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Islamabad, Pakistan — Pakistan’s Chief of Army Staff and Chief of Defence Forces, Field Marshal Asim Munir, is traveling to Tehran on Monday for talks with senior Iranian officials, Iran’s Foreign Ministry announced on Sunday.

It will be Munir’s third visit to Iran this year as Islamabad continues its push to mediate an end to the United States and Israel’s war on Iran.

Pakistani officials, speaking on condition of anonymity, confirmed to Al Jazeera that the trip would take place but declined to elaborate on its agenda.

The Pakistani military’s media wing, the Inter-Services Public Relations (ISPR), as well as the Foreign Ministry and Information Ministry, did not respond to Al Jazeera’s requests for comment on the visit, which was unusually announced by Tehran rather than Islamabad.

Foreign Ministry spokesperson Esmaeil Baghaei said the trip would build on Pakistan’s efforts to “help strengthen peace and security in the region”.

Munir will hold talks with senior Iranian officials during his stay, Baghaei told reporters in Tehran.

The visit follows two phone calls between Munir and Iranian Foreign Minister Abbas Araghchi within four days, on Wednesday and Saturday.

The two officials discussed “regional developments” and ways to strengthen “peace, stability and security” in West Asia, according to Iranian state media.

A third trip this year

Munir’s first visit to Tehran this year came in April, days after the Islamabad Talks, the first direct US-Iran negotiations in more than four decades, ended without a breakthrough.

He returned in May, arriving hours after US Secretary of State Marco Rubio said there had been “slight progress” in talks between Washington and Tehran.

His latest visit comes as the diplomatic track underpinning the Islamabad MoU has all but stalled, while Washington prepares a new round of sanctions.

The discussions are also expected to touch on this month’s announcement of the Mecca Joint Defence Agreement between Pakistan, Saudi Arabia and Turkiye, which Munir attended in Mecca.

Yemen’s Houthi fighters, whose attacks on shipping lanes have repeatedly threatened to widen the conflict, are also likely to feature in his conversations with Iranian officials. The Houthis are widely believed to receive support from Tehran.

The issue carries particular weight for Islamabad.

Three Pakistani sailors were killed and several others wounded when Houthi forces struck a Tanzania-flagged commercial vessel in the Bab al-Mandeb Strait on August 11.

Deputy Prime Minister and Foreign Minister Ishaq Dar called the attack a violation of international law and “strongly condemned” it at the time.

Munir is expected to meet Iran’s newly appointed senior military leadership during the visit, according to Reza Afzal Samir, an Iranian journalist tracking the talks.

“He is well positioned to meet Iran’s newer senior military leadership, the new IRGC chief, the new Chief of General Staff of the Iranian Armed Forces, and the new Secretary of the Supreme National Security Council,” Samir told Al Jazeera, referring to Munir’s expected meetings with Major-General Ahmad Vahidi, Major-General Ali Abdollahi and Mohsen Rezaei respectively.

The officials were all appointed earlier this month.

A lapsed deal

The visit comes at a fraught moment for Pakistan’s mediation effort, which it has led after the war began six months ago.

The 60-day window set out in the Islamabad Memorandum of Understanding (MoU), signed by Pakistan, Iran and the US on June 17, lapsed in mid-August without either side agreeing to extend it.

Iran has kept the Strait of Hormuz shut, insisting that Washington first lift its naval blockade, end oil sanctions, unfreeze Iranian assets abroad and halt military threats. Tehran says the US has not met those conditions.

Munir’s trip also coincides with a fresh round of US economic pressure.

US Treasury Secretary Scott Bessent is due to detail on Monday what American officials have called the “toughest sanctions in history” against Iran, a package he has said is intended, alongside the continuing naval blockade, to “collapse” the government in Tehran.

Iran’s Foreign Ministry has called the plan “economic warfare”.

The trip also follows a month of regional realignment. Pakistan, Saudi Arabia and Turkiye signed the Mecca Joint Defence Agreement on August 7, a mutual defence pact under which an attack on one signatory would be treated as an attack on all three.

Pakistan’s Interior Minister Mohsin Naqvi travelled to Tehran earlier this month to revive the stalled mediation push but returned without any concrete results.

Tensions elsewhere in the region have sharpened too.

The United Arab Emirates suspended trade and financial transactions with Iran last week after saying it had come under fire from two ballistic missiles launched from Iranian territory, a claim Baghaei denied.

But Munir’s visit, analysts say, signals that key regional mediators have not given up on efforts to revive talks, either direct or indirect, between Iran and the US, even as they try to balance their own relations with Tehran and Washington.

Oman’s Foreign Minister Badr bin Hamad Albusaidi, who, like Munir, has held recent telephone conversations with Araghchi, is scheduled to visit Tehran on Tuesday, Iran’s state-owned IRNA news agency has reported.

What leverage does Islamabad have?

Analysts remain divided on what Munir’s visit can realistically achieve, given Pakistan’s limited ability to enforce any understanding it helps broker.

“Both sides see Pakistan as a country that has helped facilitate dialogue without any personal stake in the outcome, nothing to gain for itself,” said Qamar Cheema, a political analyst and head of the Islamabad-based Sanober Institute. “That gives it a certain clarity, and the ability to offer an off-ramp to everyone involved.”

Javad Heiran-Nia, director of the Persian Gulf Studies Group in Tehran, said Pakistan’s persistence was driven partly by self-interest.

“Pakistan is concerned about escalating tensions and the outbreak of another all-out war between Iran and the United States, which would further destabilise the region,” he told Al Jazeera, pointing to Islamabad’s reliance on energy imports from the Gulf and the risk of disruption to remittances from Pakistani workers there if instability spreads.

Zahid Mehmood, a retired two-star general and Pakistani defence strategist, went further, describing Munir as still carrying Washington’s own offer to Tehran.

“Pakistan is still carrying, in effect, Washington’s off-ramp to Tehran,” he told Al Jazeera. “The country remains the most trusted conduit available.”

Not every analyst sees Pakistan’s role as this central.

Andreas Krieg, an associate professor of defence studies at King’s College London, said Qatar, not Pakistan, remained the primary channel.

“Qatar is leading the political mediation and remains the essential communication bridge between Washington and Tehran,” he told Al Jazeera.

Munir’s contribution, he said, was narrower, a “military-to-military channel into an Iranian system in which the IRGC and wider security establishment have become increasingly important to decisions about war and peace”.

What Munir can deliver, and what he can’t

Iranian journalist Samir said Pakistan had a significant role in Iran’s calculus because of what it could do.

“Why should Iran listen to Pakistan? Because Pakistan still retains the leverage to actually do something and create a real opening for peace, rather than remaining silent and doing nothing,” he said.

Samir also predicted the Munir visit could be followed quickly by movement on Hormuz negotiations. “I think the timeline for a final agreement between Iran and Oman on the Strait of Hormuz is also drawing near,” he said. “If [Munir] succeeds in bringing Iran back to the table, I anticipate a new announcement from Oman and Iran on the strait shortly after.”

Krieg was more cautious about what Munir’s visit could deliver. The most meaningful outcome, he said, would be “confirmation that Iran’s security establishment would abide by a specific Hormuz deconfliction arrangement and restrain escalation through Yemen or Iraq if Qatar can secure reciprocal American movement”.

Without that, according to Krieg, “the communication bridge remains open, but the two sides continue moving towards another coercive cycle”.

Mehmood, the retired Pakistani general, was less equivocal.

“Pakistan is really the only exit card available to either side for their off-ramp,” he told Al Jazeera.

Choose your own adventure: would you rather travel vicariously with Sean Duffy or Conan O’Brien as your guide?

“Great American Road Trip,” the reality series from the Department of Transportation starring Secretary Duffy and his family, finally launched this week on YouTube after months of delays. Originally set to premiere in June, ahead of the nation’s 250th celebration, it follows Duffy and his wife, Rachel Campos-Duffy, a co-host of “Fox & Friends Weekend,” and their nine children as they travel through seven states. While the couple has roots on MTV’s “The Real World,” their new TV venture doesn’t seem destined to have the same cultural impact. The six episodes of the series — as of publication time — have just over 14,000 views combined.

Meanwhile, over on HBO Max, O’Brien is back for more unpredictable cross-cultural exchanges with the return of his travel series. Now in its third season, “Conan O’Brien Must Go” follows the comedian and podcast host around the world as he interacts with fans and provides glimpses of everyday life abroad with his blend of improvisational comedy and an affinity for situations that embrace the absurd. The season kicks off with a trip to India, a major feat considering the show has faced years of permit delays related to a remote segment for “Late Night With Conan O’Brien” that aired in 2004. I spoke with executive producer and director Mike Sweeney about the latest stops in the show’s world tour.

Plus, our writers recommend two TV dramas that feature formidable women — one is a former city slicker solving mysteries in the Montana wilderness, the other is a detective trying to untangle a missing woman’s case while her personal life is falling apart.

But before I set you on your streaming way, I want to also share our guide to some of Hayden Panettiere’s most notable work. When news broke this week about her sudden death at age 36, it came as an extraordinary shock. Panettiere had been working in front of the camera since she was in diapers, appearing in commercials and, by age 4, making the rounds in the soap opera circuit. Like many millennials, my first exposure to her talent was in Disney’s 2000 sports drama “Remember the Titans,” where she (at age 10) played the spunky, football-loving daughter of a high school assistant coach — and delivered the line that helped signal the prep sport was bigger than Christmas in Virginia. Though her career was cut far too short, she was part of some memorable projects, including “Heroes” and “Nashville,” that are worth revisiting.

Her influence, though, extends beyond her screen work. In her appreciation of Panettiere, culture critic Mary McNamara wrote of the Panettiere’s candidness about her mental health struggles, which included bringing awareness to the realities of postpartum depression: “Panettiere spoke up when she could have remained silent. She called out a truth that has been too long ignored and gave millions of women a chance to ask for help. She might not have saved the world, but she threw a big part of it a lifeline.” — Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Tracy Spiridakos as Anna Pigeon and Paulina Alexis as Zoey Bear Child in “Anna Pigeon.”

(Michelle Faye / USA Network)

“Anna Pigeon” (USA Network)

This highly watchable, lightly addictive, woodsy episodic procedural dishes up meat and potatoes entertainment, or perhaps one should say “poutine,” given that almost all the talent involved is Canadian, as is the impressive scenery. Tracy Spiridakos (“Chicago P.D.”), just the right number of hairs out of place, plays Anna, a New York City stage manager turned federal park ranger after a personal tragedy. In Nevada Barr’s series of novels, the heroine works at a new park from book to book; here, we’re in Montana’s Glacier Park (it does run right up to Canada), the setting of the 2001 “Blood Lure,” with Anna apparently ready to stay put as long as the TV series lasts. (The first Pigeon novel, “Track of the Cat,” from 1993, informs the pilot, directed by Leah Thompson, not Canadian.) Missing persons, bank robbers, litterbug campers and an aggressive grouse bring the trouble. And murderers, of course. Community is a theme; there’s a handsome bartender for romance, a rich villain to hiss. There’s a talent show. The cherry on this sundae is Paulina Alexis, Willie Jack from “Reservation Dogs,” as Anna’s sidekick, enlivening the ensemble with her centered, serious, quietly humorous energy. — Robert Lloyd

Eve Myles as Annie Cassidy and David Morrissey as Michael Polly in “Gone.”

(James Pardon / Britbox)

“Gone” (Britbox)

Like many British murder mysteries, “Gone” opens in a picturesque portion of that green and pleasant land, in this case the rugby pitch of a stately boys school outside Bristol. Overseeing the home team is headmaster/rugby coach Michael Polly (David Morrissey) who has the mien and manner of a perpetually disappointed tyrant. When Polly’s wife, Sarah, cannot be found at the home they share with their adult daughter, Alana (Emma Appleton), it’s difficult to tell how he’s feeling, if anything. He certainly will not allow a missing wife to interfere with his task of molding boys into men, not with exams and a Very Important rugby final coming up. When he finally reports her absence to the police, it is pretty clear to everyone, especially Det. Sgt. Annie Cassidy (Eve Myles), that he knows more than he’s telling. But is it British reticence, or something more sinister?

Those accustomed to the speedy lab results and instant deductions of a standard police procedural may find themselves, at least initially, shouting out instructions and demands — how can the forensics report be so scanty? why is [fill in the blank] not brought in for questioning? But the show is, essentially, a psychological drama wrapped in a murder mystery. Anchored by splendidly counterintuitive performances by Morrissey and Myles, “Gone” will wrap up its case over six tense and twisty episodes. But the questions it raises — about the insidious power of abusive relationships, the complexity of human emotions and the peril of considering secrecy as protection — linger long after immediate justice is served. — Mary McNamara

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Conan O’Brien in a segment filmed in Morocco for Season 3 of “Conan O’Brien Must Go.”

(Team Coco / HBO)

As a member of the growing subgenre of celebrity travelogue, Conan O’Brien has cuddled with Javier Bardem in Spain, dressed up as Sigmund Freud in Vienna and faced off against a Muay Thai fighter in Thailand. The new season of “Conan O’Brien Must Go” has the frequent flier funnyman visiting India, the Netherlands, Morocco and the Philippines — meeting his international fans and testing how well his improvisational humor translates. I spoke with his longtime collaborator Mike Sweeney, co-writer and director on every episode, about this season’s locations and O’Brien’s SPF needs. — Y.V.

The series is a chance for Conan to interact with international fans, particularly those that have been on the podcast. Why do you think Conan’s style of humor travels so well?

He’s fearless. I think that helps. He genuinely loves people, and he has to make people laugh. He has to make people laugh all the time in the United States. And then if you put him in another country, he’s going to figure out how to get his laughs over there, even if no one speaks English. It’s literally like being thrown in a room where he’s got to find his oxygen, and he’s gonna find it by getting laughs everywhere he goes. I’m sure the fact we have a camera with us, people are curious. They tend to attract people who want to open up and play around. People can spot him from a mile away. That also helps. That’s another key to a good travel show — have a really tall orange-haired host.

The first episode is set in India. Things start with him trying to get on a crowded commuter train. What were some moments from that episode that stand out to you?

Yes, we wanted to go in the famous Mumbai commuter trains. Boy, the amount of red tape to get permission to even go down on the platform was crazy. We had to do it several months out. But we loved that [segment]. We loved playing street cricket. He had a young man teaching him, named Veer [Pandey], who was very funny and kind of dismissive of Conan, and that’s kind of Conan’s sweet spot.

Some countries have incredible restrictions — you might need permits to talk to people in the street, you’re dealing with curveballs. And a lot of what Conan does is improvised and you don’t want rules to get in the way. How how do you deal with that?

It varies from country to country. You get a feel for it early on and go, “Oh, we need figure things out far in advance here. You’re getting to a very important point, which is: How much red tape is there in each country? India — a ton. We knew that because we almost shot there in 2018 [for “Conan Without Borders”] and it fell through ultimately because of all this red tape. We knew we really had to have a running start with India. But the Philippines, they were pretty cool. Same with the Netherlands. You know what the big issue is nowadays? Drones, where they let you shoot with drones.

Conan O’Brien during a Bollywood segment in his travel series.

(Team Coco / HBO)

What’s it like doing a travel show as the current administration puts stress on international relations? Did you notice any shifts this season on how you were either received or what’s possible to get cleared because you’re an American show?

Not overtly. Nothing was represented as like, “Oh, you want to come shoot here? Well, we’ll teach you a lesson.” I’d say really surprisingly, it was business as usual in terms of getting permissions to shoot. What’s going on in the crazy United States really wouldn’t come up that much because the things we’re doing are apolitical, which is usually how we like to do it. It’s Conan connecting with people and, in a way, be a political statement because it comes down to respecting other cultures and wanting to learn about other cultures and bridging gaps that way.

There was that moment on the commuter train where a passenger rebuffs Conan by saying, “Fake a— liberal media.” And Conan just rolls with it.

Yes, it’s just like, “Oh, they they even have people calling stuff out like that over here.” It was almost like, “OK, I feel at home. Thank you.”

We all saw that Conan, famous for his red pompadour hairstyle, recently made headlines for a slick, oily hairdo, which was the result of a severe scalp sunburn. In the Morocco episode, there’s a sun-heavy segment. Were you worried about his scalp then? How much budget goes to Conan’s SPF needs?

He’s self-regulating because he has to be that way in California. He has to be that way on a cloudy day in Cape Cod. It’s just ingrained in him, his sun protection. I don’t even think about it. It was business as usual for him in Morocco.

What’s a show you’re currently obsessed with or recommending to people?

We loved “Widow’s Bay” [Apple TV], of course. I sound like everyone else, but also Katie Dippold is great. She was an intern at “Conan,” and I’ve seen her a few times over because we kind of lived near each other in Los Feliz. But she’s just delightful. We’re so happy for her, and plus that show was just amazing. And my wife and I dipped back into “Slow Horses.”

ICYMI

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DENVER — The Dodgers are putting closer Edwin Díaz on the injured list for the second time this season, this time with inflammation on the right side of his neck, manager Dave Roberts said before the game against the Colorado Rockies on Tuesday.

The Dodgers are going to have Dr. Robert Watkins, who specializes in spine injuries, examine at Díaz’s neck in L.A. on Wednesday morning, Roberts said. He’s set to undergo imaging.

“It’s something he felt [Monday] night,” Roberts said before the Dodgers’ 7-6 win against the Rockies on Tuesday. “We don’t know if it’s something that has been there the last, call it, week or whatever but it showed its head last night. So we’re going to address it.”

The move comes after Díaz gave up nine runs and recorded three blown saves in a span of six appearances.

“I know Edwin is — I don’t know if it’s encouraged, but just know that there could be a reason why the stuff is not playing like it has in the past,” Roberts said. “And the neck, obviously, there’s ties with the whole body, the arm, and all that stuff matters. So I’m personally excited to kind of find something that kind of make us understand what’s going on.”

“We’ll know more after seeing Dr. Watkins,” Roberts said, “but given where he’s at, I don’t see a situation where he’d be out for the year.”

Díaz has only made 16 appearances for the Dodgers this season, recording an 11.85 ERA and 6.01 FIP. He spent three months on the IL after undergoing surgery to remove loose bodies from his elbow in late April.

After collecting a save in a 4-2 win over the Seattle Mariners on July 29 in his first appearance back, Díaz was unable to show command in subsequent outings. He blew saves on consecutive days against the Arizona Diamondbacks on Aug. 7-8, and then blew a 4-2 lead last Thursday against the Milwaukee Brewers — which proved critical for the Dodgers in losing the head-to-head tiebreaker against the Brewers as the division leaders jostle for playoff seeding.

During the Dodgers’ 11-5 victory over the Colorado Rockies on Monday night, Díaz pitched the ninth inning and gave up three runs and four hits.

With Díaz no longer an option in save situations, left-hander Tanner Scott is set to slide into that role.

“I just wait for the phone to ring, I don’t care when,” Scott said after a four-out save Tuesday. “You get the adrenaline rush when your name’s called and just go out there and pitch.”

On Tuesday, Roberts turned to Scott to get the final out of the eighth inning, with runners on first and second in a two-run game. He induced left-handed pinch hitter Brett Sullivan to ground out to third.

Back out for the ninth he gave up a one-out double to Jake McCarthy’s and a two-out RBI single to Willi Castro. But the run was of no consequence.

“He’s been great,” Roberts said of Scott’s contributions this year, in multiple roles. “Tanner doesn’t complain. He’s always ready, wants to pitch, wants to help his teammates, his team. And certainly, given how last year went, for him to come back and right the ship, he’s been our most consistent reliever by far. I trust him, and I feel like you can use him in any situation.”

The Dodgers also recalled right-hander Emmet Sheehan on Tuesday as a multi-inning option out of the bullpen. Sheehan, optioned to triple A at the trade deadline for a reset, made two starts for Oklahoma City.

“I got the hang of it a little bit last year in the playoffs,” Sheehan said of pitching in relief. “I have the routine that I would have for starting, and that I have for coming out of the bullpen. So comfortable doing either one or whatever they want me to do.”

Ohtani may be ready for next step

Dodgers two-way player Shohei Ohtani appeared to throw two simulated innings in his bullpen session on Tuesday, for a total of about 45-50 pitches.

When Roberts asked how it went, he said Ohtani gave him a thumbs up.

Roberts did not rule out the possibility of Ohtani throwing live batting practice back in Los Angeles as his next step.

“I could see that,” Roberts said.

Serving as the designated hitter Tuesday, Ohtani hit a two-run homer in the third inning. It was his third homer in two games and his 30th of the season. He’s reached the 30 home-run mark in six straight seasons.

“You’ve got to be available, you’ve got to be a high-performer,” Roberts said of the feat. “And Shohei this series is back to being who he is. I like the at-bat quality. I like the swing decisions. And obviously he’s hitting homers out with breaking balls, fastballs, a curveball tonight. When he goes, it certainly adds a lot of energy to our offense.”

BBC’s hit thriller Vigil will soon be back on screens with a new trailer available to whet fans’ appetites

TV fans won’t have long to wait for the return of Suranne Jones’ acclaimed BBC thriller.

A third series of Vigil is set to arrive over the bank holiday weekend, with the six-part drama premiering on BBC iPlayer and BBC One from Sunday, August 30.

The latest trailer offers a glimpse at the dangerous new case DCI Amy Silva and DI Kirsten Longacre must solve.

Played by Jones and Rose Leslie, the two detectives are once again at the centre of an investigation which takes them far from home. This time, they travel to a remote Arctic research station after a member of a secret British special forces operation is discovered dead from a gunshot wound.

What initially appears to be a murder investigation soon develops into a potentially explosive international situation. With nations increasingly competing for influence over the Arctic and its resources as the polar climate changes, Amy and Kirsten must work quickly to uncover the truth before tensions escalate.

Their investigation will not only put them up against a potentially dangerous killer but could also have serious consequences for their own careers and relationship. As events begin to spiral, the pair are forced to reconsider who they can rely on.

Alongside Jones and Leslie, Dominic Mafham will return as Sir Ian Downing, while Gary Lewis is back as DSU Robertson, who remains closely involved with Amy and Kirsten’s work.

The third series also brings a number of new faces to the drama. Jeppe Beck Laursen plays Henrick Becken, the Chief of Police in Svalbard, while Naomi Yang takes on the role of Shen Jia, a microbiologist.

Tornike Gogrichiani appears as Russian Colonel Fyodor, with Steven Miller and Benjamin Wainwright playing Special Boat Service operators Mark Cunningham and Oli Pickford.

Danusia Samal joins the cast as Jasmine Kelly, who works alongside Sir Ian Downing, while Eric Godon plays Mayor Korotayev and Amy Manson stars as geologist Lorna McCallister alongside a brilliant cast.

The latest instalment of Vigil consists of six 60-minute episodes and has been produced by World Productions in partnership with ITV Studios for the BBC. The production company is known for dramas including Line of Duty, Until I Kill You and Showtrial.

Filming for the new series took place in Svalbard and Scotland, helping to create the remote and unforgiving setting at the heart of the story.

The new trailer promises another tense chapter for Amy and Kirsten, with a murder in the Arctic setting the detectives on a dangerous path involving international rivalry, hidden agendas and a race to discover who can be trusted.

With their investigation carrying consequences that extend well beyond the murder itself, the third series looks set to deliver another high-stakes mystery when Vigil returns to screens.

Two episodes of Vigil will be available weekly on BBC iPlayer from Sunday 30th August, with the series airing Sunday and Monday nights at 9pm on BBC One from this date.

Once they are into the meat of the season, few at Old Trafford will remember this day.

However, depending on how the situation unfolds before the transfer window closes on 1 September, it could be very significant in one way.

With an hour gone, Marcus Rashford was introduced by Carrick as one of six substitutes.

It was his first appearance for his boyhood club since Viktoria Plzen away in the Europa League on 12 December 2024, after which he was effectively banished by Amorim and loaned out, first to Aston Villa and then Barcelona, from where he was not expected to return.

Carrick had enough opportunities when he spoke to UK media in Maynooth on Thursday to say so if it was certain Rashford will be staying beyond this month.

United officials were quick to make it known the number nine shirt Rashford wore in Poland was not permanent, to stave off any complaints from those tempted to buy one.

The 28-year-old looked relaxed enough throughout.

When he was sent out for his first warm-up during the game, he applauded the positive reception he got from United supporters in the corner he was running towards. Although, within seconds, Samuel Chukwueze was tapping home AC Milan’s first equaliser at the same end of the pitch.

Rashford was out later than most of his fellow substitutes for a second-half warm-up, but he still had time for a couple of passing tricks with Martinez – a World Cup semi-final rival a month ago.

Once the England attacker came on, it was noticeable he stayed wider than Patrick Dorgu, the man he replaced on the left. For the record, Dorgu and Harry Maguire were United’s men on the scoresheet in this latest tune-up.

Rashford’s first run ended with him conceding a foul, but it wasn’t long before a brilliant piece of play by the corner flag took him past an opponent.

Not surprisingly, that brought the crowd to its feet.

As reintroductions go, it was solid, not spectacular. But it didn’t need to be anything more.

Premier League games at Hull and against Ipswich will offer a greater insight into Carrick’s thinking. The transfer deadline will bring permanence to what remains an uncertain situation.

Published on
14/08/2026 – 10:54 GMT+2

BP is going back into Venezuela.

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The agreement signed in Caracas on Thursday gives the company operatorship of Loran phase two, an offshore gas project holding more than four trillion cubic feet of proven gas resources, with Abu Dhabi’s XRG, Qatar’s UCC Oil and Gas Holding taking equal stakes beside it.

It is the clearest signal yet that the opening of Venezuela’s energy industry to foreign capital, underway since Maduro’s removal, is gathering pace.

All three companies will hold equal working interests, with BP as operator, and the licence remains subject to regulatory approvals.

PDVSA Gas, the state producer’s gas arm, transferred part of its interest to XRG, the international investment vehicle of Abu Dhabi’s ADNOC. For both XRG and UCC, a unit of the Qatari conglomerate of the same name, this marks a first entry into Venezuela.

The field itself is shared as Loran forms the Venezuelan portion of the Loran-Manatee accumulation, which straddles the maritime boundary with Trinidad and Tobago and holds roughly 10 trillion cubic feet of recoverable gas in total.

Shell won the licence for the first phase in June and is separately developing Manatee on the Trinidadian side, where first gas is expected next year.

BP says both Venezuelan phases will now be developed in parallel and signed a further memorandum of understanding covering exploration at the Carúpano East Block.

The agreements were concluded during a visit to Caracas by CEO Meg O’Neill and David Campbell, BP’s senior vice president for Latin America and the Caribbean.

A sector reopened under US pressure

The licences are the product of a bargain struck with Washington.

After Maduro was seized by US forces in January, interim president Delcy Rodríguez rewrote the country’s energy law at the Trump administration’s urging, opening the world’s largest proven oil reserves to foreign firms.

In return, the US relaxed sanctions that had frozen most Western investment, including the licences it revoked from BP, Shell and Chevron in 2025.

Eni, Repsol and Shell have all signed since.

The awards process stalled after the earthquakes of 24 June, which killed more than 6,300 people, and resumed only on Thursday, when the three Loran permits were issued and the agreements signed.

“I have a special interest in gas to promote national development,” Rodríguez said at the ceremony, which was broadcast on state television.

BP is not a newcomer as it held a licence for the Cocuina field from 2024, before Washington withdrew its permission to use it.

Bradley Beal is returning to the Clippers after missing most of last season because of a left hip injury.

The 33-year-old guard signed a new deal, the team said Thursday. No terms were announced. ESPN’s Shams Charania reported it’s two years for $13.2 million.

In his first season with the Clippers, Beal averaged 8.2 points, 1.7 assists and 20.2 minutes in six starts before sustaining the season-ending injury on Nov. 8.

The three-time All-Star has averaged 21.4 points, 4.3 assists and 4.0 rebounds during his 14-year NBA career, including stints with Washington and Phoenix.

The waxy scent that drifts up the escalators at the Los Angeles Central Library is immediately familiar to anyone who remembers the Mold-A-Rama.

The novelty vending machines mold souvenir sculptures — a train car, a gorilla, a bust of Abraham Lincoln — in under a minute, filling a two-sided mold with hot plastic, then hollowing it out with compressed air.

Christina Rice, the senior librarian who oversees the Los Angeles Public Library’s photo collection, made it her personal quest to find and install one in the Central Library after a patron asked for pictures of machines at sites across the city, which disappeared in 2006 after their operator exited the market and sold them to private collectors.

The Mold-a-Central fills a two-sided mold with hot plastic, which is then filled with compressed air, to make a sphinx souvenir.

(Eric Thayer/Los Angeles Times)

At first, Rice wasn’t sure what he was talking about, but when it clicked, “it was such a strong visceral response,” she said. “I loved these machines when we would go to the zoo. It was a must-have every time.”

In fact, the last mold she purchased was a black panther from the Los Angeles Zoo, shortly after she graduated high school. Other L.A. souvenirs included a replica bandshell from the Hollywood Bowl and a tiny pagoda from the Chinese Theatre.

Rice saw an opportunity in the retro tech to get new people into the library or encourage existing patrons to explore other departments or collections.

It was a hunch that took her six years to see to fruition, but the library’s very own “Mold-a-Central” now sits in the alcove of the lower fourth floor. Visitors can trade $5 for a small black sphinx, a replica of sculptor Lee Lawrie’s Belgian black marble and bronze sphinxes that flank the north staircase on the library’s second floor. Pittsburgh sculptor Brian McGuire custom designed the mold and is also working on a replica of the 1926 Central Library building.

It’s been a hit. Visitors who’ve been drawn by nostalgia or curiosity to see it — and smell it — for themselves have molded over 3,000 sphinxes so far. During the library’s Centennial Festival in July, the machine had a consistent wait, churning out 255 figures in a single day. J.H. “Tike” Miller, the Illinois inventor of the Mold-A-Rama, was inspired by a broken figurine in his nativity scene. Department stores only sold them in sets, so he and his wife Shirley began making individual figures for sale in the late 1930s.

The Mold-a-Central makes sphinx souvenirs modeled after the black marble and bronze sphinxes that flank the north staircase on the library’s second floor.

(Eric Thayer/Los Angeles Times)

Olivia Gill, left, Ryan Gill and Thomas Gill use the Mold-A-Central. The souvenirs cost $5.

(Eric Thayer/Los Angeles Times)

In the 1950s, Miller began making figurines — often of dinosaurs and space aliens — using plastic injection molding. When his company went bankrupt in 1959, Miller licensed the technology to Aramark, then known as Automatic Retailers of America Inc. It spun off a separate division for the venture and worked with Miller to produce the first Mold-A-Rama machines.

The concept debuted at the 1962 Seattle World’s Fair, with figures including the Space Needle and Alweg Monorail, then rolled out in several test markets, including Southern California. The Los Angeles Times described Mold-A-Ramas as “a diabolical cross between a jukebox and a pinball machine” that cost $3,600 apiece, or about $39,500 today.

After a bigger splash at the New York World’s Fair in 1964, Mold-A-Ramas proliferated across the U.S., popping up in zoos, museums and anywhere tourists might exchange a coin for a toy.

Though Mold-A-Rama President Ben A. O’Dorisio predicted a future in which they’d eventually sell household goods and even apparel, high maintenance costs led Aramark to dissolve its Mold-A-Rama division and sell its machines just a few years later.

Today, most operational machines are concentrated in the Midwest and the South, split between two companies that have amicably divided their territories: Illinois-based Mold-A-Rama Inc. and Unique Souvenirs Inc. in Florida, which operates machines branded Mold-a-Matic.

Unique Souvenirs owner Tim Striggow bought the family business from his grandfather, Eldin Irwin, who purchased several machines from Aramark and other operators starting in the late ‘60s and traveled with them to fairs and carnivals. It was Striggow’s uncle who operated — and removed — L.A.’s machines.

The Mold-a-Central has been popular, with more than 3,000 sphinxes made.

(Eric Thayer/Los Angeles Times)

Striggow sold Jack White two machines for his Third Man Records stores in Nashville and Detroit, and supplied the library with its machine. It cost $32,000 and is expected to pay itself through souvenir revenues within a couple years. As Mold-A-Rama and Mold-a-Matic are both trademarks, the library’s machine is called Mold-a-Central for the Central Library and features new graphics by Studios Number One, Shepard and Amanda Fairey’s design studio.

Though new to the library, the Mold-a-Central is still a vintage machine, and Rice knew that before she could persuade the library to invest in one she’d have to find someone who could service it. She asked Gary Hall, general manager of Angels Flight, L.A.’s 124-year-old funicular, who suggested one of its mechanics, Hirschel Riley.

“Hirschel agreed immediately, and I think it’s safe to say he has fallen in love with our Mold-a-Central machine,” Rice said. “When we first got the machine and opened it up, my head nearly exploded and I wondered if I had bitten off more than I could chew, but for Hirschel, it’s been a piece of cake compared to [Angels Flight].”

Though the library offers 3D printing — a far more modern sculpting method — at its Octavia Lab, Rice finds even teenagers are interested in slide projectors and older technology during her photo collection tours, proving there’s still space for the analog in today’s digital world. She hopes Mold-a-Central will inspire a “whole slew” of similar vintage machines to return to L.A.

They are out there. Quentin Tarantino told Variety he had a production designer track one down for an opening shot of “Once Upon a Time… in Hollywood” at the Chinese Theatre before he rewrote the script. After changing course, he stored it in his garage.

Football superstar Lionel Messi returned to Rosario, Argentina with his family on Saturday, a day after his father and longtime agent Jorge Messi died aged 68. His cause of death hasn’t been disclosed, though he had suffered a prolonged illness. Jorge helped guide his son’s career from childhood.

SACRAMENTO — California Gov. Gavin Newsom and his wife, documentary filmmaker Jennifer Siebel Newsom, have earned at least $11 million since he took office, with most of their income coming from wineries, restaurants and other investments, according to tax returns from 2019 through their most recent filings for 2024.

The tax records show the couple has earned between $1.4 million and $3.5 million per year, putting them in the upper echelon of Americans when it comes to annual income.

Newsom allowed reporters on Thursday to view four years of the couple’s jointly filed tax returns after receiving criticism for not disclosing his filings since he last released the information for the tax year 2020.

The release of the tax records comes just weeks after Newsom accused the Department of Justice of launching — at President Trump’s request — a baseless and politically motivated investigation into him and his wife, including her business interests and charity work. The governor said the probes, which federal officials have not confirmed, were a personal vendetta launched because he’s considering a run for president in 2028.

Siebel Newsom leads the Representation Project, a nonprofit that advocates for gender equity through film and education programs, and Girls Club Entertainment, a for-profit production company she owns that holds the copyrights to her documentaries. The nonprofit has faced criticism for accepting donations from companies that lobby the governor, including Pacific Gas & Electric Co. and AT&T.

The tax records released Thursday showed that her salary from the Representation Project was $145,000 to $150,000 annually from 2021 though 2024, similar to prior years. While Girls Club paid her $100,000 in 2021, and $11,700 in 2022, she did not report any income from the production company in the two years that followed.

The governor’s office, in a summary of the tax returns provided to reporters, stated that financial documents contradict “the FALSE right-wing claims that the Newsoms ‘enriched themselves’ through new ventures and nonprofit organizations.”

The memo stated that their income has declined since Newsom became governor. The tax records also show that Girls Club Entertainment has been losing money in recent years.

The governor signed a law during his first year in office to require presidential and gubernatorial candidates to release five years of tax returns to appear on the primary ballot. Democrats passed the law in response to Trump’s refusal to make the information public.

Less than six months later, the California Supreme Court struck down the portion that required presidential candidates to comply with the law. Gubernatorial candidates are still required to disclose their tax filings during election season.

Though tax returns became a flash point in the California vs. Trump political saga, Democrats have for decades demanded that candidates for governor and president release their income tax filings.

Presidential candidates dating back to the Nixon administration routinely shared their filings, with only President Ford and Trump refusing to do so. Former Democratic Gov. Jerry Brown and his Republican opponents also declined to share their tax returns before the 2010 and 2014 California gubernatorial elections.

Newsom released his tax returns during his campaigns for governor in 2018 and 2022, again in 2020 and before he beat a recall election in 2021. California candidates, elected officials, judges and some public employees also file annual economic interest statements.

“In the interest of transparency, he’s now voluntarily making all remaining filed tax returns available — going beyond what the law requires — as part of his longstanding commitment to transparency,” said Izzy Gardon, a spokesperson for the governor, in a statement.

The governor and his wife put their investments in a blind trust when he took office. Their earnings, which have totaled more than $1 million per year since at least 2011, stem from investments in wineries, restaurants, bars, hotels and hospitality management companies based in San Francisco, Napa Valley, and Lake Tahoe, according to economic interest disclosures filed with the state.

The latest batch of tax returns covers 2021 through 2024. Reporters were allowed to view, but not copy, more than 700 pages of tax records at the governor’s office in Sacramento on Thursday. Their 2025 tax returns were not available because, as he has done most years, the governor filed for an extension with the Internal Revenue Service and he doesn’t expect to file until October.

The couple’s reported income was the highest in 2021, when they sold their home in Kentfield, a wealthy enclave in Marin County, for $5.9 million. The Newsoms reported receiving more than $55,000 in rent for leasing out the home that same year, but declared an overall loss for tax purposes of $70,000 due to their mortgage payments, taxes, legal fees and depreciation.

The family previously moved to a mansion in Fair Oaks that they purchased for $3.7 million in 2019 following a brief residence at the Governor’s Mansion in downtown Sacramento.

The family kept the Fair Oaks home and purchased another $9.1-million estate in Marin County in 2024, where they primarily live and their four children attend school. Newsom and his wife also spend time in Fair Oaks while working at the state Capitol.

During those four years, Newsom and Siebel Newsom paid a high of $1,253,187 in federal income taxes in 2021, and a low of $488,821 in 2023. Their state tax income bill ranged from $34,307 to $213,331 during that time. The annual property tax bills hovered between $48,000 and $64,300 over that span.

The governor’s income included his government salary, which ranged from $167,647 in 2021 to $192,087 in 2024.

Newsom also was paid more than $150,000 during that period as an author. In recent years, Newsom has published a book for children with dyslexia and a memoir, “Young Man in a Hurry.”

The tax returns showed the family paid from $154,000 to almost $200,000 each year for household employees from 2021 through 2024. The returns showed that they paid for Social Security coverage, Medicare and the state’s unemployment benefits fund as part of those expenses.

The governor and his family donated more than $200,000 to charity from 2021 to 2024. While most of those donations were in cash, they also gave $4,900 in “Armani Business Wear” to the Oakland nonprofit organization Restorative Justice, and toys, furniture, appliances, books and other goods to Goodwill in Sacramento.

Among their listed expenses in 2021 was $3,542 in storage costs for silver and platinum holdings. Previously, the couple made nearly a half-million dollars trading silver bars in 2011 alone.

EUROPE’S biggest pumpkin festival is returning this autumn for its most immersive experience ever.

The iconic pumpkin patch, loved by celebs, welcomes thousands of visitors every year and it’s set to make an epic return.

Tulleys Farm has become an annual tradition that’s a must-do around Halloween for many Brits.

The West Sussex attraction boasts Europe‘s largest pumpkin patch with 1.5million pumpkins in over 100 varieties available to pick and take home.

Set across more than 100 acres of sprawling Sussex countryside, Tulleys Farm is just a 45-minute drive from central Brighton.

Priding itself on offering “more than just pumpkin picking”, the farm has so much on offer and has levelled up for 2026, preparing to welcome guests for its “best season yet”.

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Opening its gates once again from September 19 until October 31, Tulleys new Pumpkin Festival will offer the ultimate autumnal experience.

Nestled in the newly created Pumpkin Valley, the festival will bring live entertainment, tasty seasonal food, unique shopping and roaming performers for families to enjoy.

The enchanting attraction promises some magical escapism, as guests “wander along winding paths, with wooden bridges leading across gentle streams and peaceful ponds”.

Speaking about the new experience, Tulleys Farm co-owner, Sam Beare, said: “We have always believed the Pumpkin Festival should evolve every year. We are excited to introduce the Pumpkin Valley for 2026.

“Our vision with Pumpkin Valley was to create something truly unique, an area that pushes the boundaries and immerses guests in an entirely new world,” he added.

“The Pumpkin Festival is so much more than just picking a pumpkin, it’s an experience for all generations and we look forward to welcoming our guests back for what we believe will be our best season yet.”

Guests can visit by night, too, for an even more marvellous experience.

The after-dark events, kicking off from September 26, offer illuminated woodland trails, spectacular photo opportunities, delicious cocktails and tasty treats, live music along with an unforgettable atmosphere.

Tulleys will no doubt be as popular as ever this year, so its advised to book in advance, with tickets available from £8.95 per person.

Educating Yorkshire is set to return to Channel 4 for a brand new series, with Headteacher Matthew Burton and the students of Thornhill Community Academy back on screens once again.

Channel 4 has confirmed that one of British television’s most celebrated documentary series is making its return.

Educating Yorkshire has been given the green light for a brand new run, and fans will be thrilled.

More than a decade on from its debut, the Channel 4 show that captured the hearts of the nation is heading back to Thornhill Community Academy in Dewsbury, West Yorkshire, where cameras will once again follow the staff and pupils navigating the highs and lows of school life.

The original series launched in 2013 and quickly became a cultural touchstone, with one moment in particular proving unforgettable – Headteacher Matthew Burton guiding a pupil with a stammer through his English literature GCSE poetry recitation in a scene that left viewers across the country in tears.

Burton, who remains at the helm of Thornhill, will be front and centre once again in the new series.

After more than a decade off air, the show staged a remarkable comeback in 2025, earning a BAFTA nomination and pulling in a staggering 8.7 million viewers across linear and streaming platforms.

People were quick to praise the show’s comeback at the time, with one person commenting: “This is brilliant!!”

Another added: “Im so over the moon this is back absolutely brilliant. Ive watched Mr Burton and Mushy episodes over again . Its been too long – welcome back . No doubt there will be lots of laughs and tears – love it love it love it.”

Someone else wrote: “I can not wait for the new series of Educating Yorkshire.” While another commented: “Omggggg is he back!?!? That teacher is the reason I want to teach in the first place.”

Channel 4 revealed that the programme attracted 8.7 million viewers across linear and streaming platforms, proving a particular hit with younger audiences and securing a 28% share of 16-34s.

The show has clearly left a lasting impression, with three in ten viewers aged between 16 and 34 saying Educating Yorkshire had inspired them to consider pursuing a career in education or youth work.

Grace Reynolds, Exec Producer, commented: “The extraordinary teachers and staff help the students navigate some of the most important years of their lives.

“While headlines often focus on the challenges facing teenagers today, our experience making the series tells a different story. Spend time in Thornhill and you’ll find resilience, compassion, ambition and optimism. If it reminds us of anything, it’s that the future is in remarkably good hands.”

No broadcast date has yet been confirmed for the new series.

Educating Yorkshire is available to watch on Channel 4.

Lionel Messi returns to Inter Miami after Argentina’s World Cup final defeat by Spain, which led to retirement rumours.

Football superstar Lionel Messi ‌has returned to practice for Inter Miami, 10 ⁠days after Argentina’s World Cup run ended with a 1-0 extra-time loss to Spain in ⁠the final earlier this month.

The two-time defending MLS MVP missed Miami’s first two matches after ⁠the World Cup break against Chicago and Montreal, both of which the team still won, extending its winning streak to six matches.

The 39-year-old also chose not to participate ‌in Wednesday night’s MLS against Liga MX All-Star Game in Charlotte, instead taking some time off to visit his father, Jorge, who the Messi family announced during the World Cup is battling an undisclosed illness.

Messi concluded this year’s World Cup, ⁠his record sixth, with eight ⁠goals and four assists, coming one win away from leading Argentina to be the first team to win consecutive World Cups since ⁠Brazil in 1958 and 1962.

He was the first player to break Miroslav ⁠Klose’s record for career World ⁠Cup goals with his 17th in Argentina’s second match, but French sensation Kylian Mbappe finished the World Cup one goal ahead of ‌Messi, 22 to 21.

Inter Miami (11-2-4, 37 points) is two points behind Nashville SC atop the Eastern Conference ‌standings. ‌It is not yet known if Messi’s return will come in Saturday’s home match against the Columbus Crew.

There had been some speculation that Messi would not only conclude his international career following the World Cup, but that he may also call time on his playing days at club level.

The former Barcelona and Paris Saint-Germain forward has won eight Ballon d’Or titles, the annual award for the player voted the best in the world that year.

COLUMBIA, S.C. — The Washington powerbroker Sen. Lindsey Graham returned home to South Carolina for the last time Wednesday for his funeral and burial.

After Graham was eulogized Tuesday in the nation’s capital as an indefatigable dealmaker by the president, vice president and others, mourners in Columbia prepared to remember him Wednesday as the son of pool hall owners who never forgot his roots.

Graham seemed to know every small-town mayor and police chief and the location of every Chick-fil-A across South Carolina. His PAC made sure Republicans had money to run in legislative and local elections across the state.

Graham died suddenly on July 11 at his home in Washington, likely of an aortic tear, according to preliminary findings. He had just returned from a whirlwind trip to a NATO summit in Turkey, where he celebrated his 71st birthday, and a visit to Ukraine as he negotiated punishing sanctions against Russia. Senators voted late Tuesday to advance the package as a final gesture for their colleague.

Wednesday’s funeral was at First Baptist, the giant downtown church where his predecessor Republican Sen. Strom Thurmond was honored 23 years ago.

Graham’s body was first brought to the South Carolina Statehouse, where he started his political career in 1993, for a law enforcement ceremony and a flyover by military jets. A horse-drawn caisson then carried his casket to the church, where his family followed members of his family carrying it inside.

Graham’s burial Wednesday near his home in Pickens County was planned as a private ceremony.

On Tuesday, Graham’s flag-draped casket was at the U.S. Capitol, where the Republican spent more than 30 years talking and laughing and badgering his colleagues into action.

President Trump then joined foreign leaders at the Washington National Cathedral, a testament to Graham’s stature on the global stage.

Trump called Graham “a giant of the United States Senate, a true American original who left us much too soon.”

Graham’s death has created opportunities for change in South Carolina. Graham had already won the Republican nomination as he ran for a fifth term. Gov. Henry McMaster named his younger sister Darline to hold his seat until January. Darline Graham then surprised many by deciding to run for the full six-year term herself.

State law has Republicans holding a special primary in two weeks to decide the new nominee. Eight others are competing, including former Gov. Mark Sanford and U.S. Reps. Ralph Norman and Russell Fry.

Kinnard and Collins write for the Associated Press.

The ITV documentary series first aired three years ago and follows world-leading forensic scientist Dr Angela Gallop delving into complex cases.

Forensic scientist Dr Angela Gallop is back once again for a fresh crime series on ITV.

The harrowing true crime docu-series will see Dr Gallop and her team revisit complicated cold murder cases using advanced scientific techniques that may not have been available at the time of the crime.

Through the re-examinations, Dr Gallop and her team have helped bring notorious killers to justice in Cold Case Forensics, which is airing a brand new season.

On Tuesday night (July 28), ITV viewers will see the forensic scientist look into the chilling death of Italian banker Roberto Calvi, also widely known as ‘God’s Banker’

A synopsis for the episode reads: “Return of the documentary delving into the casebook of world-leading forensic scientist Angela Gallop and her team.

“When the body of Italian banker Roberto Calvi was found hanging under Blackfriars Bridge in London in 1982, the investigation led to a murky world of financial deals with the Vatican and the Mafia. Nicola Walker narrates.”

Roberto Calvi was the chairman of the largest private bank in Italy and also had connections to the Roman Catholic Church.

However, the 62-year-old went missing in 1982 for nine days before his body was discovered hanging.

At the time, the coroner’s report didn’t find evidence of foul play on his body and ruled his death as a suicide.

Although UK police were puzzled by the strange circumstance, as his pockets were stuffed with bricks, he had a fake passport in a different name and had £10,000 ($14,000) in cash in different currencies.

It wasn’t until 2002 that Roberto Calvi’s case was officially reopened by Italian prosecutors, with the City of London Police opening it as a murder inquiry in September 2003.

As a result, Dr Gallop was hired by Roberto’s family in a bid to prove he had been killed and didn’t die by suicide decades ago.

Other cases explored in this series includes solicitor Cheryl Lewis and ten-year-old Damilola Taylor.

The first series included the cases of Rachel Nickell, Lynette White and Stephen Lawrence.

Cold Case Forensics airs on Tuesdays on ITV from 9pm

Nearly four years after being extradited to the United States for a drug-trafficking trial, former Honduran President Juan Orlando Hernandez returned home after a pardon by US President Donald Trump at the end of last year.

Trump claimed the trial was a “set up” orchestrated by former President Joe Biden’s administration.

Hernandez still faces corruption charges in Honduras but returned on Sunday after an arrest warrant against him was cancelled.

Human rights activists and lawyers fear a trial on home soil, where his party holds the presidency, would be a sham.

So why did Trump pardon and release the former president of Honduras despite abducting and arresting Venezuela’s Nicolas Maduro on drug and gun charges in January?

Why did Hernandez return to Honduras?

Hernandez was able to return after being pardoned by Trump, released from a US prison and then having an arrest warrant against him suspended last month.

He arrived at Palmerola International Airport, where he was greeted by his family and supporters of his National Party.

Hernandez led his country from 2014 to 2022, during which, according to US prosecutors, he once boasted he would “shove the drugs right up the noses of the gringos”, referring to Americans.

Shortly after leaving office, he was extradited to the US, where he was found guilty by a federal jury and sentenced to 45 years in prison for involvement in a scheme to export cocaine to the US.

Prosecutors described the scheme as “one of the largest and most violent drug trafficking conspiracies in the world”. He was convicted of accepting millions of dollars in bribes from violent drug-trafficking organisations over 18 years, which he was alleged to have used to fuel his rise in politics.

“During his political career, Hernandez abused his powerful positions and authority in Honduras to facilitate the importation of over 400 tons of cocaine into the US,” the US Department of Justice said after he was sentenced last year.

During his trial, Hernandez denied taking bribes from drug dealers, arguing he in fact cracked down on the narcotics trade and citing his administration’s cooperation with the US military.

“I cannot deny the profound emotion and joy I feel in my heart to be returning home,” Hernandez wrote on social media earlier this month, saying he was counting down the days to see his family.

“It wasn’t easy. The process has been extremely difficult … and what I experienced in prison, I truly wouldn’t wish on anyone,” he added.

Hernandez is expected to appear in court on August 3 to face the Honduran corruption charges.

Why did Trump pardon him?

Under the US Constitution, a president may offer two types of clemency for federal crimes: pardons, which forgive defendants their federal charges and restore their civil liberties, and commutations, which reduce people’s punishment without addressing their convictions.

Hernandez was pardoned by Trump in December. The US president said Hernandez had not received a fair trial and had been “set up” by the Biden administration.

Trump added that Hernandez was “treated very harshly and unfairly”.

At the same time, Trump also threw his weight behind right-wing candidate Nasry “Tito” Asfura, a member of Hernandez’s party. He ran in November’s presidential election and was declared the winner a month later in the close race after delays and allegations of fraud. He took office in January.

A Pandora Papers corruption investigation also accused Hernandez of diverting nearly $11m in state funds to political campaigns from 2010 to 2013.

Why a pardon for some but jail for others?

The Trump administration has faced criticism at home for pardoning the Honduran leader while at the same time abducting former President Maduro of Venezuela and his wife, Cilia Flores, in January on similar charges.

Maduro and Flores were seized in Caracas by the US military and flown to New York, where he is facing a range of guns and drugs charges and accusations of being a “narcoterrorist”.

At the time of Maduro’s abduction and since then, the Trump administration has targeted small boats in the Caribbean and eastern Pacific that it claims, without providing evidence, are involved in drug trafficking. More than 220 people have been killed in more than 60 such strikes on small boats in what many lawyers and activists have deemed extrajudicial killings.

Since taking office for a second term in January 2025, Trump has ordered more than 1,800 acts of clemency benefitting a range of personalities, including cryptocurrency billionaires, disgraced politicians and hundreds of political allies.

Some of the most controversial beneficiaries are supporters of his Make America Great Again (MAGA) movement, including hundreds of rioters who attacked the US Capitol on January 6, 2021, in a bid to prevent the certification of Biden’s electoral victory over Trump two months earlier.

Legal experts have argued that while the president’s clemency power is broad, using it for allegedly corrupt purposes, such as to protect political allies or obstruct justice, could form the basis for impeachment proceedings.

US constitutional expert Bruce Fein told Al Jazeera that the US Constitution’s framers “understood the abuse of the pardon power to shelter political or personal friends to constitute an impeachable high crime and misdemeanour justifying the removal of the president through the impeachment process”.

“If Democrats gain control of Congress in the midterm elections, Trump will be in impeachment jeopardy for pardoning Hernandez,” Fein said, referring to elections in November.

United States President Donald Trump returned to the White House Correspondents’ Association dinner, three months after a gunman upended the event.

“As I said three months ago, the show must go on,” Trump said at the start of his speech on Friday, after a lengthy awards ceremony, during which several journalists, including CNN’s Wolf Blitzer, spoke.

The annual – and perennially controversial – event had originally been held in April, but it was swiftly derailed after a gunman attempted to storm the proceedings in an alleged effort to assassinate Trump.

“Just like my presidency, the second time is always better and the third time will be better yet,” Trump quipped, before raising his hands at the crowd and saying, “I’m only kidding.”

The US president is limited to two terms by the Constitution, but Trump has been facetiously floating the idea of running for a third time.

The rescheduled dinner took place in the ballroom of the Waldorf Astoria hotel, with a guest list of 700 people, much smaller compared with April’s botched gathering.

“It was an assault on our democracy itself; it was a very serious situation,” Trump said of the alleged assassination attempt.

He lauded some of his aides, including Pete Hegseth, Steve Miller and Tom Holman, for showing “bravery” during the incident.

“They were standing on tables, when most of you were under the tables,” he said.

Alleged gunman Cole Tomas Allen had stormed a security gate at the gala venue, the Washington Hilton, armed with guns and knives. He was accused by prosecutors of shooting and injuring a Secret Service officer before he was stopped.

Allen is facing federal charges of attempting to assassinate the president.

“Many people yelled, ‘Get down. Get down,’ which caused Nicki Minaj to start twerking,” Trump said on Friday.

As journalists in attendance forced a muted laugh, Trump added: “She’s the only one who knew what that meant.”

Trump later used the event to rebuke political opponents, presenting his attacks as jokes. He called Democratic California Governor Gavin Newsom “newscum”, questioned Congresswoman Ilhan Omar’s intelligence, and pretended that someone in the audience was calling Illinois Governor JB Pritzker a “fat pig” to appear that he was not uttering the insult himself.

The US president also called top Democratic Senator Chuck Schumer “Palestinian” as an insult.

Earlier in the evening, Trump entered the ballroom to polite applause.

“This is the largest gathering of people with Trump derangement syndrome,” he said, referring to journalists.

The US president has had a historically caustic relationship with the dinner, but this year, he touted the celebration this year, calling it a “very good thing” and a “HOT ticket”.

White House Correspondents’ Association president Weijia Jiang of CBS News, which was acquired by pro-Israel investor David Ellison last year, thanked Trump for his support, and for showing up for the second time in three months.

“Tonight our message is this: We are back,” she said. “We will not be intimidated. We refuse to let an act of violence have the final word.”

Trump’s enthused attendance represented a sea change from his first term, beginning in 2017, when the newly elected president declared the soiree “dead” and declined to attend over the next four years.

Beyond Trump, the White House Correspondents’ Dinner has long been a lightning rod for criticism among media professionals, with some journalists arguing that reporters should not be chummy with the politicians they cover. Calls for the dinner to be abandoned entirely only grew after the April incident.

US Central Command says new strikes on Iran are designed to further degrade Iran’s ability to choke the Strait of Hormuz.

The United States military said Sunday that it launched new strikes on Iran to “swiftly punish” the country’s Islamic Revolutionary Guard Corps (IRGC) for an attack that killed two American service members and left one missing and four requiring hospitalisation.

An area near Sirik in Iran’s Hormozgan province and Qeshm Island have been hit on the eighth consecutive night of US air strikes on Iran, according to Iran’s semi-official  Mehr and Tasnim news agencies.

The attacks happened early on Sunday, hitting Sirik at 1:30am local time (22:00 GMT, Saturday), and Qeshm Island at about 3:38am (00:08 GMT, Sunday) and again at 6:10am local time (0240 GMT) according to Iranian reports.

Tasnim also said the US military targeted a location near Shadegan in Iran’s Khuzestan province at 5:55am (02:25GMT Sunday).

The reports said there were no casualties and that residential and commercial infrastructure was not damaged in the attacks.

In a post on X, US Central Command (CENTCOM) said the US military launched new strikes “designed to further degrade Iran’s ability to threaten commercial shipping in the Strait of Hormuz”.

The post added that strikes were also in retaliation for Iranian ballistic missile and drone attacks on a US base in Jordan that killed the two US service members on Friday.

US Central Command later said its strikes targeted “Iranian military coastal surveillance and air defense facilities, maritime capabilities, and missile and drone storage sites.”

Since the war began in February, 16 US service members have been killed and more than 430 wounded.

The Tasnim news agency said there were reports of explosions in Qom, Arak and Behbahan that were later denied by local authorities.

The governor of Arak said that “the situation is completely normal and so far we have not had any reports of attack or explosion”.

Iranian retaliatory strikes

Tasnim news agency said the Iranian army targeted US military assets in two bases in Kuwait.

A statement from Iran’s military said, “In response to the repeated aggressions of the enemy”, the army targeted a US “ammunition depot at Al-Adiri camp and the Patriot radar and air radar” at the Ali Al Salem base in Kuwait.

“Unforgettable lessons”

Before the latest US strikes began, Iran’s supreme leader warned of “unforgettable lessons” if the US continued its attacks on Iran.

Initially, the battle focused on control of the Strait of Hormuz. But US strikes have now widened to include civilian infrastructure, including bridges and desalination plants for drinking water.

State-run news agency IRNA said the Bonji desalination plant was destroyed, cutting off water supplies to about 10,000 people, and a desalination plant on strategic Qeshm Island inside the strait was damaged.

Iran’s Deputy Foreign Minister Kazem Gharibabadi told state television the US is violating terms of the interim deal and “no longer implementing them”.

Iranian authorities said at least 50 people have been killed and more than 500 wounded in US strikes in the past three weeks.

Late Saturday, the Iranian embassy in India named two girls – Sogand Dardmand and Fatemeh Zahra Akbari – who were among seven killed in a US strike on Bandar Khamir in southern Iran, which took place on Thursday.

Al Jazeera’s Tohid Asadi, reporting from Tehran, said that the last eight nights of US strikes on Iran have caused “anger” and “frustration” among the populace.

“People don’t really know whether they are going to see the continuation of this confrontation, or how long it’s going to take, and also if there is a possibility for a diplomatic settlement to resolve all these complexities and find a long-lasting solution”, he said.

Casualty fans were left both surprised and baffled on Saturday’s episode to see a returning face

Casualty aired explosive scenes involving Dylan Keogh on Saturday night.

Viewers will recall that only recently, recovering alcoholic Dylan, played by William Beck, relapsed after struggling with the news that his colleague, Stevie Nash, had been having an affair with his son Dr Matty Linlaker.

Since relapsing, Dylan has pushed his loved ones away, including son Matty, and he has caused concern in recent scenes after he was seen driving erratically with a bottle by his side.

At the start of Saturday’s episode, Dylan headed to a care home to visit his father, Brian Carroll. However, alcoholic Brian didn’t recognise his son due to his years of drinking and things soon got unpleasant when Brian said some horrible things about his son, claiming he never loved Dylan.

Taking to Twitter, now X, viewers were quick to do a double take over Brian as they quickly spotted that he had been recast with a different actor. Brian made his first debut in 2015 and he was last seen on the BBC medical series in 2018.

In the earlier episodes, Brian was played by actor Matthew Marsh but on Saturday’s episode, the character of Brian was being played by actor David Beames.

Viewers were quick to share their reaction to Brian’s return after eight years, especially as it was a new actor playing the character. One person said: “Woah that is a different Brian? What happened to Dylan’s little sister with Hazel? #Casualty”

Another person wrote: “Dylan’s father is back?! #Casualty”, a different viewer put: “they’ve recast dylan’s dad! oh! #casualty” while another fan added: “Hang on… That’s not Matthew Marsh… Dylan has a new dad? #Casualty.”

Later in the episode, upset by his father’s cruel words, Dylan rushed out of the care home and started drinking from the clear bottle as he drove off, leaving his son Matty a voicemail saying: “Things are going to change”, adding that he’s not like his own father and that he cares about Matty.

Upon listening to the message, Matty and Stevie were concerned to hear a crash at the end, where it looked as though Dylan had been involved in a serious car crash.

However, thankfully, Matty discovered his dad uninjured and upon confronting his father for drink driving, Dylan insisted he hadn’t drunk since his initial relapse. A breathalyser later confirmed that he was telling the truth.

The emotional episode ended with Dylan vowing to make things right again and start AA meetings, as well as therapy to tackle his addiction.

Casualty continues on BBC One.

July 17 (UPI) — Italy returned to Mexico a collection of 27 pre-Columbian archaeological artifacts and fossils recovered during separate investigations into the illicit trafficking of cultural property, authorities from both countries said.

The handover occurred Thursday at the Mexican Embassy in Rome, where the Italian Carabinieri’s Cultural Heritage Protection Unit officially delivered the items to Mexico’s ambassador to Italy, Genaro Lozano.

The artifacts will be transferred to Mexico after being cataloged by the National Institute of Anthropology and History, the institute said.

The collection includes three Teotihuacan heads dating from 200 B.C. to A.D. 650, two Maya terracotta figurines from the Early Classic period, a tripod bowl, 16 other pre-Columbian artifacts and three Late Cretaceous fossil fish, according to the National Institute of Anthropology and History.

The artifacts were recovered during investigations carried out by Italian authorities in Florence, Rome, Monza, Ancona and Venice.

The objects were found in customs inspections, private collections, online auctions and e-commerce platforms, while the fossils were intercepted in an illegal postal shipment from the Mexican state of Nuevo León, the National Institute of Anthropology and History said.

Brig. Gen. Antonio Petti, head of the Carabinieri unit for the protection of cultural heritage, said the artifacts are in an “absolutely excellent state of preservation” after being recovered during separate operations targeting the illegal trafficking of cultural property, according to El Observador, which cited comments he made to EFE.

During the ceremony, Lozano said the artifacts “represent the living history of Mexico” and said their value lies in “memory, justice, and recovering and keeping history alive,” according to the National Institute of Anthropology and History.

The diplomat said the restitution is part of the “My Heritage Is Not for Sale” campaign launched by the Mexican government to recover cultural property illegally removed from the country.

Since 2013, Italy has returned more than 840 cultural objects to Mexico through cooperation between the two countries to combat the international trafficking of archaeological heritage, the National Institute of Anthropology and History said.

The institute said the 27 pieces have been classified as archaeological monuments and, under Mexican law, are the inalienable property of the nation.

Once they arrive in Mexico, cultural authorities will decide whether the artifacts will be displayed in national museums or returned to the regions from which they were removed, the National Institute of Anthropology and History said.

“Remake” has a tragic tale to tell and director Ross McElwee wastes no time revealing its grieving heart. Near the start of this funereal documentary, the filmmaker addresses his subject directly: “It’s been seven years since you died,” he says to his late son Adrian through voice-over, “and I still miss you every day.”

Across McElwee’s 50-year career, he has worked intimately without a crew to make sense of his own life by diligently recording it. In the process, he turned his friends and loved ones into the unlikely stars of his acclaimed independent documentaries.

With “Remake,” he looks back at that footage, concentrating on the images he shot of Adrian since his birth in 1989. Adrian died on Christmas Eve 2016 of a drug overdose and McElwee clearly remains shattered. For a documentarian who specializes in personal movies, “Remake” feels especially revealing — both in terms of the glimpses we get of this father-son relationship and of unsolved mysteries that linger just outside the frame.

The film’s title ostensibly refers to a surprising phone call McElwee received about 20 years ago, when he was approached by Steve Carr, the director of broad comedies like “Paul Blart: Mall Cop,” who was eager to adapt McElwee’s 1986 documentary “Sherman’s March” into a movie. That landmark picture features McElwee, then in his mid-30s, as he tries to chronicle the exploits of Union Gen. William Tecumseh Sherman, who laid siege to the South during the Civil War. Except, in the midst of that project, McElwee’s focus shifts, delightfully, to his disastrous love life and the fascinating women he meets in his travels, becoming a deeply humane examination of modern courtship.

Carr doesn’t seem like an obvious choice to oversee a narrative remake, but McElwee decides to sell him the rights anyway. Soon in “Remake,” though, it becomes apparent that this is just one chapter of the story — and hardly the most essential. McElwee’s last film, 2011’s “Photographic Memory,” dealt with his increasingly frayed connection to Adrian, who was already fighting substance-abuse issues. “Remake” retraces Adrian’s childhood while filling in the details of the director’s life after “Photographic Memory,” including brain surgery and the dissolution of his 24-year marriage.

But Adrian is never far from his thoughts or absent from the screen: this smiling, happy boy slowly transforming into an edgy, troubled young man whose sweetness still occasionally shines through.

The passage of time is central to McElwee’s work, but he’s rarely scrutinized the topic as aggressively as he does here. It’s not simply that we watch Adrian age or revisit some of McElwee’s “Sherman’s March” subjects. (“Sherman’s March” is now screening in a new 4K restoration at the Laemmle Royal with “Remake.”) It’s also in the way that McElwee’s formerly wry narration now sounds far more resigned, his voice grown froggy and hushed as he nears 80. McElwee has often pondered the downside of essentially treating himself like a human camera, observing the world rather than fully engaging in it. But in “Remake,” he openly questions his artistic approach and, fittingly, he lets his son be his loudest critic.

As a boy, Adrian is enchanted by McElwee’s filming. In childhood, he paints an abstract picture of God in which the Almighty eerily resembles a movie camera. But although Adrian soon picks up a camera as well, increasingly interested in being a filmmaker himself, he resents how his father intrudes on their time together by constantly shooting their conversations. McElwee’s scenes of them at the Venice Film Festival for the “Photographic Memory” premiere are especially fraught, Adrian’s prickly reaction to a movie about his drug abuse creating tension between the two men at the subsequent press conference.

In “Remake,” McElwee laments that he didn’t do enough to help him navigate addiction and the mental-health issues that exacerbated it. (Adrian was diagnosed with bipolar disorder.) Was McElwee too consumed with his own career to be there for his son? The question haunts “Remake” — he includes an indelible sequence from “Sherman’s March” in which his longtime friend Charleen upbraids him for always having the camera out. “This isn’t art,” she hollers. “This is life!” Did McElwee never come to appreciate the difference?

A eulogy that also serves as an apology, a reckoning and a confession, “Remake” is filled with moments that are crushing because of how understated they are, none more brutal than when McElwee visits Adrian near the end of his life, when he’d moved to Colorado to get a fresh start. “He seemed to be doing OK,” McElwee recalls thinking. “But I always leave knowing I’m probably not seeing the whole picture.”

Even now, poring through his footage, desperately looking for clues, McElwee pines for that larger view — the one that might somehow bring the boy back to his inconsolable father.