show biz

TESS Daly and Vernon Kay tonight announced they had split up “amicably” after 23 years of marriage.

A statement from the showbiz couple, with two daughters, said no one else was involved.

The ex Strictly Come Dancing host, 57, and her BBC Radio 2 DJ husband, 52, had grown apart and become more like “roommates” than a ­married couple.

A source close to the couple told The Sun: “They are both sad that it has come to a natural end but happy for both of their futures.”

Tess and Vernon — who have daughters Phoebe, 21, and 16-year-old Amber — announced their “amicable” marital split in a joint statement last night.

They posted online: “After much consideration, and with a deep sense of care and respect for one another, we have made the decision to separate amicably.

Read more on Tess & Vernon

FAMILY SNAP

Tess shared pic with lookalike daughter, 21, day before announcing Vernon split

IT’S OVER!

Last time Vernon Kay & Tess Daly were pictured together as they announce split

“This has not been an easy choice, but it comes from a place of mutual understanding and a shared desire of what is best for both of us.

“We remain great friends and, most importantly, fully committed to our roles as loving and supportive parents, which will always be our priority.

“There are no other parties involved in this decision.”

They are understood to have decided to go public after returning from a Caribbean holiday last month.

Both shared photographs from their sunshine getaway but failed to post snaps of each other.

A friend insisted the pair, who married in 2003 after two years of dating, had simply grown apart.

They said: “They have had many conversations about this and tears were shed.

“It wasn’t a sudden decision but it’s something they have been quietly navigating together for some time. It was very natural in a way, it’s just one of those things.

“Vernon is a real social butterfly, he loves going to parties with Phoebe and hanging out with her doing things, while Tess is a bit more of a homebody.

“They are still such great friends, which is why they went on that family holiday together.

“Amber and Phoebe are Tess and Vernon’s world and their focus is solely on them.

“They’ll continue to co-parent together and keep making happy memories with their girls.”

It was understood they will keep their six-bedroom family home in Buckinghamshire while they work out their future plans.

A pal added: “Tess and Vernon are both being very grown up about this. They became more like roommates in the end.

“Working out how to move forward is what they’re doing now.

“Vernon works in London five days a week so it’s likely he’ll get a place in the city for now until they decide what to do with the house.”

On Thursday the pair reunited in London with Phoebe, who attends university in New York.

Vernon was in a typically upbeat mood on air yesterday hosting his Radio 2 mid-morning show.

The couple both started off as models before breaking into Channel 4 – Vernon with T4 and Tess hosting the Find Me a Model segment on The Big Breakfast.

They started dating after meeting in 2001. Vernon recalled of their initial encounter: “She didn’t know anyone except me because we’d worked together that day – she spotted me in a crowd and we had a laugh.

“I was instantly attracted by how independent Tess was, and that’s not changed at all.”

In 2003, they married at a church in Vernon’s hometown of Horwich, Greater Manchester.

Phoebe was born in 2004 — the year Tess started co-hosting BBC ballroom dance show Strictly, first with Bruce Forsyth.

In 2007, Tess and Vernon worked together for the first time, co-hosting BBC celebrity singing show, Just The Two of Us.

Two years later, Amber was born.

When they celebrated their 20th wedding anniversary in 2023, Tess spoke of how proud she was of hitting the milestone.

She said: “Twenty years is a long time. We still have lots to talk about, the conversation hasn’t dried up.

“That’s a good thing.

“We’ve got lots in common and shared values.

“We just enjoy each other’s company and that’s what it boils down to, really. I’m proud of us.”

Vernon said their marriage got stronger thanks to the Covid lockdowns, saying: “You really get under the skin of your relationship with your kids and your missus.”

Tess also launched her own clothing range, and her bombshell decision to quit Strictly last year along with Claudia Winkleman was supported by Vernon.

Tess and Vernon hosted BBC’s The One Show together in a special episode in February, but those close to them said the cracks in their marriage started to form last year.

A source said: “Vernon is more outgoing than Tess is and he loves nothing more than heading out with his mates.

Last summer he was at loads of Oasis gigs. He loves going to the Brit Awards. He’s so outgoing and he loves that lifestyle.

“After quitting Strictly, Tess has been more keen to enjoy life at a slower pace.

“She’s been working really hard on her swimwear line and has loved not having to jump back on to that Strictly treadmill.

“It became clear after a while that they were becoming more like ships in the night.

“It’s not been easy but, ultimately, if the love they had for each other had gone, what is the point in staying together?”

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

This newsletter is about going to the movies, of course, but it’s about writing and reading about movies, too. And so it was exciting news this week that Film Comment, the venerable but shuttered publication that helped foster cinephilia in America, would return as a quarterly online publication.

A complete archive is now available online, going all the way back to the earliest issues in 1962. Looking for landmark writings by Manny Farber, Paul Schrader, Richard Corliss, Amy Taubin, Jonathan Rosenbaum, Kent Jones or countless others? It’s all there and well worth digging into. I began my career as an intern at Film Comment, publishing some of my own earliest pieces, and still consider it a North Star for writing about movies. Its return is most welcome.

Agnès Varda’s bruising brilliance

Sandrine Bonnaire in the 1985 movie “Vagabond.”

(Criterion Collection)

Though she became better known for her free-spirited, pixie-ish persona later in life, French filmmaker Agnès Varda was also capable of the bruising emotions of 1985’s “Vagabond,” arguably her greatest fiction feature and winner of the Golden Lion at Venice and the César for best actress for star Sandrine Bonnaire. Opening with the lead character found dead in a ditch, the film flashes backward to piece together her life from the memories of others, creating a fragmented portrait of an enigmatic young woman’s life.

Mezzanine will screen the film on Saturday at 2220 Arts + Archives, followed by a conversation between art critic Megan O’Grady and former Times staffer Carolina Miranda. Writing about the film in 1986, Sheila Benson said, “Just how Agnes Varda has kept ‘Vagabond’ from being a monumental downer is interesting, but she has. It is haunting. It is melancholy … but ultimately, beyond its central tragedy, it is an exhilarating film, the sort you leave burning to talk about with friends.”

A cartoon comes to life

Robin Williams and Shelley Duvall in the 1980 movie “Popeye.”

(Paramount Pictures / Getty Images)

It is one of the most deranged credit blocks imaginable: an adaptation of “Popeye” directed by Robert Altman, produced by Robert Evans, with a screenplay by Jules Feiffer, music by Harry Nilsson and starring Robin Williams and Shelley Duvall. When it was first released in December 1980, it was seen as too weird for kids and too naive for adults, but it has since been reconsidered as a unique snapshot of intersecting talents — a strange, wonderful, one-of-a-kind movie.

Vidiots will screen the film on Saturday afternoon with actors Paul Dooley and Donovan Scott, who played J. Wellington Wimpy and Castor Oyl. In our original 1980 review that is more positive than one might expect, Charles Champlin wrote, “Its difficulties arise not from a lack of ambition and innovation but from excesses of them.”

Neil Young + Devo = gloriously weird

Neil Young in the 1982 movie “Human Highway.”

(Shakey Pictures)

Neil Young’s place as a singer-songwriter and musician is unassailable — he’s an irascible, restless troubadour. But his sidebar work as a filmmaker, typically under the name Bernard Shakey, has had more sporadic and unpredictable output.

Young’s 1982 film “Human Highway” is probably the pinnacle of his work as a director, starring Young himself in an offbeat story of a small community in the shadow of a nuclear power plant. Dennis Hopper, Dean Stockwell, Devo and even former Times music critic Robert Hilburn all appear. Now Instant Image Hall will be screening the film on Saturday and Sunday along with a selection of Devo music videos in celebration of an exhibition at the MutMuz gallery.

After Young premiered a new cut of “Human Highway” a decade or so ago, I somehow found myself sitting across from him at a diner on a rainy midnight in downtown Toronto. (This job does have its moments.)

“My films are not super commercial, but they mean something to me,” Young said.

An Oscar-winning debut

Shirley MacLaine, Debra Winger and Jack Nicholson in the 1983 movie “Terms of Endearment.”

(Paramount Pictures)

Part tearjerker, part family drama and part comedy, 1983’s “Terms of Endearment” trademarks a certain bittersweet tone that is still just pure magic. The story of a mother (Shirley MacLaine) and daughter (Debra Winger) across many years of ups and downs in their relationship, the film was the feature debut for James L. Brooks as writer-director and won five Oscars, including three for Brooks. The Academy Museum will play the film in a new 35mm print on Sunday afternoon.

When the movie came out on 4K disc in 2023, I spoke to Brooks about it. He talked about how even though it does have moments of great emotional weight, it was intended to play with a lighter tone overall.

“The whole thing was to make it as a comedy,” Brooks said. “The whole thing was to clock laughs. You had to, in order to do it right. And of course, once the audience leaves and it has its afterlife, it’s a drama because people are watching it alone. But I swear to you, in the theaters it was a comedy.”

A ’90s noir ripe for rediscovery

Jason Patric, left, Bruce Dern and Rachel Ward in the 1990 movie “After Dark, My Sweet.”

(Kino Lorber)

Set in the Coachella Valley with the woozy feel of a day drunk and a sense of uneasy menace, 1990’s “After Dark, My Sweet” is an adaptation of the novel by pulp icon Jim Thompson, directed by James Foley.

Jason Patric, then only 23, stars as Kevin Collins, known as Collie, a former boxer who escapes from a mental institution and is now just drifting. He falls in with Fay (Rachel Ward), an enigmatic, lonely alcoholic widow, who in turn introduces Collie to a shady man known as Uncle Bud (a delightfully sleazy Bruce Dern). Soon Collie is ensnared in a plot to kidnap a sickly rich boy that immediately goes off the rails.

On Tuesday at Vidiots, there will be a screening of Patric’s personal 35mm print of the film — a gift he received some 20 years ago and has never watched before. (It is said to be in pristine shape.) Along with a video introduction from actor and filmmaker Alex Winter, there will be a Q&A afterward with Patric moderated by critic and scholar Travis Woods, who contributed a commentary track to a recent Australian Blu-ray release of the film.

Patric organized the screening as a tribute to director Foley, who died in May 2025 at age 71. “After Dark” landed in between Foley making “Who’s That Girl” with Madonna and the David Mamet adaptation “Glengarry Glen Ross.” Among his other credits are “At Close Range,” “Fear” and the last two “Fifty Shades” movies.

“He was a good friend of mine at the time,” says Patric on a recent phone call from Santa Monica. “I know this was his favorite movie and it was closest to him. It’s the only movie that he had actually written that he directed. And I thought the best way to do that is just to show the movie.”

Patric, who says Collie is his favorite character in a career that also includes “The Lost Boys,” “Rush” and “Your Friends & Neighbors,” was first given the script and in turn gave it to Foley; developed it further together, trying to retain the language of Thompson’s novel. (The screenplay is credited to Foley and Robert Redlin.)

“It’s really a subjective piece of filmmaking,” says Patric. “So as Collie’s figuring things out, the audience is figuring things out.”

In her original review of the film, Sheila Benson wrote that “Collie is one of those roles actors lust after, the damaged dreamer, maybe dumb, maybe dangerous, and Patric demolishes the conventions of the role with breathtaking skill.”

“After Dark, My Sweet” landed just ahead of the Tarantino-inspired crime movie boom of the mid-’90s, alongside such noir-influenced precursors as Dennis Hopper’s “The Hot Spot,” John Dahl’s “Kill Me Again” and Stephen Frears’ Thompson adaptation “The Grifters.”

“This is just such an exciting film to want to reintroduce to audiences,” said Woods in a call. “And to get the opportunity to see this film on the big screen, which most people haven’t had that opportunity for 36 years, it’s just one of those really cool, really only in Los Angeles cinematic moments.”

New this week

Argentinian director Lucrecia Martel, photographed at the Sunset Marquis in April.

(Jason Armond / Los Angeles Times)

• The unlikely duo of James Cameron and Billie Eilish co-directed a 3D concert film drawn from Eilish’s 2025 tour, “Billie Eilish — Hit Me Hard and Soft: The Tour (Live in 3D).” Film critic Amy Nicholson and pop music critic Mikael Wood traded their thoughts on the movie.
• Argentinian director Lucrecia Martel is among the world’s most accomplished filmmakers and the true crime tale “Our Land (Nuestra Tierra)” is her first documentary. Carlos Aguilar spoke to Martel about it.
• “Mad Bills to Pay” expands to multiple Laemmle venues after a weekend run in the Vidiots microcinema. Carlos Aguilar spoke to director Joel Alfonso Vargas about portraying the Dominican American community in the Bronx.

TESS Daly shared a picture with her lookalike daughter Phoebe just one day before announcing her shock split from husband Vernon Kay.

Phoebe Kay, 21, is the spit of her mother in the snaps, which show the pair posing together on a sunny bridge.

Posted the day before Tess, 57, and Vernon, 51, sensationally announced their split, the mother and daughter duo were all smiles in the photo.

The former Strictly Come Dancing presenter captioned the happy photo: “Got my Phoebe back for a few days and making the most of every moment.”

Phoebe has followed in her mother’s footsteps and moved to New York to pursue a career in modelling.

In March, the pair’s eldest daughter revealed on TikTok she had made the big move across the pond.

SHOCK SPLIT

Tess Daly and Vernon Kay sensationally SPLIT after 22 years of marriage

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In the clip, Phoebe can be seen dancing with the New York skyline and the Empire State building in the background.

The nepo baby captioned it: “NYC has my hearttt! Lucky to call it home for a while.”

Phoebe hasn’t disclosed the reason for her move to the Big Apple but it appears that it’s only a temporary stay.

Interestingly, her mum Tess also lived in New York for five years while working as a fashion model in the 90s.

The former Strictly Come Dancing host and the Radio 2 DJ visited their daughter last month as they gave a peek into their whirlwind trip.

Tess took to Instagram to share various snaps of their trip, including standing in front of the New York skyline, eating pancakes and visiting art galleries.

She captioned it: “I love NYC. Maximised every minute on a whirlwind half term trip and fell in love with this magical city all over again.”

Tess and Vernon tied the knot in 2003 and share two daughters – Phoebe and Amber, 16.

The pair met while working as up-and-coming TV presenters for rival channels in 2001, crossing paths at a BBC Christmas party.

But the pair revealed on Instagram today that they had separated after two decades of marriage.

She wrote: “After much consideration, and with a deep sense of care and respect for one another, we have made the decision to separate amicably.

“This has not been an easy choice, but it comes from a place of mutual understanding and a shared desire for what is best for both of us.

“We remain great friends and most importantly, fully committed to our roles as loving and supportive parents, which will always be our priority.
There are no other parties involved in this decision.

“We kindly ask for privacy during this time as we navigate this transition together.

“We will not be making any further public comments.”

TESS Daly and Vernon Kay have split in a shock separation after ‘much consideration and a deep sense of care”.

The former strictly star posted on her Instagram this evening.

She wrote in a post: “After much consideration, and with a deep sense of care and respect for one another, we have made the decision to separate amicably.

“This has not been an easy choice, but it comes from a place of mutual understanding and a shared desire for what is best for both of us. We remain great friends and most importantly, fully committed to our roles as loving and supportive parents, which will always be our priority.
There are no other parties involved in this decision.

“We kindly ask for privacy during this time as we navigate this transition together.

“We will not be making any further public comments.”

Tess, 57, and the Radio 2 DJ, 51, tied the knot in 2003 and share two daughters Phoebe, 21, and Amber, 16.

The pair met while working as up-and-coming TV presenters for rival channels in 2001, crossing paths at a BBC Christmas party.

Britain’s first gay surrogate parent, who co-owns Maldon and Tiptree football club, has “strenuously denied” grooming young men for sexual exploitation, a court heard

Britain’s first gay surrogate parent has “strenuously denied” grooming young men for sexual exploitation, a court heard. Barrie Drewitt-Barlow, 57, appeared at Chelmsford Magistrates’ Court on Friday alongside his 32-year-old partner, Scott Drewitt-Barlow.

The men, both of Danbury, Essex, face multiple charges including rape, sexual assault, and modern slavery trafficking for sexual exploitation. The alleged offences, which are said to have taken place in Essex and Manchester between April 2013 and January this year, relate to four different men, who cannot be named for legal reasons.

The defendants are alleged to have “recruited” young men before grooming them and subjecting them to sexual assaults including rape, the court heard.

READ MORE: Barrie Drewitt-Barlow and husband charged with human trafficking and sexual offences

Defence barrister Oliver Snodin said the allegations against Barrie and Scott Drewitt-Barlow are “strenuously denied” by them both. Flanked by custody officers, the defendants, wearing hooded sweatshirts, spoke only to confirm their personal details.

The two men were remanded into custody to appear at Chelmsford Crown Court on June 5. Prosecutor Serena Berry said: “Barrie Drewitt-Barlow is in a relationship with Scott Drewitt-Barlow… they are what could be termed to be celebrities, who live multi-million [pound] lifestyles and have featured in many documentaries and reality TV shows.

“They own the Maldon and Tiptree football club, and they have other businesses in the Essex area and also abroad in other countries.

“It is alleged they have both targeted young males, they have recruited them, they have befriended them, they have groomed them. They have invited them to their home and other premises.”

Barrie Drewitt-Barlow became Britain’s first gay surrogate parent in 1999 and made a name for himself in the media. He was due to be in ITV reality show Up The Jammers.

The charges follow co-ordinated searches at premises in Danbury, Maldon and Braintree on Wednesday, Essex Police previously said.

He is charged with three counts of sexual assault on a male, four counts of rape of a man 16 or over, and two counts of arranging or facilitating travel of another person with a view to exploitation.

Scott Drewitt-Barlow is charged with one count of sexual assault on a male, one count of rape of a man 16 or over, and two counts of arranging or facilitating travel of another person with a view to exploitation.

Essex Police are appealing for information on the case and ask witnesses to contact them using the major incident public portal (MIPP) on their website, or by calling 0800 051 4526, or 0207 126 7612 internationally.

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AFTER quietly returning to the dating scene following his split from Chloe Madeley, James Haskell thought he was ready to move on.

But the former England rugby star says one fear involving his ex-wife can still stop him in his tracks. 

James and Chloe split in October 2023 after five years of marriage, just 14 months after welcoming daughter Bodhi, now three, despite appearing to have the perfect family life. 

But it was the thought of publicly dating another woman while still close to Chloe – daughter of daytime TV icons Richard Madeley and Judy Finnegan – that caused James to pause for thought.

Speaking exclusively to The Sun about starring in the new series of E4’s Celebs Go Dating, James says: “It sort of felt like I was cheating because it was the first time I was dating in public in front of Chloe. I got all these mixed emotions and froze.

“For me, when you’ve got a daughter and you’ve got an ex-wife, both of them I hold in the highest regard and I want to be the most respectful I can be.

“I talked to Chloe [about doing the show] because it was really important to do that. We discussed it because I was probably getting quite nervous about doing it.

“This is very much out of my comfort zone. You’ve got emotions, you’ve got other people, you’ve got romance…

“It’s a difficult thing to put in the public eye, so I spoke to her about it. She was very supportive.

“I would talk to her about how the stuff on the show went, so she was always informed.

“And if my daughter ever watched it back, I’d want her to be proud of how her dad was.”

James admits navigating romance in the public eye hasn’t been easy off-screen either. 

The former rugby star, who dated advertising executive Helen Barclay and Big Brother star Sara McLean in 2025, admits relationships come with added pressure. 

James split from Sara just days after they went public with their romance at Cheltenham.

The rugby star has also been linked to other women since his split from Chloe and previously sparked speculation after being spotted looking cosy with a mystery brunette on a night out. 

“I’m in the public eye and a lot of my life is centered around stuff on social media and DJ’ing and making music and podcasting stuff,” he explains.

“So I’m always very wary if you were to go out on a date and get photographed, that narrative can be created around that, which puts pressure on both people.

“I want to go on date people and have fun and when it’s the appropriate time, you would then discuss it with an ex partner but sometimes that’s taken away from you.

“So I’ve always been quite nervous. I have dated, I’ve been quite chilled out, but it’s always been quite respectful.

“That’s why this was such a big moment, because actually one of the first things I thought was ‘Oh my God. I’m like, now doing this in front of people’.

“There’s so much more to think about as opposed to just going for a drink with someone.”

James, 41, and Chloe, 38, split while their reality series, Chloe Madeley: A Family Affair, was still airing on TV. 

But rather than mixing things up in the future, James reveals he’s in the market for a strong, independent woman – just like his ex.

He says:  “I know what I want, I want someone that’s got intelligence, I want someone that’s got their own life, their own success.

“I’m not threatened by having a really powerful partner who could be more successful than me.

“Badass is the wrong word, but that’s the kind of thing.

“I want someone to challenge me so I can learn from them.

“I had a lot of that or had almost all of that with Chloe really, she made me a better person in lots of ways.

“When you come out of a relationship, you want to find that in someone else.

“And that’s kind of what I doubled down with really on this.”

He continues: “While looks and stuff are really important, I wouldn’t settle because all my dating technique would always be to go up to someone and speak to them, I never used apps, I would do everything in person.

“So this process was so weird because someone was telling you who you could date, which is weird.

“This was a bit like looking around in the dark and exploring.”

Fitness fanatic Chloe has spent years documenting her gruelling workouts and toned physique online – and it seems James still has a clear type.

As well as wanting a confident, driven woman, the rugby ace admits he is attracted to women who prioritise their looks, fitness and overall wellbeing. Sound familiar?

He says: “It shows a commitment, just someone who takes care of their appearance because I think it helps in other areas of your life.”

He also reveals the “real reason” he signed up to the show – and it wasn’t just for him to find his dream match.

“Being a strong man with good manners and morals and to show a vulnerable side as well as other sides is really important,” he says.

“I was nervous, but I think I managed to navigate it in the appropriate way and actually show a bit of a different side to myself than some of the bravado and the kind of stuff from being a former sportsman or DJ’ing.

“I grew a lot, I’ve obviously been separated for a little while, but I wanted to have an adventure and I’ve learnt to be vulnerable.”

And while James teases that he isn’t against tying the knot again in the future, his number one priority is crystal clear.

He says: “My priorities are very simple – my daughter, she’s nearly four. I want to be the best dad for her and provide the best kind of life for her.

“We’re obviously having her kind of 50 per cent of the time, which means that you have to prioritise different parts of your life.

“Relationships are lovely and I think if you meet the right person and obviously as we’ve gone through this process, I’ve met lots of lots of really interesting people.

“I’d say that isn’t something that is a real focus to settle down and get married.

“I think if it happens, it happens.

“But I’m quite happy in my own space, really.”

And don’t expect James to introduce Bodhi to a new partner anytime soon, as the star has one very strict rule when it comes to future girlfriends. 

“Essentially I’d have to be walking down the aisle [to introduce my next partner to my child],” he says.

“Genuinely my life is very complicated. The idea of bringing somebody into my daughter’s life and putting a sort of a tent pole on the ground and saying, listen, this is something serious.

“I’m light years away from that because it’s not something I want to mess around with.

“Chloe and I are still a family. My daughter is still a family that sits over here. My life sits over here [with them].

“And I mean when is the right moment? It will be light years away.”

And any future girlfriend won’t just need to win over Bodhi – she’ll also have to impress James’ fiercely protective mum, Susie Haskell, too. 

This week, Susie Haskell made her Celebs Go Dating debut, and didn’t hold her tongue.

Fearing what she could say, James told the camera: “Mum is an absolute loose cannon at the best of times.

“I am dreading what’s going to come out of her mouth. As long as she does not upset my ex.”

But Susie struggled to hold back as she ripped into Chloe.

Susie said: “I’m not sure where he’s gone wrong because prior to his marriage, I met lots of lovely girlfriends.

“Each of them just loved me, which is a bonus.”

She added: “I do have quite a strong opinion on why I think it went wrong.

“You can’t have two stars because you have them competing for the floor space the whole time.”

Susie continued: “In the past he’s been extremely popular. I’ve seen at rugby matches where elderly ladies have got very close to him.

“He needs someone who can see the softness of him, coupled with quite a brilliant intellect. He’s written seven books. Three of them are on The Times best-seller list.”

James previously admitted that his love of drinking contributed to the end of the relationship, describing their final year together as a “difficult period”.

Once upon a time, Primm, Nev., had three bustling casino resorts, shiny gas stations, a roller coaster and Bonnie and Clyde’s “death car.”

It was a bit surreal, said former visitor John Honell of West Covina: “You had this whole complex in the middle of the desert.”

Southern Californians traveling the arid stretches of the I-15 would see Primm pop up. As he drove to Sin City for bowling tournaments, Honell would stop and “drop a few coins” into the slot machines. It was a gambling oasis — a little less flashy and a little more affordable than Vegas and 45 minutes closer.

“I guess it worked for a while,” said Honell, 85.

But it works no longer. The last of the three casino resorts will close on July 4, owner Affinity Gaming confirmed to The Times this week.

Honell, a regular in the 1970s, saw the growth of a desert gamble: the expansion of the Primm property, in the dusty town once known as State Line, from Whiskey Pete’s gas station, bar and slot machines into three busy resorts.

The Nevada gambling hub south of Las Vegas along the 15 Freeway appears finished, though. Southern Californians who appreciated that it was a shorter drive now can find gambling much closer, at tribal casinos.

Las Vegas insider publication Las Vegas Locally posted a termination letter from Affinity Gaming’s affiliate, Primadonna Co. LLC, to employees who worked at Primm Valley.

The casino is closing down July 4, with all employment ending that day too.

Affinity Gaming declined to make an official comment.

The castle-shaped Whiskey Pete’s opened in 1977, followed by Primm Valley in 1990 and Buffalo Bill’s in 1994. Whiskey Pete’s was the first casino to close, in December 2024. Buffalo Bill’s Resort ended 24-7 operations on July 6, only opening when the casino’s concert venue, the Star of the Desert Arena, hosted special events.

David G. Schwartz, a gaming historian and professor at the University of Nevada, Las Vegas, said Primm’s casinos were “built for an entirely different world.”

“Southern California is a huge market for Las Vegas and, in particular, it was once very attractive for those in the Inland Empire,” Schwartz said. “It was a way to trim 45 minutes off the drive — it was a 2-hour drive. It’s different math.”

Lights still glow on the Buffalo Bill’s Resort and Casino sign on Sunday, July 6, 2025 in Primm, NV. (Bridget Bennett / For The Times)

(Bridget Bennett/For The Times)

Primm was once one of Nevada’s more popular gambling resorts, a less expensive, slightly more kitschy alternative to Las Vegas that benefited from being closer than Sin City.

Primm Valley, Whiskey Pete’s and Buffalo Bill’s all hosted at one time the famed Bonnie and Clyde V-8 Ford riddled with more than 100 bullets in 1934.

Whiskey Pete’s offered a quick and affordable 24-hour IHOP, in comparison to Vegas’ pricier buffets, and Californians and Nevadans visited Primm Valley’s 100-store outlet mall, supported by shoppers who were brought by bus to the mall for free.

The three resorts enjoyed expansion and growth throughout the 2010s by utilizing low prices, gimmicks and attractions to lure guests.

Buffalo Bill’s was the biggest of the trio, boasting a buffalo-shaped pool and 592 rooms at its opening (the Bellagio has nearly 4,000 rooms) and eventually expanding to 1,242 rooms.

Buffalo Bill’s and its sister resorts closed in March 2020 when the pandemic hit, reopening between December 2022 and 2023. But they struggled to attract customers.

Although the COVID-19 pandemic hurt all Nevada casinos, that was only part of the reason for Primm’s decline. Schwartz said tribal casinos in Southern California saw their prospects soar as Primm’s hotels teeter-tottered.

California voters passed Proposition 1-A in 2000, which allowed tribal casinos to operate slot machines and erased limits on card games.

“Many of those people Primm was drawing from began to stay in Southern California, where the drives are just much shorter and the amenities much closer,” Schwartz said. “You see the same issue playing out at Laughlin along the Arizona border and Reno and Tahoe in Northern California.”

Shortly after Proposition 1-A’s passage, San Manuel was one of several tribal casinos in San Bernardino and Riverside counties that declared an arms race with Nevada.

Fantasy Springs Resort Casino in Indio, run by the Cabazon Band of Mission Indians, opened in December 2004. The tribe was the fourth between 2002 and 2004 to open or expand its operations, including Agua Caliente in Palm Springs, Morongo in Cabazon and the Pechanga Band of Luiseno Mission Indians in Temecula.

Most of these casinos have continued to build and expand their operations as revenue has continued to flow.

The Southern California tribal resorts are classified by the National Indian Gaming Commission, a gaming regulatory body, to be in the Sacramento region, which includes all resorts in California and Northern Nevada.

In 2014, the combined casinos contributed $7.9 billion in gross gaming revenue.

Ten years later, 87 tribal operations throughout two states combined for $12.1 billion, marking a modest 1.4% increase from 2023.

Yaamava’ Resort & Casino, run by the San Manuel Band of Mission Indians, sits in Highland, about 200 miles from Primm but less than half that distance from downtown L.A.

Yaamava’ completed a $760-million expansion in 2021, which added a 17-floor tower, three bars and about 1,700 new slots.

The 7,400 slot machines at Yaamava’ make the casino the West Coast’s largest, with 4,000 more slots than its Vegas peers. By square footage of gaming space, Yaamava is No. 4 in the nation and still the biggest on the West Coast.

“The decline has been part of a larger trend,” Schwartz said of Primm. “People are choosing options that most appeal to them.”

INVESTIGATORS think Towie star Jake Hall died from a horror chest injury caused by broken glass.

Jake, 35, suffered head wounds after allegedly turning aggressive and trying to harm himself during a party at the £200-a-night Majorcan villa he was renting.

Sources close to the investigation said the worst injury the reality star suffered was a chest wound from a shard of glass after smashing into a door.

The insider said: “The thorax injury was the one emergency responders at the scene felt was the most traumatic one and most likely to have been fatal.”

Jake’s autopsy is expected to take place today in the Majorcan capital Palma, but the results will not be publicly released.

LAS VEGAS — “You know, I was thinking,” Gwen Stefani said, looking out at the crowd before her on Wednesday night at Sphere. The singer was maybe an hour and a half into the first show of No Doubt’s monthlong residency at the dome-shaped venue just off the Las Vegas Strip, and now the moment had come for the hit that changed everything for this once-scrappy ska-punk band from Orange County.

“I was thinking about this next song, and I was thinking about Anaheim,” she continued. “Do you know where Anaheim is?”

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The song, of course, was “Just a Girl,” which Stefani said she wrote “out of pure innocence in a time where I was just becoming aware of myself and my surroundings.” She added that she’d always assumed she’d outgrow the song — that someday it would feel disconnected from the life of a woman who went on to become a pop star with a clothing line and a gig on TV. Here she was, though, about to do “Just a Girl” for 20,000 or so fans eager to sing along.

“You tell me if you think it’s still relevant,” she said.

In a built-to-please town where old hits are welcome on any stage — not least Sphere’s, which these days also hosts the Eagles and the Backstreet Boys — the crowd’s verdict was no surprise. Yet this was a more committed look back than might have been expected, with a loose narrative arc tracing No Doubt’s ascent (rather than its peak) and a set list filled with deep cuts well beyond the catchy singles that once blanketed KROQ and MTV.

Beneath a massive wraparound screen that flickered with vintage camcorder-style footage from the early 1990s, the group played “Excuse Me Mr.” and “New” and “Total Hate ’95”; Stefani and her bandmates — guitarist Tom Dumont, bassist Tony Kanal and drummer Adrian Young — did “Trapped in a Box,” “End It on This” and “The Climb,” which No Doubt heads on the internet say they hadn’t performed live in nearly three decades.

Then again, for one of those decades, No Doubt wasn’t performing at all. The band made its ballyhooed comeback in 2024 at Coachella, where it delivered a punchy, compact set of hits and brought out Olivia Rodrigo for a guest spot that demonstrated Stefani’s influence — musical, attitudinal, sartorial — on the generation of female pop stars that came after her. (At Sphere, Stefani’s taste in plaids and animal prints was clearly still casting a spell among her admirers.)

No Doubt’s Sphere residency is scheduled to run through mid-June.

(John Shearer)

The takeaway from Coachella was that the band had worked itself back into fighting shape; Stefani, in particular, seemed eager to prove that her years doling out niceties on “The Voice” and dabbling in country music with her husband, Blake Shelton, hadn’t dulled her edge. Here, the band went further, using Sphere’s state-of-the-art environs to imagine itself back in a dingy club or student union.

There were big visual moments, including a simulated trip through a crumbling amusement park — the “Tragic Kingdom” of the group’s breakout 1995 LP — and a bit with a stories-tall cartoon Stefani towering over the room in her fishnets and combat boots. And even with all of the obscurities, it’s not as though No Doubt skipped its best-known songs: “Bathwater” and “Spiderwebs” were bouncy yet propulsive, while “Underneath It All” and “Hella Good” showcased the players’ nimble rhythmic interplay. Stefani’s voice was at its pleading best in “Don’t Speak,” one of the great pop ballads of the last 30 years, and “Simple Kind of Life,” which was accompanied by a video starring Stefani and Kanal acting out some episode from their ancient romance.

Before “Ex-Girlfriend,” which Stefani wrote amid her doomed marriage to Gavin Rossdale of Bush, the singer said, “It gives me — what is it? The PTSD. But because I absolutely adore you guys, I’m gonna suffer.”

Yet this was the chapter of No Doubt’s story — basically the apex of its popularity — that the band seemed least interested in exploring on Wednesday. The impression you got was that Stefani and her pals hadn’t come to Vegas to cruise or to gloat or even to soak up the easy adulation that’s always on offer here; weirdly, they’d come to remember the struggle.

BBC radio presenter Dave Llewellyn has died aged 57 after two decades on air – as his devastated family release a touching tribute.

The Radio Tees star – famed for his distinctive bright red hair – was hailed as the “most loving father and husband” by his daughter Amy.

Dave worked as a travel presenter in the north east region for more than 20 years – famously starting out as the “eye in the sky” in a plane.

Alongside his traffic updates, the larger-than-life DJ also co-hosted a gardening show at the weekends.

And for the past six years, he was a producer on BBC Radio Tees, most recently working on Gary Philipson’s daytime programme.

The presenter, hailed as “incredibly modest and generous” by his daughter Amy, died after a short illness.

She said: “Outside of his work he loved his family and his music.

“His true talent shone through while he was playing his keyboards, synthesisers and bass.

“He was the most loving father and husband, always going out of his way to make us happy.

“He will be sadly missed by everyone who knew him, especially our beloved dog Cupid who always saw a taste of his generosity, usually in the form of a shared sausage sandwich.”

More to follow… For the latest news on this story keep checking back at The Sun Online

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DENISE van Outen has opened up about her heartbreak over losing a Towie “family member” as she revealed plans to pay tribute to Jake Hall.

The TV star shared an emotional message, reflecting on the devastating loss.

The Only Way is Essex star Jake Hall was found dead at a Spanish holiday villa with head injuries after a night out partying on Thursday.

He was a regular on the reality TV series from series 14 to series 17. 

Denise has been voicing the show since it started in 2010 and has opened up about his tragic death.

She told the Daily Mail: “I’ve worked on the show since it started and with any loss within our TOWIE family it is heartbreaking.

GONE TOO SOON

Jake Hall’s heartbreaking future plans revealed before tragic death aged 35

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Inside £200-a-night Majorca villa where tragic Towie star Jake Hall died

“But he was so lovely whenever I saw him out and he was so friendly and so talented.

“I really feel for his family, my thoughts go out to them, and it is just really sad and he was way too young to go.

“I do wonder what TOWIE will do, I think they’ll do a tribute as they’ve lost a few people recently. I was just really really shocked when I saw it.”

Cops found the 35-year-old former reality show hunk in a pool of blood with fatal head wounds apparently caused by shards of glass.

Officers say inquiries focused on the theory of a tragic accident in which the 6ft 4ins star smashed his head through a glass door.

A source said: “Witnesses told investigators he had been out partying all night and decided to carry on the party back at the place he was renting.

“It appears from what police have been told that he became agitated, possibly from alcohol and other substances he may have consumed.”

The source also said at one point things “turned aggressive” and he may have “tried to harm himself by banging his head against things.”

Officers were called to the rented house in Santa Margalida in the north of the holiday island at around 7.30am on Wednesday morning.

A police source said: “We are focusing on the theory the victim died in a tragic accident after hitting his head against the glass door but it is still too early to say definitely what happened.”

No arrests were believed to have been made as inquiries continued and an autopsy is due to take place in the Majorcan capital, Palma.

An ongoing investigation is being led by the Spanish Civil Guard.

He often spent time in Majorca where he had a second home used as a base for work and leisure.

Jake had a daughter, River, with model and Real Housewives of Cheshire star Misse Beqiri.

A statement shared by her talent agent said: “At this time, Misse’s focus is on supporting and protecting their child as they come to terms with this devastating loss.

“The family are asking for privacy, compassion and respect while they grieve privately.”

Jake joined TOWIE in 2015, and dated co-star Chloe Lewis before leaving the programme in 2024.

He also ran a menswear brand called By Jake Hall.

IN northern Arkansas on the banks of South Fork Spring River in the region known as the Ozarks, you’ll find a tiny settlement called Saddle.

Today, it comprises a modest Baptist church, an old timber-clad general store turned events venue (now up for sale) — and very little else.

Not so far away, out in the wilds, is the farm where country star Ashley McBryde grew up.

It is the place where she first picked up a guitar and discovered her passion for music, the starting point of her journey to the world stage.

Along the way, she rebelled against her strict preacher father, sang in biker bars, acquired the striking collection of tattoos adorning both arms and fought alcohol addiction.

Yet her inspirational climb has taken her to country music’s spiritual home, the Ryman Auditorium in Nashville and the O2 Arena in London for the C2C festival.

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And next month she will support a titan of the genre, Garth Brooks, at Hyde Park in front of 65,000 people.

Since becoming sober in June 2022, Grammy-winning McBryde is making some of the best music of her life, and she’s doing it by returning to her roots.

On one of the rousing songs on her fifth studio album, the aptly titled Wild, she sings these lines with mighty conviction…

“It’s in my throat, it’s in my bones, it’s on my boots and in my blood. That Ozark streak sureе runs deep and it sticks to me like that Arkansas mud.”

I tell her that my only experience of her childhood stomping ground is the TV series Ozark about a Chicago family who decamp to the area, for money- laundering reasons as you do, where they encounter small-time hillbilly criminals.

“Yeah, I’ve known some characters like those,” says McBryde with a knowing smile. “They did a great job on Ozark.”

She is one of a new breed who has learned to accept “the Nashville machine” while remaining true to themselves.

“I’ve done a good job, not a perfect one, of being inside the machine but also sticking to my guns,” she affirms.

“It’s an industry that asks the brunette to be blonde and the girl that’s 5ft 3in to be 6ft.”

At times, McBryde felt she was “falling short of being shinier, blonder, skinnier” but, she adds hand on heart: “You’re just not getting rid of what’s in here.”

In the same bracket, you will find two big bearded male artists keeping it real — Luke Combs and Chris Stapleton, who are among America’s biggest selling artists right now.

These are the natural successors to the original country “outlaws,” who include McBryde’s hero Kris Kristofferson, fellow Arkansawyer Johnny Cash and last man standing Willie Nelson.

She delivers kick-ass songs, drawing on rock and roll as much as anything, but she can also turn her intuitive talents to tear-stained balladry or a country-pop masterclass like recent single What If We Don’t.

I’m meeting the vivacious 42-year-old during her whistle- stop visit to London, and we find ourselves beside a picture window overlooking Kensington Gardens filled with people catching the glorious spring sunshine.

I can’t help sensing the contrast between the swish hotel suite in a teeming capital city and Ashley McBryde’s isolated upbringing that is, in part, the inspiration for her new album.

Taking my cue from the name of her album, I ask her if she was a “Wild” child.

“I think I was a good kid but I was also in trouble a lot,” she replies.

“I asked a lot of questions that people didn’t want to answer. They didn’t care for a child who wanted to know why things had to be a certain way.

“But I was always out in the woods, dreaming up this or that. I would be one of the X-Men, making swords and guns out of sticks.”

The youngest of six, she paints a picture of her childhood that conjures up classic American literature — Little Women, Tom Sawyer or Little House On The Prairie.

In fact, every night her “angel” of a mother would read her a chapter of the latter book as well as one from the Bible.

“I didn’t own shorts until I was an adult,” continues McBryde.

“Because my legs would get so ate up with tick bites from being out in the briars and thorns. It was a very physical existence.

“We worked real hard. We had cows, chickens and horses but my favourite thing about it was I could go wherever I wanted.

“I could go out walking for a whole day. I remember one time I asked mom if I could camp out for the night.

“She said, ‘Why would you want to do that?’ And I said, ‘I just want to cook my soup on a campfire’.

“She was like, ‘Well, knock yourself out’.”

But there was a duality to life in this rustic idyll because McBryde’s farmer and preacher father, William, imposed his strict religious beliefs at home.

This perhaps explains why she has been singing the late Randall Clay’s storming Rattlesnake Preacher live for several years and why, finally, her studio version opens Wild in such uncompromising fashion.

“There was freedom even though we lived in a very, very rigid household,” says McBryde.

“It was all right as long as what you wanted to do was within the parameters of what was considered to be right.

“So there was nothing wrong with going for a walk or riding a horse or digging a hole or learning to play a guitar. Those things were totally OK.

“But it was very much a case of the man being the head of the family, the way Christ is the head of the church — and anything that went against that could go to hell. There was no break.”

Although she was generally expected to attend church on “Wednesday night, Sunday morning and Sunday night,” sometimes even that was off-limits “if they were doing something that my father deemed not in alignment with his book”.

This brings McBryde to an extraordinary revelation: “To my knowledge, my father has still not listened to my music.”

That said, she admits that he had to hear one of her songs, Bible And A .44, written about him and appearing on her debut EP in 2016, Jalopies & Expensive Guitars.

It includes the lines: “He taught me how to hunt and how to love the Lord/He carried a Bible and a .44/And they just don’t make ’em like that no more.”

McBryde says: “I sang it to him after I wrote it. He told me, ‘You painted me in an awful nice light. I wish all of it could be true.’

“And I said: ‘You don’t see what I see because you’re not looking at what I’m looking at.’

“It was a nice way to give him a break from being the villain because a lot of the time he was. There were really great qualities about him, too.”

As for her beloved mother Martha, she says: “She’s an absolute angel. I don’t think she’s ever done anything wrong.

“She can make you an outfit right now while she’s making you a casserole while she’s praying for someone who has lost a limb.”

It was in this old-school world that McBryde developed her love of making music, becoming enchanted by the songs of the rugged Kristofferson and the more polished John Denver.

“I knew I wanted to be a singer and a songwriter from a really young age, even before I was a teenager.”

She knew she was on the right path when, after leaving home, she “started making enough playing in bars not to wait tables anymore and to keep the lights on in my apartment”.

A rebel at heart, McBryde recalls playing biker dives and, like the clientele, she got tattoos, wore leather and drank heavily.

As she tried to get a foothold in the country music scene, there wasn’t much hope “for a non-blonde who was covered in tattoos”.

“I did meet a lot of friction,” she says. “Some labels were not in any way interested.”

But her irresistible talent was spotted by, among others, Eric Church, another country star who likes to say it how it is.

“He was a great champion,” says McBryde. “A great name to be associated with because of the way he makes records and the way he approaches music.

“For him to say, ‘I like this songwriter’ does open a door.”

Evidence of that door being opened arrived in 2018 when McBryde’s major label debut, Girl Going Nowhere, was released on Warner Nashville, including one of her signature songs, A Little Dive Bar In Dahlonega.

It’s about resilience in the face of a break-up and, among its references to drinking is the line, “We’ve all got a number we don’t wanna drunk dial.”

I guess it alludes to another aspect of McBryde’s life because, running parallel to her early years in the business, was a dependence on alcohol, which she’s finally coming to terms with.

One of her new album’s most captivating songs is the beautifully sung ballad Bottle Tells Me So.

“I didn’t want to have a problem with alcohol but, like it or not, it’s part of my story,’ admits McBryde. “And I didn’t want to talk about it for a long time.

“I was either drinking, drunk or hung over at all times – and that’s really tough.”

In 2022, matters came to a head when, on the advice of her team, McBryde went into rehab.

Now proudly four years sober, she says: “Writing Bottle Tells Me So was a way to acknowledge it without saying, ‘I’m sober and you should be too.’

“You don’t want to preach but life is so much better for me now that I don’t drink.

“In that song, I’m not saying I’m never going to drink again. There’s no shame involved.”

In explaining why a habit that began while “acting cool and hanging with friends”, McBryde says: “I’ve heard it said that the addicts of all types aren’t addicted to any substance.

“They’re addicted to not feeling their feelings. I would say that is spot on for me.

“Not consuming alcohol anymore is probably the simplest part of becoming sober. You have to completely re-meet yourself and rewire everything.”

McBryde says she feels “1000 per cent” better, both physically and mentally. “I look better and I feel better. Despite still feeling anxious, I’m stronger than I knew and that makes me happy.”

She recalls her first show after leaving after getting sober: “I left treatment on Tuesday, got in the bus on Wednesday and was on the stage on Thursday.

“It was my first time being more than 30 days dry and it was the most terrifying, coolest thing I will ever experience.

“I was worried and asked myself, ‘What if I can’t do this?’ But I got out there and was spot on. Bullseye! Now I’m at the top of my game.”

McBryde is undoubtedly dialled in on Wild, produced with sparkle and empathy by John Osborne of country duo Brothers Osborne.

“John’s magical, playful and curious,” she says. “When I try something, he will say, ‘If you love it, we keep it. If you hate it, we toss it.”

It’s a healthy state of affairs for an artist who is increasingly cherished by the country music establishment in Nashville.

She says: “My friends and I always joke, ‘You can never change where the machine is headed unless you climb inside the machine.’

“I want to make music that people will hear. I like being able to make your guts hurt.

‘And the only way to get it heard is to abide by certain rules.”

One her proudest achievements is becoming a member of Grand Ol’ Opry, showcase for the greats from Hank Williams (even if he did get banned) and Patsy Cline onwards.

“I love it,” says McBryde. “Just thinking about it now, I smile so big. My face is complete cheese.”

And there we have it. Ashley McBryde, force of nature, born and raised in the Arkansas Mud but reaching for the stars.

ASHLEY McBRYDE Wild

4.5 STARS

KIM Kardashian’s Met Gala megaboobs were spray-painted at an auto repair shop in Kent — and its owner said tonight it was an “honour”.

Martyn Smith, 55, spent 13 hours on the orange fibreglass creation at his garage in Lydd on Romney Marsh.

He felt “very proud” at seeing reality star Kim, 45, wear it in New York this week.

The Brit garage owner was asked to do the “top-secret” breastplate paint job — and was only told it was for Kim when he finished.

He said he agreed to drop work after being approached at his auto repair shop on a Kent industrial estate by two local artists.

Against the clock, he spent 13 hours prepping and spraying the orange fibreglass piece, worn two weeks later by Kim at the Met Gala.

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Martyn, who runs MPS Body & Paint, would not say what he charged — but it was “in the hundreds not the ­thousands”.

He added: “When I saw it, I felt very proud and honoured. I only had 24 hours to do it.”

The breastplate was co-created by Kent artists Patrick Whitaker and Keir Malem, who then went to ­Martyn after he had repaired their car a few years earlier.

The dad of two, who works at the auto business with sister Nicki Hill, 50, said: “It looked great, but it had imperfections and tiny air holes which I had to fill with stopper.

“It had mould lines which I had to smooth out, before re-priming it and rubbing it down. It then needed a base coat and a lacquer top coat.

“With drying times, it was a lengthy process, but I knew it had to be perfect. I worked all day on it until 8.30pm.

“It was kept hush-hush as they told me it was top secret.

“I thought it might be for Madonna or Gal Gadot given the design.

“When they collected it they finally told me it was for Kim Kardashian.”

Martyn said he knew the name but was more of a fan of her boyfriend, F1 great Sir Lewis Hamilton.

Meanwhile, Nicki discovered Kim would be at the Met Gala on Monday night — her daughter Elli-Jane’s 20th birthday.

“She stayed up to watch it and said: “I was falling asleep as it was late and Elli-Jane shouted, ‘Mum, mum she’s wearing it’.

“She was bouncing up and down with excitement and then I was quite emotional.”

Martyn, who had gone to bed, said his paint job looked “fantastic” when he saw photos the next day, and the reaction since has been “crazy”.

He would welcome similar work but added: “I don’t know many people who have got a breastplate really.”

KATIE Price is plotting to get around her seventh driving ban after her husband Lee Andrews claimed he bought her a Ferrari.

The former glamour model, 47, has received bans totalling more than six years since she was first disqualified in 2010.

And last month, Katie was banned for a seventh time after failing to respond to police letters about an 80mph speeding ticket.

But the media personality said she is now planning to get an international driving licence – despite her UK driving ban.

Katie shared a life update with her social media fans today.

She was joined by her husband Lee as she filmed a clip from the back of a moving car.

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Katie said: “Hey guys, we are just going to the hospital to get my stitches taken out and then we are going to Lee’s dad for a cup of tea.”

She added: “And to get my international driving licence…”

Lee interjected and said: “That’s the easy one, then you’ll see the car,” referring to the  £180k Ferrari that Lee claimed he gifted his wife.

But Katie’s followers were quick to correct the star, with one writing: “You cannot drive with an international driving licence with a driving ban. It still stands in other countries, there is no way around it.”

A second said: “I hope Katie realises as I wouldn’t want her to do anything illegal in Dubai.”

A third said: “Not with a ban in the UK, you can’t as the Dubai authorities do checks.”

Another commented: “You cannot get an International Driving Permit or drive in Dubai if you have a current UK driving ban. You must hold a valid full driving licence to apply for an International one and the UK court will have taken her licence so she cannot apply for one.”

This person added: “It appears you cannot legally drive in Dubai with a revoked UK licence.”

According to the GOV UK website, you cannot obtain an International Driving Licence if you are banned from driving in another country.

It is only issued to holders of a valid UK driving licence, which is revoked or suspended when you are banned.

In March, Katie was seen in the driver’s seat of a red Ferrari.

But the motor was completely different from the Ferrari she previously claimed had been a gift from self-confessed multi-millionaire Lee.

She previously told how the flash car, believed to cost around £180,000, had to remain in the UAE.

It is not clear how or when Lee purchased the car and whose name it is in ownership of.

Yet despite previously gushing over the “beautiful” gift it was nowhere to be seen during her recent video.

Lee took charge of filming as Katie got settled behind the wheel and said: “Kate is driving now – is this your first time driving in Dubai?”

She was then heard swearing as she got to grips with the automatic before he assisted and said: “There you go”.

Katie then added: “First time driving in Dubai.

The former glamour girl’s latest run-in with the law comes after a Ford Capri registered to her was caught at 80mph on the A64 near Strutton in North Yorkshire.

CCTV released by the police showed Katie behind the wheel during the incident on October 15, 2025, the same day she appeared on stage with celeb pal Kerry Katona for An Evening with Katie Price & Kerry Katona at Scarborough Spa.

Katie, who was first banned in 2010, was subsequently prosecuted and convicted of failing to respond to police, landing her with a six-month driving ban and a legal bill topping £1,000.

The former pin-up was keen to set the record straight last month.

Speaking on her podcast, The Katie Price Show the star revealed: “I found out I was banned by the papers.

“I am actually livid about that because if I’d got the letters I would have replied to it.”

Revealing what happened, Katie said: “Basically I’ve paid someone to do a job.

“They haven’t done it and… now I’m now banned from driving for six months, but I am gonna go back and see if I can appeal it.”

She then added: ” Yeah, or I just think it’s only six months where I live now, I can walk to the shop. the kids schools are ten minutes up the road.

“I get shopping delivered here anyway, because I’m always at home when I work at home.

“So it’s not like in the past where I’ve been stuck right in the middle of nowhere.”

It comes after Katie’s after new husband Lee claimed he is moving to the UK in May AND revealed details of a second wedding.

Lee popped the question to the star in January, and the couple tied the knot in Dubai just 48 hours later.

However, Katie later revealed they actually officially wed in February.

“Yellowstone” and “The New World” actor Q’orianka Kilcher has taken legal action against filmmaker James Cameron, Disney and others she says used her likeness in the wildly lucrative “Avatar” film franchise without her knowledge.

Kilcher, 36, filed her complaint Tuesday in California Central District Court and is suing on numerous counts including misappropriation of likeness, invasion of privacy and interfering with possible financial gain. She is seeking an unspecified amount in damages and a jury trial. The parties involved in the making of the “Avatar” film series “commercially exploited [Kilcher’s] likeness in developing and continuing the Avatar franchise” and “systematically avoided alerting or crediting her,” the lawsuit states.

Disney and a legal representative for Cameron did not immediately respond to a request for comment on Thursday. Cameron’s production company Lightstorm Entertainment, a California-based laser scanning studio and a New Zealand-based VFX firm are also among the co-defendants.

The claim at the core of Kilcher’s lawsuit is that Cameron in 2005 “extracted, replicated and commercially deployed her facial likeness” from a photo of a 14-year-old Kilcher as Pocahontas in the Terrence Malick film “The New World” and used it to inform the facial characteristics of Neytiri, a key character in the “Avatar” franchise played by Zoe Saldaña. Cameron spoke of Kilcher’s influence on the character in an interview with French YouTube channel Konbini. In the video, published in 2024 and noted in the lawsuit, James references the original sketch work for Neytiri. “The source for this was a photograph that was in the L.A. Times as part of the promotion for ‘The New World,’” he said. “It’s a young actress named Q’orianka Kilcher, who played Pocahontas in ‘The New World.’”

He adds in the video: “This is actually her lower face. She had a very interesting face. And I wound up meeting her years later and I gave her a signed print of this [sketch].”

The lawsuit alleges that the final look of Neytiri featured in the “Avatar” films “was not a fleeting inspiration or vague homage; it was a literal transplant of a real teenager’s facial structure into a blockbuster movie character.” In the 2024 interview, Cameron said the model of Neytiri had come to resemble Saldaña after she was cast. The first “Avatar” film was released in 2009 and grossed more than $2.9 billion.

The complaint also claims that the design process for Cameron’s Na’vi character moved on without Kilcher’s consent and that she was not compensated for influencing Neytiri’s design, further alleging that the film team’s actions “violated child performer laws and privacy laws designed to protect minors.” According to the lawsuit, the team behind “Avatar” did not “even attempt to have Plaintiff audition for the role of Neytiri” and refused the actor after her agent attempted to book a reading for the sci-fi epic.

Kilcher accuses Cameron of “creating a misleading narrative that she was simply unavailable” to appear in the original “Avatar” film and of leading her on with the idea of potentially appearing in later “Avatar” movies. Cameron released “Avatar: The Way of Water” in 2022 and “Avatar: Fire and Ash” in 2025.

The lawsuit said Cameron and Kilcher crossed paths at a Hollywood environmental charity event in 2010 and he instructed her to later pick up a “surprise gift” at his production offices. According to the lawsuit, Cameron gifted Kilcher a framed and signed print of the original Neytiri sketch with the note: “Your beauty was my early inspiration for Neytiri. Too bad you were shooting another movie. Next time.” Kilcher said she found the note confusing at the time. She had also contacted Cameron over the years, but “nothing concrete materialized,” according to the lawsuit.

The 99-page complaint describes Kilcher as an Indigenous actor-activist, noting she is of Quechua-Huachipaeri heritage. The lawsuit also alleged Cameron’s actions were hypocritical of his films’ messaging and detailed public backlash Cameron and the films faced for its depictions of Native groups.

“The result was a highly lucrative film franchise that presented itself as sympathetic to Indigenous struggles,” the lawsuit said, “all while silently exploiting a real Indigenous youth behind the scenes.”

According to her complaint, Kilcher “learned of the betrayal Cameron had kept from her” in August 2025, after video of the filmmaker discussing Neytiri’s design came across her social media feed. She “was shocked, heartbroken, and felt utterly betrayed,” and was motivated to reexamine and scrutinize archival “Avatar” materials. That included behind-the-scenes footage featured in a recent Blu-ray DVD release and an “Avatar” production art book, which, according to the lawsuit, did not credit the actor. The suit includes several side-by-side photos of Kilcher in “The New World” and various Na’vi characters from “Avatar” material.

In addition to damages and a jury trial, Kilcher seeks a public statement acknowledging her contributions and correcting “any false or misleading statement about her,” and payment of profits attributable to the “unauthorized” use of the actor’s likeness and identity.

CARA DELEVINGNE has dated a handful of famous blokes, including Harry Styles and Jack O’Connell.

And I bet they’ll be wishing it never happened, after she hinted they were bad in bed.

Cara, who has come out as a lesbian six years after saying she was pansexual, was speaking on stage at the “confessional” segment during Rosalia’s gig at London’s O2 Arena on Wednesday.

She said: “If you didn’t know this already I’m a lesbian and my weakness used to be straight women.

“I don’t know why, it’s just because they weren’t really straight. It’s the challenge but it’s also because I generally don’t think anyone is fully straight.

“Also, I don’t think men knew how to pleasure their girlfriends well enough.”

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In 2013, she had a short relationship with Jake Bugg and was reported to have had a fling with Harry.

Cara had brief romances with Miley Cyrus and actress Michelle Rodriguez, before dating Skins actor Jack.

She’s been seeing Leah Mason, a singer known as Minke, for almost four years.

In front of the 20,000-strong crowd, she added: “I’m in a committed relationship but the thing is I used to always love being the dominant one, I love to take control.

“But I think it’s because I’m actually scared of being seen.

“I’m scared to be submissive because I didn’t want to receive love but now I think I’m ready.”

Fans missing Netflix’s hit comedy-drama series After Life should definitely mark their calendars for Ricky Gervais’ next project

The popular Netflix dramedy concluded four years ago.

Netflix has shared an exciting new look at Ricky Gervais’ next series and it looks like a must-watch for After Life fans.

It’s the star’s first series for the streamer since the hit dramedy wrapped up in 2022, concluding the tragically funny story of bereaved journalist Tony Johnson.

This time, Ricky is returning to the world of animation for an original animated series that will definitely have fans of The Ricky Gervais Show with Stephen Merchant and Karl Pilkington feeling nostalgic.

Alley Cats is created and directed by the Office star, who also takes on the leading role as a member of a gang of stray cats.

Netflix teases “the series follows the trials and tribulations of a group of feral British cats who seek companionship while ruminating about the struggles of everyday life”.

“From the funny to the absurd, the series is packed with Gervais’ signature style of heart and social commentary that audiences have come to expect,” the streamer’s synopsis adds.

It also boasts exceptional 2D animation by award-winning British animation studio, Blink Industries (Dead End: Paranormal Park, Don’t Hug Me I’m Scared).

This week, Netflix confirmed the release date for the new series as Friday, 7th August, with all six episodes of the first season dropping at once.

Co-starring with Ricky is a stellar line-up of British talent, including some frequent collaborators who have worked with him on After Life and other projects.

Tom Basden (The Ballad of Wallis Island), Andrew Brooke (PhoneShop), David Earl (Derek), Kerry Godliman (Trigger Point), Jo Hartley (Adolescence), and Diane Morgan (Motherland) complete the main cast. All of them have also previously appeared in After Life.

Natalie Cassidy (EastEnders) and Tony Way (After Life, Mandy) will also be taking on featured roles.

The new image features fans’ first look at the cast of cats, nestled together next to some wheelie bins as they look out over a city skyline.

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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.

This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows.

This includes the brand new UK drama Unchosen, starring Asa Butterfield and Christopher Eccleston.

Netflix’s announcement has already sparked excitement amongst fans, who can’t wait for the After Life cast to return to Netflix for more laughs.

One X user said: “I’m laughing at this already after reading the cast.. This is going to be fun.”

“If it’s created by Ricky Gervais, I’ll give it a shot,” someone else replied. And another fan predicted: “Ricky Gervais doing adult animation? That cast is ridiculously stacked. Alley Cats might be the sleeper hit of August.”

Alley Cats premieres Friday, 7th August on Netflix.

The International Alliance of Theatrical Stage Employees is striking against “CoComelon: The Melon Patch” in protest over wages and working conditions.

The union representing crew members working on the live-action YouTube series said the workers are being overworked and that the production is understaffed.

The crew, which consists of 22 workers, recently signed cards seeking the International Alliance of Theatrical Stage Employees, or IATSE, to represent them in collective bargaining. The production’s management refused to bargain, according to the workers.

“The crew on this project experienced firsthand what working conditions can be like on a non-union production and organized for fair wages and industry-standard benefits after they started the second season,” IATSE said in a statement to The Times.

The strike began on Wednesday, halfway through the series’ shoot. The workers are currently picketing outside the Stage This studio in Sun Valley.

Moonbug Entertainment, the company behind the “CoComelon” franchise, declined to comment on the matter.

“The Melon Patch” first launched in 2025 and is a spinoff of the original “CoComelon” on YouTube. Over the last several years, “CoComelon” has become a staple in households with young children, known for its brightly colored 3D animation style. The franchise has spawned many spinoffs including Netflix’s “CoComelon Lane.” Universal Pictures is set to release a full-length feature in early 2027.

Several previous “CoComelon” productions have successfully been unionized and covered by IATSE’s contract, including the Netflix series.

Chris Roberts worked as an art director on the first season, but says he was initially offered a lower rate for season two. Though the project is non-union, he said it’s ironic to have to picket a company that makes kids’ content, as he’s unable to support his own family.

“It’s a little disheartening to be offered less money than we were paid in the first season and then have less staff, a heavier workload, and not be able to provide for my kids,” said Roberts, who has been a member of IATSE since 2016.

A noughties TV legend and star of I’m A Celebrity…Get Me Out Of Here! has explained just why so many people refused to appear with him on television at the height of his career

Dom Joly has revealed that several people refused to appear alongside him on TV – all for the same reason. The comedian, 58, shot to fame when he began fronting Trigger Happy TV in 2000, and the format saw him going out in public to intentionally put himself in embarrassing situation, all to get a reaction.

When the programme first started, viewers and participants alike assumed the chaos, which was being caught on hidden cameras, was genuine and it became an overnight success. But as the series progressed and became more popular, members of the public became wise to when Dom was out and about filming.

The show came to an end in 2003, and now Dom, who went on to appear on I’m A Celebrity…Get Me Out Of Here! alongside This Morning star Alison Hammond and eventual winner Stacey Solomon, has revealed that a considerable amount of people refused to be seen on camera because they were being unfaithful to their partners at the time, and couldn’t risk having that broadcast to the nation.

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Speaking on the Remember Me? podcast, he told host Maisie Adam: “We got away with quite a lot but the main reason people didn’t sign consent forms – it’s not that they didn’t want to be on telly, it’s because they were having affairs.

“I can not tell you the amount of people we did, and when the second series went out, the guy would go ‘Oh my god, it’s Dom Joly! Am I being filmed? Oh! That’s not my wife.’ That was just the people we talked to!”

Dom’s most famous bit is, ironically, his least favourite – that enormous phone. Just days after the first episode aired in January 2000, he was on a train when he heard that now-familiar Nokia ring tone.

He said: “Three people stood up and shouted, ‘HELLO?! YEAH I’M ON THE TRAIN – IT’S RUBBISH!’ I was like, ‘f***. What is happening?’” It’s a catchphrase that has haunted him for 25 years.

“I swear there’s not a day where it doesn’t happen. Even on the way here, a bloke spotted me and shouted, ‘HELLO?!’ And 25 years later I still don’t have a good response to it! Like, ‘Yes, hello!’”

“So many scenes went wrong, but the worst we did was with Sarah Ferguson,. We were walking past the Duke of York barracks on King’s Road and there’s a party going on, so we go in and blag some free drinks. Suddenly we spot Fergie sitting in the corner on her own, so we say, ‘let’s do it’.

“We go right up to her, she looks panicky and I stick my microphone in her face and say, ‘Good morning Your Majesty, you are live on Good Morning Mexico – do you have anything to say to the people of Mexico?’

“She starts blabbering on into this tiny camera, and after a while I ask her to pause because we’ve gone to a commercial break, and could she absolutely freeze?

“And for three minutes, me, Sam and the Duchess of York are frozen in the middle of this drinks party. And then we leg it. By the time we get back to our office there’s a fax from her lawyers and sadly we could never show the footage.”

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Married At First Sight Australia fans were left in disbelief as the final dinner party descended into chaos and tears

Viewers confessed they found themselves shouting at their television screens during the final Married At First Sight Australia dinner party.

Fans branded it ‘unhinged’ as proceedings spiralled into mayhem and waterworks. Just a handful of episodes remain of the current reality series from Down Under, with Final Vows anticipated to broadcast next week.

While Australian audiences have already seen it through to the end, UK-based fans are almost completely up to speed. Once again, more than a dozen strangers exchanged vows upon meeting for the very first time as part of an unconventional social dating experiment.

Throughout recent weeks, audiences have been captivated by numerous dramatic developments and its climax is scheduled to reach British screens this week. One couple even chose to call it quits just days ahead of the finale.

Recent days have witnessed the surviving couples undertake a final challenge devised by the experts. This was succeeded by a catastrophic breakdown as multiple participants fled from the cameras, threatening to abandon the programme, reports OK!.

This evening’s episode (May 7) resumes just in time for the final dinner party. Scott, still shaken after his bride abandoned him, reveals that he suspects Gia has travelled back home. He says: “Gia sent me a voicemail. She’s upset and her daughter’s crying. She sent me pictures. I think she’s trying to make me feel bad?” Despite Gia’s earlier insistence that she’d quit the experiment and jetted off, Filip drops a bombshell – he’d actually spotted her in their apartment block. Unsurprisingly, she’s not about to miss out on Dinner Party drama.

Elsewhere, Alissa and David are battling to repair their relationship following their explosive row over the final challenge. David confronted Alissa about her conduct, which saw him storm off and Alissa hurl her wedding ring in his direction.

David offers an apology for removing his ring and expresses his desire to listen to Alissa’s perspective. However, Alissa refuses to say sorry for her antics during the lunch with the alternate matches, insisting she was simply enjoying herself. In a dramatic gesture, David drops to one knee and tries to slip the ring back onto her finger.

He declares: “I love you” and Alissa pauses before responding: “Thank you.”

The experts observe the exchange, with Mel Schilling appearing distinctly unimpressed by Alissa’s reply. She remarks: “That shows absolutely lack of flexibility and saying this is who I am, take me or leave me. She’s giving him nothing.” Alessandra adds: “I can’t believe that was her response to saying he loves her.”

Shortly after Gia makes her entrance, Bec wastes no time exposing her fabrications. Gia’s knee-jerk reaction is, predictably, to announce she wants out. Once more, Bec appears oblivious to the presence of cameras and microphones as her covert scheme unfolds before the audience. She instructs Gia: “They all know you weren’t in Melbourne. You know what you need to do.” Gia responds: “Out victim him. So, what am I saying?”

Bec advises: “I’m looking at this strategically. It’s not just about your relationship, it’s about all of Australia. This is your moment. And if you can cry, that would be great.”

During the confrontation, Gia delivers a rehearsed statement as directed by Bec. She declares: “Dear Scott (cue tears), this hurts in a way I didn’t think it could.”

Upon completion, Stella disapprovingly shakes her head, while Bec applauds in isolation and gestures for Gia to cease the waterworks. Scott then presents his own statement, which resonates far more with the majority of the group, including the words: “You are not the one for me. We are a different calibre of people.”

Gia attempts one final manoeuvre, suddenly levelling accusations at Scott, who has already departed, of pressuring her into a ‘showmance’. She further alleges he never paid her compliments, criticised her drinking habits and exploited her physically. Claims that devoted viewers have never witnessed on screen.

Audiences at home were swift to voice their reactions. One viewer questioned: “Is this more dramatic than the I’m A Celeb reunion?” Another remarked: “Gia for once was put in her place. So whatever else she says now will be met with pure disgust. No less than she deserves..” One person asked: “How many of us are arguing out loud with our TVs?” Another confessed: “‘To bare my soul, not for the cameras but for you’ – the worst performance I’ve ever seen, Gia. And loving this letter show down.”

Others remarked on David and Alissa’s predicament, with one stating: “So, David taking off his ring was unforgivable, but it was absolutely fine for Alissa to lob hers at him.”

And another: “Alissa pretending she didn’t do or say anything wrong at that dinner is unbelievable. And David is just being FAR too graceful. Bless his heart.”

Married At First Sight Australia continues Monday at 7.30PM on E4 and streaming on Channel 4.

Some fans are convinced that two TV stars have hinted that they are to take over as Strictly Come Dancing hosts after Tess Daly and Claudia Winkleman stepped down

Two major TV stars have seemingly let slip that they’re about to become the new Strictly Come Dancing hosts.

The BBC have now announced all the returning professional dancers after a massive number of exits. It has also been confirmed that all four judges are making their return to the BBC show.

The hosts have yet to be announced after Tess Daly and Claudia Winkleman stepped down and there has been much talk about who might replace them, with names including Rylan Clark and Bradley Walsh being rumoured.

Fans now are convinced they know who will be presenting the show – after spotting a telling clue. Referencing the official post to announce the returning professional dancers and judges, one fan noted: “I noticed that they are the only ones from the rumoured 10 to be commenting on the post. Correct me if I am wrong. My dream duo.”

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They are referring to the fact Zoe Ball and Angela Scanlon were the only two stars to comment on the post from the rumoured 10. Zoe – who previously presented the spin-off show – and former contestant Angela are hot favourites to replace Tess and Claudia.

One fan penned in response: “Would be two good choices as hosts. Zoe could fill the more serious role (although I still think Emma Willis would’ve been perfect for that but won’t complain about Zoe) and Angela would fill the Claudia role very well.

“The only thing I would say is Angela might have to balance her humour with seriousness a bit more than she has had to do in other presenting roles. But much much better than the other rumoured hosts like Rylan and Bradley Walsh.”

Another added: “I would absolutely not be mad if these were our hosts. Fit the bill for me, and they both know strictly well and how it works,” as a third penned: “Would be absolutely fine with this.”

Tess and Claudia announced back in September that they were quitting the show after the end of this series.

“We have loved working as a duo and hosting Strictly has been an absolute dream. We were always going to leave together and now feels like the right time. We will have the greatest rest of this amazing series and we just want to say an enormous thank you to the BBC and to every single person who works on the show,” they said.

“They’re the most brilliant team and we’ll miss them every day. We will cry when we say the last “keep dancing” but we will continue to say it to each other. Just possibly in tracksuit bottoms at home while holding some pizza.”

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