Season

ARLINGTON, Texas — The NFL regular season is turning down the stretch and the playoff picture is coming into focus, and that means not just the teams but the league’s scheduling crew is hard at work.

The Chargers, who play at Dallas on Sunday, can secure a postseason berth with a victory and some help from a team or two. Coupled with a win over the Cowboys, the Chargers need Las Vegas to win at Houston (unlikely) or San Francisco to win at Indianapolis (more likely) so they can rest easy knowing they’re at least in the playoffs for the second consecutive season under Jim Harbaugh.

Although the Rams have already qualified for the playoffs, they need to regain their balance after a spirit-snapping loss at Seattle on Thursday that likely cost them a chance at the NFC’s No. 1 seed.

Here’s a look at the upcoming schedule for the end of this season and beginning of next, along with decisions that need to be made:

— Why did the league schedule Houston at the Chargers for Saturday of Week 17?

The game was always a candidate for that 1:30 p.m. slot on NFL Network, and Seattle at Carolina was also under consideration.

The league liked Texans-Chargers on Saturday because both of those clubs likely will be playing in January — maybe against each other again — and if that game were moved to Sunday afternoon, it would be going head-to-head against Fox’s national game, Philadelphia at Buffalo, a potential Super Bowl preview.

So the NFL wanted to do the Texans and Chargers a solid and give them the national stage to themselves.

— Rams at Atlanta in Week 17 isn’t a fantastic Monday night game for Week 17, especially with the Falcons currently at 5-9. But with all the games spread throughout the week of Christmas, there weren’t a lot of great replacement options.

The league didn’t move Texans-Chargers into that slot for good reason. Because whoever plays in that “Monday Night Football” slot — it’s staying Rams-Falcons — won’t be a candidate for a Saturday game in the final weekend.

So by moving Texans-Chargers to Saturday, both those teams are in play for the two Saturday spots in Week 18. The Chargers finish at Denver, and the Texans play host to Indianapolis. Either or both of those games could wind up on ESPN for those finishing Saturday games.

— The NFL originally slated Cincinnati at Miami for this week’s Sunday night game but last week decided to move New England at Baltimore into that time slot. That’s notable because it’s the first flex of the season, which is an unusually low number. Typically, there have been three or four flexes to this point.

Why only one? There are multiple reasons. First, the league’s scheduling crew had a pretty clear crystal ball in May, a good idea for which teams would still be in the mix. Credit to those folks.

But the bar for flexing games is also a little higher than it used to be. The NFL is cautious about inconveniencing 75,000 fans for a relatively small bump in viewership. What’s more, with all the new windows and partners — Netflix, Amazon Prime, Peacock, Paramount+ — there are fewer games to go around. Even if the league wanted to flex, there are fewer options. The traditional Sunday inventory is a lot thinner than it used to be.

— It’s worth noting that the league’s philosophy on moving games around is it flexes out of a game that’s falling apart, it doesn’t flex into a better game because the network or streaming service doesn’t happen to like the game it has.

Cincinnati-Miami was a no-brainer flex candidate back in October when both teams were reeling. But then Joe Burrow came back for the Bengals, and the Dolphins started winning, and it got interesting for a while. But then Cincinnati got shut out last week by Baltimore, and Miami just benched its quarterback. Flex was back on.

So what to flex into? The thought was, yes, the NFL can move Patriots-Ravens into that Sunday window for NBC, and at least it can leave behind Kansas City-Tennessee for CBS. Everybody figured the Chiefs would be fighting for their postseason lives. That wasn’t the case. Kansas City was eliminated last week and lost Patrick Mahomes to a season-ending knee injury. Chiefs-Titans isn’t nearly as interesting as anticipated.

It could have been an ugly Sunday for CBS, but the network wound up with Pittsburgh-Detroit for its national game. That very easily could have been the far-less-tantalizing Buffalo at Cleveland.

— We’re heading into a postseason with no Kansas City, no Dallas, maybe no Baltimore or Pittsburgh — one of them is going to miss out — and with the rise of Chicago, possibly no Green Bay or Detroit.

A lot of those traditional anchor teams could be watching from their couches.

That means the NFL will have to make some new decisions about who to prioritize in postseason scheduling, perhaps looking with fresh eyes at clubs such as Seattle, Tampa Bay, Carolina, Jacksonville and others. Who are the ones with the most national appeal?

And that rolls into next season. How does the league dole out those big national windows. With Kansas City missing the playoffs, and Mahomes recovering from a major knee injury, do the Chiefs recede into the background after a decade of division titles and deep playoff runs?

Have the Bears broken through? They’re 10-4. At 12-2, Denver looks to be back and set up to keep it going. Heading into Thursday night’s game, the Rams were as hot as any team in the league, and the Chargers could finally get Justin Herbert that inaugural playoff victory.

The Steelers have won two in a row, and could wind up making a postseason run. If so, what does Aaron Rodgers do next season, and how will the club move forward?

The NFL leaned heavily into Washington after one outstanding season, giving them eight nationally televised games this season. That bet didn’t pay off; the Commanders are 4-10.

It’s the game behind the games, and those decisions are taking shape.

Bowen Yang, a fan-favorite cast member of “Saturday Night Live,” is leaving the series after this week’s episode.

Representatives for Yang and “Saturday Night Live” did not comment on the move Friday. However, on Saturday, he confirmed his upcoming departure via a post on his Instagram account. “i loved working at SNL, and most of all i loved the people. i was there at a time when many things in the world started to seem futile, but working at 30 rock taught me the value in showing up anyway when people make it worthwile,” he wrote. “i’m grateful for every minute of my time there.”

Yang also thanked Ariana Grande, this week’s host and his “Wicked” co-star,” for “sending me off in the dreamiest way I could imagine.” The pair, alongside musical guest Cher, were seen in promos for Saturday’s episode.

There has been recent speculation about whether Yang would finish the current season of the show. He has appeared on “SNL” since Season 45 after a year of working on the writing staff.

Yang took on a variety of roles in the NBC sketch comedy series, including impersonating Vice President J.D. Vance, Fran Lebowitz and pygmy hippopotamus Moo Deng. Yang received his fifth Emmy nomination for his work on “SNL’s” historic 50th season.

Outside of “SNL,” Yang has appeared in several other projects recently. He co-hosts the popular podcast “Las Culturistas,” with fellow comedian Matt Rogers, and their seminal Las Culturistas Culture Awards was televised for the first time this year, airing on Bravo and streaming on Peacock. Yang also appeared in the “Wicked” film and its recent sequel, “Wicked: For Good,” and has starred in several other feature films, including “The Wedding Banquet,” “Fire Island” and “Dicks the Musical.”

In early December, Yang confirmed he and Rogers would be co-writing and starring in an untitled comedy for Searchlight Pictures. The movie will reportedly follow two Americans who fly across the world to try to get into the exclusive Berghain nightclub in Berlin.

Yang is not the first “Saturday Night Live” cast member to leave midseason — he joins the company of past “SNL” greats like Cecily Strong, Molly Shannon, Amy Poehler and a handful of others who exited the show outside of the traditional period for departures while the show is on summer hiatus.

Prior to the start of Season 51, NBC and executive producer Lorne Michaels made some major cast changes, adding five featured players after a series of departures. Ego Nwodim, Heidi Gardner, Michael Longfellow, Devon Walker and Emil Wakim exited the series before the season premiere in October.

Tommy Brennan, Jeremy Culhane, Ben Marshall, Kam Patterson and Veronika Slowikowska joined the cast for the current season. Marshall was previously on the “SNL” writing staff and is known for his on-camera appearances as a part of the Please Don’t Destroy comedy trio.

The 51st season of “Saturday Night Live” will continue in early 2026 and run through the end of the television season in May.

It’s a testament to the coaching of Jim Harbaugh that the Chargers have been decidedly un-Charger-like this season, continuing to win games despite a slew of pivotal injuries. They’re coming off back-to-back victories over the two teams in last season’s Super Bowl, Philadelphia and Kansas City.

Their challenge Sunday is beating the Cowboys, who went 3-1 in November but began this month with consecutive losses.

The Cowboys lead the league in offense, rolling up nearly 400 yards per game, but they’re 29th in total defense and last against the pass. Facing Justin Herbert is not a favorable matchup for them.

Dallas was eliminated from postseason contention with a Week 15 loss to Minnesota.

The Chargers can clinch a playoff berth with a win and a loss or tie by Indianapolis (versus San Francisco) or Houston (vs. Las Vegas).

How the Chargers can win: If Herbert has time, he should be able to dissect a suspect Cowboys secondary and relies heavily on zone coverage. That has led to a bunch of explosive plays. The Cowboys are vulnerable to the run, as well, and a balanced attack by the Chargers will take them a long way. Get another strong performance from the defense.

How the Cowboys can win: Be aggressive and play to win, not to protect leads. That means outscoring the Chargers, not settling for field goals because Brandon Aubrey is such a weapon. It would help the Cowboys to take some risks and go for it on fourth down more frequently. They can put points on the board, but more often they move the ball well between the 20s. Even a small improvement on defense would help.

Emily in Paris is back for even more drama, this time around though, one of its key stars was missing.

Emily in Paris season five has dropped but subscribers have been left scratching their heads over the whereabouts of Emily’s friend and rival, Camille deLalisse.

From the get-go of the Netflix rom-com drama, Camille deLalalisse (portrayed by Camille Razat) played a pivotal role, forming part of the love triangle with Emily ( Lily Collins ) and Gabriel (Lucas Bravo).

So when fans noticed that Camille was absent from all 10 new episodes, it sparked speculation about her fate and potential return.

Camille’s journey in Emily in Paris seemed to reach a natural end in season four after she called off her wedding to Gabriel, but her story wasn’t quite finished.

She soon found out she was pregnant, only to later discover it was a false positive. However, Camille kept this secret for a while, hoping to keep Gabriel in her life.

At the same time, Camille was navigating a budding relationship with artist Sofia, but due to lingering feelings for her ex-fiancé, things didn’t pan out.

Eventually, she revealed the truth, and the entire ordeal made Camille realise her desire for a family, leading her to announce plans to adopt a baby on her own.

Season four concluded with Camille moving into a new flat, complete with nursery space, leaving behind her tumultuous past with Emily and Gabriel.

While Camille was noticeably missing from season five, this doesn’t necessarily rule out her return in future series.

Taking to Instagram to discuss her departure from the programme, Razat revealed: “After an incredible journey, I’ve made the decision to step away from Emily in Paris.

“It has been a truly wonderful experience, one filled with growth, creativity, and unforgettable memories.

“I’m deeply grateful to @starmandarren and the entire team at @netflix and @paramountpics for their trust and for giving me the opportunity to bring Camille to life and leaving the door open for her return, as she will always be a part of Emily In Paris world.”

However, Razat has numerous other ventures lined up, revealing she’s wrapped filming on Nero The Assassin for Netflix and The Lost Station Girls for Disney+.

The 31-year-old also disclosed that she’s launched her own production company Tazar Production, which will concentrate on developing music videos and short films, though has already begun work on a feature film.

Wrapping up her Instagram message, Razat noted: “This character has meant a lot to me, and I feel that her storyline has naturally come to an end. It felt like the right moment to explore new horizons.

“I leave the show with nothing but love and admiration for the cast, crew, and fans who have supported us along the way. Thank you for the beautiful ride.”

Emily in Paris is available to stream on Netflix.

After Friday afternoon’s practice, USC football coach Lincoln Riley said he had no update on D’Anton Lynn, who has been the target of Penn State’s defensive coordinator search.

Penn State showed interest in Lynn last year before he received a contract extension from USC. Lynn was hired by the Trojans after a successful season as the defensive coordinator at UCLA.

“This is what happens this time of year, especially when you have a really good staff and are doing a lot of positive things,” Riley said. “We’re excited about having the opportunity to keep continuity but if there is turnover, not just with that position but any position, these are coveted jobs. It’s just part of the world we live in.

“Obviously, D’Anton has done a really good job here and we’ll see how it turns out.”

Being prepared for change is a must in the current college football climate, Riley said.

“Contingency plans for coaches, players, staff, everyone because so much can and does change,” Riley said. “Our job is to be prepared and have flexibility. You can’t always predict everything that’s going to happen but you have to be ready to adjust. Yeah, every team goes through it on some level and you try to handle it as well as you can.”

Riley has liked what he has seen in practice as USC (9-3) prepares for its Alamo Bowl matchup against Texas Christian on Dec. 30.

“We’ve done a really good job the last couple of years of going to work and we’re not thinking about what players or coaches are here or aren’t here,” Riley said. “It’s all about trying to maximize this time and build for the future.”

USC announced Tuesday that redshirt junior quarterback Jayden Maiava had re-signed for the upcoming season and is not joining Makai Lemon and Ja’Kobi Lane — USC’s two best receivers — in declaring for the 2026 NFL draft.

“It’s great. Anytime you can get a returning guy like that who has played a good amount of football, it’s important,” Riley said of Maiava. “He’s also become a good leader in this program and I’d expect that to continue to improve. The majority of this team has already re-signed, we know those guys are going to be here and it’s cool for those guys to show how much they believe in this place and what we’re doing.

“The exciting thing is you look ahead and you start to imagine pairing what we have coming back with what’s going to be walking through the door here in three weeks or so, but it starts with your veterans who have been through the fire and we have a lot of them back.”

Maiava, one of the last players to leave the practice field Friday, made it clear why he chose to stay.

“Coach Riley,” Maiava said. “Of course, the staff too and my brothers. I’m super grateful to be back out here. I’m focused on a day at a time, staying level-headed, making the right decisions and just taking care of the ball.”

Maiava is happy for Lemon, who won the Biletnikoff Award as college football’s top receiver after catching 79 passes for 1,156 yards and 11 touchdowns as a junior this season.

“It was awesome, everybody was there in the lobby when we found out … it’s well-deserved,” Maiava said. “He and Ja’Kobi set the standard for everyone. He won the award, so I’d say we had pretty good chemistry even off the field going out to eat and places. I had to do my job, but he did his job, too, as best he could.”

Defensive end Braylan Shelby also is grateful to be back with the Trojans for another season.

“I always knew I wanted to be here, he said. “Bowl games mean a lot and it’s a time for the team to put it all together and play together one last time.”

Regarding the new NFL model for announcing re-signings, Shelby said: “Some people love it, some hate it. … USC is a step ahead of the game and I think it’s the right step. In this NIL era, it helps fans know who’s returning.”

Having re-signed, junior safety Christian Pierce is excited about being a potential starter next fall.

“The bowl game is a huge start going into next season in terms of building the culture,” Pierce said. “My focus is on trying to understand the defense even more and the skills and techniques I’ll need to get better at. The talk after re-signing was more on the coaching staff and the program.”

Riley praised offensive lineman Tobias Raymond on his willingness and ability to play multiple positions on the front line.

“He was one of the most important players on the entire team,” Riley said. “His toughness was off the charts, his versatility with all the different lineups we played, being able to physically and mentally handle that. He was just a steadying presence. He’ll be a huge key coming back as a captain, a leader and a player. As many of those guys as you can have in a locker room — you’ll be a lot closer to winning.”

Much to his coach’s liking, Raymond has embraced his leadership role.

“I’ve just tried to be more vocal, set an example and hold other people to the standard our coaches have put out for us,” said the 6–foot-6, 315-pound redshirt sophomore out of Ventura. “Pick people up when things are low and when things are high making sure we’re keeping level-headed.”

Regarding the transfer portal, Riley said he plans to be less reliant on it than in previous years.

“The number we’re talking about is so much less than before, so moving forward we’ll be able to zero in on what we’re going to go after. So the picture is starting to become clearer on what we’ll be targeting.”

Welcome to Screen Gab, the newsletter for everyone who wants to spend some time revisiting Rob Reiner’s indelible mark on pop culture.

For many of us, it was already that time of year when we pop in our DVD of “When Harry Met Sally…” or figure out which streaming service has it in its library (or digitally rent it, if none do), and passively recite every quotable moment until Harry’s breathless declaration of love on New Year’s Eve necessitated our full performance. It was a comfort watch in the best sense because of how joyous and hopeful it left so many of us, even cynics, feeling. This year, as the tradition now becomes layered with sadness following the tragic deaths of Reiner and his wife, Michele Singer Reiner, there’s at least comfort in knowing all the Hollywood magic he brought to life (whether he was directing, or starring in a production) that was full of humanity, humor and heart, and accompanied us at different stages of our lives, can continue to do so. Members of our film team took a look at some of Reiner’s best films, many of which can be streamed. And TV critic Robert Lloyd reminded us of Reiner’s contributions to television, particularly through shows like “All in the Family” and “New Girl” (“Lettuce, tomato, lettuce, meat, meat, meat, cheese, lettuce” — iykyk).

But if it’s all too soon, we get it. Maybe our other streaming recommendations can provide an escape — one is a TV drama about a disillusioned Broadway director returning home to his amateur community theater, and the other is a mystery thriller with an unlikely duo teaming up to investigate the case of a missing girl.

Also in this week’s Screen Gab, “Emily in Paris” actor Samuel Arnold stops by Guest Spot to tell us about the behind-the-scenes adventures of the show’s Italian-set fifth season.

ICYMI

Must-read stories you might have missed

Julianne Hough near the Dolby Theatre at the 97th Academy Awards earlier this year. The Oscars are moving to YouTube, sending shock waves through Hollywood.

(Robert Gauthier / Los Angeles Times)

What the Oscars moving to YouTube means for broadcast TV: The Academy Awards will stream on YouTube beginning in 2029, ending a more than five-decade run on broadcast television and marking the show’s biggest distribution shift in its history.

How do Lifetime and Hallmark keep Christmas movies fresh? Pickleball and the NFL: For the two cable networks, tapping into niches, hobbies and sports teams allows them to invite new audiences in, while keeping loyal viewers satisfied with a break in formula.

Diversity and representation of women on streaming TV series in sharp decline, UCLA study shows: The latest edition of the Hollywood Diversity Report released Tuesday determined that the top shows in 2024 were less culturally diverse than the previous year.

Hollywood was built on movie stardom. AI is changing the rules: Synthetic performers are forcing Hollywood to rethink how fame works and who gets to claim it. Even as the technology races ahead, legal concerns are mounting.

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Recommendations from the film and TV experts at The Times

Harry McNaughton as Charlie Summers, a disillusioned Broadway director returning home to his amateur community theatre in “Happiness.”

(Andi Crown Photography / PBS)

“Happiness” (PBS app, pbs.org)

What could be better, at this festive time of year, or any other time, than a backstage musical comedy set in an amateur theatrical company in New Zealand’s fifth-largest city? Harry McNaughton plays Charlie Summers, whose Broadway dream dies when he’s fired as the director of a “Cats” revival and, losing his work visa, returns home to New Zealand for what he hopes will be only a couple of days. Naturally, it turns out otherwise, with Charlie drawn reluctantly into the production of a new musical, “The Trojan Horse,” at the Pizazz theater, run by his mother (Rebecca Gibney) and stocked with a original twists on classic characters: a dictatorial director, the always-cast leading lady, a talented ingénue, a buff electrician with a great voice and the shy high school music teacher who wrote it, making themselves and their desires quickly felt. (There’s a feminist thrust to the plot.) The songs are tuneful and witty, the performances fun, the atmosphere charged but charming. Presented in six 20-minute episodes as part of “Masterpiece Theater.” — Robert Lloyd

Emma Thompson as private investigator Zoë Boehm and Ruth Wilson as art conservationist Sarah Trafford in “Down Cemetery Road.”

(Matt Towers / Apple TV)

“Down Cemetery Road” (Apple TV)

Nothing says the holidays like a gripping crime drama where everyone’s a suspect! Apple TV’s smart and unvarnished British series follows Zoë Boehm (Emma Thompson), a private investigator who hasn’t the time or bandwidth for social niceties, shows of emotion or combing her hair. She’s thrown together with homemaker and art restorer Sarah Tucker (Ruth Wilson), a passive suburbanite who likes 4 Non Blondes.

Their sparring personalities create the undeniable chemistry that’s at the heart of this eight-part series, while the drama’s unexpected turn of events and fast pacing make it hard to hit pause. The two women are connected when a deadly residential explosion rocks Sarah’s neighborhood. A woman was killed, but her young daughter, who made it out alive, has mysteriously disappeared. The quest to find the girl pulls the odd-couple investigators into a complex and dangerous cover up by the Ministry of Defense, and they discover the explosion was in fact an orchestrated assassination.

Morwenna Banks’ adaptation of Mick Herron’s debut novel of the same name, “Down Cemetery Road” also features the PTSD-plagued Downey (Nathan Stewart-Jarrett), the villainous Amos (Fehinti Balogun), bumbling agent Hamza Malik (Adeel Akhtar) and his sociopathic boss, C (Darren Boyd). But it’s Thompson’s gruff character who gets the best lines, such as the one she says to a potential client: “I don’t drink Prosecco and I don’t bond emotionally.” The show has already been renewed for a second season. — Lorraine Ali

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Samuel Arnold as Julien in Season 5 of “Emily in Paris.”

(Netflix)

Every office needs a deliciously snarky employee who is too fabulous to work, but still manages to grace the room with their presence to boost the vibe. In “Emily in Paris,” that person is Julien. The quippy, sharply dressed and gossip-loving character, played by Samuel Arnold, has been a bright spot in the series over its run. Initially the guy who liked to remind Emily she was une ringarde American, he’s softened his stance on his fish-out-of-water colleague. But as the Agence Grateau luxury marketing team ventures to Italy this season, which is now streaming, his side eye shifts focus to a new co-worker. Over email, Arnold shared what it was like shooting outside their usual setting and the animated series he returns to over and over. — Yvonne Villarreal

The Grateau team spent time in Italy this season. Some filming took place in Rome and Venice. What’s a memory or experience that stands out from filming there? Did any place there become a go-to spot for you when you weren’t shooting?

Rome was incredible, both on and off screen. One moment that really stands out is when Ashley Park and her choreographer, Carlye Tamaren, taught us one of Ashley’s dance routines. Everyone did so well — and Bruno Gouery was absolutely hilarious. When we weren’t filming, one of our favorite meeting spots was the rooftop at the Minerva Hotel. It’s stunning. In Venice, we would all gather in Bruno Gouery’s room and play a pirate dice game that Lucien Laviscount introduced us to. The city itself felt like a dream.

The series revolves around Emily and her fish-out-of-water experience of building a new life in Paris. How would this series look if it were titled “Julien in Paris”? Five seasons in, what would a slice of his life look like if you could pitch it to Darren Star?

If the show were called “Julien in Paris,” it probably wouldn’t be very exciting — Julien is a Parisian. He has Paris on lock. I like to think he sees himself as the prince of the city. Now, Julien in New York City — opening his own marketing firm there — that’s a different story. I can already feel the drama.

Julien is very discerning and could spot the games Genevieve was playing. How do you think he handled her, and the position he was in, knowing this secret could damage Emily and Mindy’s friendship?

I think Julien handled it pretty well. It’s not a great position to be in. When one friend hurts another, the right thing to do is to encourage the person at fault to do the right thing. And when someone like Genevieve — played by the absolutely lovely Thalia Besson — tries to stir up trouble, Julien definitely knows how to deal with that in the best possible way.

With all the love triangles (and squares), who would you, Samuel, pick for Emily — Gabriel or Marcello? And for Mindy — Nicolas or Alfie?

I don’t think I should be picking men for those women. What I can say is that they should follow their hearts and embrace whatever comes with that. Honestly, we should all try to do the same.

What have you watched recently that you’re recommending to everyone you know?

I recently watched “Safe House” [Netflix], with Lucien Laviscount as a badass action hero. The casting is great, the ending really catches you off guard, and Lucien does his own stunts — which makes it even more impressive.

What’s your go-to comfort watch — the movie or TV show you always come back to?

“Rick and Morty” [Hulu]. It never gets old. It’s funny, packed with pop-culture references — which I love — and the voice acting is just incredible.

Through a near-perfect nonconference slate, no matter what was thrown USC’s way, whether injuries or other unforeseen circumstances, the Trojans had never lacked for life on the court. It was that endless energy that had helped power them to a 10-1 start.

But for a while Wednesday, that vigor was conspicuously absent against Texas San Antonio, a team that lost four of its last five. Maybe it was the setting, in a mostly empty and eerily quiet Galen Center. Maybe it was the “devastating” news from earlier in the day, as USC announced that point guard Rodney Rice would undergo shoulder surgery and miss the rest of the season.

Whatever it was, USC was eventually able to shake it off Wednesday night, turning a deficit late in the first half to a convincing, 97-70 victory over San Antonio in the second.

The blip, however brief, would beg questions of how a short-handed roster might handle the brutal Big Ten slate that awaits USC in two weeks’ time. The Trojans start that stretch with an especially savage span that includes three top-10 teams in No. 2 Michigan, No. 9 Michigan State and No. 6 Purdue. Whether they can weather that stretch without three players coaches expected to be top contributors should say a lot about where the Trojans are headed this season.

Chad Baker-Mazara reacts after scoring on an offensive rebound in the first half.

(Gina Ferazzi / Los Angeles Times)

“Without them, we’re going to have to grind and play so hard to win games,” coach Eric Musselman said. “We have a lot to clean up, and we have to exceed the opposition from a playing-hard standpoint. We’re undermanned. We don’t have Alijah Arenas. We don’t have Rodney Rice. And we don’t have Amarion Dickerson. That’s a lot.”

That grind was the focus of Musselman’s message to his team at halftime Wednesday, after USC had come out looking unusually lifeless. Through the game’s first 15 minutes, the Trojans were outhustled and outworked on the glass as the Roadrunners drew fouls, forced turnovers and racked up seven early offensive rebounds.

With 3:38 remaining in the first half, they were still trailing the 4-6 Roadrunners, who in their last two had lost to Alabama by 42 and Colorado by 24.

But when the Trojans finally turned it on, in the final minutes of the first half, there was no stopping the onslaught. Ryan Cornish hit a jumper. Ezra Ausar took a steal to the hoop. Chad Baker-Mazara dunked home a missed three. USC finished the first half on a 13-0 run and took control from there.

It did so in the same fashion it had in pretty much every game since Rice went down, by leaning on Baker-Mazara and Ausar, who are averaging a combined 38 points per game.

Both emerged like a shot of adrenaline after halftime. Mazara poured in 17 second-half points to give him 20 total for the game, while Ausar, the nation’s leader in free-throw attempts, continued bullying defenders in the paint.

Ausar finished with a game-high 22 points and added 10 rebounds, giving him his first double-double of the season.

“My energy is contagious, and humbly, once I’m going, everybody is going,” Ausar said. “If my energy ain’t right, my team’s energy ain’t right.”

He’ll be especially critical next month, with a series of bruising Big Ten frontcourts awaiting the Trojans.

“Ezra is going to keep getting better,” Musselman said. “His basketball future is so bright. He hasn’t even tipped what he’s going to be. … We’re gonna rely on Ezra to keep this group together and be a leader, and he’s done that.”

Arenas returns to practice in the coming days and will hopefully be ready to go by mid-January. Others will have to make the mark, until then, if USC hopes to survive that stretch short-handed.

Against San Antonio, it was Cornish who answered the call. The Dartmouth transfer had played more than 15 minutes in a game just once this season before Wednesday. But in his first start at point guard, Cornish came alive with 18 points, including four three-pointers.

“He was at the bottom of the roster almost, and he’s earned what he’s getting,” Musselman said. “We need people to step up, and we need to develop our roster the best that we possibly can, and Ryan’s a great example of someone stepping up.”

The crowd couldn’t believe what it had just witnessed.

Donovan Dent’s crossover move left a helpless defender watching from behind as he accelerated toward the basket, fans unleashing audible admiration even before the UCLA point guard completed the play with a driving layup.

Poor Noah Meeusen and everyone else who tried to stop Dent.

They were overmatched by the finishing ability and fearlessness of a player who had not shown much of either over the season’s first month, hardly resembling the star the Bruins thought they were getting.

On a revelation of a Wednesday night inside Pauley Pavilion, Dent finally looked like someone who could carry a team.

He did exactly that, the transfer from New Mexico helping the Bruins fend off Arizona State during a 90-77 victory that had his handprints all over it.

There were blow-by layups, floaters, a rare three-pointer and an old-fashioned three-point play on a jumper he threw up while getting fouled and falling down along the baseline. Dent unveiled a full array of moves on the way to scoring 20 points while making nine of 17 shots.

Dent’s understudy also came up huge. After the Sun Devils made things uncomfortably close midway through the second half, pulling to within five points, UCLA reserve guard Trent Perry made sure they would get no closer.

Perry rose for a three-pointer and then after teammate Brandon Williams made an energizing block at the rim, triggering a fast break, Perry found Skyy Clark for a three-pointer that extended the Bruins’ advantage to double digits.

Clark finished with 18 points on the strength of six three-pointers and Tyler Bilodeau added 18 points to help UCLA (8-3) bounce back from its loss to Gonzaga by holding off an old Pac-12 rival. Guard Anthony Johnson led Arizona State (9-3) with 20 points.

Dent’s final highlight came on a pass in transition to an open Clark, who rose for a three-pointer that gave UCLA a 12-point lead. In perhaps the only blemish on his night, Dent logged just four assists to go with his four turnovers.

It was an ensemble performance for the Bruins. UCLA coach Mick Cronin inserted backup center Steven Jamerson into his lineup to start the second half and Jamerson quickly rewarded him by chasing down an offensive rebound in the corner and adding two putback dunks.

But the big story was one of redemption.

It picked up momentum late in the first half when Dent rose without hesitation for a three-pointer. It was only Dent’s second made three-pointer of the season and his first since the season opener after a string of 12 consecutive misses dropped his accuracy from beyond the arc to 7.7%.

It was a stunning dropoff for someone who had made 40.9% of his three-pointers last season at New Mexico. His second make of the season from long distance increased his accuracy to 14.3%, still unsightly but at least no longer in single digits.

What was perhaps most pleasing about Dent’s performance in the first half was his heightened confidence level. He repeatedly beat his defender for driving layups, his aggressiveness an equal asset to his speed in rolling up 13 points on six-for-eight shooting by the game’s midpoint.

Hardy Nickerson, a Verbum Dei grad who played linebacker at Cal, made the Pro Bowl five times, coached in college and the NFL and did two stints as head coach at Bishop O’Dowd in San Jose, has been named head football coach at JSerra.

Nickerson, 60, becomes the first Black head football coach in the Trinity League since it was formed in 2008.

JSerra is hoping to strike gold like Santa Margarita did in hiring Heisman Trophy winner and 15-year NFL quarterback Carson Palmer, who delivered a Southern Section Division 1 championship and CIF state championship Open Division bowl win this year in his rookie season as head coach. Palmer used his NFL connections to put together a top-notch group of assistant coaches.

Nickerson also has lots of NFL connections and far more coaching experience than Palmer. He once was defensive coordinator at Illinois, served as an NFL assistant with the 49ers, Bears and Buccaneers and and has been head coach at Bishop O’Dowd from 2010-13 and from 2022 through this season, when his team won a state Division 5-AA championship.

He takes over a program that went 3-7 last season and cut ties with former Azusa Pacific head coach Victor Santa Cruz. Nickerson will soon learn that coaching in the Trinity League is similar to college and the NFL, where teams expect to win or there is little assurance of keeping a job for long.

With a dominant performance on both sides of the court, including 46 rebounds and 19 steals, the UCLA women’s basketball team beat Cal Poly 115-28 on Tuesday at Pauley Pavilion.

The UCLA (10-1) defense held the Mustangs (2-8) to three points in the second quarter and forced 31 turnovers and single digit scoring in the last three quarters. The Bruins scored 59 points off turnovers. Senior Lauren Betts earned her third double-double of the season with 20 points and 10 rebounds.

Freshman Sienna Betts, the No. 2 recruit from the 2025 class, played her first minutes with the Bruins, sharing the court with her sister for the first time for UCLA. She scored her first field goal in the fourth to give the Bruins their first 100-point game since December 2024 against Long Beach State, which they will face on Sunday.

Sienna earned her first assist in the first quarter with a pass to, who else but, Lauren as she was driving to the basket. Sienna grabbed her first points in her collegiate career off the free-throw line and finished the game with five points and two assists while playing under restricted minutes after missing the first part of the season with a leg injury.

The No. 4 Bruins closed the second quarter with 27 unanswered points, punctuated by a three-pointer by Angela Dugalić at the buzzer.

The Bruins finished the game with five players scoring in double digits. By the end of the third quarter, UCLA held a 70-point lead.

It was déjà vu for the Mustangs, who lost to the Bruins, 69-37, exactly a year ago. Cal Poly was without leading scorer Vanessa McManus.

USC’s starting quarterback is returning for another season in 2026.

Jayden Maiava made it official Tuesday as the school announced that he had re-signed with the program for the upcoming season, his third with the Trojans.

Maiava led USC to a 9-3 record in his first full season as starter after taking over the job during the final month of the 2023 season. He threw for 3,431 yards, 23 touchdowns and eight interceptions. He also added six scores on the ground.

That strong performance led to questions of whether Maiava might declare for the NFL draft. Some prognosticators viewed Maiava as one of the better potential quarterback prospects in a draft especially thin on passers.

Instead, Maiava will run it back at USC, where the Trojans are set to return most of their dynamic 2025 offense in 2026 — the exception being their top two wideouts Makai Lemon and Ja’Kobi Lane, who both declared for the draft. USC announced earlier this week that it had re-signed No. 1 running back Waymond Jordan and receivers Tanook Hines and Zacharyus Williams for the 2026 season.

Maiava’s return now turns the attention to five-star backup Husan Longstreet, who will have a decision to make about his future at USC. It’s unclear if Longstreet would be willing to wait another season behind Maiava.

FROM snowy countrysides to festive city spots, Christmas movies have taken inspiration from a variety of UK locations.

And while the North Pole may be far out of the way, you can get into the spirit by visiting these iconic film spots a little closer to home.

Before you snuggle up to watch your go-to Christmas classics, why not go one step further and visit the exact spot where it was filmed this festive season?

A variety of festive favourites were shot on-site here in the UK, from the star-studded Love Actually to Christmas comedy Nativity!

If you find yourself near any of these famous film locations, celebrate the Christmas season by stepping into the shoes of your favourite festive characters.

Shere, Surrey

This picturesque village hit the big screen when it was featured in The Holiday back in 2006.

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The quaint area consists of historic timber-framed buildings and medieval charm, nestled in the idyllic Tillingbourne Valley.

It played home to Kate Winslet’s Iris who famously swaps homes with Los Angeles resident Amanda, played by Cameron Diaz.

Shere provides the romantic backdrop for Diaz as she finds love with Jude Law during her festive getaway.

And the village also featured in the Bridget Jones franchise, which is often considered another Christmas classic for Brits.

Snowshill, Cotswolds

The quintessential Cotswolds village also featured in Bridget Jones Diary, the first installment of the hit series.

In fact, the film and the entire franchise opens with with Bridget turning up at her parent’s house in Snowshill on a wintry New Year’s Day.

And it is in the same town where the quirky protagonist has her first on-screen encounter with her eventual husband Mark Darcy.

Due to the film’s success and the idyllic scenery, many people now stop for a photo outside the village church or one of the quaint houses that appear in the film.

As a result, Snowshill has established itself as one of Britain’s most popular Christmas film locations.

Brighton Pier

While the iconic seaside attraction may be associated with summer fun, it also has ties to the festive season.

Fans of the animated film The Snowman may recognise the historic pier from the famous Walking In The Air scene.

The main characters can be seen flying over the historic pier as they make their way to the North Pole.

While the sequence may be brief, it is perhaps one of the most famous associated with the beloved classic.

Hogwarts Great Hall

Another children’s classic is of course Harry Potter, a film series often associated with and watched around Christmas.

And while witches and wizards may be akin Halloween characters, the cosy grounds of Hogwarts are perhaps the most enticing when they are decked out for the festive season.

Now fans of the film can step into the magic by visiting the Warner Brothers Studio in Watford.

A quick trip from London, this studio tour offers a stunningly detailed look into the making of the movies, and what better time to visit than in the lead up to Christmas when the Great Hall set is adorned with decorations?

Covent Garden

And in the heart of London is of course the famous Covent Garden, which many argue is the home to the city’s best Christmas tree.

While it is already on most tourist lists, the festive season marks the best time to visit this popular spot.

With a famous Christmas market and choir performances, there’s plenty to get you in the spirit at this time of year.

And fans of the 2019 rom-com Last Christmas are sure to spot many filming spots inside this famous square, which feature heavily in the film.

Emilia Clarke’s Kate works as an Elf in a fictional year-round Christmas shop at this location, while the famous karaoke scene was shot at nearby pub The Harp.

St Luke’s Mews, Notting Hill

And if you’re a fan of Christmas rom-coms, you’ll want to pop over to Notting Hill too.

The beautiful cobbled street of St Luke’s Mews plays the backdrop to arguably the most famous scene from the festive flick Love Actually.

Whether you lap up Mark’s (Andrew Lincoln) cue card love confession to his friend’s new wife, played by Kiera Knightly, or cringe at the iconic scene, you’re sure to recognise this famous street.

While this street it located just off Portobello Road, home to the world’s largest antique market, it is still a residential area so remember to be respectful when visiting.

Coventry Cathedral Ruins

Another British Christmas classic is of course Nativity!, which primary school teacher Mr Maddens, played by Martin Freeman, as he attempts to stage a production of the Nativity.

After telling a white lie to impress his ex, Maddens soon finds himself in the midst of a media storm surrounding the school play.

The mayor even allows the class to perform the highly-anticipated show at the historic ruins of Coventry cathedral in an atmospheric climax to the film.

Paddington Station

And who can talk about beloved British festive flicks without mentioning Paddington?

The iconic bear famously made his way from Peru to the Paddington area of London, after which he was named.

Visitors can visit a statue of the bear at his namesake station, which provided the backdrop for one of the most important scenes in the 2014 film.

Elm Hill, Norwich

The picturesque area of Elm Hill in Norwich features heavily in Netflix’s Jingle Jangle: A Christmas Journey.

Snowy scenery provides a backdrop for the adventure of an old toy maker and his granddaughter.

The cobbled streets, multi-coloured houses, and quaint shops of the town provide the perfect setting for movie magic.

And they also ensure the perfect shot on Instagram, whether you’re a fan of the film or not.

Birdsall House

And finally, this Malton mansion plays home to the Christmas family in 2021’s Father Christmas Is Back.

Kelsey Grammer plays James, the father of Joanna, played by Elizabeth Hurley, who he abandoned years ago.

The festive family flick follows them as they attempt to navigate Christmas together, with many scenes set at the stunning Birdsall House.

This beautiful country house is surrounded by glorious Yorkshire countryside and is a popular wedding venue, with private guided tours of the property are available.

The new rule is based on the Wet Bulb Globe Temperature (WBGT), which measures heat stress in direct sunlight. It involves observing temperature, humidity, wind speed, sun angle, and cloud cover.

If the WBGT reaches 30.1C or higher during the first two sets of a best-of-three match, either player can request a break of 10 minutes to cool off.

Under the supervision of ATP medical staff, players can hydrate, change clothing, shower and receive coaching.

Play will be suspended when the WBGT exceeds 32.2C.

“The new heat rule provides a structured, medically supported approach to managing extreme heat, with the objective of safeguarding player health, while also improving conditions for spectators, officials, ball persons and tournament staff,” the statement added.

Stranger Things fans have pinpointed a specific tragic moment in the season 5 volume 2 trailer.

Stranger Things fans are in a frenzy after Netflix released the official trailer for the second part of season five. The epic video shows Will Byers (played by Noah Schnapp) feeling deflated after the gang failed to save the children from Vecna (Jamie Campbell Bower).

The teaser also shows Max Mayfield (Sadie Sink) and Holly Wheeler (Nell Fisher) as they attempt to escape Vecna’s trap, while the rest of the gang discover something major about the Upside Down.

While many fans still believe Steve Harrington (Joe Keery) could be at risk in the final season, other viewers believe another major death has flown under the radar, until now. They took to YouTube to pinpoint a specific moment, just over half-way into the video, when one of the main characters is seen coming face to face with a Demogorgon.

Robin Buckley (Maya Hawke) is seen walking down a hospital corridor, flanked by two armed men, as a Demogorgon comes charging towards them. The camera then turns to face the Demogorgon as it lunges at its target. @Kaiiizerrrp said: “1:18 omg, did you see Robin behind the military? [crying emoji]” While @Obama_Plays added: “Omg Robin please runnn” and @Sham-d3y shared: “I am gonna cry so bad.”

More fans picked up on the hint, with @AviAuthorColorado adding: “I’M GONNA CRY BRO LIKE ACTUALLY,” and @Sham-d3y expressing: “FINALLY SOMEONE SAW IT. I AM 100% SURE THAT’S THE SAD DEATH WHICH THE DUFFERS WERE TALKING ABOUT, IT WAS ROBIN ALL ALONG.”

This could be the case as episode five is titled Shock Jock, which refers to a DJ on a radio show who expresses opinions in a deliberately offensive or provocative way. At the start of season five, viewers saw Robin hosting her own show for The Squawk, which serves as a decoy for them to relay information regarding military operations to the Upside Down and the rest of the gang.

This is not the first time fans have predicted Robin’s death, as they believe Netflix had teased her demise after the unveiling of some photos for the fifth and final outing. The official Netflix Instagram account posted multiple photos showing cast members staring at an unseen threat, but one person was left out.

Robin’s absence did not go unnoticed, with one fan writing: “UM HI I BEG YOUR FINEST PARDON WHERE IS MY GIRL ROBIN AT?” Another added: “Hahaha very funny, where the HELL is Robin.”

Robin’s role in season five was pivotal as she helped Will harness his powers by making him believe in himself and not fear his authenticity. She also helped validate Will’s feelings when it came to romance, as she opened up on her relationship with Vickie Dunne (Amybeth McNulty).

Fans took to Reddit to explain how they believed Robin’s emotional speech in volume one of the final season is “SO intensely ‘this character will die’ coded.” MedievZ said: “The Duffers most definitely are not killing off the main core cast. Steve is too obvious of a death.

“Robin is the perfect character to die and get the maximum emotional impact while fitting into the story nicely and being an unexpected gutpunch. We do not see much of Robin in the remaining trailer shots.”

Elsewhere in the season five, volume two trailer, Eleven (Millie Bobby Brown) was seen asking Kali (Linnea Berthelsen) to help her find and kill Venca, after the character’s epic return was unveiled in episode four. Dustin Henderson (Gaten Matarazzo) and Steve were also seen making a pact as they said: “You die, I die.”

Regardless of whether she meets her demise in the final season, Robin is set to live on through the latest Stranger Things novel – One Way or Another. The book, by TV writer and novelist Caitlin Schneiderhan, focuses on Nancy Wheeler (Natalia Dyer) and Robin as they solve an unexplained phenomenon.

The story is set following the events of Stranger Things season four – two months since Vecna’s earthquake tore through the town. Nancy and Robin are convinced they have discovered Vecna’s next victim – fellow student Joey Taft.

Stranger Things season 5 part 2 airs on Christmas Day in the US and Boxing Day in the UK

DALLAS — Mikko Rantanen, Matt Duchene and Wyatt Johnston had a goal and an assist each and Casey DeSmith tied a Dallas record with his 11th consecutive game earning points as the Stars rallied past the Kings 4-1 on Monday night.

Oskar Back scored his first NHL winning goal for the Stars, who are second in the overall standings and avoided their first three-game losing streak since mid-October.

DeSmith made 27 saves and is 8-0-3 after losing his first start of the season, matching Ed Belfour’s 8-0-3 run during the 1998-99 season.

Andrei Kuzmenko scored an unassisted five-on-three goal for the Kings, who have lost their last three games and five of seven.

Kings goalie Anton Forsberg stopped 17 shots, entering play with four minutes left in the first period after starter Darcy Kuemper was hit high by Rantanen and sustained an upper-body injury.

L.A. was also without Quinton Byfield and Phillip Danault because of illness.

Duchene’s redirection at the net tied the score 1-1 late in the second period and was his first point in five games since missing 24 games following a concussion in mid-October.

Duchene’s goal came about four minutes after Kuzmenko opened the scoring.

Rantanen skated with the puck from Dallas’ defensive zone and gave Dallas a 3-1 lead with 3:49 to play. Johnston added an empty-netter in the final minute.

Kuemper left after the hit from Rantanen, who skated into the crease with the puck while manned by Brian Dumoulin. Johnston scored seconds after the collision, but the play was ruled goalie interference. Kuemper was soon led off the ice, having made five saves.

Four of Kuzmenko’s five goals this season are power-play goals on a team whose power play ranks last in the NHL at 14.7%.

BERKELEY, Calif. — Mike White, who had a successful career as a college coach with California and Illinois and later coached the NFL’s Oakland Raiders, has died. He was 89.

Cal said White’s family confirmed that he died Sunday in Newport Beach.

White helped the Golden Bears win a share of the Pac-8 title in 1975, led the Illini to their first Rose Bowl in 20 years in the 1983 season and coached the Raiders in their first two seasons back in Oakland in 1995-96 after leaving Los Angeles.

He also worked as an assistant for the San Francisco 49ers and was on Dick Vermeil’s staff with the St. Louis Rams when they won the Super Bowl following the 1999 season.

“Mike was special,” said Burl Toler Jr., a linebacker who played at Cal under White from 1974-77. “He treated us like men and with a lot of respect. Mike was a very gifted and smart coach who loved Cal and loved being a coach, and he surrounded himself with a lot of like minds who instilled in us a will to succeed.”

White was a four-sport student-athlete at Cal in the 1950s and spent time as an assistant with the Bears and at rival Stanford before getting the head coaching job at his alma mater in 1972.

White had a 35-30-1 record in six seasons at Cal, with his biggest success coming in 1975 when he was named coach of the year after the Bears finished tied with UCLA for first place in the conference. Cal finished 14th in the nation with an offense that featured Chuck Muncie and quarterback Joe Roth.

White also coached quarterback Steve Bartkowski earlier at Cal and helped develop him into the No. 1 overall pick in the 1975 NFL draft.

He then left for the NFL, spending two seasons as an offensive line coach for the 49ers, before returning to college in 1980 with Illinois. He led the Illini to a 47-41-3 record with three bowl trips, including a loss in the 1984 Rose Bowl to UCLA.

That 1983 Illinois team went 9-0 in the Big Ten and is the only team in conference history to beat every other conference opponent in the same season.

White then returned to the NFL in 1990, spending five seasons as an assistant with the Raiders before taking over as head coach. He had a 15-17 record before getting fired after the 1996 season.

Dubow writes for the Associated Press.

An MRI has confirmed that Green Bay Packers star edge rusher Micah Parsons suffered a torn anterior cruciate ligament in his left knee during a non-contact play Sunday against the Denver Broncos, according to multiple media sources.

Parsons, a four-time Pro Bowl selection who was acquired from the Dallas Cowboys in August, will miss the rest of the season.

“I may be sidelined, but I am not defeated,” Parsons wrote Monday on X. “This injury is my greatest test—a moment God allowed to strengthen my testimony. I believe He walks with me through this storm and chose me for this fight because He knew my heart could carry it.

“I’m deeply grateful to the Packers organization and my teammates for their unwavering support, love, and belief in me during this season. I trust His timing, His plan, and His purpose. I will rise again.”

During the third quarter of Green Bay’s 34-26 loss to the Broncos, Parsons was chasing Denver quarterback Bo Nix when he suddenly pulled up and fell down. Asked after the game about the possibility that Parsons tore an ACL, coach Matt LaFleur simply said: “It doesn’t look good. I’ll leave it at that.”

The loss dropped Green Bay (9-4-1) from the top of the NFC West to the No. 7 spot in the NFC playoff standings. The Packers have a key divisional matchup with the Chicago Bears (10-4) on Saturday.

Parsons spent his first four seasons with the Cowboys but requested a trade during a contract dispute. The Packers acquired him on Aug. 28, sending Dallas their first-round picks for 2026 and 2027 as well as veteran defensive lineman Kenny Clark.

He finishes the season with 12.5 sacks.

Parsons was the second major NFL star to tear an ACL on Sunday afternoon. Earlier in the day, Kansas City Chiefs quarterback Patrick Mahomes suffered the same injury to the same knee during a 16-13 loss to the Chargers.

Hi, and welcome to another edition of Prep Rally. My name is Eric Sondheimer. The high school football season has ended. That means it’s time for quarterbacks and others to transfer and lots of coach resignations and firings. Let’s examine the yearly ritual.

Change is coming

Welcome to December, when high school football programs start undergoing changes, with players and coaches deciding to come and go. JSerra, St. Francis, Bishop Alemany, Oaks Christian and Bishop Montgomery are private schools that pretty much got rid of their head coaches and have openings. Long Beach Poly, the most well-known public school in California, is advertising for a new coach after firing its coach following a season in which games were forfeited because of multiple ineligible players.

The question these days is what do principals/school presidents want from their football program besides winning and how do they want the coaches to execute that vision without breaking CIF rules?

Everyone knows recruiting is illegal as far as offering inducements to attend a school. There are no athletic scholarships allowed (wink, wink it’s called financial aid), Boosters and schools can’t set up NIL deals for players. Schools and boosters aren’t allowed to provide housing or jobs for parents as part of a deal for the child to attend.

In fact, many of these scenarios have been happening in the hope of chasing championships.

Whether it’s a public or private school, the people in charge must decide how high their ambitions are and how close to passing the gray line will they permit. People are starting to get caught. More than 40 students this season were declared ineligible by the Southern Section for providing false information on transfer paperwork. The players and their parents didn’t come out looking good and schools were equally at fault for failing to do their due diligence.

It’s OK for athletic directors to say no on transfers that look suspicious, but who’s really going to say no to a top quarterback? There’s nothing wrong with switching schools as long as rules are followed. Taking shortcuts with fake addresses and having assistants scout and make contact through parents, players or social media doesn’t pass muster.

So all the schools changing coaches and trying to rebuild or avoid rebuilding through the transfer portal, beware. The tricks of the trade are being exposed. AI is helping uncover cheaters. Maybe administrators should start offering a vision to focus on building a program from within and developing your own players.

Anyway, prepare for transferring to commence. It’s has become a rite of passage in high school sports, just like the college transfer portal.

State championships

Trent Mosley of Santa Margarita holds the CIF state championship Open Division trophy after beating De La Salle.

(Craig Weston)

Santa Margarita was unbeatable in the postseason, so much that first-year coach Carson Palmer said he wished his team could keep playing after the Eagles’ 47-13 win over De La Salle in the CIF state championship Open Division final. Here’s the report.

It was a tough weekend for Southern Section teams not named Santa Margarita. Oxnard Pacifica lost to Fresno Central East 42-28 in the 1-A final. Here’s the report.

Rio Hondo Prep’s dream of a 16-0 season ended with a 35-10 loss to Sonora in the 2-A final. Here’s the report.

Barstow was the only other Southern Section team to win a state title.

Here’s the complete results.

Boys basketball

Rancho Verde players get excited during tournament game against Etiwanda.

(Nick Koza)

Lots of teams are headed to Las Vegas this week for the Tarkanian Classic while others are taking trips to Hawaii.

Continuing to make a move is unbeaten Etiwanda, which won the North Orange County tournament championship, beating Heritage Christian in the final. The real event was Etiwanda and coach Danny Ryan facing Rancho Verde and coach Braydon Bortolamedi in the semifinals. Both trained under former Etiwanda coach Dave Kleckner, so their teams were using identical warm-up routines and focusing on Kleckner’s philosophy, defense first. Etiwanda won 63-57.

Mater Dei picked up the 1,300th win in the career of coach Gary McKnight.

Jason Crowe Jr. of Inglewood gets emotional with his grandfather, Kenneth, and mother Irene, after setting career scoring record against Beverly Hills.

(Nick Koza)

Inglewood guard Jason Crowe Jr. set a state record for most points scored in a career. Here’s a report.

St. John Bosco won its own tournament championship behind MVP Christian Collins, who scored 30 points in a win over La Mirada. The Braves are 8-0.

Freshman Will Conroy of Village Christian scored 38 points in a win over Chatsworth.

Grant Shaw, the son of Oak Park coach Aaron Shaw, made a game-winning basket to beat Agoura. Here’s the report.

Here’s this week’s top 25 rankings by The Times.

Girls basketball

Jerzy Robinson, one of the top players in the state, made her season debut for Sierra Canyon last week after being sidelined with an injury.

Sage Hill, one of the top programs in the Southern Section, has replaced coach Kerwin Walters, sending shock waves through the coaching profession. It was first reported by the Orange County Register.

Running on the street

A car driven by a suspected driver under the influence slammed into and injured seven Anaheim High runners going out on a training session near campus last week.

It raised questions once again about high school athletes and others training on the streets of Southern California.

Here’s a look at one former athlete who was struck by a car when he was at Monroe High and how he views this latest incident.

Soccer

Loyola knocked off Cathedral in a battle of downtown Los Angeles boys soccer programs. Here’s the report.

Amber Ramirez had two goals as Cleveland defeated Sherman Oaks Notre Dame 2-0 in a big girls soccer match.

Notes . . .

Vinnie Lopez is the new football coach at Anaheim Canyon. He has lots of head coaching experience, including at Garden Grove Pacifica. . . .

After eight years as football coach at Oaks Christian, Charlie Collins and the school have parted ways. It creates another private-school opening that includes JSerra, St. Francis, Bishop Alemany and Bishop Montgomery. . . .

Todd Butler has resigned after five seasons as football coach at West Torrance to become offensive coordinator at El Camino College. . . .

Michael Calahan has resigned after six seasons as football coach at Aliso Niguel. . . .

Arlin Slayton has resigned as football coach at Rosemead. . . .

Harvard-Westlake’s power-hitting Jake Kim has committed to UCLA. He’s from the class of 2027. . . .

Junior pitcher Aiden Rae of JSerra has committed to UCLA. . . .

La Salle girls basketball player Casey Higgins has committed to Cal State Los Angeles. . . .

The All-CIF girls volleyball teams were announced. Here’s the link. . . .

There will be an all-star football game on Saturday at Simi Valley High. Here’s the information.

Former Los Alamitos receiver Makai Lemon won the Biletnikoff Award as college football’s top receiver playing for USC.

From the archives: Jeff Kent

Former Dodger and Edison grad Jeff Kent was voted into the Hall of Fame by era committee.

(Stephen Dunn / Getty Images)

The newest member of baseball’s Hall of Fame is Jeff Kent, who graduated from Edison High in Huntington Beach in 1986, went to Cal, then played 17 years in the major leagues.

Here’s a story from 1986 in which Kent got dropped from Edison when he disagreed with a position change.

Here’s a story from 1992 when Kent addressed his Edison days.

Recommendations

From the Washington Post, a story on a 6-foot-11 high school basketball player who reclassified trying to speed up a potential NBA career.

From the Seattle Times, a story on a high school football player who led his team to a state championship but might have hurt his college chances by playing running back instead of linebacker in a selfless decision.

From the Washington Post, a story on how self promotion in high school sports has become part of the recruiting experience.

Tweets you might have missed

Until next time….

Have a question, comment or something you’d like to see in a future Prep Rally newsletter? Email me at eric.sondheimer@latimes.com, and follow me on Twitter at @latsondheimer.

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The UCLA gymnastics team offered fans a sneak peek of what can be expected during the 2026 season at its annual Meet the Bruins event Saturday.

The Bruins are coming off a runner-up finish at the NCAA championships and a sweep of the Big Ten regular season and conference titles.

Bar routines have been an area of growth for UCLA during the past season, and the team is shaping up to have better depth. The gymnasts have been pushing each other to improve, and UCLA coach Janelle McDonald is pleased with the progress.

UCLA gymnast Jordan Chiles, center, fires up teammates during the Meet the Bruins exhibition on Saturday, Dec. 13, 2025, at Pauley Pavilion.

(Dylan Petrossian/UCLA Athletics)

“Really excited about where we are at on bars,” McDonald said. ”I feel like it can be a great event for us and just really working on the consistency of the details right now.”

There are skills the Bruins want to clean up and tighten before the first meet of the new season in January, including sharper execution and landings.

“There were a couple of uncharacteristic things that we don’t typically see in practice, people that are really consistent with sticking and having steps,” McDonald said after the Meet the Bruins exhibition.

The seniors say they are focused on adding routines and events, emphasizing learning, growing and pushing themselves in their final year.

“I feel like both Ciena [Alipio] and Maddie [Anyimi] have had that mentality all summer long to really be able to come into the preseason and make a statement. It was great to see them out there in different events and to see them perform so confidently,” McDonald said.

Sophomore Macy McGowan did not perform on floor due to an injury and has been working throughout the offseason, building back each week to get stronger.

Jordan Chiles showed off her Prince themed floor routine for the final time and will replace it with something new during the competition season.

“I am really excited to do this floor routine,” said Chiles, who was a finalist on “Dancing with the Stars” during the offseason. ”We’ve already started and honestly, I’m like, ‘This is not Jordan. I’ve done the cutesy, I’ve done the hip-hop, I’ve done all those things and this is more the passionate, confident last era of being a Bruin.’”

Freshman Ashlee Sullivan stepped onto the Pauley Pavillion floor for the first time and has been adjusting to the transition from elite competition to collegiate gymnastics.

“When I came here, we were already hitting the ground running,” Sullivan said. “Like everyone looked so good. The team looked competition ready. Feeding off of that, everyone … pushes me to be [the] best I can.”

Tiana Sumanasekera, Nola Matthews, Jordis Eichman, Kai Mattei, Ava Callahan and Sullivan joined the roster this season, bringing a wide variety of skills to the UCLA lineup.

The 2026 season begins Jan. 3, when the Bruins will compete against Washington, California and Oregon State.

Morgan Frost scored in overtime and Blake Coleman had a short-handed goal in the Calgary Flames’ 2-1 victory over the Kings on Saturday night.

Dustin Wolf made 20 saves for the surging Flames, who have won eight of their last 12 games, with Wolf winning his last four starts.

Frost finished off a three-on-one break from Jonathan Huberdeau at 1:06 of overtime for his eighth goal of the season, and Calgary took advantage of its reprieve after Anze Kopitar’s apparent winner 33 seconds into the extra session was overturned for a kicking motion following a video review.

Adrian Kempe scored for the Kings, and Darcy Kuemper made 36 saves. The Kings played their 14th game decided in overtime or a shootout out of 21 total one-goal contests this season.

The Kings got off to a strong start with Kempe netting his fourth goal in seven games on a one-timer midway through the first period. He has two goals and five points during a four-game streak.

But the Flames responded with a dominant second period, posting a 17-3 advantage in shots and finally breaking through when Coleman picked off Kevin Fiala’s pass and raced the other way on a breakaway before burying a wrist shot from the slot. It was Coleman’s third shorthanded goal of the season and Calgary’s fifth.

Up Next

Kings: At Dallas on Monday night. Flames: At San José on Tuesday night.

SEATTLE — Strengthening its commitment to Mick Cronin, UCLA quietly awarded its men’s basketball coach a new five-year contract last summer that runs through the 2029-30 season, according to documents reviewed by The Times through a public-records request.

The contract that was signed by Cronin and athletic director Martin Jarmond in May and took effect June 1 will pay Cronin $4.5 million per season, a slight raise over the $4.1 million he was making under the previous contract that was set to expire after the 2027-28 season.

“I’m honored to be the coach at UCLA,” Cronin told The Times late Saturday night after his team’s 82-72 loss to Gonzaga at Climate Pledge Arena. “For me, I have no inklings of being anywhere else. I’ve had many offers to do so. I’m where I want to be so I’ll always say the same thing — it was surreal when I got the job and I’m just working hard to do everything we can to upgrade our program to a point to where we can try to win the title for our fans, and that’s all I really worry about. I’m at that point in my career, so if they want to extend me, I take it because I’m not looking to go anywhere.”

The contract was not announced at the time it was signed, according to an athletic department spokesperson, because of the financial climate within the university, particularly given the prospect of federal funding cuts.

Cronin’s contract was signed not long after he guided UCLA to the second round of the NCAA tournament, where the Bruins lost to Tennessee. Cronin’s previous teams reached the Final Four in 2021 and the Sweet 16 in 2022 and 2023.

Cronin, 54, has compiled a 145-67 record in seven seasons with the Bruins, his accomplishments including a Pac-12 title in 2023 that his team won by a four-game margin over second-place Arizona.

His new contract includes a buyout provision that calls for him to be paid $22.5 million if he’s terminated without cause through March 31, 2026. The buyout amount drops to $18 million if he’s terminated without cause through March 31, 2027; $13.5 million through March 31, 2028; $9 million through March 31, 2029; and $4.5 million through March 31, 2030.

The buyout includes a mitigation clause that would offset UCLA”s buyout obligations through future employment over the duration of the contract.

If Cronin were to leave for another job, he would owe UCLA $15 million through March 31, 2026, with that amount dropping to $12 million through March 31, 2027; $8 million through March 31, 2028; $6 million through March 31, 2029; and $4 million through March 31, 2030.

The bonus structure in Cronin’s contract calls for him to make $25,000 for a conference championship and $15,000 for a conference tournament championship. He’ll get an extra $45,000 if the Bruins make the NCAA tournament, $25,000 for making the second round, $40,000 for making the Sweet 16, $25,000 for making the Elite Eight, $50,000 for making the Final Four, $25,000 for making the championship game and $50,000 for winning the national title. If Cronin is selected conference coach of the year, he’ll make an additional $10,000.

Cronin could be awarded additional amounts for his team’s academic performance, along with retention bonuses of $500,000 if he’s employed through April 15, 2026; $600,000 if he’s employed through April 15, 2027; $700,000 if he’s employed through April 15, 2028; and $700,000 if he’s employed through April 15, 2029.