Pop Music

MARK RONSON is going to be the man of the moment at the Brit Awards when he is honoured with the Outstanding Contribution to Music prize.

And I have been told organisers are going all-out to make it a moment to remember for Mark — with Dua Lipa, Raye and Lily Allen in the mix to perform a medley of his hits.

All three women have teamed up with Mark on songs before, with Mark and Dua winning a Grammy for their 2018 hit Electricity.

Lily’s 2007 track Oh My God was produced by Mark, while he helped write and produce Raye’s song Suzanne last summer.

A music industry insider told me: “The Outstanding Contribution to Music gong is massive for Mark and the Brits want to celebrate his impact on the music industry.

“He has worked on so many incredible songs with some massive artists, and they’ve been reaching out to try to get something very special lined up.

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“Dua, Lily and Raye have all been approached about performing a medley of Mark’s songs, including their own tracks he worked on.

“The Brits love a big moment and want this tribute to be one of the most impactful moments of the night.

“It’s all still a massively moveable feast, with the finer details being ironed out.”

I revealed last week that Mark was getting the prestigious award, which has previously been handed to acts including Sir Elton John, The Beatles and Oasis.

Mark said: “This is the most meaningful honour of my career.

“I think of the times I’ve watched artists I revere accept this same award.

“The idea that I’m now standing in that lineage feels impossible.

“I left England as a kid, but this country runs through everything I’ve made.

“The UK artists I’ve worked with — their brilliance and refusal to compromise — shaped not just my work but how I understand what music should do.

“And, more than anything, it’s the crowds here who’ve sustained and showed up for me.

“The fans, the festival crowds, the record buyers and streamers, the love has always been overwhelming.

“I’m beyond grateful for all of it.”

The ceremony, at Manchester’s Co-op Live on February 28, is looking like it’s going to be a corker, with Harry Styles, Olivia Dean, Wolf Alice and Rosalia all confirmed to be performing, too.

I’ll keep my fingers crossed that the after parties are just as good.

Capaldi please Tay yes

LEWIS CAPALDI is hoping to hit the studio with Taylor Swift after starring in her Opalite music video.

He took to social media to reply to fans after making a surprise cameo in Taylor’s latest clip.

After one fan asked about the prospect of Taylor and him recording a duet together, the Wish You The Best singer replied: “I can but dream.”

Last night Official Charts UK revealed Opalite is on track to give Taylor her sixth No1 this Friday.

Meanwhile, Myles Smith and Niall Horan are eyeing up a Top 20 debut, with their new song Drive Safe in an No20.

Niall’s One Direction bandmate Zayn Malik is also back in the charts.

His single, Die For Me, the lead track on upcoming fifth album Konnakol, is currently at No39.

Cardi’s wet and wild

CARDI B appears to have ditched standard red carpet dresses for a trusty wetsuit.

The WAP rapper wore this funky red and yellow jumpsuit as she attended the 2026 Fanatics Super Bowl Party.

The VIP event at Pier 48 in San Francisco saw a host of stars take to the stage before last night’s Super Bowl halftime show by Bad Bunny at the Levi’s Stadium in Santa Clara, California.

As well as Cardi, SZA and Nelly also took to the stage during the evening.

Keen to make the most of her time in the city, Cardi was also spotted backstage at Uber’s The One Party.

She sported a tight white jumpsuit as she hung out with British sensation Olivia Dean who, fresh from winning her first Grammy last weekend, performed at the bash.

Jason channels his inner Slater

JASON DERULO may have finished the UK leg of his tour last night, but we’ve clearly made a lasting impression.

The Whatcha Say singer, channelled his inner Kat Slater from EastEnders in this leopard print coat at his final show at Manchester’s Co-op Live Arena.

After performing in Glasgow, Leeds, Birmingham and London, Jason is now taking his The Last Dance World Tour across Europe.

Once he ties up the tour, Jason has promised it’s the start of a new era.

He told Bizarre’s Howell: “It is a retirement of one version of me and the start of a new one.”

PERRIE EDWARDS has moved the release of her new track, Woman In Love, to tomorrow at 5pm.

The move thrilled fans after she made the announcement on social media, after bringing it forward from Friday.

It also does Perrie’s ex Little Mix co-star Jesy Nelson a favour too.

Jesy’s new Prime Video TV series is expected to drop on February 13, and Perrie’s decision to move the release appears to allow Jesy to bask in the limelight without any talk of competition between the old bandmates.

After everything that went down between the Little Mixers, it’s good to see they’re finally starting to move on.

I’M hoping Madonna’s twin daughters Estere and Stella could be Tottenham’s next Lucky Pappe Sars.

Madge has revealed the pair have made it through to the Spurs’s Women’s Academy.

She was pitchside over the weekend to watch Estere and Stella smash another team 5-0, and joked she had been in an Uber for the second time in her life to make it to the game.

Madge has form when it comes to having kids with footballing prowess.

Her son David Banda joined Benfica’s youth academy in Portugal aged 11 and played with their youth squad for a number of seasons, with Madge relocating to Lisbon to support his career.

David ended up leaving the beautiful game to pursue a career in music like his famous mum.

I’ve got high hopes for Estere and Stella – and they picked the perfect team to join.

Let’s just not talk about our recent run of form, OK?

HEARTSTOPPER star Kit Connor looked completely unrecognisable when he posed for a photo with his new mate Elton John.

The British Netflix actor attended a dinner at the singer’s house alongside actor Russell Tovey and Scissor Sisters’ Jake Shears among others, but I almost didn’t even realise it was him.

At only 21, he sported a full beard – a drastic change from his clean shaven look in the teen drama which made him famous.

If it’s for a role, no one will be recognising you, Kit.

PRINCESS SUPERSTAR had a handful of hits in the Noughties, including the 2007 dance classic Perfect (Exceeder), before falling out of the music business.

But almost two decades later, she is well and truly back, having just released her new single Yum-Me after the 2023 movie Saltburn featured her music and returned her to the charts.

In an exclusive chat, she explained: “It’s been wild. I lost my career and I got it back after Saltburn propelled Perfect back into the limelight.

“All of a sudden, after pretty much a ten-year hiatus, I found myself in recording studios all over again. It’s just been a really surreal experience.”

And the new tune is the first taste of a full length album.

She added: “I’m working on it as we speak and it’s about half done. I’ve recorded probably like 30 songs but only six are good enough for the album.”

During her time away from the charts, she became a mum, a mentor, and worked in social media.

But she also helped discover Lana Del Rey, when she was singing under her real name Lizzy Grant.

The singer and rapper explained: “Around 2008 I was producing artists, local people in New York, and my husband actually was like, ‘Oh you’ve got to meet this singer Lizzy Grant.’

“I was sort of dubious because my husband sometimes will bring home the worst people. But I was like, ‘Oh my god, she’s amazing’.

“We recorded songs in my apartment in New York.”

And after almost three decades in music, she’s ready to tell plenty more showbiz anecdotes.

She added: “I’m also about to potentially write a memoir. I’m really excited, it’s something I always wanted to do and so I’m talking to a UK publisher right now.”

JILL SCOTT does not rush records. She only goes into the studio when she feels she has got something she needs to say.

The American singer’s sixth album, To Whom This May Concern, arrives a decade after her last effort for exactly that reason.

“It took me 27 years to make Who Is Jill Scott?,” she says of her landmark debut. “And all the experiences in those years I put into that album.

“These projects don’t just happen overnight, it doesn’t work that way. So, it took me ten years to make this album.

“Why did it take so damn long? Because it takes time to make a great meal. It takes time to decorate your home. You don’t rush it. I took my time because I care.”

Writing only when there is something urgent to say, and letting the music lead the message, is the way the Grammy-winning artist and actor creates.

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She says: “I wait for it to come and the things that came out of me for this album shocked the hell out of me, too.

“On some songs, I’m an anthropologist, studying people. I’m on social media and hearing how a lot of people are not satisfied and that’s a damn shame.

“It’s a little harder for me to just sit on a park bench and watch people.”

I meet Scott at her publicist’s office in central London.

I am very excited about the musicianship on this album. The horn players and the bass, which is all over this album, is amazing.

Jill Scott

Dressed in orange, she is bright, friendly and effortlessly glamorous, although she says the jet lag has been hard to deal with.

She’s been over here for a week of promotion, including an album launch where she introduced tracks from To Whom This May Concern and took questions from fans.

“That was a pretty exciting night,” she says. “And the response was great, which was good as I was scared because it’s the first time playing this new music for a bunch of people in a room.

“I am very excited about the musicianship on this album. The horn players and the bass, which is all over this album, is amazing. It’s not a plug-in, it’s a player.”

At 19 tracks long, this is an impressive album. Collaborators include Trombone Shorty, Maha Adachi Earth, DJ Premier and rappers Tierra Whack, JID and Ab-Soul.

Recent single Pressha and Don’t Play touch on relationships.

Jill says: “Pressha is about a toxic past relationship while Don’t Play is a template for how to have a date where you actually want to get to know someone.

“It’s not just about what box they tick or what salary they earn. Then BPOTY — Biggest Pimp Of The Year — I wrote after looking at society and thinking, ‘My God, these folks are pimping us’.

“Like the pharmaceutical companies. I had been taking some medication and I didn’t really need it, I was being pimped and so it began with that story.”

‘Music is medicinal’

A diverse record blending soul, rap and jazz, it features beautiful ballads such as Me 4 and Àse, showcasing the poetic storytelling Scott has long been celebrated for.

“When I heard how diverse the music was, it made sense as an album,” she explains.

“People are going to get what they’re going to get what they need from it at different times. I believe music is medicinal. Like when I first heard of Billie Holiday, I didn’t really hear her until I got my feelings hurt.

“Then I listened again and everything clicked and made sense — how poignant her words were — and that’s why this album is called To Whom This May Concern.”

Be Great is a superb track as both a declaration and mantra, designed for everyday moments of courage.

“I want people to play it before their auditions, job interviews or anything that matters to you,” says Scott. “Go ahead and be fantastic at it, whatever it is.

“I just got the music and the lyrics popped out. I see it as Golden’s cousin [her 2004 anthem]. Yeah, they’re definitely related.”

Offdaback, which Scott says is her favourite track on her new album, pays homage to her heroes who came before her, artists and pioneers who stood up for freedom and music.

“The ancestors have to be honoured,” she explains.

“Whether it was your grandmother who worked in somebody’s house in order to make sure your mother had food, or it was your dad who worked three jobs so you could go to college or so you could live your dream.

“As an artist every day I’m reminded of how many people have made a way for me to be here.

“My office wall has photos of all the people who have inspired me. Diana Ross, Missy Elliott, Led Zeppelin and Queen Latifah are on there.

“I admire so many. Nina Simone for being so frank and fearless; Tina Turner for being so brave and using her voice.

“The list goes on. Frankie Beverly was beloved to me and Prince was my number one, and Bette Midler showed me that you don’t have to be around, knocking on doors all the time. You can disappear for a while, too.

“I went to see Frankie Beverly and Maze and they’d not had a record out for 25 years but everyone at the show is up and singing at the top of their voices.

“Music is about that feeling, about camaraderie and unity. I feel really honoured that anyone would feel that about my music.

“However, I’m still working on the other stuff that comes with that.”

There was a recent social media post of Scott being stopped by a fan who recognised her on the street — and she tells me she still finds that side of fame difficult.

Staying human

She says: “I value my time in just taking a walk, I really do. It’s important to me and it helps me balance everything else. The guy was sweet and I loved his freckles but being stopped in the street is not easy for me.

“Yes, 26 years later, I’m still working on it. I get good advice about it. My mentors tell me the value of maintaining the private self and staying human.

“When people put you on a pedestal it’s a very dangerous game and it’s not the game I play.”

When Scott emerged in 2000 as the voice in neo-soul, blending R&B, jazz, soul and spoken word, she found the spotlight overwhelming.

“It was terrifying and exciting,” she says with a smile. “I had a good two or three weeks where I was like, ‘This is so fun’. And then it didn’t stop.

“People were driving by my house playing the album at full capacity at three o’clock in the morning.

“I don’t want to sound ungrateful, because that’s not where I live — I live in grace and gratefulness all the time.

“It just was never my priority. I see people who are far more famous than me, and God bless them, but balance really matters to me. I’m a writer first, I just happen to sing.

“I have to be human and recognise how flawed I am and how much I’m working through things and honouring myself in all the things.

`’So, my goal is to be grand and gracious and have patience with other people. And when I can’t, I go into the house. That’s how I live.”

I think as a society, we’re holding on to a lot of people that don’t benefit our lives.

Jill Scott

Pay U On Tuesday is a fun song which Scott says: “Comes from being exhausted of family members who I used to be friends with that just don’t value the same things.”

It’s a direct song which even comes with a disclaimer (in the form of a track called Disclaimer) before it.

She laughs and says: “Oh yes there’s a disclaimer. But cutting ties is sometimes needed.

“Maybe they’re not ready to be respectful now, but I think as a society, we’re holding on to a lot of people that don’t benefit our lives.

“What I’ve learned in these 53 years is that I love when the people around me bloom and I want to continue to bloom.

“This album has been brought to you by education for your home. For your family.

“I definitely don’t like being perimenopausal. That’s not fun. It’s made certain things a lot more challenging, like staying fit, and sometimes you don’t sleep and a dress doesn’t fit but I count on the joys.

“I’m a big advocate for a book called The Celestine Prophecy, which reminds me to constantly look for beauty.”

Growing up in North Philadelphia, “Jilly from Philly” says she owes her positivity and happy childhood to her mother and grandmother. “My mother showed me art and creativity and I’m grateful,” she tells me.

Although there was a lot of drugs and violence around her, she also saw “kind and beautiful-spirited people” — and that spirit is at the heart of the track Norf Side.

“It’s a celebration of the place,” she says.

For that song, she wanted another voice from North Philly and her son Jett suggested Tierra Whack, a brilliant MC and remarkable poetess. “We are both a reflection of that place,” she says.

Scott, who has a charitable foundation in North Philadelphia which has been sending kids to camp and to college for more than 20 years, says she could have made an album about what’s going on in the US politically but chose a theme of personal revolution over performative outrage and political frustration.

‘Joy, passion, rage’

“I think that’s another album,” she says. “Right now, I’m really focused on growth and healing — the human stuff.

“Then maybe there will be the kind of revolution that this kind of turmoil deserves.”

On the death of mum-of-three Renee Good, who was shot by an Immigration and Customs Enforcement (ICE) agent in Minneapolis last month, she says: “This has been going on in the United States for longer than my whole life — it’s not new.

“It just happened to happen to a Caucasian woman so the world is shaken and they’re seeing it.”

Making a name for herself in acting as well as music and poetry, she has starred in 2007 comedy Why Did I Get Married? and TV series The No1 Ladies’ Detective Agency.

Scott says she is taking her time when it comes to choosing her next role, paying close attention to both the director and the writing.

Live performance, however, is non-negotiable. “I will be touring. That is a fact.”

For now, the focus is firmly on this record. “I just want people to come back and listen to it again and again,” she says.

“I’ve sprinkled levels of joy, frustration, passion and even rage. When that last chord plays, I want people to sit with it — and then start all over again. Each time, there’s something new.”

• To Whom This May Concern is out on February 13.

JILL SCOTT

To Whom This May Concern

★★★★★