show biz

Greg Davies has been called up to host the BAFTA TV Awards for the first time1

Greg Davies is back on our screens tonight as he hosts the BAFTA TV Awards for the very first time.

The 57-year old, known for co-hosting the hit comedy gameshow Taskmaster, follows in the footsteps of Graham Norton, Lenny Henry and Michael Parkinson in his MC role and said it was an opportunity he could not turn down.

“I used to watch Stephen Fry at the Baftas and marvel at his cool, intellectual charm. I won’t be bringing that,” laughed Greg ahead of the show.

The 6ft 8in funnyman shot to fame after starring as headteacher Mr Gilbert in The Inbetweeners and has since become a regular fixture on our screens, thanks to his TV roles in The Cleaner, Brassic, Cuckoo and Man Down.

Speaking as a guest at the BAFTAs last year, Greg gave a rare update on his personal life as he said he was ‘ready for a wife’.

The Taskmaster star and his co-host Alex Horne were nominated in the Entertainment category for their Channel 4 programme alongside The 1% Club, Michael McIntyre’s Big Show and Would I Lie to You?

Speaking on the red carpet, Alex said: “We’re an unlikely couple,” with Greg piping up: “That’s why we’re a good team.”

Alex then added: “And I would like to thank my wife for getting us here tonight,” before Greg joked: “I don’t have a wife so maybe I can thank Alex’s wife.”

Tom insisted he could meet his wife at the star-studded event, with Greg responding: “Maybe I will, I’m open to it. It would be so lovely, it’s been too long and I’m ready now.”

Alex simply quipped: “Lonely”,” as Greg added: “Oh god, the horrible hot lonely tears.”

The Cleaner star was in a relationship with Labour Party politician Liz Kendall between 2007 and 2015, but usually keeps his love life under wraps.

Liz told previously The Mirror about their romance: “I am not going to be the sort of politician who does all that stuff about their private life because it’s very precious to me and really important to me that I have that space that’s personal and just to me. We are not together any more but we remain really good friends.”

In the past Greg has made jokes about his disastrous single life and previously said he ‘gave up’ on romance while on The Graham Norton Show.

Greg said his grandfather once caught him in an embrace with his first girlfriend and the experience left him mortified. “It’s not for me, romance… that was the day I gave up on romance,” he explained. However, Greg counts one ex-girlfriend of changing the course of his life. His former partner, who he has not named, convinced him to switch from his teaching career to one in comedy. Speaking to The Times, he said: “I’ve been doing comedy for about 15 years now. I always wanted to do it, I just never had thick enough skin.

“A girlfriend I had while teaching was a pragmatist and always told me that if you want to do something, then go for it. So eventually I made the switch. Comedy is definitely where I’m happiest.”

During an interview with OK! magazine, Greg admitted that he had quite the crush on former Blue Peter star Janet Ellis, who also happens to be the mother of popstar Sophie Ellie Bextor.

Mortified Greg recalled: “I met Janet Ellis once in a fish and chip shop. I used to have a terrible crush on her, all throughout my childhood. Then I finally met her and said something humiliating, I think chips-based, that guaranteed I would never end up in the relationship I craved.” He added: “I met her daughter Sophie on a show once and told her I fancied her mum and she rolled her eyes and said ‘everyone does’.”

While he was known for playing doting dad Ken in the sitcom Cuckoo, the actor himself does not have any children. He does, however, have lots of experience looking after kids as he was a secondary school drama and English teacher for 13 years before moving into comedy.

That’s not Greg’s only transformation. In recent years the funnyman has admitted to using Ozempic to lose weight after receiving concerning health news from his doctor.

The host claimed to have lost three stone – and named the diabetic medication in an interview. Ozempic is not designed as a weight loss drug and is used instead as a treatment for type 2 diabetes in adults – however, many patients have experienced weight loss as a side effect.

He told The Times: “[I] lost three stone on the old Ozempic, in about four months, before putting most of it back on.” The interview also notes that his doctor warned him that if he was shorter, he would “look obese” – and that he is now considering turning to fasting in an attempt to maintain his weight.

Noting that he is not concerned about ageing, he added: “I think that’s probably good in my game, isn’t it?”

For Vince Gervasi, chief executive of Triscenic Production Services, it was yet another body blow.

His company, a leading supplier of set and scenery storage and transportation for the film industry, was poised for a turnaround after nearly three years of losing money.

Then, last week, he said a line producer on “Shark Tank,” one of his long-standing clients, called him to say the hit ABC reality show was relocating production from the Sony Pictures Studios lot in Culver City to Atlanta.

“They said it was too expensive here to do anything,” Gervasi recalled being told. “I said, ‘Are you kidding me?’ This show has money.’”

For the last six years, Triscenic had dedicated a 70,000-square-foot warehouse at its Santa Clarita facility to store the show’s items, transporting them in 30 custom made semitrucks between seasons.

Battered by the pandemic, the dual labor strikes, economic downturns and consolidations, Gervasi told The Times in 2024 that he had laid off 78 of his 85 employees and winnowed down his once-buzzing operations that housed sets and scenery across 2 million square feet in 41 buildings to half that, with the expectation that things would bounce back.

Like many other local film industry veterans, he is still waiting.

Vince Gervasi, at Triscenic Production Services, in Santa Clarita.

(Bob Doyle)

“I’ve been doing this for 41 years. I’ve seen the good and the bad — this is a complete decimation. It’s unprecedented.”

From florists to prop rentals to catering and beyond, production services and craft businesses are the hub and spoke of L.A.’s film and TV industry. But many of these businesses — some of which have been family-operated for generations — are struggling to weather a post-pandemic slump in film activity deepened by runaway production, media consolidation and the end of the streaming boom.

Film shoot days in the Los Angeles region have fallen nearly 50% since 2019, according to FilmLA data reviewed by The Times. Employment in Los Angeles County’s motion picture and sound recording industry has similarly plummeted, with a loss of some 57,000 jobs in the last four years, federal labor data show.

The slowdown has become a major issue in the L.A. mayoral race as evidence mounts of the economic toll on the city.

Just last month major industry vendor Quixote — whose Star Waggons trailers were once ubiquitous on the streets of L.A. — announced that it was winding down most of its sound stage business in Los Angeles, closing its operations in Atlanta and laying off 70 employees.

In a note to its clients and partners, Hudson Pacific Properties Inc., Quixote’s parent company, said that “we have persisted through the prolonged and ongoing slowdown in commercial, television and film production. But ultimately, industry conditions have forced difficult decisions.”

Between 2022 and 2025, more than 80 such businesses across Los Angeles have closed down, according to a list compiled by the ACME Directory, a production resource that connects TV and film professionals with specialized products and services.

“It’s, in many ways, a much bigger reflection of the contraction we’re seeing in the industry right now,” said Kevin Klowden, a senior fellow at the Milken Institute, focused on entertainment and technology. “The surge in demand for streaming and the consequential demand to catch up on content hid the fact that the industry was shrinking.”

Last October, the family-run Costume Rentals Corp. began liquidating its inventory after dressing film and television characters for 50 years. The North Hollywood firm provided costumes for “Forrest Gump,” “Apocalypse Now,” “Fast and Furious” and, more recently, the 2024 Bob Dylan biopic, “A Complete Unknown.”

A year earlier, Valentino’s Costume Group closed its doors after two decades in business and sold off its 400,000 items. At the time, Shon LeBlanc, the North Hollywood shop’s last owner standing, said he had endured a “perfect storm” of calamities and was drowning in debt following the cancellation of 15 shows in a single week.

Even the legendary Western Costume, which has been in business since 1912, has been hurt by the slowdown. During the 2023 strikes by writers and actors, Western Costume furloughed 43 employees, or about two-thirds of its staff. Recently, the North Hollywood costume mecca, which has supplied such classic films as “Gone with the Wind,” “The Wizard of Oz,” “The Sound of Music” and the TV series “Mad Men,” furloughed an unspecified number of its workers, said two people familiar with the matter who were not authorized to speak publicly.

A representative of Western Costume did not respond to a request for comment.

Marc Meyer, the owner of Faux Library Studio Props, had strained to stay in business through the pandemic shutdown and the 2023 labor strikes — laying off 11 of his 13 employees.

By the start of 2024, Meyer, a set decorator who was credited with inventing the fake movie book, was drastically behind on rent, owing $500,000, he said.

Marc Meyer, closed the doors on Faux Library Studio Props in North Hollywood after almost 25 years in business.

(Mel Melcon/Los Angeles Times)

Meyer’s landlord had given him a week to come up with more than $100,000 in unpaid rent or vacate the 89,000-square-foot warehouse in North Hollywood filled with props, books, antique furniture and other items that have decorated such film and TV sets as “Angels & Demons” and “The X-Files” for almost a quarter-century.

Meyer came up with $45,000 to mollify his landlord, garnering a month’s reprieve. A GoFundMe was set up during the strikes and a host of industry colleagues such as “Top Gun: Maverick” set decorator Jan Pascale stepped up, buying props to help fill his coffers.

A year later, Meyer was out of business, selling off Faux Library for parts in a massive auction. He died last July at 77.

“The change in our city is palpable,” said writer and director Sarah Adina Smith, a co-founder of Stay in LA’s, a grassroots campaign aimed at increasing film and television production in Los Angeles. “It’s not just that so many crafts and artists are out of work, but you see small businesses, too. In L.A., we’re an ecosystem fed in large part by creative jobs, and that is quickly vanishing.”

Marlon Gilbert still waxes nostalgic about the days his Commerce-based company, Gilbert Production Service, stored and transported scenery and props for TV shows including “Dancing with the Stars” and feature films like “Batman.” At one time, he said, he was handling seven active TV shows in a single season.

“When it was still on Fox, the ‘American Idol’ finale, we had like 20 semitrucks going in and out. Money was flowing like crazy,” he said. “But eventually times got hard for them, and they cut back on their production stuff.”

By last year, Gilbert was down to just three clients. “It wasn’t sustainable,” he said.

In December, after three decades, the family-owned business filed for Chapter 11 bankruptcy and shut down too.

“I couldn’t pay rent on our warehouse lease, I blew through my savings and my 401(k),” he said. After his wife was hospitalized following multiple strokes in 2023, he said, “I didn’t have the energy to beat the bush for new business.”

“I would’ve liked to have gone out with more panache and made a big splash and money selling the business. But there was nothing left to sell.”

Scott Niner, president and owner of Dangling Carrot Creative, checks on a robotic machine as it fabricates at his shop in North Hollywood.

(Jason Armond/Los Angeles Times)

Scott Niner, president and owner of Dangling Carrot Creative, offers a case study in how production service businesses have navigated the tidal wave of upheavals.

After 18 years in business creating graphic signage, custom flooring and wallpaper to make sets look exactly as art directors dreamed up, the company filed for Chapter 11 bankruptcy last April.

Before the pandemic, Niner’s Valencia-based business was thriving.

In 2014, he opened a Georgia satellite office to service the film and TV productions that had migrated to take advantage of the state’s generous tax credits. He steadily expanded his workforce to 32 employees in L.A. and Georgia.

Production was so plentiful that he even branched into the bakery business in 2018, delivering graphics and cupcakes in the same order. At its peak, Dangling Carrot generated $800,000 a month.

When the pandemic shutdown hit, Niner’s monthly revenue dropped to $50,000, he said. He kept his workers employed by making face shields that he donated to hospitals.

“I hung in there, and it was painful,” said Niner, who received some government assistance.

During the strikes in 2023, he drained his 401(k) and his union pension to keep his shop open and his workers employed.

Niner said he deployed a strategy of “pivoting and praying.” He shifted his business to focus more on fabrication, making giant 3-D-printed items for movie premieres, 25-foot-long, 8-foot-tall and 8-foot-deep ammo chests for a “Call of Duty” promotion and even graphics at airports.

Last last month, Niner sold off his Georgia business as filming in that state shifted to the U.K. He downsized his home and moved his business from Valencia to a much smaller building in North Hollywood. He is now down to 11 employees.

“I have a very bright outlook on the future, especially because we’re getting phone calls from people who never would have called us because all the other guys are out of business,” he said. “There’s something to be said about the last man standing. But I’m the last man standing on $2 million in debt. I’m more like lying down.”

The industry got a reprieve last week when CBS announced that it was relocating its hit drama “Tracker” to Los Angeles from Vancouver, Canada, after receiving a $48-million tax credit. Many view such moves, however, as small wins over comprehensive ones.

“There’s been a fundamental change happening here over the past five years,” said Cale Thomas, a makeup artist who has worked on “Guardians of the Galaxy 3” and the recent biopic “Michael.”

Thomas, who is a member of Stay in LA, acknowledges that California’s step last year to double its tax incentives has helped to spur an uptick in local production, but that has not stopped the outflow of productions or resolved a host of restrictions and costs that have hampered the industry.

He worked on “The Mandalorian” and other Lucasfilm series that stream on Disney+ for five years. “We shot in Manhattan Beach Studios,” he said, but noted that Lucasfilm has since moved one show to the U.K. and produced two others there.

“This has been devastating for our industry,” he said. “Hundreds of generational family businesses aren’t being used anymore.”

The pain points are not confined to Hollywood.

Last year, Marvel Studios — which had made Georgia, known as Hollywood of the South, its primary filming center for such major franchises as “Avengers: Infinity War” — relocated much of its production to the U.K.

The impact has meant even fewer domestic productions causing an even bigger ripple effect.

Among the high-profile casualties was Hackman Capital Partners, which aggressively snapped up studios, acquiring $10 billion in assets under management before production activity plummeted nationwide.

In January, the company defaulted on its $1.1-billion mortgage on Radford Studio Center, the historic lot where “Seinfeld” and “Gunsmoke” were filmed and which gave Studio City its name.

Earlier this year, Hackman Capital Partners defaulted on its $1.1-billion mortgage on Radford Studio Center, the historic lot where “Seinfeld” and “Gunsmoke” were filmed.

(Gary Coronado/Los Angeles Times)

Three months later, lender Deutsche Bank filed a foreclosure complaint on the also-historic Kaufman Astoria Studios in Queens, N.Y., home to “Sesame Street” and “Succession.”

Kaufman, also owned by Hackman Capital Partners, defaulted on an outstanding loan balance of $359 million that was due to be paid last fall, according to CRE Daily.

Gregg Bilson sold ISS Props, the Sunland-based company his father founded in 1977, to Manhattan Beach Studios, part of Hackman Capital Partners, five years ago, staying on as CEO to help run and expand the company.

After 40 years in the business, he retired last August with a little more than a year and a half left on his contract.

Bilson now sees himself as a Hollywood relic.

“Many of my contemporaries and I have had conversations where we say we saw the best of the film and TV industry when it was an art form,” Bilson said. “It will never be the same.”

TOP British telly talent turned out in force on the glam Red Carpet ahead of this year’s Baftas.

The annual The British Academy Film Awards ceremony, which celebrates the best British and international contributions to TV, will be held in London tonight.

Yet ahead of the prestigious gongs being dished out by host, comedian and actor Greg Davies, the cream of the on-screen crop dressed to impress.

We previously reported how Netflix show Adolescence is leading the way in the nominations.

Some of the other biggest shows and stars have also been nominated this year across the 29 categories.

This Morning‘s Ashley James, 39, led the way in a stunning pearl shimmer bandeau gown with corset detail.

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The Made In Chelsea alum and parenting influencer showcased her new copper-coloured locks which she brushed into an elegant up-do.

Love Island‘s Tasha Ghouri, 27, also favoured a pastel coloured strapless gown with a semi-sheer skirt.

She struck a sassy pose with her hands on her hips before flashing a smile for the waiting cameras.

The Strictly alum was then joined by boyfriend Cam Whitnall as the pair cut a cute display on the Red Carpet.

Childrens’ TV favourite Angellica Bell, 50, looked elegant in a black long-sleeve gown with semi sheer detailing and a polka dot print.

Celebrity Big Brother‘s Marisha Wallace, 40, couldn’t be missed as she hit the Red Carpet in her glam gold attire.

EastEnders alum Shona McGarty, 34, proved you can never go wrong with a classic LBD as she opted for a black ballgown.

She pulled her dark hair back into a fuss-free up-to to allow her outfit to command all the attention.

Strictly’s Lewis Cope, 31, opted for monochrome styling with a white blazer and black trousers.

Love Island continued to be well-represented on the Red Carpet, with Shakira Khan, 23, oozing summer vibes in a yellow dress adorned with sparkles.

New mum Georgia Harrison, 31, donned a form-fitting blue velvet dress with gold detailing, pulling her hair into a chic bun.

Gogglebox and I’m A Celeb alum Scarlett Moffatt, 35, opted for a long-sleeve outfit in an on-trend chocolate brown shade.

She was seen flashing a smile as she cradled her baby bump while posing for pictures.

Broadcaster and podcast anchor Laura Whitmore, 41, who is also pregnant, looked elegant in a floor length lemon dress which clung to her baby bump.

She posed for a few solo images before being joined by her Love Island narrator hubby Iain Stirling.

Hollyoaks actress Jorgie Porter, 38, was the undisputed sequin queen as she hit the Red Carpet in a shimmering semi-sheer frock.

Silver diamante detail covered her modesty while the hemline featured applique petals.

The Theresa McQueen star posed for a few solo snaps before she was joined by fiance Ollie Piotrowski.

Loose Women panelist Frankie Bridge, 37, chose a daring cut-out dress which flashed her abs, in a stylish magenta shade.

Meanwhile, magician and ITV host Stephen Mulhern, 49, looked smart in a classic tux.

Newlywed Emily Blackwell, 29 – who found fame on reality series Made In Chelsea – went for a classy burgundy bodycon.

Pregnant Vogue Williams, 40, chose a white lace gown and was all smiles as she arrived with husband Spencer Matthews, 37.

Strictly winner Rose Ayling-Ellis, 31, chose a bright yellow halterneck to bring a splash of colour to proceedings.

BBC Radio 2 anchor and former Coronation Street star Angela Griffin, 49, picked a pretty brown dress with lace panel detail for her special evening.

As previously mentioned, Adolescence leads the way in terms of nominations, with lead star Stephen Graham being put forward for Best Actor.

Steven Knight’s A Thousand Blows follows closely behind the Netflix drama, picking up an impressive seven nominations.

And in joint third are highly rated Star Wars spin off Andor and Channel 4 drama Trespasses, who both sit on six nominations.

The Television Awards will be broadcast at 7pm.

It will be available to watch live on BBC One and on the iPlayer.

When political commentator Ana Navarro recently arrived at Mercado Little Spain, the José Andrés-owned food hall downstairs from CNN’s New York studios, a seat was ready for her constant companion, a rust-colored miniature poodle named ChaCha.

“I am her service human because I’m servicing her all day,” Navarro said of the well-behaved pooch who has been by her side since the 2020 COVID-19 lockdown.

As Navarro and a reporter order tapas dishes for the next two hours, patrons at nearby tables raise their cellphone cameras. Andrés’ daughter Carlota stops by and gives an update on her father, a Navarro pal. Later, a Spanish-speaking young woman comes over and thanks Navarro, a political exile from Nicaragua, for defending immigrants amid the aggressive deportation efforts of the Trump administration.

In a fragmented media world where critical mass is becoming harder to attain, Navarro has become one of media’s most recognizable political talking heads thanks to her two high-profile TV roles.

She is a co-host of ABC’s “The View,” the No. 1-rated daytime talk show that has become a target in Federal Communications Commission Chairman Brendan Carr’s efforts to discipline President Trump’s broadcast media critics. She is also a regular panelist on CNN’s roundtable program “NewsNight with Abby Phillip,” which extends its reach far beyond its modest ratings through frequent viral clips on social media.

In February, Navarro, 54, joined the growing list of media personalities who have launched a digital platform to reach consumers no longer watching traditional TV with a weekly podcast for iHeart called “Bleep! With Ana Navarro.”

Navarro is her uncut self on “Bleep!” She interviews guests but can also go into a 30-plus minute monologue without a script when she records at iHeart’s midtown Manhattan studios, where ChaCha looks on from a cushy pillow.

Navarro delivers her arguments against the Trump administration as if she’s schmoozing with friends across a kitchen table. She always appears calm but as the podcast title suggests, she serves up a few four-letter words she doesn’t use on TV.

“Bleep!” gives Navarro her own platform at a time when the legacy media networks she works at are under pressure. Upheaval is expected at CNN if parent company Warner Bros. Discovery becomes a part of Paramount and its Trump-friendly owners David and Larry Ellison.

Carr recently called for an early review of ABC’s TV station licenses. He said its related to an investigation into parent company Disney’s diversity practices but it comes amid the administration’s criticism of the network’s Trump coverage, which has included “The View.”

Ana Navarro on the set of ABC’s “The View.”

(Lou Rocco (ABC))

Navarro was pulled into the fray last year when she was approached by Walt Disney Co. Chief Executive Bob Iger at ABC’s upfront advertiser presentation in New York. The huddle led to reports that they discussed the anti-Trump commentary on “The View.”

“We had an honest conversation but I’m not going to tell you what it was,” she said. “Nobody is muscling us. All I’ve got to do is show up and do the same thing that I’ve always done, which is be as truthful, and authentic and informed.”

(On Friday, ABC filed a petition with the FCC over the agency’s recent scrutiny of “The View,” and whether the program qualifies for an exemption from seldom enforced equal time rules for political candidates. The network accused the FCC of actions violating its 1st Amendment right to free speech.)

Navarro has been pounding at Trump for so long, it’s hard to remember that her rise as a TV pundit began 14 years ago when she was a loyal conservative Republican. Jeff Zucker, who ran CNN from 2012 to 2022, said her personal evolution sets her apart from other pundits.

“She’s funny, insightful, knows how to turn a phrase and she’s gone on a political journey,” Zucker said in a recent interview. “So she understands the entire political spectrum as well as anyone.”

Navarro was eight years old in 1980 when her family fled Nicaragua and sought political asylum in the U.S. after the socialist Sandinista National Liberation Front took power. Her father stayed behind to fight with the anti-communist rebel Contras in the country’s civil war.

“Reagan was taking on the Sandinistas when Bernie Sanders wasn’t,” she said.

She was granted amnesty and became a U.S. citizen under the immigration reform bill signed by President Reagan in 1986.

Growing up in Miami, Navarro was part of the enclave of Latinos whose political perspectives were shaped by having fled Fidel’s Castro’s Cuba and other communist regimes in Latin America. She became a political operative in Republican politics, starting in local Miami races and eventually served as national Hispanic chair for 2008 GOP presidential nominee John McCain. Her Cuban-born husband, Al Cardenas, was on Reagan’s transition team and once led the Republican Party in Florida.

Navarro watched in dismay in 2015 when Trump came down the escalator of the midtown Manhattan skyscraper that bears his name to announce he was seeking the Republican presidential nomination. “Calling Mexicans rapists and criminals — that just hurt my heart,” she said.

When Trump mocked a disabled journalist during a campaign rally, Navarro was reminded of family struggles with one of her older brothers, who has non-verbal autism and is self-injurious. “That brought back so much outrage and anger,” she said. “For me that was a line I could never forgive.”

But being an anti-Trump Republican has become a lonelier job in recent years as the party establishment’s support solidified behind Trump during the historically successful campaign in 2024 that returned him to the White House. For Navarro, it has meant the end of many long-standing relationships.

“I’ve lost some very close friends over Donald Trump,” she said. “And I’ve had to make peace with that. They feel that I’ve betrayed the Republican Party. Some of them think I’m an opportunist, doing this for today.”

One of those friends is Secretary of State Marco Rubio, who she’s known her entire adult life. Navarro still has his cell number in her contacts, but it’s been awhile since she’s called. She still respects Rubio‘s credentials in foreign policy but doesn’t see herself ever supporting him if he runs for president.

“Unless he was running against Satan incarnate, no, I would not go over to him,” she said.

Navarro keeps her cool on “NewsNight,” which occasionally erupts into bedlam when guests clash with Scott Jennings, the show’s resident MAGA Republican. But she misses the days of sparring with Democratic operative Donna Brazile when they were on opposing sides on CNN’s Washington set, and then went out for oysters and wine at Old Ebbitt Grill afterward.

“It’s a completely different world than it was,” Navarro said.

The highly self-confident Navarro has always spoken her mind, encouraged by her father and the Sacred Heart nuns who operated her private school in Miami where she still resides. “Those nuns could run Fortune 500 companies,” she said.

She is not afraid to draw on her own painful, personal experiences to deliver a point. Another older brother died of a heart attack at age 38. Her cousin’s son was a fatality at the 2016 Pulse night club shooting in Orlando, Fla.

“I refuse to live in hopelessness and trauma,” she said. “The things I’ve gone through have shaped me into who I am and made me resilient and empathetic. One of the reasons I abhor Donald Trump is because he completely lacks empathy.”

Where Navarro often separates herself from most Democrats is foreign policy. When Venezuela President Nicolás Maduro was ousted and arrested by U.S. forces, Navarro, on holiday in Madrid, joined exiles from the country as they celebrated in Puerta del Sol.

Navarro expects to have the same reaction if Trump makes good on his threats to end Cuba’s communist regime.

“I will go out there with my metal pan and my metal spoon and I will bang the drums in joy,” she said.

PROFESSOR Green has revealed his bowel hernia has returned after nine years with a painful-looking picture.

In snaps shared to Instagram, the rapper’s bowel can be seen “poking out” of his skin underneath a previous surgical scar.

Celebs Go Dating star Green — real name Stephen Manderson — nicknamed the hernia Henry and documented the latest in a long line of health issues, ending with a resigned: “Here we go again.”

The 42-year-old wrote: “Life’s been a lot lately… I’ve learned I’m not totally free from historic patterns, and in almost the same breath learned I catch things well before I ever did previously, and am (on good days) able to observe my thoughts spiralling without spiralling with them.

“This hernia recurrence happened yesterday and I’d be lying if I said it wasn’t a weight I could do without given everything else health wise that’s going on… out of my control though.”

Green went on to say that it’s up to him to take responsibility of the situation and embrace the latest setback.

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Turning to his music, and his supporting slot on pal Example’s UK tour, as an outlet for frustration, he said: “I’m playing the next single tonight, tomorrow, all through the Example tour and at every show till it drops.”

Following his first hernia removal in 2017, Green had a very rare allergic reaction — only the second person in the world at the time — to the mesh used to fix the issue.

It led to series issues including a a partially collapsed lung, distension and pneumonia.

Just last week Green revealed benign tumours had been found behind his eye and on his spine as part of a condition called schwannomatosis — a rare disorder in which tumours form on nerves around the body.

It followed surgery to remove four more tumours from his head and neck that had been causing him pain.

Among his four new growths is one the size of lemon around his S2 nerve, which is responsible for muscle movement in the lower body.

However, it wasn’t the physical symptoms he found to be the worst thing, rather than the mental torture of not knowing whether or not they were malignant, revealing he suffered trauma fretting over the ‘worst case scenario’.

The star was diagnosed with ADHD and autism when he was 40 and is also a mental health advocate.

Among his other health issues are lifelong struggles with his gut, which required a pyloromyotomy — the cutting away of pyloric muscle to aid the passing of food through the body — at six years old and he later went on to suffer from severe irritable bowel syndrome.

He also has the genetic clotting disorder haemophila B.

It’s hard to believe, as Matt Damon noted in his monologue in this week’s “Saturday Night Live,” that the actor of this summer’s “The Odyssey” has only guest hosted three times during his lengthy career. (In case you’re wondering, his frequent writing and acting partner Ben Affleck has hosted five times.)

That’s a shame because Damon checks all the boxes for what an A-list actor should do when they host the show: be super present, take every opportunity to do the silliest sketches without seeming uncomfortable, and bring at least some of their acting chops to bear to give otherwise lightweight sketches a little extra gravitas or emotion.

Damon did all that and helped start the show off with an extra jolt of energy by returning as Supreme Court Justice Brett Kavanaugh in the cold open, along with last week’s ringer, Aziz Ansari as FBI Director Kash Patel.

Not every sketch worked, like an early Godzilla parody set in a command center that was simply a series of increasingly anticipated spit takes on poor Mikey Day. Things improved when Damon played himself in a pre-taped sketch about a movie made just for moms ahead of Mother’s Day; mom’s fantasy? No conflict among the kids and a blissful marriage to Matt Damon.

Damon also played one of a trio of middle-aged men (including Marcello Hernández and Kenan Thompson) constantly getting beat up by “tough guys” who are sometimes just children. He also played a frustrated dad in a strange cat litter commercial, a substitute teacher trying to get a classroom of students to dance (unsuccessfully) and, memorably, an auctioneer in a fight with his auctioneer wife (Sarah Sherman). In these sketches in particular, Damon’s acting skills helped elevate the characters he played, grounding them in sadness or frustration. It definitely helped.

The “Odyssey” might turn out to be the summer’s biggest movie hit. If that’s the case, let’s hope Matt Damon isn’t kept from hosting “SNL” for so long after this week’s solid job.

Musical guest Noah Kahan performed “The Great Divide” and “Doors.”

At Martin’s Tavern in Washington, D.C., Defense Secretary Pete Hegseth (Colin Jost) returned yet again to shout-bark at those around him, brag about the Iran War he claims he started and, of course, talk about drinking alcohol. But this time, he was joined by his apparent drinking buddy Kavanaugh, who held a gavel and immediately ordered a “six-three decision” (six beers, three shots of Jameson whiskey). Glowing in their victories, Hegseth bellowed, “Can you believe I just started a war?” Kavanaugh replied, “Can you believe I ended abortion? Your body, my choice!” Kavanaugh went on to show off what at first looked like a dinosaur-shaped district map for Tennessee before revealing it’s his field sobriety test, when he was asked to draw a circle. Kavanaugh bemoaned the male loneliness crisis just before they were joined by Patel, who cried, “Does this bar take Kaaaaash?” Patel showed off the bourbon that bears his name. (“Somehow this is a real thing that I, the FBI director, have made. This is real!”) Kavanaugh revealed a secret: that the court is going to let Trump do a third term. “Trump found the original Constitution and on the end, he wrote, ‘Psych!’ ” The three ended the sketch by singing Chumbawamba’s “Tubthumbing” with its callouts of their drink orders.

Damon previewed his upcoming film, even though he had to mention several times that “The Odyssey” won’t be out for another nine weeks. He also had to break the news that the lovely “SNL” tradition of bringing on moms of cast members wouldn’t be happening this year due to Spirit Airlines shutting down. It turns out, after an audience member (“SNL” writer Jack Bensinger) asks, that only Hernández’s mom was able to make it. Damon then recorded a video message to moms out there for anyone who didn’t get a gift for them. “You deserve a night out… nine weekends from now,” he said, suggesting the movie would make a great date night.

Best sketch of the night: Do I hear best sketch of the night? Sold!

A sketch as gimmicky as this one — in which the premise is two auctioneers (Damon and Sherman) are having a marriage-ending fight — only works if the performers are up to the task, and luckily both Damon and Sherman navigated the super-fast dialogue expertly and without looking like they were eyeing cue cards the entire time. The two went back and forth, auctioneering a discussion about weight, infidelity, drinking, their sex life and, eventually, terms of their divorce in front of their four young sons (who, adorably, hold up little numbered signs. Yes, they were played by adult cast members.). Even for “SNL” and for the last-sketch-of-the-night slot, it was a bold sketch for live TV and Damon and Sherman expertly walked the tightrope on this one.

Also good: Your mom will only make it through 23 minutes of this

“SNL” is no stranger to spiky sketch comedy takes on motherhood: remember “Mom Jeans?” For this year’s Mother’s Day take, it presented “Mom: The Movie,” a film devoid of conflict or dramatic tension because “Moms have enough stress. Why not let them feel good for a day?” Ashley Padilla plays the mom in the film, enjoying argument-free time with her kids (Jeremy Culhane, Tommy Brennan and Veronika Slowikowska), who only deliver good news. She’s married to Matt Damon, making her Rhonda Damon, and they met when he noticed her giant turquoise necklace after a movie screening. The film is streaming where moms are expected to find it: on HomeGoods Plus.

‘Weekend Update’ winner: This ‘Update’ segment is bananas — the round kind

This week’s “Update” featured three guest segments. Hernández and Day played kamikaze dolphins who work for the government, giving them a sense of porpoise (their joke, not mine). Jane Wickline expressed her anger at people caring that she’s always late in a funny musical rant. But Culhane’s return as Tucker Carlson continued a dead-on impersonation that covered several topics, including the Met Gala’s wild outfits, the new Michael Jackson biopic, and why eating round bananas is less gay than eating traditionally shaped ones. Culhane’s impression is a thing of beauty, and this time it leaned harder into Carlson’s tendency to express things from a very white point of view. In describing ASAP Rocky’s pink robe from the Met Gala, he said the performer was, “Wearing my least favorite color … African-American.”

HAILEY Bieber left little to the imagination as she stripped down totally naked for a sizzling new fashion shoot.

The model, 29, sent pulses racing after putting on a risqué display in the sultry pics, wearing nothing except a pair of $990 mesh shoes.

In one racy snap for the French boutique ALAIA, Hailey can be seen showing off a pair of their premium mesh ballet flats in black. 

The mom-of-one and wife of singer Justin was shot in an editorial pose which showed her with her legs crossed and knees covering her modesty. 

Hailey stunned with a natural no makeup look and slicked her hair into a ponytail, which highlighted her fresh-faced glow.

The model is snapped seductively gazing into the camera, including one pic which featured her lying on the floor in a pink bandage top and skirt.

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In another photo the billionaire businesswoman dons a striking blue coat with a high slit, seemingly wearing nothing underneath, which showed off the side of her bottom.

Hailey shared the same sentiment in another shot, which featured her bending over in a high-neck bodysuit complete with nothing but pink tights, heels and fringe tassels at the thigh area.

The star also posed on a glass chair in a floral and white body suit, in a striking series of dynamic positions.

Hailey uploaded the shots to her Instagram page, where she was met with a barrage of comments from fans and her celeb pals. 

Kar-Jenner and bestie Kylie simply penned: “omg,” and DWTS host Julianne Hough wrote: “Magic (fire emoji).”

Fellow models Ashley Graham and Candice Swanepoel commented a flurry of heart eye and star emojis. 

Hailey is continuing to make her mark in the fashion and beauty world, with the sizzling shoot coming after she featured on the cover of Time magazine’s 100 Most Influential Companies edition.

The publication singled her out as one of the business world’s leaders for her work with her cosmetics company Rhode.

Hailey launched the brand in 2022 and last year it turned over £150million in sales.

The mum of one said of her business: “We focus on creating a world that fits into your lifestyle.”

And speaking of living in the spotlight, she said: “There’s a lot of judgment… every single thing is looked at and picked apart.

“I need to live my life and continue to move forward regardless.”

Saturday Night Live UK’s cold open featured Peter Serafinowicz in a guest cameo as Nigel Farage, spoofing the Reform UK leader as Prime Minister in 2046 following the party’s sweeping local election wins.

Shaun Of The Dead actor Peter Serafinowicz made a surprise appearance playing Reform UK leader Nigel Farage as prime minister in an SNL UK sketch set in the year 2046.

The comedy programme kicked off on Saturday evening with a political skit depicting Mr Farage occupying Number 10, pulling pints at his desk while US President Donald Trump has seized control as the nation’s king.

The sketch took aim at the party’s landslide victories during this week’s local council and Scottish and Welsh elections. It began with ‘Mr Farage’ recording a personalised 120th birthday message for much-loved naturalist Sir David Attenborough, before Conservative party leader Kemi Badenoch (Ayoade Bamgboye) appeared as his deputy.

READ MORE: Chilling footage shows the final moments of frail man, 93, before 28-hour torture ordealREAD MORE: WHO issues update to people of Tenerife where hantavirus-stricken ship is headed

“Big news day, Prime Minister. Thanks to our deportations, the population of London is finally down to single fingers,” she said, drawing uproarious laughter from Mr Farage.

Taking a swipe at the continuing tensions between the US and Iran, she went on: “One last thing, King Trump assures us he has almost negotiated a ceasefire over the Strait of Hormuz.”

Mr Farage responds: “Phew, for a minute there, it felt like we were on the brink of World War Four.”

The pair jest that since their parties joined forces, they have been “unstoppable”, drawing a comparison to the spreading hantavirus, referencing the outbreak that has dominated news coverage in recent days. After checking the weather forecast – which shows London engulfed in flames, satirising climate change – the pair head out for a stroll before Sir Keir Starmer and Angela Rayner emerge from behind a bookshelf, which turns out to be a time machine.

The former deputy leader, portrayed by Celeste Dring, warns Sir Keir (George Fouracres) that unless he allows her to run the government, “this future will come to pass”, to which he replies he will “seize every moment” as Prime Minister.

When Mr Farage returns to the office accompanied by Mrs Badenoch, he queries who Sir Keir is, declaring himself the “big chungus” of the “great United Kingdom and the middle part of Wales”.

They warn they’ll have the Labour party leaders removed from the building by security guards, but Mrs Badenoch jokes: “We deported security.”

The sketch concluded with Al Nash emerging through the prime ministerial time machine portal dressed as Sir Winston Churchill to launch the show, leading into Ted Lasso star Hannah Waddingham’s opening monologue.

The award-winning actress made light of the “glamorous characters” she has portrayed throughout her career, before displaying pictures of less flattering parts such as her “sexy little turn as the shame nun” in hit TV series Game Of Thrones.

Throughout the episode, Waddingham took part in numerous sketches alongside the show’s inaugural cast, and was accompanied by Stargazing singer Myles Smith as the musical guest. The programme also marked Sir David’s landmark 100th birthday in its weekend news segment, with hosts Ania Magliano and Paddy Young sitting down to interview a rhino (Hammed Animashaun) for their take on the much-loved broadcaster.

The skit descended into mayhem when Sir David (Fouracres) burst onto the scene to grapple with the wild beast after it dared to criticise him.

The Sky Original production is filmed live in London, featuring a rotating guest host each week alongside the show’s regular cast, which comprises actor Hammed Animashaun and comedian Ania Magliano.

SNL UK returns to Sky and Now TV on May 16 for its series finale, with Sex Education star Ncuti Gatwa taking the hosting duties, accompanied by musical guest Holly Humberstone.

Saturday Night Live UK is available to watch on Sky and Now TV on Saturdays at 10pm.

Love may not be all you need these days, but a picture with it might help. This you can get beginning later this year when the Huntington installs its newly acquired “LOVE” sculpture by Robert Indiana near the Virginia Steele Scott Galleries of American Art.

Indiana first unveiled the iconic sculpture almost 60 years ago — also just a few days before Mother’s Day — as part of his 1966 solo exhibition at Stable Gallery in New York. While this early version measured only 12 inches high, the Huntington’s edition is 12 feet tall and 12 feet wide, making it an ideal vessel for you and your, ahem, loved ones to snap a pic with.

The polychromed aluminum sculpture is third in an edition of five, with two artist’s proofs, and will be the only “LOVE” sculpture in Southern California available to the public. It arrives at the museum’s San Marino campus as a gift of Terri and Jerry Kohl, who also provided funding for installation and long-term care.

“LOVE” is one of the most recognizable pieces of Pop art ever created — a ubiquitous symbol associated with a variety of social causes, movements and groups, including the LGBTQ+ community during the height of the AIDS crisis.

Indiana’s design for “LOVE,” featuring an L and slightly askew O stacked atop a V and E, first appeared on the Museum of Modern Art’s annual holiday card in 1965, and was apparently among the institution’s most popular holiday cards of all time. The artist completed his first monumental love sculpture, made from steel, in 1970. That sculpture is part of the Indianapolis Museum of Art’s collection.

In a news release, Huntington President Karen R. Lawrence said that Jerry Kohl believed that “LOVE,” “belonged in a place where it would be seen and experienced by millions of visitors in the years leading up to the Los Angeles Olympics, during the games, and far beyond. He recognized The Huntington as a cultural destination uniquely positioned to steward the work and share it with a broad public audience.”

“LOVE” will join a number of other outdoor installations across the Huntington’s expansive grounds and gardens, including two recently acquired sculptures by the Cuban-born artist Enrique Martínez Celaya, in addition to pieces by Sam Francis, Tony Smith and Harry Bertoia.

The sculpture also serves to expand the Huntington’s collection of American art dating from the mid-20th century on, joining works by Andy Warhol, Betye Saar, Elizabeth Catlett, Isamu Noguchi, Paul Manship, Gaston Lachaise, Elie Nadelman, Daniel Chester French, Sargent Claude Johnson, Richmond Barthé and Wilhelm Hunt Diederich.

If you’re planning a Mother’s Day jaunt to the picturesque Huntington, you won’t see the sculpture just yet, but you should still go. (This is where I wish all who celebrate a very happy Mother’s Day. Hi, hardworking, selfless moms everywhere: I see you.)

I’m Arts editor Jessica Gelt and I choose LOVE. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Freeways 2026
Los Angeles Chamber Orchestra fellows Alejandro Lombo, flute, Eder Rivera, oboe, and Nicolás Valencia, viola, and other emerging musicians perform works by Dranishnikova, Piazzolla, Mozart, Dvořák, Gaubert, Julia Moss and Ravel.
7:30 p.m. Colburn School, Zipper Hall, 200 S. Grand Ave., downtown L.A. laco.org

My Birthday Party
Based on stories by Carl Sandburg and Viggo Mortensen, this immersive theatrical experience includes acrobats, aerialists and clowns from Cirque du Soleil and features surprise guests, with music by Veronika Krausas. Opening night performance by Thelma Houston.
8 p.m. Friday and Saturday; 2 p.m. Sunday, through May 7. Fais Do-Do, 5257 W. Adams Place, L.A. playwithsprung.com

Lorenzo Viotti in Milan, Italy.

(Vittorio Zunino Celotto / Getty Images)

Rachmaninoff’s ‘Second Symphony’
In his L.A. Phil debut, flamboyant Italian-Swiss conductor Lorenzo Viotti and violinist Lisa Batiashvili join the orchestra for a fiery program of late-Romantic works.
8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Picasso: Le Monstre Sacré
Peter Tate’s solo performance piece, adapted by the actor and director Guy Masterson from Terri D’Alfonso‘s “The Loves of Picasso,” explores the complicated artist’s legacy from within.
8 p.m. Thursday-Saturday; 3 p.m. Sunday, through May 17. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

TJ Shin’s solo exhibition “Delta” is at Ehrlich Steinberg through June 11.

(Ehrlich Steinberg)

TJ Shin
The L.A.-based artist’s solo exhibition “Delta,” rooted in game theory, consists of a multi-channel video installation, drawings and a newly commissioned text by writer and professor Sunny Xiang.
11 a.m.-5 p.m. Wednesday-Saturday, through June 11. Ehrlich Steinberg, 5540 Santa Monica Blvd., L.A. ehrlichsteinberg.com

The Sound of Music
The Hollywood Hills (and San Diego and Costa Mesa) are alive with the sound of Rodgers & Hammerstein on this tour of the latest revival of the classic romantic musical set in Austria as Nazi Germany moves to annex it.
Through May 24. Hollywood Pantages Theatre, 6233 Hollywood Blvd.; May 26-31. San Diego Civic Theatre, 1100 Third Ave.; June 2-14. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. soundofmusicontour.com

SATURDAY

Ascent
This world premiere of a play by the late Henry Ong details the true story of aerospace engineer and cyberneticist Qian Xuesen, who co-founded Jet Propulsion Laboratory and was instrumental in United States’ World War II efforts before being unjustly forced to return to China. Direction and dramaturgy by Diana Wyenn.
8 p.m. Thursdays-Saturdays; 3 p.m. Sundays, through June 14. Skylight Theatre Company, 1816 ½ N. Vermont Ave, L.A. skylighttheatre.org

Maintenance Artist
The Laemmle “Culture Vulture” series continues with a 2025 documentary about Mierle Laderman Ukeles, who, inspired by Marcel Duchamp, inaugurated the idea that routine activities could be seen as performance art. Directed by Toby Perl Freilich.
10 a.m. Saturday and Sunday; 7 p.m. Monday. Laemmle Glendale, 207 N. Maryland Ave.; Laemmle Town Center 5, 17200 Ventura Blvd., Encino; Laemmle Monica Film Center, 1332 2nd St. laemmle.com 6 p.m. May 16. Getty Center, 1200 Getty Center Drive, L.A. getty.edu

Wild Up: The Center Is Between Us
The eclectic ensemble performs Robert Ashley’s “The Park” and “The Backyard,” narrated live by Christopher Rountree, from the 1978 avant-garde spoken work album “Private Parts,” before being joined by the santoor and tabla duo of Kamaljeet and Jas Ahluwalia, along with cellist Chris Votek, for new work.
8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu

SUNDAY

Los Angeles Children’s Chorus
LACC presents two spring concerts: Sunday, featuring the Apprentice Choir, Intermediate Choir and Chorale; and May 17 with the Concert Choir, Young Men’s Ensemble and Chamber Singers.
7 p.m. Sunday and May 17. Pasadena Presbyterian Church, 585 E. Colorado Blvd. lachildrenschorus.org

MOMentum Place
Celebrate Mother’s Day in the great outdoors with aerial and circus performers, dancers and musicians, preceded by a brunch from chef David Gussin and Prose Restaurant.
Brunch, noon; performance, 2 p.m.; Will Geer Theatricum Botanicum, 1419 N. Topanga Canyon Blvd., Topanga. theatricum.com

Shirley MacLaine, Debra Winger and Jack Nicholson in James L. Brooks’ 1983 hit “Terms of Endearment,” which won five Oscars.

(Paramount Pictures)

Terms of Endearment
James L. Brooks won Academy Awards for writing, producing and directing this adaptation of Larry McMurty’s novel, which should resonate with anyone who has or had a challenging relationship with their own mother on this Mother’s Day. Featuring a stacked cast including Oscar winners Shirley MacLaine and Jack Nicholson, and nominees Debra Winger and John Lithgow, as well as Jeff Daniels and Danny DeVito. Presented in 35mm.
2 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

MONDAY

ASCAP Foundation Musical Theatre Workshop
Three new musicals presented as live readings with musical accompaniment and expert feedback panels: “Lilyville” by Antonius Anand Nazareth (Monday); “The Waiting” by Maria Isabella Andreoli and EmmaLee Kidwell (Tuesday); and “Legendary” by Cheeyang Ng (Wednesday).
7 p.m. Monday-Wednesday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

TUESDAY

Rachel Ward, left, and Jason Patric in “After Dark My Sweet.”

(Kino Lorber)

After Dark My Sweet
Actor Jason Patric presents a screening of his personal 35mm print of director James Foley’s 1990 neo-noir adapted from the Jim Thompson novel. Introduced by Alex Winter and followed by a Q&A with Patric and writer/film critic Travis Woods.
7:30 p.m. Vidiots, 4884 Eagle Rock Blvd. vidiotsfoundation.org

Sarah Andon
“Eclectic Engagement: Explorations in Sound, Space, and Collaboration” features the L.A.-based flutist and an all-star ensemble, including percussionist Nick Terry, pianists Todd Moellenberg, Bryan Pezzone and Aron Kallay, flutist Sarah Wass, violinist Shalini Vijayan and electronicist Cristina Lord performing works by Toru Takemitsu, Sungji Hong, Gabriela Lena Frank, Nicolás Lell Benavides, Herman Beeftink, Jerry Goldsmith, Ennio Morricone and Nino Rota.
8 p.m. Monk Space, 4414 W. 2nd St., L.A. brightworknewmusic.com

WEDNESDAY

Alexandra Silber adapted a new book for Lerner & Loewe’s classic “Brigadoon.”

(Jason Armond / Los Angeles Times)

Brigadoon
Tyne Daly headlines this new adaptation by Alexandra Silber of the classic Lerne & Loewe musical about a mysterious Scottish village that only appears once a century. Directed by Katie Spelman, with original dances created by Agnes Demille.
Through June 14. Pasadena Playhouse, 39 S. El Molina Ave. pasadenaplayhouse.org

A Sea Symphony
Pasadena Chorale performs Walt Whitman’s words with Vaughan Williams’ music, featuring solos by sopranos Rachel Adcock and Asha Srikantiah and baritones Eric Werner and Tobin Sparfeld.
7:30 p.m. First United Methodist Church Pasadena, 500 E. Colorado Blvd. pasadenachorale.org

THURSDAY

Camerata Pacifica
The ensemble performs a program that includes works by Beethoven, De Mey and Bunch, and concludes with Shostakovich’s “Symphony No. 15 for Piano Trio and Percussion,” arranged by Viktor Derevianko.
8 p.m. Thursday. Colburn School, Zipper Hall, 200 S. Grand Ave., downtown L.A.; 7 p.m. May 15. Academy of the West, 1070 Fairway Road, Santa Barbara. 8 p.m.; 3 p.m. May 17. Bank of America Performing Arts Center, Scherr Forum, 2100 E. Thousand Oaks Blvd.; 7:30 p.m. May 19. The Huntington, 1151 Oxford Road, San Marino. cameratapacifica.org

Arts anywhere

New and recent releases of arts-related media.

Open-Door Playhouse
Playwright Bernadette Armstrong launched this online venture during the pandemic to help other authors get their work heard by audiences. The endeavor has continued, producing dozens of audio versions of 10-minute and one-act plays delivered as podcasts. The latest release, “Holy Hell,” written by Barbara Lindsay, features a man (played by Gary Lamb, who also directed) and a woman (Elaine Mello) separately recounting the tragedy that united them. Open Door Playhouse is free, relying on listener donations.
opendoorplayhouse.org

“Rupert García: The Making of an American Artist, a Testimonio” by Mario T. García.

(Rutgers University Press)

Rupert García: The Making of an American Artist, a Testimonio
An oral history 30 years in the making, the book chronicles the life and career of the American Chicano visual artist and activist, whose work as a painter, pastellist and screen printer both documented and galvanized cultural movements from the 1960s onward. The book’s author, historian Mario T. Garcia of UC Santa Barbara, will be in town for a book signing at 7:30 p.m. on Friday at Vroman’s Bookstore, 695 E. Colorado Blvd., Pasadena. vromansbookstore.com
Rutgers University Press: $35, 215 pages.

Arturo Sandoval, who frequently performs in Los Angeles, has a new album, “Sangú.”

(The Wallis)

Sangú
Trumpeter, bandleader and composer Arturo Sandoval’s latest album — the title is a malapropism of “sounds good” made during the studio sessions — features 12 tracks of Afro-Cuban funk, blending bebop, fiery jazz fusion and batá-inspired rhythms. Sandoval will perform June 4-7 at Blue Note Los Angeles.
Self-released: digital download, $9.50. arturosandoval.com

— Kevin Crust

Culture news and the SoCal scene

Maria Wirries and LJ Benet in “The Lost Boys,” from left; Sara Chase and Brad Oscar appear onstage during curtain call of “Schmigadoon!” on opening night, and Joshua Henry and the cast of “Ragtime.”

(Matthew Murphy, left and right; Valerie Terranova / WireImage, center.)

Tony Award nominations were announced early this week with musicals “The Lost Boys” and “Schmigadoon!” leading nominations with 12 each, followed by “Ragtime” with 11. Malia Mendez has the full list, here, and Times theater critic Charles McNulty followed up with a story on 10 standout Broadway performances and shows worth celebrating, including Laurie Metcalf in both Samuel D. Hunter’s “Little Bear Ridge Road” and this spring’s revival of “Death of a Salesman.”

The Pulitzer Prizes were announced the day before the Tony nominations, and Bess Wohl’s play “Liberation” took home the 2026 Pulitzer for drama. The win foreshadowed what would come next: “Liberation” was nominated for five Tonys, including best play and director.

McNulty also rounded up three major Broadway musicals in one handy, sweeping review: “Cats: The Jellicle Ball,” “The Lost Boys” and “Titanique.” “Cats,” notes McNulty, has managed to distance itself from its kitschy reputation and checkered past to become “one of the hottest tickets of the Broadway season. It didn’t take a miracle, only a complete conceptual overhaul.” Happily, “The Lost Boys” also won McNulty over despite his “antipathy to vampire schlock.” “Titanique” was not McNulty’s favorite, but he noticed that his fellow theatergoers couldn’t get enough.

Joe Mantello at his home in New York on Friday, April 3, 2026.

(Evelyn Freja / For The Times)

There was not one free moment in McNulty’s New York itinerary in early March. While attending a flurry of shows, our critic also sat down to a brunch interview with director Joe Mantello during rehearsals for the new Broadway revival of “Death of a Salesman.” “A two-time Tony-winning director (‘Assassins,’ ‘Take Me Out’), Mantello has a résumé so extensive that it can be startling to recall that he’s the original Broadway director of “Wicked,” the blockbuster that has allowed him to write his own ticket. There aren’t many theater directors who can pick and choose their projects without worrying about their next paycheck, but he has become the Mike Nichols of our era in terms of the breadth and consistency of his theatrical success,” writes McNulty,

The Times got the scoop that Holocaust Museum LA will reopen June 14 as part of the new $70-million, 70,000-square-foot Goldrich Cultural Center. The center doubles the museum’s original 35,000-square-foot footprint and broadens the institution’s “focus on inclusion and community, with a diverse range of events and ramped-up educational offerings,” writes Times contributor Solvej Schou.

Composer John Williams, 94, attended the dedication ceremony of the new John Williams Performing Arts Center at North Hollywood High on April 29, 2026.

(Genaro Molina / Los Angeles Times)

Times contributor Tim Greiving, who is also the author of a biography on John Williams, covered a ribbon-cutting ceremony for the new John Williams Performing Arts Center at North Hollywood High — the famed film composer’s alma mater. Williams, 94, was in attendance and gave a few brief remarks in front of a crowd filled with other notable school alumni and friends including Kathleen Kennedy.

The Times published an exclusive on Pasadena Playhouse’s new 2026-27 season, which includes the post-Broadway debut of “Real Women Have Curves: The Musical.” Other offerings include a new production of Friedrich Dürrenmatt’s tragicomedy “The Visit,” the L.A. premiere of “Passing Strange,” and a revival of “Cat on a Hot Tin Roof.”

Comedian Kathy Griffin in 2019.

(Matt Licari / Invision Associated Press)

Comedian Kathy Griffin is staging her first-ever residency at the Plaza Theatre in Palm Springs. “Can You Handle This Heat? The Kathy Griffin Palm Springs Residency,” is scheduled to run from Jan. 31 to Feb. 26, 2027. Tickets go on sale today.

The Soraya has announced it 2026-27 season featuring eight noteworthy debuts and 45 performances, including Sutton Foster with Chris Walden and the Pacific Jazz Orchestra; the eclectic band Snarky Puppy; Majo Aguilar con Mariachi y Banda; Dance Theatre of Harlem; National Symphony Orchestra of Ukraine; Los Angeles Philharmonic; Audra McDonald; and the National Symphony Orchestra. The new lineup also introduces Chad Hilligus as the Soraya’s new executive and artistic director.

Grand Performances announced its 40th annual Summer Concert Series featuring free outdoor shows in downtown L.A.’s California Plaza from June 6–Aug. 29. Highlights include a June 13 anniversary celebration with Jungle Fire, Healing Gems and DJ Liza Richardson; a tribute to the music of Stevie Wonder with DJ Spinna, Monalisa and MC Cognito; and a tribute to Roy Ayers led by composer Sly5thAve with a 12-piece ensemble including drummer Kassa Overall.

This week, IATSE filed unfair labor practice charges against management at the beleaguered John F. Kennedy Center for the Performing Arts, alleging the center broke its union contract by permanently eliminating union jobs ahead of its controversial temporary closure.

— Jessica Gelt

And last but not least

Looking for a great classic diner? Me too! This Food story will help.

Just weeks after Justin Bieber’s well-received Coachella headline gig, the singer played a small private event for tech, entertainment and defense industry moguls. Executives at controversial firms, such as surveillance tech giant Palantir, were also on the bill.

Bieber was a headliner at WNDR, entertainment executive Jeffrey Katzenberg’s invitation-only confab at the Rosewood Miramar in Montecito last week. The programming for the event was first reported by Puck.

The ultra A-list talks and guests included director James Cameron and former Disney CEO Bob Iger, YouTube CEO Neal Mohan, FIFA President Gianni Infantino, Oprah Winfrey and Julia Roberts, comedians Chris Rock and Trevor Noah and artist Jeff Koons on a panel discussion with LACMA chief Michael Govan.

Bieber, meanwhile, performed a Wednesday poolside set for attendees at the Rosewood. The “Swag” singer reportedly became the highest-paid headliner in Coachella history last month, and its most lucrative merch seller.

Representatives for Bieber did not immediately respond to a request for comment.

While there was lighter programming (like a karaoke party with pop producers StarGate and a talk about snacks with chef Nancy Silverton), the bill included talks and cameos from major weapons and surveillance technology firms noted for their support for — or deep engagement with — the Trump administration.

One panel featured Anduril Industries’ Palmer Luckey, who recently welcomed Defense Secretary Pete Hegseth to its Southern California headquarters. “We are rebuilding the Arsenal of Freedom,” Hegseth said after the Anduril visit.

Palantir Chief Executive Alex Karp led another talk. Palantir’s AI-driven defense and surveillance software has faced scrutiny around how tech like its Maven Smart System may have been used to target civilians in the Iran war.

Karp also published a recent book, “The Technological Republic,” where he wrote that “We must resist the shallow temptation of a vacant and hollow pluralism. We, in America and more broadly the West, have for the past half century resisted defining national cultures in the name of inclusivity. But inclusion into what?”

Katzenberg’s WNDR conference is one of several recent multi-discipline, ultra-elite gatherings hosted by CEOs, including Jeff Bezos and Eric Schmidt. Katzenberg founded his investment firm WndrCo in 2017.

TAYLOR SWIFT and fiancé Travis Kelce were snapped on a whirlwind trip to London last week – and I can reveal why they were in town.

The couple are planning a wedding party at celeb haunt The Chiltern Firehouse in August, a month after their upcoming New York nuptials.

The American lovebirds met the venue’s owner, US hotelier Andre Balazs, to discuss their VIP soiree for 120 guests.

The Chiltern restaurant and hotel remains shut to the public after a pizza-oven fire wrecked it early last year, but it is in the market for one-off events.

Noel Gallagher threw a bash there to mark the end of the US leg of the Oasis reunion tour.

The visit by Taylor and Kansas City Chiefs American football star Travis follows reports they will tie the knot in July in New York after getting engaged last year.

Party pals

Taylor Swift parties with Eugenie & Beatrice at Poppy Delevingne’s 40th birthday

PAY TAY!

Taylor Swift could land $800m payday for fellow musicians thanks to secret clause

An insider said: “London holds a huge place in Taylor’s heart and she has so many British friends who she wants to celebrate with.

“Travis and Taylor partied at the Chiltern two years ago following her Eras tour dates at Wembley, and it is a special place for her.

“They are working on a personalised menu with bespoke cocktails and carefully selected wines.

“They’re looking at entertainment options but Taylor obviously has lots of talented friends in the music industry so it’s likely some could end up performing.”

I’m told she was hoping to use the venue’s five-star hotel rooms, too, but they have not yet reopened.

Guests will include UK stars Cara Delevingne, Kate Moss, Phoebe Waller-Bridge, Ed Sheeran and Stella McCartney.

Before Travis, Taylor dated a string of Brits — The 1975 frontman Matty Healy, actors Joe Alwyn and Tom Hiddleston, DJ Calvin Harris and Harry Styles.

She has also written songs London Boy and So Long, London.

Now that she has finally found her forever man, I am so pleased she plans to celebrate in our capital.

Zara’s on a high

ZARA LARSSON rides the wave as she kicks off US TV channel Today’s Citi Summer Concert Series in New York City.

But the Swedish pop star, who looked stunning in a yellow skirt and matching top, almost had to pull out of the performance.

She told her fans on Instagram: “I was sooo nervous this morning because my voice was literally gone!

“But we pushed through. I had so much fun! Thank you to everyone for pulling up on me so early.”

Nic ‘n’ Tom have dare necessity

IT is known as the toughest show on TV – but ahead of the new series of Celebrity SAS: Who Dares Wins, I can reveal at least two of the contestants, Olympic boxing champ Nicola Adams and Apprentice star Thomas Skinner, reckon they have the steel to prevail.

A source said: “Tom has been training hard with a weighted vest in preparation for the show, and Nicola is no stranger to an intense training regime.”

The pair will join Towie legend Amy Childs and Married At First Sight star Ella Morgan in competing on the Channel 4 military-style challenge.

Meanwhile, singer Jojo Siwa and former Strictly pro dancer Giovanni Pernice are also lined up to take part.

Filming is taking place this summer in Malaysia, for the ninth series, which is expected to air next year.

Olivia in full bloom

OLIVIA RODRIGO looks super cute in dainty florals during a performance in Spain.

The Drop Dead singer wore a pink mini dress and black leather boots to play a Spotify Billions Club Live show in Barcelona.

The concert on Friday night kicked off El Clasico weekend ahead of the match between Barcelona and Real Madrid today.

The American hitmaker, who embarks on her Unraveled Tour in September, also posed with her nine Spotify plaques to commemorate her songs which have surpassed a billion streams.

Stones play Amy tribute

THE ROLLING STONES cover a song by the late Amy Winehouse on their new album, Foreign Tongues.

Out on July 10, it will see Sir Mick Jagger, Keith Richards and Ronnie Wood, pay tribute to Amy’s 2007 track You Know I’m No Good.

Sir Mick performed a duet with Amy during the Stones’ set at the Isle of Wight Festival in 2007, four years before she died aged 27.

The album’s track list which was leaked by fans, also features lead single In The Stars and song Back In Your Life.

The latter has a guitar solo by Ronnie inspired by The Beach Boys star Brian Wilson – and it was recorded on the day Brian died, aged 82, in June last year.

Hit Me In The Head includes old recordings in Los Angeles with the late Stones drummer Charlie Watts, who died in 2021, aged 80.

Last month the band released another album track, Rough And Twisted, on vinyl under pseudonym The Cockroaches.

Dec 10 in secret filming

DECEMBER 10 have secretly filmed a music video for their hot new single Infinity (123).

I can reveal that the boys – Cruz, Danny, Hendrik, Sean, John, Josh and Nicolas – jetted to Palma, Mallorca to shoot the promo which will be released on Friday.

It comes as the band gear up for their first appearance at Capital’s Summertime Ball next month and the Summer Sonic festival in Japan in August.

Biz on Sunday’s Emily was lucky enough to catch up with the boys at their gig at the O2 Shepherd’s Bush Empire last month.

And they will be returning to the London venue in July, for two sold-out nights.

Looks like they have a jam-packed summer.

Tom: Paul and I may be family

TOM GRENNAN has revealed he could be related to Irish actor Paul Mescal.

The Little Bit Of Love hitmaker bumped into the Normal People star at the All-Ireland Senior Hurling Championship final in Dublin last year.

And he told Cork’s 96FM radio station: “Paul was there and he was like, ‘Is your dad here?’.

“He said, ‘Mate, my dad has been going on about your dad and he wants to speak to him’.

“Apparently, there’s some sort of relation!”

Tom, who welcomed daughter Dotty with wife Danniella Carraturo last summer, is set to release an album this year inspired by becoming a dad.

Talking about fatherhood, he said: “It has definitely had an impact on my songwriting.

“It’s opened up another chamber in my heart.”

Ramsay’s kitchen rebels

GORDON RAMSAY’s TV production company is making a fiery documentary series with the BBC about some of the biggest renegades in the restaurant world.

Rise Of The Rockstar Chefs will focus on Heston Blumenthal, Marco Pierre White, and, of course, Gordon himself.

A source said: “This bunch are set to lift the lid on their early days in the competitive restaurant world and share some of their juicy stories.”

Studio Ramsay’s glossy production will feature guest appearances from foodies Stanley Tucci, Prue Leith, and Pink Floyd‘s Nick Mason.

I’m told it’s set to air in the autumn.

‘Sore’ Stacey snubs BAFTAS

STACEY SOLOMON is snubbing this year’s BAFTA TV Awards after facing a backlash over her emotional reaction to losing at last year’s ceremony.

Instead of putting on a gown and trundling down the red carpet, the presenter is living her best life in Miami on a PAID Space NK brand trip with her kids. Good for her.

The Sort Your Life Out star was criticised online – with some trolls branding her a “sore loser” and a “spoiled brat” – after she admitted on Instagram that she was “devastated” her BBC show failed to win.

Although Sort Your Life Out was nominated in two categories, it missed out on a BAFTA, prompting Stacey to defend her hardworking team in the emotional video.

She said: “I know I’m supposed to take it gracefully like a champ, but I’ll be honest, I’m devastated.

“The crew also deserve the BAFTA after the effort they put into making the show.”

Other telly presenters giving this evening’s ceremony a miss are Rochelle Humes and Olivia Attwood, who are both joining Stacey in the sun.

MODEL Candice Swanepoel is rocking her new line in swimwear.

The 37-year-old perched on a seaside boulder to show off a bikini from her Tropic of C label’s collaboration with Victoria’s Secret.

Her environmentally-friendly collection is called Elemental, which she said “blends Victoria’s Secret’s iconic femininity with Tropic of C’s elevated, sustainable sensibility”.

South African Candice added: “Sustainability is a key part of my lifestyle.”

Not only is Candice regularly lauded as one of the world’s sexiest women, her bank balance isn’t looking too bad either – in 2016 she was ranked by Forbes as the 8th highest-earning model on the planet.

She didn’t scale back her modelling following motherhood and has shifted more lingerie than any other model.

Candice is considered the world’s top lingerie model not just because she has the most followers but because her online posts have far more impact than her catwalk contemporaries.

She recently caught the eye wearing a red Baywatch-style swimsuit.

In 2022 she was linked with dating rapper Kanye West.

She was then claimed to have grown close to pop star Harry Styles.

A crime drama that has had fans gripped for decades is apparently going to be back

The future of an “addictive” long-running series has apparently been confirmed.

Law & Order – which started in 1990 and is now in its 25th season – is set to be renewed for a 26th run, Deadline has reported. While final details are apparently being worked out, it is thought that official word on the future of the police procedural is expected soon.

The news will thrill fans of the series, which has become hugely popular with viewers. Set and filmed in New York, the programme follows detectives of New York City Police Department’s fictional 27th precinct as they investigate crimes.

Its cast has included several huge stars over the years, with Sam Waterston, Jerry Orbach and Mariska Hargitay all being part of the show, while famous guest stars have included Viola Davis, Bradley Cooper and Ellen Pompeo. The current cast of the programme includes Maura Tierney, who starred as Abby Lockhart on the medical drama ER, and Tony Goldwyn from Scandal.

Law & Order originally aired from 1990 to 2010, then in 2021 it was announced that it was being brought back after an 11 year break.

It has also sparked several spin-offs, including Law & Order: Special Victims Unit, Law & Order: Criminal Intent and Law & Order: Trial by Jury.

It has been a hit with viewers, with one posting on reviews website Rotten Tomatoes: “The best ever, realistic, true to life portraits seen in any movie or TV series.”

“Excellent,” said someone else, calling the show “completely addictive”.

“It’s like watching two shows, a police investigation series for the first half hour, and a legal series for the next half an hour,” another fan remarked.

“Great performances, lots of mystery and drama, very realistic.” Someone else praised the show’s “pitch perfect pacing”.

Another said: “Law & Order is one of my go-to shows to watch while sitting on the couch and vegging out. I’ve seen every episode multiple times, but I find the show comforting. That’s what Law & Order is – comfort food.”

NBC has been contacted for comment.

Law & Order airs on NBC in the US.

A popular British comedian is now favourite to present Strictly Come Dancing after wowing producers

A comedian is now favourite to present Strictly Come Dancing after wowing producers.

Josh Widdecombe has reportedly become frontrunner to host the BBC Latin and ballroom show in the coming series after hosts Tess Daly and Claudia Winkleman’s departure from the show.

It has been revealed that a number of celebrities are ‘auditioning’ for hosting duties, with names including Zoe Ball, Rylan Clark and Angela Scanlon all rumoured to in the running.

However, bosses look as though they’ve got a new preferred presenter after he wowed producers. If Josh was to get the job, he’d be the first male host since Sir Bruce Forsyth left the programme.

“Josh blew the producers away with his dead-pan, witty banter. He is family friendly, having helmed several shows now, and loves Strictly,” a source told The Sun, “The bosses believe he will be ideal to take the show into a new era.

“After years as a stand-up, he can handle a live audience and is razor-sharp. He’s not a household name, yet, and so to step into Brucie’s shoes would be a stellar move for his career.”

It comes after Alan Carr broke his silence on rumours he was a contender for the Strictly hosting duties.

“I didn’t turn it down, I was just clumped with everyone and had to say: ‘No, don’t put me in the mix.’ I love watching Strictly, but I don’t love it enough. People are always moaning there aren’t new, fresh faces on TV. Well, wouldn’t it be amazing to give it to a young person who absolutely adores Strictly and dancing?” he said to The Telegraph.

The Celebrity Traitors winner added: “If I rock up on it, they’ll go: ‘Oh, here he is again.’ Why waste it on me? I don’t really know the dances. I’d be like: ‘Oh here they go again, that dance with the legs.'”

In a joint statement last year, Tess and Claudia announced their decision to leave the show.

“We have loved working as a duo and hosting Strictly has been an absolute dream. We were always going to leave together and now feels like the right time,” the pair wrote in a joint statement online.

“We will have the greatest rest of this amazing series and we just want to say an enormous thank you to the BBC and to every single person who works on the show.”

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Sheriff’s deputies in San Bernardino County arrested a Hesperia wrestling coach Tuesday as part of a child sex investigation.

Gene Richard Griffith III, 36, a wrestling coach at Hesperia High School and resident of the city, faces a charge of lewd and lascivious acts with a child, the San Bernardino County Sheriff’s Department said in a statement.

Hesperia High School officials did not immediately respond to an email seeking comment Saturday.

Griffith was booked into the High Desert Detention Center in San Bernardino on Wednesday.

A representative for the San Bernardino County Sheriff did not immediately return a request for further information about the alleged incident or possible bail terms.

Detectives from the Sheriff’s Department’s Crimes Against Children unit said in a statement they believe there might be additional victims, and ask anyone with information to contact Detective Victoria Twardowski at 909-890-4904.

TV bosses of Celebrity Traitors are in fear of leaks of the line-up being exposed they have no taken extra steps to avoid this happening ahead of the upcoming series

TV bosses of Celebrity Traitors are taking no chances when it comes to keeping secrets of the show for the upcoming series under wraps.

According to reports, bosses at Studio Lambert have now put locks on the doors of the editing suite. But that’s not all. Bosses have also “banned” staff from talking about the nature of the BBC programme outside of the studio building.

A TV insider reportedly said: “They’re saying it’s become like The Masked Singer set-up, which is shrouded in secrecy with sealed production rooms.”

The source added to The Sun: “Only a few people are allowed in and out.”

This comes after it was reported that Hollywood actor Tom Hiddleston had signed up for the show but was forced to pull out at the last minute.

Earlier this month, a few names were confirmed for the second series. This included Love Island host Maya Jama, Hollywood actor Richard E. Grant, Jerry Hall, presenter and comedian Romesh Ranganathan and EastEnders star Ross Kemp.

The stars were spotted heading to the Scottish castle.

The celebrities will donate their winnings of £100,000 to their chosen charities. Filming is underway but the show will not air until later this year.

Tom, who is best known for his roles in Steven Spielberg’s War Horse, has been vocal about his love for the show. According to The Sun, his film commitments did not allow him to commit to the reality TV game show.

He recently said in an interview on BBC Radio 2: “I mean the celebrity one would be amazing. I think the whole show, the format is just the most ingenious thing, isn’t it? It’s completely compulsive. Maybe the best television I’ve ever seen.”

He added: “I’d like to be a faithful because then you can play detective, right? And you know that your conscience is clean and your heart is pure, and you’re just watching and trying to figure people out.”

Host Claudia Winkleman recently revealed that she has been told on how to spot a traitor in the mix. In an exclusive chat with The Mirror she said: “Stephen said at the last round table ‘Shall we just look at who is tired?’ because if you are a Traitor you go to bed later than everyone else.”

She added: “At that point, Jonathan’s face was slumped, Alan was yawning and Cat was asleep. And someone went: ‘No, no. You have to come at it from a different way.’ I was like ‘He has just said it’.”

The Mirror contacted the BBC for a comment.

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Bad Bunny’s halftime show at this year’s Super Bowl was largely embraced as a milestone for Latin music and Puerto Rican culture on America’s most prominent pop-cultural stage.

Not everyone thought so, though.

The Federal Communications Commission has released a massive trove of viewer complaints against the musician, the show’s broadcast partner NBC, and the NFL.

Many of them expressed outrage at the supposed bawdiness of Bad Bunny’s Spanish-language lyrics and dancing on a broadcast watched by children.

“That was the most disgusting inappropriate show. I had to make all of my children go into the next room!” wrote one traumatized Las Vegas viewer. “The none use [sic] of inappropriate language should stand no matter what language it’s in. This is the most disturbing thing I’ve witnessed on live TV in a long time.”

“NFL halftime show showed 2 men in act of intercourse while behind a pickup truck door,” wrote one aghast Ohioan. “The ratings for NFL [sic] made it safe for my children to watch but they witnessed this and became disturbed.”

Another viewer from Charlotte, NC who, to their credit, seemed familiar with Bad Bunny’s catalog, wrote that they “take issue with the vocal performances of ‘Safaera,’ which is a track widely known for explicit sexual references and graphic lyrical content, and ‘Yo Perreo Sola,’ which had choreography featuring overtly sexualized movements, including widespread twerking, grinding, pelvic thrusts and other sexually suggestive conduct.”

Those viewers were likely not sated by the FCC’s February review of the performance, which found that the songs’ lyrics had been appropriately altered for the broadcast.

Rep. Randy Fine (R-FL) had called for the FCC to investigate the broadcast.”What Americans witnessed during the Super Bowl halftime show with Bad Bunny was despicable and never should be allowed to be shown on television again,” Fine told the New York Post.

Many of the viewer complaints mirror President Trump’s post-show social media criticism, calling the performance “one of the worst EVER!”

“Nobody understands a word this guy is saying, and the dancing is disgusting, especially for young children that are watching from throughout the U.S.A., and all over the World,” the president wrote at the time.

Just before the Super Bowl, Bad Bunny had won the Grammy for album with “Debí Tirar Más Fotos,” and joined a wave of artists speaking out against violent ICE raids in speeches at the ceremony. The superstar demurred on performing in the continental U.S. for similar fears, instead performing a lengthy Puerto Rican residency.

Westlife have paid tribute to Simon Cowell during an appearance on Britain’s Got Talent, with Shane Filan, Nicky Bryne and Kian Egan all taking to the stage without bandmate Mark Feehily

Westlife have paid tribute to Simon Cowell during an appearance on Britain’s Got Talent.

The band – which features Shane Filan, Nicky Bryne and Kian Egan – performed their biggest hits ahead of their 25th anniversary tour. However, they were without bandmate Mark Feehily, who will also not appear on the tour.

There was no specific mention of Mark, but the trio paid a heartfelt tribute to judge Simon, who was instrumental in their success.

“It’s been a long time since Simon Cowell suggested standing up from our stools on a key change,” Nicky said. Kian went on to pay tribute to Simon and said they wouldn’t have been there without him.

In June, it was confirmed Mark would be absent from the tour. The band said in a statement: “Sadly, Mark will be unable to join the celebrations. We hope he can join us back on stage when he is ready and able. He sends his love and positivity to you all as always.”

Mark announced he would be taking a break from Westlife just days before first ever tour of America in 2024. At the time, he shared: “Hello and much love to you all! It’s Mark here.. Most of you are aware that I have had some health challenges over the past while.

“It actually all started 3.5 years ago in August 2020 when I had surgery. Within a few days of this surgery I was in severe pain and was rushed into A&E. I eventually ended that awful day in ICU (Intensive Care Unit) where I was informed that due to a complication with the surgery, I had developed severe ‘Sepsis‘, a life-threatening infection that would require immediate emergency surgery to rectify the problem and basically save my life.”

He explained that he was in hospital for months during lockdown, and was later told he needed more surgery.

“It was physically and mentally a very difficult time, not to mention traumatic having to spend so long in ICU. In late 2021, I became very ill in Newcastle before a concert and ended up back in A&E, this time being told I had pneumonia. I was told I had to go straight home to recover and regrettably miss the rest of the concerts that December,” he said.

Speaking about Mark missing their big anniversary tour, Kian told us: “We’re devastated he won’t be joining us on this tour. We’ll be missing him every night just as much as the fans will. But he’s given us his full support. This is the 25th anniversary, it’s something that we all felt needed to be celebrated. We hope as soon as he’s ready he’ll be back with us and we look forward to that moment.”

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In the fragmented mysteries of the great Argentine filmmaker Lucretia Martel, her explorations always start with sensory flashes: faces, spaces, objects, sounds in transfixing procession. The language is its own, resulting in disorienting but undiluted depictions of the worlds of modern elites (“La Ciénega,” “The Headless Woman”) and 18th century colonists (“Zama”) alike.

But now, with her first feature documentary, “Our Land (Nuestra Tierra),” Martel unravels a political crime and the larger offenses behind it with a vital clarity. The film is centered on the 2009 murder of Javier Chocobar, an Indigenous Chuchagasta man from Argentina’s northwestern Tucumán province, who was shot while defending his ancestral homeland from a thuggish incursion. The weight of the issue at hand — stolen land, territorial rights and the overdue recognition of a colonized country’s original peoples — brings out a tantalizing lucidity from the typically elusive Martel on a serious subject that requires discipline.

In one sense, she’s dealing with a rights issue too painful to be aggressively aestheticized, but she’s also exploring a blood-soaked injustice that can’t be treated conventionally. She begins, in fact, with rolling satellite images from space — as if to say: This appropriation of nature is the world’s problem, not just Argentina’s.

What follows, toggling between a courtroom and vast, contested land (filmed with dreamlike urgency by cinematographer Ernest de Carvalho), is a righteous, visually arresting swirl of fact and feeling, past and present. It’s also anchored by the stories of a community desperate to claim territory they’ve cultivated for centuries. “Our Land” is as honorable a documentary as you’re likely to encounter this year about what fighting looks like in today’s era of grab-what-you-can thievery.

First, we hear from the defendants, captured by Martel’s cameras at their 2018 trial in Buenos Aires (an unconscionable nine years after the shooting). The three accused men — a businessman and two ex-cops — flounder at positioning themselves as the true victims when their own handheld video of the incident shows otherwise: The confrontation with the Chuchagastas only escalated because they brought a gun. Their lawyers obnoxiously push a narrative of ownership versus trespassers, backed by reams of documents and tossed-around historical dates.

But as Martel patiently unfolds the Chuchagastas’ perspective — personal narratives that come to life in intimate photos, atmospheric sound design and warm home footage — we begin to understand that documents and files are a bogus battleground given their hundreds of years of careful tending. One community member distrusts dialogue to begin with, calling it a means to “give up something.”

“Our Land” is the work of a director whose attention is rigorous, whose care is genuine, but who is also conscious of her outsider’s perspective. It’s an ally’s respect. There’s no better proof of that than in her drone shots of this embattled community’s sun-soaked valley: elegant, purposeful, even awkward (a bird hits one) visitations from the air. They’re a reminder that she’s the filmmaker, surveying a story that belongs to others. Documentaries don’t get much more honest than that.

MUSIC fans were divided after Oli Sykes slammed them for leaving his band’s gig early.

Oli, 39, fronts the massive band Bring Me The Horizon and went on the rant at their recent gig in Nashville, USA.

Kneeling on the stage wearing a large cowboy hat with a pink feather hem, Oli angrily pointed in the direction of the crowd in a video posted to TikTok by user @professionalconcertgoer.

“Now I start seeing t***s leaving early to beat the traffic… I can see one there, that c***t and he’s a VIP one too,” Oli said looking into the audience.

“Why did you pay all that money for?”

Fans of the band explained their reasons for needing to leave gigs before they finished and also slammed Oli’s attitude.

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“I always think it’s wild when artists talk about the fans that lined their pockets like this. I thought better of Oli,” wrote one person in the comment section of the TikTok.

Another added: “Oli my brother in Christ the last bus / train home is like 10:45 we have to leave early or we’re sleeping on the street.”

But a third commented: “I’ll never understand why people leave early. I’ve done it a couple of times and have regretted it every time.”

While a fourth posted: “He said this in toronto too, i felt bad but he’s gotta take it up with go transit 😭 if i miss my train i’m stranded in the city, i don’t have money or a credit card to get a hotel for the night.”

Bring Me The Horizon formed in 2004 and have released six studio albums.

They have been nominated for two Grammys and this year won a Brit for Best Rock/Alternative Act. They’ve also scooped seven Kerrang! gongs in a career that dates back 20 years.

There was no greater sign of a mainstream breakthrough than when they collaborated with Ed Sheeran for a souped-up version of his hit Bad Habits at the Brit Awards in 2022.

Adding rocky riffs and synths to the catchy pop tune, the heavier element clearly thrilled Ed who performed the collab with a big grin.

Last year, Oli officialy became a dad after his Brazilian model wife Victoria Alissa Salles Silva announced she had given birth to twins.

In an Instagram post, she shared an image of the tots – writing, “amor infinito,” which translates to “infinite love”, adding, “grey & zélia.”

To describe a movie as including a ski mask, a camcorder and $50,000 in cash would certainly lead one to imagine a specific type of story. Add two men and sex work and the brain might roll around more pointed scenarios.

But none of that can prepare you for what micro-indie “Blue Film” has in store. The nexus of perversion, pain and sexual purpose driving writer-director Elliot Tuttle’s dark, discursive chamber drama is of a stripe rarely attempted in even the most self-consciously daring movies. Should you need a self-imposed break afterward from intimate two-handers, even Tuttle might understand, then wink in the general direction of his Pasolini posters. (I’m guessing at this provocateur’s wall art.)

Is it clear yet that “Blue Film,” set primarily in a house in Los Angeles over the course of a revelatory night, isn’t for everybody? Some of that “everybody,” incidentally, includes the festivals and distributors who rejected the queer filmmaker’s debut feature, despite having critical buzz, Tony-winning actor Reed Birney as one of its stars and indie guru Mark Duplass as a mentoring producer.

But certain subjects (spoilers ahead) are bound to trigger a different kind of scrutiny. Initially, our attention is on macho-posturing tattooed camboy Aaron (“Boots” star Kieron Moore), graphically boasting to his followers online of the big payday he’ll receive that evening from a submissive client. What he later encounters, however, at the door of a Craftsman on a quiet street is a masked, polite, older host (Birney) with a camera and, once it’s turned on, a lot of personal questions, the kind that begin to crack the facade of a young man used to being in control of his transactional life.

Then his client’s face is revealed and Aaron recognizes it’s his middle school teacher Hank, a convicted pedophile who once coveted him. Hank, who completed prison time for the attempted assault of a different boy, has made a cross-country trip to seek out the adult version of someone who could have been his first victim. He is still processing what he is, wondering if desire, even love, is available to him anymore.

The question is, will you care? Even viewed through Aaron’s cautious, clear-eyed empathy, it’s a steep ask. But you should. Tuttle’s fearless inquisition won’t insult your intelligence, ask your mercy or hogtie your feelings. Honestly, it’s refreshing to be repulsed and intrigued by a movie willing to plumb these psychological depths when Hollywood won’t. In its commitment to unvarnished talk — even if that leads to a clunky staginess — “Blue Film” has thoughts about identity, choice, sin and salvation. There’s a sincere engagement with humanity’s more difficult realities.

Needless to say, this type of graphically articulated exchange wouldn’t work if the performances didn’t land. Thankfully, Moore’s affecting portrayal of jumbled masculinity mixed with situational curiosity is well-calibrated, while Birney, a pro with a challenge, eases us into Hank’s weary self-possession (if not always the nauseating facts of it) before coloring outside the lines with a believably interesting philosophy about reckoning.

But “Blue Film” is tough, make no mistake. Awkward and searching, it exists in a filmic space that you could argue was opened up by last year’s courageous documentary “Predators.” And sometimes that gaze is just discomfiting, full stop. Tuttle wants that. He has room to improve but he’s someone to watch, plumbing the hard-to-fathom.

If, god forbid, there’s a natural disaster in L.A. in the near future, Jena Malone might be one of your first responders.

“I’ve been studying Community Emergency Response Team training,” the actor-musician, 41, said, drinking coffee in the living room of her home overlooking pomegranate trees and a canyon in northeast L.A. “Whether it’s fire management or building a neighborhood tool shed, it’s less important for me to hit career milestones now than to transform how I live on this planet. Let’s build something where we’re all taking care of each other’s needs through mutual aid.”

Those are galvanizing priorities from Malone, who’s led generationally beloved films like the sci-fi noir “Donnie Darko,” played the axe-chucking Johanna Mason in two “Hunger Games” tentpoles and recently co-starred in the lesbian bodybuilding revenge flick “Love Lies Bleeding.” For almost as long, she’s also made experimental folk and electronic records that toy with avant-garde noise and quietly poignant songwriting.

This is a wild time in L.A. for anyone concerned about the city and its culture industries, and Malone is deeply invested in both. Just before the release of her new Netflix series, the Duffer Brothers-produced “The Boroughs,” she’s released her first album in nearly a decade. “Flowers For Men” is an effects-shredded, future-primitive record, written after the birth of her son upended her obligations — and expectations — toward the men in her life and the world they’ll inherit.

“It changed everything,” Malone said, about raising a son. “I grew up learning to thrive and mask in masculine spaces. Grind culture is a masculine toxicity that I inherited and indoctrinated myself in. But parenthood offers you this opportunity to burn your entire life down in sacrifice to finding out what’s real. I had no idea what it was to be a man. All of my ideas burned down and not much was being raised back up.”

For millennial film fans, Malone’s been a consistently compelling, trust-anything-she’s-in actor since her child-star turn in 1997’s “Contact.” Few embody a tortured, beguiling Americana quite like her.

“The Boroughs” — a high-profile follow-up to “Stranger Things” from the masters of unreality, created by Jeffrey Addiss and Will Matthews — has a stacked cast that includes Alfred Molina, Geena Davis and Bill Pullman, set amid a bucolic retirement community under supernatural threat. A ragtag group of Duffer Brothers misfits teaming up to fight off eldritch horror might be the last safe bet in television.

Yet that’s also how Malone feels about the current climate of Hollywood — a once-stable neighborhood fending off malign forces. Institutional consolidation and retreat, spiraling costs, technological upheaval — they all add to a creeping sense that an era is over, and worse is coming.

“Film is in such a delicate transition. I think that where music was 20 years ago, film is now,” she said. “It’s like being on an elevator where every floor is on fire. A lot of the things that I loved about it no longer exist, even if what I love about it is still wildly potent. My stress levels go down and my creativity goes up when I’m building a world that does not rely on the film industry, even though it’s my main love.”

That feeling called her back to music on “Flowers For Men,” arriving nine years after her last LP. The ego-shattering experience of giving birth in 2016 and raising a son prompted reflections about what men’s inner lives were really like, and she wanted to write about them.

“I was raised by two moms, and I had this strange aspiration to become the dad,” Malone said, laughing. “I was the breadwinner of my family then. But being a parent was all brand-new to me. I kept seeing my father in him, my grandfather, these older relationships with men. It was asking me to look at him with curious, childlike eyes.”

“Flowers For Men” was written from a sincere curiosity about mens’ strictures, bad influences and better aspirations. To inhabit someone else’s life, she had to sound different, too.

“Film is in such a delicate transition. I think that where music was 20 years ago, film is now,” Malone said. “It’s like being on an elevator where every floor is on fire. A lot of the things that I loved about it no longer exist, even if what I love about it is still wildly potent.

(Evan Mulling/For The Times)

The most prominent instrument on the album is its layers of vocal treatments. Malone has a lovely natural voice — intimately whispered, with hints of ‘70s country rock. But here she douses it in pitch-shifted digital acid, like a late 2000s R&B record dropped in the pool at the Joshua Tree Inn.

It’s an uncanny combo, but its lends modern melancholy to “Barstow,” which has the narrative structure of a Townes Van Zandt banger but is corroded with bleary effects. “Create In Your Name” has a Billie Eilish-worthy late-night murk, with lyrics so devotional they almost sound consumptive. “Disaster Zones” is all blown-out ambience, and the LP closes on a showstopping cover of John Prine’s classic “Angel From Montgomery.”

“I just love that a man wrote a song where the first line is ‘I’m an old woman,’” Malone said. “As a female songwriter, it gives me so much permission. Now all the doors are open. If I was to give flowers to all of the different men that have touched or changed things that deserve celebration, John Prine would be one of them.”

That idea — celebrating men for the good they’re capable of — felt transgressive enough today that it cohered the album for her. But it also came with questions about how romantic partnership fit into her life. Settling into motherhood, she read up on relationship anarchy — which she sees as not abiding by tiers of connection. She bought books on ethical nonmonogamy (“Sex at Dawn” was a big one) to learn how other lives were not just possible, but maybe even more fulfilling.

(Perhaps this was not a stretch from an actor who played the wild child Lydia Bennet in “Pride and Prejudice.”)

“I had been under this societal understanding that hierarchical love, placing one partner above everything else, was the ultimate romantic expression. I could name hundreds of movies that brought that up,” she said. “But while I’m learning to take care of this child, I’m realizing that self-love is one of the most important parts of this equation. I need to have expression, some work in life that felt like another love. And then my family, and how important friends were. And all of a sudden there’s no world where I would just have one love, not even just romantic love.”

“I had been under this societal understanding that hierarchical love, placing one partner above everything else, was the ultimate romantic expression. I could name hundreds of movies that brought that up,” Malone said. “But while I’m learning to take care of this child, I’m realizing that self-love is one of the most important parts of this equation. I need to have expression, some work in life that felt like another love.

(Evan Mulling/For The Times)

“Flowers For Men” is, in her way, a bargain with that contradiction — to love men deeply, but never put them above all else, even as she got engaged to her partner, actor Jack Buckley, earlier this year.

She’s still sorting out how to present this album live. She said she’s a fan of the Dead City Punx model of renegade shows in forgotten corners of L.A. Maybe as the city seems to fall apart, she’ll find a leafy park or the back of a dingy bar that’s the right home for these strange, lonely yet hopeful songs.

“I want someone to walk into the bathroom and be like, ‘Whoa, why is there a woman singing to me?’” Malone said. “I like the idea that art makes you a little uncomfortable and you don’t have the previously held expectations to know how to hold it.”