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Bradley Walsh got tongues wagging when he rocked up at the Strictly Come Dancing studio after hosts, Tess Daly and Claudia Winkelman sensationally announced they’re quitting the show

Bradley Walsh has added fuel to rumours he’ll host Strictly after he was seen backstage with the show’s crew over the weekend. The presenter, 65, is odds-on favourite to replace Tess Daly and Claudia Winkleman as hosts of Strictly when they step down at the end of the current series.

Gladiators host, Bradley, is reportedly in final talks to host the primetime programme after dynamic duo, Tess and Claudia, sensationally announced they were quitting in October.

Bradley headed to the BBC studio during a break in filming ITV’s The Chase, where he posed for a selfie with the crew from the dance show. Both The Chase and Strictly are filmed at Elstree Studios in Borehamwood, Hertfordshire.

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Head dressmaker Theresa Hewlett shared a photograph with star on X, formerly Twitter, with a smile a mile wide, posing alongside her colleagues ahead of Saturday’s live show.

She captioned the post: “The Chase is filmed next door and he popped in to say hi. What a lovely man Bradley Walsh is!”

Meanwhile a source told The Sun: “Bradley’s appearance in the studio has certainly set tongues wagging. Bosses are keen for Bradley to take over. He is a real pro and has brilliant experience hosting live shows.

“Producers need a safe pair of hands to steady the ship amid so much damage. Of course, he’d have a female alongside him as part of a duo.

And that female, is reported to be The One Show’s Alex Jones, who took part in Strictly in 2011. A source told the publication: “Alex and Bradley are both the favourites to take over from Tess and Claudia… they have been in the BBC’s sights for some time.”

“Alex is a massive fan of Strictly, too, so this would be the dream gig for her.”

The insider clarified that “nothing is set in stone yet”, but said discussions involving the pair had been “moving in a really positive direction” so far.

Tess and Claudia stunned Strictly fans when they posted a joint video in October, announcing they were calling it quits.

Addressing viewers, they said: “We have loved working as a duo, and hosting Strictly has been an absolute dream. We were always going to leave together, and now feels like the right time. We will have the greatest rest of this amazing series and just want to say an enormous thank you to the BBC and every single person who works on the show.

“They’re the most brilliant team, and we’ll miss them every day. We will cry when we say the last ‘keep dancing,’ but we will continue to say it to each other – just possibly in tracksuit bottoms at home while holding some pizza.”

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Speaking prior to the news of Wood’s injury, former Australia fast bowler Jason Gillespie said he was “concerned about the robustness” of England’s attack.

“Do they have enough work in the bank to be fit and strong enough to bowl consistently high pace across the course of a whole match and then back it up in subsequent matches?” Gillespie told Stumped on BBC World Service.

“That is the big question mark for me.”

Wood’s absence would be keenly felt by England in the day-night conditions at the Gabba – a ground where they have not won since 1986.

England have a poor record in floodlit Tests, having won only two of their previous seven, including three defeats in Australia.

Australia have won 13 of their 14 day-night matches and, in Mitchell Starc, have the best pink-ball bowler in the world.

The pink ball does not behave differently to its red counterpart, but can be harder to see under lights.

Part of Starc’s success in pink-ball matches is the number of deliveries he bowls over 87mph and Wood, England’s fastest option, took nine wickets when he last played a day-night Test against Australia in Hobart in 2022.

Speaking on the For The Love of Cricket podcast, former England seamer Stuart Broad said: “There’s something about the pink ball, you just can’t pick it up quite as well. You get no clues as well, so the seam is black against the pink background, whereas with a red ball and white seam you might see Mitchell Starc’s in-swinger coming back into the stumps or scrambling around.

“It’s just the lights are reflecting off the pink ball so it’s almost like a big planet coming flying towards you.

“It means you’re just judging it from the movement off the surface or reading off the movement of the ball, but at such pace it’s quite difficult to do.”

OUR Spotlight On column gives you the lowdown on what to see and do in some of the most popular holiday destinations – as well as some lesser-known areas.

This week we’re shining a spotlight light on Kotor Bay in Montenegro, one of Europe‘s most spectacular yet underrated seaside escapes.

The Sun’s Deputy Travel Editor Kara Godfrey explains: “When it comes to affordable holidays in Europe, going east is always a good idea.

“However, most Brits tend to stop at Croatia, forgetting about Montenegro.

“It was recently named an underrated destination by US News, and British Airways announced new flights to the capital of Tivat in 2026.

“So you should head to see it sooner rather than later if you want to avoid the crowds.”

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MUST SEE/DO

Kotor Old Town is the bay’s beating heart, with cobbled alleys, Venetian palaces and fortress walls.

Then a short walk along the waterfront towards Dobrota takes you past a public lido, stone swimming platforms and little cafés right on the water – a calm stretch that’s also one of the safest spots in the bay for an easy sea swim.

A short hop around the bay, Perast is impossibly picturesque, with its baroque houses and tiny islets.

From the harbour, small boats take about ten minutes to reach Our Lady of the Rocks, the postcard-pretty church sitting on its own artificial island.

The historic Ladder of Kotor rises directly behind the Old Town – a zig-zag mule trail with big views the higher you go.

Or head further inland to Lovcen National Park, where the road climbs towards the Njego? Mausoleum and its 360-degree mountain panorama.

The Vrmac Ridge trail, between Kotor and neighbouring Tivat Bay, is another great option, an old military road with superb views over both sides of the coast.

Tour operator Untravelled Paths can fix up guided trips taking in everything from honey farms to white water rafting on the Tara river.

HIDDEN GEM

One of Montenegro‘s quirkiest experiences awaits at the Underwater Kraken Wine Cellar.

This unique winery ages its bottles underwater for a flavour like nothing on land. Bottles are lowered roughly 20 metres to the seabed in metal cages and left to age for about a year.

Travellers can join a guided dive to racks of barnacle-covered bottles on the seabed, then sample the results back on shore.

BEST VIEW

The bar Monte 1350 crowns the upper station of the new Kotor-Lovcen cable car, its terrace looking straight down over the bay and out towards the Adriatic.

Visitors can sip a cold drink while watching the sunlight shift across the bay or stay to catch the sunset.

RATED RESTAURANT

Galion is Kotor’s standout dining spot, with one of the most romantic waterfront settings in Montenegro.

The glass-walled restaurant juts out over the water, giving diners views of the bay while they enjoy fresh seafood and local wines.

Perfect for a special evening without the hefty prices of other Med hotspots.

BEST BAR

Evergreen Jazz Club is a cosy, dimly-lit spot with exposed brick walls and live music ranging from acoustic sets and blues to Balkan fusion. Its great-value drinks are enjoyed by friendly locals and travellers.

HOTEL PICK

Klinci Village Resort on Lustica peninsula is a peaceful spot with rustic charm, sea views and Montenegrin hospitality, with rooms from around £80 per night.

For something more budget-friendly, Hotel Vardar in Kotor offers comfortable rooms and a prime location near the Old Town from around £60 per night.

France captain Antoine Dupont will make his return from a serious knee injury in Toulouse’s Top 14 match against Racing 92 on Saturday (20:00 GMT).

Scrum-half Dupont, 29, has been out since March after rupturing cruciate ligaments in his knee in France’s Six Nations win over Ireland in Dublin in March.

The 2021 World Rugby Player of the Year has been named on the bench as Top 14 leaders Toulouse host Racing at Stade Ernest Wallon.

“Straight away he found his footing again,” Toulouse assistant coach Jean Bouilhou told reporters on Friday.

“He’s such a talented player, at the highest level. He also has a form of authority over our gameplan. I think he’ll get back his best quickly.”

Dupont has won two Six Nations titles with France and helped the Sevens team win Olympic gold at last year’s Paris Games.

With Toulouse, he has won five Top 14 titles and two Investec Champions Cups, while he recently signed a contract extension until 2031.

“I don’t have a crystal ball,” Bouilhou added when asked about Dupont’s return.

“I can’t really tell you what will happen in the match or in future matches, I can just talk about what I’ve seen in training.

“I haven’t seen a drop in quality compared to last year. We’re quite reassured to see him, in that regard.”

Lewis Crocker is set to return to Windsor Park for a voluntary defence of his IBF world welterweight title next spring.

The Belfast fighter beat Paddy Donovan by split decision to clinch the vacant belt in front of a sold-out crowd at Northern Ireland’s national football stadium in September.

Crocker and Donovan’s fight – a rematch of their March contest which ended in Donovan’s disqualification – marked boxing’s return to Windsor Park for the first time since Carl Frampton’s victory over Luke Jackson in August 2018.

It is understood a defence is slated for 11 April, with an opponent expected to be confirmed in the next fortnight.

Crocker, who is unbeaten in 22 professional bouts, has been vocal about his desire to fight Conor Benn, who defeated bitter rival Chris Eubank Jr in dominant fashion in their Tottenham Hotspur Stadium rematch on 15 November.

Speaking to BBC Sport NI in the build-up to that fight, Crocker’s manager Jamie Conlan mentioned Benn and WBC champion Mario Barrios as options for the 28-year-old.

However, Englishman Benn this week told Boxing News, external Crocker “is not really a name that is on my radar”.

With a victory in April, Crocker would be expected to return to the ring in late summer.

HOLIDAYS are set to get more expensive both in the UK and abroad with new tourist tax rules and a rise in Air Passenger Duty.

Regional mayors will be given powers to introduce the levy on overnight stays at hotels, holiday lets and B&Bs, it was announced in today’s budget.

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London mayor Sadiq Khan, Liverpool‘s Steve Rotherham and Manchester‘s Andy Burnham have all backed the tourism levy.

But the Tory mayor of Teesside Ben Houchen vowed to shield visitors to his North East region and blasted the idea.

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He told The Sun: “If Labour hands me these powers, I won’t use them.

“People in Teesside and our local businesses are already feeling the squeeze from Labour’s last budget.

“Piling another tax on working people isn’t the answer and won’t drive growth.

“This is yet another cash grab that will hammer the fantastic hospitality businesses we have across Teesside, Darlington and Hartlepool.”

It comes just two months after Tourism Minister Chris Bryant told MPs the government “had no plans to introduce a tourism tax”.

Luke Petherbridge, the Association of British Travel Agent’s (ABTA) Director of Public Affairs said: “ABTA has consistently raised concerns about the cumulative impact of increasing taxes and charges on tourists and tourism businesses, with the UK already applying much higher rates of VAT than many countries and levying the highest air departure tax in the world.

“Against that backdrop, it’s hard to see how a further tax will not simply worsen the UK’s situation when it comes to competitiveness.

“We will be engaging with industry partners to respond to the consultation in the coming weeks.”

Kate Nicholls, Chair of UKHospitality, slammed the move as “another shocking U-turn”.

She added: “I know the Government is worried about the cost of living, but a holiday tax is little more than a higher VAT rate for holidaymakers.”

Yesterday, EasyJet boss Kenton Jarvis warned the Chancellor against imposing a tourist tax across cities in the UK.

The airline chief said it might encourage tourists to go to rival European cities instead, such as Paris or Berlin.

Mr Jarvis said: “Any increase in tax that impacts the competitiveness of the UK visitor economy would not be a good thing.

“Last year, easyJet flew 15 million tourists into the UK and they spent just under £10 billion across the UK economy… so it’s very important to the visitor economy.”

And the cost of holidays abroad is set to go up as well.

The government will increase all rates of Air Passenger Duty (ADP) in line with the rate of inflation from April 1, 2027.

APD is a ‘tax’ on passengers flying from UK airports, built into the price of a flight ticket.

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Ryanair boss Michael O’Leary previously slammed some of the plans to increase the cost of flights.

He warned he would axe hundreds of flights from the UK if APD is increased.

As natural disasters in Los Angeles go, a rain delay temporarily washing out a music festival is pretty low stakes. But fans had to scramble last week after a sudden thunderstorm made Tyler, the Creator’s flagship festival at Dodger Stadium soggy and unnavigable.

Now kicked forward a week, a few acts (Sombr, Tems, Clairo) dropped off the bill, a few (Kali Uchis) joined in their stead, and travelers with nonrefundable plane tickets had to find other ways to amuse themselves in L.A. for a week. But once the Dodger Stadium gates finally opened, everything was more or less smooth sailing. Here are the highlights of the weekend’s performances.

Timothée Chalamet’s ‘Marty Supreme’ blimp makes an appearance

Last week, actor Timothée Chalamet released a parody of a marketing meeting, for his upcoming film “Marty Supreme.” The 18-minute clip consisted of the Oscar nominee pitching the team outlandish advertising ideas like painting the Statue of Liberty orange. In the Zoom meeting, he says, “We should have the blimp go above Flog Gnaw and rain ping-pong balls, Marty Supreme-branded, rain ping-pong balls on everyone.”

Low and behold, right before Tyler, the Creator’s set, a bright orange blimp reading “Marty Supreme” began circling Dodger Stadium — just as Chalamet prophesied. People all around the festival could be seen stopping and pointing out the flying spectacle.

But thankfully, no raining ping-pong balls made an appearance. (Cerys Davies)

Geese fly high

If every generation deserves its own cool/sexy/mystifying rock band, then Gen Z’s (or maybe Gen Alpha’s) seems to be Geese. Led by the deep-voiced Cameron Winter, the group from New York appeared at Flog Gnaw less than 24 hours after a hometown gig at the Brooklyn Paramount on Friday night. “We finished a tour but we couldn’t stay away from the limelight, so we got on a plane just this morning,” Winter told the crowd. Geese plays skronky yet weirdly beautiful guitar music that inspires both swaying and moshing; it’s in a clear lineage of NYC acts that stretches back through the Strokes and Television to the Velvet Underground. But here at least you could detect a distinct L.A. presence in Emily Green’s John Frusciante-coded strums and in the doomed-heartthrob proclamations that made Winter sound a little like Jim Morrison. (Mikael Wood)

Happy 10th anniversary to Mac Miller’s “GO:OD AM”

In the sea of vendor pop-ups, Mac Miller’s yawning face, the cover of his 2015 release “GO:OD AM,” stood tall. In celebration of the album’s 10th anniversary, photographer Brick Stowell put on a small exhibition to honor the late Pittsburgh rapper. While standing in line, fans were chatting, sharing anecdotes of listening to Miller’s music or memories of when they saw him perform at Camp Flog Gnaw many years ago. Inside, the exhibition is simple, consisting of a few large-scale prints of photos Stowell selected. Some of the images focus on a smiling Miller or depict him playing the guitar or with friends. The record played softly in the space and a few people sat on the couches, with their eyes closed. In the midst of the music festival’s craziness, the tent was filled with a weighted, reverent energy. (C.D.)

Kali Uchis performs during Camp Flog Gnaw on Saturday.

(Ronaldo Bolanos / Los Angeles Times)

Kali Uchis mixed red-hot seduction with ICE-cold activism

As a last-minute addition to the festival’s lineup, Kali Uchis might’ve been expected to put in a no-frills performance. Instead, the eternally vibey psychedelic-soul star sang the lovey-dovey “All I Can Say” from inside a giant teacup — “If you came with someone you like, you could kiss them,” she suggested — and did “Heaven Is a Home” on the back of a motorcycle driven by a woman in a lace bodysuit and shades. (There was also a giant bed with satiny pink sheets.) Uchis is among pop’s foremost fantasists; her music invites the listener to get lost in an expertly appointed dreamland. But here she also had the real world on her mind: She played a video in which she said that everyone in her Colombian American household worked three jobs when she was growing up and that “immigrants built this country and make it what it is today.” As she left the stage, Uchis said, “ICE is terrorizing our community” and called out “their violations against human rights.” (M.W.)

Tyler, the Creator’s heartfelt thank you

“We couldn’t let that rain stop us — no, no, no,” Tyler, the Creator said not long into his hour-long set, and indeed Flog Gnaw’s mastermind seemed just a bit more amped than usual as he presided over the festival that almost wasn’t. Dressed in a red leather suit à la Eddie Murphy in “Delirious,” Tyler came out punching with “Big Poe” and “Sugar on My Tongue,” which also open “Don’t Tap the Glass,” the high-energy hip-house album he dropped this past summer with very little warning. But he also performed stuff from last year’s “Chromakopia,” which just snagged a nomination for album of the year at February’s Grammy Awards. (“Don’t Tap the Glass,” amusingly, is up against LPs by the Cure and Wet Leg in the alternative music album category.)

Tyler’s stage was designed to resemble a New York City subway station complete with a train car that he climbed atop and herky-jerked his way across. For “Don’t You Worry Baby” he was joined by a female dancer on roller skates; for “Noid,” a couple of guys with cameras helped him act out his unhappy thoughts on paparazzi. As the set went on, Tyler started shortening each song, limiting himself to only a verse or a chorus to pack in more hits: “Earfquake,” “Wusyaname,” “See You Again.” He thanked the crowd for hanging with the festival’s postponement — “I know it wasn’t ideal,” he said — and for “rocking with us for 11 years” of Flog Gnaw. The connection he’s forged is real. (M.W.)

Ca7riel & Paco Amoroso’s roller coaster of a set

Fresh off 5 wins at the Latin Grammys earlier this month, Ca7riel and Paco Amoroso left the CFA crowd delightfully perplexed. The audience started off on the smaller side, as Tyler, the Creator was wrapping up his set. But as the Argentine rappers, decked out in Versace, plowed through their catchiest hits like “Dumbai” and “Sheesh,” a dancing stampede made its way over.

Less than a year after their viral NPR Tiny Desk, the notoriously kooky duo flexed their ability to slip between genres. One moment, a pulsating EDM beat, beaming lasers and intense fog machines took over the stage — emulating a rave. The next moment, Ca7riel is angrily screaming “F— you!” at the top of his lungs over an aggressive punky guitar solo. Finally, they act like their microphones have become dumbbells, and start to sing about their “#Tetas,” on their satirical, body positivity anthem. Ca7riel and Paco Amoroso will never let you know their next move. (C.D.)

Fans raise their phones as Kali Uchis performs during Camp Flog Gnaw.

(Ronaldo Bolanos / Los Angeles Times)

Clipse turn in a triumphant set

The Clipse have had a hell of a year. After releasing their first album together in 16 years, “Let God Sort Em Out,” the formidable Virginia rap duo of Pusha T and Malice embarked on a victory lap, which included a successful reunion tour and a flurry of hilariously entertaining interviews. In the midst of that, they also stopped by NPR’s Tiny Desk — a performance that had more than 3.5 million views as of November— and racked up four Grammy nominations including best rap album and album of the year. So it was only right that they were invited to perform at Camp Flog Gnaw once again. (They also performed at the festival in 2023.)

Fittingly, the Clipse opened their set with the menacing “Chains and Whips,” which is jam packed with lethal, high-level bars about why contemporary rappers simply can’t sit with them. Not wasting any time during their set, the veteran emcees went bar for bar, diving into more tracks from their latest album including “Birds Don’t Sing” (a dedication to their late parents) and “P.O.V.,” which Tyler, the Creator joined them for just in time following his own high-energy set.

Satisfying their day one fans, the Clipse also performed a handful of their classic records like “Mr. Me Too” and “What Happened to That Boy.” As they rapped the lyrics to one of their most recognizable tracks, “Grindin,” a montage of Black people doing step routines, dancing and recreating the Neptunes beat on lunch tables played on the massive stage screens.

Much like “Let God Sort Em Out,” the Clipse’s performance further solidified why they’ve been in the game for more than 20 years and why they aren’t going anywhere anytime soon. — (Kailyn Brown)

Childish Gambino’s fast-paced, fan-voted retrospective

Childish Gambino’s set was a race against time. Prior to his set, the 42-year-old singer/rapper/actor (also known as Donald Glover) allowed fans to vote for his setlist. Playing anything from his biggest hits like “Redbone” and a very short snippet of “This is America” to his cover of Outkast’s “Prototype” and the 2011 release “Les,” Gambino made it clear he only had an hour and wanted to get to as many songs as possible. He often played the first verse of a track, allowing it to peak in the chorus and quickly brush past it — making the set feel like an invigorating sprint.

Halfway through the performance, Gambino, sparkling his glittery wifebeater, took a moment to get vulnerable with the crowd. This was his first performance since he had to abruptly cancel his world tour last year. He explained that he had a stroke unknowingly, on stage in Louisiana, and later found out that he had a hole in his heart and needed surgery. As he narrated his story, the sky lit up with a drone light show, depicting images of a heart and other dynamic patterns.

He said, during all of these health problems, the only things he could think of were “how many people I’m letting down” and “here I am still copying Jamie Foxx,” which got a laugh out of the crowd. Throughout the remainder of the show, he continued to exude a grateful energy, saying repeatedly, “I didn’t think I’d be able to [be here].” As he played the chosen songs, it was as if his only goal was to make the crowd as happy as possible.

The rapper left with a final message, “You have one life, so live your life as you want.” (C.D.)

Blood Orange puts CFG in a trance

Following Geezer’s (Kevin Abstract and Dominic Fike) endearing display of friendship, Blood Orange kept the cameraderie going on the fest’s main stage. Though the multi-piece band behind Dev Hynes’ musical moniker may sound melancholic, their energy was jolting. During tracks about grief and loneliness, like the cathartic “Charcoal Baby,” only Hynes could get the entire crowd to head bang.

After releasing his most recent album, “Essex Honey,” Blood Orange made his impromptu return to the fest — calling last year’s set “one of his favorite shows.” The British singer and his band trade instruments with a sense of ease — splitting their time among a cello, keyboards, synthesizers, a drum machine, electric and acoustic guitars. In this intricate display of instrumentalism, dark electronica and high-pitched vocals blend into feelgood jazz and ’80s synth pop without notice. With dense fog and transculent pink lights, the whole set started to fuse into a unifying dreamy moment. (C.D.)

Helicopters, a megaphone and pink hair curlers: ASAP Rocky keeps Flog Gnaw classic

Right before ASAP Rocky was meant to close out the festival, a helicopter started to circle the area, shining its light down on the crowd. A mock news livestream took over the stage’s screens in search of the Sunday headliner, accusing him of “never dropping the album.” On stage, the Harlem rapper descended on a floating helicopter of his own, megaphone in hand and pink curlers in his hair.

He made it clear he was there “to start a riot” (and he did consistently check in on the densely packed crowd too). The 37-year-old rapper was soon joined by a few dozen hooded figures, carrying upside-down American flags, who began to mosh while he continued to spit his ever-steady flow. Switching between his older stuff, like “L$D” and “Potato Salad” (which he was joined for by Tyler, the Creator) and more recent beloved singles like “Praise the Lord (Da Shine)” and “Sundress,” Rocky stuck to what he knows best — looking pretty and skillful rhymes. (C.D.)

A swing carousel at Camp Flog Gnaw.

(Ronaldo Bolanos / Los Angeles Times)

T-Pain knows your knees hurt

“I am old as f—,” T-Pain said as the R&B-rap crooner took a pause from his hit-studded set on Sunday night. “I was running out of time to do this. I saw the dimensions of the stage and my knees gave out.”

At 41, he is decently seasoned by Flog Gnaw standards (though still a surprisingly deft dancer). But his set was arguably one of the best-attended of the weekend, for good reasons.

Recent reappraisals from a mega-viral Tiny Desk concert and a boisterous Coachella set proved what close listeners have known all along: Pain is an absolute savant of melody and ear-tickling chord changes, with a gorgeous R&B voice whose famous digital treatments were artistically prescient rather than any sort of fix.

Yet to Flog Gnaw’s young crowds, blissfully free from the AutoTune wars of the 2000s, Pain now represents an idyll and purity of party music in hip-hop, rising from the mire of the Great Recession and the aspirations of President Obama with witty, self-aware hit after hit that showed a musician in total command of his craft, writing songs that transcend today’s cynical bleakness.

This redemption arc is well earned — how can you not listen to “Bartender” and long for the easy, sweet camaraderie of sidling up to your favorite server (though today that cocktail will more likely be N/A)? Dispatches from a saner time of millennial life like “Up Down” and “Can’t Believe It” landed like an envelope of Instax photos from a half-remembered house party. For Gen Z, it was Unc Culture embodied in the best ways.

Other than a brief villain segment (where Pain sung his verses from collabs with Chris Brown, Kanye West and R. Kelly; more an indictment of the men of R&B, really), his set delivered hit after hit and re-framed them within R&B history. He did what the genre is best at — stirring up the old glow of past happiness, even if that was spilling tequila down your pinstriped business-casual wear at a Hollywood bottle club in 2008. (A.B.)

Tyler, the Creator performs during Camp Flog Gnaw.

(Ronaldo Bolanos / Los Angeles Times)

Doechii, the classroom disciplinarian of your dreams

Doechii framed her raucous Sunday night set as a stern classroom lecture on the craft of rapping. But in that case, she’s the kind of teacher that you bump into at the grocery store with a cart full of booze and a you-didn’t-see-this wink.

The Grammy favorite and new TDE superstar is so mercilessly good at rapping, so fully possessed of her gifts onstage, that her set made me wonder how all the backing-track reliant MC’s still get away with it. From the vicious opening lines of “Stanka Pooh” — “Let’s start the story backwards / I’m dead, she’s dead, just another Black Lives Matter” — to the joint-snapping house-music workout of “Alter Ego” and the horror-comedy sex romp of “Spooky Coochie,” she never settled for less than the full scope of her talents, deeply honed.

A gleefully bawdy and physically gifted dancer, with of sneaky comic timing and a low-key powerhouse singing voice, by the time she got to the deep cut “Boom Bap” and fan favorite “Catfish,” Doechii made an impeccable claim to being one of the best rappers working today.

She didn’t play the Grammy contender “Anxiety” — one sees how that song wouldn’t make sense in this relentlessly hard hitting context. But whatever worries keep on trying her, after Sunday night, she can definitively leave them behind. (A.B.)

Zack Fox brings us to the (f)unction with globetrotting set

Just 15 minutes into Zack Fox’s hour and a half DJ set on Sunday afternoon, which was dubbed Zack’s Big Nasty & Booty Shake, many audience members were already sweating and shedding the layers they wore in preparation for the evening cold.

Garbed in leather uncle sandals with white socks, an Atlanta Falcons apron and a grill for a DJ stand (because he was cooking, duh), the rapper, comedian and actor brought the crowd to the (f)unction. Fox, who’s become known for his high-energy performances, delivered a globetrotting set filled with genres including Brazil’s Baile funk, Chicago house, Baltimore club, Nola bounce, soul, gospel Detroit techno and of course Atlanta rap, which is where he’s from. “Dance music is Black music,” Fox told the crowd in between his gyrating and turning up. “Y’all gonna learn something today.” (He also had the crowd repeat back “Free Palestine” and “F— ICE.”)

But what’s a cookout without good company? Fox also brought along a crew of talented dancers, which included a church hat wearing grandmother (who unexpectedly broke out into a backflip) and popular ballroom dancer Pack Rat. As Fox masterfully weaved between tracks like Khia’s “Steer,” KW Griff’s “Bring in the Katz” and Frankie Beverly and Maze’s “Before I Let Go,” the dancers vogued, shuffled, line danced and twerked. Even his “Abbott Elementary” castmate Janelle James (a.k.a Principal Coleman) grooved alongside Fox during his set.

He closed out with a Black church anthem, Kurt Carr’s “We Lift Our Hands in the Sanctuary.” Each time the track seemed like it was about to end, he comically brought it back a few more times with the lyrics “Yes! Yes, Lord, for the rest of our days.” (K.B.)

Ying and yang rappers, Larry June and 2Chainz, show us the finer things in life

On paper, Larry June — the laid-back Bay Area rapper known for his straightforward rhymes about organic living and financial literacy — and 2Chainz — Atlanta’s trap elder known for witty tracks like “Birthday Song” — may seem like an unlikely match. But as the pair performed their collaborative album “Life is Beautiful,” they were in perfect stride. The large crowd was a testament to how rare the moment was as it was one of the few times that the pair has performed the opulent lifestyle rap album since it dropped in February.

Much like the vibe of “Life is Beautiful,” which feels like a luxurious vacation backed with jazz-infused serene beats by the Alchemist, swaying ocean waves and yachts served as the backdrop while they delivered tracks like “Colossal,” “Generation,” “I Been” and “Bad Choices.” (Unfortunately, the Alchemist is on tour with DJ Premier, and was not in attendance.)

The backgrounds changed to imagery that matched the rappers’ hometowns as they dove into their personal discography. In a casual windbreaking sweatsuit, Larry June performed smooth tracks like “Smoothies in 1991” and “Watering My Plants,” while 2Chainz, who was rocking a leather two-piece set, got the crowd hyped with songs like “I’m Different” and “Watch Out.”

Suitably, the duo closed out with tranquil, flute-based “Life is Beautiful,” reminding the audience to embrace the beauty of the grind and the small wins in life, and simply enjoy their time on this Earth. (K.B.)

When 32-year-old theoretical physicist Ron Unz decided to run for governor, even some friends tried to talk him out of it.

“Politics is not the kind of thing you expect geniuses to go into,” said Eric Reyburn, who attended Harvard University with Unz.

Rivko Knox, Unz’s aunt, worried that the race would be brutal. “I said: ‘Can you take criticism? What if you speak and people laugh at you?’ ”

David Horowitz, the conservative activist, was more blunt. Instead of a politician, Unz “looks like a person who reads science fiction novels at night and spends all the rest of his time on a computer talking to other people about science fiction,” said Horowitz, who has spent hours discussing politics with Unz. “I told him: ‘You’re an intellectual. . . . Your passion is ideas. You’ll be murdered.’ ”

But Unz, the soft-spoken owner of a small computer software company in Silicon Valley, calculated the odds and made up his mind. A month ago he formally challenged Gov. Pete Wilson for the Republican nomination, launching a statewide media blitz financed with more than $1 million of his own money.

Ever since, Unz has blistered Wilson, calling him a hypocrite, an opportunist–even a closet Democrat. The ultraconservative long shot has attacked the more moderate incumbent for raising taxes, bashing immigrants and supporting “the pathology of the social welfare state.” Although he has been short on specific solutions, Unz’s relentless debating style and his willingness to spend freely have won over some skeptics.

“I was afraid he would embarrass himself. But he hasn’t. I’m glad he’s out there pushing,” said Horowitz, who has dubbed Unz’s campaign “The Revenge of the Nerds.”

Arnold Steinberg, a Republican strategist, said his reservations have been replaced by enthusiasm. He tried to talk Unz out of running, he said–but ended up signing on as an adviser.

*

Few people believe Unz can beat Wilson–Unz admits that his campaign is an “uphill battle.” Still, some Republicans worry that the young challenger will wound Wilson, making it easier for a Democrat to replace him.

The Wilson campaign, which at first attempted to ignore Unz, recently began responding to him, labeling one TV ad in which he accused Wilson of letting Los Angeles burn during the 1992 riots “a new low” in the campaign. Though their recent tracking polls show only about 8% of Republicans would vote for Unz, Wilson’s camp has begun to take him more seriously, poking into his background–and informing reporters of the results.

Dan Schnur, Wilson’s spokesman, said one call to First Boston Bank, one of Unz’s former employers, yielded this tidbit: Unz is remembered as the only job applicant ever to list his IQ on his resume.

In fact, Unz may have one of the few IQs worth noting on a resume. It has been estimated at 214, a statistic that one intelligence expert describes as “one in a million.” Educated at Harvard, Cambridge and Stanford universities, he has mastered not only theoretical physics and computer programming, but also ancient Greek history. The author of several scholarly papers on the Spartan naval empire, he is probably the only gubernatorial candidate who warms to the subject of Plutarch.

“The history of the Greek city states really gives you a sense of how nations or states can decline,” said Unz, who claims that his many areas of expertise have each helped prepare him for executive office. “People told me that politics can be frustrating. But when you have sat month after month working on the same computer program, you get used to . . . incremental change.”

Braininess does not necessarily yield political savvy. Unz used the mathematical concept of “expected return” to assess whether he should enter the race. Multiplying the probability by the possible payoff, he concluded that if he had at least a one-in-five chance, running would be worth it. But most political experts say he drastically misjudged the odds.

If Unz’s intellect is unique among political candidates, Unz says that is not the reason to vote for him. Instead, he wants people to respond to his ideas–among them, smaller government, fewer regulations and traditional values. He claims he, not Wilson, is in the Republican mainstream.

He rails against bilingual education and affirmative action (policies that he says amount to “ethnic separatism”) and bad-mouths welfare programs that he says foster “irresponsibility, illegitimacy and a total sense of disconnection from the work ethic in American society.”

To hear Unz’s current ideology, one might never guess at his background.

Unz’s ads describe him as “the Republican for governor,” but he grew up a Democrat. He was born in the San Fernando Valley in 1961 and had his first involvement with politics at age 11 when he donned a McGovern T-shirt and accompanied his mother door to door, stumping for the Democratic presidential candidate.

The candidate who vows to “roll back” public assistance programs once relied on those programs for survival–when growing up in North Hollywood, he and his mother were on welfare. Unz, who today describes the culture of illegitimacy as a root cause of crime, was born out of wedlock–a fact that made the young Unz feel “very ashamed,” he said.

Some politicians might use such personal details to bolster their arguments. Unz, by contrast, prefers to keep them at a distance, discussing his childhood only at a reporter’s request.

“I really don’t think my personal background has had much of an impact on my views,” Unz said recently, moments after comparing his mother, Esther–a former high school teacher who he says “made some stupid mistakes”–to TV’s “Murphy Brown.” “The ‘Murphy Brown’ case works great on TV, but it’s not clear to me that it works in practice.”

In his case, Unz says, “the system worked.” Enrolled in public schools, he proved a top student–a math and debating whiz who as a senior in high school became the third Californian ever to win first place in the national Westinghouse talent search competition. Despite his own success story, he firmly believes that welfare does more harm than good.

“The truth is that the cost of living in America, if you’re talking about living relatively simply, is pretty low. The marginal cost of eating simple foods and not starving is minimal. And there . . . would be more charitable organizations in society if these (welfare) programs didn’t exist,” he said, adding that he does not believe that the assistance he and his mother received “was that much of a help.”

Esther Unz recalls things differently. To cut costs, she said, she and her young son lived with her parents. But when she fell ill and was unable to work, she applied for aid. The money she received from the government was essential, she said.

“Ron’s father was out of the picture very soon. . . . But my parents’ home was paid for. What saved us financially completely was there were no rent payments,” she said, adding that her son’s conservative views are something of a mystery to her. “For some reason he turned to the other side. I never tried to structure him as far as (political) party. He just kind of came out this way.”

Despite their differences, she is immensely proud of her son and believes his sincerity and industriousness would make him an effective governor. She has long worried, however, that his penchant for hard work has left him without a fully rounded life.

“Now all I can hope for is he will have time for some extracurricular life,” she said. “And get a girl. Because he has had very few in his life.”

Unz says he wants to marry and have children, eventually. But when he puts his mind to something, he says, he focuses completely. For several years his financial software company, which devises specialized “code” to help Wall Street firms manage their investments efficiently, has been his primary fascination. So far he has not given his personal life the same kind of attention.

A visit to Unz’s large Spanish-style home in Palo Alto reveals a life completely built around work. Three of the five bedrooms–which house his company, Wall Street Analytics Inc.–are filled with files and computer equipment. The rest of the house appears largely unoccupied. He sleeps on a mattress and box spring set on the floor. His spacious living room not only lacks furniture–it is utterly empty.

“I’ve only lived here a year,” he says, nodding toward a well-appointed kitchen he has never used. “Monomaniacal” is the word one friend says Unz uses to describe himself. Asked what he does for fun, he answers: “I’ve been very busy.”

When asked the same question, Unz’s best friends from Harvard do not hesitate. For fun, they said, Unz has always loved to talk politics. “Ron’s idea of a good time at a party is to have five or six people stand around and talk about the issues of the day,” said Reyburn, who fondly remembers a nightly college ritual: dinner, spiced with spirited political debate.

“He’s an intellectual, not a party animal,” recalled Robert Dujarric, another friend who remembers those dinners warmly. “He likes to talk to people. Even though he’s very much at home in the realm of computer software and numbers, he likes to socialize.”

Unz graduated in 1983 with a double major in theoretical physics and ancient history and headed to England. There on a Churchill Science Fellowship, he studied quantum gravitation under Stephen Hawking.

*

While continuing his studies at Stanford in 1986, Unz and two of his former junior high school teachers developed a plan to create a public academy for Los Angeles County’s high-ability students. Despite winning the support of some educators, the proposal was rejected by officials who worried that if an elite school drained off the best students, ordinary schools would become less challenging.

Unz describes this incident, his first deep involvement on a public policy issue, as an eye-opener. He came to believe that if he wanted to improve society, he would have to get rich enough to champion the causes important to him.

He took a summer job on Wall Street in 1987, working in mortgage finance at First Boston Bank. He taught himself computer programming and soon wrote “The Solver,” a program that used the computer to carve up mortgage loans into securities–a series of calculations that until then had been done by hand.

Unz’s work was outstanding, his colleagues recall, and he accepted a full-time job. But some who worked with him said he could be inflexible when he believed he was right. It was that single-mindedness that ultimately led to his departure, they said.

David Warren, a managing director at First Boston who was hired the same day as Unz, recalled: “He came from an academic background where if your professor told you to do x, and you did y because it was better than x, and then you explained your reasoning–your professor shook hands with you and said: ‘Congratulations, you were right.’ He felt that was the way he was going to behave.”

Unz’s bosses did not share this approach. A few months after taking the job, Unz left to start his own company. For the next six years, Unz worked seven days a week, up to 20 hours a day, writing computer code in his modest apartment in Queens.

New York City appalled him. The crime and the poverty proved to Unz that welfare programs not only were not working but were the cause of society’s decline. He began reading Commentary magazine, and was so impressed that he ordered 15 years of back issues. When his long hours started to pay off (his first sale, to a Wall Street investment firm, netted nearly $200,000), he used the money to fund conservative projects.

*

Unz will not say what he is worth, but says he gave hundreds of thousands of dollars to think tanks such as the Manhattan Institute in New York City and to Linda Chavez’s Center for the New American Community in Washington, D.C. Even before moving back to California two years ago, Unz sought out the Los Angeles-based Horowitz to see if he needed funding.

“I wanted to do this book ‘Surviving the PC University,’ ” recalled Horowitz, co-founder of the Center for the Study of Popular Culture. “He said: ‘How much will it cost?’ I said $10,000, and he pulled out his checkbook and wrote me a check.”

“I don’t care much about money,” said Unz, who drives a compact car and has spent more on clothing while preparing to become a candidate than he had during the previous several years. “The whole reason I wanted to make money was to be able to influence policy.”

Late last year, when Unz realized that no other Republican was likely to challenge Wilson, that attitude made it easy for him to volunteer. To others, spending a hard-earned personal fortune to run what in all likelihood will be a losing race might seem crazy. To Unz, it was civic duty.

“The odds are, you lose. But if you don’t try it, you’re sure to lose,” he said, adding that he plans to spend a lot more of his money before the June 7 primary. “A lot of this is patriotism. . . . At some stage, individuals have to decide whether they’re going to make an effort.”

So far, Unz’s rhetoric has been dominated by criticism of Wilson. His lack of specific alternatives has hurt him even among some Republicans who dislike Wilson.

“He’s not for me,” Dieter Holberg, a retired engineer, said after hearing Unz speak at the Riviera Country Club in Pacific Palisades. “You can say, ‘Cut things.’. . . But it would have been long done if it was easy to do.”

But at times he strikes a chord. The California Republican Assembly, a conservative grass-roots organization, has endorsed him. And recently, after hearing Unz blast programs such as prenatal care, drug rehabilitation and “New Age self-esteem counseling,” a few members of UC Berkeley’s College Republicans came away impressed.

“You get a strong sense that here is a fundamentally competent person who is intelligent enough to grasp everything–though that is not the same thing as being able to command or lead. But I don’t particularly think that Wilson leads,” said Gregory Sikorski, 27, a history major. “I will support him now and support the Republican (nominee) later.”

A HUGE new attraction is set for the UK with water, snow and dry land fun all in one place.

The £300million attraction, set to be in the Welsh Valleys, would feature a water park and the UK’s longest ski slope.

Known as the Rhydycar West Development, the new attraction will be located just off the A470 dual carriageway and 10 minutes from the Brecon Beacons National Park.

According to the Rhydycar West, it will be a world class leisure resort, open all year round.

Last week, the Welsh Government agreed not to call in the planning application following Merthyr Tydfil Council’s decision to back the planning application in March and as a result, have given the application the green light.

Now, the Local Planning Authority will move forward to grant planning permission.

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At the site there will be a number of different features including a waterpark with a tropical theme, set to be one of the largest waterparks in the UK.

Inside the waterpark, guests will find artificial beaches, swimming and bathing areas for all ages and abilities, waterslides and a number of other water-based attractions.

Then the 39,200sqm indoor snow centre would take over Chill Factore in Manchester – which is 180 metres long – to house the longest ski slope in the UK, measuring over 400 metres long.

The centre will also match the standards of the International Ski Federation (FIS).

And it will use special equipment to ensure the slope can remain open all year.

The site will be the home and national training headquarters for the Welsh and UK national, Olympic and Paralympic teams as well.

In addition to the snow centre, there will be an indoor and outdoor adventure centre.

Known as the Adventure Park, there will be a ‘mountain coaster’, clip ‘n’ climb, zip wires and other adrenaline-based activities and attractions.

Of course, the destination is also planning on creating accommodation.

When it comes to the 418-bedroom hotel, there would be three different wings.

The Resort Wing will feature conferencing and co-working spaces, whereas the Luxury Spa Wing will have leisure facilities such as a fully equipped spa.

Finally, in the Sport and Value Wing, visitors will find a more casual and relaxed feel.

But if you’re not a fan of hotels, there will be around 30 Woodland Lodges as well.

These will be in the heart of nature, located in the woodland, with value and premium options available.

Plans for the attraction were first announced back in 2017 and once open, it hopes to create 842 jobs and contribute £38.1million to the local economy.

Details including when the attraction will open are still unclear.

Many people have taken to social media to show their excitement for the project.

One person said: “Awesome news. Most importantly, are you planning an ice climbing wall?”

Another said: “That is awesome news and another milestone reached for what will be an amazing asset to GB Skiers.”

A third person added: “This will be transformational for the town, our economy and as importantly help and change how Merthyr Tydfil is often unfairly talked about!”

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In other attraction news, the UK’s biggest live action show reveals plans for new historical theme park.

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On a sunny Saturday afternoon last month in Los Angeles, excited fans opted for a dark studio at CBS Television City where a reunion with the beloved Barone family of “Everybody Loves Raymond” would take place. Devotees of the Emmy-winning sitcom gathered for a live taping of a 90-minute 30th anniversary special, airing Monday on CBS.

“This is a bucket list-type thing,” said longtime fan Kim Brazier, who flew in from Gulfport, Miss. “I only watch ‘Everybody Loves Raymond.’ I have it on repeat. I watch it when I’m getting ready in the morning, and it’s kind of my lullaby when I go to bed.”

The popular sitcom, which ran for nine seasons from 1996 to 2005, was known for its hilarious depiction of family dynamics. Ray Romano starred as sportswriter Ray Barone, married to Debra (Patricia Heaton). The couple raised three young children while navigating marital squabbles, awkward parenting moments and constant meddling from Ray’s parents, Marie and Frank (Doris Roberts and Peter Boyle), who lived across the street with Ray’s jealous, downtrodden police officer brother Robert (Brad Garrett).

Inside the reunion, the atmosphere brimmed with nostalgia as Romano and the show’s creator, Phil Rosenthal, hosted the live taping from the living room they once brought into millions of households each week. The set was meticulously recreated for the occasion, including the Barone couch, which Romano now owns and had transported from his home for the occasion.

Cast members were brought out one by one throughout the afternoon, each remaining on stage as the panel grew, including Rosenthal’s wife, Monica Horan, who played Robert’s longtime love interest, Amy.

Ray Romano and Phil Rosenthal walking to the stage for the 30th anniversary reunion, which was taped before a live studio audience, just like the series.

(Matthew Taplinger / CBS)

The group reminisced about working with one another and shared their favorite episodes, accompanied by clips on surrounding screens that included a reel of outtakes of funny lines improvised by Romano and Garrett cracking up their fellow castmates. As each segment played, Rosenthal and the cast watched, fully absorbed with smiles across their faces, while the audience sat rapt, revisiting these cherished moments.

A week and a half later, in a Zoom interview with Rosenthal and Romano, the latter reflected on returning to the set. “It was emotional and surreal. At first it felt so strange to be back, like we went back in time,” Romano says. “And then after we were joking and comfortable for a while, it felt like we never left.”

Just like the reunion, the original series was filmed in front of a live studio audience, a conscious choice to capture the energy in the room. “We had me, a comedian, and comedy writers, and we wanted to hear the laughs,” Romano says.

And the laughs were plentiful. Rosenthal told the crowd at the taping that the cast often had to pause after punchlines to let laughter die down. Occasionally, he said, the laughter went on so long it had to be edited out of episodes. The only time the audience wasn’t in stitches was when Romano literally needed them. He once sliced open his hand during a scene where he was cutting cheese; Romano went to the hospital to be sewn up and then returned to finish the episode.

From the stage, Romano recounted the show’s origin story, which dates back to his 1995 stand-up comedy debut on the “Late Show With David Letterman.” His five-minute routine focused on parenting his toddlers and losing his perspective on adult-oriented humor. He noted that the last joke he’d written dated back to when his twin sons were babies — a bit about jingling his car keys to make them laugh — which he physically demonstrated during the appearance. After the “Late Show” crowd laughed, he pushed the bit one step further. “I’m glad you laughed at that,” he said. “If you didn’t, I would’ve had to come down there and rub my nose in your bellies.”

The cast of “Everybody Loves Raymond” during the taping of the finale episode of the series, which aired in May 2005.

(Richard Cartright / CBS / AP)

Meanwhile, Rosenthal, then a writer on ABC’s sitcom “Coach,” was at home with Horan watching Romano’s set. It immediately resonated with the couple. “It made me laugh so hard,” he says. “We had just had a kid, and the material was eminently relatable.”

Two weeks later, when Letterman’s production company offered Romano a development deal, he met with Rosenthal, and the two began shaping the sitcom, blending their sensibilities. Rosenthal says the resulting show became a hybrid of his sitcom experience with Romano’s sensibility that everything must be rooted in truth. “It had to feel real and honest,” Rosenthal says. “And you don’t do anything just to get a laugh. We had a rule in the writers room: ‘Could this happen?’ Are we stretching credibility so far that we break the bond of relatability with the audience?”

They developed the show around their own lives, modeling the Barone children after Romano’s, and incorporating material from his Letterman routine. The character of Robert was based on Romano’s real-life brother, a New York City police officer whose bitter quip when Romano won an award — “Everybody loves Raymond” — became both the show’s title and a line of dialogue his fictional counterpart delivered in the pilot.

Rosenthal contributed his own family inspiration too, basing Ray’s TV mom largely on his mother, with aspects of Romano’s. At the anniversary special, he told the audience with a wink that his mother had always insisted the character was “an exaggeration.”

Phil Rosenthal, left, and Ray Romano on the recreated set of “Everybody Loves Raymond.” (Sonja Flemming / CBS)

Brad Garrett, left, played Ray’s brother and Patricia Heaton, played Debra, Ray’s wife in the series. (Sonja Flemming / CBS)

When it came time for casting, approximately 20 women auditioned to play Ray’s wife, but Heaton nailed it, with a bold choice setting her apart. She was the only actor who actually kissed Romano during the audition, while the rest just mimed it. It wasn’t until the reunion, however, that Heaton learned onstage that she was the only one who’d done so.

The reunion also revealed that Garrett’s casting as Robert was a surprise to Romano. His real brother is shorter than he is, while Garrett is 6 feet 8, prompting Romano to joke that two brothers had been cast at once.

Rosenthal noted that to avoid the appearance of nepotism, he never suggested his wife for the role of Amy. Rather, it was a writer on the show who had put her name forward.

The reunion also honored Boyle and Roberts, who died in 2006 and 2016, respectively. The taping coincided with what would have been Boyle’s 90th birthday, and his wife, Lorraine, was in the audience. Romano shared that Boyle was nothing like his grumpy character Frank. During the first rehearsal, Boyle gave the nervous Romano advice: “It’s just like water. Just let it flow.”

Roberts, meanwhile, was the show’s matriarch on- and off-screen, known for making pots of soup in her dressing room and looking out for the cast. Horan recalled Roberts as professional and protective, pointing out whenever anyone was unwittingly blocking Horan’s light in a shot.

Frank and Marie, played by Peter Boyle and Doris Roberts, were remembered during the reunion special. The taping coincided with what would have been Boyle’s 90th birthday.

(Robert Voets / CBS)

Later in the afternoon came another poignant moment when Madylin Sweeten and younger brother Sullivan Sweeten, who played Ray and Debra’s children, Ally and Michael Barone, joined the panel. Madylin was 5 when the show began, while Sullivan was 16 months old. His twin brother, Sawyer, who also appeared on the show as Michael’s twin, Geoffrey, died by suicide in 2015, just before his 20th birthday.

Speaking about his late brother, Sullivan said that he tries to stay positive by reflecting on his best moments with Sawyer, sharing that most of them happened on the set of the show. Madylin said that she and Sullivan work with the National Suicide Prevention Hotline, noting that most who seek help do survive.

Now 34 and a mom herself, Madylin reflected on growing up on a hit series. At the time, she was too young to fully grasp its importance, revealing that she remembers being upset one year when she couldn’t participate in a school play because she had to be on set. As scenes of the Barone children played above the stage, she wiped away tears at the sight of Sawyer as a child.

It was easy to see what made the cast feel like a real family. Their chemistry filled the studio once again, and their connection endures.

“Imagine spending nine years with people and then staying in touch,” Rosenthal says. “Phil and I see each other all the time,” Romano adds, before Rosenthal chimes in: “Our families vacation together.” They shared that they’d had lunch with the show’s writers earlier that day.

The affection among the cast is matched only by the devotion of the fans who filled the studio. Throughout the taping, the audience erupted in laughter, cheers and applause, a testament to how deeply the show remains embedded in people’s lives. Even 20 years after its finale, everybody still loves Raymond.

“It was the ultimate honor,” Rosenthal says of the enthusiastic fans who showed up for the reunion. “We can die happy that we made something of lasting value.”

Asked why they’ve never considered a reboot, Romano is clear. “This was our legacy, this was our baby, and we wanted to treat it right,” he says. “We wanted to leave on a high note and go out on top, and that’s what we did.”

UNDISTURBED views of hazy mountains are all around.

My focus, however, is on the plate in front of me, piled high with cheeses including sulguni, a sour and briney variety famous in this part of the world.

I take a glug of red wine and notice everyone at my table, like me, has been rendered speechless by the sumptuous spread.

You may think I’m in the South of France or Italy — but no, I’m in Georgian capital Tbilisi, and the place is stunning.

In April this year easyJet launched a direct route to this former Soviet republic from Luton — and with the city’s magnificent wine scene and travel prices that won’t break the bank, it’s not hard to see why it is soaring in popularity.

Now is an ideal time to visit, when temperatures are in the low twenties — perfect for exploring and, more importantly, eating until you’re fit to burst.

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Georgians take great pride in their culinary excellence and there are several dishes which simply have to be tried while you’re here.

Khachapuri, a national delicacy, is top of my list and can be picked up from most cafes and restaurants in the city.

Made of gooey cheese melted into a thick, hollowed-out, loaf-like bread, and often served with runny-yolked egg, this traditional staple is as heavy as it is tasty.

Luckily, virtually every meal in Tbilisi comes with a Georgian salad, consisting of tomatoes and cucumbers, so don’t worry about getting towards your five-a-day.

It’s amazing how much flavour the city’s chefs can add to the simplest of ingredients — and beans are no exception.

I tried them in a dish loved by locals, lobiani. Mashed kidney beans are cooked in onions and spices and stuffed into a flatbread.

Sofiko restaurant does an excellent version and what’s better is that its dishes are served alongside mesmerising city views.

When you are able to eat no more, Tbilisi’s cobbled streets are ideal for walking off all the food.

The city’s architecture reflects a fascinating blend of Persian, Arabic and Soviet styles, due to its occupations by all of these empires over the years.

Just make sure you pack comfy shoes. I’d booked a tour with a local guide, Nik, who told me: “Georgia would be the biggest country in the world . . . if it was flat”.

Bearing this in mind, I opted for the cable car up to the Narikala Fortress —an ancient stronghold built by King Vakhtang I Gorgasali in the fourth century, which looks over Tbilisi.

Up there you can see the imperious Mother of Georgia statue, a 20-metre figure built in 1958 to mark the city’s 1,500th anniversary.

In one hand she carries a sword — and in the other wine, to reflect the area’s fine vineyards.

Some of the world’s most celebrated grapes are grown in Georgia’s Kakheti region and no restaurant or bar is short of a good local white or red.

Kiketi Farm, a natural wine cellar around 45 minutes from Tbilisi, is the place to head if you want to sample some of the best tipples.

For such quality, I expect a steep bill for my tasting session. But the 30 lari I am charged works out at a very affordable £8.50.

Don’t guzzle too much, though, as you’ll also want to take advantage of everything else on offer at the farm — which includes horse riding.
Staff are so friendly that they even attempted to give me a culinary masterclass.

It’s safe to say that despite their efforts to teach me how to make khinkali — a type of dumpling crammed with meat or veg — I reckon this job is best left to the local chefs.

If you’re after even more rural delights, an hour or so from Tbilisi is the Kass Land attraction park and its spectacular Diamond Bridge.

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Bestriding the Dashbashi canyon 300 metres below, this transparent glass walkway is no more than two metres wide but 240 metres long — and features a colossal diamond- shaped structure at its centre, housing an all-glass sky bar with panoramic views.

Some find the experience rather daunting but I found it truly spectacular — especially when you can sip wine while drinking in the knockout views.

A series of artillery, air attacks hit near Rafah, Khan Younis in the south, and Deir el-Balah in the centre, as well as Gaza City.

WASHINGTON — Washington National Cathedral on Thursday hosts a bipartisan show of respect and remembrance for Dick Cheney, the consequential and polarizing vice president who in later years became an acidic scold of fellow Republican President Trump.

Trump, who has been publicly silent about Cheney’s death Nov. 3, was not invited to the 11 a.m. memorial service.

Two ex-presidents are coming: Republican George W. Bush, who is to eulogize the man who served him as vice president, and Democrat Joe Biden, who once called Cheney “the most dangerous vice president we’ve had probably in American history” but now honors his commitment to his family and to his values.

Daughter Liz Cheney, a former high-ranking House member whose Republican political career was shredded by Trump’s MAGA movement, will join Bush in addressing the gathering at the grand church known as “a spiritual home for the nation.”

Others delivering tributes include Cheney’s longtime cardiologist, Jonathan Reiner; former NBC News correspondent Pete Williams, who was Cheney’s spokesman at the Pentagon; and the former vice president’s grandchildren. Hundreds of guests are expected.

Cheney had lived with heart disease for decades and, after the Bush administration, with a heart transplant. He died at age 84 from complications of pneumonia and cardiac and vascular disease, his family said.

The White House lowered its flags to half-staff after Cheney’s death, as it said the law calls for, but Trump did not issue the presidential proclamation that often accompanies the death of notable figures, nor has he commented publicly on his passing.

The deeply conservative Cheney’s influence in the Bush administration was legendary and, to his critics, tragic.

He advocated for the U.S. invasion of Iraq on the basis of what proved to be faulty intelligence and consistently defended the extraordinary tools of surveillance, detention and inquisition employed in response to the Sept. 11, 2001, attacks. Bush credited him with helping to keep the country safe and stable in a perilous time.

After the 2020 election won by Biden, Liz Cheney served as vice chair of the Democratic-led special House committee that investigated the Jan. 6, 2021, riot at the Capitol. She accused Trump of summoning the violent mob and plunging the nation into “a moment of maximum danger.”

For that, she was stripped of her Republican leadership position and ultimately defeated in a 2022 Republican primary in Wyoming. In a campaign TV ad made for his daughter, Dick Cheney branded Trump a “coward” who “tried to steal the last election using lies and violence to keep himself in power after the voters had rejected him.”

Last year, it did not sit well with Trump when Cheney said he would vote for Democrat Kamala Harris in the presidential election.

Trump told Arab and Muslim voters that Cheney’s support for Harris should give them pause, because he “killed more Arabs than any human being on Earth. He pushed Bush, and they went into the Middle East.”

Woodward writes for the Associated Press.

A Coronation Street icon is set to return to the famous ITV cobbles this festive period after making an emotional exit exactly a year ago

Coronation Street fans are set for the dramatic return of a legend of the cobbles this Christmas. And it will mark exactly a year since they initially left.

Former mainstay Gail Chadwick is set for a return during the festive special. It will mark a year since the star, played by Helen Worth, married Jesse Chadwick and headed for a new life in France.

Fans of the ITV show were devastated by her exit after a long-running stint on the soap, spanning back to 1974. And now, she is set for a one-off appearance, which is sure to delight the show’s avid viewers.

READ MORE: Coronation Street’s Helen Flanagan in ‘huge return to TV’READ MORE: I’m A Celebrity’s Ruby Wax’s devastating health condition she’ll never recover from

Details are still being kept close to the chests of producers. However a TV insider has said she could be about to connect with her family again for the festive period.

The source told The Sun: “It could be more timely as the Platts find themselves in yet another drama, one that they’ve had to deal with by themselves since the Platts’ matriarch moved abroad.”

They continued: “It’s a move which is guaranteed to thrill soap fans, who wondered whether we’d ever catch a glimpse of show favourite Gail on the cobbles again.”

Helen, 73, bowed out from the soap as Gail last year after an astonishing 50 year. She told viewers she’d been part of “the most wonderful show in the world“.

Since making her debut in Corrie 50 years ago the actress has been involved in an array of hard-hitting and juicy storylines. Her biggest lines have involved murders, steamy affairs and the perennial drama surrounding her three kids, Nick (Ben Price), Sarah and David.

When she finally left her role, Helen posted a message on social media to thanks her fans and their long-time support. She said at the time: “There’ll be more Platt stories, and I hope you’ll be watching.”

In a statement announcing her exit, she said: “This year felt like the perfect time to leave the show after celebrating 50 years in the most wonderful job on the most wonderful street in the world.

“I made the decision at the start of the year and spoke to the producers, who were very kind and understanding.”

In the build-up to Christmas, fans are set to watch dark scenes for Todd Grimshaw next week. It comes as his abusive partner Theo Silverton takes action against him once again.

The scenes result in a character outside of the relationship becoming suspicious which leads to a falling out. Later, Todd accuses Theo of rail-roading him into doing a half marathon.

However, Theo claims to him that it’s for his own good and they’ll be going for another run later as part of their training.

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LeBron James will make his season debut Tuesday when the Lakers host the Utah Jazz, according to a person with knowledge of the situation who spoke on condition of anonymity, after sciatica kept James sidelined for the Lakers’ first 14 games.

James is “trending in the right direction,” coach JJ Redick said before Tuesday’s game, which will mark the beginning of James’ NBA-record 23rd season. The 40-year-old missed the beginning of a season for the first time in his NBA career after starting to feel discomfort in his right side this summer.

James missed all of training camp and the preseason. The Lakers put together a 10-4 record despite playing without their biggest star. In his place, Luka Doncic has emerged as the NBA’s leading scorer and guard Austin Reaves is off to a career season.

The star trio played together for several months last year after Doncic joined the Lakers in a blockbuster trade, helping the team grab the third seed in the Western Conference. Redick expects the experience to help James integrate smoothly this year.

“He’s smart enough and [there’s] enough carry over from last year, both with personnel and with our schemes, that I think it’ll be easy for him to be integrated right away,” Redick said.

James said after practice Monday he was not yet pain-free, but he has been able to manage the nerve injury enough to progress through practices with the G League team, the full NBA squad and then Tuesday’s shootaround. James said dealing with sciatica came with unexpected challenges. He often could only hope he wouldn’t feel pain when he woke up in the morning or when he went to sleep.

Redick said the team and James are approaching “uncharted territory” when it comes to managing the superstar’s health. Conversations have been consistent and will be ongoing as the season progresses.

“We’ll figure out ways to get him rest when he needs rest,” Redick said.

Staff writer Broderick Turner contributed to this report.

WASHINGTON — The House is poised to vote overwhelmingly on Tuesday to demand the Justice Department release all documents tied to its investigation of the late convicted sex offender Jeffrey Epstein.

President Trump, who initially worked to thwart the vote before reversing course on Sunday night, has said he will sign the measure if it reaches his desk. For that to happen, the bill will also need to pass the Senate, which could consider the measure as soon as Tuesday night.

Republicans for months pushed back on the release of the Epstein files, joining Trump in claiming the Epstein issue was being brought up by Democrats as a way to distract from Republicans’ legislative successes.

But that all seismically shifted Sunday when Trump had a drastic reversal and urged Republicans to vote to release the documents, saying there was “nothing to hide.”

“It’s time to move on from this Democrat Hoax perpetrated by Radical Left Lunatics in order to deflect from the Great Success of the Republican Party,” Trump wrote on Truth Social.

The reversal came days after 20,000 documents from Epstein’s private estate were released by lawmakers in the House Oversight Committee. The files referenced Trump more than 1,000 times.

In private emails, Epstein wrote that Trump had “spent hours” at his house and “knew about the girls,” a revelation that reignited the push in Congress for further disclosures.

Trump has continued to deny wrongdoing in the Epstein saga despite opposing the release of files from the federal probe into the conduct of his former friend, a convicted sex offender and alleged sex trafficker. He died by suicide while in federal custody in 2019.

Many members of Trump’s MAGA base have demanded the files be released, convinced they contain revelations about powerful people involved in Epstein’s abuse of what is believed to be more than 200 women and girls. Tension among his base spiked when Atty. Gen. Pam Bondi said in July that an “Epstein client list” did not exist, after saying in February that the list was sitting on her desk awaiting review. She later said she was referring to the Epstein files more generally.

Trump’s call to release the files now highlights how he is trying to prevent an embarrassing defeat as a growing number of Republicans in the House have joined Democrats to vote for the legislation in recent days.

The Epstein files have been a hugely divisive congressional fight in recent months, with Democrats pushing the release, but Republican congressional leaders largely refusing to take the votes. The issue even led to a rift within the MAGA movement, and Trump to cut ties with Rep. Marjorie Taylor Greene, a Republican from Georgia who had long been an ardent support of the president.

“Watching this actually turn into a fight has ripped MAGA apart,” Greene said at a news conference Tuesday in reference to the resistance to release the files.

Democrats have accused Speaker Mike Johnson (R-La.) of delaying the swearing-in of Rep. Adelita Grijalva, an Arizona Democrat, because she promised to cast the final vote needed to move a so-called discharge petition, which would force a vote on the floor. Johnson has denied those claims.

If the House and Senate do vote to release the files, all eyes will turn to the Department of Justice, and what exactly it will choose to publicly release.

“The fight, the real fight, will happen after that,” Greene said. “The real test will be: Will the Department of Justice release the files? Or will it all remain tied up in an investigation?”

Several Epstein survivors joined lawmakers at the news conference to talk about how important the vote was for them.

Haley Robson, one of the survivors, questioned Trump’s resistance to the vote even now as he supports it.

“While I do understand that your position has changed on the Epstein files, and I’m grateful that you have pledged to sign this bill, I can’t help to be skeptical of what the agenda is,” Robson said.

If signed into law by Trump, the bill would prohibit the attorney general, Bondi, from withholding, delaying or redacting “any record, document, communication, or investigative material on the basis of embarrassment, reputational harm, or political sensitivity, including to any government official, public figure, or foreign dignitary.”

But caveats in the bill could provide Trump and Bondi with loopholes to keep records related to the president concealed.

In the spring, FBI Director Kash Patel directed a Freedom of Information Act team to comb through the entire trove of files from the investigation, and ordered it to redact references to Trump, citing his status as a private citizen with privacy protections when the probe first launched in 2006, Bloomberg reported at the time.

Rep. Thomas Massie, a Republican from Kentucky, said the Trump administration will be forced to release the files with an act of Congress.

“They will be breaking the law if they do not release these files,” he said.

Sometimes all you want is the opportunity to slow down life and enjoy a refreshing break somewhere quiet and idyllic – this location is the perfect way to do just that

If you’re dreaming of an escape where rolling green hills meet charming cobbled streets and you’re only ever a heartbeat away from a good cup of tea then one town should be right at the top of your list.

This little gem in the heart of the Yorkshire Dales has become something of a star in its own right, thanks to its role as the fictional Darrowby in Channel 5’s ‘All Creatures Great and Small‘. Fans of the show will instantly spot the familiar streets and stone-fronted shops. But even if you’ve never seen an episode, then the real-life town of Grassington has enough to win anyone over. For families, it’s the perfect blend of adventure and wholesome days out. Start in the bustling village square, where independent shops and cosy cafes, including the Cake House, invite you to linger for a while.

And then there are the proper North Yorkshire pubs where the welcome is warm, the portions are generous and the ale flows freely. Grassington’s inns are the beating heart of the village, from the Gamekeeper’s Inn to Grassington House, offering everything from roaring fires and Sunday roasts to locally brewed pints and family-friendly dining.

Whether you’re settling into a snug corner after a long walk or enjoying a meal in a lively bar where locals swap stories across the tables, it’s the sort of place where time slows down. Many visitors swear the pubs alone are worth the trip, especially if you want an authentic taste of Dales hospitality.

One of the best things about Grassington is how quickly you can slip from village charm into full-blown countryside magic. The surrounding Dales are tailor-made for family walks, from gentle riverside rambles along the Wharfe to more adventurous routes up towards Linton Falls.

The falls themselves are just a short stroll from the village and offer a spectacular view, especially after a good rain. Kids love watching the water thunder over the rocks, and parents love that it’s one of those rare beauty spots that doesn’t require a three-hour trek to get to.

If your family has a soft spot for wildlife, then the Grass Wood Nature Reserve is a must. This ancient woodland is a haven for birds, wildflowers and even the occasional roe deer. The trails here are peaceful and atmospheric, perfect for a slower-paced wander where little explorers can hunt for bugs, spot woodland creatures and burn off some energy.

History lovers won’t be left out either. Head to the nearby Grassington Folk Museum, where the whole family can learn about rural life through the centuries. It’s surprisingly engaging for kids, with plenty of hands-on displays, and gives a real sense of the community spirit that still holds strong in the village today.

And of course, no visit would be complete without a nod to the popular ‘All Creatures Great and Small’. Fans can stroll the same streets James Herriot walks on screen, peek into shop fronts used for filming and soak up the quaint atmosphere that makes the series so beloved. Many visitors say it feels like stepping straight into the show (minus the odd unruly cow).

Whether you’re after cosy pubs, picture-perfect scenery or a family weekend that blends relaxation with just enough adventure, Grassington delivers in spades. It’s no wonder TV crews, walkers and families all fall a little bit in love with it and, after one trip, you probably will too.

The Palestinian experience has been a mainstay of global cinema for decades. Despite countless obstacles, the Palestinian Ministry of Culture has submitted 18 titles for the international feature Oscar since 2003, earning nominations in 2006 and 2014. But this year, at a pivotal moment in its history, three films from acclaimed female filmmakers, each set in war-torn Gaza, are up for Oscar consideration: Annemarie Jacir’s Palestinian entry, “Palestine 36,” Cherien Dabis’ “All That’s Left of You,” representing Jordan, and Kaouther Ben Hania’s “The Voice of Hind Rajab,” selected by Tunisia. It’s a remarkable field, one that Jacir believes is more a coincidence than a reflection of the political climate.

“I think that there’s so many Palestinian filmmakers and people have been doing a lot of work for a long time,” Jacir says. “I remember when I made my last film, there were three films shooting at the same time.”

From the outbreak of the Arab revolt in 1936 to the generational trauma of the capture of Jaffa during the Arab-Israeli 1948 war to the current Israel-Hamas war, each film has a distinct and important story to tell. Notably, both “Palestine 36” and “All That’s Left of You” were scheduled to begin production in Palestine just days after Israel began an aerial assault in October 2023 in response to the Hamas-led attack Oct. 7.

After struggling just to get the movie off the ground, Jacir says the real-time events made it difficult to “keep going emotionally, mentally, financially.”

“Nothing was clear,” she says. “We just didn’t know if we would really be able to shoot, if we would be able to start something, if we would be able to finish … We were just making it up as we went along and hoping for the best. It’s sort of a mix of, I would say, stubbornness and perhaps stupidity.”

Saleh Bakri and Cherien Dabis in “All That’s Left of You.”

(Watermelon Pictures)

Concurrently, Dabis had been prepping with a Palestinian crew for five months with the intention of shooting the entire project there, only to be forced to make the “devastating” decision to shift production to Jordan, Greece and Cyprus. (Hopes of eventually returning were dashed.)

“In a way, the movie lived what most Palestinians live: war, exile, fleeing,” she says. “All of the uncertainty, the financial and logistical crisis of it all. I think that what really grounded me during that time was just knowing that the movie was more relevant than ever, and that it had to get done.”

The stark reality of the civilians under constant fire, and in a much worse position than Jacir, motivated her team to continue with “Palestine 36.” She bluntly observes, “We had no right not to, you know what I mean? It’s like we are the privileged ones, actually. We’re not in Gaza. It didn’t feel like it was an option for any of us to stop because they weren’t stopping and it was like, ‘Well, we do it for them too.’”

Depicting the humanity of the Palestinian people, who have suffered mightily under the current occupation, is one reason why Ben Hania felt such urgency in bringing the harrowing final hours of 6-year-old Palestinian girl Hind Rajab to the screen less than a year and a half after her death under Israeli fire.

Dhafer L’Abidine and Yasmine Al Massri in “Palestine 36.”

(Watermelon Pictures)

“There was something about silencing their voices [that] was completely abhorrent for me, and I know that cinema is the place for empathy and the place where you can put face and raise the voice,” Ben Hania says. “So, for me it was part of saying, ‘Stop this dehumanization of Palestinian victims.’ You see the pain in this movie, you can feel the sense of what is happening.”

Despite critical accolades and, in the case of “Voice,” a record standing ovation at the Venice Film Festival, none of these submissions were able to secure major distributors in the U.S. “Voice of Hind Rajab” is being released by relatively new player Willa, while both “Palestine 36” and “All That’s Left of You” are set for release by Watermelon Pictures, traditionally a production entity. (Oscar-winning documentary “No Other Land” was self-released in cinemas and, last month, on streaming platforms.) Ben Hania says that is nothing new: Films about Palestine simply don’t reach U.S. audiences.

“I’m frustrated because as a filmmaker, when you do a movie, you want everybody to see it, especially this one,” Ben Hania says. “So, I mean, yeah, it’s a huge frustration, but I can’t put a gun [to a] distributor and tell them, ‘Distribute my movie.’ When you do movies, you have several obstacles, and this is one of them.”

Despite the hurdles, Jacir says she has never had so many people want to know the historical background behind one of her movies.

“People are curious,” Jacir says. “Before people used to say, ‘Oh, it’s very complicated and let’s leave it. I don’t want to know because it’s too complicated.’ I don’t think people are like that anymore. I don’t think the new generation is like that anymore. I think people really want to know, and they want to see these stories and they’ll make their own judgments and thoughts, and they’ll have their own feelings about it.”

Nov. 16 (UPI) — Britain’s home secretary Shabana Mahmood plans to unveil plans to overhaul the country’s asylum policy Monday after declaring that illegal immigration is “tearing the country apart.”

The new measures will include a two-decade long wait period after people who are granted asylum are allowed to settle in the country permanently, the BBC reported.

The new plans will also require that people who are granted asylum will have their refugee status reviewed regularly, and those whose countries are deemed safe will be required to return. Mahmood said Sunday that she sees reforming Britain’s immigration system as a “moral mission.”

Conservatives would deport undocumented migrants “within a week,” while Liberal Democratic Party leaders have called for asylum seekers to have the right to work.

Mahmood said the changes are designed to make the country less attractive to illegal immigrants, and lead to fewer dangerous small boat crossings across the often turbulent English Channel, and asylum claims.

She said the new plans will also end visas for people from Angola, Namibia and the Democratic Republic of Congo if those countries do not quickly improve their cooperation on removing people from Britain.

These countries have been selected “for their unacceptable low co-operation and obstructive return processes,” the BBC reported.

Enver Soloman, chief executive of the Refugee Council, said the 20-year wait period for permanent residency would “leave people in limbo for many, many years.

“We need a system that is controlled and fair, and the way you do that is you make decisions fairly, in a timely fashion, and if someone is found to be a refugee they go on and they contribute to our communities and they pay back,” he said Sunday on BBC Breakfast.

At least 109,343 people claimed asylum in Britain in the last 12 months, a 17% increase over the year before, according to government figures. At least 1,069 migrants have arrived in the country in the last 7 days, the data show.

Mahmood is set to unveil her plans in the House of Commons on Monday.