ROCK legend Jon Bon Jovi is the next big name star to join CBeebies Bedtime Story slot.
And he uses his stint to share a loving message about his new granddaughter.
Sign up for the Showbiz newsletter
Thank you!
Jon Bon Jovi is the next big name star to join CBeebies Bedtime Story slotCredit: BBC/Guy LevyThe rock legend uses his stint to share a loving message about his new granddaughterCredit: BBC/Guy Levy
The Bon Jovi singer said: “Some of my favourite things in life are music and being a grandad – or as I like to say,‘papa’ – and going on adventures.
“When my grandchildren are a little older, I can’t wait to take them on amazing adventures.
“Music has played a part in all of my kids’ childhoods and I’m looking forward to watching my children become parents and seeing our grandchildren become part of our lives.
“It’s not about what I’m going to teach my grandchildren, but what they’re going to teach me!”
The TV storytelling gig has welcomed everyone from Harry Styles to Idris Elba to the bedtime armchair.
Jon has chosen to read his friend Paul McCartney’s book Hey Grandude! tomorrow night (Friday 7 November) at 6.50pm on CBeebies and BBC iPlayer.
He added: “I picked Hey Grandude! because it’s written by the great Paul McCartney, singer, songwriter, storyteller.
“He’s someone I’ve always admired and looked up to, not just for his music but for his parenting and grandparenting skills. He’s a dear friend and someone we all admire.”
Jon will also feature in an episode of the CBeebies Parenting Helpline podcast, out November 27 on the CBeebies Parenting website and BBC Sounds.
He will pose a question about when (and when not) to give parenting advice to your own children.
Los Angeles County Museum of Art management on Wednesday declined to voluntarily recognize the union its employees announced they were forming last week. This means LACMA United cannot move forward with collective bargaining efforts until it is formalized by a National Labor Relations Board election. Complicating matters further, NLRB activities — including elections — are on hold amid the federal government shutdown.
The disconnect between staff — a clear majority of whom signed union authorization cards — and management comes at a significant moment in the museum’s history as LACMA works tirelessly to open its $720-million David Geffen Galleries. The new home for its encyclopedic permanent collection, designed by Pritzker Prize-winning architect Peter Zumthor, contains 110,000 square feet of gallery space and is scheduled to open to the public in April after more than a decade of planning, fundraising and building.
In a news release, the union noted that organizing efforts — in the works for more than two years — have taken on added urgency as workloads have increased in the face of opening the new building.
“Staff across departments — many performing demanding physical labor — are stretched thin as deadlines accelerate,” LACMA United wrote. “Without adequate protections, this pace is unsustainable and has already contributed to burnout and turnover among dedicated employees who deserve better from an institution they’ve helped build.”
The union’s organizing committee added in a statement, “We are disappointed that LACMA leadership has chosen to delay rather than embrace the democratic will of its workers. While the museum reimagines itself as a more collaborative, less hierarchical institution in its new David Geffen Galleries, it has declined to extend that same vision to its relationship with the very people who bring LACMA’s mission to life every day.”
“LACMA’s leadership has great respect for our team and for everyone’s right to make their own choice on this important issue,” Michael Govan, the museum’s director and chief executive, said in an email. “No matter the outcome, my commitment to our employees — to listen, to support them, and to continue building a strong and respectful workplace — remains unchanged.”
Management’s decision stands counter to those made by other cultural institutions across the city, including the Museum of Contemporary Art, the Academy Museum and the Natural History Museum, all of which voluntarily recognized their unions over the last six years.
LACMA United represents more than 300 workers from across all departments, including curators, educators, art installers, conservators, registrars, visitor services staff, facilities workers, researchers and designers. The union is asking for improved wages, benefits and working conditions in what has proved to be a challenging climate for museum workers across the county.
The union did not demonstrate at last week’s celebrity-packed LACMA Art + Film Gala, which was co-hosted by Leonardo DiCaprio and fashion designer Eva Chow, and raised more than $6.5 million in support of the museum and its programs.
EXCLUSIVE: With the Celebrity Traitors final just hours away, a PR expert has revealed which stars are coming out to TV opportunities – and which have been left worse off
17:37, 06 Nov 2025Updated 17:40, 06 Nov 2025
The Celebrity Traitors real winners and losers have been revealed by an expert(Image: CREDIT LINE:BBC/Studio Lambert/Euan Cherry)
The Celebrity Traitors airs its huge finale tonight on BBC One – and while fans are asking whether the Traitors or Faithful will win the game, others are wondering what’s next for its viral stars. Tonight’s episode will see finalists Alan Carr, Cat Burns, David Olusoga, Nick Mohammed and Joe Marler compete for the chance to win up to £100,000 for their chosen charities.
However, celebrity PR specialist Kayley Cornelius has revealed who the real winners from the BBC One series are – as well as who hasn’t come of as well as they had hoped. One of those coming out on top is ex rugby player Joe Marler, who is rumoured to be taking on a big presenting role with the BBC after the show.
Speaking on behalf of Online Casino provider Slingo, Kayley said that Joe has gained a whole new fanbase thanks to the Celebrity Traitors. “He has a lot to gain from this show – he’s recently retired from his sporting career and stepped into this new chapter of his life,” she said.
“Celebrity Traitors was his first bash at giving a reality career a try and he’s going to attract a lot of new listeners to his podcast. People have been so impressed with how clever he’s been throughout the process. He’s proven himself as being entertaining, clever, he comes across very well on screen.
“I can see him being lined up for every show under the sun – he’s probably going to be on Strictly next. He would be perfect for the glitz and glam. He’s such a good team player and he’s from sport so has discipline. He’s going to be a very booked and busy man.”
However, he’s not the only finalist who’ll be going on to bigger and better things – Kayley reveals that Cat Burns’ brand awareness has shot up thanks to the show. “She entered as this quiet underdog among line-up of really well known names. This show was a great opportunity for brand awareness for her,” she said.
“She’s just had to push back her tour but I have no doubt that it is going to sell out in no time. She’ll be able to headline bigger stages, do more arena-based shows. She might get a support slot on a stadium tour. It’s an exciting time where she’s going to be in demand.”
Kayley added that Cat could also go into fashion after showing off her style on Celebrity Traitors. “Some of her looks from the show, she came across as like quite cool, quite grungy and I think that aesthetic from an editorial sense, she’ll probably make thousands off the back of that.”
While there are rumours that the treacherous Alan Carr could become the next host of Strictly Come Dancing, Kayley doesn’t think it would be the right fit for the standout star. “When I think about what he will realistically do next, I can’t imagine it being Strictly,” she said.
“I think with the position that Strictly Come Dancing is in at the moment, as they’re recovering from these scandals, I think they want to keep two female presenters so I don’t know if I can quite see him taking Strictly on, even though it would be brilliant.
“I suppose for Alan, he’s just made a nation fall in love with him again and there’s chats of Chatty Man being revived – I can see it.”
As for the stars who haven’t found success from the show, YouTube star Niko Omilana is one of them thanks to his early banishment. The influencer was the first person to be accused of being a Traitor on the show and left in episode two.
“Niko unfortunately has lost out on quite a lot from doing this show,” Kayley said. “This is the kind of move that should have been a massive career break for Niko as he goes from online reality star into a mainstream celebrity. Like what we’re witnessing with George Clarke on Strictly at the moment.
“Unfortunately, with him being on the show for such a short amount of time, he wasn’t in there long enough to make much of an impact on this new audience.”
“I think Paloma might have some damage control to do,” Kayley says. “She’s quite angry with Alan Carr and how the game panned out. People might see her as a bit petty and a bit pathetic. Originally, the public said, ‘We need Paloma back – she was done so dirty.’ They’re now turning on her and saying she’s been a sore loser.
“From that perspective, she just needs to be a bit cautious and careful about how she speaks about her experience on the show and there might be more behind the scenes than we’re being let on to know at the minute, but I think if she is going to be a bad loser about this situation, it’s not going to go down well with viewers at home.”
POSING in the exclusive £300-a-night Soho Farmhouse wearing a pair of £100 wellington boots, Elle Swift proudly showed off her latest brand – a collection of oversized tracksuits.
But what should have been a defining moment swiftly turned sour and sparked a huge backlash. It’s the latest scandal to engulf the 29-year-old star after she was accused of racism, her American dream collapsed, and both her and husband Connor’s dads’ prison stints came back to haunt them. Here, we take a look at the struggles Elle and Connor have faced along the way.
Elle Swift has launched a new clothing brand – but it hasn’t been plain sailingCredit: @elleswift / instagramElle and her husband Connor moved to America for a year – before relocating back to the UKCredit: @elleswift / instagram
Three years ago, popular TikTok influencer Elle was close to losing it all when a series of highly offensive racist tweets she had written as a teenager re-emerged online – she was dropped by her management, lost over 100k followers and was forced to publicly apologise.
Elle and Connor – who she married that same year in 2022 – made the decision to relocate to America for a fresh start, but after just 12 months the pair returned to the UK, with their future very much up in the air.
Eight months on, Elle was finally ready to reveal her rebrand. And last weekend, after much teasing, she finally unveiled Our Good Sunday, her new clothing line and latest bid to secure fame and fortune.
She was once very down to earth and while people get she wants to be aspirational, it is in fact just unaffordable.
Insider on her launch
But almost immediately, a notably slimmed-down Elle was hit with criticism, with an insider telling us: “The launch of Our Good Sunday wasn’t as good as they had been hoping at all.”
Fans questioned the extortionate price point and a rival social media couple teased their own very similar product.
While she has waxed lyrical about the high quality materials used to make the clothes, the price tag is nothing short of eyewatering.
A plain hoodie will set you back £66, the sweatshirt is £60, a t-shirt £40 and a tote back £45.
The aesthetic Elle is aiming for is clear – the luxury location she shot the collection in and the expensive clothing she’s used to accessorise it are a clear sign.
But the move has left her fans feeling angry and alienated – with one person commenting: “I was hoping the prices would be a bit more affordable, as a parent myself I can’t afford this luxury.”
Another added: “Most women/Mums won’t be able to afford this. Such a shame. I really think you should review the prices.”
The insider explained: “People are very confused about the whole launch and are struggling to understand why she would be charging so much for simple clothes. She was once very down to earth and while people get she wants to be aspirational, it is in fact just unaffordable and pricing out her core audience.”
Further questions were raised when she initially told her followers there was limited stock – but days later said they had ordered lots of stock to ensure fans would be able to get their hands on it. Her fans speculated that she had been hoping to sell out, so backtracked over how much stock she had.
A representive from Elle’s legal team told us: “We are informed by Elle Swift that she is proud to launch Good Sunday. The first limited edition collection is made in small batches from certified organic fabrics in Portugal, reflecting Good Sunday’s commitment to ethical production and sustainable practices. Each piece is designed to be special, and once sold out, it won’t be restocked.”
RIVAL CLOTHING LAUNCH
Negative comments appeared to have been deleted and a week on – plenty of stock is still available despite Elle and Connor relentlessly plugging the brand and hinting there will be more than just tracksuits.
And in a twist that the couple weren’t expecting – social media’s most famous couple, Alfie Deyes and Zoe Sugg used this weekend to tease their new brand, which rather unfortunately is called Dear Sunday.
Our insider said: “Zoe knows Elle well and actually stood by her when a lot of people didn’t. There is no way she knew that Elle was doing something so similar but it’s all very bad timing. At the end of the day Zoe and Alfie still have the ultimate pulling power.”
The couple are now parents to three children and have completely rebranded themselvesCredit: @elleswift / instagramElle is now selling jumpers for £66 – and fans aren’t too happy about itCredit: @elleswift / instagram
Those who have followed Elle for a while will know it’s not the first time she’s launched a clothing brand.
The social media star, who went by the name Elle Darby before she tied the knot, was initially known for posting vlogs about her trips to the gym, plus the usual make up tutorials and get ready with me videos.
She launched Angelle clothing in 2019 – it featured a range of tracksuits and tote bags and was affectionately named after her followers, who she refers to as angels. It was a huge hit.
I didn’t speak to my dad for an entire year when he was in prison because he was too emotional to speak on the phone to his kids.
Elle on her dad
But in 2022, she announced that the brand was taking a break and she wasn’t sure what its future would hold.
Elle married Connor earlier that year after the birth of their son Romeo.
They went on to have son Saint in 2023 and in December 2024 they welcomed daughter Honey Jane.
RACISIM SCANDAL
The break from Angelle came shortly after her horrifying racist comments, which she wrote when she was 15, circulated online. She has since apologised.
In March of last year the couple decided to start afresh in America and set up home in Houston. It ended up being an incredibly expensive relocation and after having her third child, Elle and Connor decided to move back home.
Our insider said: “The whole America move ended up being a bit of a disaster really and Elle really didn’t want to admit defeat.
“It cost them a lot to move out there but also life there was very pricey and at the end of the day they were homesick. It’s also a lot harder to be a stand out social media creator in a country with many established names.”
Since coming back to the UK, Elle has been inundated with comments about how ‘glowing’ she is and how happy she looks.
Fans also questioned how trim Ellie has been looking just months after giving birth, with one person commenting: “Girl we need a weight loss journey.”
Another added: “I can not get over your hair and your body transformation, mum goals and motivation.”
Elle has come a long way from when she first started posting on social mediaCredit: @elleswift / instagramThe star previously had a rather different aestheticCredit: @elleswift / instagram
AMERICAN DREAM AND PRISON DADS
The move to America was tinged with sadness – her mum Deborah had passed away in 2020 and her dad – Giles – is prohibited from visiting the States, so it meant she would be completely isolated from her family.
Elle’s love of America actually started when her dad – a multimillionaire banker – was convicted of fraud and extradited to the US, in the wake of one of the biggest scandals in businesshistory.
The family spent nearly two years in and out of court in the US and Elle has admitted she loved that time, saying her dad made it a ‘positive’ experience.
Giles, along with Gary Mulgrew and David Bermingham, was one of the NatWest Three – a trio of British bankers convicted of fraud and sentenced to 37 months in separate American jails in 2002.
Elle – who is one of five girls – was 10 when her dad went to prison for two years but has insisted it didn’t affect her.
The brave influencer explained: “I think surrounding issues caused a lot more impact on my childhood than him actually being a prison.
“I missed him, I didn’t speak to my dad for an entire year because he was too emotional to speak on the phone to his kids.”
Elle’s dad Giles Darby in 2004 with four of his daughters and his now late wife DeborahCredit: RexFormer NatWest banker Giles Darby served two years in prisonCredit: Getty
Interestingly, Connor’s dad was also in prison – and was absent from the first two years of his life, even missing his birth.
The insider said: “The fact that both Connor and Elle’s dads have been in prison was a bonding experience for them. It does however haunt them both and no matter how hard they try to portray a picture perfect image, it does hang over them.”
In 2020, Elle suffered more heartache when her mum Deborah passed away on Mother’s Day after battling a brain tumour for five years.
The moment changed her life forever and while she spoke about gratitude a fair bit before, it took on a whole different meaning to her.
As she remembered her mum this year, she told her followers: “Five years ago this week my entire life changed forever. I said goodbye to my mum and had a humbling life lesson that the things we ‘think’ matter.. just don’t. Here’s your reminder that if you’re lucky enough to have love, you have it all.”
Elle might have had a few hiccups along the way – and her latest launch might not have had the impact she hoped, but she’s determined to succeed. And despite everything, it looks like this time she might just.
Warner Bros. Discovery reported a $148 million loss in the third quarter, hitting a sour note as the company began fielding interest from would-be buyers as Hollywood braces for a transforming deal.
Earnings for the entertainment company that includes HBO, CNN and the Warner Bros. film and TV studios fell short of analyst expectations. A year ago, the company reported profit of $135 million for the third quarter.
Revenue of $9.05 billion declined 6% from the year-ago period. The company swung to a loss of 6 cents a share, compared to last year’s earnings of 5 cents a share.
Still, Chief Executive David Zaslav spent much of Thursday’s call with analysts touting his company’s underlying strengths — while avoided giving details about the company’s sale.
“It’s fair to say that we have an active process underway,” Zaslav said.
Warner Bros. Discovery on Thursday reiterated it is forging ahead with previously announced plans to split into two separate entities by next spring. However, the Warner board acknowledged last month that it was also entertaining offers for the entire company — or its parts — after David Ellison’s Paramount expressed its interest with formal bids.
Paramount has made three offers, including a $58 billion in cash and stock for all of Warner Bros. Discovery. That bid would pay Warner stockholders $23.50 a share.
The Ellison family appears determined to win one of Hollywood’s most storied entertainment companies to pair with Paramount, which the Ellisons and RedBird Capital Partners acquired in August.
But Warner Bros. Discovery’s board, including Zaslav, voted unanimously to reject Paramount’s offers and instead opened the auction to other bidders, which is expected to lead to the firm changing hands for the third time in a decade.
Board members are betting the company, which has shown flickers of a turnaround, is worth more than the offers on the table. Despite its rocky third-quarter results, Warner’s stock held its ground in early morning trading at around $22.60 a share.
“Overall we are very bullish,” Zaslav said of the company’s business prospects.
“When you look at our films like ‘Superman,’ ‘Weapons’ and ‘One Battle After Another,’ the global reach of HBO Max and the diversity of our network’s offerings, we’ve managed to bring the best, most treasured traditions of Warner Bros. forward into a new era of entertainment and [a] new media landscape,” he said.
But the company’s results underscored its business challenges.
The studio witnessed a major decline in advertising revenue in the third quarter, reporting $1.41 billion, down 16% from the previous year, which executives attributed to declines in the audience for its domestic linear channels, including CNN, TNT and TLC.
Distribution revenue also took a hit, as the company reported sales of $4.7 billion, a decrease of 4% compared to last year.
Studio revenue increased 24% to $3.3 billion, powered by the success of DC Studios’ “Superman,” horror flick “Weapons” and the latest installment of “The Conjuring.” But even those box office wins couldn’t totally offset shortfalls in other areas of its content business.
Last year, the company was able to sub-license its rights to broadcast the Olympics in Europe, which pushed content revenue to $2.72 billion. But this year, revenue was down 3% to $2.65 billion.
Burbank-based Warner Bros. has had a string of success in theaters, with nine films opening at the top spot globally at the box office. The studio recently surpassed $4 billion in worldwide box office revenue, making it the first studio to do so this year. Warner Bros. last achieved that milestone in 2019.
Zaslav would like to continue with Warner’s break-up plans, which were announced last June.
The move would allow him to stay on to manage a smaller Hollywood-focused entity made up of the Warner Bros. studios, HBO, streaming service HBO Max and the company’s vast library, which includes Harry Potter movies and award-winning television shows such as “The Pitt.”
The company’s large portfolio of cable channels, including HGTV, Food Network and Cartoon Network, would become Discovery Global and operate independently.
Beyond Paramount, Philadelphia-based Comcast, Netflix and Amazon have expressed interest in considering buying parts of the company.
The company said its third quarter loss of $148 million was the result of a $1.3 billion expense, including restructuring costs.
Netflix has released a new four-episode series that follows a serial killer who strikes terror in Italy by targeting couples parked in lovers lanes – and viewers have been urged to check it out
Netflix fans believe the show is underrated (stock image)(Image: NurPhoto, NurPhoto via Getty Images)
Netflix subscribers are being urged to watch a gripping mini-series that will have you hooked from the very first episode. Film enthusiast Eccy Reviews, who shares the latest film and TV recommendations on social media, has told his followers they must watch The Monster of Florence.
The four-part series tells the true story of a “serial killer who strikes terror in Italy by targeting couples parked in lovers lanes, authorities explore a case from 1968 that may be key to identifying The Monster of Florence”. Directed by Leonardo Fasoli and Stefano Sollima, the programme features performances from Francesca Olia, Liliana Bottone, and Marco Bullitta.
Discussing the series, Eccy Reviews said: “You need to stop whatever you’re doing because Netflix just dropped a brand new series and it honestly might be one of the best shows of the year.”.
“It’s based on a true story. Now, trust me when I tell you that the first episode will have you absolutely hooked. It made me binge the entire thing and I honestly can’t recommend it enough.
“It can’t go under the radar. Everyone needs to watch it, everyone needs to talk about it. So make sure to get this show on your watch list and get it watched.”
Responding to his recommendation, one viewer said: “When I say my jaw just kept hitting the floor! This was a lot to take in but I did like it.”
Another commented: “Straight out of a Criminal Minds episode.”
A third wrote: “I always follow your recommendations, I’m starting it now.”
Content cannot be displayed without consent
One viewer shared their thoughts on IMDb, stating: “I’d never heard of these murders until I watched this series.
“It’s well-acted and portrays the changing look and feel of the time periods in which it is set – a 20 year time span – through decor, cars, fashions and background music.
“The treatment of women is absolutely disturbing – not just the horrific murders but also the total misogyny and disrespect that they lived under in some family units.
“Apart from the detectives investigating these crimes – and the innocent victims – I don’t think there is one man featured who has any redeemable qualities.
“It was interesting but at times repetitive in that the same event was shown several times, albeit from different people’s perspective.”
Another viewer chimed in with: “This crime thriller is based on true events. After long time finally a solid psycho murder episode from Italy on Netflix.
“I find it is actually on short supply to see good series or movies from Italy on Netflix. The first episode was for me too slow paced and I thought already to stop.
“But the longer I watched it the more interesting the story got. There are many flashbacks to reconstruct the mystery puzzles and help so the audience to understand what was really going on.
“The atmosphere and filming locations have been wonderfully created from the 60s to the 80s.
“The actors played the characters respectably and I think the director did a great job too.
“If you liked the other two psycho killer series on Netflix Jeffrey Dahmer or Ed Gein this is for you. Final vote: 7/10.”
Dame Judi Dench has revealed a worrying update amid her ongoing health battleCredit: GettyThe 90-year-old previously told how she ‘can’t leave home alone’Credit: GettyThe former Bond actress, who suffers from age-related macular degeneration, has told how she can’t see anymoreCredit: Rex
Macular degeneration is the biggest cause of sight loss in the UK, affecting more than 700,000 people.
AMD is an eye disease that can blur an individual’s central vision.
According to the National Eye Institute, age-related macular degeneration “happens when aging causes damage to the macula – the part of the eye that controls sharp, straight-ahead vision.”
The disease does not cause total blindness, but it can make everyday activities difficult.
LIFE-CHANGING
Judi has been candid in addressing her worsening health battle.
During an interview on Trinny Woodall’s Fearless podcast, Dame Judi says “somebody will always be with me” when she leaves the house.
She continued: “I have to [have someone] now because I can’t see.
What is age-related macular degeneration (AMD)?
DAME Judi Dench has spoken openly about her diagnosis of age-related macular degeneration (AMD). Yet what is it?
Macular degeneration is the biggest cause of sight loss in the UK, affecting more than 700,000 people.
It first affects people in their 50s.
AMD is an eye disease that can blur an individual’s central vision.
According to the National Eye Institute, age-related macular degeneration “happens when aging causes damage to the macula – the part of the eye that controls sharp, straight-ahead vision.”
The disease does not cause total blindness, but it can make everyday activities difficult.
In a study of more than 500,000 people, scientists from the Hubei University ofMedicineinChinafound a link between instant coffee intake and the risk of dry AMD – one of the forms of the sight-robbing disease.
In contrast, groundcoffeeand decaffeinated brews bore no links to AMD.
“And I will walk into something or fall over.
“I’m always nervous before going to something.
“I have no idea why. I’m not good at that at all.
“Not at all. Nor would I be now.
“And fortunately, I don’t have to be now because I pretend to have no eyesight.”
Dame Judi made her professional debut in 1957 with the Old Vic Company and is now referred to as one of Britain’s best actresses.
After landing roles on TV and in movies from the late 50s, she has starred in a plethora of big titles, with IMDB crediting her for 120 on-screen productions.
Some of her notable roles include Chocolat, Notes on a Scandal, The Best Exotic Marigold Hotel, Philomena and Iris and also her role as “M” in several James Bond films.
She’s a ten-time Bafta winner including winning Best Actress in A Fine Romance (1981) in which she appeared with her late husband, Michael Williams.
Judi has also been nominated for six Oscars and won one of these as Best Supporting Actress for Shakespeare in Love in 1998.
She has also won seven Laurence Olivier Awards and has a further eight nominations under her belt for her professional theatre work.
She was made an Officer of the Order of the British Empire in 1970, and a Dame of Order of the British Empire in 1988.
Dame Judi told how she can’t see theatre shows any moreCredit: GettyYet she told how she hd been keeping up to date with pal Celia Imrie’s progress on Celeb Traitors via word of mouthCredit: BBCThe screen queen has told how she can’t leave the house unaccompaniedCredit: Rex
This article contains some spoilers for the Netflix miniseries “Death by Lightning.”
If politics today make your head spin, wait until you see Netflix’s “Death by Lightning.” The four-part miniseries, premiering Thursday, chronicles one of the more jaw-dropping stretches of post-Civil War American history, when corruption ran rampant, a presidential nominee was drafted at the 11th hour, only to be assassinated early in his term by one of his biggest fans — becoming perhaps the greatest head of state we never really got to have.
And the show answers the burning expletive-laced question posed by its first line: Who is Charles Guiteau?
“I’ve been in a James Garfield rabbit hole for seven years of my life at this point,” says showrunner Mike Makowsky, who adapted Candice Millard’s 2011 chronicle of Garfield and Guiteau, “Destiny of the Republic.” Those who paid attention in history class probably remember that Garfield served briefly as our 20th president in 1881 before being shot and killed. Those who remember more than that are few and far between.
“My own agent half the time refers to him as Andrew Garfield,” says Makowsky. “And I have to confess, I knew very little about Garfield, like most Americans, until I picked up Candice Millard’s remarkable book.”
Realizing he knew little about one of the four American presidents to be assassinated, Makowsky thought, “Since I would desperately like to be on ‘Jeopardy!’ someday, I was like, ‘Let me educate myself.’ I wound up reading the entire book in one sitting.”
“Death by Lightning,” directed by “Captain Fantastic” auteur Matt Ross, boasts a remarkable cast: Betty Gilpin as First Lady Lucretia Garfield; Nick Offerman as Garfield’s successor, a hard-drinking, hard-partying Chester A. Arthur; Michael Shannon as James Garfield, the polymath president, crusader against corruption and noble to a fault; and Matthew Macfadyen as Charles Guiteau, the frustrated office-seeker who shot him.
“I wanted to cast people who were somewhat counterintuitive,” says Ross. “If you read the cast list for this, you might assume Michael Shannon was playing Guiteau because he has played a lot of complicated, for lack of a better word, villains — tough guys, bad guys. And Matthew Macfadyen has played more heroic characters.”
Guiteau is definitely no Darcy from “Pride and Prejudice,” or Tom Wambsgans from “Succession,” for that matter. In the series’ conception of him, he shares more DNA with Martin Scorsese’s unhinged protagonists than he does with Darcy — or, certainly, with Garfield.
The proto-incel with a gun
As portrayed in “Death by Lightning,” Guiteau is a rotten-toothed, scheming, big-dreaming, delusional charlatan and possible sociopath. He’s the proto-incel, and the diametrical opposite to Garfield, whom Makowsky defines as “lawful good,” to borrow the Dungeons & Dragons classification.
“I think the most reductive view of Guiteau is ‘chaotic evil,’ right? But that’s the least interesting rendering of this person,” he says. “What are the societal factors that alienate a man like Guiteau from his fellow human beings? The show is meant to probe into his psyche.”
He was a member of the Oneida community, a religious sect based in New York that practiced communalism, free love and mutual criticism, which is depicted in the series (and yes, they founded the flatware company). But Guiteau couldn’t partake in what Makowsky delicately called the “benefits” of such a society, largely because his delusions of grandeur alienated him from others there. The women reportedly nicknamed him “Charles Gitout.”
“Everyone who encountered him described him as being disagreeable, odd, rude, selfish,” Ross says, explaining the need for an actor who had the opposite qualities. “He’s an extreme example of someone who had no work to be seen for, but was so desperately looking for affirmation and love.”
Charles Guiteau (Matthew Macfadyen) was part of the Oneida community, which practiced communalism and free love, but he wasn’t accepted by its members.
(Larry Horricks/Netflix)
Ross describes Macfadyen as someone who’s empathetic, warm and funny. “I wanted that humanity because the real Guiteau was a deeply disturbed man who was psychologically brutalized by his father to the point he was a non-functioning person.”
Makowsky says as he was reading Millard’s book, he thought of Rupert Pupkin, Robert De Niro’s deranged-fan protagonist in Scorsese’s “King of Comedy.” “This guy showing up, day in and day out, hoping for an audience with his hero [Garfield], being continually rebuffed to the point where something in his brain breaks,” he says of Guiteau. “He felt like a direct historical antecedent to the Rupert Pupkins and Travis Bickles of the world. He fell through the cracks and we lost potentially one of our greatest presidents because of it.”
Makowsky recalls shooting the only dialogue scene between Garfield and Guiteau, when the “greatest fan” finally gets to meet his idol. To Makowsky’s surprise, Macfadyen’s Guiteau “just burst into tears. That wasn’t scripted. It was so overwhelming to him. I think in that moment, more than any other in the series, you feel something for this man.”
Party (hearty) over country
Garfield was succeeded in office by Chester A. Arthur, whom Makowsky calls one of the least likely persons to ever become president. “The man had never held elected office,” he says. “His one political appointment prior to his nomination for vice president was as chief crony of the spoils system of [New York Sen.] Roscoe Conkling’s political machine. The level of corruption was so audacious and insane.”
He’s played with oft-drunken brio by Nick Offerman, whose voice Makowsky says he heard in his head as soon as he started writing the role: “I was like, it has to be Nick Offerman.” He took some liberties with the character and events, including a memorable sequence where Arthur and Guiteau go on a bender. Makowsky says they “probably never had a wild night out in New York, but it was an indelible proposition and I couldn’t resist.”
Nick Offerman plays eventual President Chester A. Arthur, who was closely aligned with New York Sen. Roscoe Conkling (Shea Whigham).
Betty Gilpin portrays First Lady Lucretia Garfield as her husband’s intellectual equal. (Larry Horricks / Netflix)
As to the first lady, “Lucretia Garfield was every bit her husband’s intellectual equal. But she couldn’t vote. There was a ceiling to what a woman in her day could accomplish,” Makowsky says, wistfully musing on what she might have achieved, given the chance. “And Betty [Gilpin] radiates that strength and that acute intelligence.”
Having recently given birth, Gilpin took her family along to Budapest for filming, voraciously researching Lucretia and reading her entire correspondence with her husband. The role gets meatier as the series progresses until she initiates an unforgettable, blistering encounter with Guiteau to button the story.
“Betty jokingly said to me, ‘If you cut that scene, I will kill you.’ I was like, ‘There’s no way that scene is being cut. It’s one of my favorite scenes in the entire show,’” Ross recalls. “Everyone who read it was like, ‘Oh my God, this scene.’ And Betty just knocked it out of the park, take after take after take.”
The forgotten president
Ross says when he first read Makowsky’s scripts, he thought they were “fantastically relevant” and offered a fresh look at American history. “As an American, I’m always trying to figure out what it means to be American,” he says. “The story of Garfield, you couldn’t make it up. He was a hero of working people and the promise of American democracy — having a representational democracy where those in power and the wealthy are not controlling the laws of the land, which could not be more relevant today.”
Makowsky calls Garfield “a poster boy for the American dream,” rising from poverty to the nation’s top office.
“He was a war hero and a Renaissance man that did math theorems while he was in Congress and who could recite Homer from memory,” he says. “This remarkable individual, fiercely intelligent and a brilliant, powerful orator, was far ahead of his time on certain political questions of the day. He was an outspoken proponent for civil rights and universal education and civil service reform.”
In real life, and as depicted in the series, Garfield worked with notable Black leaders like Frederick Douglass and Blanche Bruce, the first Black register of the Treasury, whom he appointed.
“The great tragedy is we were robbed of a potentially generational leader in Garfield,” Makowsky says.
“Death by Lightning” showrunner Mike Makowsky says Americans were robbed of a “potentially generational leader” in James Garfield.
(Larry Horricks / Netflix)
Garfield wasn’t even seeking the nomination when he spoke on behalf of another candidate at the Republican National Convention of 1880, but his speech so moved the delegates that they eventually persuaded him to accept the nomination after more than 30 votes failed to produce another winner. It reminded Makowsky of then-Sen. Barack Obama’s 2004 speech at the Democratic National Convention, where he presented “a strong and confident, optimistic vision for the future of our country.”
Nowadays, such a rise seems less likely. “I don’t know if that would happen today, obviously because of money in politics; no one can run if they don’t have phenomenal backing,” Ross says.
Ross emphasizes the show is “not a history lesson,” drawing a distinction between drama and documentary. At times, “Death by Lightning” plays like a black comedy. Makowsky’s dialogue, while usually honoring what we think of as the formality and vocabulary of the 1880s’ idiom, occasionally veers into hilariously cathartic invective that bracingly reminds us these were living, breathing people with fire in their bellies.
“Ken Burns could make a 10-hour documentary to encapsulate all the nuances of this incredible story,” says Ross. What Makowsky did, Ross says, was contextualize the history through the prism of two very different people, Garfield and Guiteau.
“One is this incredibly admirable American figure I think everyone should know about, the greatest president we never really had. And then the other is a charlatan, a deeply broken, deeply mentally ill man who just kind of wanted to be Instagram-famous, just wanted to be known. You see this moment in history through their eyes, and I thought that was delicious.”
The Celebrity Traitors finale is almost upon us – however, the BBC hit show left some viewers confused when it didn’t air in its usual Wednesday slot last night
The Celebrity Traitors continues tonight(Image: CREDIT LINE:BBC/Studio Lambert/Paul Chappells)
Fans of the Celebrity Traitors are on tenterhooks as they wait for the show’s highly-anticipated final, with the five remaining contestants competing for up to £100,000 for their chosen charities. However, many were left frustrated last night when they tuned into BBC One at 9pm to be greeted by Shetland’s Ashley Jensen and not the giggly Alan Carr.
Viewers took to social media to voice their disappointment, with one writing: “WHAT DO YOU MEAN TRAITORS ISNT ON TONIGHT??? #CelebrityTraitors.” Another said: “Gaslit myself into thinking celebrity traitors was on tonight. It’s not.
“I don’t even know why I thought that. I guess it’s time for big brother then. #BBUK.”
Thankfully, fans won’t have to wait much longer for their Celebrity Traitors fix – with the final set to air tonight. The show is airing its big finale on BBC One at 9pm tonight with a 70-minute episode.
“As the ultimate game of deception and trust draws to a close, the stakes have never been higher as the celebrity players face their final, explosive mission,” the BBC teases. “With the prize fund complete, will the pressure of winning cloud anyone’s vision?
“Will the Faithful banish all the Traitors to secure victory, or will the Traitors manage to deceive until the bitter end?”
The castle content doesn’t stop there, with Ed Gamble hosting the final episode of The Celebrity Traitors: Uncloaked immediately after the final at 10:10pm on BBC Two. All the finalists will be joining him for their exclusive first interviews alongside Claudia Winkleman as they reflect on the record-breaking series.
“If they go, then I would love Joe to win for the Faithfuls. This year’s series has been absolutely spectacular and off the chart. My mother and I are engrossed in the whole thing.”
While Coronation Street’s Sally Lindsay said: “Alan, you have always been a legend since I met you 25 years ago and you have been the legend in this. You are the champion!”
Unfortunately, the winner has been spoiled for some fans, with the episode leaking early on Canadian streamer Crave a day early. “PSA: The finale of the Celebrity Traitors was accidentally leaked in Canada yesterday,” one concerned fan wrote on social media.
“Stay away from Traitors news and communities if you don’t want to get spoiled.”
The Celebrity Traitors airs tonight at 9pm on BBC One and BBC iPlayer.
SUPERSTAR DJ David Guetta has been announced as the first headliner for the 2026 Formula 1 British Grand Prix at Silverstone.
The Titanium hitmaker, 57, will join star-studded music line-up at the event, that features a variety of artists across multiple stages.
Sign up for the Showbiz newsletter
Thank you!
David Guetta has been announced as the first headliner for 2026 Formula 1 British Grand PrixCredit: Getty – ContributorThe Titanium hitmaker will join star-studded music line-upCredit: AFPThe announcement sees Guetta join a stellar list of past British Grand PrixCredit: PA
The performance will mark Guetta’s only UK appearance of his global MONOLITH tour nextsummer.
Having attracted record crowds of 500,000 last summer, the home of British motorsport is set to go bigger and better, with a line-up of international musicians.
The announcement sees Guetta join a stellar list of past British Grand Prix headliners that includes Stormzy, RAYE, Sam Fender, Fatboy Slim and Becky Hill.
Ahead of the big performance, David Guetta said: “I’ve played some incredible shows around the world, but performing at Silverstone during the British Grand Prix is going to be something truly special.
“I’ve always been drawn to Formula 1 – the atmosphere, the adrenaline, the passion – it’s everything I love.
“I even made a music video inspired by F1 years ago.
“I can’t wait to bring my energy to the main stage and make it an unforgettable night.”
The BRIT and Grammy-winning icon will open the four-day celebration on Thursday 2 July, delivering his world-famous high-energy set packed with global hits.
Guetta’s Silverstone debut promises to kickstart the Grand Prix weekend with an unforgettable party and marks a fitting full-circle moment for the French DJ, whose 2014 Dangerous music video paid tribute to Formula 1, featuring F1 legend Romain Grosjean.
More headliners and entertainment acts will be announced in the coming months, alongside on-track programming and fan experiences.
Tickets for the 2026 British Grand Prix are now available online.
The BRIT and Grammy-winning icon will open the four-day celebrationCredit: Getty
“Death By Lightning,” premiering Thursday on Netflix, introduces itself as “a story about two men the world forgot,” and while it is undoubtedly true that few in 2025 will recognize the name Charles Guiteau, many will know James A. Garfield, given that he was one of only four assassinated American presidents. There are less well remembered presidents, for sure — does the name John Tyler ring a bell? — and assassins better known than Guiteau, but if you’re going to make a docudrama, it does help to choose a story that might be more surprising to viewers and comes with a murder built in. It is also, I would guess intentionally, a tale made for our times, with its themes of civil rights, income inequality, cronyism and corruption.
Indeed, most everything about the Garfield story is dramatic — a tragedy, not merely for the family, but for the nation. For the sense one gets from “Death by Lightning” and from the historical record it fairly represents, is that Garfield, killed after only 200 days in office, might have made a very good chief executive. (The stated source for the series is Candice Millard’s 2011 book “Destiny of the Republic: A Tale of Madness, Medicine and the Murder of a President”; Millard is also a voice in the more briefly titled, illuminating “American Experience” documentary “Murder of a President.”)
That the longtime Ohio congressman did not seek but was drafted for the job — a compromise chosen, against his protests, on the 36th ballot at the 1880 Republican National Convention, where he’d given a stirring speech to nominate a fellow Ohioan, Treasury Secretary John Sherman — made him, one might say, especially qualified for the job; unlike some politicians one might name, he was self-effacing and humble and not out for personal gain. But he saw, finally, that he had a chance to “fix all the things that terrify me about this republic,” most especially the ongoing oppression of Black citizens, a major theme of his inauguration speech (with remarks transferred here to a campaign address delivered to a crowd of 50,000 from a balcony overlooking New York’s Madison Square Park). “I would rather be with you and defeated than against you and victorious,” he tells a group of Black veterans gathered on his front porch, from which he conducted his campaign. (Some 20,000 people were said to have visited there during its course.)
Political machinations and complications aside, the narrative, which stretches two years across four episodes, is really fairly simple, even schematic, cutting back and forth between Garfield (Michael Shannon, between tours covering early R.E.M. albums) and Guiteau (Matthew Macfadyen), a drifter with delusions of grandeur, as they approach their historically sealed date with destiny. Garfield is goodness personified; we meet him on his farm, cooking breakfast for the family, planing wood to make a picnic table. (A table we will meet again.) Guiteau goes from one failed project to another, living it up on money stolen from his sister, running out on restaurant checks and rooming house bills, telling lies about himself he might well have thought were true, until he decides that politics is the place to make his mark. Under the impression that he was responsible for Garfield’s election, he believed the new president owed him a job — ambassador to France would be nice — and when none was coming, turned sour. A message from God, and the belief that he would save the republic, set him on a path to murder.
Matthew Macfadyen plays Garfield’s assassin, Charles Guiteau, in the miniseries.
(Larry Horricks / Netflix)
The series largely belongs to them — both actors are terrific, Shannon imbuing Garfield with a gravity leavened with kindness and humor, Macfadyen’s Guiteau, optimistically dedicated to his delusions yet always about to pop. But it’s a loaded cast. The ever-invaluable Betty Gilpin, in her fourth big series this year after “American Primeval,” “The Terminal List: Dark Wolf” and “Hal & Harper,” plays Garfield’s wife, Crete, fully up on the political scene and free with her opinions. Shea Whigham is New York senator and power broker Roscoe Conkling, Garfield’s moral opposite, and the series’ villain, if you excuse Guiteau as mentally ill. (The jury didn’t.). As wise Maine Sen. James Blaine, Bradley Whitford exudes a convincing, quiet authority, honed over those years working in the pretend White House on “The West Wing.” All the men have been whiskered to resemble their historical models.
Where most of them, even Guiteau, remain consistent from beginning to end, it’s Nick Offerman’s Chester A. Arthur who goes on a journey. Conkling’s right hand, in charge of the New York Customs House — which generated a third of the country’s revenues through import fees — he’s offered the position of vice president to appease Conkling, New York being key to winning the election. Arthur begins as a thuggish, cigar-smoking, sausage-eating, drunken clown, until he’s forced, by events, and the possibility of inheriting the presidency, to reckon with himself.
When First Lady Crete Garfield wonders whether there should be a little extra security (or, really, any security at all) around her husband, he responds, “Assassination can no more be guarded against than death by lightning — it’s best not to worry too much about either one,” giving the series its title and clearing up any confusion you may have had about its meaning. Indeed, Guiteau moves in and out of what today would be well guarded rooms with surprising ease, managing encounters (some certainly invented) with Crete, Blaine, a drunken Arthur and Garfield, whom he implores, “Tell me how I can be great, too.”
Created by Mike Makowsky, it isn’t free from theatrical effects, dramatic overreach or obvious statements, but as period pieces go, it’s unusually persuasive, in big and little ways. Only occasionally does one feel taken out of a 19th century reality into a 21st century television series. The effects budget has been spent where it matters, with some detailed evocations of late 19th century Chicago and Washington that don’t scream CGI. The first episode, which recreates the 1880 convention, held at the Interstate Exposition Building in Chicago, aligns perfectly with engravings of the scene and brings it to life, supporting the wheeling and dealing and speechifying in a way that one imagines is close to being there.
Because we know what’s coming, the series can be emotionally taxing, especially as a wounded Garfield lingers through much of the final episode, while being mistreated by his doctor, Willard Bliss (Zeljko Ivanek), who ignores the advice of the younger, better informed Dr. Charles Purvis (Shaun Parkes), the first Black physician to attend to a sitting president; many, including Millard, believe it was the doctor who killed him through a lack of sanitary precautions, and that Garfield might have recovered if he’d just been left alone, an idea the series supports.
But you can’t change history, as much as “Death By Lightning” makes you wish you could.
A new report has revealed the large sum of money owed to the unpaid Manchester Pride artists and venues.
Back in October, the charity behind the long-running LGBTQIA+ festival made headlines after various performers revealed that they hadn’t been paid for this year’s event, including Drag Race UK star Saki Yew.
“It’s gone too far. As performers, we’re used to waiting for money, but there’s no communication and no answer. A lot of performers are starting to give up hope of being paid,” Saki told BBC Newsbeat in October.
Drag Race UK star Zahirah Zapanta and Adam Ali echoed similar sentiments, with the latter publishing a letter on behalf of other acts who were awaiting payment.
Following immense backlash, Manchester Pride’s Board of Trustees released a statement on 16 October, revealing that they were in “the process of determining the best way forward” with their legal and financial advisers.
A week later, the event’s board of trustees confirmed that Manchester Pride had started the “legal process of voluntary liquidation.”
“A combination of rising costs, which are affecting the entire events and hospitality industries, declining ticket sales and an ambitious refresh of the format aimed to challenge these issues, along with an unsuccessful bid to host Euro Pride, has led to the organisation no longer being financially viable,” they wrote in a statement released on 22 October.
“The Manchester Pride team have now handed over the details of suppliers and artists who are owed money to the liquidators who will be handling the affairs of the Charity and contacting everyone,” the board concluded.
Now, a new financial report from KR8 Advisory has revealed the staggering debt Manchester Pride had accumlated before they went into voluntary liquidation.
According to the Manchester Evening News, the charity owes £1.3m to performers, venues and suppliers.
Included in the extensive list are 182 companies and individuals who are reportedly owed between £30 and £330,329.
Manchester Pride was also unable to pay the £47,330.40 bill for first aid charity St John Ambulance, the £330,329 fee for Mayfield Depot, nor the £167,892 price tag for security firm Practical Event Solutions.
The event’s headliners, Nelly Furtado and Olly Alexander, were also left unpaid, with the former owed £145,775.75 and the latter £48,000.
In addition to their debt, the report gave further insight into the events leading up to the charity going bust.
Following lower-than-expected ticket sales, Manchester Pride directors allegedly sought out legal advice at the start of September.
They also attempted to dig themselves out of their financial hole by exploring “rescue proposals” such as the Mardi Gras event at Mayfield Depot.
“But as delivery of the festival drew closer, the pace of ticket sales did not accelerate as expected,” the document revealed.
The charity, which reportedly entered 2025 with “challenging circumstances,” also sought help from Manchester City Council, but after weeks of deliberation, the authority declared that they were unable to assist.
Amid their attempts to save the charity, organisers were also waiting to see if they had been selected to host EuroPride 2028, which would have garnered “significant grant funding and sponsorship support.”
When Ireland was selected over Manchester, the board called an emergency meeting to discuss additional solutions before agreeing to put the organisation into liquidation.
While Manchester Pride has been embroiled in financial issues, it’s not the end of the long-running festival.
In a statement, the Manchester City Council confirmed that “a new chapter” for the festival will take place in August 2026.
“The council will play a full and active role in bringing together the LGBTQ community to help shape how the city moves forward to ensure a bright and thriving future for Manchester Pride,” the council added.
Coronation Street fans are desperate for Carl Webster to face his downfall for his recent villainous ways, including a sickening twist with his sister Debbie Webster
Coronation Street fans are desperate for Carl Webster to face his downfall for his recent villainous ways(Image: ITV)
Fans of Coronation Street think a downfall is set for villain Carl Webster, as he sunk to new lows this week.
The brother of Kevin and Debbie Webster has been up to all sorts, from dodgy car stealing schemes and fake MOTs, as well as his affair with sister-in-law Abi Franklin. With Carl also having a secret romance with James Bailey behind Abi’s back, and him also being behind the hit-and-run that injured Tyrone Dobbs, fans are eager to see him punished.
But his latest dark behaviour could be his cruelest decision yet, and it’s left sickened fans wanting him gone. Carl has been getting closer to his sister Debbie, and clearly wants access to her business accounts at the hotel.
Amid Debbie’s dementia diagnosis and her becoming forgetful, vile scenes have shown Carl tricking her and trying to get her out of the way. Wanting access to the accounts no doubt for the money, fans fear he will end up fleecing his own sister.
This and the fact he’s cruelly using her diagnosis against her at a time where she’s vulnerable, has left fans horrified. Many have called it the final straw and are hoping he gets found out soon.
The ongoing storyline has sparked speculation that it will lead to a big comeuppance for Carl, perhaps at Christmas or beyond. Fans are now trying to figure out who will expose Carl and who will bring him down.
As Kevin and Abi were named as potential suspects behind his downfall, other fans wondered if Debbie or her partner Ronnie Bailey, or even fling James, will stop him for once and for all. Taking to social media, one fan said: “Cant stand him. Someone has to catch him.”
Another viewer said: “Is he going to get caught out for EVERYTHING at Christmas? Tyrone, Debbie, Abi, James, they’ll all want a piece of him!”
A third fan wrote: “Debbie must have accountants checking the hotel books. Surely there will be investigations if things don’t add up. What about the other hotel staff too? They would notice dodgy goings on.”
Another fan said: “I think Debbie has her suspicions about him wanting access to the hotel’s finances. She should give him limited access and give the same access to Ronnie so he can keep an eye out for anything dodgy. Then when she confronts Carl, with Ronnie backing her, he can’t claim she’s confused because of her dementia.”
Love Actually star Thomas Brodie-Sangster has signed up for Google Pixel’s new festive adCredit: AlamyMartine McCutcheon will star alongside Thomas 22 years after they appeared together in Love ActuallyCredit: Alamy
They filmed the top-secret project in London yesterday afternoon — 22 years after appearing opposite each other in the 2003 hit film.
A source said: “Nothing says Christmas like Love Actually, and so Google Pixel are bringing a sprinkling of it back to insert some nostalgia into the festive period.
“It’s still such a firm favourite with millions of people, so they tapped up Martine and Thomas for the sweet reunion.
“The ad is going to be packed full of throwbacks — especially because Thomas was only 13 when he was in Love Actually.
“A whole street in London was transformed into a winter wonderland and Martine and Thomas were in great spirits.
“They’re really happy with how the ad worked out. It’s going to be one people are talking about for a while.”
If you’ve lived under a rock and have never seen Love Actually, it’s one of Richard Curtis’s best films.
Martine plays hapless PA Natalie, swept off her feet by the Prime Minister, played by Hugh Grant.
And Thomas took on the role of sweet, love-stricken Sam, who went all out to impress his teen crush.
Google Pixel isn’t the only brand getting in on the Love Actually nostalgia for their Christmas ad.
Aldi revealed their famous Kevin the Carrot will propose to his sweetheart Katie in their festive offering this year using cue cards — inspired by the scene in the film where Andrew Lincoln’s character Mark professed his love for Juliet, played by Keira Knightley.
Without wanting to be too sentimental, it proves love really is still all around us.
And I’m definitely going to be renting it on Prime Video tonight.
KYLIE MINOGUE used a stocking from the filming of her CBeebies bedtime story last Christmas in the music video for her new festive single Xmas.
The Aussie pop star is celebrating the tenth anniversary of her Christmas album with a new version of the record, Kylie Christmas (Fully Wrapped), which features four new songs.
Kylie is celebrating the tenth anniversary of her Christmas album with a new version of the recordCredit: Alamy
Speaking to Scott Mills on the BBC Radio 2 Breakfast Show about the video, Kylie said: “Because I was on the road we didn’t get to go so Christmassy.
“I think it was from a CBeebies Christmas story | did and they gave me a Christmas stocking.
“I thought, I have got to take something Christmassy and I think that’s it. That’s the one thing that you may see.
“We didn’t get to do fairy lights. We didn’t get to do paper chains. But in spirit we were very Christmassy.”
JOSH’S TOP DAY WITH SPINAL TAP
JOSH GROBAN was one of a few artists asked to perform with Spinal Tap for their next film, Stonehenge: The Final Finale.
I exclusively revealed the parody band had shot a concert alongside Eric Clapton and Shania Twain at the landmark in August, and now US star Josh has told me all about taking part.
Josh Groban was one of a few artists asked to perform with Spinal Tap for their next film, Stonehenge: The Final FinaleCredit: Getty
He said: “Singing with Spinal Tap at Stonehenge – I don’t care how much you’ve done, that’s an experience for anybody. Eric Clapton felt it, Shania Twain felt it.
“Everybody was going, ‘I can’t believe we’re doing this’. I can’t tell you the song but it was ridiculous and amazing.”
Josh is returning to the UK on April 1 next year for a date at London’s O2 Arena, with tickets on sale tomorrow.
And on November 14 he will drop his next record, Hidden Gems.
The album is a collection of fans’ favourite tracks not available on streaming platforms.
Speaking after an intimate show in London at Union Chapel, Josh says: “These are all songs from my past.
“They’re B-sides and special-editions. I’ve also been working on new music.”
MUMMY’S THE WORD, BRENDAN
BRENDAN FRASER and Rachel Weiz are teaming up again for The Mummy 4, 17 years after the last film in the franchise.
They both starred in 1999’s The Mummy and 2001’s The Mummy Returns, below, but Rachel skipped 2008’s The Mummy: Tomb Of The Dragon Emperor.
Brendan Fraser and Rachel Weiz are teaming up again for The Mummy 4,Credit: Getty
Plans for a fourth film were ditched in 2012 before Tom Cruise tried to reboot the series in 2017 with another movie called The Mummy, but it lost millions at the box office.
The original followed treasure hunter Rick (Brendan), who wakes up an ancient Egyptian priest with special powers.
The latest news comes three years after Brendan’s career comeback in The Whale, which landed him a much-deserved Oscar for Best Actor.
YUNG HIT IN TRANS PIC SHOW
YUNGBLUD has provided the soundtrack for a new photography exhibition that tells the stories of 13 trans people from across the UK.
His song Hello Heaven, Hello will be used on screens at Outernet, right outside Tottenham Court Road Tube Station in central London, for the free exhibition called Trans Is Human from November 17.
Yungblud has provided the soundtrack for a trans photography exhibitionCredit: Getty
Yungblud said: “I’m honoured that Hello Heaven, Hello will be a part of this exhibition.
“Trans Is Human is all about celebrating truth, identity and the beauty of being yourself.
“That’s something I’ve always tried to celebrate in everything I do.”
BABYSHAMBLES have returned with their first song in 12 years, Dandy Hooligan.
The band, fronted by Pete Doherty, dropped the track yesterday ahead of the launch of their comeback tour.
Pete Doherty’s Babyshambles have dropped their first song in 12 yearsCredit: Getty
Pete said: “It’s a well turned-out, elegantly crafted reggae-ska-pop song . . . with a sweet melody to bowl along to with your sharpened walking cane.”
They were back on stage in Hastings last night for a warm-up gig ahead of their tour later this month.
ED’S PERFECT PITCH MEANS ALL KIDS CAN LEARN MUSIC
ED SHEERAN has once again proved he is a voice for good after a successful campaign to give all kids access to creative subjects at school.
Back in March, the Shape Of You singer wrote to No10 urging the government to look at the critical state of music education – and, incredibly, they’ve listened.
Ed Sheeran wrote to Keir Starmer about the critical state of music educationCredit: Splash
Keir Starmer yesterday heralded Ed’s letter, which was backed by stars including Harry Styles, Stormzy and Annie Lennox, as “powerful”, and told him: “I wanted you to know that your voice has been heard.”
In a letter to Ed which has been shared with me, the PM said: “The review places creative subjects firmly at the centre.
“We are revitalising arts education, strengthening music and drama, and launching a new National Centre for Arts And Music Education to support teachers and raise standards.
“We will make sure every child has access to those experiences – from arts and culture to nature and civic engagement – so that creativity isn’t a privilege, but a right.”
It is a huge victory for Ed and the Ed Sheeran Foundation, which has campaigned for accessible, meaningful education for all young people.
In a statement, Ed said: “I set up the Ed Sheeran Foundation because every child deserves to have access to a meaningful music education, and the chance to experience the joy and confidence that musical expression can bring.
“Shortly after setting up my foundation, I wrote an open letter to the Prime Minister about the critical state of music education in the UK and the fact it was slipping through the cracks.
“With the help of the letter and everyone who signed it, I’m happy to say that some of the key points we raised have been recognised by the government, marking the first change to the music curriculum in over ten years.”
All power to you, Ed. This is brilliant news.
COAT AND TAYLS
TAYLOR SWIFT has gone quiet since dropping her album The Life Of A Showgirl last month, but she re-emerged in New York for a night out with Gigi Hadid on Monday.
The singer wrapped up in a coat and knee-high boots alongside the model who is a long-time friend.
Taylor Swift had a night out with Gigi Hadid in New York on MondayCredit: GettyGigi and Taylor Swift are long-time friendsCredit: Getty
I’m sure they had plenty to catch up on, with a wedding to plan for Taylor, while Gigi’s romance with Bradley Cooper seems to be going from strength to strength after two years together.
Perhaps wedding bells will be ringing for her, too, before long.
JENNIFER LAWRENCE has let slip that she’s co-producing a movie with Emma Stone based on Miss Piggy, being written by US comedian Cole Escola.
Asked on the Las Culturistas podcast whether the actresses will also star in the film, she said: “I think so, we have to.”
On working with Emma for the first time, she added: “It’s f***ed up. It’s dark that we haven’t done a movie together.”
CYNTHIA’S IN GOOD MOOD FOR PREMIERE
CYNTHIA ERIVO was grinning from ear to ear at the premiere of Wicked: For Good, despite the fact her co-star Ariana Grande missed the big launch.
The British actress, who returns as Elphaba in the second flick, wore this quirky, tummy-baring outfit and was joined at the event in Sao Paulo by co-star Jonathan Bailey ahead of the London premiere on Monday.
Cynthia Erivo was all smiles at the Wicked: For Good premiere in Sao Paulo, BrazilCredit: GettyCynthia posed with co-star Jonathan BaileyCredit: Getty
Hopefully, Ariana will make it over here after a fault with a plane meant she couldn’t get to Brazil in time for Tuesday’s event.
She apologised on Instagram, but was then subjected to vile abuse.
Paul Rodgers, one of the original members of the English rock supergroup, announced Tuesday that he will miss the Rock & Roll Hall of Fame induction ceremony Saturday where Bad Company will be honored as part of the 2025 class.
“My hope was to be at the Rock & Rock Hall of Fame Induction Ceremony and to perform for the fans, but at this time I have to prioritize my health,” Rodgers wrote in a statement posted to Bad Company’s Instagram page. The singer had planned to reunite with former bandmate and drummer Simon Kirke on stage to perform a couple songs at the ceremony.
While Rodgers did not elaborate on his health in the statement, in 2023 he told CBS News that he had suffered two major strokes in 2016 and 2019, as well as 11 minor strokes, which had temporarily stripped him of his ability to speak.
“I have no problem singing, it’s the stress of everything else,” Rodgers’ statement continued. “Simon along with some outstanding musicians will be stepping in for me — guaranteed to rock.”
Best known for hits such as “Can’t Get Enough,” “Feel Like Makin’ Love,” “Ready for Love” and, of course, “Bad Company,” the hard rock group formed in London in 1973. In addition to Rodgers and Kirke, who had played together in the rock band Free, Bad Company’s original members included guitarist Mick Ralphs and bassist Boz Burrell.
The band initially disbanded in 1982 but over the years reunited to record or tour, though not always with the same lineup. Rodgers and Kirke are Bad Company’s only surviving original members — Burrell died in 2006, followed by Ralphs this June.
In addition to Bad Company, the 2025 Rock & Roll Hall of Fame inductees include Chubby Checker, Joe Cocker, Cyndi Lauper, OutKast, Soundgarden and the White Stripes in the performer category. Additional inductees Salt-N-Pepa, Warren Zevon, Thom Bell, Nicky Hopkins and Carol Kaye will all be honored either for musical influence or excellence, while Lenny Waronker is the recipient of the Ahmet Ertegun Award for lifetime achievement.
BBC viewers have been urged to look out for any clues as the broadcaster is reportedly gearing up to announce the return of one of its biggest shows very soon
23:45, 05 Nov 2025Updated 23:45, 05 Nov 2025
Line of Duty could be making a comeback very soon(Image: BBC)
A huge BBC drama is set to announce its comeback within a matter of days. Fans have been waiting on tenterhooks to see if another series will be released, and now the cast have finally aligned their schedules to make it happen.
The BBC are said to be gearing up to confirm Line of Duty will be back on screens for a seventh series. Fans have been urged to keep an eye out for any online announcements that will be followed by TV teaser trailers.
Now, it seems fans won’t have long to wait for an official announcement as a source said: “Although this has been discussed at length since the unsatisfactory ending of series six in 2021, it’s still going to create huge excitement when the Beeb makes the announcement.
“It’s one they’ve been preparing to make for weeks, but they’ve been trying to pick the right moment, since The Celebrity Traitors has been hogging quite a lot of limelight recently.” They added to Sun: “And the BBC very much view Line Of Duty as one of the jewels in its crown that they want to deliver with some fanfare.”
The BBC declined to comment when approached by the Mirror. Back in July, Actor Adrian said: “We’re really excited about getting our hands on a Line of Duty script, to see what happens to us.”
The Ridley star even teased what is to come on the programme, which could air in 2026, as he told The Times: “It is down to the BBC to make an announcement, but we’re keeping our fingers crossed that next year we’ll be working on a new series. No doubt Jed will think of some interesting twists and turns.”
Martin Compston played DS Steve Arnott in the show, which came to an end when his character and his team discovered the identity of “H”. He also shared details on whether viewers can expect more from the series.
“We’re always talking about possibilities and schedules and whatnot,” he said to The Sun. Martin didn’t dare share more and added: “Everybody’s got stuff going on at the minute, so I think anything, unfortunately, would be a way off.”
Before Martin discussed a potential new series, a source told the same publication that Adrian, Vicky McClure and Martin will reunite to film six new episodes. They said at the time: “This is the news Line of Duty fans have been waiting for since the sixth season left them deflated when it aired back in 2021.
“The BBC almost immediately requested more episodes to continue the story, but the success of the show meant Vicky, Martin and Adrian were instantly snapped up for other projects. But after several meetings with Jed [Mercurio, creator and writer] and the production team, they’ve finally managed to clear space in their calendars next year to commit to making the show.”
While last August, Adrian said that he was desperate to get back into character for another series. He told Good Housekeeping: “We all want another series.
“We filmed our last series in lockdown, which meant we didn’t get to do anything other than work, so we’re really keen to get together for one last hurrah.”
ACTRESS Sydney Sweeney scores a hat-trick in a selection of outfits in one day.
The 28-year-old was spotted switching up her style in New York City while promoting her boxing biopic Christy.
Sign up for the Showbiz newsletter
Thank you!
Sydney Sweeney scores a hat-trick in a selection of outfits in one dayCredit: GettySydney was spotted switching up her style in New York CityCredit: SplashThe actress was promoting her boxing biopic ChristyCredit: Getty
As well as the three outfits pictured, Sydney changed into three more throughout the day for a total of six.
Actress Sydney described her latest role as “one of the most inspiring” experiences of her life.
Talking of the female boxer she said: “Christy’s strength isn’t in all of her punches it’s in her heart.”
Sydney became emotional as she detailed how Christy was shot and stabbed in the chest and left for dead after threatening to leave her abusive spouse.
“Christy reminds us strength doesn’t have to look loud sometimes, it’s just about getting up again and again no matter who is watching.
“Playing her taught me it isn’t the end of the story, it’s about re-claiming it.
“And to every young girl out there I hope that you know your power is already within you.”
In her latest film, Christy, she learned to box to play US pro fighter Christy Martin — the first female boxer to appear on the cover of Sports Illustrated.
She won a world title before her husband tried to murder her.
The first shot of director Lynne Ramsay’s stubborn and exasperating postpartum nightmare “Die My Love” would be a great opener for a horror movie. The camera lurks in the kitchen of an isolated ranch house, as still and foreboding as a ghost, while a couple named Grace and Jackson (Jennifer Lawrence and Robert Pattinson) poke around the front porch of their newly inherited property. The two take several beats to go inside, long enough that we suspect these crazy kids are making a dangerous mistake. Just look at the wallpaper. Those florals would make anyone crack.
“It’s not New York but it’s ours,” Jackson says of the rural home, left to him by his uncle who died violently upstairs in a way that Grace finds hilarious. He grew up in the area and his parents, Pam and Harry (Sissy Spacek and Nick Nolte), still live nearby. Neither Jackson nor Grace say anything about their past lives back in the city, but he yearns to play drums and she once claimed to write. There’s a sense that their dreams have stalled out, either due to finances, passion or talent. So they move in, have a baby and pivot to domestic chaos.
Share via
Lawrence and Pattinson are such a natural, overdue pairing that it’s a surprise to realize this is the first time they’ve teamed up to make the kind of polarizing, go-for-broke prestige film they both enjoy. The two stars launched into the public consciousness roughly around the same time, then followed the same trajectory from teen franchise idols to creatively ambitious A-listers and now, more recently, newish parents making a movie about miserable parents whose hopes have run aground. Lawrence has two tots under 3; Pattinson, a toddler. Their kids shouldn’t watch this movie until college.
In a dynamic montage, Ramsay sets up their boyfriend-girlfriend pair as lusty but strange. Jackson and Grace flirt by fighting like wild beasts. Nuzzling, sniffing, biting, wrestling — that’s foreplay (and she’s more into it than he is). But they can’t communicate with words. “If you’re not feeling good, maybe we should, like … talk?” Jackson says tentatively to his increasingly restless and unstable partner. Grace isn’t interested in talking, though occasionally she’s game to scream. When they fight for real, their bodies twist into spasms of outrage. And when the other one isn’t looking, each seems to power down — Lawrence’s Grace physically collapsing like an unplugged air dancer — a clue of how much energy they must privately expend to make it work.
“Die My Love,” adapted by Ramsay, Enda Walsh and Alice Birch from the 2012 novel by Argentine author Ariana Harwicz, makes parenthood feel like being handcuffed to an anchor that’s sinking into a swamp. Lawrence’s Grace needs help and the more she flails, the worse she makes things. The book is an inner monologue of poison: “How could a weak, perverse woman like me, someone who dreams of a knife in her hand, be the mother and wife of those two individuals?” the first paragraph seethes. But Ramsay rejects putting its angst into words. As with Joaquin Phoenix in “You Were Never Really Here,” she prefers characters who silently roil under their skin.
The tension in this home starts quiet — too quiet — with Grace cranking up kiddie albums by Alvin and the Chipmunks and Raffi to drown out whatever noise is happening in her head. After Jackson brings home a stray dog, the racket becomes unbearable, with sound designers Tim Burns and Paul Davies skillfully and cruelly making sure that no matter how far Grace roams, she can still hear the darned thing bark.
Lacking much perspective into Grace, we mostly see a mentally unwell woman incensed that her sexual playtime is over. She howls with the urge to mate, prowling the house in matching fancy bras and thong sets that clash with this disheveled house and its stockpile of cheap beer. Occasionally, a mysterious leather-clad biker (LaKeith Stanfield) speeds by, considering a quickie with this bored beauty.
Grace’s erotic agony is reductive and a bit ridiculous, although I think the script is also trying to imply that Grace herself is focused on the wrong problems. The film represents her depression by coating the night scenes in so much blue tint that even Picasso might suggest dialing it back. Despite cinematographer Seamus McGarvey’s efforts to put us in her headspace with lenses that make the world blur and swirl around her, you’re more afraid of Grace than for Grace, especially when the shock editing has her smashing through doors like Michael Myers.
Hurling herself into every scene, Lawrence puts her full faith in Ramsay. It’s not a trust fall so much as a trust cannonball. As good and committed as Lawrence is, there were times I wanted to rescue her from her own movie, to protect her from the fate of Faye Dunaway when “Mommie Dearest” turned another blond Oscar winner into a joke.
Yet, this is a character who hates pity and I can’t help but admire that Ramsay faces down today’s phonily upbeat and relatable motherhood discourse with this boogey-mom who keeps herself aloof. Grace treats the older women in her family like a wall of advice to be tuned out even when they’re right. “Everybody goes a little loopy the first year,” Spacek’s Pam says, offering empathy that falls on deaf ears. (Spacek delivers a lovely, endearingly layered turn.) And while Grace is so lonely she literally claws the walls, she rejects any overture of friendship, either from a perky fellow parent (Sarah Lind) or a peppy cashier (Saylor McPherson) whose attempts to start a conversation go so badly that when the poor dear asks Grace if she’s found everything she’s looking for, Grace huffs, “In life?”
Pattinson has the more recessive role but his performance is so subtle and clever that it’s worth watching closely. His Jackson is pathetic, passive and skittish around his baby’s mother, who he both longs to heal and tries to avoid. He has a few moments that play so close to comedy — say, whining to be let into the bathroom — that you wish the movie would do more to encourage our pained, guttural laughs. The punchlines are there, such as a beat after one meltdown where Jackson admits he’s getting really stressed out and Grace coolly replies, “About what?”
There’s one scene in which Grace reveals a snippet of backstory that might explain her psychology, and I think that specificity is a narrative misstep. What’s powerful about Grace is that she’s howling for all parents, even the mostly happy ones. Harwicz’s book deliberately never gave her character a name.
Even inside this movie, Grace’s anguish is universal. Yes, she wanders into the wilderness at night, but so do her in-laws Harry and Pam, for reasons of their own.There are dark vibrations emanating from almost every character, even the minor ones, although Grace is too caught up in herself to take any comfort from that. But Ramsay is comfortable suggesting that everyone feels crazy and miserable. I suspect she thinks it’s the most normal way to live.
‘Die My Love’
Rated: R, for sexual content, graphic nudity, language, and some violent content
Claudia Winkleman, praised recently for her work on The Celebrity Traitors, was supposed to start filming The Piano at King’s Cross Station in London last weekend
Claudia Winkleman, pictured during The Celebrity Traitors, is also loved for her work on The Piano(Image: CREDIT LINE:BBC/Studio Lambert/Euan Cherry)
The Christmas special of The Piano has reportedly had to be canned because of the stabbing attack on a London-bound train last weekend.
Filming for the festive episode was supposed to start this week at London King’s Cross Station, where the ill-fated service was due to terminate on Saturday night. Claudia Winkleman and her crew had to halt their plans, though, as heightened security created problems for access in the station.
And it was decided to abandon the one-off, hour-long Christmas special this year, it is understood. The team, it is believed, behind The Piano felt it was inappropriate to make the cosy show in the neighbouring St Pancras Station while the horrors affected passengers on the train from Peterborough to the capital.
Claudia, who also presents The Traitors and The Celebrity Traitors, was due to be joined by The Piano mentors Jon Baptiste and Mika on the train concourses, which are regularly filled with amateurs tinkling on the ivories.
The Piano has enjoyed three seasons since it started in February 2023. Last year, the festive special aired on Christmas Day itself on Channel 4, but it was unclear when 2025’s episode was due to air.
But, according to The Sun, a full series of The Piano, hosted by Claudia once more, will return in 2026 with a fourth series, which will start filming in the spring and air later in the year.
During last Christmas’ episode, Claudia and her team reunited with some of the stand-out players from series two, performing seasonal favourites including Walking in the Air, O Holy Night and Joni Mitchell’s River. Brad Kella, who won Series two, puts on a moving performance of his first single. Mika and Lang Lang performed a duet of a Beatles classic too.
And, during the third series in the spring, Claudia, 53, wept during performances at other locations, including Heathrow Airport. She had said: “The people who make the show make it beautifully. There are no lights. There is no tripod. They’re just in the station and they’re documentary makers at heart. It’s not like any other TV show. The people who make it are the stars.”
More than 12 million people typically tuned in for The Celebrity Traitors each episode this year, a show also hosted by mother-of-three Claudia. Audiences for the first four episodes of the tense BBC One game show averaged 12.6 million, according to official seven-day consolidated figures published by the research body Barb.
The ultimate game of deception and trust draws to a close tonight on BBC One.
Heidi Klum and daughter Leni posed together for the new Intimissimi campaignCredit: IntimissimiThe pair previously caused controversy for posing in lingerie togetherCredit: Intimissimi
The mother and daughter duo wore long sleeve pyjama tops and pants from the new range.
