show biz

Chris Evans might need some new superhero gear for his next gig. Perhaps a supercharged stroller?

The Marvel alum, 44, and his wife, Portuguese actor Alba Baptista, 28, on Friday welcomed their first child together in Evans’ home state of Massachusetts, People reported Tuesday. The couple named their newborn daughter Alma Grace Baptista Evans, according to the outlet.

Representatives for Evans and Baptista did not reply immediately Tuesday to The Times’ request for comment.

Evans and Baptista, who began dating around 2021, wed in 2023 in a pair of ceremonies in Cape Cod and Portugal, Evans explained amid much fanfare during a panel that year at New York Comic Con. The couple’s East Coast nuptials were attended by Evans’ fellow Marvel legends Robert Downey Jr. (Iron Man), Chris Hemsworth (Thor), Jeremy Renner (Hawkeye) and Scarlett Johansson (Black Widow), Page Six reported at the time.

During the Comic Con panel, Evans called the festivities “wonderful and beautiful,” but said that he and his belle were happy to be winding down after the whole ordeal.

“Planning a wedding, it’s a lot,” he said. “For those of you who are married, you know, it takes a lot out of you, but now that we’re through that, we’ve just kinda been enjoying life and gearing up for autumn, my favorite season. It’s like the best time of year right now. … Now we’re just relaxing and enjoying life and reflecting.”

Evans last year confided about his aspirations toward fatherhood to “Access Hollywood,” saying he “absolutely” hoped to be a “superhero dad” like his “Red One” co-star Dwayne Johnson.

“The title of ‘dad’ is an exciting one,” the actor said.

Since passing Captain America’s shield to Anthony Mackie in 2019’s “Avengers: Endgame,” Evans has flexed his creative muscles with high(er) brow indies including Celine Song’s buzzy romance “Materialists” and Ethan Coen’s dark detective comedy “Honey Don’t.”

But despite intel from the source himself, Marvel die-hards aren’t buying that Evans’ time with the franchise has come to a close. They’ll know once and for all come December, when “Avengers: Doomsday” hits theaters.

Baptista for her part has tacked several film credits onto to her resume since Netflix canceled her cult-favorite series “Warrior Nun” in 2022. She is notably slated to appear in A24’s upcoming film “Mother Mary,” which will feature original songs by Charli XCX and Jack Antonoff and an ensemble cast including FKA Twigs and Hunter Schafer of “Euphoria” fame.

HOWARD Stern’s top staffers are asking around for new jobs at SiriusXM, as they believe the show will be canceled in December.

The U.S. Sun can exclusively reveal the private conversations being had at the streaming radio provider, as Stern‘s $100 million contract – which has yet to be renewed – inches closer to an end. 

An eyewitness at SiriusXM’s offices this week claimed they overheard Stern show radio personality Fred Norris pitching himself for a new gig. 

“Fred was walking with another guy at Sirius and said to him, ‘Let me know, because I don’t know what’s going to happen come January, I might be looking for a job,’” the eyewitness claimed. 

Meanwhile, the source was also told that staff members are expecting the show to officially end at the end of the year.  

“After conversations with [Stern show producer] Gary Dell’Abate and others, it sounds like they aren’t expecting to re-sign with Sirius,” the insider said. 

The U.S. Sun reached out to the Howard Stern show for comment.

INSIDE STERN & SIRIUS’ NEGOTIATIONS

Stern has notably been broadcasting from his sprawling Hamptons home since the pandemic, with some occasional exceptions.

As The U.S. Sun was the first to exclusively report, the 71-year-old shock jock and his superiors at SiriusXM were not expected to find common ground when his $100 million-a-year contract concludes this year. 

In August, sources informed The U.S. Sun that Stern’s SiriusXM program seemed to be facing cancellation. 

The satellite broadcaster was unlikely to meet Stern’s financial demands when his current five-year contract expires.

An insider revealed, “Stern’s contract is up in the fall, and while Sirius is planning to make him an offer, they don’t intend for him to take it.

“Sirius and Stern are never going to agree on the money he is going to want. It’s no longer worth the investment.”

The source also noted at the time that SiriusXM was expected to pursue a separate agreement to maintain control of Stern’s extensive show archive.

“But as far as him coming back to doing the show, there’s no way they can keep paying his salary,” they clarified.

Referencing the difficulties within the media sector, the insider remarked, “After you saw what happened with Stephen Colbert, it’s like they just can’t afford to keep him going.”

STERN FINALLY RESPONDS

In September, Stern addressed The U.S. Sun’s report about 45 minutes into his show.

The shock jock had been on an extended summer break, after he blamed a cold for missing the prior week’s show, despite SiriusXM heavily promoting his return and that he would address the speculation that his show was done for. 

Far into his return to the air, Stern addressed The U.S. Sun’s report that his show was headed for cancellation this year.

“Here’s the truth. Sirius XM and my team have been talking about how we go forward in the future,” he stated. 

“They’ve approached me, they’ve sat down with me, like they normally do, and they’re fantastic.”

Stern recounted that SiriusXM executives asked him, “Howard, would you stay? Under what conditions do you want to stay? How often do you want to do a show?”

“And you know, we’ve been talking. We’ve been talking,” he added, confirming that a contract for him to continue had not yet been signed.

The radio icon then read directly from The U.S. Sun’s initial report, appearing to validate its accuracy.

He quoted, “Stern’s contract is up in the fall and while Sirius is planning to make him an offer, they don’t intend for him to take it,” before adding, “Which is weird. Well, fine, whatever. I might not have, but now I have to take it.”

Howard Stern’s Career

Howard Stern has had a prolific radio career, but he’s also had success in film, books and TV.

Stern’s love affair with radio began when he was a student at Boston University, where he worked at the school’s radio station before graduating in 1976.

After college, he had a series of on-air jobs in Hartford, Connecticut, Detroit, Michigan and then Washington D.C., where he met his eventual sidekick Robin Quivers.

It was in D.C. where Stern began honing his shock jock schtick.

They were fired and the pair landed at WNBC in New York City in 1982.

In a few short years at WNBC, Stern butted heads with management and was ultimately axed.

The duo joined WXRK-FM in New York in 1985 and they were there until 2004 when they joined SiriusXM.

Howard has been at SiriusXM since, with his contracts estimated to be between $80 million and a $100 million a year over the last two decades.

He also starred in and was the executive producer of his autobiography and blockbuster movie Private Parts, which debuted in 1997.

He’s also authored several books and was a judge on America’s Got Talent for three seasons.

-By Jessica Finn, Exclusives and Investigations 

SIRIUSXM EXECS WEIGH IN

A week before Stern’s belated return, SiriusXM’s Chief Content Officer, Scott Greenstein, commented at a conference. 

He said that while they would “love for Stern to stay,” nothing was confirmed at that point.

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“It certainly has to make sense, but we feel pretty good that we’ve done this before,” he said, concluding, “We’ll see where it goes.”

Meanwhile, SiriusXM CEO Jennifer Witz also verified they had not finalized a deal with Stern yet, but added she was “confident [they would] get to the right place” with the radio icon.

Septuagenarian TV star Kelsey Grammer is still growing his family, most recently with the arrival of his newest child.

The beloved “Cheers” and “Frasier” actor, who turned 70 in February, is now a father of eight. Grammer announced he and wife Kayte Walsh welcomed their fourth child together during his appearance on the “Pod Meets World” podcast.”

We just had our fourth one, it just became eight kids,” he said during the podcast episode, published Monday. “Christopher, that’s [who] just joined the family.”

The Emmy-winning TV veteran said his newest son arrived “three days” before the episode taped and joked with podcast hosts Rider Strong, Danielle Fishel and Will Friedle that he has “clusters” of children of different ages.

Grammer and Walsh, 46, married in 2011 and also share a teenage daughter and two sons. People reported in June that the couple was expecting a child again, publishing photos of the two taking a stroll through London.

The five-time Emmy winner has been married four times. Before Walsh, he was married to dancer-model Camille Donatacci. He was also briefly married to Leigh-Anne Csuhany, and dance instructor Doreen Alderman before that. His seven other children, the eldest being actor Spencer Grammer, hail from those previous relationships.

The sitcom star became a grandfather in October 2011, when his son Spencer welcomed a son with ex-husband James Hesketh.

In the past, Grammer has been open about the “beauty of being an older dad.” He told the Guardian in 2018 that raising children later in life he feels fortunate to “get a chance to kinda try it again. That’s been a real gift.”

The actor announced the arrival of his eighth child while promoting his book “Karen: A Brother Remembers,” released in May, about the brutal murder of his sister at age 18 and his lifelong battle with grief. During the episode, Fishel asked the actor how much his children knew about his late sister.

He explained his older children have varying degrees of knowledge about his sister, while his younger kids will have to wait to learn more and read his book. “Some of the stuff is too brutal, they don’t really need to be exposed to that yet,” he said.

Throughout the podcast episode, Grammer also recalled the proceedings in his sister’s case and learning how to process the loss while delivering laughs on TV.

“I didn’t walk around talking about it a lot, it’s been with me since the day it happened,” he said.

The popular murder mystery series will undergo a huge format change for its highly anticipated sixth season

Only Murders in the Building is headed to London to film the sixth season of Hulu and Disney+’s hugely popular crime comedy.

The hit series starring Steve Martin, Martin Short and Selena Gomez has just wrapped up its fifth season with another jaw-dropping finale.

This time, the podcasting trio have been investigating the mysterious murder of the Arconia’s beloved doorman Lester (played by Teddy Coluca) they suspect is connected to the New York mob.

Meanwhile, a rival trio of powerful billionaires, portrayed by season guest stars Christoph Waltz, Logan Lerman and Renée Zellweger, quickly become their prime suspects when they arrive to sabotage their detective work.

With the fifth season coming to an end with another show-stopping finale this Tuesday (28th October), countless fans are already itching for the next instalment, which has now been officially confirmed.

Disney+ and Hulu have also confirmed that Only Murders is eyeing a change of scenery next time as the series is heading to London.

This is the first time the trio will venture out of the United States as part of their investigations, which rarely leave New York.

Season four saw them vacate the confines of the Arconia to head to Hollywood, California, though season six will be at least partially set on a whole new continent.

Spoilers won’t be revealed here, but fans may discover a hint towards Charles, Oliver and Mabel’s next case in the recently released finale.

This is the biggest shake-up to the series yet, as all five seasons of Only Murders so far have revolved around murders in their iconic apartment block.

Whatever awaits in season six, the series is expected to continue to prove a monster hit for Hulu as an army of fans have already devoured the latest episode.

Viewers have already been singing the episode’s praises on X, where one user posted: “What a finale!!! I can’t say everything cuz of spoilers but this is what Television is all about.”

“What a season finale, what a cliffhanger,” another shared. “I didn’t see that coming, can’t wait to see season 6.”

Someone else teased: “That last scene of the Only Murders in the Building finale?! I literally gasped when they revealed who’s the victim next season.”

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And a final fan exclaimed: “A perfect season finale! I love this show so damn much!

“Definitely the best show on @hulu without a doubt! I really appreciate the team’s commitment to releasing each season every year.”

Stay tuned to find out if more details about the show’s sixth season are revealed soon.

Only Murders in the Building is available to stream on Disney+.

AT the grand old age of 70 most men are settling down and enjoying retirement, not knee deep in nappies after welcoming their EIGHTH child. 

But nothing about Frasier actor Kelsey Grammer’s life has ever followed a normal playbook – even up to his fourth wife demanding five weddings. 

He weathered three failed marriages – one was physically abusive, another sexless and the other ended after just 12 months – prior to falling for Virgin Atlantic air stewardess Kayte Walsh. 

The daughter of Bristol City footballer Alan Walsh and 24 years his junior, she tamed the “wild man of American comedy”, who had long battled drug and alcohol addiction.

She gave him the one thing he was missing – cosy domesticity – after endless family heartache including his sister being raped and murdered, two half brothers dying in a freak accident and his estranged dad being gunned down when he was just 13.

The couple already had a brood of three – Faith, 13, Gabriel, 10, and Auden James, eight – prior to Kelsey announcing “we’ve just had our fourth” on yesterday’s episode of Pod Meets World.

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New arrival Christopher, born on Friday, takes the actor’s baby tally to eight with four different mums.

And a source told the Mail he’s “thrilled to finally have time to fully enjoy being a father all over again… [and] embracing the hands-on parenting he missed in the past”.

There’s no doubt Kayte put an end to Kelsey’s turbulent years in the wilderness, which were plagued with tragedy, heartache and more faux pas than his pompous, gaffe-prone character Dr Frasier Crane.  

Yet their romance got off to a bumpy start – as the actor was still married to ex-Playboy pin-up and future Real Housewives of Beverly Hills star Camille Meyer. 

Kelsey would later claim his third-wife only “married me because I was Frasier”. At his peak, he raked in more than £1million per episode for the show, which ran for 11 seasons. 

He also described their marriage, which spanned 14 years until 2011, as being “so broken” that they “had not had sex in a decade” and claimed she asked for a divorce the day of his mother’s funeral in 2008.

For a long time Kelsey knew the relationship was on the rocks, admitting it was “over as soon as it began” yet he stayed with her as a “self-imposed sentence”, mainly out of stubbornness and for the sake of their two children, Mason, 24, and Jude, 21.

He met Kayte in 2009 as she showed him to his seat on a Virgin Atlantic Upper Class flight from Los Angeles to London, where he was due to appear in a play.

She claimed it was “love at first sight” – dismissing the much-joked about claim of cabin crew being on the “lookout” for wealthy suitors – and noticed “this golden glow around him”. 

They chatted about music, England and life at the plane’s bar before he slipped her his number and told her the hotel he was staying at. 

Kayte was “blown away by how lovely he was” but uncertain and “indecisive” about whether to call him. 

She told the Mail: “I said, ‘God, if I’m meant to call him, I want a sign.’ I looked out the bus window and saw a sign reading, ‘Frasier Suites’. I was like, ‘OK, that’s not enough.’ 

I was her big brother, I was supposed to protect her – I could not. I have never gotten over it… It very nearly destroyed me

Kelsey Grammer

“Four minutes later, we passed an art store called Crane and a few moments later, we drove past the hotel where he was staying.”  

Secret mistress

Two days later they went for a coffee, where he confided he was “in a situation he wasn’t happy in and I needed to be patient”. She claimed they spent months only kissing and holding hands.

It wasn’t long before Camille discovered Kelsey’s mistress. Allegedly when she arrived at the couple’s New York apartment to be told by the doorman ‘Mrs Grammer’ was already inside.

Fire and fury followed. The former Playboy bunny claimed she was dumped by text, sniped about his bedroom skill and made another lurid claim he liked to dress in women’s clothes.

At the time Kelsey responded: “Never been a cross-dresser but I have been very sexually adventurous. I’m not ashamed of anything I’ve done in the bedroom.” 

He considered the slings to be “pathetic” attempts to remain famous – yet as a “parting gift” to give her a new direction, he helped to secure her a spot on Real Housewives and even appeared in a single episode.

The couple married just 15 days after Kelsey’s £30million divorce from Camille was finalised in February 2011. It followed a stern demand before Kayte accepted his proposal. 

She recalled: “Because he’s been married so many times before I said, ‘You have to marry me more times.’ I’m his fourth wife, so I said, ‘You have to marry me at least five times.’”

Lavish nuptials followed – the first was New York, followed by an Elvis officiated Viva Las Vegas do, another at their LA home and the final, an especially romantic service in Giverny, France.

The last was inspired by Kayte’s favourite artwork Monet’s Bridge Over a Pond of Lilies. He took her to the bridge the painter used, got down on one knee and proposed.  

She recalled: “It was a complete shock. Kelsey had arranged everything with the Mayor so we got to say our vows in French. It was lovely.”

Serial killer slayed sister

The romance with Kayte has undoubtedly given Kelsey the peace and stability he has lacked throughout his turbulent life.

He was born to parents Sally, a dancer, and Allen, a coffee shop owner, in Saint Thomas, US Virgin Islands, but raised in New Jersey by his mum after they divorced when he was two.

At the age of 12, his grandad died of cancer and the following year his estranged dad was murdered during a wave of racial violence after Martin Luther King’s assassination in 1968. 

Seven years later, his younger sister Karen, 18, was kidnapped, raped and murdered by serial killer Freddie Glenn, who killed three women.

Glenn, now 68, who Kelsey remarkably forgave many later years, was sentenced to die in the gas chamber only for the death penalty to be scrapped.

“I was her big brother, I was supposed to protect her – I could not,” he said at the murderer’s 2009 parole hearing. “I have never gotten over it… It very nearly destroyed me.”

And just five years after losing Karen, two of his half-brothers were killed in a freak scuba diving accident. 

Unsurprisingly, that amount of trauma caused unbridled chaos in his personal life – with him stating they were “the catalyst that got me into a really big problem for at least the next 15 years”.

‘Chaos, insanity, mayhem’

He consistently battled cocaine and alcohol abuse – especially while filming Frasier and Cheers – and was known for being difficult to work with, one colleague described him as “one of the biggest jerks” he had ever met.

Kelsey was described as “oozing” onto set with “glazed over eyes, half asleep, going through whatever he was going through” yet when the director yelled ‘Action’, he was “pitch perfect”.

Because he’s been married so many times before I said, ‘You have to marry me more times’…You have to marry me at least five times

Kayte Grammer

He was regularly in trouble with the law too. Kelsey was charged at least four times for crimes including cocaine possession, drink driving and violating parole conditions.

The crimes, which spanned 1988 to 1996, resulted in 30 days jail time, more than 300 hours of community service, 90-day house arrest, fines in the thousands and a 30-day court mandated rehab stint. 

His relationships weren’t going well either. Kelsey’s first marriage to dance instructor Doreen Alderman lasted eight years until 1990, despite their relationship being over after less than 12 months. They share a daughter Spencer. 

Two years later Kelsey had a second child, Greer, who later appeared on MTV show Awkward, with make-up stylist Barrie Buckner.

He married former stripper Leigh-Anne Csuhany, who was three months pregnant, seven months after that. But their romance wouldn’t last. 

Kelsey filed for an annulment and evicted her from his home, alleging she was physically abusive to him. 

He claimed she once fired a gun at him and even on their wedding day, he was seen sporting a black eye from one of her violent attacks. 

In his autobiography, Kelsey claimed she convinced him he was “nothing, unattractive, untalented, undeserving of love and incapable of being loved by anyone but her” to ensure he would never leave. 

“She’d spit in my face, slap me, punch me, kick me, break glasses over my head, break windows, tear up pictures of my loved ones, threaten to kill me or herself,” he wrote. 

Shortly after the split, Leigh-Anne tried to kill herself. She suffered a miscarriage. 

Kelsey had a string of short-lived flings after, including with Playboy model Tammi Alexander, before his third marriage to fellow top-shelf mag pin-up Camille.  

Five weddings

Ultimately, it has been with Kayte where he has finally found happiness. But that contentment could have easily been derailed due to the tragedies they have faced as a couple.

Two of their pregnancies ended in miscarriage and Faith’s unborn sibling died in utero. Heartbreakingly, this often requires a mum to undergo labour to birth the deceased child.

Kayte admitted it was “devastating” for them but the blows further strengthened their relationship. Each baby has reminded them “life is a miracle” and to count their blessings.  

There was the other part of me that wanted to surrender to it and go, ‘Let it mess you up a little bit. Let it hurt.

Kelsey Grammer

His ever expanding brood has also given him a second chance at parenting, after admitting he took his eye off the ball with the older kids.

He said: “I have neglected a couple of the kids in my life, especially the first two,” he said. “I’m trying to make up for a little of it now. I’m still their dad, so you can always have [a] chance to show up.”

With a stable, loving home Kelsey’s addiction issues appear to have been kept at bay – despite in 2016 admitting he stopped attending AA because he likes to “enjoy a drink”. 

It’s known he was sober for years after his 1996 car crash while under the influence, which resulted in him being sent to rehab by the courts.  

Previously, Kelsey’s calling toward “chaos, insanity, mayhem” was spurred on by “running away from uncomfortable feelings” and being unable to “forgive myself” for his sister’s death.

He acknowledges having “a self-destructive part of me” that encouraged his addiction, which worsened his health and contributed to a near-fatal heart attack in 2008.

Kelsey added: “I always had something in the back of my head saying, ‘Okay. That’s enough now. Cut it out. You know why you’re doing this.’

“But there was the other part of me that wanted to surrender to it and go, ‘Let it mess you up a little bit. Let it hurt.’”

But now thanks to Kayte, he lives a calmer life – when not changing nappies at 5am – and previously she said their “favourite place is our sofa”.

There they snuggle up, eat popcorn while watching films and eventually fall asleep in each other’s arms. It’s a far cry from the decades of debauchery before. 

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Kayte says: “As a general rule I try to operate from love. I always wanted to find a family and the love of my life. That was my dream. I feel blessed.”

No doubt Kelsey feels it’s he who has been blessed, after finding the woman who saved his life and drastically changed his future for the better. 

LONDON — Actor Prunella Scales, best known as acid-tongued Sybil Fawlty in the classic British sitcom “Fawlty Towers,” has died, her children said Tuesday. She was 93 and had lived with dementia for many years.

Scales’ sons, Samuel and Joseph West, said she died “peacefully at home in London” on Monday.

“Although dementia forced her retirement from a remarkable acting career of nearly 70 years, she continued to live at home,” her sons said. “She was watching ‘Fawlty Towers’ the day before she died.”

Scales’ career included early roles in a 1952 television version of “Pride and Prejudice” and the 1954 film comedy “Hobson’s Choice,” followed by her TV breakthrough starring opposite Richard Briers in “Marriage Lines,” a popular 1960s sitcom about a newlywed couple.

In “Fawlty Towers” she played the exasperated wife of hapless Basil Fawlty, played by John Cleese, whose efforts to run a seaside hotel inevitably escalated into chaos. Only 12 episodes were made, in 1975 and 1979, but it is regularly cited as one of the funniest sitcoms of all time.

Cleese remembered Scales as “a really wonderful comic actress” and “a very sweet lady.”

“I’ve recently been watching a number of clips of ‘Fawlty Towers’ whilst researching a book,” Cleese said in a statement. “Scene after scene she was absolutely perfect.”

Scales also starred as the small-town social powerhouse Elizabeth Mapp in “Mapp & Lucia,” a 1985 TV adaptation of E.F. Benson’s 1930s series of comic novels.

Later roles included Queen Elizabeth II in “A Question of Attribution,” Alan Bennett’s stage and TV drama about the queen’s art adviser, Anthony Blunt, who was also a Soviet spy. Scales played another British monarch in the one-woman stage show “An Evening with Queen Victoria.”

Scales was a versatile stage performer whose theater roles ranged from Shakespeare’s comedies to the morphine-addicted matriarch Mary Tyrone in a 1991 production of Eugene O’Neill’s “Long Day’s Journey Into Night.”

But she remained best known for “Fawlty Towers.” In 2006, Scales was guest of honor at the reopening of the Gleneagles Hotel in the English seaside resort of Torquay, the establishment whose memorably rude owner had inspired Cleese to create Basil Fawlty after a stay there in the 1970s.

Scales was diagnosed with vascular dementia in 2013. Between 2014 and 2019, she and her husband, actor Timothy West, explored waterways in Britain and abroad in the gentle travel show “Great Canal Journeys.” The program was praised for the way it honestly depicted Scales’ dementia.

West, her husband of 61 years, died in November 2024. Scales is survived by her sons, stepdaughter Juliet West, seven grandchildren and four great-grandchildren.

Lawless writes for the Associated Press.

Grantchester star Robson Green has said he ‘burst into tears’ as he shared details of the final days of filming the last ever series of the ITV crime drama

Grantchester favourite Robson Green has revealed there are just five days of filming remaining on the final ever series of the beloved ITV drama.

The announcement came over the summer that the crime series would be drawing to a close after its 11th run.

The popular ITV programme features Robson, 60, as Detective Inspector Geordie Keating, whose character teams up with vicar Alphy Kottaram, portrayed by Rishi Nair, to crack cases in the Cambridgeshire village.

The series draws inspiration from James Runcie’s literary works.

During Tuesday’s This Morning appearance, Robson, who has been busy with another venture exploring the globe’s finest walking routes, spoke about Grantchester’s conclusion, reports Wales Online.

The performer, who has starred in the programme since its 2014 debut, revealed to presenters Alison Hammond and Dermot O’Leary: “We’re filming the final series, I’ve got five days left, I finish next Tuesday!”

Speaking about his Grantchester colleagues both past and present, he continued: “That’s the saddest thing about it all, I’m going to miss that family of wonderful people, I’ve got so many wonderful memories.

“If you watch Grantchester, I play a character Inspector Keating, and I wear this one suit. A brown suit. In every scene, in every episode, and every series and I hung it up for the last time on Friday.”

Discussing the poignant moment, Robson confessed: “I burst into tears!”

It comes as Robson, reflecting on the show’s conclusion, said during the summer: “From the very beginning, I have had the incredible fortune to be part of this extraordinary team of talented, passionate, and dedicated individuals who have become more than colleagues. They have become family.

“I have made friendships forged through shared laughter, challenges, and triumphs.

“The bonds we’ve formed extend far beyond the camera lens, and I know that they will endure long after the final scene within the Grantchester world has been filmed.

“Thank you to everyone who has been part of this incredible journey.

“Emma Kingsman Lloyd and Daisy Coulam…. from that very first day you gave me the extraordinary opportunity to be part of this experience..

“It has been an honour to share in the magic of Grantchester, and I am forever grateful for the memories, the friendships, and the love that this journey has given me. I hope I made you proud.”

This Morning continues on weekdays at 10am on ITV and ITV X.

ANOTHER TikTok trend has taken off, this time featuring a combo of iconic tracks from different genres and eras.

Here’s everything you need to know about the Beez in the Trap trend, which is clocking up tens of millions of views and spawning hundreds of thousands of videos.

What is the Beez in the Trap trend? 

The Beez in the Trap trend is a viral TikTok phenomenon combining two iconic tracks.

The mashup has produced a surge of videos, with participants lip-syncing lines from both songs in a duet or surprise reveal.

As of October 2025, it is one of the platform’s most popular viral sounds.

The remix at the heart of the trend was originally made by TikToker DJ Auxlord in August 2025, but didn’t explode online until a few months later.

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What were the original songs? 

The original songs fuelling this trend come from different genres and eras – Nicki Minaj’s 2012 hip hop single Beez in the Trap and 4 Non Blondes’ 1993 alternative rock hit What’s Up.

Beez in the Trap, featuring rapper 2 Chainz, was released on May 29, 2012 as a single from her second studio album Pink Friday: Roman Reloaded.

Minaj said the phrase “I beez in the trap” means she’s always making money, as she explained on the Graham Norton Show when the song came out.

During the interview, Minaj clarified that “beez” is slang for “I am always” and “the trap” refers to any place where money is made.

The other single, 4 Non Blondes’ What’s Up, was released on June 11, 1993 and went on to become one of the decade’s definitive rock anthems.

Written and sung by Linda Perry, the song’s rallying chorus of “what’s going on?” became ingrained in pop culture.

The mashup has brought both songs new attention on social media.

The clips usually begin with someone lip-syncing the opening line from What’s Up over the beat of Minaj’s track.

The focus then swaps to another participant, who delivers Minaj’s razor-sharp hook.

As of November 28, 2025, the trend has seen over 600,000 TikTok videos created.

It has been embraced by both of the original artists, with 4 Non Blondes’ Linda Perry telling Rolling Stone it is “ridiculous in all the best ways”.

What celebrities have been doing the trend? 

Education advocate and youngest-ever Nobel Peace Prize laureate Malala Yousafzai joined Jimmy Fallon on The Tonight Show for a rendition, which has been viewed over 73million as of November 28, 2025.

Sabrina Carpenter and Marcello Hernandez did a version that has so far been viewed over 18million times.

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Other major celebs taking part in the trend include rapper Ice Spice with PinkPanthress and Quen Blackwell, while Jennifer Lopez and former 4 Non Blondes singer Linda Perry – who sang the vocal on the original – have joined in on the fun.

Kylie Jenner and Khloe Kardashian have also had a go, as well as Gordon Ramsay, his wife Tana and daughter Tilly.

Last year the prolific and gifted Zadie Smith stumbled into controversy with the publication of “Shibboleth” in the New Yorker. She purportedly approached the white-hot Gaza demonstrations with the nuance and complexity they deserved and yet derided pro-Palestinian students at Columbia University as “cynical and unworthy,” stirring up a hornets’ nest among her young fans, who expressed their anger on various internet platforms. The controversy gained traction because of Smith’s record of championing the marginalized, citing theorists like Frantz Fanon while targeting empires and the omnipresent patriarchy. That she singled out one group of activists, many Jewish, at the very moment Arab toddlers were being blown apart by U.S.-funded bombs raised doubts about her touted values. Her conclusion was startling, her tone defiant: “Put me wherever you want: misguided socialist, toothless humanist, naïve novelist, useful idiot, apologist, denier, ally, contrarian, collaborator, traitor, inexcusable coward.” The lady doth protest too much?

“Shibboleth” appears in “Dead and Alive,” Smith’s collection of previously published essays, in which she assumes most if not all those roles she attributes to herself. Fanon is here as well, amid an array of artists and authors such as Joan Didion, Toni Morrison, and Philip Roth. Smith is arguing for the necessity of vigorous criticism and often makes her case. The book’s finest pieces wrangle, in elegant prose, with humanity’s contradictions; the weaker ones indulge in name-dropping, footnotes and op-ed invective.

Zadie Smith

(Ben Bailey-Smith)

“The Muse at Her Easel,” in the opening section, probes the relationship between English painter Lucian Freud and his model, Celia Paul, also a painter, via a review of her memoir. (Paul is the mother of one of 12 children he fathered outside of marriage.) Smith’s sly trick here is a bit of Freud-play: Lucian seen through the prism of his grandfather Sigmund, the family romance on steroids. Celia revolves around the artist here much as she did when he was alive, vulnerable and reflective, a moon to his sun. It’s both a restrained and overwrought essay, a cryptic tale of sexual politics, like her fellow Brit Rachel Cusk’s novel, “Second Place,” but one that urges us to think hard about abuses in the service of “museography.”

Smith brings an empathic eye to other artists, from the allegorical Toyin Ojih Odutola to the subversive Kara Walker. And she shines a bright light on numerous writers who have inspired her, particularly in remembrances of Didion (whose influence we sense throughout “Dead and Alive”) and the great Hilary Mantel. Her pieces on two books, “Black England” and “Black Manhattan,” excavate hidden histories of Black resistance and the painful compromises brokered to move forward. Her tone in “Fascinated to Presume: In Defense of Fiction” is elegiac, as though smartphones have killed off the craft; yet it’s also a manifesto of sorts, and a declaration of her own aesthetics. “Belief in a novel is, for me, a by-product of a certain kind of sentence,” Smith observes. “Familiarity, kinship, and compassion will play their part, but if the sentences don’t speak to me, nothing else will.” Amen, sister.

Her forays into social commentary are more problematic. She’s strong on the weird population kink known as Gen X, squeezed between the larger boomers and millennials, and the switchback road we traveled to marriage and parenthood: “We all still dressed like teenagers, though, and in the minds of the popular culture were ‘slackers,’ suffering from some form of delayed development, possibly the sad consequences of missing such key adulting experiences as a good war or a stock market crash,” Smith asserts. “We felt history belonged to other people: that we lived in the time of no time.” She’s persuasive when she remains within her comfort zone, opining on race, gender and, occasionally, class. Not so much when she ventures into technology. In “Some Notes on Mediated Time,” she broods at length on the destabilizing effects of the internet, social media and the algorithm silos that shape our present. It’s tough to parse irony from self-congratulation. “I have to say how immensely grateful I am that the work I have been so fortunate to do these last twenty years — writing books — has also gifted me the opportunity, the privilege, of devoting the time of my one human life to an algorithm. To keep almost all of it, selfishly, outrageously, for myself, my friends, my colleagues, my family,” Smith writes. “There are memes I will never know. Whole Twitter meltdowns I never witnessed. Hashtags I will forever remain ignorant about.” Which raises the question: Why lament a social paradigm shift if you haven’t bothered with it in the first place? Something isn’t right. Elsewhere in the essay she claims that social media is “excellent for building brands and businesses and attracting customers.” Could the same be said of a disingenuous essayist?

She comes across as preaching to her peers rather than seeking converts, a whiff of Oxbridge elitism. Hence references to Derrida, Dickinson, Knausgaard, Borges, shout-outs to Booker laureates “Salman” (Rushdie) and “Ian” (McEwan). This level of self-regard in a writer and thinker as justifiably exalted as Smith may explain why our nation is turning on reading: aristocracies breed resentment among the proles. Then Smith steps into the muck of global conflicts. The moral bothsidesism found in “Shibboleth” splits the baby; she does herself no favors with Solomonic pronouncements and Pontius Pilate-like self-exoneration. (Elsewhere she indicts Trump and Netanyahu while neglecting the money and media that empower them.)

“Dead and Alive” does what it was designed to do: It gathers the author’s criticism, literary obituaries, a university address and an interview with a Spanish journal between two covers. The execution falters. Smith’s provocations are often stunning; her prose is thrillingly strident; but her fiction better captures the messiness of public and private selves at war with each other.

Cain is a book critic and the author of a memoir, “This Boy’s Faith: Notes From a Southern Baptist Upbringing.” He lives in Brooklyn, N.Y.

Timothy West died last November and now his wife Prunella Scales has tragically passed away. The pair spoke fondly of one another in their final ever interview

Prunella Scales and Timothy West spoke of their deep love for another in their final interview together. The EastEnders actor revealed that he had spotted a potential sign of his wife Prunella’s dementia years before her diagnosis was confirmed.

In November, it was confirmed that Timothy – known for his roles in shows like EastEnders – had died at the age of 90. Prunella’s death was announced today, just months after her husband’s sad passing.

In what is believed to be one of his last interviews, conducted in 2023, Timothy opened up about his wife Prunella’s battle with dementia. The couple appeared on BBC Breakfast for an interview together, in what would be their last appearance on TV.

Prunella, who is most recognised for her role as Sybil Fawlty in the classic sitcom Fawlty Towers, received her dementia diagnosis in 2014. However, Timothy suggested that he first noticed signs of the condition as early as 2001.

Reflecting on the moment he first observed his wife’s decline, he shared: “I came to see a play that Pru was doing in Greenwich. I went to see the first night and it was good, much enjoyed by the audience, and then I went to see it again a bit later on and I thought ‘Pru’s not … it’s strange. She’s not totally with it.'”

Despite these early signs, her official dementia diagnosis didn’t come until over a decade later. Timothy recalled: “We went to see a specialist who just said ‘I’m sorry this is just something that happens to you when you get older’. It’s not going to get any easier but you can cope with it. We manage.”

Despite the tough landscape they found themselves in, Prunella said: “I have got to know him better and better and better.”

Timothy added: “I know that things are going to change a little bit, but it has been a long time and we have managed pretty well really. I don’t think we ever think ‘oh no.'”

Prunella then shared: “I have been asked to live the rest of my life with somebody I respect very much and agree with a lot of things and argue with about a lot of things quite happily.”

During a chat with the BBC, which was conducted prior to the launch of Timothy’s book, he was questioned about his wife Prunella’s vascular dementia diagnosis. He said that “somehow” they have “coped” over the years.

“Pru doesn’t really think about it,” he added. Timothy and Pru have been husband and wife since 1963. The couple have two sons together, actors Samuel West and Joseph West. Their family also includes Timothy’s daughter Juliet West from a previous marriage.

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DISCREET and “not blatant”, with a stranger and with mandatory payment – those were the strict rules set by Lily Allen that allegedly allowed her husband of four years to cheat.

Now the scorned songstress, 40, has ferociously lifted the lid on the ‘arrangement’ with Stranger Things actor David Harbour in a song titled ‘Madeline’.

It’s the moniker she gave to costume designer and single mum Natalie Tippett, 34, who allegedly cheated with the American, 50, despite suggesting she had given him a ‘hall pass’ to sleep with sex workers.

Fuming in lyrics, which she says are a “mixture of fact and fiction”, Lily says: “We had an arrangement; Be discreet and don’t be blatant; And there had to be payment; It had to be with strangers; But you’re not a stranger, Madeline, Madeline, Madeline, Madeline.”

The track on her comeback album West End Girl, which documents the unravelling of her relationship and his supposed infidelity, has earned critical acclaim and has three songs in the Top 40. 

Unsurprisingly, it’s Lily’s anti-monogamy stance that has raised the eyebrows of listeners but these types of ‘arrangements’ are far from unusual in the world of celebrity.  

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Behavioural psychologist Jo Hemmings tells The Sun some are tempted due to working away for long periods of time and feeling unable to satisfy each other sexually or emotionally.

However, she cautions: “No matter how many boundaries or rules you put in place, what happens when it becomes more than just sex and your partner falls in love?” 

“There are so, so many obstacles with these types of relationships,” Jo tells us. “And it’s interesting that Lily had this very specific boundary.

“She set it because there would be very little danger of her husband falling in love with one of these girls or having an emotional relationship when it’s purely sexual and transactional.

“It sort of sounds modern, grown-up and pre-emptive, deciding you’re in an open relationship and acknowledging what’s going on rather than being ‘cheated on’ but it rarely works.

“There is nearly always one person who is secretly less comfortable with the idea than they say they are and there’s a big difference between ‘theoretical acceptance’ and actual acceptance.

“When the gossip starts and the press finds out, when it happens on repeat and the public starts to judge their relationship it can get really, really tough. 

“And some ‘open relationships’ are less genuine than one might think, some say they are in one to protect themselves. It can be deflective in a lot of cases.

“I think a lot of celebrities are pre-empting scrutiny and that way if their partner is seen snogging the face off someone at a bar, they are one step ahead of the game.”

As Jo highlights, Lily is far from the only celebrity to be stung after opening the sexual floodgates in her relationship – with many ending in divorce, as we reveal. 

Will & Jada Pinkett Smith

The aftermath of this ill-fated ‘arrangement’ resulted in the most explosive moment ever seen at the Oscars, which led to Will Smith being banned for 10 years and scrutinised across the globe. 

In 2022, the Fresh Prince star slapped Chris Rock after he made a joke about his wife of 28 years Jada Pinkett-Smith’s alopecia, comparing her to a buzz-cut character from the film GI Jane.

Yet the origin of Will’s anger is said to have stemmed from the public ridicule and humiliation he suffered after Jada admitted to an affair two years previously. 

Describing it as an “entanglement”, she spoke of a fling with August Alsina, a rapper 21 years her junior, who was a friend of their son Jaden, during a separation from Will. 

Later Will apologised for his Oscars attack, stating: “I was gone. That was a rage that had been bottled [up] for a really long time… What I would say is that you just never know what somebody’s going through.” 

Rumours of the Smiths having an open marriage had circulated for more than a decade and even when Jada denied it in a 2013 Huffington Post interview, her cryptic response prompted more questions. 

She said: “I’ve always told Will, ‘You can do whatever you want as long as you can look at yourself in the mirror and be okay.’”

Later Jada posted a lengthy rant on Facebook questioning if loving someone meant “owning them” and if it should “operate as enslavement”.

She concluded: “Will and I BOTH can do WHATEVER we want, because we TRUST each other to do so. This does NOT mean we have an open relationship…this means we have a GROWN one.”

Jo says for some celebrities being part of a ‘power couple’ can lead to more sexually flexible relationships, as it appeared to be with the Smiths, but it rarely works. 

She tells us for some it can be a “way of protecting themselves” ahead of an affair being discovered or a way to have “a feeling of control, by agreeing on the terms” of what can and can’t be done.

“It can be hard to fulfil your partner’s emotional and physical needs when you’re half way across the world and flings may seem like a ‘harmless release’,” Jo says.

“And it’s easy for celebrities to go into these agreements with good intentions but you cannot predict how you or your partner will feel when it happens. 

“There are so many opportunities in the chaos of celebrity life for boundaries to be overstepped and so almost inevitably it will go wrong at some point.

“Even if both partners feel they are on the same page and in 100 per cent agreement, most couples aren’t. One partner always wants it more than the other and the other may not be able to accept what happened.”

Michelle Visage & David Case

Former Strictly star Michelle Visage set sparks flying away from the stage when she claimed cheating makes her marriage “stronger” – but she’s not exactly thrilled by his flings.

She told the Origins With Cush Jumbo podcast that her actor hubby David Case experiences ‘compersion’, which is considered to be ‘the opposite of jealousy’.

It’s a term often used in the polyamorous community to describe a partner feeling joy that their romantic partner had an exciting experience with another person. 

“We live openly, so he would get off knowing that I was so happy and no matter what it is that I do, and I’m not just talking sexually,” Michelle said last year.

“Whatever it is, I don’t know if I have compersion in me to be really excited if he’s doing something with another woman but I know that it exists and he is 100% that.”

While Michelle claimed it was something that “works for us” and “what makes us stronger”, Jo says it can still be problematic.

She warns it’s risky when meddling with “the intimacy of a relationship” despite the couple claiming to be “fully transparent and trusting one another”. 

Demi Moore & Ashton Kutcher

When Ghost actress Demi Moore shacked up with Ashton Kutcher, 21 years her junior, she wanted to “show him how great and fun I could be” – especially when it came to sex.

“I put him first, so when he expressed his fantasy of bringing a third person into our bed, I didn’t say no,” she admitted in her 2019 memoir Inside Out.

But her two ménages à trois, left Demi feeling “flooded with shame” and realising it was a “mistake”. Worse still, Ashton later told her it encouraged him to have affairs.

She claimed the That 70s Show actor told her the threesomes “blurred the lines” of their romance and “to some extent, justified what he’d done”.

It referred to at least three flings, including one on a San Diego stag do and another with a pal of her eldest daughter, that doomed their six-year marriage by November 2011. 

Jo says she sees issues like what happened with Demi and Ashton “a lot” in counselling – where one partner is “willing to please” because their partner “wants it so badly” and fears losing them.

“But it can have devastating consequences for the relationship,” she says. “Maybe not immediately but some struggle because they can’t unseen what they have seen or what their partner has done.

“Some aren’t even able to recall seeing their husband having sex with another woman, because it’s so brutal for them. Many prefer to turn blind eye, not see or not join in. 

“Even if they think they want it at the time, sometimes threesomes can be the last straw for a couple or for any agreed infidelity.”

Ethan Hawke & Ryan Shawhughes

Ethan Hawke’s marriage to Uma Thurman was marked by rumours of cheating, which he strenuously denied, yet after their 2003 split he made it clear he strongly believes in polyamory. 

After getting together with their former nanny Ryan Shawhughes, he argued that most people have “a childish view of monogamy and fidelity”, suggesting it as an outdated concept.

“To act all indignant, that your world has been rocked because your lover wasn’t faithful to you, is a little bit like acting rocked that your hair went grey,” Ethan told HuffPost in 2013.

It’s unclear how open the relationship with Ryan is but he encouraged speculation by stating “neither she nor I know what shape the future will come in” and justified extramarital flings. 

“Sexual fidelity can’t be the whole thing you hang your relationship on,” he added. “If you really love somebody you want them to grow, but you don’t get to define how that happens. They do.”

Shirley MacLaine & Steve Parker

Hollywood legend Shirley MacLaine, who starred in Steel Magnolias and Terms of Endearment, had an open marriage for 28 years. 

It started back in 1954 due to her producer husband, Steve Parker, predominantly working in Japan while she was in America and she admitted “no one understood it” apart from them. 

She added: “I would say better to stay friends and we don’t have enough time to talk about the sexuality of all. I was very open about all of that and so was he.”

Despite declaring extra-marital flings “the basis for a long-lasting marriage”, the couple divorced in 1982 but remained friends.  

Jo says these types of arrangements can be more common among celebrities due to them maintaining long-distance relationships because of work projects, however it’s very risky. 

“While it may feel like a safety net, it can erode trust and intimacy and instead of enjoying the ‘freedom and liberation’ they anticipate, they can feel like they are being replaced.

“You can put in a world of boundaries and rules to but what happens when your partner falls in love with someone else? When it becomes more than just sex, you’re in trouble. Your relationship is effectively over.” 

Bella Thorne & Tana Mongeau

For just over a year, Dirty Sexy Money actress Bella Thorne celebrated her open relationship with musician Mod Sun and YouTuber Tana Mongeau in loving posts online .

In 2019, she told the Gay Times: “We joke around about poly[amorous], but we aren’t in the sense that we don’t put a word, a box or label too many things. It is what it is.”

Bella even claimed that she didn’t think anybody could “really understand the bonds” she shared with Mod and Tana, only for their three-way romance to end just months later.

It all came tumbling down after what Mod – real name Derek Smith – described as a “very, very public incident” that led him to end their “toxic” relationship.

Bella later slammed Tana on X – formerly Twitter – for breaking “girl code” after she was seen on a date with Mod. 

Tana later got engaged to boxer Jake Paul and had a legally non-binding wedding to the influencer-turned-fighter in late 2019.

They too had an open relationship but she revealed it heavily contributed to them splitting up because she felt compelled to “green-light everything” to make him happy, even though it was “killing” her.

Mo’Nique & Sidney Hicks

Precious actress Mo’Nique put an end to her open relationship with her husband and manager Sidney Hicks after fearing it would lead to them breaking up. 

She first spoke about them having hall passes to cheat back in 2010, claiming “I don’t want to be owned anymore… [or] have ownership over anyone”.

Declaring her “beautiful” open relationship “my idea”, Mo’Nique said: “If sex happens with another person, that’s not a deal breaker for us.

“That’s not something where we’ll have to say, ‘Oh God, we’ve got to go to divorce court because you cheated on me,’ because we don’t cheat.” 

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However by 2023, Mo’Nique, who had been with Sidney since she was 16, changed her tune saying she wanted monogamy. She said it was down to recognising the strength of their relationship and his love for her “at my worst”.

She added: “I didn’t want to sacrifice that just for a lay. So I grew out of that.”

Exactly a year after the Eaton fire broke out, musicians are banding together once more for an upcoming benefit show, called A Concert for Altadena.

As a way to both raise funds and bring the community together, the night is set to include performances from musicians like Jackson Browne, Dawes & Friends, Aloe Blacc, Jenny Lewis, Everclear, Stephen Stills, Mandy Moore, Judith Hill, Brad Paisley, Ozomatli, Brandon Flowers of the Killers and more.

Many of the featured acts have ties to Los Angeles and Altadena specifically, like Dawes, an indie band from Altadena who notably sang a lively rendition of “I Love L.A.” at this year’s Grammys ceremony. Moore, who is also performing, similarly lost their homes in the fire.

“I’ve seen firsthand how music can mobilize people for good. This concert brings together artists, fans, and neighbors for something bigger than all of us — recovery, hope, and rebuilding lives,” said Grammy winner Eric Krasno. The guitarist, who also lived in Altadena, helped organize the event and is set to perform.

Even behind the scenes, people like Kevin Lyman, who founded the Vans Warped Tour and is a longtime Altadena resident, is working as the event’s lead producer.

“Music has always been a force for community. With this event, we’re not just putting on a show — we’re helping Altadena rebuild homes, restore businesses, and heal hearts. This night is about unity and purpose,” said Lyman.

All of the proceeds from the show will go to the Pasadena Community Foundation’s Eaton Fire Relief & Recovery Fund, which helps provide resources to families impacted, and the Altadena Builds Back Foundation, which focuses on the long-term recovery of housing in the neighborhood.

The Eaton fire is the second most destructive wildfire in California’s history, destroying more than 9,000 structures in an area of nearly 22 square miles. It is also one of the state’s deadliest fires, with 19 people killed. Since the January fire, rebuilding efforts have proved to be slow-moving in the face of bureaucracy and high overhead costs.

The benefit show will take place Jan. 7 at the Pasadena Civic Auditorium. Tickets go sale Nov. 7.

‘Fully loaded’ devices are being used to stream paid for content including football – full list of UK areas targets most recently

The Federation Against Copyright Theft has issued warnings that it is cracking down on people using ‘dodgy’ or ‘fully loaded’ Firesticks to illegally stream sport and paid for content. It carries out raids and also monitors digital sellers of the devices in order to target suppliers.

The practice is increasingly widespread – and the most recent raids carried out in the country by FACT have been across the UK. Working with police the clampdown spanned locations across the UK, including London, Cheshire, Kent, Sussex, Norfolk, Northamptonshire, Lincolnshire, Derbyshire, Staffordshire, the East and West Midlands, Greater Manchester, Merseyside, Northumbria, and North Yorkshire.

FACT, in collaboration with police services are intensifying efforts to disrupt and dismantle piracy operations across the country by targeting suppliers who are selling unauthorised access to premium content, including film, television and live sports.

The most recent reported two-week enforcement operation saw FACT and police targeting 30 suppliers of illegal IPTV services. These individuals were visited in person and issued cease-and-desist warnings by post, instructing them to cease illegal activities immediately or face potential criminal prosecution.

As part of the enforcement action, South Wales Police arrested a 42-year-old man from Newport who was suspected of involvement in illegal IPTV operations, including the sale of illicit Firesticks. FACT and South Wales Police seized several digital devices, including Firesticks, which are now undergoing forensic examination. Additionally, FACT issued a number of takedown requests to social media platforms and online marketplaces, further disrupting illegal IPTV activity.

FACT warned that courts are increasingly imposing severe penalties for illegal streaming operations, ‘particularly those who do not heed warnings’. It said private prosecution undertaken by the Premier League resulted a 29-year-old from Liverpool, receiving a three-year and four-month prison sentence for selling and using illicit Firesticks.

The body often targets the month of November because a lot of the Firesticks are sold at this time of year. Kieron Sharp, CEO FACT said: “Our cease-and-desist measures are not just warnings—they are the first step toward holding offenders accountable. Many who ignored these notices in the past are now facing arrest and criminal charges. We strongly advise anyone involved in these activities to stop immediately.

“If you’re supplying or using illicit streaming devices or illegal IPTV subscriptions, take this as a clear warning: you are breaking the law and risk facing serious consequences.

“We will continue working with police to track down and shut down these illegal operations. The police across the UK have been unstinting in their efforts to tackle this criminality and we are grateful for their assistance.

“To those using illegal streaming services, the message is that you’re not just committing a crime; you are putting yourself at risk. These services often expose users to malware, scams, and data theft, with no recourse when things go wrong. The safest, smartest and only choice is to stick to legitimate providers for your entertainment.”

FACT gets intelligence from Crimestoppers from anonymous reports from the public and works with sports rights holders and broadcast partners, including The Premier League, Sky, TNT Sports and Virgin Media, to investigate and prosecute those involved in intellectual property crimes. Digital piracy undermines the rights of broadcasters and content creators by providing users unauthorised access to premium content without proper compensation.

Illegal streaming exposes your home to criminals, granting them access to data stored on your network, including banking details and sensitive personal information. Additionally, it can introduce malware, which can further compromise your security. Learn more about the dangers of illegal streaming at BeStreamWise.

COMEDIAN Steve Coogan will pay substantial damages to a university boss for portraying him as a film’s sexist bully. 

The actor, 60, co-wrote and starred in 2022’s The Lost King, about the quest to uncover the remains of Richard III. 

Richard Taylor was part of the Leicester University team which located the grave of the king — often portrayed as having a hunched back — beneath a car park in the city. 

But Mr Taylor sued for libel after being characterised as “smug, unduly dismissive and patronising”. 

Alan Partridge star Coogan is a vocal campaigner for media fairness. 

Last year, a judge found Coogan and two production companies “knowingly misrepresented facts” in the film, starring Sally Hawkins and Harry Lloyd. 

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Yesterday, lawyers for Mr Taylor told London’s High Court the parties had settled out of court and that he was being paid “substantial damages”. 

Producers will also make changes to the film. 

Mr Taylor called it vindication after “a long and gruelling battle”. 

Mrs Justice Collins Rice said: “These were momentous historical events and finding yourself represented in a feature film about them must be an unsettling experience, even in the best of circumstances.  

“I hope that this very clear statement and the settlement… will help Mr Taylor put this particular experience behind him. ” 

Coogan, his production company Baby Cow, and Pathe Productions were not represented in court and did not attend. 

However, the star said he was consulting lawyers over remarks made by Mr Taylor — and insisted of his film: “It is the story I wanted to tell, and I am happy I did.” 

Pop star and recreational astronaut Katy Perry has found a new flame in former Canadian Prime Minister Justin Trudeau, in an unexpected romance that feels like a “Mad Libs” page come to life.

The “California Gurls” hitmaker and the longtime politician publicly debuted their relationship over the weekend, shutting down months of speculation. Perry, 41, and Trudeau, 53, were photographed holding hands during a date night in Paris on Saturday.

The singer, in a red body-hugging dress, and Trudeau in a black suit were seen exiting cabaret club Crazy Horse Paris, where they celebrated Perry’s birthday. Video shared by Backgrid shows Perry accepting a rose from a bystander and Trudeau placing his hand on her back as they walk to their SUV.

Perry and Trudeau first sparked relationship rumors in late July, when they were seen sharing a meal and some good conversation at an upscale restaurant in Montreal. They met up for their rendezvous, captured by TMZ, a month after Perry and “Pirates of the Caribbean” and “Lord of the Rings” star Orlando Bloom ended their engagement. The former couple welcomed a daughter in 2020 and continue to co-parent.

At the time, the split with Bloom was the latest blow to Perry’s public image. Prior to their separation, the Grammy-nominated singer’s album “143” faced backlash and scathing reviews, her participation in Blue Origin‘s flashy all-female crew flight was subject to scrutiny and her Lifetimes world tour proved divisive. Trudeau seemed to be all smiles at the latter in late July.

Fans spotted the former Canadian leader, who resigned in January after nearly a decade in power, dancing and singing at Perry’s tour stop in Montreal. Earlier this month paparazzi snapped pictures of the then-rumored couple packing on the PDA on the singer’s yacht off the coast of Santa Barbara, Perry’s hometown.

Trudeau began his romance with Perry after he and ex-wife Sophie Gregoire Trudeau announced their separation in 2023. The Trudeaus were married for 18 years and share three children. Though they are legally separated, their divorce is not yet final.

Neither Trudeau nor Perry has publicly addressed their relationship, save for one cheeky comment the singer made during a concert in London this month. When a fan tried shooting his shot and proposed to the singer, she responded, “You know you really should have asked me about 48 hours ago,” seemingly referring to her yacht outing with her new beau.

Perry continues the European leg of her Lifetimes tour Monday, performing at the MVM Dome in Budapest. Information about her remaining tour stops and future gigs can be found on her website.

Sandi Toksvig embarks on a journey across the nation as she digs out the history buried beneath our feet. But one discovery pushed her over the edge, leaving her in tears.

Sandi Toksvig is no stranger to curiosity, but in her latest series – Hidden Treasures with Sandi Toksvig – she’s delving deeper than ever before and one moment left her in floods of tears.

The beloved broadcaster is turning her lifelong love of archaeology into a full-scale adventure, uncovering the history buried beneath Britain’s soil.

“I studied archaeology many years ago at Cambridge University. It was a theoretical course, so I never went on a dig,” Sandi Toksvig says. “So when I got offered this, it was a bit that was missing in my education. I really needed to do this.”

Teaming up with her friend, archaeologist Raksha Dave, Sandi, 67, embarks on a thrilling nationwide journey across four episodes. From Dorset to Northumberland, the duo dig up remarkable discoveries that stretch from the Iron Age to the Second World War.

The series begins in Dorset, where a team from Bournemouth University excavates a 2,000-year-old Iron Age cemetery belonging to the Durotriges, one of Europe’s earliest women-centric communities.

From there, Sandi and Raksha head off to join the University of Reading at Cookham Abbey, before venturing north to explore Hadrian’s Wall and finally taking on their most ambitious dig in Essex – uncovering the wreckage of a US fighter plane from the Second World War.

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“It’s such an astonishing range,” Sandi says. “We cover everything from the Romans to the Iron Age, which is the period from about 800 BCE to 43 CE, to look at the Durotriges. They were a local Iron Age tribe in modern Dorset and one of Europe’s first women-centric communities.”

But not every discovery is easy to process. In the opener, deep in a two-and-a-half-metre pit, Sandi comes face-to-face with a haunting find.

“We discovered a 15-to-17-year-old skeleton face down with a break across one of the arms,” Sandi recalls. “The arms had been tied together prior to death. The nature of the death seemed to be violent and suggested this was perhaps a sacrificial grave. Everybody was being careful.”

Experienced and steady, Raksha handled the skeleton with care. “She very carefully picked it up and handed it to me,” Sandi says. “I turned the face at last to the light and it felt like the person was looking at me.

“At that moment, I unexpectedly burst into tears. I could not stop crying. To hold that person’s head in my hands was one of the greatest privileges of my life.”

For Raksha, the discovery was groundbreaking. “It was pretty gobsmacking,” she says. “It’s very rare to find a human sacrifice. That’s not the first one they’ve discovered, there’s an obvious pattern that follows from years of digging. This suggests that it was the norm for the Durotriges.”

The chemistry between Sandi and Raksha is a highlight of the show. “Very occasionally, you meet somebody and you think, ‘We’re going to be friends,’” Sandi says.

“I am so drawn to anybody with expertise; Raksha has archaeology running throughout her bones. She is a magnet for archaeological finds. Give that woman a trowel and stick her in a couple of inches of dirt – she’ll find you something fantastic!”

Raksha laughs, saying, “Sandi calls me a magpie because every time I turn up on the site, I find stuff.” But it’s not all glamour and golden relics. “Camera crews don’t realise how crazy it can be,” says Raksha, 48.

“There’s a lot of dirt flying around. Quite often, you can be in challenging places, not all sites are accessible. You don’t know what the weather’s going to be like, it could be really horrid and muddy.

Also, camera crews are not used to an archaeological digging timetable. When you’re down a hole shovelling into a wheelbarrow all morning, you need to have a break.”

Despite the challenges, the pair’s friendship made every trench, trowel and muddy pit worth it. “Raksha is really good fun,” Sandi says. “We had beer, sitting back in a wheelbarrow – she taught me that leaning back in a wheelbarrow is a rather comfortable chair.

We’re friends and I admire her beyond words. The fact she’s been President of the Council for British Archaeology doesn’t surprise me.” Their shared laughter balances the show’s emotional weight, but both women hope the series sparks a bigger debate about archaeology’s future.

“I hope more will volunteer. Things are beginning to rot because of climate change,” Sandi says. “The safest way to protect something was to leave it buried. Now, we need to get cracking. I would encourage everybody to volunteer. It’s a fantastic experience.”

Hidden Treasures with Sandi Toksvig airs on November 4th, on Channel 4.

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KATE Cassidy has revealed a new unseen video of Liam Payne after the singer’s sister took swipe at star.

Kate, 26, took to social media to share a sweet clip of her and Liam on holiday together before his tragic death last year. 

The TikTok post showed Kate and Liam in a villa soaking up the sun and enjoying their private pool. 

The camera panned to the topless One Direction star who is shown filming the video whilst he takes various snaps of Kate in a blue bikini. 

The clip then cuts to another montage of Liam taking pics of the blonde beauty in a red two piece, Liam’s voice can be heard telling Kate how to pose. 

She posted the video along with the song Apocalypse by Cigarettes After Sex.

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Captioning the clip, she wrote: “Memories.”

This month marks the one year anniversary of Liam’s death who sadly passed away aged 31 after falling from a hotel balcony in Argentina.

Influencer Kate had been dating the singer for two years when he died.

Liam’s devastated sister Ruth recently took a swipe at Kate after she slammed people “using his death for fame”.

In a moving tribute to her “little brother” on social media, Ruth didn’t hold back.

“Everyone only seems interested in the public side of this.

“Some sadly seem more interested in the fame they can gain off this, but on the human side people need to remember when they speak, there is a son without his Dad, parents without their child and I am lost without my brother,” she said.

Beforehand a video was shared by Kate of Liam lifting her up in a final dance before his death.

A heartbroken Kate posted the clip on her own social media showing the of the 1D singer attempting to hoist her up.

But her “last dance” with Liam was not the only post she has shared recently to mark one year since his passing.

She also shared some AI-generated snaps which some deemed as “distasteful”.

She then revealed how she would be spending the anniversary of his death on a quiet brand trip in Miami, because being busy helps her.

Kate told how she was originally reluctant to accept the invitation trip, given the timing.

Although after giving it some thought and consideration, she ultimately changed her mind.

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She said: “I know Liam would want me to go. I’m not going to be doing anything on the 16th, I’ll be here in my apartment.

“I know for a fact I wouldn’t be able to commit to any plans on the 16th.”

When Gigi Perez took to the stage at the Austin City Limits Festival earlier this month, it felt like the universe was holding up a mirror, reflecting back all the growth she’d done in the four years since her last performance there.

Back in 2021, the Cuban American singer-songwriter had a newly-minted record deal and a handful of viral SoundCloud singles — the wistful acoustic guitar track “Sometimes (Backwood)” and the devastatingly raw “Celene.” The 2021 edition of ACL was the first festival she ever performed, and though her early afternoon slot at one of the smaller stages attracted a few dozen audience members, Perez had spent so many years dreaming of the opportunity that it didn’t matter. She was happy just to be there.

This month, Perez returned to Austin no longer an emerging artist, but as a rising star. Her mega-viral single, the lovesick folk ballad from 2024, “Sailor Song,” had topped the U.K. singles chart and earned more than 1 billion streams on Spotify. On the back of its success, she spent the first half of this year opening for Hozier in support of her 2025 debut LP, “At the Beach, in Every Life.”

So when she took the stage at ACL in October, this time it was for a coveted golden hour set, with a sea of people stretched out before her — and a chorus of voices singing along to her every word.

“It was magical,” Perez told De Los. “There were people there who were actually at my first set in 2021, standing in the front. It meant a lot to me. I think that there’s a shock that I still experience with people coming to my set at a festival.”

At 25 years old, Perez has lived more life than most. Born in New Jersey and raised in West Palm Beach, Fla., the singer grew up in a devoutly Christian Cuban household, the middle child of three sisters.

As a teenager, the religious values she’d been steeped in were beginning to clash with her own realizations about her sexuality — and music provided a lifeline. The queer artists she listened to, like Hayley Kiyoko and Troye Sivan, tapped into feelings she hadn’t been able to articulate, and inspired her to write music that would allow her to express them in her own words.

At 18, just as she was preparing to head to the Berklee College of Music in Boston, her grandmother and uncle passed away, just weeks apart from each other. These dual losses set off a wave of grief and sparked difficult questions about her faith. She was struggling to regain her footing over the next year when, just months into the pandemic, her family experienced the sudden loss of her older sister Celene.

Perez felt unmoored. Her whole life, Celene had been a north star, a guiding light who inspired her to take up music, and who wanted to be a singer herself. Perez did what she knew how: wove her pain and anger and devastation into music, writing the soul-stirring tribute, “Celene.”

“The other day, I thought of something funny, but no one would’ve laughed but you,” she sings. “And mom and dad are always crying. And I wish I knew what to do.”

(Cat Cardenas / For De Los)

Her first original songs gained traction on TikTok, getting the attention of Interscope Records. From there, her career began to take off. She opened for Coldplay and Noah Cyrus, releasing her first EP, “How to Catch a Falling Knife,” in April 2023. Then, just months into a string of performances scheduled in London that summer, the label released her from her contract.

“I remember just being dumbfounded,” she said. “It was this immediate, very deep sense of fear and failure.”

But the funny thing about grief — that all-consuming force that had dragged her out to sea multiple times over the last several years — was that as suffocating as it could be, it was also surprising and unpredictable. So despite the depth of complicated emotions washing over her, Perez was acutely aware that this news was nothing compared to the loss of her sister. “So many things that happen in my life don’t affect me in that same profound way,” she said. “That was one of the things that made me. I don’t know, it’s hard to find the words even now.”

Growing up, Celene had her sights set on Broadway. She introduced Gigi to several musicals, from a bootleg version of “Legally Blonde,” to her first live theater experience in “Wicked,” to the cast album of Lin–Manuel Miranda’s “In the Heights.” They played one song from the soundtrack, “Breathe,” on repeat. It’s sung by the character Nina, the daughter of immigrants in Washington Heights, who returns home in shame after having to drop out of Stanford University.

“That’s how I was feeling at the time,” Perez professed.

In London, she listened to the song on repeat. Then, she started writing. From the beginning, her style has always been instinctual; a freeform jam session where she sits at the piano or with her guitar and just lets her ideas flow out. The title came to her first — “At the Beach, in Every Life” — and the song poured out of her, nearly word for word.

“I remember the first time I played those chords on the piano, I had no idea what was going to happen,” she said. “I just knew something was opening up inside me, but I had no idea how deep the well was going to be, or that I was going to be an artist who gets to travel the world. I just had these desires, these visions, but to really live it is something else.”

After finishing out her commitments in the U.K., she moved back home to Florida. From her childhood bedroom, she began to rebuild. She taught herself music production and kept writing more songs. Without intending to, the puzzle pieces of the last few years of her life began to fall into place, and the grief that had consumed so much of her story finally had an outlet.

“At the Beach, In Every Life” details a breaking down of Perez’s walls. Her sadness and regret washes over tracks like “Sugar Water” and “Crown,” building into fiery passion on “Chemistry” and “Sailor Song,” before cresting into the haunting resolution of the title track that closes it out. It’s a portrait of loss and yearning, made up of vivid recollections from her childhood, her family, and her previous relationships. In short, it’s the album she wishes she could’ve listened to five years ago when her pain seemed insurmountable.

“I had just been operating blind for so long,” she said. “Being able to share my experience of loss in this specific way, it’s something that my 20-year-old self would be in disbelief of. At the time, it was like being without air, the isolation was so suffocating.”

Not long ago, Perez’s sadness could sometimes make her self-conscious. She wanted to share what she was going through, but she also didn’t want to be defined by it. “I didn’t want to be that girl who was always talking about her sister, but there was this very genuine desire to cry out for help, or acknowledge her,” she said. “Everyone is different, but for me, I needed to acknowledge her in order to be well.”

Fans of Gigi Perez at the barricade during her performance at this year’s Austin City Limits Festival in Austin, Texas.

(Cat Cardenas / For De Los)

Now, not even five years later, it feels like she’s finally turned the page and started a new chapter. “I’ve been able to build a life around my grief, and honor the loss of my sister in a way that’s helped me,” she said. “I don’t know exactly what healing should look like, but her death affected me and continues to affect me in these very profound ways. This is the best case scenario for me, because I get to share it with others — that’s one of the things that makes it so difficult to navigate: the feeling that no one understands you.”

“Knowing that we’re not alone has really saved my life,” she said. “I used to be the person thinking, ‘What’s the point of being alive?’ But knowing there are other people with the same question, I know now that we can hold each other’s hands through that. That’s given me a purpose and that helps me continue to move through it.”

In the process of writing the album, Perez found ways to bring both of her sisters along for the ride. There are voice memos from Celene, along with a snippet of her singing on “Survivor’s Guilt.” But there’s also “Sugar Water,” a track she co-wrote with her younger sister, Bella, who joins her onstage to perform the song on tour. “Anyone who has two sisters knows the chaos and intensity that can bring,” she said. “But we loved each other, and we still do. My relationship to what it means to be a woman was shaped by having sisters, and Celene and Bella are the closest reflection that I have of myself.”

Amid this wild, almost unbelievable year, Perez has been grounded by her family’s presence. Her mom is part of her management team, and her dad has joined them on the road.

“There’s something to be said about being in it so much that it’s almost hard to physically feel it on the level you want to,” Perez said. But over the last few weeks, as she’s gotten the opportunity to revisit the places where she first found her footing as a performer, she’s had the opportunity to reflect on just how much she’s grown since then.

For now, she plans on heading back home to Florida once her tour is over to spend time reflecting on everything. “I think that’s when I’ll start to see the confetti fall,” she said. “Life is uncertain, and we never know what it’s going to throw our way, but this was a year that I prayed for. And I think it was a year that a lot of people who love me prayed for too. So for that, I’m very grateful.”

A popular Australian radio show has been axed following a much-discussed controversy involving Keith Urban, in which he hung up on the programme amid an interview

A popular Australian radio show has been axed following a much-discussed controversy involving Keith Urban. The Aussie musician, 57, made an appearance on Australian Radio Network (ARN)’s Hayley & Max In The Morning, which has been hosted by Max Burford and Hayley Pearson for just under a year.

The interview took place just weeks before it was revealed that he and Nicole Kidman had called time on their near-20 year marriage, and that the Hollywood actress had filed for divorce herself. It all seemed to be going well until he was asked about Nicole’s sex scenes with Zac Efron in their film A Family Affair

He was asked: “What does Keith Urban think when he sees his beautiful wife with beautiful younger men like Zac Efron, having these beautiful love scenes on TV?” Keith’s only response was to end the interview then and there. A member of the crew was heard saying he and his team didn’t like the line of questioning and pulled the chat.

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Less than six months after the viral moment took place, the radio broadcaster announced that the Mix102.3 show would air for the final time on December 12. A representative said: “In 2026, the station will launch a new live and local breakfast show as part of a refreshed whole station strategy focused on bolder content and bigger moments that really set the station apart.”

It comes just days after the news that Brisbane breakfast show Robin, Kip & Corey Oates had also been axed by the network. The rep also thanked the on-air team for their “hard work, creativity and commitment to the Brisbane audience” during their time in production.

According to an email seen by Mediaweek, the network ‘can’t reveal details just yet’ of what is to come for the broadcaster. Following the controversial moment with Keith, Max Burford, the radio show’s host, then remarked that he thought they were ‘vibing’ with the country music star and wondered if Keith now disliked them.

He added: “I thought we were vibing with Keith. Do we have beef with Keith Urban now?”

His co-host, Hayley Pearson, added that she thought their line of questioning would make Keith “hate” them: “He hates us. I knew that was going to happen.” Keith’s angry response to questions about his wife’s films came just after their 19th wedding anniversary.

The couple, who married in Sydney in 2006 after meeting at a Los Angeles event in 2005, have two daughters, aged 17 and 14. The divorce documents include a detailed parenting plan, with Kidman set to be the primary residential parent for 306 days of the year. Urban will have the remaining 59. The filing states both girls will remain in Nashville, where they’ve lived their whole lives.

“The mother and father will behave with each other and each child so as to provide a loving, stable, consistent and nurturing relationship with the child even though they are divorced,” the agreement reads.

“They will not speak badly of each other or the members of the family of the other parent. They will encourage each child to continue to love the other parent and be comfortable in both families.”

Reports claim that neither will seek child or spousal support, with the filing noting both earn over $100,000 per month. Assets, including royalties and copyrights, will be split equally, with each keeping what is in their name.

The parenting agreement was signed by Urban on August 29 and by Kidman on September 6 – suggesting the split had been planned well before it became public. Under Tennessee law, the divorce will take at least 90 days to be finalised.

This was Urban’s first marriage and Kidman’s second. She was previously married to Tom Cruise, with whom she has two older children. Just last year, at a Netflix premiere, Kidman told the Associated Press, “You’re heading for trouble if you consider yourselves the perfect couple. I’m not a believer in perfect.”

Earlier that year, Urban emotionally paid tribute to Kidman at the AFI Life Achievement Award ceremony, saying, “Four months into our marriage, I’m in rehab for three months. Nic pushed through every negative voice, I’m sure even some of her own, and she chose love. And here we are 18 years later.”

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