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The Grand Tour is back for its seventh series, but it has a brand new trio of presenters – and one you might recognise as a famous trainspotter from Instagram

The Grand Tour will return to screens later this year, it has been confirmed. But there are three new hosts replacing Jeremy Clarkson, Richard Hammond and James May.

In a huge shake up to the presenting line-up, fans might be surprised to know that all the new stars are online influencers – and one of them isn’t even known for his content about cars.

Taking over the reigns from Clarkson and his clan are James Engelsman and Thomas Holland, creators of the YouTube phenomenon Throttle House, which sees the pair take on track tests, car reviews and go on epic adventures.

But one face fans might be a little surprised to see – as his car knowledge is yet to be tested – is trainspotting Instagram icon Francis Bourgeois.

Though 26-year-old Francis has won legions of fans on social media with his hilarious go-pro videos when trains go past and boasts 2.7million followers on Instagram alone, he’s only recently began to post the odd bit of car content.

Though in a hilarious post on Tuesday, the self-professed railway enthusiast and mechanical engineer posted a photo of his head on a gear stick and captioned it: “Same show. New knobs,” in a promo for the new Grand Tour show, which is set to air on Amazon Prime from September 4.

The new line-up has divided fans who are yet to tune into the new six-part series. One wrote: “Hoping they do a sort of ‘passing the torch’ episode. I’ll give the new show a shot. Love the train dude lol.”

Another said: “The throttle guys are awesome too. They may have actually cooked with this trio.” A follower joked: “They should film the segments around Chipping Norton and have Clarkson kicking off at them in his tractor!”

But other fans were less convinced, with one saying: “Thanks, I’ll continue to rewatch Hammond, Clarkson and May on my Plex server.” a social media user chimed in: “No one is going to be better than Clarkson, Hammond and May… No chance.”

“It’s not Top Gear or The Grand Tour without Clarkson, Hammond and May. Stop trying to reinvent the wheel. The format isn’t the show, those three ARE the show,” said a third. While a fourth added: “Yes, they should never make The Grand Tour or Top Gear again. Make something else.”

Speaking in 2024, when all three previous presenters retired from the show, Clarkson – who is now 66 – said: “My advice to Amazon would be – and I’ve given this to them already – for heaven’s sake, do not get well known people who ‘like’ cars. Because when you do that show it has to be your life.”

The Clarkson’s Farm star added: “I would get three complete unknowns. Start small, like we did. They’ve got to be absolute petrolheads.

“I’ve got to be able to show them a picture of a quarter of a door mirror from any car ever made, and they’ve got to know what it is. I’d go to motoring journalists. James, Richard and I are all motoring journalists. That would be my advice if you want to continue with it, and I would hope that Amazon do continue with it.” And it seems Amazon may well have listened…

*The Grand Tour returns to Amazon Prime on September 4

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“HE just has that youthful energy,” says Ronnie Wood of his Rolling Stones bandmate Mick Jagger.

It’s not a term often used to describe someone in their Eighties but, in this case, entirely accurate.

Anyone who’s seen the consummate frontman in recent times will know he still has the voice, the moves — and the swagger.

Nearly four years Mick’s junior and, at 79, the “baby” of the band, Ronnie could still be forgiven for thinking, “I want some of whatever he’s on.”

But, as the Stones release their high-octane LP Foreign Tongues, Ronnie can also claim to have some of that “youthful energy”.

“I’m the same as Mick,” he tells me. “I’m a Gemini, I’m pulling in all directions — and I’m just loving it.”

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By that, he means his ongoing endeavours with the Stones, his work as a highly skilled portrait artist and the not-so-small matter of his first solo tour in years, beginning next week in Austria on a bill with Van Morrison.

Not to mention being husband to wife Sally and dad to their ten-year-old twin daughters Gracie Jane and Alice Rose.

Ronnie continues: “I just love to be inspired and putting my ideas into action — whether it’s on a canvas or through my guitar or harmonica or whatever I’m playing.

“And I even try my hand at singing every now and again!”

Right now, says Ronnie, “I’m in my art studio preparing an exhibition and I’m getting rehearsals together with my band.

“I even had a little rehearsal with Mick because we’re keeping our hands in, keeping our chops together. So, it’s all go.”

The main purpose of our chat is, of course, all things Stones but you’ll hear more about his extra-curricular activities later.

I discover that Ronnie has a wonderfully old-school approach to tech — none of that new-fangled Zoom stuff for him — so he calls me on the dog and bone.

Which means that I have to go half way up a steep hill on the Cornish coast, not far from Land’s End, in an attempt to get decent signal.

Thankfully, the guitar legend comes through loud and clear — and full of enthusiasm.

First, he explains why the Stones have another new studio album of original material in the bag so soon after 2023’s Hackney Diamonds.

(If you remember, the previous one, A Bigger Bang, came out in 2005.)

He replies that American producer Andrew Watt “hadn’t finished with us and we hadn’t finished with him”.

“We just sparked the fire that was already cooking with Hackney Diamonds.”

Ronnie is quick to praise the 35-year-old producer with bleach-blond hair who has worked with Paul McCartney, Ozzy Osbourne, Lady Gaga and Post Malone.

“We’re on to a good one there,” he says. “The Stones haven’t had someone with so much input since Jimmy Miller.”

Praise indeed because Miller produced a stellar run of consecutive albums — Beggar’s Banquet, Let It Bleed, Sticky Fingers, Exile On Main St and Goat’s Head Soup — between 1968 and 1973.

Ronnie adds: “Andrew’s a big fan of ours and he knows what he’s talking about. He can play different instruments and knows my guitar playing better than I do.”

So what was the catalyst for Foreign Tongues? “We had a few tracks like Covered In You left over,” replies Ronnie.

“But basically we started reworking all these songs that Mick had been kicking around, some with Keith, and some by himself. Mick would come to us, saying, ‘Look, I’ve got this idea — let’s develop it’.

“The Stones are his plaything, so I just let him take the helm and get on with it. It’s great.”

Key to the success of Foreign Tongues, a big beast of an album with 14 tracks spanning 63 minutes, was a gathering in London to bring the project to fruition.

Ronnie explains: “We started working in New York at Electric Lady, then we took it to Henson studio in LA and messed around with it there — but we finished off the whole thing at Metropolis in Chiswick.

“It was a great feeling to be in London, to go down to the studio that was not far [from where I live] with all the boys there.”

Ronnie wallowed in the “great studio atmosphere” and was particularly chuffed to have an old mucker like Steve Winwood on board — “he was so lovely”.

Steve, who plays organ or piano on nine of the Foreign Tongues songs, came to prominence in the early Sixties as a fresh-faced teenager in The Spencer Davis Group.

Stints in Traffic and Blind Faith were followed by his hugely successful solo career with hit Eighties albums including Arc Of A Diver and Back In The High Life.

Ronnie says: “The Americans had Little Stevie Wonder and Britain had Little Stevie Winwood.

“I first met him at The Ship pub on Wardour Street and he’s one of the only musicians from my era who’s younger than me.” (Ronnie was born in 1947 and Steve a year later.)

Back in the day, The Ship was one of Ronnie’s favourite haunts because of its proximity to fabled music venues like The 100 Club and The Marquee.

He says: “I used to meet all the musicians in this packed little pub. Just up the road, I met Rod Stewart for the first time in the Intrepid Fox. He came up to me and went, ‘Hello Face!’ ”

They bonded over their mod-style haircuts, as you do, and soon started playing music together, first in The Jeff Beck Group and then, from 1969, The Faces.

In 1975, Ronnie left The Faces to land the job he’d dreamed of since he was a teenager — to become a member of the most rock and roll band on the planet, the Rolling Stones.

His first album as a full-time member with them was 1978’s Some Girls, a sleazy tour de force featuring some dazzling Keith Richards and Ronnie Wood guitar interplay, most notably on the ballad Beast Of Burden.

Which brings us neatly back to Foreign Tongues because it is drawing comparisons with that classic LP.

Ronnie says: “We like to keep the youthful feel we had in Paris when we were doing Some Girls and Emotional Rescue. There was a lot of energy on Respectable and Summer Romance, all those mad songs . . . and we still have that kind of energy going.

“I call this Foreign Tongues album ‘more solos for me, thanks Mick’ and he loves it.”

So which songs feature Ronnie solos? I venture. “There’s one on Back In Your Life which everyone seems to like,” he answers. “It’s the last one I did and there’s a lot of feeling there.

“I also enjoyed doing solos on Mr Charm, Side Effects, In The Stars and Hit Me On The Head.

“And there are lots of songs I loved to jam on, with me and Keith bouncing off each other.”

Hit Me On The Head is one of the few tracks saved from the Hackney Diamonds sessions, a breathless three-minute blast featuring much-missed drummer Charlie Watts.

Ronnie says: “We’ve got a few Charlie tracks saved and it’s lovely to keep his memory going with these little reminders.”

He adds that Steve Jordan, the powerhouse American drummer who stepped in after Charlie died in 2021 “loved Charlie so much and to pay tribute to him on Hackney Diamonds and Foreign Tongues is so great”.

I ask Ronnie which of the other new tracks he’s fond of.

He says: “I love Rough And Twisted which reminds me of my old Faces days — a modern-day blues.”

And he singles out yearning country song Ringing Hollow, which he and Mick gave a debut live airing to at this week’s album launch party in London.

“That’s a great one,” he says. “It reminds me of the songs inspired by the Stones’ first visits to America like Dead Flowers [also performed at the party], Wild Horses and Sweet Virginia.”

Ronnie’s a big fan of the Let It Bleed track Country Honk, a rustic, fiddle-drenched take on Honky Tonk Women, which he’s promising to play with his solo band at his forthcoming shows.

He says: “I’m a big fan of Merle Haggard and Hank Williams along with Chuck Berry and Muddy Waters — a little mix of country and blues.”

This brings us to the raw and authentic cover of Berry’s Beautiful Delilah, which closes Foreign Tongues, done in the style of Mississippi Fred McDowell.

Just Mick and Keith on 12-string guitars with empathetic drumming from Red Hot Chili Peppers’ Chad Smith. As with so many musicians of Ronnie’s generation, Berry was a massive influence.

“I used to have a dance in my bedroom when I was a kid,” he recalls. “Then I’d learn the solos just by ear.

“I was so inspired by this mystery man from America. In those days, you never saw a picture of Chuck Berry, Howlin’ Wolf or Jimmy Reed.

“When you did, it was like, ‘Wow!’ Like aliens come to life. Then, when I grew up, I got to hang out with them. It was a dream come true.

“Chuck came up to me once when I was on stage with him and said, ‘Where did you get that riff from?’ And I said, ‘From you!’ He nearly fell over.”

Next, we move on to Ronnie’s solo tour, organised because a gap appeared after the Stones ruled out live dates after Keith announced he was stepping back from touring.

He’ll be performing material from his storied life in music that includes The Jeff Beck Group, The Faces, the Stones and solo work — much of it gathered up in his recent retrospective album Fearless.

Ronnie will sing Seven Days, “the song Bob Dylan gave me, one of the special moments in my musical career.”

He will be reuniting with drummer Andy Newmark and bassist Willie Weeks for the first time in 50 years — “they’re playing as great as ever”.

His jaunts will take to Lucca in Italy, London’s Kentish Town Forum, Zurich, Cologne, Paris, Amsterdam, Barcelona and Lisbon. It all starts at an open-air shindig on the Royal Sandringham Estate in Norfolk on August 23, headlined by blues maestro Eric Clapton.

Ronnie adds: “Eric said, ‘Hey Ron, get a band together and come and join me at Sandringham!’

“That’s what spurred me on. I thought, ‘Wow! While I’m at it, I may as well get my favourite girl singers like Imelda May and Chanel Haynes’.”

If Stones and solo work wasn’t enough, Ronnie gives me an update on the mouthwatering prospect of a new Faces album — a further reunion with Rod Stewart after last year’s Glastonbury outing for Stay With Me.

“Rod loves what’s going on with us,” he says. “He has so much respect for the Stones and he’s gone his own Hollywood merry way.

“But we’ve been putting our heads together and rejoining the dots and getting some Faces stuff together again.

“Next year, we’re going to get stuck in and finish these tracks. We’ve got a lot on the hob and we’ll stir them up.”

Lastly, Ronnie reflects on the enduring appeal of both the Rolling Stones and The Beatles more than 60 years after they began their journeys.

Having just released his Andrew Watt-produced solo album The Boys Of Dungeon Lane, Paul McCartney returns on Foreign Tongues song Covered In You, following his bass cameo on Hackney Diamonds track Bite My Head Off.

Ronnie says: “I was just out with Paul recently and he was going, ‘Ron, ain’t it wonderful that we can still give this and keep making people happy. That’s what we do!’

“I said, ‘It’s so great Paul’, and he gave me a hug. He’s such a lovely man.

“We have that spirit going around in the Stones as well. There’s a lot of love there and a lot of respect.”

THE ROLLING STONES – Foreign Tongues

★★★★★

Caracas, July 9, 2026 (venezuelanalysis.com) –  Venezuelan Acting President Delcy Rodríguez has called on UK King Charles III to release her country’s gold reserves held at the Bank of England in order to finance relief and reconstruction efforts following the devastating earthquakes that struck Venezuela on June 24.

“I have decided to send a letter, among others, to the King of England asking for the release of the gold being held at the Bank of England. That gold belongs to our people and should be used to address the terrible, tragic consequences of the twin earthquakes,” Rodríguez said in a televised broadcast on Wednesday.

The acting president also revealed that she held a phone conversation with International Monetary Fund (IMF) Managing Director Kristalina Georgieva to discuss the release of Venezuelan resources that remain blocked by the institution.

Earlier on Wednesday, during a virtual meeting with the UN Office for the Coordination of Humanitarian Affairs (OCHA), Venezuelan Foreign Minister Yván Gil likewise urged countries holding Venezuelan assets abroad to “begin a process of releasing” those funds so they can be used for the country’s recovery.

Gil specifically referred to the gold reserves held by the Bank of England and Venezuelan funds blocked under US sanctions. Around 31 metric tons of gold, currently valued at approximately US $4.2 billion, remain frozen in London. In addition, nearly $5 billion in Special Drawing Rights (SDRs) allocated by the IMF in 2021 also remain inaccessible.

On Wednesday, Rodríguez and Georgieva reportedly discussed the use of Venezuela’s $350 million SDR reserve fund, which is different from the SDR allocation.

On June 25, the US Treasury’s Office of Foreign Assets Control (OFAC) issued General License 60, authorizing earthquake relief-related transactions until October. However, OFAC’s waiver does not authorize the unblocking of assets subject to US sanctions regulations or “any other transaction or activity prohibited by another Executive Order.”

Meanwhile, 113 prominent economists, including Isabella Weber, Jeffrey Sachs, and James K. Galbraith, signed an open letter calling for immediate action to “unfetter Venezuela’s humanitarian response and reconstruction from ongoing economic and financial sanctions, asset freezes, and onerous debt burdens.”

“We urge governments, international financial institutions, and creditors to act now, on the principle that lives, public health, and economic recovery take precedence over coercion and collection,” the statement read. The economists suggested mechanisms including emergency liquidity, sanctions relief, and debt cancellation as a “minimum response […] to allow Venezuelans to rebuild with dignity.”

Along similar lines, UN Emergency Relief Coordinator Tom Fletcher warned that the earthquakes are likely to generate “a very difficult economic situation” that could reduce Venezuela’s GDP by “several percentage points,” arguing that sanctions “must be eased so they do not hinder the arrival of humanitarian assistance or recovery efforts.”

Fletcher added that during emergencies, access to financial resources, banking channels, and international cooperation mechanisms can determine how quickly aid, supplies, and reconstruction funding reach affected communities.

Preliminary assessments by the United Nations Development Programme (UNDP) estimate infrastructure and essential services losses at approximately US$6.7 billion. However, the final figure could reach $8.7 billion, depending on housing and asset losses, and the estimates do not include the full extent of infrastructure damage or the long-term reconstruction costs.

For its part, the UN Office for Disaster Risk Reduction (UNDRR) estimates that rebuilding Venezuela will require approximately $37 billion. According to its assessment, $24 billion would be needed to replace damaged buildings—including homes, schools, businesses, and hospitals—while another $13 billion would be required to repair critical infrastructure such as telecommunications, highways, and electricity networks.

Different analyses have placed the recovery costs between $12 and $20 billion.

So far, however, the Trump administration has pledged $300 million in humanitarian assistance, whereas Venezuela’s US-based frozen assets are valued at $11-13 billion. The White House also retains control over Venezuela’s oil export revenues, returning a portion of the funds to Caracas at its discretion.

Rodríguez announced on Wednesday that countries offering humanitarian aid can monitor its distribution through a digital platform used to coordinate deliveries across the 87 temporary shelters established for displaced families throughout the country. The acting president has vowed to prioritize the well-being of families who lost their homes and to provide new housing solutions in the coming months.

The latest official update placed the death toll from the earthquakes at 3,889, while the number of injured remains at 16,740 and the number of displaced people stands at 17,907.

Edited by Ricardo Vaz in Caracas.

July 9 (UPI) — Venezuelan interim President Delcy Rodríguez said she will send a formal letter to King Charles III, seeking release of the country’s gold reserves at the Bank of England, asserting the assets are needed to finance recovery efforts after the deadly June 24 earthquakes.

During a videoconference Wednesday with officials overseeing 87 temporary camps established for earthquake survivors, Rodríguez said she had begun direct international efforts to recover frozen Venezuelan assets and use them to respond to the disaster.

“That gold belongs to our people and should be used to address the terrible, tragic consequences of these twin earthquakes,” Rodríguez said, according to TeleSur.

She also renewed calls for an end to sanctions against Venezuela, arguing the country has financial resources frozen abroad that could be used to fund reconstruction after the disaster, which has killed 3,800 people.

In addition to appealing directly to the British monarch, Rodríguez said she is also in talks with International Monetary Fund Managing Director Kristalina Georgieva.

She said the goal is to unlock about $3.568 billion in Special Drawing Rights held by Venezuela at the IMF.

Venezuela’s gold reserves remain in custody at the Bank of England. According to Deutsche Welle, U.K. courts previously rejected transferring control of the assets to Nicolás Maduro’s administration after determining it was not the country’s legitimate government.

Rodríguez became interim president in January after Maduro was captured by U.S. military forces.

Separately, Venezuelan Foreign Minister Iván Gil called Wednesday for the release of Venezuelan state assets frozen abroad during a virtual meeting with the United Nations Office for the Coordination of Humanitarian Affairs.

“We have accounts belonging to the Venezuelan state in different parts of the world that have been frozen as a result of illegal sanctions,” Gil said, according to NTV24.

U.N. Under-Secretary-General for Humanitarian Affairs and Emergency Relief Coordinator Tom Fletcher, who is in Venezuela, said the scale of the disaster prompted the United Nations to launch an urgent appeal for $296 million to support relief operations after the earthquakes.

According to multiple media reports, tracked international financial assistance pledged or delivered to Venezuela has exceeded $600 million through multiple donors and aid channels.

The U.S. State Department said it has committed more than $386 million in direct humanitarian assistance. The aid includes more than 400 metric tons of supplies, including hygiene kits, emergency shelter materials and food.

The assistance is being distributed through the Red Cross, UNICEF and the U.N. World Food Program rather than through Venezuela’s central government.

Despite those contributions, the financial challenge remains immense. U.N. estimates place total physical damage to homes, schools, hospitals and other infrastructure at about $37 billion, meaning the international aid received so far covers only the initial emergency response, including medical care and temporary shelter for displaced residents.

MADISON, Wis. — The Wisconsin Supreme Court on Tuesday rejected an attempt by a conservative activist to obtain guardianship records in an effort to find ineligible voters in the presidential battleground state.

The case has been wending its way through the courts for years and stems from attempts by conservatives to overturn President Biden’s victory in Wisconsin over President Trump in 2020.

Here’s what to know:

A conservative activist brought the case

The case tested the line between protecting personal privacy rights and ensuring that ineligible people can’t vote.

Former travel executive Ron Heuer and a group he leads, the Wisconsin Voter Alliance, brought the lawsuit in 2022 alleging that the number of ineligible voters doesn’t match the count on Wisconsin’s voter registration list. The lawsuit doesn’t specify how many people could be affected.

In Wisconsin, a guardianship order is granted by a court giving a person certain legal rights over another who is determined to be unable to make decisions about their life. A court has the power to remove the right to vote from a person under a guardianship order if the person is determined to be unable to understand “the objective of the election process.”

Heuer asked the state Supreme Court to rule that counties must release records filed when a judge determines that someone isn’t competent to vote so that those names can be compared to the voter registration list.

Heuer’s attorney, Erick Kaardal, argued that privacy concerns could be balanced with the public’s right to access government records by redacting identifying or sensitive information on the forms.

But the attorney for Walworth County said those seeking access to the records wanted to cross-check ineligible voters against the names of those registered. They can’t do that, attorney Sam Hall said during oral arguments, without releasing the person’s name and address.

Hall praised the ruling, saying it “protects the privacy of vulnerable individuals while preserving their dignity.”

Kaardal did not immediately return an email seeking comment.

The Wisconsin Freedom of Information Council, which advocates for public access to documents but did not take a position on this case, said the court’s decision was “narrowly tailored and should not have a huge impact.”

The council praised the court for clarifying the standard for deciding similar cases in the future, but that “it’s always disappointing when access to public information is curtailed.”

Signs supporting Judge Susan Crawford, and voting and election officials adorn the front yard of a home on South 16th Street on election day April 1, 2025, in Milwaukee.

(Kayla Wolf / Associated Press)

Liberal justices who control Wisconsin Supreme Court reject the case

In the 5-2 ruling on Tuesday, the Wisconsin Supreme Court’s liberal majority along with conservative Justice Brian Hagedorn ruled that the records are not public as the conservative activist had claimed.

The court took the case after two lower state appeals courts issued divergent rulings. One appeals court, based in Madison, denied access to the records while another appeals court, based in Waukesha, said in 2023 that the records should be made public.

It ordered Walworth County to release them with birth dates and case numbers redacted.

The Supreme Court overturned the appeals court ruling that the records should be made public.

State law is clear that the records being sought are not public and “the Alliance has no right to the records,” Justice Janet Protasiewicz wrote for the majority.

Conservative justices Annette Ziegler and Rebecca Bradley dissented, saying the court adopted “an overbroad and unworkable definition of what records pertain to a finding of incompetency” to include the forms that indicate a person has been found ineligible to vote.

Those forms are not pertinent to the finding of incompetency and are therefore subject to the open records law, Ziegler and Bradley wrote.

The case was one of several targeting the 2020 election

The case was an attempt by those who questioned the outcome of the 2020 presidential race to cast doubt on the integrity of elections in the presidential swing state. Heuer and the WVA filed lawsuits in 13 Wisconsin counties in 2022 seeking guardianship records.

Heuer and the WVA have pushed conspiracy theories about the 2020 election in a failed attempt to overturn Biden’s win in Wisconsin. Heuer was hired as an investigator in the discredited 2020 election probe led by former Wisconsin Supreme Court Justice Michael Gableman. The probe found no evidence of fraud or abuse that would have changed the election results.

The WVA also filed two unsuccessful lawsuits that sought to overturn Biden’s win in Wisconsin.

Trump won Wisconsin in 2024 after losing in 2020

Biden defeated Trump by nearly 21,000 votes in Wisconsin in 2020, a result that has withstood independent and partisan audits and reviews, as well as lawsuits and the recounts Trump requested. Trump won Wisconsin in 2024 by about 29,000 votes.

There are no pending lawsuits challenging the results of the 2024 election or calls to investigate the outcome.

Bauer writes for the Associated Press.

July 2 (UPI) — The couple who climbed to the top of the Empire State Building’s spire to hang a flag and get engaged was arraigned and released Thursday morning.

Angelina Nikolau and Ivan Kuznetsov were charged with burglary, reckless endangerment, criminal mischief and criminal tampering for trespassing in a nonpublic area of the building and scaling the spire, ABC News and the New York Daily News reported.

The couple has made a name for themselves with a series of dangerous climbs around the world, but making it to the top of the Empire State Building gained national attention — and they were arrested when they climbed down.

“These activities continually create a risk to their own lives, as well as the lives of New Yorkers and first responders,” Assistant District Attorney Anthony Giliberti told reporters.

Prosecutors told the court that they believe the duo observed a security door to the building’s 104th floor with a broken lock, accessed it and climbed to the top of the spire.

Although Kuznetsov’s father said that they had already been officially married — and that the proposal at the top of the building was just a stunt — after hanging a flag at the top of the spire, Ivan got down on one knee and asked Nikolau to marry him.

Nikolau and Kuznetsov have been released on supervised bail ahead of their trial.

A Florida judge set a $1 million bond for former Detroit Lions cornerback Terrion Arnold, who has been in jail since being arrested last week in connection to an alleged armed attack on a group of men in Tampa, Fla., in February.

Arnold will not have to wear an ankle monitor while he awaits trail on eight felony charges of kidnapping and robbery that could keep him in prison for life if convicted, thus clearing the way for him to practice and play football during that span.

He won’t be doing so, however, with the team that drafted him at No. 24 overall in the 2024 draft. The Lions announced Monday afternoon on X that they have released Arnold, with no other details provided.

Hillsborough County Judge Christopher C. Sabella said during Monday’s hearing that Arnold already has a “paparazzi monitor” that would prevent any potential attempts to flee.

“If he is late for practice, ESPN will let us know,” Sabella said. “If he violates the conditions of his bond, he will be found.”

Arnold was ordered to remain at his Tallahassee home except for when he’s playing, training and traveling with the Lions. He also has to turn in his passport and cannot have any contact with other people tied to the case.

The Hillsborough County state attorney’s office had argued for Arnold to remain behind bars until trial. The county jail’s inmate tracker has not been updated and does not indicate if he has posted bond or been released.

According to the Tampa Police Department, Arnold is believed to be the “primary conspirator” in an alleged plot that left three young men with “visible injuries from being battered, held at gunpoint, and pistol-whipped before their personal property was stolen and they were ordered to leave.”

Arnold turned himself in Wednesday night and pleaded not guilty at his arraignment hearing Thursday afternoon.

“Today’s ruling by Judge Sabella confirms that there is very little evidence to even suggest any criminal involvement by Mr. Arnold,” Denise White, chief executive of EAG Sports Management, which represents Arnold, said in a statement emailed to The Times.

The Associated Press contributed to this report.

Thousands of Kurds in Turkiye rallied to demand the release of PKK leader Abdullah Öcalan and other prisoners. Ocalan has been imprisoned since 1999 for leading a decades-long armed insurgency against the Turkish state. The PKK and Ocalan renounced any armed struggle against Turkiye last year.

Netflix’s comedy series Leanne is returning for Season 2 this summer and some huge names have joined the cast.

Fans of the beloved sitcom Leanne can gear up for another binge-fest soon.

Leanne Morgan’s bingeworthy comedy series, Leanne, is set to return for a second season this summer, with the star expressing how “so grateful” she feels about returning to Netflix. The Big Bang Theory producer, Chuck Lorre, who is behind the popular series that proved a massive hit with viewers, said of the show’s comeback: “Congrats to Leanne and the entire cast and crew.

“This has been an incredible journey that began with a visit to Knoxville, Tennessee. Leanne Morgan is the whole package. A comedic genius, a warm, loving human being, and an absolute joy to work with.”

Kristen Johnston, Celia Weston, Blake Clark, Ryan Stiles, Jayma Mays, Tim Daly, Graham Rogers, Hannah Pilkes, and Andrea Anders are all set to reprise their roles for the second season. Fresh faces are also joining Season 2 and here’s everything you need to know about the new series.

When is Leanne Season 2 out?

Leanne is making its Netflix comeback for a second season on August 27, with the sitcom’s latest run consisting of 10 episodes.

Fortunately for devotees, all 10 instalments will arrive simultaneously, allowing them to binge-watch to their hearts’ desire.

The second run is considerably more compact than the first, which featured 16 episodes, and it remains inspired by Leanne’s stand-up performances.

The sitcom chronicles Leanne’s journey as her world gets flipped upside down when her husband of 33 years unexpectedly walks out on her for another woman.

Throughout the series, “Leanne learns to embrace the chaos and finds strength, laughter, and hope in the most unexpected places”.

Who is joining the cast of Leanne Season 2?

Fresh faces include country music sensation and Yellowstone star Lainey Wilson.

The 34 year old country artist from Louisiana made her television debut in Yellowstone in 2022, taking on the role of Abbey.

She also has her own Netflix documentary chronicling her career, and made her big-screen debut in the film adaptation of Colleen Hoover’s novel Reminders of Him.

Actress and model Jaime Pressly is also joining the cast, best recognised for her portrayal of Joy Turner in the NBC sitcom My Name Is Earl.

Actor and comedian Billy Gardell, famous for Mike & Molly, has similarly signed up for the series, alongside accomplished film and theatre actress Tyne Daly.

Leanne season 2 arrives on Netflix on August 27.

The 2004 drama balances comedy with timely social commentary

Netflix fans are completely hooked on a gritty sports drama that came out over 22 years ago.

The streaming giant’s most-watched charts are currently dominated by recent releases, including hit romcom Voicemails for Isabelle and chilling documentary Maternal Instinct.

But UK viewers are also streaming 2004 sports drama The Football Factory, which is no surprise considering all eyes are on the FIFA World Cup.

Directed by Nick Love, the film is presently sitting at Number 9 on the trending list. It focuses on a devoted Chelsea football hooligan called Tommy Johnson (played by Danny Dyer).

Tommy and his friends spend their days drinking, womanising, using drugs and “occasionally kicking the f*** out of someone”.

But the sports fan is forced to reconsider his violent lifestyle when one of his football-fuelled fights leads to serious consequences.

Adapted from John King’s 1997 novel, the story touches on important themes such as young men’s search for belonging, as well as their frustration with unfair socio-economic systems. It also offers insight into escapism through drug and alcohol abuse.

While Dyer is the face of this film, he is joined by other recognisable stars. One of his most notable co-stars is Tamer Hassan, who Love Island fans will know as recent All Stars contestant Belle Hassan’s dad.

He plays Fred, a Milwall hooligan and arch enemy of the Chelsea club.

Fans have been raving about the noughties drama for years. “One of the best football films,” said one Rotten Tomatoes user.

Someone else praised: “10/10 – Brilliant film! Easily in my top 5 favourite movies. A must see for football fans.”

While another said: “One of the best English films you will ever see for sure, got everything in it! now this is funny and gripping!”

Yet another film fanatic shared their verdict on IMDb: “It’s top drawer entertainment and better than most of the garbage that fills your DVD store. I would highly recommend this to anyone who likes realistic and gritty films, and doesn’t mind occasional stomach turning violence.”

And a final moviegoer insisted: “I can honestly say this is by far the best British film I’ve ever seen.”

The Football Factory is now on Netflix

US says the decisions follow Iran’s commitment to allow international nuclear inspections.

A Southern California music festival featuring only women musicians and created by Olivia Rodrigo? That’s not such a bad idea.

Rodrigo, fresh off the release of her junior album, on Monday unveiled her Daisy Chain Fields music festival and the roster of all-women artists set to take over Irvine’s Great Park on Aug. 29. The lineup will include Rodrigo, Chappell Roan, Katseye, Mitski, Doechii and special guests Karen O, Sarah McLachlan and Stevie Nicks.

The 23-year-old Grammy winner and vocal advocate for women’s rights said in her post that her dream festival has finally become a reality and that earnings from the spectacular will go to charities benefiting women and girls.

“The lineup is truly insane and full of my heroes and friends,” Rodrigo said in her announcement. “I firmly believe that joy, community, and music can be the drivers of meaningful change and I’m hopeful this festival will be just that.”

Artists Bikini Kill, Die Spitz, Eli, Garbage, Not for Radio, Quiet Light, Rachel Chinouriri, Santigold and the Breeders are also set to perform. Fans hoping to snag tickets can sign up for pre-sale access on the festival’s website.

Rodrigo’s Daisy Chain Fields comes to Irvine a month before the former Disney Channel star kicks off her massive Unraveled tour, promoting her latest release “You Seem Pretty Sad for a Girl So in Love.” She will take over Inglewood’s Intuit Dome for four nights in 2027: Jan. 12, 13, 16 and 17.

In his album review, Times pop music critic Mikael Wood writes that Rodrigo’s latest release sees the singer-songwriter approach romance and heartbreak with “new wisdom, drawing sophisticated conclusions about why people in love do the things they do (and don’t do the things they don’t).”

A federal judge on Friday rejected former President Biden’s attempt to block the Trump administration from releasing to a conservative group the recordings that Biden made with a ghostwriter.

U.S. District Judge Dabney Friedrich found that the public interest in the material outweighed whatever privacy rights Biden had.

The recordings were obtained by special counsel Robert Hur in the course of his investigation into whether Biden improperly retained classified documents while a senator and vice president. Republicans in Congress demanded them after Hur declined to file charges against the then-president.

Biden’s Democratic administration refused to turn over the 2017 recordings and transcripts, leading congressional Republicans to hold his attorney general, Merrick Garland, in contempt.

President Trump’s Department of Justice authorized the release of the materials. That led Biden last month to sue to seek to block the release to a staffer at the conservative Heritage Foundation who had formally requested the records.

Biden objected to the release as an invasion of privacy, saying the recordings included him discussing sensitive personal matters such as the death of his older son, Beau Biden. But Friedrich found that the administration redacted that material.

The judge wrote that the materials “contain no mention of highly sensitive topics like illness or death, nor do they mention any non-public persons, including members of Biden’s family.”

Representatives for Biden did not immediately comment but asked Friedrich to bar release of the material while they appeal her decision. The Justice Department did not immediately respond to a request for comment.

Friedrich was nominated by Trump, a Republican, in 2017.

Riccardi writes for the Associated Press.

Sean “Diddy” Combs is expected to be released from federal prison earlier than expected in 2028.

The disgraced music and alcohol mogul, 56, is now set to be released from FCI Fort Dix, a low-security federal prison in New Jersey, on Feb. 23, 2028, according to the Federal Bureau of Prisons inmate database. Combs was sentenced in October 2025 to 50 months in prison after he was convicted of transporting prostitutes across state lines for drug-fueled sex performances known as “freak-offs.”

The updated release date shaves off even more prison time for Combs, who was initially projected to be freed in June 2028. Earlier this year, the producer’s release date was moved up to April 2028.

A legal representative for Combs did not immediately respond to a request for comment Tuesday. People reported that Combs is participating in a drug-abuse rehabilitation program in the federal prison. The outlet also reported that the musician’s legal team preferred Combs carry out his sentence at FCI Fort Dix because of its treatment program and proximity to his family.

Combs was sentenced last year after a lengthy and highly public legal saga involving damning allegations of sexual assault and other violence. Singer Casandra “Cassie” Ventura and producer Rodney “Lil Rod” Jones were among the accusers who lodged civil complaints against Combs. Though he was found guilty in July on two counts of a prostitution-related charge, jurors cleared Combs on racketeering and sex trafficking.

“Mr. Combs has been given his life by this jury,” defense attorney Marc Agnifilo said at the time.

Earlier this month, the Los Angeles County district attorney’s office said it was investigating two sexual assault cases against the Bad Boy Records founder. A Florida music producer alleged last year that Combs sexually assaulted him in 2020 and 2021. When the claims first surfaced in 2025, Combs’ civil attorney dismissed them.

“Let me make it absolutely clear, Mr. Combs categorically denies as false and defamatory all claims that he sexually abused anyone,” attorney Jonathan Davis said at the time. “He looks forward to vindicating himself in court, where such matters are decided — and not in the media — based on admissible, material evidence, not rank speculation and unsubstantiated allegations.”

Times staff writers James Queally and Richard Winton contributed to this report.

Olivia Rodrigo has officially begun her new era, and this time she invited her fans to experience it alongside her.

To celebrate the release of her latest album, “You Seem Pretty Sad for a Girl So in Love,” Rodrigo collaborated with American Express to re-create the set of her music video for “The Cure.” The pop-up event, which opened last Thursday and ran until Sunday at Mica Studios, featured props from the video, storyboards, exclusive merchandise and several photo ops for fans.

With a beating felt heart and lab beakers to pose with, the pop-up transformed an industrial studio space in the Arts District into a pastel-painted cardboard hospital. Ahead of the public opening, Rodrigo surprised a small group of AMEX cardholders and select fans.

“I have an album that’s coming out today in about one hour, which is crazy,” Rodrigo said, wearing a blue “Nurses Do It Better” baby tee. “I figured since we’re all here, maybe we should just listen to a few of them together? Would that be cool?”

A little over an hour before the album’s release, Rodrigo played four songs from the album as the room brewed with excitement. She began with “Maggots for Brains,” a song about being so infatuated you can’t focus when your partner is away. Although it was their first listen, the song’s catchy chorus already had fans dancing along.

Banner for Rodridgo’s pop-up event hands above Mica Studios

(American Express)

Rodrigo explained that her next song, “Purple,” paid homage to the aesthetics of her previous albums, “Guts” and “Sour.”

“Obviously, this is my first non-purple album, but I just had to shout out purple somehow,” Rodrigo joked. “This song started out as a love song and sort of devolved from there, so I’ll let you guys be the judge.”

Playing off the somber vibes of “Purple,” Rodrigo played “Less” next. The piano ballad follows the dissolution of a relationship as the couple grows apart.

“I’ve been going back and forth on what the saddest song on the record is, but I think this one might be it,” Rodrigo said.

In a room full of fans, the song struck an emotional chord with many of the listeners. To bring the mood back up, Rodrigo finished the night by playing her new single, “Stupid Song.”

“This next one is a happy one, and it actually has a music video that comes out tonight,” Rodrigo said. “I love this song so much. It’s basically about having such an intense crush on someone that it drives you totally f— insane. I feel like we’ve all been there at some point in our lives.”

Rodrigo was all smiles at her event celebrating her latest album steeped in heartbreak and romance.

(American Express)

After Rodrigo previewed her music, “The Cure” music video exhibition was opened up to the fans. The showcase ranged from interactive photo ops to gallery walls featuring behind-the-scenes photos from the video shoot and Rodrigo’s nurse costume on display. The video’s props, which were primarily designed using cardboard and felt, were displayed in glass cases for visitors to admire.

Dressed in fun fashion including light pink and polka-dot outfits, fans posed throughout the set, re-creating scenes from the music video as “The Cure” played overhead. Many had thrown on a piece of the Los Angeles-exclusive merchandise on sale at the pop-up, with shirts and hats reading “You Seem Pretty Sad for a Girl in Los Angeles.”

So while some fans teared up at her lyrics and others beamed with excitement, everyone was hyped to experience Rodrigo’s new album.

“I really hope you enjoy this little exhibition. It is so gorgeous, and I am so proud of it,” Rodrigo said. “Thank you guys for being here, and I really hope you love ‘You Seem Pretty Sad for a Girl So in Love’ as much as I do.”

KATIE Price has emotionally reunited with her husband Lee Andrews just days after his release from prison.

The Sun revealed how the self-proclaimed ‘billionaire businessman’ – who has spent the last month locked up in Dubai’s notorious Al-Awir prison –was freed on Friday.

After weeks apart, Katie quickly jetted back to Dubai from the UK over the weekend to see her other half.

Sharing an emotional reunion on Sunday evening, the former glamour model jumped into Lee’s arms as he picked her up and hugged her.

The beaming couple were pictured kissing, hugging and holding hands as they headed to Vox Dubai, an outdoor rooftop cinema, to catch a World Cup football game.

While Katie previously told The Sun she had plenty of questions for her elusive husband upon their reunion, it appeared those could wait as the couple got straight back to PDA – with the reconciliation appearing to be a far cry from crisis talks.

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The mum-of-five said earlier this month that she will only divorce the suspected conman once she has questioned him herself.

She said: “I cannot just walk away from my marriage without seeing him again.”

The Sun previously reported how Lee had been locked up in Al-Awir over a “private civil matter”, believed to be related to allegations of fraud, on May 14.

Among the claims, one of the cases against the self-proclaimed businessman is understood to be over a bounced cheque.

He initially claimed to Katie that he had been arrested on suspicion of spying. Authorities in Dubai later confirmed to The Sun that this was not the case.

This weekend, Katie confirmed that she had touched down in Dubai ahead of the reunion via Snapchat, where she shared a selfie in front of the city’s skyline.

Who is Katie Price’s husband Lee Andrews?

KATIE Price tied the knot with Lee Andrews in January 2026. Yet who is he?

• Katie Price has married businessman fiancé Lee Andrews in a whirlwind wedding
• It is the fourth time Katie, 47, has been a bride. She has also been married to Peter Andre, Alex Reid and Kieran Hayler
• Katie and Lee met just after being introduced on social media
• Lee claimed he is a billionaire in a failed clip from his acting career
• He now claims to be a Dubai-based businessman
• Yet The Sun has unmasked him as a fantasist who faked celebrity links using AI-generated photos and recently talked about marrying two other women
• Failed actor is just another title to add to Lee’s questionable CV, after he claimed to have once worked as the Director of Philanthropy at The Prince’s Trust (now The King’s Trust)
• Lee also shared images – since proven to be AI – of him working with Elon Musk and Kim Kardashian
• It’s been revealed shameless Lee told former girlfriends that he had studied at Cambridge University, and has a PhD in biotechnology science
• But The Sun has seen a response from the university explaining it could not find a record of Lee being registered as a student with a date of birth they had provided
• His LinkedIn profile says Lee has been a Member of the Board of Advisors to the Labour Party since 2015
• Lee was also mocked for repeating the exact same wedding proposal on Katie – that he did for another woman just four months ago.

Katie’s return to the UAE comes just a week after she headed out there in the hopes of freeing him from prison, but was told she’d need a hefty £140,000 to bail him out – which she refused.

She gave The Sun exclusive access to the trip, with Showbiz Editor Clemmie Moodie joining her.

During which, Clemmie sat Katie down to confront her about Lee and the many untruths he has told over recent months – with the full 56 minute sit down available to watch here.

At the time, Katie admitted there were several questions she didn’t know the answer to, and was waiting for Lee to exit prison to quiz him.

Since then, Lee has returned to social media and has been spotted interacting with his wife’s posts.

However, he is yet to address the public, despite sparking a national manhunt before it was confirmed he was in prison, as he seemingly went AWOL.

“I’M still the same person as the 15-year-old me,” decides Blur guitarist Graham Coxon.

“Still a romantic idiot, still reasonably innocent — and I think that’s a healthy way to be,” he continues.

“I don’t want to be a cynical old bastard, so I’m lucky I still have a magical outlook on life.”

I’m talking to Coxon, 57, about his “lost” solo album, Castle Park, which is finally set to come blinking into the sunlight.

The product of sessions which took place in the winter of 2011, it is named after his teenage stomping ground in the centre of Colchester — an affirmation of that younger “same person” self.

In a wider sense, it serves as a nod to his Essex hometown — a city since 2022 — where he attended Stanway School, met Damon Albarn and where, in 1988, they formed Blur with Dave Rowntree and Alex James.

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It was there, too, that his band leader and clarinet-playing dad introduced him to music, namely, “the Bs — Beethoven and The Beatles”.

The album cover resembles a classic picture postcard, divided into quarters and depicting scenes from the park with its vast Norman castle and an ornate Victorian bandstand.

Coxon says: “There were a few occasions when me and a group of friends would stay in the park rather too long, get locked in and have to climb over the fence.

“I remember being slightly inebriated and dancing around the bandstand — and then, of course, there was the statue.”

He’s referring to the imposing bronze Angel Of Victory which stands atop the Colchester War Memorial at the southern entrance to Castle Park.

“I had some dangerous moments when I climbed up and gave that statue a kiss,” he admits. “I used to do it regularly — she was very beautiful.”

If that fearless act of youthful exuberance was an example of Coxon’s romantic nature, it’s clear that he carried it forward to the album that was shelved until now.

“It comes through,” he agrees, “even though there are songs about getting dumped.

“There’s a lot of processing my own romanticism on that album, but not in a heavy way.

“It’s reasonably light-hearted for the first half at least, even if it takes a tumble down to the most depressing song I’ve ever written [album closer All The Rage]. But that’s life, isn’t it?”

Looking back at ten tracks of “romance, break-ups, heartache and alienation”, he says: “When I was writing them, I was in a very problematic situation emotionally. Somehow, songs have a way of describing your situation more succinctly than whatever is going through your mind.”

In 2026, I’m happy to report that Coxon is in a much better place. It’s 10am when I’m connected via video call to the home he shares with partner and bandmate in The Waeve, Rose Elinor Dougall, and their daughter.

“You’ve got me before my brains kick in,” he warns me, but he soon warms to the task of talking about his music outside of Blur.

Aside from the imminent release of Castle Park, this year sees reissues of Coxon’s back catalogue, beginning with his debut album The Sky Is Too High (1998) and its follow-up, The Golden D (2000).

He’s also working on the third Waeve album with Rose, which he describes as “a lot less hard-edged” than 2024’s City Lights.

“It’s more floaty and summery,” he reveals, before reaffirming his romantic credentials.

“Lyrically, there’s a lot more affection. Rose and I go through life together and, sometimes, saying things in lyrics is the nicest way to show affection away from our normal hectic lives.”

But it is his “lost” Castle Park, with lyricism and songcraft as assured as anything in his solo repertoire, that we are focusing on. So, how come the album joined a legendary list that includes The Who’s Lifehouse and The Beach Boys’ Smile by lying dormant for years?

Coxon casts his mind back to 2011 when he headed to The Pool studios in Bermondsey with Ben Hillier, co-producer of Blur’s 2003 album Think Tank (made without Graham except for one track) and engineer on The Golden D.

He says: “It was really odd because I recorded 20 songs and ten of them became A&E [released in 2012], which was based around improvised bass lines.

“The other ten were weirdly different — more trad indie, jingle-jangly, with a bit of Sixties influence.”

Those songs, you may have guessed, were earmarked for Castle Park.

Speaking of parks, Coxon had form thanks to Parklife, Blur’s immortal hit with lyrics by Damon Albarn and music by the whole band, not to mention a vocal masterclass from Phil Daniels.

Despite a widely held belief, the song wasn’t inspired by Castle Park but, as Albarn once explained, by London’s Hyde Park where he used “to watch people and pigeons”.

It seems as if the Britpop icons’ 2012 reunion, which included a momentous Hyde Park show to mark the end of the Olympics, is the chief reason why Coxon’s next album didn’t appear.

That rapturously received performance led to Blur’s run of festival shows in 2013 and a new album in 2015, The Magic Whip.

Then Coxon moved on to mastermind soundtracks for Channel Four comedy drama The End Of The F***ing World as well as embarking on a sci-fi music/graphic novel project in 2021 called Superstate.

He founded The Waeve with partner Rose and, of course, reunited with Blur for their 2023 album The Ballad Of Darren and a tour including two barnstorming nights at Wembley Stadium.

In other words, while Castle Park gathered dust, Coxon kept himself busy.

He says: “I’m really not sure what happened. Maybe it was lack of confidence. Maybe I thought these songs weren’t fashionable and who would give a s**t?”

Over the years, however, his theory didn’t stand up as fans would repeatedly ask him to release Castle Park. “They even knew the name of the album.”

The clamour heightened when Coxon broke out some of the songs during live shows.

These include opening track Billy Says, a spiky three-minute slice of mod-pop, which finds him channelling his heroes, The Kinks and The Jam.

He says: “Ray Davies is the best songwriter we ever had, followed closely by Paul McCartney, and The Jam was a huge band for me. I thought that being a Jam fan elevated me as a person.”

Other tracks to receive a live airing were Alright, with its pithy putdowns of a love rival, a playful duet with Lucy Parnell called There’s A Little House, and gorgeous acoustic guitar-led Easy.

Of all the Castle Park songs, there’s one which Coxon is most proud of, the poised, richly atmospheric Isn’t It Funny.

“It came to me in the dream,” he says. “I had the chords and half of the chorus, I heard some words — and then I woke up. I thought, ‘My gosh, I need to make a quick note of this.’”

Isn’t It Funny contains the lines: “The sun made black her hair and the river her eyes. She needs no man, no sea, nor heather. She’ll change your mind and slip away.”

By way of explanation, Coxon says: “I realise that there’s always been this elusive feminine spirit or a goddess of nature in my work.

“I don’t write songs about this entity for my own excitement. They just come out.”

Then there’s the sublime Mélodie Pour Christine, a lyric-free classical piece for harp and strings with Lucy Parnell’s vocals serving as another instrument.

“That piece was important to me,” he says. “I devoted it to a French friend of mine — a wonderful person who I loved very much and is no longer with us.”

Another song that hits the mark is bleak All The Rage, which, he says, “communicates one’s despondency around the creative life — and that has got even worse 15 years later!”

If most of Castle Park is filled with distinctly English sensibilities, American influences arrive with a cover of When You Find Out by short-lived Seventies punk-pop trio The Nerves.

“It’s a great song, even Blondie would go, ‘Hey, this is a good one’. I just made it slightly less than perfect,” laughs Coxon.

Then there’s “an attempt at soul” with Forget Today which finds him employing his considerable saxophone skills and Ben Hillier providing Hammond organ. (Worth noting that Coxon played sax on Parklife.)

Dripping Soul ventures into territory occupied by Ennio Morricone’s spaghetti western soundtracks, “so it’s not exclusively weird south-east of England s**t”.

“I love westerns, particularly Sergio Leone films. A Fistful Of Dollars and all that,” says Coxon.

In the song, he is peering “beyond the veil” at the “souls of those cowboys who came from a place where life is cheap and death is taken for granted”.

With its galloping guitars, Coxon realised he couldn’t turn Dripping Soul into “a hanging out in Camden sort of thing”.

But he does believe that the house he shares with Rose in London is populated by the souls of dead people.

“I don’t even believe in ghosts, but I’ve seen them,” he reports. “So that’s a bit of a quandary.”

Coxon says he still likes to talk to dear departed loved ones: His mum, Christine, drummer Graham Fox, the Irish journalist who first wrote about Blur, Leo Finlay, and the head of Food Records, Andy Ross.

“I don’t really see them as gone,” he says. “I can still talk to them — they may have disappeared but they’re still fully alive in my mind.”

With that said, we return to 1998 when all those people were still with us — to the making of Coxon’s debut solo album The Sky Is Too High.

It was an unvarnished, largely acoustic affair featuring his own artwork and, as he explains: “It was recorded through really good gear but approach was quite raw.”

Sandwiched between Blur’s self-titled fifth album and its follow-up, 13, “It was done in a bit of a hurry — I wasn’t f***ing about.”

The project had begun when a neighbour asked Coxon to write a couple of songs for a film about Victorian bare-knuckle fighter Tom Sayers — setting wheels in motion that are still spinning.

He says: “That request turned into an addiction to writing songs and releasing them.”

So, how did his solo endeavours affect his relationship with his Blur bandmates. “They didn’t talk about it,” replies Coxon, “Though I did once catch Damon singing R U Lonely? He said, ‘That’s quite a catchy little tune’.

“Attempting to develop as a songwriter when Damon Albarn is your best mate is hard work. I mean, he’d already written some bloody good songs by then.”

Released in 2000, Coxon’s second effort, The Golden D, is very different — heavier, more abrasive and driven by searing electric guitars.

The mood changes with the funky Oochy Woochy, which tapped into Coxon’s fascination with Nineties’ fusion of hip-hop and jazz — a style developed by American rapper Guru called Jazzmatazz.

He says: “I’ve always liked that skinny beat stuff with James Brown loops or similar. Stuff like Public Enemy and 3rd Bass. Oochy Woochy is not a mickey take but a go at that.”

With physical releases of Coxon’s other albums still to come this year, there’s plenty more scope to revisit his solo journey.

Then, in November, he’s hitting the road for a UK tour, bringing the songs back to life still further.

Looking back on his output, Coxon says: “I think it has had a lot to do with my development as a person.

“You know, that anxiety-ridden creative weirdo who puts all this stuff out there.

“I guess that’s why I like Castle Park coming out — because now there are no secrets. You’ve got it all.”

GRAHAM COXON

Castle Park

4.5 STARS

• Also released: The Sky Is Too High and The Golden D

Residents were thrown into despair after a terrorist leader, Jammo Smally, abducted 39 community leaders who had gone to discuss a peace deal with him. The dramatic incident occurred on Sunday, June 7, in the Maradun Local Government Area (LGA) of Zamfara State, North West Nigeria.

Jammo had been sending messages to the leaders in the Magamin Diddi community for over two months, calling for a meeting to discuss the terms of the peace deal as the rainy season approached. The terrorist leader, whose parents live in a hamlet not far from Magamin Diddi, had claimed he was tired of the hostility between his terror group and the community.

Following another invitation a few days after the Islamic Eid al-Kabir celebrations, the traditional and religious leaders decided to meet Jammo and his gang members in the forest. The two parties agreed to meet on Sunday to reach what the community leaders thought would be a peaceful solution to the recurrent attacks on their farms and homes.

“The first thing he asked when we reached there was the whereabouts of the three rifles the Askarawa took away from his boys two months ago,” Malam Aliyu, one of those who went to strike the deal, told HumAngle over the phone on  Monday. He had joined 46 other community leaders to strike the deal. “We were confused at first, because we were told that we would be discussing only a peace deal. We thought that he would ask us to give him money, but the first thing he asked was for his rifles.” 

“Askawara” is a local term for security volunteers of the state-backed Community Protection Guards (CPG) in Zamfara State. Local sources told HumAngle that towards the end of March, terrorists from the Jammo group had a gunfight with the CPG fighters and other vigilante group members, leading to the killing of two terrorists. Three rifles belonging to the terrorists were taken away by the CPG fighters. 

“We didn’t take his guns, but it’s obvious he has made up his mind,” Aliyu said. The terrorist leader released seven community leaders, instructing them to report back to the district head with his demands. He has one condition for the release of the 39 elders: either the rifles are returned, or an equivalent amount of money must be paid to him.

The terrorist leader also set ₦50 million for the peace deal. “He said if we’re still interested in negotiating with him, we should add ₦50 million to the rifles we’re returning. The money is for us to be able to live in peace, go to local markets, and go to our farms,” the community leader said.

Negotiations between terrorists and local communities aiming to establish peace are not uncommon in the ongoing crisis plaguing the northwestern region for over a decade. Typically, these discussions involve communities paying substantial sums to the terrorists under the guise of a peace agreement. However, such negotiations often yield little result, as terrorist attacks continue unabated even after agreements are reached, as seen in various regions of the state.

The Zamfara State government has consistently maintained its stance against negotiating with terrorists. Yazid Abubakar, the Zamfara State Police spokesperson, stated that they have initiated a rescue operation to free the captured individuals. 

“Upon receipt of the report, the Zamfara State Police Command immediately initiated efforts to trace the victims’ whereabouts and secure their safe rescue. Operational assets have been deployed, and security operatives are working on available intelligence to locate the abducted persons,” Yazid Abubakar said in a statement on Monday.

SACRAMENTO — The Democratic-led state Senate has voted to reconfirm five commissioners to the California Board of Parole Hearings, a move that drew outcry from Republicans who argued the board recently made several egregious decisions.

“The current board is clearly not doing a good job protecting children and should be replaced,” said Sen. Steven Choi (R-Irvine), speaking June 1 on the Senate floor.

The parole board consists of 21 commissioners who are appointed by the governor and confirmed by the Senate for three-year terms. Five current commissioners — William Muniz, Michael Ruff, Rosalind Sargent-Burns, Mary Thornton and Jack Weiss — were reconfirmed June 1 in votes that fell along party lines.

Senate Republicans spoke out from the floor, expressing anger over the board’s recent decisions to grant parole to serial sex offenders David Allen Funston, Gregory Lee Vogelsang and Roberto Antonio Detrinidad. (The vote of individual commissioners was not made public.)

Democrats defended the board, saying it was following a landmark 2008 ruling from the California Supreme Court that declared denying parole must be supported by evidence that the person poses a current risk.

“Parole decisions must be based on current safety risks not on the seriousness of the original offense,” said Sen. Eloise Gómez Reyes (D-Colton). “Evidence based risk assessment exists for this exact purpose.”

California’s elderly parole program allows inmates 50 and older to qualify for a parole suitability hearing if they have been incarcerated for at least 20 continuous years. The individual can then be released if commissioners determine they do not pose a public safety risk.

Republicans, however, questioned the board’s judgment.

Sen. Shannon Grove (R-Bakersfield) said a transcript of Funston’s initial parole hearing showed he acknowledged still being attracted to children and said he would splash cold water on his face to deter his urges.

Funston used candy and toys to lure children playing outside in the Sacramento suburbs into his vehicle in 1995 and 1996, prosecutors said. He was convicted of 16 counts of kidnapping and child molestation.

“There is not a single person in this chamber who would want this man to be alone with their children or grandchildren or any of our constituents,” Grove said. “But this board voted to let him out of prison.”

Sen. Rosilicie Ochoa Bogh (R-Yucaipa) criticized the board for not releasing the specific voting records of individual commissioners. She said she had asked the five commissioners to reveal their records, which California allows but does not require.

“They all refused,” Bogh said. “If you are not willing to publicly own how you voted to release a serial child molester or repeat rapist, you will not receive my vote.”

After the votes, Senate Minority Leader Brian W. Jones (R-Santee) criticized Democrats in a statement for “rubber-stamping” the reappointments and said the board had lost all credibility with the public.

A spokesperson for the board said commissioners follow California law and prioritize public safety.

“The Board’s standard is stringent, involves numerous steps and use of validated risk assessment tools, including evaluation by forensic psychologists,” spokesperson Emily Humpal wrote in an email. “Over 97% of parolees successfully transition into their communities without a new conviction within three years.”

Some prosecutors and victims recently expressed outrage over the board’s decisions. One victim, who was kidnapped by Funston at age 4 and sexually assaulted with a knife to her throat, previously told The Times that he should remain in prison.

Jones and Sen. Roger Niello (R-Fair Oaks) this year introduced Senate Bill 1278, which would have blocked those convicted of “rape, sodomy, lewd and lascivious acts, and habitual sex offenders” from the elderly parole program. Some offenders already are barred, including those convicted of first-degree murder of a law enforcement officer.

The bill ultimately died in the Senate Public Safety Committee in April.

Other legislation from Assemblymember Stephanie Nguyen (D-Elk Grove) would raise the minimum parole age for sex offenders convicted of rape, sodomy, or the aggravated sexual assault of a child to 65. Assembly Bill 2727 is advancing through the Legislature with bipartisan support.

If signed into law, the measure would amend legislation from former Assemblymember Phil Ting (D-San Francisco), which was signed into law in 2020 and lowered the minimum age requirement for elderly parole consideration from 60 to 50 years old.

Hundreds marched in Tunisia’s capital demanding press freedom and the release of political prisoners detained during President Kais Saied’s crackdown on dissent, which has jailed opposition figures including Ennahda party leader Rached Ghannouchi.

WASHINGTON — President Trump announced Wednesday night at a White House dinner that he wanted to make acting Atty. Gen. Todd Blanche’s leadership of the Department of Justice permanent.

The president said he thought the confirmation of his onetime personal defense attorney would go “very quickly,” according to a video posted from the dinner.

But early indications suggest that the process could be anything but.

Blanche, who assumed his current role after Trump fired former Atty. Gen. Pam Bondi in April, has been the face of some of the administration’s most unpopular actions, including the $1.8-billion “anti-weaponization fund,” the Justice Department’s release of the so-called Epstein files and a spate of prosecutions that critics have seen as politically motivated.

“He was nominated because he’ll do whatever the President demands. Todd Blanche should be under investigation — not under consideration for a promotion,” Sen. Cory Booker (D-N.J.), who sits on the committee, said in a statement.

Blanche was confirmed as deputy attorney general last year in a vote along party lines but now faces a changed political climate, in which Senate Republicans have felt more emboldened to question the administration’s actions.

Already, two Republicans who sit on the Senate Judiciary Committee, which will decide Blanche’s fate, have expressed reservations about his nomination.

Republicans hold a 12-to-10 majority in the committee, so losing two votes probably would torpedo Blanche’s confirmation.

Texas Republican Sen. John Cornyn told CNN reporter Manu Raju Thursday that he was concerned about the independence of Blanche, who served as Trump’s personal attorney in a New York case about his alleged hush money payments to porn star Stormy Daniels.

“Being attorney general is probably one of the hardest jobs in the Cabinet, because you’re working for the president but you’re also supposed to be able to tell the president ‘no,’ ” Cornyn said. “So we need to talk about that.”

Cornyn recently lost his primary bid for reelection after Trump endorsed his opponent, Texas Atty. Gen. Ken Paxton.

In recent weeks, Blanche has faced withering criticism for the anti-weaponization fund, which was created last month to settle a lawsuit brought by Trump, two of his sons and their business against the Internal Revenue Service.

Blanche publicly walked back the fund at a congressional hearing this week, after critics had described it as a slush fund for allies of the president who believed they had been prosecuted for political purposes, including those who participated in the Jan. 6, 2021, storming of the Capitol.

Republican Sen. Thom Tillis of North Carolina, who sits on the Senate Judiciary Committee, told reporters that the fund, and any support for participants in the Jan. 6 insurrection, would be a sticking point for him in Blanche’s nomination.

“The key for Todd or anyone going through the Judiciary Committee is being pretty tight on January the 6th,” Tillis said.

Tillis, who is not seeking reelection, previously held up the confirmation of another Trump appointee — Federal Reserve Chair Kevin Warsh — over the senator’s concern about the prosecution of outgoing Federal Reserve Chair Jerome H. Powell in connection with statements Powell had made about a renovation of the Federal Reserve headquarters.

After the Powell investigation was dropped, Tillis supported Warsh’s nomination.

And Blanche will probably face questions during the confirmation process about the department’s prosecution of other perceived political enemies of the president, including former FBI Director James Comey, who is facing charges in North Carolina over a picture he posted on social media of seashells spelling out the numbers “86 47,” a reference to removing the president that prosecutors described as a death threat.

During Blanche’s first nomination hearing to be deputy attorney general, Tillis specifically asked Blanche to promise not to pursue any politically motivated prosecutions.

“I’ve got your commitment there will not even be a whiff of an investigation that appears to have a political motivation to it?” Tillis asked.

“I commit to that,” Blanche responded.

Even if he were to advance out of the Senate Judiciary Committee, Blanche could face a tough confirmation vote in the full Senate, where Republicans hold 53 seats. Two Republican senators facing tough reelection matchups, Sen. Lisa Murkowski of Alaska and Sen. Susan Collins of Maine, along with lame duck Republican Sen. Bill Cassidy of Louisiana, could prove to be hard votes to win.

Blanche has also been criticized for his handling of the release of millions of pages of records from the Justice Department’s investigation into deceased sex offender Jeffrey Epstein, as well as his interview with Epstein accomplice Ghislaine Maxwell.

Last week, Blanche’s predecessor, former Atty. Gen. Pam Bondi, placed the blame for the delayed release of files and improper redactions on Blanche’s shoulders.

He has also faced criticism for his decision to interview Maxwell in her Florida prison in July 2025, and for her transfer to a more comfortable prison in Texas soon after the interview was conducted. The former British socialite’s attorneys have made clear that she is seeking a pardon for her 2021 conviction and 20-year prison sentence.

Boxing promoter Eddie Hearn has called on UFC president Dana White to release Tom Aspinall from his contract and says the heavyweight champion is not being paid his worth.

Manchester-based Aspinall, 33, signed a “commercial and advisory” deal with Hearn’s new talent agency in March.

Aspinall has been the standout performer in the UFC’s heavyweight division in recent years, with seven of his eight wins ending in the first round.

Hearn is prepared to offer Aspinall higher earnings if the UFC allowed him to leave, as tensions continue to grow between himself and White, though it is unclear whether that would be in boxing or MMA.

Matchroom chairman Hearn is also willing to drop planned legal action over Conor Benn’s decision to leave his stable for White’s Zuffa Boxing promotional company if they release Aspinall.

Hearn, 46, previously described 29-year-old Benn’s departure as a “dagger in the heart”.

“I’ll walk away from all their problems they’ve got on the Conor Benn legal situation if they release Tom Aspinall,” Hearn said.

“And I will, in writing, it will be five or six times more money he’ll be making, but I will put in writing that Tom Aspinall will make a minimum of three times more than he will under his current contract.”

Aspinall remains under contract with the UFC and is one of its biggest stars.

Hearn has previously criticised the UFC’s pay structure and suggested leading fighters could earn considerably more elsewhere.

There is no indication the UFC would consider releasing Aspinall, but Hearn’s remarks have increased debate around fighter pay in mixed martial arts (MMA).

“I would like to propose that Dana White should be happy for Tom Aspinall, who is extremely unhappy, and he should release him of his obligations with the UFC,” Hearn added.

“And he should allow him to go out and make considerably more for himself and his family because that’s what Dana White’s all about, isn’t it? He’d be happy for Tom. So that’s what I would like.”

Aspinall has been dealing with eye problems since his title fight with Ciryl Gane last October had to be stopped because of repeated eye pokes.

He had double eye surgery in February and it is not yet certain when he will be able to return to action.

Hearn has been publicly feuding with UFC president White since the launch of Zuffa Boxing.

Aspinall became part of that war of words when Hearn suggested White “humiliated” him by not backing the fighter after the eye controversy.