show biz

How to Get to Heaven from Belfast is a dark comedy thriller series topping Netflix charts, and here’s everything you need to know about the actor who plays Liam

How to Get to Heaven from Belfast fans are only just realising where they have seen Darragh Hand before.

How to Get to Heaven from Belfast is already making waves on Netflix, with the dark comedy thriller featuring an impressive cast.

The brainchild of Derry Girls writer Lisa McGee, the series follows three friends as they delve into the mysterious death of a former classmate.

Their own tumultuous personal lives prove to be obstacles as they encounter a host of intriguing characters during their journey across Ireland. Fans are just now recognising one of the stars from previous roles.

Emerging star Darragh Hand portrays Liam, a Garda police officer who comes to the trio’s aid when they find themselves stranded on a road.

Liam plays a pivotal role in the investigation that forms the crux of the plot, and here’s everything you need to know about the actor’s past roles.

Darragh Hand is an Irish-Jamaican actor who has featured in big-name shows like Netflix’s Heartstopper and ITV’s detective series, Grace.

His television debut was as Kai Davis in the BBC’s long-standing drama, Silent Witness. He then landed the role of Leo in the third season of Grace.

Viewers might recognise him as Michael Holden from the third season of Netflix’s romantic drama, Heartstopper.

In his cameo in Radio Silence, Michael came across as geeky and awkward for an athlete, owing to his height and his thick-framed glasses.

The actor has also made his mark in theatre, with acclaimed performances in Dear England, Richard III, and The Land of Lost Content.

In conversation with Bustle, the 27 year old Olivier-nominated performer from Croydon discussed his Heartstopper role and what viewers can anticipate from the forthcoming film.

He revealed: “The fans of that show are some of the most loyal, dedicated fans I’ve ever experienced. It means so much to them as an audience, so I don’t know if there’s much I can give away.

“But it is the final instalment, so we will be saying goodbye to these characters, which is sad and beautiful – especially for a lot of the other cast [members who have] grown up with this show.”

He continued: “I will always be so grateful for Heartstopper because it introduced me into the TV/film realm in the best way possible. Even down to the comics – my character, Michael Holden, looks a bit different from how I look.

“And I would see people online absolutely crushing any narrative of, like, Oh, this is not how he looked in the comics. This is not how his hair was in the comics. They really vouched for me.

“They genuinely had my back, which was a bizarre but lovely thing. For that to be my introduction was beautiful.”

How to Get to Heaven from Belfast is on Netflix

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The Apprentice star has explained his absence from last week’s episode that left him isolated from the other contestants.

Levi Hague, a contestant on The Apprentice, has shed light on his conspicuous absence from the latest episode of the show.

The BBC’s business competition, helmed by Lord Sugar, is in full swing, with a surprise double elimination in the opening episode and two more hopefuls shown the door since. The remaining contestants are vying for a hefty £250,000 investment into their business ventures.

This year’s line-up includes a star from Geordie Shore and an actress, but viewers noticed that former RAF Gunner Levi was missing from the recent episode.

Taking to social media, Levi clarified his absence, attributing it to a bout of severe food poisoning that led him to “lose more weight than an Ozempic user”.

He admitted he missed parts of the second episode and was still feeling under the weather during the third task, leaving him feeling “gutted”, reports Wales Online.

In a TikTok video, he recounted: “The night before the task, we got in pretty late, about 10 o’clock at night, couldn’t be bothered to cook, I was being lazy, and I had some spaghetti Bolognese, either that or some chicken, whatever.

“I got food poisoning, really bad. Diarrhoea and vomiting. The place where we went to do the boardroom, you have a little chill out room before, and I spewed up getting out the car.

“More or less spewed up when we got into the chill out room, so they isolated me straight away, so I wouldn’t spread it to any other contestants. So, yeah, that’s reason why I were down, it was diarrhoea and sickness.”

The contestant revealed he was taken out of the house and placed in hotel accommodation to recover separately from his fellow housemates, with production staff regularly monitoring his condition.

He continued: “I went down for about four or five days. Had to go on some hardcore antibiotics. Put it this way…. I lost more weight than an Ozempic user, and after I went toilet after 21 times in a day, I stopped counting after that.”

In an accompanying caption, he explained: “Right… let’s clear this up before the conspiracy theories start If you’re wondering why I wasn’t there for Task 3 – I was still man down with food poisoning.

“Given it was a food task, it probably wasn’t the best idea to have me anywhere near the public or a kitchen or away from a toilet So that’s the reason! Not to worry though… these extremely rosy cheeks and this northern accent will be back on your screens next week. P.S. Thank you for all the messages of support and concern genuinely appreciated.”

Levi has faced controversy over his inclusion in the programme, after his historic offensive social media posts were uncovered.

It was claimed he made discriminatory remarks towards Muslims and sexist comments about women. He later apologised for the posts, which have been deleted.

Production company Naked also admitted social media checks had “failed to flag the offensive posts” and that the process would be reviewed, adding: “Levi’s historical posts contain language which is unacceptable and Levi has been spoken to about this behaviour. He has apologised and insists that these posts do not reflect the man he is now.”

A BBC spokesperson said the views presented in the posts were “totally unacceptable” and the organisation was taking it “extremely seriously”.

“We were completely unaware that this contestant had made such abhorrent comments,” the BBC spokesperson said.

“We have asked the independent production company to fully review the social media checks undertaken given the process has clearly failed in this instance.”

The Apprentice continues on Thursday at 9pm on BBC One and iPlayer.

WUTHERING Heights star Margot Robbie would soak up views of the Yorkshire Dales from a bath while there for filming, a hotel owner has revealed.

Staff said the 35-year-old Aussie became a real “Yorkshire lass”, wearing wellies and a wax jacket — and pulling pints.

Margot, who plays Cathy Earnshaw in the tragedy, spent three weeks at 17th-century Simonstone Hall Hotel in Hawes, North Yorks, last year.

Other cast members also stayed including Jacob Elordi, 28, who plays brooding Heathcliff.

Barbie actress Margot was given the hotel’s best room, the luxury £300-a-night Langtry Suite.

Staff said she was obsessed with having a daily bath in its free-standing tub by a large window so she could enjoy the view.

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Meanwhile, Australian Jacob requested a “dog-friendly” room for his golden retriever Layla.

Margot is effortlessly beautiful and even looked good in wellies and a wax jacket.

Hotel owner Jake Dinsdale on Margot

Hotel owner Jake Dinsdale told The Sun on Sunday: “Margot was absolutely lovely.

“She was very down-to-earth — a real Yorkshire lass at heart.

“Margot is effortlessly beautiful and even looked good in wellies and a wax jacket.”

He added: “I’ve got an old school Land Rover and she asked me to drive her to the set in it a couple of times.”

Jake said Margot had a go at pulling a pint of Simonstone Ale.

He added: “There were a few wild nights, drinking negronis and martinis, or hanging out in the hot tub or by the fire.

“But on weekends it was always very relaxed.

“Margot had a Sunday roast in the restaurant and enjoyed our afternoon tea.”

Filming took place in the Yorkshire Dales National Park 30 miles from Haworth, West Yorks, where Wuthering Heights author Emily Bronte grew up.

Margot returned in the summer for a break with producer husband Tom Ackerley and their baby son.

They visited Hardraw Force, England’s highest single drop waterfall — where Tom, 35, had a dip to recreate a scene in 1991 film Robin Hood: Prince of Thieves.

Custodian of the falls Mark Thompson said: “I remember Margot saying how much she enjoyed Yorkshire and they bought a photo of the falls from the gift shop.”

Wuthering Heights was released in cinemas on Friday.

For Ant McPartlin, beloved dog Hurley was never just a pet.

The chocolate Labrador became his rock through addiction battles, rehab and a painfully public divorce.

Earlier this week, Ant and ex-wife Lisa Armstrong faced the heart-breaking decision to say goodbye.

After vets told them their 12-year-old dog was too poorly to recover, they made the agonising call to put him to sleep.

Ant, 50, and Strictly Come Dancing make-up boss Lisa, 49, were both able to see him beforehand, with the TV star staying by Hurley’s side in his final moments.

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The couple adopted Hurley in 2013 after struggling to have children and had doted on him ever since.

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When their marriage broke down in 2018, custody of the dog became one of the most emotional flash points of their split.

During their £30million break-up, Ant was said to have told Lisa she could take “anything but Hurley”.

At the time, the TV star said: “Hurley’s welfare comes first and we both love him very much. That’s the way it is really.”

They eventually agreed to share care of the pup, with Hurley dividing his time between their homes.

Hurley also enjoyed regular trips to the groomers and spent a holiday with Ant and his family last summer.

The Labrador even became a celebrity in his own right.

Speaking in 2019, Ant said: “I came out of a shop the other day and there was a woman on the floor cuddling Hurley.

“She said to me, ‘It’s the dog from the papers!’ Hurley’s a celebrity.”

Ant even named one of his companies Hurley Promotions Ltd – a nod to his ‘surrogate son’.

SUPPORT HOUND

Friends have long said Hurley was a lifeline during Ant’s darkest days of drink and drug addiction, visiting him in rehab and helping him rebuild routine once he returned home.

Speaking about their bond, Ant said: “There’s a loyalty and a love and a companionship with Hurley that you can’t describe. He never tells me off and is always pleased to see me.”

Even after finding happiness again with wife Anne-Marie Corbett, Hurley remained firmly part of the family.

In May 2024, when Ant and Anne-Marie welcomed their son Wilder, fans noticed his new “family tree” tattoo and questioned why Hurley wasn’t included.

Ant quickly reassured them on X, writing: “For all you dog lovers who asked why my beloved Hurley wasn’t on the family tree… he was!! He was just covered by our newborn.”

The photo had simply obscured Hurley’s name beneath the baby’s proof that the Labrador would always be family.

BROOKLYN Beckham has sent a clear message to Gordon Ramsay after the chef publicly urged him to “remember where he came from” amid his ongoing family row with mum and dad, David and Victoria. 

In an exclusive interview with The Sun this week, Gordon revealed that, despite being close mates with David Beckham, he had maintained contact with Brooklyn after his family fallout alongside wife, Nicola Peltz.

Having taken aspiring chef Brooklyn under his wing for a while, Gordon praised his “incredible heart” but warned that his eagerness to “forge his own path” had him in danger of forgetting “where he came from”. 

Now, within hours of the interview being published, Brooklyn has added his former mentor to the list of people he’s now unfollowed on Instagram. 

At the time of writing, Gordon is still following Brooklyn, meaning that he’s not been blocked by the 26-year-old. 

A source told MailOnline: “Brooklyn and Nicola clearly don’t want any criticism at all, they just don’t want to hear any negativity about themselves. 

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“They must hate being talked about unless it’s gushing. Maybe they don’t like the truth.” 

The Beckhams and the Ramsays have had a long-standing relationship and close bond, with Brooklyn growing up alongside Gordon’s son, Jack, who’s also 26. 

It’s believed that Gordon is even godparent to 14-year-old Harper Seven, the youngest of the Beckham children. At the least, he was one point in the running. 

During our interview with Gordon – who was promoting his upcoming Netflix series Being Gordon Ramsay – he opened up about what was going on inside the Beckham household, and his belief that things at some point will smooth over. 

“It’s a very difficult situation,” he explained. “Victoria is upset, and I know 24/7, seven days a week, just how much David loves Brooklyn.

“Brooklyn and I have messaged a little bit, our relationship is solid. I love him – his heart is incredible – but it’s hard, isn’t it, when you’re infatuated? 

“Love is blind. It’s easy to get up on that rollercoaster, and get carried away. But it will come back.” 

“He’s desperate to forge his own way, and I respect that from him. It’s such a good thing to do,” he added. “But remember where you came from. 

“And honestly, one day you’re not going to have your mum and dad, and you need to understand that. That penny will drop.

“I just want Brooklyn to take a moment to himself. And remember: you’re half mum, half dad. And you’re an amazing young man.

“But, boy, they’ve done more for you than anyone did in your entire life.”

“Time’s going to be the best healer, and David will absolutely get that relationship back on track,” he added.

The Beckham family have continued to make small gestures in a bid to reach out to Brooklyn – despite his public six-page statement cutting all ties from the family.

Today, little sister Harper made a post sending a “Happy Valentines to the best big brothers in the world”, sharing a throwback snap of her as a young child with Brooklyn, as well as brothers Romeo and Cruz.

Victoria later reposted the photograph on her own Instagram Stories, but Brooklyn has not publicly responded.

Earlier this week Cruz also reached out to Brooklyn, with a throwback of the three brothers as children, something he also ignored.

Walt Disney Co. will pay $2.75 million to settle allegations that it violated the California Consumer Privacy Act by not fully complying with consumers’ requests to opt out of data sharing on its streaming services, the state attorney general’s office said Wednesday.

The Burbank media and entertainment company allegedly restricted the extent of opt-out requests, including complying with users’ petitions only on the device or streaming services they processed it from, or stopping the sharing of consumers’ personal data through Disney’s advertising platform but not those of specific ad-tech companies whose code was embedded on Disney websites and apps, the attorney general’s office said.

In addition to the fine, the settlement, which is subject to court approval, will require Disney to enact a “consumer-friendly, easy to execute” process that allows users to opt-out of the sale or sharing of their data with as few steps as possible, according to court documents.

“Consumers shouldn’t have to go to infinity and beyond to assert their privacy rights,” Atty. Gen. Rob Bonta said in a statement. “In California, asking a business to stop selling your data should not be complicated or cumbersome.”

A Disney spokesperson said in a statement that the company “continues to invest significant resources to set the standard for responsible and transparent data practices across our streaming services.”

“As technology and media continue to evolve, protecting the privacy and preserving the experience of Californians and fans everywhere remains a longstanding priority for Disney,” the spokesperson said.

The settlement with Disney stemmed from a 2024 investigation by the attorney general’s office into streaming devices and apps for alleged violations of the California Consumer Privacy Act, which governs the collection of consumers’ personal data by businesses.

Under the law, businesses that sell or share personal data for targeted advertising must give users the right to opt-out.

Disney’s $2.75-million payment is the largest such settlement under the state privacy act, Bonta’s office said.

The attorney general has also reached settlements with companies such as beauty retailer Sephora, food delivery app DoorDash and SlingTV for alleged violations of the privacy act.

“A generation ago, midlife might have been a bit of a snore, right? You have your job you’re going to be in for your whole career. You have your house in the suburbs … I don’t think established adulthood is that established anymore,” author Emily Nemens told me from her home in Princeton, N.J., before heading out on a cross-country book tour. “It’s much more pressurized and uncertain.”

This is the foundation of the former Paris Review editor’s sweeping and exquisite sophomore novel, “Clutch,” which features an ensemble cast of five women — all 40, give or take, and longtime friends — who reunite in Palm Springs, each at their own trying crossroads.

Nemens is no stranger to writing group dynamics; her critically acclaimed debut novel, “The Cactus League,” is structured in interlinked stories. She wrote it while juggling a distinguished career at literary quarterlies and making a name for herself as an artist. In the 2010s, her watercolor portraits of U.S. congresswomen went viral for their commentary on political portraiture and the “power suit.” At the time, women made up only 17% of Congress. Her new work also draws on politics — “Clutch” is set in an era shaped by the Dobbs decision and the state of women’s health in America.

The Times talked to Nemens about favoring friendship on the page, bodily autonomy and her influences including California artist Wayne Thiebaud — whose painting “Supine Woman” is featured on the cover of her novel.

This Q&A was edited for length and clarity.

When did the idea for “Clutch” first come to you?

I went to Palm Springs with my girlfriends. The dynamics, the friction of getting people together who love each other a lot but haven’t seen each other for quite a long time was eventful and felt like something to write about.

On your inspiration for the novel: You’ve previously mentioned Mary McCarthy’s novel “The Group,” which has also been cited as a precursor to “Sex and the City.” How far have we come since “The Group” was published in 1963? How about “Sex and the City” in the late ‘90s? “

McCarthy was writing in the ‘50s and ‘60s about the ‘30s and “The Group” was meant to highlight all the progress women had (and hadn’t) made in this new society, new economy, new technologies, birth controls coming on. There’s a certain amount of new liberation that came purportedly in the ‘30s, purportedly in the ‘60s, purportedly in the ‘90s. I mean, progress is certainly being made. You and I can get birth control and have our own credit cards, but there’s also a lot of things that don’t feel great. A reigning plotline in “Clutch” is about reproductive freedom in Texas in the 2020s and just how devastating that was for so many people who care about bodily autonomy, and that doesn’t feel very different than it did in the 1930s.

“Clutch” puts a cast of millennial girlfriends front and center.

Yeah, I’ve read a lot of books I admire about singular protagonists. A woman rebelling from a marriage or striking out from the role of motherhood or otherwise trying to find meaning. These novels about a singular quest. And I just kept coming up against that and thought: What happens when you try to build the infrastructure of friendships on the page?

We get intimate access to each of these five women — a writer, litigator, ENT physician, an actor turned politician and a consultant turned caretaker. All of them live in various parts of the country, including California, Texas and New York. It must have been hard to balance so many perspectives, plotlines and an omniscient narrator on top of it all.

I broke a lot of rules with that third ping-ponging perspective. Sometimes perspectives shift within a page, within a scene, moving rapidly and gleefully between points of view, and using that omniscient voice to steer us around — that was fun. I was cognizant of balance and understanding the lazy-Susan of it. Making sure I was spinning all the way around the table and touching each piece in each storyline.

Why midlife?

I love a bildungsroman as a novel conceit and as a framing device. But, sometimes, moving beyond that realization of the adult you want to be and actually being that adult is harder and more complicated and maybe more interesting, at least as I am and perceive it right now.

You’ve worked as an editor in some of the literary world’s most prestigious posts, notably at the Paris Review. Do you miss it since pivoting toward your own writing and teaching?

Making magazines was a thrill and a gift and exhausting. In that order. Not every editor is quite as catholic with a little c, as ecumenical, as excited about such a range of writing as I am. I wanted to see not one style of writing, but a broad range of writing that I felt had both ambition and execution.

One of the things that’s hard about being an editor, particularly an acquiring editor, is how often you have to say no. As a teacher now, I never say no. I say “yes.” Instead, I ask: What else can this be doing? That attitude adjustment is glorious.

Back to “Clutch,” what does female friendship mean to you? Do you see your friends’ qualities in these five women?

Female friendship has been such a gift. I don’t have children, I have a really supportive partner and I have this wonderful, creative professional life, but I can’t imagine it without my friends. There are certainly flints of autobiography and different friends in different characters — they’ve read it and liked it, and if they saw themselves, they were pleasant about it.

Tell me about the painting on the cover of the book. It really speaks to what these women are going through.

Getting the rights to the painting was a real coup! It’s called “Supine Woman” by Wayne Thiebaud. It was painted in 1963 — its own little Easter egg is that it came out the same year as “The Group.”

It depicts a woman dressed all in white who is lying on the floor. You’d assume from the pose that she’s sleeping, except her eyes are wide open, and in this frightened or startled expression. To me, it’s indicative of what the women in “Clutch” are going through. This is that moment right after you get knocked down, right before you get up again and that emotional tenor proceeds for a lot of the novel.

Lancaster is a London-based writer of fiction, fashion editorial and screenplays.

In its opening credits, Oscar-winning director Emerald Fennell’s “Wuthering Heights” self-identifies as “based on the novel by Emily Brontë.”

Yet as Fennell has proved in a slew of interviews about the already polemical film, released Friday, the relationship between Brontë’s Gothic epic and its latest adaptation is more complicated than that.

Penned by a young female author perpetually adrift in the dark world of fantasy, “Wuthering Heights” is a transgressive novel today and was exponentially more so at the time of its publication in 1847. Its protagonists are vengeful, and its romances — including Catherine Earnshaw (Cathy) and Heathcliff’s — are ridden with violence, both psychological and physical. While Fennell’s film anchors itself in Brontë’s narrative landscape, it also takes creative liberties in service of approximating the director’s personal experience reading it as a teen.

Whereas Brontë’s novel contains “mere glimmers of physical intimacy,” Fennell’s picture is erotic, laden with steamy scenes inserted from the director’s imagination.

“They’re part of the book of my head,” Fennell recently told The Times. “I think they’re part of the book of all of our heads.”

Some book purists beg to differ with Fennell’s interpretation. Well in advance of the film’s release, the director was criticized for casting her former “Saltburn” collaborator Jacob Elordi as Heathcliff, who is repeatedly described throughout Brontë’s novel as non-white. Brontë fans have also accused the director of reducing a complex work rife with social critique into a popcorn romance.

Perhaps anticipating such backlash, Fennell in a recent interview with Fandango explained her decision to enclose the film’s title in quotation marks, saying, “You can’t adapt a book as dense and complicated and difficult as this book.”

“I can’t say I’m making ‘Wuthering Heights.’ It’s not possible,” the director said. “What I can say is I’m making a version of it.”

Here are seven ways Fennell’s interpretation of “Wuthering Heights” differs from its source material.

Fennell’s Heathcliff is white

Brontë’s “Wuthering Heights” leaves Heathcliff’s racial identity ambiguous, with characters referring to him as a “gipsy brat,” “lascar” and “Spanish castaway” at different points throughout the novel. But one thing is clear: He is not white.

As the Lousiana State Unversity professor Elsie Michie writes in the academic journal article, “From Simianized Irish to Oriental Despots: Heathcliff, Rochester and Racial Difference,” Heathcliff’s racial othering is how “he becomes, for others, a locus of both fear and desire.” In other words, Heathcliff’s role in the novel, and thus his fraught romance with Cathy, is predicated upon his non-white identity.

Fennell’s film instead relies on class differences — and a meddling Nelly (to be discussed later) — to form the rift between its love interests.

Cathy’s brother dies young

When Mr. Earnshaw presents a young Cathy with her companion-to-be early in the film, she declares that she will name him Heathcliff, “after my dead brother.”

For the remainder of the film, Brontë’s character Hindley Earnshaw is subsumed into Mr. Earnshaw. Rather than Hindley, it is Mr. Earnshaw who devolves into the drunk gambling addict whose vices force him to cede Wuthering Heights to Heathcliff. Mr. Earnshaw’s abuse of young Heathcliff in the film makes the latter’s revenge plot more personal than his book counterpart’s against Hindley.

Cathy meets Edgar Linton as an adult

In Brontë’s novel, Cathy and Heathcliff first encounter their neighbors, the Lintons, after an outdoor escapade gone awry. Cathy gets bitten in the ankle by an aggressive dog and stays at the Lintons’ for a few weeks to heal.

Cathy sustains a similar injury in the film, but this time, she’s an adult woman, who falls from the Thrushcross Grange garden wall after attempting to spy on its grown residents Edgar and Isabella. (In the book, the two are siblings. Here, Isabella is referred to as Edgar’s “ward.”)

Aside from providing some comic relief, Fennell’s revision also fast-tracks the marriage plot that severs Cathy and Heathcliff.

Nelly is a meddler, and a spiteful one

Whereas Brontë writes Nelly as a largely passive narrator, Fennell abandons the frame narrative structure altogether and instead fashions the housekeeper into a complex character with significant control over Cathy’s life.

It is she who ensures Heathcliff overhears Cathy as she laments how marrying him would degrade her, causing him to flee Wuthering Heights and leave Cathy to marry Edgar. Nelly’s ploy comes shortly after Cathy demeans the housekeeper, claiming that she wouldn’t understand Cathy’s predicament given she’s never loved anyone, and no one has ever loved her. Thus, Nelly is characterized as vengeful toward Cathy — although, as the latter lies in her death bed, the two share a brief moment that complicates their relationship to each other.

Regardless, Fennell gives Nelly and Cathy’s relationship psychological depth that Brontë’s novel doesn’t seem to afford them.

Cathy and Heathcliff have sex (and a lot of it)

Brontë’s Cathy and Heathcliff never explicitly (in the text) consummate their professed undying love, save for a few kisses just before Cathy breathes her last.

Fennell’s “Wuthering Heights,” on the other hand, grants them an entire Bridgerton-style sex montage — they even get hot and heavy in a carriage. It’s nearly impossible to keep count of the “I love you”s exchanged during the pair’s rendezvous.

These smutty sequences certainly validate the Valentine’s Eve release.

Isabella is a willing submissive

One particular still of Alison Oliver’s Isabella is already making the rounds online, and for good reason. The shot, which depicts the young woman engaging in BDSM-style puppy play, is a stark contrast to Brontë’s characterization of Isabella as a victim of domestic violence.

In Brontë’s book, Isabella marries Heathcliff naively believing he might shape up into a gentleman and flees with their son when she realizes that is out of the question. In the film, Heathcliff is clear from their first romantic encounter that he does not love Isabella, will never love her and pursues her only to torture Cathy — and the young woman still chooses to be with him.

There is no second generation

Perhaps Fennell’s most glaring diversion from her source material is her complete omission of the second half of Brontë’s novel, which centers on a second generation comprised of Cathy and Edgar’s daughter Catherine Linton, Heathcliff and Isabella’s son Linton Heathcliff and Hindley and his wife Frances’ son Hareton Earnshaw.

In her introduction to the Penguin Classics edition of “Wuthering Heights,” Brontë scholar Pauline Nestor writes that many literary critics interpret the novel’s latter half as “signifying the restoration of order and balance in the second generation after the excesses and disruption of the first generation,” while others contend the violence that stains Cathy and Heathcliff’s relationship is bound to be replicated by their children. Either way, the structure of Brontë’s novel encourages readers to interpret each half through the lens of the other.

Fennell’s film instead ends where Brontë’s first act closes, hyper-focused on Cathy and Heathcliff. In the same way the doomed lovers see each other, Fennell figures them as the center of the world.

KATE Cassidy has posted a Valentine’s Day tribute to the late Liam Payne – declaring him her “best friend from afar”.

The social media star had been dating Liam for two years before his sudden death in October 2024 – and despite his passing, she makes sure to remember him on key dates.

This Valentine’s Day, Kate shared a never-before seen photograph of the pair in happier times.

The polaroid snap shows Kate sitting on Liam’s lap as they pose for the picture in somebody’s garden.

She simply noted: “Happy Valentine’s Day to my best friend from afar.”

Kate and Liam dated for from October 2022, through to the time of his death in October 2024. He was 31 years old.

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The One Direction star died after a horror fall from a hotel balcony in Buenos Aires, where he was due to attend his old bandmate Niall Horan’s show.

Kate had been holidaying with him in the country, but had returned to their home in Florida alone to look after their dog, Nala, just two days before the tragedy.

Kate has been left heartbroken by the loss, and continues to remember him by sharing photos, videos and memories on special occasions, including his birthday.

In February this year, Kate was seen in tears as she visited the UK home she once shared with the singer.

“I’ve been sitting outside of the house that I used to live in with Liam for the past 45 minutes just in my car and it’s just really hard to wrap my head around the fact that I’m not pulling in the driveway and going home to him being there,” she said.

“You really just never know what life is going to bring. Life can bring you plenty of happiness and plenty of joy, I’ve experienced it all.

“But I’ve never felt this much pain.”

When facing criticism for her public heartache, Kate hit back by reminding fans that he was a “real person in her life” and she can grieve how she wants.

In December last year, in retaliation to another fan who said they “wanted her to move on and stop talking about him”, she declared she will always love him.

Posting a video in tears, Kate said: “I want to make something clear. Whoever I end up with in my future will have to accept the fact I will always love Liam, I will always talk about Liam I will always laugh about Liam, I will always cry about Liam.”

She said she normally pays no mind to critical comments but this topic really riled her.

“Let me tell you something, Liam Payne was my boyfriend,” she continued. “He wasn’t just this famous figure to me. It hurts so bad because I am just criticized all the time for speaking about my boyfriend that passed away, the person that I loved and still do love.

“I would never settle for anyone in this lifetime who did not feel comfortable enough with me speaking about Liam.”

TELLY’S Olivia Attwood ticks off life goals posing in a full-length netting outfit.

The Loose Women star, 34, is about to host a new cooking reality show on ITV and modelled for arty Fault magazine.

She split from footballer husband of two years Bradley Dack, 32, last month.

We told yesterday how Olivia was spotted leaving a party in a taxi with pal Pete Wicks at 3am as her downcast ex Bradley Dack keeps his wedding ring on.

Olivia and Bradley split following a “breach of trust” on his part, with her moving out of the marital home and into her own apartment.

Attempting to move on from her relationship woes, the presenter, 34, was out celebrating her new Garnier brand deal at The Newman Hotel in Central London on Thursday before heading out to Soho with Pete and some other pals.

Read more on Olivia Attwood

TAXI FOR TWO

Olivia Attwood leaves party with Pete Wicks – as downcast Brad keeps ring ON

moving on

Olivia Attwood flashes wedding-ring free left hand at glam event

The longtime friends were seen standing on the streets at 3am as they indulged in conversation before heading into a car for a short trip to a central London hotel.

Olivia, 34, was pictured wearing a skimpy yellow satin playsuit with lace detailing which she paired with black tights and a high-neck red jacket.

She had her hair down before tying it up into a ponytail as she clutched onto her phone.

Meanwhile, Pete, 37, wore a beige blazer with a white shirt and denim jeans as he was spotted smoking a cigarette.

Despite their split, Bradley has been spotted still wearing his wedding ring at his team, Gillingham FC’s training ground.

The midfielder was pictured arriving for training with the gold band still firmly on his finger.

LOVE Island host Maya Jama uses all the experience under her belt to ensure that the show’s contestants stay happy.

The 31-year-old was pictured in a revealing black dress with a belt for Love Island All Stars Games Night episode.

Contestant Lucinda Strafford, 26, stormed off the set in tears following a row.

In an unusual move, Maya paused the game to comfort her.

Love Island fans are convinced that Maya secretly hates one girl after they spotted a huge clue during last night’s challenge.

The drama got so bad that host Maya was forced to step in and comfort Lucinda after she stormed off and broke down in tears.

TIMES UP

Love Island’s axed couple revealed as Maya returns for most brutal dumping yet

SHE’S BACK

Love Island villa in chaos as Maya Jama arrives and new row explodes

Maya made a return to the villa for the Honesty game, where islanders were asked to answer brutal questions in front of all of the other couples.

With the Islanders in their couples, they had to decide between themselves which other couple fits the bill. 

But eager eyed viewers noted that Maya seemed to secretly dislike Belle after spotting how she pulled up Belle.

Maya asked: “Which couple has the least sexual chemistry?”

Belle said it was Leanne and Scott due to him previously being in a love triangle with her.

This led to Belle shouting at Scott for saying that she was the one doing the chasing.

A stern Maya interrupted and said: “Belle, if it wasn’t 70-30 what was it?”

Belle replied that Scott was fully invested and that he had a good way of dancing around things to make things look right.

Fans took to social media and one wrote: “MAYA CALLING BELLE OUT FOR TALKING BS.”

Another said: “The fact Maya could’ve stayed where she was but went after Lucinda shows that even Maya knew Jessy, Belle and Samie were doing too much.”

A third added: “Maya having to step in to comfort Lucinda bc of the bullying. Belle, Jessy & Samie COUNT YOUR DAYS.”

KATIE Price has hit out at “snakes” and “bitter people” as she furiously hits back at claims about her new husband Lee.

The former glamour model, 47, tied the knot with the businessman in a secret ceremony last month and they’re currently on honeymoon in Dubai, where he lives full time.

Katie took to Instagram to post a furious message in defence of her new husband Lee.

In the video clip, Lee and Katie were seen shopping in a pet store together, with Katie completely besotted with what appeared to be a Pomeranian or Spitz puppy.

A loved up Katie added text to the clip which read: “@wesleeeandrews has given me more love more security more respect.

“And proven that everything that’s been said about him is absolute BS by bitter people and snakes in all areas.”

ON THE BOX

Katie Price’s new husband teases reality show after she left TV execs ‘fuming’

PLUS ONE

Katie Price teases new family addition with husband Lee Andrews after baby hint

She also added three emojis: a dog, a house and a pregnant woman – with the latter continuing to fuel pregnancy rumours.

Lee recently shared a snap on his social media profile of an AI generated man kissing a woman’s stomach.

He captioned it: “Good things come to those who have waited,” alongside a pregnant woman emoji.

This isn’t the first time Lee has hinted at children being on the horizon for the new couple.

Prior to her flying out for their honeymoon, he shared another suggestive photo on his stories for the world to see.

He posted a picture of a silhouette of a pregnant woman with her baby bump on display and a bright crescent moon on the stomach.

The baby hints come amid family fears that Katie is looking to uproot her life and relocate to Dubai to be with Lee.

A source previously told The Sun that Katie has been talking about the move and is already thinking about places to live.

Pals fear she is planning to relocate to Dubai for good, and it looks like they have cause for concern.

A source has told The Sun that Katie has been talking about moving there and is already thinking about places to live.

The onlooker said: “She was in a restaurant and I recognised her immediately – she was talking about a property she’s buying out here [Dubai] so they could move here for good, and her husband was laying it on thick – telling her exactly what she wanted to hear, how great he’d make it.

“She was lapping it up. He was selling her a dream but I got a bad vibe from him.”

Katie shocked fans when she revealed that she had married Lee in a quickie wedding almost three weeks ago.

But despite Katie saying her latest trip would be a short one, there doesn’t look like any sign she will be heading back to the UK soon.

This latest news will no doubt cause more upset for her family who are already “deeply concerned” for her, following her wedding.

The Sun revealed how self-proclaimed businessman Lee lives a ‘Walter Mitty’ style existence in Dubai.

Lee was accused of using artificial intelligence to fake images of himself with tech billionaire Elon Musk and reality TV star Kim Kardashian.

He also claimed on his LinkedIn profile to have been a Member of the Board of Advisors to the Labour Party since 2015.

But a Labour source said: “We don’t have a board of advisors and he doesn’t work with us.”

Katie’s pals have told The Sun she has put down a deposit on a property in Dubai.

And they worry she is planning to relocate to the country for good.

Meanwhile, ex Crystal echoed a similar sentiment and warned Katie not to give Lee money, after allegedly being duped out of £123,000 by him.

The way Sheila E. remembers it, she received her first call about a gig as a working Los Angeles musician as she was busy unpacking the moving truck with which she’d just moved to L.A.

“‘Can you come do a session?’ — that type of thing,” the Oakland native recalls with a laugh. “It was pretty awesome.”

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

This was 1980 or ’81, she reckons, just after she’d come off the road playing percussion for the jazz star George Duke; by 1984, she’d become a star herself with the pop hit “The Glamorous Life,” which she cut with her mentor Prince and which went to No. 7 on Billboard’s Hot 100.

Over the decades that followed, Sheila E. went on to record or perform with everyone from Ringo Starr to Beyoncé. Yet her latest projects look back to her earliest days playing Latin jazz with her father, fellow percussionist Pete Escovedo: “Bailar” is a salsa album with guest vocal spots by the likes of Rubén Blades and Gloria Estefan, while an accompanying instrumental disc features appearances by players such as bassist Marcus Miller and trumpeter Chris Botti.

Sheila E. will tour Europe in April. Here, she runs down her routine for a welcome day off at home in L.A.

10 a.m.: Parents in the pews

I would get up around 7:30 or 8, and the first thing I’ll do is go to church. My church is called Believe L.A., and it’s in Calabasas. My pastor is Aaron Lindsey, who’s an incredible gospel producer who’s won many Grammys. The band is always on point, and it feeds my soul — it’s what I need as part of my food. You just walk out so happy. I mean, I walk in happy most of the time. But you walk out filled with love and peace. It’s a joyful time, especially when I get to bring my parents with me. Still having them around is a huge blessing. They just celebrated their 69th anniversary. That’s really rare.

Noon: No juice required

After church we’ll go to brunch at Leo & Lily in Woodland Hills. Sometimes I’ll order the breakfast, which is two eggs and turkey bacon and potatoes. But sometimes that’s a little bit too heavy, so I’ll get the orzo salad, which is really good. I might have an espresso, or I might have a glass of Champagne. I don’t like mimosas — just give it to me straight.

1:30 p.m.: Retail therapy

My parents love driving down Ventura Boulevard. We’ll stop at some places and go window shopping, or maybe we’ll go to the Topanga Westfield mall. And when we finish at the mall, I have to go to Costco. The Costco run is really just for my dog — I have to get all her food. I get turkey and vegetables, and I cook all that and pre-make her meals for two weeks so I don’t have to deal with it. I can just open it, warm it up and feed her. She’s a mixed pit rescue, and her name is Emma. I got her when she was 5 months old in Oakland while we were performing, and now she’s 12. She’s a sweetheart.

4 p.m.: Family secret

We’re sports fans, so if it’s football season, we have to hurry up and get back to my house for the game. We’re a 49ers family. I would say the Raiders because we’re from Oakland, but we’ve always been 49ers fans. I mean, when it’s time to root for the Raiders, we do. We don’t hate like the Raiders hate on us. I’ll cook food depending on who all’s coming over — my nephews and various friends and so on. I grill a lot, so I’ll do steaks or lamb chops or chicken wings. My mom loves making potato salad. I can’t tell you the recipe — it’s a secret. It’s actually her mother’s potato salad, and they’re Creoles. Those Creoles don’t mess around with their potato salad.

8:30 p.m.: Games after the game

I never tell anyone to leave. Sometimes people spend the night — it’s an open house. If we’re not too tired, we’ll start playing board games or card games. Don’t get us started on poker.

11:30 p.m.: Steam time

Before bed I’ll get into the sauna just to relax and do a little sweating. Then I go take a shower with jazz or spa music playing. Sometimes I’ll do a little stretching before I get in the bed. I usually don’t read before I go to sleep. My go-to is HGTV — I set it for an hour and a half, and I’m out.

The Predator is airing tonight but there is an alternative film to watch that’s been branded a “masterpiece”.

An “all-time favourite” war film that’s “not just a film” but an “experience”, is available to stream.

Science fiction war film enthusiasts are set for a treat this weekend as The Predators will be broadcast on Sunday, February 15, at 12.30am, on Channel 4.

Initially released in 2018, The Predator, which forms part of the Predator franchise, follows sniper Quinn McKenna (portrayed by Boyd Holbrook) during a military operation to rescue hostages from a Mexican drug cartel when he encounters a spaceship crash landing.

Nevertheless, for those unwilling to stay awake until the small hours on Sunday to watch The Predator, there’s an even superior option.

“It is as near to being perfect as any I have ever seen”, an enthusiast on IMDb described this 1986 film. Another declared it was “one of the most thrilling films ever”, whilst a third branded it a “masterpiece” and an “all-time favourite”.

Fellow science fiction war film Aliens centres on Lt Ripley ( Sigourney Weaver ) whose shuttle is discovered by a deep salvage team after drifting in space for 57 years.

The official synopsis continues: “Upon arriving at LV-426, the marines find only one survivor, a nine-year-old girl named Newt (Carrie Henn).

“But even these battle-hardened marines with all the latest weaponry are no match for the hundreds of aliens that have invaded the colony.”

Aliens, the award-winning film helmed by James Cameron, serves as a direct sequel to Ridley Scott’s 1979 movie Alien but numerous fans have expressed their preference for it over the original.

So, if you’re eager to watch The Predator but can’t wait, Aliens is readily available for Disney+ subscribers to stream at their leisure.

With The Predator earning a paltry 34% on Rotten Tomatoes compared to Aliens’ near-flawless score of 94%, it’s clear which film is considered the superior offering.

Sigourney Weaver returns as Lt Ripley in this much-loved sequel, sharing the screen with Lance Henriksen as Bishop, Jenette Goldstein as Pvt Vasquez and Bill Hudson as Pvt Hudson.

While Weaver is most recognised for her role in the Alien franchise, she also made her mark in both the Avatar and Ghostbusters series.

“It’s nearly perfect in every way: storyline, characters, menacing threat, suspense, action, direction, music, emotion, etc”, one fan gushed about Aliens.

They added: “It’s always been a favourite of mine and still is. To me this is not just a film, it is an experience.”

Aliens is available to stream on Disney+.

The nation faces some tough questions following the unwittingly hilarious performance of U.S. Atty. Gen. Pam Bondi when she testified before the House Judiciary Committee on Wednesday about the Justice Department’s handling of the Epstein files, among other things.

Viewers were left asking themselves if the over-the-top dramatics they witnessed were in fact a midweek “SNL” comedy sketch, with Amy Poehler playing Bondi. But on second thought, no one is better at playing the Entitled Mean Girl than Bondi herself.

Deflecting from questions about the DOJ’s mishandling of the Epstein files, Bondi for nearly five hours interrupted, scoffed and yelled at her bipartisan interrogators. She rolled her eyes at questions that annoyed her (i.e. most of the questions asked by Dems), praised President Trump at the weirdest of times, and hurled personalized insults she’d noted ahead of time in a “burn binder” (more on that later).

U.S. Atty. Gen. Pam Bondi appears before the House panel Wednesday as, behind her, survivors of sex trafficker Jeffrey Epstein respond to a question from the committee with a show of hands.

(Tom Brenner / Associated Press)

Bondi reserved her most dramatic how dare you! bellows for Democrats but did lash out at a few Republicans. Anyone who pressed her for transparency on the many questionable redactions in the Epstein documents risked a spiteful dressing down, including those who inquired if the DOJ was actively investigating any of the rich and powerful men involved in the disgraced financier’s sex trafficking enterprise.

She called Rep. Jamie Raskin (D-Md.) “a washed-up loser lawyer,” referred to Rep. Thomas Massie (R-Ky.) as “a failed politician” and accused Jewish House member Becca Balint (D-Vt.), who lost her grandfather in the Holocaust, of being antisemitic.

When Rep. Jerry Nadler (D-N.Y.) asked how many of Epstein’s accomplices she had indicted, rather than tell the truth — which is none — she launched into a non-sequitur talking point about the Dow Jones Industrial Average topping 50,000, the S&P 500 nearing 7,000 and the Nasdaq “smashing records” under President Trump. “You all should be apologizing,” Bondi said. “You sit here and you attack the president. I’m not going to have it. I’m not going to put up with it!”

Poehler is talented, but how does anyone top that performance?

If only the hearing were a comedy skit. The hundreds if not thousands of young women who were victimized by Epstein deserve justice, and the many rich, powerful men involved in his criminal enterprise deserve to be held accountable. Bondi claimed there were “pending investigations” into the case but gave little more detail.

Seated in the audience behind Bondi were survivors and families of late survivors of the sex trafficking ring operated by Epstein and his accomplice, Ghislaine Maxwell. The women were recognized, with their permission, at the start of the hearing.

Rep. Pramila Jayapal (D-Wash.) later addressed the group of women: “To the survivors in the room, if you are willing, please stand.” All of them stood up.

“And if you are willing, please raise your hands if you have still not been able to meet with this Department of Justice.” All of the women raised their hands.

Jayapal then addressed Bondi: “Attorney General Bondi, you apologized to the survivors in your opening statement for what they went through at the hands of Jeffrey Epstein. Will you turn to them now and apologize for what your Department of Justice has put them through with the absolutely unacceptable release of the Epstein files and their information?”

Bondi did not face the survivors, instead replying: “I’m not going to get into the gutter with this woman doing theatrics.”

The committee repeatedly asked about numerous problems they’d found in the DOJ’s redactions of the Epstein files, including redacting the names of his suspected co-conspirators while not redacting the names or photos of some of the victims.

She snapped back at them, reminding the room that her DOJ had released more than 3 million documents, and proclaiming loudly, “Donald Trump is the most transparent president in the nation’s history!”

It was all those other guys who dropped the ball, according to Bondi. Why hadn’t former Atty. Gen. Merrick Garland or President Biden investigated the disgraced financier? Rep. Massie cut her off at the knees.

“This goes over four administrations,” he said. “You don’t have to go back to Biden. Let’s go back to Obama. Let’s go back to George Bush. This cover-up spans decades, and you are responsible for this portion,” he said.

She accused Massie of suffering from “Trump derangement syndrome.”

Many of the personal attacks she launched at House members were prewritten in what’s become known as Bondi’s “burn binder,” a notebook filled with unflattering factoids about her inquisitors (she used a similar binder at a Senate hearing). Bondi referenced the guide with such frequency, Rep. Jared Moskowitz (D-Fla.) joked that he’d like to see her “flip to the Jared Moskowitz section of the binder. I’m interested to see what staff provided on the [opposition research] on me.”

If “SNL” does decide to spin a sketch out of the most unprofessional testimony ever by a U.S. attorney general, how can it ever top the show we just saw?

When we decided to rank the best Los Angeles movies, we thought 101 titles would be plenty: room enough for undeniable classics, personal obsessions, even a guilty pleasure or two. Of course it wasn’t. You let us know, endorsing many of our selections but insisting we’d missed a few.

Sifting through your responses, 14 films had the most passionate advocacy. You’ll find them listed below in alphabetical order. Together they make up a perfectly valid alternate list, one that captures the glamour and romance of L.A. — as well as its lovable plasticity — just as well.

‘American Gigolo’ (1980)

Richard Gere and Lauren Hutton in the movie “American Gigolo.”

(Paramount Pictures)

Reader Cindy Simon from Pacific Palisades shares an anecdote: “I had just moved to L.A. from New Jersey. My friend and I — young mothers — ducked out of our baby-centered life to see ‘American Gigolo.’ The first scene was the incredible Richard Gere smoothly walking outside a Malibu beach house. My friend and I literally gasped!”

There is so much to recommend to this movie — an excellent choice and a regrettable omission on our part. Not only is it responsible for introducing Blondie’s “Call Me” to the world, it does so via an opening credits scene of Pacific Coast Highway cruising that all but defined L.A. hedonism as the ’70s became the ’80s.

‘The Anniversary Party’ (2001)

Jennifer Beals, Alan Cumming and Jennifer Jason Leigh in the movie “The Anniversary Party.”

(Peter Sorel / Fine Line Features)

“A dysfunctional showbiz marriage in the Hollywood Hills, a party with a lost dog, what’s not to love?” asks reader Jim Ehlers of Pasadena. “It’s so iconically L.A. — the sexy mid-century modern house. When do you get Parker Posey, Gwyneth Paltrow and John C. Reilly in the same cast?”

That spectacular glass-walled home in the Hollywood Hills is the Schaarman House, designed by architect Richard Neutra. But fans know the movie for other reasons: Phoebe Cates came out of retirement to act with her “Fast Times at Ridgemont High” co-star Jennifer Jason Leigh. Today’s audiences ogle a young Alan Cumming.

‘City of Gold’ (2015)

Jonathan Gold in the documentary “City of Gold.”

(Sundance Selects)

Junko Garrett of Eagle Rock says this documentary “captures the essence of L.A.: diversity and vibrancy, amazing food and people. I was a big fan of Jonathan Gold’s articles and looked forward them every week.”

So did we. Gold’s omnivorous enthusiasm remains a guiding light for so many Angelenos and his Pulitzer-winning food writing is easy to find. We’re still going to several of the film’s featured restaurants: Jitlada, Chengdu Taste, Guelaguetza.

‘Crash’ (2004)

Thandiwe Newton and Matt Dillon in the movie “Crash.”

(Lorey Sebastian / Lions Gate Films)

More than a few of our readers bemoaned the omission of an Oscar-winning best picture like “Crash.” Says Jim Rodriguez of Torrance, it “captures the quintessential reality that, in L.A., all the levels of social strata, at one time or another, exist side by side on our roads and freeways, separated by a few feet, metal and glass. And yet, still so isolated from each other.”

And Ian Barnard of DTLA calls the movie “a wonderful antidote to Hollywood’s whitewashed and unrealistically glamorous depictions of L.A.” It shows the city “in all its diversity, prejudices, contradictions, inequities and generosities.”

To us, “Crash” will always be the movie that stole “Brokeback Mountain’s” glory. But let’s be generous and note that Carney’s Restaurant on Ventura gets a nice moment.

‘The Day of the Locust’ (1975)

William Atherton, left, and Donald Sutherland in the movie “The Day of the Locust.”

(Paramount Pictures / Getty Images)

The Nathanael West novel is, of course, essential, so where’s the movie? Reader Andrea Hales, a San Diegan who lived in Los Angeles for 15 years, calls the film version “eerie and fascinating, capturing the essence of Los Angeles: the city of hopes and dreams, fires and riots. The setting is 1930s Hollywood but it could be today.”

One thing is certain: As a one-stop shop for classic L.A. locations, you can’t do much better than “The Day of the Locust,” which takes us to the Ennis House, Paramount’s iconic Bronson Gate and Grauman’s Chinese Theatre.

‘Earthquake’ (1974)

A scene from the movie “Earthquake.”

(United Archives / Hulton Archive / Getty Images)

Reader Dina Schweim, writing from Winston-Salem, N.C. (fine, we’ll allow an outsider’s perspective in this case), expressed her disappointment to not find “Earthquake” on our list: “There are few things I love more than a good disaster movie that obliterates L.A. to balance out fanciful and the corrupt — and yes, I was pleased to see that ‘Volcano’ made the list but ‘Earthquake’ really does capture the raw core of what destruction in L.A. can look like.”

The film was mostly shot on the Universal backlot and we wish it had more of an authentic L.A. feel. Still, if you harbor satisfaction at seeing the city get trashed (and who doesn’t on occasion?), we’re not getting in the way of that rumble.

‘(500) Days of Summer’ (2009)

Joseph Gordon-Levitt and Zooey Deschanel in the movie “(500) Days of Summer.”

(Chuck Zlotnick / Fox Searchlight Pictures)

You like this one. Really like it. “It celebrates and beautifies the city in a way few other movies ever have,” says Anthony Cavalluzzi of Yorba Linda, adding, “Its absence completely invalidates the list.” And Michael Backauskas of Beverlywood writes, “I went to see it five times and I never do that.”

Any film about an aspiring architect is going to make the most of its locations. If you mourn the lovers’ bench at Angel’s Knoll Park, know that it became immortal because of this film.

‘Get Shorty (1995)’

John Travolta and Rene Russo in the movie “Get Shorty.”

(MGM)

This comedy’s dialogue was quoted in our comments twice. For reader Sean Dickerson of Beverly Grove, the movie gives us “maybe the greatest line about our city: ‘What is the point of living in L.A. if you’re not in the movie business?’” And for David Hughes of Sierra Madre, the moment comes when John Travolta’s gangster-turned-Hollywood-wannabe is asked what he knows about the movie business: “I don’t think the producer has to know much.”

There is an unforced charm to the way Travolta’s character falls in love with Hollywood — he’s already a movie geek but other elements fall into place for him. Eagle-eyed viewers will recognize both the Aero and Vista theaters.

‘Grand Canyon’ (1991)

Kevin Kline and Danny Glover in the movie “Grand Canyon.”

(20th Century Fox)

Paul Krekorian of Encino calls this one “a brilliant and underrated study of life in Los Angeles. In a deeply personal way it lays bare so many of the societal challenges Los Angeles always struggles with — economic segregation, racial division and injustice, violence, the disparity between Hollywood-created facades and the reality of ordinary life, and the struggle to find meaning and substance.”

Its writer and director, Lawrence Kasdan, was also responsible for “The Big Chill,” a similar portrait of generational flux, and there are quiet moments in “Grand Canyon” that are some of his best. It also starts with a Lakers game.

‘Knight of Cups’ (2015)

Christian Bale in the movie “Knight of Cups.”

(Melinda Sue Gordon / Broad Green Pictures)

Reader Peter Turman of Brentwood sees depth in Terrence Malick’s oblique portrait of a distracted screenwriter (Christian Bale) searching for grace but finding a lot of sex, calling it “a fever-dream meditation on Los Angeles and Hollywood, with its promises, chimeras, illusions, seductions, nightmares and disappointments, told by a great filmmaker who knows of what he speaks.”

Malick shot all over Los Angeles but his moments on the Warner Bros. lot, the enormous numbered studio buildings looming, may be his most beautiful.

‘Lost Highway’ (1997)

Patricia Arquette and Balthazar Getty in the movie “Lost Highway.”

(October Films)

Even with two other David Lynch films placing on our list, that wasn’t enough for Clark Leazier of West Hollywood, who calls the L.A. vistas and landmarks in “Lost Highway” “the most burned in my brain — particularly the Firestone Auto Shop that is now the popular All Season Brewing in Mid City. Also it captures Southern California nighttime driving in a messed up yet accurate way.”

Lynch obsessives know “Lost Highway” to be the one narrative film in which you can see the director’s own house, part of his compound on Senalda Drive in the Hollywood Hills, used as the setting for his main characters’ mansion.

‘Spanglish’ (2004)

Paz Vega, left, Téa Leoni and Adam Sandler in the movie “Spanglish.”

(Bob Marshak / Columbia Pictures )

Says Rochelle Lapides of Ventura County, “It tells one of the essential stories of our Los Angeles-bound Mexican immigrant population and the cultural challenges they face. Also, in my opinion, it’s one of Adam Sandler’s best dramatic roles.”

Agreed, especially on Sandler, whose turn in “Punch-Drunk Love” so impressed director James L. Brooks, he decided to cast him here. The film’s romantic patio scene is filmed at the Beverly Hills restaurant Il Cielo.

‘Star 80’ (1983)

Mariel Hemingway, left, Eric Roberts and Cliff Robertson in the movie “Star 80.”

(Paramount Pictures / Getty Images)

“Talk about dying for the dream,” writes William Mariano of Escondido. “It was filmed in the same spot she died.” He means Playboy model Dorothy Stratten, murdered by her sicko husband Paul Snider in a Rancho Park home that was actually used by the movie’s production while filming their dramatization of the crime.

“Star 80” does crystallize the ominous side of the L.A. myth, as a place where you’ll arrive, find success (and exploitation) and be destroyed in the process. Bob Fosse completists need to see it; it was the “All That Jazz” director’s final movie.

‘Tequila Sunrise’ (1988)

Kurt Russell, Michelle Pfeiffer and Mel Gibson in the movie “Tequila Sunrise.”

(Warner Bros. Pictures)

Jean Clark of Manhattan Beach celebrates this thriller’s cast, cinematography and plot, which she sums up as “classic good guy vs. bad guy and the woman who loves them both, set against the dark underbelly of glamorous L.A. and its golden beaches back in the 1980s.”

And Jean would know — the movie was largely shot around Manhattan Beach. But don’t go looking for Michelle Pfeiffer’s restaurant Vallenari’s. It was entirely constructed on a soundstage.

RAPPING legend Cardi B has fallen off a chair during her live Valentines Day weekend concert in Las Vegas.

Dressed in racy red lingerie, Cardi, 33, was performing a rendition of Thotiana but continued singing while lying on the ground.

Megamedia shared the moment on social media and captioned it: “That was the Government.”

During the clip, Cardi flaunted her curves while straddling the back of a white chair.

But as she draped down towards the floor, the chair slipped from under her and she fell to the floor.

Cardi quickly joked off the fall and jumped back to her feet to the crowd’s applause.

INTERFERENCE

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BIG DIGG?

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As she strutted her stuff along the stage, she said: “That wasn’t me, that was the government.”

Fans flocked to comment on her humour and one wrote: “She kept performing and make a joke about it after she’s having fun I love it.”

A second said: “She so funny, it was the government.”

While a third added: “Damn, she is so hilarious.”

Cardi recently sparked rumours of a split from her baby daddy Stefon Diggs.

The controversial NFL star, who plays for the New England Patriots, lost out during the Super Bowl on Sunday night.

Fans were then quick to spot how they had then unfollowed each other on Instagram after he lost the Super Bowl.

Diggs, 32, and Cardi welcomed their son on November 4.

Most of Diggs’ children were born within a few months of each other in 2025, fuelling intense speculation and online debate. 

An insider told The U.S. Sun that she was fully aware of Diggs’ reputation from the start — and believes he has changed.

“Cardi has known since day one that Stefon had a reputation as a womanizer and had seen multiple women in the past, but her love for him is above all of that,” the source said. 

“She knows he has been faithful since they made things official and that he’s been transparent about his previous relationships, only seeing her since they committed to each other.”

The insider added that while Cardi “hates all the drama,” she admires Diggs’ role as a father.

“She loves that he’s not a deadbeat dad,” the source said. “She believes he’s a present, loving, and supportive father.”

The source also said the New York rapper has been blunt with Diggs, warning him there will be no forgiveness if he crosses the firm line she has drawn.

A viral AI-generated video of actors Brad Pitt and Tom Cruise fighting atop a building is causing a stir online.

The 15-second video comes from the latest AI video-generation platform, Seedance 2.0. The platform was launched this week by its owner, ByteDance, the same Chinese parent that oversees TikTok. As the video circulates online, the Motion Picture Assn. and other industry stakeholders have called out the video for its unauthorized use of copyrighted works.

Charles Rivkin, chief executive of the Motion Picture Assn., wrote in a statement that the company “should immediately cease its infringing activity.”

“In a single day, the Chinese AI service Seedance 2.0 has engaged in unauthorized use of U.S. copyrighted works on a massive scale,” wrote Rivkin. “By launching a service that operates without meaningful safeguards against infringement, ByteDance is disregarding well-established copyright law that protects the rights of creators and underpins millions of American jobs.”

The video was posted on X by Irish filmmaker Ruairi Robinson. His post said the 15-second video came from a two-line prompt he put into Seedance 2.0.

Rhett Reese, writer-producer of movies such as the “Deadpool” trilogy and “Zombieland,” responded to Robinson’s post, writing, “I hate to say it. It’s likely over for us.”

He goes on to say that soon people will be able to sit at a computer and create a movie “indistinguishable from what Hollywood now releases.” Reese says he’s fearful of losing his job as increasingly powerful AI tools advance into creative fields.

“I was blown away by the Pitt v Cruise video because it is so professional. That’s exactly why I’m scared,” wrote Reese on X. “My glass half empty view is that Hollywood is about to be revolutionized/decimated.”

Reese isn’t alone in thinking AI could potentially “decimate” Hollywood and take away jobs. Creating protections against AI was one of the main reasons both SAG-AFTRA and the Writers Guild went on strike in 2023. But some members argue that those measures — now nearly three years old — did not go far enough.

As SAG-AFTRA reentered contract negotiations with the studios earlier this week, AI is still one of the union’s highest priorities. It’s expected that the actors union could propose what has been called the Tilly tax, a fee that studios would have to pay to the union in exchange for using an AI-generated actor — a response to the introduction of Hollywood’s first AI actor, Tilly Norwood.

In a statement to The Times, SAG-AFTRA confirmed that the union stands with the studios in “condemning the blatant infringement” from Seedance 2.0, as video includes “unauthorized use of our members’ voices and likenesses.”

“This is unacceptable and undercuts the ability of human talent to earn a livelihood. Seedance 2.0 disregards law, ethics, industry standards and basic principles of consent,” wrote a spokesperson from SAG-AFTRA. “Responsible A.I. development demands responsibility, and that is nonexistent here.”

KATIE Price’s new husband Lee Andrews has teased a new reality show with his bride in a bizarre AI video.

The newlyweds – who tied the knot last month after just a week of talking online – are going at lightning speed through their relationship.

And now a new post on Instagram suggests Lee is looking to put things in front of a camera.

In the story titled: “Coming soon: Kate and Lee”, an artificial version of the pair are seen looking loved-up as they zoom through having dinner, and seeing the world landmarks including Rome’s colosseum and Christ the Redeemer.

The post comes just days after it was revealed a TV production company was “fuming” with Katie after throwing their planned documentary with her into chaos.

The three-part documentary was set to air in the spring on Sky, and was created by Louis Theroux’s TV production company Mindhouse.

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Katie Price teases new family addition with husband Lee Andrews after baby hint

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Katie Price leaves TV bosses fuming as marriage throws new show into chaos

A source close to the series told The Sun: “The whole focus of the documentary is meant to be this redemption arc for Katie showing a more serious, thoughtful side to the mum-of-five that people rarely see in her tabloid antics.

“So this latest turn in her life isn’t the kind of publicity they wanted.

“They feel like this out-of-the-blue marriage has thrown a real spanner in the works and totally changes the tone of the show, making the footage they have shot feel really out of date.

“A lot of it was filmed while she was still with JJ and she talked on camera about how much more settled she was with him.

“That all sounds a bit daft in light of what’s transpired recently.”

The insider continued: “She’s also meant to still be filming some new footage, but she’s flown off to Dubai again to be with Lee so it’s all very up in the air.

“It will take a lot of re-editing and they need to shoot some new footage if it will make it on the air for the planned April airdate.”

Katie is currently still in Dubai with Lee – where he lives full time – enjoying a honeymoon together.

Despite not even knowing each other at the beginning of this year, Lee has already shared a tattoo he has of Katie’s name and their wedding day.

The couple met online and got engaged, with Katie walking down the aisle for the fourth time in a secret ceremony when she flew out to meet him.

He’s since posted pictures hinting that they’re trying for a baby, noting “good things come to those who wait”.

Katie is already a mum to five children, but has made no secret of her desire to have another.

Last year, a documentary aired showing Katie’s efforts to go through IVF treatment with ex-fiancé Carl Woods.

Katie Price: Making Babies was filmed when Katie was engaged to Carl , 35 – who was less than impressed with the programme airing two years later.

At the time she was told that she had a less than 1% chance of being able to conceive, but decided to try anyway.

Katie later split from Carl and started dating Married at First Sight star JJ Slater.

They split just weeks before she flew to Dubai to marry Lee.

Support for James Van Der Beek’s family continues to pour in. The GoFundMe created to support them following the “Dawson’s Creek” star’s death approached $2.3 million in donations Friday morning.

Steven Spielberg and his wife Kate Capshaw are among the celebrity donors who have contributed to the fundraiser organized by the late actor’s friends. The couple’s donation is listed as $25,000. Those familiar with Van Der Beek’s breakout role on the millennial teen drama know that Spielberg is Dawson Leery’s favorite director.

Originally airing from 1998 to 2003, “Dawson’s Creek” was a seminal teen drama that followed four friends growing up in a small coastal town as they navigated their dreams, relationships and various coming-of-age milestones. Van Der Beek’s Dawson was an aspiring filmmaker whose dreams were bigger than his small hometown. Along with friends Joey (Katie Holmes), Pacey (Joshua Jackson) and Jen (Michelle Williams), Dawson grappled with very relatable teen dilemmas including heartbreak, betrayal and bad decisions.

The fundraiser, which had more than 44,000 donors as of Friday morning, was organized to help support Van Der Beek’s wife and children, who “are facing an uncertain future” due to the financial strain of the late actor’s medical costs. The late actor died following a battle with colorectal cancer. Funds will be used to “help cover essential living expenses, pay bills, and support the children’s education,” the organizers wrote.

Van Der Beek revealed in 2012 that he had been paid “almost nothing” for his work on “Dawson’s Creek” and had not received any residuals from the hit show.

“There was no residual money,” he told “Today.” “I was 20. It was a bad contract. I saw almost nothing from that.”

Before his death, Van Der Beek auctioned off personal memorabilia and sold collectibles to help pay for his cancer treatments. In September, his “Dawson’s Creek” co-stars helped organize and stage a reunion fundraiser to support Van Der Beek and his family — a reunion the actor had to miss because of a virus. “Black Bird” actor Paul Walter Hauser had also been raising funds through Cameo videos and auctions to help the late actor prior to his death.

Besides Spielberg, celebrity donors to Van Der Beek’s GoFundMe also reportedly include Zoe Saldaña, Jon M. Chu, Derek Hough, Busy Philipps, Jenna Dewan and others.

Van Der Beek’s “Dawson’s Creek” colleagues have also been among the many who have shared tributes to the late actor.

“Several times today, from my heart, I’ve tried to form the words to express the beautiful brilliance of James and what his presence has meant to my life,” “Dawson’s” creator Kevin Williamson wrote Thursday in a post shared on Instagram. “But I am truly at a loss for words. I will have to trust that one day those words will come… But today, all I can think about is Kimberly and the entire Van Der Beek family.”

Holmes, meanwhile, shared a handwritten note addressed to Van Der Beek on Instagram Wednesday. She was the first of “Dawson’s Creek’s” surviving core quartet to publicly acknowledge Van Der Beek’s death.

“Thank you,” Holmes wrote in her note, which was addressed to Van Der Beek. “To share a space with your imagination is sacred — breathing the same air in the land of make believe and trusting that each others’ hearts are safe in their expression.”

In her remembrance, Holmes highlighted their shared “laughter, conversations about life, James Taylor songs” and their “adventures of a unique youth.” She also highlighted Van Der Beek’s “Bravery. Compassion. Selflessness [and] Strength.”

“I mourn this loss with a heart holding the reality of his absence and deep gratitude for his imprint on it,” wrote Holmes, who also sent love to Van Der Beek’s wife and children in her message.

Other members of the extended “Dawson’s Creek” family, including actors Chad Michael Murray, Kerr Smith and Sasha Alexander, have also been among those offering condolences and paying tribute to Van Der Beek and his family online.

“James Van Der Beek was one in a billion and he will be forever missed and i don’t know what else to say,” wrote Busy Philipps in her Instagram tribute. “He was my friend and i loved him and i’m so grateful for our friendship all these years.”

The BBC has released new images from upcoming Jane Austen period drama The Other Bennet Sister.

Next month, BBC is set to release a new ten-part series titled The Other Bennet Sister, which shines the spotlight on the often overlooked Mary Bennet from Jane Austen’s renowned novel Pride and Prejudice.

The period drama, adapted from Janice Hadlow’s novel bearing the same title, delves into the life of the ‘unremarkable and overlooked’ sibling.

This week, the BBC unveiled a fresh batch of images from the forthcoming drama, featuring Call the Midwife star Ella Bruccoleri as Mary Bennet, along with a host of other pivotal characters and potential love interests.

Joining Ella in the anticipated series are Ryan Sampson as Mr Collins, Dónal Finn as Mr Hayward, Laurie Davidson as Mr Ryder and Aaron Gill as John Sparrow.

Night Manager actress Indira Varma also joins the ensemble as Mrs Gardiner, alongside her on-screen spouse, portrayed by Richard Coyle, reports Wales Online.

An official synopsis for The Other Bennet Sister hints: “The series takes as its premise that – when it comes to the Bennet sisters – while we dream of being Lizzy, in reality most of us are more like Mary..

“The series follows Mary as she steps out of her sisters’ shadows in search of her own identity and purpose – finding herself in the middle of an epic love story along the way.

“Her journey will see her leave her family home in Meryton for the soirees of Regency London and the peaks and vales of the Lake District, all in search of independence, self-love and reinvention.”

The newly released images from the upcoming drama have sparked a flurry of excitement among fans.

One eager viewer expressed: “Very much looking forward to seeing this!” Another added: “I’m really looking forward to this. The book is brilliant! I’ve read it twice.”

Others praised the casting, with one person commenting: “Brilliant casting” whilst another fan exclaimed: “CANNOT WAIT!!!!” Further comments included: “Looking forward to this” and “Can’t wait for this. Loved the book and the cast is [fire].”

Actress Ella Bruccoleri shared her excitement about joining the cast in an interview with the BBC, saying: “As someone who has always related more to Mary than Lizzy – something that was confirmed even more by reading Janice Hadlow’s brilliant novel.”

She continued: “I feel incredibly lucky to be spending these next few months exploring her world in depth, as envisioned by these incredible women.”

Bruccoleri also praised the script, stating: “Sarah Quintrell’s scripts are packed full of beautiful idiosyncratic detail, empathy, humour and such warmth… revealing that beneath Mary’s awkwardness and formality, lies a woman longing for purpose and connection.”

The Other Bennet Sister is set to air on BBC One and BBC iPlayer in March.

For the latest showbiz, TV, movie and streaming news, go to the new Everything Gossip website‘.

“Real Housewives of Potomac” personality Karen Huger says she has turned over a new leaf nearly two years after crashing her Maserati in a drunk-driving accident.

The reality TV star, 62, on Thursday opened up about her 2024 DUI arrest and the six-month county jail sentence that followed in a conversation with Sherri Shepherd. Huger, dubbed the Grand Dame by fans, told the “Sherri” host that she is “so happy and so at peace right now to be on the other side.”

In March 2024, Maryland police arrested Huger for driving under the influence after she crashed her car into a street divider and a tree in Potomac. In addition to the DUI, Huger was also found guilty on negligent driving charges and sentenced in February 2025 to one year in jail. After serving six months in Maryland’s Montgomery County Detention Center, she was released in September.

For her sit-down with Shepherd, Huger was styled in a formfitting burnt orange dress, metallic cuffs and a chic bob. While the daytime host complimented her look, Huger said her exterior is “not a reflection of what God has done for me.”

“I healed myself, so thank you,” she continued, “but the inside is what matters.”

Huger spoke candidly about how the 2024 accident pushed her to confront her struggles with alcohol addiction. At the time of the crash, Huger attributed her drinking to the grief of losing her mother and urged drivers to “understand your emotional state” before driving a car. She said Thursday that the drunk-driving incident was her running away from the reality of grief and addiction and her choice to not listen to God.

Huger told Shepherd that, prior to the accident, she was a “functional addict” who would drink off-screen during her time on “RHOP” — a habit she said she’s now ashamed of.

“I was dead wrong,” she said Thursday of her accident. “I’m so grateful no one was killed, no other person was hurt. I’m so grateful to be alive. I could’ve died.”

The reality TV star said six months in county jail — without cameras and her creature comforts — proved to be a period of self-improvement and empowerment. Huger said she began treatment to address her alcohol addiction and carried that on in prison. She said she led Narcotics Anonymous and Alcoholics Anonymous meetings while behind bars.

“I have a responsibility to tell my truth and share it with the world if they’re willing to listen,” she told Shepherd.

Huger previously spoke about the scandal with Andy Cohen, telling the Bravo host earlier this month that she had been in denial about her grief and addiction. She also told Cohen that she was taking her sobriety one day at a time, a sentiment she echoed on “Sherri.” Her two adult children are also major motivators to stay sober, she said.

The “RHOP” star, eager to put her DUI behind her, recalled seeing her two adult children “through a glass window” in jail and recognizing “the pain that put them through.”

“I didn’t think about how they would feel,” she said, underscoring she intends for that to be a onetime experience.

Huger said Thursday that it remains to be seen whether she will return to “RHOP” for future seasons. Huger was absent from the season amid her sentence but appeared in the Season 10 finale. The “RHOP” cast, including Huger, reunited for the series’ three-part reunion, which begins airing on Sunday.

In the fallout of the scandal, Huger told Shepherd she feels like the same “Karen Huger, just clean.” She also isn’t resisting fans’ “Grand Dame” nickname, despite her scandal.

“If they want me to be their Grand Dame, no one else could do it anyway.”