show biz

A guest on BBC’s Antiques Roadshow was left stunned after the price of her item she kept in an envelope since 1967

An Antiques Roadshow guest was left stunned by a “crazy” valuation.

The BBC programme visited an antiques fair at Belfast’s Botanic Gardens, with Fiona Bruce presenting as usual while guests brought along cherished possessions to discover their worth.

The opening valuation featured a guest clutching a genuine piece of rock and roll history. Expert Raj Bisram was clearly impressed when presented with three autographs from The Jimi Hendrix Experience members, reports the Liverpool Echo.

Scrawled on the reverse of three ordinary-looking tickets were the signatures of the legendary guitarist alongside bandmates Noel Redding and Mitch Mitchell. The guest revealed how she managed to obtain press passes for the Northern Ireland gig back in 1967.

She explained: “I had a friend whose name was Jerry Fox. She was a great Hendrix fan because he had a song called Foxy Lady. She had a friend, who managed to get us backstage press passes for the concert.

“It was part of Queens University Festival Belfast. We were up at the very front. It was very loud. But it was a great concert and he did all his usual of playing his guitar with his teeth. I can’t remember, but I think he smashed his guitar at the end.”

The guest recalled the gig coincided with the All Along The Watchtower musician’s 25th birthday. She added: “The organisers at the festival had arranged to have a birthday cake for him and they presented it to him backstage.

“Because we had press passes, we were allowed to go backstage and he was there. The cake was on a table. “I don’t think he was eating the cake. From what I remember, he was drinking a bottle of whisky.””

Seizing her chance in the presence of music royalty, the guest recalled: “We only had these tickets so we got the three band members to sign the back of the tickets.”

The concert took place in 1967, and the guest revealed the signed tickets had been tucked away in an envelope ever since. Expert Raj explained that the memorabilia had soared in value following Jimi Hendrix’s death at just 27 in January 1969.

Items linked to Jimi command a hefty price tag, thanks to the legendary musician’s enduring and devoted fanbase.

The expert explained: “People do that but then they forget where they put the envelope. To remember it and to keep it is absolutely lovely, because, unfortunately, he died very young, which makes some of this memorabilia that he’s left behind, even more valuable.

“As far as valuation is concerned, obviously Jimi Hendrix is the one that’s the most valuable. But putting all three together, if these went to auction, they would make somewhere between £5,000 – £7,000.”

Stunned by the staggering figure, the guest exclaimed: “What? You’re joking. That’s crazy.”

You can catch up on Antiques Roadshow on BBC iPlayer

The beloved sitcom premiered on screens over 20 years ago and has amassed a loyal legion of viewers

An iconic ITV show could be making a return, according to one of its stars who has revealed they “have the scripts” and “the actors waiting to do it”.

Back in 2000, the sitcom Fat Friends burst onto our screens and followed a number of beloved characters as they attempted to lose weight at a slimming club in Leeds.

The show boasted a stellar cast too, including Gavin and Stacey legends Ruth Jones, James Corden and Alison Steadman and Emmerdale stars Lisa Riley and Gaynor Faye, Alison Steadman. However, the programme – created and written by the late Kay Mellor – finished in 2005 before later being turned into a musical.

And it’s fair to say the programme – which was recently released on Netflix – was an instant hit and still to this day, receives rave reviews from viewers who are only just discovering it.

On Reddit, one person declared: “I loved it [Fat Friends]! It’s so refreshing to watch. Up there as one of the best shows from the noughties. The emotions and acting are also so believable I was not expecting it!”

A third penned: “I’m literally watching it now! Never watched it first time round, I’m really enjoying it. Great cast and the characters are super likeable. Great for a binge watch.”

But now, 21 years since it was last on screens, star and daughter of Kaye, Gaynor, has teased the programme could be making a comeback.

“I am trying to get it back on and trying to get a remake done. That’s what I am trying for now. I need everyone to get behind it and ask for it,” Gaynor said, on behalf of Zingo Bingo.

The former Emmerdale star added: “We have the scripts, we have the actors waiting to do it and it will be amazing. It’s one of those things where we just need people saying bring back Fat Friends and then we can bring it back.

“What she, my mum, brought to the attention of people, is that this is what used to happen. She did a lot of research into it, so it’s all based on the truth of what was happening at the time.”

Meanwhile talking about Fat Friends making its way into Netflix, Gaynor said she was “absolutely delighted”.

She added: “We’ve got the OG fans who originally watched it and loved it, but we’ve also got a whole new audience of young people, having watched it now too.

“Obviously for me, my mum’s show being on there and people watching, who might not have seen her other stuff, is massive, I’m so chuffed that people have got to see it again.”

A new trailer for Clarkson’s Farm has shown a moment when Jeremy Clarkson was hospitalised after suffering an issue with his heart where it “wasn’t getting any blood”

A new trailer for Clarkson’s Farm has shown the horrifying moment when star Jeremy Clarkson had to be hospitalised after a heart scare. In the clip, he told colleague Kaleb Cooper that his heart “wasn’t getting any blood”.

The trailer for season five was released on 18 May. It started with clips about life at Diddly Squat, including Jeremy’s pursuit of a driverless tractor, but the tone suddenly shifted when he opened up about a recent hospitalisation.

Clips of the star in hospital, with wires connected to his chest, just after a clip of an ambulance racing down a country road. Jeremy could be heard telling Kaleb: “You’ve got three arteries that feed your heart to keep it pumping. My heart wasn’t getting any blood.”

READ MORE: Clarkson’s Farm star Kaleb Cooper ‘replaced’ in season 5 trailerREAD MORE: Jeremy Clarkson calls Aberaeron Wales ‘achingly beautiful’ with ‘best hotel in the world’

The camera cut to Kaleb’s shocked face before another Diddly Squat farmer said: “To be fair, my mother dropped dead of heart attack at 67.” Jeremy responded that this was “cheery news”.

Jeremy has faced heart issues before. In 2024, he went through a heart procedure where he has a stent put in to open up a blocked artery after suffering from tightness in the chest. Writing in his column for the Sunday Times, the then 64-year-old said he thought he was having a heart attack because the symptoms were so familiar: “I certainly wasn’t having a heart attack. But if it hadn’t looked that way, I never would have been sent to hospital.”

Though he will discuss his latest hospitalisation in Clarkson’s Farm, Jeremy does not seem to be letting his heart scare slow him down. The rest of the new trailer showed him to be getting stuck into life at the farm as it battled a tuberculosis outbreak among the animals.

It also saw him consider using a driverless tractor. In the trailer, Jeremy is sitting in his office and talking to Charlie Ireland: “I’ve had a brainwave, don’t worry.” Charlie was left shocked when he was handed a piece of paper that had plans for a driverless tractor.

The footage cut to said tractor, which was described as the “Starship Enterprise of farming”, working away on the land and Jeremy declaring to farmhand Kaleb: “Behold my technology at work.” Kaleb responded: “That is basically taking my job.”

But, Kaleb didn’t have to worry about his job as the tractor soon stopped moving in the middle of ploughing a field. “That went well,” Kaleb joked.

The new series was greenlit by Prime Video back on November 5, 2024 and filming took place last year. The first four episodes will be released on 3 June and the remaining will arrive in batches on the 10th and 17th.

Prime Video have not said if the show will continue after the upcoming series, but Jeremy has expressed his desire to have the show come back for at least two more seasons.

“We’ll definitely do six – Amazon want to [do season six] and I want to. I’ve got a good idea for six,” Clarkson told The Sun earlier this year. “I said I’ll stop doing them when there are no more ideas. But I’ve got two quite good ones, so we’ll do six and then we’ll see.”

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When Andrea Werhun started writing her memoir, “Modern Whore,” nearly a decade ago, she was afraid to be honest about working as an escort and stripper. But she embraced going public to “use storytelling to advocate for the plight of sex workers.”

In the documentary version of “Modern Whore,” directed by Nicole Bazuin, Werhun has gone not one, but several steps further. Werhun, 36, is not only the main interview subject, she’s also the frequently topless star of all the vividly depicted reenactments of her experiences. The documentary also features bright colors, funky music and an often jaunty tone.

Werhun, who started escorting in college and still does sex work even while pursuing writing and acting, was a consultant on Sean Baker’s “Anora,” and he served as a producer here, offering feedback on their script and numerous cuts of the film. It premiered at the Toronto International Film Festival in 2025 and is now available on video on demand.

Werhun and Bazuin recently discussed the film’s style and goals in a joint video interview edited for length and clarity.

How much were you consciously trying to make this different from other documentaries about sex workers?

Bazuin: I wanted this to feel like a storybook come to life — we literally jump inside Andrea’s book with Andrea as our storyteller and reenactor of her own experiences. People might expect a film about sex work to be be drab or dour, and we wanted to confront that right away with vivid colors and a stylized expressionistic mode that can support all the moods of her experiences. Stylized films sometimes can contain more truth than realistic forms.

Werhun: Cinema verité, which is typically how sex workers are portrayed in documentaries, inevitably comes off as voyeuristic.

Most documentaries about sex work don’t include R-rated reenactments starring the film’s subject. Why include that?

Bazuin: We wanted to disrupt expectations audiences might have and to make it a more human portrait.

Werhun: I love performing and I’d love to have an acting career and this was an excellent showcase of my abilities.

But also it would feel censored if there weren’t any tits, if there were no sex scenes in a film about sex. I’m not ashamed of the fact that I’ve used this body to make a living. Nicole and I crafted the scenes meticulously to convey a point that is artistic, funny and educational.

Bazuin: The movie runs the gamut tonally. It’s a “Trojan whore” for a feminist and sex worker manifesto for political and social change, so we also show the challenges and the assaults that Andrea experienced because we want laws that would make this work safer, including the decriminalization of sex work.

Andrea, why interview your boyfriend and mom on camera?

Werhun: The sex worker stereotype is that we’re isolated and vulnerable, with no support systems; that stereotype makes predators think we’re easy victims. I wanted to dispel the idea that we are incapable of having loving, meaningful relationships.

This is presented as a film memoir yet you then include other sex workers’ perspectives.

Werhun: Unfortunately, when it comes to sex work storytelling, there is a proliferation of cis white, educated women and those tend to be the stories that get platforms. But that experience is minute compared to the wide range of sex workers, so it was vital to expand the narrative to include other perspectives, whether it’s race, gender orientation or class. What we have in common is that we all deserve to be treated with respect and dignity.

You say you’re rewriting the usual story of sex workers as victims or villains but you were a victim, both of exploitative working conditions and sexual assault. Will sex workers always be victimized without legal protection?

Werhun: Most of our clients are not bad people, they’re paying for a service we’re willing to provide. But under any criminalized model, there is inherently exploitation and people don’t feel safe accessing justice. If we don’t have labor rights, we’re going to be victimized. Even strippers are not comfortable going to the police.

We’re fighting a society that wants to keep our work in the dark, to pretend that this isn’t happening, that it can be abolished by throwing people into prison. Criminalization is harmful and guarantees there are more victims.

Where does OnlyFans fit into the sex work equation?

Werhun: The beauty of escorting and stripping is that you can dip in and out. With OnlyFans you’re working 24/7, creating content, interacting with your fans and doing constant self-promotion. With sex work in person, no one has to know about it but OnlyFans will follow you for the rest of your life. I did it for a year and a half and it paid my rent but it’s not my preferred type of sex work. It’s great for people who live online.

How did audiences respond to the film at festivals?

Werhun: Obviously, creating this film was a trust fall. The film is a song and dance on behalf of all whores, trusting humanity to hold me and not hurt me. I was pleasantly surprised by how audiences warmly embraced it. Some people were working through their prejudices in real time and it’s amazing to watch them transform. We hope the film can inspire social change. If it pulls your heartstrings, then when issues of criminalization and legal change arise, people might say, “I remember that movie and I think whores deserve to have equal rights with everybody else.”

MAFS fans in the UK will finally get to see what went down in the American edition of the reality show

There are now just hours to go until the latest season of Married At First Sight USA airs in the UK.

The hit reality format sees brides and grooms meeting each other for the first time at the altar. From there, they get to know their new spouse properly as they head off on their honeymoons, move in together and mingle with the show’s other couples over the weeks it takes to film.

There are now ample different series available for viewers to indulge in, including the recently concluded Australian series which brought drama by the bucket load. There has even been a spin-off announced, titled Second Marriage At First Sight, which will be bringing back fan favourites from the UK and Aussie seasons who didn’t find love first time around.

Until then, UK-based reality fans will get to watch the latest USA series on their TV screens. Series 19 of Married At First Sight USA will be broadcasting for the first time in the UK on E4.

The first episode will air tonight (May 18) at 8pm, introducing viewers to 10 singles from Austin, Texas, as they embark on their quest for long-lasting love. The season originally aired stateside in late 2025, meaning some of the biggest moments have already been discussed online, but we won’t spoil those here.

However, American viewers have previously described the series as “even more dramatic” and “more toxic” than its Australian counterpart. One viewer penned: “Season 19 might have the most toxic people yet in the entire MAFS history. I’m not saying this season has the top-most toxic person of the whole show. There are definitely very toxic people from other seasons.”

When does MAFS USA air in the UK?

If you’re already sold on the series, when can you watch it? The series will be shown every weeknight, Monday through to Friday, at 8pm on E4.

Unlike the UK series which has an episode count into the thirties, the USA series is much shorter. There are 13 episodes in total, plus a reunion which is considered to be Episode 14.

The experts on MAFS USA are Pastor Cal Roberson, Dr Pepper Schwartz and Dr Pia Holec. Dr Schwartz is a sociologist, sexologist and relationship guru who has been on the show since its very first season. She works alongside marriage counsellor Pastor Cal and sex therapist and psychotherapist Dr Holec.

Married At First Sight USA begins airing in the UK tonight at 8pm on E4.

VIENNA — Vienna’s famed coffeehouses have embraced the Eurovision Song Contest. They have also been touched by tensions over Israel’s inclusion in the sequin-drenched pop music competition.

When officials announced a list of “Eurofan Cafes” — Vienna coffee shops offering food and music from competing countries — Israel was initially left out.

MQ Kantine, a modern café in the city’s arty museums quarter, offered to step in. Now it has falafel, bagels with lox and kosher wine on the menu, a string of small Israeli flags hanging from the ceiling — and a police officer outside the door.

Security is tight across Vienna during the international music contest, whose “United by Music” slogan rings sightly hollow this year. Five countries are boycotting because Israel is taking part. Pro-Palestinian activists are planning a protest concert — one of several Eurovision alternatives across Europe — and an anti-Israel march before Saturday’s grand final.

At MQ Kantine, volunteers take turns to monitor for potential trouble. But so far the mood has been supportive, said Daniel Kapp, a PR consultant and pro-Israel campaigner.

“It’s beautiful,” he said, as people drank coffee and beer on the café terrace in the spring sunshine, though he noted that the police officer on duty showed that all is “not entirely normal.”

“My feeling is that Austria to a certain degree has learned from its history,” Kapp said, referring to the deadly antisemitism under the Nazis before and during World War II. “Which is why the support for Israel is a lot more normal than it is in other countries.”

Israel has competed in Eurovision for more than 50 years, and won four times. But its participation has been contested since it launched a war in Gaza after 1,200 people were killed in a Hamas-led cross-border attack on Oct. 7, 2023. More than 73,000 Palestinians have been killed since the war began, according to the territory’s Health Ministry, which operates under the Hamas-run government and whose detailed records are viewed as generally reliable by the international community.

Israel’s government has repeatedly defended its campaign as a response to the Oct. 7 attack. But a number of experts, including those commissioned by a United Nations body, have said that Israel’s offensive in Gaza amounts to genocide. Israel, home to many Holocaust survivors and their relatives, has vigorously denied the claim.

The latest Israel-Hezbollah war in Lebanon and the U.S.-Israeli war on Iran have driven tensions still higher.

The 2024 Eurovision contest in Malmo, Sweden, and last year’s event in Basel, Switzerland, saw pro-Palestinian protests that called for Israel to be expelled. Five countries — Iceland, Ireland, the Netherlands, Slovenia and Spain — pulled out of the 2026 contest after organizers allowed Israel to compete.

Partying amid tight security

The tensions have produced a Eurovision of two halves. An upbeat party atmosphere prevails inside the Wiener Stadthalle arena and in the separate Eurovision Village fan zone. But getting in means passing through a ring of steel, with searches, scanners and a ban on all bags inside the arena. Armed police are a very visible presence on the streets.

Awareness of risk from terror plots is high in the city after a 21-year-old Austrian man accused of pledging allegiance to the Islamic State group pleaded guilty to plotting to attack a Taylor Swift concert in Vienna in 2024.

Israeli singer Noam Bettan told Israeli media that, like last year’s Israeli competitor Yuval Raphael, he practiced performing while being booed. There were scattered shouts amid the cheers when he performed in the first Eurovision semifinal on Tuesday. He secured a spot in Saturday’s final by being one of the top 10 finishers in voting by viewers and national juries.

Organizers said four people were removed from the 10,000-strong audience for disruptive behavior.

Austrian Eurovision fan Ivo Herzl, who attended the semifinal, said “the vibe was incredibly positive.” He is showing support for Israel by making and selling Mazel Lov T-shirts — a play on “mazel tov,” a Hebrew and Yiddish phrase of congratulations.

“Vienna has always been a city of tolerance,” Herzl said. “It’s the city of music and we’ll always do everything possible for everyone to enjoy a musical event.”

Some Israeli fans said they were reassured by the tight security. Oz Yona, attending his first Eurovision, said he had experienced “no hate” and felt Austria took antisemitism seriously.

He came with friends to cheer for Israel, though he was not optimistic about Bettan’s chances — for musical rather than political reasons.

“I don’t think he will win,” Yona said. “Finland is better this year. Greece is better this year. We have a good song, but not a winning song.”

Birgitta Peterson and Kristina Nilsson, who wear matching pink bomber jackets and call themselves the Swedish Ladies, love to explore new cities and meet up each year with their “Eurovision family” of fellow fans. They plan to wave Israeli flags at Saturday’s final, after Swedish contestant Felicia said earlier this year that she didn’t think Israel should be in the contest.

They say tensions over Israel have divided a fan community long known for its friendliness and embrace of diversity.

“The wounds are very deep at the moment,” Nilsson said.

“This event should really be about ‘united by music’ and happiness,” she added. “That’s what Eurovision is all about.”

Lawless writes for the Associated Press.

REALITY TV star Matilda Draper sizzled as she stripped off to a yellow bikini on holiday in Ibiza.

The 25-year-old split from her TOWIE boyfriend Roman Hackett back in March and fans were quick to point out how stunning the star was looking in her “single era.”

Brunette bombshell Matilda flaunted her incredible abs as she posed on a balcony in the famous party isle.

The TV personality put on a busty display in a beautiful yellow bikini and gold belly chain.

She surely to sent pulses racing in the sexy ensemble as she gave the camera a sultry pout.

Matilda stunned as she pulled her locks back from her face, soaking up the last few rays as the sunset.

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In another snap, Matilda flashed a smile as she showed of her enviable physique.

The star donned a pair of pink lensed Miu Miu sunglasses as she prepared for a night out on the town.

Matilda was spotted wearing a matching pair of plaid low-waisted trousers as she posed next to her pal Albie in a mirror at their hotel.

The pair went on a boozy night out at a beach club as Matilda was seen flashing her middle finger and kicking her leg up in the air as she laid on a sofa.

It seems the star is living it up post break up and fans were quick to applaud her.

One fan penned: “Entering her hot single era,” followed by three heart eye emojis.

Another fan wrote: “I’m actually obsessed with you.”

Meanwhile, her Love Island pal Uma said: “OH SHE’S SEXAAAAAY.”

Matilda and Roman, 23, went Instagram official in December 2024 but parted ways earlier this year after just over a year together.

The split left fans baffled as the pair looked very loved-up on social media.

A source told The Sun at the time: “Matilda is absolutely devastated about the split.

“They tried for a while to make things work but they aren’t together any more.”

HELEN Flanagan today looked incredible as she posed in a plunging white mini dress as she revealed she is now looking for her “fairytale”.

The new photoshoot comes just days after the former Corrie actress, 35, finally moved out of her Cheshire family home that she once shared with her ex-fiancé Scott Sinclair, 37.

After the big move, Helen is now keen to start a fresh chapter in her life.

To celebrate this new start, the sexy star thrilled fans by sharing an Instagram video of herself posing in a plunging white dress.

Posting the summer-inspired clip online, Helen was seen frolicking on a picnic blanket on the grass.

The actress pulled various poses to show off all her best angles.

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At one point, Helen was seen seductively eating a strawberry.

Revealing she was starting a new chapter, the soap star penned: “I want the fairytale.”

It’s fair to say Helen’s fans went wild for her look, with one writing: “Beautiful lady.”

Another added: “Absolutely stunning!”

This fan swooned: “Stunning and classy!”

Last week, Helen was spotted moving all of her stuff out of the family home she once shared with ex Scott.

There’s no love lost between the pair, with the Ex On The Beach star previously slamming her former fiance for leaving her skint and having a lack of involvement in their kids’ lives.

The detached home near Bolton was in Scott’s name, but he let Helen and their three kids — Matilda, Delilah and Charlie — live there after the split.

Last year, we reported the house was put on sale for £1.5million before being reduced to £995,000.

Despite the loss, it means Scott has still made a £155,000 profit on the home having bought it for £840K in 2021.

But despite the house now being sold, a source told The Sun that things are still “far from rosy”.

“Helen said she wasn’t planning to talk to Scott or even look him in the eye, things between them are still toxic,” an insider revealed.

“All the conversations about moving and the furniture have mostly been over email.

“Scott is relieved the house has finally sold, but Helen is in limbo at the moment.”

In January, The Sun revealed how Scot was keen to get the home sold, while Helen wasn’t in any rush to move out.

A friend of Helen’s said at the time: “Scott pays for the house and all the bills and he’s decided a six-bedroom place is way too big for Helen on her own with the kids.

“But Helen doesn’t want to move and is digging her heels in.

“She loves the place, the kids are settled at the local school and her mum and dad live around the corner.

“Scott wants to buy Helen a four-bedroom home. He’s even offered to put it in her name but wants to stop the maintenance payments.

“The relationship has completely broken down. They no longer communicate — everything goes through her parents.”

CANNES, France — The movies of Na Hong-jin aren’t hard to love — they’re as obsession-worthy as the stylish rigor with which they are made. His 2008 debut, “The Chaser,” found new febrility in the post-Fincher serial killer thriller. “The Wailing” somehow added ghosts, demon-possessed children and inky black crows to the mix with a near-crazed sense of showmanship.

That was 10 years ago. Na, 51, now sits on the other side of a project that has consumed him for years, a sci-fi action film called “Hope” that arrives with expensive CGI, a pair of A-list stars (Michael Fassbender and Oscar-winner Alicia Vikander) and James Cameron-sized franchise ambitions. It will undoubtedly make Na’s gallows-humor-inflected brand more global, even if it lifts him out of the cult niche that’s nourished him to date.

Cannes is an unlikely place to launch “Hope.” That could be seen as a sign that the festival’s increasing accommodation of blockbuster bigness doesn’t need Hollywood. Na sits in the corner of a Côte d’Azur waterfront lounge on a glorious midday, the sky an almost abstract blue. He tugs at his goatee distractedly. His world premiere is tonight.

Neon, the distributor currently enjoying a six-year Palme d’Or winning streak, will release “Hope” in America sometime after its summer bow in Na’s native South Korea. The following conversation has been edited for length and clarity. It also contains significant spoilers.

A scene from the movie “Hope,” directed by Na Hong-jin.

(Neon)

When did you realize that you had a big sci-fi alien monster movie in you?

The idea came to me in 2017 in Seoul. The premise started off with somebody watching news in a diner or a small restaurant. It was that image that I had in my head. So I started developing that initial image in more detail. By 2018, I was able to write my first draft.

“Hope” brings to mind several genre classics, from “Jaws” and John Carpenter movies like “The Thing,” to something more homegrown such as Bong Joon Ho’s “The Host.” Were those inspiring to you?

I must have looked all the genre films that I could find, including the ones you mention, before I went into filming. And, as I hope you noticed, I was looking more at films from before 2000 and I tried to reflect that look.

It seems like you’re using Cannes as a moment to pivot or reinvent yourself. Is that intentional?

I didn’t intend for this to be a turning point in terms of style or direction going forward. I never thought of it that way. What I really dwelled on was thinking about how to tell this story in a way that was approachable and entertaining for people.

Why did you set the story in the demilitarized zone?

If you look at it from a universal perspective, what happens in this very shabby, humble, small, insignificant space potentially creates an impact that can go on infinitely. I think none of the characters in the film do anything with any malice. I guess the underlying story I want to tell is that there is no reason for evil intention behind anything, but innocent acts can build up to something tragic.

Michael Fassbender and Alicia Vikander are wonderful surprises in the movie as some rather dignified aliens. What led you to them?

When I was casting the alien roles, I had a bigger story in mind. I don’t know whether there’ll be a sequel after this one, but if so, that sequel is going to be centered around them. So picking the right actors was very important for me. We asked them to learn this invented alien language, which they prepared and came onto set knowing.

How important to you is comedy and releasing tension with laughs?

Very. I try to really think it through and if it comes out the way I intended, that gives me such a thrill. I tried to incorporate it in many places.

A lot of the movie feels like a virtuoso chase sequence, people barreling down the road, guns blazing. But it took me a minute to realize that the more interesting question is: Who’s doing the chasing? Is “Hope” meant to make us examine our own violence?

Yes, very much so. And two of the major chase scenes were designed so that what starts off as righteous somehow tilts toward being unjust. I wanted the action to bring up that transition in perspective.

You’ve premiered at Cannes before but, in a way, it feels like the wrong festival for a movie like this. You’re laughing because I think you agree with me.

It goes without saying. I’m incredibly nervous. And I feel so grateful that you’re treating me so nicely and gently.

A scene from the movie “Hope,” directed by Na Hong-jin.

(Neon)

Why did it take you 10 years to make this film?

There was a pandemic in the middle of that. But except for the pandemic where everything stopped, I was working my ass off before and after. It still took this long. I’m a little concerned myself, like: How did this happen?

With “Hope,” are you saying goodbye to the filmmaker you once were?

Not at all. Throughout the entire process of making this film, I was bloodthirsty. I was thirsting for blood. I have another script written already.

And maybe now it’ll go faster because there won’t be a pandemic. Are you hoping that this movie is going to have an impact on the Korean film industry?

It’s not my place to say that. I’m not sure. I want things to be freer.

Would it be a mistake to read this film as an allegory for what’s happening now in the world? Is it a plea for understanding?

I don’t regard it as a plea for understanding. Rather, let’s hope people will be able to relate to it and be empathetic about the story and realize for themselves, understand for themselves. Maybe there’s something more to it, but you take away what you will from that.

Your dark humor flares on occasion. Did you make it a point to try to preserve that?

Well, you can’t just do something like this without having that. It’s not fun.

This doesn’t feel like an “Avatar”-style film. There’s an openness to it, a sense of exploration. Do you believe in heroes?

I do believe in heroes, but, as I tell in the story, anyone can be a hero.

FOUR of the world’s biggest stars dazzled on the Cannes red carpet last night.

Julianne Moore, Cate Blanchett, Bella Hadid and Carla Bruni-Sarkozy starred before the screening of new film Garance at the 79th annual Cannes Film Festival.

Hadid wore a custom Prada powder pink sheath dress, with a matching stole and beaded detailing.

She was flanked by Moore in a strapless red gown and diamond jewellery.

Former First Lady of France Carla wore a white-tiger ballgown signed by Roberto Cavalli while Cate Blanchett stunned in a shiny Givenchy floral look.

Garance is a film about a gifted young actress living in a small Parisian apartment.

Hollywood icon John Travolta turned heads at the 79th annual Cannes Film Festival, debuting a dramatic new look.

The 72-year-old Grease pin-up arrived on the red carpet looking preened-to-perfection as he posed with his stunning daughter, Ella Bleu.

Viewers have been left horrified by the chilling new documentary that is free to watch.

Channel 5 viewers have been left horrified by a new true crime documentary.

Murder In Shetland: Trial by Jury follows the killing of Claire Leveque, a woman who was found dead at a remote Shetland home.

Claire, from Canada, was 24 years old when she was killed on 11 February 2024.

She was found with a number of serious injuries in a hot tub at a property in the Sandness area, and though emergency services arrived at the scene, she was pronounced dead a short while later.

A new documentary is now revealing the murder trial that followed, as well as sharing the perspective of her grieving family.

The Channel 5 synopsis teases: “Inside the courtroom as a grieving family and an accused partner collide in a murder trial.”

Sharing a clip on social media, Channel 5 warned viewers: “Warning: Some viewers may find the following video distressing.”

They added: “Claire Leveque’s final months reveal a harrowing story of control and abuse. Now, her family cross continents in search of answers, and justice.”

The trailer heard clippings from the trial, with Claire’s family and friends in tears in court.

It also sees testimonies from experts brought in to prove the case, as a person warns: “This is a horror story from the beginning.”

“This was horrific,” one viewer commented to the clip.

Another said: “Horrendous case – can’t imagine how her family & friends coped with that trial.”

Someone else called it “very chilling”, and said “it wasn’t an easy watch”.

“A hard watch,” another agreed, while someone else said: “#MurderinShetland is remarkable television. Do watch it if you can, although it is quite harrowing.”

Ahead of the documentary airing, Gary Davies, consultant editor for commissioning at 5, said: “This thoughtful series gives a deeply human account of an unimaginable tragedy. It shines a light on the justice process and honours the courage of Claire’s family as they seek truth and remembrance.”

Mark Procter, executive producer for Big Little Fish, echoed the sentiment, saying: “We are profoundly grateful to the Judicial Office for Scotland and to everyone who enabled our access to the trial.

“Above all, we are honoured that the Leveque family have entrusted us to document what happened to Claire. We hope this series serves as a respectful tribute – giving her the voice that was so cruelly taken from her.”

Murder in Shetland: Trial by Jury is available to watch on Channel 5.

FOR almost four decades, Kylie Minogue has soundtracked our lives with anthems of love, joy and heartbreak.

While her own personal life has seen both stellar highs and crushing lows — including failed romances, and cancer — she has kept calm and carried on, and on, then on some more.

As for those gold hotpants from her 2000 video for disco belter Spinning Around, they brightened up all our lives, to the point they are now under lock and key in a museum.

But as Kylie, 57, sits down with me for her only newspaper chat ahead of her self-titled Netflix docuseries that airs on Wednesday, she insists she is just like the rest of us when heartbroken.

In the TV tell-all, she recalls her devastating 1991 split from the late INXS frontman, Aussie Michael Hutchence, after a passionate two-year romance — and how she slept on a pal’s sofa in Paris while unable to face the couple’s old stomping grounds in Oz and the UK.

She had previously also dated Aussie actor-singer Jason Donovan — and when I ask if she’s ever “gone full Bridget Jones”, liked the unlucky-in-love soul of movie fame, she swiftly replies: “Oh, 100 per cent.

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“I’ve had different relationships that all shaped me. Of course, I talk about Michael. I’ve also got Jason Donovan, who speaks so amazingly in the documentary.”

During the Netflix special, Kylie recalls how she struggled post-Hutchence — and tells viewers: “I didn’t know where to go or what to do. I knew I didn’t want to be in London and I didn’t want to be in Australia, so I went to Paris.

“I remember having a tiny English to-French dictionary. I didn’t know anyone, but had two numbers on a bit of paper. One of those was a friend of a friend of a friend of a friend of mine.

“She lived with a girl called Kat, who is now my oldest, best girlfriend. I moved into her apartment, got a sleeping bag and slept on the sofa. I was feeling heartbroken.”

Keen not to sugarcoat her life for Netflix, Kylie let director Michael Harte retain total creative control, even when she may have liked some bits left on the cutting-room floor.

In one episode, her former Neighbours co-star Jason remembers the moment Kylie left him for rocker Michael — explaining how they met him after an INXS gig before Jason watched the pair disappear into a hotel bathroom together.

Jason admits: “He wasn’t interested in me. I could sniff that a mile away. And she disappeared with him into the bathroom, which is fine. You know, we’re grown-ups.”

Reflecting on that evening, Kylie adds: “After the gig, Jason and I were invited back to the after-party. I would have been a bit like, ‘How did we get here?’ We were just talking about singer stuff.”

Kylie has been single since splitting from GQ magazine boss Paul Solomons in 2023, and insists she does not need a man to feel complete.

When I ask if she is happy, All The Lovers singer Kylie replies with a smile: “I’m super-happy, yeah.”

She told the Sunday Times’ Style magazine yesterday: “I don’t have a boyfriend. I was in a relationship, and when that ended, I realised I was OK on my own. I’m getting pickier. Narcissists . . . I’ve dated one and I’m grateful I now have that knowledge. That’s my red-hot ‘no’.”

Similarly, when Kylie and I last chatted, in October 2024, the I Should Be So Lucky singer told me: “There’s no one significant in my life and I feel content. I feel like this is my destiny right now.”

But she STILL fiercely believes in love — and enjoys watching it bloom for others.

We first met in 2023 while she was promoting 16th album Tension. I was shamelessly chasing a boy and, on my way to her Claridge’s hotel suite, bought a bottle of Kylie Prosecco for her to sign for him.

After our chat, she agreed, writing his name on the bottle and wishing me luck in my romantic pursuit. The next summer, he was my boyfriend.

During a brief meeting in 2024, at the British Summer Time festival in London’s Hyde Park, I thanked her for the part she had played. “See, I’ve still got it!” she happily told her team, punching the air.

But by the time we crossed paths in May 2025, outside her dressing room as she played London’s 02 Arena for her Tension world tour, I was single once more.

I mentioned I was seeing her show again the next night and bringing my ex. “Ooh, what’s the goss?” Kylie asked. Laughing awkwardly, I admitted I wished we were still together.

Meanwhile, in episode two of her Netflix series Kylie wells up as she admits she has been searching for a love like she shared with Michael ever since their 1991 breakup.

Kylie says to camera: “I haven’t quite got it. I’ve probably been looking for something like that ever since.

“He was a first for so many things and one was heartbreak. I was devastated. He was a rock star, which doesn’t just mean that he needs many women in his life, but he needed to go where he needed to go. But I know from people in his circle that he talked of me and thought of me. We were good together.”

Shrugging off the emotion, Kylie adds: “Shoulda, woulda, coulda  — whatever. But it was an amazing time. The memories make me feel good, even if I’m getting teary. It was good to have someone, to feel like you were a good team. I’m fortunate. The emotion and the memories I have with that time — I just felt protected, nurtured, valued, and believed in.”

Recalling Michael’s funeral in 1997 in Sydney, after he died at just 37, Kylie says: “At the church it was overwhelming, the outpouring of love for him. I felt him saying, ‘It’s OK. It will be OK’. I always feel he’s with me.”

But as we chat, Kylie wishes she had “stressed less” over the course of her career, and she admits she sometimes “didn’t manage it well”.

I am also relieved that — like me when love’s course goes awry — this global superstar so indentifies with Bridget Jones, as played in the films by Renee Zellweger.

In the series’ first film, Bridget Jones’s Diary, in 2001, the pyjama-clad protagonist has break-up blues as she clutches a bottle of wine and belts out power ballad All By Myself.

I doubt Kylie’s go-to heartbreak fixes are the same as my budget pairing — a £4.99 supermarket Pinot Grigio and Cadbury popping-candy chocolate bar. But I do recommend them, Kylie.

Of course, the other bombshell in Kylie’s life came at just 36 when, in 2005, she was diagnosed with early-stage breast cancer.

She had to pull out of a Glastonbury set and part of her Showgirl: The Greatest Hits Tour to undergo a lumpectomy as well as chemotherapy.
The next year she was in remission and given the all-clear.

But Kylie tells Netflix viewers: “I felt removed from my body. I was so scared of what was ahead of me.” Her singer sister Dannii adds: “We didn’t know, if she was ever going to be well again.”

It is hard to believe, though, how she has kept much of her off-stage life little known about.

When I put this to her, she nods and says: “It’s like, is there a monster under the bed? You build up this fear of telling.”

But she adds: “There’s enough behind me, and in front of me, that now has made it a good time. And what am I so scared of? It’s been a good exercise to have a look back at life, and find acceptance.”

In the docuseries, Kylie admits she was “riddled with self-doubt and anxiety” — and that those feelings still rear their head.

Kylie, who wrapped up her 66-date Tension tour last year, tells me: “I still have anxiety and self-doubt. No, not all the time, but a healthy amount is good.

“I know what I’m doing more now, which is satisfying. There’s definitely moments but that doesn’t permeate through.”

Although Kylie is now a superstar, she got there through steadfast resilience — proving critics wrong time and time again.

Her decision to quit Aussie soap Neighbours at the height of its success — when 24 million daily viewers was commonplace — was deemed by many as crazy.

Indeed, so popular was the soap that when Princess Diana missed just two episodes, she called up the BBC to ask after recordings.

Kylie’s sixth studio album, 1997’s Impossible Princess, was savaged so brutally by critics that radio stations refused to play her singles. A billboard even told the world Kylie was “over”.

Yet nearly three decades later, the 5ft powerhouse has never been more beloved. In December, she landed her eighth UK No1 single, ,and her first festive chart-topper, with Xmas.

A seasoned pro with interviews, Kylie usually has a slick answer ready for any question. But when I ask what she would say to her younger self, she takes her time before replying: “I still don’t know what’s ahead of me now — but I especially didn’t at 16.”

During the Netflix series, Kylie hits back at a suggestion she might be ready to slow down soon.

“Tell that to Cher and Barbra [Streisand]” she quips.

Both are plenty older than her — Cher recently turned 79 and Barbra 84 — and Cher, in particular, is still dusting off her suspenders and stockings for performances.

So, can we expect to see Kylie still doing The Locco-Motion at 80?

Beaming, she replies: “With all my heart, I hope so, yes.

“But how I’ve done this is, I am not a planner, I like to be fluid. I have a loose idea, I know what I want to do — but, yeah, maybe next week or this month.”

But while Kylie may still be up on stage in 2049, her famed gold hotpants will not. They are in a museum in Melbourne, Australia — but Kylie beams at my idea they belong in the Louvre museum in Paris, with the Mona Lisa painting.

Kylie says of the hotpants: “That would be amazing. But I bought them for 50p — my girlfriend found them in a secondhand store. I wore them quite rigorously so they’re fragile and the museum have said they have got to stay flat. They are in preservation mode.”

I also ask if “Kylie the pop star” ever feels like “Kylie the person” is forgotten.

But she feels fans want her to be both, adding of time on stage: “It’s a place for me to harness everything I’ve worked for and that I feel, and be expressive.”

The word “icon” is overused, but when I tell Kylie she is one, she replies simply: “I try.”

Pedro Pascal took his “Star Wars” character to the streets on Saturday, going undercover as the Mandalorian to surprise Disneyland guests aboard the Millennium Falcon: Smuggler’s Run attraction.

A video posted on Disney’s social media showed the actor in full costume, then lifting his helmet to reveal himself.

“Now you all have to die because you’ve seen my face,” he joked to the stunned parkgoers.

After the surprise, Pascal posed for pictures with the dozen or so fans.

Pascal was later joined by co-star Sigourney Weaver, director Jon Favreau and LucasFilm President Dave Filoni at Galaxy’s Edge, the 14-acre “Star Wars”-themed section of the park modeled after an outpost on the fictional planet of Batuu.

The appearance was part of the press tour for “The Mandalorian and Grogu,” a spinoff of the Disney+ series “The Mandalorian.” The film, which releases on May 22, is the first “Star Wars” movie to hit theaters since 2019.

BBC One’s crime comedy Death Valley is back for a hotly anticipated second series, and a whole lot of new ‘whodunnits’ that need to be solved

Death Valley has made its eagerly awaited return for a second series.

BAFTA-winning performer Timothy Spall stars alongside Gwyneth Keyworth in the comedic murder-mystery programme, portraying the improbable pairing of actor John Chapel, formerly her hero as TV detective Caesar, and determined detective Janie Mallowan.

Filmed and set in Wales, Death Valley’s debut series launched in May 2025, smashing records with the largest overnight viewership for a new scripted programme in five years.

The series maintained a robust average of 4.6 million viewers over 28 days, and amongst Welsh audiences, Death Valley claimed the top comedy spot across all channels and platforms throughout 2025.

Given the programme’s triumph, it came as little shock when plans for a second series were swiftly revealed, with Death Valley series two now scheduled to debut on Sunday, 17 May at 8:15pm on BBC One. Audiences can also stream the complete box set on iPlayer from the same date, reports the Express.

The second series resumes several months following the conclusion of series one. Janie has secured promotion to Detective Inspector and finds herself more overwhelmed than ever, with administrative duties mounting faster than she can manage them.

Complicating matters further, she’s been avoiding John since discovering he’s been romantically involved with her mum, Yvonne (Melanie Walters), and the pair are compelled to make amends when DCI Barry Clarke (Steffan Rhodri) enlists John’s assistance to crack a murder investigation.

They must set aside their complicated personal relationships when tasked with examining a suspicious death within a community service group, following the fatal plunge of one of its members from atop a crumbling castle.

The latest series of Death Valley also sees John hesitantly return to the acting world, appearing on the set of a grand Welsh fantasy television production, though another killing soon demands attention.

Additional murders occur in a seaside fishing community, at an eco-friendly commune, and within a rugby club, as John and Janie persist in delivering justice throughout the mid-Wales area.

Throughout the series, there’s also an impressive roster of guest appearances, featuring Outlander’s Mark Lewis Jones, Game of Thrones legend Owen Teale, and Killing Eve’s Alexandra Roach.

Jane Horrocks (Here We Go, Chicken Run) also appears in the programme alongside Hammed Animashaun (Black Ops, SNL UK), Alexandra Roach (Killing Eve, Bodies), Roisin Conaty (After Life, Last one Laughing), Jim Howick (Ghosts, Here we Go), Asim Chaudhry (People Just Do Nothing), Lynn Hunter (Pushers & End of the Fxx World), Rhiannon Clements (Small Prophets, Pushers), Mike Bubbins (Mammoth) and Liz Carr (Silent Witness, Good Omens).

Death Valley series 2 launches on Sunday, 17 May at 8:15pm on BBC One and iPlayer.

NEWLYWED model Roxy Horner soaks up the romance during her honeymoon on the Orient Express.

The 34-year-old took a bath as she and comedian hubby Jack Whitehall, 37, travelled from Venice to Paris.

Posting snaps of the train and dining carriage, Roxy wrote online: “Having a bath on a train is so romantic.”

The couple, who are parents to Elsie, two, married at a lavish ceremony in the Cotswolds last month.

We revealed earlier this month how Roxy wowed onlookers with her dazzling diamond wedding rings after marrying Jack Whitehall.

Mum-of-one Roxy showed off her multi-layered rocks while on a night out with Laura Whitmore at the launch of blow-dry specialist Duck & Dry at The Whiteley in Notting Hill.

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The show-stopping multi-stone ring boasts a huge pear-shaped diamond sat next to a white gold oval eternity diamond ring, thought to cost around £13,300.

The 34-year-old looked stunning in a casual combo of flared diamante jeans, a nude crop top and leather jacket as she posed with the former Love Island presenter.

With her long blonde hair down in waves, she accessorised with red lips, tanned heels and the eye-popping jewellery.

Pregnant Laura matched her look in a leather jacket and red lipstick with her hair slicked back.

Former Emmerdale star Anthony Quinlan played Pete Barton for seven years and has opened up about how he adapted his accent to secure the role

A former Emmerdale star has revealed the surprising adjustment he had to make before landing his role on the ITV soap.

Anthony Quinlan is best known for portraying Pete Barton in the beloved drama for seven years between 2013 and 2020, before his character departed the Dales for a fresh start in Liverpool.

The fan-favourite was at the heart of numerous dramatic storylines, and Anthony has now shared insights into his audition experience and what it was like working alongside his on-screen relatives.

Chatting on behalf of Freebets.com, the home of the best slot sites, the Manchester-born actor explained: “A friend of mine was actually auditioning for the character of Pete at the time and I wasn’t even aware the audition process was happening.

“I later had an audition in London, then a second round in Yorkshire and then a screen test. I think there were five of us left for the first screen test and I got a call later that afternoon and they said ‘we really like you but we need to tone down the ‘Mancness’, you’re far too ‘Manc’ for a Yorkshire TV show.”, reports the Daily Star.

“They called me back to audition again over the weekend with another actor so I had the weekend to work on being a bit less ‘Manc’, which I think I managed, although it did creep back in once I was on screen and I auditioned again on the Monday and a couple of days later I heard I’d got the role. I was over the moon. What a great show to be a part of.” Anthony recalled his debut on set, expressing how “so privileged” he feels to belong to one of Emmerdale’s most legendary families across the soap’s 50-year run.

He explained: “We were actually on location on the first day. Kate Oates was the producer at the time and she was absolutely outstanding. Her ideas were so original and she really brought authenticity to the show, using real locations.

“So on the first day it was myself and Joe Gill [who played Finn Barton], working on the farm with Bill Ward [who played our dad James Barton] and a director called Duncan Foster, who was brilliant at easing us in.

“Then Natalie Robb arrived as Moira. I’d watched Bill Ward on Coronation Street for years and what a lovely man and an outstanding actor. Joe, I think that was his first job, what a great talent he is and Natalie Robb is part of the furniture at Emmerdale. It was great to watch how she operates on set and take some mental notes from that.

“We were so privileged. There was so much drama surrounding that family and the audience invested in us, which prompted the writers to invest in us more too. The whole Debbie [Dingle, played by Charley Webb] and Ross [Barton, played by Michael Parr] storyline early on, where Pete marries Debbie and Ross has been sleeping with her behind his back and the whole fight kicking off, that whole drama was unbelievable.

“Over the years I was really fortunate. We did some beautiful stuff with Zoe Henry [who plays Rhona Goskirk], that was a real standout moment and then the whole storyline about their mum Emma Barton [played by Gillian Kearney], coming into the show.

“There were stunts too and I remember Mike Parr hanging me upside down off a viaduct in Harrogate, about 120 feet in the air, which was absolutely terrifying. I did the stunt myself and I remember chasing Kelvin Fletcher [who played Andy Sugden] around Tholthorpe racetrack on a motorbike. Lots of high octane stuff as well as high drama. No day was the same. What a great experience.”

Pete was mentioned in an Emmerdale storyline last year, though Anthony has made it clear a comeback isn’t imminent. He said: “Never say never. but i’s not on the cards at present and nothing has formally been approached.

“A return to Emmerdale is definitely something worth seriously considering if it was ever properly presented but right now I want to keep building on the momentum of the last year or so as things are picking up and in the right direction.”

Emmerdale airs weeknights on ITV1 at 8pm and available to stream from 7am on ITVX