Red

I first went to a bouchon as a 20-year-old Erasmus student. I’d accidentally ended up spending a semester of my year abroad in the Auvergne countryside, which meant every weekend I’d thumb a ride to the nearest big city – Lyon. I didn’t know much about Lyon, except that it was famous for its food – in particular the hearty fare served up at these traditional restaurants with their red gingham tablecloths and chalkboard menus. So when I found myself eating stringy, overpriced beef muscle that cost more than my night at a hostel, I wondered what the hype was about.

But after nearly five years living in the city, I’ve now learned how to avoid the tourist traps (which largely line Vieux Lyon between souvenir shops selling fridge magnets and sweet shops). Historically, most bouchons weren’t in Lyon’s old town anyway, writes Yves Rouèche in Histoire(s) De La Gastronomie Lyonnaise, but in the neighbourhoods of Vaise, Croix-Rousse and La Guillotière, the gateways to the city in the Renaissance period where merchants and travellers stopped for the night.

Elsewhere in France, bouchon translates as “traffic jam”, “wine cork”, or (if you ever need to converse with a medieval peasant) a “wisp of straw”. I’d assumed the name came from the wine cork, as Beaujolais and Rhône Valley wines are served liberally in these establishments, but, as one bouchon owner tells me, it’s more likely to come from the straw: bunches of straw were often used to mark the doors of auberges (inns) that were open and serving food. Shared tables, checked tablecloths and pots de vin are all hallmarks of a bouchon, but the real defining feature is the quantity of meat served, particularly offal – enough to surprise even devout carnivores.

The restaurants really took off in the 19th century, when they were largely run by women, known as Mères Lyonnaises (Lyonnaise mothers). They dished up andouillette (tripe sausage), rognon de veau (calf’s kidneys) and cervelle de canut (silk worker’s brain, actually a soft cheese infused with shallots, garlic and herbs) to silk merchants and weavers. The Michelin guide discovered one of these “mothers” in 1933, and awarded Eugénie Brazier six Michelin stars, three for each of her restaurants. For the 65 years that followed, she was the most decorated chef in history, and her success put Lyon and its bouchons firmly on the map.

I drank wine at breakfast and consumed a veritable slaughterhouse worth of offcuts to find the best.

I was excited about this spot, because it has won awards for its quenelles. These sausage-shaped egg, flour and butter dumplings remind me of toad-in-the-hole batter, and in a bouchon, they’re usually stuffed with pike and covered in sauce aux écrevisses (crayfish sauce).

The restaurant is busy with local diners, and busy in decor. The red and white curtains are patterned with chickens, and the chandeliers and lamps on the bar are frilly and ornate. There’s already rosette (salami) and cervelle de canut on the table.

My quenelle is almost as large as a loaf of bread , but I finish up the lot, enjoying the contrast between the crisp, oven-browned top of the quenelle and the doughier part that’s been saturated in sauce. It’s buttery and tastes like marmite, and reminds me of British comfort food staples such as yorkshire puddings and dumplings. It’s very good, but, just like getting excited for several months about going to watch Avatar, I’d set my expectations too high.
Quenelles with crayfish sauce €24. Bouchon rating: 7/10

I arrive at 9am – and feel as though I’ve got there late. All of the other tables are full, the carafes of wine sitting on them half empty. La Meunière upholds the tradition of mâchon, Lyon’s answer to the bottomless brunch, only with hearty quantities of meat washed down with red wine. Originally, this would have served as lunch for hungry canuts (silk weavers), but now it’s popular with office workers and anyone else looking for an excuse for a midweek breakfast booze.

There’s no choice of menu (“salad” is a loose term for the starter). There’s not a vegetable in sight, rather tongue, ivory-coloured slices of cold pig’s trotters, lentils and pâté. So much cold meat early in the morning turns my stomach a little, but other than the pig’s trotters – possibly a mental block rather than a gustatory one – it’s all pretty good. The main course goes down easier: new potatoes roasted in their skins, pork that falls apart when I dig my fork into it, slices of sausage and bacon that’s more fat than meat, all in a rich gravy and garnished with parsley. I don’t manage lunch that day.
Mâchon: €34. Bouchon rating: 8/10

A local I speak to outside says it’s “excellent”, which abates my fears over having selected a bouchon called Jura, surely a slanderous move when the Jura region is around 90 miles from Lyon. “It’s historic,” says the owner, as he shows me its magnificent wine cellar, filled with enormous, dusty bottles of Chartreuse (a herbal liqueur) as long as my torso. “A wine merchant from Jura was the first person to set up a restaurant here.”

In a moment of bravery – and in spite of the smell – I try my friend’s andouillette. It takes liberal quantities of the accompanying mustard sauce to choke down the mouthful. My own pistachio-infused sausage with new potatoes is way more palatable, although the presentation reminds me of my grandparents’ “meat and potatoes” approach to cooking. The standout is the pâté en croûte, like a giant pork pie with a jelly made from port, cognac and cherry liqueur.

For dessert I order an iced souffle infused with Chartreuse. It’s wonderfully rich, but I can’t really tell the difference between an iced souffle and a very decadent ice-cream.
Pâté en croûte: €17.50. Bouchon rating: 7.5/10

This is the only old town bouchon I try, and there are far more tourists in here than any of the others. Unusually, there’s a vegetarian option; the ravioles, miniature ravioli in a vermouth cream sauce, are baked and topped with copious amounts of melted cheese.

Looking forward to a pig trotter-free meal, I order it, but am promptly told off by the owner. It’s only there so groups don’t have to leave the veggie at home, he says. So I double up, and order an oxtail macaroni gratin with foie gras, which is the house speciality – and infinitely more flavourful. I follow it up with a sticky pink praline tart with praline ice-cream that is so sweet it almost makes my teeth hurt.
Oxtail macaroni gratin: €30. Bouchon rating: 7/10

Chez Hugon

This pint-sized bouchon is owned and run by Fatima Zerrouki (in the kitchen) and Paola de Almeida Rocha (front of house), the fourth generation of women to run it. There is a short set menu, which helps with my indecisiveness, and I start with chicken liver pâté, sprinkled with hazelnuts and gherkins to add a little crunch.

Next up is poulet au vinaigre, the largest chicken leg I’ve ever seen, served in a sauté pan. The sauce is pure indulgence, made with vinegar, tomato pulp, heaps of onions and garlic, white wine and cream – and after eating it I finally understand why Michelin inspectors put Lyon’s bouchons on a pedestal a century ago. If I had the choice between this poulet au vinaigre and my mum’s Sunday roast, I’d choose the former. Sorry mum.
Two-course set menu: €30. Bouchon rating: 9/10

For 45 years, in his novels, short stories and essays, James Ellroy has been creating the definitive under-history of his Los Angeles hometown, mapping in his work the subterranean currents of power, corruption, sex and lies that have shaped the polity of the city. Ellroy’s latest is another compelling entry in his ongoing project.

“Red Sheet” is a multilayered American epic that blurs fact and fiction, a deep dive into anti-Communist paranoia, from the corridors of City Hall to the dank precincts of the LAPD. The novel also marks the return of Fred Otash, a real-life Hollywood fixer whom the author has featured in previous novels, including his last book, “The Enchanters.” I recently talked to Ellroy about Otash, L.A. in the ‘60s and L.A. today.

✍️ Author Chat

Freddie Otash has been something of a twisted muse for you. In “Red Sheet,” Otash is an LAPD detective trying to smoke out Communist sleeper cells in Kennedy-era L.A. He was, in fact, a real person, a notorious Hollywood fixer. How did you first become aware of him?

I had seen a documentary about his specious role in the cover-up caper surrounding Marilyn Monroe’s death. I’d been hearing about him for years, and then I created the Jack Vincennes character who worked for scandal magazines in my book “L.A. Confidential,” played by the scurrilous Kevin Spacey in the vastly overrated movie of the same name.

Did you ever meet him?

Years ago I met a producer named James B. Harris, who produced all the old Stanley Kubrick movies and had optioned one of my early books called “Blood on the Moon.” I asked him if he knew Freddie Otash, and he said everyone in Hollywood knew Freddie Otash. I was planning my novel “American Tabloid” and so I arranged to meet him. He was unpleasant and charmless and way past his prime. I spent some time with him in Miami, where he was living in a place called the Jockey Club, and I had to listen to him talk about his many conquests of the world’s most beautiful and desirable women. I didn’t believe a word of it.

But he did have useful stories, I’m assuming.

Otash I used for the character Pete Bondurant in “American Tabloid.” We entered into a deal whereby I would pay him 10% of what Knopf was paying me in exchange for him keeping his mouth shut. He has become that valuable literary artifact: the great detective.

“Red Sheet: A Novel” by James Ellroy

(Knopf)

Your book deals with a piece of legislation called the Rumford Act that would tear down the city’s racist racial housing covenants in 1963, but the act in ’62 had enemies in high places, namely Mayor Sam Yorty and his power base. You were 14 in L.A. in 1962. Did you feel this racial tension?

I remember vividly how the world was changing. I knew there was de facto segregation in housing. I remember Nixon’s pathetic campaign for governor in 1962. But I remember racial barriers breaking down, particularly in school. Just talking with Black kids in school, because why wouldn’t you? And I had been this dumb, bigoted kid.

What’s interesting about the characters in your book is that their ideological alliances are quite fluid, depending on the circumstances. Communists are married to John Birchers, who may be, in fact, red-diaper babies, and so on.

People are endlessly complex. Going back to Freddie Otash again. He knew Tom Bradley in the ‘40s, when Bradley was a cop. And Freddie becomes a bag man for the civil rights movement, and the Rumford Act in particular. He’s about the most unlikely guy you would expect to support civil rights. I wanted to show [how] complex human beings and their beliefs can be, and this book is a primer on that.

You are so closely associated with Los Angeles, and you lived here for most of your life. Why do you live in Denver now?

Helen Knode is my all-time life partner, who is also my second ex-wife. Ten years ago, we decided to get back together, but she was living in Colorado. She came up with the idea of me getting a loft in her building, and we would have the keys to each other’s places, and that’s why I did it. I like it in Denver, though it’s quite hot at the moment.

Do you miss L.A? What are you feeling about the city now?

I was just there on my book tour. I feel like it’s a complete dump. It’s just totally run-down. When I got off the airplane, I noticed a smog layer, so smog is back. I saw many young, odd-looking, overly adorned young people. I don’t know. … It’s a kid’s town now, to a certain extent.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Country music performer Kenny Chesney sat down with Holly Gleason, the co-author of his new memoir, to talk about writing the book.

(Jill Trunnell)

Greg Sarris is the chairman of the Federated Indians of Graton Rancheria in Sonoma County. He’s also an acclaimed novelist whose his first book in 28 years, “The Last Human Bear,” is loosely based on the life and teachings of Pomo spiritual leader Mabel McKay, a constant lodestar for Sarris. “An American Indian woman is as richly complicated as anybody else. I wanted to show this rich and complicated character who’s negotiated a history that she’s showing you,” Sarris tells Maddie Connors.

In “Daughters of the Sun and Moon,” author Lisa See excavates the events surrounding the Chinese Massacre of 1871. In doing so, she also digs into her own Chinese heritage in L.A. “My great-grandfather’s fourth wife was 16 when he brought her here, and she was never let out,” See tells Emily St. Martin. “My mom used to say these women would all get together, and she used to describe it as birds twittering together, because they actually had this opportunity to be with each other, but on really very rare occasions.”

Fear not, literary Cassandras: Authors can still generate online heat, thanks to BookTok and other social media outlets. So much so that more books are being adapted into streaming content than ever before. “With the advent of BookTok, it allows you to have so much social chatter around these authors,” producer Bryan Unkeless tells Gary Goldstein. “They’re becoming new rock stars, in a way.”

Finally, Kenny Chesney sat down with Holly Gleason to discuss their collaboration on “Heart Life Music,” Chesney’s new memoir. “I didn’t know if there was a story there,” the country megastar tells Gleason. “Over time you wore me down, to make me pause and … reflect.”

📖 Bookstore Faves

The interior of Counterpoint Records & Books.

(David Jones)

In a city that has so often seen its old-school retail businesses turned into nail salons and real estate offices, Counterpoint Records & Books remains an outlier. Originally established in 1979 by John and Susan Polifronio, the store on Franklin Avenue has remained, even as many of its nearby store-mates have shuttered, offering a well-curated selection of secondhand books and records from every conceivable genre. I chatted with David Jones, who is one of the owners of the Franklin Avenue store, about Counterpoint’s enduring success.

Counterpoint is an Eastside institution, but businesses along your strip on Franklin have gone under while you have survived. What is the secret to your longevity?

Firstly, we are lucky enough to own the building we do business in, which has given us a lot of freedom to be able to pursue doing business our way. That didn’t happen until we were in business for almost 20 years, but now in our 47th year we feel lucky to be able to continue to provide a physical, in-person shopping experience. I think our success is tied to this. People are looking for an experience away from their screens, and I think we provide that without being anachronistic or nostalgic by keeping up with and stocking contemporary music, digital media and all types of books.

Is your clientele mostly local? I’m guessing it’s a multigenerational clientele, given the store’s long history.

We definitely have a younger demographic these days, but we have a very intergenerational staff, and I think that attracts an all ages clientele. We meet folks daily from all over the world as a destination that people return to and tell their friends about. I think word-of-mouth is our greatest form of outreach. People say we feel special to them, as if they’ve stumbled onto a secret by shopping here. It’s something I love and am very proud of.

How have books maintained their staying power despite the countless distractions of daily life?

I think of it as one of life’s greatest luxuries. To be honest, I never thought too much about the staying power of books until the pandemic. During that time, people would come in and thank us for being open and a place they could come to escape what was happening. It was a real turning point for me. I started to think more about the importance of what we do and how much of an effect it has on people. I never took what we do for granted, but it gave me a sense of urgency that I didn’t quite have before.

Counterpoint Records & Books is at 5911 Franklin Ave. in Hollywood.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

Round eight of Formula 1 season takes place in Austria this weekend in the stunning surroundings of the Styrian hills.

Last time out in Barcelona, Mercedes were beaten in a grand prix for the first time this year with Lewis Hamilton taking victory.

The Briton’s first grand prix win for Ferrari, combined with Kimi Antonelli’s retirement late in the race, narrowed the gap at the top of the drivers’ championship to 41 points.

Before Sunday’s race in Spielberg, BBC F1 correspondent Andrew Benson answers your latest questions.

A retrospective podium for Pierre Gasly. Justice? Or a can of worms best left unopened? – Clive

Formula 1 has clearly got itself in a bit of a pickle regarding the pit-lane speeding penalties in the Monaco Grand Prix.

The facts are that five cars were given penalties for pit-lane speeding when none of them had gone over the limit.

The length of the pit lane had been mis-measured – it was possible to drive a shorter distance than officials initially realised, by 77 metres.

And as the pit-lane speed limit is policed by the time taken to pass through a series of timing loops over a specific distance, that meant the drivers were wrongly penalised.

This led to a sequence of events that had a dramatic effect on the race result.

George Russell was most badly affected by what followed, having a third place turned into a 12th and losing 15 points in the process.

But McLaren’s Oscar Piastri and Red Bull’s Isack Hadjar also had their results changed.

Is it justice that Gasly is returned to a third place at the flag that he lost because Alpine refused to serve his penalty during the race, while the other drivers’ results are unaddressed?

Should the stewards who dealt with Alpine’s right of review over the Barcelona weekend have left it at that, and not raised the very obvious questions that followed on from it?

In terms of natural justice, the answer to both those questions is clearly no – there remain a number of issues raised by this situation that have not properly been dealt with.

McLaren and Red Bull have taken the case to the FIA court of appeal. No date has yet been set for that to be heard.

Mercedes have withdrawn their attempt to get the race result reviewed after concluding there was no viable mechanism for restoring Russell to where he could have finished, and it would not serve anybody to drag it all on.

As McLaren said in their statement about giving notice of intention to appeal: “We believe this case raises important questions concerning sporting fairness, regulatory consistency and the integrity of competition.”

The shame is that this could all have been avoided had the FIA and F1 acted differently before the race.

Teams warned the FIA that there was a problem waiting to happen with the pit-lane speeding limit during the Monaco weekend.

Officials did look into it, but their initial conclusion was that the concerns were unfounded. That was clearly an error. Had that been properly addressed at the time, none of this would have happened.

In terms of sporting fairness, it’s hard not to conclude that the issue should be taken to a full and proper conclusion.

Will Ferrari make Carlo Santi Lewis Hamilton’s permanent full-time race engineer, or is his role still considered temporary? – Anthony

The relationship between Lewis Hamilton and his new race engineer Carlo Santi has started off well.

Santi was initially meant to be a stop-gap before Hamilton received a new full-time engineer, but a Ferrari spokesperson says: “Carlo and Lewis are working pretty well together and there’s no plan to replace him.”

Hamilton has found a much more satisfactory relationship with Santi than he had with Riccardo Adami last year, and he’s tried to explain that without sounding too negative about his situation in 2025.

Hamilton said in Canada, where he finished second for what was his best result with Ferrari at the time, that Santi was “absolutely awesome and I’m really loving working with him”.

In Monaco he went further and compared the relationship with Santi to the one he forged over 12 years at Mercedes with Peter ‘Bono’ Bonnington.

“Driver-engineer working together is very, very important,” Hamilton said. “Last year, Adami and I had a really good relationship. He’s a lovely guy. We worked relatively well together.

“Catering to a driver’s needs takes time to learn.

“When you’re giving an engineer feedback, their understanding of through-corner balance, their understanding of all the elements that contribute to the struggles that you’re struggling with, you try to describe what it is, the problem you have, corner by corner, entry, mid and exit where you dissect it into five sections if you want.

“Having that driver-engineer collab, it’s hit and miss sometimes. With me and Bono, we hit it off from the beginning. He had a good working relationship with Michael (Schumacher). I do feel like Carlo is like my Italian Bono.

“He’s a bit of an OG. He’s an older guy that’s been around the block and he’s very calm. You can hear him on the radio. That’s the detail that we’re able to go into together. Our understanding of the engineer side, it’s something that’s very cool.”

Nathan Ngoy sent off for hauling down Mehdi Taremi, whose first-half strike was called offside, in a close Group G match.

Belgium were held to a scoreless draw by Iran in a frustrating encounter that saw the Red Devils reduced to 10 men and facing the possibility of group-stage elimination for a second consecutive World Cup.

A star-studded, though ageing, lineup, including Kevin De Bruyne and Romelu Lukaku, was fortunate to leave Los Angeles with a point on Sunday.

Belgium controlled possession yet ceded the game’s best chances to a resolute Iranian defence.

Iran’s Mehdi Taremi had the ball in the net from a well-worked first-half free kick that was overturned for offside by VAR, while Nathan Ngoy was sent off after the break for hauling down the striker following a badly mishit back-pass.

The result means all three games in Group G so far have ended in draws. Stuck on two points, Belgium at least have the comfort of playing the tournament’s lowest-ranked team, New Zealand, in their final group game.

Iran will also need at least a point against Egypt next Friday. Having been frustrated by visa issues while travelling from their base camp in Mexico to play games in the United States, Team Melli will hope to focus on the football as travel restrictions are reportedly easing for their crucial trip to Seattle.

For the second Iran game running, protesters from Los Angeles’s large Iranian-American community gathered at the stadium to chant against the country’s current regime.

Inside the stadium, Iran’s anthem again drew a chorus of boos and whistles, a reception at odds with the response to the players themselves, who were loudly cheered throughout the game.

Having switched to a back five, Iran sat deep in the first half, allowing Belgium to dominate possession and play hundreds of passes around their penalty area without creating any clear-cut opportunities.

Target man Lukaku, back in the starting lineup after making an impact from the bench in Belgium’s 1-1 draw with Egypt, managed a solitary headed effort in the 36th minute, which sailed over the bar.

Iran had the first half’s two best chances, entirely against the run of play. Hossein Kanani’s low shot after a long throw was well saved by an outstretched Thibaut Courtois.

And Iran’s star striker Taremi had the ball in the net midway through the half after a cleverly worked free kick, but it was ruled offside.

The former Inter Milan man spun away from Belgium’s wall, swivelled and buried the ball, before VAR overruled the effort, to the dismay of a vocally pro-Iran crowd.

After the break, Belgium continued to huff and puff, while Taremi again nearly scored at the other end. Courtois did well to save after Kanani had flicked on a long throw to the Iran forward.

Belgium coach Rudi Garcia made a triple substitution around the hour mark, and his side immediately came close – Maxim De Cuyper’s point-blank effort from De Bruyne’s cut-back was well saved.

Substitute Hans Vanaken blasted a shot from a rebound well over the bar moments later, as the Red Devils finally began to knock on Iran’s door in earnest.

But disaster struck for Belgium as Ngoy was sent off. The centre-back had badly under-hit a pass back to Courtois and raised his arm into Taremi as the striker raced through on goal.

The game settled into a nervous, scrappy stalemate, though De Cuyper again came close with a low effort from just outside the box.

BC Place Vancouver was a battlefield as Kone was stretchered off, Qatar got 2 red cards, and both teams brawled after full time.

Canada thrashed nine-man Qatar 6-0 to clinch their first-ever World Cup victory in a Group B match, marred by a horrific injury to the home team’s midfielder Ismael Kone, and disciplinary issues both during and after the match.

A Jonathan David hat-trick, one goal apiece from Cyle Larin and Nathan Saliba, as well as a Qatar own goal, sealed a momentous victory for the Canadians at the BC Place Vancouver stadium on Thursday.

Canada now need only a draw against Switzerland in their final match to finish top of the group, while Qatar and Bosnia and Herzegovina will aim to finish third when they meet on Wednesday.

But the celebratory atmosphere in Vancouver, with Canadian Prime Minister Mark Carney cheering on Les Rouges, was soured by a serious injury to Kone in the 51st minute.

Qatar’s Assim Madibo upended Kone with a clumsy challenge from behind, leaving the Italy-based midfielder writhing in agony and clutching his left leg.

The seriousness of the injury was immediately apparent as teammates frantically called for help from the Canadian medical staff on the sidelines.

Kone was eventually stretchered off the pitch, waving to the crowd as he inhaled from an oxygen pipe.

Madibo, who had initially been given a yellow card for the tackle, was sent off after it was upgraded to red following a VAR review, the second Qatari dismissal after Homam Ahmed was given his marching orders in the first half.

With Qatar down to nine men, Canada took full advantage to score three more goals.

Saliba, who had replaced the injured Kone, curled in a free kick to make it 4-0 in the 64th minute.

The substitute celebrated his goal by racing to the sideline to hold up a replica of the stricken Kone’s Canadian jersey and pointing to his jersey number, eight.

Another substitute, Jacob Shaffelburg, then helped make it 5-0, his fierce shot turned into the Qatar goal by defender Mohamed Manai.

David, who had scored twice in the first half after Cyle Larin’s 16th-minute opener, then completed his hat-trick in the second minute of stoppage time to end the rout.

‘Tough to focus’

David’s was the 56th hat-trick scored at a men’s World Cup and the second of the 2026 edition.

Argentinian superstar Lionel Messi earned his first of the tournament when he led his side to a 3-0 victory over Algeria and steamrolled several records in the process.

David is also the first Confederation of North, Central America and Caribbean Association Football (CONCACAF) men’s player to score a hat-trick since 1930 and the first Canadian man to record a multi-goal game at the World Cup.

Embers of carnage during the match were reignited after full-time when both sides brawled on the halfway line and had to be pushed apart by FIFA volunteers and team personnel.

“It was a great game even before [Kone] got hurt, but I think after he got hurt, it was tough to focus on the game, even finishing the game… We just wanted the game to end so we could all be together,” David said after the match.

“It will take a few days to sink in, but obviously we know that what we’ve done today is historical for the country, our first win in the World Cup, and to do it in that fashion is really amazing.”

Rangers have appointed Derek McInnes as manager on a three-year contract after agreeing a compensation deal with Scottish Premiership rivals Hearts.

McInnes is the third boss at Ibrox inside a year and replaces Danny Rohl, whose move to Austrian side RB Salzburg was confirmed earlier on Wednesday.

The 54-year-old joined Hearts from Kilmarnock last summer and led the Tynecastle club to a second-placed finish, missing out on the title to Celtic on a dramatic final day, but edging Rangers out of the Champions League qualifiers.

The former Rangers midfielder turned down an approach from the Ibrox club in December 2017 in order to stay at Aberdeen but has now followed Tynecastle captain Lawrence Shankland in moving from Hearts.

“It is a real honour,” McInnes said. “The demands here are clear and our supporters rightfully have high expectations. It is up to me, my staff and my players to meet those expectations, and have this club performing as it should.

“There is a lot of hard work ahead, but already the preparations have begun and I am looking forward to meeting the current squad in the coming weeks and welcoming some new faces.”

Alan Archibald, Paul Sheerin and Craig Clark will assist McInnes.

While Rohl was head coach, McInnes will have the title of manager and was the frontrunner as soon as it emerged that the German was keen to leave for Salzburg.

Chairman Andrew Cavenagh said the Scot is “someone we have always rated highly” and is “exactly what this club needs at this moment in time”.

He added: “His deep Scottish and Rangers experience are important for us. He knows how to win in this league, and he is coming off an extremely strong season with Hearts.”

Rohl, 37, replaced Russell Martin as head coach in October and steered Rangers into a three-way title fight, but a post-split collapse yielded a third-placed finish behind Celtic and Hearts as the Ibrox club ended the campaign without silverware.

Cavenagh – who publicly backed Rohl at the end of the season – thanked him for his “service and commitment to Rangers”.

“He and his staff put in a significant amount of hard work during his time in charge, which we are greatly appreciative of,” he added.

Red Dwarf star Chris Barrie is set to return to the beloved comedy series as narrator of new prequel

A Red Dwarf star has expressed his delight after being confirmed to return to the cherished comedy series.

Chris Barrie is making his way back to the Red Dwarf universe, having been announced as the narrator for the audiobook of the new spin-off novel, Red Dwarf: Titan.

The actor, who famously portrayed Arnold Rimmer in the cult sci-fi comedy, will voice the latest book, written by Red Dwarf co-creator Rob Grant and Andrew Marshall, reports Radio Times.

Discussing his latest project, Chris said: “I am finding Red Dwarf: Titan to be a very entertaining read. Recording any audiobook is always a challenge with so many characters to cover.

“But Red Dwarf: Titan, loaded as it is with laugh-out-loud lines and situations, is simply a joy!”, reports the Liverpool Echo.

The star added: “I’m delighted that the portrayer of Arnold J Rimmer himself, the fabulous multi-voiced Chris Barrie will be reading the audiobook of Red Dwarf Titan.

“And I’m certain that Rob would be too. In fact we would be noisily competing as to whom was the most delighted. Currently that’s me.”

Besides his iconic portrayal of Rimmer throughout Red Dwarf’s 13 series, Chris previously narrated the first two Red Dwarf novels: Infinity Welcomes Careful Drivers (1992) and Better Than Life (1995).

Red Dwarf: Titan will serve as a prequel to the BBC sci-fi comedy, which followed Craig Charles’s Dave Lister who wakes after three million years to find he’s the last remaining human.

His sole companions are a hologram of his deceased bunkmate, Arnold Rimmer (Chris Barrie), and a humanoid creature descended from his pet cat (Danny John-Jules).

In conversation with Radio Times just weeks before his death, co-writer Grant revealed of the novel: “It’s Lister and Rimmer before the accident on shore leave on Titan.

“It’s set one universe to the side, so we can have familiar characters but we can do different things with them, because the difficulty was writing something that was going to be original and fresh and using the same characters without breaking the canon. “.

He further disclosed that the tale would see Lister and Rimmer “get a message from the far future warning them that all realities are going to collapse unless they do something about it.

“Grant also assured us that Red Dwarf’s signature silliness is back in full force, with the writer promising that fans will “laugh their little chippers off”.”

Red Dwarf is available to stream on BBC iPlayer and Red Dwarf: Titan will publish in hardback, ebook and audio on July 16

This is what Rooney said: “It is a red card. We have seen it before when players have gone through, and the whistle has gone, and it is a red card.

“It is a very dangerous play. I know he wins the ball, but the follow-through, he hits him in the temple. That is the worst place to be hit.

“He [Oluwaseyi] could get knocked out. He might come back in a week’s time and have delayed concussion. For me, that is a clear red card.

“I don’t think it is the first time we [himself and Darren Cann] have disagreed.

“When you see players win the ball, it is with reasonable force. They follow-through and then they go and get a red card, so it is the same, but with his hands. It is easier to move your hands back than it is with your leg.”

Former France forward Olivier Giroud, another member of the BBC team, was seeing both sides. He said: “As a striker, I would have been frustrated to not get a penalty on that one.

“On the other hand, I understand what Darren Cann says. You hit the ball first and it is hard for him to get his hands off the striker’s head.”

So now it is your turn to act as the referee and take part in a vote. Should it have been a red card or not? Have your say.

Premier League referees will change the way they judge hair pulling next season after three players were sent off for the offence in 2025-26.

Officials will also be asked to place a greater emphasis on grappling and holding inside the area after it became commonplace on corners and set-pieces.

A solution to stop the goalkeeper “tactical timeout” is also set to be introduced.

The measures were agreed at the Premier League AGM earlier this month after consultation with the game improvement advisory board.

They form part of the “football principles” and “refereeing points of emphasis” for 2026-27.

All three red cards for hair pulling came through a video assistant referee review, and led to criticism from the managers of the players involved.

Everton‘s Michael Keane, Manchester United‘s Lisandro Martinez and Sunderland‘s Dan Ballard were all sent off for hair pulling after a VAR intervention.

United boss Michael Carrick called it “one of worst decisions I’ve seen” but lost an appeal to get the three-match ban overturned.

Stockport County defender Josh Dacres-Cogley was dismissed for the offence in the League One play-off final too.

But from next season, not every time a player is seen to pull an opponent’s hair will a red card be shown.

Instead, greater emphasis will be placed on both the level of force and the intention.

Everton boss David Moyes criticised the red card shown to Keane, claiming his player had received a ban for “absolutely nothing”.

However, the new guidance does not mean hair pulling will suddenly be tolerated.

Referees will be told to look for a “clear and deliberate action” which has “excessive force and/or brutality”.

It is likely that Keane would still be sent off – his holding and pulling the hair of Wolves‘ Tolu Arokodare deemed violent conduct.

But Ballard and Dacres-Cogley would probably be judged to be yellow-card offences – though the VAR cannot intervene for bookings.

Martinez’s red card would be considered a borderline case and open to interpretation.

The change is in intended to give more latitude to players who may accidentally hold onto an opponent’s hair.

Five goals, four water breaks, three red cards and a glittering opening ceremony.

The World Cup 2026 opening day delivered everything you could ask for.

From an early thunder strike to a late winning goal, Thursday was filled with drama, stretching from Mexico City to Zapopan.

Al Jazeera breaks down the key takeaways from the 2026 FIFA World Cup’s day 1:

Is this going to be the World Cup with the most red cards?

The three red cards brandished to Yaya Sithole, Themba Zwame and Cesar Montes during Mexico’s 2-0 win over South Africa were an unusual sight at a World Cup.

In the last two editions, Qatar 2022 and Russia 2018, only four red cards were handed out during the entire tournament. This year’s World Cup opening game nearly matched that singlehandedly.

With officiating at the start of the tournament usually setting the tone for the rest of the campaign, the sequence of sending offs at Estadio Azteca could be repeated several times during the 39-day, 104-match spectacle in North America.

Thursday’s three reds fell just one short of the record of four at a World Cup 2006 game, nicknamed the “Battle of Nuremberg”, between Portugal and the Netherlands.

The record for the most red cards – 28 – was also set at the same tournament in Germany.

Controversial VAR at the centre of debate again

The look of confusion and disbelief among South African players after Zwane was sent off for flinging an arm into Mexico’s Roberto Alvarado’s face prompted the debate: Is Video Assistant Referee (VAR) playing spoilsport again?

Referee Wilton Sampaio did not initially pull out the red card, but after being sent to the pitchside monitor by VAR, Sampaio decided to send Zwane off.

While the replays were unclear, it seemed Zwane was trying to move past Alvarado, but his hand caught the Mexican’s face in the process.

Zwane was ultimately booked for “violent conduct”, a controversial decision, which seemed harsh given it was not an obvious call. South Africa coach Hugo Broos was not convinced by it, either.

“The second red card, I think the Mexican player blocked my player,” Broos said in the post-match media conference.

“It’s the position of the referee, and we have to accept it also, but I don’t think [it was a red], it was too soft to give that as a red card.”

Hydration breaks or momentum killers?

The introduction of fixed hydration breaks – one in each half – came into effect for the first time at the World Cup on Thursday, and attracted early criticism from viewers and coaches alike.

While some broadcasters stuck with the live feed featuring players, others cut to commercials, disrupting the match-viewing experience for fans watching on TV.

Viewers in the United States were frustrated after broadcaster Fox cut away to full-screen commercials and they missed some live action during the second half of the Mexico vs South Africa opening match.

US head coach Mauricio Pochettino had a mixed opinion over the three-minute breaks, which are held regardless of weather conditions and introduced by FIFA to prioritise player welfare.

“I don’t like it. I only like it when the conditions are very extreme, but when the conditions are good, it is not necessary to have water breaks,” he said during a news conference on Thursday.

“For me, it’s 50-50. For coaches and staff, it’s a chance to make some changes or fix problems. But it’s part of the game, and we accept that.

“I don’t agree with it, but it’s not a big issue and won’t have a big effect on the games,” he said, adding that he did not watch the opening game.

Son Heung-min misfires, but South Korea prevail

Son Heung-min has often been the hero of the South Korea national team on the biggest stage, but on Thursday, even though the talisman got the lion’s share of the chances, he failed to score in their 2-1 win over Czechia.

Son worked seamlessly with the impressive Lee Kang-in and Lee Jae-sung to create a host of first-half chances, with the trio combining darting runs through the middle with a succession of dangerous pass-and-go moves that they just could not finish.

But Oh Hyeon-gyu and Hwang In-beom stepped up to the occasion, bagging a goal each to steer the Koreans to a dramatic late comeback win over Czechia.

South Korea vs Czechia: A clash of styles

Even though both teams opted for a 3-4-3 formation, there was a stark difference in their systems and approach.

South Korea played a fluid, possession-based style of football, while Czechia were heavily reliant on dead balls, opting for a rugged, route-one tactic.

Although the Czechs broke forward first with direct, physical play, the Koreans – buoyed by a largely Mexican crowd rooting for them – bounced back with their dominance of possession and stylish play, getting the better of their set-piece specialist opponents.

In 2017, Pierluigi Collina was appointed as Fifa’s new head of referees and it heralded a very different era.

Collina often takes about how decisions should serve as justice – for both teams.

Players should stay on the field unless they have done something which truly deserves a red card.

For instance, under his stewardship the law around denying a goalscoring opportunity (Dogso) when a penalty has been awarded have been hugely relaxed. It is now very difficult to get a red card.

So it should be no surprise that the 2018 and 2022 World Cups saw just the four red cards after he took over.

Refereeing at the start of a tournament often seem to sets the tone. Should we be drawing any conclusions from this match?

In his pre-tournament briefing, the Italian was focused on timewasting and general player behaviour.

There was no talk of a hard stands which should result in a huge spike in red cards.

Sometimes red cards are simply justified. Well, most of them anyway.

Sithole’s dismissal for fouling Brian Gutierrez was a simple decision for referee Wilton Sampaio.

The Mexico attacking midfielder was through on goal. Sithole may not have meant to bring him down, but he did. There was no doubt the South African had denied his opponent a clear goalscoring opportunity.

The second dismissal was much more controversial, given to Zwane on a video assistant referee review for violent conduct.

Zwane tussled with Roberto Alvarado, with the Mexican going to ground holding his head.

It looked like a coming together off the ball, but the referee was sent to the pitchside screen by the video assistant referee (VAR), Colombia’s Nicolas Gallo.

As Sampaio was shown the replays at the monitor it was difficult to make out what had happened.

Was there really a hand to the head? And if so, was it accidental or did he swing the arm?

When assessing violent conduct, the VARs are told to look for a clenched fist as a sign of aggression. This does not have to be present, but it is an indicator.

Zwane appeared to connect with an open hand to the side of Alvarado’s head, not with a closed hand.

It looks exceptionally harsh, and not the kind of clear and obvious decision VAR as introduced for.

Or maybe this is exactly the kind of thing Collina had told his referees and VARs to look out for, falling into the category of poor player behaviour.

Collina has brought in red cards for players who cover their mouths in confrontations, and those who leave the field in protest at a decision. He also wants goals disallowed for blocking on set-pieces.

Perhaps the actions of Zwane fall into this sort of category, a way for Collina to try to reduce the dark arts within the game.

Four Brazilian players and four members of their coaching staff were sent off during a dramatic encounter in Fortaleza.

Brazil were shown eight red cards during a chaotic 1-0 defeat to the United States women’s national team in a friendly in Fortaleza.

Brazilian coach Arthur Elias and three of his assistant coaches were sent off, while Bia Zaneratto and Tarciane were also dismissed. Two other players were shown red cards after the full-time whistle on Tuesday evening.

Sophia Wilson’s shot deflected off Isabela and snuck past Brazilian goalkeeper Lorena in the 63rd minute for the lone goal of the game before a crowd of more than 55,000 fans in northern Brazil. The hosts had no shots on goal, while the US had six.

Brazil manager Elias and several assistants were dismissed from the technical area during the second half.

Brazil then went down to nine in stoppage time after attacker Zaneratto was dismissed after picking up a second yellow card for pushing Emily Sonnett.

Moments later, her teammate, Tarciane, was shown a straight red for elbowing Wilson.

The chaos continued after the full-time whistle, with Brazil’s Kerolin and Ludmila both shown red cards for dissent.

It was the second of two matches in Brazil for the Americans, with the US losing 2-1 in the opener on Saturday in Sao Paulo.

Marta, a six-time FIFA World Player of the Year, was subbed into the match in the 80th minute, making her 212th appearance for Brazil.

Dudinha appeared to hurt her right knee in a collision with Sonnett in the 30th minute and was stretchered off the field in obvious pain. The 20-year-old forward, who plays for the San Diego Wave in the National Women’s Soccer League, returned to the bench in the second half on crutches.

The matches in Sao Paulo and Fortaleza were played at stadiums that will be used next June and July for the Women’s World Cup. The US will start their qualification campaign in November.

The U.S. Air Force has confirmed that the VC-25B “Bridge” aircraft is now wearing its new (and controversial) red, white, and blue livery as it undergoes final preparations for its official delivery.

Aviation photographer Travis Ghormley shared the first picture of the modified Boeing 747-8i with its new paint scheme yesterday. It was taken the day before in Waco, Texas. The aircraft had been undergoing modification and flight testing at L3Harris’ facility in Greenville, also in Texas, as part of the conversion into its new role, since at least April, before subsequently moving to Waco to be painted. The jet, gifted to the Trump administration by the government of Qatar last year, is set to serve as an interim Air Force One aircraft ahead of the much-delayed arrival of two fully outfitted VC-25Bs from Boeing.

“The VC-25B Bridge aircraft has been painted and is going through final modifications,” an Air Force spokesperson told TWZ today when asked for more information about the aircraft’s current status. “I don’t have any additional details I can provide on delivery dates at this time.”

A press release the Air Force put out on May 1 said that the “VC-25B Bridge aircraft has officially completed modification and flight testing” and was “being painted.” We have confirmed that the completed modifications referred to here were on the contractor side, but the U.S. government still has additional modifications to make to the jet.

Ghormley’s picture does clearly show the jet wearing the same red, white, and blue scheme that has already been appearing on various Air Force and other U.S. government VVIP jets. The livery also includes a large American flag, depicted blowing in the wind, painted on both sides of the tail and “UNITED STATES OF AMERICA” written on both sides of the fuselage. The paint job is virtually identical to what President Donald Trump had previously chosen for the future VC-25B Air Force Ones during his first term. President Joe Biden had previously reversed that decision, bringing back plans to paint the VC-25Bs in the iconic scheme that dates back to President John F. Kennedy’s administration.

The Bridge aircraft’s current location is also unclear. Video posted on social media yesterday, seen below, purported to be of the jet departing for its new home at Andrews Air Force Base just outside of Washington, D.C. This is where the two current VC-25A Air Force One jets, as well as a host of other Air Force VVIP aircraft, are based.

Online flight tracking data does show that another U.S. military Boeing 747-8i flew from Waco, Texas, to Andrews on June 7, using the callsign Crane 01. However, this callsign has been associated with an ex-Lufthansa 747 the Air Force has also acquired for use as a trainer in support of future Air Force One operations. This aircraft, which may now carry the serial number 25-3200, has been tracked multiple times flying between facilities in Texas and Andrews in recent months. There does not appear to be tracking data for the VC-25B Bridge jet, which may also now have the serial number 25-3300, but it could have made the trip without broadcasting on ADS-B.

Past reports have indicated that the Bridge aircraft could make its public debut on July 4, which this year is also wrapped up in additional celebrations of the 250th anniversary of the founding of the United States. President Trump’s birthday (June 14) is also this weekend.

Otherwise, TWZ has previously laid out significant questions about the general feasibility of actually using the VC-25B Bridge aircraft in the Air Force One role, given the kinds of modifications that should be required for this demanding mission. Potential operational security concerns have been raised about using the gifted jet as a presidential aircraft, as well.

“L3Harris, known for its executive communications systems and services, was selected to undertake a complex modification of the bridge aircraft. L3Harris not only delivers secure, reliable and resilient communications for VC-25A and the executive airlift fleet but has extensive experience with self-protection and customization of VIP aircraft,” the Air Force wrote in the May 1 press release. “The accelerated timeline was further made possible by a mission-focused partnership with Boeing, who provided the necessary engineering data to support the required structural modifications.”

“Additionally, elite specialists from multiple government agencies developed advanced protocols to detect and-if necessary-neutralize potential technical hazards on previously owned aircraft,” it added. “Their rigorous approach on the Bridge aircraft has literally ‘written the book’ and set the benchmark for integrating used airframes into the secure military inventory.”

“Safety and security were at the forefront of this program. We deliberately minimized interior aesthetic modifications to focus on modifications for safety, security and mission execution. We assessed which requirements were necessary for an interim capability. We had greater flexibility in developing our mission requirements,” the Air Force also told TWZ directly at that time. “After safety and security, we focused on the mission communications systems.”

“We have made deliberate decisions such as the reduction of the number of airstairs, less chiller space, and exclusion of the Golden Eagle mission [to fly the remains of former presidents] to minimize structural modifications, while prioritizing modifications focused on safety, security and secure communications,” the service added.

Getting a new Air Force One aircraft of some kind into service on an accelerated timetable has long appeared to be a major goal for President Trump. The fully-equipped VC-25Bs from Boeing are years behind schedule. Last year, the Air Force announced that there had been some improvement on that front, but that it still did not expect to have the first of the two jets in hand until mid-2028, which would be just months before Trump is set to leave office.

What we do know for sure is that the VC-25B Bridge aircraft is now wearing Trump’s preferred red, white, and blue paint scheme ahead of its official rollout later this summer.

Contact the author: joe@twz.com

BROADWAY’S biggest night turned into a full-blown fashion parade as Hollywood heavyweights, theater legends and music royalty stormed the 2026 Tony Awards red carpet in jaw-dropping style.

From Rose Byrne serving her signature sleek sophistication to Sarah Paulson embracing bolder glam, Sunday night’s carpet outside New York City’s iconic Radio City Music Hall was packed with headline-making looks.

The 79th Annual Tony Awards, hosted for the first time by pop superstar Pink, celebrated the best of Broadway while also doubling as one of the year’s flashiest celebrity fashion events.

Pink arrived ready to command the stage in a dramatic black gown featuring oversized petal-inspired ruffles and a blue floral hairpiece.

The host brought along husband Carey Hart and their children for her major Tony debut.

Meanwhile, Rose Byrne, who is nominated this year for her Broadway debut in Fallen Angels, stunned in a monochromatic coordinated look alongside longtime partner Bobby Cannavale.

The Bridesmaids star’s polished ensemble leaned classic Old Hollywood while still keeping things modern and sharp.

Sarah Paulson also turned heads with a colorful fashion-forward ensemble that instantly became one the favorites from fans. 

But one of the biggest buzz moments came courtesy of Aubrey Plaza, who officially debuted her pregnancy on the red carpet while attending with her partner, Christopher Abbott. 

The White Lotus alum showed off her baby bump in a black-and-white striped gown while Chris kept things classic in a velvet black suit.

Elsewhere on the carpet, stars including Julia Louis-Dreyfus, Queen Latifah, Leslie Odom Jr., Adrien Brody, Maya Rudolph and Bernadette Peters all brought Broadway-worthy glamour to the arrivals line.

Rachel Zegler also made a dramatic entrance ahead of her upcoming Broadway run in Evita, rocking a daring plunging brown gown that quickly lit up social media.

Julianne Hough floated onto the carpet in a draped white gown that hugged her frame before cascading into a Grecian-inspired silhouette.

The DWTS host completed the ethereal look with sleek black heels and a sharp bob.

Maya Rudolph embraced glamour in a flowing dark ensemble with dramatic tailoring following her record-breaking run as Mary Todd Lincoln in the critically acclaimed Oh, Mary! 

Drew Barrymore brought classic movie-star energy to Broadway’s biggest night, dazzling in a whimsical gown complete with soft waves and sparkling jewels. 

Cole Escola, who is never one to play it safe, once again stole the show in hot pink balloon-style jumpsuit that felt ripped straight from an avant-garde stage production.

Secret Lives of Mormon Wives star Whitney Leavitt, who was also part of the night’s Chicago anniversary tribute lineup, sparkled in a shimmering silver look with sheer detailing. 

Live with Kelly and Mark hosts, Kelly Ripa and Mark Consuelos, stepped out for a date night as they were both dressed to the nines to support this years’ Tony nominees.

Broadway darling Lea Michele looked stunning in a multi-colored dress with a white top and sequin-black skirt.

This year’s ceremony honored the best productions from the 2025-26 Broadway season, with musicals The Lost Boys and Schmigadoon! leading the pack with 12 nominations each. 

The revival of Ragtime also emerged as a major contender, while Death of a Salesman dominated the play categories with nine nominations.

Big acting nominees this year included Rose Byrne for Fallen Angels, Daniel Radcliffe for Every Brilliant Thing, Carrie Coon for Bug and Christopher Abbott for Death of a Salesman.

The awards ceremony aired live on CBS and streamed on Paramount+, with Pink opening the show in an elaborate musical performance featuring more than 170 Broadway performers.

ROCKER Ronnie Wood has got satisfaction on his birthday today – after being surprised with a classic red phone box from his wife.

The Rolling Stones legend was gifted the timeless telephone booth by his honky tonk woman Sally Humphreys to mark his 79th birthday.

The original British Telecom K6 phone box, costing some £5,000, did the moonlight mile as it was delivered to his country estate in Little Gaddesden, Herts.

The fixture means the former hard-partying icon won’t be going off the hook anymore.

Wood married his current wife, theatre producer Sally, 48, in 2012 and welcomed their twin daughters just four years later.

Speaking to Hello! Magazine he said: “Any time I’m with her and the girls, that’s the best for me, nothing tops it.

STAR’S GIG MEAL

Ronnie Wood reveals posh breakfast that powers his Rolling Stones gigs

REUNION HINT

Rolling Stone Ronnie Wood reveals he’s working on new music with Brit icon

“When the twins come into our bed and we’re all snuggled up together, that, for me, is wonderful. My idea of heaven.

“It’s special. The girls are so cuddly and gorgeous. I’m a lucky man.”

A source said Ronnie is celebrating his birthday at his holiday home in Barcelona.

As so many of Newcastle’s games have been this season, it looked like one-way traffic from their opponents from kick-off.

Making his first start at outside centre with Luke James unwell, Roebuck crossed with a minute on the clock, cutting inside from the left after a hand-off from Reed, with George Ford notching the extras.

Newcastle’s Simon Benitez-Cruz saw a try chalked-off for a forward pass before Seb Kelly barged over for his first Prem try at the other end on six minutes after a slick break down the left from Reed was stopped just short of the line.

The hosts got on the board on 10 minutes following a series of close-range drives with Christie diving under a pile of bodies to touch down on the whitewash.

O’Flaherty scored the third Sale try 15 minutes in after a basketball-style tip back from the touchline from Roebuck, with Ford notching the extras from out wide.

Joe Carpenter secured the bonus-point try inside 24 minutes after taking a short pass from Ford on the charge, with the England fly-half adding the extras.

The recalled Amanaki Mafi bulldozed down the blind side from a close-range scrum to reduce the arrears for Red Bulls as the heavens opened, though the conversion was missed once again and Sale added their fifth try through Alfie Longstaff after a rolling maul from a line-out, with Ford kicking his fifth conversion from the right.

Sale struggled to get going after the turnaround and the hosts made them pay as Hearle burst onto Harrison Obatoyinbo’s pass to plunge over by the posts, with Brett Connon slotting his first conversion to make it 35-17.

Lockwood picked up after Christian Wade was stopped a metre short of the line after gathering a long diagonal kick and dived into the corner and Ben Healy converted from the touchline to make it an 11-point game with 25 minutes remaining.

Roebuck thought he had picked up his second score after driving forward and then winning the race to Newcastle-bound Raffi Quirke’s grubber kick towards the line but it was ruled-out for a knock-on from O’Flaherty and the hosts then produced a defiant goalline stand to keep the Sharks at bay, with Roebuck held up on the line and then knocking on under the posts.

The waves of pressure continued and Reed eventually crossed after quick hands from Quirke, Ford and O’Flaherty, with Ford adding the conversion.

However Newcastle raced back and with 13 minutes remaining a brilliant flick from Healy sent Christie diving over for his second score in the right corner.

Healy turned provider once again on 72 minutes with a delayed pass to send Hearle over for his second to the right of the uprights and then notched the conversion to make it a four-point deficit.

After one win in 547 days the hosts were not going to settle for a close call and broke away from their own 22 after the clock ticked over to 80 minutes with Hearle on hand to collect a short pass and blaze away from halfway untouched to spark wild scenes in the final game of the season at Kingston Park.

Jamie Vardy had left Cremonese after one season with them relegated from Serie A and his time in Italy a struggle for the family in terms of finding schools and home comfort foods.

Pensive Rebekah Vardy admits the future for her family is up in the air after their return from Italy – as her husband weighs up where to play football next.

The Mirror told yesterday how Jamie Vardy had left Cremonese after one season with them relegated from Serie A and his time in Italy a struggle for the family in terms of finding schools and home comfort foods.

On their future she joked: “Is there ever a f**king plan?” Before she went on to say she did not see Jamie returning to Leicester City. Other reports suggest he could join Sheffield Wednesday or go to play in the Netherlands or even return to the Premier League.

In an interview with the Times to promote their new ITV reality series about their time in Italy, Rebekah spoke of her public persona after losing the Agatha Christie trial against Coleen Rooney.

She said: “I accept that I am very Marmite. I’ve been portrayed as a villain since I met Jamie — they called me a gold-digger and said I’d leave when his football career ended — and to an extent I’ve played up to being that villain.

“I don’t do emotions; that’s genuine. Someone once said I have a ‘resting bitch face’ and I ran with it. It gets me into trouble because my face doesn’t portray the feelings I have inside. I am not a bitch. I find it hard to show vulnerability because of my childhood [Vardy’s family were Jehovah’s Witnesses], and the church forces you to suppress how you feel.

“That cycle is hard to break. So yes, I do come across as cold, but when you look at the bigger picture there’s a reason. At the same time, I am not a victim. I will not play the victim card.”

She also says abuse from trolls and losing the court case against Coleen, leaving her with legal bills of millions of pounds, have taken their toll in the past.

Rebekah added: “There were times when I questioned the point of existing. I didn’t want to be here any more. It was a horrendous time. What got me through was the life we have together and our children. Always the kids. They are our world.”

ITV will next week profile the family’s time in Italy in three-part series The Vardys. The new ITV documentary was supposed to celebrate a great new chapter in their life.

But instead the cameras show Rebecca struggling to find accommodation and schools for their children; Olivia, six, Finley, nine, Sofia 12, Taylor 16.

It was not the Italian dream they hoped for and lasted less time than expected. Once positive is Rebekah will get Jamie at home this Summer as at 39 he is too old to make it into the England squad.

And she insists she won’t miss not being at the World Cup. She said: “It’s actually quite lonely. You go to support your husband or boyfriend but you don’t get to be near them very much. And Russia was terrifying. It was not an easy place to be.”

* The Vardys airs at 9pm on Tuesday June 2nd on ITV1 & ITVX. All three episodes will be immediately available to stream as a boxset online.

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Sacha Baron Cohen and Rosamund Pike’s feminist romcom Ladies First tops the Netflix number one charts.

Ladies First has arrived on Netflix and it stars Doctor Who icon David Tennant’s child.

Despite only dropping on the streamer, Ladies First has already shot straight to the number one spot, telling the tale of arrogant yet charismatic ladies man Damien Sachs (played by Sacha Baron Cohen).

While he enjoys a life of money and power, his world is turned upside down when after a head injury, he wakes up in a parallel world dominated by women.

It is in this world that he comes across his business rival Alex Fox (Rosamund Pike) who’s also mum to Charlie, brought to life by Red Tennant.

What Netflix subscribers may have realised though when watching Ladies First is that Red is the non-binary child of Broadchurch star David.

Red, who was born Wilfred Tennant, had their acting debut in the 2017 film You, Me and Him which starred their famous dad.

They also starred in a single episode of Casualty back in 2022 when they played a character called Joey Parker.

In Ladies First, Red is behind Alex Fox’s child Charlie who encourages their mum to “stand up for herself at work” when she’s having doubts about her career.

Red is the child of both David Tennant and his wife Georgia Tennant who he met in 2008 on the set of Doctor Who.

She guest starred as Jenny, the artificially created daughter of Tennant’s Tenth Doctor.

Georgia is also the real-life daughter of Peter Davidson who was the fifth ever Time Lord back in the 1980s.

While Ladies First is at the top of Netflix’s most watched list, it has left viewers divided with the film scoring just 19% on Rotten Tomatoes.

Someone wrote: “I am truly overwhelmed how this made it to the screen.

“If I said it was utter rubbish, I would be being polite! I have no words how awful it was.”

On the other hand, a fellow user said it was an “absolute must-see” with someone else stating that it was one of their “new favourites”.

Ladies First is available to watch on Netflix.

ACTRESS Demi Moore wraps up the Cannes Film Festival in her 16th outfit of the gala.

The US star was on the jury so became a red carpet fixture over two weeks.

For Saturday’s closing ceremony, Demi, 63, enveloped herself in a green Balenciaga gown with huge blue sleeves.

Across the fortnight, she dazzled in an array of outfits.

She kicked things off with two Jacquemus designs, including a crystal-embellished gown and a polka-dot dress.

But her designer of choice was Gucci, with four custom-designed gowns.

MOORE STYLE

Demi Moore, 63, looks sensational in violet gown on red carpet at Cannes

SHOW ME MAUR

Maura Higgins, Demi Moore & Heidi Klum dazzle on red carpet at Cannes

They included a mermaid-inspired sheer lilac outfit she wore in 2003 for the Matrix Reloaded premiere.

Her judging stint came 29 years after her Cannes debut.

Back in 1997 she joined then-husband Bruce Willis for festival opener The Fifth Element.

Mother-of-three Demi’s fellow jurors included Hamnet director Chloe Zhao.

Demi said: “We had the opportunity to truly appreciate contemporary cinema every day.

“There was a lot of kindness — both between us and in the way we felt about the films.”

Actress Demi was joined on the red carpet by stars including Gillian Anderson and Ruth Negga.

Demi was last at Cannes in 2024, promoting her film The Substance, which won her a Golden Globe for Best Actress.

Just months ago, Demi capped off a stellar career comeback by being named Glamour’s Woman of the Year.

She was interviewed by her Substance co-star Margaret Qualley for the mag and said: “With everything I’ve been through, which has been a lot, I wouldn’t trade where I am today.”

Love Your Weekend host Alan Titchmarsh questioned Jeremy Vine after the presenter opened up about an embarrassing celebrity encounter.

Jeremy Vine has shared a cringe-worthy story about meeting one of pop music’s biggest stars under rather unfortunate circumstances.

Love Your Weekend With Alan Titchmarsh returned to ITV this morning, with the much-loved presenter heading to The Big Cat Sanctuary in Kent for this week’s episode.

Alan Titchmarsh, 77, was joined by BBC presenter and journalist Jeremy, Michael Flatley and Kate Fleetwood, while dog-in-training Titch also made a welcome reappearance.

The veteran host kicked off the programme by quizzing his celebrity guests about their greatest “pinch me moments”.

Jeremy then launched into a rather risqué anecdote about a particularly memorable bathroom visit during his time at BBC Radio 2, prompting Alan to step in with a cautionary word.

“Behind Radio 2 reception there was a loo…” he began, as Alan interjected: “I think you’re going to take this slightly downmarket…”

“I wont!” Jeremy insisted as Alan questioned: “Is this really necessary?”

Jeremy then explained: “I’ve got to tell this story; I’ve got to unload because I haven’t really told it before.”

Alan then cheekily warned Jeremy that the phrase ‘I’ve really got to unload’ hardly inspired great confidence given the direction the tale was heading, reports the Express.

Undeterred, Jeremy continued: “So behind Radio 2 reception there is a single cubicle toilet and it was always locked because the receptionist said we don’t want anyone going in there for obvious reasons.

“And one day I was bursting and I could see the door unlocked, so I say, ‘Do you mind if I go in?’ and I lock the door and I’m in a seated position…

“You’re on the verge of oversharing!” Alan exclaimed, as Jeremy continued: “I don’t understand what’s going on outside the door because I’ve got no idea.

“But Barry Gibb of the Bee Gees has said to reception, ‘I need to use the loo urgently.’

“And reception looks round and the door is locked because it always is because they lock the door to stop people using it,” he clarified.

“So they gave him the master key and I’m sitting in the loo in a seriously private moment and [the door] suddenly opens and Barry Gibb walks in!

“This is the guy who wrote Islands in the Stream!” Jeremy added, as the studio erupted into laughter.

“He walks in a completely continuous movement and I think he made the noise ‘ha?!'” the presenter said, imitating a similar sound to what the Bee Gees sing in their famous track, Stayin’ Alive.

“I’ve only met him once and that was it,” Jeremy concluded, as Alan swiftly steered the conversation elsewhere.

For her standout moment, Kate recounted the occasion she encountered legendary Hollywood actor Dustin Hoffman following a theatrical performance.

She recalled being completely starstruck having previously watched him in classics such as Tootsie and The Graduate, while younger cast members recognised him from the animated blockbuster Kung Fu Panda.

Meanwhile, Michael disclosed he had recently had an audience with Pope Leo XIV, describing it as amongst the greatest days of his life.

Love Your Weekend With Alan Titchmarsh airs every Sunday at 9.30am on ITV1 and ITVX.

NEW YORK — Democratic leaders, desperate to compete in red states where their party brand is toxic, are embracing something new this midterm season: not backing Democrats.

In states like Nebraska and Alaska, Democratic officials are, in some cases, looking past their own party’s candidates while subtly encouraging — or even openly promoting — independent candidates they hope can outperform the Democratic label. The Democratic National Committee and some of its allies in Washington are quietly supporting the new strategy.

Meanwhile, some of the independent candidates are chatting in a group text about their approach as they plot a path that could shake up Congress, which is consumed by partisan gridlock.

Nebraska Democrats this week chose a nominee for U.S. Senate, Cindy Burbank, who said a major campaign priority was to ensure a Democrat wouldn’t be on the fall ballot to pull support from independent Dan Osborn. Shortly after polls closed, Burbank reiterated her plan to drop out in the coming weeks during a private conversation with a party official, according to state Democratic chair Jane Kleeb.

Democratic leaders believe Osborn, who came within 7 percentage points of winning a Senate seat in 2024, has the best chance to defeat Republican Sen. Pete Ricketts.

Democrats’ pivot toward independents is part of an intentional strategy in some places — and something closer to a wink and a nod in others — that covers a handful of high-profile Senate and House and even statehouse contests. Independent Senate candidates are also running in states like Idaho, South Dakota and Montana, where Democratic leadership has so far been unwilling to fully embrace the independents, although many view them as the Democrats’ best chance to stop Republicans this fall.

“For some states, and Nebraska is one of them, where Democrats are 32% of the electorate, this is a long-term strategy for us,” said Kleeb, who also serves as a vice chair to the Democratic National Committee.

Kleeb said her state party is backing independents in at least four state legislative seats in addition to the U.S. Senate: “We have to build a coalition with independents in order to win elections so we can do good work for the people. Period.”

Some of the Democratic Party’s national political machine appears to be on board.

The Democrats’ fundraising site, ActBlue, serves some of the independent candidates, as do popular Democratic-allied website builders. At the same time, some of the party’s campaign committees in Washington quietly provide logistical support in some cases, while avoiding public criticism of the independent candidates even in some races where there is a Democratic nominee.

“The Democratic Party’s brand is awful right now,” said Democratic strategist Josh Schwerin. “The combination of the brand problem and the existential nature of the threat that our country is facing requires us to have a big tent and look for candidates who can win.”

There are risks for the Democratic Party

Some Democratic donors, strategists and party leaders from other states have privately pushed back, insisting Democrats should not look past their own nominees for short-term political gain. They want Democratic officials, in Washington and on the ground in red states, to work harder to make the Democratic brand more attractive — even if it takes several more years to be competitive.

“What’s the independent going to do for the Democratic Party if they win?” asked Democratic strategist Mike Ceraso, who sees the shift toward independents as an attempt to disguise Democrats in some cases. “We’re the party of truth and honesty and integrity, but we’re playing these stupid political games?”

And there is no guarantee that the independent candidates, if elected, would support all of the Democrats’ policy priorities or even Democratic leadership in Congress.

In Idaho, independent Senate candidate Todd Achilles, an Army veteran and former Democratic state legislator, said he won’t be caucusing with either party if elected. He explained his politics as “straight down the middle,” and said he believes in individual liberties.

“Idahoans should be able to live how they want,” he said. But the Democratic Party was a bad fit because it “has given up on little red states like Idaho.”

On his list of problems with Democrats is that the party made a big mistake by initially running Joe Biden again for president in 2024. But he also said “the shine is coming off” Trump, whom Idaho voters backed by 36 points in 2024.

Achilles said he and other military veterans running for Senate as independents chat in the text chain and are “very much on the same page.” He says the group wants to see “guardrails,” including term and age limits and campaign finance reform.

“The priority is to get Congress functioning again,” he said. “We gotta break the grip of the two-party system.”

‘I’ll never vote for a Democrat’

In South Dakota, Navy and Air Force veteran Brian Bengs has launched an independent bid to defeat Republican incumbent Sen. Mike Rounds, who’s seeking a third term this fall.

Bengs ran as a Democrat against Senate Majority Leader John Thune four years ago and lost by 43 points.

A lifelong independent, he said he got turned down by the party this time when he sought to run with its organizational support but without the label. Still, he insists he can win without the party’s formal backing.

One key lesson from his 2022 campaign, he says, was how hard it was to break through with the Democratic Party label.

Voters would immediately ask, “What are you?” he recalled.

“When you say, ‘I’m a lifelong independent running as a Democrat,’” Bengs said, the response was quick. “‘I’ll never vote for a Democrat.’ And that was it,” he said.

“So that takeaway soured me on running again in any party system, because it was just a soul-sucking experience.”

In Alaska, some Democrats believe that commercial fisherman Bill Hill, a retired school superintendent, may represent their best hope in defeating first-term Republican Rep. Nick Begich for the state’s only House seat.

Hill, a lifelong independent, raised more than $780,000 in the first three months of the year, besting Democrat Matt Schultz, a pastor, who raised $578,000 from last October through March.

The state Democratic Party declined to endorse Schultz at its recent convention, which Hill also attended. The House Democrats’ campaign committee in Washington has also declined so far to promote Schultz’s candidacy. Hill, meanwhile, is racking up local union endorsements.

Hill’s message to voters, he said, is the same for Republicans, Democrats and independents: “You need to be pragmatic about who you choose to support in this election cycle, because at the end of the day, we need a change in the House seat in Alaska.”

A spokeswoman for the National Republican Senatorial Committee criticized independents like Osborn, Bengs, Achilles and Seth Bodnar, who is running in Montana, as “fake Independents who would push liberal Democratic policies in the Senate.”

Currently, there are two independents in the Senate: Maine Sen. Angus King and Vermont Sen. Bernie Sanders. Both caucus with Democrats.

In an interview, Hill said he’s unlikely to caucus with Republicans in Washington if elected, but he’s not committing to joining Democrats either. He was reluctant to criticize the Democratic Party or Trump.

Hill acknowledged the challenge of running for Congress as an independent, but said there are benefits, too.

“There’s freedom,” he said. “I can truly represent the working people of Alaska.”

Peoples and Catalini write for the Associated Press.

During this tournament, she has been able to lean on Meg Jones a little more to lift her mood.

Like the new England skipper, Packer was born and raised in Wales. The pair will occasionally swap a word or two of Welsh, a reminder of home and family.

“We have just some funny phrases that no-one else really understands, but it really makes us laugh,” says Packer.

“She’s very good at making things quite light and I’m probably the opposite – I make it quite serious.”

There is plenty to be serious about when they face France in Bordeaux.

Given England’s home run at the 2025 Rugby World Cup, WXV’s sparse crowds and an expected record attendance at the 42,000-capacity Stade Atlantique, it is likely to be the most hostile environment the Red Roses have played in since that fateful defeat in Eden Park in 2022.

The streak of 37 straight wins England have put together since is in definite peril.

But, beyond her notes and focus points, there is something else, less easily defined, that bolsters Packer amid the stress.

“As a team we are all overly critical of ourselves, but there is a bond that’s really important to us,” she says.

“The biggest thing is how tight we are as a group – and that just really carries us through.”

Packer, her team and that togetherness will be tested.

But the scrum-half, book smart, street smart and quick smart at the breakdown, can pass most things.