year, Kelly Reilly and Cole Hauser will star in “Dutton Ranch,” reprising their respective “Yellowstone” roles as John Dutton’s volcanic daughter Beth Dutton and her husband, boss ranch hand Rip Wheeler.
Hudnut said fans of “Yellowstone” will recognize themes that were central to that series: “The cost and consequences of violence, man versus nature, man versus man.”
“We’re trying to tap into what people loved about ‘Yellowstone’ but to tell the story in a different framework,” he said. “The procedural brand is obviously very successful for CBS. And nothing has been bigger than ‘Yellowstone.’ So the challenge is, how do you marry those things?”
Taking on the lead role prompted Grimes to reflect on how “Yellowstone” transformed his life after co-starring roles in films like “American Sniper” and “Fifty Shades of Grey” and playing a vampire in the TV series “True Blood.”
“‘Yellowstone’ changed my life in many, many ways,” he said. “The biggest change is that I now live where we shot the show in Montana. The first time I went there, I would have never thought I would ever live there.
“I would come back to the city after shooting. But a little bit more each year, I felt more out of place here, and more peace and at home there. I’m a big nature person — I never was a big city person, but I had to be here to do what I wanted. But after the third season, my wife and I decided to move there. We wanted to start a family.”
The topic of a Kayce spinoff kept coming up during the filming of the finale, but “meanwhile we were having a baby, so that was the biggest thing on my plate.”
“‘Yellowstone’ changed my life in many, many ways,” said Luke Grimes.
(Jay L. Clendenin/For The Times)
Grimes was also dealing with the off-screen drama that impacted production due to logistical and creative differences between Costner and Sheridan. Costner, who was the show’s biggest attraction, exited after filming the first part of the final season. His character was killed off.
Asked about the backstage tension, Grimes said, “I just tried to do my job to the best of my ability, and not get caught up in all that. It was sort of frustrating, but I felt lucky to have a job.”
He recalled getting a call from Sheridan about the plans for a spinoff: “He said, ‘I think you should talk to the guy who is going to be the showrunner. I’m not telling you to do it, and I’m not telling you not to do it. But Spencer is great and he has some good ideas.’ ”
Hudnut said Kayce “was always my favorite character. Also, Luke is not Kayce. Kayce is an amazing character, but Luke is really thoughtful and smart. He is a true artist and has an artist’s soul, while Kayce is kicking down doors and terrorizing people. And Luke has such a great presence. He can do so much with just a look to the camera. He is a true leading man.”
In addition to starring in “Marshals,” Grimes is also an executive producer. He pitched the opening sequence — a flashback showing Kayce in the battlefield. He also performs the song that plays over the final scene, in which he visits his wife’s grave. The ballad is from Grimes’ self-titled country album which was released last year.
“Luke’s creative fingerprints are all over the pilot,” Hudnut said.
Grimes said he does not feel pressure about being the first follow-up from “Yellowstone” to premiere.
“We’re not trying to make the same show, so no matter what happens, its a win-win,” he said. “I had a blast doing it.”
The Writers Guild of America West has canceled its awards ceremony scheduled to take place March 8 as its staff union members continue to strike, demanding higher pay and protections against artificial intelligence.
In a letter sent to members on Sunday, WGA West’s board of directors, including President Michele Mulroney, wrote, “The non-supervisory staff of the WGAW are currently on strike and the Guild would not ask our members or guests to cross a picket line to attend the awards show. The WGAW staff have a right to strike and our exceptional nominees and honorees deserve an uncomplicated celebration of their achievements.”
The New York ceremony, scheduled on the same day, is expected go forward while an alternative celebration for Los Angeles-based nominees will take place at a later date, according to the letter.
Comedian and actor Atsuko Okatsuka was set to host the L.A. show, while filmmaker James Cameron was to receive the WGA West Laurel Award.
WGA union staffers have been striking outside the guild’s Los Angeles headquarters on Fairfax Avenue since Feb. 17. The union alleged that management did not intend to reach an agreement on the pending contract. Further, it claimed that guild management had “surveilled workers for union activity, terminated union supporters, and engaged in bad faith surface bargaining.”
On Tuesday, the labor organization said that management had raised the specter of canceling the ceremony during a call about contraction negotiations.
“Make no mistake: this is an attempt by WGAW management to drive a wedge between WGSU and WGA membership when we should be building unity ahead of MBA [Minimum Basic Agreement] negotiations with the AMPTP [Alliance of Motion Picture and Television Producers],” wrote the staff union. “We urge Guild management to end this strike now,” the union wrote on Instagram.
The union, made up of more than 100 employees who work in areas including legal, communications and residuals, was formed last spring and first authorized a strike in January with 82% of its members. Contract negotiations, which began in September, have focused on the use of artificial intelligence, pay raises and “basic protections” including grievance procedures.
The WGA has said that it offered “comprehensive proposals with numerous union protections and improvements to compensation and benefits.”
The ceremony’s cancellation, coming just weeks before the Academy Awards, casts a shadow over the upcoming contraction negotiations between the WGA and the Alliance of Motion Picture and Television Producers, which represents the studios and streamers.
In a rare case of “Saturday Night Live” bringing on a guest host at the exact right moment, Connor Storrie of the hit Canadian hockey romance “Heated Rivalry” brought sexy charisma to the show, even if a lot of the sketch material didn’t rise to occasion.
“SNL” parodied the show last month by mixing it with “Harry Potter,” but with Storrie, and all the attention hockey got with Team USA’s gold medal wins at the Winter Olympics, this hosting appearance felt especially well-planned. And that was even before members of the men’s and women’s teams dropped by, as did Storrie’s co-star on “Heated Rivalry” Hudson Williams, who showed up to a raucous audience reaction for a sketch, showing that a lot of people have caught up with the series since it debuted on HBO Max in November.
As for Storrie’s performance, it was perhaps the best thing on the show, which had a lot of weak sketches, from a fairly obvious cold open to an early piece that seemed like an excuse for Marcello Hernández to play a goofy teacher with an exaggerated accent.
Things got a little better with a pre-taped period piece about gentlemen giving glove slaps and Williams’ appearance in a sketch about a man’s marriage proposal going sideways because he keeps getting distracted by a group of happy men ice skating at Rockefeller Center. Storrie also played a cool teen trying to extend kindness to his extremely dorky tutor (Ben Marshall) and his equally dorky parents (Ashley Padilla and James Austin Johnson), a man who helped his friend out with his absurd leg-lengthening surgery, and an office worker who proposes a romantic office dance. Best of the night for Storrie, perhaps, was one in which he played a very injured stripper at a Las Vegas bachelorette party.
What was clear was that across a pretty broad range of character types, Storrie held his own and brought some smoldering looks and playfulness that the show, for the most part, didn’t know what to do with.
Musical guests Mumford & Sons, along with Aaron Dessner from the National, performed “Rubber Band Man” with Hozier and “Here” with Sierra Ferrell.
This week’s cold open tackled the very recent attack on Iran with President Trump (Johnson) addressing why he acted at 2 a.m. on a Saturday: “It’s after the stock market closes for the weekend and it’s to cause immeasurable fear, rage and chaos in the ‘SNL’ writers’ room,” he explained. Trump sang, “War! What is it good for? Distracting from the Epstein Files!” before introducing Secretary of Defense Pete Hegseth (Colin Jost), who chugged a non-alcoholic Four Loco and showed off his knuckle tattoos for “EPIC FURY.” After a brief aside for Trump and Hegseth to complement the underappreciated Nintendo GameCube console (on which Hegseth said he played the game “Prince of Persia: Sands of Time”), Hegseth said, “We took out a horrendous, horrible leader who was opposing his own people.” Trump cut in: “But don’t get any ideas!”
In his monologue, Storrie joked about the cultural appeal of “Heated Rivalry,” which he said, “taught a lot of people about hockey… and taught a lot of straight women that their sexuality is actually gay guy.” Storrie discussed growing up in Texas, working as a waiter before he was cast in the series, and how little time he had to prepare to play a Russian hockey player for the show. He was then joined by Jack and Quinn Hughes of the men’s Olympic hockey team. But the reaction to the Hughes brothers was topped considerably in audience reaction by women’s team players Hilary Knight and Megan Keller, who came on stage. “It was just gonna be us, but we thought we’d invite the guys, too,” Knight said. “We thought we’d give them a little moment to shine,” Keller added.
Best sketch of the night: How dare they save the best jokes for a video sketch!
At a posh London gathering in 1892, things get out of hand (literally) when two men (Mikey Day and Storrie) engage in a war of words that escalates to cries of “How dare you!” followed by slaps with a glove. Others get involved, but it really gets out of hand when one man violates the so-called “gentleman’s code” by using a fist. Soon, a dog and a baby are involved in the increasingly silly slapping. Storrie’s comedic timing is particularly good in this one and the sketch resists the “SNL” trope of going straight to hardcore violence and bloodshed that it’s been doing in a lot of video sketches of late.
Also good: Tipping is appreciated for dancing while hurt
At this point, “SNL” has probably done 100 bachelorette party sketches, but none of them had Storrie showing off his abs or getting his tearaway pants pulled off. Apart from the eye candy for those seeking it, the sketch offered some solid physical comedy with Storrie playing a stripper who shows up at a hotel suite severely injured after getting hit by a car. He pushes on to fulfill his job duties, but can barely stand. Storrie does a nice job flailing and flopping, throwing his bloodied-up body around the stage and around the bachelorettes (Padilla, Sarah Sherman, Veronika Slowikowska and Jane Wickline), who don’t know whether to be repulsed or turned on.
‘Weekend Update’ winner: Advice to future maids of honor — avoid headlines
Unfortunately, both “Weekend Update” character segments felt underbaked this week. Sherman played another oversexualized pop-culture meme in an elaborate costume — the negligent mother of Punch, the baby monkey — hitting on Jost in hopes of getting pregnant. A little better, but still rough, was Slowikowska as Katie, the maid of honor at a wedding who makes jokes about the proceedings that play off of major news headlines, like cartel violence in Mexico, the Epstein files or the ongoing war in Ukraine. This one feels like it probably sounded really funny and smart at the table read, but it landed with a thud for the audience because the premise was so muddled.
BBC Breakfast’s Roger Johnson and Rachel Burden returned to our TV screens on Sunday’s (March 1) morning to deliver the day’s headlines
07:38, 01 Mar 2026Updated 07:38, 01 Mar 2026
Roger Johnson and Rachel Burden (Image: BBC)
BBC Breakfast’s latest broadcast started with a distressing news update on the “most devastating offensive operation in history”.
During Sunday’s (March 1) episode of the BBC hit show, Roger Johnson and Rachel Burden returned to our screens as they delivered the day’s top headline stories from the UK and around the globe.
However, just moments into the live broadcast, Roger shared the news that Iran’s supreme leader Ayatollah Ali Khamenei has been killed following US-Israeli strikes on Tehran.
Rachel also revealed: “The Red Crescent says more than 200 people have been killed in the strikes with state media reporting at least 85 deaths following one air strike on a school in Iran.
“Overnight the Islamic Revolutionary Guard Corps warned it would attack US bases and Israel in retaliation for Khamenei’s death with what it called ‘the most devastating offensive operation in history of the Islamic Republic.”
This is a breaking showbiz story and is being constantly updated. Please refresh the page regularly to get the latest news, pictures and videos. You can also get email updates on the day’s biggest stories straight to your inbox by signing up for our newsletters.
The Brit Awards viewers were left unimpressed by ITV’s decisions on a number of occasions during the ceremony hosted by Jack Whitehall
23:18, 28 Feb 2026Updated 23:18, 28 Feb 2026
Jack Whitehall was censored on a number of occasions(Image: PA)
Viewers of the Brit Awards were left incensed by ITV as they watched the annual ceremony. As many tuned in to see how would be winning the biggest gongs of the year, they fumed as the ITV show kept being censored.
Bosses made the decision to blank out several of Jack Whitehall’s jokes throughout his hosting duties. And as a number of winners used their acceptance speech time to share their views, they also found themselves censored. Among those being bleeped was Geese frontman Cameron Winter.
The singer of the Brooklyn indie rock band took to the stage as the band won their first ever Brit Award for International Group of the Year. During his acceptance speech, he said: “I just want to say, Free Palestine, F–k ICE, go Geese!”
But viewers at home didn’t get to hear his actual speech, with interference played over the top. The same thing happened during Noel Gallagher’s speech after he accepted the accolade for Songwriter of the Year.
After thanking his brother and his bandmates, Noel shouted: “Up the f***ing Blues” in reference to his beloved Manchester City. But the moment was banned from TV, and instead viewers at home just heard the aftermath of boos.
And another getting the bleep button was Angry Ginge as he took aim at London. The Manchester native made his feelings known as he called the country’s capital a “s***hole”.
Fans weren’t impressed with the cuts and on Twitter/X they let their feelings be known. One user ranted: “The buzzing to bleep things out is getting annoying. I’m sure what they’re saying is not that bad to air at 9.30 pm. #Brits2026”
“Free speech and all that. Bleep bleep. #Brits2026,” moan another. A third added: “I’ve never known the Brits bleep out so much stuff? What is happening #Brits2026”
A fourth tried to make light of the situation and create a drinking game for the irritation. “Take a shot every time there is a bleep #Brits2026 #BRITs.” And a fifth simply wrote: “Bleep bleep bleep bleeeeep #Brits2026”
The rage continued when Sharon Osbourne was also censored. A fan ranted: “It’s 23:00 and ITV are censoring Sharon Osbourne accepting an award for her late husband.”
But despite the complaints, one user had a different idea, hitting out at host Jack. “Why do they hire Jack Whitehall to present every year if they’re gonna bleep half the jokes just get someone else #Brits2026.”
Elsewhere at the awards ceremony, in between the awards wins, Jack “let slip” who will be the new Strictly Come Dancing hosts. Tess Daly and Claudia Winkleman stepped down at the end of the last series and ever since speculation over their replacement has been rife.
Speaking to Bez and Shaun Ryder of the Happy Mondays, Jack joked they were ready for the role and “revealed” their secret. Shaun labelled Jack a “grass” as he played along with the joke announcement.
What sounded like a very cool L.A. Art Week party ended up getting a bit too rowdy. On Sunday night the Los Angeles Police Department was called to a former 99 Cents Only store on Wilshire Boulevard where an opening night party was underway for a week-long pop-up called “99CENT,” organized by former tagger and blue-chip artist Barry McGee and presented with the Hole gallery.
An LAPD public information officer confirmed that officers responded to a disturbance call at the location, which is just down the street from the Los Angeles County Museum of Art and the Academy Museum, at 10:30 p.m. Sunday. Police arrived to find “a large group of about 20 or 30 people, drinking and playing loud music.” The crowd dispersed on its own after law enforcement arrived.
Neighbor Rebekka Mueller, who lives across the parking lot from the store, said that a concert at the event had attracted hundreds of people, a number of whom took to tagging four or five neighboring businesses, including the now-closed historic Googie-style Johnie’s Coffee Shop.
The event drew plenty of respectful art fans, Mueller said, “but attracted lots of other people, and they started tagging the whole building — but not in an art way. And then it spilled over to the businesses nearby, to an insurance company, and then two apartment buildings were completely tagged … and they had no security on site when this happened. So this was very alarming for the neighborhood.”
Cole Schiffer, whose family owns the 99 Cents building, said he was sorry that neighbors’ structures were tagged and that he has been working all week to paint over the tagging.
“We didn’t know that this would happen. I was pretty naive about the graphic art world,” he said. “We’re business owners, we spend a lot of time removing graffiti. My mom grew up in this neighborhood. My grandparents lived and died here, so honestly, it’s a little sad and crazy to see this graffiti all over the neighborhood.”
Schiffer said things had calmed down after Sunday night and that the Hole gallery was working to avoid problems for the rest of the week’s festivities.
In a brief story about the event, Times freelancer Mariella Rudi noted that the 99 Cents store had been transformed into, “a dense, joyous artist flea market” featuring, “more than 200 contributors and well over 4,000 works.” When Rudi was there on Sunday night she said she didn’t see any destructive behavior.
“Paintings are stacked against old shelving. Shopping carts hang from the ceiling. You can even check out your purchases at the register, complete with a sticker and a receipt,” Rudi wrote, adding, “Graffiti-heavy aisles will thrill fans of Beyond the Streets, but a handwritten sign near the entrance offers a final note: ‘Please, no tagging inside. Owners are cool.’ ”
The pop-up will feature puppets from Bob Baker Marionette Theatre this Sunday, as well as an Anti-Fascist Zine Fair. This whole scene is right up my alley, and I say, “Yes, please,” to more edgy arts programming featuring outsider artists and youthful rebellion.
But it seems a minority of guests decided to dishonor the spirit of the event by disrespecting the boundaries put into place by organizers.
Even neighbors who complained, like Mueller, said they were big supporters of the arts and that a lot of great art was on display inside the store — they wished the situation had played out differently, and they hope Sunday night’s grand finale proves more in control.
Mueller said that although organizers had painted over many of the tags, the situation at Johnie’s had not yet been remedied.
I’m Times Arts editor Jessica Gelt, and I’m here for all the colorful underground fun — and the angry dissent that often comes with it — but none of the destruction of property.
You’re reading Essential Arts
The week ahead: A curated calendar
FRIDAY All My Sons Oánh Nguyễn directs Antaeus Theatre Company’s production of Arthur Miller’s 1946 Tony-winning play about a Midwestern family facing a moral reckoning after World War II. Through March 30. Kiki & David Gindler Performing Arts Center, 110 E. Broadway, Glendale. antaeus.org
Detail of a photo by Lou Bopp, seen in the documentary “All the Empty Rooms.”
(Netflix)
All the Empty Rooms Photos memorializing the bedrooms of children lost to school shootings captured by photographer Lou Bopp and reporter Steve Hartman and featured in the Oscar-nominated documentary short film directed by Joshua Seftel, are on display at an outdoor installation. Through Monday, Sunset Triangle Plaza, 3700 Sunset Blvd.
And What of the Children? Writer-director Ryan Lisman’s play blends drama, dark comedy and horror in a psychological thriller about a trio of siblings in the Witness Protection Program. Through March 15. The Broadwater Black Box, 6322 Santa Monica Blvd., Los Angeles. events.humanitix.com
Front and Center: Emerging Artists with the Colburn Orchestra Salonen Fellows Mert Yalniz and Aleksandra Melaniuk will lead a varied program of concerto works spotlighting up-and-coming soloists. The performance will be live streamed. 7 p.m. Friday. Zipper Hall, 200 S. Grand. Ave., downtown L.A. colburnschool.edu
John Giorno in Andy Warhol’s “Sleep.”
(Andy Warhol/John Giorno Collection, John Giorno Archives. Studio Rondinone, New York, NY.)
Sleep John Giorno, the subject of the exhibition “John Giorno: No Nostalgia,” stars in Andy Warhol’s 1964 five hours and 21-minute silent film. Free with a reservation. 5-10:30 p.m. Friday. Marciano Art Foundation, 4357 Wilshire Blvd., Los Angeles. marcianoartfoundation.org
SATURDAY
John Holiday in the title role of LA Opera’s 2026 production of “Akhnaten.”
(Cory Weaver)
Akhnatan John Holiday stars in L.A. Opera’s production of Philip Glass’ portrait of the Egyptian pharaoh, sung in in English, Ancient Egyptian, Biblical Hebrew and Akkadian. Directed by Phelim McDermott and conducted by Dalia Stasevska making her company debut. Through March 21, Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. laopera.org
Attacca Quartet and Theo Bleckmann The versatile Grammy-winning ensemble teams with vocalist Bleckmann on David Lang’s “note to a friend,” a chamber opera based on three reimagined texts by Japanese writer Ryunosuke Akutagawa. 8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu
From Strand to Sculpture A self-guided tour of the Japanese bamboo basketry exhibition will be followed by a lecture from bamboo art expert Robert Coffland, founder of TAI Gallery (now TAI Modern) in Santa Fe, N.M., and now president of the Santa Fe gallery Textile Arts Inc. The lecture is also available via Zoom. 4-7 p.m. Saturday. The Gamble House is located at 4 Westmoreland Place, Pasadena. gamblehouse.org
The Price Richard Fancy, Dana Dewes, Jason Huber and Scott G. Jackson star in Arthur Miller’s late-period drama about two brother’s cleaning out their late father’s New York brownstone. Through April 5. Pacific Resident Theatre, 703 Venice Blvd. pacificresidenttheatre.org
Pepe Romero Returns The classical guitarist joins the Long Beach Symphony for a concert featuring ”Concierto de Aranjuez” by Joaquín Rodrigo, Gabriela Lena Frank’s “Elegia Andina” and movements from Handel’s “Water Music Suites.” 7:30 p.m. Saturday. Long Beach Terrace Theater, 300 E. Ocean Blvd. longbeachsymphony.org
Bud Cort in the 1971 movie “Harold and Maude,” screening March 15 at the Aero.
(CBS via Getty Images)
Starring Bud Cort The American Cinematheque salutes the singular character actor, who recently died at 77, with screenings of Robert Altman’s “Brewster McCloud” (1970), Wes Anderson’s “The Life Aquatic With Steve Zissou” (2004) and Hal Ashby’s“Harold and Maude” (1971). “Brewster McCloud”, 2 p.m. Saturday in 35mm. Egyptian Theatre, 6712 Hollywood Blvd.; “The Life Aquatic”, 3 p.m. March 14; “Harold and Maude,” 1 p.m. March 15 in 35 mm. Aero Theatre, 1328 Montana Ave., Santa Monica. americancinematheque.com
SUNDAY Unassisted Residency Every edition of erstwhile weatherman Fritz Coleman’s monthly comedy show features a special guest. 3 p.m. Sunday. El Portal Theatre, Monroe Forum, 5269 Lankershim Blvd., North Hollywood. elportaltheatre.com
TUESDAY Camerata Pacifica The ensemble performs a program that includes Madeleine Dring’s “Trio for Flute, Oboe and Piano,” the world premiere of David Brice’s “Natural Light,” Cécile Chaminade’s “Thème varié for Piano, Op. 89” and Antonín Dvořák’s “Quintet in A major for Piano and Strings, Op. 81,” arranged by David Jolley. 3 p.m. Sunday. Bank of America Performing Arts Center, Janet and Ray Scherr Forum, 2100 E. Thousand Oaks Blvd., Thousand Oaks; 7:30 p.m. Tuesday. The Huntington, 1151 Oxford Road, San Marino; 8 p.m., Thursday. Zipper Hall, 200 S. Grand Ave., downtown L.A.; 7 p.m. Friday. Music Academy of the West, 1070 Fairway Road, Santa Barbara. cameratapacifica.org
WEDNESDAY
Sara Porkalob, playwright and performer of “Dragon Mama.”
(Corey Olsen)
Dragon Mama Writer-performer Sara Porkalob returns in Part II of her Filipina American “gangster” family’s intergenerational saga, “The Dragon Cycle,” this time centering her mother’s journey. Directed by Andrew Russell Through April 12. Geffen Playhouse, 10886 Le Conte Avenue, Westwood. geffenplayhouse.org
THURSDAY The Adding Machine The Actors’ Gang performs Elmer Rice’s 1923 satire that provides a prophetic warning from the past for our present. Through April 18. The Actors; Gang, 9070 Venice Blvd., Culver City. theactorsgang.com
Dante and Beethoven’s Sixth Gustavo Dudamel conducts the L.A. Phil in Beethoven’s “Symphony No. 6 in F major, Op. 68 – Pastoral” and Thomas Adès’ “Inferno – Part 1.” 8 p.m. Thursday; 11 a.m. Friday; and 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
Bill T. Jones/Arnie Zane Company A remounting of the historic dance theater work “Still/Here,” created by Jones 30 years in the midst of the AIDS epidemic from interviews with terminally patients which he called “survival workshops.” 8 p.m. UCLA Royce Hall, 340 Royce Drive, Westwood. cap.ucla.edu
Arts anywhere
New releases of arts-related media.
Clockwise from top left, artists Candice Lin, Njideka Akunyili Crosby, Tomás Saraceno and Ragnar Kjartansson from “Art in the Twenty-First Century.”
(Art21, Inc.)
Art in the Twenty-First Century Museums are fantastic, but do you ever want to know what’s going on right now in the art world? Since it debuted in 2001, this video series has focused on contemporary art and artists and has been a mainstay of public broadcasting. The second episode of the 12th season (they’re released biannually) debuted Feb. 11 and profiles four international artists, Njideka Akunyili Crosby, Ragnar Kjartansson, Candice Lin and Tomás Saraceno, who use ordinary materials to make extraordinary art. Of local note, Crosby and Lin both live and work in L.A., and the Huntington in San Marino makes an appearance as well. Watch at art21.org, YouTube and pbs.org.
(Princeton University Press)
Michelangelo & Titian It may not have been a heated rivalry, but author William E. Wallace makes the case that the two great Renaissance artists drove each other to excel in a new dual biography subtitled “A Tale of Rivalry and Genius.” Princeton University Press: 248 pp., $35. press.princeton.edu
Japan’s Yuma Kagiyama competes in the figure skating men’s singles free skating at the 2026 Winter Olympics on February 13 in Milan, Italy.
(Robert Gauthier/Los Angeles Times)
Turandot: Christopher Tin Finale The two-time Grammy-winning composer completed Giacomo Puccini’s famously unfinished final opera for this EP recorded at London’s Abbey Road Studios with an all-star cast. You may even have heard it during Japanese figure skater Yuma Kagiyama’s free skate program at the recent Winter Olympic Games in Milan (Kagiyama won silver for the second time). Not only was Milan Puccini’s hometown, but the Games coincided with the 100th-anniversary of the premiere of the opera at Teatro La Scala. Tin Works: $12-30. Available on vinyl, CD, digital download and streaming platforms.christophertin.com
— Kevin Crust
Culture news and the SoCal scene
Frieze Los Angeles returned to the Santa Monica Airport on Feb. 26.
(Casey Kelbaugh / Courtesy of Frieze and CKA)
Art Week is here, and L.A. is overflowing with guests, artists and dealers from around the world as the city stages a wide variety of fairs, exhibitions, dinners and other arts events. The Times put together a handy guide to all the fairs you need to see, including Frieze, Butter LA and the Other Art Fair.
Freelancer Jane Horowitz wrote an in-depth piece about Frieze’s “Body & Soul,” a public art program of eight installations designed to reach beyond traditional art fair audiences. The story gives information about site-specific installations and the artists behind them, including Patrick Martinez. Amanda Ross Ho and Kelly Wall.
Kara Walker, “Unmanned Drone,” 2024, bronze
(Ruben Diaz)
Earlier this week, MOCA announced it had acquired 158 works by 106 artists in 2025 and that it had acquired the centerpiece of its current blockbuster “Monuments” exhibit: “Unmanned Drone,” by artist Kara Walker. “Walker created the 13-foot-tall bronze sculpture out of a statue of the prominent Confederate Gen. Stonewall Jackson that was originally in Charlottesville, Va. The statue had been removed after serving as a significant gathering place for the infamous 2017 Unite the Right rally of white supremacists,” I wrote in a story about the acquisition.
Our major investigation into L.A. arts icon Judy Baca also published this week, featuring allegations by 10 former employees, including two managers, that Baca used her nonprofit arts center, SPARC, to benefit her private, for-profit art practice, Judy Baca Inc. They also alleged Baca personally benefited from a $5-million Andrew W. Mellon Foundation grant to expand her most famous work, a community-driven effort known as “The Great Wall of Los Angeles.”
Alexander Hurt, left, Katie Holmes and Charlie Barnett in “Hedda Gabler.”
(Rich Soublet II)
Times theater critic Charles McNulty headed to San Diego’s Old Globe to catch Katie Holmes in a new take on Henrik Ibsen’s “Hedda Gabler” written by Erin Cressida Wilson “that compresses the action and sharpens the language to a razor’s edge.”
“Beethoven’s ‘Missa Solemnis’ is a grand mass for large orchestra, chorus and four vocal soloists that lasts around 80 minutes,” writes Times classical music critic Mark Swed in his review of Gustavo Dudamel and the L.A. Phil’s performance of the challenging piece. “It was written near the end of Beethoven’s life and is his most ambitious work musically and spiritually.” The concert at Disney Hall was part of Dudamel’s “month-long L.A. Phil focus on Beethoven.”
Enjoying this newsletter? Consider subscribing to the Los Angeles Times
The Los Angeles County Museum of Art announced that its partnership with Hyundai Motor Co. will continue until 2037. The union was first cemented in 2015, and the museum said in a news release that it “represents the largest programmatic commitment from a corporate partner in LACMA’s history.” The announcement included two initiatives “that will define the next chapter” of collaboration. “The first initiative is a new exhibition series under the title ‘Hyundai Project.’ Beginning in 2028, the museum will present a biennial survey of an artist with significant ties to Los Angeles and the Pan Pacific region. The featured artist will also develop a large-scale banner for the exhibition that will be installed on the exterior of the Broad Contemporary Art Museum (BCAM). Secondly, with Hyundai Motor’s renewed support, LACMA will expand the scope, visibility, and impact of the Art + Technology Lab,” the release noted.
Aidan Turner and Lesley Manville appeared on Friday’s The One Show to talk about their new production of Les Liaisons Dangereuses at Lyttelton Theatre in London
Rivals star Aidan Turner left The One Show host, Clara Amfo, floored on Friday’s episode as he revealed his past career(Image: BBC)
Rivals star Aidan Turner left The One Show host, Clara Amfo, floored on Friday’s episode as he revealed his past career.
During the latest instalment, host Clara, 41, and co-host JB Gill welcomed Aidan, 42, Lesley Manville, and James Buckley to the iconic green sofa.
Aidan and Lesley, 69, appeared on Friday’s episode to talk about their new production of Les Liaisons Dangereuses at Lyttelton Theatre in London.
However, chat soon got onto Aidan’s career before acting, leaving Clara stunned. Clara said: “Now, Aidan, I didn’t know this until today, that you, Mr Turner…”
To which Aidan interjected with: “What are you going to say? I have no idea…” before adding: “Are you the last person to ever hear about this?
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.
Clara then revealed: “I was today years old learning that you had a former career as a ballroom dancer!”
To which Aidan explained: “I don’t know if you’d call it a career. I mean, I started when I was eight and finished when I was about 17. But, yeah, I danced. I was a ballroom and Latin American dancer from Dublin!”
David Tennant is set to declare war in a sneak peek trailer for the eagerly awaited second series as his character television tycoon Lord Tony Baddingham survives from series one’s cliffhanger.
The trailer opens with the Doctor Who actor, 54, emerging from a helicopter and quipping: “Sorry I’m late, darling. I’ve had a terrible headache.”
This follows a suspenseful cliff-hanger at the end of the previous series, which left audiences questioning the fate of Lord Baddingham after Cameron Cooke (Nafessa Williams) struck him on the head to prevent him from assaulting her, leaving him lying motionless in a pool of his own blood.
Elsewhere, Irish actor Aidan – playing journalist Declan O’Hara – can be heard commenting: “It’s entertaining. In the most delightful way.”
Billy Idol’s Mony Mony provides the soundtrack to the trailer, giving viewers a taste of the drama to come, which includes updates on Danny Dyer’s character businessman Freddie Jones, Alex Hassell’s character Rupert Campbell-Black and Bella Maclean’s Taggie O’Hara.
The One Show continues on weeknights at 7pm on BBC One and BBC iPlayer.
Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source.** Click here to activate**** or add us as your Preferred Source in your Google search settings.**
Lorraine Kelly stopped her ITV daytime TV show to deliver some breaking news about this year’s Eurovision Song Contest
Lorraine Kelly abruptly halts ITV show with ‘breaking news’ announcement(Image: ITV)
The ITV show Lorraine was abruptly interrupted by its host, as Lorraine Kelly delivered a “breaking news” announcement. She interrupted her conversation abut spring dresses with Mark Heyes as she received breaking news through her ear piece.
While they spoke, the host’s hand flew to her ear. “Mark, they’ve just said ‘breaking news’,” she said. She spoke quickly to the person talking to her to say that she had stopped the show and then revealed the news to the audience.
“Boy George is not Italy,” Lorraine said. Earlier in the day, it had been revealed that Boy George was make a surprise bid with an Italian singer to compete for a European nation in the Eurovision Song Contest, but the country he was hoping to compete for was not known, until Lorraine’s announcement. “It’s not us either, it’s San Marino.”
Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source.Click here to activateor add us as your Preferred Source in your Google search settings.
San Marino is a small nation in Europe that is landlocked by Italy. It is situated on Mount Titano and is one of the world’s oldest republics. As of 2024, it’s population was said to be only around 34,000. The nation has competed in Eurovision 15 times, debuting in 2008 and making its first appearance in the final in 2014. The nation has never won.
After revealing the news, Lorraine seemed nonplussed by it. Shrugging, she said to the camera: “He’ll win.” Mark then added that he was “glad” that Boy George would not be performing for the UK, as “we never win”. Lorraine added: “Yeah its a bit embarrassing.”
The UK is always in the final of the contest, as we are one of a few nations whose financial contribution guarantees them a place. However, the last time we won was over 20 years ago, in 1997 with Katrina and the Waves’ Love Shine A Light.
Ordinarily, the UK finish near the bottom of the leaderboard but in 2022, Sam Ryder’s Space Man got the UK to second place, finishing behind Ukraine. Due to the Russian invasion of Ukraine, the nation was unable to host the following year’s contest. As such, the UK was able to host for the first time since 1998.
This year, Youtuber Look Mum No Computer will compete for the UK at the contest in Vienna. This is the third time the city will host Eurovision and comes after Austria’s JJ won the competition last year.
There are several countries that will not compete this year. Five have decided to boycott the competition over the continued allowance of Israel to take part. These countries are Iceland, Spain, Ireland, Slovenia and the Netherlands, all of whom have said that they do not think it is appropriate to take part if Israel are.
Israel’s participation in Eurovision has been a source of tension due to the war in Gaza. The war has resulted in the deaths of at least 50,000 children and is widely considered a genocide of the Palestinian people, including by the International Association of Genocide Scholars.
TV presenter Ant McPartlin shares the real reason he won’t be returning to host a major show
22:28, 26 Feb 2026Updated 22:30, 26 Feb 2026
Anthony McPartlin has opened up on the one show he’s done with hosting(Image: Getty Images for BAFTA)
Anthony McPartlin has opened up on the one show he’s done with hosting as he admitted it can get too hard to control the crowd.
The TV star is well known for presenting a number of shows alongside hosting partner Declan Donnelly and among the many is the iconic BRIT Awards.
The duo have fronted the prestigious music ceremony on three occasions and Ant, 50, has since revealed the evening proves enjoyable for those up for gongs and their plus ones, but can be tricky for those presenting. Ant and Dec hosted the BRITs in 2001, 2015 and 2016.
During their podcast, Hanging Out with Ant & Dec, the duo seemed genuinely thankful they won’t be taking the reins at this weekend’s ceremony.
Ant stated: “[We’ve hosted it] three times, never again. And the reason why we always say, ‘oh, never again’, it’s not because we don’t believe in the awards. I really do. I think they’re really good for British music.
“It’s actually a really good night if you’re there as somebody who’s been nominated, because we’ve been nominated for a BRIT back in the day. That was a fun night. We didn’t win that night.”
The duo first crossed paths as young performers on CBBC drama Byker Grove, later pursuing pop stardom as PJ & Duncan, notably with their chart success Let’s Get Ready to Rhumble, which debuted in 1994.
In 1995, they competed for the BRIT award for best British newcomer but were beaten by the legendary Oasis.
Ant explained: “It’s a fun night if you’re nominated, it’s a fun night – not necessarily if you’re hosting it though because everybody in the room just wants to get drunk and have a good time and you’re trying to wrangle the whole crowd.
“You are also trying to present a TV show and also all the artists and bands who said they would happily do an interview with you before the show starts always change their mind.”
The Geordie presenting pair are renowned for fronting ITV’s I’m A Celebrity… Get Me Out Of Here!, Britain’s Got Talent and the quiz show Ant And Dec’s Limitless Win.
Comic Jack Whitehall will take the helm at the BRIT Awards on Saturday in Manchester.
Chart-topper Harry Styles features amongst the impressive line-up of performers set to grace the stage during the ceremony, alongside Raye, Olivia Dean, Sombr, Mark Ronson and Wolf Alice.
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.
Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source.** Click here to activate**** or add us as your Preferred Source in your Google search settings.**
A Killer Makes A Call is a Channel 5 documentary that plunges viewers into the real life drama and urgency when a call is made to 999. But there’s a twist, as things are not as they first appear.
With each episode centered around a different case, the series so far has seen three instalments released, each with its own harrowing investigation at its heart. As Channel 5 teases: “The call comes through. Murder. But maybe the caller isn’t as innocent as they seem…”
The true crime documentary series instead focusing on instances where the perpetrator has made a call to the emergency services, often posing as a distressed witness or victim to avoid suspicion.
Branded as a perfect watch for fans of true crime, the harrowing series plunges viewers into each chilling investigation, examining why killers make a call to 999 and how they use that to create false narratives until detectives uncover the truth.
True crime fans will be pleased to know that A Killer Makes A Call returns to Channel 5 this evening with yet another disturbing case. It will air at 10pm on the channel.
The repeat episode, from series two, explores the moment a devastated family deal with their son’s fatal overdose. Carrying out their own investigation into what happened, the family soon find some surprising evidence.
Channel 5 teases: “When a family refuse to accept their son Jack died of an overdose, they undertake their own investigation, and identify a man with Jack the night that he died. Dots are joined, connecting four murders.”
With expert testimonies as well as heartbreaking family statements, viewers will witness how investigations were carried out as well as the reasonings behind the crimes.
First airing on Channel 5 back in 2024, the documentary series has become a popular choice amongst true crime fans with with many branded previous episodes as ‘sickening’.
Taking to social media, one person previously said: “Just watched this episode of #AKillerMakesACall on @channel5_tv. The verdict was quite sickening.” Another added: “Turned my stomach #akillermakesacall.” A third praised: “Great TV.”
The docuseries has also been branded as “wild” as another said it was “definitely one to watch.” Over on TikTok, one viewer said: “It’s definitely worth a binge watch if you like a true crime”, as another commented they had “binged” the episodes in one sitting.
A Killer Makes a Call airs tonight at 10pm on Channel 5. Episodes are also available to stream on 5 online.
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.
Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source.Click here to activate or add us as your Preferred Source in your Google search settings.
The Traitors host Claudia Winkleman has landed her own talk show and it’s set to air very soon
Claudia Winkleman has landed her own BBC chat show(Image: Max Cisotti/Dave Benett/Getty Im)
The BBC has finally confirmed the start date of Claudia Winkleman’s new show after she joked that she’s “going to be awful” hosting her show.
The TV star – who stepped down from her Strictly Come Dancing hosting role last year – has landed her own BBC talk show and it has now been announced that it’s just a couple of weeks away, with the first instalment set to air on March 13.
Produced by So Television, which is part of ITV Studios, each episode will see Traitors presenter Claudia welcome some of the biggest names from the world of showbiz. She will interview them on the sofa in front of a studio audience.
“I can’t quite believe it and I’m incredibly grateful to the BBC for this amazing opportunity,” she said as the series was confirmed. “I’m obviously going to be awful, that goes without saying, but I’m over the moon they’re letting me try.”
Claudia’s new project comes after she and fellow TV star Tess Daly quit Strictly Come Dancing after the last series of the BBC ballroom show. The pair announced in October that they would be leaving after that series – which was won by Karen Carney – telling fans that it “feels like the right time”.
In their farewell message on Instagram, Tess and Claudia penned: “We have loved working as a duo and hosting Strictly has been an absolute dream. We were always going to leave together and now feels like the right time.
“We will have the greatest rest of this amazing series and we just want to say an enormous thank you to the BBC and to every single person who works on the show. They’re the most brilliant team and we’ll miss them every day.”
“We will cry when we say the last ‘keep dancing’ but we will continue to say it to each other,” they added.
“Just possibly in tracksuit bottoms at home while holding some pizza.”
So far it isn’t known who will be talking over from the pair on Strictly, but there are several names rumoured to be in the mix, including The One Show’s Alex Jones, radio star Zoe Ball and Big Brother presenter Emma Willis.
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.
Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source.** Click here to activate**** or add us as your Preferred Source in your Google search settings.**
The Claudia Winkleman Show – which will be on BBC iPlayer and BBC One – starts at 10.40pm on Friday March 13.
