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Anjali Sud, most recently the chief executive officer of the ad-supported streaming service Tubi, is taking the top job at the subscription audio entertainment company SiriusXM.

SiriusXM announced Monday that Sud will succeed current chief executive Jennifer Witz, who is stepping down Dec. 31 and will remain in an advisory role through next year.

Sud, 43, has been an independent director of SiriusXM since 2025. In a statement, the company cited her extensive experience in digital media and streaming businesses. She has led Tubi since 2023. The platform has grown to 110 million monthly users and is now a profit center for Fox Corp., which acquired the company in 2020.

Tubi was recently absorbed into Fox Digital Platforms, a new unit created following Fox Corp.‘s $22 billion acquisition of the streaming platform Roku. The deal was closed on Friday.

Sud previously served as chief executive of the video platform Vimeo.

“I am honored to lead SiriusXM in its next chapter,” said Sud. “Premium audio experiences will be more important than ever to the future of entertainment, and I believe SiriusXM can evolve to lead that future.”

Witz, 57, has been with SiriusXM for 25 years, including nearly six years as chief executive.

SiriusXM offers live and on-demand programming across music, talk, news, sports, and podcasts, and the company reaches around 255 million monthly listeners across its platforms.

Best known as the satellite radio platform for morning personality Howard Stern, SiriusXM has moved aggressively into podcasting and specialty channels built around personalities with passionate followings including Conan O’Brien’s “Team Coco,” and Alex Cooper’s “Call Her Daddy.” The service also offers shows or channels from such personalities as Trevor Noah, Kevin Hart, Stephen A. Smith, and former Fox News anchor Megyn Kelly. Last month, SiriusXM reported having 33 million total subscribers.

In the third quarter of 2026, the company reported revenue of $1.6 billion for its flagship SiriusXM segment, flat with its year-ago performance. Gross profit increased slightly to $963 million.

Barri Worth Girvan, a veteran government employee who ran on a platform of leveraging her experience to advocate for residents, declared victory in the race for Los Angeles City Council’s Third District seat late Friday.

Worth Girvan’s announcement came after the latest vote tally Friday evening showed her widening her lead over rival Tim Gaspar, with 51% of the vote to Gaspar’s 49%.

“I will bring competence, transparency, follow-through, and ethical leadership to City Hall, which Angelenos deserve and too often do not get,” she said in a statement, which also thanked Gaspar for stepping up to run as well.

“I know how City Hall works, and I know how to make it work for you,” Worth Girvan said. “I am ready to hit the ground running on Day One, delivering the services our neighborhoods deserve, and leading with the integrity you have every right to expect.

Earlier Friday, Gaspar’s campaign said he wasn’t yet ready to concede. The campaign couldn’t immediately be reached for comment following Worth Girvan’s announcement.

The current Third District councilmember, Bob Blumenfield, is leaving office because of term limits. The 3rd District seat includes Woodland Hills, Reseda and Canoga Park.

Worth Girvan and Gaspar were virtually tied on election night Tuesday, but on Thursday Worth Girvan began pulling ahead as more mail-in ballots were counted.

Before entering the race, Worth Girvan was L.A. County Supervisor Lindsey Horvath’s district director for three years, handling constituent services on the Westside and in the Valley.

A former insurance company owner, Gaspar is running on a pro-business platform and has been endorsed by the Valley Industry & Commerce Assn. and the Los Angeles Police Protective League, a union representing LAPD officers. He’s also been endorsed by Blumenfield, L.A. County Supervisor Kathryn Barger, real estate developer Rick Caruso and former Democratic state Assemblymember Bob Hertzberg, Worth Girvan’s former boss.

Worth Girvan was endorsed by the L.A. County Democratic Party and labor unions including the local chapters of the International Brotherhood of Electrical Workers and the Service Employees International Union. She’s also been endorsed by Horvath and former L.A. Mayor Antonio Villaraigosa.

In the race for District 9, both Jose Ugarte and Estuardo Mazariegos remain locked in a tight contest. Councilmember Curren Price is also termed out.

District 9 encompasses South L.A. neighborhoods, the Convention Center and USC. But no matter who wins, District 9 will undergo a shift in representation after decades of being represented by a Black council member.

Price is currently facing charges of embezzlement and conflict of interest and he has denied wrongdoing. Price has endorsed Ugarte, his former deputy chief of staff, whose platform includes protecting city residents from federal immigration enforcement and the Trump administration.

Mazariegos is backed by the L.A. chapter of the Democratic Socialists of America. He’s worked as a community organizer for decades and said he’s running to improve quality of life in the city, including by making housing more affordable and spending money on basic services other than policing.

Ugarte’s campaign received outside support from special interest groups including Airbnb, Uber, the California Apartment Assn. and the International Brotherhood of Electrical Workers Local 18, which represents workers at the Department of Water and Power.

Mazariegos was supported by groups including United Teachers Los Angeles and the Progressive Era PAC. Special interest groups have spent more than $250,000 supporting his campaign.

Walt Disney Co. is experimenting with using artificial intelligence to test out different concepts for music videos showcasing the lyrics to its songs, starting with “Go the Distance” from its 1997 animated movie, “Hercules.”

The effort is part of a deal with Bay Area AI startup OpenArt, which makes AI generated videos. Disney can input its songs into OpenArt’s platform, which will create a storyboard preview of a lyric video based on the song’s words, mood and emotional tone. Disney can make any changes during the process and fine-tune the video.

“They are very excited to bring some of the older catalogs of the music and create visual lyrics videos for those songs,” said OpenArt CEO Coco Mao, adding it’s “early exploration” for Disney to see how AI could potentially help with their creative workflow.

By working with OpenArt, “creative teams can iterate more freely, generating and evaluating multiple concepts in hours rather than weeks, enabling new fan experiences around Disney music between major releases,” Disney said in a blog post.

The commercial deal was announced as part of the Disney Accelerator Demo Day on Tuesday in Burbank. OpenArt was one of five companies in this year’s Accelerator program, which provides participants with investment capital and the opportunity to explore future collaborations with Disney leaders. This year, the entire cohort is made up of AI companies.

“We’re looking at how we can fit these companies into our existing workflows and help expedite that,” said David Min, vice president of innovation at the Walt Disney Co.

The experiment comes as Disney has challenged other AI companies over the use of its intellectual property. Disney and other studios have sued AI companies Midjourney and MiniMax, and in February, Disney sent a cease-and-desist letter to Chinese tech company ByteDance over its AI video generator Seedance 2.0.

OpenArt offers a platform that works with many different AI models, including Kling, Google Veo and Seedream. Businesses can select which AI models they wish to use for their videos. OpenArt also has a tool that helps flag potential intellectual property infringement.

Videos featuring the lyrics to Disney songs can be popular on social media and video platforms. For example, a lyric video posted six years ago featuring “Go the Distance” sung in different languages with a scene from “Hercules” generated 280,000 views on YouTube.

In general, making music videos has been a popular way that creators are using AI, as it can be more economical and allow them to test bold ideas without blowing the budget or going to multiple locations. Rather than a static image with music, a lyric video with different imagery can also help increase views on social media platforms.

“Before joining Open Art, I was in a rock band, so I was one of the artists that know the pain of not having enough money or time or resource to make lyrics videos or any kind of videos to promote your song on social media, so being able to be a part of building a tool that helps musicians and songs from big to small is very monumental,” said OpenArt executive Chloe Fang, who oversees entertainment and enterprise partnerships.

OpenArt was founded in 2022 by former Google engineers Mao and John Qiao. The company said it has nearly 100 employees and 17 million monthly active users.

Disney is considering different ways to incorporate AI into the company. For example, Disney Accelerator participant Irvine-based FieldAI is working with Disney on exploring whether robots can support parking or other operations within theme parks and San Francisco-based Physical Intelligence is looking at whether robotic systems can help with the handling and arranging of 3D glasses for cleaning between shows at Disney theme parks.

In September, Disney named Character.AI’s then-Chief Executive Karandeep Anand as its new chief technology officer. Last month, Character.AI filed for bankruptcy, and Disney offered $20 million to license some of the startup’s intellectual property. Other bidders can still top Disney’s offer.

Not all of Disney’s AI partnerships have worked out. Last year Disney announced a $1-billion investment in OpenAI and a licensing deal to bring Disney characters to OpenAI’s AI video generator Sora, but it fell apart months later after OpenAI decided to shut down Sora to focus its resources on other aspects of its business. The deal was never completed and no money changed hands.

Devin Elle Kurtz makes her opinion on generative AI known. For the last few years, the 29-year-old Pasadena artist says she’s been frustrated when strangers tell her that her art style looks AI-generated.

They have it backward, she insists. Kurtz, who has been sharing her art on the internet since she was a teenager, suspects that her viral art may have been used to train AI models. Her Instagram bio reads, “NO AI,” alongside a circle-backslash emoji.

Her feelings on the subject made what she discovered Thursday morning all the more painful, the artist said. Kurtz woke up to multiple emails from fans telling her that the Trump administration’s Department of Education had posted a meme on X that looked eerily similar to one of her works — fan art inspired by one of her favorite scenes from the animated series “Avatar: The Last Airbender.” In the work, Aang and Zuko are shown practicing fire-bending moves as two dragons move around them.

The Department of Education’s post includes an image of the two characters in seemingly identical stances, outfits and color scheme. “There’s magic in learning,” reads text added over the image. “Make education great again.”

The Department of Education did not immediately respond to a request for comment late Thursday.

Kurtz soon took to social media to condemn the Trump administration. She wrote on the platform: “I did not and would never consent to this administration running my fanart through AI and posting it. Can’t even believe I’m saying these words.” Her response had 150,000 likes as of late Thursday night.

“It definitely made me angry,” Kurtz told The Times on Thursday. “Seeing something that I made appropriated with a Make America Great Again-adjacent slogan on it made me quite upset. I knew I wanted to make it really clear that this was not something that I co-signed.”

Kurtz said she made the artwork in 2023 to share her love of the series with its creators and with other fans.

“Fandom at its core is supposed to be humans loving something together,” Kurtz said. “I want to live in a world where the things that I see around me are made by people. That is what being a human being is all about. Not just output for the sake of output.”

Kurtz said several tells led her to conclude that AI was likely used to alter her work. In the version shared by the Trump administration, the dragons have been removed, and the platform the duo is standing on has oddly sized bricks.

Since her fan art is based on existing intellectual property, she doesn’t intend to pursue legal action.

“It would be fantastic if the government didn’t take artists’ work and run it through AI and post it,” Kurtz said.

Kurtz joins a laundry list of artists who have accused the Trump administration of using their work without their knowledge, including singer Olivia Rodrigo and Japanese artist Hiroshi Nagai.

In December, singer Sabrina Carpenter was angered when her song “Juno” was used in the soundtrack for a Department of Homeland Security promotional video featuring clips of officers tackling and handcuffing people.

“[T]his video is evil and disgusting,” Carpenter replied. “Do not ever involve me or my music to benefit your inhumane agenda.” The Department of Homeland Security has since deleted that video.

LUCY Mecklenburgh was left “fuming” after being forced to travel home barefoot when she lost her shoe between the train and platform.

The TOWIE alum, 35, took to her Instagram Stories to moan about the mishap following a night with fiance Ryan Thomas.

The mum of two was seen covering her mouth with her hand in shock as she stood in the vestibule wearing only one item of black loafer footwear.

Lucy looked glam in an oversized leather jacket and jeans, but her right foot was exposed as Ryan could be heard shouting: “Oh my god,” in the background.

In his social media caption he wrote: “Lucy lost her shoe getting on the train”.

She then added in her re-post: “Fuming I love these shoes”.

WED ALERT

The personal reason Lucy Mecklenburgh is STILL in no rush to marry Ryan Thomas

‘THAT’S F***ED UP!’

Ryan Thomas reveals he & fiancée Lucy Meck sleep in separate beds

Former Coronation Street star Ryan then shared a video showing Lucy laughing as she saw the funny side of her situation.

She sat perched on a train seat and giggled away as he filmed her reaction.

The blunder came after the couple spent a cosy date day in the capital.

They had a plush dinner at the Covent Garden Hotel complete with fizz and two courses.

Earlier this month, The Sun reported how they had listed their Cheshire mansion for sale for £1.25million.

Soap star Ryan first purchased the Edwardian property near Stockport for just £675,000 in 2021 – and the engaged couple split their time between their Manchester and Essex pads.

But just five years on and the sprawling mansion has nearly doubled in value.

The pair have spent thousands of pounds renovating the property and have modernised the kitchen, living room, bedrooms.

But he might not see any of the profits.

Last October, The Sun revealed that Ryan was down to his last £1 in his company’s bank account.

The actor runs a media firm called R James Thomas Ltd which takes in cash from his TV and endorsement work.

Mexico will require the digital platforms to protect minors from violent and sexual content.

Mexican ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠President Claudia ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sheinbaum signed a presidential decree requiring digital platforms, including TikTok, Meta and X, to protect children from violent, sexual and other harmful content online.

The decree establishes that digital platforms must, by design, restrict exposure to content involving violence, harassment or sexual abuse, as well as immediately remove any risky material from the profiles of minors.

Sheinbaum said on Wednesday that the government would back legislation to penalise companies that fail to implement the decree.

“If no progress is made, it would become a law,” she told a news conference on Tuesday.

“The goal is for digital platforms to take on some of the responsibility and refrain from disseminating, promoting, or spreading content related to this type of information — including criminal acts or violent behaviour,” Sheinbaum had said earlier when she indicated she would introduce the decree.

The decree comes after an attack by two 18-year-olds on their former high school in the northern ‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌state of Coahuila in early October that killed one and wounded three others.

Digital platforms will have one month to comply with the decree, government adviser Luisa Maria Alcalde said.

Officials said they had already discussed the matter with representatives of social media outlets and streaming platforms such as Meta, Microsoft, Apple, TikTok, Google, X and Huawei.

Last August, Meta, for example, agreed to pay an $18bn settlement in a major US federal case accusing it of endangering children, and was forced to introduce new safety features to platforms including Instagram and Facebook. The lawsuit alleged Meta had violated the Children’s Online Privacy Protection Act by collecting, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠retaining, and using personal data from children under 13 without proper parental consent.

Mexico’s move follows a broader global push to protect minors online, with governments in Europe and Australia tightening oversight of digital platforms and US states pursuing a range of child-safety measures.

Brazil has also moved to strengthen protections for children online. Such measures have raised questions over how to protect minors while safeguarding privacy and freedom of expression.

Exactly a week after the new Skydance corporation — the product of the Paramount-Warner Bros. Discovery merger — was officially formed, Hollywood’s newest media giant is already raising streaming prices.

Discovery+, one of Skydance’s new streaming assets, will now cost $6.99 a month for its ad-supported tier, up $1. Its ad-free tier is also up $2, costing viewers $11.99 a month. The prices take effect immediately for new subscribers. Existing subscribers will get 30 days’ notice and see the higher rates on bills dated on or after Nov. 12.

Skydance did not immediately respond to a request for comment.

The platform first launched in 2021, at $4.99 a month for its ad-supported tier and $6.99 for ad-free. Nearly six years later, the price of the cheapest tier has risen roughly 40%, and the ad-free tier has jumped about 72%. This is the service’s second price hike since January 2025.

The standalone streaming service features tens of thousands of TV episodes from cable networks like HGTV, Food Network and TLC.

Before the merger, each company maintained its own streaming services, with HBO Max and Discovery+ under Warner Bros. Discovery and Paramount+ under Paramount Skydance. The services are currently operating as separate entities. But David Ellison, Skydance’s chairman and chief executive, has said he plans to merge the two platforms into one streaming service. It’s unclear when that might happen, what it would cost, or where Discovery+ fits in. The company has not publicly laid out plans for the service.

Prices for HBO Max currently range between $10.99 and $22.99 monthly. Paramount+ costs between $8.99 and $13.99 a month.

Streaming is one of the biggest open questions for Skydance as it enters a new era. The company is carrying roughly $80 billion in debt and is targeting more than $6 billion in cost savings over three years. Skydance has said those savings will come primarily from technology, procurement, marketing and real estate, and Ellison has said the bulk won’t come from layoffs. Industry observers expect that debt load to add pressure for more price increases across Skydance’s streaming lineup.

This price increase also comes at a time when many streaming platforms are similarly hiking their prices — in part to cover the rising cost of programming and talent. Discovery+ joins platforms like Netflix, Apple TV, Hulu and Disney+ which have all raised their subscription fees in the last year. Prime Video raised the cost of its ad-free add-on in April.