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The square root of absolutely nothing happens in each episode, but I’m still watching every week!

A lavish sci-fi series with characters so bad you find yourself rooting for the evil aliens plotting to conquer Earth, Apple TV’s Invasion is the latest show that outstays its welcome after some early success.The first series was held together by a group of child actors, the second was held together by stunning visuals, but the third season is held together by… nothing at all.

At best, Apple TV’s Invasion is a victim of its own success and has been drawn out for one or two seasons too long. With an undeserved 6.2/10 on IMDB, it’s absolutely not worth your time – but for me, it is too late.

The third season boasts the usual high production values you get from an Apple series, but the script is abysmal (featuring timeless quips like the age-old “In English, please?!”) as it follows the violent spikey black aliens who, out of nowhere, have re-launched their invasion on Earth.

I have recently found solace in a community on Reddit dedicated to trashing the programme. One person wrote: “Every single episode makes me wonder, ‘Did I fall asleep watching the last episode and miss something? Did I accidentally skip an episode?’”

I agree with them. But sifting through the exasperated posts, it seems we have more than our hatred in common. We all, like a dog with a bone, return each and every Friday for another hit of this endlessly disappointing series.

Another wrote: “The season is almost over and nothing has happened yet. We saw one clear alien with a wounded leg, who seemed to be about as aggressive as a stoned jellyfish, and three hunter killers in a hole in the ground.

“I think it’s safe to say that this isn’t a sci-fi as much as it is an unfunny sitcom with annoying characters who are always whining about the invisible aliens winning a war.” Very true.

I think the reason for our slot-machine addiction to Invasion is the promise of the first season. That was almost entirely down to the young acting prowess of Billy Barratt (Caspar Morrow), India Brown (Jamila Huston) and Paddy Holland (Monty Cuttermill). We see them overcome school bully and victim dynamics, traverse the English Channel and unlock communication with the terrifying morphing alien beasts.

The sparkly performances from all three casts a Goonies-like magic on the plot and has you gunning for the humans – unlike some of the other characters who make you wonder if it’s actually time for an alien takeover.

Huston’s performance is certainly an anchor in the third season, but she is outnumbered by griege special effects and gaping plotholes, while the loss of her schoolmates is palpable. I am convinced that some distant promise of a reunion of the young stars is what is keeping us locked in.

One Redditor wrote of Barratt’s unexplained absence in the third season: “My guess is they have left it open for him to come back. I hope he does. But, with the quality of the show in decline, the actor may decide he doesn’t want to, especially if he is getting other offers.

“With the poor quality of script writing and character development, I can’t imagine it’s a very rewarding acting experience for the cast.”

For now, we are left with an indistinguishably twisty plotline that follows some of the most annoying characters on screen, even though I will be tuning in for every single episode and beyond!

GEORDIE Shore star Aaron Chalmers’ ex Talia Oatway shared a heartbreaking post about their son Oakley.

The mum-of-three, who shares her kids with MTV reality star turned MMA fighter Aaron, has been giving fans regular updates on their youngest son’s health.

Their son Oakley has Apert Syndrome, which is a genetic disorder that causes fusion of the skull, hands, and feet bones.

On Friday, Talia shared a series of photos of herself and Oakley at hospital.

One picture showed Talia looking exhausted and tearful following another difficult week after Oakley was admitted to hospital.

She wrote: “It’s been 11 days since we got admitted to hospital, a transfer to another hospital, another 2 GAs, more training for mumma, endless tears and another diagnosis for my Oakley boy. Road to recovery now.”

Love Island star Sophie Lee commented: “My strong girl and fighter of a little cherub! You got this!”

Charlotte Trippier posted: “You are something else you girl! Absolute supermum with a warrior of a boy. Love you so much.”

Hollyoaks actress Chelsee Healey added: “One strong mumma and boy, sending so much love always.”

Earlier this month, Talia gave fans an update, and said: “I know I haven’t been on it today. Um, so Oakley had a gemranosec earlier this morning to have a CT scans on his brain just to basically out rule a lot of stuff for the sickness.

“Um, so he had that and then had to wait obviously for the neurosurgeons to look at the scans.

“I mean I’ve still got no answers but they did tell me some bits that’s going on with Oakley’s brain which obviously has petrified me.

“Um, but I’m waiting until the surgeons at Newcastle obviously speak to the surgeons in Liverpool and then I’ll have more of an understanding about the situation that Oakley is in.

“Um, but yeah it’s just been a really shit day, very emotional day.”

In the summer, Talia shared another worrying post about Oakley.

Taking to her Instagram story, the concerned mum penned: “Oakley had the worst sickness last night, from 11ish till about 5am.

“Bath after bath, bed change after bed change.

“I feel so sorry for him. The fundo surgery he’s due to have soon (after his hands) is so needed.

“It will stop him being sick completely. Currently on a meds run for him.”

Talia previously took to Instagram to post a video of her son taking his first steps and shared an update with her followers.

Alongside the clip, she wrote: “Oakley has been using a walking frame for a few months now.

“He’s had some shoes made for him as it’s impossible to get shoes that fit his feet.

“Which is common with Apert syndrome.

“Today we tried the shoes for the first time. We also had physio at home which we are doing every week.”

Aaron and Talia welcomed Oakley into the world in February 2022.

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They also share Romeo, four, and Maddox, three.

The former couple got together in 2017 but split just months after Oakley’s birth.

“Is L.A. a theater town?”

The question, typically posed with New York condescension, fails to recognize the obvious reality that L.A. is a city of actors. True, most of them are here to make their names on-screen, but the talent pool rivals those of more established theater capitals. Don’t bother, however, trying to convince those denizens of New York and London who cling to old stereotypes of L.A., perhaps to compensate for their own inferior weather.

Southern California, of course, boasts some of the most prestigious playhouses in the country. The Mark Taper Forum, Pasadena Playhouse, South Coast Repertory, La Jolla Playhouse and the Old Globe are all recipients of the Regional Theatre Tony Award. The Geffen Playhouse, once considered the entertainment industry’s local theater, has entered a new era of bold vision and integrity under the leadership of playwright Tarell Alvin McCraney. It would surprise no one if the Geffen Playhouse is similarly honored in the next few years.

East West Players, the Latino Theater Company, Ebony Repertory Theatre and Native Voices at the Autry reflect the cultural, ethnic and racial diversity of a majority-minority city. The avant-garde is admittedly not L.A.’s strong suit, but REDCAT and CAP UCLA have filled the breach hosting interdisciplinary performance work from all over the world.

The Getty Villa’s annual outdoor classical theater production treats the canonical treasures of ancient Greece and Rome not with kid gloves but with an exploratory 21st century spirit. And A Noise Within has cultivated in its loyal audience an understanding that the classical repertory exists in the present tense and can speak directly to us today.

The stage is still the basis for acting training, and there comes a time when even the most successful film and TV actors want to return to their roots. Those with civic consciences are happy to tread the boards close to home. When Tom Hanks chose to play Falstaff in Shakespeare Center of Los Angeles’ production “Henry IV,” he did so at an outdoor venue, the Japanese Garden on the West Los Angeles VA campus, that was only a short commute from his own backyard. Annette Bening, a stalwart champion of L.A. theater, has notably performed at the Mark Taper Forum, the Geffen Playhouse and UCLA’s Freud Playhouse.

Beyond the A-listers, there’s a vast population of working actors hungry for opportunities to hone their craft. It’s to satisfy this need that L.A. has built up an extensive array of small, shoestring companies. This scene is decentralized, dispersed within an uncoordinated sprawl of regional fiefdoms, but the independent spirit has endowed many of these companies with astonishing capacities for survival.

Indeed, it’s this network of 99-seat theaters — those houses with 99 seats or fewer — that are the lifeblood of the local theater scene. The cultural landscape would be unimaginable without Rogue Machine Theatre, the Fountain Theatre, Echo Theater Company and Boston Court Pasadena. The resilience, imagination and integrity of these small companies have demonstrated that heart matters more than size.

L.A. is indisputably a theater town, but a theater town that operates by its own rules and urban logic, neither of which is easy for an outsider to crack. What follows is a curated list of some of the most essential venues in the city and surrounding region. Not meant to be comprehensive, this compilation tilts toward companies that have been active in recent seasons and have a dedicated home. Nomadic ensembles and those that have been dormant or less prominent in the post-pandemic recovery phase have been excluded from this selection. But the ecology of L.A. theater is ever-changing and ever-adapting, calling for updates and new classifications. Stay tuned for future lists and supplemental guides.

— Charles McNulty

The Celebrity Traitors may appear like it is all fun and games on TV, but some of the participants have explained that they really did find it difficult to live under rules and deception for several weeks during filming

The makers of The Celebrity Traitors have confirmed mental health experts are on hand to support the contestants at all times after Jonathan Ross revealed he struggled while making the show. The star-filled version of the game show has been a ratings smash for the BBC.

But it seems lying to all those around you can play heavily on those taking part, both faithfuls and traitors alike. In a recent podcast, talk show host Jonathan, 64, admitted that he found it difficult to lie to the fellow stars in the first UK celebrity version of the show.

He was selected alongside comedian Alan Carr, 49, and singer Cat Burns, 25, as a traitor – and tasked with killing off fellow stars and working to manipulate the other contestants to wrongly guess who the traitors were. But speaking on his podcast, Jonathan remarked: “You’re on the defence this whole time” – and complained it was hard to be constantly lying.

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Fans of the Traitors will note that a psychologist, Victoria Plant, and a psychotherapist and counsellor, Tanya Taylor-Wright, are listed as part of the crew. A source told The Sun that the mental health experts were on hand to support those taking part.

They said: “People may think it is just a telly show, but when you’re living the game 24/7, it takes a toll. It was made clear to the celebrities that help was on hand for them if they were struggling with the mind games.

“There is a duty of care in television now, so medical experts are employed on set, but it was of paramount importance on The Traitors because of the nature of the show.”

A spokesperson for The Traitors confirmed to The Mirror that the exact same measures are put in place for the civilian version of the show – and that showmakers take ensuring the care and safety of contestants is met at all times extremely seriously. This always includes making a psychotherapist and a psychologist available to the cast.

The spokesperson said: “Since the very first series in 2022, we have had a dedicated welfare team and psychological support on hand at all times who monitor and regularly speak to all of the players in private to ensure they feel comfortable throughout the entire process. Our priority is and will continue to be supporting the well-being of our cast, and this is the case before, during and after filming.”

So far, the traitors have managed to avoid being uncloaked as the 16 faithful contestants have either been picked off like sitting ducks or tricked into banishing their fellow faithfuls.

Viewers have been left in amusement as the traitors have expertly taken out the other stars while competing to win a prize of up to £100,000 for charity. Alan spilled the first blood when he marked singer Paloma Faith for death in plain sight when he completed a task which involved planting a black mark on her face.

Jonathan’s time could be running out, however, as the faithful contestants have speculated that either he or Stephen Fry could be a traitor, but they voted out the Blackadder actor at a round table.

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LILY Allen and David Harbour are selling their Brooklyn townhouse just days after her new album and are set to make millions in profit.

The stunning property has hit the market for a whopping $8 million (around £6m) after the pair bought it for just $3.3 million (£2.5m) in 2020.

The 19th-century townhouse only went on sale yesterday – two days after Lily, 40, released her breakup album which has been branded her “revenge” album by fans.

Lily and Stranger Things star David, 50, split in December and it was later reported he’d had a three-year affair. 

David had even made a shock “cheating” joke while doing a tour of their New York City home two years prior.

Lily and David bought the property under two separate trusts as co-owners, according to documents seen by The U.S. Sun, and made several renovations worth thousands.

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Lying at the heart of Brooklyn and spread across four levels, the house has five bedrooms and four bathrooms interspersed throughout.

The property listing eloquently describes the home as a “layered narrative of traditional English charm, modern Brooklyn sensibilities and rich Italian influence”.

The main level opens out into an exotic living room wrapped in high-end Zuber wallpaper and “detailed crown mouldings”.

With a fireplace at its centre, the room is framed by glass doors that lead to a private backyard with a sauna and cold plunge at the owner’s disposal.

The kitchen is described as spacious with “plain English cabinetry” and houses a huge island as well as a custom-built banquette beneath is windows with natural light flooding the room.

Walk upstairs and you’ll find another sitting area with a fireplace as well as dual walk-in closets alongside the main bedroom.

There are two well-equipped guest bedrooms on the third floor as well as a skylit lounge and a home office.

There’s an additional guest suite on the garden level too with a powder room and casual living room, another fireplace and access to the backyard.

And a fully-furnished basement see’s a gym, ample storage and closet areas as well as a laundry room.

The pair took out a big mortgage on the house which they first purchased on November 16 2020 for $3.35 million.

The loan is listed for $2,512,500 with City National Bank in 2021, and they had until February 1, 2051 to pay it back.

They made extensive renovation on the property filing several building permits, many for tens of thousands, with the most expensive being for $282,600 and $265,600 for general construction.

Lily had moved to New York to start a new life with the US actor, who she wed in 2020 a year after meeting on celebrity dating app Raya.

But five years later, one local resident said: “It appears no one has been home for quite some time”

“Every house on the street has Halloween decorations, but not Lily and David’s”

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“It’s a very family-friendly neighbourhood, Lily was very active in the community when she lived here with David.”

The Smile singer has now moved back to London with her two daughters from her first marriage.

“Chainsaw Man — The Movie: Reze Arc,” the Japanese anime from Crunchyroll and Sony, claimed the top spot at the domestic box office this weekend, taking in an estimated $17.25 million, according to Comscore.

The R-rated movie, based on Tatsuki Fujimoto’s popular manga series, follows teen demon hunter Denji, who is betrayed by the yakuza and killed as he attempts to pay off the debts he inherited from his parents. His beloved chainsaw-powered dog Pochita makes a deal and sacrifices his life, fusing with Denji who is reborn with the ability to transform parts of his body into chainsaws.

“Chainsaw Man,” already a global hit, delivered a blow to Disney and 20th Century’s biopic “Springsteen: Deliver Me From Nowhere,” starring Jeremy Allen White, which came in a disappointing fourth place with an estimated $9.1 million.

Based on the 2023 Warren Zanes book of the same name, the film plumbs Springsteen’s life and career through the creative process, during the making of his 1982 acoustic album “Nebraska.”

The Times described the movie as a “thoughtful exploration of the creative process” that runs out of steam by the end, “meandering aimlessly into a depressive period of Springsteen’s, and it never quite regains its footing.”

In its second week out, the horror sequel “Black Phone 2” took the No. 2 slot, earning an estimated $13 million over the weekend, giving the Universal and Blumhouse movie a domestic total of $49.1 million.

Rounding out the third spot is Paramount’s romantic drama “Regretting You,” the latest film adaptation of novelist Colleen Hoover (“It Ends With Us”). Starring Allison Williams and Dave Franco, it opened to an estimated $12.5 million domestically.

West Horsley Place has been used as a filming location for several shows, such as Enola Holmes, Howards End, Vanity Fair and Ghosts, and one resident claims she’s being thrown out

BBC’s Ghosts was filmed at West Horsley Place in Surrey, which is where Baschea Walsh has been living for nearly 20 years. However, she has now claimed that she is being thrown out of her home so fans can rent it out instead.

The 71-year-old has said that she was told in July that she has until the middle of November to leave, so it can be turned into a short-term let. Baschea is gutted at having to move out and says the property will be aimed at watchers of Ghosts.

Ghosts is a show about a haunted house that was filmed at Grade I-listed West Horsley Place. The trust that manages the estate confirmed the mum-of-one has been asked to leave and that the property will be rented out.

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However, it has been denied that it is specifically for TV fans. Baschea said: “They came to my house and said, ‘Your home is being turned into a holiday cottage, you have four months to go’. I was stunned as you can imagine. I am 71. I am going to be homeless.

“It is not about me, it is about the injustice of throwing a 71-year-old out. It is about anybody who is getting these section 21s out of nowhere because of greedy landlords.

“I was in shock for two months. For the first week, all I could eat was potatoes; I couldn’t even cook. I just felt completely lost. I didn’t know what to do. It came out of nowhere undeservedly in everyone’s opinion, and I really don’t know what is going to happen to me.”

West Horsley Place dates back to 15th century and was once owned by Henry VIII. It was last inherited by Bamber Gascoigne, who is the former host of University Challenge, who then decided to hand over the manor house and its assets to a charitable trust, which was aimed at restoring the building.

It has been used as a location for film and television productions, including Enola Holmes, Howards End, Vanity Fair and Ghosts, where the building was renamed Button House.

Baschea first moved into the house back in 2006 and said that it was instantly her dream home. She said: “This has been my life and absolutely the place for me to be. I fell in love with it the first time I came here. I knew this was the place I wanted to be. I had dreamt about it.

“It was just perfect for me. It was a really harmonious place to be, and we all got on with each other really well. It was a privilege to live here. Bamber and Christina said I could live here forever, and we never thought to put it in writing. We never thought they would sink so low.”

Baschea said that the Ghosts film crew were on set for five months every year for five years straight and that filming could be very disruptive.

She said: “It is disruptive when they film, especially at night with all the extra lights on really bright and the generators, extra mud, and people wandering around. But I embraced it because I wanted to support the house. It needed all sorts of things doing to it.

“Now I feel that I should have asked for a rent reduction for all the disruption, but I didn’t because I thought it was for the good of the house.”

Ghosts followed the adventures of a living couple sharing a house with a group of spirits, and it was a ratings hit for the BBC with 6.2 million people watching the final episode in 2023.

A friend of the pensioner has started a petition to stop her eviction from the home, which has received more than 2,000 signatures. Baschea said that she has started looking for a new home, but that she will not leave her cottage until a suitable replacement is found.

The West Horsley Trust said: “West Horsley Place Trust is an independent charity caring for a fragile heritage estate. To secure its future and continue our public mission, we are creating increased, diversified and sustainable income through carefully considered changes, including updating and converting two historic cottages into short-term lets.

“The cottages will allow people to stay on the estate to access and enjoy it, our heritage, our cultural activities and those of the wider region. The short-term lets will also support our wider business activities, such as weddings and events.

“We fully appreciate how significant an upheaval this is for the tenant. We have not taken the decision to end this tenancy lightly. We have provided an extended notice period and offered personalised support, including assistance in exploring alternative housing options.”

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MICHELLE Keegan gushed over Hollywood superstar, Reese Witherspoon, at a glitzy event in London.

The Brassic actress posed with the Academy Award winning star and they were seen getting on very well as they chatted excitedly.

She met Reese at an event for her new book, Gone Before Goodbye, which she co-authored with best selling crime author, Harlen Coben.

Michelle recently starred in Fool Me Once, one of Harlen’s many adapted series on Netflix.

She shared a series of photos of her posing closely with Reese and another video of her chatting with Reese as Harlen watched on happily.

“When two genuises collide.. ‘Gone Before Goodbye’ is made! 📖 (I can confirm Reese Witherspoon is everything you’d imagined her to be, what a woman),” Michelle captioned the post on Instagram.

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Reese later responded to her post writing, “So wonderful to meet you .. finally!”

Gone Before Goodbye is Reese’s debut novel and tells the story of surgeon Maggie who after a series of personal tragedies is offered an intriguing opportunity by a former colleague.

Michelle also shared a series of her posing at the Southbank Centre in London where the event was held.

Her brush with Hollywood royalty comes after The Sun was first to reveal how Michelle’s BBC series Ten Pound Poms had been scrapped after two series.

The show’s axe comes as the ex-Coronation Street star waves goodbye to hit comedy Brassic on Sky, just as she’s returning to work after becoming a first time mum, to daughter Palma Elizabeth.

Period drama Ten Pound Poms followed a group of British citizens who emigrated from post-war Britain to Australia in the 1950s, with Michelle playing nurse Kate Thorne.

A BBC spokesperson said: “It’s been a joy to bring the story of the Ten Pound Poms to life for BBC viewers and we are really grateful to Danny Brocklehurst, Eleven and all the cast and crew who have worked on the series.”

The gentle drama made a splash when it first aired in May 2023, with 6.37million viewers but that had halved to 3.15million by the end of series two in April this year.

She is busy on a new thriller called The Blame for ITV, though, after time off to have baby Palma with husband Mark Wright.

“They’re coming to get you, Barbara” is the most famous line from 1968’s revolutionary “Night of the Living Dead.” It’s a mean taunt that comes from a sibling, unaware that civilization is crumpling around him. In a few moments, his sister will be fleeing across a field barefoot from an undead zombie (terms that are never used in the movie because it’s so ahead of its time) and any Boris Karloff impressions will quickly be forgotten.

The line also sounds remarkably comfortable coming out of the mouth of a drag queen — one of the many sides of shade served in the generously funny and sharp “Queens of the Dead.” Directing and co-writing the film is 42-year-old Tina Romero, daughter of George Romero, “Night’s” original progenitor, whose death in 2017 was met with the kind of belated cultural praise usually reserved for Oscar winners.

Tina Romero understands the legacy of her father better than most. It’s not just a matter of gathering a bunch of bickering survivors inside a besieged location — here it’s a converted Bushwick warehouse — while the outside world goes to hell. (Adding to the film’s bona fides, legendary makeup artist Tom Savini makes a cameo as the city’s mayor on TV: “This is not a George Romero movie,” he warns.) Shrewdly, “Queens of the Dead” also foregrounds the deeper meanings that gore-obsessed knockoffs sometimes miss: the idea that working together across differences is harder than it seems and maybe the monster is already calling from inside the house.

Pink-hued and queered so aggressively that only a prig won’t be able to find some RuPaul-adjacent enjoyment in it, “Queens” stars Katy O’Brian, last seen as Kristen Stewart’s sculpted lust object in “Love Lies Bleeding.” Here O’Brian has much more to do emotionally as Dre, a wanna-be impresario with big dreams for her drag event, Yum, even if her attractions keep bailing and her target audience of influencers is in the process of turning into lumbering flesh-eaters. (They still clutch onto their cellphones, a nice touch.)

Within the makeshift club — a dressing room, a bar, some dance cages that will figure later — tensions flare and Dre has her hands full. Ginsey (Nina West), a hardworking diva, holds down the fort while unreliable protégé Sam (Jaquel Spivey) chooses this moment to show up and ruffle feathers. Unhappy with second billing, a younger queen (Tomás Matos) insists on being called Scrumptious while a gruffly accommodating handyman named Barry (Quincy Dunn-Baker, a smart inclusion of George Romero’s blue-collar streak) tries to keep all the pronouns straight.

Confidently, Tina Romero makes room for a wonderfully dumb makeover montage and a daring escape via Pride Parade float. If the comedy overcompensates at the expense of landing every gag, then good on her. It’s long overdue and there’s something touching to the idea that the end of the world might unleash leadership qualities in those who’ve had a rough time existing in the old one.

But a film this well-made and cut (the pacy editing by Aden Hakimi calls back to the elder Romero’s own cutting of his major titles) shouldn’t be relegated to just one kind of audience. Anyone who appreciates horror should find something to smile at here. Maybe it’s the side plot — as satisfying as a worn-in pair of shoes — of Dre’s wife, Lizzie (Riki Lindhome), a hospital nurse, racing across town in an old Impala.

Or, true to zombie movie form, there’s the mid-film arrival of a game-changing character, the synthesizer music pumping. Here it’s Margaret Cho on a motor scooter, cruising through a cloud of exhaust. “You all look healthy enough,” she tosses off, an action hero in the making. And yes, that’s as thrilling as it sounds.

Sport and reality show fans have different reasons to take not of the rumoured line up for I’m A Celebrity…. Get Me Out Of Here! 2025 as a major sporting event may be affected by plans

Boxing star Conor Benn is reportedly being lined up to star in the upcoming season of ITV’s I’m A Celebrity Get Me Out Of Here! despite having fights planned incredibly close to the expected air date.

Long-time fans of I’m A Celeb will be used to watching stars parachute into the Australian jungle every November. This year will see the 25th season of the long-running show air on ITV – and an early November start date is anticipated.

One of the names linked to the upcoming series is 29-year-old boxer Conor, who is the son of former two-division world champion boxer Nigel Benn. Fans might be surprised to see his name tied to the series, as he is due to fight Chris Eubank Jr on November 15 for a hotly anticipated rematch.

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A source told The Sun: “The logistics are a challenge given how close the match is to the start of the jungle, but ITV and Conor are keen to make this happen if they can.” The Mirror has approached representatives of Conor and I’m A Celebrity for comment.

A string of other stars have been tipped to appear in the new season of the show, with EastEnders star Shona McGarty, Emmerdale star Lisa Riley, and comedian Ruby Wax among those thought to have signed up for gruelling tasks and infamous trials.

I’m A Celeb fans should have even more jungle action to watch in the coming months as a second season of the All Stars version has reportedly wrapped. Filmed in South Africa, the spin-off show sees past contestants return to take part in more tasks.

Gemma Collins, Harry Redknapp, Scarlett Moffatt, and Sir Mo Farah are among the names attached to the upcoming second season. The format of the show has disappointed fans, however, as it airs as a pre-recorded show.

This deprives viewers of the ability to vote for those they want to see take part in trials – and also to vote for a winner. The first All Stars season aired in April 2023 – six months after the filming process ended.

Former Hear’Say singer & presenter Myleene Klass was crowned the winner of the show, triumphing over second-place star Jordan Banjo and third-place star Fatima Whitbread.

ITV confirmed the show would return last month, with host Ant McPartlin saying in a statement: “The campmates really brought their A-game to the first series, so we can’t wait to be back for more trials, challenges and surprises amongst the beautiful South African landscape.”

Co-host Declan Donnelly added: “Having a live final is an exciting addition to the new series with the viewers choosing their IAC Legend and we’ve heard some of the new trials are truly epic, even by I’m A Celeb… standards!”

Meanwhile, Katie Rawcliffe, Director of Entertainment, Reality & Daytime Commissioning at ITV, said: “We were blown away by the love for the first series of I’m A Celebrity… South Africa. It was a true celebration of the show’s history, and viewers loved seeing their favourite campmates return to their screens. We can’t wait to do it all again next year with a whole new cohort, and have the audience crown the winner during a live final for the first time.”

And Tom Gould, Director of Entertainment & Formats, Lifted Entertainment, added: “We’re very excited to have some more of the most memorable campmates from previous series returning to take on terrifying trials and face challenging twists and difficult decisions, in the tougher setting of South Africa.

“It will test them to their limits, and with a live final, this time viewers will get to decide who truly deserves the title of I’m A Celebrity Legend”.

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BELOVED Brit soap actor Tony Adams who starred in Crossroads has died aged 84 with tributes pouring in.

The legend died at Sussex County Hospital in Brighton on Saturday, with his wife Christine by his side.

Anthony Sawley Adams was born in Anglesey, Wales, in 1940 and later trained as an actor at the Italia Conti theatre school.

Following performances on the stage, he made his name as Dr Neville Bywaters in the 1970s soap General Hospital and appeared in the Dr Who series The Green Death.

In 1978, he took on the role of accountant Adam Chance in soap Crossroads – the role for which he became best known.

The series ended in 1988 after more than 4,500 episodes, with Adams staying until the end.

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He was one of the original cast members, including Jane Rossington and Kathy Staff, who returned when the soap was revived in 2001.

Adams then appeared in the stage version of Chitty Chitty Bang Bang at the London Palladium Theatre, where he played Grandpa Potts, in 2004.

In 2023, he had a cameo role in Nolly – a three-part drama created by Russell T Davies which tells the story of Crossroads actress Noele Gordon.

Actor Augustus Prew, who played Adams in the drama, described him as a “magical man” during interviews at the time.

Michael Rose, of The Michael Rose Organisation Ltd, paid tribute to Adams as an “absolute joy” and a talented actor, dancer and singer.

“He was one of the warmest gentlemen you could wish to work with,” Mr Rose said.

“He was an absolute joy. He was a dancer originally but there was nothing Tony couldn’t do.

“He was a very accomplished actor, he was a really good dancer and singer.

“He played Grandpa Potts in Chitty Chitty Bang Bang and was a joy to have in the company, as he was in every company.

“We shall miss him.”

CONAKRY, Guinea — It was the middle of the day when Omar Diaw, known by his artist name “Chimere” — French for chimera — approached a blank wall off the main thoroughfare in Guinea’s capital and started spray-painting.

“They know who I am,” he said confidently. Though it wasn’t clear who ”they” were, civilians and police didn’t bat an eye as Diaw’s fellow artists unloaded dozens of paint cans onto the roadside in Conakry.

Graffiti has thrived for years in Diaw’s native Senegal, where the modern urban street art first took off in West Africa. But when he moved to Guinea in 2018 to explore a new place, he said such art was nearly nonexistent.

“It was thought that graffiti was vandalism,” he said.

To win over the public, Diaw took a gentle approach, using graffiti for public awareness campaigns. One of his first was to raise awareness about COVID-19 preventive measures.

“We had to seduce the population,” he said.

The port city of Conakry faces rapid urbanization. Diaw’s graffiti has become an undeniable part of its crowded, concrete-heavy landscape.

His larger-than-life images of famous Guinean musicians and African independence leaders now dwarf the overloaded trucks that drive by. Drying laundry hung over the portrait of the West African resistance fighter Samory Toure.

The tag of Diaw’s graffiti collective, Guinea Ghetto Graff, is on murals all over the city.

Graffiti as it’s known today began in the 1960s and ’70s in the United States. It arrived in West Africa via Dakar, Senegal, in 1988, when the region’s first graffiti artist, Amadou Lamine Ngom, started painting on the city’s walls.

Known by his artist name, “Docta,” Ngom and a group of fellow artists were commissioned the following year to paint murals for an awareness campaign aimed at cleaning up Dakar’s streets.

Ngom, 51, said that at the beginning, aside from such campaigns, he did graffiti mostly at night. He later changed his approach.

“I decided to do it in broad daylight,” he said. “So as not to copy what’s happening in the United States, Europe or elsewhere. To create graffiti that resembles the African reality, taking into account our reality, our values.”

Ngom, who later mentored the teenage Diaw, said communities grew to respect the public artwork since it reflected their lives and experiences.

With the public’s backing, “the authorities didn’t have a choice,” Ngom said.

These days, graffiti has grown more assertive in Senegal, becoming part of the political messaging around antigovernment protests. In Guinea, Diaw’s graffiti has addressed issues such as migration.

Diaw said Conakry’s governor supports much of his work and has given him carte blanche to do it wherever he wants.

As his latest work beside the thoroughfare took shape, passersby began to stop and admire the portrait of Guinea’s military leader, Gen. Mamadi Doumbouya, who took power in a 2021 coup.

A 22-year-old driver, Ousmane Sylla, said he was familiar with Diaw’s gigantic paintings near Conakry’s airport.

“It reminds us of old Guinean musicians. It reminds us of history,” he said. “Graffiti is good for Africa, it’s good for this country, it’s good for everyone. I like it, and it changed the face of our city.”

The next step might be bringing in a wider range of artists.

“I would really like to see more women become a part of this, because they say that [graffiti] is for men,” said Mama Aissata Camara, a rare female artist on Guinea’s graffiti scene.

Risemberg writes for the Associated Press.

Claudia Winkleman and Tess Daly will be leaving Strictly Come Dancing at the end of the current series, with new hosts set to take over next year

Strictly Come Dancing fans have been begging La Voix to be the next new host after Claudia Winkleman and Tess Daly announced they were leaving. The iconic duo announced last week that they wouldn’t be presenting the next series.

Since then, several names have been suggested who may replace the current hosts. Fans of the show have said they would love current contestant La Voix to take on the job.

La Voix made her own plea during Saturday’s show where she threw her own hat in the ring as a potential candidate. The Drag Race UK star took the chance to ask Claudia live on air for her job.

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La Voix was waiting in the Clauditorium ahead of her performance as she asked the host: “Claudia, while I’ve got you, do you know the address when you send your CV to the BBC? Just in case any new jobs are coming up. I’m just asking for a friend.”

Claudia laughed as she grabbed La Voix’s hand and led her over to the camera to take a turn, saying: “Give it a go, babe, let’s do it now.”

La Voix then had a go at reading the autocue, simply saying: “Tess.” She then handed over to the main studio as the entire room burst into laughter.

Fans took to social media to say that they think the star would be a great candidate to present Strictly. One said: “La Voix is pure entertainment. Everything she does/says is gold.”

While a second added: “La Voix has the personality & humour to be one of the new Strictly presenters!” As a third wrote: “She has the sarcastic wit of Bruce Forsyth, love it, make a great replacement for Claudia.”

“La Voix is one of the all-time greatest contestants this show has seen in terms of pure entertainment value. She never wastes a single second of screen time; she’s always ready with a joke to be cracked,” another said.

Tess and Claudia opened the show on Saturday night, where they spoke about their recent announcement. Tess began: “Just before we get started tonight, Claud and I announced this week that this will be our last series of Strictly Come Dancing.”

As the audience clapped, Claudia continued: “We want to thank you for your beautiful messages. We’ve got another eight weeks on this incredible show and a Strictly champion to crown.”

Tess concluded: “And we cannot wait to spend the rest of the series with you, with our amazing couples and these four [the judges].”

The pair announced that they were leaving in a video posted to their Instagram page last Thursday. It’s been previously reported that the duo had made a pact that they would always leave together.

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IRIS Law had her assistants running across New York to find her favourite treats ahead of the Victoria’s Secret show, it’s been reported.

The 25-year-old daughter of actor Jude Law and film producer Sadie Frost, made her debut as an Angel during the return of the world famous runway show in October.

This year’s Victoria’s Secret show was full of famous faces including fellow nepo babies, Bella and Gigi Hadid, and Lila Moss.

But it was reported that Iris had plenty of demands as she prepared to walk the runway.

Iris is said to have sent her team of assistants looking for cookies from a particular bakery and then smoothies from another place in New York, according to Daily Mail.

The Victoria’s Secret catwalk show made a stunning return earlier this month and was full of A-list models including, Alessandra Ambrosio, Jasmine Tookes, Angel Reese,  Barbie Ferreira,  Ashley Graham, Irina Shayk and Emily Ratajkowski.

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Born Iris Tallulah Elizabeth Law on October 25, 2000, the rising star is a British fashion model and actress.

She burst onto the modelling scene when she was in her teens and has been booked by some of the biggest fashion houses in the world.

Iris has previously posed for Christian Dior, Calvin Klein, and Versace.

She has also started to forge a career in the movies and follow in her famous parents’ footsteps.

Iris previous dated England footballer Trent Alexander-Arnold.

The whirlwind romance between Trent and Iris hit the rocks last year.

Before then pictures of Trent and Iris in the Caribbean in July showed them looking like a perfect couple after meeting on a photoshoot with Guess Jeans only five months prior.

Her dad, Jude has seven different children with four different women.

His other kids are named Raff, 27, Rudy, 21, Sophia, 14 and Ada, eight.

Jude and his current wife Phillipa Coan, whom he married in 2019, have reportedly had two children, one in 2020 and one in 2023.

PARIS — At least two suspects have been arrested in connection with the theft of crown jewels from Paris’ Louvre Museum, the Paris prosecutor said Sunday, a week after the heist that stunned the world.

The prosecutor said that investigators made the arrests Saturday evening, adding that one of the men taken into custody was preparing to leave the country from Paris Charles de Gaulle Airport.

France’s BFM TV and Le Parisien newspaper earlier reported that two suspects had been arrested and taken into custody. Paris prosecutor Laure Beccuau did not confirm the number of arrests and did not say whether any jewels had been recovered.

Thieves took less than eight minutes Oct. 19 to steal jewels valued at more than $100 million from the world’s most-visited museum. French officials described how the intruders used a basket lift to scale the Louvre’s facade, forced open a window, smashed display cases and fled. The museum’s director called the incident a “terrible failure.”

Beccuau said investigators from a special police unit in charge of armed robberies, serious burglaries and art thefts made the arrests. In her statement, she rued the leak of information, saying it could hinder the work of more than 100 investigators “mobilized to recover the stolen jewels and apprehend all of the perpetrators.” Beccuau said further details will be unveiled after the suspects’ custody period ends.

French Interior Minister Laurent Nunez praised “the investigators who have worked tirelessly, just as I asked them to, and who have always had my full confidence.”

The Louvre reopened last week after one of the highest-profile museum thefts of the century stunned the world with its audacity and scale.

The thieves slipped in and out while museum patrons were inside, making off with some of France’s crown jewels — a cultural wound that some compared with the burning of Notre Dame Cathedral in 2019.

The thieves escaped with eight objects, including a sapphire diadem, necklace and single earring from a set linked to 19th century queens Marie-Amélie and Hortense.

They also took an emerald necklace and earrings tied to Empress Marie-Louise, Napoleon Bonaparte’s second wife, as well as a reliquary brooch. Empress Eugénie’s diamond diadem and her large corsage-bow brooch — an imperial ensemble of rare craftsmanship — were also part of the loot.

One piece — Eugénie’s emerald-set imperial crown with more than 1,300 diamonds — was later found outside the museum, damaged but repairable.

News of the arrests was met with relief by Louvre visitors and passersby on Sunday.

“It’s important for our heritage. A week later, it does feel a bit late; we wonder how this could even happen — but it was important that the guys were caught,” said Freddy Jacquemet.

“I think the main thing now is whether they can recover the jewels,” added Diana Ramirez. “That’s what really matters.”

Petrequin and Garriga write for the Associated Press and reported from London and Paris, respectively.

Vicky Pattison has ‘confirmed’ the first star of next year’s Strictly Come Dancing as she revealed she will be in the front row every week to watch close pal Dani Dyer ‘smash it’

Strictly‘s Vicky Pattison appears to have confirmed the first contestant of next year’s series as she stated her friend Dani Dyer will return to the dance floor, after she had to pull out of the competition last minute due to an injury.

Dani, 29, and Vicky struck a close friendship during their training for the BBC dance show and have publicly supported each other online. Dani, who was initially paired with show pro Nikita Kuzmin, 27, was left gutted after she had to suddenly leave the show and her friends, just days before her first dance.

While she is unable to dance, she showed up on Saturday evening to support her fellow stars and praised Vicky on her routine to Fight for This Love by Cheryl for Icons Week.

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Dani shared a series of images on her Instagram, including a sweet snap cuddling an emotional Vicky. She wrote in the caption: “So happy I got to watch @bbcstrictly last night.. missed you all and so proud. And my beautiful @vickypattison just love you so much and watching you live was just PERFECT!! love you all loads.”

Vicky was quick to comment back and appeared to confirm that Dani will be on next year’s series. She wrote: “I love you so much mate, my girl!!! I will be front row every week next year watching you SMASH IT”. Vicky also reposted the image to her stories, where she repeated that she ‘can’t wait’ to watch Dani next year.

It came after Vicky’s emotions poured out before her latest performance, as she reflected on the person she used to be and who she is now, before transforming into Cheryl Tweedy for an impressive routine.

As the pre-dance video rolled, Vicky said: “I first started out in this industry at about 21 and I made some bad decisions. I just don’t think at that age I had the tools to navigate that space I was in. Now I do my best to be a better version of myself – someone I can look in the mirror and feel alright about.” She went on: “What I’ve learnt about myself is that with determination and a little bit of self-belief, you can achieve stuff.”

As she opened up on her song choice for the week, Fight for this Love by the Girls Aloud star, Vicky added: “Apart from being a banger is a very important song to me. The whole idea that the comeback is greater than the setback.

“You can have the life you want. You can change the narrative. You can be who you want to be, not letting the past define you. I think that’s really powerful. I worked on myself and now I’m here in a place that makes us really happy and I’m finally becoming a woman I’m proud of.”

Following the performance, which racked up a score of 33 from the judges, Cheryl congratulated her fellow Geordie before saying she was “honoured and humbled” to be her choice of icon.

Cheryl sweetly said: “I know you’ve got it in you because you’re a Geordie. So go on, get out there. Fight for your place, and I’m sending you loads of love. I’ll be rooting for you from home.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

ROMEO Beckham has confirmed that he is back with his ex Kim Turnbull after rekindling their romance.

The pair were seen in Paris this weekend, holding hands and looking loved up, just six months after the strain of the Beckham family feud led to them splitting up.

The pair’s romance was previously said to have “fizzled out” shortly after Romeo’s dad David’s star-studded 50th birthday party.

The split also came amid the subsequent feud between Romeo’s brother Brooklyn Beckham and the rest of the Beckham clan.

Last week, Romeo, 23, soft-launched that he and Kim, 24, were back on, and now things are official since they were spotted in public holding hands.

On a date night in Paris with Kim, Romeo could be seen wearing black cargo trousers with a black top and a leather jacket.

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He completed the look with some beige boots and a couple of chains around his neck.

Meanwhile, Kim twinned with her boyfriend and also opted for an all-black look.

Kim could be seen donning black pinstripe trousers with a waistcoat worn alone and buttoned down the front.

She held onto a black jacket and carried a bag on her shoulder.

Kim wore her hair up in a sleek ponytail, and finished off her look with a pair of white shoes.

In other pics from their outing, Romeo donned the same outfit while Kim rocked a different look.

For their daytime outing, Kim wore some baggy blue ripped jeans and a button-down black leather jacket.

Last week, Romeo hinted that he and Kim were back together when he shared a very telling image on social media.

It came when he posted a snap with Kim on his Instagram Stories.

The picture saw Kim dressed in an oversized jacket with the hood up, and Romeo in a beanie hat as he stood behind her.

The pair were facing the camera as he took the selfie.

It was revealed back in June that the pair had decided to call time on their romance.

The announced of their split came around the same time that the Beckham family feud kicked off.

A source told The Mail at the time: “Romeo and Kim are both young and they had a lovely time together but at that age things don’t always last forever and they decided to split up.

“They have been friendly since and have even been at the same venues.

“It’s a huge shame, particularly as David and Victoria really adored her and thought she made Romeo happy but it wasn’t to be.

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“It happened a couple of weeks ago and relations have remained friendly between them.”

Kim and Romeo first went public with their romance after his split from Mia Reagan, his ex of five years.

David Ball of Soft Cell, whose delectably sleazy synth-pop arrangement drove that English duo’s 1981 hit “Tainted Love” to the top of the U.K. singles chart, died Wednesday. He was 66.

The producer’s death was announced in a post on Soft Cell’s website, which didn’t state a cause but said that Ball died at his home in London. On Facebook, the duo’s singer, Marc Almond, wrote that Ball’s health “had been in slow decline over recent years” due to an unspecified illness.

“It is hard to write this, let alone process it, as Dave was in such a great place emotionally,” Almond said on Soft Cell’s site. “He was focused and so happy with the new album that we literally completed only a few days ago. It’s so sad as 2026 was all set to be such an uplifting year for him, and I take some solace from the fact that he heard the finished record and felt that it was a great piece of work.”

Ball and Almond performed as Soft Cell at last month’s Rewind Festival in England; the LP they’d just wrapped is set to be titled “Danceteria” after the New York City nightclub that became an incubator of new wave and synth-pop in the early ’80s.

Soft Cell was an “experimental electro band [writing] weird little pop tunes about consumerism,” as Almond told the Guardian in 2017, when the duo decided to record a cover of “Tainted Love,” which the soul singer Gloria Jones had introduced to little success in 1964.

Ball devised his take on the song using his “dodgy old Korg synths” as well as a state-of-the-art Synclavier that cost more than £100,000, according to the Guardian. Soft Cell’s cover felt “twisted and strange,” Ball said, which suited the “weird couple: Marc, this gay bloke in makeup, and me, a big guy who looked like a minder.”

With Almond’s panting vocal over Ball’s sexy yet sinister production, “Tainted Love” hit No. 1 in the U.K. the same year as the Human League’s “Don’t You Want Me” and “Prince Charming” by Adam & the Ants. In the U.S., “Tainted Love” peaked at No. 8 on Billboard’s Hot 100 in 1982.

Today the song has been streamed more than 1 billion times on Spotify, kept alive in part by Rihanna’s prominent sample of “Tainted Love” in her 2006 hit “SOS.”

Ball was born May 3, 1959, in Chester, England, and grew up in an adoptive family in Blackpool. He and Almond formed Soft Cell in 1979 after meeting as students at Leeds Polytechnic, where Almond was known for a performance art piece in which “he’d be naked in front of a full-length mirror, smearing himself with cat food and shagging himself,” Ball told the Guardian.

The duo released its debut album, “Non-Stop Erotic Cabaret,” in 1981, then followed it with two more LPs before splitting in 1984. “Few groups took as much pleasure in perversity,” said Rolling Stone, which called “Non-Stop Erotic Cabaret” a “conceptual salute to the sex industry.” In 2022, Pitchfork said the duo’s debut offered “a snapshot of pre-AIDS queer life at its heady peak.”

After Soft Cell’s breakup, Ball collaborated with Genesis P-Orridge of Throbbing Gristle and formed a dance group called the Grid with the producer Richard Norris; he also worked in the studio with the likes of Kylie Minogue, the Pet Shop Boys and David Bowie.

Soft Cell reunited in 2001 and again in 2018; the statement on the band’s website said “Danceteria” would come out in early 2026. According to the statement, Ball’s survivors include four children.

Halloween is nearly upon us which means most of us are enjoying a season of spooky horror films. And when we’re listing the classics, of course Hocus Pocus is one of them

The spookiest time of the year is nearly upon us, AKA Halloween, and it’s the season for pumpkin spiced lattes, dressing up and of course, scary horror movies. But luckily for those scaredy cats among us, there are some Halloween films which aren’t so terrifying.

If you know your stuff, then Hocus Pocus has definitely been on your watchlist in the past, but have you ever noticed this teeny-tiny detail in the movie? The 1993 film is a fantasy comedy film, released by Walt Disney, which follows the Sanderson sisters who are resurrected from the dead after Max Dennison lights the black-flame candle three centuries later.

These three witches, played by Bette Midler, Sarah Jessica Parker, and Kathy Najimy, are on mission to suck the souls of children in order to keep themselves young.

Just three years ago, the film released a sequel which then follows on from the iconic 90s movie. Now the TV detective, known as Ivan Mars, couldn’t help but notice one detail about the two storylines.

Posting with his 961,000 Instagram followers, he said: “It took me 30 years to realise this in Hocus Pocus…

“So we know back in 1693 the Sanderson sisters brew their potion to steal a child’s life… And after adding everything, the spell calls for a piece of each witch’s tongue, that’s why all three become younger.

“Now check this out… centuries later in 1993 the witches reunited to do the same with Dani but something’s off… this time only Winnie adds her piece of tongue to the potion and she doesn’t tell her sisters to add theirs…

“So according to the book the potion would have worked for her alone. Does it mean it was Winnie’s plan all along as she never meant to share eternity with anyone else?

“That’s why the second movie focuses on the importance of a Coven as she finally realises she’s nothing without her sisters!”

The post racked up 24,500 likes and hundreds of comments from people who were equally amazed. One said: “Does make sense a lot.”

Another added: “Yeah this makes sense. Winnie was never really about her family, but in the second one she does have a moment of growth.” While a third chimed in: “Good observation.”

And a fourth chimed in: “And they could have waited and released the second one in 2023 to mark 30 years later.”

FOR years, Victoria Beckham’s been branded the biggest spoilsport when it comes to a potential Spice Girls reunion – thanks to her refusal to ever sing on stage again.

But – following reports that it’s Geri Horner, not Victoria, who’s “dragging her heels” on plans to mark the girls’ 30th anniversary next year – a different picture is emerging. One which reveals a bigger “diva” hiding in plain sight.

Yes, all evidence suggests that Geri’s doing what she’s always done behind the scenes – vying to be top dog. And if she doesn’t get her way, she’ll simply do what she did before: quit. 

Speaking exclusively to the Sun, an insider tells us that whispers of Geri’s obstinance behind closed doors are nothing new. 

We’re told: “Although it’s always Victoria who gets the reputation for being a diva, it’s actually Geri.

“There’s always been that slight distance between her and the rest of them as she did leave them high and dry at the biggest point of their career during that world tour in 1998 [when she shocked the world and left the band at the height of their fame and fortune]. 

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“Obviously that was years and years ago and they’ve all moved on but the four others do have a slightly different bond. But Geri is quite selfish and will always put herself first to get what she wants and she likes to be the one in control making all the decisions.”

Earlier this week, The Sun revealed that Geri, Victoria and their fellow bandmates Emma Bunton, Mel B and Mel C have been involved in discussions ahead of the 30th anniversary of the release of their debut single Wannage next year.

According to sources: “A variety of projects are being talked about to mark the occasion, including a documentary and a possible tour or performance by the group.”

There’s also apparently hope of a biopic being made for Netflix by Orchid Pictures, which is headed by The Crown producer Suzanne Mackie.

But time is closing in on making a final decision – and Geri’s reportedly gone quiet, with insiders reporting she’s been “dragging her heels” for almost a year now. 

Our source says Geri’s reluctance stems from a number of factors: one, she’s always been in the driving seat when it comes to the Spice Girls – ever since they first got put together in 1994.

Long-time fans might remember that Geri often positioned herself as the creative force behind the band, and was known to butt heads with their management. 

She even infamously led the band’s coup against their then-manager Simon Fuller in 1997, firing him because he was too controlling.

They initially managed themselves in the aftermath – with Geri largely taking the reins – before subsequently taking on a different team to steer them forwards. 

As a result, Geri has long been considered to be the de facto leader – a crown she’s worn proudly. The fact that she’s not the instigator of these latest plans is therefore apparently causing discomfort for Ginger Spice.

Husband’s scandal

The other factor that seems to be waylaying her decision-making right now is the ongoing controversies surrounding her husband, Christian Horner. 

Racing legend Christian served as head of Red Bull for 20 years, but was let go as team principal in July following a slump in the team’s performance and amid reports of internal power struggles.

But the elephant in the room at his leaving-do was the fact that – just 12 months earlier – he’d been embroiled in a text scandal.

A female employee accused him of “inappropriate, controlling behaviour”, before an independent investigation cleared him of wrongdoing.

In the aftermath, Christian denied all allegations – and Geri loyally stood by him. But the controversy inevitably played a part in Christian’s Red Bull exit, and – according to sources – it did a number on Geri, who felt understandably humiliated.

Granted, Christian’s rumoured £80million payout will have softened the blow, but being married to Christian has always carried a certain sense of pride and prestige for Geri.

Geri’s still embarrassed by all the Christian allegations, and feels she’s lost some of the power she had

Insider

So, seeing his name dragged through the mud will have undoubtedly done a number on her.

Our insider reveals: “Geri’s still embarrassed by all the Christian allegations, and feels she’s lost some of the power she had. 

“She now wants to be the one who plans all the 30th anniversary celebrations.” 

Cheeky spice

On the face of it, Geri’s undoubtedly transformed before our eyes over the past 30 years.

Back in 1994, she assumed the highest rank among her new bandmates thanks to her ballsy attitude and outspoken antics – and that was something she dialled up when they hit it big. 

Taking the title Ginger Spice with pride thanks to her box-dyed, flaming red hair, Geri earned a name for herself for being cheeky, headstrong, and loudly screaming “girl power!” to anyone who would listen.

The origins of that famous Spice Girls pop feminist slogan are debatable, but Geri’s certainly repeated it enough over the past three decades to claim a majority share in its inception. 

Back then, part of her calling card was being messy, cheeky and pushing boundaries, like the time she kissed Prince Charles on the cheek – and, rumour has it, pinched his bum at the premiere of The Spice Girls’ movie Spiceworld in 1997.

She later clarified: “I didn’t pinch Prince Charles’ bum, as reported. I patted it.” 

Meanwhile, her legendary Union Jack dress – which she boasted she’d made herself using a tea towel – became a lasting emblem of the band as a whole. As a result, Geri promulgated herself as the group’s mascot. 

When she left the Spice Girls in May 1998 – saying at the time it was due to “differences between us” – she inevitably sirened the beginning of the end for the band.

The girls continued as a foursome for another album, but while Geri’s solo career soared, they couldn’t quite match their previous success – which, one can only assume, will have fed her feelings of importance all the more. 

Over the years, feelings of bad blood softened – even as we learnt more and more about the in-fighting that had plagued the band, as it emerged that Geri and Mel B had often come to blows. 

In 2007, they reformed as a fivesome for the first time for their Return of the Spice Girls world tour, and Geri proudly flew the flag again – literally – in a Union Jack inspired outfit. 

She may have mellowed slightly, but she still upheld that cheeky Ginger Spice persona that had initially made her famous.

A triumphant performance at the Olympics Closing Ceremony in 2012 reunited them again – followed by a photocall at the London premiere for the Spice Girls’ inspired West End musical, Viva Forever! 

At the latter, Geri stood between her bandmates in a massive blue ballgown, again reminding us who was queen bee. 

Who’s Posh?

But – over time – as Victoria’s fashion career skyrocketed, it became more and more difficult to maintain the Spice Girls as a five-piece. 

Crucially, Victoria’s ambivalence to the band wasn’t sparked by any need for control; it was simply her coming to the inevitable conclusion that her talents lay elsewhere, and she gave them her blessing to continue regardless.

In the meantime, Geri’s metamorphosis continued. Over time – and especially after meeting Christian in 2013 – she dropped the cheeky, outspoken, ballsy act, and started becoming….well, just a little Posh. 

After she and Christian married in 2015, they settled in a country mansion in Oxfordshire, welcomed their son Monty, now eight (Geri’s also mum to Bluebell, 19, from a previous relationship), and duly became lord and lady of the manor.

In the process, Geri’s taken to wearing an all-white wardrobe, speaking in clipped vowels, and blushing at the memory of some of her more brassy stunts of the past.

When she and Mel B, Mel C and Emma reunited as a foursome for the Spice Girls’ second reunion tour in 2019, she directly addressed her twentysomething behaviour, saying she’d been a “brat” for leaving the band in 1998.

But – according to our source – while Geri may have softened on the outside, and now prefers cooking with her Aga and tending to her farm animals than causing a scene at showbiz events, she’s still just as headstrong as ever. 

She may not be about to pinch a monarch’s bum anytime soon, but she refuses to be sidelined. 

The others feel if Victoria is onboard, then they need to get it all sorted, and fear that Geri dragging her heels could cause Victoria to change her mind

Insider

So, now that she’s feeling on shaky ground as the group’s 30th anniversary approaches, we’re told she’s keeping her distance until they reassure her, in no uncertain terms, that she’s still de facto leader.

To that end, our insider says Geri kept a wide berth from the others when all five girls attended the premiere for Victoria’s new Netflix docuseries Victoria Beckham earlier this month.

Our source tells us: “Even at Victoria’s premiere, she kind of stayed away with Christian and his daughter, while Emma and Mel C mingled with everyone. Geri didn’t pose on the carpet with them. 

“When The Spice Girls first got together, it was Geri and Mel B making most of the decisions because they were the loudest, but they’ve all found their voices and the others feel if Victoria is onboard, then they need to get it all sorted, and fear that Geri dragging her heels could cause Victoria to change her mind. 

“But Geri likes to feel needed so will want them to be flattering her and giving her more control so that she agrees.” 

As rumours of in-fighting spread earlier this week, Geri took to Instagram, upholding her reinvention as the true Posh Spice by announcing she’d be appearing at The Royal Commonwealth Society’s Christmas Concert in December. 

She told fans she was “looking forward” to it – while making no mention of the big music milestone anniversary on the horizon. 

It seems the issue comes down to power: who wants it absolutely, and who’s willing to share.

Geri may have long trailblazed the world’s need for girl power, but she might just have been talking about one specific girl only: herself. 

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And if she doesn’t get that absolute power, she’s fully prepared to Stop right there, thank you very much.

Representatives for Geri Horner were approached for comment.