show biz

HEIDI Katona cut a chic figure as she posed for a set of glamorous new snaps ahead of a night out.

Kerry Katona’s daughter posed up a storm in a series of selfies before heading out with a pal.

The 19-year-old regularly shares fashion and lifestyle content with her 40,500 Instagram followers.

Sharing the snaps, Heidi joked that she and her friend were “not sold separately”.

Fans went wild for the pictures, with one writing: “Beautiful Heidi.”

Another simply declared: “Jaw on the floor.”

Heidi is no stranger to the spotlight, having previously appeared on The Voice Kids.

But the teenager has plenty of other career options in mind and is currently studying A-levels in sociology, psychology and criminology.

She is considering her university options, although she has also previously revealed she would love to pursue a singing career or enter the I’m A Celebrity jungle.

One reality show she won’t be signing up for anytime soon, however, is Love Island.

Heidi has admitted she doesn’t feel she has “enough life experience” for the ITV2 dating show – and wouldn’t want mum Kerry watching her kiss someone on television.

She has also ruled out following her mum onto OnlyFans.

Speaking previously about her ambitions, Heidi said: “I couldn’t do OnlyFans. Mum has said I can’t do it either.

“It is not the route in life I want to take, I want to be a lawyer or a property developer.”

Heidi’s Dad is former taxi driver Mark Croft who Kerry also shares her son Max, 17, with.

The couple were married from 2007 to 2010, with Heidi born in 2007.

PRINCESS Andre has shared a brand new sneak peek of her highly anticipated makeup business ahead of its official launch.

The 18-year-old daughter of Katie Price and Peter Andre has even revealed the brand’s name to fans.

Princess is nearing her takeover of the beauty market and has now teased her launch for her very own brand, after landing huge beauty deals in the past. 

Taking to her Instagram, Princess can be seen at her preview launch with images of her and pink balloons in the background. 

The newfound beauty owner can be seen in white corset top, mouthing the words: “omg those makeup products you used are SO good.”

Following the popular online trend, makeup mogul Mitchell Halliday  replies: “They’re your products.”

Princess then adds an “oh yeah” before spinning around and blowing a kiss.

The pair were both shown holding makeup products presumably from Princess’ new line. 

The beauty guru added the caption: “Preview Launch, so excited to share with you all what I’ve been working on for so long (heart emoji).”

Alongside, she added the handle to her new brand’s beauty page that has already racked up thousands of followers. 

It’s revealed that the name of her business is set to be By Princess. 

Fans and celebrities alike flooded the stars comment section, GK Barry penned: “Congrats Queen (heart emoji)”

“Love you sweetie (heart emoji)” wrote proud dad Peter. 

Former Towie star Bobby Norris chimed: “Congrats darling!! Xx” which was echoed by Princess’ allegiance of fans.

News broke of Princess’ business venture last year following her second deal with high street giant Superdrug, as the face of their affordable cosmetics line, Studio London.

But now the star is ready to step out on her own and launch her own makeup line.

An insider at the time said: “Princess loves everything to do with make-up and people love her ‘get ready with me’ videos. 

“It’s very savvy of the teen to launch her own line, she knows everyone always wants to know what she’s using, so why not make her own?”

Princess has had a very successful few years, which has included landing her own reality show and passing her driving test, before splashing out on a brand new Audi A1. 

She has vowed to be a millionaire before she turns 20 and she’s well on her way. 

As well as working with Superdrug, she was also an ambassador for online retailer PrettyLittleThing, and launched her own jewellery range.

New reads abound for your vacation tote throughout the weeks of July, with fiction picks featuring a Carnival cruise casualty, a highly entertaining jewel heist at the Waldorf-Astoria, and a Soviet-era madcap adventure. In nonfiction, authors consider how we define wild places, how we pigeonhole the aging, and how languages live or die. Happy reading!

FICTION:

A Real Animal: A Novel
By Emeline Atwood
Catapult: 368 pp., $29
(July 7)
After surviving a sexual assault, narrator Lucy stalks her college campus as a leopard. Don’t spend too much time worrying about whether this transformation is real, or not; Lucy’s knowledge of her fierceness is the point, a fierceness she employs as she struggles to negotiate her independence from parents who wish she’d come home to recover and men who offer up their desires and ignore hers. It’s an astonishing debut with a compelling voice.

Man Overboard!: A Novel
By Kathleen Rooney
Gallery Books: 208 pp., $27
(July 7)
Readers expecting something akin to Rooney’s wondrous previous novel, “Lillian Boxfish Takes a Walk,” should remember that that book followed “Cher Ami “ and “Major Whittlesey,” a story about a pigeon and a World War I Army officer. In other words, Rooney doesn’t repeat herself, and in “Man Overboard!” she’s concocted a hilarious adventure tale of a man floating in the Gulf of Mexico, adrift with himself, his thoughts, and a few sea creatures.

Astronaut!: A Novel
By Oana Aristides
W. W. Norton: 272 pp., $28
(July 14)
Imagine a dystopia set neither in the future nor in fantasy; that’s the 1989 Romania 7-year-old Lia inhabits, its adults living in fear of Communist dictator Nicolae Ceauşescu, its infrastructure strained by deprivation, and its reality so scrambled that calling an explorer an “astronaut” instead of “cosmonaut” risks punishment. When Lia sets out to buy her mother a birthday gift, she sets in motion a series of weirdly probable yet totally weird events.

City of Widows: A Novel
By Nadia Hashimi
William Morrow: 432 pp., $32
(July 28)
During the two decades of American occupation, Afghanistan experienced a sort of peace, one in which women could be educated, work as professionals, and even serve in the military. When the U.S. left in 2020, those same women found themselves — regardless of their individual status — subject to Taliban restrictions that deny differences in gender, desire and ambition. Hashimi (“Sparks Like Stars”) shows how desperate and daring the women become.

Cool Machine: A Novel
By Colson Whitehead
Doubleday: 368 pp., $30
(July 21)
First “Harlem Shuffle,” then “Crook Manifesto,” and now, “Cool Machine,” the highly anticipated “Harlem Trilogy” conclusion from the two-time Pulitzer Prize-winning Whitehead. The inimitable Ray Carney, who started out as a minor criminal, is now Sterling Furniture’s “Northeast Regional Dealer of the Month,” a respected businessman. It’s the mid-1980s, and when Ray’s beloved wife Elizabeth gets turned down for a small-business loan, he takes matters into his own hands, in his own former ways.

NONFICTION:

How to Kill a Language: Power, Resistance, and the Race to Save Our Words
By Sophia Smith Galer
Crown: 304 pp., $33
(July 7)
Smith Galer’s nonna spoke an Italian she called “dialet”; her mother spoke “dialet” and English; Smith Galer herself speaks only English. What do we lose, the author asks, when a language dies? The answers she found are powerful, like an enzyme to treat HIV that was found in a tree that was discovered because a researcher spoke Samoan. Unsurprisingly, she also found that language death often corresponds to ecological and cultural devastation.

The Earth Said Remember Me: How to Revive Our Memories and Restore Our Planet
By Jason Dove Mark
W. W. Norton: 224 pp., $25
(July 14)
Perhaps art will be the thing that preserves the environment, even if humans can’t save it. “Go outside. Bear witness. Make a record. Pass it on,” writes Mark in this eloquent, impassioned plea for us all to remain involved in environmental action. The more we appreciate the natural world, the more we’ll want to care for it, share it with others, and help future generations understand how some changes are natural and not all are inevitable.

Aging Out: An Exploration of Caregiving, Community, and How Americans Grow Old
By Lucy Schiller
Flatiron Books: 272 pp., $30
(July 14)
Services for the elderly range from luxury assisted-living facilities to special digital devices meant to bypass phone scams, but as Schiller explains, these things not only commodify a natural life passage — they separate older people from their natural communities. The author was inspired to investigate our country’s aging population when she cared for a grandmother who died from COVID; the book weaves the personal with the political in a meaningful way.

Dad, Love, Me: A Memoir
By Matthew Quick
Avid Reader Press: 320 pp., $30
(July 21)
Novelist Quick (“The Silver Linings Playbook”) turns to memoir in recounting his contentious relationship with his father, whom he’s losing to dementia. While the author has had big highs (like the movie adaptation of “Playbook”), he’s also experienced deep lows, including alcoholism and severe creative block. Somehow, through recovery (which he credits to Jungian therapy), he affords both his imperfect, ailing parent and himself grace.

The Savage Landscape: How We Made the Wilderness
By Cal Flyn
Viking: 448 pp., $35
(July 28)
In “Downton Abbey”, the Dowager Duchess of Grantham starchily asked “What is a ‘weekend?’” In this book, journalist Cal Flyn asks — more affably, but with equal intensity — “What is a wilderness?” Her answer: Depends on your perspective. In other words, nearly every place on Earth teems with life. It’s only humans who have attached words like “wild” and “unexplored” to regions where they feel uncertain, afraid, and even awed.

Patrick is a freelance critic and author of the memoir “Life B.”

VICTORIA and David Beckham have celebrated 27 years of marriage with sweet tribute posts on their wedding anniversary.

The superstar couple said “I do” in 1999, and have been smitten with each other ever since.

Today, they thrilled fans when they each shared posts to commemorate their long and happy marriage.

Victoria, 52, posted a picture of herself lovingly kissing her husband on the cheek, and penned: “After 27 years of marriage, four amazing children and countless matching outfits, you’re still my *everything*.

“Happy anniversary!! I love you so much.”

While David, 51, shared a slew of pics from their time together, dating back to when they first met.

The smitten husband then wrote: “29 years together. 27 years married & you have given me everything I could ever wish for.

“Our proudest achievement will always be our family 🩷 I love you & Happy Anniversary.”

The famous couple said their “I do’s” on July 4, 1999, with their first-born Brooklyn as their ring bearer.

The big day came after the two started dating in 1997 and Becks popped the question the following year.

Posh and Becks sat on golden thrones at the altar and spent all the money needed to have their dream wedding.

According to reports, they splashed out around £500,000, making it one of the most extravagant celebrity weddings.

Along with Brooklyn, the couple also share three more children – Romeo, 23, Cruz, 21, and Harper, 14.

However, their eldest son is currently embroiled in a bitter estrangement with David and Victoria.

In January, Brooklyn made a dozen explosive accusations in a ruthless statement hitting out at his family.

The aspiring chef called out his famous parents for their “inauthenticity”, accused them of making bribes and scolded the family for their treatment of his wife on their wedding day.

In a shock move, he also sent his parents a legal notice warning they can only contact him via lawyers.

In the extraordinary “desist” letter, he also instructed them not to “tag” him on social media.

But in a surprising twist, last month Brooklyn filmed a World Cup advert taking a savage swipe at his family’s estrangement.

It showed the eldest Beckham boy throwing down his match tickets onto the coffee table, which appeared to show a £250,000 designer watch gifted to him by his dad and a stack of unopened letters.

The ad went live on social media after we revealed Brooklyn spurned his sister Harper’s attempt at a reconciliation.

The teenager was pictured delivering a letter to the house Brooklyn shares with his wife Nicola Peltz, 31.

They quickly hit back at the Beckhams, claiming the letter felt like an “orchestrated move by his family” – insisting it “made them feel uncomfortable.”

A spokesman for the couple added: “That photographers were in place as the letter was hand-delivered says it all.

“This was choreographed for the cameras.”

But a source close to the Beckhams called it “another untrue and unfair accusation”.

About six months after Toni Morrison died in the summer of 2019, Literary Cleveland began hosting annual community tribute parties on the Nobel Prize-winning author’s birthday, Feb. 18. Lorain, Ohio — a suburb of Cleveland — is where Morrison was born and raised, and where she set several of her novels. During these gatherings, participants were prompted to read aloud from their favorite Morrison works, and share why they savored those particular lines.

Over time, these meetings began to feel increasingly intimate, even “sacred,” according to Literary Cleveland’s Executive Director Matt Weinkam, which prompted him, in tandem with Ohio Humanities head Rebecca Asmo, to brainstorm how to take their program state-wide. “This is Toni Morrison, one of our greatest writers,” Weinkam recalls thinking. “We needed to do something bigger.”

At the time, Weinkam and Osmo were also trying to figure out how to commemorate America’s semiquincentennial. Weinkam was listening to Morrison’s entire oeuvre on audio and realized that when you organize the 11 novels in a certain order, “they tell the history of America.” So how, he thought, “could you use the literature of Toni Morrison to view our country through a different lens — through her lens?” He says they knew honoring Morrison as a consequential figure not just in literature but also in the context of American history would be central to Ohio’s celebration of the semiquincentennial.

“[But] only as the project was coming together did we strike on the fact that her novels trace American history from ‘A Mercy,’ set in 1690, through ‘God Help the Child,’ in the 2010s. Not only does her work re-center African Americans in the story of our country, it also tackles major events from our founding, through slavery, to the impact of Jim Crow, to the great migration and beyond.”

In the months leading up to the 250th anniversary, they decided to bring the Morrison salons they were curating in Cleveland to all 88 Ohio counties. For assistance they connected with Britt Lovett, a strategist, community leader and fellow Morrison acolyte.

“People say that reading Toni Morrison is challenging,” says Lovett. “[But] reading Toni Morrison is like my grandmother speaking to me.”

In February, on what would have been Morrison’s 95th birthday, they officially launched “Beloved: Ohio Celebrates Toni Morrison,” a yearlong homage including readings, workshops, lectures and a monthly book club that meets on Sunday evenings. They intentionally programmed the book club so that it would take readers through our U.S. history utilizing Morrison’s vision: Weinkam proposed reading Morrison’s novels in the order in which they are set rather than the order in which they were published. “That simple shift,” says Lovett, “changed everything.”

They began with “A Mercy,” one of Morrison’s later novels, published in 2008 — which is set in the late 17th century, before slavery took hold and the country became “racialized.” Next came “Beloved,” then “Sula” and “Jazz.” “Experiencing the novels this way reveals how Morrison traced generations of Black American life across centuries of our nation’s history,” Lovett says. “What may appear to be individual stories become part of a larger narrative about memory, freedom, family, belonging and the ongoing project of America itself.”

For Morrison, writing fiction was a form of “literary archaeology,” excavating history, and how the past hovers over the present. Her quest was what she termed “rememory.”

Eddie S. Glaude Jr. is a Princeton professor and author of “America, U.S.A.: How Race Shadows the Nation’s Anniversaries” who has studied Morrison. “She understood the ongoing national effort to disremember — this startling combination of dismembering and remembering — to protect the innocence of America,” Glaude says. “Instead, her novels relentlessly expose the horror and the magisterial efforts on the part of ordinary people to overcome them. In doing so, she takes us to the beating heart of this fragile experiment — something we desperately need to remember in this 250th year of the country.”

In 1973, as an editor at Random House, Morrison published and collaborated with collectors in compiling “The Black Book,” a seminal volume that tells the story of the African American experience in America in the form of an encyclopedic scrapbook that spans from 1619 through the 1940s. There is no narrator, and this is intentional. The visuals — newspaper clippings, slave auction notices, patent applications by Black inventors, photographs, sheet music, relate their own powerful story “Black life as lived” — great joy juxtaposed with the tragedy and legacy of slavery. From her work on that groundbreaking assemblage emerged the idea for “Beloved,” which won the 1988 Pulitzer Prize for fiction.

Nearly seven years after Morrison’s death at 88, we are living in a golden age of Morrisonia. Three extraordinary new books, published this year, shed light on the brilliance and complexity of Morrison’s life and work, and place her as an American eminence, a visionary who saw fiction as a means through which to recast her country’s story. “On Morrison” by Namwali Serpell; “Toni at Random: The Iconic Writer’s Legendary Editorship” by Dana Williams; and a posthumously published collection of Morrison essays entitled “Language as Liberation: Reflections on the American Canon.” Serpell writes that “Morrison has shaped the way we think about everything.” Morrison herself said that she wrote to “think the unthinkable,” to write novels that were “relentlessly black,” giving no deference to the “white gaze.” Her refusal to sugarcoat the interior and exterior lives of her characters, whether enslaved or traumatized by the past — by events in American history — was purposeful.

“You’re confronted with horrific acts of violence,” Serpell says. “Not to present it in spectacular fashion, nor to feed any kind of voyeuristic or prurient interest on the part of the audience, but to use quiet language — beautiful language — in order to actually get us to step back and think about why this violence is happening and where it’s coming from.”

In that way, Morrison’s work was always a radical experiment — and is perhaps why, according to the American Library Assn., “The Bluest Eye” her 1970 debut — continues to be one of the most frequently “challenged” books in the U.S. “Beloved” runs a close second. But this also is among the reasons her books are considered must-reads in the classroom, and contemporary classics.

John Freeman is an executive editor at Knopf who oversees Morrison’s publishing program. “Her books persist today because they beckon us doubly: they invite us to look clearly at what America is, to come to grips with the fantasies and shadows developed to avoid this awful knowledge,” Freeman says. “They also tell us one phenomenal love story after another.”

Through her book club, cultural icon Oprah Winfrey introduced millions of readers to Morrison by featuring four of the author’s novels. “From ‘The Bluest Eye’ through ‘Beloved,’ ‘Jazz,’ ‘Home,’ ‘A Mercy’ and ‘Love,’ Morrison’s words have helped me become more of myself,” Winfrey says. “She understands the lives of Black women like no one else I’ve ever read. Reading her, I’ve often felt seen in places I didn’t know how to name.”

In Morrison’s essays, lectures and other public comments — including as a professor at Princeton for nearly two decades — she occupied the role of public intellectual, always teaching us how to view America’s evolution as a country, and how it became “racialized.”

In a Granta interview conducted late in her life, she challenged the interviewer to consider that the concept of “whiteness” is peculiarly American: “Think about it, “ she prompted. “If you come to this country from Germany or Russia, or anywhere you got off the boat, got on the land, in order to become an American, you have to be white. That’s the quality that brings the country, its people together — having a non-white population. My concept is that if you were from Sweden, you were Swedish. You didn’t have to say, ‘I’m a white Swede.’ You know what I’m saying?”

As we prepare to celebrate America’s 250th, it’s useful to reflect on how Morrison viewed the intersection of fiction, history and memory, how the mission of her fiction was to uncover truths omitted by the standard historical records and history’s “sages.” In her 1987 essay, “The Site of Memory,” she utilized a river as a metaphor to discuss how imagination excavates forgotten histories and people. “All water,” she wrote, “has a perfect memory and is forever trying to get back to where it was. Writers are like that: remembering where we were.”

Haber is a writer, editor and publishing strategist, and co-founder of the Ink Book Club on Substack. She was director of Oprah’s Book Club and books editor for O, the Oprah Magazine.

A MAJOR US band has cancelled all of their UK tour dates including a massive headline festival appearance. 

The popular nineties group pulled out of their tour just hours before their first UK show due to “medical issues”, leaving fans devastated. 

The American punk rock band, Alkaline Trio, have revealed to fans the sad news that they are unable to continue on their UK tour. 

Frontman Matt Skiba, Dan Andriano and Tosh Peterson make up the Chicago originated group.

The trio were all set to perform last night in Birmingham but hours before the show was set to start, the band released a statement on social media.

It read: “We are immensely sorry but we must cancel our dates in England, including tonight’s show in Birmingham, due to medical issues Matt has been suffering from that have worsened.

“He’s gonna be okay but needs to be treated stateside as soon as possible.

“We will be back healthier and stronger!

“Refunds are available at the point of purchase.”

Not only will the band miss their upcoming UK tour dates to return to the States, but they have also been forced to cancel their highly anticipated headline performance at 2000trees Festival. 

Frontman Matt went on to share a video to fans from London Heathrow Airport, expressing his gratitude for “all the love and support”.

He added: “You guys deserve a better show than I can throw right now. I got numbness in my feet, numbness in my hands as you can tell I’m losing my voice so I can’t really talk, walk, play or sing. But I’m okay.”

After the news broke fans rushed to the comments, one user said: “Sorry to hear this and get well soon.

“Have flights and accommodation booked for the Manchester gig on Wednesday as no Dublin date. Dang.”

Another added: “Gutted to hear this guys, was so looking forward to seeing you again in London tomorrow, but know this decision wouldn’t have been taken lightly. Get well soon Matt.”

“Me looking at my tickets for London and 2000trees (crying emoji) Get well soon, Matt! Wishing you a speedy recovery fam,” a third added.

“It is what it is. Just a shame cus I was literally about to leave my hotel when I saw the message,” penned a fourth.

The band, whose name derived from Matt Skiba simply flicking through a dictionary to find a cool word to stick in front of the “Trio”, was founded in 1996 and went on to sell over a million albums.

Matt is well known for serving as the co-lead vocalist and guitarist of Blink-182 from 2015 to 2022.

Alkaline Trio are best known for songs like ‘Stupid Kid’ and ‘Private eye’. 

The band shot to fame when they released their debut single ‘Sundials’, in 1997.

A hypnotizing deep dish of star wattage, family meltdowns, racial tensions and Texas-sized steaks served for breakfast, George Stevens’ 1956 drama was taken extremely seriously in its moment — 10 Oscar nominations seriously. The most notable of those were for Rock Hudson and, competing against him in lead actor, a posthumously honored James Dean. Taken together, the two represent a fascinating dichotomy that was happening in screen acting, a burrowing into psychology that was leaving other more traditional stars behind. (Elizabeth Taylor and Mercedes McCambridge make for another great pairing in the movie.) Roughly 25 years later, the film would inspire the TV series “Dallas,” even down to having a main character with the initials J.R. Go luxuriate in the original epic.

“Giant” is playing Sunday at the Academy Museum. Tickets here.

The bass legend and superproducer Don Was didn’t expect to be covering Curtis Mayfield’s Civil Rights-era anthem “This Is My Country” on the road in 2026. But lately, the chaos in the United States made the song seem regrettably apropos.

“It wasn’t supposed to still feel potent. It was supposed to be something that served a moment,” said Was, who included the defiant single on his 2025 album “Groove In the Face of Adversity.”

“It’s shocking to be here in 2026 and, whatever distance we traveled from 1966 until now, to see it all get reset,” Was said. “That song’s a more powerful statement now than it was then. It was inconceivable that it would still be relevant — this is supposed to be the utopian age of Aquarius. This is not the way it was supposed to turn out.”

Was remembers the tumult, violence and hope that came out of that era in his hometown of Detroit. The city’s music, famed for rough-hewn virtuosity from blues to soul to techno, is the spring that waters “Adversity.” It is, remarkably, the 73-year-old’s first solo album after a career spanning the pioneering electro-pop band Was (Not Was) and deep producer relationships with the Rolling Stones, Bob Dylan and Bonnie Raitt.

He also spent years in Bob Weir & Wolf Bros with the late Grateful Dead founder, and will play from the Dead’s landmark “Blues for Allah” on his tour that stops at Lodge Room on July 7.

With a backing band of studio killers dubbed the Pan-Detroit Ensemble, “Adversity” has an expansive modern atmosphere, yet a lived-in, filament-bulb quality in the playing that carries through funk, jazz, rock and R&B. It’s largely a covers record, but you wouldn’t know it from the depth of the revisions — veering from the Yusef Lateef standard “Nubian Lady” to Hank Williams’ “I Ain’t Got Nothin’ But Time,” closing with funk group Cameo’s “Insane.”

“I’ve been carrying it around in my head for 30 years,” Was said. “This first album to me is really a handshake, a ‘nice to meet you,’ this jambalaya of Detroit sounds.” While much of the source material comes from elsewhere, the cumulative mood is extremely personal to an artist who has spent his life helping the greats find true expression.

“I’ve come to admire artists who are willing to go in deep inside their most personal thoughts for the sake of helping the listener understand their own lives,” he said. “To help them deal with the trauma of being human — especially in these times, man.”

Tops on that list is the late Grateful Dead founder Bob Weir — who died in January at 78 — as a model for a band staying fearless and uncompromising. Was, still heartbroken about the loss of his friend and bandmate, recalled their first time on tour.

“When Bobby called asking me to play bass with the Wolf Bros, I thought at the very least, this is going to be a master class in losing self-consciousness and forgetting about fear,” Was said. “If the band stumbled, the audience wouldn’t walk out. They appreciated the fact that you were trying to do something new for them. Then there’d be a couple moments every night with an incredible exchange between the musicians and you can feel the audience becoming a member of the band.”

Playing the Dead’s “Blues for Allah” on this tour — an LP rooted in Middle Eastern scales, pirouetting time signatures and improvisational telepathy — put him in communion with his old friend.

“I used to think that songs like ‘King Solomon’s Marbles’ were just jams and conversations on the spot. But when we really got into it, there’s a form underneath and you can take tremendous liberty with that form,” Was said.

Was’ production career was built on a similar principle.

His early band Was (Not Was) remains a visionary electro-pop act with subtle, salient politics. “Out Come the Freaks” is a favorite on Pride month dance floors — “If you just wanted to do poppers and dance all night, it worked, and if you wanted to think about the government careening out of control, it worked too,” Was said of the band’s club material.

The late Ozzy Osbourne sang on the band’s international hit “Shake Your Head,” alongside a winking, very game Kim Basinger. The actor was a replacement after Madonna backed out, leaving the proto-rave tune one of the era’s most unlikely collaborations.

He recalled Ozzy fondly. “In 1975, this folk group I was in booked us to open for Black Sabbath at the Toledo Sports Arena, playing for a bunch of 14-year-old white boys on amphetamines,” Was said. “They weren’t having it. I’ve heard the tape of that show, and the drummer was bleeding from being hit by so many bottles that we had to stop playing. That was my first exposure to Ozzy, so I was a little afraid to do the session, but he was up for an adventure.”

A Stones confidant and producer from 1994’s “Voodoo Lounge” up until 2023’s “Hackney Diamonds” (where Andrew Watt took the helm), Was had nothing but praise for the band, and still admits to a twinge of fandom in their presence.

“There’s never been a day in the studio with the Rolling Stones where I didn’t look around the room and go, ‘Oh my God,’” he said. “I’ve known Mick for over 30 years, but the last time they played L.A. at SoFi Stadium, Mick came walking down that stage and I was like, ‘Wow, there he is, it’s 1965 again.’”

With Dylan, he recalled the mercurial genius’ impish side. “I was producing Dylan, and George Harrison came in to play guitar. Bob was messing with him, Bob pushed the engineer aside and he ran the tape machine. George had never heard the song before, didn’t know what key it was in, and Bob just starts the tape. George played a respectable solo, but clearly it was rough. Bob, just to be funny, stopped the machine and said ‘That’s it, perfect.’ George turns to me and said, ‘What do you think, Don?’ And Bob goes, “Yeah, what do you think, Don?’ I’m looking at these two guys and time slowed down. I remembered trying to sell my car to get a ticket to go to New York to see the Concert for Bangladesh. Now they’re asking me what I think. I was paralyzed.”

“A voice appeared in my head,” he said, “Telling me, ‘He’s not paying you to be a fan.‘ So I said to George, ‘It was good, man. Let’s see if we can beat it.’ You can’t allow the iconography to dictate the outcome in the studio. You have to put that aside.”

As president of Blue Note Records, the estimable jazz label he’s led for more than a decade, Was relentlessly looks forward. He’s released restless modern records by Domi & JD Beck, Fathers, Makaya McCraven and Julian Lage (the hotshot jazz guitarist now playing with Dylan). He’s refreshingly optimistic about challenging music in streaming’s ruthless economy.

“Don’t make music for the delivery system,” Was said. “I don’t think about streaming, I think about touching people. If you do that, nothing has changed fundamentally in the music business. If your purpose is to get under people’s skin and make them feel something, that’s the same job it was for Mozart. How people listen can keep changing, but I don’t think the palette of human emotion changes, and that’s who you’re addressing.”

Was came from a working-class industrial city, making music reflective of Detroit’s technological upheaval and economic neglect. “Adversity” is a beacon to keep playing in spite of everything.

“I think that the salvation of musicians is that no matter what happens, what technological advancements come along, there’s still nothing like the experience of being in the same room as people who are playing together,” Was said. “It’s always been tough, man. It’s harder these days to buy a Ferrari as a musician, but I don’t know that that’s necessary. I have total confidence that the opportunity is there for anybody who is willing to give the audience a meaningful experience.”

COMMUTERS were left stunned when they realised they were sharing a train platform with A-list acting royalty.

One eagle-eyed passenger spotted a Hollywood star casually waiting at the station before boarding a train – but would you recognise her?

With no security team in sight and not even a friend with her, Margot Robbie was seen alone at a Paris train station.

Disguised beneath a huge floppy hat, the actress blended into the commuters going through the station as she patiently waited for her train to arrive.

The 35-year-old stood scrolling on her phone, seemingly oblivious to both the video being recorded and the excited fans around her.

An onlooker later shared the clip online, soundtracked by a song from Barbie, the blockbuster film in which Margot famously starred.

In the short video, the fan appeared unable to believe their luck after spotting the Australian-born actress.

Fans quickly took to the comments to speculate about why Margot might be in the French capital, with one suggesting she is likely gearing up for filming of the new Ocean’s 11 prequel.

Production on the prequel is expected to begin in Paris in July before moving to the south of France, 

The movie is set at the 1962 Monaco Grand Prix and filming is set to take place in Nice and Monaco from August to October.

The film, which Margot is producing and which stars and is directed by Bradley Cooper, is due for release next summer.

Another commenter said the fan should have introduced themselves, before sharing their own story about meeting the actress.

They wrote: “In 2022, I met her and her husband in a small pub in the Lake District, of all places.

“I had just got engaged 10 minutes earlier, so everything already felt surreal. I went over to her table and told her about the engagement. She was the first person I told and the first person to congratulate me.

“She introduced herself and was just so, so lovely. I love telling that story.”

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

July is another month absolutely packed with essential repertory screenings at venues all over Los Angeles. It’s genuinely impossible to attend everything that feels like a must-see. Joshua Rothkopf and I compiled a list of the 10 movies you need to see in L.A. this month to help in making some tough decisions.

On Monday at the Academy Museum will be a 30th anniversary screening of Wes Anderson’s debut feature, “Bottle Rocket,” which introduced the world to his still-evolving mix of whimsy and melancholy with an unmistakably specific sense of style. Anderson will make a rare Los Angeles appearance at the event, along with actor Luke Wilson and producer James L. Brooks.

The New Beverly will have a double bill on July 9 and 10 of Paul Brickman’s “Risky Business” and Steve De Jarnatt’s “Miracle Mile,” two neon-drenched artifacts of the 1980s that both feature scores by the German electronic group Tangerine Dream. (Be sure to also note the screening of “Sorcerer,” featuring another of their pulsing scores, below.)

On July 10 there will be a 35mm screening at the Academy Museum of Brian De Palma’s paranoid 1981 thriller “Blow Out,” starring John Travolta as a sound recordist who accidentally captures a political assassination. Anyone who still hasn’t gotten enough from the Fourth of July will want to see this for the thrilling fireworks display as part of its finale.

On July 12 at the American Cinematheque’s Los Feliz Theatre will be a screening of Alexander Mackendrick’s show-biz noir “Sweet Smell of Success” in 35mm with an introduction from filmmaker Shane Black, who presumably learned a thing or two about snappy, acid-drenched dialogue from the film. Black will also be appearing at the Culver Theater on July 22 for a 10th anniversary screening of his crime comedy “The Nice Guys.”

As part of the American Cinematheque’s ongoing 70mm festival, on the 22nd there will be a screening of Damien Chazelle’s 2022 “Babylon,” a bold and ambitious look at the early days of Hollywood starring Margot Robbie and Brad Pitt. It was a box office disaster when it came out but has already seen a passionate fan base grow around it.

Have a killer holiday

There is something rather wholesome about the fact that Steven Spielberg’s 1975 seaside horror-thriller “Jaws” has become the official unofficial movie of the Fourth of July. Set amid a beach community suddenly beset by a great white shark as the town prepares for the holiday, the movie is a mix of ’70s-style ramshackle, good-natured ease and precison-tooled action that prefigures the blockbuster era of the ’80s. Even now at more than 50 years old, there is something undeniable about the movie’s ability to entertain, delight and terrify an audience.

This weekend “Jaws” is playing at venues all over the city, including the Frida Cinema and the Academy Museum, as well as Vidiots, the Gardena Cinema and other theaters.

An underground masterpiece

When acclaimed avant-garde filmmaker Ken Jacobs died last year at age 92, the world lost one of its most singular voices. In tribute to Jacobs and as a celebration of the 250th anniversary of America, on Sunday at 2220 Arts + Archives, Los Angeles Filmforum will show his “Star Spangled to Death,” a six-and-a-half-hour masterpiece that took decades to complete.

Beginning work on the project in the 1950s, Jacobs would eventually premiere the film in 2004. It is an epic compilation of his own imagery, some of it of his longtime friend and colleague Jack Smith, along with found footage that coalesces into a grand statement on nothing less than the state of the nation. Jacobs himself described the film as a portrait of “a stolen and dangerously sold-out America, allowing examples of popular culture to self-indict.”

A tribute to Marjane Satrapi

In tribute to Iranian French cartoonist and filmmaker Marjane Satrapi, who died at age 56 last month, the Los Feliz 3 will have a 35mm screening of her 2007 animated film “Persepolis” on Thursday. Director Ana Lily Amirpour will introduce the movie, which was nominated for an Oscar for animated feature.

Based on Satrapi’s own autobiographical graphic novel, “Persepolis” is about a young girl coming of age during Iran’s Islamic Revolution told with bold line drawings and a belief in the freedom of the imagination.

Love, crime and sweat

Some movies arrive seeming ready made as cult revival objects. Ross Glass’ 2024 “Love Lies Bleeding” was overlooked when it was first released but seems ripe for rediscovery. In a story that knowingly plays with the motifs of classic film noir and crime dramas, Kristen Stewart plays a hapless, easily manipulated loner in a small dead-end town who falls in with a mysterious and charismatic drifter played by Katy O’Brian. Their chemistry is electric and gives the film a real charge.

The film will show on Thursday at the Frida Cinema as part of its ongoing Nu-Classics series, along with a conversation between actors and online personalities Maggie Mae Fish and Abigail Thorn.

In an interview at the time of release, Glass talked about the film’s appeal, saying, “It’s people meeting each other and falling in love for the first time and those whirlwind sort of first few weeks. Going into it, I don’t think I was specifically thinking of it as horny, but I definitely knew going into it that I wanted it to feel sweaty and intense.”

Road to nowhere

Though it is a movie we have talked about here before, it is always worth mentioning when there is a screening of William Friedkin’s 1977 “Sorcerer.” It will be playing tonight in the main room at the Academy Museum in a recent 4K restoration, which should be big and loud. The score by Tangerine Dream should be even more brain-rattling than usual in that venue.

The film notoriously first opened a week after “Star Wars” in 1977 and was left in the dust, though it has more recently become revered as one of Friedkin’s best — a movie of relentless, ratcheting tension. An adaptation of the novel that also inspired 1953’s “Wages of Fear,” Friedkin’s film is about a group of desperate men, each on the run from something, who must transport a truckload of nitroglycerine through a dangerous South American jungle.

New this week

• Amy Nicholson found “Minions & Monsters” to be a “delightful dingbat homage to Tinseltown set during the transition from silents to sound.”
• Carlos Aguilar spoke to Minions creator Pierre Coffin about all the old-school movie homages in the new film and its cameo from no less a film figure than George Lucas.
• Katie Walsh reviews Jon Erwin’s “Young Washington,” calling it “propaganda in the form of a history lesson wrapped in a summer blockbuster.”
• Tim Grierson reviews “Romería,” an autobiographical tale from Spanish writer-director Carla Simón starring newcomer Llúcia Garcia, noting “Simón and her star bracingly recall the electricity of youth.”

Celebrity Gogglebox fans were left baffled after a famous face failed to make an appearance on the programme

A familiar face on Celebrity Gogglebox was missing from the latest instalment.

The Channel 4 spin-off show returned to screens on Friday (July 3) for a brand new episode, welcoming back firm favourites, such as Denise Van Outen and Johnny Vaughan, Nick Grimshaw and niece Liv and pals Richie Anderson and Ellie Simmonds.

There are several new additions to the new series too, including Olivia Attwood and her mum Jennifer, and Harry and Matt aka Nitro and Legend from Gladiators.

Finishing off the line-up are Strictly star George Clark and content creator Max Balegde, as well as comedian and actor, Julian Clary and actor and television presenter, Nigel Havers.

But for the latest instalment of the beloved show, instead of comedians Babatunde Aleshe and Mo Gilligan – who film in South London – making an appearance, Mo was with fellow comedian and I’m A Celebrity star Eddie Kadi, with Babatunde absent.

Reacting to Babatunde being missing, one confused person wrote on X: “Where’s @BabatundeComedy tonight @MoTheComedian?” Meanwhile on Gogglebox’s Instagram, Mo shared a video of him and Eddie which also left fans puzzled by Babatunde’s absence. “BABATUNDE?! WHERE THE HELL IS HE?!” declared a second fan. A third wrote: “Where’s Babatunde?”

Meanwhile, talking about being on Celebrity Gogglebox, new star Olivia Attwood said it “was chaotic but in the best possible way”. She explained: “It’s not often that we agree on things which I think the viewers may find entertaining.

“My family are huge fans of the show so it’s a real honour to be a part of such an iconic British programme.”

Strictly 2025 finalist George Clarke also said: “I loved it, mainly because it gave me a full excuse to take the mick out of Max on national TV.

“He reacts to everything, so you’re never bored. It’s so easy to get into as well, you just sit there, say exactly what you’re thinking, and before you know it, we’ve gone completely off track!”

Coronation Street legend Nigel Havers also shared: “It’s a dream come true working with Julian on Gogglebox. I can’t think of a better way to spend an evening… (Julian wrote this).”

Celebrity Gogglebox airs at 9pm on Friday at Channel 4

JOHN Torode’s wife Lisa Faulkner has given fans an emotional update after revealing her shock breast cancer diagnosis.

The 54-year-old announced the news on Thursday and divulged that she had already undergone surgery and will be moving onto a course of radiotherapy.

She took to her Instagram stories today to thank her fans for all of their support over the last 24 hours.

Lisa penned: “Thank you for all of your support and your lovely messages. i promise I will read every word.

“So many of you going through this or someone who is. Your love and kindness has really touched me and I thank you from the bottom of my heart.”

The former EastEnders actress told her fans yesterday why she’d been quiet on social media.

She divulged: “I know I’ve been very quiet on here, reason being I have had to have surgery for the early stages of breast cancer.

“I had surgery two weeks ago, it was quite a big op but it’s all good and I’ve my results back and they’ve got everything out.

“So it’s all clear and I just need now to have some radiotherapy in a few weeks.

“I just wanted to say I’ve got a bit of healing to do but I’m good. I’m well and feeling so much better and I’m so grateful I went for my mammogram.

“I just wanted to say don’t put them off, go, because they found this and without that mammogram it wouldn’t have been picked up.

“Thank you to our wonderful NHS and the fact we can have these mammograms and we can get treatment early.”

Within moments of her sharing the difficult news, Lisa was inundated with support from her famous pals and followers.

Actress Tamzin Outhwaite said: “Love you Lise. You’ve got this my darling.”

Another added: “Sending so much love your way, lovely xx.”

Before a third said: “Sending love and hugs.”

Lisa is best known for her various acting roles and in recent years has become prolific as a TV chef.

Her famous telly husband John Torode has yet to comment on the gutting news about his partner.

It is the latest in a long line of blows for John who was sacked from his role on MasterChef following an investigation at the BBC.

He was given the boot from the programme following an investigation which was launched based upon the conduct of his co-star, Gregg Wallace.

DETAILS from Taylor Swift and Travis Kelce’s elaborate wedding have been revealed, including the custom dress the singer wore and who stood beside them on their big day.

The couple exchanged vows on Friday at Madison Square Garden in New York City in an extravagant ceremony.

The U.S. Sun obtained a press release from Taylor’s rep shortly after the nuptials, which revealed some specifics about the special occasion.

Both the bride’s and groom’s looks were created by Christian Dior Haute Couture, designed by Jonathan Anderson, Creative Director of Dior Women’s, Men’s, and Haute Couture Collections, in close collaboration with the newlyweds.

Their shoes were custom-made by Christian Louboutin, and Taylor wore Cartier jewelry, per the release.

Some fans had already suspected that Taylor would wear a Christian Dior gown after she appeared to drop an Easter egg during an outing in April.

Taylor stepped out with a buttercup yellow Dior bag from Anderson’s debut show in the spring, leading many to speculate that she’d chosen him as the designer for her wedding dress.

The “royal wedding” is the designer’s first couture wedding dress for a world-renowned celebrity.

The lovebirds also did not have the traditional bridesmaids or groomsmen; instead, Taylor’s brother, Austin Swift, served as her Man of Honor, and Travis‘ brother, Jason Kelce, served as his Best Man.

It was a day to remember for the pair and their guests, as comedian and friend Adam Sandler officiated the ceremony.

Screens outside The Garden flashed signs that read, “JUST&T MARRIED!” about an hour after the ceremony began.

Fans showed their love for the beloved couple, gathering outside the venue and singing Taylor’s hit song, Love Story.

The reception is currently underway, continuing the three-day wedding festivities with 1,000 guests in attendance.

Rumors previously circulated that Taylor and Travis had already tied the knot in a private ceremony in Tennessee.

However, The U.S. Sun exclusively spoke to a relative of Taylor’s before the ceremony, who assured that the NYC bash would be the couple’s first wedding.

It was previously believed that Taylor’s BFFs, Selena Gomez and Gigi Hadid, were a part of the songstress’s bridal party.

It was also thought that Taylor’s childhood best friend, Abigail Anderson, would serve as her Maid of Honor.

Abigail made a major faux pas with her wedding ensemble when she was seen wearing the exact same $800 Sau Lee dress as Laura Kruk, the fiancée of New York Giants wide receiver Juju Smith-Schuster.

Hundreds of other celebrity guests stunned in their “black tie” ensembles, including Ed Sheeran, Karlie Kloss, Bradley Cooper, Dakota Johnson, and Ellie Goulding.

Many of Travis’ NFL buddies and their wives also attended the big event.

The high-profile affair prompted a massive police presence, street closures, and parking restrictions around the venue.

The U.S. Sun exclusively revealed that some NYPD cops expressed their frustrations over the large-scale event taking place during a near record-setting heat wave and the July 4 holiday.

Police have also posted up outside of Taylor’s $50 million Tribeca compound, which served as the headquarters for the wedding day.

It doesn’t appear the chaos will die down anytime soon, as the festivities are expected to continue into the weekend.

No other public events have been booked at the venue until next week.

We did it! America made it to 250 years of existence!

OK, not everyone may be feeling especially celebratory as we hit the semiquincentennial, as culture critic Mary McNamara wrote in her essay this week, but we can still find some solace in wanting to do better and be better. I’ve always believed the arts are a reflection of the heart and soul of a people. And in a country as multicultural and diverse as ours, that can look very many different ways. While it’s true that social media and the internet at large has siloed us, nothing stays the same and, like it or not, change and progress are very much at the root of America’s existence, as is acceptance of different ways of living. What makes this country great are those varied experiences and how art can be an entryway to them.

It’s among the ideas that my colleagues dug into this week as they examined culture through the lens of America’s 250th anniversary, detailing 10 films that capture America in times of profound change, the quintessential American song, artworks that redefine what it is to be American, what literature belongs in the American canon, how playwrights have embraced the country’s diversity and why orchestras have been sitting out this Fourth of July. Television critic Robert Lloyd also wrote about a number of recent series, both historical and satirical, that take a closer look at America’s history (you will learn, laugh, cry or all three).

If that gives you enough inspiration, there are several Fourth of July events to watch over the weekend, including traditions like the “Macy’s 4th of July Fireworks Show,” now in its 50th edition, on NBC, Telemundo and Peacock, and Nathan’s Hot Dog Eating Contest on ESPN and ABC as part of their “Disney Celebrates America” programming. If you’re looking for something fresh, the America250 initiative will be streaming a ball drop from Times Square in New York beginning Friday night, which CNN is also covering via “Independence Eve Live With Anderson & Andy: Celebrating 250,” a New Year’s Eve-style production with Anderson Cooper and Andy Cohen. Similarly, PBS will be broadcasting “A Capitol Fourth: 250th Weekend Celebration” from the U.S. Capitol and from George Washington’s home in Mount Vernon. It will feature performances from the National Symphony Orchestra, Trace Adkins, Patti LaBelle, Kool & The Gang and more.

On Saturday, America250 will stream “America’s Block Party” from the L.A. Memorial Coliseum, which features performances by Chris Stapleton, the Smashing Pumpkins, Chaka Khan and Anthony Ramos. CBS will also air some of those acts on “The Great American Block Party 250,” along with performances from the Washington Monument in Washington, D.C., by the Zac Brown Band, Jon Batiste, Goo Goo Dolls and the War and Treaty (it will also stream on Paramount+).

In keeping with this week’s theme, we’ve also rounded up several series and films that we recommend watching over the long holiday weekend that tell a story about America or Americans in all their glory — imperfect, diverse and unique. Now that’s something to celebrate. — Maira Garcia

Turn on

Recommendations from the film and TV experts at The Times

“The Americans” (Hulu)

This series may seem like an odd choice to recommend during the July 4 holiday, particularly when the main characters are driven by values that are pointedly un-American. The FX series, which concluded its six-season run in 2013, stars real-life couple Keri Russell and Matthew Rhys as Russian spies posing as a suburban couple living in Washington in 1981. Critics celebrated the drama as the couple took on their assignments to undermine the U.S. government while also concealing their true identities from their friendly neighbor — an FBI counterintelligence agent — and their two American-born children. Their journey is further complicated as they grow more attached to American lifestyles and values. Rhys, who is currently stirring up awards season buzz with his lead roles in Apple TV‘s “Widow’s Bay” and Netflix’s “The Beast in Me,” won an Emmy for lead actor in a drama during the show’s final season. Fans of “The Americans” are still shaken by the memory of the devastating series finale. — Greg Braxton

“Spirit of ’76” (VOD)

In this energetic, colorful, low-budget 1990 ode to the bicentennial year, travelers from a colorless 2176 attempt to travel to 1776 to reclaim foundational knowledge lost when “the magnetic storm degaussed all recorded history.” They arrive instead on July 4, 1976, where a different sort of freedom holds sway — freedom to get down, freedom to boogie. It’s a friends-and-family affair, written and directed by Lucas Reiner, with appearances by his brother Rob and father Carl; a story co-authored by Roman Coppola; and costumes by his sister Sofia. David Cassidy and Olivia d‘Abo star as among the visitors from the future; Leif Garrett (like Cassidy, a 1970s TV and pop idol) is a disco-mad lothario. Also on board are Tommy Chong, Barbara Bain, Don Novello, Moon Zappa and performance artists the Kipper Kids as men in black. Julie Brown is a sex worker who has something to say about the Gulf of Tonkin Resolution that will sound distressingly timely. Brothers Jeff and Steve McDonald — from the band Redd Kross, and not playing brothers — are the bike-riding, long-haired, slang-slinging teens who join in to help the time travelers accomplish their mission. One word: tetrahydrozoline. — Robert Lloyd

“The Simpsons” (Disney+, Hulu)

With more than 800 episodes across 37 seasons, “The Simpsons” is basically on track to reaching its own semiquincentennial milestone. Its relevance in today’s landscape may be debated, but the animated series has audaciously and consistently captured the American experience with its piercing satire about societal and cultural events and shifts, as well as its reflections on the frustrations and absurdities of daily life for a middle-class family living in a quintessential American suburb — an ideal that has long stood as a standard of success for generations of Americans and now feels like a fantasy for many who still strive for it. (Insert GIF of Homer disappearing into a shrub here.) It’s one of the most entertaining time capsules of a good chunk of America’s run so far. And hey, there are plenty of July 4 episodes to pre-game, pair with, or distract from your social obligations. — Yvonne Villarreal

“American Movie” (VOD)

One of the breakout documentaries of the ’90s, Chris Smith’s portrait of aspiring Wisconsin filmmaker Mark Borchardt suggests that if you want to understand America, you could do worse than spend some time in his company. Borchardt has no Hollywood connections, no money and seemingly no realistic path to finishing his low-budget horror movie “Coven” (which he stubbornly insists on pronouncing “COE-ven”). Working the graveyard shift at a cemetery and battling his own drinking, he somehow keeps persuading friends and relatives to help him inch the film toward completion. The movie is often hilarious but it never makes Borchardt the punchline, leaving open the question of whether he’s a genuine outsider artist or simply incapable of recognizing impossible odds. When he starts feeling sorry for himself, he has a way of snapping out of it: “No one has ever, ever paid admission to see an excuse.” As America marks its 250th birthday, with so many of the country’s problems seeming unsolvable, Borchardt reminds us that impossible sometimes just means unfinished. — Josh Rottenberg

“Reservation Dogs” (Hulu, Disney+)

This is perhaps too on the nose, but what is the story of America without Native Americans and Indigenous storytellers? Don’t worry, “Reservation Dogs” is not meant to be a history lesson. A coming-of-age dramedy, the series follows a group of teenagers living in a small town in the Muscogee Nation in rural Oklahoma. Culturally specific and infinitely relatable, the teens are grieving one of their own as they navigate familiar perils of adolescence: future aspirations (or lack thereof), relationships and rivalries, family and more as they grow into who they are meant to be. Created by Sterlin Harjo and Taika Waititi, the show was celebrated for its representational milestones both in front and behind the camera for the entirety of its three season run. But what keeps this show on my perpetual rewatch list is its humor, heart and endless humanity. And Cheese! — Tracy Brown

“Star Trek: Strange New Worlds” (Paramount+)

Despite being set on a starship traveling through the far reaches of space, “Star Trek” is a quintessentially American show that celebrates very American ideals and aspirations. The franchise depicts a future where good people want to do good, are endlessly curious, believe in justice and diplomacy and strive to maintain peace. They’re also willing to fight for what they believe in. “Strange New Worlds,” though created in our modern streaming times, captures a lot of the spirit and swagger of the original series — and not just because it features some characters that originated there. The show follows Capt. Christopher Pike (Anson Mount) and the crew of the U.S.S. Enterprise as they explore strange new worlds and boldly go where no one has gone before. Pike wields a kind of empathetic, nice dad next door charm and all the capabilities of a decorated starship officer, which makes him a perfect ambassador for his exploratory mission. He’d probably also make a good host of a big Fourth of July backyard bash. — T.B.

“Mo” (Netflix)

The immigrant experience has been portrayed in a number of films and series over the years — though I’d argue there still aren’t enough. This series created by and starring comedian Mo Amer captures not only the realities of navigating the American immigration system, with its draconian requirements and regulations, but also the experience of multicultural life in the melting pot that is Houston, Texas. Here, Amer plays a fictional version of himself, a Palestinian refugee who is trying to get legal status while encountering personal and professional roadblocks at every turn. It’s funny and melodramatic, occasionally veering into silliness, but it brilliantly highlights the very real struggle of finding your place in the world when you don’t know where you can call home or where you belong (the Spanish saying, ni de aqui, ni de alla, neither from here nor there, applies). And it’s one of the very few humanizing onscreen depictions of the Palestinian American experience. — Maira Garcia

“Pose” (Hulu) and “Fellow Travelers” (Paramount+)

The struggle for gay rights has been a long chapter in American history and in the case of these two series, one depicts it through New York’s ballroom scene and the other through the halls of Washington. “Fellow Travelers,” created by Ron Nyswaner and based on Thomas Mallon’s novel of the same name, depicts the romance between Hawkins “Hawk” Fuller (Matt Bomer) and Timothy “Tim” Laughlin (Jonathan Bailey) beginning in the 1950s during the height of McCarthyism and the Lavender Scare and goes through the decades, culminating with the AIDS crisis of the ‘80s. If you want a good cry this weekend, start here. “Pose,” meanwhile, is at turns celebratory and heartbreaking as it depicts the experience of a group of Black and Latino members of the ball scene in the ‘80s and ‘90s. The series highlights the opulent costumes and performers in drag who would leave it all on the floor for a chance at glory among their peers, but also the interpersonal relationships and challenges faced by trans characters like Blanca (Mj Rodriguez, who scored an Emmy nomination for her performance in 2021), Elektra (Dominique Jackson) and Angel (Indya Moore), as well as gay characters like Pray Tell (the inimitable Billy Porter). Both shows are reminders that LGBTQ+ rights were hard won and that the struggle continues. — M.G.

ICYMI

Must-read stories you might have missed

Taylor Swift and Travis Kelce are finally married.

After 16 full-length albums, a batch of brutal breakups, and a record-breaking world tour, Taylor, 36, has officially locked down her prince charming.

Kelce, 36, and the pop icon said “I do” on Friday in an extravagant ceremony just 10 months after the couple announced their engagement in August 2025.

Huge purple screens reading “JUST&T MARRIED!” lit up outside of Madison Square Garden around 7:30pm on Friday, roughly an hour after Taylor’s SUV was spotted pulling into the venue.

Taylor’s bulletproof gray SUV was met with cheering fans as she arrived around the rumored start time of her wedding ceremony.

Dozens of Taylor and Travis’ A-list guests flocked to Madison Square Garden well in advance of the wedding.

Some stars spotted include Ed Sheeran, Karlie Kloss, Dakota Johnson, Bradley Cooper, Zoe Kravitz, Erin Andrews, Matthew Stafford and Graham Norton.

Soon after the couple exchanged vows, Dior revealed that the bride and groom’s looks were created by Jonathan Anderson, Creative Director of Dior Women’s, Men’s and Haute Couture Collections in close collaboration with the bride and groom.

This was the designer’s first couture wedding dress for a world-renowned celebrity.

The newlyweds had custom shoes made by Christian Louboutin and Taylor wore Cartier jewelry.

The designer brand also confirmed that the couple did not have any bridesmaids or groomsmen.

Instead, Taylor’s brother Austin Swift served as her Man of Honor, and Travis’ brother, former Philadelphia Eagles star Jason Kelce, was his Best Man.

“The ceremony joined both families together and was officiated by friend Adam Sandler,” the press release read.

Fans had been speculating who might be Taylor’s bridesmaids, and considered some of her close friends like Selena Gomez and Gigi Hadid as frontrunners.

Taylor’s childhood best friend, Abigail Anderson, and Laura Kruk, the soon-to-be wife of New York Giants wide receiver Juju Smith-Schuster, stepped out in the same $795 gown with a floral corset-style bodice and a contrasting brown satin skirt, leaving fans suspecting the bridesmaids dressed had been revealed.

But it now appears to be a moment of matching as Dior confirmed the popstar had no bridesmaids.

The skies of New York City opened up soon after it was announced the couple was officially married, with people outside of MSG running to get away from the pouring rain.

Rumors had been circulating in the days leading up to the big ceremony that the couple had already wed in a private ceremony.

But, Rick, one of Taylor’s relatives, exclusively told The U.S. Sun outside the Ritz Carlton in NYC on Friday, “The ceremony is today.”

“All the rumors are nonsense. Taylor and Travis haven’t got married. They are taking their vows today.”

The Kansas City Chiefs tight end popped the question after two years of dating in a private, at-home proposal surrounded by hundreds of flowers.

Their wedding comes after months of speculation from fans as to when and where the Swift-Kelce wedding would be held.

The couple ultimately chose to tie the knot at Madison Square Garden with a rumored 1,000 guests in attendance.

An entertainment executive said the multi-day extravaganza would kick off with an intimate affair at MSG on July 2, according to a bombshell report from the New York Times.

The private event would then be followed by a much larger ceremony in the same venue on July 3.

Some of Kelce’s Kansas City Chiefs Teammates were reported to have booked blocks of rooms at the Marriott Marquis in Times Square as well.

A permit had reportedly been filed to shut down the streets surrounding the Garden from July 2 through July 4 – a major holiday weekend – and there had been no public events booked at the venue from June 29 through July 6.

Amtrak police were also reportedly warned well in advance of the impending celebrity nuptials.

In the months leading up to their nuptials, it was reported that Swift had actually been planning to completely transform her $32 million mansion in Rhode Island for the fairytale wedding.

Fans also believed the seaside ceremony would be held on June 13 – a reference to the Out of the Woods singer’s lucky number 13.

A source close to Swift told The U.S. Sun that she had planned to create a new garden at her home as the couple reportedly planned to drop $1.2 million on flowers alone.

Swift apparently began planting her preferred flowers in the new garden “months in advance,” gravitating toward red roses, hydrangeas, orchids and peonies.

“She wants the entire celebration to feel like a wave of flowers, with arrangements of white, purple, and pink orchids, plus blue, white, and pink hydrangeas, and peonies in pink, white, and red tones,” the source claimed.

“Taylor dreams of being fully surrounded by flowers, with lush floral bushes everywhere, making her teenage dream of marrying in a sea of flowers come true.”

Florals aside, The U.S. Sun previously revealed that the couple was planning to drop $8 million alone on security for the event.

The insider told The U.S. Sun that Swift had planned to create a “multi-day celebration” from Friday to Sunday for her wedding weekend, making it a “unique, unforgettable memory they’ll cherish for the rest of their lives.”

In terms of security, Madison Square Garden is ideal for the global superstar, as the venue features no windows, a large capacity and guaranteed privacy from rabid fans and paparazzi desperate for a glimpse at the high-profile couple.

Leading up to the wedding, neither Swift nor her NFL heartthrob had publicly discussed their wedding plans – leaving it all up to speculation.

More to follow… For the latest news on this story, keep checking back at The U.S. Sun, your go-to destination for the best celebrity news, sports news, real-life stories, jaw-dropping pictures, and must-see videos.

Like us on Facebook at TheSunUS and follow us on X at @TheUSSun

NEW YORK — Manhattan was sweltering at 100 degrees and preparing to mark 250 years since the United States declared independence from Great Britain.

But on Friday, the city seemed transfixed by what might be the closest the country gets to a royal wedding: The nuptials of pop superstar Taylor Swift and Kansas City Chiefs tight end Travis Kelce.

Madison Square Garden and its surrounding streets — 31st and 33rd streets toward 6th and 8th avenues — were blocked off as guests arrived for the event. Fans craned their necks for any views they could get from the street.

The world-famous arena is reportedly set to transform into a “massive castle,” surrounded by a garden fit for pop culture’s royal couple, both 36. While the complete event details and guest list have been kept a secret, the Associated Press reportedly obtained a city permit showing Friday’s supposed wedding event is set to start at 5 p.m. Eastern time and could last until 4 a.m.

Secrecy surrounding the event is so tight that the reported venue has been cordoned off with privacy tents, tarps and barricades. But neither those measures nor Friday’s sizzling temperatures stopped fans from gathering in hopes of sneaking a peak at their longtime idol and sending Swift their well wishes.

“I heard we won’t be able to see her either way because the spot that they picked is going to be covered,” said Sarah Shrestha, 21, an Anaheim resident visiting friends in Manhattan.

Madison Square Garden was a good venue for the couple’s nuptials because “in interviews, [Swift] said she wanted to be able to invite everybody to the wedding so it’s still a good venue for that,” she added.

Ellie Kitschke, 13, and her mother, Mymy Nguyen, 38, were visiting New York City from Adelaide, Australia.

Ellie said she thought it was a weird choice for the venue.

“It’s like a stadium. I get that no one can come inside but I think it’s a bit much blocking up the roads,” added Ellie, who attended the Eras tour in Sydney with her mom.

The two said they also thought it was odd Swift didn’t choose a venue or date that included her lucky number, 13, saying it “didn’t add up.”

“If she does get married, we wish her well,” Nguyen said. “We’d love to see her.”

Emma Rasco, 19, was also surprised by the choice in wedding venue.

“When I heard it, I was like, that’s definitely a choice,” Rasco said. “It’s a little unconventional and very forward-facing.”

Swift and Kelce announced their engagement in August after two years of dating, to much fanfare. “Your English teacher and your gym teacher are getting married,” Swift wrote in the caption of her Instagram post.

While the Swift camp didn’t release a guest list, various news organizations staked out local hotels and began counting bold-face names headed to the event. The New York Times obtained a schedule for the wedding, which included a cocktail hour followed by a 5 p.m. wedding and reception. The event was set to end at 2 a.m.

The couple were first linked in July 2023, when Kelce mentioned his desire to meet the pop superstar on his podcast, “New Heights,” and made their relationship public that September. Their coupling instantly captured the attention and hearts of fans around the world, and Swift’s presence at Chiefs games was even credited with bolstering female interest in NFL football.

Kelly, 36, is a longtime Swift fan who said she grew up listening to her music. She came from her apartment on the Upper West Side to 33rd Street to see if she could catch a glimpse of Swift entering the stadium.

“I feel like I was the same peer group growing up with her, and am just so happy that she had her happy ending,” she said. “I want to see what a Royal American wedding looks like.”

Kelly said she admires Swift and Kelce for donating to charity. The couple donated a combined $26 million to 20 local and national charities ahead of their presumed nuptials, Swift’s publicist told Business Insider.

“They really are a positive influence,” she added.

Kelly said Madison Square Garden made sense as a venue for the privacy and security of guests.

“It’s not an ideal wedding venue but they’re both creative and have their own stages in a way,” she added.

By mid-afteroon Friday, dozens of fans clustered near MSG as black SUVs and vans with tinted windows, presumably filled with wedding attendees, turned the corner toward the stadium.

New York Police Department sources told The Times that streets will be blocked off all Friday and should return to normal by Saturday morning.

Back in October, Swift told TV host Graham Norton that she was casting a wide net with the guest list, joking that she would invite “anyone I’ve ever talked to.”

“I shouldn’t have said any of that,” she added.

Pulling off an event of this magnitude — which many described as America’s “royal wedding” — required considerable preparation, with a particular emphasis on privacy. Guests were reportedly required to sign nondisclosure agreements before receiving any event details (although the NDAs were said not to have included any penalties for violating the terms).

While the Swift camp didn’t release a guest list, various news organizations staked out local hotels and Madison Square Garden and began counting bold-face names headed to the event. The New York Times obtained a schedule for the wedding, which included a cocktail hour followed by a 5 p.m. wedding and reception. The event was set to end at 2 a.m.

The couple were also linked to wedding planner Mark Seed, who previously orchestrated the 2023 wedding of Jack Antonoff and Margaret Qualley and the 2019 wedding of Jennifer Lawrence and Cooke Maroney. Seed is known for his elaborate event builds and notable discretion.

On the Tuesday before the event, workers were photographed installing a red carpet outside of MSG, which one individual allegedly said was for “a wedding,” according to Page Six. It was quickly removed that same day.

Lin reported from New York; Garcia and Eloise Rollins-Fife from Los Angeles.

One of the Celebrity Gogglebox stars had to take a minute after watching a terrifying scene

A Celebrity Gogglebox star walked off camera after viewing a creepy horror film that left everyone squealing.

The instalment of the Channel 4 show that aired on Friday (July 3) saw the celebrity armchair critics watching a range of programmes, from Countdown to Clarkson’s Farm. But many looked horrified as they tuned into horror film, Weapons.

The film is about 17 children from the same classroom who mysteriously disappear on the same night at the same time, and Jordan Banjo had to leave the sofa for a breather after watching scenes from the movie with fellow Diversity star Perri Kiely.

Many of the stars on the celebrity edition of the programme were seen looked terrified as they watched a scene where a creepy character called Aunt Gladys (played by Amy Madigan) visited a house and asked for a bowl instead of a glass of water.

Things took a nasty turn when she took a wooden stick she had been fiddling with and dragged it across her hand, cutting it open, which left Jordan gasping.

He held a cushion up to block the screen as a man in the film was then seen opening his mouth and vomiting streams of back liquid.

“I need a break, I need a break,” Jordan said, as Perri exclaimed: “No!”

But the dancer then stood up and moved away from the chair, explaining: “I need a drink. Do you want anything?”

However, he soon rushed back, explaining to Perri that he when he had got to the kitchen he had spotted a bowel of water on the side and it had given him a fright. “No!” he said, sitting back down without having poured the drinks.

Fans were tickled by the scenes, with one posting on X: “So funny.”

Someone else posted on the platform, which was formerly Twitter: “Who doesn’t just love a bit of Celebrity Gogglebox. Always such an entertaining way to spend the time.” “The perfect switch your brain off TV this time of night needs,” they added.

Someone else said that it was “brilliant stuff”.

Another viewer said the series was “top notch”.

Celebrity Gogglebox airs on Channel 4.

Comedy saved Teruko Nakajima’s life.

In 2016, Nakajima received psychiatric care at Cedars-Sinai Medical Center, diagnosed with depression, PTSD and suicidal ideation. Her doctors searched for ways to manage her stress by exposing her to various activities, including video games, serene Icelandic landscapes and an aerial silks performance. The last brought her anxiety down, revealing that the arts were the answer. Her doctor prescribed the arts, comedy specifically, so she went to the Upright Citizens Brigade for class.

She found a calling and a safe space in comedy.

“I didn’t know I was born a comedian,” Nakajima said. “Finally, I really felt I was accepted as a comedian, validated for who I am.”

Nakajima shares her healing journey to the stage in “Made in America,” which just had an encore performance at UCB on Tuesday after its award-winning run in 2022 (it is also available for streaming on UCB’s website through Tuesday). The one-woman show arrives in time for the United States’ 250th anniversary on Saturday, documenting Nakajima’s search for the American dream as a first-generation Japanese American woman. “Made in America” premiered in 2022 at the Hollywood Fringe Festival during Joe Biden’s presidency and following the Jan. 6 United States Capitol attack. In 2026, its musings on identity and belonging pierce through today’s political landscape shaped by Donald Trump’s second presidency.

“I wanted to let people know this is an American story,” she said.

“Made in America” is about Nakajima’s life. It begins in her mother’s womb. She felt so safe there, she yearned to return. Growing up, she experienced an emotionally and physically abusive life at home, recalling her father breaking furniture and her mother’s alcohol-induced belittling comments. But her name, Teruko, translates to a “shining child.” Thus, she proclaims in the show, “I’m a superstar!”

The beauty in “Made in America” is Nakajima’s ability to find the humor in her trauma. When the show transitions to her life in America, she talks about her life as a dominatrix in New York City and her struggles with romance in Los Angeles. Her comedic jabs at the American economy and humorous reflections juxtapose somber moments of stillness in the midst of her struggles. This balance puts her life into perspective, revealing a positive personality beneath a dark saga.

“I look very happy-go-lucky and cheerful, but actually, I am a very dark person because I have a dark history,” she said. “I always wanted to leave my story behind. I wanted to leave my mark in this world before I died, so I needed to make something.”

The first class Nakajima took at UCB was John Flynn’s storytelling course. There, she started building pieces of the show without realizing it. As they added up, the idea for a show surfaced. After class one day, she asked Flynn to direct it. Flynn, who has been teaching at UCB in New York and L.A. for about 20 years, agreed.

“She disarms people,” Flynn said. “There’s something about her that is just so unique and so delightful that you won’t forget her.”

Flynn first met her at his storytelling open mic. She walked in with her emotional support dog Titi (also known as Tiny Teruko), wearing her signature red heart-framed glasses, without lenses. Soon, these glasses would make him double over in laughter when she performed and cried, dabbing her eyes with tissue through the frame.

“When you start to learn her story and the experiences she’s had, it is amazing that she is so positive,” he said. “She’s such a sort of undeniable positive energy that she just radiates all the time, which is so compelling and why people are so drawn to her.”

Nakajima puts all of herself into the show. Aside from comedy, she has been a cheerleader in Japan, a salsa dancer in New York and a sculptor on the side — she loves sculpting MLB players’ butts; Derek Jeter is her favorite. In the show, she folds these aspects of her life into a single story, dancing from section to section. Comedy is more than just laughs; it’s storytelling.

“I am so good at cheering people up, since I was very little,” she said. “I had no competition with others because I’m the one and only. Nobody looks like me.”

Together, Flynn and Teruko parsed through her life stories to give the show an arc. For Flynn, it’s like carving away at what is already there to create something fun and cohesive, like a sculpture. “What’s fun about directing one-person shows like this is that it’s usually just two people in a room putting something together,” Flynn said.

Bringing the show back this year, the work gets sharper and tighter, but the biggest shift is in its conclusion. Once optimistic about the future of life in America, the show now has a stronger desire to make change. There was a sense of hope in 2022 for women like Nakajima, an immigrant who sought safety in a new country and struggled with abuse from her family and strange men. Today, as Trump’s immigration policies lean on deportation and discrimination, she simply wants to be seen.

“America, thank you for not giving up on me,” Nakajima said toward the end of the show. She is proud to be American, not just because she gets to have the same nationality as her dog Titi, but primarily because of the new life it offered her. America promised happiness. Whether it actually comes is another story, but in this one, the promise itself gave her a sense of purpose.

“After the show, people come to me in person and through messages,” she said. “A lot of people said, ‘I felt like I am not alone.’ That gives me so much hope and unity. I feel safe and like I have something to look forward to because I’m not the only one.”

Flynn realized how much he took for granted while working on the show with Nakajima. “I think, even though these are scary times and things seem to be going in directions that aren’t the best, there are still great people, and there’s something that is still there and is not dying and is still fighting,” Flynn said.

When she began her acting journey, Nakajima thought she’d turn to drama, but there’s something more unguarded in comedy.

“I’m very authentic and invincible through comedy,” she said.

By the end of “Made in America,” Nakajima is no longer trying to find her way back to her mother’s womb. She is confident in her place in the world. She remembers that she is a star. She brings out her dog Titi, who was hidden on stage throughout the entire performance, and shares that UCB gave her a new outlook on life. Comedy breaks away her stresses and allows viewers to be vulnerable with her.

“I always wanted to feel safe,” she said. “I never had that. Finally, I found a safe space, and then I realized that I’m actually important. I’m actually worthy. I’m so happy right now to be able to express myself through comedy because it’s the truth.”

Taylor Swift and Travis Kelce’s love story will reach new heights this week with a totally low-key two-day wedding bash at New York’s Madison Square Garden.

The billionaire pop titan and the NFL star, both 36, kicked off their wedding festivities Thursday afternoon with a rehearsal dinner at the famed sports arena. They have all but confirmed that they will then exchange their vows Friday in a grand MSG celebration with around 1,000 guests (including Swift’s celebrity friends and Kelce’s fellow sports stars) in attendance, at least according to numerous reports. The celebrity wedding will also reportedly feature heightened security around Madison Square Garden, performances by Stevie Nicks and Tim McGraw, and a red carpet outside the arena.

Representatives for Madison Square Garden, Swift and Kelce have not responded to The Times’ requests for comment.

Swift and Kelce’s relationship began nearly three years ago during the singer’s blockbuster Eras tour with a simple request and a friendship bracelet. Read on to revisit the roots of Swift and Kelce’s whirlwind romance turned generational love story, from the Kelce brothers’ “New Heights” podcast to a romantic garden engagement.

July 2023: Travis Kelce shoots his shot

Swift and Kelce’s romance can be traced back to summer 2023, when the Kansas City Chiefs tight end attended an Eras tour concert at Arrowhead Stadium, the Chiefs’ house. Kelce — a self-proclaimed Swiftie — told brother Jason Kelce in an episode of their “New Heights” podcast that he had a friendship bracelet with his phone number on it but didn’t get it to the singer. “I was a little … hurt I didn’t get to hand her one of the bracelets I made for her,” he said at the time. Eventually, the two got in touch.

September 2023: Taylor Swift shows up for her guy

The then-rumored romance quickly became commentary fodder for NFL broadcasts (sometimes to sports fans’ chagrin) but took a turn when Swift seemingly accepted Kelce’s personal invitation to a home game. She was seen cheering for him in a private box alongside his mother, Donna Kelce. Soon enough, Swift became a staple in the Chiefs audience. In the following months, Swift and Kelce further solidified their relationship, making it paparazzi-official during an after-party for “Saturday Night Live” and on her Eras tour in November when the singer changed her “Karma” lyrics to reference her budding romance.

February 2024: Super Bowl LVIII (Taylor’s Version)

Swift and Kelce’s love notably played out at Super Bowl LVIII, where the Chiefs faced the San Francisco 49ers. When the Chiefs won, the Grammy winner joined Kelce on the field, kissing and hugging him. A week before the big game, Swift announced her album, “Tortured Poets Department,” at the Grammy Awards. The album seemingly refers to Kelce in songs “The Alchemy” and “So High School.”

The pair continued going strong throughout 2024. As Swift‘s tour continued, Kelce joined his superstar girlfriend on stage in London. She also returned regularly to Arrowhead Stadium for Chiefs home games during the 2024-25 NFL season. Swift ended her Eras tour in December 2024 and hosted a private wrap party to celebrate her musical marathon. Of course, beau Kelce was in attendance.

August 2025: Baby, just say ‘yes!’

The following year was a relatively quieter one for the couple. Kelce and his Chiefs failed to beat the Philadelphia Eagles at Super Bowl LIX and Swift was in the midst of recovering from her tour and preparing for her newest album. But just when there seemed to be a lull in all things Taylor-Travis, the couple hit some major milestones.

First, Swift finally appeared on the Kelce brothers’ “New Heights” podcast. Remember, that’s where all of this started. The couple, of course, spoke about their whirlwind romance, but the main headline was that Swift would release her album “The Life of a Showgirl” later that fall. With songs “Redwood” and “Wish List,” it was pretty clear Kelce inspired Swift during the songwriting process.

Second, and more importantly, “Love Story” singer Swift announced on Instagram that she and Kelce were engaged. She shared photos from their dreamy garden proposal with the caption: “Your English teacher and your gym teacher are getting married.” Kelce popped the question with an elongated old mine cut cushion set within an engraved gold band. Speculation on the details of their nuptials, including date and location, were almost immediately underway.

Since their engagement, Kelce and Swift have appeared together at a handful of high-profile events including the iHeartRadio Music Awards in March, courtside at Rocket Arena in Cleveland during the 2026 NBA playoffs and the Songwriters Hall of Fame induction ceremony in June, which honored Swift.

For now, welcome to New York, soon-to-be Mr. and Mrs.

MAREN Morris managed to dodge questions about her friend Taylor Swift’s wedding on live TV just hours before the pop superstar is scheduled to tie the knot.

The country singer performed on Today Friday morning in front of a packed crowd in the sweltering NYC heat as part of the morning show’s summer concert series.

After performing her hits Hard Liquor and Soft Rock and 80s Mercedes early Friday, Today’s Craig Melvin dropped a Taylor wedding question on Maren, taking her by surprise.

“It was reported yesterday by Variety that you are going to the wedding. What do you get as a gift for someone like that? Do you get a juicer?” Craig asked, as Maren nervously played with her hair and stuttered.

“I don’t know, what do you get? That would be a hard person to buy for,” she said uncomfortably.

“I’m so happy for them. This is such an incredible thing. I think she has such a close tie to New York.

“And yeah…I’m so excited for them to celebrate their love. It’s so cool.

“There’s a lot going on this weekend. I’m happy to be here during this frenzy.”

According to Variety, Maren is attending the festivities on Friday evening, alongside fellow country stars Miranda Lambert and Kelsea Ballerini.

Taylor and Maren have been friends for years, and the latter even made a guest appearance on the pop superstar’s Eras tour in 2023.

The massive reception is expected to kick off later in the afternoon on Friday at New York’s Madison Square Garden, with other big-name guests including Zoe Kravitz, Adam Sandler, Sabrina Carpenter and Graham Norton.

As The U.S. Sun first reported, Gigi Hadid and Selena Gomez are expected to be bridesmaids, and both have been spotted out and about in NYC this week.

Last night, Taylor and Travis’ close friends and family members attended the rehearsal dinner, and emerged from the venue with little black boxes.

The boxes had a TT – the couple’s initials – on the outside.

MAYA Jama has revealed she risked being arrested in Ibiza after she accidentally took something from a bar without paying for it.

The Love Island host, 31, shared a new vlog on her YouTube channel as her hairdresser got her ready for a photoshoot to be a cover girl on a magazine.

Her hairstylist divulged: “We were in Ibiza and the bar was closing and we were walking back to the hotel, but we took our glasses and then the Spanish lady, she was chasing us down the road.”

Maya added: “So we came and gave them back! Otherwise we would get arrested!”

The hairdresser expressed: “We’d get arrested in Ibiza and that’s not what we want.”

Maya told the camera: “They weren’t even proper glass cups, they were plastic.”

He continued: “We couldn’t take them and we didn’t know that at the time and then she was chasing us down the road.”

“It was quite funny but I’m glad we snapped out of it or else we would have got arrested for stealing plastic cups,” The Masked Singer star said.

“It wouldn’t even be worth it, we weren’t even doing anything cool.”

Her revelation comes after she headed into the Love Island villa to host the Casa Amor recoupling.

She turned heads in an incredible plunging black dress as she entered the villa for a second time this week.

Maya left fans applauding as she sided with a heartbroken Jasmine when Kavan came back to the villa with Charleen on his arm.

When Jasmine saw Kavan, who she was in a couple with, walk back into the main villa with the stunning Irish influencer – she was left taken aback and quite frankly, fuming.

After she processed the information, Jasmine asked Kavan if he had slept in bed with girls during Casa.

She also asked him if he’d kissed any girls outside of challenges.

His brother Aidan was quick to butt in, saying how he thinks this is a conversation for them to have in private.

“I’m allowed to speak to him. That’s who I was in a couple with,” Jasmine snapped at Aidan.

“Yeah, Aidan, let them two speak,” Maya then added in a stern voice.

Reacting to Maya’s hilarious snap back at Aidan, one person penned: “The fact even Maya’s sick of Aidan acting like the spokesperson.”

“Maya Jama is so real telling Aidan to let Jasmine and her couple speak. That’s a REAL ASS HOST,” said a second.

KATIE Price has made a rare sentimental remark about ex-husband Peter Andre in her new Sky documentary.

The reality TV star, 48, shared a sweet comment about ex Peter and how shy he used to make her feel in her latest series, Katie Price: Nothing To Hide.

In the documentary, Katie is sitting down watching her old I’m A Celebrity… Get Me Out Of Here! footage — the show on which she met Peter.

She then opened up about just how much she felt for Peter, calling him her “Prince”.

Katie said: “If I like someone like I liked him, I go all shy. I can’t look at them, and I go all like giddy. It’s pathetic, but that’s what I was like.

“You could see we were into each other and it is so cute to look at. By the end of it I was smitten with him.

“Meeting Pete and being with Pete were the best times of my life, without a doubt.

“I had my prince, I knew I would be with him forever.”

Katie and Peter met in 2004 and started dating shortly after their time on I’m A Celeb ended.

They got engaged later that same year and tied the knot in 2005.

They went on to have two children, Princess and Junior, before divorcing in 2009.

Earlier this year, Katie married for the fourth time, tying the knot with self-proclaimed millionaire Lee Andrews.

The pair’s whirlwind wedding came after just a week of speaking online.

Recently Katie and Lee reunited after Lee was imprisoned in Dubai under accusations of fraud.