Rob and Michele Reiner’s son Jake Reiner has reportedly tied the knot with fiancée Maria Gilfillan.
The couple got married in a small ceremony in early August, TMZ reported Monday.
The duo has kept the relationship largely out of the spotlight. Jake shared images on Oct. 7, 2025, on Instagram of him and Gilfillan attending a wedding in Las Vegas. They went to the L.A. premiere of Rob’s film “Spinal Tap II: The End Continues” with his entire family in September.
In an interview with ABC7’s Marc Cota-Robles, released Aug. 27, Jake appeared to be wearing a wedding band.
Jake’s representatives did not immediately respond to a request for comment.
Jake’s sit-down interview with ABC7 marked the first time the former reporter spoke to the press after his parents were fatally stabbed in their Brentwood home on Dec. 14, 2025. His 27-year-old sister, Romy Reiner, discovered the bodies and his younger brother, 32-year-old Nick Reiner, was arrested in connection to the crime.
“Every moment that I wake up, I’m reminded of my reality, and you’re living through that every single day,” Jake, 35, told ABC7.
In July, a grand jury indicted Nick on murder charges with special allegations of committing multiple murders and lying in wait, making him eligible for life without parole or the death penalty if convicted. Nick has pleaded not guilty. A pretrial hearing is slated for Sept. 15.
“I don’t care how it’s explained to me. I don’t care what facts come out. I will never understand why this happened,” Jake shared with ABC7, adding that he has not spoken to his brother since his parents’ deaths.
In an essay written by Jake on his Substack in April, he expressed being robbed of many milestone moments following his parents’ deaths. “My parents won’t be at my wedding, they won’t get to hold their future grandchild, and they won’t get to see me have the successful career I’m still seeking,” Jake wrote. “It simultaneously breaks my heart and enrages me.”
Jake wrote that his dad helped him overcome personal obstacles: “No subject was ever off-limits.”
“Whenever I was in a difficult relationship, he would challenge me and say, ‘You need to really think about what draws you to a person like this, and once you figure that out and break that pattern, you’ll find the person who is truly right for you,’” Jake wrote in the April essay. “I’m proud to say I have found that person in Maria, and I couldn’t be more grateful she had the chance to know and love my parents.”
Times staff writer Richard Winton contributed to this report.
OLIVIA Attwood has sent fans into a spin after she shared a sweet snap of Pete Wicks wearing an “I love my girlfriend” t-shirt.
The documentary stars have finally been giving followers the relationship content they want to see after months of keeping their romance under wraps.
Olivia Attwood shared a sweet snap of Pete Wicks wearing an ‘I love my girlfriend’ t-shirtCredit: InstagramThe TV star shared snaps from her busy week of shoots and eventsCredit: Instagram
In a round-up of her week, Olivia posted a picture of her beau Pete donning the top while they played a game of pool.
The candid snap saw Pete, 37, chalking up his cue stick with quite the serious look on his face.
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Olivia has been giving fans more of glimpse into their dynamic after hard-launching him on Instagram earlier this week and opening up during her Cosmopolitan interview.
“Love this round up and Pete’s t-shirt,” wrote one fan.
Another fan penned: “The T-SHIRT, absolutely no notes.”
A third person said: “Love the t-shirt Pete xxx”
Meanwhile, a fourth fan added: “Can’t wait to hear Sam Thompson’s take on the t-shirt.”
Reality TV personality Pete made his intentions clear as he took matters into his own hands and hard-launched his romance with Olivia a whole month before she did.
Olivia finally hard-launched Pete on Instagram this week as she admitted ‘I missed him’Credit: InstagramOlivia has been opening up on her romance with Pete over the past few weeksCredit: Instagram
Loose Women panelist Olivia has reached new career heights this year and she’s certainly been busy as she shared some exciting moments alongside the picture of Pete.
The 35-year-old could be seen at multiple different shoots, her Savano cocktail party, at the gym and she of course showed fans the huge poster she had made for her magazine cover.
The back-to-back news this week of the deaths of Dolly Parton and Tim Curry — both at age 80 — felt like an unfair and twisted threat to our peace.
Both were extraordinary cultural forces whose screen and stage work lit up and shaped our lives, so its no wonder the emotional whirlpool led to one large group chat on social media, with fans posting favorite performance clips and interview soundbites. I took comfort in many, including Parton singing “Jolene” at the Grand Ole Opry in 1988 and eight minutes of Curry in the frantic “how it was done” climax in “Clue” (1985), which he reportedly performed so intensely he had to be taken to the hospital for high blood pressure.
Our writers captured the depth of the legacy each leaves behind.
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The country music superstar’s performance in 1982’s “The Best Little Whorehouse in Texas,” which earned her a Golden Globe nomination, is one of our streaming recommendations this week. (For those seeking community while celebrating the life of Parton, AMC Theatres announced screenings for the film, as well as “Steel Magnolias,” in select locations through Sept. 2.) Our other streaming suggestion, if you need a life vest to keep afloat through the tears, is a series featuring veteran fashion police partners reuniting again — this time, to dole out critiques of fictional characters.
Also in this week’s Screen Gab, we spoke with actor Kristen Johnston about the Season 2 return of “Leanne.” Best known for her role as Sally Solomon in the hit ’90s sitcom “3rd Rock From the Sun,” Johnston has built a career bringing laughs to comedies like TV Land’s “The Exes” and CBS’ “Mom.” Lately, she’s been bringing her seasoned comedy skills to Netflix’s multi-cam sitcom, which captures the messy (and funny) experiences of women navigating midlife — like dealing with menopause or the horrors of the modern dating scene. Stand-up comedian Leanne Morgan stars as the titular character, while Johnston plays her brutally honest sister, Carol.
“Not every show has to be, you know, medieval dragons,” Johnston says. “There’s room for a couple of silly women in their 50s trying to figure it out.” Read more from Johnston in Guest Spot. In the meantime, I’m off to mix and bake a cuppa flour, a cuppa sugar and a cuppa fruit cocktail with the juice at 350 till it’s gold and bubbly. See you next week. — Yvonne Villarreal
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Recommendations from the film and TV experts at The Times
Dolly Parton as Miss Mona in the 1982 movie “The Best Little Whorehouse in Texas.”
(Universal Pictures)
“The Best Little Whorehouse in Texas” (VOD)
Dolly Parton cemented her movie star status with her feature debut “9 to 5” alongside Jane Fonda and Lily Tomlin. But outside of the irresistible title song, Parton did not sing in the film. She makes up for it with her second film, 1982’s “The Best Little Whorehouse in Texas.” Adapted from the Broadway musical, the country superstar dazzles as Miss Mona Stangley, the proprietress of the popular “Chicken Ranch” brothel. With her characteristic down-home charm, she makes her place of business seem as wholesome as apple (“There’s lots of goodwill and maybe one small thrill, but there’s nothing dirty going on,” she sings in the opening number). Parton also contributed two extra songs to the soundtrack alongside the original Broadway score, including her hit “I Will Always Love You.” — Greg Braxton
Clinton Kelly, left, and Stacy London in “Why’d They Wear That?”
(Jordan Petsy / Simple Alien)
“Why’d They Wear That?” (YouTube)
Stacy London and Clinton Kelly are back with a third “Wear” show, after “What Not To Wear” and last year’s “Wear Whatever the F You Want.” This one’s for the Stacy and Clinton fans, as it removes the clients and makeover elements and sits the hosts on a bed together in front of a TV as they critique what characters wear in the movies, viewing film through the lens of clothing, hair and makeup. (It’s very smart.) The films and actors they highlight are meaningful to one or the other — they don’t always agree — which is to say they broadly represent the tastes of people born in 1969. The range of subjects encompasses “Meatballs,” “Poltergeist,” “Best in Show,” “Gentlemen Prefer Blondes” and “The Empire Strikes Back,” in which episode you will learn that London views Darth Vader as “the Karl Lagerfeld of outer space” (“monochromatic dressing … quiet luxury and he doesn’t change — he invests in his pieces”). One episode is a tribute to Catherine O’Hara. With no one’s feelings to dance around, they can be as critical as they like, but snark isn’t the point so much as celebration and the delight of old friends sharing their own, often self-deprecating stories. Come for the analysis, stay for the laughter, or vice versa. — Robert Lloyd
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Leanne Morgan, left, and Kristen Johnston in Season 2 of “Leanne.”
(Patrick Mcelhenney / Netflix)
In “Leanne,” Kristen Johnston plays the ultimate ride-or-die sister you want in your corner — she turns chaotic moments into fun, tells the hard truths and provides unwavering emotional support. The Netflix sitcom stars comedienne Leanne Morgan as a woman trying to rebuild her life after her husband of 33 years left her for someone else. Helping her navigate the emotional rubble is her family, including her fiercely loyal, unfiltered, twice-divorced sister, Carol (Johnston). As Leanne confronts more change in Season 2, like turning 60 and coming to terms with aging parents that require more care, Carol remains a blunt support system. Over the phone, Johnston discussed her connection to the themes explored in the comedy and the genre of TV that has her hooked these days. — Y.V.
Change continues to be a theme in Season 2. It opens with Leanne resisting the idea of turning 60 and still not ready to be alone with herself. Carol is there to remind her that she’s capable. Tell me about your 50s, Kristen. How are you feeling about this stage of your life and the prospect of turning 60?
Oh my God! Honestly, I never even thought I’d make it to my 50s. So, the fact that I’m still here is a pretty big miracle. My 50s has just continued to be about trying to figure out my place in the world and deepening my friendships with my friends, my family. That’s about it.
Are there things you used to worry about that now you’re like, “I can handle that”?
I used to worry about everything, and now I really couldn’t give a s—. I don’t live for other people’s opinions anymore, and that was probably something I lived for for a long time. When you get fame really early, you just condition yourself to not make anyone upset and not get found out by the tabloids or be stalked. I don’t know. I do enjoy really just trying to live. Other people’s opinions matter to me, but they’re not the reason I do or don’t do anything.
You and Leanne both get a chance to play with the idea of getting older early in the season with a daydream sequence about being in the retirement home. What was that like? It hits at such a big topic that many people come to grips with at some point, which is the idea of caring for aging parents.
That’s a huge topic this season, and it one it matters to me because my mom is still here — thank God. But it’s stuff that really comes up a lot. When it’s time to get them into a home, it’s so hard, and of course, they never want to go. Who would? But literally doing that scene was so great because I’m so into prosthetics and makeup. We had a lot of fun coming up with what each of us would be.
Kristen Johnston, left, and Leanne Morgan in “Leanne.”
(Patrick Mcelhenney / Netflix)
The bond between Leanne and Carol is such an important element of the show. What do you think this show really gets right about sisterhood?
It feels very real. You have one who’s a black sheep and always blamed for everything, then you’ve got one who’s the Goody Two-shoes and got married at the right time and had kids. Carol did none of that. But throughout that, and much more important than the rivalry and being mad at each other or whatever, is just this absolute unending love. And I feel very sisterly towards Leanne. I get really emotional about her because I feel like she’s my sister. They’re pretty easy scenes to act.
You’ve worked in multi-cam sitcoms across broadcast, cable and streaming. Do you feel a difference?
I don’t know if it’s as much that they’re different, but the times sure have been different. I’m from the era where we would have the head of the studio come to every taping and send us cards and thank you or call you to come over to his house for his 60th birthday or whatever. That doesn’t really happen anymore. I’m from this other era, which really felt more personal and felt more one-on-one. Now it really just feels like, “Don’t look at me. I just want thanks for the paycheck.”
And it seems hard to even gauge how well the shows are doing.
Exactly. Leanne was so nervous about all that at first, and I just said, “Look, all we can do is our our best. Let’s just be funny and have fun, and everything else is above our pay grade.” So she went with that. That’s how we kind of roll.
OK, tell me — how often are you asked about the “Splat!” episode of “Sex and the City”? How often do people come up to you about Lexi?
It’s crazy. It’s all anybody wants to talk about, any podcasters or anything. Really, I would say 80% of the conversations I’ve had in the last few weeks are focused mainly on that.
What does that tell you that a role that was a one-off could have that kind of lasting impact?
It’s the shock of what happens in that scene more than almost anything. There was kind of this angry “I’m gonna live no matter what” vibe to her. So to watch her fall to her death out of her own hubris, it’s just a perfect little encapsulation of a moment in New York City, and I think that’s why people love it. It’s also probably one of the bigger, bigger acting choices I’ve ever made. That was Michael Patrick King. I can’t believe it still matters to people, but obviously, I’m thrilled it does. I did like three takes [of the fall]. And it could have been the stunt woman [who made the cut]. I honestly don’t know who they cut to for what.
Because when people say, “Are you a Carrie? Are you a Charlotte?” A lot of people say, “I’m Lexi.”
They tell me that all the time. I just go, “Oh, babes.” I wouldn’t really want to cling to her as like an inspiration for your character, but I think what they mean is they’re probably bawdy. There are worse things to be in life.
What’s the most recent thing you watched that you’re obsessed with?
I’ve gone down the K-drama rabbit hole. And something I loved is this C-drama called “Pursuit of Jade” on Netflix. It’s so well-done, really good and very thrilling. A period show. Love it. I’ve been sucked into that. Oh, for K-drama — “Bon Appétit, Your Majesty.” That’s pretty much where I’ve been living.
What’s your go-to comfort watch?
I like spooky, weird stuff like “True Detective,” “Broadchurch.” I just did a rewatch. I can’t believe “Broadchurch” is my comfort show. Anything with really good character development, fantastic acting. I love it.
Prince Harry and Meghan Markle are reportedly moving back across the pond, six years after their dramatic exit from the Royal family stunned Americans and Britons and exposed scandal in Buckingham Palace.
The Duke and Duchess of Sussex will return to British soil along with their two young children, Prince Archie and Princess Lilibet, for an extended period starting this month, People reported last week. While the pair’s decision may be unsurprising to some, Prince Harry and Meghan made clear in 2020 that their personal Brexit was because of several factors, ranging from severe scrutiny by the British media to alleged racism and bullying from the royal family.
Meghan, during the couple’s memorable tell-all interview with Oprah Winfrey in 2021, spoke plainly of her experience among the royals: “I just didn’t want to be alive anymore. And that was very clear and real and frightening.”
King Charles III is aware of the plans for his son and Meghan‘s U.K. return and “welcomes the opportunity to see more of the Sussex family in a private and personal capacity,” People reported. The spouses are also said to retain their property in the affluent Santa Barbara enclave of Montecito, and vacation home in Portugal while also making a “private, non-royal” home in Britain. This retrospective tracks the early years of the highly scrutinized pair’s relationship, the fallout from their royal exit, their media ventures and more.
When Harry met Meghan
Meghan Markle and Prince Harry attend a Wheelchair Tennis match during the Invictus Games 2017 at Nathan Philips Square in Toronto, Canada.
(Vaughn Ridley / Getty Images)
“Personally, I love a great love story.”
That’s what Meghan Markle, formerly of “Suits” fame, told Vanity Fair in October 2017. By then, more than a year of media speculation and rumors surrounded the L.A.-raised actor and activist’s romance with Britain’s Prince Harry, younger brother to Prince William and the second son of Charles and the late Princess Diana, who was killed at age 36 in 1997 after the car she was in crashed while fleeing paparazzi in Paris.
Meghan and Prince Harry kindled a romance in 2016 at that year’s edition of his veteran-centered Invictus Games, held in Orlando. Markle quickly found herself in the beloved “bad boy” Royal’s orbit — including the tireless swarm of tabloids and paparazzi who have captured almost his every move from childhood. The pair was already subject to media frenzy early in their relationship, prompting Harry via Buckingham Palace to plead with reporters to respect his then-girlfriend’s privacy and to condemn the “outright sexism and racism” in online comments. Markle had also remarked early on that she was disheartened that so much coverage of her romance focused on her ethnicity.
News of their engagement in 2017 further raised eyebrows among the public and even more so with established British tabloids, including the Daily Mail, which had once described the pair’s relationship as a “VERY unlikely romance.” In the context of the longstanding (and almost exclusively white) British monarchy, Meghan was an outsider: American, mixed-race (she is half white and half Black), an outspoken public figure and a divorcée (she was previously married to film producer Trevor Engelson).
Prince Harry and Meghan married in May 2018 and were named Duke and Duchess of Sussex. At the time, Prince Harry was sixth in line to the British throne. During the wedding ceremony, the Rev. Michael Bruce Curry heralded the pair’s union with calls for justice and equality — amid the country’s early steps into leaving the European Union — and made references to the Rev. Martin Luther King Jr.
“When love is the way, there’s plenty of room for all of God’s children,” Curry said during the ceremony. “When love is the way, we actually treat each other — well, like we are actually family.”
Between the newlyweds and the British royals, family ties proved only so strong.
Buckingham Palace faces a new era of controversy
As new parents, the Duchess and Duke of Sussex pose with their newborn son, Archie Harrison Mountbatten-Windsor, at Windsor Castle on May 8, 2019 in England.
(WPA pool / Getty Images)
Marrying into British royalty did not shield Meghan from criticism, speculation and attacks by the press — it appeared to have the opposite effect. Sound familiar?
British tabloids and several media personalities continued taking aim at Meghan, portraying her as a rude “trailer trash” personality amid a rumored riff with Princess Kate and using racist imagery to mock the arrival of her firstborn son, Archie, in 2019. The public ridicule remained ceaseless, but alleged tension was also brewing behind palace walls.
Less than a year after their first heir’s arrival, the Duke and Duchess announced in a shocking personal statement in 2020 that they would step down as senior members of the royal family and would work to become financially independent. They also announced at the time that they would split their time between the U.K. and North America. A year later, the spouses announced they would not return to royal duties. Shortly after, they memorably shed light on their decision in a bombshell CBS interview with Oprah Winfrey, unleashing a disturbing look into their life as members of the royal family.
Meghan claimed that while pregnant with Archie, she and her husband were informed their son would not have the title of prince or princess, which she said deviated from longtime protocol, and would not be entitled to security. The actor also implied that during discussions about her son’s title, there were “also concerns and conversations about how dark his skin might be when he’s born.”
“They were concerned that if he were too brown, that that would be a problem?” Winfrey asked.
“If that’s the assumption you’re making,” Meghan replied, “I think that’s a pretty safe one.” She did not identify the person who made the remarks: “I think that would be very damaging to them.”
Winfrey later clarified that Harry said neither his grandmother Queen Elizabeth II or his grandfather Prince Philip “were a part of those conversations.”
Meghan also spoke about her struggles with her mental health while part of the royal family. She revealed that she was suicidal while pregnant with Archie, citing isolation and helplessness amid ceaseless attacks by the press.
“I just didn’t want to be alive anymore. And that was a very clear and real and frightening constant thought,” she said, adding that she went to the palace’s corporate institution for help. “I was told that I couldn’t, that it wouldn’t be good for the institution.” At the time of the interview, Harry and Meghan revealed they were expecting a baby girl. Lilibet was born June 2021.
“The whole family is saddened to learn the full extent of how challenging the last few years have been for Harry and Meghan,” Buckingham Palace said in a statement responding to the spouses’ interview. “The issues raised, particularly that of race, are concerning. While some recollections may vary, they are taken very seriously and will be addressed by the family privately.”
Royal fallout
Prince Harry with Meghan, standing behind Prince William and Kate, during the funeral service for Queen Elizabeth II in September 2022.
(WPA pool / Getty Images)
In addition to Harry and Meghan’s self-demotion, Buckingham Palace faced tragedy and additional criticism in the following years. Prince Philip died in April 2021 and long-reigning Queen Elizabeth II died in September 2022 at age 96. Prince Harry and Meghan both attended the queen’s funeral, but under close watch by the British media.
Charles ascended to the throne after Queen Elizabeth’s death, marginally moving up Harry and his children with Meghan — the children later received their royal titles of prince and princess. — in the line of succession to the British throne.
When 2023 arrived, so did a fresh batch of revelations about the Windsors. Prince Harry published his memoir, “Spare,” providing readers an unflinching look at his family but an even more unforgiving description of the paparazzi. In the book he recalled needing to ask his grandmother’s permission to propose to Meghan, wrote that older brother Prince William had “been pretty discouraging about my even dating Meg” and accused queen consort Camilla of making shady deals with the press.
Months after the memoir’s publication, Prince Harry and Meghan were asked to vacate their British home of Frogmore Cottage on the grounds of Windsor Castle. Reportedly, King Charles began the eviction process the day after his son published the memoir.
Meghan, left, and Chrissy Teigen in an episode of Netflix’s “With Love, Meghan.”
(Jake Rosenberg / Netflix)
As Meghan and Harry moved to separate themselves from the royal family and from life in the U.K., they settled down in California in the affluent neighborhood of Montecito and into new business ventures. Among their earliest post-palace endeavors was the creation of multimedia company Archewell Productions, which in September 2020 inked a multiyear deal with Netflix to produce series, docuseries, documentaries and other programming.
For Netflix, the spouses have put forward numerous projects, including documentary series and reality shows “Harry & Meghan,” “Heart of Invictus” and cooking show “With Love, Meghan.” The pair opted last year to maintain its relationship with the streaming giant, signing another multiyear, first-look deal.
Additionally the ex-royals’ Archewell Audio inked a multiyear deal with Spotify to produce podcasts and shows for the platform in a deal that was reportedly worth $20 million. Archewell Audio released a 30-minute holiday special in 2020 and one audio series — “Archetypes” — hosted by Meghan in August 2022. The Duke and Duchess of Sussex‘s podcasting endeavor at Spotify ended in 2023.
Unsurprisingly, Prince Harry and Meghan, who have also busied themselves with various philanthropic causes, faced backlash for their Spotify departure. Meghan was also accused of faking some “Archetypes” interviews.
In addition to big-swing media ventures, Meghan launched a lifestyle and food business that had undergone multiple name changes. She initially launched her brand under the moniker American Riviera Orchard, specializing in artisan jams she notably gifted to celebs, including Kris Jenner, Chrissy Teigen and Mindy Kaling. She later rebranded the line to As Ever, following a minor roadblock with the U.S. Patent and Trademark Office.
“I was figuring it out in real time,” she told People of the naming debacle in 2025. She also said she now sees herself “as an entrepreneur and a female founder.”
According to recent reporting, Meghan can add “actor” back into that description. She is reportedly in talks to join the third season of Guy Ritchie’s Netflix series “The Gentleman.” That would be her first acting gig since the end of “Suits” and marrying into the royal family.
Traitors star Freddie Fraser, who found fame when he took part in the third series of the BBC hit, has been supported by fans after coming out and revealing his new relationship
18:50, 23 Aug 2026Updated 18:51, 23 Aug 2026
Freddie Fraser has revealed his new relationship (Image: BBC)
Traitors star Freddie Fraser has been supported by fans after coming out and announcing his relationship. The reality star, 22, found fame when he competed on the third series of Claudia Winkleman’s BBC hit, which aired in early 2025 and was eventually won by Jake Brown Leanne Quigley.
He simply captioned the post with a heart, but several of the TV star’s followers were quick to congratulate him over the happy news. One said: “LOVEEEEE!!!! SO CUTE,” and another wrote: “Gorgeous, so happy for you.”
A third wrote: “this is the best news xx” Amanda Lovett, who appeared on the first series of The Traitors, said: “Aww I’m so happy for you,” whilst former X Factor star Jack Remmington simply left a string of heart-faced emojis.
Freddie, who before finding television fame was a top-ranked sprint hurdle athlete in the years before he signed up for The Traitors, was a Faithful on the BBC show before being recruited as a Traitor by Charlotte Berman in episode 10.
But in a shock twist, he was banished from the castle following a slip up involving Minah Shannon less than a day later, and hastily exited the castle.
When he was banished – and had to reveal he was a Traitor – he told the group it had been “the honour of my life” to take part in the TV series.
Since then, he has carved out a successful career as an influencer, with a combined following count of almost 250,000 across various social media platforms.
His new relationship comes more than a year after it was reported that he had split from Nisha Davenport, whom he had met at university, and it was claimed that his new career had made it tricky to keep things going.
A source told The Sun: “Freddie quietly split from Nisha earlier this year, shortly after a loved-up trip to Budapest. She’d been by his side throughout his Traitors fame but Freddie soon found himself living a showbiz lifestyle that he’d always dreamed of.
“They were also both incredibly aware that after university it would be more difficult than ever to keep the romance going strong. The split was very amicable and there was no drama on either side”.
Choose your own adventure: would you rather travel vicariously with Sean Duffy or Conan O’Brien as your guide?
“Great American Road Trip,” the reality series from the Department of Transportation starring Secretary Duffy and his family, finally launched this week on YouTube after months of delays. Originally set to premiere in June, ahead of the nation’s 250th celebration, it follows Duffy and his wife, Rachel Campos-Duffy, a co-host of “Fox & Friends Weekend,” and their nine children as they travel through seven states. While the couple has roots on MTV’s “The Real World,” their new TV venture doesn’t seem destined to have the same cultural impact. The six episodes of the series — as of publication time — have just over 14,000 views combined.
Meanwhile, over on HBO Max, O’Brien is back for more unpredictable cross-cultural exchanges with the return of his travel series. Now in its third season, “Conan O’Brien Must Go” follows the comedian and podcast host around the world as he interacts with fans and provides glimpses of everyday life abroad with his blend of improvisational comedy and an affinity for situations that embrace the absurd. The season kicks off with a trip to India, a major feat considering the show has faced years of permit delays related to a remote segment for “Late Night With Conan O’Brien” that aired in 2004. I spoke with executive producer and director Mike Sweeney about the latest stops in the show’s world tour.
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Plus, our writers recommend two TV dramas that feature formidable women — one is a former city slicker solving mysteries in the Montana wilderness, the other is a detective trying to untangle a missing woman’s case while her personal life is falling apart.
But before I set you on your streaming way, I want to also share our guide to some of Hayden Panettiere’s most notable work. When news broke this week about her sudden death at age 36, it came as an extraordinary shock. Panettiere had been working in front of the camera since she was in diapers, appearing in commercials and, by age 4, making the rounds in the soap opera circuit. Like many millennials, my first exposure to her talent was in Disney’s 2000 sports drama “Remember the Titans,” where she (at age 10) played the spunky, football-loving daughter of a high school assistant coach — and delivered the line that helped signal the prep sport was bigger than Christmas in Virginia. Though her career was cut far too short, she was part of some memorable projects, including “Heroes” and “Nashville,” that are worth revisiting.
Her influence, though, extends beyond her screen work. In her appreciation of Panettiere, culture critic Mary McNamara wrote of the Panettiere’s candidness about her mental health struggles, which included bringing awareness to the realities of postpartum depression: “Panettiere spoke up when she could have remained silent. She called out a truth that has been too long ignored and gave millions of women a chance to ask for help. She might not have saved the world, but she threw a big part of it a lifeline.” — Yvonne Villarreal
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Recommendations from the film and TV experts at The Times
Tracy Spiridakos as Anna Pigeon and Paulina Alexis as Zoey Bear Child in “Anna Pigeon.”
(Michelle Faye / USA Network)
“Anna Pigeon” (USA Network)
This highly watchable, lightly addictive, woodsy episodic procedural dishes up meat and potatoes entertainment, or perhaps one should say “poutine,” given that almost all the talent involved is Canadian, as is the impressive scenery. Tracy Spiridakos (“Chicago P.D.”), just the right number of hairs out of place, plays Anna, a New York City stage manager turned federal park ranger after a personal tragedy. In Nevada Barr’s series of novels, the heroine works at a new park from book to book; here, we’re in Montana’s Glacier Park (it does run right up to Canada), the setting of the 2001 “Blood Lure,” with Anna apparently ready to stay put as long as the TV series lasts. (The first Pigeon novel, “Track of the Cat,” from 1993, informs the pilot, directed by Leah Thompson, not Canadian.) Missing persons, bank robbers, litterbug campers and an aggressive grouse bring the trouble. And murderers, of course. Community is a theme; there’s a handsome bartender for romance, a rich villain to hiss. There’s a talent show. The cherry on this sundae is Paulina Alexis, Willie Jack from “Reservation Dogs,” as Anna’s sidekick, enlivening the ensemble with her centered, serious, quietly humorous energy. — Robert Lloyd
Eve Myles as Annie Cassidy and David Morrissey as Michael Polly in “Gone.”
(James Pardon / Britbox)
“Gone” (Britbox)
Like many British murder mysteries, “Gone” opens in a picturesque portion of that green and pleasant land, in this case the rugby pitch of a stately boys school outside Bristol. Overseeing the home team is headmaster/rugby coach Michael Polly (David Morrissey) who has the mien and manner of a perpetually disappointed tyrant. When Polly’s wife, Sarah, cannot be found at the home they share with their adult daughter, Alana (Emma Appleton), it’s difficult to tell how he’s feeling, if anything. He certainly will not allow a missing wife to interfere with his task of molding boys into men, not with exams and a Very Important rugby final coming up. When he finally reports her absence to the police, it is pretty clear to everyone, especially Det. Sgt. Annie Cassidy (Eve Myles), that he knows more than he’s telling. But is it British reticence, or something more sinister?
Those accustomed to the speedy lab results and instant deductions of a standard police procedural may find themselves, at least initially, shouting out instructions and demands — how can the forensics report be so scanty? why is [fill in the blank] not brought in for questioning? But the show is, essentially, a psychological drama wrapped in a murder mystery. Anchored by splendidly counterintuitive performances by Morrissey and Myles, “Gone” will wrap up its case over six tense and twisty episodes. But the questions it raises — about the insidious power of abusive relationships, the complexity of human emotions and the peril of considering secrecy as protection — linger long after immediate justice is served. — Mary McNamara
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A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Conan O’Brien in a segment filmed in Morocco for Season 3 of “Conan O’Brien Must Go.”
(Team Coco / HBO)
As a member of the growing subgenre of celebrity travelogue, Conan O’Brien has cuddled with Javier Bardem in Spain, dressed up as Sigmund Freud in Vienna and faced off against a Muay Thai fighter in Thailand. The new season of “Conan O’Brien Must Go” has the frequent flier funnyman visiting India, the Netherlands, Morocco and the Philippines — meeting his international fans and testing how well his improvisational humor translates. I spoke with his longtime collaborator Mike Sweeney, co-writer and director on every episode, about this season’s locations and O’Brien’s SPF needs. — Y.V.
The series is a chance for Conan to interact with international fans, particularly those that have been on the podcast. Why do you think Conan’s style of humor travels so well?
He’s fearless. I think that helps. He genuinely loves people, and he has to make people laugh. He has to make people laugh all the time in the United States. And then if you put him in another country, he’s going to figure out how to get his laughs over there, even if no one speaks English. It’s literally like being thrown in a room where he’s got to find his oxygen, and he’s gonna find it by getting laughs everywhere he goes. I’m sure the fact we have a camera with us, people are curious. They tend to attract people who want to open up and play around. People can spot him from a mile away. That also helps. That’s another key to a good travel show — have a really tall orange-haired host.
The first episode is set in India. Things start with him trying to get on a crowded commuter train. What were some moments from that episode that stand out to you?
Yes, we wanted to go in the famous Mumbai commuter trains. Boy, the amount of red tape to get permission to even go down on the platform was crazy. We had to do it several months out. But we loved that [segment]. We loved playing street cricket. He had a young man teaching him, named Veer [Pandey], who was very funny and kind of dismissive of Conan, and that’s kind of Conan’s sweet spot.
Some countries have incredible restrictions — you might need permits to talk to people in the street, you’re dealing with curveballs. And a lot of what Conan does is improvised and you don’t want rules to get in the way. How how do you deal with that?
It varies from country to country. You get a feel for it early on and go, “Oh, we need figure things out far in advance here. You’re getting to a very important point, which is: How much red tape is there in each country? India — a ton. We knew that because we almost shot there in 2018 [for “Conan Without Borders”] and it fell through ultimately because of all this red tape. We knew we really had to have a running start with India. But the Philippines, they were pretty cool. Same with the Netherlands. You know what the big issue is nowadays? Drones, where they let you shoot with drones.
Conan O’Brien during a Bollywood segment in his travel series.
(Team Coco / HBO)
What’s it like doing a travel show as the current administration puts stress on international relations? Did you notice any shifts this season on how you were either received or what’s possible to get cleared because you’re an American show?
Not overtly. Nothing was represented as like, “Oh, you want to come shoot here? Well, we’ll teach you a lesson.” I’d say really surprisingly, it was business as usual in terms of getting permissions to shoot. What’s going on in the crazy United States really wouldn’t come up that much because the things we’re doing are apolitical, which is usually how we like to do it. It’s Conan connecting with people and, in a way, be a political statement because it comes down to respecting other cultures and wanting to learn about other cultures and bridging gaps that way.
There was that moment on the commuter train where a passenger rebuffs Conan by saying, “Fake a— liberal media.” And Conan just rolls with it.
Yes, it’s just like, “Oh, they they even have people calling stuff out like that over here.” It was almost like, “OK, I feel at home. Thank you.”
We all saw that Conan, famous for his red pompadour hairstyle, recently made headlines for a slick, oily hairdo, which was the result of a severe scalp sunburn. In the Morocco episode, there’s a sun-heavy segment. Were you worried about his scalp then? How much budget goes to Conan’s SPF needs?
He’s self-regulating because he has to be that way in California. He has to be that way on a cloudy day in Cape Cod. It’s just ingrained in him, his sun protection. I don’t even think about it. It was business as usual for him in Morocco.
What’s a show you’re currently obsessed with or recommending to people?
We loved “Widow’s Bay” [Apple TV], of course. I sound like everyone else, but also Katie Dippold is great. She was an intern at “Conan,” and I’ve seen her a few times over because we kind of lived near each other in Los Feliz. But she’s just delightful. We’re so happy for her, and plus that show was just amazing. And my wife and I dipped back into “Slow Horses.”
Grammy-winning singer Jill Scott brought her “To Whom This May Concern” album — her first in more than a decade — to life at Inglewood’s YouTube Theater last week. Backed by a razor-sharp 11-piece all-male band (including background singers fittingly dubbed “Freeman”), Scott moved effortlessly through a two-hour set filled with songs from the genre-expansive album along with several fan favorites like “He Loves Me (Lyzel in E Flat)” and “Gettin’ in the Way.”
Enforcing a phone-free policy at her personal request, the North Philadelphia native kept the audience intensely locked in — hanging onto her every word and every seemingly impossible note she struck with ease. Before long, it was easy to forget that we didn’t have our devices. Smiles filled the intimate room. Couples danced together. Strangers sang to each other in joyful unison, while others closed their eyes or held their hands on their chest in complete awe of witnessing a veteran artist in her element.
Jill Scott is on tour for “To Whom This May Concern,” her first album in over a decade.
(Jada Imani M)
In her only interview during the tour thus far, we caught up with Scott backstage to talk why she never performs a song the same way twice, how removing devices makes concerts better and why she thinks “To Whom This May Concern” deserves several accolades.
I’m still coming down from all of the energy from the show. How are you feeling post-show?
I am hot from the inside, and it’s gonna take me hours to calm down. [Laughs]
You’ve always described music as an intimate, two-way conversation between you and the audience. For this tour, you created a strictly phone-free space. Why did you decide to do that and how did this shift the experience for you as a performer?
In a couple of ways. One part is that it’s terrifying because there’s no buffer between me and them, so that’s actually scary, but I embrace it. The other part of it is that it’s wonderful because people initially come in kind of nervous about not having a buffer between myself and the space or themselves and space. Then I watch them gradually release, and I get a kick out of that every night. That’s my favorite part.
I’m surprised to hear that it’s scary for someone like you who’s been performing at such a high level for so many years.
Because I care. It matters to me. I really want them to have a good time. I really want them to release some things, allow themselves to be. If you want to make out, if you want to dance, if you want to cry, if you want to shout, or put up your hands in the air, or sit still, I want them to be able to do that. I think it’s important. That’s the relationship. That’s the real relationship between artist and fans of the music. It’s the connection between the music. I’m here to [be of] service. I’m here to push the ship along, but it’s really their relationship with the music and I’m a conduit. That part is probably one of my other favorites. You have to relinquish your id and allow the thing to be the thing. I think sometimes you can practice the joy and the life out of a thing. We practice a lot, but then we forget everything we practice so that it’s alive. My musicians’ freedom is mandatory. It’s a part of the job. So if they show up and play the exact same thing in the exact same way every night, they’re probably not going to be around very long. I need them to be wide open and to rediscover the music every night from their perspective. It’s their 11 perspectives on stage, and then of course there’s the lighting designer. I need him to be free. Don’t give me the same light at the same time every night. Even front-of-the-house sound engineer as well as our in-ear monitors, everybody is playing a part. “What does she need? Let’s read her. Let’s, you know, pay attention. What does she want?” It’s a lot of fun.
You could see really feel that from you and your entire band.
Tonight was a different audience. They were very attentive. Last night they danced all night long from the very beginning. I couldn’t even see the floor. Tonight they were listening. I know it’s a Wednesday night. Everybody’s got to go to work [the next morning], but they were beautiful. The listening audience is probably my favorite. They get quiet and I’m like “Oh, it’s so scary. Am I doing the right thing?” [Laughs] But that means they’re listening. Who doesn’t want to be heard?
Your son came out with you tonight. How was that experience for you?
It’s beautiful to see. He told me Tierra Whack is not traveling with us because she has a new album out, “Whack’s Museum,” so she’s a little busy. He was like, “Mom, how do you feel about me doing the second verse?” and I was like “Be at sound check tomorrow with a mic in your hand.”
He looked so comfortable on stage.
He does. It’s kind of scary. Super exciting. I don’t know what he’ll want to do, but he’s working our set, so he’s a part of the crew. So after he does his performance, he puts back on his blacks and he does his job, and I love that for him, to have that sense of responsibility. He’s exceeding anybody’s and everybody’s expectations. He’s so good at this. All the clothes you see, he steamed up.
He’s really working his way up.
Yes, you must earn your way.
Your album “To Whom This May Concern” released in February, and it feels like a love letter from your favorite auntie. There’s lessons about learning from your mistakes, honoring your ancestors and loving yourself. Now that your fans have been living with these songs for several months, I’m curious if performing them live has shifted your relationship with them at all?
No. On a great night, I like telling the stories that I’ve read. I like embodying them in front of other people. I like watching them experience them in a new way. I’m a fan of that. It just makes it more and more true. Then I see how many people are singing along and how many people are looking at me, and I’m like “Yesss.” It’s reaching the people and I know it’s going to be different because there’s a different audience every night. So I’m thrilled about the project and how it’s touching people. You hope you don’t work this hard at a thing for it to fall on deaf ears, and I know how microwavable music has been, but I believe the cream rises to the top. It’s been a beautiful 26 years. I look forward to 26 more — in my way.
Your album has been receiving a lot of praise from fans and critics. There’s still a few months before the Grammy nominations are announced, but at this point in your career, how important is that recognition to you? Is it as important as it was when you first started your career?
I think I deserve it. That’s all. [Flashes a smile]
I mean everything about this project from beginning to end is blood, sweat and tears. I stayed up many nights just to write, a hunger in my belly and a savage appetite. And I mean it. Everything is true and I love that for me. That’s the kind of thing that takes time and I think musically, it’s incredible. I think the stories are awesome and intentional, and everything about it, from the planning of it to the marketing, has been from my soul, and I think it deserves several.
The “Practical Magic 2” star discussed what it was like to care for Randall while honoring his request to keep his amyotrophic lateral sclerosis diagnosis a secret for years during her appearance on the “SmartLess” podcast.
“I wasn’t allowed to speak about it,” Bullock told hosts Jason Bateman, Will Arnett and Sean Hayes in a clip of the episode posted by TMZ. “That was the request, and I honored it. … He asked me not to share … and it isolated me in the process.”
She explained that Randall, who died in 2023 at age 57, had been ill for half of their relationship and that his diagnosis came amid the COVID-19 pandemic.
Bullock and Randall had also kept their relationship fairly private. The couple started dating in 2015 after they reportedly met at Bullock’s son Louis’ fifth birthday party. Randall, a photographer, had been hired to capture images of the celebration. Bullock also has a younger daughter, Laila, whom she adopted in 2015. The couple was also raising Randall’s older daughter, Skylar.
Over the years, Bullock and Randall debunked rumors about their engagement and marriage numerous times.
“I don’t need a paper to be a devoted partner and devoted mother,” Bullock said in 2021.
The “Ocean’s 8” star described Randall’s diagnosis as “traumatic” and that she had started grieving him four years before his death. Bullock’s sister, Gesine Bullock-Prado, had been the only person who had known about Randall’s diagnosis “for a while” although the actor eventually also confided in friends Jennifer Aniston and Bateman’s wife, Amanda Anka, according to People.
“My person left a lot earlier than the body left,” Bullock said in the podcast. “I don’t think I ever dealt with that until after he passed.”
Bullock’s episode of the “SmartLess” podcast will be released on Aug. 24 but is available now to SiriusXM early access subscribers.
Rob Reiner’s son Jake marries eight months after parents’ deaths
Rob and Michele Reiner’s son Jake Reiner has reportedly tied the knot with fiancée Maria Gilfillan.
The couple got married in a small ceremony in early August, TMZ reported Monday.
The duo has kept the relationship largely out of the spotlight. Jake shared images on Oct. 7, 2025, on Instagram of him and Gilfillan attending a wedding in Las Vegas. They went to the L.A. premiere of Rob’s film “Spinal Tap II: The End Continues” with his entire family in September.
In an interview with ABC7’s Marc Cota-Robles, released Aug. 27, Jake appeared to be wearing a wedding band.
Jake’s representatives did not immediately respond to a request for comment.
Jake’s sit-down interview with ABC7 marked the first time the former reporter spoke to the press after his parents were fatally stabbed in their Brentwood home on Dec. 14, 2025. His 27-year-old sister, Romy Reiner, discovered the bodies and his younger brother, 32-year-old Nick Reiner, was arrested in connection to the crime.
“Every moment that I wake up, I’m reminded of my reality, and you’re living through that every single day,” Jake, 35, told ABC7.
In July, a grand jury indicted Nick on murder charges with special allegations of committing multiple murders and lying in wait, making him eligible for life without parole or the death penalty if convicted. Nick has pleaded not guilty. A pretrial hearing is slated for Sept. 15.
“I don’t care how it’s explained to me. I don’t care what facts come out. I will never understand why this happened,” Jake shared with ABC7, adding that he has not spoken to his brother since his parents’ deaths.
In an essay written by Jake on his Substack in April, he expressed being robbed of many milestone moments following his parents’ deaths. “My parents won’t be at my wedding, they won’t get to hold their future grandchild, and they won’t get to see me have the successful career I’m still seeking,” Jake wrote. “It simultaneously breaks my heart and enrages me.”
Jake wrote that his dad helped him overcome personal obstacles: “No subject was ever off-limits.”
“Whenever I was in a difficult relationship, he would challenge me and say, ‘You need to really think about what draws you to a person like this, and once you figure that out and break that pattern, you’ll find the person who is truly right for you,’” Jake wrote in the April essay. “I’m proud to say I have found that person in Maria, and I couldn’t be more grateful she had the chance to know and love my parents.”
Times staff writer Richard Winton contributed to this report.
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Olivia Attwood shares snap of Pete Wicks wearing an ‘I love my girlfriend’ t-shirt as couple’s relationship steps up
OLIVIA Attwood has sent fans into a spin after she shared a sweet snap of Pete Wicks wearing an “I love my girlfriend” t-shirt.
The documentary stars have finally been giving followers the relationship content they want to see after months of keeping their romance under wraps.
In a round-up of her week, Olivia posted a picture of her beau Pete donning the top while they played a game of pool.
The candid snap saw Pete, 37, chalking up his cue stick with quite the serious look on his face.
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Olivia has been giving fans more of glimpse into their dynamic after hard-launching him on Instagram earlier this week and opening up during her Cosmopolitan interview.
“Love this round up and Pete’s t-shirt,” wrote one fan.
Read more on Olivia Attwood
LIV-IN’ IT LARGE
Olivia Attwood and Pete Wicks look smitten on date night
sticking up
Olivia Attwood defends boyfriend Pete Wicks against ‘f*** boy’ reputation
Another fan penned: “The T-SHIRT, absolutely no notes.”
A third person said: “Love the t-shirt Pete xxx”
Meanwhile, a fourth fan added: “Can’t wait to hear Sam Thompson’s take on the t-shirt.”
Reality TV personality Pete made his intentions clear as he took matters into his own hands and hard-launched his romance with Olivia a whole month before she did.
Olivia recently revealed it was Pete who made the first move and since then their relationship has moved very quickly.
Last week, Olivia dropped a huge hint that things are getting serious with Pete as she leaked a telling WhatsApp message.
Olivia carefully omitted who sent the text which read: “You are the love of my life.”
She then finally went social media official with Pete, sharing a slew of steamy snaps of the pair looking loved-up in Ibiza.
The couple were seen heading out on a date night to the Broadwick hotel in Soho just days ago – the same venue where they were first spotted locking lips.
Loose Women panelist Olivia has reached new career heights this year and she’s certainly been busy as she shared some exciting moments alongside the picture of Pete.
The 35-year-old could be seen at multiple different shoots, her Savano cocktail party, at the gym and she of course showed fans the huge poster she had made for her magazine cover.
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‘Leanne’: Kristen Johnston talks Season 2, the fun chaos of women over 50
The back-to-back news this week of the deaths of Dolly Parton and Tim Curry — both at age 80 — felt like an unfair and twisted threat to our peace.
Both were extraordinary cultural forces whose screen and stage work lit up and shaped our lives, so its no wonder the emotional whirlpool led to one large group chat on social media, with fans posting favorite performance clips and interview soundbites. I took comfort in many, including Parton singing “Jolene” at the Grand Ole Opry in 1988 and eight minutes of Curry in the frantic “how it was done” climax in “Clue” (1985), which he reportedly performed so intensely he had to be taken to the hospital for high blood pressure.
Our writers captured the depth of the legacy each leaves behind.
Greg Braxton reflected on Curry’s significant contribution to the twisted image of clowns with his terrifying portrayal of Pennywise in “It.” Robert Lloyd took on highlighting the actor’s most memorable roles on TV. And in his appreciation of Curry, Steve Appleford praised how Curry’s roles “turned out wilder and more varied than he might have expected but his seriousness and sense of fun never faded, pushing boundaries and himself. No one was ever bored watching Tim Curry onscreen.” (Appleford spoke with Curry in 2025 for his final interview published in The Times; I encourage you to read it.)
Meanwhile, Mikael Wood waxed on Parton’s storytelling prowess in her music. Lloyd looked at her legacy on the small screen, where she appeared in variety shows (two of her own), specials, TV movies, guest shots, interviews and music videos — contending it’s where “much of America met Dolly.” Mary McNamara explored Parton’s unexpected persona as a feminist icon. And Emily St. Martin reminded us of Parton’s contributions to literacy.
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The country music superstar’s performance in 1982’s “The Best Little Whorehouse in Texas,” which earned her a Golden Globe nomination, is one of our streaming recommendations this week. (For those seeking community while celebrating the life of Parton, AMC Theatres announced screenings for the film, as well as “Steel Magnolias,” in select locations through Sept. 2.) Our other streaming suggestion, if you need a life vest to keep afloat through the tears, is a series featuring veteran fashion police partners reuniting again — this time, to dole out critiques of fictional characters.
Also in this week’s Screen Gab, we spoke with actor Kristen Johnston about the Season 2 return of “Leanne.” Best known for her role as Sally Solomon in the hit ’90s sitcom “3rd Rock From the Sun,” Johnston has built a career bringing laughs to comedies like TV Land’s “The Exes” and CBS’ “Mom.” Lately, she’s been bringing her seasoned comedy skills to Netflix’s multi-cam sitcom, which captures the messy (and funny) experiences of women navigating midlife — like dealing with menopause or the horrors of the modern dating scene. Stand-up comedian Leanne Morgan stars as the titular character, while Johnston plays her brutally honest sister, Carol.
“Not every show has to be, you know, medieval dragons,” Johnston says. “There’s room for a couple of silly women in their 50s trying to figure it out.” Read more from Johnston in Guest Spot. In the meantime, I’m off to mix and bake a cuppa flour, a cuppa sugar and a cuppa fruit cocktail with the juice at 350 till it’s gold and bubbly. See you next week. — Yvonne Villarreal
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Recommendations from the film and TV experts at The Times
Dolly Parton as Miss Mona in the 1982 movie “The Best Little Whorehouse in Texas.”
(Universal Pictures)
“The Best Little Whorehouse in Texas” (VOD)
Dolly Parton cemented her movie star status with her feature debut “9 to 5” alongside Jane Fonda and Lily Tomlin. But outside of the irresistible title song, Parton did not sing in the film. She makes up for it with her second film, 1982’s “The Best Little Whorehouse in Texas.” Adapted from the Broadway musical, the country superstar dazzles as Miss Mona Stangley, the proprietress of the popular “Chicken Ranch” brothel. With her characteristic down-home charm, she makes her place of business seem as wholesome as apple (“There’s lots of goodwill and maybe one small thrill, but there’s nothing dirty going on,” she sings in the opening number). Parton also contributed two extra songs to the soundtrack alongside the original Broadway score, including her hit “I Will Always Love You.” — Greg Braxton
Clinton Kelly, left, and Stacy London in “Why’d They Wear That?”
(Jordan Petsy / Simple Alien)
“Why’d They Wear That?” (YouTube)
Stacy London and Clinton Kelly are back with a third “Wear” show, after “What Not To Wear” and last year’s “Wear Whatever the F You Want.” This one’s for the Stacy and Clinton fans, as it removes the clients and makeover elements and sits the hosts on a bed together in front of a TV as they critique what characters wear in the movies, viewing film through the lens of clothing, hair and makeup. (It’s very smart.) The films and actors they highlight are meaningful to one or the other — they don’t always agree — which is to say they broadly represent the tastes of people born in 1969. The range of subjects encompasses “Meatballs,” “Poltergeist,” “Best in Show,” “Gentlemen Prefer Blondes” and “The Empire Strikes Back,” in which episode you will learn that London views Darth Vader as “the Karl Lagerfeld of outer space” (“monochromatic dressing … quiet luxury and he doesn’t change — he invests in his pieces”). One episode is a tribute to Catherine O’Hara. With no one’s feelings to dance around, they can be as critical as they like, but snark isn’t the point so much as celebration and the delight of old friends sharing their own, often self-deprecating stories. Come for the analysis, stay for the laughter, or vice versa. — Robert Lloyd
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Leanne Morgan, left, and Kristen Johnston in Season 2 of “Leanne.”
(Patrick Mcelhenney / Netflix)
In “Leanne,” Kristen Johnston plays the ultimate ride-or-die sister you want in your corner — she turns chaotic moments into fun, tells the hard truths and provides unwavering emotional support. The Netflix sitcom stars comedienne Leanne Morgan as a woman trying to rebuild her life after her husband of 33 years left her for someone else. Helping her navigate the emotional rubble is her family, including her fiercely loyal, unfiltered, twice-divorced sister, Carol (Johnston). As Leanne confronts more change in Season 2, like turning 60 and coming to terms with aging parents that require more care, Carol remains a blunt support system. Over the phone, Johnston discussed her connection to the themes explored in the comedy and the genre of TV that has her hooked these days. — Y.V.
Change continues to be a theme in Season 2. It opens with Leanne resisting the idea of turning 60 and still not ready to be alone with herself. Carol is there to remind her that she’s capable. Tell me about your 50s, Kristen. How are you feeling about this stage of your life and the prospect of turning 60?
Oh my God! Honestly, I never even thought I’d make it to my 50s. So, the fact that I’m still here is a pretty big miracle. My 50s has just continued to be about trying to figure out my place in the world and deepening my friendships with my friends, my family. That’s about it.
Are there things you used to worry about that now you’re like, “I can handle that”?
I used to worry about everything, and now I really couldn’t give a s—. I don’t live for other people’s opinions anymore, and that was probably something I lived for for a long time. When you get fame really early, you just condition yourself to not make anyone upset and not get found out by the tabloids or be stalked. I don’t know. I do enjoy really just trying to live. Other people’s opinions matter to me, but they’re not the reason I do or don’t do anything.
You and Leanne both get a chance to play with the idea of getting older early in the season with a daydream sequence about being in the retirement home. What was that like? It hits at such a big topic that many people come to grips with at some point, which is the idea of caring for aging parents.
That’s a huge topic this season, and it one it matters to me because my mom is still here — thank God. But it’s stuff that really comes up a lot. When it’s time to get them into a home, it’s so hard, and of course, they never want to go. Who would? But literally doing that scene was so great because I’m so into prosthetics and makeup. We had a lot of fun coming up with what each of us would be.
Kristen Johnston, left, and Leanne Morgan in “Leanne.”
(Patrick Mcelhenney / Netflix)
The bond between Leanne and Carol is such an important element of the show. What do you think this show really gets right about sisterhood?
It feels very real. You have one who’s a black sheep and always blamed for everything, then you’ve got one who’s the Goody Two-shoes and got married at the right time and had kids. Carol did none of that. But throughout that, and much more important than the rivalry and being mad at each other or whatever, is just this absolute unending love. And I feel very sisterly towards Leanne. I get really emotional about her because I feel like she’s my sister. They’re pretty easy scenes to act.
You’ve worked in multi-cam sitcoms across broadcast, cable and streaming. Do you feel a difference?
I don’t know if it’s as much that they’re different, but the times sure have been different. I’m from the era where we would have the head of the studio come to every taping and send us cards and thank you or call you to come over to his house for his 60th birthday or whatever. That doesn’t really happen anymore. I’m from this other era, which really felt more personal and felt more one-on-one. Now it really just feels like, “Don’t look at me. I just want thanks for the paycheck.”
And it seems hard to even gauge how well the shows are doing.
Exactly. Leanne was so nervous about all that at first, and I just said, “Look, all we can do is our our best. Let’s just be funny and have fun, and everything else is above our pay grade.” So she went with that. That’s how we kind of roll.
OK, tell me — how often are you asked about the “Splat!” episode of “Sex and the City”? How often do people come up to you about Lexi?
It’s crazy. It’s all anybody wants to talk about, any podcasters or anything. Really, I would say 80% of the conversations I’ve had in the last few weeks are focused mainly on that.
What does that tell you that a role that was a one-off could have that kind of lasting impact?
It’s the shock of what happens in that scene more than almost anything. There was kind of this angry “I’m gonna live no matter what” vibe to her. So to watch her fall to her death out of her own hubris, it’s just a perfect little encapsulation of a moment in New York City, and I think that’s why people love it. It’s also probably one of the bigger, bigger acting choices I’ve ever made. That was Michael Patrick King. I can’t believe it still matters to people, but obviously, I’m thrilled it does. I did like three takes [of the fall]. And it could have been the stunt woman [who made the cut]. I honestly don’t know who they cut to for what.
Because when people say, “Are you a Carrie? Are you a Charlotte?” A lot of people say, “I’m Lexi.”
They tell me that all the time. I just go, “Oh, babes.” I wouldn’t really want to cling to her as like an inspiration for your character, but I think what they mean is they’re probably bawdy. There are worse things to be in life.
What’s the most recent thing you watched that you’re obsessed with?
I’ve gone down the K-drama rabbit hole. And something I loved is this C-drama called “Pursuit of Jade” on Netflix. It’s so well-done, really good and very thrilling. A period show. Love it. I’ve been sucked into that. Oh, for K-drama — “Bon Appétit, Your Majesty.” That’s pretty much where I’ve been living.
What’s your go-to comfort watch?
I like spooky, weird stuff like “True Detective,” “Broadchurch.” I just did a rewatch. I can’t believe “Broadchurch” is my comfort show. Anything with really good character development, fantastic acting. I love it.
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Don’t forget why Harry and Meghan left the U.K. in the first place
Prince Harry and Meghan Markle are reportedly moving back across the pond, six years after their dramatic exit from the Royal family stunned Americans and Britons and exposed scandal in Buckingham Palace.
The Duke and Duchess of Sussex will return to British soil along with their two young children, Prince Archie and Princess Lilibet, for an extended period starting this month, People reported last week. While the pair’s decision may be unsurprising to some, Prince Harry and Meghan made clear in 2020 that their personal Brexit was because of several factors, ranging from severe scrutiny by the British media to alleged racism and bullying from the royal family.
Meghan, during the couple’s memorable tell-all interview with Oprah Winfrey in 2021, spoke plainly of her experience among the royals: “I just didn’t want to be alive anymore. And that was very clear and real and frightening.”
King Charles III is aware of the plans for his son and Meghan‘s U.K. return and “welcomes the opportunity to see more of the Sussex family in a private and personal capacity,” People reported. The spouses are also said to retain their property in the affluent Santa Barbara enclave of Montecito, and vacation home in Portugal while also making a “private, non-royal” home in Britain. This retrospective tracks the early years of the highly scrutinized pair’s relationship, the fallout from their royal exit, their media ventures and more.
When Harry met Meghan
Meghan Markle and Prince Harry attend a Wheelchair Tennis match during the Invictus Games 2017 at Nathan Philips Square in Toronto, Canada.
(Vaughn Ridley / Getty Images)
“Personally, I love a great love story.”
That’s what Meghan Markle, formerly of “Suits” fame, told Vanity Fair in October 2017. By then, more than a year of media speculation and rumors surrounded the L.A.-raised actor and activist’s romance with Britain’s Prince Harry, younger brother to Prince William and the second son of Charles and the late Princess Diana, who was killed at age 36 in 1997 after the car she was in crashed while fleeing paparazzi in Paris.
Meghan and Prince Harry kindled a romance in 2016 at that year’s edition of his veteran-centered Invictus Games, held in Orlando. Markle quickly found herself in the beloved “bad boy” Royal’s orbit — including the tireless swarm of tabloids and paparazzi who have captured almost his every move from childhood. The pair was already subject to media frenzy early in their relationship, prompting Harry via Buckingham Palace to plead with reporters to respect his then-girlfriend’s privacy and to condemn the “outright sexism and racism” in online comments. Markle had also remarked early on that she was disheartened that so much coverage of her romance focused on her ethnicity.
News of their engagement in 2017 further raised eyebrows among the public and even more so with established British tabloids, including the Daily Mail, which had once described the pair’s relationship as a “VERY unlikely romance.” In the context of the longstanding (and almost exclusively white) British monarchy, Meghan was an outsider: American, mixed-race (she is half white and half Black), an outspoken public figure and a divorcée (she was previously married to film producer Trevor Engelson).
Prince Harry and Meghan married in May 2018 and were named Duke and Duchess of Sussex. At the time, Prince Harry was sixth in line to the British throne. During the wedding ceremony, the Rev. Michael Bruce Curry heralded the pair’s union with calls for justice and equality — amid the country’s early steps into leaving the European Union — and made references to the Rev. Martin Luther King Jr.
“When love is the way, there’s plenty of room for all of God’s children,” Curry said during the ceremony. “When love is the way, we actually treat each other — well, like we are actually family.”
Between the newlyweds and the British royals, family ties proved only so strong.
Buckingham Palace faces a new era of controversy
As new parents, the Duchess and Duke of Sussex pose with their newborn son, Archie Harrison Mountbatten-Windsor, at Windsor Castle on May 8, 2019 in England.
(WPA pool / Getty Images)
Marrying into British royalty did not shield Meghan from criticism, speculation and attacks by the press — it appeared to have the opposite effect. Sound familiar?
British tabloids and several media personalities continued taking aim at Meghan, portraying her as a rude “trailer trash” personality amid a rumored riff with Princess Kate and using racist imagery to mock the arrival of her firstborn son, Archie, in 2019. The public ridicule remained ceaseless, but alleged tension was also brewing behind palace walls.
Less than a year after their first heir’s arrival, the Duke and Duchess announced in a shocking personal statement in 2020 that they would step down as senior members of the royal family and would work to become financially independent. They also announced at the time that they would split their time between the U.K. and North America. A year later, the spouses announced they would not return to royal duties. Shortly after, they memorably shed light on their decision in a bombshell CBS interview with Oprah Winfrey, unleashing a disturbing look into their life as members of the royal family.
Meghan claimed that while pregnant with Archie, she and her husband were informed their son would not have the title of prince or princess, which she said deviated from longtime protocol, and would not be entitled to security. The actor also implied that during discussions about her son’s title, there were “also concerns and conversations about how dark his skin might be when he’s born.”
“They were concerned that if he were too brown, that that would be a problem?” Winfrey asked.
“If that’s the assumption you’re making,” Meghan replied, “I think that’s a pretty safe one.” She did not identify the person who made the remarks: “I think that would be very damaging to them.”
Winfrey later clarified that Harry said neither his grandmother Queen Elizabeth II or his grandfather Prince Philip “were a part of those conversations.”
Meghan also spoke about her struggles with her mental health while part of the royal family. She revealed that she was suicidal while pregnant with Archie, citing isolation and helplessness amid ceaseless attacks by the press.
“I just didn’t want to be alive anymore. And that was a very clear and real and frightening constant thought,” she said, adding that she went to the palace’s corporate institution for help. “I was told that I couldn’t, that it wouldn’t be good for the institution.” At the time of the interview, Harry and Meghan revealed they were expecting a baby girl. Lilibet was born June 2021.
“The whole family is saddened to learn the full extent of how challenging the last few years have been for Harry and Meghan,” Buckingham Palace said in a statement responding to the spouses’ interview. “The issues raised, particularly that of race, are concerning. While some recollections may vary, they are taken very seriously and will be addressed by the family privately.”
Royal fallout
Prince Harry with Meghan, standing behind Prince William and Kate, during the funeral service for Queen Elizabeth II in September 2022.
(WPA pool / Getty Images)
In addition to Harry and Meghan’s self-demotion, Buckingham Palace faced tragedy and additional criticism in the following years. Prince Philip died in April 2021 and long-reigning Queen Elizabeth II died in September 2022 at age 96. Prince Harry and Meghan both attended the queen’s funeral, but under close watch by the British media.
Charles ascended to the throne after Queen Elizabeth’s death, marginally moving up Harry and his children with Meghan — the children later received their royal titles of prince and princess. — in the line of succession to the British throne.
When 2023 arrived, so did a fresh batch of revelations about the Windsors. Prince Harry published his memoir, “Spare,” providing readers an unflinching look at his family but an even more unforgiving description of the paparazzi. In the book he recalled needing to ask his grandmother’s permission to propose to Meghan, wrote that older brother Prince William had “been pretty discouraging about my even dating Meg” and accused queen consort Camilla of making shady deals with the press.
Months after the memoir’s publication, Prince Harry and Meghan were asked to vacate their British home of Frogmore Cottage on the grounds of Windsor Castle. Reportedly, King Charles began the eviction process the day after his son published the memoir.
Meghan, left, and Chrissy Teigen in an episode of Netflix’s “With Love, Meghan.”
(Jake Rosenberg / Netflix)
As Meghan and Harry moved to separate themselves from the royal family and from life in the U.K., they settled down in California in the affluent neighborhood of Montecito and into new business ventures. Among their earliest post-palace endeavors was the creation of multimedia company Archewell Productions, which in September 2020 inked a multiyear deal with Netflix to produce series, docuseries, documentaries and other programming.
For Netflix, the spouses have put forward numerous projects, including documentary series and reality shows “Harry & Meghan,” “Heart of Invictus” and cooking show “With Love, Meghan.” The pair opted last year to maintain its relationship with the streaming giant, signing another multiyear, first-look deal.
Additionally the ex-royals’ Archewell Audio inked a multiyear deal with Spotify to produce podcasts and shows for the platform in a deal that was reportedly worth $20 million. Archewell Audio released a 30-minute holiday special in 2020 and one audio series — “Archetypes” — hosted by Meghan in August 2022. The Duke and Duchess of Sussex‘s podcasting endeavor at Spotify ended in 2023.
Unsurprisingly, Prince Harry and Meghan, who have also busied themselves with various philanthropic causes, faced backlash for their Spotify departure. Meghan was also accused of faking some “Archetypes” interviews.
In addition to big-swing media ventures, Meghan launched a lifestyle and food business that had undergone multiple name changes. She initially launched her brand under the moniker American Riviera Orchard, specializing in artisan jams she notably gifted to celebs, including Kris Jenner, Chrissy Teigen and Mindy Kaling. She later rebranded the line to As Ever, following a minor roadblock with the U.S. Patent and Trademark Office.
“I was figuring it out in real time,” she told People of the naming debacle in 2025. She also said she now sees herself “as an entrepreneur and a female founder.”
According to recent reporting, Meghan can add “actor” back into that description. She is reportedly in talks to join the third season of Guy Ritchie’s Netflix series “The Gentleman.” That would be her first acting gig since the end of “Suits” and marrying into the royal family.
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The Traitors star Freddie Fraser supported by fans as he comes out by hard launching relationship with boyfriend
Traitors star Freddie Fraser, who found fame when he took part in the third series of the BBC hit, has been supported by fans after coming out and revealing his new relationship
18:50, 23 Aug 2026Updated 18:51, 23 Aug 2026
Freddie Fraser has revealed his new relationship (Image: BBC)
Traitors star Freddie Fraser has been supported by fans after coming out and announcing his relationship. The reality star, 22, found fame when he competed on the third series of Claudia Winkleman’s BBC hit, which aired in early 2025 and was eventually won by Jake Brown Leanne Quigley.
Over the weekend, former politics student Freddie took to social media to announce that he is in a relationship with model Bailey Ramsden, and posted a black-and-white photo strip of them both.
He simply captioned the post with a heart, but several of the TV star’s followers were quick to congratulate him over the happy news. One said: “LOVEEEEE!!!! SO CUTE,” and another wrote: “Gorgeous, so happy for you.”
A third wrote: “this is the best news xx” Amanda Lovett, who appeared on the first series of The Traitors, said: “Aww I’m so happy for you,” whilst former X Factor star Jack Remmington simply left a string of heart-faced emojis.
Freddie, who before finding television fame was a top-ranked sprint hurdle athlete in the years before he signed up for The Traitors, was a Faithful on the BBC show before being recruited as a Traitor by Charlotte Berman in episode 10.
But in a shock twist, he was banished from the castle following a slip up involving Minah Shannon less than a day later, and hastily exited the castle.
When he was banished – and had to reveal he was a Traitor – he told the group it had been “the honour of my life” to take part in the TV series.
Since then, he has carved out a successful career as an influencer, with a combined following count of almost 250,000 across various social media platforms.
His new relationship comes more than a year after it was reported that he had split from Nisha Davenport, whom he had met at university, and it was claimed that his new career had made it tricky to keep things going.
A source told The Sun: “Freddie quietly split from Nisha earlier this year, shortly after a loved-up trip to Budapest. She’d been by his side throughout his Traitors fame but Freddie soon found himself living a showbiz lifestyle that he’d always dreamed of.
“They were also both incredibly aware that after university it would be more difficult than ever to keep the romance going strong. The split was very amicable and there was no drama on either side”.
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‘Conan O’Brien Must Go’ returns for Season 3
Choose your own adventure: would you rather travel vicariously with Sean Duffy or Conan O’Brien as your guide?
“Great American Road Trip,” the reality series from the Department of Transportation starring Secretary Duffy and his family, finally launched this week on YouTube after months of delays. Originally set to premiere in June, ahead of the nation’s 250th celebration, it follows Duffy and his wife, Rachel Campos-Duffy, a co-host of “Fox & Friends Weekend,” and their nine children as they travel through seven states. While the couple has roots on MTV’s “The Real World,” their new TV venture doesn’t seem destined to have the same cultural impact. The six episodes of the series — as of publication time — have just over 14,000 views combined.
Meanwhile, over on HBO Max, O’Brien is back for more unpredictable cross-cultural exchanges with the return of his travel series. Now in its third season, “Conan O’Brien Must Go” follows the comedian and podcast host around the world as he interacts with fans and provides glimpses of everyday life abroad with his blend of improvisational comedy and an affinity for situations that embrace the absurd. The season kicks off with a trip to India, a major feat considering the show has faced years of permit delays related to a remote segment for “Late Night With Conan O’Brien” that aired in 2004. I spoke with executive producer and director Mike Sweeney about the latest stops in the show’s world tour.
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Plus, our writers recommend two TV dramas that feature formidable women — one is a former city slicker solving mysteries in the Montana wilderness, the other is a detective trying to untangle a missing woman’s case while her personal life is falling apart.
But before I set you on your streaming way, I want to also share our guide to some of Hayden Panettiere’s most notable work. When news broke this week about her sudden death at age 36, it came as an extraordinary shock. Panettiere had been working in front of the camera since she was in diapers, appearing in commercials and, by age 4, making the rounds in the soap opera circuit. Like many millennials, my first exposure to her talent was in Disney’s 2000 sports drama “Remember the Titans,” where she (at age 10) played the spunky, football-loving daughter of a high school assistant coach — and delivered the line that helped signal the prep sport was bigger than Christmas in Virginia. Though her career was cut far too short, she was part of some memorable projects, including “Heroes” and “Nashville,” that are worth revisiting.
Her influence, though, extends beyond her screen work. In her appreciation of Panettiere, culture critic Mary McNamara wrote of the Panettiere’s candidness about her mental health struggles, which included bringing awareness to the realities of postpartum depression: “Panettiere spoke up when she could have remained silent. She called out a truth that has been too long ignored and gave millions of women a chance to ask for help. She might not have saved the world, but she threw a big part of it a lifeline.” — Yvonne Villarreal
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Recommendations from the film and TV experts at The Times
Tracy Spiridakos as Anna Pigeon and Paulina Alexis as Zoey Bear Child in “Anna Pigeon.”
(Michelle Faye / USA Network)
“Anna Pigeon” (USA Network)
This highly watchable, lightly addictive, woodsy episodic procedural dishes up meat and potatoes entertainment, or perhaps one should say “poutine,” given that almost all the talent involved is Canadian, as is the impressive scenery. Tracy Spiridakos (“Chicago P.D.”), just the right number of hairs out of place, plays Anna, a New York City stage manager turned federal park ranger after a personal tragedy. In Nevada Barr’s series of novels, the heroine works at a new park from book to book; here, we’re in Montana’s Glacier Park (it does run right up to Canada), the setting of the 2001 “Blood Lure,” with Anna apparently ready to stay put as long as the TV series lasts. (The first Pigeon novel, “Track of the Cat,” from 1993, informs the pilot, directed by Leah Thompson, not Canadian.) Missing persons, bank robbers, litterbug campers and an aggressive grouse bring the trouble. And murderers, of course. Community is a theme; there’s a handsome bartender for romance, a rich villain to hiss. There’s a talent show. The cherry on this sundae is Paulina Alexis, Willie Jack from “Reservation Dogs,” as Anna’s sidekick, enlivening the ensemble with her centered, serious, quietly humorous energy. — Robert Lloyd
Eve Myles as Annie Cassidy and David Morrissey as Michael Polly in “Gone.”
(James Pardon / Britbox)
“Gone” (Britbox)
Like many British murder mysteries, “Gone” opens in a picturesque portion of that green and pleasant land, in this case the rugby pitch of a stately boys school outside Bristol. Overseeing the home team is headmaster/rugby coach Michael Polly (David Morrissey) who has the mien and manner of a perpetually disappointed tyrant. When Polly’s wife, Sarah, cannot be found at the home they share with their adult daughter, Alana (Emma Appleton), it’s difficult to tell how he’s feeling, if anything. He certainly will not allow a missing wife to interfere with his task of molding boys into men, not with exams and a Very Important rugby final coming up. When he finally reports her absence to the police, it is pretty clear to everyone, especially Det. Sgt. Annie Cassidy (Eve Myles), that he knows more than he’s telling. But is it British reticence, or something more sinister?
Those accustomed to the speedy lab results and instant deductions of a standard police procedural may find themselves, at least initially, shouting out instructions and demands — how can the forensics report be so scanty? why is [fill in the blank] not brought in for questioning? But the show is, essentially, a psychological drama wrapped in a murder mystery. Anchored by splendidly counterintuitive performances by Morrissey and Myles, “Gone” will wrap up its case over six tense and twisty episodes. But the questions it raises — about the insidious power of abusive relationships, the complexity of human emotions and the peril of considering secrecy as protection — linger long after immediate justice is served. — Mary McNamara
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A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Conan O’Brien in a segment filmed in Morocco for Season 3 of “Conan O’Brien Must Go.”
(Team Coco / HBO)
As a member of the growing subgenre of celebrity travelogue, Conan O’Brien has cuddled with Javier Bardem in Spain, dressed up as Sigmund Freud in Vienna and faced off against a Muay Thai fighter in Thailand. The new season of “Conan O’Brien Must Go” has the frequent flier funnyman visiting India, the Netherlands, Morocco and the Philippines — meeting his international fans and testing how well his improvisational humor translates. I spoke with his longtime collaborator Mike Sweeney, co-writer and director on every episode, about this season’s locations and O’Brien’s SPF needs. — Y.V.
The series is a chance for Conan to interact with international fans, particularly those that have been on the podcast. Why do you think Conan’s style of humor travels so well?
He’s fearless. I think that helps. He genuinely loves people, and he has to make people laugh. He has to make people laugh all the time in the United States. And then if you put him in another country, he’s going to figure out how to get his laughs over there, even if no one speaks English. It’s literally like being thrown in a room where he’s got to find his oxygen, and he’s gonna find it by getting laughs everywhere he goes. I’m sure the fact we have a camera with us, people are curious. They tend to attract people who want to open up and play around. People can spot him from a mile away. That also helps. That’s another key to a good travel show — have a really tall orange-haired host.
The first episode is set in India. Things start with him trying to get on a crowded commuter train. What were some moments from that episode that stand out to you?
Yes, we wanted to go in the famous Mumbai commuter trains. Boy, the amount of red tape to get permission to even go down on the platform was crazy. We had to do it several months out. But we loved that [segment]. We loved playing street cricket. He had a young man teaching him, named Veer [Pandey], who was very funny and kind of dismissive of Conan, and that’s kind of Conan’s sweet spot.
Some countries have incredible restrictions — you might need permits to talk to people in the street, you’re dealing with curveballs. And a lot of what Conan does is improvised and you don’t want rules to get in the way. How how do you deal with that?
It varies from country to country. You get a feel for it early on and go, “Oh, we need figure things out far in advance here. You’re getting to a very important point, which is: How much red tape is there in each country? India — a ton. We knew that because we almost shot there in 2018 [for “Conan Without Borders”] and it fell through ultimately because of all this red tape. We knew we really had to have a running start with India. But the Philippines, they were pretty cool. Same with the Netherlands. You know what the big issue is nowadays? Drones, where they let you shoot with drones.
Conan O’Brien during a Bollywood segment in his travel series.
(Team Coco / HBO)
What’s it like doing a travel show as the current administration puts stress on international relations? Did you notice any shifts this season on how you were either received or what’s possible to get cleared because you’re an American show?
Not overtly. Nothing was represented as like, “Oh, you want to come shoot here? Well, we’ll teach you a lesson.” I’d say really surprisingly, it was business as usual in terms of getting permissions to shoot. What’s going on in the crazy United States really wouldn’t come up that much because the things we’re doing are apolitical, which is usually how we like to do it. It’s Conan connecting with people and, in a way, be a political statement because it comes down to respecting other cultures and wanting to learn about other cultures and bridging gaps that way.
There was that moment on the commuter train where a passenger rebuffs Conan by saying, “Fake a— liberal media.” And Conan just rolls with it.
Yes, it’s just like, “Oh, they they even have people calling stuff out like that over here.” It was almost like, “OK, I feel at home. Thank you.”
We all saw that Conan, famous for his red pompadour hairstyle, recently made headlines for a slick, oily hairdo, which was the result of a severe scalp sunburn. In the Morocco episode, there’s a sun-heavy segment. Were you worried about his scalp then? How much budget goes to Conan’s SPF needs?
He’s self-regulating because he has to be that way in California. He has to be that way on a cloudy day in Cape Cod. It’s just ingrained in him, his sun protection. I don’t even think about it. It was business as usual for him in Morocco.
What’s a show you’re currently obsessed with or recommending to people?
We loved “Widow’s Bay” [Apple TV], of course. I sound like everyone else, but also Katie Dippold is great. She was an intern at “Conan,” and I’ve seen her a few times over because we kind of lived near each other in Los Feliz. But she’s just delightful. We’re so happy for her, and plus that show was just amazing. And my wife and I dipped back into “Slow Horses.”
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10 minutes backstage with Jill Scott at the YouTube Theater
Grammy-winning singer Jill Scott brought her “To Whom This May Concern” album — her first in more than a decade — to life at Inglewood’s YouTube Theater last week. Backed by a razor-sharp 11-piece all-male band (including background singers fittingly dubbed “Freeman”), Scott moved effortlessly through a two-hour set filled with songs from the genre-expansive album along with several fan favorites like “He Loves Me (Lyzel in E Flat)” and “Gettin’ in the Way.”
Enforcing a phone-free policy at her personal request, the North Philadelphia native kept the audience intensely locked in — hanging onto her every word and every seemingly impossible note she struck with ease. Before long, it was easy to forget that we didn’t have our devices. Smiles filled the intimate room. Couples danced together. Strangers sang to each other in joyful unison, while others closed their eyes or held their hands on their chest in complete awe of witnessing a veteran artist in her element.
Jill Scott is on tour for “To Whom This May Concern,” her first album in over a decade.
(Jada Imani M)
In her only interview during the tour thus far, we caught up with Scott backstage to talk why she never performs a song the same way twice, how removing devices makes concerts better and why she thinks “To Whom This May Concern” deserves several accolades.
I’m still coming down from all of the energy from the show. How are you feeling post-show?
I am hot from the inside, and it’s gonna take me hours to calm down. [Laughs]
You’ve always described music as an intimate, two-way conversation between you and the audience. For this tour, you created a strictly phone-free space. Why did you decide to do that and how did this shift the experience for you as a performer?
In a couple of ways. One part is that it’s terrifying because there’s no buffer between me and them, so that’s actually scary, but I embrace it. The other part of it is that it’s wonderful because people initially come in kind of nervous about not having a buffer between myself and the space or themselves and space. Then I watch them gradually release, and I get a kick out of that every night. That’s my favorite part.
I’m surprised to hear that it’s scary for someone like you who’s been performing at such a high level for so many years.
Because I care. It matters to me. I really want them to have a good time. I really want them to release some things, allow themselves to be. If you want to make out, if you want to dance, if you want to cry, if you want to shout, or put up your hands in the air, or sit still, I want them to be able to do that. I think it’s important. That’s the relationship. That’s the real relationship between artist and fans of the music. It’s the connection between the music. I’m here to [be of] service. I’m here to push the ship along, but it’s really their relationship with the music and I’m a conduit. That part is probably one of my other favorites. You have to relinquish your id and allow the thing to be the thing. I think sometimes you can practice the joy and the life out of a thing. We practice a lot, but then we forget everything we practice so that it’s alive. My musicians’ freedom is mandatory. It’s a part of the job. So if they show up and play the exact same thing in the exact same way every night, they’re probably not going to be around very long. I need them to be wide open and to rediscover the music every night from their perspective. It’s their 11 perspectives on stage, and then of course there’s the lighting designer. I need him to be free. Don’t give me the same light at the same time every night. Even front-of-the-house sound engineer as well as our in-ear monitors, everybody is playing a part. “What does she need? Let’s read her. Let’s, you know, pay attention. What does she want?” It’s a lot of fun.
You could see really feel that from you and your entire band.
Tonight was a different audience. They were very attentive. Last night they danced all night long from the very beginning. I couldn’t even see the floor. Tonight they were listening. I know it’s a Wednesday night. Everybody’s got to go to work [the next morning], but they were beautiful. The listening audience is probably my favorite. They get quiet and I’m like “Oh, it’s so scary. Am I doing the right thing?” [Laughs] But that means they’re listening. Who doesn’t want to be heard?
Your son came out with you tonight. How was that experience for you?
It’s beautiful to see. He told me Tierra Whack is not traveling with us because she has a new album out, “Whack’s Museum,” so she’s a little busy. He was like, “Mom, how do you feel about me doing the second verse?” and I was like “Be at sound check tomorrow with a mic in your hand.”
He looked so comfortable on stage.
He does. It’s kind of scary. Super exciting. I don’t know what he’ll want to do, but he’s working our set, so he’s a part of the crew. So after he does his performance, he puts back on his blacks and he does his job, and I love that for him, to have that sense of responsibility. He’s exceeding anybody’s and everybody’s expectations. He’s so good at this. All the clothes you see, he steamed up.
He’s really working his way up.
Yes, you must earn your way.
Your album “To Whom This May Concern” released in February, and it feels like a love letter from your favorite auntie. There’s lessons about learning from your mistakes, honoring your ancestors and loving yourself. Now that your fans have been living with these songs for several months, I’m curious if performing them live has shifted your relationship with them at all?
No. On a great night, I like telling the stories that I’ve read. I like embodying them in front of other people. I like watching them experience them in a new way. I’m a fan of that. It just makes it more and more true. Then I see how many people are singing along and how many people are looking at me, and I’m like “Yesss.” It’s reaching the people and I know it’s going to be different because there’s a different audience every night. So I’m thrilled about the project and how it’s touching people. You hope you don’t work this hard at a thing for it to fall on deaf ears, and I know how microwavable music has been, but I believe the cream rises to the top. It’s been a beautiful 26 years. I look forward to 26 more — in my way.
Your album has been receiving a lot of praise from fans and critics. There’s still a few months before the Grammy nominations are announced, but at this point in your career, how important is that recognition to you? Is it as important as it was when you first started your career?
I think I deserve it. That’s all. [Flashes a smile]
I mean everything about this project from beginning to end is blood, sweat and tears. I stayed up many nights just to write, a hunger in my belly and a savage appetite. And I mean it. Everything is true and I love that for me. That’s the kind of thing that takes time and I think musically, it’s incredible. I think the stories are awesome and intentional, and everything about it, from the planning of it to the marketing, has been from my soul, and I think it deserves several.
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Sandra Bullock says Bryan Randall’s ALS battle was isolating
Sandra Bullock has opened up about her late partner Bryan Randall’s private battle with ALS.
The “Practical Magic 2” star discussed what it was like to care for Randall while honoring his request to keep his amyotrophic lateral sclerosis diagnosis a secret for years during her appearance on the “SmartLess” podcast.
“I wasn’t allowed to speak about it,” Bullock told hosts Jason Bateman, Will Arnett and Sean Hayes in a clip of the episode posted by TMZ. “That was the request, and I honored it. … He asked me not to share … and it isolated me in the process.”
She explained that Randall, who died in 2023 at age 57, had been ill for half of their relationship and that his diagnosis came amid the COVID-19 pandemic.
Bullock and Randall had also kept their relationship fairly private. The couple started dating in 2015 after they reportedly met at Bullock’s son Louis’ fifth birthday party. Randall, a photographer, had been hired to capture images of the celebration. Bullock also has a younger daughter, Laila, whom she adopted in 2015. The couple was also raising Randall’s older daughter, Skylar.
Over the years, Bullock and Randall debunked rumors about their engagement and marriage numerous times.
“I don’t need a paper to be a devoted partner and devoted mother,” Bullock said in 2021.
The “Ocean’s 8” star described Randall’s diagnosis as “traumatic” and that she had started grieving him four years before his death. Bullock’s sister, Gesine Bullock-Prado, had been the only person who had known about Randall’s diagnosis “for a while” although the actor eventually also confided in friends Jennifer Aniston and Bateman’s wife, Amanda Anka, according to People.
“My person left a lot earlier than the body left,” Bullock said in the podcast. “I don’t think I ever dealt with that until after he passed.”
Bullock’s episode of the “SmartLess” podcast will be released on Aug. 24 but is available now to SiriusXM early access subscribers.
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