show biz

Memorizing your lines seems like such a foundational part of an actor’s job that there wouldn’t be much to say about it. Yet when a group of performers recently got onto the topic during The Envelope’s Emmy Limited Series / TV Movie Roundtable, it turned out everyone had their own way of doing it. And all were eager for tips and tricks, whether it be an app, a line-drilling coach (“Can I have that number?”), writing down the first letter of each word or even writing a monologue backward.

“We have to share tools, guys,” said Camila Morrone, who plays a bride-to-be who learns her fiancé’s family dark secrets in the horror thriller “Something Very Bad Is Going to Happen.” “It’s funny that we all have such different methods.”

Joining Morrone were Jamie Bell, who stars in “Half Man,” about the extremely dysfunctional, toxic relationship between two stepbrothers; Linda Cardellini, who appears in “DTF St. Louis” as a dissatisfied woman caught in a dangerous love triangle; Michael Peña, who plays a detective assigned to the case of a missing child while his own boundaries are tested in “All Her Fault”; Andrew Rannells, who is a man coming to terms with his own life while helping to plan a funeral in “Miss You, Love You”; and Constance Zimmer, who channels the mother of Carolyn Bessette Kennedy in “Love Story: John F. Kennedy Jr. and Carolyn Bessette.” Read on for more excerpts from our conversation.

How do you watch TV? A home theater screening room or a tablet on the go?

Morrone: When I see people on a plane watching on their phone, I’m like, “Do you know how many people worked on that?”

Zimmer: I can barely watch one on an iPad because I still feel guilty about not getting the full effect.

Cardellini: I can’t watch on my phone or an iPad. It starts to hurt my eyes. And I like to binge. I don’t like one at a time. I like to save it up, and I like a binge. I don’t have the patience.

Morrone: Oh, I love one at a time. I want to wait till Sunday night, order my favorite food, maybe have a friend come over … Guess our theories of what’s going to happen. I did that with “White Lotus” this year, and I was looking forward to every Sunday at 7 p.m.

Bell: I catch usually about 10 minutes of whatever my wife has fallen asleep to. And then I’ll get into that, and then I’ll watch a lot more episodes while she’s asleep. And then she’ll wake up, and we’ll be completely out of sync in terms of what we’re watching.

Jamie, “Half-Man” is such an emotionally intense show, and it seems like that would be a really hard head space to exist in. Are there things that you do for yourself to maintain your own sanity?

Bell: Me and Richard [Gadd], who wrote the show, are big soccer fans. So I brought a soccer ball to set a lot, and just whatever space we’re in, we just kick a ball to each other every now and then. So, a lot of that wasn’t even us really speaking to each other, but just passing a ball backwards and forwards, which was quite a nice way of just taking our minds off of whatever scene we were doing and still enjoy the space with each other and do something that was physical that didn’t really require us jumping [around] too much.

Camila, “Something Very Bad Is Going to Happen” is also a very intense show. It’s not so much a scream queen kind of horror; it’s this foreboding horror. Was that a difficult space for you to exist in?

Morrone: I think there’s an underappreciation for horror performances. I think some of the most incredible performances, especially by women, have been done in the horror genre. And I think it’s a really specific thing to do because if you’re playing only one level of horror throughout an eight-episode series, I think it’s incredibly boring. And I think I had this notion of like, “God, I don’t want to do these jump scares,” and kind of the cliches of what we imagine horror is like. But horror can be really deep and really internal, and I think there’s a lot of ways in which horror and fear manifest. And I think it was interesting to try and find levels to it and to have the audience come with you, but not dramatize or exaggerate an emotion.

Michael, in “All Her Fault” you are playing someone who could be a much more conventional detective character, but reveals more layers. Was there a moment in your career when you realized, whether it was going for certain roles or not going for certain roles, where you wanted to break out of feeling like a sidekick character or more stereotyped characters? Was there a moment where you made an effort to start going for a different kind of role?

Peña: Back when I started acting, the breakdowns for actors, it was like “Caucasian only,” “Caucasian only,” “Caucasian only,” and we weren’t allowed to audition for those. And it was only until the 14th part that it said, “Open to other ethnicities.” So there’s like a thousand of us going for the 14th place. Ten years of that, you kind of think, “I guess I’m meant to be a supporting character.” But then my mom, right before she died, what she said is, “If you’re going to do that, just make it real. What’s the best you can do with that part?” I said, “Make it a three-dimensional character.” She’s like, “Just do that.” And she’s like, “Nobody remembers your bank account.” And I was like, “Oh, these are two good pieces of advice, Moms,” and so that’s what I did. And with “Crash,” he was a gangster and I was like, “Screw it. I’m just going to do the work and try it out, and all the stuff that I was learning in acting class, I’m going to apply it to this particular role.” And I was happy with the work, so then I kept doing that.

For the rest of you, was there a moment where you had to make a decision about the kind of career that you wanted for yourself and the kind of roles you were going to go up for?

Zimmer: Sorry. It just makes me laugh because we have no control, as actors, over where they believe that we belong. I wish that we could say, “I’d like to try this now,” but it’s basically where they believe they would like us. And then you get put into an area, or a path, or a box, and you can’t get out until somebody else decides, “Hold on. We’re going to give you that shot to try this, even though it’s not necessarily what you normally do or are known for.” Then it takes that for everybody to go, “Oh, you can do this, too?” And it’s like, “Yeah, that’s my job.” My job is to do a lot of things, not just one role, or one type of role.

Rannells: You’d like to think that you’re more in control of those decisions, but sometimes things just happen.

Constance, as Ann Messina, Carolyn Bessette’s mother in “Love Story,” you have this speech that you give at their wedding dinner. It’s such an incredible scene, and I’m wondering, what was it like for you when you first read that in the script?

Zimmer: That monologue was actually my audition.

Peña: Oh, I love when that happens like that.

Zimmer: So I knew it very well, getting on the set with it. I think that I only saw two scripts out of nine episodes, and they were just the ones I was in. And I remember my team saying, “This might be it. We don’t know if there’s anything else that you’re going to do on the show.” And I said, “If this is the only thing I do, it’ll be worth it,” because it was so layered and it was so well-written by Connor Hines and Juli Weiner, I was kind of like, “This is all that matters anyway.” So, to be able to feel like I could pour the entire character into one moment in time, it allowed me to try and give her as much as possible because I was like, “This might be it.” So when I read it, I was like, “Oh, OK. That’s like those five-page monologues that you don’t get very often to do for one character in one episode.”

Linda, your character on “DTF St. Louis” has this habit of saying, “No way, José,” and it’s oddly catchy. And she also is always asking people to speak up. Is it difficult to take what seems, on the page, maybe like tics or weird habits and make them feel natural?

Cardellini: That was the great challenge of it, and it’s the beauty of [Steven Conrad’s] writing. Like we repeat “Jamba Juice,” or “Quality Inn,” or “Garden Suites,” all these little phrases, or “Snag it.” It’s so fun to find a way to make that seem like it is natural to you. I remember I had a long monologue audition, and in there I talk about, “No way, José.” I wasn’t sure what the tone was — it’s such a specific tone when you watch the show, and it’s very Steve Conrad. And I didn’t know what it was before I met him and before you could see the show in action. So getting through that and chewing through that in my audition, doing these versions of “No way, José” that I thought felt really, really natural to me, I was like, “This is how I would say it. This is how I’m going to do it. If my sense of humor matches his sense of humor, if our tones match, then I’ll get this role. And if they don’t, then somebody else will do it beautifully in that other way, whatever that is.” Luckily that was like a marriage of tone and thought, and then those things start to come naturally. And then you want to say them more often than they’re written. There’s not a lot of improv in the show, but we would all just joke around and say it to each other.

Andrew, so much of “Miss You, Love You” is just you and Allison Janney together —

Rannells: Just sitting in a house. Just talking.

What was the rehearsal process like? How did the two of you prepare for these very long dialogue scenes?

Rannells: We rehearsed it like a play, which was really fun, and I’ve never really … I mean, we did that, I guess, with “Boys in the Band” a little bit. We had done it on Broadway and then we all kind of still knew it from when we actually filmed it. But Allison and I rehearsed it like a play, and we would just run lines like little theater nerds. It was exciting because I’ve never — to get on set and to be able to say, like, “We can do the first 25 pages just because we’ve already memorized it.” And we did for Danny Moder, the [director of photography]; we did our little play for the crew one day. Which was really fun because you don’t normally get to work like that. It’s like in little segments. And [writer-director] Jim Rash just let us run it in a way that felt really satisfying to get to do. Because sometimes when you just do little pieces of things you’re like, “I can’t quite get the arc of this, and I don’t really know.” You’re doing inserts, and you’re like, “This doesn’t feel like acting.”

Zimmer: And you’re doing it out of order, so you’re like, “Wait, I’m playing the end before I’ve even played the beginning, but I don’t even know what my beginning is.”

Cardellini: It becomes detective work.

Rannells: Shout-out to Allison Janney. It turns out she’s good at acting.

Linda, what was it like working with an intimacy coordinator in shooting what certainly look like they could have been very awkward scenes in “DTF”?

Cardellini: I like an intimacy coordinator. I think it’s wonderful. I think they’re there if you would like to use them. Everybody I’ve ever worked with in that capacity has been so helpful and considerate, and I think it’s just a nice resource to have. And we had a great one on “DTF.” … One of the first scenes I ever shot was me where I have to, we call it “weight placement,” on Jason’s face. And we were scheduled to shoot that much later, but it came up the —

Rannells: That was your first day?

Cardellini: That was our first scene together, really placing your weight on somebody in a way where you just don’t want to hurt somebody’s face. I mean, you don’t want to suffocate somebody. There’s a lot of things that could happen. But it was handled so beautifully. And Jason, of course, is so wonderful, and we had such a great time doing the scenes because we just would laugh — they’re funny. The scenes, more than even being sexual, are so awkward and bizarre and filled with these strange little kinks that it becomes funny, in a way, although you treat it with dead seriousness. But Steve Conrad had a beautiful economy about what he was shooting, and he would storyboard. It was never just like, “Oh, be intimate and go for it, and we’ll see what we use.” It was, “This is the part of your body we’re going to use right here. This will be the shot. It’s this frame. We’re not going to do any more than that.” So you never felt like you were in the Wild West doing this passionate thing that felt uncomfortable. … Because, of course, going into something like that, reading the script, you’re thinking, “It’s a little nerve-racking. How am I going to do these things?” It was much easier than I could have ever imagined.

Constance, your character in “Love Story,” she embodies the other side of the glamour and the fame and the story that we all think we know. And in a lot of ways I can’t help but connect it to your character from “UnReal” in that it creates this really interesting perspective on fame. These roles, do they make you think about that, as well? Do you start to consider your own relationship to fame and your character’s relationship to fame?

Zimmer: Ann, [and] working on “Love Story” in general, really brought the price of fame to the forefront and how it can tear people apart and down and away from who they were before they became famous. And I think, in this particular story, Carolyn never set out to be famous. That was like the last thing she wanted. The scenes with me and Sarah Pidgeon, who plays Carolyn Bessette, were very much about, “How do I remind you that everything is going to change, and you are going to change?” So it made the mama bear really show up. And sadly, it’s hard to do the research about all of that and see how much media was to blame. I hate to say it, and it’s tough, especially for a woman: They really tore her apart. It definitely makes you look at things and go, “Wow, it’s so interesting what we all give up.” This is our craft. We do this as actors, yet when we step outside of our craft and our roles, we are judged on such a harsh level. We’re here for the work and to make and show these characters so that maybe you can see a little bit of yourself, or maybe it can help you with grief, or laughter, or whatever. But then, outside of our work, we are judged almost worse about how we’re aging, how we’re not aging, what we look like, what we don’t look like. It’s the hardest part, I think, of what we do.

Would the rest of you agree with that, that in some ways, it’s not the work that you’re doing, but it’s this other job that exists outside of your work, the fame aspect of it? Does that become a bigger challenge than you expect?

Rannells: So much of the promotion of things that you work on now hinges on your participation in like, “Post this picture” or “Do this video” or “Do this thing.” And that’s stuff that you just don’t think about when you say, “I want to be an actor.” You don’t think about, “Do I have to do a collab with the network?” I don’t want to do that. That’s not part of my job, but it is part of your job. That is part of it now. So that’s a tricky aspect of it that I didn’t expect.

Morrone: The other side of that coin is that there’s independent films that I’ve done, that nobody would have ever seen had I not been the poster child on social media, being like, “I love this film. Please, watch this film. This is how to watch this film.” So, then again, it can also be a really beneficial platform. And it’s such a complicated relationship because, I mean, I grew up with social media. I don’t ever remember not having a form of social media. And I wish I could be like the cool actors who aren’t on it. They’re much more mysterious.

Peña: Jamie’s not on it.

Bell: I mean, it’s not a conscious choice. I’m just not on it.

Jamie, both you and Linda have been acting since you were quite young and, in some ways, have grown up on camera. How do you know what of yourself to hold onto, what you allow the public to see? Is that something you , at some point in your career, had to make a decision about how much of yourself you were going to give away?

Bell: I’m quite a boring person. I’m a dad. When I’m not working, I’m just dad and school running and that kind of thing. And also, I enjoy working. So most of my time is spent either trying to get the next job, or thinking about the next job, or just really working hard on that because I enjoy that. So I really don’t think about any of that other stuff. And I’ve been quite fortunate in that no one is particularly interested in banging down that door anyway …which I’m quite relieved about, honestly, because I feel like I get to work in a space where I’m just coming and playing the part, and I’m going home. That’s all I’ve ever done is since I was like 12 or 13 years old, and I still enjoy that. I still enjoy that thrill of going to work and playing the character. And I have incredibly high expectations of myself and all those things. I self-flagellate a lot on the way home, like, “Why didn’t you do it like that?” I stress myself out about that kind of stuff, but I still go back the next day going like, “God, maybe I’ll get it today.” And that excitement still exists. And I think mostly that’s because I don’t have this other side of stuff that is distracting me from anything.

Cardellini: When I first started, I wondered if I would ever make a living at it. And to be able to have had it as my job and to have a job that I love and, like you said, show up and just be excited to do the work and be excited to be around other people who do the similar work or behind the camera… It’s such a beautiful community that I feel very grateful that I’ve been able to grow up doing what I love. I mean, I wouldn’t have guessed that it could have lasted this long. And people always said, like, “Oh, when you get to a certain age, it gets terrible for women.” And I still feel like I’m still learning and growing and doing new things, stuff I’ve never done before. So I just try to turn down my worry and just be so grateful in the moment, which is not always easy for me because I can live with a lot of anxiety. But thinking about it and listening to everybody here right now, I just am very grateful to have a seat at the table, literally and figuratively.

I’d imagine for all of you that you’re probably never quite sure what roles you do that are going to be the ones that hit in a certain way. Do you ever know what movies are going to land with audiences?

Peña: I think I’ve done OK in that department where if I read something and it really moves me, I just want to be a part of it. I mean, they had their own success, in a way. “Eastbound & Down” was so funny. When I read the character, I was like, “Oh, this is a really cool character.” And now the meme… There’s a fart meme. Man, I swear to God, we shot that 15 years ago, and literally I do a fart noise, and I say, “How long have you been with her?” It sucks now because I’m like, “That’s all they know me for. Not ‘Crash,’ not ‘World Trade Center,’ not all the movies that were nominated, this and that.” It’s the fart noise.

Rannells: Is that going to be your In Memoriam thing?

Peña: Can you imagine? Let’s watch a clip here of Michael —

As we talk about these past projects you’ve been a part of, it just leads to the question of how the business of being an actor, the nature of this as a job, has changed for you over the years.

Rannells: When I started, and I started in the ensemble of “Hairspray” on Broadway, I never expected that I would ever get a job on television. That just seemed very far away. So the fact that I get to do it and that I have a tiny bit of control over what I get to do is a real gift because it was very unexpected. My first TV job, I was a headless stripper on “Sex and the City.”

Morrone: What episode?

Rannells: It wasn’t a Halloween episode. They just didn’t shoot my face. But I remember filming it and being like, “I can’t imagine this will ever happen again, that I’ll be on a set, or doing a TV show,” So it’s still sort of a surprise anytime I get a job that I’m like, “Someone’s going to pay me to do that, to make faces.”

It seems like everyone in Hollywood right now is talking about artificial intelligence. For all of you, is that something that you are thinking about for yourself? Have you experimented with it at all?

Morrone: I really want to believe that people will always choose us and real emotion, and that the audience is really smart and they want to see real humans and real life experiences and raw emotion. And I pray that that’s the case. I have a lot of hope in humanity, in that case.

I don’t know what it means for us in the near future. I know that we have to protect ourselves. I actually was working with Patricia Arquette, she directed me in a film called “Gonzo Girl.” And she is so hyper-aware of all of this and looking into all her contracts. So was Jamie Lee Curtis. I got the opportunity to talk to her about AI. And they were so knowledgeable and like, “Go back and look at everything that you’ve done the last 10 years, and review everything, and make sure that they can’t use your likeness in the future.” I mean, it’s something that we really do have to be aware of.

Peña: I don’t think that it’s going to be a threat because it’s working off of a database and whatever has been uploaded onto that particular AI. So, just for s— and giggles, I was like, let me see if it can write some jokes. So, I’m like, “What would Peña say in this one?” I was like, “Lame.” All the jokes sucked, and they were recycled jokes. And I was like, “OK, cool. That gives me hope.”

Zimmer: Was there a fart joke in there, though?

LOVE Island viewers have been left baffled after spotting Ellie Chadwick is rarely seen without her iconic £2,000 Prada bag.

Despite engaging in some tense chats in the villa, fans of the hit ITV show have been left distracted by her trusty wicker basket bag never being far from sight.

And it turns out there is a key reason why real estate videographer Ellie, 24, is always carrying her beloved accessory around the villa.

Amy Bannerman, eBay‘s Pre-Loved Style Director, told The Sun that bags were added into the Love Island pad for the first season of Love Island All Stars in January 2025.

She explained: “I wanted a way to add more eBay to the Islanders’ non-swimwear looks and give us an opportunity to talk about eBay’s Authenticity Guarantee (AG) offering. 

“The Love Island All Stars cast all really veer towards premium brands too, so it felt like the perfect place to introduce it.

“There isn’t more of a focus on bags this season, but they have got more airtime from Ellie’s iconic Prada moment, which is great.”

Viewers have been left in fits of giggles after spotting Ellie’s bag habit and have taken to social media to discuss it further.

One wrote: “Ellie is the first girl I’ve seen carry a bag around the villa, she’s so real go find those designer bags girly show us the villa collection.”

This person replied: “And the only thing in there is probably her phone and some lip gloss.”

This person asked: “Can tell you right now that there’s nothing in Ellie’s bag,” while someone else echoed: “Why is Ellie the only person in love island to ever carry a handbag?”

Someone shared a picture of Teletubbies character Tinky Winky and their famous red handbag, while another posted a picture of Mr Tumble and his yellow spotted bag.

This viewer shared: “Ellie walking around the villa with a handbag, quite possibly is the first time I’ve seen that happen on that show, since I began watching it, all those years ago. Definitely not on my bingo card.”

Another added: “It’s really making me laugh that Ellie carries a handbag, like girl why do you need a handbag in the villa?”

And some fans have even suggested: “If she stays long enough, she’s going to have some bag deals.”

Amy clarified that there is no quota for how many eBay items Islanders have to use, but they have the option to choose from their “incredible choice of brands and styles.”

Amy explained: “They pick pieces from a shared wardrobe that includes everything from Versace and Gucci to vintage Topshop and Marks & Spencer. 

“Last season, unbranded vintage was the most-worn category, which was very exciting for us!”

The eBay staff member said they also added men’s bags as the “boys all seemed keen to join the girls in carrying AG bags.”

She added: “We have also added luxury AG men’s sliders too, so they’re wearing more eBay around the pool during daytime moments.”

The love triangle between Scottish lass Ellie and brothers Aidan and Kavan reared an ugly head on Sunday’s episode of Love Island, with Ellie branding Aidan as a ‘p****’.

Since Kavan entered the villa as a surprise bombshell he caught Ellie’s eye, despite her previously being coupled up with his brother.

The blonde beauty continued to express interest in both of the lads for a while until Sunday when everything came crashing down.

Ellie and Aidan were sitting on a sofa together talking about how Aidan kissed someone else when she was briefly booted from the villa.

Ellie left for around 12 hours alongside Samraj after bombshells Yasmin and George were tasked by host Maya Jama to axe a lad and a lady from the show.

However they weren’t really dumped from the programme, and instead went on secret dates with bombshells Priya and Kavan.

Ellie then returned to the villa and discovered that Aidan hadn’t been faithful.

She brought it up with Aidan tonight saying she can’t get past it and needed to “draw a line” under things.

An unconvinced Aidan didn’t take her seriously, saying he thinks she “still likes him”.

But Ellie then shut the romance down well and good, saying that the difference between Aidan and his brother Kavan is that Kavan “is not a p****”.

Musicians have been left out of settlements between major record labels and AI companies, a new lawsuit alleges.

The American Federation of Musicians of the United States and Canada (AFM), which has 70,000 members, said Universal Music Group and Warner Music Group “received significant compensation” from the AI companies for past copyright violations and licensed “substantial” portions of their music catalogs to them, but haven’t shared that with the musicians.

UMG and WMG sued AI companies Udio and Suno in 2024, accusing them of copyright infringement. Both companies settled with Udio last year. In November, WMG announced a partnership with Suno, but Universal Music Group’s lawsuit against Suno is pending.

“While the Defendants protected their own interests and created a significant source of new revenue with the retrospective settlements and prospective licenses, they have refused to compensate the musicians whose work — created with their own instruments and through their talent, creativity, and hard work — is fed into AI machines for profit,” AFM said in its lawsuit, filed in U.S. District Court in New York on Friday.

AFM said it believes the AI settlements fall under the “new use” provision of its collective bargaining agreements, which requires music companies to notify the union of new licenses for purposes not covered by the contract and to compensate musicians, whose work was used to train AI models.

UMG and WMG said in statements that they are in negotiations on a collective bargaining agreement with AFM.

“Warner Music Group is growing the value of music by establishing guardrails and architecting a healthy AI ecosystem on behalf of artists everywhere,” the company said in a statement.

Universal Music Group said it will continue to work to resolve issues during the negotiations.

“Universal Music Group has been at the forefront of protecting the rights and advancing the interests of artists and songwriters in the age of AI — striking responsible AI licensing agreements to ensure they are compensated, leading the charge for legislation to further protect them and taking legal action against bad actors,” the company said in a statement.
“We expect to continue our strong working relationship with the AFM built on mutual respect for the talented musicians in our industry.”

AI has become more popular among consumers, dramatically changing the landscape in the entertainment industry. Many startups have popped up allowing users to type text prompts into AI systems to generate original songs, video clips and stories.

Some creatives say the AI tools help them brainstorm or illustrate bold ideas on a budget. But critics have raised concerns about whether AI systems are trained on copyrighted works without permission or payment to artists. Others are worried AI could eliminate their livelihoods.

Udio said it would create a new platform that would train on licensed and authorized music with artists having the ability to opt-in. Suno agreed to change its platform, launching new licensed models, and place download restrictions.

Bradford Auerbach, a partner at law firm OGC, said he expects to see more of these types of lawsuits filed by unions.

“You’ve got the unions always protecting the status quo, so you’ve got this invariable conflict of new technology coming in, and moving the cheese for a lot of people that were accustomed to having their business set up the way it was,” Auerbach said.

Very few have heard of the ‘phenomenal’ World War II drama on Netflix, as viewers call the powerful and engrossing series an ‘exceptional masterpiece’ that’s a ‘must watch’.

For years, the television drama Band of Brothers has been establishing the standard for war-themed dramas.

Crafted by Tom Hanks and Steven Spielberg, the series is widely regarded as the gold standard of its genre, having elevated expectations considerably when it comes to war epics.

Now, another war drama is being lauded as a ‘phenomenal masterpiece’ – and it might well eclipse Band of Brothers.

Available on Netflix, the relatively obscure war drama limited series comprises three episodes running approximately an hour each, and acclaim for the programme has been widespread.

War Sailor, originally titled Krigsseileren, is a Norwegian war drama that was selected as Norway’s official submission for Best International Feature at the 95th Academy Awards – and audiences cannot stop praising it, reports Wales Online.

It first premiered as a film in late 2022, and when it eventually arrived on Netflix in April 2023, it emerged as a three-part miniseries with 30 minutes incorporated into its original running time.

Written and helmed by Gunnar Vikene, it happens to be the most costly Norwegian film ever produced, created on a budget of $11.1m.

The drama features Kristoffer Joner and Pål Sverre Hagen in leading roles, alongside Ine Marie Wilmann, Henrikke Lund Olsen, Armand Hannestad, and Leon Tobias Slettbakk.

The war drama draws from the genuine, real-life experiences of 30,000 Norwegian civilian sailors who participated in Allied convoys during the Second World War.

The war drama’s official synopsis reads: “Merchant sailors are caught in the middle of the Atlantic Ocean during Germany’s invasion of Norway and hijacked into working for the Allied war effort.”

Boasting an impressive 92% audience approval rating on Rotten Tomatoes, War Sailor has been hailed as “heart-in-your-throat moving” by viewers.

An IMDB user review of the war drama says: “One of the best war movies I’ve seen. I thought I’d seen so many war and catastrophe movies I’d become numb to the emotional drama and could only be stimulated by history lessons and battlefield action but this one gripped me.”

While another viewer said of the series: “Intense but phenomenal. It’s difficult to sum up the experience of watching this film. It weaves suspense, devastation, love, hope, and the horrors of war together into a picture that will stay with me for a long time to come.”

Another audience review added: “Brilliantly written, directed and acted, this is a gripping, at times excruciating, film. The characters are beautifully, painfully individual, the story unexpected and painfully convincing. It takes us inside the actions of war but the unforgettable moments are the still ones in which nothing happens but meaning.”

While one viewer crowned it “a masterpiece”: “Wow – what an intense film. Excellent acting and period sets. A masterpiece.”

Yet another audience review said: “A sweeping epic. Structured like a sweeping epic, Krigsseileren tells about the efforts of Norwegian commercial sailors in the Atlantic theatre during WWII. A combination of authenticity, technical brilliance, and a clear artistic framework makes this into an all-encompassing viewing experience.”

While one fan described the drama as something that “transcends the ordinary”: “Something Extraordinary Finds its Way to Our Screens. Just when we thought nothing of quality is left, nothing worth our time, what we have left of it, War Sailor shows up on Netflix.

“As real a depiction of events which shaped our world as you are likely to see. Transportation to another place and time at a historic moment in history, for the price of your Netflix subscription. Empowering performances that transcend the ordinary. Highly recommended.”

Critics have branded the war drama “powerful and engrossing”, with one reviewer writing: “War Sailor is the best kind of war movie: a character drama that happens amidst war, focusing most on how the characters are changed by the atrocities over the years.”

Another critic said: “War Sailor offers some of the best ensemble acting seen in recent years. It’s been perfectly cast down to the smallest role.”

War Sailor is available to stream on Netflix.

GEMMA Collins spent years convincing the world she was living her best diva life – but behind the designer handbags and larger-than-life personality, there was a time when the empire she had worked so hard to build started crumbling around her.

Incredibly, the GC pulled herself back from the brink and banked more than £1.4 million last year. But friends say the feat would have been nearly impossible without the help of one very special man.

Those closest to Gemma have revealed the secret to the Romford-born star’s success is her dad, Alan, who is credited as the only person who can keep Gemma grounded.

A source tells us: “People see Gemma as this unstoppable force of nature, but behind the scenes, Alan has always been her rock.

“When things got difficult financially, he stepped in and took control.

“Gemma trusts him completely. There aren’t many people she would hand that responsibility to.”

For years, Gemma has openly admitted that Alan is effectively the gatekeeper to her fortune.

In one interview, she confessed: “My dad controls all my money. Seriously, I have to ask him if I want to upgrade my car.”

It’s a remarkable admission for a woman who has built a reported £4million fortune and can command up to £75,000 for a single sponsored Instagram post.

But those who know the family say it perfectly sums up their relationship.

Another source tells us: “Alan has always kept Gemma grounded.

“She’s the star, but he’s the sensible head behind the scenes.

“When she gets excited about a new project, he’s often the person asking the difficult questions.”

The latest figures suggest that the approach is paying off.

Accounts for her personal brand, Gemma Collins Ltd, show the company landed profits of around £1.4 million last year.

For fans who remember the financial turmoil of previous years, this is a huge turnaround.

Back in 2017, Gemma Collins Boutique Ltd was forced into liquidation owing around £88,000 to creditors.

The problems continued when she was disqualified from acting as a company director for three years in 2020 after repeatedly failing to meet VAT return deadlines, with HMRC pursuing claims worth more than £71,000.

A separate clothing business was later voluntarily dissolved, while her cosmetics venture, GemmaCollagen Ltd, survived for just a matter of months before disappearing altogether.

One insider tells us: “There was a period where it felt like every business venture came with a headache.

“Gemma never stopped working, but there were definitely lessons learned.

“That’s when Alan became more involved.”

It is perhaps fitting that Gemma’s biggest supporter is also somebody who understands business himself.

Alan built a successful career in shipping and has long been regarded as one of the most influential figures in his daughter’s life.

Fans caught a glimpse of their bond on her reality shows, where Alan frequently offered advice, not just about money but about life itself.

During one emotional conversation about her turbulent romance with James Argent, he told her: “You’ve just got to find some stability in your life when you find the right person.

“As much as we all like Arg, you’ve got to decide if he’s the right person.”

He later added: “For my daughter, I want somebody who’s top dollar.”

Those close to the family say that attitude explains exactly why Gemma places so much trust in him.

One source tells us: “Alan isn’t interested in celebrity.

“He cares about Gemma being secure and looked after. That’s always been his focus.”

Their relationship has only strengthened in recent years.

Gemma has spoken emotionally about her father’s devastating battle with Covid in 2020, when he spent weeks fighting for his life in intensive care.

She has also supported both Alan and mum Joan through a series of serious health scares, including Joan’s breast cancer diagnosis and terrifying hospitalisation last year after she stopped breathing.

The ordeal brought the family even closer together.

These days, Alan and Joan live with Gemma in her £1.3 million Essex home alongside fiancé Rami.

Speaking previously, Gemma said: “They live with me now. They’ve moved into my home, so we’re like one big Irish family.”

And remarkably, there appears to be very little tension under the roof.

Previously speaking to The Sun, Gemma explained: “Rami was absolutely fine with it.

“He loves my parents. They get on really well.

“You’ve got to remember, Rami has been in my family for nearly 15 years.”

The happy family dynamic comes as Gemma prepares for what insiders believe could be one of the biggest chapters of her career.

Later this year, she will return to screens with a new Sky reality series, Four Weddings and a Baby, which follows her wedding plans with Rami and her hopes of starting a family.

One insider tells us: “This show is incredibly important to Gemma because it’s the most personal thing she’s ever done.

“People know The GC, but this is about the woman behind the character.

“She’s genuinely in a really happy place.”

And for Gemma, that happiness feels hard-earned.

Perhaps that’s why those closest to her believe the latest financial success means far more than a healthy bank balance.

It’s proof that after all the setbacks, Gemma Collins is finally enjoying the stability she spent years chasing.

And standing beside her through every twist and turn has been the same man all along.

FORMULA One star Lewis Hamilton has gone Instagram official with Kim Kardashian after sharing his first photo of the reality star following the Monaco Grand Prix.

The snap quickly sent fans into a frenzy, with followers flooding the comments section as the pair confirmed their relationship.

Kim Kardashian appeared in Lewis Hamilton’s photo dump from the star-studded Monaco Grand Prix weekend attended by a host of celebrities and sporting icons.

Kim looked glamorous as ever, and many were quick to point out that it was the first time Lewis had shared a photo featuring Kim on his social media.

In the snap, Kim was seen holding Lewis’ racing helmet.

The reality star opted for a daring black sheer top, adding to the glamour of the Monaco Grand Prix weekend.

The stylish photo immediately caught fans’ attention.

One commented: “Great pics Lewis and a fab weekend well done ❤️ And welcome to the family Kim kardashian ❤️”

Another added: “In his boyfriend era”.

A third penned: “YES!!!!!! Kim on the grid!”

A fourth said: “Omgggggg kimmmmmm😍”

A fifth wrote: “Omg Kim !! U guys are so cute”.

Kim made her F1 trackside debut to support her Ferrari driver boyfriend.

She arrived with her sister Khloe Kardashian as well as a huge entourage.

Kim wore a stunning cream one-shoulder maxi dress, while Khloe opted for a satin plunge midi dress also in cream.

Kim watched the race and Lewis narrowly miss out on winning.

Kimi Antonelli became the youngest winner at 19 years old. 

Despite the loss, Lewis appeared in high spirits as he blew Kim a kiss and sprayed her with champagne as he celebrated on the podium.

Kim and Lewis have been friends for over a decade.

They were first spotted getting cosy on New Year’s Eve in Aspen. 

They went public with their romance at the Super Bowl in February.

Just last week, they took a huge step in their relationship as he was seen with her four children for the first time.

A source previously said that the couple have an “intense” relationship and Kardashian’s family absolutely “adores” him.

Love Island’s George Knight has spoken about his exit from the show after the bombshell’s sudden departure just days into filming was finally aired on the ITV2 show

Love Island star George Knight has spoken about his sudden exit from the ITV2 show for the first time since his departure was aired. The bombshell decided to quit the villa just days after entering.

He said in an Instagram video: “Hello, everyone. Just wanted to take a moment and come on and say a massive, massive thank you to every single person who has reached out over the past two days, wishing me their love, their support, and all their well wishes.

“It has been completely overwhelming, and I am trying to get back to every message, which is pretty, pretty much impossible. But thank you so much.”

He continued: “And I think moments like this give you a massive kind of perspective on the bigger picture, and as fun and as great my six days in the villa were, it’s obviously important for me to be here with my family, so thank you so much.

“It’s, it’s been, as I said, completely overwhelming, and a massive thank you to all of ITV’s welfare team and the execs who have been amazing. Hopefully it’s not the last you see of me, and looking forward to the year ahead, and yeah, thanks again, guys.”

George was a day one bombshell, entering the villa alongside Yasmin Hadlow. But before the week was over, he had chosen to walk away from the show.

His exit was not shown on Love Island. Instead, the show decided to just portray its aftermath. OG Islander Lorenzo Alessi told his fellow contestants that George had decided to leave for “private reasons”. He said: “George has left the Villa for private reasons and won’t be coming back.”

The Islanders seemed shocked, particularly Robyn Langton, who had been getting to know George. The 21-year-old nsaid: “Aww, George, we love you!” The other Islanders clapped and in a VT, Robyn added: “I can’t believe it, I actually can’t believe it. He was the only person I was actually kind of interested in.”

After leaving the villa, George said on social media: “Family comes first, always. Leaving the @loveisland Villa was a decision made in order to be with my family. Out of respect for them, I’d prefer not to go into any further detail. Thank you to everyone who has reached out with kind messages and support! It genuinely means a lot.”

As well as his official Love Island headshot, he shared a picture of himself and his sister in his post. In the pic, he sat on a garden bench with Emma and their dog. In the comments, Emma wrote: “Love you George.”

Despite only being on the show for a small amount of time, George really shook things up in the villa. The 28-year-old footballer was tasked with choosing a boy to send home and opted for Samraj Toor, coupling up with Mica Harris as a result. However, Samraj and Ellie Chadwick, who was chosen to be dumped by Yasmin, were not sent home and instead re-emerged as bombshells, with the chance to confront George and Yasmin.

Despite being coupled with Mica, George and Robyn kissed. The day before he walked away from the villa, George and Robyn fought, as she felt he was mischaracterising the situation to the rest of the villa. Mica was also hurt and told George she was stepping back from getting to know him because she thought he was better suited to Robyn.

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Love Island fans were left fuming after the latest episode and took aim at two islanders they called ‘shady’ after their sneaky move

Love Island fans were fuming at a “shady” duo. Viewers were less than impressed after Lorenzo and Priya snuck away to the hideaway for a flirt and a kiss.

But, while the name of the game is to find your perfect match, many viewers criticised the pair for their sneaky moves. On X (formerly Twitter), one user complained: “Priya and Lorenzo are both shady af.”

Another wrote: “Lorenzo is actually finished. Jasmine is gonna COOK him.” And a third said: “Very embarrassing fumble by Priya and Lorenzo, they will be evicted from my villa.”

It follows the introduction of the two new bombshells to the group. They were quick at work, selecting the two boys they wanted to share an intimate date with.

But as per Love Island’s unwritten rules, there was a twist. The girls in the villa sat back and watched as events unfolded.

Ope, whose comments to the boys raised eyebrows among the girls, sat down to enjoy a date with Victoria and quickly made his move by kissing her hand.

Despite appearing to be building on things with Angelista, his comments about coupling up in the villa didn’t go down well. Explaining that things have been progressing at a slower pace than he’s used to.

“So you still haven’t had your first kiss?” Victoria asks. “No, are you going to be my first kiss?” Ope responds cheekily.

It left the girls fuming, with Angelista ending up in tears in the bedroom. Sam’s date went much better, though, as he appeared respectful toward the girls in the villa.

But the reaction from the girls watching on the big screen left a lot to be desired. With Cocktail Night drawing to a close, the boys made their way back to the Villa with Namibia and Victoria, but they were met with a frosty welcome back.

They seemed unsure why until Aidan spotted the big screen and realised what had happened. He told the boys, “Oh no, they watched it.”

And that left Ope very nervous. As he attempted to pull Angelista for a conversation, she abruptly shut down his request. Providing a frank assessment of what she saw, Jasmine tells one Islander: “A bunch of you acted like boys, and a bunch of you acted like men.”

Just before the episode aired, George Knight spoke about his sudden exit from the ITV2 show for the first time since his departure. The bombshell decided to quit the villa just days after entering.

He said in an Instagram video: “Hello, everyone. Just wanted to take a moment and come on and say a massive, massive thank you to every single person who has reached out over the past two days, wishing me their love, their support, and all their well wishes.

“It has been completely overwhelming, and I am trying to get back to every message, which is pretty, pretty much impossible. But thank you so much.”

He continued: “And I think moments like this give you a massive kind of perspective on the bigger picture, and as fun and as great my six days in the villa were, it’s obviously important for me to be here with my family, so thank you so much.

“It’s been, as I said, completely overwhelming, and a massive thank you to all of ITV’s welfare team and the execs who have been amazing. Hopefully it’s not the last you see of me, and looking forward to the year ahead, and yeah, thanks again, guys.”

Love Island continues tomorrow at 9pm on ITV2 and ITVX

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DC Studios co-chief James Gunn took to social media Monday to settle a debate once and for all: Of course, Supergirl can have pierced ears.

“Supergirl,” the upcoming superhero film starring Milly Alcock as the last daughter of Krypton, Kara Zor-El, has been the target of questioning from online detractors. One overblown gripe that some have mentioned on social media after zeroing in on Supergirl’s earlobes in promotional images is how a superpowered alien refugee known for her invulnerability and unbreakable skin could have any body jewelry.

“As explained in Superman, the same way she gets drunk — she goes to a planet with a red sun,” Gunn wrote on Threads. “Not to mention she was raised on a chunk of Krypton so didn’t even experience super powers until her teens.”

As the filmmaker mentions, Alcock’s iteration of Kara made her DC Universe debut in his 2025 movie, “Superman.” After the clearly inebriated Girl of Steel crashes into her cousin’s Fortress of Solitude to pick up her dog, Krypto, Superman notes that Kara “likes to go and party on other planets … with red suns.” This is because, as Superman explains, Kryptonians have enhanced power on Earth because of its yellow sun. This is also Kryptonian lore that has been established in comic books.

A recently released “Supergirl” clip also shows Superman first meeting his cousin after her pod lands on Earth. The footage shows Kara’s superpowers kicking in for the first time.

Directed by Craig Gillespie, “Supergirl” will follow the eponymous Kryptonian as she is celebrating her 23rd birthday. According to the film’s logline, Kara’s encounter with “an unexpected and ruthless adversary” leads her to “reluctantly join forces with an unlikely companion on an epic, interstellar journey of vengeance and justice.”

The movie’s cast also includes Matthias Schoenaerts, Eve Ridley, David Krumholtz, Emily Beecham, David Corenswet and Jason Momoa. “Supergirl” will hit theaters June 26.

Ariana Grande and boyfriend Ethan Slater have broken up, according to reports.

The couple, who starred in both Wicked films, had been together for three years.

TMZ reports that the separation is amicable and the pair remain good friends.

Unlike Lily Allen’s searingly personal music after her split rom husband David Harbour, the publication writes that Ariana’s new upcoming album, Petal, isn’t inspired by her own split.

Meanwhile People claims the pair “have been quietly broken up for several months.”

This tallies with rumours that had been swirling around the relationship prior to the split that the pair were struggling to make their busy schedules work.

The Sun has contacted representatives for Ethan and Ariana for comment.

Just this weekend, on the very first night of Ariana’s Eternal Sunshine Tour at the weekend, her fans thought she’d put the speculation to bed by alluding to an engagement.

While singing her hit Thank U, Next, she changed the lyrics from “Only wanna do it once, real bad” to “twice” as she playfully held up two fingers and laughed.

It sent fans wild, but now it’s clear it was a red herring.

The couple got together in controversial circumstances.

Ariana, 32, split from her ex-husband Dalton Gomez in 2023 after almost three years of marriage.

Around the same time, Ethan went through a messy divorce from Lilly Jay, his wife of five years, just a year after the birth of their son, Ezra.

Despite rumours alleging Ethan’s romance started with Ariana on the set of Wicked while he was still married to Lilly, sources close to the pop star insist the couple had been separated for two months.

“Ariana’s the story really. Not a girl’s girl,” Lilly previously said.

“My family is just collateral damage… The story is her and Dalton.”

She added: “As for me, days with my son are sunny. Days when I can’t escape the promotion of a movie associated with the saddest days of my life are darker.”

Ethan and Ariana moved in together in New York in 2023 — before her divorce was finalised.

She defended her man publicly in a Vanity Fair interview in 2024 amid criticism of the way his previous relationship ended.

Ariana said: “No one on this earth tries harder or spreads themselves thinner to be there for the people that he loves and cares about.”

And she admitted that the narrative had hurt her, adding: “The most disappointing part was to see so many people believe the worst version of it.”

The first film by Canadian filmmaker David Cronenberg to be shot partly in the U.S. is, perhaps not surprisingly, a freaky satire of Hollywood. Its take on fame has only grown more accurate in the years since its premiere in 2014. Julianne Moore, Mia Wasikowska and Robert Pattinson star in a demented tale of family, celebrity, ambition, ego and limousines. Funny and perverse, the film captures the uncanny cocktail of mean-spirited malignancy, self-obsessed delusion and just plain obliviousness that runs rampant around town. Presented by the screening series Mezzanine and the local literary magazine the Big One, the evening will be introduced by the film’s screenwriter, Bruce Wagner, a longtime chronicler of Los Angeles.

“Maps to the Stars” is playing June 14 at Brain Dead Studios. Tickets here.

Death in Paradise fans shouldn’t miss out on this “beautiful” series while the BBC hit takes a break.

Death in Paradise fans need to watch this “wonderful” show that’s just made its eagerly anticipated comeback.

Death in Paradise is currently on its yearly break from BBC One, leaving dedicated fans desperately searching for something to fill the void left by the beloved cosy crime drama until it returns.

While they wait, viewers could instead tune into the real-life equivalent of Death in Paradise, documentary series Policing Paradise, which returned for its second series today, Monday, June 8.

The programme follows the day-to-day workings of the Bermuda Police Service, capturing both local and British officers patrolling the tropical islands as they juggle police duties with ensuring thousands of tourists remain safe.

What makes Policing Paradise particularly thrilling for Death in Paradise enthusiasts, however, is its connection to two of the beloved drama’s prominent cast members.

The debut series of Policing Paradise, which aired in March 2025, was narrated by none other than Officer Ruby Patterson actress Shyko Amos.

Yet for this fresh second series, it is the Commissioner himself, actor Don Warrington, who has assumed narrating responsibilities.

Policing Paradise season two continues to broadcast Monday to Thursday at 2pm on BBC One, with the opening four episodes now available on BBC iPlayer.

Series one of the documentary is already accessible to stream, with the remainder of the second series anticipated to follow at a later date.

Beyond the day-to-day hurdles of tackling petty crime and managing summer festivals, Policing Paradise also shines a light on various specialist units, including marine patrols, dog handlers and drug-enforcement officers.

Ahead of its return, one enthusiastic fan praised the first series on IMDb, writing: “This show has it all; insightful access to the full range of Bermuda police duties from dog handling to diving, beautifully photographed with great skill, and narrated with tact, wit and affection by Shyko Amos (Ruby, Commissioner Pattersons’ niece from Death In Paradise).”

They continued: “This show is an informative documentary with the bonus of that lovely camerawork with Shykos’ voice-over work deftly remaining appropriate and informed across the wide-ranging situations. More of this please!”

A second viewer agreed: “Great to see all the places we love and very interesting to see how Bermuda is policed.

“Hoping there will be another series to get a bit more about it and see more on wonderful Bermuda. Island paradise in the Atlantic.”

Policing Paradise is available to stream on BBC iPlayer.

Two Dragons’ Den entrepreneurs were branded “delusional” by Touker Suleyman over their valuation after he turned down their pitch, but their vegan pet food brand is now worth £11,000,000.

Dragons’ Den stars who Touker Suleyman once labelled “delusional” have revealed their company is now turning over £11,000,000.

The Dragon confirmed at the weekend that he would be departing the show after “ten extraordinary years”.

In a social media post, Touker shared: “It has been an immense privilege to sit in that chair, to meet so many passionate and talented entrepreneurs, and to invest in businesses and people I truly believed in.

“The show gave me a platform not only to invest in leading British founders and companies, but to share hard-won wisdom built over decades in business – and I hope that, in some small way, I made a difference to those who stood opposite me.”

Yet one particular pair of entrepreneurs who faced Touker in the Den were on the receiving end of some scathing criticism from the businessman, reports Wales Online.

Omni founders Dr Guy Sandelowsky and Shiv Sivakumar appeared on the programme last year, seeking investment in their protein-based, vegan pet food brand.

Established in 2021, their brand centred on improving pets’ wellbeing through lab-grown food that was calorie-controlled and environmentally sustainable, while also delivering on taste.

Within two years, they had racked up over £2,500,000 in sales, and were seeking £75,000 from the Dragons in exchange for a 1% stake in their business.

Touker, however, remained wholly unimpressed, declaring he “wouldn’t even get out of bed for” that sum, and bluntly stated: “You’re delusional about what this is really worth.”

Although Deborah Meaden and Steven Bartlett championed the entrepreneurs, Touker rejected Omni’s lifetime value projections, and was swift to utter the infamous words, “I’m out.”

Yet, despite his scathing assessment, the Omni entrepreneurs disclosed in a 2025 interview that their business was valued at £7,500,000, and shortly afterwards, they’d soared to £11,000,000, even collaborating with Springwatch’s Chris Packham.

Reflecting on Touker and also Peter Jones’ brutal comments in the Den, Dr Guy and Shiv previously told Metro: “I feel like when we were in the Den, they were looking at our historical numbers and basing that on our valuation, but what we were basing it on was actually what our revenue was like at that point, because we’re so fast-growing.”

Dr Guy went on: “We can make quite reasonable assumptions about what we’re going to do in the coming months as well, and I felt like that wasn’t necessarily as much their focus. When you look at our run-rate based on our revenue, it’s not as crazy as they were sort of alluding to at all.”

He continued by stressing that their experience in the Den came down to their product, not their numbers.

He added: “In hindsight, the one disadvantage of it is that we didn’t get to show the nation so much of the other stuff we filmed, like the details of our products.”

Speaking back in March 2025, they said the response from the series had been “amazing”, adding: “We’re trying to keep up, honestly, we’re just a small business trying to help pets live happier lives, and we knew that going on the show would increase our exposure.

“But we never imagined the demand that we’re seeing now, we’ve had to re-evaluate our stock levels and the number of people helping with our customer service and packaging, so it’s been really, really positive.”

He went on: “It’s just a testament to the fact that so many people out there watching the show understood what we’re trying to do, aligned with our mission and were willing to give it a go.”

Sharing his announcement that he was stepping down from Dragons’ Den this weekend, Touker’s statement went on: “Stepping back from Dragons’ will give me more time to mentor the entrepreneurs I have invested in, and to give back the 50 years of business experience I have accumulated.

“If I can help the next generation avoid the pitfalls I’ve faced, seize the opportunities I almost missed, and build businesses they are truly proud of, then that will be the most rewarding chapter of my career yet.”

Touker concluded: “To the BBC, to my fellow Dragons past and present, to the production team, and above all to the entrepreneurs who dared to walk through those doors – thank you.

“It has been one of the greatest joys of my career. The fire in the Den burns on. I simply pass the torch.”

After Sara Davies’ departure last year, it has yet to be confirmed who will be joining Deborah Meaden, Peter Jones and Steven Bartlett in the Den.

Dragons’ Den is available to watch on BBC iPlayer.

IT was meant to be the Lewis Hamilton show as the F1 veteran celebrated after a record-equalling eighth podium finish at the glitzy Monaco Grand Prix.

But girlfriend Kim Kardashian, in a figure-hugging, backless Gucci cream dress, put that all in a spin as it was her bolshy disregard for trackside etiquette that made headlines.

During the pre-race build-up, she and her heavies barged race fans Holly Willoughby and Michael McIntyre in the paddock while they were being interviewed — and snubbed F1 legend Martin Brundle as he tried to interview her on the start grid.

After seven-time world champ Lewis, 41, had rung back the years to claim a surprise second-place finish, Kim then turned spoilsport as she ducked under a brolly to avoid being splashed with celebratory champagne.

Oh, and she whipped the towel laid out for the race winner, Italian teen Kimi Antonelli, to dry himself with.

The 45-year-old US reality star’s diva ways riled the fellow drivers’ Wags, sparking calls for her to be banned from the exclusive paddock and grid areas at future F1 races.

Our source trackside said: “Kim’s behaviour might pass in LA but the Europeans see it differently. The day should have been about the drivers, but it became the Kim K circus.

“People were watching in horror as she failed to embrace any of the F1 traditions. Snubbing Martin Brundle is one thing, but hiding from the champagne spray with an umbrella was a step too far for many — and the fact she just pushed Holly ­and Michael McIntyre out of the way was mind-blowing.

“Some of the other Wags were horrified and Alexandra Leclerc, the wife of Lewis’s Ferrari teammate Charles, was clearly unimpressed by her new trackside companion.

“Kim’s body language towards her as they watched the race was verging on rude. It was very uncomfortable to see.”

The Sun revealed earlier this year how Kim and Lewis had begun dating — but last weekend was the first time she has turned up to watch him race, joined by sister Khloe, 41.

Her dress was also a talking point because last month it was announced Gucci had become the first luxury fashion house to partner with an F1 team — launching Gucci Racing Alpine.

Our insider said: “The timing of Kim wearing Gucci can’t have been a coincidence. In fact she’s been wearing the brand a lot since she started dating Lewis.”

But as the Kardashian circus rolled into town, everyone and their VIP card was expected to make way, including former This Morning presenter Holly and TV funnyman Michael.

The moment was caught on film — with Holly and Michael left gobsmacked as their interview was disrupted and shouts of “mind out!” could be heard ringing out while Kim’s minders stormed past with her hidden away in their midst.

Michael could, at least, see the funny side as he reacted in his signature excitable tone, quipping: “It’s the Kardashians . . . I’m joining them!”

He also could not resist a cheeky reference to Kim’s famously mighty toosh — joking: “My back’s gone! I think something belonging to Kim, I’m not mentioning anything, may have struck me in my lower back area, and I’ve got to tell you that it hurt.”

But others were far from amused by the unwelcome Kardashian chaos.

Another source said: “Some of the other Wags thought Kim totally took over Monaco. It’s like the circus came to town — even the F1 Instagram account was posting about her. Many of the drivers’ wives and girlfriends are influencers, and races are their opportunity to shine. But all anyone spoke about was Kim.”

Race-goers also noted that after Kim barged her way into centre stage, no one was talking to her, as she was moved swiftly from one place to another by her huge team.

The Hollywood hoopla was in full swing but Kim had clearly failed to do her homework on paddock and grid dos and don’ts, and she had those in the sport’s inner circle blowing gaskets left, right and centre.

Cocking a snook at veteran Sky Sports interviewer and former F1 driver Martin Brundle got her off to the worst possible start before the race had begun.

In clips that have since gone viral, the Kardashians star can be seen briefly waving at 67-year-old Martin before then stone-cold blanking the ex-Benetton driver of Eighties and Nineties race fame.

When it came to the uncorking of champagne after the race, Kim went down about as well as a flat tyre as she recoiled in horror at the prospect of champagne spray detracting from her queen bee look.

To add insult to injury, she then grabbed the towel traditionally set out for the race winner and used it to wipe down her sunglasses before walking off with it.

A fan watching aghast as these antics unfolded, blasted: “What is Kim Kardashian doing on the F1 grid? She is making the moment all about her — it is one of the most bizarre things I have ever seen. Ban celebrities from the grid.”

Another equally revved-up onlooker demanded: “Can we please ban these disrespectful ingrates like Kim Kardashian from F1? If you won’t show the people who make the sport what it is the respect they deserve, then you have no place in our world.”

Liv Blankson, a creator of online content for Formula 1, who has been following the sport since childhood and is a huge fan of Lewis Hamilton, was also baffled by Kim’s carrying on.

She told us: “There is an F1 etiquette and when someone takes a step wrong, it’s very obvious. I have no issue with her being there, but do worry that she will overshadow the racing, which is what us fans are actually there for.

“If you’re on the grid just before the race, you have to expect to be spoken to, it’s just what happens.

“You have to be prepared. The fact she didn’t talk to Martin could be seen as disrespectful. He was a well-known racing driver and I hate it when he gets blanked.

“That was my main gripe with Kim being there. If you are going to be there, then please do some research. Celebrity culture in F1 is getting bigger and will grow even more now that Kim is on the scene, but us fans like it when they make the effort to get to know racing, the drivers, the teams and all the people that make it happen.

“Lewis just seems happy and relaxed and he did well, so maybe she is good luck.

“We’ll have to wait and see.”

Indeed, Lewis certainly seemed oblivious to the drama around his biggest and brashest new fan.

On the contrary, he even blew her a kiss from the podium as he gushed: “It’s amazing to have good people around you and good people supporting you.

“She does that for me every day. With my friends, incredible turnout just overall with people. I don’t really know what else to say.”

Thanking Kim again, he added: “It’s amazing to have her come this weekend and have the support.” A source said of the pair’s romance,

“They are in a serious, committed relationship” — and this latest public display of affection only sends the story into turbo-drive.

Lewis failed to take the winner’s spoils on race day as 19-year-old Mercedes wonderkid Antonelli, who replaced him on that team last year, beat him to the chequered flag and became the youngest ever winner of the Monaco Grand Prix.

But it was still a fine day for Lewis who matched the late, great Brazilian Ayrton Senna for Monaco podium finishes.

He moved up into second in this season’s drivers’ championship, leapfrogging his old Mercedes teammate George Russell and showing he has plenty left in the tank after a difficult season.

There have been rumblings that Lewis, now one of the oldest on the F1 circuit, may soon be on the home straight of his superstar career — but more results like the one this weekend will likely put such talk on hold.

And Kim may yet prove an asset.

Our insider said: “Lewis and Kim have the potential to be the next Posh and Becks of the racing world.

“Kim is a career mastermind and will no doubt be laying the groundwork.”

Next weekend, Lewis competes in the Spanish Grand Prix — but will Kim be along for the ride? Or consigned to the pits?

It is certainly too early to declare her his lucky charm, despite the weekend’s podium finish — but she sure knows how to command pole position.

AND SIX MORE BEAUTIES…

Alexandra Saint Mleux (Instagram followers: 4.6million)

SORRY ladies, but Ferrari’s golden boy, Charles Leclerc, is officially off the market.

Having dated Alexandra, 25, since May 2023, Charles broke millions of hearts when he tied the knot with the Mexican-French art historian in an intimate ceremony in, where else, Monaco earlier this year.

Kelly Piquet (Instagram followers: 2.5million)

IF there’s one woman who knows her way around a pit lane, it’s Kelly.

Not only has the Brazilian bombshell, 37, been dating former world champ Max Verstappen since 2020, but she’s the daughter of three-time F1 world champ Nelson Piquet.

She welcomed her first child, Lily, with Max last year.

Lily Muni He (Instagram followers: 1.4million)

WILLIAMS driver Alex Albon and his girlfriend Lily are a sporting power couple.

The 26-year-old Chinese sensation is a professional golfer who tears it up on the US-based LPGA tour.

Alex finally put a ring on it in January 2026 after six years of dating and the pair are now planning their wedding.

Rebecca Donaldson (Instagram followers: 815,000)

SPANISH driver Carlos Sainz has been smitten with 28-year-old Scottish model Rebecca since 2023.

The Perthshire-born beauty, who has a degree in International Fashion Branding, has fronted campaigns for massive global brands and has been spotted cheering on Carlos everywhere from Austin, Texas, to Jeddah.

Carmen Montero Mundt (Instagram followers: 849,000)

STUNNING Spanish finance professional and fashion influencer Carmen has been dating British F1 driver George Russell since 2020.

Engagement rumours have been swirling since the start of this year and just this month, George said they would be married within the next five years, declaring she is “without doubt my future”.

Lily Zneimer (Instagram followers: private)

LILY met Aussie F1 driver Oscar Piastri at boarding school in England and they started dating in 2019, when they were 17.

Unlike some of the other Wags, Lily likes a quiet life, doesn’t have a public Instagram and is rarely seen out with Oscar.

She is an engineering graduate though, so we might be seeing more of her in the paddock in future.

MADONNA has landed a host of A-listers to feature in cameos on her new music film.

Last night the Queen of Pop premiered the 13-minute Confessions II — featuring Hollywood’s Benedict Cumberbatch, supermodel Kate Moss and several other celebrities.

The film features six songs from her upcoming album.

During the one unreleased track, Danceteria, the singer slinks through a bathroom where Chelsea football aces Cole Palmer and Joao Pedro are at the urinal, while Richard E. Grant, Gwendoline Christie, Shygirl, Kate and Benedict rave in the toilet disco.

Sabrina Carpenter, who teamed up with Madge on the record’s lead single, the recently released Bring Your Love, also has a starring role.

Julia Garner, who was cast as Madonna in a yet-to-be-filmed biopic, appears in a scene where Madge flies over the crowd.

The superstar’s ­daughter, Lourdes Leon, is in there too.

Other new tracks in the film are I Feel So Free, Good For The Soul, One Step Away and Read My Lips.

I first told in March how the superstar had enlisted her showbiz pals to be part of a four-day shoot at a West London studio for the video — and now she has proved it was worth the wait.

Her Confessions II collection is set to be released on July 3 — 21 years after her original Confessions On A Dancefloor album came out.

I revealed at the weekend that she is now eyeing up plans for potential concerts to celebrate the record’s release — but you are unlikely to see her follow in other stars’ footsteps with a Las Vegas residency.

Name-checking a state-of-the-art 20,000-capacity arena in Paradise,

Nevada, she said, during a Q&A: “Sphere seems cool, but I don’t want to wake up and look at Vegas every day.”

And she’s ready for fans to ditch their phones at any future gigs. She added: “Put your phones down, go out, and connect with people.

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ABBA have hatched a scheme to take Mamma Mia! The Party to Manchester after it proved a hit in ­Stockholm and London.

Plans for a new entertainment venue next to the city’s Etihad Stadium have been recommended for approval by council planners.

The three-storey venue, set to be built beside Man City’s new North Stand and close to the Co-op Live, would offer a theatrical dining experience for up to 600 guests.

City have teamed up with entertainment giant Pophouse – founded by Abba’s Bjorn Ulvaeus – for the project, with bosses saying the city’s rich music heritage made it the perfect home for the production.

Pophouse chief executive Jessica Koravos said: “Manchester is known for its innovation in music and entertainment and we cannot think of anywhere better to bring one of the world’s most ­popular and ground breaking theatrical productions.”

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TRAITOR STEPHEN’S MUSICAL

TRAITORS winner Stephen Libby fancies himself as the next Andrew Lloyd Webber.

I can reveal the Scottish fashionista has penned a musical that he hopes to bring to the West End in the not-too-distant future.

A source said: “Stephen has the musical all written and ready to go.

“He has always dreamed of his work making it to the West End.

“With The Traitors opening so many doors – both financially and in terms of connections – he feels like the time could be now.

“He’s been having various meetings and things are looking promising.”

Stephen and fellow Traitors winner Rachel Duffy split the hit BBC show’s £95,750 prize money earlier this year.

Since then he has been a regular on the showbiz circuit in London and even landed an ad hoc hosting job on ITV’s This Morning.

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NIALL HORAN is on course to catch up with his One Direction bandmate Harry Styles this ­week by scoring his third No1 album.

The Irish singer released Dinner Party on Friday and it is ­currently in the lead to top the charts, after Sir Paul McCartney claimed pole position last week with The Boys Of ­Dungeon Lane.

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ACE THEO TACKLES TOXICITY

FORMER England ace Theo Walcott is getting into the World Cup spirit despite hanging up his footie boots.

The Arsenal legend has teamed up with EE to front its new Yes Boys campaign.

The initiative aims to shine a light on the negative online influences shaping boys’ attitudes both on and off the pitch.

It comes as new data reveals 42 per cent of boys aged 11 to 16 encounter outdated phrases like “men shouldn’t show emotion” and “boys need to toughen up” every week.

Progress has been made over the years, but clearly there is still a long way to go.

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DOLLS ASH: MY DANCE TRAUMA

PUSSYCAT DOLLS star Ashley Roberts has admitted she was so burned out when the group split in 2010 that even seeing people dance would make her cry.

The girls were known for their intense, choreographed routines but Ashley couldn’t bear to bust any moves after the break-up because of the trauma wrapped up in the group’s original run.

She said: “It was absolutely heartbreaking. I couldn’t even actually watch dancing because I would just be bursting into tears.

“When it first became my job, I was like, ‘Well, this is epic’.

“But then it got wrapped up in this bubble of a major pop group that was a global success.

“I got a bit on the other side and I was like, ‘Well, who am I actually outside of this, right?’

“I just felt very lost, very disconnected to the one thing that actually made me feel like it was like the essence of life to me.

“I just didn’t really recognise myself.

“And it was a really, really tough time.”

Thankfully Ashley has since healed herself, as well as her relationship with performing, and has reunited with Nicole Scherzinger and Kimberly Wyatt for a tour here this autumn.

On how she feels to be back, she told Fearne Cotton on her Happy Place podcast: “Everybody’s like, ‘No, you’re in shape – you got this’.

“I’m like, ‘No, this is a whole other beast’.

“It’s like running a marathon in heels.

“We’re like, ‘Screw it’. You never know when we’re going to be able to do this again.

“We’ve got to just do it – we’ve got to say yes and just go for it.”

Swissh look, Sam

SAM SMITH mixed business with glamour by pairing a shirt and tie with an eye-catching gold corset.

The Stay With Me singer’s snap has been released for the first time as part of a book called The Elegance Of Time, celebrating the 60th edition of Switzerland’s Montreux Jazz Festival.

Sam played at the event – held annually near Lake Geneva – in 2023, and this photo, along with 150 other intimate portraits of artists including Raye, Lionel Richie, Benson Boone and Pulp, will be included in the book, which is out tomorrow.

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BBC bosses splashed out on therapy for UK Eurovision act Look Mum No Computer after he came last in the contest and was ridiculed online.

The performer, whose real name is Sam Battle, said the fallout from his quirky entry Eins, Zwei, Drei is ongoing, so he is still seeing a counsellor.

Sam told The Euro Trip podcast: “There was some sort of therapy stuff. The BBC got me a therapist, which is amazing.

“I’ve never really had one before. They were very accommodating. In fact, I’ve still got the therapist because obviously the fallout is another thing. They don’t just leave you.”

Now Sam reckons the only way forward for the UK at Eurovision is to send a hard rock band.

He said: “We went for ‘very good sensible pop songs’ and then for something ‘a little bit left field’. Still didn’t quite work.

“My tip? Metal. Do we have anything to lose?”

HOLLY Willoughby has poked fun at the moment she appeared to be shoved aside by Kim Kardashian at the Monaco Grand Prix, sharing a series of behind-the-scenes snaps.

The TV favourite appeared to see the funny side of the viral moment as she gave fans a glimpse into her glamorous race weekend.

Holly shared a collection of videos from the star-studded event on Instagram, including several behind-the-scenes candid moments from the famous race.

She even addressed that awkward moment she got caught up in Kim Kardashian’s huge entourage during a live interview with pal Michael McIntyre.

They were being interviewed by Sky Sports presenter Natalie Pinkham when Holly said: “We are so lucky to be here.”

Shortly after, they were swept away by security guards.

Michael said: “It’s a wave! It’s the Kardashians! I’m joining them!”

He followed them, leaving Holly behind. But then he returned, joking that he sustained an injury, saying: “We’ve got a live update. I’ve just been hit by like a wave.

“You know when you’re on holiday and a wave hits you and it’s like “that’s actually quite dangerous”. We’ve been Kardashian waved.”

Holly added: “That was ridiculous.”

Michael added: “My back’s gone. I think something belonging to Kim, I’m not mentioning anything, may have struck me in my lower back earlier. And I gotta tell you, it hurt!”

Referencing the now-viral encounter, the presenter jokingly hinted that she had survived the “wave” as fans flooded the comments with laughing emojis and support.

She captioned the post: What a weekend! Monaco you didn’t disappoint… @williamsf1team @jv.f1 thank you for having us, hard to pick a highlight, grid walks, hot laps (I will post this later, safe to say I wasn’t built for speed 😵‍💫) all topped off by getting caught up in a @kimkardashian fly past 🤣

“Also Barry and Daimo thankyou for your hospitality… that’s one weekend that I’ll never forget 🏎️🏁❤️ ✨“.

One fan commented: “Amazing!!!! Saw you and Michael McIntyre nearing taken out by the KimK team 😂. Looked incredible!”

Another added: “@michaelmcintyre on the grid walk with the Kardashians was a highlight 😂“.

A third penned: “@michaelmcintyre was mint!!!!! Surprised though he wasn’t tackled to the ground by her security! 😂“

A fourth said: “The kardashian wave was the funniest thing ive seen in a long time 😂 @hollywilloughby”.

For the glamorous weekend, Holly dressed to impress in a series of chic outfits, stepping out in a stylish blue playsuit on one day and a sleek black sleeveless dress on another.

The presenter completed both looks with understated accessories and effortless styling as she mingled with fellow celebrities and Formula One guests in Monaco.

Meanwhile, Kim Kardashian made her F1 trackside debut to support her Ferrari driver boyfriend Lewis Hamilton.

She arrived with her sister Khloe Kardashian as well as a huge entourage.

Kim wore a stunning cream one-shoulder maxi dress, while Khloe opted for a satin plunge midi dress also in cream.

Kim watched the race and Lewis narrowly miss out on winning.

Kimi Antonelli became the youngest winner at 19 years old. 

Despite the loss, Lewis appeared in high spirits as he blew Kim a kiss and sprayed her with champagne as he celebrated on the podium.

Kim and Lewis have been friends for over a decade.

They were first spotted getting cosy on New Year’s Eve in Aspen. 

They went public with their romance at the Super Bowl in February.

Just last week, they took a huge step in their relationship as he was seen with her four children for the first time.

A source previously said that the couple have an “intense” relationship and Kardashian’s family absolutely “adores” him.

After stops in Dallas-Ft. Worth and the Bay Area, FuelFest, a global car-enthusiast festival, will cruise into the OC Fair & Event Center in Costa Mesa on June 13.

Those in attendance will get to watch the rubber hit the road on a drift course, gawk at more than 700 performance-built cars on display and behold some of the vehicles that introduced Japanese tuner cars to the American market in “Fast and Furious.”

“FuelFest is where good people, car-culture people, come to meet one another because they share a common interest, a common passion,” said Cody Walker, founder of FuelFest and the brother of late actor Paul Walker, who was known for his role in Universal Studio’s “Fast and Furious” franchise.

Organizers expect thousands of people to flock to the OC Fair & Event Center for FuelFest, moved not just by the sight and sounds of muscle cars, but by what surprises are in store to celebrate the 25th anniversary of the first “Fast and Furious” movie.

“This is a love letter to the city of Los Angeles and Orange County,” “Fast and Furious” actor Tyrese Gibson, a co-sponsor of the event, said on a recent video call about FuelFest.

The event will be something of a homecoming for Walker, Gibson and the “Fast” franchise. Walker, raised in the Sunland-Tujunga area, said the event will include tributes to cars made popular by the seminal Southern California car scene, including a lowrider and exotic car display.

Of course, FuelFest is also a tribute to Paul Walker. To continue his brother’s legacy, Cody Walker quit his job as a paramedic and took charge of Reach Out Worldwide, a disaster-relief charity founded by Paul in 2010, and he created FuelFest as a means to raise money for his brother’s initiatives.

“[Paul] was 40 years old, and we thought he had about 70 to go,” Walker said on a video call, referring to his brother’s fatal car crash in 2013. “He didn’t care about being this significant person; he didn’t see himself that way. The charity is the kind of stuff he cared about.”

As for this edition of FuelFest, Walker and Gibson said they didn’t want to spoil all of the surprises, but here are six things to know before you head to the event.

1. ‘Fast and Furious’ cars will be on display

Some of the Japanese Domestic Market and American muscle staples seen in the “Fast and Furious” films will be at FuelFest.

Gibson might not know specs like RPMs or cylinders, but he said he appreciates the “Fast and Furious” characters’ gorgeous cars, including Dominic Toretto’s 1970 Dodge Charger and Brian O’Connor’s late ’90s Mitsubishi Eclipse. Those cars and other iconic “Fast” wheels will be at the fest.

“It was because of these films that people in the United States became familiar with the tuner culture of Japan, which was super niche up until that point,” Walker said. “We’re talking about 25 years. There’s iconic cars from the franchise, from a bunch of the movies that will be there.”

2. Children age 12 and under get free admission

As children, Cody and Paul Walker were practically programmed to love cars. Their maternal grandfather was a race-car driver and mechanic, and their father was a photographer for Street Chopper Magazine. An event like FuelFest, Walker said, can be formative in fostering a lifelong passion and creative outlet for car-curious children.

Gibson said organizers wanted to make tickets free for children so that entire neighborhoods in the Los Angeles and Orange County areas could have a low-cost day out. Therefore, a general admission ticket for SoCal FuelFest costs $58.24 including tax and fees, but children age 12 and under get in free with a ticketed adult.

“If you’re a single mother and you have three kids all under 12 and you want to bring your friends in the neighborhood with you, whether they’re you’re kids or your neighbors, they’re getting in for free,” Gibson said.

If you want to splurge, there’s a meet-and-greet with Gibson plus VIP Platinum admission for $739.38, including tax and fees.

3. Performances by DJ Quik, Flesh-n-Bone and more

In addition to DJ sets and live performances, ’90s rap legends DJ Quik and Flesh-n-Bone will host an evening concert on the festival stage.

Walker and Gibson are mum about who else might show up during the concert, but they promised that audiences driving in from L.A. will find the trip down to Orange County worth it.

“There are no limits to the West Coast friends that DJ Quik has,” Gibson said.

4. A Lucha Libre sideshow

If that’s not enough, there will also be a Lucha Libre show with, according to Walker, a “full-blown” story that has extended across FuelFest locations.

Lucha Libre Voz, an independent professional wrestling company based in California and Arizona, will host its worldwide championship match between Tigre Uno and Septimo Dragon.

“It’s gonna be insane,” Walker said. “Best show of the year.”

5. Ride passenger in a drift car (with a helmet)

After signing a waiver, strapping on a helmet and paying a $30 fee, audience members can ride along in the passenger seat of a professional driver’s drift car. Walker calls it: A “full-blown throttle therapy session.”

Reservations for the drift car ride-along will be handled on-site. Pro tip: Get there early to beat the lines.

6. Reach Out Worldwide’s event goal

A portion of the revenue from the event, mostly from on-site activities such as the drift car ride-along, will go to charitable efforts at Reach Out Worldwide, which has assisted with cleanup, repair and resource efforts for victims of natural disasters, including Hurricane Melissa in Jamaica and the Los Angeles County fires in 2025.

FuelFest has raised about $1 million for Reach Out Worldwide since the charity resumed in 2024, more than a decade after Paul Walker’s death paused the group’s work. Cody Walker predicts the revenue from the SoCal show will help Reach Out Worldwide pass the $1-million milestone.

“I gave up everything to make sure that Reach Out Worldwide could function,” Walker said. “FuelFest started as this simple idea, but now we’ve held over 30 events and we’re in 11 markets. … Paul would be very happy with where this has all gone.”

It’s not often that I remark on a casting announcement, much less one about “Scooby-Doo,” but the second I opened an email from Netflix, my jaw dropped.

A chocolate brown Great Dane puppy with blue eyes and a teal collar sitting on a tile floor gazed at me from my computer screen — I squealed. I mean, look at him. His floppy ears, grumpy little face and paws you just want to shake hands with. He’s perfect.

“Scooby-Doo: Origins” is the streamer’s upcoming live-action series, slated for release in 2027, featuring this mystery-solving pup. It marks the first time a real dog has played Scooby-Doo. For many viewers, their first exposure to Scooby and his gang was via the ‘70s Hanna-Barbera animated version, which aired on Cartoon Network in reruns in the ‘90s and early aughts, or the reboots on ABC and the WB, now the CW, more recently. Several live-action theatrical and TV films have been made over the years, but they’ve always featured a computer-generated dog. Yes, that means it took nearly six decades to have a real-life Scooby.

The previously announced cast includes key players in the Scooby gang: Mckenna Grace as Daphne Blake, Tanner Hagen as Shaggy Rogers, Abby Ryder Fortson as Velma Dinkley and Maxwell Jenkins as Fred Jones. Paul Walter Hauser is also slated to appear as a series regular in an unnamed role. Showrunners Josh Appelbaum and Scott Rosenberg helm the series.

According to the show’s logline, it’s a “modern reimagining of the iconic mystery-solving group of teens and their very special dog” that takes place at summer camp. Said dog may have been witness to a supernatural murder, leading the group of teens to set out to solve the case. It’s an origin story for Scooby and his gang.

While I wouldn’t consider myself a “Scooby-Doo” superfan, I am a fan of very cute dogs. I’ll have my Scooby snacks ready in case we ever cross paths.

SUGABABES singer Keisha Buchanan has revealed that she was KIDNAPPED from school – shortly before achieving her first hit with the band.

The 41-year-old singer first joined the group at the tender age of 13 and they signed their first record contract in 1998.

But the singer has now revealed how she was kidnapped in 2000 – shortly before the band’s debut single Overload hit the UK top 10.

Keisha revealed that she was taken by a man from school for several hours before she was returned home.

The scary incident caused her parents to decide it was no longer safe for the star to go to school, resulting in her missing her GCSEs.

Keisha, who won The Masked Singer earlier this year, made the confession on the Live, Laugh, Luke podcast.

The Push The Button hitmaker said: “I had like this incident right before my GCSEs where I was kidnapped.

“So, because it was quite a traumatic experience, my parents were, like, ‘yeah, so we’re going to do a different type of education.’

“So I kind of finished like my education, but I just couldn’t do my GCSEs.”

Keisha had been preparing to debut with the Sugababes at the time and had already left school to focus on music but had briefly returned in order to sit her GCSEs just before they released their first single at the time of the incident.

In the interview, she revealed that she wasn’t able to share more details of the scary incident as she planned to tell the full story in her impending autobiography.

Keisha did add: “I was basically taken after school by someone.

“I think I just sort of blocked it and then had to just get back into, you know, promotion of our first single.”

Keisha revealed how she was held captive for a number of hours – an experience that left her seeking therapy from the age of 16.

The Sugababes – which also comprised of Mutya Buena and Siobhan Donaghy – released their first song Overload in early September 2000 with Keisha having been expected to sit her GCSEs in May and June of the same year.

Elsewhere, she confessed that only Siobhan ultimately ended up being accepted back into school for the exams after all three originally left in order to record their debut album, One Touch, over the course of two years.

Despite at first claiming her parents pulled her out of school as a result of the terrifying kidnapping incident, Keisha then appeared to suggest the school had refused to re-enroll her for examinations anyway.

She said: “We ended up leaving school. Siobhan went back to school to take her GCSEs and they accepted her back.

“When Mutya and I tried to get back, they were so rude.

“They were like, ‘Oh no, no, no, you’re not coming back. Like you guys thought you were going to be these pop stars. Let’s see what’s going to happen.’

“So they wouldn’t accept us back.”

Keisha further stated that she discussed the kidnapping ordeal in very early promotional interviews for their debut single but has since kept it out of public view and intends to tell the lengthy story in her own memoir.

The popstar is the longest serving member of the band and has been involved in nearly all of their musical releases.

She was famously sacked from the group in 2009 amid disagreements between the members at the time.

Original stars Siobhan and Mutya had both previously left in 2001 and 2005.

They were replaced by Heidi Range and Amelle Berrebah who worked with Keisha until September 2009.

Their record label that opted to replace her with Eurovision star Jade Ewen for their 2010 album, Sweet 7.

Jade re-recorded Keisha’s parts for the record but the final line-up formation ended up splitting after their flop 2011 single, Freedom.

Keisha then reunited with Siobhan and Mutya in 2012 and released their first single as a reunited trio in 2013, Flatline.

Amid a legal war, they eventually gained back the rights to using the name Sugababes in 2019 with the original trio having been performing ever since including a sell-out arena tour, countless festival appearances and two well-received Glastonbury sets.

They released three new singles last year – Jungle, Weeds and Shook – amid a rumoured new album expected later this year.

Emmerdale’s Charity Dingle made the brave decision to report her abuser to the police in powerful scenes, after Dr Todd’s disgusting assault left fans sickened on Sunday

Charity Dingle vowed to stop Emmerdale villain Dr Todd in powerful and moving scenes on Monday.

This article contains details from the latest episode now available on ITVX, while it airs on ITV1 on Monday at 8PM. The character had been subjected to a horrific sexual assault moments earlier by the former doctor. After Todd continued to blackmail Charity for money over her baby lie, Charity spiralled.

After getting drunk she confronted Todd, and was cruelly made to believe they had come to a truce. Todd had comemnted on why she was really targeting Charity, while Charity passed out on the sofa.

It’s then that in dark scenes, Todd took advantage of Charity while she was out of it, and after hurling insults at her she sexually assauted her. Charity realised what was happening and woke up, left numb as Todd smirked before leaving the room.

During Monday’s episode, Charity was visibly distraught by her ordeal, and sat in silence. As her family and friends continued celebrating her granddaughter Sarah’s birthday at the pub, Charity soon decided to join them.

Saying nothing about what had happened, she put on a brave face and joined her loved ones. She made her excuses and left, and we saw her approaching the outside of Vanessa Woodfield’s house, where Todd is staying.

But Charity didn’t enter the house, and instead she made the brave decision to report Todd to the police. A shaken Charity confirmed she was there to report a crime, before she was led into a room by a detective.

As Charity relived the horrifying assault that had just happened, she was told she would need to give full details and a statement, as well as undergo a full medical examination. The detective said they believed her, and they needed to gather as much evidence as possible.

They also revealed they would need to arrest and question Dr Todd about Charity’s accusations, and it would later be determined if there was enough evidence for Todd to be charged. As Charity returned home alone, she broke down in tears.

Emotional viewers praised Charity’s bravery, and shared they were glad the soap had taken this route. One fan said on social media: “Very glad #emmerdale went in the direction they did with Charity immediately going to the police.”

Another fan posted: “Charity went to the police that was unexpected,” as a third added: “I did a little cheer when Charity went to the police station, and when they said they believed her.” A fan then replied: “Yeah I did a little cheer as well!”

A final comment read: “I was surprised Charity went to the Police at this stage but definitely the correct way for the show to go.”

* If you’ve been the victim of sexual assault, you can access help and resources via www.rapecrisis.org.uk or calling the national telephone helpline on 0808 802 9999

Emmerdale airs weeknights at 8pm on ITV1 and ITVX. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

The 79th Tony Awards went off without a hitch at Radio City Music Hall, Sunday. The show, hosted by Pink, ran just over three hours and was relatively unsurprising when it came to the wins it delivered. Although each year it seems more marquee film and television stars appear in the audience as celebrities of a certain caliber continue to flock to the stage in search of a more authentic—and immediate—connection to their audience.

This year viewers could see Adrien Brody, John Lithgow, Laurie Metcalf, Rose Byrne, Daniel Radcliffe, Nathan Lane, Alden Ehrenreich and more. Despite, or perhaps because of the star power, the show stuck to its expected script with “Schmigadoon!” winning best musical, “Ragtime” best musical revival, “Liberation” best play and “Death of a Salesman” best revival.

Still, the night had enough laughs, groans and tender moments to keep things interesting. Here are seven of our favorites.

Vampires as metaphor for what ails America

Who knew vampires made such a good metaphor for America’s worst excesses? When 26-year-old Ali Louis Bourzgui took to the stage at Radio City Music Hall after an upset win for performance by an actor in a featured role in a musical, he used the undead to poignantly describe the country’s biggest sociopolitical challenges.

“Vampires represent those who have shunned their own humanity in order to achieve a nonexistent sense of superiority. The billionaires will never find happiness from their money. The colonizers will never find fulfillment from the land and lives they steal. The fascists will never find meaning from their conformity, not in this lifetime or eternity,” said Bourzgui, who originated the role of David in the musical adaptation of the cult vampire horror film “The Lost Boys.”

—Jessica Gelt

A Tony trifecta for John Lithgow and Laurie Metcalf

It’s always a good feeling when actors we have known and love get rewarded by a well-deserved win, and so it was on Sunday night when John Lithgow and Laurie Metcalf took back-to-back wins early in the show. The former for performance by an actor in a leading role in a play for his portrayal of the controversial, beloved British author Roald Dahl in Mark Rosenblatt’s drama “Giant.” The latter for featured actress for her portrayal of Willy Loman’s protective wife, Linda, in “Death of a Salesman.” The plays were quite different, but the winners shared a very specific honor: the night marked the third Tony win for each actor.

Lithgow won his previous trophies in 1972 and 2002, and Metcalf in 2017 and 2018.

—Jessica Gelt

Nathan Lane is an ‘American theatrical treasure’

Unless Nathan Lane gets a crack at playing King Lear, his Willy Loman in Joe Mantello’s production of Arthur Miller’s “Death of a Salesman” will go down as one of the peak challenges of his acting career. Not winning the Tony for his indefatigable performance must sting, but John Lithgow was favored to win for his brave turn as the baleful Roald Dahl of Mark Rosenblatt’s “Giant.” Lane had to have been prepared but a subtle wince of disappointment could be detected when the camera pryingly caught his immediate reaction.

So it was gratifying to see Lane receive his due from Mantello, who upon accepting his award for directing credited Lane with being the inspiration for the production. And when “Salesman” won for best revival, it was only fitting that Lane accepted the award on behalf of the company about a play that, ultimately, he pointed out, is about a family.

It was a point that Laurie Metcalf, who won for her featured performance as Linda Loman, also raised when she thanked Lane, Christopher Abbott (who played Biff) and Ben Ahlers (who played Happy) —her ferocious Loman family— for making her better.

A three-time Tony-winner already, Lane doesn’t need another trophy to assure him that he’s an American theatrical treasure. But this wasn’t just another Broadway outing for him. This was Miller’s masterwork in a production that will be remembered long after the tally of this year’s Tony Awards are long forgotten.

—Charles McNulty

Joshua Henry is a good person, a great actor and everybody loves him

The biggest standing ovation of the night came when Joshua Henry won the award for performance by an actor in a leading role in a musical for his critically acclaimed portrayal of Coalhouse Walker Jr. in the revival of “Ragtime.” Wearing a show-stopping black suit with golden flowers, Henry rushed to the stage as the star-studded crowd leapt to its feet to deliver a rousing standing ovation.

Henry first came to the full attention of fans playing Aaron Burr in the 2017 national tour of “Hamilton,” and has since gone on to distinguish himself as one of Broadway’s most charming and relatable stars. His optimism and kindness shine through, as does his fierce love of his art form, which was apparent as he gave his acceptance speech, thanking — in particular — his first vocal coach for believing in him. He also gave a poignant shout-out to the show’s original cast members Brian Stokes Mitchell and Audra McDonald, and sent all the love to his three young sons.

—Jessica Gelt

Pink had fun, but didn’t seem to know why she was there

Pop star Pink kicked off the show with a wink and a nod to her hit “Lady Marmalade,” and went on to wow the audience with an action-packed opener filled with more than 150 performers and riffs from every Broadway show imaginable, plus a spirited appearance by Megan Thee Stallion. But the line that resonated most came early on when she spun hopelessly on a rope above the stage dressed as Peter Pan and a worried Neil Patrick Harris appeared to ask why she was performing in such an old-fashioned show.

“I just want to show how much I love theater even though I’ve never been on Broadway,” Pink said, still dangling, but nailing a few tricks. “I’m just concerned people might be like, ‘Why’s Pink hosting the Tonys?’”

That wasn’t the first time she seemed to be apologizing to the audience for being there.

—Jessica Gelt

Darren Criss gives happy endings

Darren Criss is a Broadway superstar who consistently delivers “Happy endings,” according to co-presenter Nicole Scherzinger.

In what might have been the show’s most racy and deliciously groan-worthy joke, Scherzinger, stood side-by-side with the “Maybe Happy Endings” star to deliver the penultimate awards of the night, and noted, “You gave the world happy endings.”

“I did?” asked Criss, feigning innocence.

“You’re a giver,” said Scherzinger.

The pair took a beat through bubbling titters from the audience before knowingly yelling, “Happy Pride everyone!”

—Jessica Gelt

Leslie Odom Jr. delivers a moving in memoriam

Tony Award winner Leslie Odom Jr. sang a soulful rendition of “Without You” from “Rent” during the ceremony’s In Memoriam segment, which honored artists who died in 2025 and 2026, including Diane Keaton and Robert Redford. These annual segments are mournful — and tricky — and the “Hamilton” star managed to create an understated atmosphere that set the perfect tone for the somber projection of recently lost greats such as Robert Duvall, Tom Stoppard and Carmen de Lavallade.

—Jessica Gelt

Emmerdale has had plenty of dark moments, but fans have now called the most latest storyline involving Charity and Dr Todd ‘abhorrent’ and have said the soap has gone too far

Emmerdale has aired some shocking storylines since it first began in 1972, but perhaps none so dark as its most recent, which fans have said went too far.

In Sunday night’s episode, airing on 7 June, longtime favourite Charity Dingle (Emma Atkins) became the victim of a “horrendous” sexual assault at the hands of Caitlin Todd (Caroline Harker). Dr Todd had been blackmailing Charity over the true parentage of the baby she gave her granddaughter but after Charity fought back, the villainous doctor tried to kiss her. Though she was rejected, when a drunk Charity fell asleep, Dr Todd assaulted her.

Fans were furious with the storyline. One called it “disturbing”: “The SA scene in #Emmerdale is horrendous, please take care of yourselves, very difficult watch. Charity [crying emoji].I can’t post the clip its so disturbing.”

Another added that they felt “physically sick” and hoped that the soap would be fined for the latest storyline: “I hope #Emmerdale gets a fine and or massive warning, there’s doing a storyline and there is a storyline that makes many women feel physically sick and shaking, disgusting behaviour from TV.”

Finally, another implied that the actors should be “ashamed” for agreeing to film the scenes and said they would not be watching. But this is not the first time Emmerdale has aired a deeply dark storyline. From serial killers to a modern slavery plot, here are the darkest storylines on Emmerdale.

Serial killer Meena

Nurse Meena Jutla (Paige Sandhu) arrived in Emmerdale in 2020. Meena did many villainous things whilst on Emmerdale, inclduing pretending to be Ethan Anderson’s (Emile John) estranged mum and taking Rishi Sharma’s (Bhasker Patel) medication so that she could later save him.

But things soon got worse for the Emmerdale residents, when Meena started killing. Offscreen, she murdered both her own father and her former best friend Nadine, while onscreen, she killed Leanna Cavanagh (Mimi Slinger), Andrea Tate (Anna Nightingale) and Ben Tucker (Simon Lennon). She seemed completely unaffected by her crimes, often singing and dancing to pop music before committing them and involving herself in the lives of those mourning her victims afterwards.

Several of Meena’s scenes were brutal and vicious. Some fans said they were left “traumatised” and “horrified” by the violent way she murdered Andrea and Ofcom received several complaints about Ben’s death.

Cameron killing Gennie

Cameron Murray (Dominic Power) was another Emmerdale killer. He killed three people – Carl King (Tom Lister), ALex Moss (Kurtis Stacey) and Gennie Walker (Sian Reese-Williams) – between 2012 and 2013.

Cameron was later sent to prison after his girlfriend Debbie Dingle (Charley Webb) turned on him. But, still believing that Debbie loved him, he escaped prison and took the patrons in The Woolpack hostage. Everyone managed to escape except Cameron, who was electrocuted in the cellar.

Though he killed several people, the way he killed Gennie was deeply disturbing. After seeing Gennie leave their house, Cameron and Debbie realised she must have overheard Cameron confess to killing Carl and chased her down in their car. Gennie’s car spun out of control and crashed – while Debbie called the police, hoping someone could save Gennie, Cameron got her out of the car and suffocated her without Debbie seeing.

Bear’s modern slavery story

At the end of last year, Bear Wolf (Joshua Richards) faced a modern slavery ordeal. The character had disappeared earlier that year and was believed to be in Ireland, but it was later revealed that he was living in a barn and being controlled by the barn’s owners, who forced him to work their farm.

Those captors were Ray and Celia (Joe Absolom and Jaye Griffiths), who also manipulated April and Dylan (Amelia Flanagan and Fred Kettle) into working for them too and transporting drugs across county lines.

Fans said the storyline was “too dark” but Joshua Richards said before the storyline aired: “It may surprise many people, but slavery is alive and well, indeed prospering in the modern world. Not only in obscure countries and cultures that we know little about, and not just the exploitation of migrants by criminal gangs of which some of us are aware. It is happening under our very own noses.”

He continued: “The disadvantaged, dispossessed, those with mental health issues or disabilities, the old, lonely and vulnerable people that our society neglect are the perfect prey for grooming by unscrupulous criminal agencies. I’m very excited and honoured to be taking part in this to hopefully educate and highlight this abominable trade of human bondage.”

John Sugden’s hero syndrome

John Sugden (Oliver Farnworth) appeared to suffer from hero syndrome in 2024. The paramedic would put people in danger and then use his skills to save them.

He injected Nate Robinson (Jurell Carter) with an unknown substance and planned to save him but was too late and Nate died. He also swapped Jacob Gallagher’s (Joe Warren Plant) coffee with an almond milk latte, knowing Jacob was allergic, swapped Chas Dingle’s (Lucy Pargeter) pain killers with a stringer dose so that she would overdose, whacked Liam Cavanagh (Jonny McPherson)over the head and did much more to others, all so that he could later save them.

Jackson’s assisted suicide

In controversial scenes in 2011, Aaron Livesy (Danny Miller) helped his partner Jackson Walsh (Marc Silcock) die. Jackson was tetraplegic, which is where someone is unable to move the upper and lower parts of their body.

Viewers watched in shock as Aaron helped to end Jackson’s life by helping him drink a lethal cocktail of drugs. Emmerdale was criticised for the story line and an Ofcom investigation was launched after several complaints were made.

Pierce assaults Rhona

In 2017, viewers watched as Pierce Harris (Jonathan Wrather) assaulted and manipulated his partner Rhona Goskirk (Zoe Henry). Fans were terrified for Rhona when she agreed to marry Pierce, and rightly so, as he raped her on their wedding day.

Emmerdale again received complaints for the graphic nature of the scenes that were broadcast, but ultimately stood by its decision for airing the episode, claiming it complied with Ofcom’s vigorous guidelines.

If you’ve been the victim of sexual assault, you can access help and resources via www.rapecrisis.org.uk or calling the national telephone helpline on 0808 802 9999

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