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Coronation Street actress Nicola Thorp has revealed that she has been in tens of thousands of debt for 17 years after struggling to pay off her drama school fees

It’s perhaps every drama student’s dream to become an acclaimed actor in film or TV. But former Coronation Street star Nicola Thorp has revealed the downside to following her passion to work in the arts, as she racked up a £30,000 debt accrued from drama school fees.

The 36 year old ITV former soap star, who landed the role of Nicola Rubinstein, on the iconic TV show back in 2017, admitted to being in debt for 17 years. While on This Morning the actress claimed that students were missing their lectures as they were too tired from working to support their schooling.

Nicola studied at the Arts Educational School in London between 2007 and 2010. When asked by host Ben Shepherd about her school fees, she replied: “Yes I did. I had to pay. I am still in about £30,000 of debt now.” She added: “Even 17 years later.” Left in shock by her answer, Ben said: “And that’s the reality for a lot of these students. They don’t have a choice.”

Nicola played Nicola on the ITV soap for two years and left in 2019. Leaving the acting world behind, she has now become a journalist and presenter.

With regular spots on This Morning over the past six years, she has also co-hosted TalkTV’s Talk Today for four years, ending in 2024.

She has also delved into the world of reality TV as she appeared on Celebrity Hunted alongside her husband Nikesh Patel in 2023. The couple became parents to a baby girl the following year.

Speaking of her daughter she took to social media and wrote: “We are delighted to say that we recently welcomed our beautiful baby daughter into the world.” She added: “Everything they say about birth being a rollercoaster of emotions is true. We’re shattered and smitten and everything in between.”

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A soap star being probed by cops for child sex offences against five teenage boys remains on bail despite being arrested more than 18 months ago

A soap star previously accused of child sex offences against five teenage boys still remains under investigation 18 months after being arrested. The household name was arrested in October 2024 but has been on bail since. It is understood he has been reinterviewed since then over the claims, which date back to the 1990s when the man had major roles in some of Britain’s most popular television shows.

The police force investigating the actor, who can’t be named for legal reasons, has confirmed that inquiries are ongoing, and he remains on bail. Guidance suggests suspects can generally be on bail between three to nine months before needing to be charged or released.

The original bail period can be extended to six months by an inspector, nine months by a superintendent, with further extension needing Magistrate court approval. Detectives have spent time since his arrest analysing computers and documents which they seized upon his arrest.

The star was initially held for several hours before being released on bail. His family, including his partner, were left stunned by his arrest and he is also understood to be shocked by the historic allegations, which he denies. The five alleged victims are now all adults.

A police spokesman initially said in October 2024: “A man has been arrested on suspicion of historical child sex offences involving five victims. Officers investigating allegations relating to the 1990s detained a man. He was arrested on suspicion of several sexual offences relating to five men who were teenage boys at the time of the alleged offending. He has been conditionally bailed while enquiries continue.”

Rivals Season 2 has landed with fans just discovering Dermot O’Leary’s personal connection to the saucy comedy-drama.

Dermot O’Leary may not be in Rivals Season 2 but he does have a close link to the Disney Plus hit.

Two years after Rivals exploded onto our screens, the raunchy Disney Plus drama is back for more with the first three episodes of Rivals dropping today, Friday, May 15.

As fans eagerly await for the rest of the series to become available, many are only just discovering This Morning star Dermot O’Leary has a close tie with the 1980s phenomenon.

He is married to Norwegian-British television and film producer and director Dee Koppang O’Leary who has worked behind the scenes on both seasons of Rivals.

She is also well known for her work on other major shows such as The Split, Bridgerton and The Crown, just to name a few.

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Dermot and Dee have been married since September 2012, having met at a TV production company where they were both working. They dated for nine years before getting engaged in New York in 2011 and married the following year.

The pair now share one son together, Kasper, who was born in June 2020. While the famous couple tend to keep their marriage out of the spotlight, Dermot did show his support on Rivals season two by hosting an “in conversation” event with its cast and producers earlier this month.

Following the success of the first series, Dermot also posted that he was “proud as punch” of his wife after winning two Broadcast Awards.

Dermot previously spoke to Fabulous magazine about the secret to having a happy marriage.

“We don’t have the recipe, but it’s going well.

“It’s a work in progress, isn’t it? The key for me is giving each other space, not giving each other a hard time and actually having fun together. And we do.”

He added: “It’s about the neighbourhood you live in.

“If you embrace the greengrocers, the local store, the dry cleaners, you just become a face and part of a community. And that’s how you have a normal life.”

Rivals Season 2 will continue to air weekly every Friday on Disney Plus.

Professional visual artists hate generative AI. This should come as no surprise, but a new survey released last month by a trio of researchers at Carnegie Mellon University breaks down just how much: 99% of respondents out of a pool of 378 verified professional visual artists noted their dislike for the technology, with 92% categorizing it as “strong dislike.”

Even more jarring, the survey found that 80% of respondents believe that they’re in competition with the technology. The artists expressed deep concerns about the impact AI is having on their careers, with 54% saying it has diminished their income, 75% their job and clientele security, and 90% their income opportunities. Another 77% said it had negatively impacted their career growth, 61% the future of their career, and 74% their career sustainability.

The jobs most heavily affected include commercial artists, graphic designers and concept artists in entertainment whose work is sometimes entirely replaced — or largely commandeered — by images generated using tools like Midjourney, Adobe Fireplay or DALL-E; but fine artists working in traditional media are also experiencing a devaluation of their work and a shrinking pool of employers.

“I’m working on getting out of the field and planning to get my PhD in something non-art related because I can’t see my current work as being sustainable when I see them actively replacing me [with] chatGPT,” a costume designer and illustrator said in the survey, which notes, “Demoralization, disempowerment, disrespect, stress, and fear are also commonly expressed, not only regarding individual careers but also extending towards the field at large.”

“It’s been pretty demoralizing at times seeing a lot of younger artists giving up because they don’t see a future in art. That they’re abandoning their creative passions because of AI,” another illustrator said. A comic artist, writer and painter noted that AI underscores that art is not important to the general public. “It has been demoralizing largely because generated AI images look like crap but there is a segment of the population who seem to not care,” the artist said.

Then there is the unnervingly meta task of artists trying to prove they are human, or that they did not generate their work using AI.

“I find users online to be more critical, looking at art less to enjoy it and more so to figure out if it’s AI generated or not. There’s a lot of pressure and anxiety in proving you are a real person now,” one illustrator and designer said. Another artist and sculptor said, “I have seen false accusations for use of AI in work from other artists who do not use AI and I am fearful of being accused of this as well, I now record the creation process of most things so that I have proof AI was not utilized.”

This study affirms the findings of a less formal ongoing survey conducted by Brian Merchant, a former Times technology columnist who now writes an indispensable newsletter on Substack called “Blood in the Machine,” which keeps razor-sharp track of the ways AI is affecting labor, and the pattern of Big Tech deflecting responsibility for harm. As part of an ongoing series titled, “AI Killed My Job,” Merchant invited visual artists to write to him about their experiences, and published the most compelling — and crushing — responses.

In that column, Merchant discusses the “good enough” principle of AI-generated art, noting, “Creative workers aren’t typically worried that AI systems are so good they’ll be rendered obsolete as artists, or that AI-generated work will be better than theirs. Their fear is that clients, managers, and even consumers will deem AI art ‘good enough’ as the companies that produce it push down their wages and corrode their ability to earn a living.”

An idea highlighted in the following letter published by Merchant from an anonymous source:

“I’ve been out of work for a while now. I made children’s book illustrations, stock art, and took various art commissions.

Now I have several maxed out credit cards and use a donation bin for food. I haven’t had a steady contract in over a year. two weeks ago, when a client who has switched to AI found out about this he gave me $50 out of ‘a sense of guilt.’ Basically pity for the fact that Illustrator, as a job, does not exist anymore.”

One thing Merchant is exceedingly good at is reminding readers that there is a surge of dissent swelling from the proletariat — and that after you’re done feeling the necessary despair, you can join the anti-AI resistance. For visual artists that can be as simple as utilizing a growing number of defensive tools when it comes to protecting art, most notably Glaze and Nightshade. The former adds the smallest pixel-sized changes to your artwork, which serves to confuse AI so it can’t train on your style; the latter — as the name implies — acts more like a poison that corrupts AI training data so it can’t scrape from a protected image.

I’m Arts editor — and proud Luddite — Jessica Gelt. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Celeste Butler-Clayton as Coretta Scott King in “Experiencing the Dream: The MLK Musical.”

(Triple T Photography)

Experiencing the Dream: MLK the Musical
The show’s 26 songs will be recorded live with an orchestra of 27 musicians under the direction of Leon Lacy, with orchestrations by Felipe Paccagnella, vocal arrangements by Tony Jones and musical direction by arranger/producer William Taylor. The cast includes Eric Dawkins, Bishop Jonathan Mason, Yolanda Gibbons, Patricia Jackson, James Singleton, Melvin Crispell, Pam Blackmon Kendle and Celeste Butler-Clayton. Written by Kesha L. Ealy and Marcus S. Mason. Mason also composed the music.
7 p.m. Greater Emmanuel Temple, 3740 E. Imperial Hwy., Lynwood. MLKthemusical.com

Riverdance 30 — The New Generation
The Irish music and dance phenomenon marks its three decades with a special anniversary tour.
7:30 p.m. Friday; 2 and 7:30 p.m. Saturday; 1 and 6:30 p.m. Sunday. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. scfta.org

SATURDAY

Ryuichi Sakamoto, left; Bang on a Can All-Stars.

(The Wallis)

Ryuichi Sakamoto
Contemporary music sextet Bang on a Can All-Stars pay tribute to the Japanese composer with works from his album “1996,” which included pieces from his film scores, including “Merry Christmas, Mr. Lawrence” (1983), “The Last Emperor” (1987), for which he won an Academy Award, “The Sheltering Sky” (1990) and “Little Buddha” (1993).
7:30 p.m. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

Vijay Iyer and Wadada Leo Smith
The longtime collaborators perform music from their 2025 album “Defiant Life” which Iyer noted “was shaped by our ongoing sorrow and outrage over the past year’s cruelties, but also by our faith in human possibility.”
8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu

Radiance + Reverie
Los Angeles Chamber Orchestra music director Jaime Martín leads the group in Mozart’s “Haffner” Symphony, “Selah,” a world premiere of a new Double Concerto by Christopher Cerrone performed by violinist Anthony Marwood and cellist Coleman Itzkoff, and Tchaikovsky’s “Mozartiana.”
7:30 p.m. Saturday. Zipper Hall, 200 S. Grand Ave., downtown L.A.; 4 p.m. Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. laco.org

Mads Mikkelsen and Zlatko Burić in ‘Pusher II: With Blood on My Hands.”

(Jens Juncker-Jensen / NWR / Magnolia Pictures )

Pusher trilogy
Danish filmmaker Nicolas Winding Refn’s gritty triptych takes us through the violent criminal underworld of Copenhagen in three interconnected films, each with a different protagonist: “Pusher” (1996), starring Kim Bodnia; “Pusher II: With Blood On My Hands” (2004), starring Mads Mikkelsen; “Pusher III: I’m The Angel Of Death,” starring Zlatko Burić.
5 p.m. Egyptian Theatre, 6712 Hollywood Blvd. americancinematheque.com

Jodi Siegel
The singer-songwriter and guitarist is joined by guitarist Greg Porée and percussionist Justin Porée for an evening of blues, R&B, soul and jazz.
8 p.m. Sierra Madre Playhouse, Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

SUNDAY
Celebrating Photography
The Getty has a series of events inspired by the exhibition “Photography and the Black Arts Movement, 1955–1985” (which continues through June 14). It begins Sunday with a free, daylong Family Festival featuring live music, dance, storytelling and interactive workshops. On Wednesday evening, moderator Karen Grigsby Bates and authors Dr. Karin L. Stanford and Mark Speltz discuss the new book “Marching West: The Los Angeles Civil Rights Movement in Photographs.” Thursday morning, the panel “Backstage: An Unfurling of the JPC: Black Photography & Visual Culture” examines how the Johnson Publishing Company and its photographers impacted Black visual culture and the larger field of photography. Finally, on June 7, authors Jeanne Moutoussamy-Ashe (“Viewfinders: Black Women Photographers”) and Deborah Willis (“Black Photographers, 1840 to 1940: An Illustrated Bio-Bibliography”) discuss their work as artists and historians.
Family Festival, 10 a.m.-5 p.m. Sunday; “Backstage: An Unfurling of the JPC,” 10 a.m. Thursday (also online); “Marching West,” 7 p.m. Wednesday (also online); “Viewfinders,” 4 p.m. June 7 (also online). Getty Center, 1200 Getty Center Drive, L.A. getty.edu

F For Fake
A 35 mm screening of Orson Welles’ 1973 enigmatic docudrama profiles professional art forger Elmyr de Hory as a starting point for examining authenticity and authorship.
6 p.m. Brain-Dead Studios, 611 N. Fairfax Ave. studios.wearebraindead.com

Philip Glass and the Poets
The first major Philip Glass 90th birthday celebration (he was born Jan. 31, 1927) features Timo Andres on piano and spoken word performance by Taylor Mac, with special guest appearances by Lucinda Childs and the San Francisco Girls Chorus and their artistic director Valérie Sainte-Agathe.
7 p.m. UC Santa Barbara, Campbell Hall. artsandlectures.ucsb.edu

TUESDAY

Gustavo Dudamel will lead the L.A. Phil in Wagner’s “Die Walküre” in three parts, Tuessday-Sunday at Disney Concert Hall.

(Etienne Laurent / For The Times)

Die Walküre
Conductor Gustavo Dudamel and the L.A. Phil, along with director Alberto Arvelo, tackle the second installment in Wagner’s epic Ring Cycle in three stand-alone parts with opera stars Jamez McCorkle, Jessica Faselt, Christine Goerke and Ryan Speedo Green, and scenic designs by Frank Gehry.
Act I, 8 p.m. Tuesday and Friday; Act II, 8 p.m. Wednesday and Saturday; Act II, 8 p.m. Thursday and 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

WEDNESDAY
Being There
Peter Sellers received an Oscar nomination for his portrayal of a simple gardener catapulted into the media spotlight and presidential politics in Hal Ashby’s prescient 1979 satire. Shirley MacLaine, Jack Warden and Melvyn Douglas co-star. Screening in 35 mm with an appearance by cinematographer Caleb Deschanel.
7:30 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

Life of Mozart
The Pasadena Choral Society presents the composer’s unfinished “Requiem” within a dramatic framework using Mozart’s own words. Milo Brody plays Mozart, accompanied by pianist Tali Tadmor, with solos by soprano Erika Boychenko, alto Ali Frazzini, tenor Eric Wernerand bass Chris Tickner.
7:30 p.m. San Marino Community Church, 1750 Virginia Rd #0412. givebutter.com/lifeofmozart

Primary Trust
Times theater critic Charles McNulty described Eboni Booth’s 2024 Pulitzer Prize-winning play as “a quirky, small-scale, quietly reflective work that’s as tenderhearted as it is spryly comic and as poignant as it is ultimately uplifting,” when it had its West Coast premiere at La Jolla Playhouse. Once again directed by Knud Adams, it arrives in Los Angeles with a cast that includes Ugo Chukwu, Rebecca S’manga Frank, Petey McGee and James Urbaniak, with music by Luke Wygodny.
Through June 28 Mark Taper Forum, 135 N. Grand Ave., downtown L.A. centertheatregroup.org

Studio installation view from “A Palace in Time” at the Skirball beginning May 20.

(Courtesy of Robert Russell and Lisa Edelstein.)

Skirball Spring Exhibitions
The Skirball Cultural Center launches three new exhibitions next week: “Inventing America: The Comic Book Revolution”; “Outsiders, Outcasts, Rebels + Weirdos: Punk Culture 1976–1986”; and “Robert Russell and Lisa Edelstein: A Palace in Time.” All three open May 20, Skirball Cultural Center, 2701 N. Sepulveda Blvd., Los Angeles. skirball.org

THURSDAY

Ain’t Misbehavin’
Grammy Award-winning artist Ledisi headlines this Ebony Repertory Theatre production, in association with Fig Street Films, of the Tony Award-winning revue, a tribute to the music of Fats Waller. Directed by Wren T. Brown, with choreography by Dominique Kelley and music direction by William Foster McDaniel. Chester Gregory, Connie Jackson, Marty Austin Lamar and Natalie Wachen co-star.
May 21 through June 8. Nate Holden Performing Arts Center, 4718 W. Washington Blvd. L.A. ebony rep.org.

Arts anywhere

New and recent releases of arts-related media.

Shaina Taub, Jenna Bainbridge and the cast of “Suffs” during the 77th Annual Tony Awards in 2024.

(Theo Wargo / Getty Images for Tony Awards Productions)

Suffs
When the national tour of Shaina Taub’s musical about the suffragette movement marched through the Hollywood Pantages last fall, Times theater critic Charles McNulty wrote that it “is as informative as it is uplifting. It is above all a moving testament to the power of sisterhood. The struggle for equality continues to face crushing setbacks today, but Taub wants us to remember what can happen when people stand united for a just cause.” Captured on Broadway in December 2024, “Suffs,” starring Taub, who also wrote the book, music and lyrics for the show, debuted on PBS’ “Great Performances” earlier this month and is streaming online until the end of July. pbs.org

— Kevin Crust

Culture news and the SoCal scene

Johnie’s Coffee Shop in Los Angeles May 8.

(Ariana Drehsler / For The Times)

Artist Gary Baseman staged his first hometown show in more than a decade at the long-shuttered, but still iconic Johnie’s Coffee Shop along Miracle Mile on Wilshire Blvd. The Googie-style structure opened its doors for the exhibit, which featured a variety of Baseman’s drawings on menus from L.A.-area restaurants.

The critic Rex Reed died this week at the age of 87 and Times theater critic Charles McNulty wrote an appreciation of the often acerbic provocateur. “He didn’t mince words or allow nuance or second thoughts to stand in the way of a zingy phrase or a colorful wisecrack. Unbridled opinion was his stock-in-trade,” McNulty wrote.

McNulty also weighed in with a review of a revival of Eugène Ionesco’s “Exit the King,” directed by Michael Michetti at A Noise Within. Ionesco, a Romanian-born French playwright, is one of the pillars of the Theatre of the Absurd, McNulty writes, adding, “The existential philosophy of Camus and Sartre, self-evident truths for these absurdist writers, is conveyed less through the content than through the style of their plays. Language is no longer a means of communication but a mark of the unbridgeable distance between human beings.”

People play a satirical video game installation titled “Operation Epic Furious Strait to Hell,” created by guerrilla art group Secret Handshake.

(Heather Diehl / Getty Images)

You can order a Diet Coke, or bomb Iran in a new video game about the Iran war called “Operation Epic Furious: Strait to Hell,” which was installed near the National Mall in Washington, D.C. by the anonymous arts activist group Secret Handshake. For the past year and a half the group has secured permits to erect an ongoing series of satirical public sculptures — mostly about President Trump’s alleged ties to convicted sex trafficker Jeffrey Epstein — on and around the National Mall. This is the group’s first foray into video games.

Times classical music critic Mark Swed devoted a recent column to the genius of the American theater director, playwright and performer Robert Wilson, who died last year at the age of 83. “So far this year, there have been, or will be through the end of June, major Wilson opera and theater productions in Moscow; Paris; Ljubljana, Slovenia; Düsseldorf, Germany; Adelaide, Australia; Kaunas, Lithuania; Vienna; Rome; Tokyo; Luxembourg City, Luxembourg; Berlin; Riga, Latvia; and Sophia, Bulgaria. That is to say, pretty much Wilson business as usual,” Swed writes, before examining two new performances of Wilson’s work in Brooklyn and Houston.

Artist Todd Gray stands in front of his work inside the Wilshire/La Cienega Metro Station on May 1 in Los Angeles.

(Carlin Stiehl / For The Times)

Iris Kwok marked the opening of L.A. Metro’s new D Line extension by profiling four of the artists behind the public artwork in three new stations. Nine artists in total worked on site-specific installations: Mariana Castillo Deball, Eamon Ore-Giron, Ken Gonzales-Day, Todd Gray, Karl Haendel, Soo Kim, Fran Siegel, Susan Silton and Mark Dean Veca.

Julius Miller broke the news that a series of seven digital billboards promoting peace will go up across the city as part of the Broad Museum’s upcoming exhibit, “Yoko Ono: Music of the Mind,” which opens May 23. The billboards arrive nearly 57 years after Ono and John Lennon “erected a billboard near the Chateau Marmont emblazoned with the words, “WAR IS OVER! If You Want It.”

Culver City’s Wende Museum of the Cold War announced it will build a $16-million expansion in Hawthorne. It plans to transform a newly purchased Midcentury Modern building into a research institute and interactive storage facility for its collections — “a ‘living archive,’ as it’s calling the facility,” writes Deborah Vankin. The opening is currently set for 2028.

Alvin Ailey’s American Dance Theatre’s Chalvar Montei leaps for the stars. The troupe will perform as part of the Glorya Kaufman Presents Dance at the Music Center.

(Dario Calmese / Courtesy La Jolla Music Society
)

The Music Center announced its lineup this week for the 2026–27 season of Glorya Kaufman Presents Dance at the Music Center. Highlights include the Joffrey Ballet’s West Coast premiere of “The Sleeping Beauty,” Compañía Nacional de Danza’s North American premiere of “Don Quixote,” and the Los Angeles premiere of a Jerome Robbins ballet festival curated by Tiler Peck. Alvin Ailey Dance Theater is also part of the lineup, and choreographer Sonya Tayeh will unveil an L.A. premiere set to the music of Sinéad O’Connor.

The Los Angeles Philharmonic has announced the 2026 summer season at the Ford. The open-air venue across from the Hollywood Bowl is now in its seventh season under LA Phil leadership, and shows are set to run through Oct. 31. Grab your picnic basket and select a date from a wide variety of shows including dance, music and film. Stand-out acts include Bilal and DJ Rashida, Matteo Bocelli, Jacob Collier, Judy Collins and Bruce Cockburn, Ani DiFranco and Valerie June, Helado Negro and Reyna Tropical, Joe Hisaishi, Iron & Wine, the L.A. Phil, and Punch Brothers.

The Institute of Latino Art has opened in Pomona, with a grand opening reception scheduled for June 13. Occupying the former Latino Art Museum space, the new gallery was founded by artist Oscar Magallanes. A news release notes, “ILA represents a new artist-led institution in the Inland Empire, working to connect regional communities with contemporary Latin American and Chicano art. The inaugural exhibition, ‘Reclamation: Art in Contested Spaces,’ features NSRGNTS, Lapiztola, and Rubén Ortiz-Torres.”

— Jessica Gelt

And last but not least

Times columnist Mary McNamara went to Yorkshire and wrote that it was the bucket-list literary trip of her dreams. Mine too!

Monty Don says he often felt like ‘summer had arrived without me’ when spending time at boarding school as a child, a feeling he experiences now when filming a hit BBC show

Monty Don finds himself “restraining tears” as he opened up about a moment that makes him “resent” a BBC show. Monty, 70, says he has long realised that “home is the epicentre” of his world.

It came after he was sent to boarding school as a youngster and found himself feeling as though “summer had arrived without me”. Monty says that while the seasons shifted at school, home is where they “truly existed”.

He admits that his world now “spins” around his Longmeadow home, which he purchased in 1991. The property consisted of an abandoned field with a single tree in it when Monty bought it.

It now boasts a series of lovingly crafted gardens. It is at Longmeadow that Monty often finds himself feeling like he did when he was a small child, bursting into tears as he realised the seasons had come and gone.

Writing in the Gardeners’ World magazine, he said: “I still have a moment or two like that every year in the garden, although now, 67 years later, I do my best to restrain the tears.”

Monty says a garden often has a “watershed moment” where it seems as though one season becomes the next. The star believes it can often happen with “seemingly no transition” between the two.

On the whole though, Monty explains that in gardening, things “change constantly” through “slow mergings”. He says one moment he often notices the change at Longmeadow is when he goes to the RHS Chelsea Flower Show.

Monty presents the coverage alongside the likes of Rachel de Thame, Angellica Bell and Nikki Chapman. Monty says he leaves Herefordshire on the Sunday and returns a week later.

In that time, he jokes that his garden has “completely rearranged itself”. “Spring has toppled into summer and I was not there to see it,” he explains.

It brings a “complicated mess of emotions” for Monty, a hark back to his days as a boy at boarding school. He says he feels a sense of “betrayal” from his garden, as well as the delight at welcoming in the new season.

And in part, Monty says he blames the Chelsea Flower Show for taking him away from Longmeadow. He continued: “I do not want to miss out on the greatest garden extravaganza of the year and am delighted to and privileged to present the programme from there, and yet part of me resents being taken away from the garden at this critical moment.”

Monty will return to screens this evening from 8pm (May 15) on BBC Two with Gardeners’ World. He will be making a start on some of his amazing summer planters, including working on his leeks and making fertiliser.

Elsewhere, Frances Tophill will be in Berkshire learning about biodynamic gardening and the benefits it can bring. Adam Frost will be showing viewers around his new garden as it begins to take shape.

Benidorm star Crissy Rock has warned that political correctness has possibly “gone too far” for the beloved sitcom to make a comeback but has a new project that she says is perfect for fans of the show

Crissy Rock has warned that political correctness might put a stop to a reboot of Benidorm. The actress, 67, starred as Janey Yorke in the first four series of the sunny sitcom, which ran from 2007 until 2018.

Whilst the star would jump at the chance to go back to her role as the Solana hotel manageress, who was eventually replaced by Sherrie Hewson as Joyce Temple-Savage, she worries that certain attitudes these days might make a comeback impossible.

She told The Mirror: “There’s always whispers [about a reboot], this, that and the other. I’m sure there would be a place for it because it’s so in demand, but with all this political correctness you can’t say this and you can’t say that now.

“You can’t even smoke! I was watching something the other day and a thing came up saying ‘May contain smoking!’ What’s wrong? The world’s gone mad!”

READ MORE: Benidorm favourite Elsie Kelly dies as co-star pays heartfelt tributeREAD MORE: Sherrie Hewson shares bleak Benidorm update amid reboot rumours

The former I’m A Celebrity…Get Me Out Of Here! contestant, who starred on Benidorm alongside other TV favourites like Siobhan Finneran, Johnny Vegas and Sheridan Smith amongst a host of others, tries to stay away from politics when she performs her stand-up routines, but still thinks that it has all “gone too far” with what can and can’t be said these days.

She added: “In my own show, I don’t do politics. My act has been practically the same for years but I just think [political correctness] has all gone too far the other way. In pantomime, you can’t have the Prince kiss Snow White anymore but you can have a dog come on and lick her face, I mean, it’s gone too far! Someone said I couldn’t say ‘Alright, love’ anymore. It’s just gone stupid!”

Despite her willingness to make a comeback should the chance ever appear, Crissy doesn’t have all good memories from working on the set in the Spanish city.

She said: “It was lovely, and then the reality kicked in that you were stuck in a building with no air conditioning, really roasting with the lights and, half the time you couldn’t hardly breathe. Then you have to start turning the lights off and put the air conditioning on because it was really, really hot, especially when they’re doing all the indoor scenes in the club.”

But for now, Crissy, who shot to fame when she took on the leading role of the 1994 film Ladybird, Ladybird, is happy to be back on stage with a new production of Desperate Scousewives. She stars as Lily, who along with Susan and Vanessa, must navigate things when Trisha, a single mum from Manchester, arrives on their tight-knit backstreet in Liverpool.

All set during a hen do, where the bride is preparing to get married to man in prison she has never actually met, Crissy thinks it will be the perfect night out for fans of the ITV sitcom.

She explained: “Desperate Scousewives is a bit like Benidorm, because the reason Benidorm was so successful is people would watch it and go, ‘Doesn’t that remind you of that drunk around the corner, oh what about her? I know someone just like her!’

“So everyone recognised themselves as someone. And with Desperate Scousewives, everyone who goes will say, ‘I remember that,’ and ‘I recognise her!'”

Desperate Scousewives is written by Lynne Fitzgerald, who also stars as Susan in the production, and embraces the kind of Northern humour that has become synonymous with programmes like Coronation Street, The Royle Family and Shameless.

Liverpool-born Crissy was challenged by someone who wondered how that kind of humour would go down across the nation but she remained full of confidence that it is a universally funny piece of work.

She said: “I met someone who wasn’t from up north who said ‘How do you think this is going to travel?’ and I said ‘Perfectly!’ because we are the street anywhere in the country.

“There’s three or four women exactly like that in every other street in the county. It’s not about your voice or where you’re from, it’s… individuals, their lives, So it could be any street in any part of England.

“I play bit of a matriarch. Nosey, absolutely nosey. And she wants to know everyone’s business but she doesn’t want anyone to know her business and then when she meets anyone new she puts this telephone voice on, trying to talk posh.

“The others will be telling her to shut up and she’ll go ‘Oh, take no notice of those little b*****s!’ It’s been such good fun [in rehearsals], we can’t look at each other without laughing!”

Desperate Scousewives is on tour across the UK. For tickets and more information, go to www.scousewivesonstage.com

KATIE Price has dropped a huge hint that she’s already forgiven husband Lee Andrews after their recent public row sparked split speculation.

The former glamour model shared a gushing loved-up post on Instagram just hours after ditching her wedding ring in a new photo.

Katie Price had earlier shared a photo where she appeared to ditch the huge diamond wedding ring husband Lee Andrews gave her when they married earlier this year.

However, just hours later, Katie shared a post posing the hypothetical question: “What’s he like?” before responding with what appeared to be a gushing tribute to her husband, who was also tagged.

She wrote: “He’s like all the love I’ve ever poured out into the world finally found its way back to me, wrapped in human form.”

The couple had been rumoured to be on the rocks following Lee’s notable absence from Good Morning Britain this week, which led to Katie branding her hubby a “d*ck”.

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After claiming he missed the flight due to business commitments, Katie defended him, while Lee later shared a social media clip hitting back at claims he had been detained.

However, speaking on her Katie Price Show podcast with sister Sophie Price, Katie admitted: “I have said to him, ‘You’ve made me look like a d**k, you’ve made yourself look like a massive d**k.

“He hasn’t made it to the UK and I’ve said to him he needs to make it to the UK, because if he doesn’t, then there’s obviously something not right going on.”

She added: “And if he does make it to England, it will shut all the rumours up.”

It came after Lee was caught in an airport lie – claiming he was travelling from Muscat when he was in fact in a terminal at Dubai Airport.

There is ongoing speculation that Katie‘s husband Lee, 43, is unable to leave the United Arab Emirates city after allegedly forging his ex-girlfriend Dina Taji’s signature to secure a £200,000 loan – something he’s strongly denied.

Jesy Nelson has celebrated her twins turning one with a lavish double birthday bash.

The singer posed with daughters Ocean Jade and Story Monroe surrounded by balloons and pastel party decorations at the sweet celebration.

But the former Little Mix star has also been reflecting on her emotional first year as a mum, sharing a touching video montage of her journey with daughters Ocean Jade and Story Monroe.

Ocean Jade and Story Monroe Nelson were diagnosed with SMA1, a rare genetic condition that causes progressive muscle weakness and movement difficulties.

Narrated by Jesy herself and set to soft piano music, the clip featured a poem about parenting children with disabilities and the difference between the motherhood she expected and the reality she has experienced.

The poem compares raising a child with additional needs to planning a dream trip to Italy, only to unexpectedly land in Holland instead.

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Widely shared by parents of disabled children, the emotional piece explains that while life may not turn out how you first imagined, it can still be filled with beauty, love and joy.

It has become a well-known piece of writing within disability and parenting communities for its message about embracing a different path.

Jesy accompanied the video with a heartfelt caption which ended: “Happy Birthday my Ocean and Story you are my whole heart and soul I love you more than you will ever know.”

The 34-year-old described her girls as “tiny little super humans” and “he strongest, most resilient little fighters I’ve ever known” in a heartfelt caption.

The twins’ dad is rapper and singer Zion Foster, who began dating Jesy in 2022 and got engaged to the former Little Mix star last year.

However, the couple later split following the devastating diagnosis of their daughters’ SMA1 condition, though they have remained close and are continuing to co-parent together

BRITNEY Spears has been accused of barking, waving a knife around and lighting up a cigarette inside a restaurant by concerned fellow diners.

The Princess of Pop, 44, was said to be in “rough shape” as she arrived at the Los Angeles tavern with witnesses claiming even her own team were helpless to stop her from causing havoc.

Representatives for the Toxic singer have hit back at the reports calling them “completely blown out of proportion”.

They told PEOPLE: “Britney was enjoying a quiet dinner with her assistant and bodyguard.

“She was simply telling the story about how her dog was barking at the neighbors.”

The vehement denial comes after one dinner guest spoke out about Spears having an “outburst” inside the restaurant.

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US entertainment journalist Jeff Sneider told Page Six he and a friend turned up at Blue Dog Tavern in Sherman Oaks at around 7pm on Wednesday night.

Spears then walked in a few minutes later hiding behind a big pair of sunglasses.

Pictures show the blonde popstar in a light blue top standing up by the tills before being taken to her seat.

Sneider then claims: “The woman sat down and proceeded to make a lot of woofing or barking noises and just throw a lot of outbursts.”

Spears was accused of constantly leaving her seat and moving around the restaurant erratically.

Her table then ordered food with bar staff bringing out a burger and chips and placing it in front of the Grammy Award winner.

At this point, Sneider alleges Spears stood up while holding a serrated knife which came with her food.

He admitted it looked as if Spears had forgotten she was holding the blade and that no one on his table felt threatened.

But one woman sitting in the restaurant did appear to be in some distress.

Sneider claims the scared diner thought Spears “was going to stab” her.

The journalist did go on to confess: “When she eventually left, I turned around and was like, ‘holy s**t that was crazy!’ to the entire section.”

Britney’s reps said the claims about the knife have been massively exaggerated.

“At no point did she put anyone in danger with a knife,” they said.

The Oops!…I Did it Again star was simply using the knife to cut her burger in half, they assured fans and critics alike.

Back in 2023, fans were concerned for Spears’ safety after she posted a video to her social media of her playing with two knives while in a bikini and boots.

Shortly after the latest alleged knife debacle, Spears lit up a cigarette inside the restaurant near to the door, according to witnesses.

Staff quickly told one of the people she was with that she had to put it out, they added.

Spears wasn’t asked to leave the restaurant at any point but did reportedly leave a mess on the table after “picking” at her food.

No alcohol was seen on Spears’ table with orange juice believed to have been her drink of choice, according to guests.

The popstar’s team added in their statement: “This constant attack on everything that she does and this is exactly what happened 20 years ago when the media tried to depict Britney as a bad person.

“This is ridiculous and it needs to stop now.”

It comes just days after Spears escaped jail by pleading guilty to reckless driving after being hit with a DUI in March.

A judge sentenced Britney to 12 months’ probation, along with one day of jail time already served.

The acclaimed artist checked herself into rehab after her initial arrest following gentle encouragement from her sons.

THEIR podcast was supposed to be a safe space for unfiltered conversations about relationships and families, but instead, it’s become a cause for concern for Louise Thompson and Ryan Libbey’s fans.

This week, things reached boiling point as Louise, 36, and her fiancé, 35, giggled about children going to school without being potty trained or being able to eat on their own on the He Said, She Said podcast. Listeners branded the conversation “disgusting and disappointing”, and now insiders tell us how the bubble is about to burst for the Made In Chelsea star.

Our source explained: “Louise has, of course, been through a hell of a lot in her life and is entitled to an opinion, but she has really hit a nerve with this one.

“She seems to have forgotten that she is in an incredibly privileged position with a healthy four-year-old son and lots of time and money, which of course all play a part.

“It’s a real shame she didn’t think before she started laughing because it would have upset a lot of people.

“It’s very surprising considering how much work she has done for mothers in the past.”

In a clip, which has now been deleted from social media, Louise and Ryan discuss the number of children who are attending school without being potty-trained. 

Outraged by the stats, Louise insisted: “I think a basic human right is to teach your child before the age of four how to use the loo and how to wipe their bum.”

Clearly amused, Louise is heard giggling as she explained: “One in four children are sent to school before they’re potty trained, which means that the teachers are having to change their nappies and then wipe their bum. 88% of kids are going to reception, unable to eat and drink on their own.”

Looking horrified, Ryan replied: “They’ve got nappies on, and they can’t feed or drink themselves.”

Musing on why she thinks it might be the case, Louise said: “Maybe it’s like a bit of a cop out there, like, oh my child’s crying, and they’re being a bit difficult, I can’t be bothered with the hassle. 

“I think that people are so distracted these days with screens that they can’t be bothered to dedicate the time.”

But shockingly, they then revealed that their own son Leo was potty-trained by Ryan’s parents while they were on holiday without him.

He admitted: “My parents pretty much broke the back on the potty training for us with Leo because we went away for a week and he went to his grandparents and they got him out of nappies in a week. It was quite convenient to be honest.”

A recent survey found that one in four children who started reception in 2025 were not toilet-trained. The stats did not count delays that may be related to disabilities or special educational needs. 

It’s a highly sensitive topic, and understandably, the comments have sparked a huge debate.

Reality star, entrepreneur and mum-of-three Lateshya Grace has been vocal in her upset. She shared: “Mocking children for wearing nappies, struggling with toileting, feeding, communication, or developmental delays is honestly disgusting.

“So many families are already dealing with enough without hearing people laugh at situations they clearly don’t understand. Not every child develops the same, and many children facing these challenges have disabilities, additional needs or medical conditions that are nobody else’s business to judge.

“Calling parents “lazy” because their child needs extra support is such an ignorant and privileged take. Most parents in these situations are doing everything they possibly can behind closed doors while fighting battles people never even see.”

Lateshya continued: “Deleting the clip without properly addressing it or apologising doesn’t take away from the damage caused either.

“Children deserve compassion, patience and understanding, not to be mocked for content or podcast conversation. Please educate yourselves before speaking on topics that affect vulnerable children and families.

“You should be ashamed of yourself. Some people honestly don’t even deserve a platform.”

Her thoughts were echoed by lots of parents online as the clip went viral, despite their best efforts to remove it. 

Holly Steer, who runs the Instagram account autismandourworld, dedicated a whole post to the podcast.

She wrote: “Platforms that should be used to promote kindness, compassion, and understanding are instead being used to mock and ridicule children with special needs, and to blame parents for developmental delays that are often far more complex than people realise.”

Her own harrowing story and her past work have only added to her fans’ confusion.

Indeed, Louise has dedicated much of the past few years to improving maternity care after her own life-threatening situation, which means she now wears a colostomy bag.

In 2021, she suffered a near-fatal birth with son, Leo, after an emergency C-section led to catastrophic bleeding. She later required a stoma bag and revealed how she suffered PTSD from the traumatic labour.

She also suffers from lupus, a chronic autoimmune condition that has left her with exhaustion and joint pain, and said she was diagnosed with hydrosalpinx – a condition where a fallopian tube becomes blocked and swells with watery fluid.

Others also pointed out that Louise’s own brother – fellow TV star Sam – was recently diagnosed with ADHD and ASD, adding: “I really expected more from a person who has a brother who is neurodivergent.”

And she won’t be getting much sympathy from her former Made In Chelsea co-stars either, after she made it clear how she had moved on after the show.

After attending the Baftas this weekend, Louise took a swipe at the likes of ex Spencer Matthews and her one-time arch nemesis Lucy Watson as she failed to acknowledge them.

Posing with Millie Mackintosh at the awards, she also shared a throwback with her former cast mates, and wrote: “Here are some photos of Millie and I (and other cast members) attending the BAFTAs in 2013, when we won a Bafta for Made in Chelsea… THIRTEEN years ago.”

Our insider said: “Louise has made it quite clear that she’s got very little interest in some of her old castmates. After what she went through having her son, she made a decision to distance herself from MIC drama, and it’s fair to say there’s no love lost with some of them.”

Just last week, Louise met the then Health Secretary Wes Streeting to discuss her petition to appoint a maternity commissioner and improve care for mothers and babies. She left feeling “genuinely optimistic”.

Some NHS practitioners have expressed concerns about her appraisal of the service, which they believe could be damaging to expectant mothers.

One midwife, who has worked for the NHS for ten years, expressed upset about “being blamed for women’s traumas” and pointed out that there have been issues with funding and resources for more than twenty years, which is something midwives have been fighting for day in, day out. 

Louise is clearly playing an important part in advocating for change, but whether her fans will be able to forgive her faux pas is yet to be seen. 

Claudine Longet, the French-born star and ex-wife of crooner Andy Williams who became notorious for the fatal shooting of Olympic skier Vladimir “Spider” Sabich, has died. She was 84.

Her death was confirmed by her nephew, Bryan Longet, who posted a social media tribute on Thursday. Translated from French by The Times, he wrote, “You have been a true inspiration in my life and you will always be. … Another star in the sky. Thank you for everything, my aunt.”

Born in Paris on Jan. 29, 1942, Longet was the daughter of a doctor and an X-ray manufacturer. From a young age, she showed a knack for singing and dancing and envisioned her name on the marquee. In 1960, when she turned 18, American impresario Lou Walters (father of Barbara Walters) saw Longet dancing on French television and hired the ingénue to join the Tropicana casino’s flashy new production. She bid Paris adieu and sashayed to Las Vegas, where she starred in the Folies Bergère revue.

While working as a showgirl in Sin City, Longet met then-fellow Vegas performer Andy Williams one evening when her car broke down on the side of the road. Williams happened to be passing by as the young dancer was pushing her car down the highway with a friend, and Williams along with his manager stopped to help and was quickly charmed. The two were married on Christmas Day the following year, in 1961.

In 1962, Williams released “Moon River,” and the crooner’s career took off. The newlyweds left Las Vegas and moved into an oceanfront mansion in Malibu where they started a family, and over the next several years welcomed daughter Noelle and sons Christian and Robert, or “Bobby,” who was named after the couple’s close friend Robert F. Kennedy. Also in 1962, Williams’ eponymous variety show debuted and quickly became a hit. Longet was a regular on the show, and the family-oriented Christmas TV specials, often featuring the entire Williams clan, were a ratings juggernaut.

In addition to her regular appearances on “The Andy Williams Show,” Longet acted in television and film. Notably, the chanteuse captivated audiences singing Henry Mancini and Don Black’s “Nothing to Lose” in the 1968 comedy “The Party,” in which she played an aspiring actress. From 1967 to 1972, she released seven studio albums, five with A&M Records, including her debut single and album titled “Claudine,” and two with Barnaby Records. Her music was known for its breathy, lounge-pop quality, and she sang in both English and French.

By 1970, Williams and Longet’s marriage was on the rocks, and the pair separated. They officially divorced in 1975. The Emmy-winning host chalked it up to the pair growing apart. He told CBS’ “This Morning” during a 2009 appearance that he was never home. “It was all my fault, and I just didn’t take care of my marriage,” he said, noting that he regretted the split. The two stayed friendly afterward, and Williams stood by Longet when tragedy and scandal struck a year later, in 1976.

Longet met Olympian skier Sabich in Bear Valley at a celebrity skiing exhibition in 1972. There was an instant attraction between the two, and Longet relocated to Aspen, Colo., and ultimately moved into the pro skier’s ritzy Starwood chalet around 1975. On March 21, 1976, Longet shot Sabich in the abdomen with an imitation World War II .22-caliber German‐made pistol. Her daughter, Noelle, who was in the house at the time, testified that she heard Sabich yell out, “Claudine! Claudine!”

According to The Times’ archives, Longet told authorities that she found the handgun and asked Sabich how to use it. During Longet’s trial, Aspen Det. David Garms testified that Longet insisted the shooting was an accident. Garms said that Longet told him she’d pointed the gun at Sabich and then “jokingly said ‘bang, bang.’” She told investigators she thought the safety was on, and a ballistics expert said the safety did not work.

Longet was with Sabich in the ambulance when he died en route to the Aspen hospital. The “Love Is Blue” singer was subsequently questioned by investigators and charged with felony reckless manslaughter weeks later. She initially faced up to 10 years in prison. But in January 1977, after four days of testimony and 3½ hours of deliberations, Longet was acquitted of the felony charge and convicted of a misdemeanor charge of negligent homicide.

Ex-husband Williams accompanied Longet to her trial and told “This Morning” years later that he supported his ex-wife because he believed in her innocence.

“I did because I thought it was unfair,” he said. “I thought she was innocent. I thought it was an accident.”

During the trial, she testified in her signature French accent that she and Sabich were the “best of friends.”

“There were times over the four years that we would disagree. … [T]here would be times he would be a little bit offended by the attention I got and I would be a little bit offended by the attention he got, but we were the best of friends and we loved each other very much,” she told the court, per The Times’ archives.

Longet was sentenced to serve 30 days in jail “at a time of her own choosing.”

“There is not really much to say,” she told reporters outside the courtroom, per The Times’ archives. “Only that I have too much respect for living things to do that. I’m not guilty.”

The parents of Sabich filed a $1.3-million civil suit against Longet later the same year, but the case was settled out of court two years later. Longet was reportedly forbidden from speaking or writing about the shooting. As for her career in show business, she was finished.

The Sabich case became an absolute sensation in the media, not just in America but also globally, and Longet was internationally labeled Aspen’s femme fatale. Pop culture had its way with the incident as well. The Rolling Stones’ song “Claudine” was withheld from their 1978 album, “Some Girls,” because of legal considerations but was featured on the 2011 reissue of the album.

“You’re the prettiest girl I ever seen / I want to see you on the movie screen / I hope you never try to make a sacrifice of me, Claudine,” belted Mick Jagger in what may have been considered a diss track or a tribute, depending on whom you ask. “Nah ah / Don’t get, don’t get trigger happy with me, Claudine.”

In an April 1976 episode, “Saturday Night Live” also took aim at the deadly affair with a sketch titled “The Claudine Longet Invitational,” in which Chevy Chase and Jane Curtin play sports commentators who offer a play-by-play of a competition in which male skiers are “accidentally” shot by Longet as they race down the slopes.

The producers read an apology on air the following week.

Aspen attorney Ron Austin, who was on Longet’s defense team, left his wife shortly after the trial concluded to be with the embattled starlet. The two married in 1985 and remained in Aspen afterLonget’s conviction but also spent time at their second home in Hawaii. In 2023, the pair listed her $60-million Red Mountain Ranch estate, according to Robb Report.

Longet’s last known public appearance was in 2003 on the A&E channel’s Andy Williams “Biography” documentary, in which she recorded only voice-over. “To this day people stop me in the street and say how much they loved the Christmas show.”

Top Gear was suspended before the BBC announced in November 2023 that it would not be returning “for the ­foreseeable future” but now insiders say it is returning

Four years after the horror crash that saw Freddie Flintoff suffer life-changing injuries, the car show Top Gear is being brought back by the BBC according to insiders.

In 2022, Freddie’s life was changed after a car crash while filming BBC1’s Top Gear at Dunsfold Aerodrome in Surrey left him with devastating facial injuries. He underwent extensive reconstructive surgery led by maxillofacial surgeon Mr Jahrad Haq. Freddie is believed to have been paid £9million compensation.

The popular series was suspended before the BBC announced in November 2023 that it would not be returning “for the ­foreseeable future”. However, Prime Video has since announced a reboot of The Grand Tour, the motoring show hosted by Clarkson, May and Hammond after they left Top Gear.

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A new presenting team will replace former hosts Andrew Flintoff, Paddy McGuinness and Chris Harris. BBC Studios has already started work on the reboot, which could be aired next year — half a century after the show launched in 1977.

An insider told The Sun: “BBC bosses are keen to revive Top Gear because they have never filled the space it left behind and so many viewers hanker after a motoring show. And it’s not just in Britain that the programme is much loved, it is a brand in its own right and watched by millions around the globe.

“Which is why it wasn’t just important to satisfy the needs of petrolheads, but also, specifically, fans of Top Gear. They’ll be thrilled to hear it is returning.”

The search is already under way for new presenters for the show.

Hosts over the years

The show’s most successful period came with Jeremy Clarkson and the little-known Richard Hammond and James May — plus the mysterious Stig — from 2002 to 2015.

There was a brief period from 2016 when DJ Chris Evans and Friends star Matt LeBlanc took over. Then in 2019, former England cricket captain “Freddie” Flintoff and comedian Paddy signed up to present alongside motoring expert Chris.

While the BBC insider said the show “is returning” the Beeb and BBC Studios, who produce the show, said they had no updates on whether the show was returning.

A spokesman for BBC Studios said: “The Top Gear brand continues to thrive across digital, publishing, and global formats. As a commercial producer, we’re always exploring new ways to develop the brand and reach audiences by leveraging such iconic IP.”

Barbara Palvin and Dylan Sprouse are expecting their first child together.

The model debuted her baby bump Thursday at the 2026 Cannes Film Festival, where she walked the red carpet for the premiere of “Parallel Tales” along with her husband.

The couple posed for photos at the event, drawing attention to their gestating bundle of joy by framing and caressing Palvin’s belly. According to TMZ, the baby is due around August or September.

Palvin and Sprouse also took to Instagram to share their happy news. Included in the slideshow they posted Thursday is what appears to be a sonogram image of a fetus in a womb, throwing a “rock on” hand signal.

“High School Musical” star Vanessa Hudgens, who appeared alongside Sprouse in “The Suite Life of Zack & Cody” in 2006, was among the couple’s well-wishers on social media.

“Rock on little family,” Hudgens wrote in her comment, which also included a heart emoji.

The former Disney Channel star and Victoria’s Secret model first met at a party in 2017. In a 2018 video for Vogue Australia, Palvin shared that Sprouse was her first boyfriend in six years and described him as a “perfect guy” who is “very kind and gentle.” The couple tied the knot in 2023.

In April, Sprouse tackled a trespasser at his Hollywood Hills home after Palvin spotted “the creepy” intruder. Palvin called the police, and Sprouse held the suspect down until they arrived.

Married at First Sight Australia star Alissa opened up about the ‘mean girl treatment’ she faced from fellow brides during Season 13

A Married At First Sight Australia bride has revealed she “couldn’t get out of bed” after enduring “mean girl treatment” from fellow cast members.

The thirteenth series of the popular social experiment has finally wrapped up, but not without the couples facing one last interrogation from the relationship experts.

During Thursday’s (May 14) finale, Alissa was given the opportunity to speak out about the text message controversy involving co-stars Gia and Bec.

Fans will recall that the pair were exposed sharing vicious messages about Alissa and her husband David in a private group chat. One message suggested the couple’s relationship was fake, while another branded Alissa a “rat b****”.

In a final bid to defend herself, Alissa confronted Bec and Gia, the only two members from the group chat who attended the reunion, reports OK!.

“What did I do to you? What did I actually do to you? Mean girls, just mean girls,” she said.

When questioned about how their remarks impacted her, Alissa emotionally confessed: “I couldn’t get out of bed. If it wasn’t for him [David]. He was with me, he stood by me.”

She continued: “And he was like ‘You’re strong, you got this.’ I remember that second dinner party, I sat there and I was shaking under the table.

“My arms were shaking and that was one of the hardest days of my life. And I didn’t shed one tear, and I sat there and I called out a bully.”

The heartfelt admission left the entire cast visibly moved, with even Bec appearing distressed. Despite clashing throughout the E4 experiment, the two female contestants have since buried the hatchet.

Both Gia and Bec offered sincere apologies during the reunion episode.

Bec was first to speak up, saying: “The way I treated you was disgusting. And I vow to you and promise you that I will never, ever, ever, ever treat you or another woman without speaking to them about it [first],” before adding: “That was just unfair and I’m sincerely sorry.”

Gia then responded: “Obviously we’re leaving the experiment so you’ve no way to judge if my behaviour’s going to change, but all I can say is I’m really truly sorry for anything I’ve ever said.”

Married at First Sight Australia is streaming now on Channel 4 online

POP star Sabrina Carpenter pips it in the fashion stakes in a lemon yellow frock.

The Espresso singer, 27, donned a transparent Dior gown which showed off her white underwear.

And she clutched a ­yellow Dior handbag as the French fashion house showcased its new collection in Los Angeles.

Carpenter had also worn a Dior dress at the annual New York Met Gala, which paid homage to Audrey Hepburn’s 1954 film Sabrina.

She was joined at the Dior show by The Queen’s Gambit actress Anya Taylor-Joy, 30, who was in a black cut-out frock.

This comes off the back of Sabrina’s sensational headline concerts at Coachella last month.

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The singer delivered a set dubbed “Sabrinawood” with a Hollywood-themed set across two weekends on April 10 and 17.

Her shows featured some very iconic cameos from the likes of Madonna, Susan Sarandon, Will Ferrell, and Sam Elliott.

The setlist highlighted her most recent album Man’s Best Friend.

But it also included some of her biggest hits like Espresso and Feather.

IN the weeks before we lost The Beach Boys’ Brian Wilson on June 11 last year, he had two special visitors. 

They were the group’s surviving founder members, his first cousin Mike Love, and his best friend from college, Al Jardine. 

It was their chance to say goodbye to the man who, above anyone, brought “good vibrations” to the world and created their 1966 magnum opus Pet Sounds. 

First to venture up the drive at Brian’s Beverly Hills mansion for one last time was Jardine.  

“I last saw him at the very end,” he says. “I came up to the house and he just pointed at me. 

“He said, ‘You started the band’, and I went, ‘Wait, come on, Brian, I’m sure you had a little something to do with it!’ 

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“He was very direct at times — he could be very unfiltered — but I think our friendship meant a lot to him. 

“He was always my best friend, right from when we started out.” 

Despite Brian’s well-documented struggles with mental health, Jardine insists that his old buddy never lost his passion for music. 

“His reputation remains solid,” he adds, before supplying an answer to his own question: “What’s the term? Legend.  

“His work will be appreciated for centuries to come. He had his own style. Just listen to his arrangements and his chord changes — they’re just so unusual.  

“His brother Dennis actually said it first, ‘Brian is The Beach Boys’. He created our sound and, as Mike Love would say, he heard things we couldn’t hear.” 

Of his last visit to Brian, Love says: “A couple of weeks before he passed away, I was able to go and see him. 

“We had a great time. We sang together, actually, which was a lot of fun.” 

Love leads the latest incarnation of The Beach Boys, keeping their songs alive in concert, including Pet Sounds classics God Only Knows, Wouldn’t It Be Nice and Sloop John B.  

“Brian’s still with us every night in that music,” he affirms 

If Brian, younger brothers Carl and Dennis, Mike and Al started out by singing about surfing, girls and open-top cars in the California sun, it was the elder Wilson sibling who took things to the next level with Pet Sounds. 

A themed song cycle employing pioneering production techniques, sublime harmonies, divine melodies and darker, soul-searching lyrics, it is regarded as Brian’s masterpiece.

He had been impressed with The Beatles’ sonic adventures on Rubber Soul — now he was pushing The Beach Boys to raise the bar higher, in turn inspiring their chart rivals to make Sgt. Pepper’s Lonely Hearts Club Band. 

Paul McCartney maintains that God Only Knows is his favourite song and that Pet Sounds is among his top three albums.  

He once enthused: “The musical invention on that is, like, ‘Wow!’  

“I just thought, ‘Oh dear me, this is THE album of all time, what the hell are we gonna do?’” 

To mark its 60th anniversary, The Pet Sounds Sessions — including demos, alternate takes and outtakes — are receiving digital, CD and vinyl editions. They feature a host of a cappella tracks shining the spotlight on the breathtaking harmonies.  

Which is why I’m speaking to Brian’s bandmates via video calls that seem entirely appropriate for singers who epitomise California’s sunny beach vibes.  

As we’re connected, Love, 85, reports that he’s “driving down the Pacific Coast Highway outside of Malibu”. 

In a separate call, Jardine, 83, is sitting in his solarium under clear blue skies in Monterey, gateway to the rugged Big Sur coastal region. 

First, Love gives me insights into his Beach Boys journey, leading up to the groundbreaking Pet Sounds.  

His mother Glee was the sister of Murry Wilson, father of Brian, Carl and Dennis, “so every holiday — Thanksgiving, Christmas, New Year’s, Fourth of July — and birthday was celebrated with music. 

“When Brian and I were teens, we’d get together and sing or listen to the radio, hearing groups like The Everly Brothers.” 

When they formed The Beach Boys, the clean-cut image involving surfing, sun and girls was, he says, “environmental because we lived a few miles from the sea”. 

Love continues: “We would often go to the beach for family outings. There, you’d find people who dressed a certain way, talked a certain way and had a certain attitude.  

“They were the surfers who inspired our first song, Surfin’ [released in 1961].” 

As to whether The Beach Boys joined the craze, he adds: “Dennis, Al and I had surfboards but we weren’t the greatest athletes. We appreciated it though, and we gave it a shot. 

“I’m not sure Brian ever tried it. He could only hear out of one ear and didn’t have much balance. You need all the balance you can get when you’re surfing.” 

Love recalls how he would “sit down at the piano with Brian while he figured out chord progressions, tempos and melodies.  

“I felt it was up to me to come up with lyrics and sing lead on songs we were working on together such as Surfin’ USA, I Get Around and Fun Fun Fun.” 

Jardine, who currently fronts The Pet Sounds Band of ace Brian Wilson associates, also casts his mind back to the early days but is interrupted by “actual pet sounds”. 

“Hang on a second, we have a little dog outside and he’s barking — I gotta shut him up,” he reports.  

When calm returns, I ask Jardine how he came to form a band with three brothers and their cousin in 1961.  

He answers: “Well, Brian and I were classmates in high school but didn’t really know each other. 

“We were on the football team — he was quarterback and I was full back. He would call the plays, either pitching the ball to me or somebody else. 

“But we didn’t interact until we went to college. I’d heard him in concert and, in our second year, I bumped into him on campus and said, ‘We gotta start a band’.  

“We walked over to the music room and started playing music for each other.  

“I’d already been in a folk group and, when he heard me sing, he realised I had a gift. 

“Then he said, ‘I’ve got my little brothers and my cousin, Mike. I’ll introduce you to them. I rented instruments from a local music store but we didn’t know how to express ourselves at first, so we just sang a cappella. 

“Once we finally got around the piano, we were off and running. 

“I soon realised that Brian was a fine-tuned instrument. He had a great voice, a great knack for composition and already had a duet thing going on with Mike.” 

As for the surfer image, Jardine credits Dennis Wilson, the family rebel who played the drums. He says: “Dennis was a surfer and the rest of us were land lovers. He taught me how to surf but I sank like a stone. 

“But surfing was the craze so we put lyrics to our first song and called it Surfin’.” 

In 1964, Brian dropped the bombshell that he was stepping back from touring to concentrate on studio work.  

Love provides this insight into his cousin’s state of mind: “Brian wasn’t comfortable on the road — he got nervous and unhappy. He missed home and he missed the studio. 

“It was a drag to see him leave the live group but it was in his best interests.” 

Afforded fewer distractions, Brian applied himself to Pet Sounds and, in tandem with it, the sophisticated sonic miracle Good Vibrations — a standalone hit deemed not a good fit for the album. 

This period coincided with his experiments with LSD and marijuana.  

He once stated that drugs helped him achieve a deeper level of creativity but later expressed regrets over the damage to his mental health. 

Because of the complexity, Brian needed longer than usual to finish Pet Sounds so The Beach Boys released a stopgap party album, yielding one of their biggest hits, Barbara Ann. 

Then, after a tour of Japan in January 1966, with Bruce Johnston taking Brian’s place, Carl, Dennis, Mike, Al and Bruce returned for the momentous sessions.  

In their absence, Brian had employed lyricist Tony Asher and crack session musicians the Wrecking Crew, including, among many, Glen Campbell on guitar and banjo. 

Love says: “The tracks Brian had done were completely amazing. Our main job was to finish them vocally and we worked very hard.” 

One of the songs was God Only Knows, which he says was “sung so beautifully by my cousin Carl”. 

“We lost him many years ago to lung cancer. For concerts these days, my son Christian sings lead.” 

So what was Carl like? “He was our musical director on stage and the most proficient musician in the group,” replies Love. 

Jardine adds: “Carl could knock it out of the park. He was right in the centre of our harmonies with Mike’s baritone below and me higher, with Brian higher still.” 

And what about Dennis, who had a wild reputation and later befriended cult leader and killer Charles Manson? 

Love says: “He lived a dangerous life because of the alcohol and drugs he got involved with. He died [from drowning] in 1983.” 

Jardine adds: “Dennis was our Keith Moon. Oh boy, all he had to do was just stand up on stage and the crowd would go nuts.” 

It was self-confessed folkie Jardine who brought Bahamian sea shanty Sloop John B to Brian. He says: “I was a Kingston Trio fan. They were big Capitol Records guys, same label as us, and they wore striped shirts.  

“Learning all their songs was my musical training. When the time came to start The Beach Boys, I went out and bought striped shirts for us. 

“Sloop John B was my idea. I said, ‘Brian, if we add one major and one minor chord, it’ll sound like us instead of The Kingston Trio’. 

“He put it to good use. It became Pet Sounds’ lead single. Capitol always wanted a hit to sell an album.” 

Recalling the sessions, Jardine says that Brian’s abilities had been “growing exponentially” while they’d been away. 

“In spite of our jet lag, we were in the studio the day after we got home from Japan. We were extremely impressed with Brian’s arrangements. 

“People forget that he was a masterful producer. He knew the language. He could go into a studio and the studio became an instrument for him.” 

That said, it wasn’t all plain sailing, as Jardine explains: “Mike didn’t like the lyrics on some songs so he insisted on changing a couple around.  

“He thought a song called Hang On To Your Ego was too sophisticated for our crowd so he changed it to I Know There’s An Answer.” 

The story of Pet Sounds wouldn’t be complete without mention of the album title and cover shot of the boys among the goats at San Diego Zoo. Love says: “Brian didn’t know what to call the album.

“At the end [of final track Caroline, No], you hear a train going by and dogs are barking.  

“Those were Brian and [first wife] Marilyn’s dogs. So I said, ‘Why don’t we call it Pet Sounds? It was a double entendre, of course — and it stuck.” 

Jardine picks up the story of the photo shoot: “It was a total mystery to me.  

“We had to drive to San Diego, which was 200 miles away. We had our own zoo in Los Angeles, for God’s sake!” 

The resulting album cover has a quaint charm but it’s not exactly up there with Sgt Pepper’s iconic Peter Blake design. 

Love smiles at the memory and says: “I was in India at the Maharishi’s place when Paul McCartney and I had a conversation one night. 

“He was saying, ‘Mike, you ought to take more care with your album covers’. 

“So I told him, ‘Paul, you’re absolutely right.

We should’. 

“But we always felt that what went into the sleeve was more important than the cover itself.” 

And speaking of goats, to many including Macca, Pet Sounds is the GOAT. 

THE BEACH BOYS 

The Pet Sounds Session Highlights 

★★★★★

Clarence Carter, the blues and soul singer famous for songs including the raunchy hit “Strokin’” featured in Eddie Murphy’s “The Nutty Professor,” has died.

Fame Recording Studios in Carter’s native Alabama announced the singer-songwriter’s death Thursday morning. In a statement shared to Facebook, the studio said Carter “was more than an artist to us,” adding he “was family.” The post did not disclose additional details about Carter’s passing, including the cause of death. Carter was 90.

The Grammy-nominated musician, who was blind since age 1, was most popular in the late 1960s and early ’70s, with chart-busting hits including 1968’s romantic “Slip Away,” 1970’s “Patches” and the Christmas hit “Back Door Santa.” He released a steady stream of music through the ’90s — Carter released 22 studio albums over the course of his career — and earned two Grammy Award nominations.

Carter received his first nod in 1970 for composing ex-wife Candi Staton’s single “I’d Rather Be an Old Man’s Sweetheart,” which was nominated for the rhythm & blues song category. He received his own nomination in R&B vocal performance the following year for his story-driven “Patches,” about a young man fulfilling his father’s expectations.

Former Times pop music critic Robert Hilburn wrote in 1992: “Clarence Carter is one of the most overlooked soul stylists of the modern pop era.”

Among Carter’s musical talents was a knack for descriptive lyricism, which he channeled for unapologetically sexual songs “G Spot” and “Strokin’.” In these numbers, Carter spares no detail in his approach to lovemaking. “Strokin’,’” released in 1986, notably received play in 1996‘s “The Nutty Professor” as Murphy’s titular character drives over to a date.

Born in 1936 in Montgomery, Ala., Carter took an interest in music in his youth, enjoying the blues records his stepfather bought and learning to play the guitar. “I would lie in my bed and hear those bands playing and say to myself, ‘One of these days I’m going to play just like that,’” he told The Times in 1987.

He graduated from Alabama State College in 1960 with a bachelor’s in music and worked briefly as a schoolteacher before beginning his professional music career. Carter formed a duo with friend and singer Calvin Scott, but his collaborator was later seriously injured in an automobile accident. Carter then went solo and began recording music with producer Rick Hall and Fame in Muscle Shoals, amid the late-’60s soul boom.

After the success of his early hits in the ’70s, Carter struggled to find the same chart success amid disco’s popularity. “Nobody’s gonna keep a hit record all the time,” he told The Times. In the early ’80s, his “Working on a Love Building” was a moderate hit. Carter signed to Ichiban Records to record his 1986 album “Dr. C.C.,” which featured “Strokin’” among its tracks.

“By the time I finished doing that song and walked back up to the control room, [the engineer] was laughing so hard he hadn’t even turned the tape machine off,” he said a year after the hit’s release.

Carter released his final studio album, “Sing Along With Clarence Carter,” in 2011 but continued to release live albums and compilations until 2020. He also continued performing live through the 2010s.

The singer-songwriter was married to Staton from 1970 to 1973 and they share a son, Clarence Carter Jr. He married Joyce Jenkins in 2001 and has lived in DeKalb County, Ga., since 1983.

“Clarence Carter leaves behind a legacy of timeless music, unforgettable performances, and a friendship we will always cherish,” Fame Studios said in its statement. “We extend our love and prayers to his family, friends, and fans around the world.”

LEE Andrews has made a change to his social media platforms after leaving his wife Katie Price furious by failing to come over to the UK.

The self-proclaimed millionaire has said he will be flying over any day now but has not kept his word.

Now Lee has turned off all the comments sections on his recent social media posts so he can’t receive messages from fans.

Lee failed to arrive in the UK in time to accompany Katie on Good Morning Britain, but praised her online for doing such a “fantastic” job on her own.

Katie then reposted the video online, insisting to fans that her man was indeed still on the way.

However, the former model and TV personality now seems to be questioning herself and whether what Lee has been saying is true.

EX’S WARNING

Lee Andrews’ ex shares post hinting at downfall & sends message to Katie Price

CAUTIOUS KATE

Katie Price FINALLY reveals doubts over hubby saying ‘something’s not right’

Speaking on her podcast The Katie Price show, she said: “I’ve said to him, he needs to make it to the UK, because if he doesn’t, then it’s obviously something not right going on.”

She then admitted to confronting Lee over the situation, and said: “It’s the fact you keep saying you’re coming and then don’t come.

“Of course, everyone is going to flag up. Even I’ve flagged it up to him.

“Big time I’ve flagged it up now. I said, ‘Don’t do that to me again. Me having to go on live TV without you and make me look stupid and a d***.

“No wonder everyone’s saying, ‘You’re this, you’re that’, because they’ve got a reason to say it. I agree with everyone.”

Lee’s ex Alana Percival has also claimed that he made up excuses for “missing” his flights while they were dating.

They were in a relationship for nine months until late last year, with Lee even proposing to her in a identical proposal to the one he did for Katie.

Taking to her Instagram stories, she expressed: “Another time he ‘pretended’ to be coming to the UK to come and see me.

“Wearing his cap so facial recognition doesn’t get him hahaha lies lies and more lies… delusional is a understatement.

“This excuse was one of soooooo many but a ‘flight risk’ if this one. He went all the way to the airport to lie when he cannot travel lol.”

EastEnders’ Mark Fowler has resorted to desperate tactics to clear his debt to gangster Delaney, but fans think there’s a further twist on the way that will be fatal for one character

EastEnders fans are convinced Mark Fowler’s latest desperate antics will prove fatal for one character. In Thursday’s episode, airing on 14 May, Mark learned that his debt to gangster Russell Delaney had been doubled after his father, Grant Mitchell, threatened the drug lord. In his panic, his aunt Sam, managed to convince him to do something drastic.

Sam told Mark that he needed Lauren Beale to start working with him on stealing cars and selling them on her car lot. Lauren refused to do that before but Sam suggested that if Mark made it so that she had no choice but to turn to him, then he could get his money. As such, they took a car Lauren was due to sell and set fire to it.

READ MORE: EastEnders’ Cindy’s real plan for Max ‘uncovered’ by fans after Ian commentREAD MORE: Emmerdale villain Patsy Kensit makes bombshell return as Sadie King after 20 years

Fans noticed that just before this scene, Bea Pollard, who had been kicked out of Honey and Billy Mitchell’s home after stealing Honey’s identity, was sleeping rough on some bin bags. Some thought she might be too close to the fire and die as a result, as the character is thought to be leaving soon.

“I think Bea was bedding down in one of the lock ups by the car,” one fan said. “Hopefully that will be her leaving scene.” Another added: “Was that Bea asleep on the ground when Mark threw petrol all over the car and put a lighter to it?” A third said: “I thought the same thing. Near the car – bet she saw it all.”

But others pointed out that it looked more like Bea was in McClunky’s, the chicken shop where she works. One wrote: “Bea camping out at mcklunky’s on a bin bag…”

Another said: “Sure she was in the chicken shop.” A third added: “She was in the chicken shop, you could see counter in the background.”

This comes as Bea’s actions left Honey hospitalised. When it was revealed that Bea used Honey’s identity to open a credit card account, which landed her friend in £5,000 debt, Bea tried to convince Honey that it was all a misunderstanding.

When that didn’t work, she said she only did it so that she could buy things for people and make them like her. It was close to persuading Honey to let her stay, until Honey’s husband Billy came home.

Billy threw Bea out on her ear. In a fit of rage, Bea flipped the safety lever on his ladder, so that when he went up to clear the drains, he would fall.

But in a sick twist, it was Honey who went up the ladder. She fell from the ladder and couldn’t be roused by Billy, as Bea watched on from the shadows.

Honey was rushed to hospital, where she eventually woke up. But despite convincing everyone that she wasn’t responsible for Honey’s fall, Bea was not allowed to stay with them in Walford and was told to leave.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

South Korean boy band BTS, U.S. pop culture icon Madonna and Latin music superstar Shakira will be performing at halftime during the World Cup final July 19 at MetLife Stadium in East Rutherford, N.J., FIFA announced Thursday morning.

The performance will support the FIFA Global Citizen Education Fund, which is looking to raise $100 million to assist children in accessing education and soccer.

FIFA president Gianni Infantino wrote on Instagram that the show “will be a truly special moment, bringing together music, football and a shared commitment to improving the lives of children around the world.”

The show is being curated by Coldplay leader Chris Martin and, if this event announcement video is to be believed, a bunch of Muppets.

“It’s a chance to show how amazing all different kinds of humans are,” Martin explains to Elmo in the video.

The three acts will bring a variety of cultures, musical styles and generations of fans to the Super Bowl-style concert, which will be the first of its kind for a World Cup final.

Madonna headlined the Super Bowl XLVI halftime show in 2012, and Shakira teamed with Jennifer Lopez to co-headline the Super Bowl LIV halftime show in 2020. Also, Coldplay headlined the Super Bowl 50 halftime show in 2016.

No duration time has been announced for the World Cup show, although soccer halftimes are not supposed to last more than 15 minutes. Bad Bunny’s halftime performance at Super Bowl LX in February lasted 13 minutes.

Among the three of them, Madonna, Shakira and BTS have compiled 20 No. 1 songs on Billboard’s Hot 100 singles chart, 10 Grammys and 37 MTV Video Music Awards. Shakira is scheduled to release “Dai Dai” with Nigerian singer Burna Boy as the official song of the 2026 World Cup this month.

FORMER glamour model Katie Price has taken a fresh swipe at “missing” Lee as it seems they weren’t on the same page when he failed to show up in the UK.

Earlier this week poor Katie was left “embarrassed” after Lee, 43, failed to board a flight to the UK again, leaving her alone on the sofa of their scheduled GMB interview.

Katie was left fuming with the Dubai-based “businessman,” who she married in January, and has even issued him an ultimatum.

But now, Katie has continued to fuel rumours their marriage is on the rocks as she posted a clip of her podcast with her sister Sophie to Instagram.

She took a brutal swipe at Lee, writing in text across the video: “Where’s Wal-Lee?”

The mum-of-three made a calculated joke about her husband playing on the words Where’s Wally – a series of search and find books.

EX’S WARNING

Lee Andrews’ ex shares post hinting at downfall & sends message to Katie Price

LAST CHANCE

Katie Price rages ‘time is running out’ for husband Lee

It seems Katie is beginning to question her man as she bantered that he was hard to track down.

In the video, she said: “I just want him here, just to visit here and shut everyone up that he can get here.

“So next week when we do the pod we’ll find out whether he’s come to England or not and we’ll see what he’s said.”

Lee has claimed he was going to fly into the country multiple times but is yet to show up.

It raised questions again about his alleged travel ban which stops him from leaving Dubai, which he denies exists.

With Lee still mooching about the UAE, Katie admitted today that she has started to question her husband.

She captioned a post on social media: “Time is running out for Lee and he needs to give a good reason as to why he can’t get back because I am not going back to Dubai.”

During her podcast, The Katie Price Show, she admitted to confronting Lee over the situation.

She said: “It’s the fact you keep saying you’re coming and then don’t come.

“Of course, everyone is going to flag up. Even I’ve flagged it up to him. Big time I’ve flagged it up now. I said, ‘Don’t do that to me again. Me having to go on live TV without you and make me look stupid and a d***”.

“No wonder everyone’s saying, ‘You’re this, you’re that’, because they’ve got a reason to say it. I agree, I agree with everyone.”

Lee, dubbed a “Walter Mitty,” was caught in yet another lie as documented his journey to the UK on Instagram.

He claimed to be flying from Muscat in Oman, but it was clear from the clips that Lee was in Dubai airport, near where he lives.

Netflix’s ‘micro-series’ has already creeped its way into the UK’s top 10

Fans of a “saucy” drama can binge-watch this one in just an afternoon.

Binge-watching is how most TV fanatics view their favourite shows nowadays with Netflix dropping the perfect “micro-series” for its subscribers.

Mexican thriller Between Father and Son has arrived with the 20-part series focussed on well-respected lawyer Barbara (played by Pamela Almanza) whose life changes after “just a few suspenseful minutes”.

She visits the house of her fiance Alvaro (Erick Elias) before getting married but unexpectedly finds herself attracted to her future step-son Iker (Graco Sendel).

On top of the forbidden sexual tension, there’s also the mystery around what happened to Alvaro’s first wife and Iker’s mum Fernanda who went missing.

Between Father and Son is perfect for those wanting to quickly binge their way through a series.

Each of the 20 episodes have a running time of 10 minutes or less, with seven instalments just seven minutes long.

So Netflix subscribers could binge-watch the entire boxset of Between Father and Son in under four hours if watched back-to-back.

However, while fans have been “hooked” by the Mexican drama, some have complained of a technical issue.

From episode four onwards, fans are currently unable to hear the dialogue in Between Father and Son.

Taking to X, a viewer questioned: “Why’s there no sound?”, as another on Reddit stated: “It doesn’t have any dialogue audio after episode three.”

They went on to add: “I am already hooked though and patiently waiting for the issue to be fixed!”

But others have shared that their audio is working fine, including the English dubbed version of the series.

Between Father and Son is available to watch on Netflix.