Reid

In early June, hundreds of fans dressed to the nines were in attendance at a rock star’s sold-out show at New York’s Beacon Theatre. There was lace everywhere and leather too. Chains dangled from belt loops and wrists. Some attendees arrived with dyed crimson hair, others with orange or pink.

Sheer black outfits that looked pulled from the pages of a gothic romance novel were draped on bodies. If “The Rocky Horror Picture Show” had collided with a modern concert, it might have looked something like this.

Then a man took the stage. Was it Lestat de Lioncourt, the immortal vampire-cum-rock star, or was it actor Sam Reid?

Moments earlier, attendees had watched the first episode of AMC’s “The Vampire Lestat,” the rebranded third season of “Interview With the Vampire” that premiered earlier this month. This season adapts Anne Rice’s novel of the same name, which is told from the perspective of Lestat, played by Reid, and transforms him into a touring musician.

Now Reid, dressed in black with his chest partially exposed beneath an open jacket revealing a scar, stepped on stage and into the role of Lestat in front of the audience. As he moved across the stage, phones shot into the air. Fans screamed. People sang along to a slew of songs, and for a moment, the line between actor and character seemed to disappear.

At first glance, the assignment to turn Lestat into a rock star seemed straightforward. The vampire at the center of Rice’s beloved novels has flirted with music before. In 2002’s “Queen of the Damned,” he emerged as a leather-clad nu-metal frontman capable of commanding massive crowds. But bringing Lestat into the present introduced a different challenge. Rock music no longer occupies the same place in popular culture. Fame is fragmented. Audiences are skeptical of celebrity. Social media can build a star overnight and tear them down just as quickly.

Yet “The Vampire Lestat” asks viewers to believe something as audacious as a centuries-old vampire still being able to captivate people, launch a music career and inspire a movement. Reid thinks part of what drives the character is something surprisingly modern.

“Nobody cares that I exist, nobody cares that I’m not relevant,” Reid said of Lestat’s mindset entering the season. “It’s really fun to see him struggle with that and see him try to find his place in the world and not immediately get world domination.”

Making that fantasy feel believable required far more than putting Lestat in leather and handing him a microphone. To pull it off, the show’s creative team had to build a rock star from the ground up, crafting a visual identity, creating music that could stand on its own outside the series, and transforming Reid into a performer capable of owning a crowd rather than simply acting in front of one.

Sam Reid’s Lestat de Lioncourt crowd-surfs in “The Vampire Lestat.”

(Sophie Giraud / AMC)

“Dropping Lestat down into 2025 and making the decision for him to play rock ‘n’ roll was a really great dramatic switch because while there are many great rock bands that are alive and kicking right now, their hold of the cultural landscape is quite small,” showrunner Rolin Jones said. “You couldn’t think of a worse way to get your message out than going to be a rock star right now.”

That challenge became the foundation of the season.

Step 1: Making the music

A polished aesthetic, marketing and, in Lestat’s case, book buzz can only take a musician so far. It’s the music that had to make diehard fans believe he’s an artistic genius, or at least a star in the making.

That challenge landed with composer Daniel Hart long before a single script was finished. In an unusual twist, many of the songs that would eventually appear throughout the season were written before the writers’ room fully mapped out the story.

“There were so many unknowns when we started,” Hart said. To find a way in, Hart and Jones started with their familiar reference point: David Bowie.

“We settled, I think sort of obviously, on David Bowie as the launch pad for our Lestat,” Hart said. “The way that Bowie was so mercurial, and he was a chameleon. He reinvented himself throughout his career.”

Hart also looked to artists as varied as Kurt Cobain and Chappell Roan, while drawing inspiration from classical music, blues and the old-world sound Lestat would have absorbed over his long life. One early writers’ room exercise even involved breaking down the influences embedded within “Long Face,” the Bowie-coded first single released from Lestat’s fictional album.

“‘Long Face’ feels like a Bowie rip-off to Daniel Molloy [played by Eric Bogosian], and so then Lestat breaks the song down for him and goes into all the other influences that are in there,” Hart said. “ ‘Long Face,’ you could say, was in some way influenced by Bach, and then [he] talked about Willie Dixon, and how the blues had influenced Lestat when he was around the … 1920s and ‘30s.”

“He’s been alive for 250 years,” Hart continued. “He’s seen and heard a lot of music.”

The creative team never set out to replicate the hard-rock sound that defined “Queen of the Damned.” If anything, Jones felt trying to outdo that soundtrack would have been a losing battle.

In “The Vampire Lestat,” Sam Reid sings every song himself, including “Long Face,” “Butterscotch Bitch,” “Your Biggest Fan,” “All Fall Down” and “Black Licorice.”

(Sophie Giraud / AMC)

“I mean, that soundtrack is deservedly very famous,” Jones said. “And I think if we decided to out-Korn Korn, we were going to be in trouble.”

Instead, their Lestat was a musician still searching for his voice. Jones says the season begins in a more performative glam-rock space before gradually evolving into something more personal.

“We thought ‘70s Bowie is where we would start, and that we would musically make a journey with him as we went deeper and deeper,” he said. “He would put his band on one tour, what a normal band would do, over four albums. The music just keeps changing. And as he gets more and more vulnerable, the songs begin to change. They get more raw. They get more exposure, and the music style evolves.”

Reid sang every song himself, including “Long Face,” “Butterscotch Bitch,” “Your Biggest Fan,” “All Fall Down” and “Black Licorice.”

“The more bombastic, the more over-the-top songs — he doesn’t seem to like them by the end of this season,” Hart said. “The more introspective songs that come later on are more in his new wheelhouse.”

That journey also shaped how Reid approached the material. While audiences will ultimately see the songs unfold within the context of the show, Reid encountered many of them before he fully understood where Lestat’s story was heading.

“I think in the beginning, he’s coming from an artificial kind of construct,” Reid says. “As the show goes on, the music becomes more personal, and he becomes less interested in actually finding love through his audience and more about finding who he is as an individual and as an artist.”

When Jones first began adapting “The Vampire Lestat,” he briefly considered making the character the sort of arena-filling superstar audiences might expect, like a Beyoncé or Taylor Swift. But the more the writers discussed it, the less interesting that version felt.

“If we were gonna start chipping away at all the armor that Lestat had, one of the great repetitive ways of a tour is you just can’t seem to break a ceiling,” Jones said. “He’s a niche star. And I think that is part of the gas that fuels this little journey.”

Hart also had the impression that Lestat would be a massive star.

“But it became more apparent that [he might] not exactly have the kind of success that he wanted and desperately felt like he needed — that was a more interesting story to tell,” he said.

Step 2: Getting the rock star look

While the audience has to believe Lestat is a rock star, they also have to believe he’s someone with the look — and worth staring at.

Lex Wood, the show’s costume designer, said that the challenge began long before cameras rolled on Season 3. Jones first floated the idea of rock star Lestat while the team filmed Season 2 in Prague in 2023, giving Wood time to begin imagining what a nearly 300-year-old vampire might wear while reinventing himself as a singer. During a production trip to Paris, she started sourcing pieces and collecting references that would eventually make their way into this season years later.

“The main aim of building costumes for Lestat was to maintain an element of the unachievable,” says show costumer designer Lex Wood. “To emphasize that Lestat is untouchable.”

(Sophie Giraud / AMC)

Being fashionable wasn’t the only goal.

“The main aim of building costumes for Lestat was to maintain an element of the unachievable,” Wood said. “To emphasize that Lestat is untouchable. Hence, building specific costume build shapes and patterns that we adapted throughout the season.”

That idea guided nearly every aspect of the wardrobe. While the first two seasons often presented Lestat through structured tailoring and muted palettes, Season 3 arrives in a much louder world.

“A big thing really was that we wanted to push more color into the season in general,” Wood said.

Wood said the choice reflected where Lestat finds himself emotionally. No longer confined to drawing rooms and period silhouettes, he’s navigating celebrity, performance and self-reinvention. Leather remains. Black remains. But so do bursts of color, softer fabrics and strange patterns.

“We wanted to break Lestat free of the suiting,” Wood said. “Though we wanted to remain true to his roots in the 18th century, we also wanted Lestat’s pieces to feel slightly otherworldly at times.”

That meant weaving in elements of garments from the 18th century and making them feel contemporary. This could look like a very specific cut of a sleeve of a shirt that nods to that time.

Wood also studied the backstage photography of Mick Rock, pulling references of Bowie, Iggy Pop and Freddie Mercury. She blended that with punk-inspired designs from Vivienne Westwood and Jean Paul Gaultier. Goth icon Siouxsie Sioux also became an influence, particularly in the use of layering, texture and attitude.

Wood said the scattered references reflect a character actively trying to figure out who he wants to be.

“He’s investigating social media himself,” she said. “As he’s discovering his presence as a rock star. He’s investigating what it means to be a rock star.”

“He’s finding his persona,” she continued. “And trying on different personas.”

That idea extends all the way down to accessories, with Lestat’s jewelry blending old and new — a custom necklace created by a U.K. silversmith recalls one worn by Mercury during Queen’s early years, while rings featuring sculpted teeth serve as subtle reminders of his vampiric nature.

“We purposefully wanted some of his wardrobe to not be recognizable to any particular brand — at other times, we wanted to celebrate high-end fashion, to explore his playfulness and unpredictable character through his clothing,” Wood said.

Even the shoes became part of the transformation. One of Wood’s earliest conversations with Reid centered on abandoning the heeled footwear that helped define earlier versions of the character. This Lestat needed something heavier for a performer who could pace a stage.

“He wanted something that felt more grounded,” Wood said. “Something he could bounce around more in.”

Wood said the redesigned footwear altered Reid’s posture and movement, helping create a version of Lestat that she noted feels more volatile and more comfortable captivating a crowd than charming one.

Step 3: Becoming the rock star

For all the work that went into the costumes, music and scripts, none of it mattered unless the watchers believed the actor tying it all together.

Reid had already spent two seasons playing Lestat through other characters’ memories and perspectives. This time around required him to carry the character’s story through his own reflections. More importantly, he had to answer a deceptively difficult question: Why would anyone follow Lestat in the first place?

“It’s not fame that he’s after,” says Reid of his character in “The Vampire Lestat.” “Fame is totally temporary for a creature that lives forever.”

(Sophie Giraud / AMC)

The surface answer might be fame. The character launches a music career, records songs and steps into the spotlight. But Reid doesn’t think that’s what drives him.

“It’s not fame that he’s after,” Reid said. “Fame is totally temporary for a creature that lives forever.”

Reid sees Lestat as someone searching for validation.

“Not for the vampire that he is, but for the human being that he was,” he said. “He’s been pretty heavily rejected. From Louis through the book, and then his mother knows exactly how to string him along, when to give him love and when to take it away. So he’s really looking for validation and going into an audience space is where he first experienced that.”

While developing the season, Reid says he became increasingly interested in the gap between the public version of Lestat and the person underneath it.

“His whole life has been performance,” Reid said. “His whole life has been a lot of adversity, and the way that he kind of climbs out of that is to build a construct that he can perform and operate in. It makes a lot of sense for him to do this rock star persona. Through this season you start to see him realize that the music and the art can allow him to access himself as opposed to it just being a performance.”

“He’s trying to discover his sound as a musician,” Reid continued. “But he’s also trying to discover who he is.”

Throughout the season, viewers see a musician struggling to connect.

“Why can’t I sell out 5,000 seats?” Jones says, describing the character’s mindset. “I used to be able to walk into a room and everyone would love me.”

For Jones, that’s ultimately what makes Lestat feel like a contemporary artist. Sure, he may be an immortal vampire, but he’s navigating the same questions that confront plenty of artists: How much of yourself to reveal? How much should one perform? Can admiration ever substitute for genuine connection?

By the time the season reaches its conclusion, Lestat is still larger than life. But he’s also a more complicated performer forced to reckon with the distance between being seen and understood. Jones said none of this would be possible without Reid in the role.

“I think his performance in Season 3 is one of the 10 greatest American TV performances of all time,” Jones says. “I’d put him right next to Carroll O’Connor, Walter White [played by Bryan Cranston] and James Gandolfini.”

“And I’d look at all of them and say, ‘You guys didn’t sing.’ ”

Reid Detmers had a career-high 14 strikeouts and pinch runner Donovan Walton touched home on an errant throw in the ninth to give the Angels a walk-off 2-1 win at Angel Stadium and their first three-game sweep of the season.

With one out and runners on first and second in the ninth, third baseman Oswald Peraza grounded into a fielder’s choice at second. Rangers second baseman Justin Foscue bobbled the ball and first baseman Jake Burger couldn’t cleanly field his throw, allowing Walton to advance from second to score the game-winning run.

The Angels’ dugout erupted as Walton scored.

“That was amazing,” Peraza said. “I went up there and just put the ball in play, and not trying too much. I’m happy for the sweep. And yeah, amazing.”

The win sealed the Angels’ fourth series victory and second three-game winning streak of the year.

Detmers (1-5) entered on a three-game skid and finished dominantly after yielding a second-inning home run to Burger.

The left-handed pitcher ultimately gave up one hit and one run through eight innings — his first time pitching through eight innings in 2026 and first time since his no-hitter as a rookie in 2022 — while setting a new personal best with 14 strikeouts to zero walks.

“I mean, you realize it, but you don’t really think much of it,” Detmers said when asked if he was aware of his strikeout count. “It’s more just, ‘How can I get this next guy out?’ Like I said a little bit ago, just stick with the process, don’t overthink stuff. There’s not a whole lot that goes into it, to be honest with you …”

In front of an announced crowd of 36,903 on “Little League Day” in Anaheim, the 26-year-old used 96 pitches to lower his ERA from 5.07 to 4.57 in the win.

Rangers left-handed starter MacKenzie Gore (3-4) dueled, too, giving up one hit, two walks and one run through six innings.

“Gore was really good today,” Detmers said. “His stuff was really good today. He kept us off balance and got out of a couple of big situations.”

But the Angels’ offense, finishing with four hits, found a way to make do without solely relying on the long ball.

Mike Trout started the Angels’ scoring in the third with a two-out single to score Sebastián Rivero from second and tie the score at one.

The Angels’ run support behind Detmers was far from ideal. But Angels manager Kurt Suzuki is proud of his team’s effort in what was a pitcher’s duel.

“Like we talked about, you put the ball in play, things happen,” Suzuki said. “You never know what can happen when you put the ball in play. And you know, [Peraza] showed right there with the speed and putting it in play … forcing the issue a little bit.”

After Detmers and Gore sat down, Gavin Collyer (0-1) earned the loss, and Angels right-handed reliever Sam Bachman earned his first win of the year after striking out Rangers right fielder Brandon Nimmo to get out of a two-out, bases-loaded jam in the ninth.

Glad his team won, Detmers considers Sunday’s game his second-best career performance after his no-hitter. Suzuki, who was Angels teammates with Detmers during his no-hitter from four seasons ago, also chimed in.

“Yeah, I mean, never discredit a no-hitter, right?” Suzuki said. “A no-hitter is special. But for him, I think what made [Sunday] … he was better was the strikeouts, right? It was not many balls put in play, that’s for sure … He struck out 14 guys, [and] to do it under 100 pitches, that’s even more impressive. That means you’re getting in, getting out of there really quick. So, I think … just probably the best start he’s had.”

Despite the recent uproar among fans frustrated with the Angels, whose 20-34 record is tied for worst in MLB with the Rockies, the Angels aim to stay hot.

“Well, as you know, we need more wins,” Peraza said. “[We’re] working very hard every day for that result.”

Susanna Reid was joined by Richard Madeley during the latest edition of Good Morning Britain

Good Morning Britain star Susanna Reid will be taking a short break from the programme.

Susanna returned to the ITV studio on Thursday (May 21), alongside Richard Madeley, to deliver the day’s biggest headlines from across the UK and around the world.

At the end of the show, Susanna and Richard interviewed a woman who had saved up to £800 a month as part of a new ITV programme called Rising Bills: How Can You Save Money?.

Wrapping up the interview, Susanna said: “I love it. Thank you both for coming in. You can catch Rising Bills: How Can You Save Money? tonight [at] 7.30pm on ITV1 and ITVX.”

The 55-year-old presenter then confirmed that she wouldn’t be on screen next week, which happens to be the May half term.

“Now, I am off next week, but Good Morning Britain is back tomorrow from 6am. Now, it’s time to join Lorraine. Have a great day,” she said.

It’s not yet known which presenter will stand in for Susanna while she’s away, but it usually tends to be either Kate Garraway, Ranvir Singh, or Charlotte Hawkins. Susanna’s announcement comes over a month after her last break from the show, which took place during the Easter holidays.

Elsewhere during today’s GMB, Susanna and Richard discussed the topical headlines with regular commentators Kwasi Kwarteng and Nels Abbey.

Ranvir also announced breaking news after EasyJet confirmed that summer flight bookings are lower than this time last year due to uncertainty linked to the Middle East conflict.

“However, last minute bookings made in the month that you want to travel have increased compared with a year ago,” Ranvir said.

“The airline also reported a pretax loss of £552 million for the six months ending in March.”

Susanna and Richard also interviewed Race Across the World stars Mark Blythen and Margo Oakley, who are competing in tonight’s grand final.

After racing over 11,000km, the final four teams will face one final test of endurance as they embark on the last leg of their journey. To finish the race, the teams must head north from Kharkhorin to reach the shores of the “Blue Pearl of Mongolia”, Lake Khövsgöl.

As they leave the checkpoint, they will face a crucial decision. They could head directly north, a shorter route but one which requires them to go off-road, or add 500km to their journey with a detour via the capital, Ulaanbaatar. Who will reach the finish line first? We’ll have to wait and see.

Good Morning Britain airs weekdays on ITV1 and ITVX at 6am

ALEX Reid has revealed his mum Carol has died as he shared a heartbreaking tribute to her on social media.

The Celebrity Big Brother star, 50, took to Instagram to share a series of pictures with his beloved mother as he revealed the devastating news.

He penned: “Today I celebrate the life of the best woman in my life, my mum, who went to join my darling dad in heaven!

“I’m absolutely heartbroken, but have a sense of ease knowing you are in peace now, not in pain.

“I unfortunately missed my mum’s passing by 2 minutes, although I still managed to hold her in my arms, kiss and caress her face, telling her how much I love her.

“Long live Carol Reid!,” Alex concluded.

PRICE FIGHTER

Katie Price’s husband challenges ex Alex Reid to MMA fight after wedding dig

WORRYING

Alex Reid’s management shares update after Katie Price’s ex was rushed to hospital

His followers rushed to support him with messages of condolences as one wrote: “So sorry Alex. Sending you love xxx.”

Another social media user commented: “I’m so sorry Alex for your loss. You’re so lovely with your mum. Anyone can see the love between you both. May she RIP.”

Someone else said: “I’m so sorry for your loss. Prayers and thoughts are going out to you and the family.”

Yet another penned: “I’m so sorry for your loss! May she rest in peace and I truly believe that she will always be with you in spirit cheering you on. God bless you and your family.”

While a fifth added: “Bless you Alex you’ve been by her side all these years, she knew in those two minutes she will always be in your heart. Love to you all x.”

Alex revealed back in 2020 that his mum was battling Alzheimer’s and was feeling guilty for moving her into a care home.

At the time, he shared a number of headlines surrounding Dame Barbara Windsor, who also had the disease prior to her death in 2020.

He wrote on X, formerly known as Twitter: “I know how it feels moving mum into a home with dementia it’s worse than bereavement as they’re still here & so lost.

“You feel an immense sense of guilt to want to do more I see how scared mum sometimes is, wanting to come home, but I see she how she is adapting & her quality of life improves.”

In March last year, he shared a video of him going to the care home to visit Carol as he gave her a bunch of flowers and a card.

He told his followers on Instagram: “Visiting my mum with dementia in her care home today on Mother’s Day, I was so grateful and lucky that she actually said I love you my darling!

“I’ve only had two or three words out of her over the last year! So so grateful! Happy Mother’s Day everyone!”

Alex and his fiancée Nikki welcomed their twin boys Phoenix Bobby and Hunter George back in 2023.

Nikki told Mail Online at the time: “To just have them in my arms. I am complete now. I have my family and I never need to revisit that dark place again.”

Their births came after the pair welcomed daughter Anastasia in 2021 after a seven year IVF battle.

British judoka Emma Reid won silver to clinch the first European Championships medal of her career.

Reid, who finished fifth in 2025, was beaten in the- 78kg final by Italy’s Alice Bellandi in Tbilisi, Georgia.

“I’m very happy with my performance, and it’s great to end the day with a medal,” said 30-year-old Reid, who won bronze at the World Championships in 2024.

“It has been a tough and busy block at the start of this year, so it’s nice to see the hard work paying off with my first European Championships medal.”

Reid won her last-16 and quarter-final contests with sankaku-gatame against Ukrainian Anna Kazakova and juji-gatame against Lithuanian Migle Julija Dudenaite respectively.

She then guaranteed herself at least silver by forcing her semi-final opponent, Slovenia’s Metka Lobnik, to submit just one minute into the contest.