Robinson

Receiver Allen Robinson II spent one season with the Rams. It didn’t go the way L.A. fans had hoped when the former Pro Bowl receiver signed a three-year, $46.5 million deal with the then-reigning Super Bowl champions.

Still, Robinson had some positive takeaways from that portion of his career to share during a video he posted to Instagram on Monday announcing his retirement from the NFL after 11 seasons.

“I learned a lot about football from Coach [Sean] McVay and Cooper Kupp and the guys I was around to be able to then use for the rest of my career,” Robinson said.

The video, titled “No More Sundays,” was posted on Robinson’s 33rd birthday. It shows Robinson watching film from every stop during his football career — from his days as “a kid in Detroit trying to be like Randy Moss” to his final NFL season with his hometown Lions in 2024. It and ends with him turning off the projector and literally hanging up his cleats.

Robinson played three seasons at Penn State and led the Big Ten Conference in receptions and receiving yards in 2012 and 2013 and receiving touchdowns in 2012. The 6-foot-3 player was selected by the Jacksonville Jaguars in the second round of the 2014 draft and made the Pro Bowl in his second season.

During the first game of his fourth year with Jacksonville, Robinson tore the anterior cruciate ligament in his left knee and missed the rest of the season. He signed with the Chicago Bears before the 2018 season and had four productive years there, which led to his contract with the Rams.

Robinson was expected to be an upgrade over veteran receiver Robert Woods, who was subsequently traded to the Tennessee Titans soon after the Robinson deal, but wasn’t able to achieve his previous levels of success. He wasn’t able to establish a rapport with veteran quarterback Matthew Stafford, who did not throw passes during offseason workouts or part of training camp because of a right elbow condition.

A foot injury caused Robinson to miss the final seven games of the season. He finished the year with 33 catches for 339 yards and three touchdowns. During the offseason, the Rams traded Robinson and a seventh-round draft pick (No. 251 overall) to the Pittsburgh Steelers for that team’s seventh-round pick (No. 234 overall). The Rams were on the hook for about $10 million of Robinson’s salary.

“I did get injured, so I didn’t have a full season in L.A.,” Robinson said. “But I think I learned a lot about myself, being able to just kind of persevere, go through adversity and being able to mentally grow up. I can say that my career wouldn’t be what it was if I didn’t have a lot of those learning moments.”

Robinson finishes his career with 565 receptions for 7,058 yards and 43 touchdowns. He and former NFL cornerback Prince Amukamara started the “Press Release” football podcast last year. In addition, Robinson has hosted several youth football programs over the years.

“Football gave me more than I ever could’ve imagined,” Robinson wrote on Instagram. “It challenged me, shaped me, humbled me, and rewarded me in ways I’ll carry for the rest of my life. I came, I saw, I conquered and I leave with nothing but gratitude.

“The memories, the relationships, the victories, the lessons, they’ll stay with me forever! Thank you for every moment, every cheer, every lesson, and every opportunity.”

Much like it is a tradition for a footballer to take away the match ball after scoring a hat-trick, a bowler will pocket the cricket ball after claiming a five-wicket haul.

But what happens if two bowlers take five-wicket hauls in the same innings?

England seamers Ollie Robinson and Josh Tongue came up with a solution after they snared five apiece on the opening day of the first Test against Pakistan.

“Robbo said we can split the ball in half,” Tongue told Test Match Special. “The groundstaff have kindly done that.

“It’s the first time I’ve seen that happen. I’m sure I’ll be putting that up somewhere.”

Robinson showed off his half in a media conference and explained: “We were walking off the field.

“Josh said it and I said: ‘We actually should do that, it would be quite cool.’

“You don’t really have too many halves of a cricket ball, so it would be something that we never forget.”

The efforts of the pace-bowling duo helped Joe Root get off to an ideal start on the first day of his second stint as England Test captain.

Tongue claimed 5-46 and Robinson 5-51 to skittle Pakistan for 171 after England won the toss. The home side moved to 112-2 by the close in Leeds.

Tongue and Robinson are the first pair of England bowlers to register five-wicket hauls in the same Test innings since Steve Harmison and Monty Panesar against Pakistan at Old Trafford in 2006.

They led England off the field at Headingley hand in hand, hatching their plan to make one ball into two halves.

“Wayne Bentley, the team manager, took it down to the groundstaff,” said Robinson.

“I said: ‘Do you reckon they will be able to do it?’ Within five minutes he brought it back up and it was done. It’s really nice.”

Lots of broken-up bands reconvene for a tour, as the Black Crowes did in 2019, half a decade after brothers Chris and Rich Robinson dissolved the Southern rock group they’d formed in Atlanta in the mid-1980s. Some even stay together long enough to make a new record, as the Crowes managed to do with 2024’s well-received “Happiness Bastards.” What’s relatively rare in music is for a reunited band to quickly follow up a comeback album with a second one. Yet that’s what the Robinsons did this year when they dropped “A Pound of Feathers,” the Crowes’ 10th studio LP, behind which they’ll touch down Monday night at the Hollywood Bowl. Ahead of the show, Chris Robinson, 59, called from the road to tell the stories behind five of the band’s songs.

‘Hard to Handle’ (1990)

The Black Crowes broke out with a frisky cover of this Otis Redding tune just as hair metal was giving way to grunge. A hit on MTV, the song drove sales of the band’s debut, “Shake Your Money Maker,” to sales of more than 5 million copies.

There are some songs of Otis’ that I couldn’t do justice. As a 21-year-old kid starting my career — well, we didn’t even know we were gonna have careers — but what am I gonna sing? “I’ve Been Loving You Too Long”? “Hard to Handle,” it’s cheeky, it’s lighthearted. And I loved the break: “Pretty little thing, let me light your candle…” So I took it to George Drakoulias, our producer, and I said, “I think we could do this.” George is the one who turned it into “Walk This Way” — he put it in the same rhythmic space. Otis’ version swings, but we really couldn’t swing at the time.

So “Hard to Handle” wasn’t something you were playing live early on?
No, we brought it in for the record. Being from Georgia and Otis being from Georgia, it was important to us that people knew this is where we’re coming from. Two autumns ago, Zelma Redding and her family invited us to their big old ranch outside Macon, and we had an afternoon in the great man’s study. They have all his awards and guitars and stuff and the velvet slippers he had on when the plane crashed. At certain times in our career, we’ve been like, “F—, do we have to play ‘Hard to Handle’ again?’” We’d jam at the end or try all these things to make it sound different. But as the years have gone by, we just play it the way it’s supposed to be.

George’s engineer, Brendan O’Brien, played the guitar solo in “Hard to Handle.” Why?
We had Jeff Cease, but he’d split and gone back to Nashville. And Rich didn’t play solos back then. That changed, but at the time he was the rhythm guitar player. So it was out of necessity. We needed that meat-and-potatoes solo, and Brendan could rip it. I saw him on some podcast saying we were in L.A. and we were gonna call Slash. I’m like, “No we weren’t — you did the solo in Atlanta on Rich’s Les Paul.”

“Shake Your Money Maker” came out on Rick Rubin’s Def American label, and he’s credited as executive producer. Did Rick do anything on the album?
No.

All righty.
I’m just being honest. George and I lived in Rick’s house — I was in the basement — but the most I saw of him at the time was him leaving to go get lunch at Canter’s with Glenn Danzig. He did come to a session once with Andrew Dice Clay. We were called Mr. Crowe’s Garden at the time — we weren’t yet the Black Crowes. Rick and George were like, “You guys probably need to change your name,” and Andrew Dice Clay goes, “You should change it to Sticky Paste.” I said, “Why don’t you stick to the cigarette over your head, and I’ll handle this?”

‘She Talks to Angels’ (1990)

For “Money Maker’s” fourth single, the band released this darkly poetic ballad about a woman struggling with a drug addiction.

Were you nervous to reveal a softer side?
The only trepidation would’ve been because this was the power-ballad era of all the hair-metal bands.

Poison with “Every Rose Has Its Thorn” and so on.
Every band had one. There were hair-metal bands that only had power ballads — Firehouse or some band with 17th century French aristocrat hair.

Everything but the lace cravat.
Everything but sincere songwriting. Look, they’re people too — I get it. But we wrote a ballad out of the sincerity of how we were feeling, you know? We were reaching for “Wild Horses” or “Dark End of the Street” or “Astral Weeks.” The power ballad was a device for rock bands, but we didn’t use it as that. We used it as pure expression.

Tell me about the story the song tells.
My interest in writing and literature revolved around darker themes, whether it was the Beats or Paul Bowles or whatever. There’s drugs and madness and pain but also glory and redemption and the true heartbeat of life. So the song is a sad story but it’s romantic. There’s no moral gotcha — no resentment toward the character or the predicament they find themselves in.

How’d you come by that approach?
Reading. My mother, who just passed away a few weeks ago, she gave me a great gift: I’m dyslexic, and my mom in the early ’70s in the Deep South, she knew something was up with me. I went to school three times a week after school for years to learn how to read. And when that clicked, that was everything. My life now, it’s horribly boring. Rick Rubin with Danzig at Canter’s sounds exciting compared to Chris Robinson and the used bookstores of my life.

“Angels” is full of vivid details: the lock of hair in the woman’s pocket, for instance. Who were the songwriters that taught you how to create an image?
It all starts with Bob: “Jewels and binoculars hang from the head of the mule” — like, what?! But I’m a funny Dylan fan because I like the weird lyrics he does, like “Clothes Line Saga” from “The Basement Tapes.” Alex Chilton was really big. The first Big Star record I could get my hands on in the early ’80s was “3rd.” As a matter of fact, the first show we ever did, Rich and I played “Nightime” from that record.

On the strength of “Money Maker,” the Crowes were nominated for best new artist at the Grammys in 1991. You didn’t win —
A theme that continues today.

You remember who did?
It was Mariah Carey, I think.

Correct.
Good for her. Rich and I flew in from some tour date for one night, and I remember MC Hammer winning and doing something with Pepsi. I met MC Hammer a couple years ago. Amazingly cool guy.

What put you and Hammer in the same room?
I’m not allowed to talk about that.

Sure.
No, I’m serious — I can’t talk about it.

‘Remedy’ (1992)

The Crowes’ sophomore album, “The Southern Harmony and Musical Companion,” was led by this swaggering soul-rock jam, which Robinson opened with a memorable couplet: “Baby, baby, why can’t you sit still? / Who killed that bird out on your windowsill?”

I was in Philly a few weeks ago, in Rittenhouse Square, and I said to my friend, “That’s the hotel that I opened my window one gray day on tour, and there was a dead bird.” The room was on the 15th floor or something, and I guess the bird had flown into the glass. I was in a series of early failed rock and roll relationships, so my imagination was: Who killed that bird? Oh, she did it. The rest of it’s made up, but I had to see the dead bird that morning to kick off the thought.

There’s some great interplay here between you and your background singers — really draws out the R&B in the band’s sound.
For us, it’s instinctive. I’ve ingested a lot of Funkadelic, a lot of Prince, a lot of the Gap Band. One of my first concerts was Cameo on the “Alligator Woman” tour — mind-blowing. My singing is far more rhythmic than it is melodic a lot of the time. When I was playing with Joe Perry last summer, Steven Tyler came down to the Hollywood Bowl to do “Train Kept A-Rollin’.” He was like, “What key’s it in?” I said, “I don’t know.” He’s like, “You’ve been out with Joe for three weeks, and you don’t know what key the song’s in?” I said, “Steven, are you ready? I’ve never known what key a song is in.”

“Remedy” spent 11 straight weeks at No. 1 on Billboard’s rock radio chart. One of the songs stuck behind it was the Red Hot Chili Peppers’ “Under the Bridge.”
And just think — I never took my shirt off.

‘Sting Me’ (1992)

The tune that eventually knocked “Remedy” from the top spot? The Crowes’ second single from “Southern Harmony.”

It’s as close to a protest song as we ever got. Concerts in the ’90s were wild, man — we were seeing security guards beating on kids. But we were also seeing this blind patriotism toward ideals and philosophies that you’ve never even really looked at with any depth. So: “If you feel like a riot / Then don’t you deny it.”

There’s something slippery about the riff — it takes a second to figure out where the one is.
It fights itself — it’s funky in there. “Shake Your Money Maker” was very straight — click tracks to put the drum track together, now play the bass over that, blah blah blah. We just weren’t great at that point. By the time we’re in the studio with “Sting Me,” though, that’s one take live on the floor. We made “Southern Harmony” in eight days.

You can hear the effect of having played a few hundred gigs.
I’m glad you say that. Now bands are like, “I don’t want to go on the road — I’m gonna take a mental health break.” Can you imagine in 1992, you’re in one of the biggest bands in the world, and you’re like, “Hey man, I gotta chill out”? Get the f— out of here.

The “Sting Me” video was filmed at the Great Atlanta Pot Festival in 1992, which the band played as part of your activism around legalizing weed. What’s it been like to see those efforts succeed to some degree?
My main victory within that, if my voice was a part of it, is that we’re in a more gentle place — that it won’t ruin your life now if the police pull you over and there’s a roach in your ashtray. You have to realize: Being arrested isn’t just about the inconvenience of being incarcerated — it’s that now you’re in the system. I mean, ask any marginalized community — those drug laws were put on the books to keep you down.

‘Pharmacy Chronicles’ (2026)

Over a shuffling country-blues groove, Robinson sings about “perfume, Champagne and sin” in this standout from “A Pound of Feathers.”

Would you have foreseen that, after you got back together, you and Rich would release two albums in less than two years?
I don’t know about that. But leave Rich and I to our own devices, and that’s what we do. Our whole entrée into this world wasn’t because I could sing or he was a great guitarist — we wanted to write songs. I’ve written a lot of songs by myself, and probably out of those songs, there’s a few that I’m proud of. And I think Rich would say the same thing for himself. But there’s just something about the inspiration I get from Rich’s playing that makes us a successful songwriting team.

“Pharmacy Chronicles” has some bedraggled wisdom to it. I’m not sure you could have written it as a younger man.
I wasn’t that cynical then. It’s making fun of yourself in a way — like some old Victorian actor in the bowels of the theater taking his makeup off and wondering what it all means.

Do you think your voice has changed along with your perspective?
Of course my voice has changed — through age and, in the ’90s, through abuse. I can’t hit the super-highest notes I could as a young person. But we still sing the old songs in the original keys. Not that I know what those keys are.

The U.S. Army will be getting the Robinson R66 Turbine as the primary trainer for its new Flight School Next program, putting the light helicopter at the center of a sweeping overhaul of how the service trains its entry-level rotary-wing pilots.

The Army on August 13 awarded M1 Support Services a potentially $10-billion contract to run the new training enterprise at Fort Rucker, Alabama. An aviation training services specialist based in Texas, M1 will provide the aircraft, maintenance, simulators, flight and academic instruction, and other support under a contractor-owned, contractor-operated (COCO) model.

Robinson R66 Army Trainer Helicopter | Press Conference & Official Reveal | AAAA in Nashville

Flight School Next is planned to train between 800 and 1,500 Army helicopter pilots each year. The Army currently produces about 1,250 new aviators annually through its Initial Entry Rotary-Wing Flight Training program.

The contract has a potential 26-year duration, although the first task order is expected to cover three to four years as M1 transitions the training operation to the new system.

After narrowing down the initial selection of six helicopter manufacturers and contractors, M1’s R66-based solution defeated a rival bid from Bell, which offered its Model 505 for the program.

Bell 505: Ideal Trainer

The R66, a single-turbine engine design, is best known as a five-seat light rotorcraft on the commercial market. The aircraft is currently in widespread civilian service as a trainer, passenger, and utility helicopter. Powered by a Rolls-Royce RR300 turboshaft and closely related in layout and handling to Robinson’s ubiquitous piston-powered R44, the relatively simple design, low operating costs, and commercial availability of the R66 make it well suited to high-volume basic flight training. The aircraft’s Garmin avionics provide a modern digital cockpit, improving situational awareness while familiarizing students with the kinds of systems they will encounter on more advanced aircraft.

The R66 already has something of a foothold with the U.S. military, with the TH-66 Sage having been used to train U.S. Army and Navy helicopter operators under contract, as part of a test program by Helicopter Institute. This saw the TH-66 train military aviators according to the Civilian FAA Part 141 curriculum, providing students with private pilot, rotorcraft helicopter, and instrument helicopter certifications before they advance to formal military helicopter training. 

Under the Flight School Next program, the R66 will be a significant departure from the current Army training fleet, which relies on the Airbus Helicopters UH-72A Lakota, a twin-engine design that can accommodate up to nine troops as well as two crew.

While the Lakota is considered an advanced and reliable airframe, Army officials have acknowledged that its extensive automation and sophisticated avionics can become a crutch for inexperienced pilots. Instructors argue that new aviators should first develop a strong command of the fundamentals by learning to fly aircraft with simpler controls.

The Army ultimately sought to overhaul its aviator training approach and return to those fundamentals in an effort to reduce future accidents, particularly as helicopter mishaps have drawn increased scrutiny from lawmakers. Maj. Gen. Clair Gill, the program acquisition executive of Maneuver Air, told Breaking Defense last fall that the service was therefore looking for a “very simple aircraft.”

The original solicitation for the Flight School Next requirement also called for a single-engine rotary-wing aircraft, which fits with the Army’s broader interest in getting students back to fundamental helicopter-flying skills before introducing them to increasingly automated and complex military aircraft.

The service says the new program will use a streamlined commercial fleet and modern simulators while consolidating several existing training contracts into a single operation.

M1 will own and operate the new training aircraft and provide the instructors and maintenance needed to run the school. The Army will retain control of training standards, safety requirements and overall outcomes.

“Flight School Next delivers a critical improvement in our Initial Entry Rotary-Wing Training model,” said Maj. Gen. Clair A. Gill, commander of the U.S. Army Aviation Center of Excellence. “Simply put, it delivers new military helicopter pilots with far better foundational skills.”

The new syllabus is intended to produce pilots proficient in basic aircraft handling, visual and instrument flight, terrain flight, navigation and tactical mission planning.

The Army also expects the new arrangement to reduce long-term training costs.

“This is a major step forward in modernizing how we train our aviation force,” explained Assistant Secretary of the Army for Acquisition, Logistics and Technology Brent G. Ingraham. “Flight School Next delivers the next generation of training capabilities our aviators need to succeed in increasingly complex operational environments.”

As for the R66, in addition to the TH-66 Sage, the uncrewed Turbinetruck variant was awarded a U.S. Marine Corps contract earlier this year. The Turbinetruck is one of at least two new autonomous cargo helicopters that will be tested as that service looks to field new platforms that can rapidly resupply Marines in contested environments. The Turbinetruck inserts Sikorsky’s MATRIX autonomy system in the R66 airframe and could provide a route to further increasing the design’s footprint with the U.S. military.

The Army says its Flight School Next program is intended to provide a sustainable training system through 2030 and beyond, combining commercial aircraft and training expertise with Army oversight of the standards required of its aviators.

The service is betting that a smaller, commercially derived helicopter can produce better pilots before they ever reach a frontline airframe. If the model works as advertised, Flight School Next could reshape not just what Army aviators train on, but how they are trained from day one.

Contact the author: thomas@thewarzone.com

Reality TV star Tom Sandoval’s former girlfriend Victoria Lee Robinson has filed a dueling restraining order after she was arrested in June following an altercation that involved her father being pushed into a lit fire pit.

In the petition, filed Thursday in a Los Angeles court, Robinson claims that over the course of the former couple’s 2.5-year relationship, the former “Vanderpump Rules” star “routinely physically and verbally abused” her.

According to court documents reviewed by The Times, the model alleges that Sandoval shoved her down a flight of stairs in his home, pushed her to the ground at a hotel in Nashville, and attacked her and her father on June 3.

On Monday, a Los Angeles Superior Court judge denied Victoria Robinson’s request for the temporary domestic violence restraining order because Sandoval’s existing temporary restraining order requires a hearing (which was set for July 16) before Robinson’s could be granted.

Representatives for Sandoval told The Times in a statement, “It’s no surprise that Victoria’s request for a restraining order was immediately denied.”

Sandoval, known for the Scandoval cheating scandal that erupted on the hit Bravo series “Vanderpump Rules” in 2023, filed a temporary restraining order against Robinson and her father J. Will Robinson on June 25. In Sandoval’s petition, he claimed that since the two became a couple in February 2024, Victoria Robinson has been violent and attacked him physically.

Sandoval was granted a temporary restraining order which required Robinson and her father to vacate the Los Angeles rental the three had shared. According to Sandoval, he’d left the house and stayed in hotels and with friends following the June 3 incident.

“This is my home. We are both on the lease, but I paid the first month’s rent and deposit, surprised him with the keys and virtually every item in it is mine,” Victoria Robinson said in a statement shared with The Times. “I have filed my own legal action because I have my own account of what happened and it’s very different from what has been said publicly.”

Robinson said that while her father has been under media scrutiny, he was trying to protect her.

“My relationship with Tom has already controlled the past two years of my life,” she said. “I cannot allow a false narrative to control my future.”

The altercation involving Sandoval, Robinson and her father happened in the early morning hours after the couple returned home from a night out at a bar, according to both accounts.

In a video of the June 3 incident, obtained by TMZ, Robinson and her father are seen sitting next to a lit fire pit on the patio when Sandoval and the elder Robinson begin arguing. Sandoval is heard yelling at Will Robinson before he asks his girlfriend if she is recording and approaches her. Will Robinson stands up and wraps his arms around Sandoval, seemingly to get him to back away from Victoria Robinson. Sandoval turns and pushes Will Robinson, who falls backward into the lit fire pit.

After Will Robinson gets back up, he rushes after Sandoval into the home while Victoria Robinson screams for the men to stop.

According to Victoria Robinson’s petition, when Sandoval noticed she was recording his exchange with her father, he twisted her arm while trying to gain control of her phone.

Will Robinson allegedly suffered a thumb fracture and elbow and back injuries.

Victoria Robinson was arrested after police responded on June 3 and released on bond the same day. On June 4, Sandoval returned to their L.A. house to collect his things and Victoria Robinson called police, who escorted Sandoval from the home, according to the filing.

The Los Angeles Police Department declined to comment on the reason for Robinson’s arrest.

Will Robinson told TMZ last month, “The DA did not file the case for a reason. I lifted Tom off of my daughter because he was overpowering and twisting her arm and trying to take her phone aggressively after yelling at us in a very aggressive and threatening manner.”

“This is my daughter’s home and we just want Tom as far away from us as possible and to keep his lies and drunken abuse away,” Robinson said.

This isn’t the first time their fights have turned physical, according to both accounts. Victoria Robinson‘s petition claims that in August 2025, Sandoval shoved her down their hardwood stairs and she suffered knee injuries. She said she reported the incident to police but ultimately recanted her statements to protect Sandoval from being arrested. “In hindsight, I deeply regret this decision,” reads the suit.

Weeks before the fire pit incident, Robinson alleges that during a trip to Nashville to visit her grandfather who was in hospice care and has since died, Sandoval pushed her to the floor of their hotel and locked her out of their shared room.

“During their 2½-year relationship, Tom has made it clear he never physically harmed Victoria,” representatives for Sandoval said. “Instead, he lived in fear of her repeated physical attacks and unpredictable behavior. He will show he was the victim of ongoing physical and emotional abuse, and has substantial evidence documenting what he endured, which will be presented through the legal process.”

Kirk was addressing a crowd from under a tent on 10 September as part of his American Comeback tour of college campuses, during which he invited attendees to debate him.

A shot rang out as he was speaking about gun violence; Kirk slumped over to the side.

Chris Bagley, one of four law enforcement witnesses expected to take the stand during the week-long hearing, had been stationed on a building above and realised from the noise that it had come from a rifle, not a handgun.

In court on Monday, he described a chaotic scene of people shouting and running and told the court that he was informed by law enforcement that a shooter had been taken into custody.

But he said he discovered suspicious evidence leading him to believe it might not be the right suspect.

Bagley said he found a screwdriver and an impression in gravel on a roof indicative of a sniper and then viewed security footage showing an individual dropping down and escaping from the area.

He described a telling impression the suspect had left behind.

“I could see the disturbance of gravel; to me, it looks like a sniper pad, a person that has been laying in a prone position, and you’ve got markings of elbows, knees and feet – where somebody was in the line of sight of where Charlie’s tent was.”

Robinson’s defense attorney Kathryn Nestor voiced several objections throughout the testimony, asking him about staffing, planning and surveillance on the day of Kirk’s event.

Another witness, David Hull, told the court he’d been working as an agent with Utah’s State Bureau of Investigation at the time of Kirk’s shooting. He testified that he reviewed surveillance video from the day of the shooting and saw Robinson “on campus … approximately four times throughout the day”.

Hull testified that Robinson appeared at the school twice before the attack, then again at the time of the shooting – then returned that evening, hours after Kirk’s death.

Prosecutors also played home surveillance footage from a neighbourhood near campus which they say shows Robinson parking his gray Dodge, then returning later and driving away.

The hearing is set to continue all week and will examine evidence and witnesses in the case to determine whether prosecutors have enough to present it before a jury at trial.

Crocombe’s selection may raise eyebrows, given other recent picks such as Essex’s Sam Cook or Durham’s Matthew Potts have been overlooked, but it should not be a big surprise.

When England named their Test squad at the start of the summer, Key mentioned the tall, strong quick saying he had “really kicked on” this season.

Crocombe, a product of Sussex’s academy, was first picked by England Lions in 2024 before struggles with injury.

It was when he began this County Championship season with his first five-wicket haul, taking nine in the match against Leicestershire, that he began to seriously catch the eye.

Another right-arm quick, Crocombe bowls at a lively pace.

Overall, his statistics this season are solid – a Championship average of 28.61 while sitting joint 11th in the wicket-takers’ list – and he has the skills England value.