What in the name of common sense is a 16-year-old who lives in Venice dreaming about competing in the Olympic Games as a snowboarder instead of a skateboarder or surfer?
“I really liked skateboarding but needed something more exhilarating flying into the air,” said Tristam Henkels, who’s been spending this month training in Switzerland and Austria as a member of the U.S. snowboard rookie team for halfpipe.
He used to spend nine hours a day skateboarding at a park in Santa Monica. He watched snowboarder Chloe Kim compete at the Mammoth Mountain World Cup shortly before her gold-medal performance at the 2018 Winter Olympics in PyeongChang.
Then his mother, Judy, decided to become his chauffeur when he was 10, taking him to Big Bear to practice snowboarding. She’s still traveling with Tristam, who’s enrolled in an online school but prefers snowboarding over everything else. He previously attended Canyon Elementary School in Santa Monica.
He’s so obsessed with being the best that three broken arms suffered from falls, along with a compression back fracture, hardly deters him to think twice about flying through the air trying to perform tricks. He did admit that hitting ice feels like hitting concrete, so he has learned to be careful and hasn’t had any major injuries in the last three years.
“If you fall and get back up, you’re going to be stronger the next time,” he said of his philosophy during a phone conversation from Switzerland.
There will be lots of competition for a 2030 Olympic team berth in France. Henkels is working his way up in a sport filled with talented athletes who have to maneuver their bodies like a gymnast in pursuit of a perfect score of 100 from the judges.
This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.
National treasure and musical icon “Weird Al” Yankovic may have once titled an album “Straight Outta Lynwood” to pay homage to the Los Angeles suburb where he was raised, but he’s lived in the same Hollywood Hills home since 2001, the year he married his wife Suzanne.
Though he says the two are “homebodies,” they do enjoy getting out and exploring L.A. When he was bored during the pandemic, Yankovic made it his mission to find the city’s best culinary offerings for categories like doughnuts and chocolate chip cookies. What else would you expect from the guy who made “Eat It”?
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Yankovic gets most of his food recommendations by either word of mouth or scrolling Instagram reels. “I’ll see something that looks delicious and I’ll go, ‘Oh, where’s that?’” he says. “Sometimes it’s in Tokyo, but if it’s in L.A., I’ll make a note and maybe check it out sometime.”
When Yankovic spoke to us, he was wrapping up his Bigger & Weirder tour, which spanned two years and included 165 concerts. His last appearance of the year takes place on Halloween at the Greek Theatre. The one-time event will feature a showing of “UHF,” the 1989 cult classic film that he co-wrote and starred in, along with a live orchestral performance of its score conducted by John Du Prez, a Q&A session and surprise guests.
This interview has been lightly edited and condensed for length and clarity.
My favorite breakfast treat is Courage Bagels. I wouldn’t actually go to Courage Bagels on a Sunday morning, so the standard protocol is every six to eight weeks I drive out there and just get a big bag full of assorted loosies, as we call them. Then I immediately go home and slice them in half and wrap them in cling wrap and put them in an airtight Ziploc baggie and throw them in the freezer.
Then whenever I want one, I just take it out, I sprinkle a little water on it, toast it, cover it with Violife vegan cream cheese, a little slice of tomato, a little onion, some fresh ground pepper, some Maldon salt, a little Graza drizzle and maybe a little lemon twist.
A lot of New Yorkers might say, ‘Oh, that’s not a real bagel’ — because it’s not a real New York bagel, they call it a Montreal-style bagel — but it’s what I like.
10 a.m.: Sunday service
I go to church. I don’t manage to go to church when I’m on the road, but when I’m at home, I do.
Noon: Old and newer favorites
After church, since I’m already out and about, I pick up a little lunch to go. If I’m in the mood for Indian, I’d probably go with Curry Kingdom on Santa Monica. It’s a really small hole-in-the-wall place with great food.
If I want Thai, I’d probably do Toi on Sunset, which is one of my old standbys. I’ve been going there for decades. I love the food. I love the funky rock ‘n’ roll vibe. We probably eat in more than we take out there. If I’m dining with the family, we try to get the low table in the back where you can sit on the floor. You’re not allowed to take off your shoes, they make that very clear.
1 p.m.: Members only
There’s honestly nothing better than a Sunday afternoon nap, so that would be a big attraction for me. But if there’s something cool playing at the Directors Guild or the Writers Guild, my wife and I love doing that. The DGA is maybe the best place in L.A. to actually watch a movie. I’ve had both of the movies that I’ve done in my life screened at the DGA and I’ve never seen them look better or sound better.
I am a member of the Directors Guild and the Writers Guild. I pay my dues, so I want to take advantage of that and see as many movies there as possible. And honestly, my wife and I will go there even if it’s a bad movie because we’re just entertained by seeing the illusion of motion created by a rapidly projected series of still images.
3 p.m.: All who wander
We might do a little of what we call tumbleweeding. That’s what we call rolling around town with no set destination in mind, just going wherever the wind blows us. We just get in the car and see where we wind up.
A lot of times we’ll wind up in Silver Lake or Little Tokyo. We love to stop there and grab a little mochi candy or matcha ice cream to keep us awake.
6 p.m.: Pizza or Postmates
By that point, we’re probably ready for dinner. I hesitate to plug them because it’s already virtually impossible to get reservations there, but Pizzeria Sei has absolutely the best pizza you can get west of New York City. Their Special Margherita’s my go-to. It’s Neopolitan-style with a bit of Japanese flair. My wife and I always comment after dinner that you can eat there until you’re absolutely stuffed and you never feel gross afterwards.
But again, reservations are hard to come by, so another good option is our favorite Mexican food place, which is the Gardens of Taxco. It was off of Santa Monica Boulevard for forever. Sadly it closed down a few years ago, but you can still order their food from Postmates. The only difference is now Jaime won’t be serenading you with “Bésame Mucho” while you’re eating your quesadilla.
8 p.m.: Choose your own post-dinner adventure
My wife and I just love staying home. We celebrate whenever plans get canceled, that kind of thing. So if we’re staying at home, sometimes we’ll just grab a blanket and go into the den and get cozy on the couch and binge something on our big TV. I’ve seen a lot of shows on the road and my wife will get jealous that I watched without her, so I’ll watch the whole series again at home with her.
If we feel more energetic, because I’m not really a gym guy, I do like to walk. My wife and I are trying to stay healthy together. We never really feel like exercising, but we force ourselves, so we will drive to Beverly Hills and do the walking path along Santa Monica Boulevard, which is quite lovely. It goes through a cactus garden. It’s also fun to FaceTime our daughter while we’re walking. She’s living on the Lower East Side in New York, but we talk to her pretty much every day, and that’s a nice time to touch base with her.
We’ll walk for a couple hours, and if we’re in the mood for a drink or a treat, we’ll head across the street to heytea or Go Greek. Go Greek is a big favorite of ours, and it’s crazy busy in the evenings, but it’s definitely worth waiting for.
And if we’re feeling social, something we absolutely love is doing a ding dong. Maybe that only makes sense to a small handful of people, but it’s basically a musical dinner party, and the one that we go to is full of really cool and talented people like Eric Idle, Peter Asher, Mike Geier (who’s Puddle’s Pity Party, who I’m touring with currently), and a bunch of other amazingly talented musicians. We all just bring our instruments and have a potluck dinner, and then we’ll just sit around in someone’s living room singing old Beatles songs all night long. It’s the absolute best. It’s one of those things I can’t believe I get to do.
Late night: Rock ‘n’ roll hours
Right now, I’m sort of on my rock ‘n’ roll schedule, I tend to stay up pretty late at night anyway, and my wife has got a more normal schedule. If we can go to bed at the same time, that’s great, but if not, my wife will head to the bedroom and I’ll stay in the den with my headphones on and I’ll play video games until the wee morning hours. When I finally get tired of shooting people in the face, then I’ll snuggle in next to her and fall asleep.
Cindy Crawford and family paid homage to her son, Presley Gerber, in their first public statements since his death at 27.
The supermodel and actor shared a smiling black-and-white portrait of Gerber along with a heartfelt message, writing, “We are beyond heartbroken to lose our beloved son and brother. We feel so blessed to have had Presley in our lives for 27 years.”
She continues, “He is a sweet, beautiful soul who loved and is loved, now and forever. We are so proud of how he showed up in the world, with kindness and vulnerability. We are grateful for the outpouring of love and support from so many who know and love our family and even strangers who feel our pain. Til we meet again our sweet boy. We love you forever, Mom, Dad and Kaia.”
Crawford concluded the post by thanking photographer Sebastián Faena for taking the image of Gerber, who appears to have angel wings.
Gerber, the brother of model Kaia Gerber and only son of Crawford and her husband, Rande Gerber, died Sept. 20 at a luxury rehab center called Resolutions Living in Santa Monica.
Kaia Gerber shared her own Instagram tribute honoring her late brother. In it, she shared a video of the two of them as children, with the caption “i love you the bluest, to the moon and back and back again, forever big brother.” The post also included a photo of the siblings as children on the beach.
In a lengthier essay included with the photo and video, she addressed the emptiness she’d felt in the weeks since her brother’s death.
“I am learning how to love you when I cannot see you. How to tell you something without picking up my phone to call you. How to be your sister in a world that I can’t reach for you in,” she wrote, adding, “I don’t know how to do that yet.”
Presley, who had been candid about his struggles with addiction and mental health during public appearances on his social media account, entered the Resolutions Living home on Sept. 19. The following morning, he was found dead of what police said was a drug overdose.
As of Sunday, the Santa Monica Police Department was still investigating the source of the drugs Gerber had taken.
An autopsy was performed, but the cause and manner of death have been deferred, “which means additional testing and/or studies were requested in order to make a determination,” according to a Sept. 21 statement from the Los Angeles County medical examiner. It could take a few months for a cause of death to be determined, the statement continued.
His death has sparked questions about how he could overdose on drugs inside the Resolutions Living home. The L.A. Times reported that the facility operates in a regulatory gray area and is not authorized to provide medical care.
The California Department of Health Services is investigating whether Resolutions Living was providing any services that would require a state license after receiving a complaint about the sober living home in September, according to department spokesperson Anthony Cava.
For decades, the bold, mid-century building at Lincoln and Olympics boulevards in Santa Monica has been the end of the line — the last address on the 2,400-mile westward journey of Route 66. Once home to the Penguin Coffee Shop, today it holds Mel’s Drive-In. But now its future is in doubt.
The owners of the property have filed early paperwork to level the structure and replace it with an eight-story apartment building. Preservationists are pushing for a historic designation that might protect it.
The groups appear headed toward a showdown Dec. 14, when the Santa Monica Landmarks Commission will hold a hearing on the site’s nomination for protected status by the Santa Monica Conservancy and the Los Angeles Conservancy. The allied conservancies contend that the building is “the most significant representation of its style and period in architecture and design in Santa Monica.”
Designed by famed mid-century architects Armet & Davis, the building held the Penguin Coffee Shop from 1959 through 1991.
(Architects Armet Davis / Santa Monica Public Library Image Archives)
“This isn’t about saving a modern restaurant. It’s about preserving some really important Googie architecture,” said Nina Fresco, vice president of Santa Monica Conservancy. She added that “there’s no reason why housing and historic preservation can’t be partners.”
Irvine-based firm ValueRock Realty bought the half-acre Mel’s property for $6.2 million in 2020, and in 2025 began offering the property for sale, asking $26 million through brokers Newmark Pacific.
Soon after learning that the building was for sale, the Santa Monica and L.A. conservancies nominated Mel’s for a landmark designation, which can protect buildings from demolition, Fresco said. As part of the effort, Santa Monica Conservancy leaders raised $6,800, the cost of a Santa Monica landmark nomination, and enlisted the L.A. Conservancy as an ally.
Then on Sept. 18, ValueRock filed a preliminary application with the city (also known as an SB330 application) to replace the 1959 building with an eight-story apartment building, including 138 apartments, 123 parking spaces and first-floor retail space.
The sign of Mel’s Drive-In features a penguin, homage to the coffee shop of yesteryear.
(David Fouts / For The Times)
When it bought the property in 2020, ValueRock announced that it “is considered to be a historical landmark within the community.” But in its September filing for the apartment project, ValueRock management checked a box indicating that no historic or cultural resources are known to exist on the property.
“We didn’t know they would be quite this aggressive, but it’s not a huge surprise,” Fresco said.
Under city law, Fresco said, if a property is more than 40 years old, the owner must wait at least 75 days after seeking a demolition permit before any demolition can happen. “So we’re OK at least until that hearing” in December, Fresco said.
If the Landmark Commission agrees to confer landmark status on the building, Fresco said, it may be shielded from demolition — but the owner can appeal the decision to the City Council.
Management at ValueRock Realty did not immediately respond to requests for comment.
The restaurant remains open, receiving a steady stream of locals and Route 66 travelers. “We’re going to be here until 2029,” said Marilina Borchio, manager of Mel’s, citing a lease that runs through June of that year. As she spoke, the breakfast crowd was trickling in on Sunday morning. Borchio said she’s spending a lot of time reassuring customers who “think we are going to be demolished tomorrow night.”
The Googie-style building, designed by famed mid-century architects Armet & Davis, held the Penguin Coffee Shop from 1959 through 1991, catching the eyes of passing drivers with its dramatically slanted roof, oversize windows and a long counter inside for diners in a hurry. Architectural historians describe Googie style as a bold strain of Mid-Century Modernism, notable for big neon signs and swooping roofs, especially popular among restaurants, bowling alleys and car washes, now increasingly rare. Rae’s Diner, a 1958 building on Pico Boulevard, is another Santa Monica example.
The coffee shop never earned a Michelin star (nor has Mel’s) but its workaday American fare won a following. “The Penguin gets my vote for the best diner around,” wrote Times restaurant critic Charles Perry in 1989.
But two years later, the Penguin was gone. By 1992, the building had been converted into a dentist’s office. Eventually it fell idle, until the San Francisco-based Mel’s chain arrived in 2016 and began a renovation aimed at bringing back the restaurant’s ’50s atmosphere.
Mel’s Drive-In now occupies the old Penguin Coffee Shop building at the official end of Route 66 in Santa Monica.
(Christopher Reynolds / Los Angeles Times)
The renewed restaurant opened in 2018, with a penguin atop its sign, in homage to years gone by.
“A lot of the neon elements are gone, but the main elements are still there,” said the Santa Monica Conservancy’s Fresco, who is also a Santa Monica planning commissioner and former landmarks commissioner.
The renovation and restoration effort included removing layers of paint and tile that had been added over decades, revealing interior stone cladding that had been covered and replicating the counter and stools, vinyl cushioned booths, tables of plastic and metal, terrazzo floor, and light fixtures. The work was “to the letter of the Secretary of the Interior’s standards” for the treatment of historic properties, Fresco said.
The building is not mentioned in “An Architectural Guidebook to Los Angeles,” by David Gebhard and Robert Winter, which is a prime source for many preservationists. But Mel’s won a $10,000 grant from the National Trust for Historic Preservation in 2025 to pay for Route 66 centennial signage project.
Route 66 memorabilia at Mel’s Drive-in.
(David Fouts / For The Times)
“This site, like Route 66 itself, represents something greater than itself,” said Rhys Martin, manager of the National Trust’s Preserve Route 66 initiative, in an email. “It’s a connection to a journey through time and space that will be forever lost if this remarkable Googie structure is demolished.”
Fresco said she’d love to see the building continue to operate as Mel’s, but in the big picture, “we can’t stop them from building housing.” Still, Fresco said, she is hoping that the owner can come up with a project that retains the existing building while adding housing around it, as several other developers in Santa Monica have done. At 829 Broadway, developers agreed to preserve a World War II era Quonset hut while building a five-story apartment building around it. (The Quonset hut was occupied by Pono Burger from 2013 to 2025.) And the old Rapp Saloon — an 1875 brick building at 1436 2nd Street — was reborn in the late 1980s as a meeting space within a four-story hostel, now known as Hostelling International’s HI Los Angeles Santa Monica Hostel. The Santa Monica Conservancy begins its walking tours there.
If the allied conservancies win landmark status for the Penguin/Mel’s building, Fresco said, the owners “will be able to do exactly what they want to do now. They will just have to do it differently.”
Route 66, which was born and officially named U.S. Highway 66 on Nov. 11, 1926, was extended to Santa Monica in 1935. Though many travelers think of the Santa Monica Pier as the end of the route, its official terminus from 1935 on was at the intersection of Lincoln and Olympic boulevards, where Mel’s now stands.
Though Route 66 was decommissioned in the 1980s, its popularity as an Americana-rich driving route has grown in recent years, especially during this year’s centennial celebration of the road.
By the time the coffee shop building was going up at the end of the route in 1959, Fresco said, interstate freeways were already beginning to usurp Route 66’s role and the Santa Monica route of Interstate 10 had been plotted. By putting their eye-catching building on a spot along Route 66 and next to the path of the freeway, Fresco said, the people behind the Penguin were catering to motorists on roads rooted in two different eras.
“The Catholic Church shaped Rome. Commerce shaped Manhattan. It is popular culture that has shaped L.A.,” architecture critic Alan Hess told a Times reporter in 1993. “We should see these buildings in that context and take them seriously.”
