show biz

The next episode of The Testaments will dive into Agnes’ wedding plans, but when will it be available to stream on Disney Plus?

The Testaments fans can start the countdown for Episode 8.

With seven episodes available to stream on Disney+, The Handmaid’s Tale sequel already has viewers hooked. It follows June Osborne’s (played by Elisabeth Moss) teenage daughter Agnes (Chase Infiniti), as she climbs the ranks at Aunt Lydia’s (Ann Dowd) prep school for wives.

Agnes spends her childhood believing in Gilead’s oppressive system, but everything changes when new student Daisy (Lucy Halliday) joins the school. The pair’s bond changes their lives.

The last two episodes have explored Lydia’s dark past, as well as how Daisy was recruited by Mayday to spy on Gilead. The girls have also found their matches, and Agnes is set to start wedding planning in the next instalment. But when can viewers tune in?

When does The Testaments Episode 8 come out?

Episode 8 of The Testaments will be released on Wednesday, May 13. As always, it will be available to stream on Disney+ for UK and international viewers, while U.S. fans can watch the show on Hulu.

A synopsis for the episode teases: “As Agnes is swept up in wedding plans, Daisy hides a life-altering secret and Hulda faces backlash after speaking out.”

It’s unclear why Hulda (Isolde Ardies) is set to face backlash, but fans have shared unsettling theories.

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While the Margaret Atwood adaptation had a relatively slow start, it has ramped up the action over the last few episodes.

Episode 6 featured a particularly chilling scene where Aunt Lydia and Vidala (Mabel Li) were forced to watch Gilead soldiers execute dozens of women.

It turns out producers cut an even more harrowing scene from that episode.

“There was a scene where the women shoot other women,” director Jet Wilkinson told CBR. “There was a whole scene when [the soldiers] bring out the women, they give them guns, and then they hold guns to the women’s heads.

“It was very confronting. We ended up cutting that scene, but there is someone at the end of the line, a woman shooting as well as Aunt Lydia at that time. [They’re] forced to do these brutal acts.”

The Testaments is streaming now on Disney+

Good Morning Britain star Richard Madeley is to head inside one of the world’s most controversial prison’s for an eye-opening Channel 5 documentary

Richard Madeley is switching the comfort of the Good Morning Britain sofa for the grey walls of prison for a new documentary. The presenter will also head over to Channel 5 for the documentary as he takes on a huge new project.

The feature-length documentary titled Richard Madeley On Murder Row has been commissioned and is set to air later this year. The programme will offer up a rare peek inside one of the world’s most controversial prisons.

The 69-year-old star will head to Centro de Confinamiento del Terrorismo (CECOT). The vast maximum security prison has become the cornerstone of El Salvador President Nayib Bukele’s war on gangs.

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Richard will be given access to the full site. It’s said the rare offer “took months to negotiate”, with the presenter also taking in how life really is inside the detention centre.

The GMB presenter will speak to inmates at the facility as they live under the strict regime. And he will also chat with guards who set the harsh rules to try to keep the felons under control.

Away from the institute, Richard will visit the tough urban areas that surround it and are home o a number of violent gangs. He will find out exactly what the effects of the CECOT being on their doorstep has had.

Speaking of the opportunity, Richard said: “‘I was genuinely thrilled to be asked to front this film for 5. It’s not every day you’re given the chance to step inside a place as extraordinary and talked about as CECOT.”

He went on: “What struck me straight away was the sheer scale of it, and the stories behind it. In meeting the people who run the prison and those living inside it, what unfolds is a fascinating and often surprising look at justice, security, and the human realities behind the headlines. It’s been a remarkable experience.”

Guy Davies, Consultant Editor for Commissioning 5, said: “This access to CECOT was a tantalising prospect. Richard is, at heart, a first-class popular journalist and we were thrilled to get the chance for him to serve some time there. I think viewers will be very surprised by the results.”

And Andy Dunn, Senior Executive Producer, ITN Productions, added: “Gaining access to CECOT, the most secretive and notorious prison in the world, took months of negotiation. It was really important for Richard to experience the extreme conditions there first hand, and he takes us on a compelling and unique journey as he considers the effectiveness and ethics of such a harsh regime.”

Last year, it was revealed Donald Trump had sent 250 gang members to what has been labelled the “world’s worst prison”. The maximum security mega-prison in Tecoluca, El Salvador has seen hundreds of immigrants being sent from the US by the Trump administration.

Tens of thousands of prisoners have been locked up on bare metal bunks in the prison. They often don’t have a mattress and conditions have been described as inhumane. Cells have two toilets and a basin which are open with no privacy while there are no windows and they are watched by guards from holes in the mesh ceiling.

The conditions are unlike anything seen in the UK system as the inmates take their cramped space on the metal bunks.

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HARPER Beckham has been refused naming rights for her beauty brand in the US.

David and Victoria’s 14-year-old girl has got UK approval for Hiku By Harper.

But the US Patent and Trademark Office issued an “initial refusal” against the name because of the “likelihood of confusion” with existing companies.

It said “Harper” was already trademarked for the sale of brooms and scrubbing brushes, while “Haiku” is registered for fragrance and toiletry products.

Harper has been working on the project for more than a year and hopes to sell products for spot-prone teens.

The US application covers make-up and acne medications, as well as footwear and clothing, keyrings, stickers, hair decorations and brushes.

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She and her parents have six months to respond, after applying for the trademark in November.

Fashion designer Victoria, 52, this week spoke about her daughter’s plans, describing her as “very ambitious” and “a little entrepreneur”.

She said Harper came to her “two or three years ago and she was really struggling with her skin”.

She added: “I suffered with child acne, teenage acne, adult acne, every acne under the sun, I’ve been there. So I could really relate to her.

“And she said, ‘I want to create a brand because I don’t want other people to have to go through what I’ve been through’.”

Sam Smith is engaged to Christian Cowan, according to a “hotel lobby spy” who spilled the tea to Page Six.

“From what I understand, it was a private engagement,” the hotel lobby spy told the outlet after allegedly overhearing the couple discussing their betrothal. “They are over the moon, and from what I hear, so in love!”

We will not pause to consider whether the spy was a publicist, an assistant, a second assistant, a hotel employee or perhaps even a stray NYPD officer employed that night as a security guard, but Page Six says a second person confirmed the news.

The Times has reached out to Smith’s record label for independent confirmation, but has not heard back.

The two Brits were first spotted together in late 2022, when Smith sang at the White House to mark then-President Biden signing the Respect for Marriage Act guaranteeing federal protection for same-sex and interracial marriages. After numerous sightings of the couple out together and sharing kisses in 2023, they confirmed to the New York Times at the 2024 Met Gala that they were dating.

Back in May 2024, the couple made a small splash on the red carpet with Cowan in an ivory suit and Smith in a black one with a sheer suggestion of skirt laying over the pants. But on Monday night, with Cowan in an evocative-of-the-1920s black suit and tie flecked with beads, Smith pulled out the stops, donning a black Cowan-designed gown that weighed more than a fully loaded checked bag on the airline of your choice.

“This is the heaviest thing I’ve ever worn in my life. It’s a massive workout,” Smith told Vogue on the Met Gala red carpet.

“It’s 52 pounds,” Cowan chimed in quietly. “Fifty-two pounds. Sorry.”

Once the smiling designer was prompted to explain the collaboration, he said, “Sam was like, ‘Babe, please make something that’s lighter weight.’ And I didn’t do that. Sorry.” Smith noted that the outfit was “like a corset” on the shoulders.

“There’s no one who knows my body more than this man,” Smith said, which made it easy for them, sitting at home with their Pekingese pups Haggis and Pudding, to dream up what the singer would wear to the couple’s third Met Gala together.

With its mermaid-style skirt, full sleeves, furry collar and panache of tall black feathers on a crowning headpiece, the ensemble was a callback to the opulence of the 1920s, Cowan said, finished off with 255,000 crystals and beads. Two thousand hours of “artisanal hand sewing” got the job done, he said in a quote posted on Smith’s Instagram.

“I feel very lucky to be here and to wear your incredible talent like this, it’s amazing,” the 33-year-old “Stay With Me” vocalist told Cowan.

Can’t wait to see what Smith wears on the big day — hopefully it will be a tad less weighty. Here’s hoping a wedding reception spy is on the guest list.

Here’s where you’ve seen the cast of British spy thriller Legends on Netflix before.

Netflix’s Legends will be dropping this week – and the show has some very familiar faces in its star-studded cast.

Six-part series Legends arrives on Netflix today (May 7) and is based on the remarkable true story of a group of ordinary men and women who risked everything for their country.

The show follows several customs employees, who go undercover and adopt ‘legends’ to infiltrate Britain’s most dangerous drug gangs as they take on the war against drugs in the 1990s.

The British crime drama has an impressive cast list, who have been in some big projects previously.

Who is in the cast of Netflix’s Legends?

Guy – Tom Burke

Tom Burke stars as real-life legend Guy, who trades in his mundane job in customs to become a legend.

Burke has appeared in The Musketeers, War & Peace, Blade Runner 2099, BBC’s Strike, and The Lazarus Project.

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Don – Steve Coogan

Steve Coogan is Don, who oversees the legends. The actor, writer and producer is best known for his comedic alter-ego Alan Partridge, Philomena, The Sandman, and 24 Hour Party People.

Kate – Hayley Squires

The Night Manager, Great Expectations and Adult Material star Hayley Squires plays legend Kate.

Carter – Tom Hughes

Tom Hughes, best known for ITV’s Victoria, The Gold and Malpractice, takes on the role of drug kingpin Carter.

Bailey – Aml Ameen

Actor, director and producer Aml Ameen from The Porter, Rustin and Kidulthood, plays legend Bailey.

Erin – Jasmine Blackborow

Jasmine Blackborow, who has appeared in Netflix’s The Gentlemen, Marie Antoinette and Shadow and Bone, plays legends’ secretary Erin.

Blake – Douglas Hodge

Acclaimed actor, composer, director and writer Douglas Hodge from The Night Manager, The Great and Black Mirror stars as senior civil servant Blake, who oversees Don.

Eddie – Johnny Harris

Johnny Harris plays drug dealer Eddie after starring in This Is England ’86, Great Expectations, and A Gentleman in Moscow.

Mylonas – Gerald Kyd

Gerald Kyd, who has appeared in Casualty, Malory Towers, and The Assassin on Prime Video, plays Guy’s fixer Mylonas.

Hakan – Numan Acar

Numan Acar of Homeland, Jack Ryan and Young Sherlock fame plays Turkish drug dealer Hakan.

Sophie – Charlotte Ritchie

Ghosts, Call the Midwife and Netflix’s You star Charlotte Ritchie portrays Guy’s wife and fellow customs officer Sophie.

Zeki – Joshua Samuels

Joshua Samuels from The Gold, Saltburn and Nate & Jamie plays Kurdish drug dealer Zeki, who is working with Hakan.

Aziz – Kem Hassan

Actor and writer Kem Hassan stars as Hakan’s son Aziz. Legends marks his biggest role to date after appearing in The Sandman, Beyond Paradise and Grace.

Shaun – Thomas Coombes

Thomas Coombes stars as Shaun, who helps the Legends, and has featured in ITV crime drama Grace, Sky’s Save Me, Luther: The Fallen Sun, Miss Austen and Baby Reindeer.

Legends will be released on Netflix on Thursday, May 7

On one of her previous visits to Los Angeles, Argentine filmmaker Lucrecia Martel found herself having a smoke on Hollywood Boulevard.

There, while she stepped over the famous concrete-embedded stars, an unhoused man struck up a conversation with her.

“He kept explaining to me that he was poorly dressed because he was currently living on the street after someone robbed him, but he had written a screenplay,” Martel, 59, recalls in Spanish over coffee on a morning in April at a West Hollywood hotel.

“He told me they had stolen a watch from him — not a Rolex but a known brand,” she continues. “The whole time he was trying to convince me he was a millionaire who just so happened to be on the street because of random circumstances.”

One of Latin America’s most indispensable storytellers, Martel is fascinated by how prevalent that dream still is in L.A. — that movies can change your life overnight.

“That particular fantasy is par for the course in this city,” she says, though she’s not above it. It’s the reason she’s back to promote her first documentary, “Our Land,” out Friday.

Unhurried when it comes to her output, Martel has only made four fiction features, among them 2001’s “La Cienaga” and 2008’s “The Headless Woman” (returning to theaters this month in a new 4K restoration). Her biting and formally audacious narratives examine class, politics and — a speciality — the interiority of women through enigmatic portraits of psychologically complex individuals.

“Our Land,” a piercing indictment of the enduring wounds of colonialism, chronicles the murder of Indigenous Argentine activist Javier Chocobar in 2009 and the prolonged trial of the perpetrators in 2018.

Chocobar was shot during a confrontation with armed men over land in the Tucumán province of Argentina where the Chuschagasta Indigenous community has lived for many generations. Martel explores the killing not as an isolated event in her country’s recent past but as part of a long history of dispossession.

“Racism is a foundational element,” she says of her homeland. “The only consistent thing in Argentina, from the country’s birth to the present day, is the rejection of Indigenous people.”

In Argentina, Martel explains, public education has indoctrinated the population into believing Indigenous people no longer exist. Yet many Argentines proudly claim a connection to the Europeans, Italians in particular, who arrived in the country in the late 1800s and early 1900s.

“When giving speeches, our presidents always say, ‘We are a country of immigrants,’ or ‘We came from the boats,’” says Martel. “They use metaphors like these because deep down Argentines feel much more indebted to European immigration than to our Indigenous population. But more than half of the people in Argentina have Indigenous ancestors.”

In 2020, Chocobar’s three convicted murderers appealed their guilty verdicts and were set free. “Our Land” premiered at the Venice Film Festival in September 2025, which brought renewed attention to the case. A month later, the sentence was upheld and two of the men returned to prison (one died in the interim).

Martel believes that outcome was a response to her film. “Communities wage the fight but cinema helps,” she says.

“I believe that we must use cinema for its enormous power to alter perception and not soothe the rich,” Martel says. “It’s not about delivering a message but rather about showing how an idea functions.”

(Jason Armond / Los Angeles Times)

For over 14 years, Martel worked on “Our Land” on and off. This time included periods when she focused on 2017’s “Zama,” her masterful period piece following a Spanish official in 18th century Argentina “who doesn’t want to be American,” she says, referring to the continent. In her mind, both “Zama” and “Our Land” come from the same impulse to dissect colonialism.

As part of her research process, Martel and her team created a detailed archive of documents related to the case that the Chuschagasta community now has at its disposal. Over the years, Delfín Cata, one of the Indigenous men present during the attack, would call Martel. He never asked about how her film was going, but the director sensed he was tacitly checking in on her progress, hoping that she was not losing faith.

“That was a confirmation that, beyond my own interest, there were people who needed this film,” she says. “I felt the immense satisfaction of knowing I was doing something that would be concretely useful.”

For Martel, the question of whether she was the right person to make this film (one she got in Venice) seems unfair. “It’s wrong to prevent a human being from speaking about their own history because they are not a woman, because they are not Black, or because they are not Indigenous,” she says. “It’s better to make mistakes trying to understand something than not to try at all. The chances of making a mistake are enormous in a film, no matter how good your intentions are.”

A key piece of evidence in the Chocobar case, prominent in the film, is a video that one of the attackers filmed, presumably expecting the Indigenous community to react violently, to justify firing his gun at them. The Chuschagasta men that faced them weren’t armed. As used by their aggressors, the camera functioned as a weapon.

Hollywood feels incompatible with Martel’s sophisticated, confrontational movies rooted in her country’s troubles. By Martel’s own admission, it doesn’t feel like a fit for her.

“I would have to force myself to create something outside my own country, outside my own language,” she says. “And that doesn’t really appeal to me.”

Still, Marvel Studios famously asked to meet with her when seeking a director for 2021’s “Black Widow.” Martel says she was among many directors they contacted, but she was curious to take the meeting even if she knew nothing would come of it.

“They wanted to do it over Zoom and I happened to be here in Los Angeles,” she remembers. “I told them I could come in, because I wanted to see what the whole process was like.”

Martel describes the month she spent in L.A. — an eye injury prevented her from flying home sooner — as a “lot of fun in the end,” even if no blockbuster emerged from it. More recently, another Hollywood offer did tempt her, but she ultimately passed.

“It was a good book suggested to me by an actress of undoubted talent,” Martel shares, careful to avoid names. “I considered it, but you very quickly have to picture yourself spending three years or at least a year and a half living in the United States making a movie. I have a thousand things in Argentina to worry about.”

Still, Hollywood, and its significance to moviemaking, has a singular, unnerving allure on her. Two of Martel’s favorite movies set in L.A. are David Lynch’s nightmarish “Mulholland Drive” and Robert Aldrich’s psychodrama “What Ever Happened to Baby Jane?”

“There is something ruthless and utterly devoid of sanity at the heart of this film industry, and I’ve never felt that darkness as clear as in ‘Mulholland Drive,’” she says. “How can an industry that handles so many millions [of dollars] and such impeccably dressed famous people be so full of lunatics? That film captures that perfectly.”

And occasionally, she thinks, a big production breaks the mold, such as Todd Phillips’ “Joker,” which won the Golden Lion at the Venice Film Festival in 2019 when Martel served as jury president — a controversial choice.

“It certainly had an impact on me,” says Martel. “I didn’t vote for it, though. I had another favorite, a Chinese film that stood no chance of winning.”

Phillips, she thinks, created a premonition for what was to come. “For me, the real killer clowns are Trump, Milei or Orbán,” Martel says, referring to polarizing leaders. “They expose themselves to ridicule and spout all sorts of nonsense. Those are clowns. And I think that movie captured that.”

Not one to mince words, Martel elaborates on the relation of Joaquin Phoenix’s social outcast turned supervillain and President Trump.

“The origin of the Joker is social resentment,” she says. “Trump holds no resentment toward society because the system gave him everything. But he has exploited the people who do harbor resentment. That is where you see the kind of clown he is, one who knows how to use people.”

Artificial intelligence, far-right ideologies, voracious capitalism — all of it makes Martel alarmed, seeing it as pushing us collectively to the brink of collapse. But there is hope, she thinks.

“What we have invented is very dangerous but we can dismantle it,” she says. “That is the only thing I’m betting on, that, at some point, a consensus will emerge and we’ll go, ‘Let’s not do this.’”

“I believe that we must use cinema for its enormous power to alter perception and not soothe the rich,” she says. “It’s not about delivering a message but rather about showing how an idea functions.”

She points to one of her subjects in “Our Land,” an Indigenous man who told her he loves the 1959 Charlton Heston epic “Ben-Hur,” a passion she does not share but understands.

“That’s a blow for all of us who make auteur cinema,” Martel says with a laugh. “That feeling that ‘Ben-Hur’ evoked gave him the strength to continue fighting for his community’s territory.”

The night before our interview, Martel rode around L.A. on a scooter holding onto a friend. These days she uses a cane to help her with mobility. “The city has great light,” she says, still open to being surprised by it.

EMMY award-winning actor William H. Macy has revealed the most difficult Hollywood stars, according to him.

The star, 76, has been acting for four and a half decades and has worked with the who’s who of Hollywood in his time.

He appeared on the We Might Be Drunk podcast with hosts Mark Normand and Sam Morril as they attempted to get some gossip out of him.

Mark asked: “We gotta ask, which actors do you really hate?,” before listing off some big names, including Tommy Lee Jones, who he acted in the 1994 film, The Client with.

William responded: “He was rough,” before adding: “I’m not letting out any secrets.”

The hosts then asked him what he thought about Jim Carrey, to which he replied: “I did not act with him, but I’ve just heard he can be really tough.

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“You know, there are a lot of actors out there, it p****s me off, who make life miserable for a lot of people and they don’t get busted for it and it p****s me off.”

William began his career on stage in theatre, before building his career by starring in small, independent films.

His breakthrough role was in black comedy crime film Fargo in 1996 which got him critical acclaim and a nomination for the Academy Award for Best Supporting Actor.

He went on to star in big Hollywood films in his career, including Psycho, Jurassic Park 3, Spartan and The Lincoln Lawyer.

William’s television work includes playing Dr. David Morgenstern in ER for 15 years and as Frank Gallagher on the US Shameless for 10 years.

He is a two-time Emmy Award and four-time Screen Actors Guild Award winner, and has been nominated for an Academy Award, a Drama Critics’ Circle Award, and five Golden Globe Awards.

The Hollywood star married actress Felicity Huffman in 1997 after dating on and off for 15 years.

The pair went on to have two children together – daughters Sophia Grace and Georgia Grace.

Felicity was jailed in 2019 for 14-days for her part in the college bribery scandal.

She admitted to paying $15,000 (£12,000) to rig her daughter’s SAT scores, tearfully apologising to the teen for not trusting her abilities.

The internet’s most controversial looksmaxxer is in hot water again.

Clavicular, born Braden Eric Peters, has been charged in Florida’s Miami-Dade County in connection with a video that circulated on social media showing an alligator, which appeared to be dead already, being shot repeatedly in the Everglades. Two others are also facing charges in connection with the incident: Andrew Morales, 22, known online by the moniker “Cuban Tarzan,” and Yabdiel Anibal Cotto Torres, 26, who goes by “Baby Alien.”

Peters is facing a misdemeanor charge of unlawfully discharging a firearm in a public place, according to court records obtained by The Times. The Miami-Dade state attorney’s office filed the charges April 29.

Steven Kramer and Jeffrey Neiman, attorneys for Peters, told The Times in a text message, “Our client has been summoned to appear for a misdemeanor charge that stems from following the instructions of a licensed airboat guide. He relied on that guidance. No animals or people were harmed. We are confident that once the full picture is understood, people will see this for what it is.”

The shooting took place at the Everglades and Francis S. Taylor Wildlife Management Area boat ramp dock on or about March 26, court records said. The video shows the men aboard an airboat firing at the alligator more than a dozen times.

“Yeah, it’s definitely dead,” Peters is heard saying after firing.

Shortly after the video went live on social media, the Florida Fish and Wildlife Conservation Commission announced it had launched an investigation into the incident.

“Florida’s wildlife and waterways deserve respect, not content farming,” Lt. Gov. Jay Collins said March 26 on X. “Under my watch, anyone who abuses wildlife in Florida will be held accountable to the fullest extent of the law.”

Morales’ attorney Richard Cooper emailed The Times a statement Wednesday. “We urge the public not to rush to judgment. Importantly, there is no allegation that any animal was injured, and the available evidence does not support the sensationalized narrative that has circulated online,” the statement read. “My client relied on information and guidance provided by those in authority and had no criminal intent.”

An arraignment has been scheduled for May 20.

The face of “looksmaxxing,” a subculture hyperfocused on taking extreme measures to perfect one’s physical appearance, Peters has admitted in interviews that he uses appetite-supressing and performance-enhancing drugs, as well as recreational party drugs, and has said he chisels his face by smashing his bones with a hammer.

The same week Peters’ alligator video caught the authorities’ attention, the manosphere influencer was arrested on suspicion of misdemeanor battery. He was taken into custody on a warrant issued by the Osceola County Sheriff’s Office and released soon after on bond. Police allege that in February the 20-year-old internet celebrity instigated a fight between his girlfriend, Violet Lentz, 24, and a 19-year-old influencer at a Kissimmee, Fla., short-term rental. That incident was also live streamed to his hundreds of thousands of followers.

Then in April, Peters was live streaming from a Miami nightclub when he appeared to overdose on camera. In the video, Peters is seen taking a swig of an unknown substance and then subsequently starting to mumble, sway and close his eyes as the camera panned away.

TMZ obtained the audio from a 911 call alerting emergency services to the possible overdose of a 20-year-old man. Additional videos, taken by bystanders, showed Peters being carried out of the nightclub.

A source close to Peters told The Times that he was hospitalized for the overdose and checked himself out the following morning. Within hours of his release from the hospital, he was back on streaming platform Kick and telling his followers he would be out at a nightclub that night to promote its grand opening.

JUNIOR Andre has revealed he’s working on new music after talks to sign a huge new six-figure deal to team up with sister Princess for an exciting new project. 

Today The Sun told how Junior, 20, and Princess, 18, have sparked a bidding war amongst broadcasters desperate to work with them on their own podcast following the huge success of her ITV2 reality show. 

Now Junior, who released debut single Slide in 2022, has told fans he’s working on new tracks. 

He took to Instagram to share a clip of him in the car and said: “Just finished the gym, on my way to the studio now.

“I’m excited to make another banger, you lot just wait. I feel good.” 

Junior enjoyed huge success with his debut after Slide hit number one on the UK iTunes pop chart in 2022.

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We told how Junior and Princess, the children of Katie Price and Peter Andre, are still deciding to who sign with after the huge interest in them. 

A source exclusively told The Sun: “Princess and Junior are set to host their own podcast together. 

“There was a huge bidding war and they’re still deciding who to sign with.

“It’s worth six figures and everyone is really excited about it. 

“They really impressed a lot of podcast bosses on Princess’s TV show and during TV appearances, it’ll actually be their first time hosting together.”

Fans were obsessed with Princess and Junior’s dynamic on her reality show The Princess Diaries and it appears bosses are keen to replicate this on the podcast.

ITV2‘s The Princess Diaries follows Princess as she navigates social media influence, her personal branding and the challenges of being raised in the public eye while trying to trying to maintain a normal teenage life.

Jedward star John Grimes has revealed that the Celebrity Ex On the Beach was put under security lockdown after the building was stormed by curious fans wondering what was going on

Jedward star John Grimes has revealed that the Celebrity Ex On the Beach villa was put under security lockdown. The former X Factor contestant, who shot to fame alongside his twin brother Edward on the ITV talent show in 2009, can currently be seen taking part in the fourth series of the Paramount+ hit, which began airing in March.

The former Celebrity Big Brother star, 34, filmed the show alongside Coronation Street actress Helen Flanagan as well Toby Aromolaran and Curtis Pritchard, both of Love Island fame, and Towie’s Dani Imbert amongst a host of others, but this is one of the very rare times he has appeared on-screen alongside his twin.

The programme, which sees famous faces staying abroad and beginning relationships only for their former flames to get involved, is all filmed in Tenerife and John has now explained all about the fan intrusion that all took place in the sunny location. He said: “People knew the location of the villa.

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Speaking to The Sun, he continued: “Fans and people in the local area were trying to come into the grounds. Things kept happening. It was the only lit up place in a desolate area, so people were like, ‘What’s that? Let’s try to get in…’ Producers were like, ‘We’re trying to film a show.’ Security stopped anyone from getting in!”

John, who alongside his twin, enjoyed hits with tracks like Under Pressure (Ice Ice Baby) and Lipstick after finding fame on The X Factor, recently explained what it was like going solo for the reality show.

He said: “Every now and again there are some pre-judged opinions about me out there, but I think going on this show marks a new chapter because I did it on my own, away from Edward. It’s a different situation.

“I was just talking to [Edward] there on the phone. He was a huge supporter of me doing the show, as was Gemma [Collins]. She was very excited. At first, I was a bit kind of touch-and-go. I thought, “Oh, will I do this?”

The star, who was greeted by his ex-girlfriend Sarah Carragher during his time filming the series, also spoke of how he asked his brother for advice when he was approached to to the show.

“But obviously, I always confide in Edward and he was like, “Oh yeah, you should do it,” because you always end things on a neutral note with your exes. If they wash up on the beach, you possibly rekindle something, maybe start cleaning slates,” he added.

“I think it’s like, obviously, you take that risk going on the show. You don’t know who’s going to pull up, but the one that does pull up may say, “You know what, maybe I’ll give them another chance.” John recently revealed via social media that he and Sarah are back together, but the move was said to have angered bosses behind the scenes.

A source said: “John posting that he’s back with his ex was terrible timing as it makes his whole storyline on the show pointless. Cast were asked to keep a bit of mystery around who got back with their ex and who hooked up with who so people tuned in, but clearly John was so thrilled he just went ahead and posted without thinking.

“Bosses are fuming but it’s not like he did it on purpose. Sarah has been quietly telling her pals, as well as John, that she’s really nervous to be thrust into the spotlight and so John wanted to throw his support behind her all the way.”

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Matthew Perry’s collection of “Friends” memorabilia, fine art and other prized possessions is going up for auction next month, nearly three years after the actor died at age 54.

Auction house Heritage Auctions announced Tuesday that it will partner with the Matthew Perry Foundation to sell the late actor’s collection. The proceeds will go toward the nonprofit, which seeks to support people living with addiction and move past the stigma that surrounds substance use abuse disorder.

The auction for items from Perry’s estate officially begins June 5, but interested buyers can preview the items from May 18 to May 29 at Heritage Auction’s showroom in Beverly Hills. They can also start placing proxy bids. The listed items notably include plenty of “Friends” memorabilia, ranging from art pieces depicting the TV cast to magazines featuring the “Friends” crew and Perry to episode scripts signed by the cast. Currently, the bid for the signed script of the “Friends” pilot is set at $3,600.

Perry’s painted portraits are up for sale as are his Screen Actors Guild Award from 1995 (he and his co-stars won the prize for performance by an ensemble in a television comedy) and trio of nomination certificates. Perry famously portrayed the wisecracking Chandler Bing in the hit sitcom, which aired on NBC from 1994 to 2004. He starred alongside Courteney Cox, Matt LeBlanc, Lisa Kudrow, David Schwimmer and Jennifer Aniston.

Before his death, Perry shared his love for Batman via social media, often calling himself “Mattman.” His Batman fandom is also abundantly clear in the more than two dozen items of Batman-inspired art, furniture and trinkets that are also up for sale.

The actor and author’s personal art and vintage movie posters collection — including a pair of Banksy works, a piece by Pablo Picasso and a framed “It’s a Wonderful Life” movie poster signed by its star James “Jimmy” Stewart— are among the listings. A handful of miscellaneous items — sports gear and equipment, a Nintendo GameCube, accessories and fine jewelry and a black bi-fold wallet — are also up for auction. The full catalog of listed items can be found on the website for Heritage Auctions.

“Matthew believed addiction should be met with compassion and science, not stigma and silence,” Lisa Kasteler Calio, chief executive of the Matthew Perry Foundation, said in Tuesday’s announcement. “This auction fuels the Foundation’s work to expand access to evidence-based care and confront stigma. It is one more way we ensure that no one has to fight this disease alone.”

Perry, who had been open about his struggles with addiction, died Oct. 28, 2023, from acute effects of ketamine, a drug sometimes used to treat depression, officials said. The woman known as the “ketamine queen” who provided the drugs that killed Perry was sentenced last month to 15 years in prison. Jasveen Sangha pleaded guilty in September to one count of maintaining drug-involved premises, three counts of distribution of ketamine and one count of distribution of ketamine resulting in death or serious bodily injury.

MODEL Irina Shayk is in hot pursuit of the perfect picture on a baking day at the beach.

In her latest bikini photoshoot, she also wore a butter yellow two-piece from El Corte Inglés in the Canary Islands.

The Russian, 40, is the face of the brand’s new swimwear campaign.

She said: “This collection invites you to enjoy every ray of sunshine and every sea breeze.”

Irina, who posed for the pics in La Palma, was engaged to footballer Cristiano Ronaldo.

She also has a daughter with Hollywood actor Bradley Cooper.

WET ‘N WILD

Irina Shayk emerges from ocean in a soaking wet shirt and bikini on Miami Beach

IN GREAT SHAYK

Irina Shayk, 39, looks sensational as she shows off washboard abs in bikini

Irina has also been romantically linked to footballer Tom Brady.

She has become one of the modern modeling industry’s greats after being discovered in her small Russian hometown of Yemanzhelinsk. 

Irina, whose full name is Irina Valeryevna Irinahlislamova, received international recognition when she became the first Russian model to appear on the cover of the 2011 Sports Illustrated Swimsuit Issue. 

She has become a runway staple, working with prestigious fashion houses worldwide.

KIM Kardashian’s hairdresser Chris Appleton has revealed the staggering amount he charges his clients – and fans are stunned. 

Chris, 42, has been a key part of 45-year-old Kim’s glam squad for more than a decade and is responsible for some of her most iconic looks. 

The stylist sat down with Jamie Laing for an episode of his Great Company podcast and the Made in Chelsea star wasted no time in putting him on the spot. 

Jamie, 37, asked: “Is it true you charge £100,000 for a haircut?”

Chris replied: “Oh god, I should never have said that. I got dragged for that. 

“Do you want to know the honest truth?”

RACY LOOK

Kim Kardashian’s tribute to X-rated movie in pointy boob dress at Met Gala

SHEER CLASS

Met Gala’s most ‘naked’ dresses over the years – from Kim K to Gigi Hadid

Jamie said: “Come on, it’s success! Yes.” 

Recalling being asked about his fee in a previous interview, Chris said: “It’s more. It’s £200,000. I said £100,000 because I was afraid of what… I was scared.”

Attempting to justify the eye-watering amount, he continued: “There’s so much that goes into it and there are plenty of times where I work for free or I don’t get paid that amount of money.

“Also, fifty percent tax, in America, and then your agent takes half and then your business manager takes five [percent]. So, the answer is yes and no.”

After the clip was shared on social media, fans in the comments were divided. 

One wrote: “I don’t get how much goes into it, that’s disgraceful.”

Another said: “That is just a ridiculous amount of money for a haircut.”

But others praised Chris, with someone saying: “He seems humble, grounded and a wonderful person. He’s done incredibly well.”

Kim previously told how Chris is more than a stylist to her and is one of her closest confidants. 

Presenting him with the Hair Artist of the Year award at the Fashion Los Angeles Awards in 2023, she said: “I can tell him all of my personal business and it will never get out. 

“We can party in Vegas all night long until three in the morning and get tattoos – not me  – like we did last night.”

Ted Turner, the brash media mogul who created CNN and revolutionized how Americans watched television, and who wielded his media empire and wealth to pursue liberal global causes and land conservation, has died. He was 87.

Turner died Wednesday, according to his family.

In 2018, he revealed he had been diagnosed with Lewy body dementia, a neurodegenerative disease, which had been progressing in recent years.

Turner’s outsized public persona — some called him the “Mouth from the South” for his free-wheeling trash talk — matched the Georgian’s influence on news, politics, sports and entertainment in the late 20th century. Turner repeatedly shook up established industries by invading quickly and expanding options for consumers, while railing against monolithic competitors who were less daring or nimble than his maverick Turner Broadcasting System.

Turner created the cable stations TBS and Turner Classic Movies; he owned the Atlanta Braves baseball team, the Atlanta Hawks basketball team and revitalized professional wrestling with World Championship Wrestling.

Turner was one of the first adopters of cable and satellite broadcasting technology, and for many rural Americans living beyond the tower signals of major cities, he was the first person to bring them interesting TV.

The media baron constantly generated headlines. He had a Clark Gable pencil mustache, raced sailboats, cavorted with the late communist leader Fidel Castro in Cuba, and at one point married Academy Award-winning actress and activist Jane Fonda. His wealth enabled him to become one of the largest private landowners and wealthiest philanthropists in the U.S.

July 1990 image of Ted Turner with Jane Fonda.

(Tony Duffy/Getty Images)

His crowning cultural achievement was the creation of the Cable News Network in 1980, which created the model for today’s cable news titans. The 24-hour news channel was not widely expected to be a success. All-night broadcasting had not been proven as a business model in an industry dominated nationally by corporate monoliths like ABC, NBC and CBS, where news programming was something that happened on a set schedule. And CNN’s headquarters weren’t in media centers like New York or Los Angeles, but Atlanta.

But Turner believed that “over-the-air networks would decline as audiences turned to videos and other outlets for entertainment on demand,” wrote the late journalist Daniel Schorr in a 2001 memoir.

“The network future belonged to whoever would deliver what was happening now — live news and live sports. That was why he wanted to be the first to deliver all news, all sports, all the time,” wrote Schorr, whom Turner courted to join CNN.

Within two years, CNN had more than 9 million subscribers. By the 2000s, Turner’s once far-flung idea for an around-the-clock news service had become so successful that it had attracted imitators like MSNBC (now called MS NOW) and Fox News.

“We not only became profitable, but also changed the nature of news — from watching something that happened to watching it as it happened,” Turner said of CNN in 2004. “If we needed more money for [broadcasting from] Kosovo or Baghdad, we’d find it. If we had to bust the budget, we busted the budget. We put journalism first, and that’s how we built CNN into something the world wanted to watch.”

Fox Corp. Chairman Emeritus Rupert Murdoch, who was both a rival and friend of Turner, said his “vision for 24-hour cable news transformed the media industry and gave viewers everywhere a front seat to witness history unfold. His impact as a trailblazer has left an indelible mark on our cultural landscape.”

Turner recognized the value of global distribution long before his rivals, launching CNN’s international business in the mid-1980s. He bought his first western property, The Bar-None Ranch in Montana, and would eventually become one of the nation’s largest individual landowners with nearly 2 million acres, which provide habitat for threatened species and his beloved American bison.

“Ted’s entrepreneurial spirit, creative ambition and willingness to take risks changed the media industry forever,” David Zaslav, chief executive of Warner Bros. Discovery, which owns CNN, said Wednesday in a note to employees. “He believed deeply in the power of ideas, in doing things differently and in building platforms that could inform, inspire and connect people around the world.”

Robert Edward Turner III was born in Cincinnati on Nov. 19, 1938, and raised in Georgia. A mischievous child — who later became a mischievous adult despite attending the Georgia Military Academy — he had a tough childhood at the hands of his alcoholic father, Ed.

“Ninety percent of the arguments I had with Ed were over his beating Ted too hard,” Ted’s mother, Florence Turner, recalled later.

“My dad ran an old-fashioned household and he insisted that pretty much everything had to be his way,” Ted Turner said in a 2008 memoir. “My father and I had a complex relationship but I loved him.”

The younger Turner attended Brown University but dropped out before graduating. His savings had run out, his father had stopped financially supporting his tuition, and in his final days on campus, he was suspended for bringing a woman to his dorm room, according to his memoir.

He soon joined his father’s expanding billboard advertising company, Turner Advertising, where he had been working off and on for years since childhood.

He inherited the business at the age of 24 after his father died by suicide. By then, Turner had already had years of experience , and he worked furiously to reverse his father’s recent sale of part of the company to a competitor and paid down its daunting debt, an act that presaged the empire-building to come.

While growing the business, Turner also pursued his passion for competitive sailing, which is how he met his first wife, Judy Nye, in college. It’s also how their marriage ended. Turner intentionally hit his wife’s boat during a 1963 race to keep her from passing him, and the pair, who had two children, split immediately afterward.

It was to be the first of three divorces. . “My problem is I love every woman I meet,” Turner has said. He would go on to win the America’s Cup in 1977 while expanding his father’s company into a modern multimedia conglomerate.

Leveraging the billboard business, Turner started buying local radio stations across the South in the late 1960s. In 1970, he bought the Channel 17 television station in Atlanta, competing with local network affiliates by airing old movies whose rights were affordable and picking up programming dropped by the less nimble competition. He didn’t like putting news on prime time back then — too negative — and soon picked up broadcast rights for the Braves, Hawks and other local sports.

Oct. 1998 photo of former President Jimmy Carter, right, and Atlanta Braves team owner Ted Turner, during Game 6 of the National League Championship Series in Atlanta.

(PAT SULLIVAN/AP)

The Braves were a ratings hit, and when the team flailed and went up for sale, Turner’s company became its owner in 1976. The team continued to flail but Turner boosted its profile with gimmicks such as sewing “Channel 17” on the back of a pitcher’s jersey and dressing up as the team’s batboy and manager, to the league’s disdain. Turner bought the Hawks shortly after.

Facing entrenched local network affiliates, Turner expanded his independent station’s reach across the South and then the U.S. by embracing the new technologies of cable and satellite broadcasting. Channel 17 became nationally known as the “SuperStation,” with call letters WTBS, later shortened to TBS.

The quirky Atlanta station’s local broadcasts of old movies and sports games had become national broadcasts.

Still hungry for more, Turner finally turned his attention to news programming. He launched CNN in 1980 in a desperate bid to create a national 24-hour news channel before the broadcast titans ABC, NBC and CBS — and their gargantuan budgets — could beat him to it.

“The 24/7 genre started with Ted Turner,” veteran CNN journalist Christiane Amanpour said Wednesday on CNN. “He was the original, and he made us all proud, and he made us all hopeful, and he made us all strive for his vision of a better world.”

There were some lean early years. But the nascent channel fended off an attempt by ABC to create a competitor, and critics could see the value of an ever-present news channel, even if quality was a little thin at times.

“Non-viewers of CNN are missing a lot. There are so many reasons to watch,” Los Angeles Times critic Howard Rosenberg wrote in 1986, hailing the 6-year-old channel as an “institution.” “It’s not always good, but it’s always there.”

In 1986, CNN was the only broadcaster running live coverage when the Challenger shuttle liftoff ended in disaster. In 1991, the network gave Americans a live and uninterrupted look at the invasion of Iraq. American officials held news conferences knowing that Iraqi leader Saddam Hussein was watching them on CNN.

Americans had seen images of war before, but not broadcast nonstop into their homes.

“CNN seeks to be a stethoscope attached to the hypothetical heart of the war, and to present us with its hypothetical pulse,” the French theorist Jean Baudrillard wrote, critiquing the conflict as a media spectacle. Media scholars began to wonder whether a “CNN effect” was influencing government policy. Officials found that they now had to respond much more quickly to crises unfolding on live television.

Turner was not adversarial to communist countries of the era and even tried his own version of the Olympics, called the Goodwill Games, a bit of private-sector peace-craft that brought the Soviet Union and the U.S. out of their respective Olympic boycotts and back into direct competition in the 1989s. All on television, of course.

Turner also saw professional wrestling as part of his sports portfolio, at one point trying to pit his World Championship Wrestling program against competitor Vince McMahon’s wrestling empire, then called the World Wrestling Federation. Turner similarly tried to take a bite out of MTV with the Cable Music Channel, with a promise “to stay away from the excessive, violent or degrading clips to women that MTV is so fond of putting on.”

Moralism was a Turner hallmark. Turner had started his life as a conservative — Turner had met his second wife, Jane Smith, at a 1964 fundraiser for Republican presidential candidate Barry Goldwater — and turned toward more liberal-leaning causes, such as world peace, nuclear nonproliferation and fighting climate change, later in life.

At the 1990 American Humanist Assn.’s annual convention, Turner presented his “Ten Voluntary Initiatives” — his atheistic version of the Ten Commandments — which included pledges to world peace, environmentalism, nonviolence and “to have no more than two children, or no more than my nation suggests.” He would become a major private donor to the United Nations, pledging $1 billion and launching the United Nations Foundation nonprofit.

In 1991, a year marked by the collapse of the Soviet Union, the first U.S. war against Iraq and the confirmation hearings of Supreme Court Justice Clarence Thomas, Time magazine named Turner its “Man of the Year” for his “visionary” creation of CNN, which covered those events live. He also married Fonda that year (the ceremony was reported by CNN) and his Braves narrowly lost the World Series.

Time’s honorific was also a nice bit of corporate synergy. The magazine’s parent company, Time Warner, owned about 20% of Turner Broadcasting System stock.

Turner launched the Cartoon Network in 1992, which helped introduce his then-newly acquired Hanna-Barbera characters — including Fred Flintstone, Yogi Bear and Scooby-Doo — to a new generation of viewers.

Adversaries thought that Turner’s ventures could be reckless and impulsive. Far-seeing accomplishments in national broadcasting and the creation of CNN were also paired with several expensive misadventures, including a failed attempt to buy CBS.

Turner had to unwind a purchase of the MGM film studio less than a year after buying it, though he held onto one valuable asset: The studio’s film library, which became the foundation of the Turner Classic Movies channel and, later, jewels in the Burbank-based Warner Bros. studio vault.

In 1996, Turner Broadcasting merged with Time Warner to form the world’s largest media company, marking the beginning of the end of Turner’s apex in corporate media. Time Warner’s 2000 merger with budding internet giant AOL, then the largest-ever corporate merger, ended in disaster. Turner, who had not been a key player in the negotiations and had made no secret of his disdain for that deal, was fired as an executive.

“Ted Turner was one of the rare leaders who truly changed the trajectory of an industry,” Versant Media Chief Executive Mark Lazarus, a former Turner underling, said in a statement. “I saw firsthand his willingness to take risks and his belief that media could be something bigger and more impactful.”

CNN Worldwide Chairman Mark Thompson added: “He was and always will be the presiding spirit of CNN. Ted is the giant on whose shoulders we stand.”

Turner resigned from the AOL Time Warner board in 2003, and in 2007, announced he had sold his company shares. In his later days, one of his best-known ventures was his Ted’s Montana Grill restaurant chain. His philanthropy and land conservation efforts and protection of the American bison became guide posts during his retirement years.

While CNN maintains influence in the U.S. and abroad, its TV ratings have declined in recent years — a casualty of changing consumer behavior, the rise of social media, derision from President Trump — and several ownership changes.

During the past decade, CNN has had three different corporate owners. The company is poised to be sold again, this time to billionaire David Ellison’s Paramount Skydance. That proposed merger would bring CNN under the same roof as CBS News.

“I’ve often considered and joked about what I might want written on my tombstone,” Turner said in a 2008 memoir. “At one point, when I felt like I could get out of the way of the press, ‘You Can’t Interview Me Here’ was a leading candidate. … These days, I’m leaning toward, ‘I Have Nothing More to Say.’”

Turner is survived by his five children — Laura Turner Seydel (Rutherford), Robert Edward “Teddy” Turner IV (Blair), Rhett Turner, Beau Turner, Jennie Turner Garlington (Peek) — 14 grandchildren and a great granddaughter. The family plans a private and public service at a later date.

Pearce is a former Times reporter. Times Staff Writer Stephen Battaglio contributed to this report.

This story includes spoilers for Episode 8 of “Daredevil: Born Again” Season 2.

By the end of “Daredevil: Born Again’s” first season, showrunner Dario Scardapane knew they were heading toward Matt Murdock’s big reveal in Season 2.

The second season finale of the Marvel series, out now on Disney+, sees Murdock (played by Charlie Cox) declare to the world that he’s the vigilante Daredevil.

“Coming in with Season 1, I wish I could say I knew exactly where we were going,” says Scardapane during a recent video call. “But I knew that moment in the courtroom where Daredevil outs himself, we were definitely heading towards that.”

Iain B. MacDonald, who directed Episodes 7 and 8, said that everybody involved understood that it “was going to be a super significant moment” while they were filming the scene.

“When that’s out, that’s out,” MacDonald says. “That moment clearly has a domino effect for the rest of the episode. … I’m super excited to just to see how that’s received by the fans … because as a director, you want to deal with big moments in what you direct, and that is, for me, one of them.”

A continuation of Netflix’s “Daredevil,” which initially concluded in 2018, “Born Again” has followed Wilson Fisk’s (Vincent D’Onofrio) rise from criminal kingpin to the supposedly reformed mayor of New York. Fisk’s authoritarian tactics and campaign targeting vigilantes pushes Daredevil underground to try to assemble allies in order to bring the Kingpin down.

Matt Murdock (Charlie Cox) returned to the courtroom to make his case.

(JoJo Whilden / Marvel)

Their much anticipated showdown occurs in a courtroom in the season finale during the trial of Karen Page (Deborah Ann Woll).

“Myself and my DP [director of photography], Jeffrey Waldron, looked at a lot of courtroom dramas, just to really think about how we can tell those courtroom stories really well, and do it creatively and imaginatively … and in the language of ‘Daredevil,’ ” said MacDonald. “It was a challenge, for sure, [but] I really, really enjoyed shooting them.”

While Murdock may have triumphed in the courtroom, his revelation has consequences as teased in the episode. Scardapane says those consequences will be explored in Season 3.

“That last scene in Season 2 tells you where we’re going,” says Scardapane. “If the question is, are we doing a specific comic book run that is beloved by all, including me, I think that it’s pretty obvious what we’re doing in that last scene.”

The fallout for Murdock, as seen in the episode, is his arrest and imprisonment. In the final moments of the finale, the Man Without Fear is shown getting locked up at Rikers Island. Murdock appears to have accepted his fate, but a glimmer of smile hints that this is not the end of his story.

“Charlie and I talked about [the scene], and we knew that we wanted to end on that close-up of his face,” MacDonald says. “He said we can do two things here, one which is like acceptance of circumstances, like he’s resigned. He has made the sacrifice of outing himself to the world about who he really is [and] he has put himself away in service of the greater good … as well as have that little moment of a hint of a smile to say, this is a beginning. This is a new adventure. This is a new challenge.”

In a conversation edited for clarity and length, Scardapane discussed Murdock and Fisk’s arcs in Season 2, “Daredevil: Born Again’s” timely political themes and what to expect in Season 3.

Karen Page (Deborah Ann Woll) and Matt Murdock (Charlie Cox) get a chance to celebrate in the “Daredevil: Born Again” Season 2 finale.

(JoJo Whilden / Marvel)

At what point did you know that what you were building toward in Season 2 would end with Matt Murdock in jail?

It’s kind of a process that snowballs. They had started before me. They were doing the Mayor Fisk run. It was much more procedural, much different tone. They did six episodes, and I came in, and we moved it more in line as a continuation of the Netflix series. When Fisk becomes the mayor of New York, you put the villain at a really, really elevated place. So, Season 1 was the rise of Fisk. Season 2 has got to be the rise of that which takes him down — the resistance.

That moment that Matt stands up in court and says, “I am Daredevil,” that’s like the record scratch. Everything has changed from this moment on. At the end of Season 1, beginning of Season 2, we knew we were heading toward that moment. That moment’s consequences, for Matt and for Fisk, are kind of the fodder for Season 3.

There are comic book runs that I shall not name — although they’ve been named — that take that dilemma that Matt put himself in and go to really great places with it. Coming in with Season 1, I wish I could say I knew exactly where we were going. But I knew at the very beginning, that moment in the courtroom where Daredevil outs himself, we were definitely heading toward that.

It felt significant that Matt and Fisk’s big showdown this season happened in a courtroom.

The fun of Daredevil since the comics started is here you have a lawyer who really believes in the justice system who goes out and breaks bones at night. He’s a vigilante lawyer. That’s such a dichotomy. When the villain takes power, when the villain is the police — this situation, the villain is the Anti-Vigilante Task Force — the villain has now become the power structure of New York and has become the justice system. How does Matt fight back? He fights back as a vigilante until it gets to a crucial moment where Karen is pulled into this flawed justice system. Now there’s nowhere he could go. He’s put in this place where both his personas have to integrate, have to kind of collide, for him to beat Fisk. I think that Charlie’s performance in that courtroom scene is his best courtroom performance in any episode of “Daredevil” ever. Building to that moment of Fisk and Matt facing off in court, it was pretty important because all four of them are in court there: Wilson Fisk, Kingpin, Matt Murdock and Daredevil are all there in that scene.

Wilson Fisk’s (Vincent D’Onofrio) ambitions are thwarted in “Daredevil: Born Again” Season 2.

(JoJo Whilden / Marvel)

Fisk, the villain, ultimately loses this battle. Can you speak a bit about his arc this season?

One of the joys of this job is working with Vincent D’Onofrio, full stop. He’s done such a good job of humanizing a monster. I don’t write Fisk as a villain. I don’t think Vincent plays him as a villain. And that’s where the fun comes in.

Building up a man whose appetite, whose isolation, whose just general hunger to dominate, making that character and then giving him this one lifeline to humanity in Vanessa — that’s all calculated. We knew in Season 1 when Foggy was killed that Vanessa was going to be the cost for Fisk. The idea that Vanessa set up Foggy to die using Bullseye, and Bullseye ended up inadvertently killing Vanessa, that was 100% in the DNA from jump. Vanessa passed away in the comic books in two different ways, but that takes Fisk now into a place where, for me, all bets are off. I think that the Fisk that Vincent is playing in Episode 6, 7 and 8 and beyond are a different animal entirely. We just finished a very special episode that is pretty much all Fisk in this new incarnation and it was pretty exciting. Vincent’s in rare form in Season 3.

I understand that the Anti-Vigilante Task Force stuff was shot before the the story and imagery became extremely timely.

It’s really strange because there’s footage in the finale that’s intentionally supposed to reflect certain events. One of the things that I really wanted to do with this story, when you’re dealing with politics and everything, is we’re living in a time where these values of mutual respect, mutual listening, mutual live and let live … what I would say, democratic values are being thrown out the window when you’re dealing with the other side. If somebody doesn’t share your beliefs, it’s free game. And I’ve never really seen a time like that. So we took that story, where the mayor’s side has no quarter for the vigilante side and the vigilante side has no quarter for the mayor’s side. When they storm the rotunda, it looks very familiar. That is intentional. I’m not going to dodge that. Because it’s the idea that everybody sees themselves as a hero of this story, where they’re treating the people on the other side horribly. There’s no lesson there. It’s just the idea that when mobs get involved, when large groups of people get involved, the higher morals and higher sense of humanity falls apart.

You’ve mentioned that in writing and filming this show, you were looking at history. But what was it like when the present started mirroring what you already made based on the past?

The sequence in Episode 2, when the bodega is raided and people are dragged away by the Anti-Vigilante Task Force, that was filmed before Los Angeles, before Minnesota — before all of it. The whole thing got really strange in that the real world started to feel cartoony, and I don’t mean that in a positive way.

I think we were, as writers and directors, tapping into an unease and a malaise that’s just out there. Having it look exactly like things that then happened on the news, that was chilling. It was really hard to get my head around it. It was hard for the people involved, the directors, the fact that some of those sequences in our show, of people being dragged away and thrown into vans, looked exactly like what we were seeing on the news.

There have been other touch points, like the affinity some Task Force officers have for the Punisher logo, that crosses from the fictional into reality.

I’ve been wrestling with this since working on “The Punisher.” The map of what you do when you want to be an autocrat: You form a militia, you empower them beyond, you target a group that you want to make scapegoats, you round them up. When Charles Soule was doing the Mayor Fisk run in the comic books, that’s what he was thinking about. S—, Tony Gilroy did it in “Andor.” When you build any kind of story about an autocrat, it follows the same script. Weirdly, the script’s now playing out outside our door, and that’s become really hard to deal with. The funny thing about this show in these times is, no matter what I say, somebody’s gonna get all like, “Oh, they put politics in our comics” and “they’re trying to teach us a lesson.” Nobody’s trying to teach you a lesson. We’re just laying out a story about a guy who’s a criminal who becomes a mayor and a guy who’s a lawyer who tries to take him down. But does that have echoes in what’s going on outside our window? Yes, it does.

There is a sect of the audience that gets very vocal about the MCU getting ”too woke” or comic books and superheroes ”becoming political.”

One thing that just broke me when we started Season 3, I posted a picture of our writers room, and it’s just some of the best genre writers in the television business. I posted it [on Instagram] and I said “so stoked to get into it with these guys.” The first comment was, “Looks like a pretty woke room. Don’t ruin the show.” How does a room look woke? Oh, so you’re looking at the makeup of the people in that room, and you’re saying that that is something you don’t like? I can’t help you [with that]. I’ve just got to go into that room and write stories.

It’s also not like superhero comic books haven’t had storylines about marginalized communities or interrogating people in power.

Guys, comic books are political. They’ve always been political. The first graphic novel that ever won a Pulitzer Prize was “Maus.”

Jessica Jones (Krysten Ritter) gets in on the action.

(JoJo Whilden / Marvel)

I think I’ve waited long enough to ask about Luke Cage, played by Mike Colter, showing up in the finale. How did all of that come together?

One of the things that I’ve said a bunch about this show is we lean into the idea that these characters have grown up. The time that has passed between the end of the Netflix shows and the beginning of this show, we acknowledge and we lean into. Their lives have matured. As anybody knows, in the comics, Luke and Jessica had a child, Danielle. Now for me, as a writer, that’s just great story. We have a family of two very interesting people who were made iconic by the performances of Krysten Ritter and Mike Colter. What does that little family look like moving forward? So that tease at the end has seeds for acres and acres of stories. There’s a world that I’m super interested in, that a lot of the characters from the Netflix shows live in, that I’d love to see go forward. A lot of that’s out of my hands. But Mike and Jessica and that family are important to these stories.

Can you say anything more about what Luke has been up to since audiences last saw him?

Luke went to do some work for Mr. Charles. That’s a little bit of an Easter egg, a storyline that will play out in the future. Mr. Charles’s interest in alternatively abled people, or people who can do special things, that interest has long tentacles. It touched Luke and Jessica. It touches Bullseye at the end of the season, and that moves forward.

I think everybody’s been curious since Charlie Cox’s return. Matt’s back. Now Jessica and Luke are back. Are we going to see all of the Netflix era heroes assembled?

The best way I can answer that question is that we take comic book runs, fan desires and unfinished business. On “Punisher,” we were planning for a Season 3. I know [“Daredevil” showrunner] Erik Oleson was getting ready to work on a Season 4. That all ended very abruptly. None of the shows really got an ending that brought it all together. I wouldn’t say that “Defenders” was an ending that brought it all together. There’s so much unfinished business in those Netflix shows. We definitely, definitely knew from way back, how the ending of the Mayor Fisk rise and fall, where that was going to go next. And it’s funny because I’m talking to you as we’re trying to end where it goes next, and we’re thinking about, “OK, now what happens after that?”

I’m just going to throw it out there that I’d like to see Misty Knight and Colleen Wing back also.

[Jessica Henwick, who plays] Colleen has already said that she is not in Season 3, and that’s a real sad thing for us. It was not for lack of trying. I want to do Daughters of the Dragon, come on! That was teed up in “The Defenders.”

I wish I could be more forthright, but I have to save some some secrets for Season 3. But I do believe that we set a launching pad at the end of Season 2 that takes us into some pretty fun places that we’re in right now, and I gotta go finish that.

Graham Norton’s ITV series The Neighbourhood has been pulled from its primetime slot less than a fortnight since its launch and will be replaced by repeats

Graham Norton’s ITV series The Neighbourhood has been pulled from its primetime slot less than a fortnight since its launch. The presenter, 63, is front and centre on the broadcaster’s new gameshow format in which real-life households have gathered in a purpose-built neighbourhood to be in with a chance of winning a £250,000 cash prize.

There were clearly high hopes for the series as it premiered in between both segments of the explosive I’m A Celebrity…South Africa final on April 24, and has been airing at 9pm on Thursdays and Fridays ever since, where it has managed to pull in just half a million viewers.

But now, new schedules have revealed that, going forward, the programme will air at 10.45pm which takes it away from the coveted slot it was initially given, implying that it has not lived up to expectations in terms of viewing figures.

READ MORE: ITV’s bid to lure Graham Norton away from BBC ‘backfires’ after ‘shock’ new show ratingsREAD MORE: Graham Norton explains why he’s breaking Terry Wogan’s famous rule at Eurovision

This Thursday, viewers tuning in at 9pm will instead see a repeat of Davina McCall’s Long Lost Family, and an episode of Beat The Chasers: Celebrity Special, which was initially aired in 2021, will be shown instead. A spokesperson for ITV confirmed the schedule shift as they said said: “The full box set of The Neighbourhood is now available to stream on ITVX. Additionally, the show will continue to air in an evening slot on ITV.”

But sources have claimed that whilst the broadcaster pulled out all the stops to make the programme into a hit, it just hasn’t gone that way in the end. An insider told The Sun: “They threw everything at The Neighbourhood to make it a big success, but it’s ended up a bit of a damp squib.”

The six households competing are The Bradons, The Kandolas & Samra, The Lozman-Sturrocks, The Pescuds, The Scouse Haus and The Uni Boys. Challenges put every neighbour to the limit as they try and eliminate one another without becoming unpopular enough to get the axe themselves.

Opening up on his first reaction when he saw the entirety of the set, Graham said: “Arriving in Derbyshire and seeing the set, I’d seen pictures but I didn’t quite understand the scale of it. It really is like being on a movie set, except it’s 360 – everywhere you look, it’s real.

“The art department did an extraordinary job of building up that town square where we do the removals, the pub, the cafe, the interiors of the houses. It really took my breath away!

“It made it even more exciting. I thought – this is serious! We’re making a big show. Then add on top of that, what Derbyshire does when the drone goes up and we see the Neighbourhood and the nature and the rest of it, it’s so beautiful, those big driving shots. It’s just gorgeous.

BAFTA award-winning broadcaster Graham continued: “One of the loveliest things about the show is seeing households who would never meet in real life, not only meeting but forming proper bonds of friendship. There are a few moments in the show that really do bring a tear to my eye because it’s just so genuine, so lovely and properly heartwarming.

“It’s such an odd word to describe a show like this but it’s properly wholesome. There’s something about the bright colours, being out in the countryside and the genuine bonds that you see created.”

The Neighbourhood is available to watch on ITVX

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A second disaster has struck the prized car collection of The Repair Shop star star Dominic Chinea, and he says this may be the final straw as he considers selling it

TV star and The Repair Shop presenter Dominic Chinea admitted “it’s getting worse and worse” as he introduced the latest update on his Land Rover restoration project.

The engineering expert has been restoring a dilapidated 1957 Series 1 Land Rover that he found buried in a hedge near his new home in Cornwall. He has described it as one of his most challenging projects to date, given that the chassis was completely rotten and the vehicle had been half-buried in undergrowth for several years.

Dominic hasn’t had the best of luck with the rebuild. Only a few weeks ago, Dominic admitted that he had hit a major snag after accidentally damaging the Land Rover’s seat base as he lifted the rear tub.

He said he was thinking of reaching out to Repair Shop co-star, upholstery expert Sonnaz Nooranvary, before the Land Rover can be considered complete.

But Dominic’s trials and tribulation with the Land Rover restoration aren’t his only problem at present, because he’s had a second mishap with his vintage VW Caddy.

The BBC star is something of a petrol-head, counting a 1957 Porsche 356a, multiple Land Rovers (Series 1 and Defender 110), a 13-window VW camper, a 1958 VW split bus, and a 1936 BSA motorbike among his extensive collection. One of the numerous vehicles undergoing restoration in Dominic’s new workshop is an early Eighties Volkswagen Caddy pickup.

Back in February, back-to back storms caused a major accident in his new workshop, causing major damage to the Mk1 Caddy.

Dominic explained: “Previously, during the last storm, part of the roof flew off of the workshop and landed on the Caddy, smashed into the bonnet. It made a hole in the bonnet, dented the wing, and I was gutted.”

He added that the reinforced concrete beams that support the structure of his workshop are becoming increasingly corroded: “The steel rebar is getting rusty and swelling up and it’s breaking the concrete and a chunk of that has fallen off the roof.

“Of course, it’s landed on the windscreen of the Caddy and broken the windscreen”

Dominic blamed himself for the accident, explaining that he’d had some work done to install a ramp into the workshop and that the vibration from the machinery may well have dislodged the loose chunk of concrete: “That is my stupid fault,” he said. “I should have put something a board over [the cars] or moved them outside or something like that.”

Dominic said that after this latest disaster he was close to giving up on the pickup: “I may well sell it because I haven’t really used it since I’ve been down here and I feel bad that the poor thing is just getting worse and worse whilst it’s here.”

He called out to fans, saying that he wasn’t really sure what the car might be worth, saying: “Make me an offer.”

Catch Dominic on The Repair Shop tonight (Wednesday, May 6) on BBC One from 8pm to 9pm.

Martin Clunes disclosed that the family member was “very precious”, saying they did everything together on his Dorset farm, where he lives with wife Philippa Braithwaite

Martin Clunes has opened up about a devastating family loss, describing his “buddy” as “one in a million”. Since relocating from London to a 130-acre farm near Beaminster, Dorset, in 2007, the Doc Martin star has resided on the £5 million property alongside dogs, horses, cattle, sheep and chickens throughout the years.

Animals also take centre stage in his latest book, Training John and Murray. Amazon’s description reveals it chronicles the “whirlwind of chaos” unleashed by two Jack Russell puppies that he brought into his household.

Within the book, Martin recalls how a litter of Jack Russells came “wriggling into the world“. The dog lover said they were tiny; indeed, they were small enough to nestle in the “palm of a hand” and featured two “celestial” brothers.

Martin wrote: “I didn’t know it then, but these two little celestial wolves would soon change our lives, push us to the brink and turn our whole world upside down.”

He also reflected on losing his “very precious” dog, Jim.

He wrote: “The previous year, we’d lost my very own and very precious Jack Russell, Jim, to liver cancer. Jim was everything I hadn’t realised that I wanted from a dog. He was one in a million.

“For fourteen years, he had been my buddy and my right-hand dog. We did everything around the farm together. He had actually been a surprise Christmas present.”

This follows Martin’s admission that he wished he had “more work” while discussing the pressures of running a farm. Martin, who resides with his wife, Philippa Braithwaite, previously described the property as his “favourite place in the world”.

Martin acknowledged that it’s an “expensive” enterprise, especially regarding staffing expenses and his passion for food and drink. He told The Times: “I wish I had more work because we’re very expensive to run.”

He added: “If I didn’t employ people and enjoy food and drink so much, it might wash its face, but yes – if I don’t work, within a year we’d have to sell up.”

Speaking to Dorset Magazine, the Men Behaving Badly actor revealed they’d originally wanted a field to get a pony for their daughter, Emily Clunes (now an equine veterinary nurse), but “suddenly 130 acres came up”.

It appears that it’s all worth it, though, as Martin previously revealed in an interview with the Express that he “can go for weeks without leaving” the farm and said he enjoys feeling “connected to the seasons” there.

He said: “It’s my favourite place in the world. I can go for weeks without leaving the farm. I like being connected to the seasons in a real way – making hay, worrying about the grass, watching the leaves come and go, and caring for the animals.”

Amandaland star Lucy Punch is back with series two of her popular comedic series. We’ve taken a deep dive into her relationship off-screen

British actress Lucy Punch has kept her relationship largely out of the public eye.

As one of the UK’s brightest talents, the 48-year-old has often let her craft take centre stage and is now widely recognised for her role as Amanda in her BBC comedic series, Amandaland.

Playing a charismatic mother of two, the spin-off to BBC’s Motherland, focuses on Amanda’s struggle to raise two teenagers as she downsizes from Chiswick to South Harlesden.

Away from the spotlight, actress Lucy has two children of her own who she shares with a famous artist. As series two of Amandaland gets underway, we’ve taken a closer look inside her relationship.

Who is Lucy in a relationship with?

Lucy previously spoke about her long-term relationship with artist Konstantinos ‘Dinos’ Chapman, with whom she shares two children.

Originally from London, Dinos, 63, was one half of the renowned British visual art duo The Chapman Brothers, working alongside his brother Jake. However, the pair split in 2022, and Dinos has since pursued his work independently.

Speaking to The Guardian in 2022, Dinos shared his take on their split. He said: “Nothing about our practice was amicable. It was never a love-in. It was always tinged with a certain seething disdain for each other so I guess at some point that reached critical mass, and we decided to go our separate ways.”

Where did Lucy and Dinos meet?

According to reports, Lucy and her partner reportedly met in Hollywood, where they later decided to reside permanently with their two children.

Reflecting on how they balance their busy schedules, Lucy previously told The Times: “We don’t have normal jobs so we can, in a very mismanaged, chaotic way, divide up childcare.”

Speaking of making a home in Laurel Canyon, in LA, she continued: “I’ve always got one foot out the door, wherever I am. I never got round to getting a green card. I’m on these rolling visas, which is ridiculous. I have a home there and I have two American children. But I can’t commit to anywhere. I get itchy feet. I like being a little bit here and a little bit there.”

Who are Lucy’s children?

Lucy and Dinos have two sons, whose names have not been disclosed. In 2025, Metro revealed the two boys were aged seven and three.

Like many Los Angeles residents, Lucy and her family were forced to leave their home in January 2025 as wildfires spread across the city.

Sharing insight into how her family dealt with the chaos, the actress said one of her sons treated the experience as if it were a holiday, thanks to how much fun they’d had while away.

In a rare remark about her children, the star told The Independent how she kept them occupied while wildfires swept through areas near their Los Angeles home. She said: “Meanwhile, we’d been looking at our phones, going ‘help’ and crying.

“It’s such a small window when you’re a kid, so I’m just trying to make it magical until they’re confronted with teenagerdom and the reality of life.”

Amandaland series two airs Wednesday, 6 May 2026, on BBC One at 9PM and BBC iPlayer

OLIVIA Attwood is certainly embracing the luxury lifestyle after forking out for a handbag worth close to what many Brits take home in a year.

The bag, equivalent to around eight months’ pay for the average worker, was bought by Olivia a few months before turning 35.

Sharing snaps online, Olivia wrote: “I got this baby in Paris in Jan and today is her first day out,” before adding: “Taking her on an adventure.”

The former Love Island star is continuing her celebrations by jetting off to the US – taking her new handbag with her.

The £26k Hermès Birkin Olivia was travelling with appears to be a Birkin 30 in Rouge H leather with palladium hardware – one of the fashion house’s most sought-after styles.

Birkin bags are famously difficult to buy, with shoppers often facing years-long waiting lists and needing a strong purchase history with Hermès before being offered one.

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The stunning star celebrated her birthday over the weekend as she hosted what she called “Olivia’s Birthday Bender” with pals.

The TV favourite was all smiles in green as she was presented with a birthday cake featuring the message “Another year around the pole” alongside a naked Barbie doll.

There was no sign of rumoured boyfriend Pete Wicks in the official snaps shared by Olivia.

However, eagle-eyed fans spotted him in Olivia’s vlog from the night where he was seen smiling in the reflection of a mirror.

Longtime friends and radio co-hosts Olivia and Pete were caught snogging in a popular bar in Soho earlier this year before jetting off to France on a secret holiday last month.

A source close to the pair previously told us they were “dating and enjoying their time together.”

Walt Disney Co.’s theme parks and cruise line business is holding steady despite national concerns about discretionary consumer spending and higher gas prices.

The Burbank media and entertainment giant’s experiences division reported $9.5 billion in revenue in its fiscal second quarter, up 7% compared with the same period a year ago.

The increase was due to higher guest spending at Disney’s domestic parks and experiences, which reported a 6% bump in revenue to $6.9 billion, and more capacity on the company’s cruise line with the introduction of two new ships. The segment saw a 5% increase in operating income to $2.6 billion for the three-month period that ended March 28.

Disney’s theme parks segment was under close scrutiny given the national conversation about rising consumer costs and gas prices due to the U.S.-Iran war. Analysts had wondered whether consumers would tighten their belts and forgo vacations given the higher travel costs.

Disney did see a 1% decline in attendance at its U.S.-based parks compared with the prior year, which the company attributed to “continued softness” in international visitors, but said it was starting to move past those issues. Company executives have previously said Disney pivoted marketing and promotional efforts to attract local visitors.

Last quarter, executives indicated that results in the company’s second fiscal quarter could be affected, in part, by “international visitation headwinds,” a nod to the lower number of foreign visitors now traveling to the U.S.

Though the heightened economic uncertainty around the world could have a “potential impact” on the business, Disney Chief Executive Josh D’Amaro and Chief Financial Officer Hugh Johnston said in a shareholder letter Wednesday that the company was “encouraged by current demand.” The company expected that fiscal third-quarter domestic attendance numbers would improve, they wrote.

The company’s overall earnings were powered by its entertainment business, which posted revenue of $11.7 billion, up 10% compared with the prior year’s quarter.

That growth was driven by big gains for Disney’s streaming services — Disney+ and Hulu — which raked in nearly $5.5 billion in revenue, an increase of 13% compared with 2025, thanks to higher subscription fees from user growth and more advertising revenue. Operating income for the streaming business jumped 88% to $582 million.

Disney’s entertainment segment also had a stronger quarter at the theatrical box office, with standout performances from 20th Century Studios’ “Avatar: Fire and Ash,” the animated sequel “Zootopia 2” and Pixar’s “Hoppers.”

Overall, the company reported $25.2 billion in revenue, a 7% bump from the prior year. Income before income taxes totaled $3.4 billion, an increase of 9% compared with the same period in 2025, while operating income rose 4% to $4.6 billion. Earnings per share, excluding certain items, was $1.57, compared with $1.45 a year earlier.

Disney’s sports segment, which includes ESPN, reported revenue of $4.6 billion, a 2% increase from the same period in 2025. It brought in operating income of $652 million, a 5% slide that the company attributed to higher sports rights costs and the absence of UFC pay-per-view revenue compared with last year.

Disney also alluded to the company’s view of artificial intelligence as a “meaningful long-term opportunity,” saying it could play a role in content creation and production, monetization, workforce productivity, consumer and guest experiences and enterprise operations.

“At the same time, we are committed to implementing AI in a way that keeps human creativity at the center of everything we do and respects creators and the value of our intellectual property,” D’Amaro and Johnston said in the shareholder letter.

After noting OpenAI’s closure of the text-to-video AI tool Sora, which Disney had planned to invest in, D’Amaro and Johnston said the company will “continue to explore” commercial opportunities with OpenAI and other companies.

As he reaches 100, broadcaster and naturalist Sir David Attenborough has spoken of the changes he has seen in his lifetime – and the horrifying consequences of climate change in the years to come

Legendary broadcaster Sir David Attenborough made a worrying prediction for 2030 – and predicted the state of the planet is likely to get worse after that. The iconic naturalist celebrates his 100th birthday on Friday (May 8) and he has long been heralded as the natural world’s biggest champion.

He has also been vocal about the threats facing the Earth. In 2020, as the world was in lockdown as a precaution against Covid-19, Sir David made what he called a “personal witness statement” about the threat of climate change. Many of the dire predictions he made about the world are beginning to come true.

Back in 2020 he warned that 10 years from that date, with much of the Amazon rainforest becoming a dry desert and the polar icecaps shrinking, the effects of climate change will become truly irreversible – and threaten the extinction of humanity.

As he released his Netflix documentary, A Life on Our Planet, Sir David made a personal appeal to world leaders. He said: “There are short-term problems and long-term problems. Politicians are tempted to deal with short-term problems all the time and neglect long-term problems.

“{Climate change] is not only a long-term problem, it is the biggest problem humanity has ever faced. Please examine it, and please respond.”

The prognosis for the rest of the century looks pretty bleak if Sir David’s predictions are to be believed. He said that if he had been born in 2020, instead of 1926, he would be witness to the full range of climate collapse: “In the 2030s, The Amazon Rainforest, cut down until it can no longer produce enough moisture, degrades into a dry savannah, bringing catastrophic species loss… and altering the global water cycle.

“At the same time, the Arctic becomes ice-free in the summer. Without the white ice cap, less of the sun’s energy is reflected back out to space. And the speed of global warming increases.”

By the 2040s, just 14 years from today, Sir David predicts: “Throughout the north, frozen soils thaw, releasing methane, a greenhouse gas many times more potent than carbon dioxide, accelerating the rate of climate change dramatically.”

Through the 2050s, as today’s schoolchildren reach middle age, the world’s seas will become a sterile desert: “As the ocean continues to heat and becomes more acidic, coral reefs around the world die. Fish populations crash.”

Into the 2080s, mankind truly becomes an endangered species: “Global food production enters a crisis as soils become exhausted by overuse. Pollinating insects disappear… and the weather is more and more unpredictable.”

The stable climate that has endured longer than human civilisation will be lost forever by 2100, Sir David says.

“Our planet becomes four degrees Celsius warmer,” he adds, “Large parts of the earth are uninhabitable. Millions of people rendered homeless. A sixth mass extinction event… is well underway.”

He describes these various tipping-points as “a series of one-way doors,” with each bringing irreversible change.”

As he muses on his long life, Sir David warren that someone born today who lives as long as he has will see almost unimaginable change: “Within the span of the next lifetime, the security and stability of the Holocene, our Garden of Eden… will be lost.”

Average global temperatures have risen by more than 1C since the 1850s. Since 2015, every successive year has brought record high temperatures – causing heatwaves, floods, droughts, and fires as well as irrevocable habitat loss for many species.

Sir David thinks that humanity is the species most under threat. He said: “I used to think this was about saving the planet, and now I realise it’s not …nature will always look after itself. It’s about saving us.”

He was one of the first to sound the alarm about humanity’s impact on the environment. In 1937, the total human population was around 2.3billion. Carbon in the atmosphere was measured at 280 parts per million, and 66% of the planet remained unspoiled wilderness: “Everywhere you’d go, there was wilderness. Sparkling coastal seas. Vast forests. Immense grasslands. You could fly for hours over the untouched wilderness,” Sir David said.

Sir David was one of the first to sound the alarm about humanity’s impact on the environment. In 1937, the total human population was around 2.3billion. Carbon in the atmosphere was measured at 280 parts per million, and 66% of the planet remained unspoiled wilderness: “Everywhere you’d go, there was wilderness. Sparkling coastal seas. Vast forests. Immense grasslands. You could fly for hours over the untouched wilderness,” Sir David said.

By 1960, less than 30 years later, the change was already measurable. The global population was now three billion, atmospheric carbon was measured at 315 parts per million, and the remaining wilderness had shrunk to 62%.

Fast forward to 1997, the population had more than doubled to almost six billion, carbon in the atmosphere had increased to 360 parts per million, and much more wilderness had been lost – now down to 46%.

“The global air temperature had been relatively stable till the ’90s,” Sir David said. “But it now appeared this was only because the ocean was absorbing much of the excess heat, masking our impact. It was the first indication to me that the earth was beginning to lose its balance.”

Unsustainable logging, overfishing, and above all the reckless use of fossil fuels was pushing the planet to a tipping point, he warned: “The average global temperature today is one degree Celsius warmer than it was when I was born,” he said in A Life on Our Planet,” speed of change that exceeds any in the last 10,000 years. Summer sea ice in the Arctic has reduced by 40% in 40 years.”

The wildlife that has been Sir David’s lifelong interest has been pushed to the margins: “Half of the fertile land on earth is now farmland. 70% of the mass of birds on this planet are domestic birds. The vast majority, chickens.

“We account for over one-third of the weight of mammals on earth. A further 60% are the animals we raise to eat. The rest, from mice to whales, make up just 4%.”

Despite the bleak outlook, Sir David says all hope is not lost. One is to stabilise population growth and another is to switch to renewable energy.