road

NESTLED in the Scottish highlands is an island like no other.

Think – vibrant trees that change colour as the seasons do, calm water with a gentle breeze skimming over the surface and cosy cabins with log burners in…

What you are picturing is Eilean Shona, an island in the Inner Hebrides that has no cars, no roads and no shops.

In fact, only nine people permanently live on the island.

To add to its beauty, the island even inspired J.M Barrie’s Neverland in Peter Pan.

Despite being a private island, visitors can still book to stay on the island and to get there, the residents have to come and collect you by boat.

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Once on the island, you can indulge in the ultimate detox from the modern world by heading on hikes, including to the island’s summit and to white sand beaches.

And to add to the magic, a spirits brand was created on Eilean Shona.

Sun Travel spoke to Ed Faulkner, co-founder of Sapling about the brand and the story behind it.

If someone were to planning a restorative road trip in the UK, where should the top stops be?

A Sapling inspired road trip would celebrate quiet luxury, slow living and a deep connection with the natural world.

It could begin at Knepp Wildland in West Sussex, where rewilded meadows and roaming wildlife surround peaceful treehouses.

Then move on to the ancient beech canopy of Blackwood Forest in Hampshire with its inviting woodland trails.

From there, the journey might continue to the historic Blean Woods in Kent and the tranquil off grid cabins at Elmley Nature Reserve.

End among the ancient Caledonian pines that frame the still waters of Loch Tay in Perthshire.

Along the way, the spirit of the trip comes alive in the simple moments, such as enjoying a vodka or gin and tonic after a long walk with the people you care about.

It is a wholesome and grounding pause that brings everyone closer.

It reflects exactly what Sapling stands for, which is connection, presence and celebrating nature together.

For more inspiration about where to travel in the UK, these exciting new hotels, attractions and festivals coming to the UK’s seaside towns and cities next year.

Plus, our expert picks for UK staycation trips to banish post-summer blues – including free hidden gems for kids and £1.50 meals.

Hi and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. Looks like the Dodgers found a new closer for Christmas.

The new closer

Well, the Dodgers did what many did not expect: give another long-term, big-money deal to a closer. They have agreed to a deal with former Mets closer Edwin Díaz on a three-year, $69-million deal. There will be $4.5 million deferred each year and the value of the contract as tabulated for luxury tax purposes will be $21 million per year. It’s a record for annual value for a reliever, breaking the record held by….. Díaz.

Díaz was considered by most to be the top reliever on the market. Last season with the Mets, he was 6-3 with a 1.63 ERA and 28 saves. In 66.1 innings, he gave up 37 hits and walked 21 while striking out 98. He turns 32 in March. He had three blown saves and allowed six of 15 inherited runners to score.

If there is a red flag here, it is that his fastball velocity has dropped from an average of 99 mph in 2023 to 97 mph last season. Which is still pretty fast of course.

You’ll forgive me for not doing somersaults over the deal yet. It could turn out to be an amazing signing. However, as we saw last season with Tanner Scott, relievers are like a box of chocolates: You never know what you are going to get. Díaz has a much better record of success than Scott did. But we’ve seen over the last few seasons what can happen with a signing (Scott, Kirby Yates), decline in form (Blake Treinen) or injuries (Evan Phillips, Michael Kopech, Brusdar Graterol).

But the Dodgers did need bullpen help, and they signed the best reliever on the market, so it’s hard to find fault in that.

You can read more on the signing in this story by Jack Harris.

And an analysis, which includes discussion of a possible salary cap, from Bill Shaikin here.

Fernando misses the Hall

The Contemporary Baseball Era Committee for the Baseball Hall of Fame met Sunday. It was a 16-member committee, and there were eight candidates to consider: Barry Bonds, Roger Clemens, Carlos Delgado, Jeff Kent, Don Mattingly, Dale Murphy, Gary Sheffield and Fernando Valenzuela.

The only person elected: Kent, wh was named on 14 ballots (you had to be on 12 for election).

The others:

Nine votes
Carlos Delgado

Six
Don Mattingly
Dale Murphy

Fewer than five
Barry Bonds
Roger Clemens
Gary Sheffield
Fernando Valenzuela

The committee made a big mistake in not electing Fernando, and really embarrassed itself by not giving him even five votes.

When you look at the numbers, Fernando is at best a borderline candidate. He won a Cy Young and Rookie of the Year award, but won only 173 games in his career.

However, when you consider what he meant for the sport in addition to his accomplishments as a player, he qualifies. The three players who created more baseball fans than any other are Babe Ruth, Jackie Robinson and Fernando. The fact the Dodgers have a massive Latino following can be traced back to Fernando. He created fans in other cities. He opened MLB to an almost entirely untapped market.

But, some people look only at the numbers. Fernando should be in the Hall. So should Maury Wills. Unfortunately, it’s looking increasingly unlikely that either will make it.

And congratulation to Jeff Kent, who played for the Dodgers but will go into the Hall as a Giant. So, not that big of a congratulations. His election enhances the candidacy of another former Dodger: Chase Utley.

New book

Last week I told you about a new book by Ross Porter, the longtime Dodger announcer who used to do the “Ask Ross Porter” feature in this newsletter. The book, “The Ross Porter Chronicles — Volume 1: The Dodger Years,” is a compendium of interviews he has done over the years with Dodgers, including Steve Garvey, Davey Lopes, Bill Russell, Ron Cey and Sandy Koufax.

Reaction was overwhelming, and as a result, they sold out of signed books. However, if you still want a signed copy to give to someone as a Christmas present (it would make a great gift for a Dodger fan), you have an alternative. You can order the book at Amazon. Make sure you have it shipped to you before Dec. 21. Ross will be signing books in person on Dec. 21 from 1-3 p.m. at Northridge Sports & Memorabilia, 9514 Reseda Blvd,, Unit 14.

Anyone who buys the book on Amazon can bring it to the signing, and Ross will sign it for free. He’ll also sign any Dodger items you bring.

It’s a great chance for you to meet a Dodger icon. Ross is 87. The icons from our Dodger childhood won’t be there forever. If you have a chance to go out there, I highly recommend it.

In case you missed it

Analysis: Could Dodgers’ Edwin Díaz signing portend more big moves later this offseason?

Starz picks up drama on gambling scandal involving Shohei Ohtani’s former interpreter

Shaikin: Dodgers signing of Edwin Díaz shows they aren’t going to worry about a potential salary cap

Dodgers and Edwin Díaz agree to terms in blockbuster move to shore up bullpen

Former Dodgers, Giants slugger and noted curmudgeon Jeff Kent voted into the Hall of Fame

Fernando Valenzuela falls short of induction into National Baseball Hall of Fame

Metro votes to approve Dodger Stadium gondola project despite protests

And finally

Fernando Valenzuela pitches a no-hitter. Watch and listen here.

Until next time…

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

ED Sheeran plans to create his own “countryside Abbey Road Studios” – in a 19th century dilapidated piggery.

After selling over 200 million albums worldwide and being one of the biggest superstars on earth, Ed Sheeran has chosen a dilapidated farm to be his rural version of Abbey Road Studios.

Dating back to the 19th century, recent pictures show the piggery and barn in ruins, but the singer has grand plans to turn this historic farmstead into a music-making haven.

The location is not far from “Sheeranville”, his extensive 16-acre estate in Suffolk which he’s been building on for the past decade.

Ed quietly bought the farm estate, which includes a Grade II-listed farmhouse – around 400 years old – for £1,100,000 over two years ago.

Since then, his team of planners and architects have been liaising with the council regarding planning rights when it comes to converting the outbuildings.

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Plans for the piggery reveal that it will be given a dramatic overhaul with a large main studio in the middle, “studio space” either side of this, plus equipment storage.

This application faced little opposition from council departments especially after an ecology report showed that there was minimal impact to any protected species.

The piggery had “negligible suitability for roosting bats”, “very low potential for great crested newts”, although it would provide “potential habitat for nesting birds”.

So Ed’s team promised to work around the nesting season, ideally just the September to February months.

It wasn’t quite as simple converting the barn into a “flexible commercial space”, which, for Ed, will be a music studio to rehearse and make his hit-selling records.

Plans show this smaller space will be split over two levels; on the ground floor will be a studio, storage, kitchen, shower and toilet. While the upper floor is to be an “office/library”.

Some council teams were concerned and initially objected.

Land contamination wanted a “desk study conducted by a qualified geo-environmental consultant’ rather than a ‘simplified’ questionnaire, which Ed’s team had initially submitted but was told it was ’not suitable for this development”.

Environmental protection also objected about the potential of ’noise impact’ on a nearby farmhouse, although it was quickly realised that this was Ed’s own farmhouse.

Highways and the public right of way were concerned about ‘significant increases’ in vehicle movements and the impact this would have on a nearby public footpath.

But these were only minor hitches before the council gave the green light last month.

Although there could be one bigger issue if Ed – who has a sprawling property portfolio – plans to bring his band to the countryside compound.

If Ed and his backing crew end up making a record-breaking album in the barn, then it would be breaking strict planning conditions.

The council’s approval notice states: “The use of the barn shall remain functionally linked to the adjacent dwelling as a personal studio space.

“[The] reason to safeguard the residential amenity of nearby occupiers and to ensure that the development remains acceptable in terms of noise impact.”

This condition came after Ed’s team stated in its planning statement that the barn’s music studio would be solely for the owner’s use.

It said: “The barn sits within a large private space with a formal, established, access from the adjacent road. The change of use can be easily achieved within the existing structure of the barn, with no extensions or alteration works proposed.

“As noted above the proposed use will be limited to personal use by the owner / occupier of the adjacent Tannington Barn. We would be happy for any consent to include a condition to this effect.”