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Brian Lindstrom, a filmmaker whose documentaries shined a light on society’s underdogs and inspired social change, has died. He was 65.

Lindstrom’s wife, author Cheryl Strayed, confirmed the news on Instagram Friday.

“Brian Lindstrom died this morning the way he lived — with gentleness and courage, grace and gratitude for his beautiful life,” she wrote. “Our children, Carver and Bobbi, and I held him as he took his last breath and we will hold him forever in our hearts. The only thing more immense than our sorrow that Progressive Supranuclear Palsy took our beloved Brian from us is the endless love we have for him.”

According to the National Institute of Neurological Disorders and Stroke, PSP is caused by damage to nerve cells in areas of the brain that control thinking and body movements. The rare neurological disease progresses rapidly.

Strayed, who penned the bestselling memoir “Wild,” which was later adapted for the big screen and starred Reese Witherspoon, announced just weeks ago that Lindstrom had been diagnosed “with a serious, fatal illness.”

Lindstrom was born Feb. 12, 1961. The son of a bartender and a liquor salesman, he was raised in Portland, Ore. — which he and his family still called home.

He was the first member of his family to attend college, which he paid for by taking out student loans, landing work-study jobs and working summers in a salmon cannery in Cordova, Alaska. During a 2013 TEDx Talk, Lindstrom said that after he’d exhausted all the video production classes at Portland’s Lewis & Clark College, his professor Stuart Kaplan gave him a gift certificate to a class at the Northwest Film Center. There, Lindstrom made a short film about his grandpa that landed him a spot in the MFA program at Columbia University.

It was a train trip with his grandpa that inspired Lindstrom to tackle challenging topics with a lens that restored dignity to his subjects. His grandpa was a binge-drinker, and on day three of the trip, he woke up with a hangover and was missing his dentures. Lindstrom, only 5 at the time, noticed the way other passengers treated him and his grandpa differently.

“I think what my films are about is that search for my grandfather’s dentures, the humanizing narrative that bridges the gap between us and them and arrives at we,” he said.

Lindstrom said he returned to Portland after film school and “did several projects with the Northwest Film Center that had me putting a camera in the hands of kids on probation, homeless teens, newly recovering addicts, hard-hit people who had hard-hitting stories to share.”

“Those projects taught me so much about the transformative power of art, and they gave me permission I felt in my personal films to ask people if I might follow them, so that an audience could better understand what they were going through, and by extension, better understand themselves,” he said.

Lindstrom’s 2007 award-winning cinéma-vérité-style film, “Finding Normal,” followed long-term drug addicts as they left prison or detox and tried to rebuild their lives with the help of a recovery mentor.

“What I’m most proud about is that ‘Finding Normal’ is the only film to ever be shown to inmates in solitary confinement at Oregon State Penitentiary, and not, I might add, as a punishment,” Lindstrom said.

In 2013, he released “Alien Boy: The Life and Death of James Chasse,” a documentary that illuminated the life of a man who grappled with schizophrenia and examined his death, which happened in police custody. Discussing the film with LA Progressive in 2018, Lindstrom said that he doesn’t make films for audiences.

“I make them for the people in the film. It is my small way of honoring them,” he told the outlet. “That doesn’t mean I don’t delve into dark areas or that I ignore that person’s struggles. I’m much more concerned with trying to achieve an honest depiction of that person’s life than I am with any potential audience reaction.”

Lindstrom’s work aimed to inspire empathy and humanize those suffering in the margins of society, but it also catalyzed policy change. His acclaimed 2015 documentary, “Mothering Inside,” followed participants in the Family Preservation Project (FPP), an initiative helping incarnated moms establish and maintain bonds with their children.

Midway through filming the documentary, the Oregon Department of Corrections announced it planned to nix funding for the FPP. Lindstrom hosted early screenings of the film, which inspired grassroots advocacy that reached then-Gov. Kate Brown, who subsequently signed legislation that restored funding. The film’s release also helped make Oregon the first state in the U.S. to pass a bill of rights for children of incarcerated parents.

Partnering with Strayed, Lindstrom made the documentary short, “I Am Not Untouchable. I Just Have My Period,” for the New York Times in 2019. The film highlighted the experience of teen girls in Surkhet, Nepal, and the menstrual stigma they faced. Most recently, the filmmaker released, “Lost Angel: The Genius of Judee Sill,” which examined the folk-rock singer’s life from her traumatic childhood and drug-addled adolescence through her rise in the Laurel Canyon music scene and untimely death.

Lindstrom, discussing “Judee Sill” and his style as a filmmaker, told Oregon ArtsWatch, “It’s the chance to kind of focus on the question: What does it mean to be human? The person that the film is about, what can they teach us, what can we learn from them? What can they learn from themselves?”

In 2017, Lindstrom received the Civil Liberties Award from the American Civil Liberties Union of Oregon for his work advancing civil rights and liberties. That same year, he received the Distinguished Alumni Award from Lewis & Clark College.

In Strayed’s post announcing Lindstrom’s death, she described their more than 30-year partnership as a stroke of “tremendous luck.”

“We loved each other and our kids with deep devotion and true delight. He was a stellar husband. He was the most magnificent dad. He was a man whose every word and deed was driven by kindness, compassion, and generosity,” she wrote. “He saw the goodness in everyone. He believed that we are all sacred and redeemable.

“His work as a documentary filmmaker was dedicated to telling stories of people who, as he put it, ‘society puts an X through.’ He erased that X with his camera and his astonishing heart.”

Strayed’s memoir — which followed her as she hiked 1,100 miles along the Pacific Crest Trail in the wake of her mother’s death, a battle with drug addiction and divorce from her first husband — concludes with a happy ending. She finished the months-long hike and sat on a white bench near the Bridge of the Gods, a stone’s throw from the spot where, she writes, she’d marry Lindstrom four years later.

“His greatest legacy is Carver and Bobbi, who embody everything good and true about their father. Their extraordinary grace, courage, and fortitude during this harrowing time was unfaltering and grounded in the undying love Brian poured into them every day of their lives,” she wrote. “We do not know how we will live without him. We’re utterly bereft. We can only walk this dark path and search for the beauty Brian knew was there. It will be his eternal light that guides us.”

The television industry has changed dramatically over the last decade, but one tradition that won’t die is the annual gathering of ad-buying execs in Manhattan to hear the pitches of networks and streamers looking to sell their commercial time.

This past week’s lavish presentations, known as the upfronts, included the usual array of big-name actors (Arnold Schwarzenegger and Jennifer Lopez), NFL legends (Tom Brady and Mike Tomlin) and “Real Housewives,” past and present.

Jennifer Lopez and Brett Goldstein speak onstage during the 2026 Netflix Upfront at Sunset Pier 94 Studios on May 13.

(Dimitrios Kambouris/Getty Images for Netflix)

The selling buzzwords are far different from the days when the presentations were a vehicle for networks to boast about their ratings and present new program line-ups. The 2026 upfronts talked a lot about “connections” and “community” as the personalized nature of TV viewing brought on by streaming video-on-demand has been fully integrated into the buying and selling of commercials.

“Three of us could be watching the same show, maybe at a different time, maybe at the same time, but receive very different advertising based on what ad technologies, know about us as an audience segment,” said Josh Mattison, executive vice president of digital revenue pricing, planning and operations for Walt Disney Co. “The old model would be, hey, did 10 million people watch this ad? 
I think the new model is, which 10 million people watch this ad.”

Here’s a sampling of what ad executives were seeing and hearing this week:

Using new ad tools that target viewers

Every company presentation touted advancements in the ability to target consumers now that advertising has become the main source of revenue growth in the streaming business. They also played up new services — such as NBC’s Performance Insights Hub — providing advertisers with up to date information on the effectiveness of their advertising so they can adjust accordingly.

Streamers can take the consumer research collected by advertisers and align them with the viewing habits of their subscribers. The data are analyzed in a secure room to protect consumer privacy.

Netflix doesn’t ask subscribers for personal information in the sign-up process, as it can discourage people from buying the service. But the company does use the viewer habits on the platform to help advertisers reach the customers they seek.

“We are seeing where there is overlap and use that to help our advertisers target better,” Amy Reinhard, president of advertising for Netflix, told The Times. “It’s all based on viewer preferences.”

Every company is turning to AI to respond to the needs of advertisers. NBC now offers them the chance to insert commercials that relate to the action seen on the screen during live sports events.

Creators are going mainstream

YouTube’s annual upfront gatherings used to have the feel of an alternative show business universe, with personalities who built their rabid followings on the streaming platform far away from the audiences for traditional TV.

Now creators such as the sports stunt group Dude Perfect have their own studios. Beast Industries, the corporate home of MrBeast, held its own invitation-only breakfast for marketing executives at a high-end New York venue . YouTube stars, such as Jesser, are landing shows on other platforms.

At YouTube’s presentation at Lincoln Center, longtime favorites such as “Call Her Daddy” podcast mogul Alex Cooper and “SubwayTakes” host Kareem Rhama appeared on stage to announce new projects on the platform, looking more like established show producers rather than social media renegades.

Ten years ago, YouTube advertisers had to worry about their spots running next to Islamic State videos. Now it’s become common for marketers to embrace YouTube stars and fully integrate products and messages into their programs.

“When creators talk about your products on YouTube, viewers are 13 times more likely to search for your brands and five times more likely to buy,” said Paul Downey, president of Americas & Global Partners for YouTube.

Mary Ellen Coe, chief business officer for YouTube, told The Times that advertisers can determine if a creator is right for their brand by looking at audience numbers, subscriber data and comments from their communities of fans. But many have their own personal focus groups at home that introduce the hottest YouTube personalities.

“Most of these advertisers have children and teenagers and they go nuts for them,” Coe said.

YouTube is the most watched TV platform according to Nielsen, accounting for nearly 13% of all TV viewing. But that share is much higher among younger consumers.

“My kids don’t watch TV — they watch YouTube,” said Anthony Pedalino, vice president and head of media investment at the ad buying firm Giant Spoon. “So I think this is a bit of future proofing.”

Other companies are seeking creators for their platform.

Amazon Prime Video introduced an alternative feed of some of its NBA games on its streaming platform Twitch, which will turn them into a “CreatorCast.” The streamers who are regulars on the site call the action live in an effort to bring in younger fans. The format will be used in WNBA games in the league’s new season.

Fox touted its creator initiative that develops programs for Tubi, the company’s fast-growing ad-supported streaming platform that now has 100 million active users. The company also has a partnership with TikTok to support creators who want to turn their short-form clips into full-length programs.

There’s always room for comfort food

Amid all the innovations in ad buying and audience measurement presented during the week, many of the programs and personalities offered up by the major networks and streamers were extremely familiar.

“They may be resigned to the fact that people are going to go to emerging platforms for more niche and esoteric programs,” Pedalino said.

Oprah Winfrey made an entrance on the Beacon Theatre stage to promote the move of her podcasts to Amazon Prime Video.

Disney rolled out the cast of “Scrubs” to announce another 10-episode order of the early 2000s sitcom for Hulu. The series had a successful reboot as Gen Z viewers continue to devour vintage programs. Amazon Prime announced “The Greatest,” a Michael B. Jordan-produced mini-series on legendary heavyweight fighter Muhammad Ali, not exactly uncharted territory.

Fox introduced a reboot of “Baywatch,” which was canceled after a single season on NBC in 1990, but went on to become a worldwide hit in syndication over the decade that followed. The slow-motion shots of toned lifeguard bodies running into Venice beach waters are coming back without a hint of irony.

Netflix brought out the set of “Pop Culture Jeopardy” at its presentation at Sunset Pier 94 Studios, NBC previewed comedies with proven prime time stars and touted its 100th anniversary which will be celebrated with an old-fashioned variety special later this year.

For more than 40 years, Barry Walters has been closely watching the dance floors of New York and San Francisco, chronicling the ways in which LGBTQ+ culture has influenced mainstream culture. As a writer for the Village Voice, the Advocate and Spin, among others, Walters became one of music journalism’s most eloquent and crucial voices, championing artists like the Pet Shop Boys and Madonna during their formative years.

Walters’ new book, “Mighty Real,” draws on his deep firsthand knowledge, offering a comprehensive history of LGBTQ+ music from 1969 to 2000. I recently spoke with Walters about Babs, Madge and Bowie.

✍️ Author Chat

In the book, you make a distinction between pre-Stonewall LGBTQ music and post-Stonewall LGBTQ music.

Gay culture before Stonewall really had to be hidden, or at least secretive. I think of Barbra Streisand as a quintessential pre-Stonewall figure. Judy Garland, as well. These women are tough, and even though they sing songs written by men, it’s not in a submissive way. They are singing like they are the champions, even when they are suffering through what men do to women through the torch songs they perform.

What can you say about the encoded nature of certain songs that spoke to gay culture in a way that flew under the radar of hetero listeners in the pre-Stonewall era?

The music that spoke to gay culture, by necessity, had to be encoded. “Secret Love” by Doris Day is a good example. It’s about struggling to have something that’s otherwise forbidden. Sinead O’Connor covered that song. There was a song I loved as a young child called “Have I The Right?” by the Honeycombs, which was written by two British gay men at a time when homosexuality was illegal in England. You know, have I the right to be with whomever I want to be with?

What, in your view, was the big bang of post-Stonewall LGBTQ music?

David Bowie to a large degree. Right around the time that “Hunky Dory” was being released in 1971, he told the Evening Standard newspaper that he was gay, flat out just said it. And it was such a strange thing to say that many people doubted his sincerity.

Barry Walters, a writer for the Village Voice, the Advocate and Spin, among others, wrote a new book about the history of LGBTQ+ music.

(Kelly Lawrence for Walters)

I remember seeing Bowie wearing that dress on the cover of “The Man Who Sold The World,” thinking that was the most transgressive act any rock star had ever committed.

And then he performed “Starman” on Top of the Pops in 1972 and he put his arm around his guitarist Mick Ronson, who also looked gorgeous. They were displaying a familiarity men aren’t supposed to have.

I thought I knew everything about pop music, but you have uncovered so many fascinating stories. Tell me about Olivia Records.

Olivia Records was an independent record label in the Bay Area owned and controlled by lesbians for female artists. This is years before punk or indie rock, when so many small labels cropped up. They pioneered so much. They would recruit fans in different cities to man the merchandise and to help get their records in stores. The idea of a merch table was something new at the time. They also created the forerunner of Burning Man. They would go find a farm somewhere and create an impromptu village, with food, sanitation and the rest.

You have given the most space in your book to Madonna, whom you have written about extensively over the years. Why is Madonna such a huge figure in the history of LGBTQ music?

Her art is so queer. I feel like she is one of us. She’s very much like Grace Jones, in that her sensibility is so aligned with gay culture. I related to Madonna on multiple levels. In the early ‘80s, I would see her around town, dancing at the same New York clubs I was frequenting, like Danceteria. She was steeped in gay culture, and then she brought all of this into the mainstream, and that was profound. I also feel like she was misunderstood in many ways. When straight men called her a slut, things like that. That is so far from the truth. She is such a complex artist. If you are making that claim, you don’t know anything about her.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

(Javier Pérez / For The Times)

Pulitzer prize winner Elizabeth Strout has a new novel called “The Things We Never Say,” and Julia M. Klein approves. “[Strout] reprises her familiar themes: the mysteries of human personality, the perils of solitude, the occasional possibility of grace … in deceptively simple, occasionally mannered prose that draws readers in and immerses them in her fictional worlds,” Klein writes.

They’re on a boat! Paula L. Woods climbed aboard a 130-foot yacht in Marina del Rey to soak in the vibes of the Yacht Girls Book Club. “I wanted conversations with like-minded women that were intellectual but fun,” club founder Aloni Ford told Woods. “And talking about books seemed to be the ideal way to achieve that.”

“PEN15” co-creator Anna Konkle has written a memoir called “The Sane One,” and Rachel Brodsky talked to her about it. “In some ways, ‘PEN15’ was a reaction to loving memoirs,” she tells Brodsky. “Raw memory has always been very exciting to me.”

Finally, our Times critics take the measure of this summer’s hottest beach reads.

📖 Bookstore Faves

Kinokuniya bookstores sell Japanese manga, stationery and literature.

(Courtesy of Kinokuniya)

When Kinokuniya opened its first L.A. shop in 1977, it was primarily to provide Japanese expats with imported books and magazines to read in their native tongue. Forty years later, the store has become a locus of Japanese printed matter for Angelenos eager to scoop up Japanese literature and manga in Japanese and English, as well an expansive selection of imported stationery products that, in L.A., can only be found in Kinokuniya’s three stores. I spoke with Sakura Yamaguchi, who manages two of Kinokuniya’s stores downtown (the third is in Mar Vista) about its many-splendored pleasures.

How did the store travel from Japan to Los Angeles?

Books Kinokuniya was founded by Moichi Tanabe in 1927. Located in the Shinjuku district of Tokyo in a two-story wooden building, the first Kinokuniya started with five employees, including Mr. Tanabe himself. In 1969, Kinokuniya opened its first overseas bookstore in San Francisco. The first Los Angeles store opened in 1977.

Who are your customers?

We first started as a store for Japanese customers, so we imported Japanese books and magazines and sold them, mainly. But in the past 10 years, Japanese manga/anime, stationery and literature has been quite popular in the U.S. Therefore our customers are a mix of Japanese-speaking customers and non-Japanese speakers who are interested in Japanese culture.

What percentage of your clientele buys Japanese–language products?

Forty percent Japanese-language products versus 60% English books.

What specific titles are selling for you right now?

“Witch Hat Atelier Grimoire Edition, Volume 1,” “JoJo’s Bizarre Adventure: Purple Smoke Distortion” and the “Strange Houses” series.

Are you seeing more young people turning to printed matter? It seems like there is an analog revival at the moment.

We have been trying to make exclusive editions that come with freebies to make the printed manga more attractive, but without that our English manga sales have been increasing and our main target for the manga is young people. There are many titles that are published exclusively in e-book format, but we frequently hear from customers asking when they will be released in print form. Also, recently there has been a growing number of cases where titles that were originally available only in digital format have later been published as physical books.

Kinokuniya at the Bloc in Los Angeles is located at 700 W 7th St.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

LOOK Mum No Computer is competing for the UK at the iconic Eurovision Song Contest tonight.

As one of Eurovision’s “Big Four” (formerly “Big Five”), the UK gets an automatic place in this Saturday’s final.

But the competition gets real this evening for Sam Battle, who is representing the UK with his single Eins, Zwei, Drei, because there can only be one winner.

Speaking about Eurovision in a press conference ahead of the final, the artist said: “It has been a lot of work, especially as I have just become a new dad at the same time as prepping for Eurovision.”

Who is Look Mum No Computer?

Sam Battle, widely known as Look Mum No Computer, is an English musician and electronics enthusiast from Peterborough, Cambridgeshire.

On his YouTube channel with more than 700k subscribers, he posts videos about making pro audio gear and synthesizers, as well as original music tracks.

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Battle is known for playing unusual musical devices made from vintage technology, such as a classic Raleigh Chopper bicycle and a Game Boy.

The YouTuber also runs This Museum Is Not Obsolete, a museum in Ramsgate, Kent, showcasing vintage devices repurposed for comic uses.

Sam has been curious about mechanics since early childhood, when he spent much of his time building rockets and robots.

After starting a university course in chemistry, he realised that he “was really not cut out for that” and switched to a music tech course instead.

However, he still quit his studies halfway through to join a music band in London for three years.

Stuck with an album that wasn’t being released and no gigs, Sam used this time to learn electronics.

He worked in numerous jobs, from fixing bicycles at Halfords to cooking in a restaurant, before before setting up indie-rock group ZIBRA with his three friends.

They performed at the Glastonbury Festival in 2015 as the final act on the BBC Introducing stage.

The musician launched his YouTube channel in 2013, primarily posting content for the the band — until its end in 2016 when he switched to his solo music project.

His younger sister Jodie Bartle, who appears in the music clip for Eins, Zwei, Drei by Look Mum No Computer, plays football for Wrexham.

In 2025, Sam developed a video game in collaboration with German indie studio The Bitfather and publisher Headup Games.

The game, called Look Mum No Computer, was nominated for the German Developer Award for Best Audio Design.

Who is Look Mum No Computer’s wife Melanie?

Sam Battle has been married to his wife Melanie for more than a decade.

On her Instagram, Melanie shared that she met Sam after “nicking a piece of plastic from outside of [his] house”.

The couple tied the knot in 2012 and have three children together.

Dr Melanie King is an awarded artist and curator based in Ramsgate who specialises in astronomy, alternative and analogue photography.

She works as a co-director of Lumen Studios, an art collective exploring the themes of astronomy and light, and super/collider, an independent agency that “celebrates and champions the connections between science, creativity and culture”.

In 2013, Melanie founded the London Alternative Photography Collective, which has grown from a small group of analogue and alternative photography practitioners to a collective producing large-scale symposiums, exhibitions and workshops.

Recently completing her PhD in Fine Art at the Royal College of Art, the mum-of-three also teaches Photography at Canterbury Christ Church University.

The couple welcomed their baby boy Max in April 2026, as Sam had been working hard on his performance in the iconic song contest.

On his Instagram page, the musician has recently posted more photos of the baby, adding: “Not long till he (Max) will be holding a soldering iron and helping!”

After Connor Cooper, 33, appeared on ITV’s Deal or No Deal, he said feeling like a ‘TV star’ lead him to become addicted to cocaine, with the contestant spending up to £600 a week on the substance

A former Deal or No Deal contestant has blamed becoming a “TV star” for him developing a £600-a-week cocaine habit. Connor Cooper, 33, claims to have come across a “huge pile” of the drug while partying near to the hotel he and the rest of the contestants of the ITV game show were staying in.

Connor explained that one night, he had been out drinking with the rest of the contestants, and after drinking shots and cocktails all night, decided to give the drug a go. But after taking it, he couldn’t sleep – having got back to his hotel room at 7am, he was picked up at 8am to film the show.

READ MORE: ‘I was on Stephen Mulhern’s Deal or No Deal and one moment made me feel physically sick’

He and some of the other contestants were exhausted, with Connor admitting he was “completely wired” during filming. But it didn’t put the dad-of-one off, with Connor saying he went on to become hooked, saying he was “living in the moment” and had a taste of “the showbiz life”.

Speaking to the Sun, Connor explained: “I was dreading that show going out. I was still completely wired when we filmed and we recorded three games that day.”

Contestants on Deal or No Deal can be living with each other for up to a month, as they return in their bid to win big on the game show. Connor said that this lead to him and the others drinking together, with the “party culture” sucking him in.

He said he would order it secretly to keep himself going, but then he wouldn’t sleep again and have to return to the studios to film the day after. Then they would drink again that evening and he would “do it all over again”, with each contestant allowed two free drinks per day.

But then when he started drinking he would continue out of his own money, adding: “I just thought I was a TV star and dived in with both feet. It was really stupid.”

Connor went on to win £13,500 on Deal or No Deal, and returned to Portsmouth where he worked as a tarmac layer. A month after returning, when Connor was still buying and using cocaine, he found out his long-term partner was pregnant with twins, something he describes as a “wake-up call”

He told her everything and with her support he managed to seek professional help to kick his dangerous and expensive habit. Connor said he didn’t seek help with ITV’s mental health services. The Mirror has contacted Banijay for comment.

In response to the paper, a Deal Or No Deal spokesperson said: “We have a zero-tolerance policy on drug use on all our productions. Contestants stay at the hotel for short periods of time whilst filming and are closely monitored by a specialist welfare team throughout. Having reviewed logs of activity and welfare assessments, we can find no record of any behaviour that would cause concern.”

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A TikTok star has shared her experience of auditioning for Britain’s Got Talent as a child

A former Britain’s Got Talent hopeful has revealed the surprising reality she encountered behind the scenes.

The ITV talent show has captivated audiences since launching nearly 20 years ago. Throughout its run, countless aspiring performers have tried their luck, including TikTok personality Emily Jade.

The food and lifestyle content creator took her shot at stardom aged just eight, though her dreams were dashed when she realised she wouldn’t be performing before Simon and the celebrity judging panel.

In a candid TikTok video, Emily recalled: “When I was eight, I randomly decided one day that I was an amazing singer and I was gonna be a pop star. So I decided to audition for Britain’s Got Talent. This was actually really unexpected for me because I was a really shy child, I never put my hand up at school – I was really shy.”

Detailing how she secured her audition slot, she added: “My mum was obviously like, ‘yeah Emily, go for it’, like, encouraging me, because this was out of my character. So, I applied for Britain’s Got Talent online, and then they actually accepted me. I got a letter saying, ‘You’re going to be on Britain’s Got Talent’.”

Emily continued: “I remember the months leading up to this audition, I was singing in front of all my family members, in front of everyone in my class. This was out of character. Everyone was probably laughing at me because I was horrendously bad at singing.

“And the song I decided to sing was ‘This is Me’ from Camp Rock. So, the day finally comes, and we travel to London, and I remember waiting for hours, and then I was going into these, like, private rooms and, like, practising singing.”

Yet, mere moments before stepping up for her audition, she was crushed to learn the famous panel wouldn’t be watching her performance.

She explained: “Finally, my time comes, and they call me into this room, and I was expecting, guys, this is where you’re gonna be disappointed. I was expecting Simon Cowell- all the judges, I was expecting that.

“I got there, and there were just four random people sitting on a judge’s desk. I don’t remember who they were, I have no idea. I remember they were also filming me; they had a camera as well, and my dad was allowed to come into the room with me when I auditioned.

“And then I just stood there with no music and sang, This is me from Camp Rock. When I auditioned and left that room 100%, they definitely laughed at me. They looked at each other, and they probably went ‘bless her. What is she doing here?'”

Sadly, Emily’s performance didn’t win over the show’s producers, and she missed out on progressing to the televised stages.

“My audition was over, and I think I was only in there for like a minute. Long story short, I waited two months and got a letter saying I didn’t get through to the next round, of course, because I was so bad.”

She added: I’m sorry if you’re expecting some amazing story, and I got through, like, 10 rounds. I didn’t even make it through the 1st round. So the singing career stopped there, and I never sang again.”

Britain’s Got Talent airs Saturdays at 7pm on ITV and ITVX.

GERMANY is pinning its Eurovision hopes on one of the country’s best-known entertainers.

Sarah Engels will fly the flag for the nation in the Grand Final with her empowerment anthem Fire.

Who is Germany’s Eurovision entrant Sarah Engels?

Sarah Engels, 33, is a German singer and TV personality of Italian descent who has been a household name in her homeland for more than a decade.

She first burst onto the scene in 2011 when she finished as runner-up on the eighth season of Deutschland sucht den Superstar (DSDS) – Germany’s equivalent of The X Factor.

Her debut single Call My Name reached number two in the German charts and earned her an Echo Award nomination.

Engels, who was previously known by her married name Sarah Lombardi, has carved out an incredibly successful career on German reality TV.

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She finished second on Let’s Dance – Germany’s answer to Strictly Come Dancing.

The multi-talented star went on to lift the trophy on Das große Promibacken – the German version of The Great Celebrity Bake Off – as well as The Masked Singer Germany and Dancing on Ice.

She also works as a presenter, actress and voice artist.

Since November 2025, Sarah has been playing the lead role of Satine in the Cologne production of hit musical Moulin Rouge!

In her personal life, Sarah married fellow DSDS star Pietro Lombardi – who won the show the same year she came second – in March 2013.

The couple welcomed son Alessio in 2015, but split a year later.

She later tied the knot with former footballer Julian Büscher in May 2021, with the groom taking her surname.

Their daughter Solea was born later that year.

What is her Eurovision song ‘Fire’ about?

On February 28, Sarah was crowned Germany’s Eurovision pick after winning the national final Berlin.

She pipped wavvyboi’s Black Glitter and Molly Sue’s Optimist (Ha Ha Ha), with 38.3% of the public vote.

Fire was written by Sarah alongside Dario Schürmann, Luisa Heinemann, Raphael Lott and Valentin Boes.

On the surface, it is a punchy synth-pop banger about a lying, two-faced ex.

In the lyrics, Sarah brands a former flame a “vampire” who only comes out at night, telling him to stop denying his deceit and saying: “Boy, I’m out of your league”.

But the song’s deeper message is one of empowerment, solidarity and self-determination.

These themes are close to Sarah’s heart thanks to her foundation Stiftung Starke Mädchen, or Strong Girls, which she set up to inspire young women.

Sarah said taking part in Eurovision was a chance to share her message, “which comes deep from my heart”.

She added: “My motto for Vienna is: I’m on fire. I truly have no fear at all – I’m just incredibly excited.”

As one of Eurovision’s Big Four, Germany has automatic qualification to Saturday’s Grand Final at Vienna’s Wiener Stadthalle.

The country has won the contest twice – in 1982 with Nicole’s Ein bißchen Frieden, and also in 2010 with Lena’s Satellite.

ITV is to air an Australian series that viewers were hooked by when it aired last year

ITV is to air thriller that’s bound to appeal to fans of Harlan Coben‘s work.

Described as “gripping” and “nail-biting” by viewers and critics, The Family Next Door is adapted from Sally Hepworth’s novel of the same title and centres on Isabelle (Teresa Palmer), who develops a fixation with unravelling a mystery after she moves to a tranquil Australian street.

Her determination to crack the case places four neighbouring families under scrutiny, which leads to plenty of twists and turns, reports Wales Online.

The series, which also features Bella Heathcote, Philippa Northeast, Bob Morley, Catherine McClements and Ming-Zhu Hii, premiered in Australia last year and audiences were captivated. Now ITV viewers can discover what the excitement’s about, as the programme launches on the channel on Sunday (May 17).

Promoting the series on Instagram, actress Teresa posted: “Based on the best-selling novel by the brilliant @sallyhepworth so if psychological suburban thrillers where beneath–the–veneer–of–perfect–lawns–and–friendly–smiles–everyone–is–just–holding–on–by–a–thread kind of vibes are your thing, welllllll then, you’ll be VERY into this one.”

Many viewers have shared comments on social media describing The Family Next Door as “bingeable” while commending the “excellent” performances.

Others highlighted the “twists and turns” and “big reveals” throughout the series, with one declaring it “addictive”. “I watched all six episodes in one night,” one viewer commented on reviews platform Rotten Tomatoes.

“Soooo good!” another viewer posted on Instagram, while someone else declared: “Brilliant acting and divine scenery so beautifully filmed.”

“Amazing cast, incredible show,” praised another fan. A different viewer remarked: “I just finished and this series is amazing!!!! Intricate, funny, surprising, heartbreaking. A stellar ensemble cast.”

“Wow, this show was amazing!!” gushed another fan. “I had no idea what this show would be about, the story was truly unexpected. What a plot twist at the end, you had me in tears.”

“I absolutely loved it and unfortunately just finished it,” one person wrote on Reddit. “Please tell me there will be a season 2?”

“I just binged the new Australian series The Family Next Door. I thought it was really well done – I love Australian series like this,” shared another admirer.

The Family Next Door airs on ITV at 10.20pm on Sunday, May 17

On a recent weekday morning inside a studio in the heart of Hollywood, Rachel Lindsay and Van Lathan, co-hosts of The Ringer’s “Higher Learning,” were getting ready to roll.

By the time the podcasters came into the Spotify Sycamore Studios for their show, which covers all things in Black culture and politics, the overhead lights were set, and the cameras were precisely angled. Decorative books were propped up between their seats and a big red “Higher Learning” logo stood behind them.

As soon as everyone silenced their phones, the hosts began to banter like two old friends. Lindsay complimented Lathan on his recent foray into stand-up comedy at the Netflix is Joke Fest at the Laugh Factory.

“I just have to say … basically a star is born,” said Lindsay, grinning. “I have to talk about it. Now I never doubted you.”

The pair helms one of the many shows on The Ringer podcast network, known for its roster of A-list celebrity hosts and sports and culture commentators that recently moved into Spotify’s newest podcasting studios.

The 11,000 square-foot space on Sycamore Avenue was designed as both a home base for The Ringer’s production and a video podcasting hub for select Spotify creators.

Since its opening earlier this year, the space has welcomed more than 25 podcasters and shows, on top of the dozens of shows that still record at Spotify’s Mateo studios in the Arts District.

The company estimates that over the last five years it has contributed more than $10 billion to the podcasting industry, including payouts to creators and investments in new content.

Podcasts are just one arm of Spotify’s business, as the audio giant has over 100 million songs and 700,000 audiobooks on its platform. But video podcasts have become an increasingly important way for the company to keep listeners tuned in — and paying for subscriptions amid growing competition from Apple Music and YouTube Music. Despite a surge in profits in the first quarter, Spotify’s share price has fallen 25% this year as investors worry about a slowdown in subscriber growth.

Van Lathan and Rachel Lindsay record their podcast, “Higher Learning with Van Lathan and Rachel Lindsay,” at Spotify’s Sycamore Studios in Hollywood on May 7. The podcast is distributed on Spotify through The Ringer.

(Allen J. Schaben/Los Angeles Times)

One of the main drivers behind opening the Sycamore studios was to create a central hub for The Ringer, a media company Spotify acquired for $250 million in 2020.

Geoff Chow, Spotify‘s head of podcast studios and The Ringer’s managing director, said the investment is already paying off “in terms of the productivity and the quality of the content we’re able to produce from here.”

The Ringer is one of the streamer’s most popular assets. Spotify includes nine Ringer shows in its list of the top U.S. podcasts.

“They’re pouring into this space and their creators,” Lathan said, before recording a new “Higher Learning” episode. “We really have the freedom to do so much.”

He and Lindsay said the studio has elevated their show by switching up their workflow and increasing in-person work.

Thanks in part to its centralized location, tucked between the offices of SiriusXM and music and sports entertainment company Roc Nation, they say guests are more eager to visit and record in person. Lathan joked that even while walking down the street, he’ll run into radio personalities like Sway Calloway, who hosts his own successful “Sway in the Morning” show on SiriusXM, and convince them to come up for a tour of the space.

Sycamore has already seen guest appearances from Snoop Dogg on “Game Over with Max Kellerman and Rich Paul,” Pennsylvania Gov. Josh Shapiro on “Higher Learning with Van Lathan and Rachel Lindsay” and “Project Hail Mary” author Andy Weir on “House of R.”

“This street is so cool,” Lindsay added. “It’s just a different energy here.”

The duo first started recording at Spotify’s Arts District campus, which is more focused on audio-driven programs. But as the podcasting landscape evolves and video becomes a more important element, “Higher Learning” is now able to maximize on the new studio’s video-first capabilities.

Chris Thomas, studio operator, works in the control room on the podcast, “Higher Learning with Van Lathan and Rachel Lindsay.”

(Allen J. Schaben/Los Angeles Times)

Spotify also employs a combination of full-time employees and freelancers that staff each show, including sound engineers, lighting specialists and set designers who help keep the place running.

The Ringer, founded by media mogul Bill Simmons, exists online as a website, a podcast network and video production house, anchored in sports, pop culture and politics coverage. Some of its most popular programs include “The Bill Simmons Podcast,” “The Rewatchables” and the inaugural Golden Globe winner “Good Hang with Amy Poehler.”

Many of the hosts overlap within The Ringer’s podcasting ecosystem. Just between Lathan and Lindsay, they host and appear as regular guests on as many as five shows, so they work from the studio three to five times a week. By being in close quarters together, a greater sense of collaboration has enveloped The Ringer’s team. Chow said there are some days when Simmons will walk onto four shows a day, just to share his thoughts on a topic.

“This is my dream of what The Ringer is. We’re all here talking, we’re all existing together,” Lathan said. “We’re all popping in and out of different rooms all the time.”

Exterior view of the building that houses Spotify’s new Sycamore Studios. The company takes up one floor of the facility.

(Allen J. Schaben/Los Angeles Times)

The Ringer was first founded in 2016. At the time, Simmons had recently been ousted from ESPN due to a strained relationship with higher-ups. Simmons had spearheaded the network’s Grantland sports blog, which focused on cultural commentary that is similar to what The Ringer does today. The Ringer soon established itself as one of the fastest-growing independent podcast networks.

The brand still keeps its roots in fandom — whether it’s through football or “Game of Thrones,” said Chow. So, to have a space that reflects the diversity of its programming often makes recording more fruitful, especially during key moments like the NFL draft or awards season.

As The Ringer continues to expand its roots in Hollywood, the network remains focused on maximizing its content.

In January, The Ringer started airing select podcasts on Netflix to reach a wider audience. Chow said the partnership is off to a promising start. Each of the five recording studios at the Sycamore site is fully equipped with live-streaming technology — making the weekly Netflix live shows possible.

“Podcasts have become like a cultural hub and curator of things that are happening in the world,” Chow said. “We always want to innovate and test. That’s something that was exciting to us to think about bringing our audience new content in different places.”

IT’S no secret that Pete Davidson has been quite the ladies’ man in recent years, as evidenced by his string of high-profile partners and Hollywood hookups.

The 32-year-old comedian’s love life often made headlines for its unconventional stories, including impulsive weeks-long engagements and explosive cheating allegations from his famous exes.

It was thought that the Saturday Night Live alum was settling down for good with his latest girlfriend, Elsie Hewitt, after she got pregnant with their first child.

However, things took a turn following the birth of their daughter, Scottie Rose, in December, and the pair parted ways, The U.S. Sun exclusively reported on Thursday.

Now that Pete is back on the market again, interest has piqued about his dating history and the A-listers with whom he’s been romantically linked.

Cazzie David was one of the first well-known names to have dated the comic, and their relationship perhaps had the most surprising ending.

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Pete was romantically involved with the actress for two-and-a-half years from 2016 to 2018, but the decision to call it quits wasn’t exactly mutual.

Cazzie opened up about their split in her 2020 memoir, No One Asked for This, claiming that Pete’s mental health had taken a serious toll on her toward the end of their relationship.

Pete has been open about struggling with anxiety, depression, and borderline personality disorder.

She recalled eventually breaking things off after a long internal battle, but changed her mind days later and attempted to reconcile.

However, Pete said he was “the happiest he had ever been” and wanted to continue their time apart.

“This 180 wasn’t what I’d expected, but it wasn’t unfamiliar. I said okay, and that I loved him, tears streaming down my face, and he hung up quickly,” Cazzie wrote.

The screenwriter alleged that shortly after, she discovered on social media that Pete had covered up his tattoos dedicated to her.

She also spotted a startling image of Pete with his new girlfriend, pop star Ariana Grande.

Pete and Ariana had a whirlwind romance that neither Cazzie nor fans saw coming.

The couple began dating in May 2018 and fell head over heels for one another.

Their relationship blossomed so quickly that they got engaged just three weeks into dating.

However, just like Pete, Ariana was also freshly out of a relationship with her ex, Mac Miller, when they got together.

Ariana dated the rapper for two years before they split the same month she began her romance with Pete.

When Mac passed away in August of that year from an accidental drug overdose, Ariana’s heartbreak put a major strain on her and Pete’s relationship.

The duo eventually broke off their engagement in October after only five months.

This sparked the beginning of Pete’s long list of A-list partners, and more eyes were drawn to the Staten Island native.

In early 2019, the actor briefly dated Kate Beckinsale, who is 20 years his senior.

They were spotted getting cozy at a Golden Globes afterparty and at a New York Rangers game during their time together. 

At the time, Kate told Extra that she was most attracted to Pete for his humor, saying, “Funny. I like funny.” 

However, after four months of dating, they decided to part ways.

Sources told People that their long distance was the primary reason for their split, though they remained “friendly.” 

Months later, The King of Staten Island star struck up a romance with model Kaia Gerber.

While also a brief relationship, the couple were pretty hot and heavy in the beginning, especially during their PDA-filled trip in Miami.   

They dated from October 2019 to January 2020, when Kaia began to notice red flags about Pete’s mental state.

An insider told Page Six that Cindy Crawford’s daughter was “overwhelmed” by the relationship and by Pete’s concerning, “intense” behavior.

Multiple sources also claimed that Pete’s mental health and addiction struggles were too much for the young supermodel to handle. 

Pete reportedly checked himself into a treatment program shortly after their breakup. 

After taking some time away, he was soon back on the dating scene and sparked another unexpected romance with newly single Kim Kardashian.

Kim and Pete began dating in October 2021 after meeting on the set of SNL.

The beauty mogul was a guest star on the show and performed a memorable Aladdin skit with Pete, who was a cast member.

Their feelings intensified into a full-fledged romance, in which they regularly hung out with each other’s families, including Kim’s four children, whom she shares with her ex-husband, Kanye West.

Pete even got a tattoo commemorating their relationship, which read “My girl is a lawyer,” and a branding on his chest that read “KIM.” 

Kanye, however, wasn’t thrilled about his ex’s new lover and went on numerous wild rants on social media slamming the Pete Davidson Show host.

Their romance didn’t last much longer, as Kim and Pete split in August 2022 after their relationship “ran its course,” sources told People. 

A few months later, Pete fell into the arms of supermodel Emily Ratajkowski, who had recently separated from her husband Sebastian Bear McClard. 

Rumors circulated in mid-November 2022 that the pair were an item after reports surfaced that they were in the “very early stages” of a relationship. 

They confirmed the chatter later that month when they arrived arm in arm for a New York Knicks game.

Their romance was short-lived as they split in December 2022, around the same time that Pete began dating his Bodies, Bodies, Bodies co-star Chase Sui Wonders.

Pete and Chase met when they were shooting the film in August of that year, though things didn’t turn romantic until later.

The pair were seen at a New York Rangers game and shopping at a Whole Foods Market in Brooklyn in the first days of their relationship. 

Although they initially denied their relationship, Chase was caught near Pete’s apartment, and the duo was seen enjoying a date night in New York City in January 2023, further fueling romance rumors.

Chase was also a passenger in the Mercedes that Pete crashed into a Beverly Hills mansion in March 2023, which earned the Bupkis star a reckless driving charge. 

The couple eventually ended things in August 2023 after less than a year of dating. 

Pete had a few other romantic flings over the last decade, including Carly Aquillino, Margaret Qualley, Phoebe Dynevor, and Madelyn Cline. 

However, right now, his suspected closest connection is with his most recent ex-girlfriend, Elsie, with whom he’s navigating co-parenting their less than five-month-old daughter.

A source exclusively told The U.S. Sun that Pete’s hectic work schedule and constant traveling while Elsie was at home with their daughter led to their breakup.

Another insider said, “Finding the best co-parenting solution is their top priority.”

Last summer, The U.S. Sun exclusively revealed the former couple was experiencing challenges in their relationship while Elsie was in the early stages of her pregnancy.  

A source claimed that their arguments were “out of control” and that the pair were “secretly recording one another.” 

Pete and Elsie began dating in early 2025 and announced their pregnancy that July. 

Both have yet to address their split.

A Death in Paradise star has given fans a major career update.

A Death in Paradise favourite is teaming up with a Strictly star for a sinister mystery drama.

Ralf Little joined BBC‘s Death in Paradise in January 2020 as the anxious DI Neville Parker, whose romantic life was rather unlucky.

However, when he bid farewell in 2024, Neville departed hand-in-hand with DS Florence Cassell (Josephine Jobert), sailing towards a happy ending.

Two years following his exit, Little is preparing to feature in Channel 4‘s forthcoming psychological thriller, Hunting Alice Bell, described as a “whodunnit with shades of family drama and social satire”.

Based on its official synopsis, the six-episode drama promises to be considerably darker than what Death in Paradise viewers have come to expect from Little.

Hunting Alice Bell centres on the eponymous character, a former nurse and the romantic partner and accomplice of a “notorious anesthetist serial killer”.

She now resides in the UK under a fresh identity, but when Fran Da Silva is accused online of being Alice Bell, “her happy family life implodes into a wave of mob hate”.

The synopsis adds: “Then she discovers she’s not the only woman to suffer this fate. Fran and the other accused women band together to fight back and clear their names.

“But as they battle to prove their innocence, what if one of the group is lying – and is the real Alice Bell?”

Few details are known about Graham Hunter, the character Little will play, with additional information about his involvement in the Channel 4 series remaining under wraps.

He’ll be accompanied by Nightsleeper’s Alexandra Roach as Fran, Sherlock and Strictly Come Dancing favourite Amanda Abbington as Julie, Mobland’s Emily Barber as Vanessa, and Shaun of the Dead legend Simon Pegg as Dr Jason Nash.

Hunting Alice Bell, which will explore the “devastating effects” of rumours, is scheduled to broadcast later this year, though no specific release date has been announced.

Co-creator David Baddiel remarked, “Technology has created a whole new spin on the idea of mistaken identity.

“We are told that in the present culture, anyone can be who they want to be. But that also means that anyone can have who they are taken away from them: the hive mind can decide who you are.

“This happens to the five women in Hunting Alice Bell: in a world where identity is very fluid, they have lost control of theirs.”

Death in Paradise is available to stream on BBC iPlayer.

Saturday Kitchen presenter Matt Tebbutt joked with Rivals stars about a missing guest on this week’s show.

Matt Tebbutt explained why his Saturday Kitchen co-star was missing.

Saturday Kitchen returned this weekend, with presenter Matt Tebbutt hosting some of the stars of the newly released second season of Rivals.

He introduced Gary Lamont, Lisa McGrillis and Emily Atack from the series and asked them all about their characters and what they get up to in the Jilly Cooper adaptation.

After speaking to the Rivals cast, Saturday Kitchen’s Matt Tebbutt addressed viewers, explaining one star’s absence from the line-up.

Helen McGinn, wine expert and presenter, had not been able to take part in the show as Matt said: “Now, Helen McGinn had to stay at home today because last night she had a binge-watch party with her neighbours in the leafy gated community of Hampshire.

“And seriously, she is too much of a fangirl to sit here today; her jaw would be on the floor. She can’t believe she’s missing out on our Rivals special.”

“So guys, please say hello to Helen.” The cast then waved and blew kisses, with Lamont saying, “Wish you were here.”

“Are you hungover, Helen?” McGrillis added cheekily as Matt joked, “Probably is. Helen, drop us a text, let us know what you are up to.”

Viewers took to X noticing her absence, with one sharing: “Rivals dropped last night, and Helen is not doing the wine this morning. Coincidence? #SaturdayKitchen”

Will Murray, Jake Croft and Kate Jenkins were on hand to serve up some culinary delights inspired by 80s classics in homage to Rivals.

Ollie Smith served up some classic cocktails, which were also in tribute to the Disney+ “bonkbuster” series.

Tebbutt and Smith spoke to the Rivals cast about the new season with the show’s host bingeing the first two episodes.

“It’s absolutely brilliant,” Tebbutt said. “And I have to say, none of you looks anything like you do.” Later in the episode, Tebbutt expressed his surprise at the stars’ transformations in the series.

Saturday Kitchen airs on BBC One on Saturdays at 10am

THE 2026 Eurovision Song Contest final is officially here, as Brits prepare themselves for the inevitable ‘null points.’

Over the years, many A-list celebrities have had a go at the world’s most famous singing competition, with some of them more unexpected than others.

Olivia Newton-John

Before her Sandy days, Grease star Olivia Newton-John represented the United Kingdom at Eurovision.

Singing “Long Live Love” back in 1974, Olivia managed to secure joint 4th place behind winners, ABBA.

Celine Dion

A 20-year-old Celine Dion competed in Eurovision back in 1988, singing “Ne partez pas sans moi” for Switzerland.

The Titanic star quickly transformed from a French-language star to a global icon, winning the competition by just one point.

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Blue

British boyband Blue proudly represented the UK in 2011, singing “I Can” to audiences in Düsseldorf.

The band, comprising of Simon Webbe, Duncan James, Antony Costa and Lee Ryan, scored a respectable 100 points, finishing 11th in the competition.

Bonnie Tyler

Beloved Welsh icon Bonnie Tyler represented the United Kingdom in 2013, singing “Believe in Me.”

Bonnie should have been Holding Out for a Hero during the competition, scoring only 23 points and coming 19th.

Cascada

Dance and electronic act Cascada represented Germany in 2013 with the song “Glorious”

The Evacuate the Dancefloor and Everytime We Touch singer finished in a disappointing 21st place in the competition.

Flo Rida

American rapper and singer Flo Rida made one of the most unexpected appearances in Eurovision.

Representing San Marino in 2021, Flo Rida teamed up with singer Senhit to rap a verse of her song, “Adrenaline.”

ABBA

The most famous entry of all, ABBA’s debut at Eurovision catapulted them to global superstardom.

Singing iconic hit “Waterloo” for Sweden back in 1974, their winning performance in Brighton became the start of their legendary careers.

EUROVISION gets underway tonight in Vienna, as fans celebrate the 70th edition of the iconic music competition.

Here’s all you need to know about what time the competition starts and what to expect.

What time does Eurovision start tonight?

The Eurovision Grand Final gets underway at 8pm on BBC 1.

The final is taking place at Wiener Stadthalle in Vienna, Austria.

Austria are hosting this years edition after winning the 2025 contest in Switzerland.

What is the Eurovision 2026 running order?

The running order for tonight’s Eurovision 2026 Grand Final was confirmed after the conclusion of the second semi-final on Thursday.

The running order for tonight is as follows:

1. Denmark: Søren Torpegaard Lund – Før Vi Går Hjem
2. Germany: Sarah Engels – Fire
3. Israel: Noam Bettan – Michelle
4. Belgium: ESSYLA – Dancing on the Ice
5. Albania: Alis – Nân
6. Greece: Akylas – Ferto
7. Ukraine: LELÉKA – Ridnym
8. Australia: Delta Goodrem – Eclipse
9. Serbia: LAVINA – Kraj Mene
10. Malta: AIDAN – Bella
11. Czechia: Daniel Zizka – CROSSROADS
12. Bulgaria: DARA – Bangaranga
13. Croatia: LELEK – Andromeda
14. United Kingdom: LOOK MUM NO COMPUTER – Eins, Zwei, Drei
15. France: Monroe – Regarde !
16. Moldova: Satoshi – Viva, Moldova!
17. Finland: Linda Lampenius x Pete Parkkonen – Liekinheitin
18. Poland: ALICJA – Pray
19. Lithuania: Lion Ceccah – Sólo Quiero Más
20. Sweden: FELICIA – My System
21. Cyprus: Antigoni – JALLA
22. Italy: Sal Da Vinci – Per Sempre Sì
23. Norway: JONAS LOVV – YA YA YA
24. Romania: Alexandra Căpitănescu – Choke Me
25. Austria: COSMÓ – Tanzschein

How can I watch Eurovision 2026?

Coverage will start in the UK on the BBC and BBC iPlayer at 8pm, with Graham Norton returning to his regular commentary role.

The show will last for almost three hours, coverage ending at 11.50pm, when the BBC will switch to the news.

Who is UK entrant Look Mum No Computer?

Look Mum No Computer is the alias of Sam Battle, originating from the name of his YouTube channel dedicated to creative audio electronics projects.

The artist also uses it as his stage name when performing as a musician.

The name is inspired by the phrase “look mum, no hands”, used by kids when they are learning to cycle.

It highlights the artist’s bold, anti-digital approach to making music where he builds his own synthesizers and hardware, such as his famous Furby organ.

Richard Madeley has been married to fellow TV presenter Judy Finnigan for almost 40 years, but the couple have been sleeping in separate rooms due to one particular reason

Richard Madeley has revealed the heartfelt reason behind why he sleeps in a separate bedroom from Judy Finnigan. The 69 year old Good Morning Britain presenter shot to stardom alongside Judy during the 1980s when the couple fronted ITV’s This Morning, before launching their own show, Richard and Judy, on Channel 4.

The pair first crossed paths in 1982, while both were married to different partners, but their romance flourished and 39 years ago today (November 21) they tied the knot in Manchester. They share two children, Jack and Chloe Madeley, while Richard is also stepfather to Judy’s two eldest sons, Dan and Tom Henshaw, from her previous marriage.

Richard and Judy, who turns 78 today (Saturday, May 16), ran from 2001 to 2009 before declining ratings led to its cancellation by television channel Watch. Judy later became a regular panellist on ITV’s Loose Women while Richard joined Good Morning Britain. However, a decade ago, Judy made the major decision to step back from television – which has resulted in them sleeping separately.

And Richard says his wife is “really enjoying” her break from the cameras. Meanwhile, he continues presenting GMB alongside journalist Susanna Reid. Though he recently took time off from the programme, informing followers he was “operating at 80 per cent” after contracting Covid.

Hosting ITV’s flagship morning programme means early rises for Richard. With GMB broadcasting from 6am, he regularly retreats to the spare room so his wife can enjoy a few extra hours of sleep. The beloved presenter lifted the lid on their bedtime arrangements during an appearance on Kate Thornton’s White Wine Question Time podcast.

He explained: “When I’m doing Good Morning Britain I sleep in the spare room. I do probably sleep a little bit better in bed with Judy but I’m okay on my own.” When asked whether he’d consider waking Judy up early instead, he added: “I wouldn’t think of doing that to Judy. Apart from anything else, Judy and her sleep, you do not mess with,” reports the Manchester Evening News.

Kate revealed that fellow early-morning broadcaster Amol Rajan claims he “sleeps better” with his wife beside him — meaning the couple, who have four children all under the age of seven, must rise at the crack of dawn whenever he presents the Today programme. Richard quipped: “Amol Rajan’s wife must be a saint.”

He added: “We did This Morning, but the difference between me and Amol there is that Judy and I would get up at the same time. The alarm would go off, we’d both get up and roll into our jeans, get in the car, and drive to Liverpool to do the show, and then when we were in London, drive down to the Southbank.

So we went to bed at the same time and woke up at the same time.” Richard and Judy first crossed paths in the 1980s while working on separate Granada TV programmes. Richard recalls hearing that Judy was “dicing [an executive] into small cubes with her tongue” following his “something sexist” remark. Speaking to the Guardian in 2014, he said: “I thought, wow – I’m going to marry her.”

Richard has recently disclosed that Judy initially harboured doubts about his capabilities as a stepfather. Speaking to Busted’s Matt Willis on the On the Mend podcast, Richard revealed that Judy made clear she came as a “three-pack” alongside twins Dan and Tom. To thoroughly assess his feelings about the relationship, Richard jetted off to Greece for some soul-searching.

He spent a fortnight in the Mediterranean nation reflecting “quite deeply” on his future, though the tale would eventually reach a happy ending. Richard explained: “So, I went off on my own. I went off to Greece for two weeks on a kind of a solo holiday to think about it, because I didn’t want to rush – well, I wasn’t rushing – but I didn’t want to make that mistake.”

Richard says the period apart from Judy helped him recognise that he was “quite comfortable” taking on a role in the boys’ lives. He added: “I didn’t want to say airily and with super-confidence, ‘Oh, yeah, it’ll be fine. You know, I’m happy to be a stepfather’. I needed to know that I could deliver and that I meant it.”

Married at First Sight USA will hit UK screens next week, and it’s set to make history

A Married at First Sight bride has made history as the first contestant to fall pregnant just weeks into the experiment.

The American version of the dating show is coming to UK screens on Monday (May 18th), and it sounds just as dramatic as the popular Australian series. The premiere will air on E4 at 8pm, with fresh episodes dropping every Monday to Friday.

Season 19 aired in the US back in October 2025, which means its biggest bombshells have spread across social media. One standout storyline included bride Meghann Turner, who revealed she was pregnant in the ninth episode.

She married Derrek Wiedeman at the beginning of the show and they seemingly sparked a physical connection during their honeymoon.

Announcing the baby news on the show, Derrek said: “Where do we start? We found out some pretty crazy news today. Some miraculous news, unexpected news. I think we’re both nervous.”

Meghann then jumped in: “We’re pregnant! And we were not trying — to make that completely known.”

Although they were still early in their relationship, Derrek felt the pregnancy changed “pretty much everything,” while his wife added that they were both “shocked, scared and happy all at once.”

But Derrek was keen to keep the news a secret from the other couples because Meghann was still early in her term.

“It’s still really early in the whole pregnancy. It’s too early yet to have the first doctor’s appointment where they do the ultrasound. We haven’t gotten to that point yet,” he said.

“But that’s going to be in a few weeks, so we’re a little nervous to spend this close of, like, intimate time together around the other couples because we’re not ready to tell anyone.”

We won’t spoil the couple’s current relationship status here, but they appeared compatible to MAFS experts Pastor Cal Roberson, Dr. Pepper Schwartz and Dr. Pia Holec.

Dr Schwartz is a sociologist, sexologist and relationship guru who has been on the show since its very first season. She works alongside marriage counsellor Pastor Cal and sex therapist and psychotherapist Dr Holec.

The new series of MAFS USA kicks off on Monday, 18th May

Rivals has made a comeback and so has Lord Tony Baddingham.

Rivals Season 2 is here with stars teasing that it’s “even better” than before.

Fans couldn’t help but fall in love with the adaptation of late author Jilly Cooper’s Rutshire Chronicles series back in 2024 and thankfully, it’s back for more.

First time around, fans got absorbed into the ruthless battle between ex-Olympian Rupert Campbell-Black (played by Alex Hassell) and media mogul Lord Tony Baddingham (David Tennant).

After plenty of scandal, the 1980s comedy-drama returns and so does Baddingham as he seeks to get his revenge against Rupert and his former employee Declan O’Hara (Aidan Turner).

But what does he intend to do to bring them and their rival television company Venturer to the ground?

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Disney+ is offering a discounted subscription at £3.99 per month for three months when signing up by May 6. This provides cheaper access to hit series like Rivals, Only Murders in the Building and The Bear, plus countless titles from Marvel, Star Wars, Pixar and more.

Where to watch Rivals TV series in the UK

Rivals will be returning to its UK home on Disney Plus for Season 2 where all 12 episodes of the new series will become available.

The lowest price subscription for the streamer is £5.99 per month with adverts, followed by £9.99 for the standard ad-free plan.

Then there is the premium £14.99 per month subscription package which promises ad-free streamer and “top-tier audio/visual quality and offline viewing capabilities”.

As well as Rivals, Disney Plus is also home to an extensive library of other hit shows including The Bear, Grey’s Anatomy, Love Story and The Mandalorian, just to name a few.

So far, only the first three episodes of Rivals Season 2 are currently available to watch on Disney Plus. After this, the next three instalments are going to be released every Friday so episode four will be out on Friday, May 22.

However, as of yet, there is no official release date for the second half of Season 2 which will consist of a further six episodes. The streamer has only revealed that Rivals will be back sometime later this year.

Teasing what fans can expect from the new season, actress Victoria Smurfit said on Lorraine: “We shot 12 episodes, so it meant we could get deeper into the characters.

“We could get funnier, more outrageous, more heartfelt, more love – it’s really juicy, and it’s even better, if that’s possible.”

Rivals season two continues to air every Friday on Disney Plus.

LOVE Island’s Yasmin Pettet left fan’s jaws on the floor as she stripped down to a thong bikini and showed of her sexy pole dancing routine.

The ITV2 show alum, 25, was seen gracefully swirling around the bar in her tiny brown swimwear.

Yasmin nearly popped out of her bikini top as she arched her toned body.

She was seen jumping up onto the bar and wrapping her legs around it. Yas then carefully let go as she elegantly dangled in the air.

The telly star engaged her incredible abs as she pulled herself up to be completely horizontal.

Yas did her whole routine in the daring bikini but was careful not to flash her fans during the sizzling scenes.

Read more on Yasmin Pettet

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POLE POSITION

Love Island’s Yasmin strips off to tiny bikini for racy pole dancing class

Stunning former Islander Yas had her brunette locks tousled in loose waves as she put on quite a show on the pole.

She captioned the racy Instagram story: “Layback slay.”

Yas has been updating fans on her progress with her pole dancing hobby.

She often frequents London‘s Akila Pole Studio, which focuses on “movement, self-expression and community.”

Last month, she was spotted in the studio at another practice session.

Yas opted for a more casual look, donning a white sports bra from Gymshark and grey shorts from Garage Clothing.

She was snapped hanging of the bar and posing with her arm outstreched.

Yasmin skyrocketed into the spotlight after appearing on season 12 of the summer dating show Love Island.

She entered the famous Mallorca villa as a bombshell on day five and 25 days later she was finally happy in a couple with Jamie Rhodes.

They came in third place and left the show together; but it wasn’t meant to be as they called it quits just weeks after it ended.

The epic period war drama has enthralled critics and audiences world-over, earning glowing praise from all quarters, with viewers comparing it to the brilliance of Gladiator.

Fans of iconic filmmaker Ridley Scott and his cult classic Gladiator are in for a treat, because there’s another film by the director that viewers feel is giving his OG period war masterpiece a run for its money. With a screenplay penned by Ben Affleck, Matt Damon, and Nicole Holofcener, the 2021 epic historical war drama has enthralled critics and audiences world-over, earning glowing praise from all quarters — and it’s streaming on Disney+ and Amazon Prime Video.

Viewers can’t stop raving about Scott’s 2021 film, The Last Duel, which stars Jodie Comer ( Killing Eve ) in the titular role, alongside Adam Driver and Damon. Affleck also has a supporting role in the movie, and the stars are joined by Harriet Walter, Alex Lawther, and Serena Kennedy to round out a stellar supporting cast.

Filmed in France and Ireland, Scott’s epic period drama is one that most people haven’t heard of, owing to its release during the height of the COVID-19 pandemic in October 2021.

Based on true events, the film’s official plot summary states: “Jean de Carrouges is a respected knight known for his bravery and skill on the battlefield. Jacques Le Gris is a Norman squire whose intelligence and eloquence make him one of the most admired nobles in court. The two knights must fight to the death after Carrouges’s wife, Marguerite, accuses Le Gris of assault. The ensuing trial by combat, a gruelling duel to the death, places the fate of all three in God’s hands.”

Garnering largely positive reviews from both critics and audiences, The Last Duel has made its mark, especially when it comes to the period war drama genre.

One critic said of the film: “A brutal, harrowing, intriguing, stunningly well-made film that will linger in your thoughts for quite some time.”

While another reviewer lavished praise on the director: “Ridley Scott delivers one of his best works in years with this brutal, righteous, superbly acted historical drama.”

A third critic said of the historical epic: “With the stakes set so high, Scott rises to the challenge and delivers a brutal, visceral ‘last duel’ with complex narrative designs and a phenomenal carousel of performances.”

While one reviewer simply declared: “Trust us when we say this is a cinematic epic.”

Audience reviews follow in a similar vein, with one fan saying: “A classic Ridley Scott’s work. A masterpiece.”

While another viewer writes: “Brilliant historic epic, beautifully filmed and captivating characters. If you like historical dramas, this is a great film for you”

A glowing IMDB user review of The Last Duel states: “Ridley Scott is the Master of this Genre for a reason. Best director you can find for this kind of visual storytelling is Ridley Scott, and believe me, he’s still top of his game. To be honest, I don’t think that Gladiator was a best picture because of Ridley’s effort, I think it was Russel’s incredible performance. But this movie shines because of Ridley’s awesome visual style.”

While another impressed audience member commented: “[Ridley] Scott certainly gives us a big, bloody and savage movie. Indeed of all his films, this could be the one most likely to appeal to fans of ‘Gladiator’. It’s a fantastic-looking film. There is so much about ‘The Last Duel’ that is smart, funny and totally unexpected that it just might turn out to be the most unlikely multiplex movie of the year.”

Another IMDB review of the period drama (and Ridley Scott’s brilliance) states: “This is, I think it could be argued, in the absolute top tier of Ridley Scott’s filmmaking oeuvre. More than that — and this might be more controversial, but I stand by it — I think it’s his best film, and that it isn’t close.

“This is a Rashomon-style multiple-viewpoints epic with lavish production values, superb acting across the board from a powerhouse cast, and supremely subtle and skilful directing. It is thoughtful, impactful cinema that should be part of the conversation about the best outings in historical filmmaking.”

The Last Duel is available to stream on Disney+ and Amazon Prime Video.

Frenchman Olivier Assayas’ canvas is either highly personal (“Suspended Time”) or deliriously global (“Carlos”). He can be hard to pin down as a filmmaker, except when the material does the restraining for him, as the intermittently arresting but overplayed piece of political theater “The Wizard of the Kremlin” proves.

Operating off the same-named novel by Giuliano da Empoli, about a behind-the-scenes manipulator named Vadim Baranov helping to orchestrate Russian leader Vladimir Putin’s rise to power, Assayas and co-screenwriter-journalist Emmanuel Carrère have fashioned a whirlwind shadow biopic of 21st century tsardom that blends the real story (Jude Law is Putin) and an invented one (Paul Dano is Baranov) with all the wisdom-in-hindsight energy of an old-school epic dramatizing How Things Came to Be.

The problem, though, from its clichéd interview framing (Jeffrey Wright plays an American journalist visiting the retired Baranov at his estate) to the tediously narrated flashback structure, is that the movie never lives and breathes inside its stitched-together moments, preferring to be a relentless, country-hopping talkfest in which characters opine as if fully aware of the consequential era they’re in, fully ready to explain it.

That doesn’t apply to a scarily good Law, who makes the most of a curiously underwritten featured-player part. When given center stage, his Putin is commanding, reminding us of the real sinister power in the room. But everyone else in “The Wizard of the Kremlin” is mouthpiece first, character second. Post-Cold War Russia’s swerve away from clunky democracy is as fascinating a turn of events as geopolitics gets, but it’s been reduced to an extended lecture on power, divvied up into timeline hits (from Yeltsin’s nascent kleptocracy to Putin’s violent fearmongering) and speaking parts made of aphorisms and commentary. (“If you don’t grab power, power grabs you” or “Russia has always needed a strongman,” etc.)

The Zelig-like Baranov character — understood to be a liberalized avatar for inner circle strategist Vladislav Surkov — is an interesting mix of cynicism and opportunity. He goes from being an idealist directing avant-garde theater to honing his manipulation chops making reality TV and eventually helping a savvy business magnate (Will Keen as Boris Berezovsky) fashion Putin into a palatable, malleable politician for an electorate hungry for stability. But when the ex-spymaster’s cold lust to return Russia to imperial glory becomes vengeful and warlike, Baranov’s principles give way to a ruthless impulse.

If only the sorely miscast Dano had the weight to sell this guided tour of corruption — a role that could have been in the vein of one of Scorsese’s charismatic motormouth narrators. Affectedly hushed and conspiratorial in nearly every scene, his accent an afterthought, the normally evocative actor comes off more like a one-note Bond villain in training than someone whose smarts and complexities are meant to intrigue. There’s also little chemistry in his scenes with Alicia Vikander, herself struggling to find dimension in a trophy girlfriend, whose greatest skill in an ever-changing Russia seems to be as an oligarch whisperer.

As “Wizard” barrels along, content to be aimlessly scornful and sloppy, it’s hard not to be reminded of Assayas’ much more successfully finessed “Carlos” and how this effort feels like a truncated miniseries, trimmed of nuance and emotion. It’s sketched out for cynical skimming rather than deeper psychological consideration.

Lainey Wilson and Devlin “Duck” Hodges made a splash last weekend, getting married Sunday at a picturesque waterfall in Tennessee.

And unlike at Wilson’s recent headlining gig at the Stagecoach Festival in Indio, nobody had to evacuate because of dangerously high wind.

“You could hear the water trickling down and birds singing, and we had a nice spring breeze,” the country singer and “Yellowstone” actor told Vogue, which had an exclusive on the event. “I arrived in a white horse-drawn carriage and walked down the aisle with my Deddy to join Duck at the altar.”

Yup, she said “Deddy.” She also said at Stagecoach — once the wind had slowed down and she was performing as promised — that she hoped her fans “sat in your cars and drank some tequila” when they were hastily and temporarily evacuated.

On Sunday, a friend took the couple through their vows as they were standing on a cobblestone ledge at the foot of a waterfall on the 121-year-old Ruskin property about an hour out of Nashville.

The groom wore a bespoke mallard green suit and ornate bolo tie for the ceremony, per Vogue, while the bride rocked some 5-inch Louboutin heels under her Oscar de la Renta gown. She also kept some blinged-out, custom-made high-heeled cowboy boots nearby just in case. Perhaps for the reception?

There was a 12-piece jazz band, Wilson told the fashion publication, and a Cajun meal that reflected her Louisiana roots. The caterer? It was her very own Nashville bar, Bell Bottoms Up, which turns 2 years old at the end of this month.

Wilson and Hodges, an NFL quarterback-turned-entrepreneur, met on a blind date in 2021 that started with a dinner on the water in Hendersonville, Tenn., and ended up at a honky-tonk. “We’ve been pretty inseparable since,” the Grammy winner said.

They got engaged a couple of days before Valentine’s Day in 2025. The retired athlete, who played for the Los Angeles Rams in 2021, is now a Memphis-based real estate agent who specializes in land and recreational properties.

REALITY star Katie Price has hit back at rumours her marriage to Lee Andrews is on the rocks as she shut down speculation in a feisty move.

The couple, who tied the knot in January, were due to appear on GMB on Tuesday but Lee failed to reach the UK leaving Katie to face the interview solo.

Lee’s no show further fuelled rumours of his travel ban, which could explain his many unsuccessful attempts at arriving in England.

After “businessman” Lee ditched plans to fly in, Katie called him out on social media saying he’s made me “look a d**k.”

Fans watched as Katie publicly questioned her husband for the first time and they were convinced the pair were heading for divorce.

But, Katie has clapped back, making fun of those discussing her marriage.

Mixed messages

Katie Price backtracks on husband’s ‘travel ban’ as story doesn’t ‘add up’

PRICEY MISTAKE

I fell for Dubai millionaire’s scam says Danielle Lloyd in warning to Katie

She reposted a picture of a Bratz doll blowing a kiss, with the caption: “Glad I’m the girl being talked about not the miserable one doing the talking.”

Earlier today Katie was forced to put out a statement addressing rumours of her marriage collapse.

She said: “Due to all the madness of trolling, people’s speculation and media frenzy that as a married couple we have both decided @wesleeandrews is taking a break from social media.

“And we are keeping things between us for now as it’s our life and marriage and are very happy.”

It seems Katie made quite the U-turn since she offered Lee a damning ultimatum just days ago.

She explained on her podcast The Katie Price Show: “I said to him, ‘If you don’t turn up to England this time, what’s the deal? Tell me what’s going on because I’m not flying out to Dubai now. I’ve got family, my kids and my job here’.”

Katie said: “If you can’t come to the UK and you are on a flight ban, it’s fine. Just tell me. Does it matter if you can’t fly out of Dubai for whatever reasons, whether it’s two years, three years or never, just tell me.

“I want answers. Just a bit of respect. Just tell me what’s going on.”

While Lee is taking a social media hiatus, Katie is still very much online.

She recently reposted a cryptic quote amid the Lee drama, which said: “Someone asked me what my favourite place is.

“I said: I don’t have a favourite place. I have my favourite people, my kids.

“Whenever I’m with my kids that becomes my favourite place.”