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Coronation Street fans floored as they only just realise Ryan star’s past Emmerdale role

Coronation Street fans were left gobsmacked after discovering that Ryan Connor star Ryan Prescott previously appeared on rival soap Emmerdale

Coronation Street viewers have been left stunned after only just discovering Ryan Connor actor Ryan Prescott previously featured in rival soap Emmerdale.

On Thursday, ITV’s Instagram account posted an entertaining soap crossover feature, highlighting all the Coronation Street and Emmerdale stars who’ve graced both programmes.

While fans recognised familiar soap-hopping actors including Claire King, who portrays Kim Tate on Emmerdale and played Erica Holroyd on Corrie, alongside Chris Bisson, who plays Jai Sharma in Emmerdale and portrayed Vikram Desai in Corrie, audiences were astonished to spot a ‘forgotten’ performer.

The post featured Corrie’s Ryan Connor actor Ryan Prescott, who played Flynn Buchanan in Emmerdale back in 2011.

Throughout Flynn’s stint in the village, he briefly romanced Aaron Dingle, portrayed by Danny Miller, though Aaron remained hung up on his former boyfriend Jackson Walsh, played by Marc Silcock, reports the Daily Star.

Reacting in the comments section, soap enthusiasts were left astounded by the revelation, with some having completely forgotten Ryan’s Emmerdale appearance while others were unaware of the soap crossover altogether.

One viewer exclaimed: “Omg I forgot Ryan was in emmerdale!” to which another account responded: “Such a throwback!”.

Meanwhile, another account posted: “Wow x” with a different fan contributing shocked emojis.

Another enthusiast wrote: “The only one I remember being in another soap is Jai!” while a separate viewer commented: “Wow that’s insane to look at in the Past and the Future.”

Coronation Street’s Ryan first appeared on the ITV soap back in 2006, with the character originally played by Ben Thompson – Ryan Prescott, 37, stepped into the role in 2018. As the son of Michelle Connor (Kym Marsh), it wasn’t long before Ryan became entangled in a host of dramatic storylines.

In forthcoming scenes, Ryan heads out on a date with fellow Weatherfield resident Jodie Ramsay (Olivia Frances Brown) – who has caused quite a stir since making her soap entrance earlier this year.

According to spoilers for next week, Jodie lets slip that she’s lined up a date. When David Platt (Jack P. Shepherd) inadvertently mentions he’s due to meet Nick Tilsley (Ben Price) at the bistro, Jodie devises a cunning plan.

Jodie meets her date, Ryan, at the bistro, and when David arrives, Jodie turns on the charm in a bid to ignite David’s jealousy…

Coronation Street airs Monday to Friday at 8:30pm on ITV1 and ITVX

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MAFS stars have their ribs ‘recontoured’ and ‘pushed in’ after flying to Bali for surgery that’s illegal in Australia

MAFS Australia stars Bec Zacharia and Awhina Rutene have revealed they’re going under the knife to have their ribs “recontoured” in a procedure that’s illegal in Australia.

Bec, who became one of the most controversial stars of the latest series, said she had been flooded with hate by nasty trolls commenting on her appearance.

MAFS bride Bec has revealed she’s going under the knife to have her ribs ‘recontoured’ Credit: E4
The TV star admitted she’s been constantly trolled over her appearance Credit: Nine

The reality star, who tied the knot with Danny Hewitt on the show, has previously been open about her drastic weight loss, losing over 4st.

In a new video with influencer Joshua Fox, Bec admitted she still had a lot of loose skin that she was desperate to get rid of as she flew to Bali for the procedure.

Speaking to the influencer, she said: “I’ve got a lot of loose skin, this is the most vulnerable I’m ever going to be because there are parts of me that I can’t stand looking in the mirror.

“Your body, your choice, what you feel confident with and what you feel comfortable, f***ing do it.

Awhina Rutene is also set to have the same procedure in Bali Credit: Channel Nine
MAFS’ Awhina Rutene and Adrian Araouzou have had a tumultuous experience on the show Credit: Channel Nine

“So why are all these Karen’s coming at me. Let me get my ribs done.”

The TV star said: “No one wants to look like me, see this sloth over here.

“Get your teeth done, get your jaw done, get your skin done, get your nose done, trust me if I could I would.”

Joshua shared his fears, saying: “It’s not available in Australia yet because it take a long time for things to be approved there.

“I just worry it sets this new standard.”

Meanwhile, second bride Awhina, who starred on the show in 2025, said she was also planning to undergo the same procedure to achieve a more “hourglass” figure.

She said: “There was no way I was going to be removing ribs from my body where it’s protecting vital organs, I was really worried about all of that.

“But I looked into it, it’s rib contouring, where they are going to angle my rib inwards to give me that natural hourglass silhouette.

“I’m not worried that I’m a blue print for anyone else.”

Joshua captioned the post: “In a matter of hours, Bec, Awhina and the other influencers on this trip will all undergo the ‘rib recontouring’ procedure here in Bali. But why are they doing this? And do they think they’re setting a dangerous example?

“Ep 2 of the investigative pod series out now. Follow here for part 3 and our journey in the hospital.”

In May, Bec returned to social media after her ‘ban’ over a dress scandal as she’s mocked by her show rival.

The TV star endured an explosive time during her Married At First Sight stint with groom Danny amid clashes with bride Gia Fleur.

Just weeks after Bec was dumped at Final Vows her actions caused her Instagram account to be deleted from the platform entirely.

Bec claimed that her main profile was removed after she was reported by other users because she was involved in drama with an Australian designer bridal rental company reports Heart.

Now, Bec is back on Instagram and captioned a series of images: “Sticks and stones may break our bones, but names will NEVER hurt us.”

The images included a smiling Bec posing alongside MAFS bride Alissa Fay who was also blindsided at the end of the series.

Brides Gia and Bec clashed several times throughout the season after failing to hit it off just minutes into meeting during the hen party.

And after the dress scandal, Gia took to social media and mocked Bec saying: “In the light of what’s going on just now with some people losing their Instagrams and people acting at fashion week above people.

“Let’s be humble.”

Gia then modelled a $12 dollar outfit and explained that nobody knew them before the show as she appeared to then impersonate Bec.

Gia’s followers flocked to comment and one said: “Still attacking Bec.”

Another said: “Let’s be humble. Then goes on to talk about someone else… that’s also not being humble.”

A third added: “The impression at the end was funny.”

Awhina and show husband Adrian had a highly turbulent relationship.

They chose to stay together at final vows, but split just a few days later.

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Gemma Collins flashes her stomach in bikini as she sells off old clothes for a tenner

GEMMA Collins looked great in a bikini as she makes a bit of extra cash by selling her old clothes for just a tenner.

The former Towie star, 45, took to her Instagram story to tell her 2.3 million followers that she’s uploaded some bits from her wardrobe on app Vinted.

Gemma Collins wowed in a paisley patterned bikini as she sold her clothes on Vinted Credit: Instagram / gemmacollins
Gemma Collins flashes her stomach in bikini as she sells off old clothes for a tenner, https://www.instagram.com/stories/gemmacollins/3922907988476705664/ Credit: Instagram / gemmacollins

The GC wowed in a blue paisley bikini and matching sarong.

She completed the look with long beach waves.

“Make me crazy prices on Vinted today, it’s all got to go,” she captioned the post.

In the next post she shared a screen shot of her Vinted profile, named “gcwardrobe1”, to display the clothes that she has on the platform for sale

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The star likes to sell her unwanted items of clothing on Vinted Credit: Getty
The GC sells her clothes for very cheap prices Credit: Getty

Gemma has some white shorts, a top and some trousers all on her account for £10.00 each.

She also has an oversized t-shirt dress on there for £15.00.

The self-confessed diva also told fans: “All orders by 3pm before we close the account for summer holidays.”

The reality star has 279 reviews on her profile and has an average of 4.9 rating.

“The wardrobe of the GC items worn once for filming or for a shoot. Enjoy,” the profile bio states.

And now the profile has been closed.

It’s not the first time that Gemma has taken to Vinted to sell her unwanted clothes.

Back in February, there was plenty to pick – from brightly coloured tops to swimsuits and dresses. 

Items ranged from sizes 20 to 30 and prices range from just £3 up to £40.

Just last month Gemma oozed beauty and body confidence rocking a skin-tight swimsuit by the water.

The TV personality posted the stunning snap to her Instagram grid today, alongside an inspirational message for her followers.

In the photo Gemma is sitting on a sun lounger wearing the off-the-shoulder swimwear.

The pink outfit perfectly hugged her curves and featured a sweet bow detail at the bust.

She captioned the post: “Loving the sun. Wishing you all a lovely bank holiday.

“Get your body in the sun, let your soul exhale

“Own your glow, take up space, wear the swimsuit, dive in the pool, laugh louder, live softer.

“The sun was never asking for perfection… only presence.”



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Sharon Osbourne, 73, rushed to hospital and forced to miss husband Ozzy’s statue unveiling

SHARON Osbourne was forced to miss her late rocker husband Ozzy’s statue unveiling after being rushed to hospital.

The 73-year-old returned to social media to explain her absence at the event this week.

TV personality Sharon Osbourne and musician Ozzy Osbourne pose for a photo at the Los Angeles premiere of "Total Recall."
Sharon Osbourne and her late husband musician Ozzy Osbourne Credit: Getty
Statue of Ozzy Osbourne unveiled at Hellfest, featuring him with arms raised, in front of a brick and stone archway with "HELLFEST" inscribed.
A statue of Ozzy Osbourne was unveiled in France Credit: BackGrid

Sharon was notably missing from the French metal festival Hellfest where the tribute to Ozzy was revealed, which stands at 20ft tall.

His widow Sharon told fans on social media: “I’m sorry I couldn’t be at Hellfest for the unveiling of Ozzy’s statue.

“Unfortunately I had an unexpected trip to the hospital earlier in the week. 

“A big thank you Olivier Garnier, Ben Barbaud and everyone at Hellfest. Special thank you to @philippe_pasqua_officiel for the absolutely stunning statue!”

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Black Sabbath singer Ozzy died aged 76 last July following a long battle with Parkinson’s.

Sharon recently put the LA mansion she shared with her late husband up for sale for $17m (£13m), and will be moving into an apartment.

The X Factor legend still has her Grade-II listed Georgian mansion in Buckinghamshire, where Ozzy is buried.

Ozzy’s final performance in Birmingham last summer completely sold out and raised millions.

But it was all donated to three charities: Cure Parkinson’s, Birmingham Children’s Hospital and Acorns Children’s Hospice.

His other earnings have now gone to his family, who revealed this week that they are trying to buy back the Beverly Hills mansion where they shot their MTV reality show The Osbournes in the Noughties.

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Celebrity Gogglebox favourites return to Channel 4 show and fans are thrilled

A beloved Celebrity Gogglebox pair have made their return to the Channel 4 show

Celebrity Gogglebox fans were over the moon after two beloved stars made their comeback to the programme.

The Channel 4 spin-off show returned to screens on Friday (June 18) for a brand new episode, welcoming back firm favourites, such as Vernon Kay and Paddy McGuinness, Nick Grimshaw and niece Liv, and Denise Van Outen and Johnny Vaughan.

There are several new additions to the new series too, including Olivia Attwood and her mum Jennifer, Harry and Matt aka Nitro and Legend from Gladiators.

Finishing off the line-up are Strictly star George Clark and content creator Max Balegde comedian and actor, Julian Clary and actor and television presenter, Nigel Havers.

And for the latest instalment, show favourites Stephen Mangan and his sister Anita were back on the sofa – and fans were over the moon. On X, one person declared: “So glad Stephen and Anita are back!” Someone else wrote: “My favourites!” A third chimed in: “Love these two.”

Stephen is a presenter and actor who found fame playing Nathan Stern in The Split, alongside Nicola Walker, Fiona Button, Annabel Scholey, and Barry Atsma.

Beyond his acting credentials, the star also hosts Artist of the Year on Sky Arts. He also fronted the ITV game show The Fortune Hotel. Meanwhile, his sister Anita is an artist, illustrator, and designer. The brother-sister duo frequently collaborate on popular children’s books, with Anita illustrating the stories that Stephen writes

In 2023, Anita opened up about working with her brother on the books. When asked whose idea it was to work together, she told The Bath Magazine: “Mine! I’ve been an illustrator and designer for years and have wanted to work with Stephen for a long time.

“Stephen is brilliant at writing but can’t draw (his words!), so it’s a great match! I convinced him to consider it. Initially he thought we’d be doing picture books, where I did most of the work … but no, I said ‘40,000 word chapter books please!’ I got my way, mwahahahaha.”

Talking about their relationship, Anita added to the publication: “We have always been close and have been making each other laugh since we were children. Now we’re still making each other laugh – and our readers too (hopefully!). I always look forward to reading the first draft of Stephen’s books to see what drawing challenges there will be. I once told him that drawing horses is hard, so he put horses in The Fart that Changed the World, goats in The Unlikely Rise of Harry Sponge and The Great Reindeer Rescue is full of reindeer.”

Stephen added: “Well, I am the big brother – that’s what we do. I love working with Anita. It’s a treat to see how she illustrates my characters, and she always makes me laugh.”

Celebrity Gogglebox airs every Friday at 9pm on Channel 4

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EastEnders’ Gurlaine Kaur Garcha marries her boyfriend a year after romantic engagement

Former EastEnders actress Gurlaine Kaur Garcha, who previously played Ash Panesar on the long-running BBC soap, has married her partner Max after a year-long engagement

EastEnders star Gurlaine Kaur Garcha has married her partner after a year-long engagement. The actress, 32, is best known known for having previously played Ash Panesar on the long-running BBC soap, but she left the programme just over three years ago.

On Friday, she took to social media to announce the news that she and her partner Max had tied the knot. Alongside a selection of snaps from the big day, she wrote on Instagram: “17.6.26.”

A slew of Gurlaine’s former co-stars were quick to congratulate her. Former Strictly Come Dancing star Balvinder Sopal, who plays Gurlaine’s on-screen mum Suki, wrote: “Gorgeous baby. Congratulations.”

Emma Barton, known for her role as Honey Mitchell, wrote: “Gorgeous… congratulations beautiful,” whilst Denis Fox actress Diane Parish simply said; “Congrats”

Last year, the actress, who last year was seen in an episode of the Amazon Prime hit The Girlfriend, shared the happy news of her engagement with fans on Instagram, flashing a huge diamond ring while sipping a cocktail abroad.

“v happy & v engaged!!!!!!” she wrote, keeping the caption short and sweet. Although Gurlaine’s kept her partner’s identity private, she confirmed the romantic proposal took place while on holiday in Ibiza.

Gurlaine made her debut in Albert Square back in 2019 as Ash; a confident, no-nonsense doctor who immediately made an impression. She arrived as the first member of the Panesar clan, with her brothers and mum Suki introduced shortly after.

Her character quickly became a key figure in several dramatic storylines from tense family fallouts and fractured relationships to fast-paced scenes at the hospital. She was also part of a same-sex romance with Iqra, making Ash one of the few LGBTQ+ South Asian characters in soap at the time.

Ash wasn’t afraid to speak her mind, often clashing with her mum Suki, whose controlling nature added even more fuel to their fiery dynamic. Her arrival was also seen as a big moment for representation, with viewers praising EastEnders for spotlighting a British Sikh woman in a lead medical role – something rarely seen on mainstream TV.

Gurlaine took a short break from the show in 2022 before officially bowing out in early 2023. At the time, soap bosses thanked her for her contribution, while the actress told fans she was “excited for what’s to come”.

Since then, Gurlaine’s kept a low profile but still shares snippets of her life online – posting travel pictures, moments with friends, and positive messages with her followers.

And while she’s stayed off-screen for now, fans will no doubt be thrilled to see her celebrating such a personal milestone.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.



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Harry Styles dramatically HALTS Wembley gig mid-song to help distressed fan

HARRY Styles dramatically stopped his Wembley gig midway through a song to help a fan in distress.

The 32-year-old halted singing Taste Back when he realised a concert-goer needed support.

Harry Styles halted his show to help a fan Credit: The Sun
The Watermelon Sugar singer is performing a 12-night Wembley Stadium tour Credit: Shutterstock Editorial

“You can’t find your sister?”, Harry said over the mic as he spoke to a member of the audience.

He then beckoned over security who rushed to their aid.

Harry added: “You looked very concerned.”

Asking if everything was OK, Harry said: “You’re good? We’re good.”

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He then made a thumbs up to security.

Harry kicked off a record-breaking 12-night run at Wembley Stadium on Friday for his Together, Together tour.

Harry released his latest album — Kiss All The Time. Disco Occasionally — in March and it immediately shot to No1 in the charts.

Addressing crowds, this week the pop star said: “Just outside of this building 16 years ago, my sister brought me to London for the very first time for my X Factor audition.

“So driving here today, and anytime I come through Wembley, means so much to me.

“It was in that building that I was put into a band, my sister is here tonight. It means a lot to be here tonight.”

He added: “My mum entered me into the X Factor without me knowing and I wouldn’t be here today if she hadn’t done that, so thank you so much.

“You changed my life, all of you, so thank you so, so much.”

He held his hand up in the air as he flagged security Credit: The Sun
The pop star performed in front of 80,000 fans Credit: Shutterstock Editorial

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James Burrows dead: Comedy director of ‘Cheers’ and ‘Friends’ fame

Comedy director James Burrows, the 11-time Emmy-winning director who co-created “Cheers” and helped turn such long-running sitcoms as “Taxi,” “Friends,” “Will & Grace” and “The Big Bang Theory” into fan favorites, has died, his family confirmed to People. He was 85.

“We celebrate the extraordinary life and enduring legacy of James ‘Jimmy’ Burrows, who passed away peacefully today surrounded by his loving family,” his family said in a statement to People. “For more than five decades, Burrows was one of the most influential and beloved directors in television history. As a legendary director, mentor, and creative force, he helped shape generations of comedy and brought immeasurable joy to audiences around the world.”

A master of the multi-camera sitcom, Burrows started his career shooting episodes of “The Mary Tyler Moore Show” in 1974 and “The Bob Newhart Show” in 1975. He soon joined the quality-oriented production company, MTM, which counted James L. Brooks, Steven Bochco and Gary David Goldberg among its alumni.

“They were smart enough to know that it’s better to have a director who can talk to actors rather than a director who can move cameras. You can’t really learn how to make something funny, but you can learn to move the cameras,” Burrows said in a 1995 interview with The Times.

Burrows was born in Los Angeles and later moved to New York with his family where he attended the High School of Music & Art. He graduated from Oberlin College and completed a graduate program at the Yale School of Drama. He worked years as a stage manager with his father, a playwright and director, assisting on shows such as “Breakfast at Tiffany’s” starring Moore and Richard Chamberlain.

He solidified his name in television with “Cheers,” co-creating the lively Boston travern “where everybody knows your name” with Glen and Les Charles. Over its 11 seasons on the air, Burrows directed 237 of its 275 episodes, emerging as a behind-the-scenes comedy legend.

“You bring ‘em in, you sit ‘em down and they talk. That’s all ‘Cheers’ was,” Burrows told The Times. “The word is more important than the goofiness. It was all about the words — which is how I was trained, how my father was trained, how anybody who reads books is trained. It’s the word.”

His father, Abe Burrows, was a Pulitzer Prize-winning playwright, screenwriter and director who performed in radio comedies and co-wrote the books for the Broadway musicals “Guys and Dolls” and “How to Succeed in Business Without Really Trying.” The younger Burrows said that growing up on radio comedies helped him hone his ear for humor.

“I know what’s funny, and I probably know the best way to deliver the joke. Whether it’s walking out of a room, facing that way, facing this way,” Burrows said in a 2010 interview with The Times. “I just have a sense of that.”

Another skill he learned from his dad? was working on his feet.

“He’d run the scenes over and over. He created this wonderful camaraderie, which I always try to do. I love to do ensemble shows because that’s where you get the camaraderie.”

Burrows, often considered a fatherly manager, tried to bridge the gap between actors and writers and notably took the cast of “Friends” on a trip to Las Vegas before directing 15 episodes of the blockbuster comedy. He also threw a party for the “Mike & Molly” cast to build rapport because he believed when everyone liked each other, it showed onscreen.

Actors would know when a joke landed when they would hear Burrows giggle as the scene unfolded.

“I’m the guy that wants you to walk the comic plank for me,” he said. “Take it as far out as you want to take it and I’ll bring it back. Sometimes I’ll take it further. But trust me.”

With his slate of hits — he’s credited for directing several shows in NBC’s primetime “Must See TV” lineup of the 1990s — Burrows amassed sizable wealth and, from an early age, was in constant demand by those seeking his magic touch for their show. However, he also saw his fair share of flops: Henry Winkler’s “Monty, “Cafe Americain” with Valerie Bertinelli and a slew of promising pilots that never got off the ground. He also felt that ABC’s “The Associates” and “The Class” on CBS were canceled too soon.

From 1998 to 2006, Burrows helmed every episode of “Will & Grace,” the Emmy-nominated sitcom about a woman and her gay best friend that aired on NBC for eight seasons during its original run. To Burrows, it was the funniest show he ever worked on. He was also behind the camera for the comedy’s 2017 revival, which brought the envelope-pushing antics of Will, Grace, Jack and Karen back for three more seasons.

“It was a fairytale literally and figuratively,” he said in a 2016 Hypable interview. “It was not of the real world in a strange kind of way. These were exaggerated characters. Although they were grounded with Will and Grace, there was this exaggeration that made the stuff you could do and get away with on that show so extraordinary.”

He won his 11th Emmy Award serving as an executive producer on 2019’s all-star re-staging of “Live in front of a Studio Audience: ‘All in the Family’ and ‘Good Times.’” A year earlier, he was nominated for directing the “‘All in the Family’ and ‘The Jeffersons’” TV special.

James Burrows

James Burrows behind the scenes.

(Chris Pizzello / Invision / Associated Press)

Throughout his career Burrows had a penchant for directing pilots because it meant “you’re better than an episodic director” and could create something new in the writer-driven medium of television. He was also drawn to “more uptown, the more urbane, the more sophisticated” comedies. He tried doing cinema once — 1981’s “Partners” with Ryan O’Neal and John Hurt — and said the result confirmed his belief that he was built for television.

“I’m not a cinematic guy. I’m a theater guy. For what I do, I need a live audience,” he said in a 2016 interview with the Television Academy.

Among his favorite TV moments were the pilots for “Frasier” and “Third Rock From the Sun,” the long-awaited kiss between Sam (Ted Danson) and Diane (Shelley Long) and Woody’s (Woody Harrelson) wedding on “Cheers,” Rev. Jim (Christopher Lloyd) taking his driving test in “Taxi,” Ross (David Schwimmer) being attacked by a cat in “Friends” and Will, Grace, Jack and Karen getting in the shower together on “Will & Grace.”

Late into his career, Burrows continued to work in the multi-camera sitcom format, which is shot in a studio, usually before a live audience. In 2013, he was honored by the Television Academy, and, in 2016, he celebrated directing his 1,000th episode of television programming, crossing the milestone with an episode of “Crowded.” NBC marked the milestone with “Must See TV: An All-Star Tribute” special. According to critics, the show — billed by several outlets as the elusive “Friends” reunion and came off as a living eulogy to Burrows — fell short and did not do the legendary director justice.

In all, Burrows was nominated for 45 Emmy Awards and 17 Directors Guild of America Awards.

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Spend Father’s Day with an Indiana Jones trilogy, plus the week’s best films

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Recently, I don’t exactly know why, I was overtaken by a concern that because of the impending merger of Paramount and Warner Bros., Olivier Assayas’ 2022 series adaption of his own film “Irma Vep” would be removed from the HBO Max streaming platform. With no official physical release, the series — starring Alicia Vikander as a Hollywood movie star making a project in Paris — could be effectively vanished from existence.

This is sadly inevitable, though some superfans have gone to extra-legal measures to ensure otherwise (not that we would ever endorse this). Most famously it’s happened with the original “Star Wars” trilogy. Billed as the “Grindhouse Edition,” these are discs of the first three “Star Wars” films sourced from scans of original film prints before the digital fixes and polish of the more recent official releases. Reengaging with these works in this way, scratches and all, is (I’m told) a strong reminder of why they hit so hard in the first place, similar to how it might be to reread a text in the original language instead of a more recent translation.

‘Indiana Jones’ marathon

A man in a fedora smiles with a woman in a white dress.

Harrison Ford and Karen Allen on the set of 1981’s “Raiders of the Lost Ark.”

(Lucasfilm Ltd.)

The same deep understanding of genre filmmaking that went into the original “Star Wars” also went into “Raiders of the Lost Ark,” the first adventure of the character of Indiana Jones. Directed by Steven Spielberg from a script by Lawrence Kasdan and story by George Lucas and Philip Kaufman, the film is playful, thrilling and self-aware. It is made with such care, attention to detail and sense of fun that I remember how disappointed I was to discover not all movies would be like this.

There have of course been diminishing returns with the more recent run of Indiana Jones sequels, but the first three installments all have a real spark. And so the Secret Movie Club will present “Raiders,” 1984’s “Indiana Jones and the Temple of Doom” and 1989’s “Indiana Jones and the Last Crusade,” all on 35mm at the Million Dollar Theater in DTLA on Sunday in celebration of Father’s Day.

In her original review of the first film, Sheila Benson described that while watching it, she felt “a rush of gratitude which almost brought tears of contagious joy and — not to be corny about this — the strength of the film’s positive vision. If this is an era in which the heroic is lacking and the mediocre threatens us from every side, then ‘Raiders,’ which has no pretensions to importance, which is unabashedly wide-eyed and exaggerated and true blue but somehow cherishes the best in life and filmmaking — is a high-water mark.”

Plenty of jokes could be made about the movies having settled into what might be thought of as part of the dadcore canon: action-adventure movies that play well on TV and maybe you can take a short nap and not miss anything. So be it.

From one master to another

A man in shades walks down a hallway with a blond woman.

Cary Grant and Eva Marie Saint in Alfred Hitchcock’s 1959 thriller “North by Northwest.”

(Sunset Boulevard / Corbis via Getty Images)

Filmmaker Guillermo del Toro has been making waves of late for his strong public stance against the use of AI in feature filmmaking. But it is worth remembering that he is also a deep and incisive thinker about older movies, a true fan, which makes his upcoming appearances at the Academy Museum a special occasion.

Del Toro will present five films by Alfred Hitchcock — 1946’s “Notorious,” 1943’s ‘Shadow of a Doubt,” 1959’s “North by Northwest,” 1953’s “I Confess” and 1972’s “Frenzy” — along with delivering a lecture on each of them. To see one great filmmaker reflect with such depth into the work of another is just remarkable. This is some genuine only-in-L.A. type stuff.

Comedy + politics = good fun

A man in a white suit stands outside a car wash.

A scene from the 1976 movie “Car Wash.”

(Margaret Herrick Library / Academy of Motion Picture Arts and Sciences)

A raucous comedy set around the location of the title, “Car Wash” is also a sharp, politically minded satire about labor and money. Directed by Michael Schultz from a screenplay by Joel Schumacher, the film has an extended ensemble cast that includes Richard Pryor, Franklyn Ajaye, George Carlin and many others.

In his original review Charles Champlin compared “Car Wash” to films such as “American Graffiti” and “Nashville” and called it “light but not foolish. … The experience is exhilarating.”

A 50th anniversary screening at the Academy Museum on Saturday of a new 4K restoration will include a panel with Schultz and actors Bill Duke, Antonio Fargas, Melanie Mayron, Garrett Morris and Pepe Serna.

Collision report

A man looks out the window of his car while two people embrace in the back seat.

James Spader in the 1996 movie “Crash,” directed by David Cronenberg.

(Jonathan Wenk / Fine Line Features)

The controversy that surrounded David Cronenberg’s “Crash” when it premiered at Cannes in 1996 and received a U.S. release in 1997 tended to overwhelm the actual movie. Shockingly explicit, the film is about a secret underground world of people who create a sexual fetish out of car crashes. An adaptation of the novel by J.G. Ballard, Cronenberg’s movie explores the cinematic obsession with sex and violence.

Over time, “Crash” has been evolving from a seemingly cursed object dogged by scandal into something that audiences can come to appreciate and admire — even if it is not a movie you can ever exactly fully understand. Part of Cronenberg’s brilliance is how enigmatic and unknowable his work can be: strange, inviting and enveloping while refusing easy or direct analysis.

The movie is playing twice locally this week, on Saturday at Vidiots in partnership with the Cinegogue, with special giveaways and exclusive merch, and again on Monday at the Academy Museum in 4K. Who will be brave (or perverse) enough to go twice?

A different view of Rio

People dressed in drag assemble for a party.

Milton Gonçalves, center, in the 1974 movie “The Devil Queen.”

(Kino Lorber)

A drag queen (Milton Gonçalves) rules the criminal underworld of Rio de Janeiro in Antonio Carlos da Fontoura’s 1974 gangster drama “The Devil Queen,” an unlikely mix of camp aesthetics and gritty violence. Among the film’s many fans is Kleber Mendonça Filho, the filmmaker behind the recent Brazilian hit “The Secret Agent,” who referred to “The Devil Queen” as “bloody, nasty and full of personality.”

The movie is playing in a new 4K restoration at the Lumiere Cinema in Beverly Hills.

A musical melodrama returns

A man plays piano while a woman in red stands close.

Raul Julia, left, and Teri Garr in Francis Ford Coppola’s 1981 movie “One From the Heart.”

(Rialto Pictures / American Zoetrope)

We have talked before about Francis Ford Coppola’s “One From the Heart,” a movie of such delirious audacity that it nearly ruined the filmmaker‘s career. A throwback musical about two lovers who break up in search of more excitement, the film stars Teri Garr, Frederic Forrest, Nastassja Kinski and Raul Julia.

On Saturday the film will screen at the American Cinematheque’s Aero Theater in a 70mm print for the first time in L.A. since 1990. The event is being dedicated to Dean Tavoularis, Coppola’s longtime production designer, who died in April. For “One From the Heart,” Tavoularis re-created the Las Vegas Strip on a studio back lot.

New this week

  • Amy Nicholson is not a fan of the new “Toy Story 5,” writing in her review, “Pixar has continued adding shades to the same plot outline like a child with a box of 128 crayons (or a company clinging to its billion-dollar idea).”
  • Glenn Whipp cast back into the “Toy Story” universe for a highly personal ranking of his 10 favorite “Toy Story” toys.
  • Two gay teenage boys attempt to survive a supernatural entity and conversion therapy in Adrian Chiarella’s debut feature “Leviticus.” Jen Yamato spoke to the filmmaking team.
  • I spoke to writer-director Michael Sarnoski about his new “The Death of Robin Hood,” starring Hugh Jackman in a subversively revisionist telling of the last days of the medieval bandit.

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Our Yorkshire Farm’s Amanda Owen puts head in hands as she says ‘I feel stressed’

Things seem to be taking their toll on Amanda Owen as she admits to feeling rather ‘stressed’ during an episode of Our Farm Next Door

Our Farm Next Door returns in trailer for new series

Our Farm Next Door star Amanda Owen appears to feel the heat as she makes a frank admission moments into the show.

In a repeat episode from series three of Our Farm Next Door: Amanda, Clive and Kids, which airs tonight (Friday 19 June), work continues on the farmhouse renovation as builder Richard starts plastering the interior walls and joiner Dan delivers and fits the custom-made doors.

As the project progresses, Amanda begins to feel the strain of the ambitious build, particularly when it comes to making key design choices for the kitchen, which proves to be one of the most challenging parts of the renovation.

Balancing modern practicality with strict historical preservation, Amanda expressed her confusion, admitting she was unsure where things would go.

When asked where she would like a certain socket to be placed, the mother of nine put her hands on her and said: “I don’t know, I’m beginning to start feeling really stressed about this.”

Talking directly to the camera, she then said: “I don’t want to start throwing impossible ideas around. I mean the whole project looked impossible from a start off so I think I’ve done well!”

Broadcast on Channel 4, the spin-off series from Our Yorkshire Farm sees the Owen family undertake the ambitious restoration of a long-abandoned farmhouse in the Yorkshire Dales. The project centres on a centuries-old property known locally as Anty John’s, which has fallen into disrepair after years of neglect.

Set high above Swaledale, the historic building holds a special place in the area’s heritage, and the Owen family is determined to bring it back to life.

Throughout the programme, viewers follow the extensive renovation as builders, family members and local tradespeople work to restore the structure while preserving its original character. From rebuilding walls and repairing roofs to installing modern amenities, the project proves to be both demanding and rewarding.

The show also explores the history of the property itself, with Amanda researching the people who once lived there and uncovering stories that shed light on life in the Dales across generations.

However, away from the building site, the programme continues to document life on the family’s nearby farm, Ravenseat. As ever, farming remains a full-time commitment, with the cameras capturing everything from lambing season to the day-to-day challenges of caring for livestock.

The show arrives as the Owen family enters a new phase, with their children taking on greater responsibilities and becoming more involved in both farming and the renovation project.

Our Farm Next Door: Amanda, Clive and Kids airs tonight at 8pm on More4.

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What PDA pics of Tina O’Brien with new ‘fame-hungry’ TikTok star beau REALLY reveal… as she plots reality TV comeback

JUST two weeks ago, Tina O’Brien was waxing lyrical about going on her first solo holiday as she embraced single life for the first time in years.

It turned out to be rather short-lived, though, as yesterday the Corrie star was spotted kissing a hunky new man in the street.  Now, insiders tell us why her latest fling – with Irish TikToker Rory Martin – has sparked concern amongst her inner circle, who fear her new beau might have an ulterior motive.

Pals are concerned about the intentions of Tina O’Brien’s new man Credit: Eamonn & James Clarke
Rory Martin is thought to have dated Una Healey last year Credit: Instagram

Our insider said: “Tina was genuinely trying to enjoy some time on her own after her recent split, but she has really fallen for Rory’s Irish charm. 

“Rory is no stranger to hanging out with famous women – he was linked to Una Healey last year and has gained a bit of a reputation for being a ladies’ man.

“He loves TikTok fame and will really be enjoying the attention he’ll be getting off the back of dating Tina.

“It’s worrying for her friends, because they don’t want to feel like she is being used.

“Tina is someone who loves love and enjoys being caught up in the whirlwind of it all, and they just don’t want her to rush into anything.”

While her last ex, Adam Fadle, disliked the limelight, Rory, in contrast, is said to be very taken with her high profile.

We’re told Tina now lives in a very well-known area where paps often frequent, so it’s unlikely to have come as a surprise to her that they were photographed.

It’s thought Tina, 42, actually met Rory, 30,  through her daughter, 17-year-old Scarlett, who she shares with ex Ryan Thomas. 

They are said to have connected through the music world. Rory also dabbles in singing and guitar playing, as well as doing social media.

He also works for the ambulance service – but is believed to be in the call centre rather than working as a paramedic, as his social media would suggest.

Our source continued: “People think Rory is some kind of sexy paramedic, but the reality is much less glamorous.

“He really plays up to it in his social media because he knows his thirst traps in his uniform attract both women and men to him.”

Last June, Rory surprised fans by posting a video of him singing with Saturday’s star Una in a kitchen.

We’re told the pair were casually dating for some time and really enjoyed making music together. 

Tina’s new romance comes seven months on from her splitting from her millionaire boyfriend Adam Fadle, whom she met in Cheshire following her move there.

Rory is a rising star and is said to enjoy the limelight Credit: Instagram
It’s thought Tina met Rory through her daughter Scarlett Credit: Getty

The actress, who is known for playing Sarah Platt on the Cobbles, is thought to have been single since her split from millionaire businessman Adam.

At the time, we revealed that it was interior designer Adam who ended things with the star. Rather than being taken with her glam life in the public eye, we’re told it ended up being a huge turn-off for him.

Our insider said: “He was the one who wanted out and ended it. In a brutal swipe, he said it ended up being like something out of a Coronation Street storyline.”

That relationship was hot on the heels of the end of her marriage to personal trainer Adam Crofts. They got together just four months after it ended. 

Tina and Adam Crofts were married for six years and share a son, Beau, together.

Tina also, of course, has her daughter from her relationship with her former Corrie co-star Ryan Thomas.

Her romance with Ryan lasted from 2003 to 2009, with the pair’s very public split fraught and involving a number of public spats. 

Tina’s marriage to Adam Crofts came to an end in March 2025 Credit: Splash
She started dating Adam Fadle just months after splitting from Adam C Credit: Instagram

Most recently, the pair have been navigating their daughter’s burgeoning singing and social media career together. 

While Ryan has fully embraced that world, Tina’s had a love-hate relationship with social media over the years, vowing to take a break from Instagram in 2020 after calling the site “toxic” and admitting she felt like a “fraud” trying to present a “filtered version” of her life to gain validation. 

But six years on, things are completely different, and she has big plans for the future after signing up to an agency – Alpha Talent Group – which will be helping her land a series of brand partnerships.

Alpha already has a string of celebrity clients. They look after boxer Tommy Fury, The Wanted star Max George, Made in Chelsea’s Miles Nazaire, and Love Island stars Paige Turley, Helena Ford, and twins Eve and Jess Gale.

Tina on Strictly back in 2010 Credit: PA

While Tina is set to branch out on socials, fans shouldn’t expect to see her all over TikTok, like Scarlett and her dad Ryan and his brothers Adam and Scott Thomas are.

Our source previously explained: “She won’t be doing cringe TikTok trends, but there are some exciting brand deals on the horizon.

“And don’t be surprised if she steps out of her comfort zone and does some reality TV – she did Strictly over a decade ago and feels like she wants the public to see her personality.”

And dating another social media star, who has half a million followers on TikTok, is probably not a bad place to start. 

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Ben Kingsley’s angriest roles: 3 times ‘Wonder Man’ actor played rage

What is the angriest acting performance you’ve ever seen?

Maybe it’s Joe Pesci in “Goodfellas.” (“Funny how? Do I amuse you?”) Perhaps it’s James Caan kicking the stuffing out of his ne’er-do-well brother-in-law Carlo in “The Godfather.” John Goodman enforcing the rules of bowling in “The Big Lebowski”? It’s in the conversation.

Did Ben Kingsley in “Gandhi” cross your mind? Probably not.

The 82-year-old Oscar winner thinks it should.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. Don Logan or Mahatma Gandhi? The answer isn’t as plain as you might think.

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Not long ago, I spoke with Kingsley just before an Emmy FYC event for “Wonder Man,” the enjoyable new Marvel TV series that finds him revisiting Trevor Slattery, the washed-up, drug-addled actor he first played in 2013’s “Iron Man 3.”

“Wonder Man” follows struggling actor Simon Williams (Yahya Abdul-Mateen II), trying to land a big break in Hollywood while keeping his superpowers hidden. Trevor befriends Simon. Initially he has ulterior motives, but soon becomes Simon’s mentor, turning the series into a look at the indignities that actors face while pursuing their profession.

Taking notes while watching the show’s eight episodes, I wrote, “Ben Kingsley’s seething anger is everything.”

You may remember Kingsley’s bullying and badgering and swaggering menace playing the underworld sociopath in Jonathan Glazer’s 2000 crime-thriller “Sexy Beast,” still my favorite Kingsley performance, one that earned him a supporting actor Oscar nomination. (He lost to Jim Broadbent in “Iris.”)

Is that kind of boiling rage as fun to play as it is to watch?

“If the expression of rage or indignation is completely dramatically justified and that expression of indignation is of enormous benefit to the tribe, yes,” Kingsley answers.

The Envelope digital cover featuring Ben Kingsley

(Larsen&Talbert / For The Times)

Kingsley says Itzhak Stern, Oskar Schindler’s loyal aide and factory manager in “Schindler’s List,” was, “bless him,” all about “contained rage.”

“And a colleague of mine who saw ‘Gandhi’ said, ‘That’s the angriest performance I’ve ever seen on screen,’” Kingsley continues. “That righteous indignation propelled him, and it can be expressed in many ways. Sometimes the safety valve is efficient enough to allow it to come through language and gesture, and sometimes the safety valve can’t hold it.

“That was Don Logan in ‘Sexy Beast.’ No safety valve.”

Let’s circle back to that thought of how rage can help the “tribe.” In “Wonder Man,” Trevor proclaims that “acting is not a job. It’s a calling, the single most consequential thing anyone could ever do with their life.”

“I would broaden the definition and refine it back to its origins,” Kingsley says when I ask if he shares Trevor’s view on acting. “There are images, thoughts and threads that I find nourishing and sustaining, and I treasure them. The tribal storyteller is a very consequential figure in the tribe, and if the mantle of the tribal storyteller falls upon that person’s shoulders, that is the single most consequential thing that person can do in their lives.”

“Trevor expresses it quite differently, and that’s fine,” Kingsley says. “That’s in the script. I honor the lines. But for me personally, as a rather convoluted answer, the tribal storyteller is the hand I hold and the baton I want passed on to me. Maybe it has. I hope I’m worthy, but it’s …” Kingsley widens his eyes and whispers, “Wow.”

“It is the single most consequential thing I can do with my life.”

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I Will Find You ending explained: Who took Matthew?

I Will Find You ending explained: Who took Matthew? – The Mirror


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How to have the best Sunday in L.A., according to Patton Oswalt

Patton Oswalt is an avid reader. When he thinks about his ideal Sunday in the Valley, where he has lived for more than a decade, bookstores come up more than a few times, particularly ones like the neighborhood staple the Iliad, which encourages patrons to sit and read for hours.

Currently, the 57-year-old comedian says he is rereading Mo Daviau’s 2016 time-travel/rock-nerd novel “Every Anxious Wave,” the plot to which he “truly can’t describe,” adding: “It’s about, especially for me, how does Gen X grow old? And how do they try to dodge growing old? It’s pretty f— brilliant. Imagine a day just killing two or three hours in the Iliad just reading it. Oh, it’s the best.”

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Not that Oswalt always has time to sprawl out with a novel. Like any touring comedian of his caliber, he admits that his schedule is constantly in flux. Not only did he spend last summer and fall promoting his 10th stand-up hour, “Black Coffee and Ice Water” (out now on Audible), but he is constantly at work on new material. On June 9, he’s launching “Tea & Scotch” on YouTube, which delves into more observational comedy subjects such as ghost-seeing cats, AI paranoia and parenting a teenager. (Oswalt tells The Times that his daughter usually does her own thing on weekends, but sometimes they’ll journey to Burbank and hit the vintage shops on Magnolia, followed by poke for lunch.)

When he’s not earmarking time in his perfect Sunday for reading, Oswalt also delights in frequenting Valley small businesses that fully embrace the indie and oddball. “I like where the Valley’s going. I like how its residents are aging,” says Oswalt. “Because they’re aging into weirdness rather than safety, which is what I will always go for. Instead of just, ‘I want the nice, reliable chain restaurant, the nice, big book chain,’ I prefer smaller shops that take risks. They’re more quirky, an actual person works here, and the imperfections are what makes it amazing.”

Below, Oswalt shares his ideal Sunday in L.A., which sometimes begins later than he’d like it to.

7 a.m.: Enjoy a quiet breakfast at home

I try to be an early riser. Today I got up at 8:30, but a great day for me is getting up at 7, because I have that hour of quiet to have my breakfast, sip some tea, do some reading, and then start my day.

But it’s hard to have a lot of those mornings in a row, because unfortunately, I also have those nights where I’m just, like, lying awake thinking. I have those crash-out days where I’m like, “Sleep until noon today! Need it! Gotta catch up.” Anyone who says that they consistently wake up at 7 a.m., for the most part, they’re probably lying.

9 a.m.: Morning coffee with a side of people watching

What’s critical about the Valley, especially Studio City, is a lot of hipsters who have aged out of Los Feliz and Silver Lake have all moved here, and they brought the good sushi, the good bookstores and the good coffee with them. So, my perfect Sunday starts at the Studio City Farmers Market. You do this kind of roaming breakfast. Where they do the farmers market, there’s an amazing tamale stand that does these chicken and green chile tamales. You get one of those, and then you go over to Joan’s on Third, and you get yourself a really strong cup of coffee, because Joan’s is right there, part of the farmers market.

It’s almost like Joan’s is the motor on a sailboat. If you can’t find the food that you like roaming around the farmers market, you can hop into Joan’s and grab something, but that’s where the good coffee is. Then you get a thing of berries from one of the sellers, and you sit. There are musicians everywhere, and it is a really good opportunity to not start your day looking at a screen and instead actually look at beautiful and flawed and imperfect and awesome people moving around and interacting. For a comedian or writer, that is gold.

11 a.m.: Worm into a book

From there, I would go up to the Last Bookstore, which just opened a location on Lankershim Boulevard in NoHo. It’s a work in progress; you can see the beginnings of the cool building that they’re doing on the interior. It’s almost like when you watch the Talking Heads’ “Stop Making Sense” and you see them assemble the stage as the concert goes on. It’s kind of amazing. So I always drop by there and spend way too much money on a book.

1 p.m.: Catch a matinee (and a matcha)

One of my favorite things is to see a movie in the afternoon. The Laemmle NoHo 7 on Lankershim is my little ’90s throwback Sunset 5, but in the Valley. They show very cool first-run indie movies, and then they will just randomly throw in [a classic], “Oh yeah, we’re showing ‘Jules and Jim.’” I just check my Fandango, to see what they’re showing in the afternoon, then I go see a movie.

I don’t really eat lunch these days, but across the street from the NoHo 7 is a place called Horror Vibes Coffee. It’s all based around horror movies. It’s weirdly popular. All these goth kids go in there, and they make really good matchas. So I’ll go in there, I’ll get a matcha, and then take that into the movie theater, see a flick. The Laemmle NoHo 7 does make really good chicken nuggets, and they do make a really, really bad for you — but delicious — bagel dog. Listen, a bagel dog with a recent indie movie? That’s mwah. [Gestures a chef’s kiss.]

4 p.m.: Head back to the bookstore

When I’m done at the movies, I will take whatever book I’ve gotten and go back down to the Last Bookstore and just sit and read. Or if you really want to go goblin-mode reading, you go to the Iliad Bookshop on Cahuenga. They encourage you just to go in there, sit, read. There are store cats everywhere that are hanging around, and the store kitties are very friendly. The Iliad has these big, overstuffed couches and chairs with blown springs. You are encouraged to sit and lounge and read. They have no problem with you doing that. A big thing for me now is having two to three uninterrupted hours of just reading. No phone, no nothing. Don’t gotta go anywhere. Don’t do anything. [Editor’s note: The Iliad is closed Sundays.]

6 p.m.: Sit down for some sushi

I’m very spoiled living in the Valley, because I live near amazing sushi. If I really want to splurge out and have what I think is the best sushi in the Valley, then I visit Sushi Tomoki, which is on Cahuenga. I just cannot rave about this place enough. They have a black cod sushi, and the black cod is slightly seared. It’s not cold, but it’s not totally cooked. There is something about cold rice and then this slightly seared, slightly burned black cod. The flavor is so perfect, I love it.

Right now, in the Valley, I’m kind of spoiled for good restaurants. There’s OyBar on Moorpark that I could go to. I go there right at 5. Otherwise there’s a line. I go right when they open. And then there’s a place called Wood & Water, further up Ventura, kind of closer to Sherman Oaks. That place is just solid, good. Everything on the menu is great, great wine list, you know. But the word is out — it’s getting crowded. Not to be a snot rag, but I go to Wood & Water so much that they kind of know me there, and they can usually get me a table. Not that I’m a big celeb, it’s just I go there a lot because their food is so good.

Once you’re my age, when I hear, “You gotta wait in line”… like, that’s why I’ve never been to Sqirl. Because I know I can’t do that, man. If I’m gonna stand in line, I’m gonna go to All Time, but I’ll just get there when they open. I can’t do lines anymore. You can do it when you’re 20, but I just want my g— breakfast.

8 p.m.: Take an outdoor stroll, then return to your book

After dinner, if it’s summertime in the Valley, I just walk through my neighborhood. There’s really good hills and stuff to go for, like, a nice nighttime walk after dinner. Or, because I’m such a freaking bookworm, I go home and sit on my big, comfy couch and just read some more until I fall asleep. There’s nothing wrong with double-dipping — you don’t have to read just once during the day. You can go back and forth.

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A tool or or a human replacement: How Hollywood deals with AI

When Brian Grazer has an idea for a movie, he now starts with a chatbot. The co-founder of Imagine Entertainment — the company behind “A Beautiful Mind,” “Apollo 13” and “Liar Liar” — said he sits down with Anthropic’s AI assistant, Claude, to rough out a story before handing it to a writer.

“You can build the whole thing into an outline. You still need a screenwriter. I always believe you need a screenwriter,” Grazer said during a keynote at UCLA’s Entertainment Symposium on Thursday. What once could have taken up to a year, he said, now takes him about a week — but the human writer stays.

That balance — AI as an accelerant rather than a replacement — captures where much of Hollywood has landed in practice. Amazon MGM, Lionsgate, Netflix and Disney have all made major investments in the technology. The sharper question at the symposium, which drew many of the industry’s top lawyers and dealmakers to the Westwood campus, was not whether to use AI but how: who authorizes it, how far it goes and who gets paid.

For the companies building the tools, the answer increasingly comes from the client. Studios, production companies and distributors regularly approach Promise, a generative AI company, to bring AI into their productions, and each arrives with its own usage guidelines, said the company’s president, Jamie Byrne. Those rules govern which AI models Promise may use and what protections apply — effectively letting each client decide how heavily AI figures into the work.

“It comes down to a risk appetite,” Byrne said during a panel on AI. “We know that there’s talent that are staunchly against it. We know that there are many who are okay with it.”

He framed adoption as a competitive necessity: “Every time there’s a technology change, certain studios or production companies rise. Others fall, and it’s usually the ones that are not leaning into the new tool.”

Ron Howard, also of Imagine Entertainment, argued the limits will ultimately be set elsewhere — by viewers. “Sure, it’s about efficiencies and budgets, but more than anything, audiences are going to tell us where those restrictions are,” he said. He expects AI-generated content to settle into its own subgenre over time, with audiences signaling what they will accept.

The most contested ground is labor, where consent has become the dividing line. The emergence of synthetic performers such as Tilly Norwood has made AI a central issue in SAG-AFTRA’s contract. The union’s most recent agreement draws a clear line between authorized digital replicas, which use a performer’s likeness with their consent, and fully synthetic creations.

Talent agencies are organizing around the same principle. In recent years, Creative Artists Agency began digitally scanning clients into what it calls the CAA Vault, building a replica of a client’s image, likeness and voice while leaving the talent in complete control of how it is used.

That control is beginning to carry real value, said Tammy Brandt, CAA’s deputy general counsel, who said she is seeing more deals that involve digital likeness. Hollywood has been slow to work out how to monetize these replicas, she said, but once it does, audiences will start to encounter them more often.

“You have to lean into the technology and understand what it can do, and honestly, how you can make money, work with talent and with creative assets in a way that the user is interested in,” Brandt said. “There’s a little bit of trial and error as you go with that.”

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‘Angry, Raucous …’ review: Good performances weighed down by plot

There’s something delightful about plays about grand divas in crisis.

The prima donna in extremis in Pearl Cleage’s “Angry, Raucous, and Shamelessly Gorgeous,” which is having its Los Angeles premiere at the Geffen Playhouse, has an air of Bette Davis extravagance to her. When Anna Campbell (Charlayne Woodard) struts around her elegant hotel suite in Atlanta, she can’t resist delivering one of Davis’ signature lines: “What a dump!”

She’s not at all dissatisfied with the accommodations. She’s just frustrated that the weather isn’t cooperating with her upcoming outdoor performance and agitated that this might be a bad omen for her big American comeback.

More than 30 years ago, Anna and her manager and trusted companion, Betsy Samson (a formidable Denise Burse), fled to Europe on the heels of a highbrow scandal. Anna made waves when she performed “Naked Wilson,” a protest piece that had her delivering male monologues from August Wilson’s plays while standing stark naked before a divided audience.

The idea was to call attention to the way women have been de-centered in the male canon, but some felt it was sacrilege to subject Wilson’s work to a feminist stunt. Acting opportunities dried up, and Anna high-tailed it to Amsterdam, where her histrionic grandeur was put to good use in European classics.

Charlayne Woodard in "Angry, Raucous, and Shamelessly Gorgeous" at Geffen Playhouse.

Charlayne Woodard in “Angry, Raucous, and Shamelessly Gorgeous” at Geffen Playhouse.

(Jeff Lorch)

Woodard brings Anna to life with a smokey voice, a statuesque presence and an arch demeanor. When her arms are in flamboyant motion, she leaves the impression of a seductive windmill that might slice you to bits if you come too close.

The sumptuous production, directed by LaTanya Richardson Jackson with solidarity for Cleage’s characters, provides a marvelous showcase for Woodward to slink around on Beowulf Boritt’s glamorous five-star set in costume designer Emilio Sosa’s inspired Pucci-esque outfits. Her Anna doesn’t do much but give attitude. Ah, but what delicious attitude she gives!

Cleage’s play, it must be said, is hamstrung with exposition. More time is devoted to setting up the dramatic situation than to activating it. Author of “Blues for an Alabama Sky,” a 1995 abortion drama still ahead of its time, Cleage is telling a backstage story that’s clearly close to home. She’s also spinning an intergenerational tale of Black women groping past their initial distrust to a deeper understanding of what they have in common.

The intentions are noble and the themes are handled with admirable complexity, but the writing is sluggish. The plot is like an old car whose engine just refuses to start on a cold winter morning.

Anna has returned to Atlanta to headline a festival that is rebooting her “Naked Wilson” piece. She’s worried about disrobing at her age, but it turns out that she’s only being honored for her work. A much younger and far less experienced performer has been cast in the part that made her a cause célèbre.

Denise Burse, from left, Deborah Joy Winans, Charlayne Woodard and Olivia Washington

Denise Burse, from left, Deborah Joy Winans, Charlayne Woodard and Olivia Washington in “Angry, Raucous, and Shamelessly Gorgeous” at Geffen Playhouse.

(Jeff Lorch)

Precious Watson (Olivia Washington), who goes by Pete, has not only never performed in a Wilson play but she’s never even seen one on stage. She’s a stripper whose only real dramatic experience has come from the adult entertainment industry. (Don’t call her a porn star, not because she’s ashamed of the films she made but because she’s too modest about her screen credits.)

Anna, her hauteur hardening like a protective shell, is aghast. She’s also fearful about her future. She’s run out of money, and this festival was to have launched her return to the U.S.

Betty, whose fate is tied to Anna’s, has been dangling the prospect of a national tour. But when Kate Hughes (an appealingly grounded Deborah Joy Winans), the producer of the festival, hears of this idea, she thinks it’s completely unrealistic.

“I love Anna,” she tells Betty. “ I’m honoring Anna, but there just isn’t an audience for the kind of presentation you’re talking about.”

Time marches on, and one era’s sensational renegade becomes a footnote in the next. But Anna can’t believe that all she holds sacred — study, discipline, seriousness, commitment — is of little value in the social media world.

Deborah Joy Winans, left, and Denise Burse in "Angry, Raucous, and Shamelessly Gorgeous" at Geffen Playhouse.

Deborah Joy Winans, left, and Denise Burse in “Angry, Raucous, and Shamelessly Gorgeous” at Geffen Playhouse.

(Jeff Lorch)

Pete (whom Washington plays with impressive self-possession) doesn’t seem at all bothered about what she doesn’t know. Anna keeps prefacing her remarks with the words “no offense,” but Pete can’t help being offended by her pointed disdain. Their standoff energizes the play, but this jolt of momentum comes a little too late.

“Angry, Raucous, and Shamelessly Gorgeous” is not just the title. It’s also a plot summary. The gorgeous part is the richness of Cleage’s characters, radiantly realized by all four actors under Jackson’s warm direction.

Cleage gives the women plenty of substance, though her novelistic mode — more telling than showing — deprives her drama of style. The elegant staging tries to compensate, but the performers have to rely a little too heavily on their own charms to make up the difference in a play that swerves unexpectedly at the end into a cutesy fairy tale.

‘Angry, Raucous, and Shamelessly Gorgeous’

Where: Gil Cates Theater at Geffen Playhouse, 10886 Le Conte Ave., L.A.

When: 7:30 p.m. Wednesdays-Thursdays, 8 p.m. Fridays, 3 and 8 p.m. Saturdays, 2 and 7 p.m. Sundays. (Check for exceptions.) Ends July 12

Tickets: $45 – $139 (subject to change)

Contact: (310) 208-2028 or geffenplayhouse.org

Running time: 1 hour and 40 minutes, no intermission

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Ashley Cain was secretly sacked from BBC show amid concern he was ‘drunk on set’ before filming series 2 of now-axed doc

ASHLEY Cain was secretly sacked from a BBC job last year for being ‘drunk on set’.

The star, 35, has come under-fire this week after historic tweets were exposed in which Ashley made degrading comments about women and suggested blurring the lines of consent during sex in worrying messages.

Ashley Cain was secretly sacked by the BBC for being ‘drunk on set’ Credit: BBC
Concerns were raised last year when he was hand-picked to front a BBC programme in Las Vegas Credit: BBC

The posts were made by Ashley between 2013 and 2015 after he first rose to fame in footballing and his appearances on MTV show Ex On The Beach.

The Guardian has compiled a range of messages, posts and concerns relating to Ashley’s behaviour in the past – which has since led to him being dropped by the BBC.

Last night, the publication detailed new allegations that Ashley was secretly sacked from filming a BBC documentary in June of last year for being ‘drunk on set’.

The TV personality, who had already begun to work with the BBC on their documenary series, Into The Danger Zone, had been picked to host, Sin City: The Real Las Vegas.

VETTING FAILURE

Ashley Cain’s show axed by BBC after ‘unacceptable’ posts about women


TWEET SHAME

Ashley Cain under fire as posts calling women ‘s**ts’ & sex video row resurface

Ashley has worked extensively with the BBC but has now been axed for good by the channel Credit: BBC
The BBC admitted their vetting process on the star had ‘failed’ Credit: Instagram

He was flown out to Nevada to film the show but concerns were raised about his conduct.

Appearing to be drunk during filming of the show, the production was suspended and Ashley was ultimately dropped from the project.

Another presenter was then chosen to front the programme instead.

Nonetheless, the incident went largely ignored as Ashley returned to filming with the BBC earlier this year for the second series of his Into The Danger Zone series.

However, following The Guardian’s reports, that series has now been axed and won’t be making it to air.

The BBC revealed they had no plans to work with Ashley again in the future after admitting that their “vetting” process before hiring talent had “failed”.

A BBC spokesperson told The Sun:  “The posts by Ashley Cain, albeit from many years ago, are completely unacceptable.”

“The BBC has clear requirements around vetting and social media checks, which are undertaken by the production company. In this instance, the process clearly failed and we are investigating why. We are continuing to strengthen our processes to ensure everyone working for, and on behalf of, the BBC meets our values and standards.”

“We have no plans to broadcast the new series of ‘Into the Danger Zone’, and no future projects with Ashley Cain.”

The Sun has contacted a representative for Ashley Cain for comment.

Ashley’s comments and behaviour – which largely took place over 10 years ago – first began to emerge after he took part in the very succesful first series of MTV show Ex On The Beach which propelled him to national fame.

Derogatory terms allegedly written in 2014 and 2015 include “sl**s”, “b***hes” and “psychos”, while he said he’d like to “choke slam” and “spit in the face” of Love Island star Jessica Hayes while commenting on the ITV2 reality show.

The Guardian reports that other misogynistic tweets saw him say he wanted to “talcum powder pimp slap these b***es already!” while watching a Channel 4 documentary and demean women by writing: “I DO NOT.. I repeat I DO NOT think EVERY girl is a slag! There are some absolute PHENOMENAL women out there.. They’re just a rare commodity.”

In 2015, Cain was accused of recording Rachel Roftis, 33, during sex and sharing clips to Snapchat without her consent — something he strongly denied.

The pair met at a club in Bexleyheath before spending the night together in a hotel.

Roftis told The Guardian she “screamed” at Cain when she realised the footage had been shared publicly and the incident has “massively affected her relationships with men. She doesn’t trust anybody really now.”

The notoriety from the posts, which saw Cain brand himself the “Snapchat King” and rack up 60,000 views, led to an appearance on short-lived ITV Daytime show O’Brien where he boasted of being a “play boy” and sleeping with 15 girls a week.

Of his attitude towards women, he said: “If you are a lady, I respect you. But if you don’t respect yourself, how can you expect me to respect you?”

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‘Sugar’ review: Colin Farrell neo-noir levels up for Season 2

For whatever reason, I never reviewed the first season of “Sugar,” which I’d stopped watching before its late-season big reveal — the detective (Colin Farrell as John Sugar) is an alien. Had that happened earlier in the story I might have hung on, but strictly as a production, I’d found its brand of neo-noir to be mannered, gimmicky, obvious, overdirected (by Fernando Meirelles, the Brazilian director of the fine “City of Men”) and, as you may have surmised, off-putting.

This is by way of announcing that the second season arrives Friday on Apple TV and that I like it very much. The stylistic eccentricities have been dialed back, including the use of old Hollywood film clips to reflect the action and possibly the thoughts of its main character, a cinephile from space, who is both practicing and enacting the work of a private detective. He reads American Cinematographer; he takes the Paramount studio tour, then takes it again.

One might navigate the new season without having watched the first, though at least reading an online synopsis. Sam Catlin (“Preacher”) has taken over as showrunner from series creator Mark Protosevich; the tone is lighter, the plot less perverse. Under new director of photography Marshall Adams, the camerawork, formerly too quirky by half — a mishmash of lenses and film stocks and canted angles — has settled down, as has the editing, enhancing the story by letting it breathe and staying out of the way of Farrell’s singular performance — the series’ distinguishing feature and warm heart.

For all his influences, Det. Sugar is the one character who can’t easily be traced back to an earlier model. As detectives go, he’s unusually sweet, optimistic, diplomatic, willing to give a villain a way out, closer to the Man Who Fell to Earth than to Sam Spade. He loves animals, and they love him.

Farrell, who also narrates in a soft voice, often wears a look of shy incomprehension, as if a beat behind in translating the world around him, a stranger in a strange land.

A man makes a tennis ball float in the air, to the delight of six dogs

Using his mild telekinetic powers, Det. John Sugar (Colin Farrell) makes a tennis ball float in the air, to the delight of some dogs in “Sugar.”

(Apple TV)

As aliens go, he is also something of a lightweight, demonstrating some mild telekinetic abilities (making a tennis ball float to entertain a pack of dogs, stirring the ice cubes in his drink) and the ability to speak any language, which underscores his empathetic nature. He makes friends with cab drivers, tour guides and security guards; as an “immigrant,” he appreciates immigrants. He’ll do the dishes for a woman too grief-stricken to attend to them, explain to a man who hates his own name that it’s a reference to Bogart’s character in “Casablanca” and a sign of his mother’s love. He can drink as much alcohol as he likes — his metabolism keeps him from getting drunk — which makes him indefatigable company in a bar, but he is horribly allergic to cinnamon. Remember that, if you’re ever forced to defend yourself from an ET.

Where classic noir detectives tend to be middle-class sorts a job or two ahead of losing their office, Sugar has a lot of money, whether saved up from earlier high-priced cases — his Season 1 client is a rich old man ripped from “The Big Sleep” — or piped down from space. He wears expensive suits, lives in a bungalow in a high-end Los Angeles hotel but also buys a house in the Hollywood Hills because its view allows him to spy on a dodgy character from Season 1; and drives a Nassau Blue 1966 convertible Corvette that he blithely parks in bad neighborhoods with the top down. When the car actually is stolen in this season’s opening episode, it brings him into contact with Val (Sasha Calle, Supergirl in “The Flash” movie), a spunky, punky petty criminal who negotiates its return and whom Sugar makes his assistant; I wouldn’t say Calle is underused, but I would have liked to see more of her.

Sugar came to Earth as part of a group of “thousands,” mixing among humans incognito just to observe them, for benign alien reasons, like Starship Enterprise on its five-year mission. (We get a flashback to Sugar’s first days on Earth, before he acquired the suits and the car and settled on a profession.) At the end of Season 1, their cover being blown, and humans being famously weird when it comes to extraterrestrials — you’ve seen the movies — they return home en masse, except for Sugar. He’s still working a missing persons case of his own, looking for his sister, hopefully alive, somewhere on the planet. And he’s becoming more of an Earthman — the dangers of assimilation are a specific Season 1 plot point. On top of that, like a lot of people, he just loves L.A.

Laura Donnelly as flirtatious Charlotte in "Sugar."

Laura Donnelly as flirtatious Charlotte in “Sugar.”

(Jason LaVeris / Apple TV)

And then there’s Charlotte (Laura Donnelly), whom he meets in the bar of his hotel; it doesn’t take a degree in postwar genre fiction to recognize that there may be something fishy, perhaps “fatale,” about her. But like Sugar, we’re content to put that question off as long as possible, in the hopes that maybe this relationship will be as uncomplicated as we’d like it to be, and a tonic for Sugar’s loneliness. (He no longer has his dog, even.) He regularly gets on the subspace shortwave looking for any others of his kind left on Earth.

The new season will get around to that question, though the alien and earthly plot lines are kept on separate tracks. Most of the time “Sugar” functions as a straightforward compelling detective story, as the protagonist hunts for Ji Moon (Raymond Lee), the missing junkie brother of Danny Moon (Jin Ha), a talented young Korean American prizefighter on the first rung of the ladder to success. (Sugar is working pro bono, not needing the money but very much needing something to do.) It brings him into the orbit of drug dealers and crooked police officers and through an array of Southland locations, including the Beverly Center — finally, a good use for that place — Koreatown, the Vista Theater and the Huntington Gardens.

While there’s nothing particularly novel about that plot, it pulls you along, and the series as a whole is orchestrated to make one care about the characters and worry over their fates. Vivid minor characters — there are pro turns from Shea Whigham, Laura San Giacomo and Mireille Enos — make the story live. All in all, a good meal that leaves no bitter aftertaste.

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Gethin Jones’ love life from famous exes to ‘awful’ split and co-star ‘romance’

Welsh TV presenter Gethin Jones has opened up about his love life over the years

Gethin Jones is a much-loved Welsh TV presenter.

The 48-year-old played rugby union while studying at Manchester Metropolitan University and, upon graduating, kicked off his television career on Welsh language channel S4C, where he hosted children’s shows including Popty, Mas Draw and Uned 5.

In 2005, Gethin became the 31st presenter of the BBC’s beloved children’s programme Blue Peter. Then in 2020, he took on the role of host on the BBC’s weekday magazine show Morning Live, which is broadcast from studios in Salford.

He regularly appears on the programme alongside Helen Skelton, Michelle Ackerley, Gaby Roslin, and Janette Manrara.

That’s not all, as Gethin has also featured on Celebrity MasterChef, comedy drama Stella, and even took to the Strictly Come Dancing dance floor during season 5. What may come as a surprise to some fans is that Gethin once had a very well-known ex-fiancée, so here’s everything you need to know about the star’s romantic history, reports Wales Online.

Who is Gethin Jones’ famous ex-fiancée?

Gethin had a serious romance with Welsh opera singer Katherine Jenkins after the pair first crossed paths in 2007, while he was competing on Strictly.

The couple announced their engagement in February 2011. However, by December of that same year, both confirmed they had decided to part ways.

Reflecting on the break-up, Gethin previously opened up on Tom Bryant’s Outdoors in Mind podcast, saying: “I was engaged and then breaking up, afterwards, or even during that period, it was just awful… I definitely had a bad bout of depression during that time.” He continued: “It was horrible… a lot of what I read about myself wasn’t right.”

Gethin notably sought counselling in a bid to work through his emotions, explaining: “I saw someone, I had therapy for a couple of years and I still do my homework on that.”

Katherine has since moved on with American painter Andrew Levitas, with the pair tying the knot in 2014 and going on to have two children together.

Past romances and rumours

Three years after his separation from Katherine, Gethin enjoyed a brief romance with former TOWIE star Lucy Mecklenburgh. The pair reportedly began dating in August 2014 after crossing paths at a Give Me Sport event.

Lucy later confirmed the relationship was short-lived, saying: “We went out a few times a while ago but it was bad timing for both of us.”

Gethin also dated model Katja Zwara in 2017, and was rumoured to have been linked to First Dates waitress Cici Coleman – though neither have confirmed a relationship.

There has also been considerable speculation in recent years surrounding a potential romance between Gethin and his Morning Live co-star Helen Skelton, though both have firmly denied they are dating.

When addressing the speculation in December 2025, Helen moved to quash the rumours, saying: “We just work together, we are not together. No, no, no. We are just work friends. They printed pictures of us at work and that we’re together because we are at work together.”

Speaking candidly about his friendship with Helen last year, Gethin revealed to The Sun: “We are very supportive of each other, we like to look out for each other. I think that’s fair to say on and off camera. You sometimes could get… you might need a little pep talk every now and then. Because she’s very passionate.”

Morning Live airs weekdays on BBC One at 9.30am

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‘First-rate’ BBC period drama ‘so flawless’ it beats Downton Abbey and Bridgerton

This period drama has been hailed a “flawless masterpiece” by fans and it’s free to watch

A lavish period drama set in the North East of England is perfect for fans of Downton Abbey.

Television viewers are being encouraged to watch this visually breathtaking series, which was filmed on location at Lambton Castle in County Durham.

The Paradise is a British costume drama adapted from Émile Zola’s 1883 novel, Au Bonheur des Dames. While Zola’s original work focused on retelling the tale of Aristide Boucicaut, the Bellême-born founder of Le Bon Marché, the series instead transfers the story to the North East of England.

It centres on an “intoxicating love story” unfolding within England’s first department store during the 1870s.

The series made its debut on BBC One in 2012, before crossing the Atlantic to American audiences the following year. A second series subsequently aired in 2013, reports Chronicle Live.

The opening season begins in 1875, charting the lives, romances and ambitions of those who worked, shopped and traded in and around England’s first department store. The proprietor of The Paradise is widower John Moray, a former draper’s boy at Emersons, the modest shop that flourished under his stewardship into The Paradise itself.

Into this world arrives Denise Lovett, a young woman hailing from the small Scottish town of Peebles, whose uncle Edmund is among the local shopkeepers desperately fighting to stay afloat.

Denise secures a position at The Paradise and swiftly catches Moray’s eye as a rising talent, much to the irritation of Miss Audrey, the formidable head of ladies’ fashion, and fellow shopgirl Clara.

Joanna Vanderham leads the cast as Denise Lovett, with Emun Elliott portraying John Moray. The ensemble further includes Peter Wight, Matthew McNulty, David Hayman, Sarah Lancashire, Sonya Cassidy, Stephen Wight, and Elaine Cassidy.

Viewers can now lose themselves in all things retail, as all 16 episodes of The Paradise are available to stream without charge on U.

Fans have expressed their admiration for the drama across numerous social media channels, with one IMDb reviewer declaring: “This was a thoroughly delightful series to watch. Stunning costumes and scenery. Outstanding performances. Flawless masterpiece.”

Another proclaimed: “The best ever!! Just as good as Downton Abbey,” while a third stated: “Absolutely captivated by the brilliance of Denise and the charm of Mr Murray.”

One viewer remarked: “The Paradise is just that! An amazing show which captivates you very quickly and has you thinking constantly,” with another revealing: “My wife and I have enjoyed other period shows such as Downton Abbey, Bridgerton, and The Gilded Age, and I think it’s better than all of them.”

A sixth enthusiast reinforced this view, declaring: “One of the most underrated shows. It compels you to binge watch! It’s a stand out series. So flawless.”

Another fan concurred, stating: “Better than Mr Selfridge,” while someone else observed: “Impeccably cast, extremely handsome, predictably soapy and a trifle slow moving, it’s another first-rate costume drama.”

The Paradise is streaming for free on U

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Lee Andrews makes new wild claims about gunpoint arrest & being ‘kidnapped’ to ‘most horrific place I’ve ever seen’

LEE Andrews has shared wild new claims about his gunpoint arrest as he insisted it was the “most horrific place” he ever seen.

Katie Price’s husband claimed earlier this week that he had been “captured at gunpoint” and “slapped around” during his ordeal before his wife saved him.

Lee Andrews shared wild new claims about his gunpoint arrest Credit: Instagram/@wesleeeandrews
Katie Price’s husband said it was the ‘most horrific place’ he’s ever seen Credit: wesleeeandrews/instagram

Lee was released from Dubai’s notorious Al Awir prison on Friday and he has now shared a new account of what happened on social media.

The self-proclaimed businessman claimed: “I will say it one more time, the national guard who took me in the beginning, they had guns and they don’t register you as being arrested.

“They can just take you and hold you, which is what happened.

“Anywhere in the world you go to an airport, they have guns patrolling the boarder and they took me and not in the best way either.

Lee claimed wife Katie saved his life Credit: wesleeandrews/Instagram
Lee called for Susanna Reid to be sacked after she mocked him on Good Morning Britain Credit: ITV

“It wasn’t the best experience and from there they held me in state security, so I was transfered to a jail, which was the worst f***ing horrendous place I’ve ever seen and then into a mainstream.”

Earlier today, Lee hit out at Good Morning Britain host Susanna Reid for mocking him on yesterday’s show.

Calling for her to be sacked after she “rolled her eyes” at him live on air, Lee has even vowed to sit down with the host on live TV.

Taking to Instagram, Lee hit back as he said: “What is Susanna Reid rolling her eyes at?

“I’m not gonna comment on that, because obviously I’ll get onto the sofa with Katie at some point and we’ll thrash it out.

“And she can be as forthcoming as she likes.”

He then claimed Susanna is “prejudging” him unfairly.

“But to actually judge me without any evidence, calling me a conman, she should lose her job for that,” he fumed, calling for her axe from the breakfast programme.

Lee continued to say that she had “no solid evidence other than an ex coming forward”.

After being banged up and “missing” for seven weeks, Lee was released from Dubai’s notorious Al Awir prison on Friday.

Katie quickly jetted back to Dubai from the UK over the weekend to see her other half and they shared an emotional reunion on Sunday evening.

Upon his return to social media, Lee claimed he was “captured at gunpoint” before being accused of spying.

Despite Lee’s espionage claims, it was widely speculated that he was actually locked up for fraud.

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Tay Keith dead aged 29: Music producer behind Drake smash hit & holder of chart record for most No 1s this decade dies

GRAMMY-NOMINATED producer Tay Keith has been found dead in Nashville.

Brytavious Chambers, 29, better known as Tay Keith, was found dead in his apartment earlier today.

Tay Keith has been found dead in his apartment in Nashville Credit: Getty
Investigators say there was no suspicion of foul play Credit: Getty

Police said his body was discovered while officers were performing a welfare check at his home.

Investigators say there was no evidence of foul play, but the exact cause of death has yet to be determined.

In a post on social media, Metro Nashville PD wrote: “No foul play is suspected in the death of Brytavious Chambers, 29, also known as the Grammy nominated record producer Tay Keith.

“He was found dead in his Martin St apt this afternoon by officers performing a welfare check.

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The producer’s cause of death remains unknown Credit: Getty
Keith currently holds the record for the most No.1s on the R&B / Hip-Hop chart Credit: WireImage

“His death is unclassified pending autopsy results.”

Throughout his career Keith worked with a wide range of music artists, including Beyoncé, Travis Scott and Drake.

The Memphis hitmaker enjoyed huge success on the Billboard Hot 100, earning 11 top 10 hits and four No.1 records.

He was also the mastermind behind Travis Scott’s “Sicko Mode” and Drake’s “First Person Shooter”.

Keith currently holds the record for the most No.1s on the Hot R&B / Hip-Hop songs chart this decade – with six.

His work even earned him a coveted Grammy nomination in 2019.

In the aftermath of his death, tributes for the producer have poured in.

Artist and childhood friend Blocboy JB shared photos of the pair as teenagers with the caption: “Damn Cuz You Just Hurt Me Bad.”

Keith was one of the mastermind’s behind Travis Scott’s ‘Sicko Mode’
The song – featuring Drake – has been streamed over 2.5bn times on Spotify

He also posted a video of their call history, writing: “We talked everyday yeen tell me you was leaving.”

Fellow Memphis producer Hitkidd also expressed his disbelief, posting a picture of the pair on Instagram.

The caption said: “I ain’t even got the words, we been doing this since 2010.”

Born on September 20, 1996, Keith stated making music when he 14.

He later received a bachelor’s degree from Middle Tennessee State University.

Signed to a publishing deal with Warner Chappell Music, he was also a member of BMI.

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