show biz

Princess Andre has shared that filming has wrapped on the second series of her ITV2 reality show The Princess Diaries, with the series expected to return in spring

Princess Andre has delivered a significant announcement regarding the future of her ITV2 reality programme. The 18-year-old followed in her famous parents’ footsteps by landing her own ITV series last summer.

The programme documented the teenager’s everyday life, though mum Katie Price was conspicuously missing after she was allegedly prohibited from appearing in any footage for the show. Dad Peter, however, featured prominently alongside her brother Junior.

Princess has now provided an exciting development on the programme, called The Princess Diaries, after it was confirmed for a second run following strong viewing figures.

The teenager has disclosed that production has concluded, with her final day on set taking place yesterday. She posted an image of the show’s clapperboard along with a backstage photograph of her recording her to-camera segments for the series.

Princess wrote: “Last day of filming.” The programme is anticipated to return to television screens during the spring months. Her announcement follows her parents releasing an unusual joint statement in which they detailed their commitment to cease making disparaging remarks about each other online.

Peter and Katie established a legal arrangement whereby both promised to end their public criticism of one another following numerous acrimonious public disputes – an uncommon ceasefire for the frequently feuding former couple.

The Sun learned that Katie had spent months declining Peter’s persistent efforts to broker peace. Sources suggest their children, Junior, 20, and Princess, 18, are the motivation behind her ultimate decision to accept her former husband’s An insider revealed: “Pete’s team have been begging Katie to end this for good for months.”

As far back as November, they were calling Katie and her family to try to end the row. “She was resolute, she wouldn’t make peace with him. It was the children who made her realise she needed to draw a line in the sand. Katie has done this for them.”

Taking to Instagram, they both posted: “Katie Price and Peter Andre have decided to close the door on the past and move forward into a new chapter with positivity and respect. We are both focused on creating a calm and supportive environment for our children.

“We have reached a mutual agreement, both legally and personally confirming that neither of us will speak negatively about the other going forward. This decision reflects a shared commitment to our family and stability.”

The statement continued: “We want to stand united for our children. We are hoping this is a start of a positive relationship. We ask for understanding and support from both the media and the public as we move ahead.”

The unusual move comes just after Katie exploded at her former husband on her weekly podcast, accusing him of keeping her away from their daughter Princess as she launched her own reality TV show and making her look like the ‘baddie’.

Peter hit back by saying he had tried to stay silent for ‘sixteen years’ to ignore ‘repeated lies from my ex-wife and her family’. “That ends today,” he fumed.

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Clare Balding met wife Alice Arnold when they both worked at the BBC in the 1990s, admitting she had one major question she wanted to ask in the early days of their relationship

Clare Balding had a “big question” for her wife Alice Arnold when the pair first started dating. Clare, 55, met 64-year-old Alice when they were both working on the BBC in 1999.

Their relationship blossomed and in 2006 they entered into a civil partnership together, later marrying in 2015, when same-sex marriage was legalised. And while the pair have now been together for over 26 years, Clare says there was one thing that could have been a deal-breaker.

The BBC Sport presenter says she is a lover of animals, having grown up surrounded by “hundreds” of horses and dogs. It meant Clare always wanted to have a dog in her life as an adult.

Speaking on the Bookshelfie podcast, she said: “When Alice and I first got together my big question, ahead of everything, was, ‘Can we get a dog?’ It’s really important. Twenty four years later I’m glad she said, ‘Yes, we can get a dog’.”

Podcast host Yomi Adegoke, added: “You need to lay that groundwork because if the answers are not aligned, this is not going to work.”

Alice has previously admitted that allowing her wife to have a dog was one of the “original commitments” she made during the early stage of their relationship. In Clare’s book, Isle of Dogs, former Radio 4 announcer Alice said she would “never go back” on the pledge.

Clare admits she was left with a “dog-shaped hole” in her heart in 2020 after her much-loved Tibetan terrier Archie had to be put to sleep. While she says it was the “best decision” for the dog, she admits she “thinks about him everyday”.

After Archie’s death, Clare felt compelled to continue walking his favourite routes around Chiswick, London, to honour his memory.

Speaking to The Times, Clare said: “After Archie died in 2020 I wanted to walk his favourite route repeatedly to remember him, which seems a rather masochistic thing to do, and it was so painful because we kept seeing dogs we knew, and I’d stop to say hello before bursting into tears. We cried a heck of a lot, but slowly it became easier.”

Clare hopes that she and Alice will swap London for the countryside eventually so they can welcome a new dog into their lives. Clare explained: “We’re looking to move out of London, and one of the main reasons for that is to have a bit more space and protection from the road so it’s a good environment for a dog.

“As soon as we’re settled, it’s our plan – probably next spring. I smile at the thought of having a dog back in our lives.”

Clare previously revealed to MailOnline that she yearns for “everything a dog brings” to her life, from the icy winter strolls to the “enthusiastic greeting” Archie would offer her upon returning home from work.

She describes Archie as the “perfect dog” because he didn’t moult, which mattered greatly to Alice, who suffers from dog allergies. Clare, who hosts Crufts on Channel 4, explained: “Tibetan terriers are small enough to pick up but strong enough to go on long walks.

“They are intelligent, loyal and full of character. They are good guard dogs but don’t yap without cause.”

Clare will be presenting the coverage of the Winter Olympics on BBC Two between 6pm and 10pm tonight (February 7). It will feature the final run of the men’s singles luge, the ski jumping medal ceremony, and the big air run of the men’s snowboarding among others.

With his six-volume magnum opus “My Struggle,” Karl Ove Knausgaard became one of Europe’s most acclaimed contemporary novelists.

At once epic and intimate in scope, the books used the raw material of Knausgaard’s life to answer questions about male identity, the obligations of fatherhood and marriage, and what it takes to become a serious artist. In his new novel, “The School of Night,” Knausgaard further explores the mysteries of artistic greatness, using as his template Christopher Marlowe’s 16th century play “Doctor Faustus.” Knausgaard sets his story in mid-1980s London, where two aspiring photographers named Kristian and Hans try to find their footing in the art world.

I spoke to the Norwegian writer about the devil, photography and Radiohead.

✍️ Author Chat

Your novel’s plot and characters are based on Christopher Marlowe’s 16th century play “Doctor Faustus,” which is about a scholar who sells his soul to the devil. Was this something you’ve been thinking about for a while?

I read Thomas Mann’s novel “Doctor Faustus” when I was 19 and it made a big impression on me. It’s been with me ever since then. The devil theme has hovered over some novels I’ve written, so it remained, and then I wanted to set this novel in London, where I now live, and where Marlowe was murdered. I wanted all of this in the background, but I didn’t know how to use it. That came during the writing.

The two young artists in “The School of Night” are photographers, an art form that has long been associated with the occult and summoning the unseen world. One thinks of the spirit photography trend of the 19th century in England.

I wrote about the first photograph in the novel, shot by Daguerre in 1848. I have it on my wall in my office. It’s a Paris street, which I find very unsettling and spooky, because even though it’s daytime there are no people on the street because the exposure was too slow to capture them. There’s just this lone figure, in the center of the frame who looks like the devil. I find it intriguing that the devil might have been present when the first photograph was taken.

Karl Ove Knausgaard, one of Europe’s most acclaimed contemporary novelists, sets his newest novel, “The School of Night,” in mid-1980s London.

(Solve Sundsbo for D2)

I think one of the reasons for the enduring appeal of the Faust legend is, if given the chance, most people would sell their souls for success, especially artists.

I think you’re right. And it is also a way of explaining something that is really mysterious, how a kind of normal, maybe even mediocre person could achieve something great overnight. When I was 19, I could have cut off my left arm to just have a book published. And when I wrote “My Struggle,” I was so frustrated in my writing, I was willing to go to extremes, to just make something happen. And then I didn’t think much about that when I wrote “The School of Night.” But it’s all kind of obvious to me afterwards that I use that feeling of doing something I really shouldn’t, and I could have stopped, but I still did it.

To your point: Kristian, your protagonist, has an artistic breakthrough when he photographs a dead cat that he has boiled. I guess my question is: A boiled cat?

Oh, that’s just due to the way I write. I never know what’s going to happen in a book. He’s starting to think about inner structures that keep up life somehow. And then, he thinks, how could he take photos of that? Well, maybe a cat. And then you have to practically get a cat. And then it’s like 25 pages of me describing how to boil a cat. I never planned it, you know.

Do you not outline your novels beforehand?

No, never, I’ve never done that. I do really try to be present and see what happens there. And then there will always be consequences of the choices you make, and that will eventually be the novel. And in this case, the character is different from me, so his choices will be different, and that creates a different trajectory, really.

Your characters are music obsessives in ways that only men in their 20s can be: curating their record collections, and so on.

When I was young, music really meant almost everything to me. When I was 15, I went to a local newspaper and asked to review records for them. And I had my own radio show. I’m not obsessed anymore, but I did see Radiohead at the O2 Arena recently. They are the last band I really wanted to see, and it was absolutely fantastic. I had tears running down my cheeks.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

George Saunders’ new novel might be the dark humor read you need right now, writes Robert Allen Papinchak.

(Los Angeles Times photo illustration; cover from Riverhead Books)

George Saunders has published a new novel called “Vigil,” and Robert Allen Papinchak is besotted by it, calling it a “virtuoso achievement, an immersive experience for the reader.”

Nathan Smith had a Zoom chat with author Martha Ackmann about her new Dolly Parton biography, “Ain’t Nobody’s Fool,” and got the lowdown on how Parton’s fixation with over-the-top wigs began. “Her promotions man happened to be dating an actress who had a big part in the television series ‘Mr. Ed,’ ” Ackmann tells Smith. “This actress took her around, showed her L.A. and they went to the Max Factor store and tried on wigs.”

In an excerpt from this new book, “Football,” Chuck Klosterman makes a case for America’s favorite sport as best viewed in the privacy of our living rooms. “It’s not just that you can see a game better when you watch it on television,” he writes. “Television is the only way you can see it at all.”

Finally, Bethanne Patrick gives us the lowdown on the must-read books of February.

📖 Bookstore Faves

Fear not, grown-ups: Our kids are not digital zombies just yet. In fact, children’s bookstores are thriving in Los Angeles. Children’s Book World is the largest independent bookstore of its kind in the city, with over 80,000 titles for sale. The store is a wonderland of printed matter for kids, with readings, book clubs and even musical performances. I spoke with the store’s manager Brien Lopez to get the lowdown on what our kids are reading.

What’s selling right now?

T.Z. Layton’s “The Academy” series, which is about a global soccer competition for tweens, is one of our best sellers. This series has lots of boys who were not avid readers becoming strong fiction readers because they are about a subject they love and they are really fun reads.

What kind of YA books are popular right now?

For our particular store we sell lots of sunshine romance particularly targeted to new teens like Lynn Painter’s books, as well as both mysteries and suspense thrillers like Jennifer Lynn Barnes’ “Inheritance Games” series. Dystopian sci fi is also popular, like Soyoung Park’s “Snowglobe” duology.

Who are the popular authors?

We just had a 2,000-person event with Dav Pilkey for his new “Dog Man” book and how he gets kids excited about books and reading just can’t be underestimated. We also had big events with beloved authors Katherine Applegate, Stuart Gibbs and Max Brallier. Middle grade fiction and graphic novels are very popular at our store.

Are kids still interested in books, despite all the distractions in their lives?

Kids definitely are interested in books if they are allowed to read about subjects they enjoy and books they love. The moment you tell a child there is a good book versus a bad book to read you have stopped that kid’s reading journey in its tracks. Let kids read the books they love and they will do it for a lifetime.

Children’s Book World in Los Angeles is located at 10580 1/2 W. Pico Blvd.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

California’s ticketing industry could be undergoing some major changes.

On Thursday, state Assemblymember Matt Haney (D-San Francisco) introduced a new bill, the California Fans First Act, that would impose price caps on tickets sold in the resale market, limiting prices to no more than 10% above the ticket’s face value.

By making it illegal to sell overly expensive tickets, AB 1720 is aimed at making resale tickets more affordable for fans. If the legislation becomes law, it would apply only to shows in California and exclude tickets to sporting events.

AB 1720 was introduced weeks after a similar bill, AB 1349, reached the California Senate. The latter aims to ban speculative ticket sales (tickets that resellers don’t yet possess) in the state. If enacted, the proposed legislation would require sellers to have event tickets in their possession before listing them for sale and would raise the maximum civil penalty for each violation from $2,500 to $10,000.

Both bills aim to better regulate the state’s resale ticketing market.

Over the last several years, high ticket prices have been a recurring complaint among concertgoers. Rising demand for tickets has spurred a secondary resale marketplace for all kinds of high-profile live events, including music tours and sports games, making it harder to get tickets on the primary market.

Ticketmaster and its parent company Live Nation have been at the center of this issue for years, as the major ticketing vendor sells around 80% of tickets through its website. The company is currently facing lawsuits from both the Department of Justice and the Federal Trade Commission, alleging monopolistic practices and illegal ticket vendor practices.

“We’re trying to convince the federal government and state governments to get on the same page of recognizing where the problem is, which is overwhelmingly in the resale industry, and trying to do something about it,” said Dan Wall, Live Nation’s vice president of corporate and regulatory affairs, in a previous interview with The Times.

In a statement, Live Nation said it supports “efforts to protect concert fans and artists” and that the latest bill “targets a core problem in live music: predatory resale sites.”

Similar legislation has been popping up nationwide and around the world — the U.K. recently announced plans to ban the resale of tickets for prices higher than their face value.

A resale cap was successfully passed in Maine last year, with tickets only allowed to be sold at 110% of the ticket’s original price. Other states like New York, Vermont, Washington and Tennessee are also considering ticketing regulations.

Some critics see this surge of ticketing legislation as a way to distract from Ticketmaster/Live Nation’s legal troubles and single out the resale market.

Diana Moss, the director of competition policy at the Progressive Policy Institute, said that by capping resale ticket prices, AB 1720 “puts consumers last, not first.”

“It buys into the false narrative that the secondary market is to blame for all problems in ticketing, deflecting attention from the Live Nation-Ticketmaster monopoly,” said Moss in a statement to The Times. “Caps will decimate resale, the only market with competition, and hand Live Nation even more power to jack up ticket fees.”

Bethany Cosentino, the solo artist and co-founder of the rock band Best Coast, posted an open letter castigating her booking agency Wasserman Music over its founder’s connections to Jeffrey Epstein and relationship with convicted child sex trafficker Ghislaine Maxwell.

Agency founder Casey Wasserman — also the head of the 2028 Los Angeles Olympics organizing committee — was included in a recently released tranche of federal documents related to the Jeffrey Epstein investigation. While Wasserman was long known to have have flown with his then-wife Laura on Epstein’s plane with the disgraced financier, these new documents included sexually suggestive messages between Wasserman and Maxwell, Epstein’s consigliere who is serving a lengthy sentence in federal prison for child sex trafficking.

In a statement to the Hollywod Reporter, Wasserman said, “I deeply regret my correspondence with Ghislaine Maxwell which took place over two decades ago, long before her horrific crimes came to light. I never had a personal or business relationship with Jeffrey Epstein. As is well documented, I went on a humanitarian trip as part of a delegation with the Clinton Foundation in 2002 on the Epstein plane. I am terribly sorry for having any association with either of them.”

Meanwhile, Cosentino, a Wasserman client since 2021, wrote in a letter posted to social media that her agency head’s response to the backlash was “not enough… Regret without accountability is just damage control.”

“We are tired of learning, over and over, that men who control access, resources, money and so-called safety in our industry are given endless grace,” Cosentino wrote. “We are tired of being asked to treat proximity to something horrific as an unfortunate situation we should simply move past — especially when the person involved still holds all the power.”

“This letter is my public refusal to accept that this is ‘just how things are,’” she continued.

Cosentino specified that she is “In the Sam Hunt business,” referring to her longtime agent. “I am not in the Wasserman business. I have asked to remove my name and the band’s name from the company site. The position Casey Wasserman has put his agents in is inexcusable. This is a call for him to step down and a change of business name be imminent.”

In the messages between Wasserman and Maxwell, Maxwell said she “thought of [Wasserman] at inappropriate moments,” to which Wasserman answered “I think of you all the time… So what do I have to do to see you in a tight leather outfit? I am in NY tonight, youre not, what am I to do? Xoxo cw”

Later, Wasserman wrote “I thought we would start at that place that you know of, and then continue the massage concept into your bed…and then again in the morning…not sure if or when we would stop.” She responded: “Umm – all that rubbing – are you sure you can take it? The thought frankly is leaving me a little breathless. There are a few spots that apparently drive a man wild -I suppose I could practise them on you and you could let me know if they work or not?”

Wasserman Music is a leading talent agency, representing top acts like Chappell Roan and Kendrick Lamar. Previously, Billie Eilish left Wasserman after reports surfaced of separate incidents of alleged sexual misconduct from Wasserman.

Local politicians have called for Wasserman to back away from the Olympics committee. “I think Casey Wasserman needs to step down,” said L.A. County Supervisor Janice Hahn. “Having him represent us on the world stage distracts focus from our athletes and the enormous effort needed to prepare for 2028.”

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Three-time Grammy Award winner Bad Bunny will headline the Super Bowl LX halftime show.

It will be Bad Bunny’s second Super Bowl halftime show performance after he made a guest appearance with Jennifer Lopez and Shakira during the 2020 Super Bowl halftime show.

“What I’m feeling goes beyond myself. It’s for those who came before me and ran countless yards so I could come in and score a touchdown,” Bad Bunny — whose real name is Benito Antonio Martínez Ocasio — said in a statement, noting that “this is for my people, my culture and our history.”

Jay-Z’s Roc Nation, which has partnered with the NFL on halftime shows since 2019, will again produce the show.

Most Super Bowl halftime shows include special guest artists, but no one has been officially confirmed by Roc Nation or the NFL.

A poignant tribute has been paid to a forgotten Blue Peter star, who died at the age of 28 after a brave health battle. The presenter wowed both on screen and on stage

Tributes have been paid to a talented Blue Peter presenter who was sacked before his tragic death.

At just 12-years-old, Michael Sundin had already become a trampolining champion, a talent that would prove instrumental in securing his position as a Blue Peter presenter in 1984.

Prior to joining the beloved children’s show, Michael had performed in Andrew Lloyd Webber’s acclaimed musical Cats before going on to portray Tik-Tok in Disney’s Return To Oz.

He caught the attention of Blue Peter producers while being interviewed by the programme’s then-presenter Janet Ellis, resulting in his appointment alongside her and Simon Groom.

Taking over from the show’s celebrated presenter Peter Duncan, Michael swiftly gained recognition for his adventurous exploits on Blue Peter, covering film sets and even paying a visit to Elton John’s residence.

READ MORE: B*Witched now – admin job, dark place, and shots of vodka amid marriage woes

However, despite his natural screen presence, Michael’s stint on Blue Peter proved brief; he departed the programme after less than a year, allegedly when his contract wasn’t renewed. He then heartbreakingly passed away from an Aids-related illness aged just 28, in 1989.

Michael, fondly recalled by those close to him as a “blond, outgoing, gregarious ball of fun”, was cruelly outed by the media as gay during his short tenure on Blue Peter.

While then-Editor Biddy Baxter attributed his departure to lack of viewer appeal, his exit became mired in scandal as numerous sources suggested it stemmed from his sexuality, OK! reports.

During a 2007 television interview, Baxter dismissed these allegations, stating: “It was his leaving the programme because children didn’t like him – nothing to do with his sexual proclivities”.

After leaving Blue Peter, Michael went on to pursue acting, featuring in the 1987 film Lionheart. He performed in touring stage shows including Seven Brides For Seven Brothers and Starlight Express, and made an appearance in Rick Astley’s 1988 music video for She Wants To Dance With Me. Tragically, that same year Michael became unwell. He passed away at Newcastle General Hospital aged just 28, with initial reports suggesting his death was caused by liver cancer.

This week, The Elstree Project paid a poignant tribute to Michael’s talents as they looked back on his role as Tik-Tok. They wrote: “Michael Sundin was the performer inside Tik-Tok in Return to Oz (1985). His contribution was not animatronic control or puppetry, but full-body suit performance: movement, balance, timing and physical character, carried out under extreme physical and technical constraints.

“Tik-Tok was a hybrid creation. His head, eyes and facial details were operated externally by puppeteer Tim Rose using mechanical and radio-controlled systems, while the voice was added later in post-production. But the character’s weight, rhythm and locomotion came entirely from Sundin. He was responsible for making a rigid, four-foot copper robot feel grounded, deliberate and alive.

“The physical challenge was extraordinary. Sundin was folded double inside a small Kevlar suit, arms crossed, head tucked between his legs, walking backwards throughout filming. To navigate the set, he relied on a small internal monitor relaying an external camera feed — upside-down and reversed. This demanded constant recalibration, spatial intelligence and muscular control.”

Meanwhile, the programme’s oral history director, Walter Murch, said: “When Michael Sundin died in 1989 from an AIDS-related illness, aged just 28, there was only a small on-air acknowledgement of his passing on Blue Peter with no retrospective of his work in the way other presenters have been respected. In an era marked by stigma and silence, much of his contribution was quietly erased, and he was notably absent from anniversary clips and montages until the 60th anniversary.

“Sundin’s work on Return to Oz deserves to be understood clearly. He was not an animatronics operator or a puppeteer, but a suit performer whose body performed in a complex system of mechanical, electronic and human collaboration. Without his performance, Tik-Tok would not move as he does on screen. As we celebrate the technical innovations that took shape at Elstree, it’s worth remembering how many depended on performers willing to endure extraordinary conditions to make new forms of cinema possible.”

Following Michael’s passing, Blue Peter presenter Yvette Fielding paid tribute, joined by colleagues John Leslie and Caron Keating. She said: “We had one piece of very sad news during the summer. As many people may have heard, Michael Sundin – who presented Blue Peter five years ago – tragically died at the very young age of 28. Michael had been ill for a little while but the news of his death came as a great shock to all of us.”

Sharing with the 1989 Tom Hanks film a title, a vague premise, a little paranoid spirit and a Universal Studios backlot street, “The ‘Burbs,” premiering Sunday on Peacock, stars Keke Palmer and Jack Whitehall as newlywed new parents who have moved into the house he grew up in — his parents are on “a cruise forever” — in Hinkley Hills, the self-proclaimed “safest town in America.”

Well, obviously not. First of all, that’s not a real thing. But more to the point, no one’s going to make an eight-hour streaming series (ending in a cliffhanger) about an actually safe town. Even Sheriff Taylor had the occasion to welcome someone worse than Otis the town drunk into the Mayberry jail. In post-post-war American culture, suburbs and small towns are more often than not a stage for secrets, sorrows, scandals and satire. The stories of John Cheever, the novels of Stephen King, “The Stepford Wives,” “Blue Velvet” and its godchild “Twin Peaks,” “Desperate Housewives” (filmed on the same backlot street as “The ‘Burbs”), “Buffy the Vampire Slayer,” last year’s “Grosse Pointe Garden Society,” which I mention in protest of its cancellation, are set there — it’s a long list.

Samira Fisher (Palmer) is a civil litigation lawyer still on maternity leave, a job reflecting her inquisitive, inquisitorial nature. Husband Rob (Whitehall) is a book editor, a fact referred to only twice in eight hours, but which allows for scenes in which he rides a soundstage commuter train to the big city (presumably New York) with boyhood friend and once-more next-door neighbor Naveen (Kapil Talwalkar), whose wife has just left him for their dentist. Samira, Naveen and Rory (Kyrie McAlpin), an overachieving late tween who has a merit badge in swaddling, a recommendation from Michelle Obama on her mother’s helper resume and a notary public’s license, are the only people of color in town, but racism isn’t really an issue, past a few raised eyebrows and odd comment. (“What a cute little mocha munchkin,” says a shifty librarian of baby Miles.) “It’s a nice area,” says Naveen, “and people like to think of themselves as nice, so they try to act nice until they’re actually nice.”

As we open, the Fishers have been tentatively residing on Ashfield Place (“over by Ashfield Street near Ashfield Crescent”), for some indeterminable short time. Apart from Naveen, neither has met, or as much as spoken to, any of their new neighbors, though Samira — feeling insecure postpartum and going out only at night to push Miles in his stroller — watches them through the window.

That will change, of course, or this will be one of television’s most radically conceived shows. Fascinated by a dilapidated, supposedly uninhabited house across the street — the same backlot where the Munsters mansion rose many years ago, for your drawer of fun facts — she’s drawn out into a mystery: The rumor is that 20 years earlier a teenage girl was killed and buried there by her parents, who subsequently disappeared. Rob says there’s nothing in it, and in a way that tells you maybe there is.

Lynn (Julia Duffy), left, Samira (Keke Palmer), Dana (Paula Pell) and Tod (Mark Proksch) form a crew of sleuthing neighbors.

(Elizabeth Morris / Peacock)

Out in the world, she will find her quirky Scooby Gang: widow Lynn (Julia Duffy), still attached to her late husband; Dana (Paula Pell), a retired Marine whose wife has been deployed to somewhere she can’t reveal; and Tod (Mark Proksch), a taciturn, deadpan “lone wolf” with an assortment of skills and a recumbent tricycle. (Their shared nemeses is Agnes, played by Danielle Kennedy, “our evil overlord,” the stiff-necked president of the homeowner’s association.) They bond over wine (drinking it) and close ranks around Samira after the police roust her on her own front porch. By the end of the first episode, Samira is determined to stay in Hinkley Hills, warmed by new friends, enchanted by the fireflies and in love with the “sweet suburban air.”

Weird goings-on in a creepy old “haunted” house is as basic a trope as exists in the horror-comedy mystery genre (see Martin and Lewis’ “Scared Stiff,” Bob Hope’s “The Ghost Breakers,” Abbott and Costello’s “Hold That Ghost” and assorted Three Stooges shorts). Suddenly there’s a “for sale” sign on this one, and just as suddenly, it’s sold. The new owner is Gary (Justin Kirk), who chases off anyone who comes around. Tod notes that the security system he’s installed is “overkill” for a private residence, necessary only “if you are in danger, you have something to hide — or both.” You are meant to regard him as suspicious; Samira does.

Created by Celeste Hughey, “The ‘Burbs” is pretty good, a good time — not the most elegant description, but probably the words that would come out of my mouth were you to ask me, conversationally, how it was. I suppose most of it adds up even if doesn’t always feel that way while watching it. It hops from tone to tone, and goes on a little long, in the modern manner, which dilutes the suspense. The characters are half-, let’s say three-quarters-formed, which is formed enough; everyone plays their part. The Hardy Boys were not known for psychological depth, and I read a lot of those books. A lot. Indeed, depth would only get in the way of the plot, which is primarily concerned with fooling you and fooling you again. When a character isn’t what they seem, making the false front too emotionally relatable is counterproductive; the viewer, using myself as an example, will feel cheated, annoyed. I won’t say whether that happens here.

That isn’t to say that the actors, every one of them, aren’t as good as can be. I’ll show up for Pell and Duffy anywhere, anytime. Proksch, well known to viewers of Tim Heidecker’s “On Cinema at the Cinema,” is weird in an original way. The British Whitehall, primarily known as a stand-up comedian, panel show guest and presenter, makes a fine romantic lead. Kirk is appealingly standoffish, if such a thing might be imagined. As Samira’s brother, Langston, RJ Cyler has only a small role, but he pops onscreen and, having the advantage of not being tied up in any of the major plotlines, provides something of a relief from them. And Palmer, an old pro at 32 — her career goes back to “Akeelah and the Bee” and Nickelodeon’s “True Jackson” — does all sorts of wonderful small things with her face and her voice. She’s an excellent Nancy Drew, and the world can never have enough of those.

FROM Barbie to Harley Quinn, it’s fair to say Margot Robbie has range when it comes to her on-screen roles – and the actress has had her fair share of X-rated on-screen romps too.

And with new romance flick Wuthering Heights just days away from it’s Valentine’s release, fans are set to see Margot, 35, getting very steamy with co-star Jacob Elordi, 28.

In fact, fans have even dubbed some scenes in the film’s trailer “softcore porn”.

However, this won’t be the only time Margot has stripped down for a role, as we take a look at some of her steamiest movie moments.

Full frontal nudity

It was Martin Scorsese’s The Wolf Of Wall Street that launched Margot’s career into the juggernaut it is now, as she starred across from leading man Leonardo DiCaprio in the comedy thriller.

Portraying his ultra-confident wife Naomi, Margot didn’t hold back during the 2013 role – which got extremely X-rated.

A REAL GEM

Margot Robbie turns heads in Chanel velvet ballgown & diamond necklace in Paris

TAYLOR MADE

Margot Robbie wows in VERY expensive necklace once owned by Elizabeth Taylor

During the film, Margot is seen completely nude for a full frontal sex-scene with Leonardo’s stockbroker character Jordan.

And following the film’s release, Margot admitted that being completely naked was her idea.

After director Martin suggested she could be in a robe, Margot replied that it didn’t feel genuine to the character.

“That’s not what she [Naomi] would do in that scene.

“The whole point is that she’s going to come out completely naked —that’s the card she’s playing,” Margot explained during an appearance on the Talking Pictures podcast. 

The film also sees Margot seductively pushing a drooling Leo away with her stiletto heel in a scene which depicts the power she holds in sex.

While one scene showed Margot and Leonardo’s characters having sex on top of stacks of cash, the former later admitted she was left with a multitude of paper cuts from filming naked on the money stacks.

“If anyone is ever planning on having sex on top of a pile of cash: don’t,” joked Margot.

Steamy pole dancing

In 2018 noir thriller film Terminal, Margot portrays unassuming waitress Annie who is actually working strategically as an assassin.

As part of her act, Annie uses her sexuality to get what she wants from men and to distract them.

And a good job she does at that.

In one scene, Margot strips to black lacy lingerie and matching stockings, with her hair styled in Hollywood curls and a deep green lipstick making her mouth and eyes pop.

She then performs a seductive pole dancing routine at a strip club, which leaves her male counterparts fawning on the stage sidelines.

Steamy shower scenes

From one criminal activity to another, Margot portrays a bank robber on the run in thriller Dreamland, which was released in 2019.

While taking shelter, she develops a romantic relationship with Eugene Evans, played by Peaky Blinder’s star Finn Cole.

As their bond deepens throughout the film, the pair are seen having some steamy moments – including a shower scene.

In the scene, Margot and Finn are completely naked in the shower together as they have a very sexually-charged moment.

Provocative dance moves

In a film all about decadence and outrageous Hollywood behaviour, Margot portrays a rising “IT girl” movie star who grapples with her own internal struggles in 2022 movie Babylon.

Starring alongside Brad Pitt, Margot’s character Nellie is acting out a scene when she is provocatively dancing on top of a bar.

With bright red lipstick on and her blonde locks in a wild curl, Nellie breaks out into a manic dance during the scene, which includes the starlet flashing her underwear by bending over.

Margot’s performance may have been good in the film, but the box office showed that Babylon wasn’t the hit many expected it to be.

Admitting she is “shocked” by the film’s failure to capture the audience, Margot previously said: “I love it.

“I don’t get it either. I know I am biased because I am very close to the project and I obviously believe in it, but I still can’t figure out why people hated it. I wonder if in 20 years people are going to be like, ‘Wait, “Babylon” didn’t do well at the time?’

“Like when you hear that ‘Shawshank Redemption’ was a failure at the time and you’re like, ‘How is that possible?’”

Ultra X-rated

Wuthering Heights is set to hit screens next week, and from what we’ve seen so far, there will be a fair amount of sexual tension between Margot and Jacob Elordi’s character.

Margot plays protagonist Catherine Earnshaw from Emily Bronte’s classic novel set in wind-swept Yorkshire, which depicts her epic romance with Heathcliff, played by Jacob.

The first teaser trailer for the feature film sees suggestive imagery used in scenes showing the kneading of bread and breaking of eggs.

Margot is also seen with fingers over her face before servant Heathcliff’s sweaty back, presumably in a moment of intimacy, is captured.

Other moments show character Catherine’s heart beating strongly before scenes flick to her hand in the mouth of the Earnshaw family’s foster son.

Catherine is also seen blindfolded while the final scene in the trailer sees Heathcliff ask her: “Are you alright, do you want me to stop?”

She simply replies: “No,” while holding his hand.

He is then seen opening her corset and sliding his hands over her face before fans were left bemused at scenes showing a finger being inserted into a fish’s mouth.

Fans have already reacted strongly to the snippets of action they’ve seen so far – with comments all along a similar line.

One wrote: “Just saw the teaser for #WutheringHeights and it is way worse than I expected… is it me or is it giving soft porn vibes???”

Another mused: “#WutheringHeightsMovie is the 50 Shades Of Grey we never got.”

While director Emerald Fennell has described the film as “primal” and “sexual”, Margot said in December that it is more about the romance.

“Everyone’s expecting this to be very, very raunchy. I think people will be surprised,” she explained.

The star added: “Not to say there aren’t sexual elements and that it’s not provocative — it definitely is provocative — but it’s more romantic than provocative”.

Twisted Sister has canceled all of its 50th anniversary performances following the departure of lead singer Dee Snider because of “a series of health challenges.”

In a statement posted Thursday on Instagram, the heavy metal band said all scheduled shows beginning April 25 in São Paulo and through the summer have been canceled “due to the sudden and unexpected resignation” of Snider. The “I Wanna Rock” singer is no longer able to perform in the way that he used to because of multiple heath issues.

“I don’t know of any other way to rock,” Snider said in a statement accompanying the band’s announcement. “The idea of slowing down is unacceptable to me. I’d rather walk away than be a shadow of my former self.”

“The future of Twisted Sister will be determined in the next several weeks,” the band’s statement read.

The separate statement regarding Snider’s health explained that a “lifetime of legendarily aggressive performing has taken its toll on Dee Snider’s body and soul.”

Also posted to the “We’re Not Gonna Take It” singer’s Instagram account, the statement said that Snider “has had several surgeries over the years” to help manage his degenerative arthritis. His condition meant he had only been able to “perform a few songs at a time in pain.”

“Adding insult to injury, Dee has recently found out the level of intensity he has dedicated to his life’s work has taken its toll on his heart as well,” the statement continued. “He can no longer push the boundaries of rock ‘n’ roll fury like he has done for decades.”

In the 1930s, the white matriarchs of tiny Natchez, Miss. — one of the 19th century’s wealthiest American towns thanks to the slavery-driven cotton trade — opened their stately antebellum mansions to save themselves from economic ruin. Tourism dollars flowed in, even if the prettified Southern history being sold ignored the immoral plague that built its riches in the first place.

By turns cheeky and disturbing, blunt and nuanced, Suzannah Herbert’s excellent documentary “Natchez” offers its own guided tour of a memory-challenged community (population: 14,000) struggling to reconcile its exquisite, carefully scrubbed façade with the inconvenient truths some would like to see better represented in the narrative.

That longstanding erasure has made Natchez a less commercially friendly prospect to younger generations of visitors. And meaningful progress turns out to be much harder than simply refashioning an exhibit or a docent’s spiel.

Can a place like Natchez — home to both a cherished tourist pageantry called the Pilgrimage and the slave market site called Forks of the Road — find a harmonious existence between its green-and-serene sightseeing pleasures and its terrible past? Its optimistic mayor seems to think so, if the first scene is any indication, in which he exalts a “new Natchez” at a spirited ladies’ luncheon held by the tour-umbrella association, the Garden Club, and featuring that group’s first Black member, Deborah Cosey.

Cosey, we learn, runs Concord Quarters, a burned-down plantation’s last remaining building, which once housed its enslaved. (She also lives there.) Centering the work and lives of these forgotten souls is a mission she sees as telling “the rest of the story.” In one tense scene with her white colleagues, Cosey winces at their version of historical enlightenment — the reclamation project is moving at a horse-drawn carriage’s pace.

The big house is still the main show, antiquated customs and preserved finery still the plot, even as some of these hosting descendants, faced with declining revenues, grasp that there’s an increasing awkwardness to the “Gone With the Wind” myth they’re peddling. Meanwhile, charming and knowledgeable Black pastor Tracy “Rev” Collins offers a lively van tour (“See the real Mississippi”), an educational reality check about slavery’s legacy laced with witty asides.

The divide gets more complicated when the documentary trails openly gay veteran Garden Club member David Garner, whose charity work benefiting the LGBTQ+ community would seem to point to an old world’s shifting tolerance. But when this outlier’s intensely Southern-fried tour patter reveals a chillingly deep-seated racism, it slaps you right back into sobriety about Natchez’s roots — a neo-Confederate mindset that doesn’t care if a camera is there to record it.

“Natchez” is full of quietly charged moments in dreamily scenic surroundings, one result of Noah Collier’s lush cinematography, deployed like a deliberately performative nostalgia that lets us know there’s always more to see if we look (and listen) closely enough. This stylistic approach allows Herbert to expertly avoid inadvertently selling Natchez itself, instead focusing on how this town’s peculiar relationship to an overwhelming past still lives inside those doing the selling.

ACTRESS Margot Robbie hits the Wuthering Heights of style — in a leather mini dress.

The Australian star was promoting her new movie, an adaptation of Emily Bronte’s classic love story, with a Q and A at Claridge’s in central London.

Last night, the 35-year-old appeared with co-star Jacob Elordi, 28, on The Graham Norton Show.

Jacob, who plays Heathcliff alongside Margot’s Catherine, said the couple’s obvious chemistry in the film was down to “mutual obsession”.

He said: “If you have the opportunity to share a film set with Margot Robbie, you’re going to make sure you’re within five to ten metres at all times.”

Margot and Jacob play Catherine Earnshaw and Heathcliff, respectively, and are joined in the film by Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes and Ewan Mitchell in supporting roles.

READ MORE ON MARGOT ROBBIE

TAYLOR MADE

Margot Robbie wows in VERY expensive necklace once owned by Elizabeth Taylor

THE SHE-WOLF

Margot Robbie played me in movie – I found out shock secret from big screen

Margot wore a see-through corset dress at the Wuthering Heights premiere in London

She dazzled in a see-through nude mesh gown with gold detailing and a white corset underneath, which showed off her incredible figure.

The Barbie actress was recently named the world’s most beautiful woman in a poll.

We revealed in October how Margot is being lined up to take on the leading role in a big budget remake of cult horror film American Psycho.

The gorgeous, quirky and melancholy “The Love That Remains,” from Icelandic filmmaker Hylnur Pálmason (“Godland”), opens with an exhilarating shot from inside a long, empty seaside building, from where we can see the roof suddenly wrenched off by some exterior force. As it hovers in the air above, we get to consider the two parts of this one-time whole and how the light changes inside this deconstructed space.

In one respect, that’s the whole of the movie encapsulated, as we encounter a family of five living in the wake of a separation. Visual artist Anna (Saga Garðarsdóttir) looks to assert herself while still living in the rural home she shared with her teenage sweetheart. The increasing alienation leaves fisherman Magnús (Sverrir Guðnason) living offshore on a big trawler as his hold on domestic security slips. Their kids, meanwhile — teenage Ída and twin boys Grímur and Þorgils (the trio played by director Pálmason’s own children) — exhibit a healthy absorption of the circumstances, meeting moments of togetherness with plenty of humor and spirit.

What we glean of the past comes from the fragmented present, as if we’re leafing through a stranger’s exquisitely curated album (there’s only Harry Hunt’s piano score for sad commentary). Elsewhere we see that home-cooked meals, chores and foraging excursions occasionally bring this fractured family back together. But when Magnus pushes to stay for a while, Anna firmly claims her independence.

While apart, their working lives — his at sea, hers on land — speak to a confluence of the elemental and the man-made. Pálmason, who serves as his own cinematographer (and a great one with the 4:3 framing), revels in the sweep and heft of deep-sea fishing, a seasonal trade that gives purpose to Magnus’ days and nights but also fosters an increasingly unwanted solitude. Anna, meanwhile, devotes herself to earth art, turning machine-lasered iron cutouts laid on white sheets in the open air into large-scale, rust-patterned pieces. Getting her work appreciated, however, is another matter. In one painfully funny sequence, a visiting gallerist (and gasbag) barely seems to care about her art, showing more interest in a goose’s nest that has materialized in an enclosure.

Is love another natural element susceptible to age and wear? Across a running time tied to the shifting seasons, pocked by images of breathtaking beauty, Pálmason is after a feeling that only patient observance yields: a lasting reality about the passing of relationships. One of the director’s frequent visual cutaways is to a knight-outfitted dummy the children build on a picturesque spot, lashed to a stake. It’s an indelibly amusing and heartbreaking totem, suggesting play and suffering, and eventually manifesting wounds both real and internalized. (The director’s 2022 short “Nest,” which captures the building of a tree house over a year, is a precursor to his temporal approach to this feature.)

On the heels of Pálmason’s masterful “Godland,” a 19th century colonizer epic of faith and conquest that couldn’t be more different, “The Love That Remains” nevertheless positions this filmmaker as a gifted craftsman of adult storybooks, no matter the era or scope. This is a delicate, confidently imagined fiction made with the eyes of a naturalist, the heart of a believer in family, and a sensibility with room for both the Pythonesque and the Lynchian.

Former This Morning presenter Holly Willoughby has reportedly sold her £6.4 million London home in an attempt to “move on” from a tricky period in her life

Holly Willoughby has reportedly sold the £6.4 million London home she fled after being the target of a horrifying kidnap plot. The former This Morning host, 44, bought the six-bedroom property in Barnes, South West London more than a decade ago but it’s thought that Holly, along with her husband Dan and their children Harry, 16, Belle, 14, and 11-year-old Chester, have already moved out.

It all comes after Holly was at the centre of a horrific case which saw security guard Gavin Plumb plotted to kidnap, rape and murder the TV star, and was he was eventually jailed for life with a minimum term of 16 years.

Holly quit her long-serving role as presenter of This Morning following the ordeal, but her departure also came after another media storm which saw her former co-host Phillip Schofield admit to having an “unwise but not illegal” affair with a younger male colleague, and insiders have said that a change of scene will help her move on from such a tricky time.

READ MORE: How it all went wrong for Holly WilloughbyREAD MORE: Holly Willoughby pleads guilty to knocking man off bike while driving

A source told The Sun : “This will draw a line under a deeply uncomfortable period of Holly’s life, and ensure they can make a fresh start in their new family home.

“Though it’s bittersweet too as it’s where Holly and Dan raised their children too, so it has many happy memories for the couple as well.”

The Mirror has contacted representatives for Holly for comment.

Following his conviction, Plumb was branded a significant danger to women, who caused fear and shock in the former Dancing On Ice presenter.

He then sought to appeal against his sentence at the Royal Courts of Justice in London. Reading out the Court of Appeal’s judgment, Justice Edis said that having considered the case with “anxious care”, along with Mr Justice Martin Spencer and Ms Justice Norton, they rejected the appeal.

Refusing the application, Lord Justice Edis told the court that the offences were “so serious” that a life sentence was justified.

“They were horrifying and contained graphic detail of what the applicant proposed to do to Holly Willoughby. They are distressing, even for seasoned professionals, to read.”

He told the court: “That is to say, a long period of time during which a significant number of people were prevailed upon in the hope that they would prospectively, along with the applicant, kidnap, rape and murder Holly Willoughby Plainly that behaviour arose out of an obsession that he had formed with her.”

He added: “It is important to note that the applicant’s personal circumstances would have made it very difficult for him to carry out these offences He appears to have been substantially immobile, perhaps due to obesity.

“He is not in good health, he cannot drive and does not have a car, he does not have access to the sort of property that might serve as a temporary prison during which a kidnap victim could be held, raped and murdered.”

The news of Holly’s supposed house sale comes just hours after it was claimed that the TV favourite had been in talks to take over a presenting role on Strictly Come Dancing following the recent departure of Claudia Winkleman and Tess Daly, although that is not going to happen now.

A source told The Sun: “There was much talk about Holly joining the show. Many think she is brilliant and more than deserving of the role, but the truth is some execs were also fearful. She may be squeaky clean, but she will always have that association with Phillip.”

If you’ve been the victim of sexual assault, you can access help and resources via www.rapecrisis.org.uk or calling the national telephone helpline on 0808 802 9999

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The show remembered a late producer as it returned on Friday (February 6)

Gogglebox paid tribute to a TV producer who died after battling a brain tumour as it returned for a new series.

The Channel 4 favourite was back on screen with its 27th series on Friday night (February 6).

As it ended, a picture of Jonathan Clough was displayed on screen, along with the words: “In memory of Jonathan Clough” and the dates 1989 to 2025.

The producer had been diagnosed with a Grade 4 Glioblastoma in 2024, at the age of 35.

A fundraising campaign had been established to support Jonathan, whose TV also credits included Strictly Come Dancing and The Apprentice, in accessing specialist treatment. Actor Sam Swainsbury established the GoFundMe campaign following an appeal launched by the family.

The producer and his partner, Tracy Martin, both had to leave their careers and relocate with their two young children from London to Wigan to stay with her parents following his diagnosis.

Writing on the GoFundMe page, Tracy explained how their lives had changed after Jonathan suddenly collapsed due to a seizure in March 2024.

She wrote: “Two months after that, the results of an MRI brought our world crashing down. Our brilliant Jonathan, at only 35 years old, was diagnosed with a Grade 4 Glioblastoma — an extremely aggressive and incurable brain cancer.”

Jonathan underwent surgery, chemotherapy and radiotherapy, but subsequent scans disclosed a regrowth that doctors deemed inoperable.

In January, Sam posted a message on Instagram saying that Jonathan had died on Boxing Day.

“He saw his daughter’s first day at school,” he said. “He then made it to her first play. He then made it to Christmas. He then sadly passed on Boxing Day. He fought for every last second. He exceeded all expectations. He was extraordinary.”

“I don’t have many more words than that,” he said. “I still can’t believe it.”

Former Strictly pro Kevin Clifton was among those to pay tribute to Jonathan, who was a producer on the BBC ballroom show from 2017 to 2019.

Sharing photos of Jonathan on social media, he wrote: “An amazing friend, an amazing man, an amazing father and a heck of a fighter for his amazing family. I will miss you forever [heartbroken emoji].”

Gogglebox airs on Channel 4

**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**

The Coronation Street star will fly back to the UK for further tests this weekend

Coronation Street legend Beverley Callard reveals she has been diagnosed with breast cancer. Callard, best known for her role as Liz McDonald, said she is in the “early stages” and will be going ahead with further treatment before returning to the screen.

The actress is soon to join the Irish soap Fair City as a new character named Lily, long-lost mother of existing character Gwen Connolly. She found out the news just 20 minutes before having to film one of her first scenes.

She told RTE’s Late Late Show on Friday: “I’ve had some tests just before I left the UK, and literally, 15, 20 minutes before I was in my dressing room at Fair City, getting ready to go on, and I was quite nervous and thinking, ‘I hope everybody thinks I’m all right’, whatever.

“And my consultant rang me and said, ‘you’ve got to come back to the UK’ I said, ‘Well, I can’t possibly, I’ve just taken a new job’. I said ‘I’m away for a month’, and I was diagnosed with breast cancer.

“But I’m fine, I’m absolutely fine. My head was a bit mashed for the first few days. It’s very early stages, and I’m along with thousands of other women as well.

“It’s early stages, I travel back to the UK tomorrow, just for a couple of weeks, they’re going to test lymph nodes and lymph glands and all that. But then I need an operation and some radiotherapy, and then I’m coming back to Fair City, so I will be back in just a few weeks.”

She added: “I just thought, the world is full of strong, feisty women and I love strong, feisty women, and I just thought, rather than read about it in a newspaper and it all be distorted and everything else, I just said it, so that’s it.”

Callard and her husband are set to move to Co Wicklow as she is filming the soap. After acting in Corrie from 1989 to 2020, Callard said she was looking forward to her first appearance on Irish soap Fair City, which will hit the screen on February 19.

Your annual TV Licence payment generally covers four key factors related to watching, recording, and downloading content

The price of a TV Licence rose for many in 2025, with the Government increasing the price to £174.50 last April. This annual payment is generally mandatory for any households or businesses that watch live TV or access BBC iPlayer.

However, you may be wondering what rules apply to people who exclusively watch DVDs or play games on their TV. Guidance on this matter is summarised on the official TV Licensing website, along with the answers to other frequently asked questions.

“You don’t need a TV Licence if you only use your TV for gaming or DVDs,” the website explains. “That’s as long as you never watch TV channels on any TV service, watch live TV on streaming services, or use BBC iPlayer.”

Two years ago, the Secretary of State announced a 2.9% increase in the licence fee, starting from April 1, 2025, in line with the annual CPI inflation. This resulted in a daily rise of just over 1p, and is only the second fee increase since April 1, 2021.

While standard coloured licences now cost £174.50 annually, black-and-white licences cost £58.50 per year. Future licence fee increases will be tied to CPI inflation over the next four years, ending in 2027. From April 2026, the fee will increase again by £5.50 to £180.

Official TV licensing guidance adds: “You could be prosecuted if we find that you have been watching, recording or downloading programmes illegally. The maximum penalty is a £1,000 fine plus any legal costs and/or compensation you may be ordered to pay.”

Certain people are eligible for discounted TV Licences, provided they meet specific criteria. Older adults claiming Pension Credit may also qualify for a completely free TV Licence if they are over 75 and/or living with a partner who receives the benefit.

Pension Credit is different to the State Pension. Pension Credit is a means-tested benefit for people over State Pension age on a low income, boosting weekly income to £227.10 if you’re single or £346.60 with a partner.

Those claiming Pension Credit can apply for a free TV Licence when they turn 74, but will still need to pay until the end of the month before their 75th birthday. After this point, they will be covered by the free licence.

For more information on TV Licences, click here.

Everything covered by a TV Licence

Your annual payment generally covers four key factors. These include:

• All TV channels – like BBC, ITV, Channel 4, U&Dave and international channels
• Pay TV services – like Sky, Virgin Media and EE TV
• Live TV on streaming services – like YouTube, Netflix, and Amazon Prime Video
• Everything on BBC iPlayer

This covers watching, recording, and downloading on any device.

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Kylie Jenner nearly spilled out of her plunging top while doing her makeup behind the wheel of her car in a new video.

The Kardashians star shared a video of herself applying her “Lip Combo of the Day” with Kylie Cosmetics products in an extremely low-cut tank.

In the Instagram clip, Kylie, 28, filmed herself in the driver’s seat wearing a skintight, dark gray crop top.

The shirt barely covered the reality star’s enlarged breasts as a result of a boob job she received eight years ago.

She finished the look with straight black hair, full makeup, and diamond stud earrings.

Kylie said she was recording in her driveway because she had just gotten home from an appointment.

During the video, the beauty mogul was visited by her son Aire, who turned 4 on Monday and made funny faces at the camera while sitting on her lap.

After letting Aire run inside for a snack, Kylie continued her makeup demo in the car’s vanity mirror.

At the end, Kylie puckered her pout to show off the shiny pink combo and rosy cheeks after applying her “favorite” pink blush.

Earlier this week, the mom of two showcased her breasts in a see-through, strapless dress with pomegranate seeds covering the bust.

Kylie wore the ensemble in a photoshoot to promote her new pomegranate lip butter.

Fans couldn’t help but praise the star’s looks in the Instagram post’s comments.

They weren’t the only ones who’ve had something to say about the influencer’s boob size.

Kylie’s ex, Travis Scott, 34, referenced her breasts in his new track, Rosary, from his album Don Toliver, released January 30th.

“Forty-four five C, the way they sit, I need to test,” Travis rapped, which fans linked to Kylie’s implants after she bragged about them in June 2025 on TikTok.

Travis is the father of Kylie’s son, Aire, and older daughter, Stormi, who turned 7 on Monday.

Fans long suspected Kylie had a breast augmentation, but she confirmed it in 2023 while talking to her BFF Stassie Karanikolaou on The Kardashians.

The TV personality admitted that she regretted getting the procedure before having children and wished she’d waited until later.

Kylie and Travis parted ways in January 2023, and she’s now dating Marty Supreme actor Timothée Chalamet, 30.

The couple has been linked since spring 2023, and Kylie has supported him at multiple red carpet events.

The body of Lil Jon’s son Nathan Smith, who performed as DJ Young Slade and went missing Tuesday night, was recovered Friday from a pond near his home in Milton, Ga., according to local police. The rapper’s son was 27.

“I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother [Nicole Smith] and I are devastated,” Lil Jon and his ex-wife wrote Friday on social media.

“Nathan was the kindest human being you would ever meet. He was immensely caring, thoughtful, polite, passionate, and warmhearted — he loved his family and the friends in his life to the fullest.”

They said their son was “amazingly talented” as a music producer, artist and engineer. Nathan Smith was a graduate of New York University, his parents said.

Nathan Smith, a.k.a. DJ Young Slade, performs with his father, Lil Jon, at the Hollywood Palladium in March 2014.

(Kevin Winter / Getty Images )

“We loved Nathan with all of our hearts and are incredibly proud of him. He was loved and appreciated, and in our last times together we’re comforted in knowing that we expressed that very sentiment to him,” the parents concluded before thanking the many local authorities and rescuers who helped search for their son.

The Milton Police Department said Tuesday on social media that Nathan Smith hadn’t been seen since he “ran out of his house” at 6 a.m. that day.

“Subject left on foot and does not possess a phone. He may be disoriented and in need of assistance,” the statement said. “Family and friends are concerned for his safety.”

On Friday, Milton police said in a statement that teams had expanded the search to include the pond in a nearby park after failing to find Smith elsewhere. Divers with the Cherokee County Fire Department recovered a body from the water shortly before noon local time Friday, the statement said.

“The individual is believed to be Nathan Smith, pending official confirmation by the Fulton County Medical Examiner’s Office,” police wrote, adding there was no indication of foul play. However, the official cause and manner of death were still to be determined.

“We extend our deepest condolences to the Smith family during this difficult time. The department respectfully asks the community and members of the media to honor the family’s request for privacy as they grieve and navigate this tragedy,” the statement concluded.

Lil Jon and Nicole Smith expressed gratitude in their post confirming their son’s death. The two married in 2004 after welcoming Nathan in 1998 but split up amicably in 2022.

“Thank you for all of the prayers and support in trying to locate him over the last several days,” they wrote Friday.

Samie Elishi dramatically stormed off during the Love Island All Stars movie night on Friday

One Love Island star stormed off in an explosive movie night that “will never be forgotten”.

The third series of the popular spin-off returned to ITV2 last month, bringing back a group of former contestants to the villa for another opportunity at finding romance.

Over recent weeks, audiences have witnessed numerous heated exchanges, surprising eliminations and several bombshell entries. The latest arrivals included six American contestants, alongside the launch of villa USA.

Tensions flared when the two villas were brought together earlier this week, with disagreements breaking out between Belle Hassan and Sean Stone, as well as Lucinda Strafford and Samie Elishi.

Tonight’s episode featured the much-anticipated return of movie night, with contestants preparing for an evening of cinema-themed entertainment. The All Star selection included Free Millie, How to Lose Leanne in Ten Days, Some like it Scott, The Sean Identity, There’s Something About Samie, Tommy Dearest and Lucinda’s Web, reports OK!.

There’s Something About Samie showcased footage of the dispute between Samie and Lucinda, which started after Lucinda decided to pair up with Samie’s partner Ciaran Davies.

Matters intensified when Lucinda pied Samie during Thursday’s task, as she believed Samie doubted the authenticity of her new relationship with Sean. When the two attempted to resolve their differences, Lucinda started laughing, prompting Samie to storm off furiously.

Upon reviewing the footage, Lucinda remarked: “You weren’t there for me and Sean,” prompting Samie to immediately retort: “Are you alright? I warned you… I was actually trying to warn you… There’s me trying to have your f****** back and then you throw that pie in my face.”

The heated exchange escalated when Lucinda playfully told Whitney Adebayo not to laugh in front of Samie. An irate Samie responded: “Are you taking the p*** out of me again?”

The star continued: “I might need five minutes. This bird keeps laughing in my face, you’re p****** me off,” before storming off with Belle.

Whilst Belle attempted to calm Samie down, Whitney and Leanne Amaning became embroiled in their own dispute, just hours after Leanne had taken Whitney’s partner Yemen Sanders into the secret garden.

The movie night screening pressed on, as did the tension, moments before presenter Maya Jama made her surprise appearance in the villa. “Everyone enjoying movie night? Well, it’s time for a plot twist,” she announced, before the credits began to roll.

ITV audiences were left stunned following tonight’s turbulent episode, with one viewer posting on X (formerly Twitter): “Don’t know about anyone else but I’ve got a headache now from all the shouting. That movie night was absolute carnage!”

Another commented: “And this, is what I call a messy MOVIE NIGHT,” whilst a third remarked: “Love island all starts 2026 movie night gone but will NEVER be forgotten.”

Love Island All Stars airs Sunday to Friday on ITV2 and ITVX at 9pm

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Dust off your cowboy hats, prepare your tequila shooters and saddle up: Carín León has just announced his 2026 North American tour.

The Grammy-winning Mexican singer-songwriter will kick off the tour May 20 with a performance in Hidalgo, Texas. Over the course of this summer and fall, the Sonoran crooner will visit major U.S. cities including Dallas, Houston, Atlanta and Chicago before wrapping up Oct. 9 in Portland, Ore.

In Los Angeles, the singer is expected to perform Sept. 20 at BMO Stadium, which accommodates over 20,000 fans for concerts.

The tour also includes his highly anticipated Las Vegas residency at the Sphere, which is already sold out on some dates. In September, León will make history as the first Latino artist to headline the one-of-a-kind venue, which will take place across seven nights in Sin City.

León is also doubling his stadium capacity for his singular Canada performance by moving to the TD Coliseum in Hamilton, Ontario, which holds an audience of about 18,000; the “Primera Cita” singer first performed in 2024 at the Coca-Cola Coliseum in Toronto, which holds roughly 9,000 people.

“Returning to the United States and Canada to reunite with my people fills me with excitement. I’m returning with new songs and all the history we’ve built together,” said León in a statement. “We’re preparing a very special production so we can feel closer than ever. De Sonora para el mundo… see you soon, mi gente.”

The “Que Vuelvas” singer last toured the states in 2024 following the release of his critically-acclaimed “Boca Chueca, Vol. 1,” which earned him his first Grammy for música mexicana album in 2025.

News of the upcoming North American tour follows another Grammy win for the balladeer, who on Sunday took home the golden gramophone once more in the same category as last year, this time for his 2025 album “Palabra de To’s.”

Throughout his career, León has bent the rules of música mexicana by collaborating with artists across a variety of genres, from Latin pop stars like Maluma and Camilo to U.S. country singers like Kane Brown and Kacey Musgraves.

The 36-year-old has always stood firmly on the idea that música mexicana extends beyond the regional confines of Mexico, sharing with The Times in 2023 that “Mexican music is no longer regional — it’s only become more global.”

Ticket sales for his North American tour begin Feb. 11, but resellers beware! León will be using Openstage Ticket Unlocks, which will reward real fans with personalized presale codes to limit bots.