relationship

Anyone who has been a new parent knows it’s not easy to do on your own — it really does take a village. And in the latest season of “The Four Seasons,” which returned to Netflix last week, Ginny, played by Erika Henningsen, finds her village as she navigates single parenthood after the sudden death of Nick, played by Steve Carell. While that may sound gloomy — no, terrifying — the comedy series created by Tina Fey, Lang Fisher and Tracey Wigfield keeps the laughs coming, whether they involve the central friend group spreading Nick’s ashes — morbid, I know, but I promise you’ll laugh — a malfunctioning breast pump or making friends with someone who loves to dig really big holes in the sand at the beach. Henningsen dropped by Guest Spot to talk about her character and what she hopes comes next if the show gets a third season.

And if you breeze through the second season’s eight episodes, there’s plenty else to watch this weekend. For more laughs, Mindy Kaling’s latest comedy series, “Not Suitable for Work,” premiered this week with three episodes. The TV creator spoke to Times TV writer Yvonne Villarreal about how the series touches on the heightened feelings Kaling experienced living in New York in her 20s, trying to break into comedy writing. But if you are looking for the complete opposite, the first two episodes of the newest iteration of “Cape Fear” are out today on Apple TV (you may remember the 1991 film version directed by Martin Scorsese and starring Robert De Niro, or even the 1962 version starring Robert Mitchum). The series, which inserts some modern elements and twists, stars Javier Bardem as the villainous Max Cady and Amy Adams as lawyer Anna Bowden, who our television critic says “is low-key forceful as his primary opponent.”

Also in this week’s Screen Gab, our critics recommend a web short that will give you some background on “Backrooms,” as well as a horror film with a similar vibe, and a new nature documentary series. — Maira Garcia

Turn on

Recommendations from the film and TV experts at The Times

Chiwetel Ejiofor in “Backrooms,” which was inspired by Kane Parson’s surrealist web videos.

(A24)

“Backrooms – Presentation” (YouTube), “Buffet Infinity” (VOD)

Last weekend, 20-year-old Kane Parsons became the youngest filmmaker to hit No. 1 at the box office with “Backrooms,” a surrealistic experiment about a furniture salesman (Chiwetel Ejiofor) drawn into a maze of humdrum office space. Peek into the movie’s lore on Parsons’ YouTube channel where his eight and a half minute short, “Presentation,” hints at why Mark Duplass was running around in a lab coat. Or let the feature stand as its own work and watch Simon Glassman’s “Buffet Infinity” instead. Told through snippets of local TV commercials, this morbidly hilarious horror tale is like plopping down on one of the backroom’s couches to channel surf. The bland muzak and cinematography are spot-on, as are the familiar breeds of low-budget pitchmen: the car salesman, the personal injury lawyer, the housewife. But once two neighboring restaurateurs duel over the rights to a special sauce — and one gets defamed and disappeared — these escalating, tense ads reveal a town under siege. Things have gotta be bad when the pawn broker starts rapping about his vast selection of knives. — Amy Nicholson

A pilosaurs in NBC’s “Surviving Earth.”

(NBC)

“Surviving Earth” (NBC, Peacock)

If computer animation is good for anything, it is its ability to bring prehistoric creatures to convincing conjectural life. From Willis O’Brien‘s stop-motion dinosaurs in “The Lost World,” to “Jurassic Park,” to the BBC’s “Walking With Dinosaurs,” we are ever glad to take that trip backward, in increasingly sharp detail. “Surviving Earth,” an eight-part nature documentary cum disaster movie cum action film, adds a thematic twist: extinction. With titles like “When the Earth Burned,” “When the Seas Died” and “When the Forests Collapsed,” it is, on the one hand, a dark tour through a long history of climate crises and population collapse; on the other, per its title, its relatively cheering theme is that life, generally speaking, can handle whatever the planet (or stray asteroid) throws at it. (Humans are not left off the hook; the two episodes out for review each conclude with a visit to our destructive modern world.) As in many nature films, the animals are framed in cute or suspenseful stories that largely involve family and community; territory and travel; and looking for food and not being food. (The more adorable the animal, the more likely it is to escape uneaten, and some of those baby dinos are precious.) It premieres Thursday at 8 p.m. on NBC, and new episodes air weekly, followed by a rebroadcast of “The Americas,” the network’s earlier present-day nature series, and stream on Peacock the next day. — Robert Lloyd

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Kerri Kenney-Silver as Anne and Erika Henningsen as Ginny in Season 2 of “The Four Seasons.”

(Emily V. Aragones/Netflix)

What if you found out you were pregnant? And then your partner died suddenly. Oh, and he hadn’t divorced his wife yet, so there’s no money to support yourself and a new baby. For some people, it would be enough to cause a meltdown and an existential crisis. But in Season 2 of “The Four Seasons,” Ginny takes it all in stride. The character, played by actor Erika Henningsen, forges ahead, has the baby — fathered by the now-deceased Nick — and ends up getting help from the most unexpected person: Anne, her partner’s ex.

The comedy series once again follows the close-knit friend group consisting of Jack (Will Forte) and Kate (Tina Fey), Danny (Colman Domingo) and Claude (Marco Calvani), and the new odd couple, Anne (Kerri Kenney-Silver) and Ginny. This season, they take trips to the Catskills, the Jersey Shore and Italy as they try to navigate grief following Nick’s death, supporting Ginny despite the awkwardness of her situation with Anne, and an international move by Danny and Claude after they decide not to have a child.

Henningsen discussed Ginny’s arc this season and how she connects with Anne, who finds purpose in caring for baby Gino (or Eugene, depending on whom you ask), and what it was like juggling multiple projects along with filming “The Four Seasons.” — M.G.

At the end of the first season of “The Four Seasons,” viewers were hit with a big surprise: Ginny is pregnant. And in Season 2, we see her further along and eventually with a baby. What was it like to play Ginny at this stage in her life, navigating single motherhood? Did you look to anyone for inspiration?

I feel like Ginny’s character arc in this season was a tightrope walk that our writers executed flawlessly. Because, let’s be honest, the situation between Anne and Ginny is a bit bizarre. To quote our show, “there is no Beyoncé song” for what to do when your recently deceased ex-husband’s pregnant girlfriend shows up on the group hiking trip! What myself and the writers really tried to highlight, especially in those early spring episodes, is how scared Ginny feels to be entering motherhood without a partner by her side and how that fear and grief become the dominating force behind her actions. She’s just scrambling for some semblance of confidence and security, to feel like she’s going to be “ready” when the baby arrives. But, as any real mom can attest, there is no ‘“ready” when it comes to a baby. You just take it one day at a time and figure it out as you go. I love that Ginny has that realization toward the middle of the season. She may not be the perfect mom to Gino, but she’s his mom, and getting to play the beach scene where Ginny takes one tiny bold step, alone, into motherhood was super special. In terms of inspiration, I was constantly texting two friends of mine who had just had babies for ways to walk, ways to lay down, ways to stretch, etc. Also, our incredible hair department head, JT Franchuk (shoutout, JT!), was on set with me every day, and I was lucky to have her as a confidant and sounding board as she was seven months pregnant when we began shooting Season 2.

You share many great scenes with Kerri Kenney-Silver, who becomes a surrogate mother to Ginny and grandmother to her baby, despite the history between them. How did you two navigate this dynamic, and what was it like working together?

Kerri Kenney-Silver is truly the greatest scene partner an actor could have for a litany of reasons. Kerri comes from an improv background but is also a technical wordsmith. She’s constantly throwing out new line readings and physical comedy to bounce off of, but is also deeply respectful of the words Tina Fey and company have crafted, so she’s equal parts anchor to a scene as well as a playmate. Kerri and I never tried to nail down one exact “right” way to play a scene. We were constantly adjusting the levers with each take, digging into one another versus backing off, casually throwing away a sentimental line versus staring into one another’s eyes. What we did agree on was to never judge these two characters. Some people might look at our character’s choices as debilitating or selfish, but we both found that Anne and Ginny deeply needed and wanted to be there for one another. In their own little “odd couple” way, they were choosing one another to get through the next tenuous, unknown chapter of life. Oh, and working with Kerri? As I’ve said, “if you’re gonna lose a Steve Carrell, just wait til you gain a Kerri-Kenney Silver.” She is obviously so talented, but also one of the warmest and most welcoming humans I have worked with. And she makes me snort-laugh on a regular basis.

You came up in theater and originated the role of Cady Heron in the Broadway production of “Mean Girls,” based on the film by Fey. You were on Broadway in “Just in Time” last year, too. What has it been like to balance your stage work with your TV work lately?

Honestly? It’s been a lot! I say that with 98% gratitude and 2% “so tired when is vacation?” exhaustion. Last year, I was doing press for “The Four Seasons” while opening a brand-new original Broadway show, while also recording Season 3 of the hit animated series I currently star in, “Hazbin Hotel” [Prime Video]. My days were spent doing interviews in the morning, rushing to Circle in the Square theater for “Just in Time” preview rehearsals in the afternoon, recording episodes of “Hazbin Hotel” on my dinner break, all before heading back to the theater for an 8 p.m. curtain. I remember there was one night I did a SAG panel with Tina, Kerry and Marco on 55th and Broadway that ended at 7:45, and I was in pincurls and fake eyelashes, ready to go onstage opposite Jonathan Groff at 8:15. It is definitely a balancing act, and one I would not be able to navigate without my team and my husband. Nonetheless, I wouldn’t have it any other way. I love how each discipline has started to inform the other: I’ve taken my spontaneity in the voice-over booth onto set, I’ve taken my trust in stillness in front of the camera onto the stage, and I’ve taken my discipline doing eight shows a week into everything. Getting to dip a toe into multiple pools of the entertainment industry is, I think, the only way my brain wants to operate.

If “The Four Seasons” gets a third season, where would you like to see Ginny go?

In a perfect world? I’d love if Danny/Claude planned a fabulous trip to a gay destination like Mykonos that the rest of the group somehow gloms onto. I remember visiting Fire Island for the first time a few summers ago at Tina’s recommendation and loving it so much. I texted her that I never wanted to leave and she basically wrote back, “Yup. Always follow the gays.” So, maybe we will do exactly that in Season 3. Also, on a very specific Ginny note, I will hopefully have a toddler in Season 3 as opposed to a baby (our babies on set were under 6 months old so they definitely fell into the “handle with care” category!), and my dream is to be able to hold one the way Diane Keaton holds her toddler in “Baby Boom.” It’s a perfect moment of physical comedy, and I aspire to re-create it.

What have you watched recently that you are recommending to everyone you know?

“Beef” Season 2 and the recent Rafael Nadal documentary, “Rafa.” Both Netflix. What can I say? I’m loyal. The entire cast in “Beef” is spectacular, and I love the genre-bending the showrunner weaves throughout. You never quite know where you stand, but the twists feel earned and character-driven as opposed to gimmicky. There’s one quasi-bottle episode set in an ER that felt perfectly surreal, claustrophobic and exactly what it feels like to be in the ER on bad health insurance (speaking from 21-year-old experience). “Rafa” is just … no words. I love a sports doc (“The Last Dance” [Netflix], “Prefontaine” [VOD], “The Endless Summer” [Tubi] — you name it), probably because, in my heart of hearts, I just want to be an athlete.

What’s your go-to comfort watch, the movie or TV show you go back to again and again?

I will never tire of watching “The Parent Trap” [Disney+]. It’s perfect. Chessy is a queer icon, Meredith Blake is the “villain” but also get that vineyard honey, one of Lindsay Lohan’s best performances, and what I wouldn’t give to have an ounce of the class that was Natasha Richardson. Every scene is perfect, there’s not a single “skip” on the soundtrack. Also a flawless Maggie Wheeler cameo! Nancy Jane Meyers: You outdid yourself.

ICYMI

Must-read stories you might have missed

The success of D-day, a pivotal moment in World War II, partially hinged on the weather forecast. The Allied invasion of Normandy, France, on June 6, 1944, was planned for months as the American and British forces held practice operations in England.

Enormous efforts were made to mislead the Germans about what was coming. The operation was originally scheduled for June 5 but the day before, James Stagg, a meteorologist and group captain in the Royal Air Force, advised the American commander, Dwight D. Eisenhower, to wait for better conditions.

This lesser-known decision is the premise of “Pressure,” a new movie from filmmaker Anthony Maras. It’s an adaptation of David Haig’s play of the same name, in which the playwright himself portrayed Stagg. Haig, who co-wrote the “Pressure” screenplay with Maras, compares it to “The Imitation Game.”

“Some of these heroes who affect history from the sidelines just stay in the sidelines until somebody does research, discovers them lurking and finds they are so quietly heroic that it’s irresistible as a story,” Haig says, speaking via Zoom from London.

Haig began writing a version of the script shortly after the play debuted at the Royal Lyceum Theatre in Edinburgh in May 2014. It moved to the West End in 2018, and opened in North America at Toronto’s Royal Alexandra Theatre in 2023. Maras came onboard after making his 2018 film “Hotel Mumbai,” also based on a true story.

“When I first read the play and the script, I was bowled over by how, with this one decision, so many lives were changed,” Maras says, on a video call from Los Angeles. “Not just the lives of the men on the beach but throughout the Allied world. When you think of a war story, you think of men and now women on the field, but there is so much more to it behind the scenes.”

The film expands Haig’s play and includes additional characters and sequences, including the actual D-day invasion. It stars Andrew Scott as Stagg, Brendan Fraser as Eisenhower, Kerry Condon as Eisenhower’s secretary Kay Summersby, Chris Messina as U.S. Air Force meteorologist Irving P. Krick and Damian Lewis as senior British army officer Bernard Montgomery.

Both Haig and Maras strove to be as historically accurate as possible, even including archival footage from the war. “It is inevitably heightened, as any stage play or film is,” Haig says. “But it is very true.”

“It is absolutely as true as we could get it within the confines of a two-hour runtime,” Maras adds. “We took great lengths to try and be as accurate to the history but also to the deeper story as possible.”

Here’s what is true and what is dramatized in “Pressure.”

The importance of the weather

Brendan Fraser, left, and Andrew Scott in the movie “Pressure.”

(Alex Bailey / Focus Features / StudioCanal)

D-day, secretly known as Operation Overlord, was timed based on several factors, including the weather, the tides and the moonlight. Because the assault was multipronged, with Allied forces coming by sea, land and air, they required good visibility at night and a high tide to ensure less distances between the boats and the defending Germans.

“There were hundreds of meters between low tide and high tide,” Maras says. “So depending on where the boats landed, you either had 50 meters until you made it to the dunes and then the bunkers, or you had to make it 300 meters if it was low tide.”

A clear forecast with low winds and no rain was essential.

“The landing craft were antiquated and flat-bottomed,” Haig says, “and if they had gone on May 5 with the storms that Stagg anticipated coming in with the jet stream, those landing craft would have capsized. The war wouldn’t have been lost, although we do posit that it might have been in the film. In reality, failure would have elongated [the war] and caused countless extra deaths.”

To shoot “Pressure,” the filmmakers used real charts and meteorological instruments. The production design team re-created the famous D-day map from the Allied headquarters in Southwark House. The real one was made in two pieces by separate manufacturers to ensure secrecy.

“When you see that map, it’s a little bit mismatched and our team re-created that,” Maras says. “We got the paper they used to draw the maps from the same mill they used for those maps 80 years ago. A lot of effort was put into the minutiae that adds to the accuracy.”

Exercise Tiger

The film opens with a depiction of an Allied training operation called Exercise Tiger, which took place over several months on England’s Slapton Sands. Because many of the soldiers were young and untested, the Allied leaders wanted to prepare them for the sights and sounds of battle.

“They did a whole series of exercises to try and get together a full-scale dress rehearsal of what D-day would be,” Maras says.

These rehearsals, still widely unknown and spanning from late 1943 through April 1944, involved dangerous friendly fire and suffered from serious coordination errors, resulting in the real-life deaths of at least 700 American and British soldiers.

“That was an absolute disaster and yet we remember D-day as one of the great military triumphs in history,” Haig says.

Maras wanted the film to begin with this moment to emphasize the headspace of the Allied leaders.

“How do you establish what the true consequences of failure are for a story like this?” Maras says. “When we’re in the war room with all of those commanders and officers, they know what the implications of their words mean because they’ve seen it. They’ve lived it. The image of the blood in the water and the young men in that water was to tattoo in the audience’s brain that if these commanders mess up, this could happen again.”

Eisenhower, in particular, felt the magnitude of D-day. “He wrote two letters on the eve of D-day: what happens in success and what happens in failure,” Maras says. “He was sleeping two hours a night. He was a nervous wreck.”

Stagg vs. Krick

In the film, Scott’s Stagg arrives at Southwark House from Dunstable four days before D-day is planned. He is confronted by the American meteorologist Krick, who disagrees with him about the potentially disastrous forecast. Krick believes sun and calm seas are on the horizon thanks to historical analogue charts, but Stagg, using more comprehensive prediction methods, thinks a major storm is coming.

“In actuality, Stagg came onboard in about November 1943 and got to Southwark House a few months earlier,” Maras says. “His transfer came a few months earlier, not a few days earlier. The contours of the relationships between Stagg and Krick and the others are accurate, but they took place in a more compressed timeline.”

Both Stagg and Krick have recounted their version of events in various books, both claiming they were right about the weather. Although Haig and Maras imagine their dialogue and how these conflicts may have played out, the conflicts were real.

“They both adhered to their own meteorological vision,” Haig says, explaining the differences in prediction models from continent to continent. “In the United States, Krick’s system of weather forecasting was viable. If you come to the U.K., you can’t rely on the weather for more than five minutes, so that method doesn’t apply.”

Adds Maras, “They thought, ‘The weather is going to be good. We should hold our nerve and go.’ There was a rhetorically violent disagreement between him and the others.”

In the film, Krick claims that he has never inaccurately predicted the weather ahead of a battle, using his successes in North Africa as evidence. This was technically true.

“He was very good at his job within the context of certain geographical landscapes,” Haig says. “He didn’t make a mistake in North Africa. When Eisenhower challenges Stagg, he says, ‘This man never got it wrong.’ And he didn’t. In the whole of the North African campaign, Krick was spot on.”

After Stagg convinces the leaders to postpone D-day, he is vindicated by a deluge of rain that arrives while everyone is attending church at Southwark House on June 5. There was a church on site, although this moment in the film was dramatized.

“Whether it began raining precisely at that moment I have my doubts,” Haig says. “But it has the framework of truth.”

Ike and Kay

Andrew Scott and Kerry Condon in the movie “Pressure.”

(Alex Bailey / Focus Features / StudioCanal)

Kay Summersby had been an ambulance driver during the Blitz. The film hints at a less-than-professional relationship between Eisenhower and his personal secretary. She was certainly with Eisenhower at Southwark House, although there is less evidence that she had any kind of association with Stagg.

“The biggest fictional thing I did with both the play and the film was to join the third point of the triangle so you’ve got Stagg, Eisenhower and Kay,” Haig says. “The link between Stagg and Kay historically would be tenuous.”

There are differing opinions about Eisenhower and Kay’s relationship. “We know that they were extremely close and they shared a trustful bond,” Maras says. “There are many photos of them together. She was definitely a big force in Ike’s life at that time, and we wanted to pay respect to that.”

“Whatever one’s interpretation of the relationships that she inhabits within the story, her influence was substantial,” Haig adds.

After seeing Peter Jackson’s 2018 World War I documentary “They Shall Not Grow Old,” Maras had the idea to use colorized archival footage in “Pressure.”

“In the D-day sequence at the end, there are various real-life shots of the soldiers landing on the beaches,” Maras says. “We were able to cut between the archival [material] and our footage to increase the scope. And it wasn’t just to get the scale. Yes, we have shots of massive flotillas and ships and trucks, but sometimes it was just for a glance of a soldier where you can see death in his eyes.”

The team ultimately acquired more than 50 hours of archival footage. They hired research editors to go through it and, after a few days, Maras asked if any of the editors could recommend additional crew to help.

Then a man named James Stagg showed up to work. “Stagg’s grandson, 80 years later, walked into our offices and helped edit the archival movie footage that we put in his grandfather’s film,” Maras says.

Stagg’s wife

Andrew Scott in the movie “Pressure.”

(Alex Bailey / Focus Features / StudioCanal)

The play doesn’t include scenes with Stagg’s wife, Elizabeth, but Haig purposefully bookends the film with the couple together. “When he arrives at Southwark House as a terse, brusque, tricky man, you’ve already experienced his level of affection with his wife and that’s really important contextually,” Haig says. “You’re waiting for the end when he goes back to see her and the baby.”

At the time when Stagg went to Southwark House, his wife was pregnant. Stagg was not allowed to make phone calls to her because of the secrecy surrounding D-day. In reality, the hospital where she gave birth was not bombed, as it is in the movie.

“The bombing of the hospital was more reflective of the times that Stagg and his wife had gone through in the lead up to D-day,” Maras says. “That element is to encapsulate that Stagg was fearing for his wife. As he walks down this corridor, he is faced with: Is she alive? Is she dead?”

Truth to power

Ultimately, Stagg tells a room full of military leaders that they have to pause on D-day because of the weather — a truthful inclusion. It was important to Maras to emphasize how he stood up to power.

“Here’s a protagonist who’s not afraid to speak his mind and has the courage to get up in front of a room full of the most powerful military on Earth at that point and tell them something they don’t want to hear,” Maras says.

“When Eisenhower was passing on the baton of leadership at the inauguration for JFK, JFK asked, ‘What gave you the edge on D-day?’ Eisenhower said, ‘We had better meteorologists than the Germans.’ He had the wisdom to trust in the experts. It’s worth heeding that lesson from history.”

It’s hard to believe we’re approaching the end of May and the midpoint of the year, which means some of our favorite shows have come to a close, including “The Late Show With Stephen Colbert,” which aired its final episode on CBS last week. Our critics and columnists weighed in on Colbert’s tenure as host of “The Late Show” over the years, writing about why he was the risky but right choice to host, his faith and his next chapter. And “Hacks,” starring Jean Smart and Hannah Einbinder, dropped its series finale on HBO Max last night. Times culture columnist Mary McNamara and television critic Robert Lloyd took a moment to discuss the course of the show after five seasons, the characters and why they found the finale satisfying.

While those series have come to an end, a new television show, Prime Video’s “Spider-Noir,” arrived this week with a different take on a beloved superhero, Spider-Man. “Spider-Noir” stars Nicolas Cage as Ben Reilly and his alter ego the Spider. Writer Carlos Aguilar spoke to Cage and co-star Lamorne Morris about their spin on the comic book-based characters they portray, and this week, Karen Rodriguez, who plays Ben’s secretary Janet Ruiz on the show, stopped by Guest Spot to talk about her character, working with the ensemble cast and how she gets a nice prize at the end of the season (be warned, a few spoilers ahead).

Also in this week’s Screen Gab, our writers recommend a trio of newly arrived second seasons and a collection of films based on Homer’s “The Odyssey” that will get you in the mood for Christopher Nolan’s epic arriving later this summer. Vacation screen time can’t come soon enough. — Maira Garcia

Turn on

Recommendations from the film and TV experts at The Times

Asif Ali, Poorna Jagannathan and Saagar Shaikh in Season 2 of “Deli Boys.”

(Sandy Morris / Disney)

Season 2 of “The Four Seasons” (Netflix), “Patience” (PBS) and “Deli Boys” (Hulu)

There is a season, goes the song, and there is sometimes a second season. Here’s your chance to turn (turn, turn) on your TV to three fine, finally returning series. Tina Fey’s “The Four Seasons” demonstrates there’s still life in this bumpy midlife friend-com about couples (in flux) who vacation together four times a year because apparently there are people who can afford to do that. (On this year’s itinerary: the Catskills, the Jersey Shore and Italy.) It stars Fey, Colman Domingo, Will Forte and others, and even a little bit of Steve Carell, though his character died at the end of Season 1. (Flashbacks, baby.) “Patience,” a charming British mystery, airing here as part of PBS’ “Masterpiece,” stars charismatic autistic actor Ella Maisy Purvis as a neurodivergent amateur detective, assisting the police in York, England. This season replaces Laura Fraser’s finally understanding detective investigator Bea Metcalf with Frankie Monroe (Jessica Hynes), a less sympathetic successor, but Mark Benton (whom you may know from Britbox’s “Shakespeare & Hathaway: Private Investigators,” or should) as Calvin Baxter is happily still around as the boss. Abdullah Saeed’s hectic, hilarious “Deli Boys” retails the further misadventures of brothers Mir (Asif Ali) and Raj (Saagar Shaikh), who last season stumbled unaware into their late father’s drug business, fronted by a chain of convenience stores. New to the show this season are Fred Armisen as a casino owner, Andrew Rannells as a district attorney and Kumail Nanjiani as the lawyer for the brothers’ Lucky Auntie (Poorna Jagannathan, majestic). — Robert Lloyd

John Turturro, left, Tim Blake Nelson and George Clooney in “O Brother, Where Art Thou?”

(Melinda Sue Gordon / Universal Pictures)

Odysseys (Criterion Channel)

All hail original IP, which is great and all, but sometimes a 3,000-year-old story sticks around for a reason. Homer crystallized the impulse to return home after a long time away from all that is familiar. We’ll watch Matt Damon make that journey in Nolan’s “The Odyssey,” hitting theaters July 17, but until then, Criterion builds anticipation with some of the most notable homeward journeys. Martin Scorsese achieves a kind of cosmic misfortune with 1985’s “After Hours,” in which Griffin Dunne’s yuppie only wants to escape Soho and go back to his apartment after a late-night date gone sour. You can bop to the Coens’ tuneful “O Brother, Where Art Thou?,” a faithful Homeric translation, then check out the Preston Sturges satire “Sullivan’s Travels,” which inspired the Coens’ title. But don’t let David Lynch’s “The Straight Story” pass you by: It was the least name-checked of his films when the director died last year, but it’s one of his most gentle and improbable triumphs, about a road trip via lawn tractor to a dying brother. — Joshua Rothkopf

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Janet Ruiz (Karen Rodriguez) in “Spider-Noir.”

(Aaron Epstein / Prime)

Being exceptionally competent at your job is a superhero power — so says this editor. In “Spider-Noir,” Rodriguez plays Janet, a secretary to private investigator Ben Reilly, a.k.a. the Spider. But Janet is not just someone who sits behind the desk answering phones and filing paperwork. She’s as much a gumshoe as Reilly, walking into a police station with poise and ease to sweet-talk the officer into giving her crucial information on an investigation (all it takes is a good sandwich). Her ability to ask the right questions and find answers puts her on equal ground with Reilly and his best friend Robbie Robertson, the investigative journalist played by Morris, leading her to a rightful promotion at the end of series. Don’t you love it when good old-fashioned hard work gets you ahead?

While Rodriguez has been busy lately with her breakout role in “Spider-Noir,” she has also been at work on “The Hunting Wives,” Netflix’s hit drama in which she plays Deputy Wanda Salazar and is slated to return later this year. The actor spoke to us about going toe to toe with Cage, why she loved working with her various cast mates and what she’s watching now. — M.G.

“Spider-Noir” is a comic book adaption, but it’s also a take on classic noir films. How did you prepare for your role as Janet given the mix of genres?

I had a little more freedom because Janet is strictly based on the Girl Friday archetype from classic noir. So I first started with the scripts. Oren [Uziel]’s vision for Janet was very precise in the writing, and from that arc I wanted to figure out why this particular woman in this particular world and what does she offer the environment that no one else can. Then I delved into “The Maltese Falcon” (Janet was based off of Effie Perine), “Double Indemnity,” “His Girl Friday,” among others. And then I mixed it all in with Nick’s take on Ben Reilly because so much of who Janet is absolutely informed by who Ben is.

Janet is very no-nonsense, especially with Ben, even though he’s her boss. What was it like “managing up” and playing off of Nick’s acting? Have you ever dealt with a boss like that in real life?

Well, I think that what’s great about Janet is that she is no-nonsense but she also has a killer sense of humor and wit. I think it makes her someone who’s very skilled at getting what she wants, a little sugar with the medicine. Nick is the ultimate scene partner — so prepared, so playful and most importantly, unpredictable. For Janet, Ben’s antics are her obstacle in the scene and Nick always made sure Ben gave Janet plenty of obstacles. All I had to do was know Janet is the boss and the voice of reason, then listen and respond to him. We had a great time keeping each other on our toes and I’m so grateful to have had that experience with him. No, I haven’t had a boss like that!

Janet shares a lot of scenes with different characters, like Robbie (Morris), Lonnie (Abraham Popoola) or even Frankie (Cary Christopher), the little boy who’s friendly with Ben. She is very good at connecting with people. How was it creating a rapport with so many different cast mates and was there a scene or moment that stood out to you?

Thank you for saying that! Her ability to connect with people is one of my favorite parts about her. And oh, I loved it. The ensemble acting of it all thrills me. It allows me to explore different facets of the character and it’s just fun to collide with different actors. And this particular cast made it so joyful — they’re all mega-talented but also super-focused and hardworking. We just wanted to make the best show we could.

A moment that stood out to me … I loved seeing Janet’s superpower in the scene with Lonnie, how her kindness and ability to make people feel seen makes her a powerful player in this world. And Abraham Popoola is just magnificent so it was a really fun day on set with him and Lamorne.

In the end Janet and Ben become partners. Was that inevitable given her skills?

I would like to think so! And I think Janet would too! But it still made me cry when I read the episode and when I saw the office door sign with both their names. I think for Janet, too — despite knowing she’s worth it, it is still momentous to have Ben give her her due.

Along with “Spider-Noir,” you’ll be back on “The Hunting Wives” for Season 2 later this year. Anything you can tease about what Wanda Salazar might be up to?

You know Maple Brook is going to give her plenty to do! She’s definitely going to have her hands full this season. And I’m excited because I think fans are in for some shocking moments!

What have you watched recently that you are recommending to everyone you know?

“Ponies” [Peacock]. Oh, and I’ve been watching “The Comeback” [HBO Max], Season 1-3. Lisa Kudrow forever.

What’s your go-to comfort watch, the movie or TV show you go back to again and again?

“The Office” [Peacock]. “Bridget Jones’s Diary” [YouTube, Paramount+]. “Pride and Prejudice,” 2005 vibes [Britbox, Prime Video].

ICYMI

Must-read stories you might have missed

Summer is just around the corner. Get into the spirit of long, lazy days — first, let’s pretend those exist in ample supply beyond our dreams — by spending your Memorial Day weekend taking cues from our watch guide. There are plenty of options to suit your tastes, including a new take on one of cinema’s most iconic monster brides and a retrospective of Martin Short’s high-flying career in comedy, the final season of “Hacks” and another television series that expands the “Star Wars” franchise. No sunscreen is required.

Turn on

Recommendations from the film and TV experts at The Times

Christian Bale and Jessie Buckley in a scene from “The Bride.”

(Warner Bros. Pictures)

“The Bride” (HBO Max)

Heavy buzz preceded the arrival of Maggie Gyllenhaal’s feminist reboot of the horror classic “The Bride of Frankenstein” earlier this year. The casting of Christian Bale and Jessie Buckley as Frankenstein’s monster and his companion, respectively, along with Gyllenhaal’s obvious passion for the project, seemed to promise cinematic fireworks. However, it divided critics: Some brutally panned the film, calling it overbearing and ludicrous; others applauded the movie as an ambitious big swing that should not be ignored. And while most agreed that Buckley gave a committed performance as the ferocious Bride, her lead actress Oscar win for “Hamnet” did not save the film from bombing and vanishing quickly from theaters. Viewers can now decide whether it was truly a disaster or just misunderstood when “The Bride” hits HBO Max this weekend. — Greg Braxton

Steve Carell and Charly Clive play a father and daughter navigating their complicated relationship in the HBO comedy “Rooster.”

(Katrina Marcinowski / HBO)

“Rooster” (HBO Max)

If you’re looking for some easy laughs this weekend, and you’re a fan of series from Bill Lawrence like “Shrinking” or “Ted Lasso,” this HBO comedy may be right up your alley. The show follows Greg Russo (Steve Carell), a divorced author of “beach reads” who is offered a position at a university where his daughter, Katie (Charly Clive), teaches. Katie, as much as she loves her dad, also wants some space as she navigates the messy relationship with her husband Archie (Phil Dunster), who has left her for a graduate student named Sunny (Lauren Tsai). (Katie does not take it well.) The show is filled with mishaps and misunderstandings that will make you belly laugh. But what also makes this show special is the supporting cast that absolutely kills it when they’re onscreen, including Danielle Deadwyler as Dylan, an English professor; John C. McGinley as Walter, the school’s president; and Robby Hoffman as Mo, Sunny’s friend and roommate. The series just wrapped its first season — I’m willing to bet you’ll binge this one. — Maira Garcia

Martin Short and Catherine O’Hara in “Marty, Life Is Short.”

(From Netflix)

“Marty, Life Is Short” (Netflix)

This delightful and moving documentary brings into focus Martin Short’s life and decades-long career in comedy. Don’t be fooled by its straightforward overview of Short’s rise to showbiz mainstay through his eccentric, vaudevillian brand of comedy. Directed by his longtime friend Lawrence Kasdan, who first collaborated with the comedian on the 1987 comedy “Cross My Heart,” the film goes beyond the bullet points, offering intimate insights about the lows of building a career and a touching look at him as a friend and family man. In addition to hearing directly from Short, the film features soundbites from people who know him well, including Andrea Martin, Tom Hanks, Steven Spielberg, Steve Martin, Eugene Levy and the late Catherine O’Hara. But the true standout moments come from the home footage provided by Short. It’ll leave you longing for a whole docu-series of his star-studded gatherings with some of the names mentioned above. What do you mean we get to see Short and Hanks, both shirtless on a boat, re-enact a scene from “Butch Cassidy and the Sundance Kid” — in this scenario, Hanks’ Forrest Gump is the Sundance Kid and Short’s famous sketch-comedy character Ed Grimley is Butch — as they hurl themselves into the sea? That beats any reality TV moment or DIML vlog on TikTok I’ve seen this year. — Yvonne Villarreal

A scene from Cartoon Network’s “Adventure Time,” featuring Finn the Human, voiced by Jeremy Shada, and Jake the Dog, voiced by John DiMaggio.

(Cartoon Network)

“Adventure Time” (Hulu, Disney+)

With the new “Adventure Time: Side Trips” due on Hulu and Disney+ on June 29, I am watching Pendleton Ward’s original series from the beginning, the better to appreciate its deep world-building and pick up whatever I might have missed the first time. Set in a lush, lively post-apocalyptic world where human boy Finn and shape-shifting dog Jake fight villains and party with friends, it’s gorgeously strange, beautifully designed and full of feeling. Characters include a pie-baking little elephant; Lady Rainicorn, half-unicorn, half-rainbow; a sort of sentient Game Boy; a vampire queen; and the Ice King, looking for a princess (Bubblegum, Flame, Lumpy Space, Hot Dog) to love him. A nexus of creative young animators, it’s the trunk of a tree whose branches include “Summer Camp Island,” “Steven Universe,” “Over the Garden Wall,” and “OK K.O.: Let’s Be Heroes,” which is to say, it’s possibly the most important cartoon show of the 21st century. At 283 episodes, there’s more than one can consume over even a holiday weekend, obviously, but you have to start somewhere. — Robert Lloyd

Clarke Peters, Alfre Woodard, Alfred Molina, Denis O’Hare and Geena Davis in “The Boroughs.”

(Netflix)

“The Boroughs” (Netflix)

In an isolated but fairly posh desert retirement community, freaky things are afoot. Strangely, no one seems to notice until cranky, grieving widower Sam (Alfred Molina) moves in. He hates the Boroughs at first sight and is only there because his now-dead wife signed them up in an apparently unbreakable contract. So of course he’s going to complain about every problem, from a broken door knob to, you know, a mysteriously dead neighbor. And before you can say, “The Thursday Murder Club” meets “Stranger Things” by way of “Scooby-Doo,” he’s reluctantly assembled a group of equally curious residents played by equally high-wattage actors including Geena Davis, Alfre Woodard, Clarke Peters and Denis O’Hare — all of whom make the Boroughs, and “The Boroughs,” well worth the price of admission, be it during nocturnal visits by monsters or an occasionally creaking plot.

Though still a criminally underrepresented demographic, aging boomers are having something of a moment on TV (see also “Only Murders in the Building,” “A Man on the Inside” and “Hacks”) and “The Boroughs,” (produced by the Duffer Brothers, who gave us “Stranger Things”) is a perfect example of why. The message of every unlikely-hero story is inevitably one of empowerment — kids/hobbits/retirees are just as capable of saving the day as muscle-bound men in their prime — and actors as strong and experienced as these can glide over plot holes and shoulder three times their weight in disbelief suspension without breaking a sweat. Getting the opportunity to watch such a group do it together is just as much fun as figuring out exactly what is going on at the Boroughs and who’s going to stop it. — Mary McNamara

A scene from Lucasfilm’s “Star Wars: Maul — Shadow Lord.”

(Lucasfilm Ltd.)

“Star Wars: Maul — Shadow Lord” (Disney+)

“The Mandalorian and Grogu” is the shiny new “Star Wars” movie in theaters this weekend — the franchise’s first since 2019 — but let’s not forget that some of the galaxy far, far away’s best storytelling in recent years has been on TV. “Star Wars: Maul — Shadow Lord” follows the dark side warrior in the early days of the Empire’s reign as he works to rebuild his criminal syndicate while getting some revenge on gangsters that have betrayed him. Introduced and presumed dead after being cut in half in a lightsaber duel in “Episode I,” Maul’s resilience and dark ambitions were further explored in “The Clone Wars.” Maul is a formidable, manipulative, intelligent and vicious villain that’s ultimately doomed to fail, but there’s something about his relentless refusal to accept his fate that I find a bit admirable — even if he’s evil. A noir crime thriller, “Maul — Shadow Lord” is set in a gritty, metropolitan planet outside of the rule of the Empire, meaning, yes, the former Sith lord will cross paths with some Jedi on the run. There’s no better way to close out May than getting immersed in “Star Wars.” — Tracy Brown

Jean Smart and Hannah Einbinder in the fifth and final season of “Hacks.”

(HBO)

“Hacks” (HBO Max)

With the series finale of “Hacks” approaching on May 28, it’s the perfect time to catch up on Ava (Hannah Einbinder) and Deborah’s (Jean Smart) latest schemes. Season 5 follows Deborah clawing her way back into public favor after her short stint as a late-night host. Going out with a bang, the show’s final season has been chock-full of guest stars, from Trisha Paytas and Tony Kushner to Jesse McCartney and “Property Brothers” duo Drew and Jonathan Scott. The dynamic between Deborah’s managers, Jimmy (Paul W. Downs) and Kayla (Megan Stalter), is still ridiculously entertaining, even if Kayla still can’t get Jimmy’s coffee order right. Across the characters, the chemistry is palpable as “Hacks” builds to the pièce de résistance of Deborah’s career: a sold-out show at Madison Square Garden. — Katie Simons

Animated characters from the Crunchyroll series “Classroom of the Elite.”

“Classroom of the Elite” (Crunchyroll)

The anime series revolves around Kiyotaka Ayanokoji, a stoic high schooler with a hidden brilliant mind who enrolls in an isolated boarding school. In this cutthroat school, designed as a meritocracy to identify Japan’s future leaders, students are pushed through unconventional tests — such as a survival challenge on a deserted island — and they risk expulsion if they fail. Bribery and backdoor deals run rampant. School officials turn a blind eye to violence — and there is plenty of it.

The show follows Ayanokoji and his classmates as they scheme to climb from the lowest tier, D-Class, to the coveted A-Class. Along the way, it invites the question of whether an archetypal meritocracy can truly exist in a system ridden with loopholes. The calculating Ayanokoji can be a hard protagonist to root for, as he brazenly uses his peers as pawns. By the end of the third season, we see Ayanokoji begin to occasionally open up to a select few classmates, though we’re constantly left to wonder if those moments are genuine or engineered. Season 4, which premiered in early April with weekly releases, picks up with Ayanokoji in his second year and brings a new slate of characters with murky motivations. — Iris Kwok

ICYMI

Must-read stories you might have missed

WASHINGTON — Barney Frank, the longtime Democratic congressman and leading liberal who brought new visibility to gay rights and crafted the most significant reforms to the financial system in a generation, has died. He was 86.

Frank died late Tuesday, according to Jim Segel, Frank’s former campaign manager and close friend.

After representing broad swaths of Boston’s suburbs in Congress for 32 years, Frank and his husband moved to Ogunquit, Maine. He entered hospice there in April with congestive heart failure and is survived by his husband, Jim Ready, and sisters, the longtime Democratic strategist Ann Lewis and Doris Breay, along with brother David Frank.

A self-described “left-handed gay Jew,” Frank was known for his acerbic wit, combative style and focus on marginalized communities. He represented the party’s left wing while keeping close with Democratic leaders who sometimes frustrated progressives.

He is best known as a pioneer for LGBT rights. After decades of grappling with his sexuality, he publicly came out as gay in 1987, the first member of Congress to do so voluntarily. With his 2012 marriage to Ready, he became the first incumbent lawmaker on Capitol Hill to marry someone of the same sex.

But in an April interview as he entered hospice, Frank said he hoped he would be remembered for advocating a brand of politics that embraced progressive ideals without forcing them on voters prematurely. It is an approach he feared was being rejected as Democrats prepare for what could be a rollicking primary as they hope to retake the White House in 2028 and move past the Trump era.

“I hope I made the point that the best way to accomplish the improvements in our society that we need, particularly in making it less unfair economically and socially, is by conventional political methods,” Frank said. “The main obstacle to our defeating populism and going further in the right direction is that mainstream Democrats have to make it clear that we oppose that part of the agenda of our friends on the left that is politically unacceptable. They’re right about a lot of things but you have to have some discretion.”

“You should not take the most unpopular parts of your agenda and make them litmus tests,” he added. “And that’s what my friends on the left have been doing.”

Frank’s path to public life

Born in 1940 in Bayonne, N.J., Frank wrote in his 2015 memoir that he was drawn to public life after Emmett Till, a Black 14-year-old from Chicago, was lynched by white men in Mississippi. Frank would volunteer in Mississippi during the Freedom Summer of 1964, though he acknowledged the fast-talking style was a challenge in the Deep South.

“My direct organizing of Mississippi voters was limited by the fact that my accent [to this day more New Jersey than New England], my poor diction, and my rapid speech, especially when I got excited, rendered me largely incomprehensible to rural Mississippians of both races,” he wrote.

He entered politics in 1968 as an aide to Boston Mayor Kevin White before winning a seat in the Massachusetts House in 1972. Frank was elected to Congress in 1980, an otherwise dismal year for Democrats as the party lost dozens of seats in the U.S. House and Republican Ronald Reagan won the White House.

Frank’s pragmatic style surfaced early in his congressional career. He joined the liberal Democratic Study Group to help push then-Speaker Tip O’Neill (D-Mass.) to respond more aggressively to the Reagan administration. But Frank said he found himself more often agreeing with O’Neill’s less confrontational approach.

Years later, as Congress prepared to pass a massive tax overhaul package, Frank intended to vote “no,” opposed to the bill’s lowering of top tax rates. He changed his mind, however, when he worked out a deal boosting affordable housing tax credits.

“I was happy to sacrifice my ideological purity to improve legislation that was going to become law with or without me,” he wrote.

Rep. Nancy Pelosi, the California Democrat and former House speaker, called Frank an “idealist to the nth degree.”

“The goals, the vision, the promise of it all,” she recalled in an interview. “Nobody could ever surpass what he brought to the table in that regard.”

Making history in Congress

Through his early years in Washington, Frank led something of a double life.

Privately, he socialized in the city’s gay circles and had relationships but did not publicly acknowledge his sexuality. The media at the time rarely reported that someone was gay unless that person was involved in a scandal. When Frank in 1987 invited a reporter to his office to formally ask whether the congressman was gay, Frank responded, “yeah, so what?”

Other elected leaders, perhaps most notably San Francisco’s Harvey Milk, had come out years before. Members of Congress, including Rep. Gerry Studds (D-Mass.), were previously outed through scandal.

Frank’s approach made him the most prominent gay leader in national politics for much of the 1980s and 1990s. He helped secure AIDS funding and pressed the Democratic Clinton administration, unsuccessfully, to lift a ban on gays serving in the military.

But there were low points, too, most notably an overwhelming 1987 House vote to reprimand him for poor judgment involving a male prostitute he hired in 1985. Rep. Newt Gingrich of Georgia, the Republican whip at the time, pressed for the more severe punishment of censure, which was rejected by a large margin.

Frank became something of a punch line among conservative Republicans, with House Majority Leader Dick Armey (R-Texas) calling him “Barney Fag” in 1995. Armey said he misspoke and later apologized from the House floor.

Along the way, Frank became known as one of the most quotable lawmakers in Congress.

Regarding abortion, he said Republicans believed “life begins at conception and ends at birth,” criticizing the party’s push to curb social programs. After Ken Starr released a report describing President Clinton’s relationship with Monica Lewinsky in sometimes intimate detail, Frank said it required “too much reading about heterosexual sex.”

Rep. Steny Hoyer (D-Md.) entered Congress the same year as Frank and he recalled his former colleague: “You may get a blow, but it was softened by the humor that came with it.”

Presiding over a financial overhaul

By 2007, Frank was the chairman of the House Financial Services Committee, where he would leave his lasting policy mark as the U.S. economy careened toward collapse. He worked with the Republican Bush administration to pass a rescue package, providing vital support to financial institutions but spurring a populist revolt that still courses through American politics.

Once the initial crisis eased, Frank helped develop the most significant reform legislation since the New Deal. Working with then-Senate Banking Committee Chairman Chris Dodd (D-Conn.), the Dodd-Frank Act would enhance consumer protections, impose new capital requirements for banks and boost the ability of regulators to monitor risk.

“Barney and I shared a fantastic relationship,” Dodd said. “I had many good moments in those 36 years in Congress, but none more significant, joyful, or productive than those almost two years working with Barney on our banking bill.”

During President Trump’s second term, his Republican administration has worked to roll back many of the legislation’s provisions, arguing they were too onerous.

Frank faced his toughest reelection campaign in years in 2010 as the tea party wave swept over American politics. He opted against running again in 2012, though remained engaged in politics long after leaving Congress and was a fierce critic of Trump.

Asked for his prediction on who might succeed Trump, Frank said “unfortunately I won’t get to vote for it.”

Sloan writes for the Associated Press.

TOWIE star Dani Imbert has opened up on her relationship status with Jonnie

The Only Way is Essex favourite Dani Imbert has lifted the lid on where she stands romantically as the explosive new series makes its comeback.

Fresh drama has landed on ITV2 with The Only Way is Essex returning for another series, with episodes dropping every Sunday and Monday. The show hasn’t disappointed, serving up plenty of feuds and fiery confrontations.

Series 37 is in full swing, and in tonight’s episode (May 17), available on ITV2 and ITVX, tensions within Girl Band reached boiling point. Meanwhile, one cast member has revealed where things stand romantically following a tender moment that caught everyone’s attention.

TOWIE’s Dani has addressed her relationship status and the situation with newcomer Jonnie Gurie after the pair were spotted getting cosy during the cast’s Vietnam getaway.

In tonight’s episode, now streaming on ITVX, Harry quizzed Jonnie directly: “I want to ask a question Jonnie. On the last night I seen you basically spooning Dani on the sofa,” reports OK!.

Jonnie responded: “Listen, I think um, I said this on the last day when we was with Elma and Dani, I don’t even know how it happened, we just got comfortable with each other we spent more time with each other.”

He continued: “There was one night, we had a kiss but we’ve not really spoke about that what’s going on since we’ve been back. It’s just been chill, I said I don’t want to put pressure on anything that’s going on.”

Diags couldn’t resist chiming in with a quip: “He’s got a little Dan Edgar script.” Later on, viewers saw Dani and Ella head to the beach for what Ella described as some much-needed “scream therapy”. Letting out their pent-up frustrations, Dani yelled: “I hate that I’m a cougar, release me from being a cougar.”

She continued: “I hate it here.. keep Jonnie away from me please.” Turning to Ella, she admitted: “I feel better, I’m still a cougar though it’s not changed anything.”

When quizzed about how things stood between them, Dani confessed: “I’m such a cougar, I think I’ve been hanging around Elma for too long because why am I flirting with young boys 24/7. It’s just still like quite light hearted, it’s just a flirt but I don’t think it’s anything, it’s not anything…”

Ella probed: “Are you sure” to which Dani responded: “Yeah.”

Off-screen, it seems TOWIE enthusiasts are backing the potential pairing, as an exclusive snippet was posted on The Only Way is Essex’s social media featuring Dani discussing matters on the You Alright, Hun? Podcast.

The post, shared this week, was captioned: “Fancy an exclusive? Dani gives us the gossip on where things are with Jonnie on the ‘You Alright, Hun?’ #TOWIE podcast! Listen/Watch on ITVX, Spotify and YouTube“, with Dani being questioned about her relationship status with Jonnie.

She revealed: “I think now we’re off, but that’s only for now. We’re back in contact a little bit, we haven’t seen each other and like we’ve had conversations.

“We know we miss each other but we’re not sure where it’s going to go, so I feel like there’s a lot of conversations to be had. That’s the exclusive, we’re in contact again and we wasn’t so that’s a step in the right direction.

“We’re in contact, we’re talking. But I haven’t seen him in four weeks so I can’t really say we’re back on.”

One admirer responded: “I hope they get together, love Danni she cracks me up.”

TOWIE can be streamed on ITVX.

HONG KONG — As President Trump left Beijing on Friday, Chinese social media resurfaced a familiar nickname for the president — flattering at first glance — declaring that Chuan Jianguo, the “Nation Builder,” had returned.

It was not meant as a compliment. The nation he is building, according to the Chinese, is not the United States but their own, through a series of inadvertent yet costly mistakes inflicted by Trump at home and abroad.

• Share via Close extra sharing options

If the Chinese government was self-assured entering Trump’s summit with Xi Jinping, then the results of the state visit, in which Beijing refused to offer Trump any meaningful deals or concessions, signal their unmistakable confidence in American decline.

Chinese government statements in local media stating as much made their way back to Trump as he was departing, aggravating the president, a U.S. official said. But the White House secured a clarification from the Chinese that seemed to placate Trump. America was only declining under President Biden, they said — not anymore.

President Trump and President Xi Jinping tour Zhongnanhai Garden on Friday in Beijing.

(Evan Vucci / Pool via Getty Images)

The Trump administration argues the trip was a success, having secured the display of conciliation and partnership the president had sought after years of increasingly dangerous acrimony.

Foreign policy hawks on China will be displeased with his new direction of friendship and cooperation with a government they view as openly hostile to the United States. But Trump seems to have reached a similar conclusion as past administrations, that China might require a relationship in pursuit of, as Xi put it, “constructive strategic stability.”

Trump was notably out of character throughout his stay here, deferential to his host, marveling at displays of Chinese power and reticent to speak with the press.

Five times over two days, Trump referred to Xi as his friend, taking every public opportunity to offer his compliments and pats on the back. None of it was reciprocated. The Chinese leader, Trump told Fox News in an interview, was “all business” in private, as well, apparently uninterested in his overtures of personal goodwill.

Presidents Xi and Trump tour Zhongnanhai Garden on Friday.

(Evan Vucci—Pool/Getty Images)

The summit may ultimately be remembered as the moment when Trump recognized a shifting power dynamic, where an American president had the rare and uncomfortable experience of entering a meeting clearly overmatched.

“I think the most important thing is relationship,” Trump said in the interview, describing the summit as “historic.”

“It’s all about relationship,” he added. “I have a very good relationship with President Xi.”

Taiwan was discussed ‘the whole night’

Little of substance was accomplished over two days of talks. But Chinese officials expected no less after warning Trump’s team before the summit that its minimal preparation had failed to lay the groundwork for diplomatic agreements.

Still, the lack of breakthroughs may come as a relief to some in Washington. Trump appears to have held to a long-standing U.S. line on Taiwan, for now, refusing to provide Xi with clarity on whether the United States would defend the self-ruled island if China tries to reclaim it by force.

The two men discussed the matter “the whole night,” Trump told Fox.

If China attacked, “they would be met harshly, and bad things will happen,” Trump said. Yet within the same answer, he questioned Taiwan’s “odds” against China if war were to break out, even with U.S. help, noting its proximity to the Chinese mainland and its vast distance away from the United States.

Whether Trump will proceed with arms sales to Taiwan — passed by Congress and obligated by law under the Taiwan Relations Act — is still an open question.

“If you kept it the way it is, I think China is going to be OK with that,” Trump said, referencing an ambiguous status quo around Taiwan’s status, “but we’re not looking to have somebody say, ‘Let’s go independent because the United States is backing us.’ ”

“Taiwan would be very smart to cool it a little bit,” he added. “China would be smart to cool it a little bit. They ought to both cool it.”

President Trump departs as President Xi looks on after a visit to Zhongnanhai Garden on Friday.

(Evan Vucci/ Pool via Getty Images)

Curious company

Trump’s choice of company in the U.S. delegation left the Chinese with questions over the purpose of the trip.

Lara Trump, a Fox News host and the president’s daughter-in-law, attended alongside her husband, Eric Trump, whose presence as a private citizen running the Trump Organization was a direct appeal to Beijing to treat the administration like a family business. Brett Ratner, director of the “Rush Hour” series and a documentary on the first lady that bombed at the box office, was given prime placement along with America’s top business leaders.

The last time a secretary of Defense attended a presidential state visit to China was on Richard Nixon’s famous trip in 1972. Chinese officials were unsure what to make of Pete Hegseth’s presence — whether it was meant to convey a softer stance, a hardening one, or simply an ignorance of basic diplomatic protocol.

Trump said he felt personally honored by the lavish welcome he received on the edge of Tiananmen Square, outside the Great Hall of the People, where China hosts all visiting dignitaries.

Before a lunch at Zhongnanhai, the secretive headquarters of the Chinese Communist Party, Trump asked Xi if he was special for getting to visit the compound. He was the fourth U.S. president to do so.

While the Trump administration offered itself glowing reviews of the outcome of the summit, the Chinese government offered little to say as he departed. And Chinese media highlighted Beijing’s resolute stance on American priorities — from trade to the Iran war — as evidence of Chinese confidence and American decline.

But all that business wasn’t the point of the trip, Trump told Fox’s Bret Baier. For the president, it was all personal.

“I want to thank President Xi, my friend, for this magnificent welcome,” Trump said in his toast at the state banquet, repeating the personal overture. “The American and Chinese people share much in common. We value hard work. We value courage and achievement. We love our families and we love our countries.

“Together, we have the chance to draw on these values to create a future of greater prosperity, cooperation and happiness and peace for our children,” Trump added. “We love our children. This region and the world — it’s a special world, with the two of us united and together.”

Early signs point to the United States and China moving towards a relationship focused on pragmatic areas of common interest following US President Donald Trump’s trip to China, according to analysts, setting aside the turmoil that marked 2025.

Trump was in Beijing for three days this week to meet with Chinese President Xi Jinping, accompanied by a delegation of American CEOs, including the heads of Apple, Nvidia, BlackRock and Goldman Sachs.

The meeting between the two leaders came just over six months after they agreed to pause the US-China trade war for a year on the sidelines of a multilateral summit in South Korea. While a frequent critic of China’s economic policies at home, Trump appeared to get along with Xi in person throughout his trip and lavished praise on the Chinese leader.

“It’s an honour to be with you, it’s an honour to be your friend, and the relationship between China and the USA is going to be better than ever before,” Trump told Xi on Thursday.

The White House readout of the Trump-Xi meeting on Thursday stressed areas of common ground, stating that the leaders had “discussed ways to enhance economic cooperation between our two countries” by “expanding market access for American businesses into China and increasing Chinese investment into our industries”.

Notably absent from the statement was any mention of China’s export controls on rare earths, critical materials used across the tech, defence and energy sectors. China controls nearly the entire industry, and it has moved to restrict US access.

William Yang, senior Northeast Asia analyst at the Crisis Group, told Al Jazeera that Trump’s remarks showed he would likely try to compartmentalise US-China relations into areas where the two sides can work together without being overshadowed by geopolitical concerns.

Xi, while less effusive, also spoke of his desire to move towards a new US-China framework based on “constructive strategic stability”, meaning that the US and China should try to “minimise competition, manage differences and allow stability to be the foundation of the bilateral relationship”, according to Yang.

Both leaders appear to have sidestepped other controversial issues, such as the status of Taiwan, a 23 million-person democracy claimed by Beijing but unofficially backed by Washington.

Xi told Trump during their meeting that Taiwan was the “most important issue” in the US-China relationship, and that mishandling it could lead to “clashes and even conflicts” between the two sides. Beijing objects to Washington’s ongoing military support of Taiwan and has pressed the US to take a more explicit line on Taiwan’s political status.

Although the US does not recognise the government in Taipei, it maintains a deliberately vague policy on China’s territorial claims. Despite the controversy, neither the Chinese nor the US readout mentioned whether Trump discussed Taiwan or the future of arms sales – suggesting he either disagreed with Xi or avoided the topic.

Analysts like Yang say it is still too soon to know whether Trump will heed Xi’s remarks by blocking or delaying a $14bn arms deal reportedly in the works for Taiwan. The deal would need Trump’s sign-off to move forward, according to US legislators.

Xi was equally circumspect on Iran and the Strait of Hormuz, which has been shuttered since the US and Israel launched a war on Iran on February 28.

Trump has previously pushed China to encourage Iran to reopen the strait, through which a fifth of the world’s oil and gas passed each year before the war, because of its close relationship with Tehran. China and Iran signed a 25-year “strategic partnership” in 2021, and Beijing buys 80 to 90 percent of Iran’s oil annually.

Trump raised the points again in his meeting with Xi in Beijing, according to the US readout, which said the two leaders “agreed that the Strait of Hormuz must remain open to support the free flow of energy”.

“President Xi also made clear China’s opposition to the militarisation of the Strait and any effort to charge a toll for its use, and he expressed interest in purchasing more American oil to reduce China’s dependence on the Strait in the future. Both countries agreed that Iran can never have a nuclear weapon,” the readout said.

The Chinese readout of their meeting on Thursday did not include mention of Iran or its nuclear programme.

Chucheng Feng, founding partner of Hutong Research based in Beijing, told Al Jazeera that the omissions reflect that Xi and Trump still disagree on key issues, including Iran, but that the overall message from the summit was a desire to move forward.

“For Beijing, the most important thing is to find a floor for the relationship, to set up and enhance guardrails so that no surprises or uncontrolled escalations suddenly emerge. For that, item-by-item disagreements are largely secondary,” he said.

In China, Elon Musk has gained both admiration and criticism. While he is seen as a visionary, he has faced scrutiny from regulators and the public due to issues with customer complaints. The success of Musk’s SpaceX and its Starlink satellite service has also led to concerns from the People’s Liberation Army, especially as Tesla faces growing competition from Chinese electric vehicle (EV) manufacturers, which threatens Musk’s standing in the market.

Musk recently attended a summit in Beijing with U. S. President Donald Trump, alongside other CEOs like Tim Cook and Jensen Huang, focusing on resolving business issues with China. After a formal welcome, Musk expressed his desire to achieve “many good things” in the country. At the same event, Xiaomi’s CEO Lei Jun, an admirer of Musk, took a selfie with him, which became popular on social media, showcasing the public’s interest in Musk.

Despite facing competition on technology and pricing from local companies, Musk and Tesla remain influential in China. Experts note that Musk’s business goals align with China’s technological priorities, including electric vehicles, AI, and advanced robotics, making Tesla’s self-driving technology the standard in the industry. In 2018, Tesla became the first foreign automaker permitted to operate in China without a local partner, and its sales in the country reached about 626,000 vehicles last year, contributing significantly to its revenue.

Other Chinese carmakers, like Chery, draw inspiration from Tesla’s focus on innovation, blending it with Toyota’s emphasis on quality. However, Musk’s other ventures, particularly SpaceX, provoke concern among Chinese military and government officials due to its dominance in satellite communications, especially in light of geopolitical tensions, hinting at efforts to develop domestic alternatives.

Though Musk’s social media platform, X, is banned in China, he has a significant following on Weibo and has been celebrated as a global icon in the country. His recent visit pertains to an attempt to purchase $2.9 billion in solar manufacturing equipment from Chinese suppliers, although this may be affected by China’s potential export restrictions on advanced technologies to the U. S.

Musk’s company is also seeking regulatory approval for more advanced self-driving technology. However, his relationship with China has been delicate, particularly when Tesla faced backlash in 2021 over its handling of customer complaints, highlighted by a public protest at an auto show. Additionally, Teslas were previously banned from military areas due to security concerns.

Looking ahead, organizations believe that Tesla’s standing might challenge Musk’s popularity in China as local companies continue to progress. However, he is likely to remain an influential figure in China’s tech scene for his achievements in the automotive and technology industries.

With information from Reuters

KYLIE MINOGUE and Jason Donovan’s romance defined a generation, and the couple broke hearts around the world when they split in 1989.

Now fans are set for a nostalgia overload as private footage of their time together has been unearthed.

It will be shown in Kylie’s new three-part Netflix series, which is set to be released on May 20.

The self-shot footage includes videos of the couple on holiday together before Kylie made it big as a pop star.

The pair, who met while playing Scott and Charlene in Aussie soap Neighbours, dated for three years.

Admitting she had no idea that the clips existed until Netflix bosses dug them out of the archive, Kylie said: “I was like… ‘What?!’

SORT IT OUT

From a sham wedding to £30k/week holiday, inside the downfall of Stacey Solomon

I’M O-KAY

Vernon Kay puts on a brave face after Tess Daly marriage split

“This was going back to the days where people only had a camera if they went on holiday. I imagine it was quite an effort to find that.

“When I saw that footage for the first time, my heart swelled. I thought, ‘Oh my God, we were just babies’.

“That brought back tidal waves of nostalgia, emotion and a lot of love.”

Jason, who has remained good friends with Kylie, also contributes to the TV special by talking about their romance – both on and off-screen.

Taylor Sheridan’s “Yellowstone” universe, the sprawling neo-western TV franchise that chronicles the embattled Dutton family across time and locations, continues its aggressive expansion on screen with next week’s arrival of “Dutton Ranch.”

Premiering May 15 on Paramount+, the series continues the story of Beth Dutton (Kelly Reilly) and Rip Wheeler (Cole Hauser) — she’s the daughter of the late John Dutton (Kevin Costner), while he’s John’s longtime ranch foreman and fixer — as they migrate their passionate and unwavering love from Montana to South Texas to build a new life. The new series picks up about a year after the events that closed out the mothership series — namely, the selling of Yellowstone Ranch. And as you might expect, it doesn’t take long for them to make new enemies in their efforts to keep their new ranch operating.

Christina Alexandra Voros, who is an executive producer and director on the series, stopped by Guest Spot to talk about what sets “Dutton Ranch” apart from its parent show.

Also in this week’s Screen Gab, our recommendations include the return of a classic Cartoon Network series and a new addition to the growing microdrama landscape. And wait. Did you hear “The Bear” released a special episode? Let us tell you about it.

Scroll down and stream on. See you next week.

— Yvonne Villarreal

Turn on

Recommendations from the film and TV experts at The Times

Mordecai, a blue jay who works at the park, in “Regular Show: Lost Tapes.”

(Cartoon Network)

“Regular Show: The Lost Tapes” (Cartoon Network )

Nearly a decade after “Regular Show” flashed into history with a metafictional battle for the fate of the universe, J.G. Quintel is restoring his cult-beloved cartoon series to life, with its cast and creatives back in place. (Following the “Gumball” revival, these are great days for old-school CN fans.) A surreal hardly workplace comedy, it’s set in a city park (even when, in the last season, the park was hijacked into a tree-shaped space station), where the characters — a blue jay, a raccoon, a lollipop man, a Yeti, a muscular little green monster, a video-game ghost with a hand growing out of its body-head and a walking gumball machine, who runs things — get into scrapes as strange as that cast list might suggest. As the original series ended 25 years into the future, “The Lost Tapes” no doubt indicates a rewind — VHS is the preferred format of this crew — into an earlier world we can regard as the present. Though what, after all, is time to a cartoon? (The show premieres Monday on Cartoon Network, and will come to Hulu and HBO Max later in the year.) — Robert Lloyd

Eric C. Lynch, Brittney Jefferson and Jenna Nolen in a scene from “Screen Time.”

(Liliane Lathan)

“Screen Time” (TikTok, PineDrama)

When word hit that Issa Rae’s Hoorae Media was set to premiere its first microdrama series, which are essentially super-short TV shows shot for smartphones, it felt like it was finally time for me to see what this format on the rise is all about. “Screen Time” begins with a double-date movie night that goes off the rails after a mysterious figure hijacks the TV and sends two couples — Danielle (Brittney Jefferson of “Rap Sh!t”) and Marcus (Eric C. Lynch of “Queen Sugar”); and James (Xavier Avila of “Á La Carte”) and Olivia (Jasmine Luv of “Tell It Like a Woman”) — on a tailspin as they’re forced to confess their secrets or risk their online footprint being made public. It’s a fun and ridiculous ride, made all the more entertaining when you scroll the comments for a full communal experience. It’ll have you doing an inventory on your phone’s contents, if you’re not busy unplugging any nearby virtual assistants while questioning what’s up with Marcus. There are 27 episodes now available to watch, with each clocking in at roughly a minute and flowing into the next. (For a bit of comparison, the viral “Who TF Did I Marry?” TikTok series by Reesa Teesa, which held me hostage in 2024, had about 50 videos, with many lasting around 10 minutes. But that was real-life drama.) Of course, Rae knows something about making online content stand out. Long before “Insecure” made her an in-demand storyteller in TV and film, Rae broke through with her YouTube series “The Mis-Adventures of Awkward Black Girl.” The next episode drop arrives on May 22. — Y.V.

Catch up

Jon Bernthal as Michael “Mikey” Berzatto and Ebon Moss-Bachrach as Richard “Richie” Jerimovich in a stand-alone episode of “The Bear” titled “Gary.”

(FX)

Everything you need to know about the film or TV series everyone’s talking about

“Dutton Ranch” isn’t the only show spinning off family dynamics in new places. “The Bear” made a surprise episode drop earlier this week. Titled “Gary,” the stand-alone episode — listed on Hulu separate from the main show and not considered part of a season — is a one-hour flashback that mostly functions as a prequel. It follows Richie (Ebon Moss-Bachrach) as he sets out on a work trip to Gary, Ind., with Mikey (Jon Bernthal).

Though not biologically related, the pair are best friends who consider each other family of the “cousin” variety. And they’re tasked with running an errand for cousin Jimmy (Oliver Platt) to deliver a box whose contents neither knows. Moss-Bachrach and Bernthal, who have been friends since 2003, co-wrote the episode. And TV critic Robert Lloyd had this to say about the pair’s collaboration here: “One senses that as writers, they’ve built themselves a playground to act in; both are phenomenal.”

It’s also worth noting that, a day after the episode’s release, FX confirmed the Emmy-winning series is coming to an end next month. Fans questioned the show’s fate when the fourth season concluded with its tortured but deeply ambitious head chef Carmy Berzatto (Jeremy Allen White) announcing he planned to leave the restaurant. So, yes, chef: When “The Bear” returns on June 25 for it’s fifth season, it will be the series’ last.

Guest Spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

(Emerson Miller / Paramount+)

A pair of “Yellowstone” siblings are keeping television screens supplied with Dutton drama. After “Marshals,” the CBS procedural that follows Kayce Dutton (Luke Grimes) as he leaves ranch life to join an elite U.S. Marshals unit in Montana, became runaway hit for the network when it premiered earlier this year, quickly earning a Season 2 renewal, the fictional character’s sister, Beth (Reilly), is poised for her spin-off debut. Joined by her husband Rip (Hauser) and their surrogate son Carter (Fin Little), the trio relocate to South Texas to escape the ghosts of the Yellowstone ranch and build a new life in “Dutton Ranch.” Managing a new 7,000-acre property, they encounter new friends (a compassionate veterinarian played by Ed Harris) and foes (a rival rancher played by Annette Bening). The nine-episode series premieres with two episodes on May 15. Ahead of the show’s launch, reports surfaced that Chad Feehan, the show’s creator and showrunner, would not return for Season 2. I spoke with Voros, a longtime collaborator of Sheridan, about how the new series is different from the mothership, whether its central couple parallels the epic love story featured in “The Madison” and the show’s she’s been watching. — Y.V.

How is “Dutton Ranch” different from “Yellowstone”?

“Yellowstone” was entirely about a family holding on to the legacy of a place, and “Dutton Ranch” is entirely about building a new legacy. From a spiritual sense, what is driving these characters is similar — it is the bond to family, it is protection of each other. But the landscape has changed. In many ways, what was about land in the mothership has alchemized into being about family in “Dutton Ranch” because that’s what is left. The land that has brought them to their knees in war for generations is no longer something that burdens them, but they are tasked with building a new life and protecting that new life that they have built.

What is it about Beth and Rip that struck a chord with “Yellowstone” viewers? And why do you think they are well–suited to stretch this TV universe?

Everyone loves a good love story and everyone loves an imperfect hero. When two people find each other and complete each other in a way that is both untraditional and heroic and romantic, it’s hard not to fall in love with them — and it’s hard to not want to fight for them and want to see them succeed. I’ve been with “Yellowstone” since the first season, and I remember very clearly being out there in Montana, making this crazy, big, ambitious TV show. And I remember, the next year, no one could go out to a restaurant in town without being accosted. Then the next year, there were Rip and Beth costumes at the store for Halloween. It takes a very special kind of actor to be able to carry that story and that character forward and to keep evolving, and to not become a caricature of themselves, but to grow not just the fictional person, but to also grow as an artist, to continue breathing life into that character. And I think Kelly and Cole have done so with with such grace and such a profound commitment to each other and to the show and to storytelling. They’re both EPs this season, and it’s so well-earned. It’s not just on face value. They have been in the trenches from the very beginning, really fighting for and protecting themselves and the DNA of the series.

I know, in theory, Taylor’s other series that you worked on, “The Madison,” is not in the same fictional universe. But at the heart of that series is this epic, once-in-a-lifetime romance. Do you see parallels? Do you think Preston (Kurt Russell), whose character loved visiting Montana, and Rip would have ever crossed paths? Would they have liked each other?

They would have enjoyed a beer together if they stumbled into each other at the same bar. I think the pursuits that feed their souls are different. Beth and Stacy would have ultimately gotten along after probably some kind of caustic series of remarks at the same bar.

I think there’s something about enduring love that is in both of those relationships. There are parallels in terms of the secrets that people carry, not necessarily nefarious ones, but sides of yourself that you don’t always see. I will say, Rip and Beth understand all the facets of each other in a way that is different from Stacy and Preston. The love story of “The Madison” is about two people who share everything but this one thing. Rip and Beth’s characters have also known each other since they were teenagers, and they have experienced most of each other’s lives together. If you look at Taylor’s writing, and maybe this comes from his own love story, he loves writing these strong romances, whether it’s Rip and Beth or Stacy and Preston. There are these grounding relationships that are formed by these volatile people, and it is fascinating to watch, and I think people find something familiar in them.

Ed Harris as Everett McKinney and Annette Bening as Beulah Jackson in “Dutton Ranch.”

(Emerson Miller / Paramount+)

The cast in the Sheridan TV universe are all pros. You’re also working with some major screen heavyweights — Kevin Costner, Helen Mirren, Harrison Ford, Michelle Pfeiffer, etc. In “Dutton Ranch,” you have Annette Bening and Ed Harris. What was the pinch-me moment?

I don’t even know where to start. Ed came into my office to chat at the very beginning, before we started prep. I just froze for a second; I lost my ability to speak like a normal human being. You have to forget that they are who they are in the beginning until you settle into a routine, otherwise you would be too awe-inspired to really do anything productive with your day. I feel so spoiled by the caliber of artists that I’ve had the opportunity to work with. I’m working with Sam Jackson right now on “Frisco King.” I look at the work that I’ve done with Michelle and Kurt, then Annette and Ed on this — it’s such an honor that artists of that caliber are excited to come play in these worlds. Everyday on set with Annette and Ed makes me a wiser director, makes me a smarter human being.

It was recently reported that Chad Feehan, the series co-creator, departed the series as showrunner. What was your collaboration with him like? And how do you think he handled setting the foundation for this series?

Writing a spin-off to “Yellowstone” comes with a tremendous amount of responsibility and a tremendous amount of opportunity. It’s a gift to be able to work with characters like Rip and Beth, and I think Chad did a wonderful job creating a world of characters for them to go toe to toe with in the Jacksons. The original DNA of the No. 1s on our call sheet was always there, but they are entering a new path and a new part of their own journey and worthy adversaries were needed.

OK, before I let you go, what have you watched recently that you are recommending to everyone you know?

“The Beast in Me” [Netflix], I thought was unbelievable. It’s not the kind of thing that I normally watch. I just finished watching “Imperfect Women” [Hulu]. I was so taken by the performances in both of those shows. I love “Hacks” [HBO Max], I love “Shrinking” [Apple TV]. I balance my dark thriller with comedy.

ICYMI

Must-read stories you might have missed

Reuben Owen and his girlfriend Jessica Ellwood have been together since October 2024 and are starring in the new series of Life in the Dales on Channel 5

Reuben Owen and girlfriend Jessica Ellwood are back on our screens for another series of Life In The Dales.

The Channel 5 show chronicles the young farmer’s journey through the ups and downs of managing a machinery business at Ravenseat, the sprawling 2,000-acre family farm in Swaledale, North Yorkshire, where he honed his skills under the guidance of his parents, Clive and Amanda Owen.

Reuben, 22, first captured the nation’s hearts on Our Yorkshire Farm before Life In The Dales launched in 2024.

Beyond showcasing his farming exploits, he regularly offers fans a peek into his personal life with Jessica.

Jessica herself comes from a farming background, working on her parents’ Brough Castle farm, which houses hundreds of animals, reports the Express.

The couple got together in October 2024, and have since shared some loved-up posts on social media, marking Valentine’s Day, their anniversary and spending Christmas together.

They met at a young farmers’ convention, with Jessica later sharing on the show: “Ever since we first met, we just clicked. I think it’s because I’m from a farming background, so’s Reuben.”

She added: “I just love him to bits. Love his family, get on great with them.”

Reuben meanwhile told OK magazine: “It took me a while to ask her out, I wasn’t that brave but I just asked her one night, we went out for some tea one night and I’d lost my wallet and she had to pay for my dinner!”

In a previous interview with The Mirror, Reuben shared how his family reacted to Jessica, saying: “Mum and Jess get on well, they talk about sheep together, they all approve and they all get along really well.”

The couple are also planning on moving in together soon, as he added: “We’re just waiting for something to come up. I’ve got to try and get a nice place, get a bit of a farm somewhere one day.

“It would be ideal to have a farm where I can park my diggers and she can have her sheep and cows.”

When probed on the prospect of starting a family, referencing his parents’ large brood, he quipped: “I don’t think I fancy nine of them, I don’t fancy nine at all. We’ll have to wait and see.”

In a 2023 article for Farmers Guardian, Jessica, then 18, spoke about growing up on Brough Castle Farm in Cumbria.

She said: “Farming is in my blood: I grew up on Brough Castle Farm and remember helping my mum and dad in the fields from a young age. Since then, it is all I have ever wanted to do.

“I am now working full-time alongside my dad and taking on more responsibilities for different parts of the farm, which is really exciting. I have always loved working with animals too, particularly cows and sheep; they have their own personalities and I feel like I know them all. Because I have grown up with them since I was very little, I see all the animals as part of our family.”

Reuben Owen: Life in the Dales airs Tuesday at 8pm on Channel 5.

It’s officially May, which means summer vacation season is upon us. If you’re planning a trip to the beach, just make sure it’s got cell service (don’t say we didn’t warn you).

This week, Apple TV released the first two episodes of “Widow’s Bay,” a horror comedy that takes a closer look at those cozy seaside vacation towns and what might be beneath the surface. Katie Dippold, the creator of the series, which stars Matthew Rhys, Stephen Root and Kate O’Flynn (Jeff Hiller, one of my faves, also has a nice supporting role), stopped by Guest Spot to talk more about the genesis of the show and why it bends genres — more on that below.

Also in this week’s Screen Gab, we recommend a documentary film (and an animated short) that looks at the musical legacy of the King of Pop, and a recent docuseries about the FLDS community. — Maira Garcia

Turn on

Recommendations from the film and TV experts at The Times

Quincy Jones, left, Michael Jackson and Lionel Richie in Netflix’s “The Greatest Night in Pop.”

(Netflix/Courtesy of Netflix)

‘The Greatest Night in Pop,’ ‘Sing: Thriller’ (Netflix)

I don’t know whether the release of “Michael,” the Michael Jackson biopic, had anything to do with “I Want You Back,” the greatest single of all time, playing in my dentist’s office today, but MJ is definitely in the air, posthumously pelleting us with his fantastic music and permanently controversial self. Somewhat in that spirit, I offer Bao Minh Nguyen‘s 2024 documentary “The Greatest Night in Pop,” about the recording of the 1985 super-duper star charity single “We Are the World,” co-written by Jackson and Lionel Richie and featuring the oddest assortment of singers ever to be gathered into a single studio — a congregation including Tina Turner, Bob Dylan, Steve Perry, Huey Lewis, Stevie Wonder, Willie Nelson, Dionne Warwick, Cyndi Lauper, Ray Charles, Bruce Springsteen and Harry Belafonte, among others. (Richie, Springsteen, Lauper, Lewis and Sheila E. sit for new interviews.) Jackson fans will get a glimpse of him at work like a normal musician, albeit one dressed as the General of Neverland. Dylan watchers will see a fish far out of water. Local historians will enjoy footage of L.A. in the ‘80s. On another, quite delightful note, “Sing: Thriller,” also from 2024, is a 10-minute cartoon take on Jackson’s video of the same name, starring the cast of the “Sing” movies, zombified and, naturally, dancing. — Robert Lloyd

Christine Marie in Netflix’s “Trust Me: The False Prophet.”

(Netflix)

‘Trust Me: The False Prophet’ (Netflix)

Mormonism has been under the spotlight lately, with reality series and documentaries taking a closer look at the religious group. But one particular sect, the Fundamentalist Church of Jesus Christ of Latter-day Saints, has long come under scrutiny for its practices and allegations of cult-like behavior, child marriage and child sexual abuse. This four-part series from director Rachel Dretzin is a continuation of her work documenting the FLDS community (she previously directed 2022’s “Keep Sweet: Pray and Obey,” also for Netflix). It follows cult expert Christine Marie and her husband Tolga Katas, who moved to Short Creek, Utah, where the community previously led by Warren Jeffs, the former FLDS leader and convicted felon, is based. Marie befriends the women in the community, gaining their trust, only to find out that another man, Samuel Bateman, is claiming to be a prophet. What she uncovers is a web of abuse and crimes. The series is riveting and disturbing, culminating with Bateman’s arrest and eventual conviction. — M.G.

Guest Spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Matthew Rhys and Stephen Root in Apple TV’s “Widow’s Bay,” now streaming.

(Apple)

Have you ever taken a vacation to a nice place but then see or experience something that just feels off? Apple TV’s new series, “Widow’s Bay,” tries to capture some of that feeling, where a seemingly quaint town hides dark secrets.

Matthew Rhys plays Tom Loftis, the mayor of Widow’s Bay, an island 40 miles off the New England coast. He’s attempting to save the region from economic slump — there’s no WiFi, cell phone service is spotty, the streets need repaving — by trying to make it a tourist destination. He manages to get a New York Times travel writer to visit, who writes a story that seems to turn the town’s fortunes. But much to Tom’s chagrin, the locals — particularly Wyck, played by Stephen Root — say the island is cursed and it has been awakened to unleash a “haunt.”

Creator and showrunner Katie Dippold’s fascination with such places began at an early age, growing up in New Jersey, where her family would take trips to the shore. She began writing the series more than 10 years ago, and it’s evolved over the years. “Believe it or not, this was originally a ‘Parks and Recreation’ sample for me when I got that writing job,” says Dippold, whose writing credits also include “The Heat” and “Ghostbusters.” “But it was very different, it was more comedic.”

While the show incorporates some comedic elements, it very much has moments of horror and dread that might make you gasp when something unexpected happens. Some of that feeling is thanks to director Hiro Murai (“Atlanta,” “Mr. & Mrs. Smith”), who directed the first three episodes and the final two. “Sometimes it’s like a ‘blink and you miss it’ kind of moment, which I love for this show,” Dippold says, even if it meant losing some of the humor they’d written in the scripts.

The creator spoke over a video call to dissect the characters and series, and explained whether or not we would see Willy the clown from Episode 2 again. This conversation has been edited for length and clarity. — M.G.

You’ve worked on a number of comedic projects, and this show has comedy elements. But horror is definitely a part of this show. Have you always been into horror, and why mash up these genres?

I’m a comedy writer, first and foremost, but I’m also the biggest horror fan. I like watching horror more than I like watching comedy. I just wanted to try to create a world where you could play with both of those things. But I should say that I actually don’t like most horror comedies. The ones that do it well are some of my favorite movies, like “American Werewolf in London,” “Cabin in the Woods” or “Shaun of the Dead,” and even the three of those are very, very different.

Especially in a TV show, I didn’t want it to feel like constant horror and dread. I like having those moments with a surprise laugh … or just something completely absurd. But, to that point, it was also a constant tonal tightrope walk from beginning to end because … I never wanted to undercut the tension. As a horror fan, I wanted to take it very seriously, and so that was a challenge from the scripts to production to casting to the edit to the score, just every step of the way.

The show is set in a small island town that’s trying to become the new “it” destination — comparable places like Bar Harbor, Maine, and Cape Cod are mentioned — except the townsfolk say it’s cursed. What about these communities intrigues you and why set the story in that location?

I grew up in New Jersey, and I always loved going to the Jersey Shore, and I always talk about this haunted house on the boardwalk that I used to always go to, and I just love that seaside haunted house vibe. I think I always romanticized it … that atmosphere is my dream. A couple years ago, I went to a diner in Marblehead, Mass., and it’s called the Driftwood, and it was just so perfect … in the sense that it was so cozy and lived in. You could see the ocean outside. It was a gray, cloudy day and there was a cemetery that was not that far away. There’s something about it that I found so special, and I never wanted to leave that place. And so I just wanted to get that feeling and get it on the screen.

Unique places have unique people like Wyck, who is trying to warn Tom about the fog that’s rolled in. Wyck is an oddball — every town seems to have one. Was that rooted in anyone or anything?

I was just trying to think of who would be the best thorn in Loftis’ side, and Stephen Root is so great at everything he does, and he’s so funny, but then so heartbreaking the next. When I was young, my dad had his drinking buddies, and Wyck doesn’t seem that far off from that kind of person, so I kind of relate to that. He represents the voice of the people of the islands, the real islanders, the real locals that take it all very seriously, and so he’s just the constant menace to Loftis.

And poor Tom is so practical. He’s worried about keeping the town afloat and literally keeping the lights on. But he also kind of believes the stories. How does this character and his contrasts help illustrate the story?

I think Loftis, in the beginning of the story, is at a place of determination and optimism. He cannot accept that this is his life and he cannot accept that this is the life of his teenage son [Evan, played by Kingston Rumi Southwick]. So he’s really trying to bring what he can to the island through tourism and what that would do for the town. But there’s some stuff that he needs to reckon with — he will throughout the season. I think I can be very optimistic, and so when you learn the hard truths of life, I always take that very hard myself.

Is this related to his wife being dead?

I think that’s a huge part of it. There’s a lot of what happened with his wife that he hasn’t fully reconciled. There’s stuff he needs to come to terms with … if he keeps repressing it, it’s just going to destroy him.

You set some ground rules or parameters of the world we’re in: First the quake, the fog and so forth. How did you come up with it?

In the writer’s room, we spent so much time thinking of the history of this town and different eras of leadership. …Because the more that we fleshed out this world since 1681, the funnier it was to us when something would pop out that’s ridiculous, you know what I mean? Like, then the ludicrous is more fun, if everything else feels real. It’s so important that you buy everything that’s happening, because it’s very easy to go off the rails. Once you start not buying it, it’s very hard to get back to ever feeling the tension.

The other thing I would say about the mythology, the rules … Loftis could dismiss it. Like the examples the [New York Times] reporter gives at the restaurant [of islanders going to the mainland and dying], those are weird. It’s weird that those things happen to people, but it’s also not like they all went on a boat and blew up. It’s just weird enough that I know I would take it seriously but still murky enough to give a little bit of room for Loftis to dismiss it and not be a complete lunatic.

They’re plausible enough to have happened.

But deep down, I think it scares him very much and that’s why he’s putting in all the effort.

In Episode 2, we see Willy, a creepy, fast-moving clown. Will we see him again?

Oh, possibly. Because I think for some things on the island, if you’ve heard about it before, it’s existed before and it’s come back, so it’s probably not completely gone.

Hiro Murai directed the first three episodes and he has a couple more at the end of the season. I feel like we see his stamp on the show. Was he someone you wanted to work with? How did he help bring your vision to life?

He was my dream director for it because I love “Atlanta” so much. I think Hiro is so fantastic at creating a very grounded world, a grounded scene and then still surprising the hell out of you with some absurd moment.

“Atlanta” was very inspiring to me. I had written this long before, and I was rewriting throughout the 10 years or so. But TV changed in the process, from the time I wrote the pilot to now, and that was very helpful. I think he’s so good with specifics and little nuances, and we have a very similar sense of humor. … I just knew this show would never be corny if [Hiro] was directing it.

Last thing, what are you watching right now that you’d recommend to others?

I’m rewatching “Game of Thrones” [HBO Max]. Me and my boyfriend … make breakfast every Saturday morning and rewatch an episode from the series. And it’s such a fun rewatch because the first time, I had not read the books. It’s so fascinating to rewatch again, now that you understand what the hell is happening.

I’m also watching “Hacks’” [HBO Max] final season, which I always love. In terms of movies … we were in production and then I was in post, so I didn’t get to see a ton of new stuff, but I loved “Weapons” [HBO Max]. I know it’s now a year old … but that’s my honest answer.

ICYMI

Must-read stories you might have missed

Megan Thee Stallion’s Broadway run playing Zidler in “Moulin Rouge! The Musical” is ending weeks earlier than planned, and days after she announced a messy split from NBA star Klay Thompson.

The “Wanna Be” hitmaker is pulling out of her first Broadway run weeks sooner than anticipated. Megan announced the news on Instagram alongside a bandaged heart emoji and said she would step away from the production Friday rather than the originally slated May 17.

“Hotties, my last performance as Zidler in @moulinrougebway will be May 1,” she wrote. “It’s been such an honor to be part of thee Moulin Rouge family and I’ve met so many amazing people in this theater!

“Y’all work so hard and I have so much respect for the dedication, the stamina, the work ethic, the time and the effort y’all put into the work! I’m so grateful for the cast and crew that made this experience so meaningful. And to all the Hotties that showed up or planned to attend, thank you for supporting me during this incredible journey! I LOVE YALL . . . See you soon.”

The Grammy Award-winning rapper made history as the show’s first woman to portray the charismatic cabaret manager Zidler — the character’s full name is Harold Zidler. Broadway veteran Eric Anderson will step back into the role on May 19, but the actor who will cover the interim, from May 2 through 17, hasn’t been announced.

The wildly popular “Moulin Rouge! The Musical” was recently extended on Broadway, with its final performance set for Aug. 30 after a seven-year run.

Although Megan didn’t offer a reason for her departure, the move comes amid a recent health scare and some personal upheaval for the “Hot Girl Summer” chart topper.

On Saturday, the “Savage” rapper aired some dirty laundry on social media, writing in a since-expired Instagram story that her recent beau, Dallas Mavericks shooting guard Klay Thompson, didn’t know if he could be monogamous and had treated her horribly during their time together. “I need a REAL break after this one,” she wrote.

She followed the social media admission with a formal statement issued to People confirming that she and Thompson had split just months after they took their relationship public.

“I’ve made the decision to end my relationship with Klay,” Megan said in a statement. “Trust, fidelity and respect are non-negotiable for me in a relationship, and when those values are compromised, there’s no real path forward. I’m taking this time to prioritize myself and move ahead with peace and clarity.”

WASHINGTON — Two and a half centuries after the American colonies declared independence from Britain under King George III, his descendant King Charles III lands in Washington on Monday with trans-Atlantic ties under strain and security in the spotlight.

A shooting at a Washington dinner attended by President Trump on Saturday sparked a last-minute security review of the four-day state visit, intended to celebrate the United States’ 250th anniversary, and the U.S.-U.K. “special relationship.”

Buckingham Palace said the king “is greatly relieved to hear that the president, first lady and all guests have been unharmed.” After a security review, the palace said the trip “will proceed as planned.”

Trump praises the king but derides Starmer

A rift between the U.K. government and Trump over issues including the Iran war had already raised the political stakes for the British monarch’s visit.

In recent weeks, Trump has lambasted Prime Minister Keir Starmer over his unwillingness to join U.S. military attacks on Iran, dismissing Britain’s leader as “not Winston Churchill,” the World War II prime minister who coined the phrase “special relationship” for the U.K.-U.S. bond.

It’s part of a wider rift between Trump and the United States’ NATO allies, whom he has called “cowards” and “useless” for not joining action against Iran. A leaked Pentagon email suggested the U.S. could reassess support for the U.K.’s sovereignty over the Falkland Islands in the south Atlantic. Britain and Argentina fought a 1982 war over the islands, also known as the Islas Malvinas.

The president insists the political chill won’t affect the royal visit. Charles “has nothing to do with that,” Trump said in March, meaning NATO.

The president has spoken in glowing terms about Charles, repeatedly referring to the monarch as his “friend” and a “great guy.”

He also continues to mention his “amazing” trip to the U.K. in September with first lady Melania Trump for an unprecedented second state visit. Starmer hand-delivered the invitation from the king in the Oval Office five weeks after Trump returned to office, in a very public attempt to woo the Republican president.

The U.K. royal family laid on pomp and pageantry for the Trumps, with scarlet-clad guardsmen, brass bands and a sumptuous banquet at Windsor Castle.

“President Trump has always had great respect for King Charles, and their relationship was further strengthened by the president’s historic visit to the United Kingdom last year,” White House spokesperson Anna Kelly told The Associated Press. “The president looks forward to a special visit by Their Majesties, which will include a beautiful state dinner and multiple events throughout the week.”

Trump, meanwhile, told the BBC that the king’s visit could “absolutely” help repair the trans-Atlantic relationship.

“He’s fantastic. He’s a fantastic man. Absolutely the answer is yes,” the president said.

Some have called for the trip to be canceled

Kristofer Allerfeldt, a University of Exeter professor specializing in American history, said the two governments have very different objectives for the trip.

He said that for Charles, the trip is about “reinforcing long-term ties, showcasing the monarchy’s soft power and reminding the world that Britain still carries diplomatic weight.”

For Trump, it’s more about “a media event,” with emphasis on the optics of a visit that resembles a meeting of “two gilded monarchs.”

Some U.K. politicians worry that the trip is fraught with opportunities for embarrassment. Trump’s recent broadsides at Pope Leo XIV have heightened those concerns.

Ed Davey, leader of the U.K. centrist opposition Liberal Democrats party, earlier this month called Trump “a dangerous and corrupt gangster” and implored the government to cancel the trip.

“I really fear for what Trump might say or do while our king is forced to stand by his side,” Davey said in the House of Commons. “We cannot put His Majesty in that position.”

Starmer defended the visit, saying “the monarchy, through the bonds that it builds, is often able to reach through the decades” and bolster important relationships.

Andrew and Epstein cast a shadow

Raising the stakes is the shadow of the king’s younger brother Andrew Mountbatten-Windsor, who has been stripped of his royal title of Prince Andrew, exiled from public life and put under police investigation over his friendship with Jeffrey Epstein. He has denied committing any crimes.

Epstein victims have urged the king to meet with them and other sexual abuse survivors. It’s unlikely he will do so.

Charles has visited the U.S. 19 times, but this is his first state visit to the country since becoming king in 2022. His mother, Queen Elizabeth II, made four state visits to the U.S.

The king, who is 77 and was diagnosed in early 2024 with an undisclosed form of cancer, will spend four days in the U.S. accompanied by Queen Camilla.

In Washington, the king and queen will have a private tea with the Trumps and attend a garden party and a formal White House state dinner. The president and the king will also have a one-on-one meeting.

The royal couple will also visit the Sept. 11 memorial in New York and attend a 250th birthday block party in Virginia, where Charles will also meet Indigenous leaders involved in nature conservation — a favorite cause of the environmentalist king.

Three centuries after Britain’s kings and queens gave up any real political power, the royals remain symbols of soft power, deployed by elected governments to smooth international relationships and send messages about what the U.K. considers important.

A key moment will be the king’s speech to the U.S. Congress on Tuesday. It’s only the second time, after Queen Elizabeth II in 1991, that a U.K. monarch has addressed a joint meeting of both houses.

Elizabeth praised liberalism on that trip, spoke against the idea that “power grows from the barrel of a gun” and praised the “rich ethnic and cultural diversity of both our societies.”

The king’s treasured causes, including the environment and harmony among religious faiths, are in contrast to Trump’s. He’s unlikely to accentuate differences, but Allerfeldt said that, in the monarch’s subtle way, the king could use his speech to send a message.

“He does have an unorthodox way of looking at the world, and I think maybe he can actually have something valid to say when he addresses Congress,” Allerfeldt said.

Superville and Lawless write for the Associated Press. Jill Lawless reported from London.

Russell Brand, the British comedian and actor who has been accused by multiple women of rape and sexual assault, said his sexual flings amid the height of his fame in the early aughts included sleeping with a 16-year-old girl.

Brand confirmed the relationship to Megyn Kelly on the the latest episode of her eponymous podcast and YouTube show published Wednesday. “I did sleep with a 16-year-old when I was 30,” he said, “but when I was 30 I was a different person. I was a lot younger and I was an immature 30-year-old.”

The “Get Him to the Greek” actor, 50, emphasized that the age of consent in the United Kingdom is 16 and reflected on his behavior at the time, adding that he thinks having consensual sex as a famous person “involved exploitation.” He said he felt fame and addiction paved the way for “opportunity for endless consent which led me to be a hedonist and a fool and exploiter of women.”

“That is wrong and that is something that needs to be redeemed and addressed and atoned for,” he added.

Brand’s relationship with a 16-year-old girl became public in 2023 when the Times of London and Britain’s Channel 4 published a joint investigation detailing allegations of rape, sexual assault and other abusive behavior against the once-in-demand actor. One of the women who raised allegations against Brand said she became involved with the former actor when she was 16 and he was 31, and that he referred to her as “the child” in their relationship. According to the woman, Brand reportedly forced his penis down her throat, making it difficult to breathe, and she fought him off by punching him in the stomach. Brand denied the claims at the time.

The investigation centered on alleged incidents that occurred between 2006 and 2013 — the peak of Brand’s Hollywood fame — and laid the groundwork for additional complaints against the raunchy comedian to come to light.

In April 2025, the Metropolitan Police Service charged Brand with single counts of rape, indecent assault, oral rape and two counts of sexual assault connected to alleged attacks on multiple women between 1999 and 2005. U.K. authorities pressed additional rape and sexual assault charges against the “Forgetting Sarah Marshall” actor in December. He will stand trail in October.

Brand, ex-husband to pop star Katy Perry (who is facing her own sexual assault scandal),fell mostly out of public favor within the past decade and pivoted his focus to religious and “free-thinking” content. Last year he appeared at Turning Point USA’s AmericaFest 2025.

At the beginning of the podcast episode, Kelly said that after learning about allegations against Brand she “felt anger for a couple years” toward the actor. However, Kelly said she grew open to speaking with him after some time and an “enormous amount of open-mindedness to [Brand] being railroaded and attacked by people.”

Notably, Kelly in November offered a flimsy definition of pedophilia when it came to late convicted sex offender Jeffrey Epstein. Citing “somebody very close” to Epstein’s case, Kelly said Epstein “ was into the barely legal type, like, he liked 15-year-old girls,” Kelly continued.

“I’m not trying to make an excuse for this, I’m just giving you facts — that he wasn’t into, like, 8-year-olds,” she added at the time. “But he liked the very young teen types that could pass for even younger than they were, but would look legal to a passer-by.”

Times staff writer Meredith Blake contributed to this report.

KIM Kardashian and Lewis Hamilton’s romantic beach pictures prove that they’ve hard launched a VERY different relationship.

Body language expert Judi James has revealed that Kim, 45, and Lewis, 41, appear to be the real deal with “genuine displays of intimacy”.

The happy couple, who went official with their relationship in December, packed on the PDA during their getaway in Malibu.

The Skims founder looked in her element as she enjoyed a surf lesson with her beau.

TV personality Kim showed off her incredible figure in a skintight wetsuit and a black bikini top.

The F1 star wore a pair of black shorts and a matching T-shirt.

They were seen all over each other as they struggled to keep their hands off one another.

Judi has now revealed that the beach snaps illustrate just how much this famous couple are compatible, despite fears that they were a showmance.

Even though it’s early days, Judi believes that their is already a strong level of trust between the pair.

She exclusively told The Sun: “They might have been seen on a couple of chaste-looking dates where Lewis’s body language primarily spelled out ‘gentleman’ but these photos and the video look like the hard launch of a more tactile, sexual and romantic relationship between Kim and Lewis.

“Kim’s leading the plunge here, swimming ahead of Lewis as he seems to be struggling to catch up with her and touch her.

“When they are together in the ocean there are signs of an uninhibited and playful, mutually clinging relationship with Kim encircling Lewis with her arms and throwing her head back with an open-mouth laugh of sheer pleasure, with her relaxed neck-baring a sign of strong levels of trust in the relationship.”

The expert insisted that Kim appears to be in charge of the relationship but also seem to be rather like-minded and on the same page.

“Kim does look like the leader in the body language stages here, at one point she stands with her feet slightly splayed and her back arched as she performs a preening, confident pit-bare gesture as she squeezes the water out of her hair,” Judi shared.

“Lewis’s response is reciprocal as he shows his admiration by placing one hand out and onto the upper part of her bum.

“During a playful-looking moment Kim turns her torso in towards his, pressing it against his torso in an intimate pose as she places one hand on his waist and here he responds with one hand curved right around the shape of her bum.

“Kim and Lewis have dressed in coordinating swimwear here to signal they are a couple and their mirrored movements and poses at some points suggest a like-minded relationship too.”

Kim and Lewis packed on the PDA and were seen strolling along the beach and were pictured smiling and laughing together.

The lovebirds were then seen splashing about in the sea and were spotted with their arms wrapped around one another.

They appeared to be the real deal as they kept eye contact and smooched while riding the waves in the sea.

They were also seen showing off their surf skills during the sporty outing, with Kim jumping on top of the board, while Lewis kept an eye on her.

They seemed comfortable in each other’s presence as they clung to each other and rode the waves.

Last week, Kim sparked Kim rumours that she is moving in with Lewis as they went rug shopping in LA.

Lewis attempted to go incognito with black sunglasses and a baseball cap.

The two were seen heading back into a vehicle as they made their way home after the shopping trip.

Just last week, Kim made an 11,000-mile round-trip to spend 24 hours in London with Lewis.

She flew to the UK on her private jet to see her man in a bid to keep their long-distance romance alive.

She left Los Angeles last Monday and landed at Farnborough, Hants, at 4pm on the Tuesday before being chauffeured on a 90-minute journey to Lewis’s £18million home in Kensington, West London.

The couple stayed holed-up in his six-bedroom mansion while their security teams kept guard.

She then left on Wednesday afternoon, taking off from Oxford at 5.30pm to return to the US.

A source said: “Lewis and Kim are two of the busiest people in showbiz, but they are determined to do everything to see each other when they have any spare time.

“Kim spent Easter weekend with her family and then had a photoshoot in Los Angeles on Monday morning, then flew across the Atlantic to see Lewis.

“They didn’t have long together because she had commitments in the US to get back to, but it was quality time.”

Kim’s romance with Lewis became public knowledge after The Sun revealed she flew in from Los Angeles on her £100million private jet to spend an evening with him.

On January 31, the couple enjoyed a brief stay at the exclusive Estelle Manor in the Cotswolds, with insiders saying they had the spa to themselves, before enjoying a meal in a private room.

They made their public debut as a couple at the Super Bowl in February where they were spotted sitting together in a luxury suite.

They have since been seen together in Paris, the US and for several other trips.

Proving they’re the real deal, the sports star recently met Kim’s children while they were out in Tokyo ahead of the Japanese Grand Prix.

The couple were  joined by three of her children -Saint, 10, Chicago, nine, and six-year-old Psalm – while they were on spring break.

“It’s more than just a casual connection. It takes a lot to capture Kim’s interest and she’s definitely intrigued,” an insider told People.

“He’s just an easygoing guy with great energy.

“Her family likes him and Kim’s very into him. They are both busy with their careers, but see each other as much as possible.”

Victoria Beckham is speaking out about her rift with son Brooklyn Peltz Beckham.

In an interview with WSJ Magazine, the former Spice Girl shared insight into her relationship with her son, although she did not refer to him by name.

“I think that we’ve always — we love our children so much,” Beckham said. “We’ve always tried to be the best parents that we can be. And you know, we’ve been in the public eye for more than 30 years right now, and all we’ve ever tried to do is protect our children and love our children. And you know, that’s all I really want to say about it.”

The response comes after Peltz Beckham took to his Instagram Story in January to accuse his parents of “endlessly trying to run” his relationship with his wife, Nicola Peltz Beckham. The 27-year-old claimed his parents “repeatedly pressured and attempted to bribe” him into signing away the rights to his name, that his mother “hijacked” the first dance during his wedding and that his family “values public promotion and endorsements above all else.”

“My wife has been consistently disrespected by my family, no matter how hard we’ve tried to come together as one,” Peltz Beckham wrote. “Family ‘love’ is decided by how much you post on social media, or how quickly you drop everything to show up and pose for a family photo opp, even if it’s at the expense of our professional obligations.”

Peltz Beckham ended the post writing, “I do not want to reconcile with my family. I’m not being controlled, I’m standing up for myself for the first time in my life.”

After the Instagram bombshell, fans believe David Beckham broke his silence while speaking about the power of social media during an interview in January on CNBC’s “Squawk Box.”

“They make mistakes, but children are allowed to make mistakes. That is how they learn. That is what I try to teach my kids,” David Beckham said. “You sometimes have to let them make those mistakes as well.”

During Peltz Beckham’s birthday in March, his parents wished him happy birthday and shared that they love him on their Instagram Stories.