plans

PLANS for a new multi-million pound private island in the Maldives have been revealed.

The premium exotic complex could span 155 acres on the ocean, with an underwater railway and a “deep-water lagoon”.

A zero-land private island in the Maldives has been put up for sale by a Canadian brokerage, and it can be bought in its entirety for £335million.

The development has not yet been built and will only be constructed if a buyer can be found.

In computer-generated images by Private Islands Inc, The Adaptive Atoll is a 155-acre Maldivian resort that would be nestled away in a secluded setting of the Indian Ocean.

Inside, it would be made of a number of fortresses and holiday homes, all connected by an underwater rail network.

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Private Islands Inc. even offers additional mini-islands that connect on demand, allowing owners to add modular spaces such as a 30-bunk guest pavilion or a dedicated kids’ club.

To accommodate the most high-profile of clients, the layout of the island would allow for fly-in capabilities, meaning the most elite can arrive via seaplanes and private helicopters.

Private Islands Inc. boasts around 800 islands in its portfolio, usually set at around a $1million (£745,000) price point.

Some, especially in Canada, Belize, and the Americas, can cost under $500,000 (around £370,000), such as Grape Cay in Nicaragua that spans the size of two American football fields.

Mr Krolow, the chief executive and founder of Private Islands Inc., told The Telegraph:  “At the end of the day, if you want island ownership in the sense that it’s yours, you’re there and there’s no one else, it’s possible.

“And you don’t have to be super rich, but you do need to be a little crazy.

“You need to have a set of balls, and you need to have been bitten by that island bug.”

Gary Lineker’s production company, Goalhanger, is said to be looking at ‘exciting new formats’ which may include a food programme potentially starring a huge celebrity chef

Gary Lineker is set to go head-to-head with the BBC as he plans a new cookery show that could rival MasterChef, it has been claimed.

According to reports, the broadcaster’s production company, Goalhanger, which currently produces The Rest Is.. series is looking at “exciting new formats” which could include a new food programme. Gary, 65, has been passionate about food since the coronavirus lockdown, and regularly cooks for friends and family, a source said.

Amid claims he might work on a new food show, a few names have been floated around as potential hosts – including Jamie Oliver. However, currently any details of a potential show are under wraps as no plans have yet been confirmed.

Speaking to The Sun, a source claimed: “Since lockdown Gary has become a massive foodie, and is regularly in the kitchen conjuring up feasts for friends and family. Doing a food show has long been his dream, but he didn’t know if he could.”

The insider added: “Last week the board held meetings to discuss new formats, and a brilliant new cookery show was front and centre. A few names, including Jamie’s, were thrown around, and an ad has now gone up looking for an experienced producer.

“Food content is absolutely massive on TikTok and Instagram, and this would be a natural extension of this – giving people what they want in a new, longer-form way, but with brilliant, hugely clippable moments being pushed online. Everyone is really excited.”

According to the publication, however, Jamie’s “incredibly busy schedule” means he may not be able to host the show. Currently, it’s not clear which platform a potential show by Gary would air on, but since he left the BBC last year, his The Rest Is Football podcast moved to Netflix.

It comes weeks after Gary managed to find his way on to the latest BBC high earners list despite officially working for just two months in the past financial year. The corporation revealed its annual report for 2025/26, and published its annual list of earnings of some of its highest-paid stars.

He still managed to earn £325,000-£329,999 in his final months. Gary was previously the highest paid presenter on £1.35 million a year. Other top earners at the BBC last year included Greg James, Stephen Nolan, Laura Kuenssberg, Vernon Kay and Alan Shearer. Since leaving the BBC in May last year, the TV presenter went on to sign new contracts with ITV and Netflix.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

AS she returns to the UK stage for the first time in years, we reveal how heartache has left its mark on Ariana Grande.

She is the quintessential pop princess.

But away from the bright lights of fame, Ariana Grande has had to overcome more serious challenges than any of her contemporaries.

And while it is Taylor Swift who is known for her defining “eras”, Ariana has done some major reinvention of her own.

As she arrives at London’s O2 Arena on Saturday for a 10-night stint of her The Eternal Sunshine Tour – her first in seven years – it will be a very different woman to the one who last performed in the capital.

An insider reveals: “Her tour might be called Eternal Sunshine, but there’s no doubt she’s battled some really dark days and dealt with more tragedy than most her age. Perhaps most impressively, she keeps going, whether it’s movies, music or her search for true love.”

Fresh from her gruelling two-movie Wicked filming schedule and press tour, which took over her life for the best part of three years, Ariana, 33, is back doing what her fans love most – being a pop star.

Her tour sold out in 15 minutes, with more than 2 million people trying to buy tickets when they were released in September.

Her big UK comeback coincides with a time of emotional turmoil for the star, though.

In June, following weeks of speculation, it was confirmed she had split from Wicked co-star Ethan Slater, who played munchkin Boq alongside her “good” witch Glinda, after three years together.

While it was claimed they are still friends, those who know the singer have said there is “deep sadness” for Ariana surrounding the split.

The pair’s relationship had caused huge controversy after Ethan left his wife, childhood sweetheart Lilly Jay, for Ariana in 2023, shortly after the birth of the couple’s son.

He had fallen for her during filming, and the outcry threatened to overshadow promo for the first Wicked film.

“The whole thing was a major strain,” the source says. “Ariana has been desperate to put all of it behind her.”

The split was the latest blow for the star, who pursued fame from a young age.

Born in Florida in 1993 to parents Joan Grande and Edward Butera, she landed her first role in a Broadway show aged just 15.

Her major break came a year later, when she was cast as the bubbly Cat Valentine in Nickelodeon hit series Victorious, turning her into a household name.

But it was her extraordinary four-octave vocal range that truly set her apart from her contemporaries, and by her early 20s Ariana had made the leap from TV favourite to global superstar, topping charts around the world with singles such as Right There and The Way.

Meanwhile, her love life was rarely out of the headlines.

She enjoyed romances with rappers Big Sean and Mac Miller, not to mention her infamous engagement to comedian Pete Davidson (Ariana broke the internet when she commented that Pete had “big d**k energy”), as well as a short-lived marriage to luxury real-estate agent Dalton Gomez, which ended months before news emerged of her relationship with Ethan.

It was Mac Miller who supported her through one of the most difficult times of her life.

In May 2017, 22 people were killed and more than 1,000 injured when a terrorist attack took place at her Manchester Arena concert.

The bombing was the deadliest terrorist attack in the UK since the 2005 London bombings, and it deeply affected everyone who survived it – as well as those close to the victims.

Ariana developed PTSD in the aftermath, and then-boyfriend Mac dropped everything to help her through it.

A year later, however, further tragedy struck when the rapper, who by then had split from Ariana, died after an accidental drug overdose.

After so much grief in such a short space of time, the star revealed it was her music that helped her to cope.

“I was doing so much therapy, and I was dealing with PTSD and all different kinds of grief and depression and anxiety,” she told The Hollywood Reporter’s podcast, Awards Chatter.

“I was, of course, treating it very seriously, but having music be a part of that remedy was absolutely contributing to saving my life.”

While Ariana’s fans are delighted that she’s made a return to touring – and there are a lot, with 363 million followers on Instagram alone – her tour dates have not resulted in the celebration she may have hoped for.

Concerns have been raised about her dramatic weight loss in recent years, exacerbated by her return to the stage.

One commenter wrote: “Objectively speaking, Ariana Grande is dangerously underweight.” Another added: “She needs help.”

It’s undeniable that Ariana is much smaller than she once was.

The singer was forced to comment about her size when speculation reached fever pitch during Wicked promotional interviews.

Both she and co-star Cynthia Erivo were subjected to relentless chatter about their thinness.

During an interview to promote the first film, Ariana was asked how she copes with exacting beauty standards for women and the “overwhelming” pressure they feel to always look perfect.

It was a question that elicited an emotional response. Holding back tears, Ariana replied: ”Good question,” before describing the pressures of growing up famous.

“I’ve been doing this in front of the public and kind of been a specimen in a petri dish, really, since I was 16 or 17 years old, so I have heard it all. I’ve heard every version of it, of what’s wrong with me. And then you fix it, and then it’s wrong for different reasons.”

She then went on to condemn the narrative, adding: “I think in today’s society, there is a comfortability that we shouldn’t have at all [with] commenting on others’ looks, appearance, what they think is going on behind the scenes or health or how they present themselves.

“There’s a comfortability that people have commenting on that, that I think is really dangerous – and I think it’s dangerous for all parties involved.”

Those who know Ariana best are understandably protective of the singer, who is repeatedly described as “sensitive” and “vulnerable” behind the scenes, but also praised for her incredible professional commitment.

She is said to be “laser-focused” when it comes to work. The various trials and tribulations life has thrown at her, they say, have left her “damaged, but determined to grow and make a difference with her music and performances”.

It was bagging the role of Glinda, says one insider, that changed the course of Ariana’s life forever.

“This is a role she had wanted to play since she was a child, and Ariana gave it everything. It pushed her on, and she’s never looked back – it definitely raised the bar when it came to her career. It took everything out of the cast, though, as they cared so much.”

Friends and co-stars of Ariana all say the same – that she is uniquely kind and loving.

The Sun’s Associate Bizarre Editor Howell Davies recalls meeting her in the aftermath of the Manchester bombings, and her One Love Manchester concert to honour those who’d lost their lives.

He says: “I had been a massive fan of Ariana for years and was meant to go to the Dangerous Woman Tour in London in 2017, which was cancelled after the Manchester bombing.

“A year later, she made a surprise performance at Coachella festival in Palm Springs. When I spotted her backstage with Mac, I told her how courageous I thought she had been. She was sweet and composed. It really felt like she had time for her fans and wanted to speak to me.”

It would be understandable if Ariana never wanted to sing again, but her return to pop has been important to her.

She told The New York Times: “There was something broken about my relationship to pop music that was healed recently through the time away.”

Now, she’s entering a new chapter – one she will certainly be hoping is less turbulent.

With the release of new album Petal, fans are enjoying her return to the pop princess we know and love – and with this latest tour, she’s giving everything to reconnect with them in person.

Music aside, Ariana is also taking on other exciting projects. She signed up for a comedy role in the latest Meet The Parents sequel Focker-In-Law, starring Robert De Niro (who sang her praises) and Ben Stiller, which is due for release in November.

And it looks like she’s already moving on from her break-up, after she was seen getting cosy with her ex-boyfriend, dancer Ricky Álvarez.

The pair, who dated for a year from 2015, were spotted having dinner in Texas together in June this year, and spent the Fourth of July together in Florida.

He also attended her New York concert date, and the insider says: “They are enjoying downtime together between shows.”

Ariana appeared to confirm the rekindling last month, while performing Thank U, Next in Brooklyn, after changing the lyrics to: “Wrote some songs about Ricky, we always find our way back,” and at another gig in Austin she sang: “He has still got her back”.

An insider says: “This is something of a ‘comfort rebound’ for Ariana, who is feeling vulnerable post her split from Ethan. Ricky definitely makes her feel safe. And more than anything, Ariana wants to be happy again. Settling down is what she has always been keen to do.”

There was, of course, set to be another string added to her bow, with her West End stage debut in London. Ariana and her Wicked co-star Jonathan Bailey were announced as the leads of Sunday In The Park With George, a musical by Pulitzer-Prize-winning Stephen Sondheim.

This was one of the most hotly anticipated theatre events of 2027 – but earlier this month Ariana pulled out, with the role now set to be recast.

In a statement, her team said: “Ariana will be taking a step back from visibility after she completes the Eternal Sunshine Tour.”

“She looks forward to finishing the tour and ending it on a high note, both healthily and happily, and then taking a much-deserved break from public-facing work and appearances, which has led to endless, ongoing public scrutiny.

“This tour has been a beautiful experience for her.

“She loves her fans and has loved every minute of this tour so much.”

From the little girl in Florida who was musical-theatre-obsessed to the 33-year-old woman who has weathered storms with grace while working her behind off, Ariana has proven that she is a rare thing: a star who cares what people think of her.

The Times says Prime Minister Andy Burnham is looking to relax some of Labour’s net zero targets, as part of his plan to tackle the cost of living crisis. The paper quotes the new energy secretary, Miatta Fahnbulleh, who said that the government “would not stick rigidly to the pledge made by her predecessor”. It says the Department of Transport is currently considering the zero-emission vehicle mandate, which stipulates what proportion of cars sold each year must be electric.

As the country fixates on the sad saga of the ruined Lincoln Memorial Reflecting Pool in Washington, D.C., the Trump administration’s plans to build a 250-foot arch at the western terminus of Memorial Bridge have marched forward.

The project received final design approval in late May from the Trump-appointed U.S. Commission of Fine Arts. The problem with that, critics quickly pointed out, was that this approval occurred before a key part of the National Historic Preservation Act — Section 106 — was initiated.

For background: President Lyndon B. Johnson signed NHPA into law in 1966 during an era of rampant unregulated building in order to protect the country’s shared cultural heritage. Section 106, which the Trump administration has been trying to gut, allows for a period of public comment about proposed projects in advance of their approval. This gives time for reasonable concerns to be raised and for pivots in design and siting to take place accordingly.

In a letter submitted to the National Park Service on Thursday by the nonprofit Cultural Landscape Foundation (TCLF) as part of the federal-level reviews of the Triumphal Arch under Section 106, the group’s founding president and chief executive, Charles Birnbaum, called the chain of events leading to the arch’s approval a “radical departure from a well-established series of processes that have made the Monumental Core a global paragon of civic art, landscape architecture, architecture, and planning.”

Birnbaum, who served as coordinator of the Historic Landscape Initiative at the NPS from 1992 to 2007, also noted, “The process for the selection and siting of the Triumphal Arch has been horrifically flawed from the outset. Remarkably, there was no design competition, which is a dangerous and radical decision for what would be the second largest monument in the Monumental Core after the Washington Monument.”

The letter was sent several days after the NPS released a preliminary assessment that found the arch could have significant adverse effects on the historic structures around it. Birnbaum and TCLF, however, worry — based on linguistic hedging in NPS correspondence — that a final “adverse effect determination” will not be made, thus depriving concerned parties of the ability to continue to advocate against the project.

“Given the extensive documentation of adverse effects in the preliminary finding, the suggestion that any uncertainty exists about the final determination is both confounding and alarming,” Birnbaum wrote.

During his tenure at NPS, Birnbaum was the lead author of “The Guidelines for the Treatment of Cultural Landscapes,” which includes a section on “Spatial Organization and Land Patterns,” which, he writes in the letter, “is clear about what is and is not recommended.”

“Identifying, retaining and preserving the existing spatial organization and land patterns of the landscape as they have over time,” is recommended, for example, while, “Allowing spatial organization and land patterns to be altered through incompatible development or neglect,” is not.

“A 250-foot-tall arch in Memorial Circle sited between the Lincoln Memorial and Arlington National Cemetery and Arlington House and in the Monumental Core is undeniably incompatible development,” Birnbaum wrote, noting that any new development is stipulated to be in agreement with the cultural landscape guidelines. “The Arch as proposed will not be consistent with the Guidelines and any certification otherwise would not only be factually baseless (in short, a lie), but declaring so would be unprofessional, fraudulent, and, perhaps, illegal.”

Strong words that may very well fall on closed ears, if recent history is any guide. Nonetheless, the resistance forges ahead.

I’m arts editor Jessica Gelt, building an arch to future goodness. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Judy Collins performs at the Ryman Auditorium in Nashville in 2025.

(Jason Kempin / Getty Images)

Judy Collins: Sweet Judy Blue Eyes Farewell Tour
The singer-songwriter-musician with the lilting voice and eclectic catalog is joined by Bruce Cockburn for an evening of folk-infused heartfelt songs.
8 p.m. The Ford, 2580 Cahuenga Blvd. East. theford.com

Versa-Style Street Dance Company
The troupe marks its 20th anniversary with “Box of Hope” (2nd Edition), a multidisciplinary program featuring West Coast Hip Hop and Street Dance Styles.
8 p.m. Friday and Saturday. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

SATURDAY

Betty Boop’s Birthday Bash for a Cause
Kate Micucci hosts an evening of live music — headlined by indie-pop group Dressy Bessy and Allison Wolfe of Bratmobile — animation, comedy, pop-culture nostalgia and the Bob Baker Marionettes to benefit the nonprofits organizations the Birthday Party Project and Saturday Morning Cartoons United.
6:30 p.m. Alex Theatre, 216 N. Brand Blvd., Glendale. thealex.evnsong.com

The Improvised Shakespeare Company
The troupe takes a single audience suggestion and spontaneously turns it into a full-blown Elizabethan-style comedy that could (possibly) make the Bard himself wish he had written it.
8 p.m. The Ford, 2580 Cahuenga Blvd. East. theford.com

The Complete History of American Musical Theater: The 1950s
An evening of theatrical history, storytelling and live performances revisits the Golden Age of the American musical, featuring such classics as “Guys and Dolls,” “The King and I,” “My Fair Lady,” “West Side Story” and “The Music Man.” With Eileen Barnett, Camryn Hamm, Scott Harlan, Hayden Kharrazi, Tony nominee Mary Gordon Murray and Tony nominee Rory O’Malley. Narrated by Dan Fishbach and Mark D. Kaufmann. Produced by the Odyssey Theatre and the Los Angeles Musical Theatre Studio.
8 p.m. Odyssey Ensemble Theatre, 2055 South Sepulveda Blvd. odysseytheatre.com

James Morris, from left, Christopher Reiling and Jasmine Kimiko in the play “Slava Ukraini! (or Waiting for Elon).”

(Deverill Weeks)

Slava Ukraini! (or Waiting for Elon)
A Few Thoughts Theatre Company presents a new play by Keith Szarabajka about three soldiers — two Ukrainian and one Russian — trapped together during the siege of Mariupol. Directed by Tony Pasqualini.
8 p.m. Fridays, Saturdays and Mondays; 3 p.m. Sundays through Aug. 31. (no performances Aug. 16, 17) . Atwater Village, 3269 Casitas Ave., Theater #3, Los Angeles afewthoughtstheatercompany.org

SUNDAY

Jazz keyboardist Carey Frank.

(Courtesy of the artist)

Carey Frank Organ Trio
Joined by guitarist Nadav Peled and drummer Jake Reed, the jazz keyboardist powers a contemporary take on jazz, swing, blues and soul.
8 p.m. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

Summertime! with Bob Baker Marionettes and Kate Micucci
The marionettes and Micucci have a busy weekend, going from Betty Boop at the Alex to celebrating all things sunny and funny at the Ford.
The Ford, 2580 Cahuenga Blvd. East. theford.com

TUESDAY

Mozart Under the Stars
A pair of celebrated Canadians, conductor Nicolas Ellis and pianist Angela Hewitt, join the Los Angeles Chamber Orchestra for their Mozartian summer tradition.
8 p.m. Hollywood Bowl, 2301 N Highland Ave., Hollywood. hollywoodbowl.com

WEDNESDAY

Giselle, the chandelier set piece that travels with the North American tour of “Phantom of the Opera,” photographed the Hollywood Pantages Theatre in July.

(Ariana Drehsler / For The Times)

Phantom of the Opera
The new North American touring production of Andrew Lloyd Webber’s hit musical, featuring Maria Björnson’s original design — including a really big chandelier — and based on the direction of Harold Prince, with musical staging and choreography by Gillian Lynne, shifts to Orange County.
Through Aug. 30. Segerstrom Hall, Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. scfta.org/events

Stanley Jordan Trio
The virtuoso jazz guitarist is joined by drummer Chris Wabich and bassist Ahmet Turkmenoglu.
7 and 9:30 p.m. Blue Note Los Angeles, 6372 Sunset Blvd. bluenotejazz.com

THURSDAY

Michael Douglas and Glenn Close in “Fatal Attraction” directed by Adrian Lyne in 1987.

(Sunset Boulevard / Corbis via Getty Images)

A Weekend With Adrian Lyne
The director known for his sleek, erotic thrillers will be on hand for screenings of “Fatal Attraction” (1987) and “Unfaithful” (2002) at the Academy Museum and the theatrical premiere of “Deep Water” (2022), starring Ana de Armas and Ben Affleck, at Brain Dead Studios.
7:30 p.m. Thursday (“Fatal Attraction”) and Friday (“Unfaithful”). Academy Museum, 6067 Wilshire Blvd. academymuseum.org 7:30 p.m. Saturday (“Deep Water”). Brain Dead Studios, 611 N. Fairfax Ave. studios.wearebraindead.com

Helado Tropical
The night will be full of Latin beats, rhythms and experimental sounds as Helado Negro and Reyna Tropical team up following the recent release of their nine-song collaborative album.
8 p.m. The Ford, 2580 Cahuenga Blvd. East. theford.com

— Kevin Crust

Retrospective

L.A. Times arts coverage from the past …

Ballet dancers Rochelle Chang, Emily Parker and Raffaella Stroik rehearse a new work by choreographer Lincoln Jones, background, in 2016.

(Mel Melcon / Los Angeles Times)

How a new dance gets made: Behind the scenes at American Contemporary Ballet
Aug. 7, 2016

Emily Parker stood still on pointe. Arms spread like wings, she fixed her gaze somewhere in the distance. Dancers spun around her like ribbons in a breeze. A bend, a twist, a slide of foot, a flutter of light. On and on, with no music, only the tap, tap, tap of toe shoes and the sound of texting from those stretching and waiting in the wings.

Parker relaxed her pose. The other dancers flitted toward windows. Choreographer Lincoln Jones walked among them, hand to chin, thinking, and at times twirling alone as if chasing whispers. The afternoon pressed in. He called a break and headed for a laptop. Dancers from American Contemporary Ballet, which on Aug. 11 [2016] will perform an original work by Jones, dispersed in the studio heat.

A ballet troupe is a small army of fine lines and grace. Some dancers have been with the company for years, others like Parker are new, finding their places amid mats, bags, tape, calluses, balm, egos, sore backs, battered toes and torn tights. They are led by Jones, a dark-haired man who between smiles and asides moves with quiet intensity. His new production for the company’s “Music + Dance: LA II” series was inspired by 19th century French composer Adolphe Adam and set amid a countryside, a lake and a wedding. READ MORE

— Jeffrey Fleishman

Culture news and the SoCal scene

The Boyle Heights side of 6th Street PARC underneath the 6th Street Viaduct.

(Carlin Stiehl / For The Times)

As the once heralded, now neglected 6th Street Bridge continues its precipitous decline, a new park is being built beneath it that supporters hope could uplift the neighboring community of Boyle Heights and help renew the bridge in the process. Called Sixth Street PARC and scheduled to open later this year, the 12-acre green space is meant to serve as a vital community hub connecting downtown’s Arts District with the Eastside neighborhood. It will take more than good intentions to make that plan work, Sam Lubell writes in a detailed story about the project.

Times classical music critic Mark Swed is currently in Austria, taking in the many wonders of the annual Salzburg Festival. Among them: Gustavo Dudamel leading Mahler’s “Resurrection” symphony with the Vienna Philharmonic. “In Salzburg, Dudamel indulged the Vienna Philharmonic’s incomparable lushness, those plush strings, glowing winds, golden brass, voluminous timpani. The symphony received mixed reviews, with critics complaining of a lack of transparency, argument and depth. Had they been in Disney Hall, they would have had it all,” Swed writes.

The D.C.-based anonymous arts activist group Secret Handshake is taking its satirical work on tour. The group recently started an Instagram page to chart the journey of a 10-foot golden cup dedicated to Trump, “The Iran War Participation Trophy.” The trophy went to New York City after appearing late last month on the National Mall. This week it popped up on the lawn of the Capitol Building in St. Paul, Minn. Other cities will follow, Secret Handshake promises.

Dorothy Wolpert, board chair of the Fountain Theatre for 12 has died. She was 91.

(Fountain Theatre)

The Fountain Theatre is mourning the death of Dorothy Wolpert, who served as the theater’s board chair for 12 years. She was 91. Wolpert was deeply involved in the life of the city through her love and support of the arts as well as in her professional life. As the co-founder of Bird Marella, a Century City law firm, Wolpert was involved in cases that advanced equity and social justice, including the landmark school desegregation case Crawford v. Los Angeles Board of Education. She also used her legal expertise in the fight against human trafficking.

Wolpert received UCLA Law’s Trailblazers Lifetime Achievement Award and the ACLU Humanitarian Award, and in 2022 UCLA Law established the Dorothy and Stanley Wolpert Public Interest Fellowship in her honor.

Wolpert became the Fountain’s board chair in 2013, and served until 2025. In an email, the Fountain’s co-founder Stephen Sachs wrote that Wolpert was “instrumental in expanding [the Fountain’s] board, strengthening its leadership, and raising its national profile. She was also a generous supporter of numerous LA arts organizations and a devoted patron of LA Opera.”

“On a personal level, Dorothy was my trusted mentor and confidant. Whenever I faced a difficult decision, she was the person I turned to first. She had a remarkable gift for asking exactly the right question. Her wisdom shaped not only the Fountain, but many of us fortunate enough to know her,” Sachs wrote.

— Jessica Gelt

And last but not least

Here are 18 things you should do if you can afford to go to Carmel-by-the-Sea.

MORE cheap flights to the US could soon be launching from the UK.

The airline has revealed it could be adding even more flights to some very popular cities after rise in demand after the World Cup.

Norse Atlantic Airways revealed that as a result of cutting back capacity by almost a third in July due to rising fuel prices, it could actually add more flights to its roster.

Chief executive Eivind Roald said in a statement that the airline was considering adding more flights to New York and Orlando due to a rise in demand.

It comes after the low-cost airline ran special flights to the World Cup in the US for Norway and England supporters.

New York City is famous across the globe but it is popular with Brits as it can be reached in seven hours.

SUNNY STEALS

Sun-drenched European holidays with £1.50 pints and stays from under £9pp

PARK UP

Epic UK holiday parks with waterparks, theme parks & Spoons pubs from £3pp a night

In October, a round-trip to New York City from London Gatwick starts from £327pp.

Visitors can see New York City on a budget too with its $1 pizza slices, buying a CityPass to avoiding cabs.

For more tips, Assistant Travel Editor Sophie Swietochowski has lots on how to save in one of the most iconic cities in the world.

Orlando is of course home to major theme parks like Walt Disney World and Universal Orlando Resort.

For more tips on how to do the theme parks on a budget – one reporter who has been over 40 times reveals their insider secrets.

There are also lots of other places to explore including its many neighbourhoods like Mills 50 which has Asian American and Pacific Islands influences.

Streets are cobbled and there are lots of historic houses and moss-draped oak trees.

Then there’s the Milk District with plenty of street murals and lakeside neighbourhood Winter Garden, with its clutch of museums on Plant Street.

When it comes to eating in Orlando, the city has more than 50 Michelin Guide restaurants.

Round-trips to Orlando from London Gatwick starts from £343pp.

Chief executive Eivind Roald of Norse said: “Our airline on demand strategy enables us to respond quickly to market changes.

“With fuel prices slowly trending downward and demand remaining strong, we see an opportunity to increase capacity on our own network in the coming months, which may include adding more US flights to New York and Orlando.”

What’s it like to fly with Norse Atlantic Airways?

Head of Sun Travel (Digital), Caroline McGuire, flew with Norse and revealed exactly what she thought…

“On a recent trip to Cape Town I flew with Norse – it allowed me to do the 11-hour overnight stint in Premium Economy for the same price as a rival company in Economy seats.

“To give you an idea of price, return fares for two adults and one child in premium economy cost £3,583 to Cape Town next March, while return fares in Premium Economy on a rival airline cost £5,000.

“Keen to test it out, we flew to the South African city in their posh Premium seats and returned in Basic Economy. So what do those Premium Economy seats get you on an 11-hour Norse flight? Well it starts with a priority lane at check-in.

“Norse doesn’t do online check-in – everyone checks in at the airport. And Premium passengers are given their own lane, so we waited about five minutes before dropping off our bags and getting our tickets.

“You get a small handbag, a cabin bag and a checked suitcase included in the price of a Premium ticket.

“You also get priority boarding, which I’m not normally a fan of given I have a young child who needs to let off steam before a flight, but given our seats were massive, it was worth it. 

“he chairs are very roomy. With a very decent recline that allowed my whole family to get a decent night’s sleep. My son pretty much slept uninterrupted from 10pm to 7am, while I snatched a manageable 5ish hours, which is far more than I’ve ever done before in Economy on a long haul flight. 

“Crew hand over ear plugs, eye masks, pillows and blankets at the start of the flight, as well as headphones for the TVs (you have to pay £5 for these in Economy). 

“Two meals are also included – I had a decent tortellini, side salad and cheesecake-type evening meal with complimentary wine, and a hot cooked breakfast, plus a croissant, yogurt and mini fruit salad.

“All in all, we disembarked from the flight at 8.30am feeling so well-rested that we managed a whole day at the beach in Cape Town, followed by an evening meal.”

A FAMOUS UK train could soon be travelling from the UK to mainland Europe.

The Caledonian Sleeper, known for its overnight routes between London and Scotland, could soon head from Scotland to destinations in Europe.

Following a meeting, the train operator is now looking into opportunities for the sleeper to head abroad.

Stephen Flynn, the Cabinet Secretary for Economy, Tourism and Transport said of the project: “We are committed to exploring the potential for a direct Caledonian Sleeper service to mainland Europe, and I am pleased that this work is now underway.

“This is an early-stage exercise and the study will focus on understanding the practical, technical and commercial considerations involved. The findings will provide an evidence base to inform any future decisions.”

Findings of the study are expected to be published later this year.

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The Caledonian Sleeper currently runs services between London Euston, Birmingham International and major destinations across Scotland including Edinburgh, Glasgow, Aberdeen, Inverness and Fort William.

Routes include the Lowlander Route and the Highlander Route.

The Caledonian Sleeper operates six nights a week, with Saturday being the only day there isn’t a service.

Currently the only trains between the UK and mainland Europe are via the Eurostar and Channel Tunnel.

Eurostar’s destinations include Paris, Brussels and Rotterdam.

However, Virgin Trains is set to launch by the end of the decade, promising services to Paris, Brussels, and Amsterdam.

The company is also hoping to launch routes to Disneyland Paris, other parts of France and into Germany and Switzerland in the future.

In a separate statement, Lissie Harper, PC Harper’s widow, said it was “disgusting” that his killers could be eligible for early release.

She said she was “beyond appalled and bristling with anger to hear that Andrew’s killers are soon to be free to roam the streets”.

Thames Valley Police Chief Constable Jason Hogg said the decision not to exclude them was “demoralising for all police officers”.

The Sentencing Act was amended in January, with the eligibility for early release based on the length of fixed sentence, rather than the type of offence.

The act already excluded some of the most serious and dangerous offenders, such as murderers serving life sentences or those on extended sentences.

But last month, Burnham paused the plans after backlash from survivors. The scheme will now restart in October.

Announcing the changes on Monday, he said: “I fully understand the anger, anxiety and distress that’s been caused. I’ve heard that loud and clear.”

Under the revised plans, rape and child sexual offences will now also be excluded from early release.

The government also announced an extra £10 million will go to front-line victim support services, including a new national helpline.

This move does not require changes to the existing legislation before October, the government said, though it may make amendments in the future to exclude certain offenders from being released.

Offenders of other crimes serving longer sentences of four years or more will be eligible for release halfway through their sentences rather than two-thirds as had previously been the case.

Those serving less serious sentences could be freed after a third of their time, rather than half.

The changes are due to be phased in, beginning with prisoners serving sentences of less than 575 days, going up to inmates jailed for 12 years or more being eligible for early release in June 2027.

The “presumption” will be that offenders are tagged and will face longer periods of supervision and tough new rules including “restriction zones”, Burnham said.

The number of individuals released each time will depend on the make-up of the prison population, which the government says will evolve between now and implementation.

PLANS for a brand-new luxury hotel resort located in the European countryside have been unveiled.

The spot is known for its award-winning golf course and has now partnered with a renowned luxury hotel brand for the project.

Nobu Hotels has announced plans for its latest luxury destination which will welcome visitors to Portugal’s Eastern Algarve.

The site will be Portugal’s second Nobu location, with the lifestyle hotel chain previously announcing plans for an expansion in Lisbon on Avenida da Liberdade.

Construction for the Algarve holiday spot is set to begin in 2027, with plans to accommodate guests in 2029.

The hotel will reside within more than 1,000 acres of countryside at the iconic Monte Rei site, known for its Jack Nicklaus Signature Golf course.

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Plans for the new Nobu Hotel include 100 guestrooms and suites, alongside a signature Nobu restaurant and dedicated wellness and lifestyle amenities.

As part of the development, over 226,000 sq ft of land will become villas and branded residences, meaning guests and owners can enjoy Nobu services while living on the Monte Rei site.

According to Nobu Hospitality, in the past two decades, Monte Rei has garnered international reputations owing to “its award-winning golf, high standards of service, residential community and enviable location in one of Portugal’s most characterful resort regions”.

The resort hopes to combine the luxury and hospitality of Nobu with the exceptional privacy offered by the Monte Rei setting.

CEO of Nobu Hospitality, Trevor Horwell, said: “Monte Rei offers a rare combination of natural beauty, privacy and an established reputation for exceptional golf and residential living.

“Together with Norfin, we have the opportunity to create a distinctive Nobu destination that feels deeply connected to the Eastern Algarve while delivering the hospitality, dining, design and service for which the brand is known around the world.”

The project is set to bring together an international design team, including DSA Architects and the Rockwell Group, to develop the architecture and vision of the luxury resort.

CEO of Norfin, Miguel Mateus, has called the new plans an “important milestone” for Monte Rei.

“The resort has long been recognised for the quality of its golf, service and residential environment.

“We are now building on that legacy with a broader ambition for the destination – one that brings together world-class hospitality, exceptional residential living and carefully designed leisure experiences.

July 31 (Asia Today) — South Korea will launch a strategic investment fund worth more than 20 trillion won, or about $13.6 billion, next year to provide long-term capital to artificial intelligence, semiconductor and other industries considered vital to national security and economic growth.

The government said Friday that it would establish a separate strategic investment account within the Korea Investment Corporation rather than create an independent sovereign wealth fund.

Deputy Prime Minister and Finance and Economy Minister Koo Yun-cheol announced the plan during an emergency economic meeting and a meeting of economic ministers at the Government Complex Seoul.

The new account will use KIC’s international investment network and asset-management expertise while expanding the corporation’s mandate beyond its traditional role of investing public foreign-exchange assets overseas.

The government plans to submit a revision to the Korea Investment Corporation Act to the National Assembly in August and complete the legislation before the end of the year.

The fund is expected to begin operating in 2027.

Government shares to provide initial capital

The fund will begin with more than 20 trillion won in assets.

The government plans to contribute more than 16 trillion won, or about $10.9 billion, in shares it holds in public financial institutions, including the Korea Development Bank and the Export-Import Bank of Korea.

It will also contribute about 4 trillion won, or $2.7 billion, in private-company shares received as payment for inheritance and gift taxes.

The government is considering accepting private donations intended to increase national wealth as another source of capital.

The fund will target artificial intelligence, semiconductors and other advanced strategic industries as well as data centers, critical infrastructure and overseas companies important to South Korea’s supply chains.

Unlike conventional policy financing, which often relies on loans, guarantees or subsidized credit, the fund will primarily make direct equity investments.

The government said the approach would allow it to remain invested in promising companies for longer periods and share in their growth.

The fund will also be able to exercise shareholder voting rights to promote corporate value, protect critical technologies and help companies defend themselves against hostile takeovers.

Fund to serve as an anchor investor

The government wants the strategic account to serve as an anchor investor capable of attracting global institutional investors to South Korean projects.

By committing public capital first, the fund could reduce perceived risk and encourage foreign sovereign funds, pension funds and private investors to participate.

The government also plans to connect the new account with existing policy funds.

Venture and growth funds usually must sell their holdings and return capital to investors within four to eight years.

Under a proposed relay-investment system, the strategic fund could purchase stakes in promising companies when those shorter-term policy funds reach maturity or begin liquidation.

The arrangement is intended to prevent companies with long development cycles from losing financial support before they become commercially established.

The model could be particularly important for semiconductor fabrication, artificial intelligence infrastructure, biotechnology and other sectors requiring large investments over many years.

Separate governance structure planned

The government said it would create governance safeguards intended to protect the fund’s investment independence.

KIC’s board structure would be divided between its existing foreign-reserve investment account and the new strategic account.

A dedicated investment committee and advisory committee would be established for strategic investments.

An operating committee would set broad policy and investment priorities but would not intervene in individual investment decisions, the government said.

The separation is intended to prevent short-term political considerations from determining which companies receive investments.

The plan also represents a change from an earlier proposal to establish a completely separate sovereign wealth fund.

The government instead decided to expand KIC’s mandate and use its existing personnel, investment systems and global relationships.

Long-term capital for industrial strategy

South Korea has introduced several public financing programs to support advanced industries, including funds targeting chips, artificial intelligence, batteries and biotechnology.

The new strategic account differs because it is designed to hold equity investments for extended periods rather than provide loans or exit investments according to fixed fund schedules.

The government expects the fund to support major national projects involving semiconductors, physical artificial intelligence and data centers while helping South Korean companies secure critical overseas supply chains.

It also hopes investment returns will gradually expand the fund’s assets and reduce its dependence on additional government contributions.

The success of the plan will depend on whether the government can maintain commercial investment discipline while pursuing broader industrial and national-security objectives.

It will also require clear rules governing voting rights, corporate intervention, investment losses and potential conflicts between financial returns and government policy.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260731010011712

Fifa president Gianni Infantino says he has scrapped the controversial plan to sell off stakes in the governing body’s major competitions, following widespread opposition.

Infantino said it had become clear the project had “created divisions” that are “no longer in the interest” of its original objective.

The Swiss added: “As a result, this proposal will not proceed.”

Infantino had offered all 211 member associations $40m (£30m) if they backed a proposal for private investment in its tournaments, including the men’s and women’s World Cups.

European football’s 55 member associations, Uefa, voted on Thursday to boycott World Cups if the plans went ahead.

Fifa’s chief operating officer Kevin Lamour said the governing body’s own administration had been “deceived” about the project.

Carlos Cordeiro – Infantino’s senior adviser on global strategy and governance – resigned over the mater, saying the proposal was “a bad deal for football” and would “mortgage football’s future”.

That came after two other major confederations spoke out against the plans.

Concacaf, which governs football in North, Central America and the Caribbean – and hosted this summer’s World Cup – said its members “rejected” the proposal, with sources saying the vast majority of associations from the region are losing, or have lost, faith in Infantino.

The Asian Football Confederation (AFC) said it stood in “solidarity” with Uefa and Concacaf, while UK Prime Minister Andy Burnham said Infantino was “the wrong man” to lead Fifa.

Infantino, 56, is now under immense pressure as he seeks re-election for a fourth term as president at the Fifa Congress in March.

He said he now intends to “bring all interested parties back together” in the “spirit of shared interest” in football.

More to follow.

While Uefa members are among the richest on the planet, many other nations rely on Fifa funding for basic infrastructure.

While the AFC opposes Infantino’s plan, unlike Uefa it has not threatened to boycott Fifa competitions. AFC members would not be obliged to vote against the proposals.

Rogers Byamukama, of the Ugandan Football Federation, argued any avenue that could lead to more resources for nations like his should be explored.

“First and foremost, you need to understand that football is a very expensive venture, especially on the African continent where the resources are not easy to come by,” he told Newsday on BBC World Service.

“For instance in Uganda, the number of infrastructure projects that have been funded by Fifa from the resources generated by Fifa, especially at the World Cup, both from ticket sales as well as sponsors.

“On top of that, there are many grassroots programmes that have been funded by Fifa, including schools for football.

“From my perspective, any avenue that brings in more resources is good because those resources would be distributed and given to federations, especially on the African continent and that would inspire growth.”

Byamukama acknowledged Uefa’s right to speak out, but suggested its members were not reliant on Fifa funding like many associations in the rest of the world where Infantino remains popular.

In the first two cycles of the Fifa Forward development programme, through to 2022, $2.8bn (£2.08bn) was made available for investment across the 211 member associations.

Fifa Forward 3.0 – covering the years 2023 through to 2026 – has produced a 30% increase in funding.

Fifa has provided a further $5m (£3.7m) for every member association, with another $60m (£44.48m) paid to each confederation for their own projects.

After expanding the men’s World Cup to 48 teams from 32 for the 2026 edition, Fifa is seeking an independent agency to assess an expansion to 64 teams for the 2030 tournament.

The timeline on documents seen by BBC Sport said Fifa would receive agency proposals by 7 August, with a Fifa decision on 14 August. Delivery of analysis by the agency is then scheduled for 11 September.

Ospreys finished 11th in the URC last season and were knocked out in the last 16 of the Challenge Cup.

Mark Jones’ side were impacted by uncertainty, with fans protesting against the WRU and Y11 at fixtures in Bridgend.

The unsettling situation was a factor in Wales captains Dewi Lake and Jac Morgan opting to join Gloucester for the coming season.

Signing the Professional Rugby Agreement (PRA) with the governing body offers some level of security until 2028, but the latest development will provide more challenges for both Scarlets and Ospreys.

“Is it really a surprise? We just had a little bit of a break from the debacle,” said former Ospreys and Wales wing Shane Williams on Radio Wales Breakfast.

“The conversation has always been that everyone believes there will be a region cut, that players’ welfare and jobs will be put on the line again.

“It’s no real shock to me, we just have to start the conversation again and the uncertainty hits us again.”

There is the prospect of a tender process to be the western club, or the possibility of reviving the merger that almost happened in 2019.

“It’s easier said than done,” said Williams, who is from Carmarthenshire. “There is huge rivalry and the Ospreys are in the process of rebuilding St Helen’s and there is Parc y Scarlets, which is barely used by anyone else.

“For the fans, there has been a huge rivalry and it would take some job to get those two sets of supporters together to support one entity.”

Uefa’s 55 member associations have voted to boycott the World Cup if Fifa proceeds with its plan to sell stakes in its competitions to private investors.

The decision was made at an emergency meeting on Thursday to discuss the proposals announced by Fifa – world football’s governing body – on Tuesday.

Uefa, which governs European football, had made its opposition clear by releasing two damning statements about the plans – and that strength of feeling has now been reaffirmed.

The boycott would cover all Fifa competitions, including the men’s and women’s World Cups and Club World Cup and be triggered if Fifa president Gianni Infantino’s proposals are voted through by member associations.

The first time this stance will be tested is October, when the Women’s World Cup play-offs are due to be held.

More to follow.

HEATHROW passengers to face DECADES of higher fares as the airport is set to recoup costs of its multi-billion expansion plans.

The Civil Aviation Authority (CAA) confirmed the UK’s biggest airport will be able to recover up to £320million that it’s spent on its third runway proposal.

The maximum airport charger per passenger will be about 15p in 2028, rising to an estimated 30p in subsequent years.

The higher airline charges, which will be built into the cost of flights, will last for about 20 to 25 years.

Heathrow West, a rival expansion scheme led by property billionaire Surinder Arora, has been given the go-ahead to recoup £4.1 million it spent on its plan in 2025 up to November 25, despite it not giving the go-ahead.

Heathrow Airport Limited (HAL) scheme is estimated to cost £33billion, including £1.5billion to move the M25, and is expected to be fully privately financed.

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It would see Heathrow’s annual capacity increase to 756,000 flights and 150million passengers.

British Airways, the largest airline at Heathrow, warned that early cost recovery by HAL would create a risk that expansion will be “unaffordable for consumers and inconsistent with a credible benefits case”, according to a CAA document.

Airlines have repeatedly complained that Heathrow has the highest charges of any airport in the world.

Tim Johnson, the CAA’s director of consumers and markets, said: “Our decision strikes a balance between supporting the delivery of benefits to consumers through timely progress on Heathrow expansion, whilst also protecting them from undue increases in costs.

“The costs Heathrow can recover are capped, independently scrutinised and subject to efficiency reviews, helping ensure that passengers only pay for efficient costs that are justified.”

A separate process will be conducted to decide arrangements for costs incurred from 2027.

Last month, the Government launched a consultation on its Heathrow expansion national policy statement, setting out the conditions needed if the project is to be given the go-ahead.

Former chancellor Rachel Reeves said she was determined to get “spades in the ground” for the third runway which is set to be built by 2035.

However, Prime Minister Andy Burnham previously expressed concerns over Heathrow expansion, stating the plans divert infrastructure investment “away from the North and traps it in London”.

A Heathrow spokesperson said the project will give passengers more choice while providing a “real economic boost to every region and nation of the country”.

He went on: “We have been clear from the start that unlocking the private investment that will deliver these benefits requires a supportive regulatory framework.

“We are carefully considering the CAA proposals and will make investment decisions accordingly.”

July 27 (Asia Today) — Nvidia plans to invest $1 billion in South Korean technology company Naver as the companies expand a partnership to build large-scale artificial intelligence infrastructure.

Naver said Monday it would issue about 7.24 million new shares to Nvidia through a private placement. The transaction would give the U.S. chipmaker a stake of about 4.5%, making it Naver’s third-largest shareholder.

Payment for the shares is scheduled for Oct. 30.

The investment would deepen a partnership announced in June to build global AI factories serving demand for sovereign AI, which refers to AI infrastructure and models operated under a country’s own laws and data controls.

The companies previously focused on supplying graphics processing units and cooperating on technology. Nvidia’s planned equity investment would broaden the relationship into a strategic partnership involving computing infrastructure, software, customers and capital.

Naver said Nvidia decided to invest because of the South Korean company’s full-stack AI capabilities, which include data centers, graphics processor clusters, cloud platforms, large language models and consumer services.

Naver operates graphics processor infrastructure at more than 20 locations across South Korea and plans to use that experience to expand its GPU-as-a-service and sovereign AI businesses.

Naver Cloud and Nvidia are also discussing an AI computing partnership that could include joint development of global AI factory projects.

The companies plan to combine Nvidia computing systems with Naver’s cloud, software and AI services rather than limiting their relationship to hardware purchases.

Nvidia said the proposed investment is subject to customary closing conditions and Naver securing at least $9 billion in committed project financing separate from Nvidia’s investment.

Brookfield has signed a nonbinding term sheet under which the global investment firm could provide up to $9 billion for computing infrastructure. The companies are discussing a structure in which Brookfield would develop or finance graphics processor systems and data centers for Naver’s use.

Naver’s own investment obligations have not been finalized.

The company plans to begin operating a 55-megawatt AI factory in the first half of 2027, expand capacity to 100 megawatts by the end of that year and reach 200 megawatts in 2028.

Its longer-term goal is to develop gigawatt-scale infrastructure.

Naver plans to begin the project at its GAK Sejong data center and later pursue sovereign AI customers in the Asia-Pacific region, Europe and the Middle East.

The company is also seeking to improve shareholder returns. Its board voted Friday to cancel about 4.9 million treasury shares valued at approximately 1.02 trillion won ($694.5 million). The shares are scheduled to be retired Aug. 3.

“The investments by Nvidia and Brookfield will be an important turning point for Naver’s future growth,” Naver Chief Executive Officer Choi Soo-yeon said.

Choi said the company would work to secure AI factory customers and establish itself as a major global AI infrastructure provider.

Naver board Chairman Lee Hae-jin said the partnership would allow the company to take its data center technology and operating expertise to the global market.

“We will actively cooperate with companies around the world to create an AI ecosystem that respects the diversity of countries and communities,” Lee said.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260727010009741

NEW YORK — Shohei Ohtani’s throwing program has stalled, with the Dodgers star canceling a bullpen session the team had tentatively scheduled for Saturday.

“Just doesn’t feel 100%,” manager Dave Roberts said of Ohtani’s left knee. “And because I think that the last ‘pen that he had, there was a little bit of regression. So we want to make sure that that doesn’t happen again.”

It was going to be Ohtani’s second bullpen since receiving an orthovisc injection in his knee on July 12. He threw a roughly 30-pitch side session on Wednesday.

It’s unclear when he’ll throw off the mound next. But Roberts said he’s still optimistic that Ohtani will return to the rotation sometime in August.

“It was obviously not ideal, him throwing his last bullpen and going backwards, essentially,” Roberts said. “So obviously that’s disappointing because you throw a bullpen to continue to build up. So that was disappointing. But as far as worry, concern, we don’t have any of that.”

Roberts described a “fluid” process, with plenty of input from Ohtani, as he and Dodgers continue to navigate the knee issue. Because only pitching seems to be aggravating the injury, Ohtani will continue to play at designated hitter.

“From his words, the hitting, the running, as he has done the last couple nights, doesn’t affect him,” Roberts said. “So I can only go by what he and the training staff are telling me. So, unless I hear otherwise, that hitting compromises his health, then I’m going to keep putting him in the lineup.”

The Dodgers had initially hoped the injection and time off leading up to the All-Star break would allow him to get past the discomfort in his knee and not have to worry about managing it for the rest of the season.

Though Ohtani feels better than he did before the break, according to Roberts, the team wasn’t envisioning this kind of start-and-stop buildup.

The schedule does the Dodgers some favors. The off day Monday allows them to get through this coming week without filling Ohtani’s spot in the rotation. But in order to keep all their starters on a six- to seven-day rotation, they’ll have to find a replacement — whether that be a bullpen day or another starter — by the first week of August.

Starting pitcher Blake Snell (arthroscopic elbow surgery) is on track to be close to a return from the injured list by then. In his second rehab start this month, he threw 2⅔ innings (49 pitches) for triple-A Oklahoma City on Friday.

He’ll be targeting four innings in his next start, according to Roberts. When asked if he’d need another rehab outing after that, Roberts said: “Let’s just get through that next one. Get through four innings and kind of read and react from there.”

Injury updates

Dodgers teammates Kiké Hernández, left, and Shohei Ohtani laugh after a win over the Philadelphia Phillies at Dodger Stadium on May 29.

(Ronaldo Bolanos / Los Angeles Times)

The Dodgers are set to welcome back utility player Kiké Hernández (strained left oblique) and closer Edwin Díaz (arthroscopic elbow surgery) from the injured list early in next week’s homestand.

Hernández is set to be activated Tuesday, as the Dodgers open a three-game series against the Seattle Mariners, Roberts said. And Díaz likely will return Wednesday, sliding back into the closer role that Tanner Scott has held in his absence.

Tyler Glasnow (back spasms) threw about 25 pitches in a one-inning live batting practice session Friday, Roberts said. He’s scheduled to throw to batters again next week.

The Lucas Museum of Narrative Art on Thursday announced its inaugural film programming, which will be screened nonstop during museum hours in two dedicated 299-seat theaters. Entry to the theaters is included with each general admission ticket, and visitors can enter and exit at any time, creating a free-flowing set of ancillary exhibition spaces with a goal of furthering the museum’s mission of exploring storytelling in its many forms.

One of the theaters will play museum co-founder George Lucas’ student films, made between 1965 and 1969, among other rare offerings. A schedule of screenings will be provided to visitors as they enter so they can plan their day around what they’d like to see, and programming will be changed periodically through the year. The theaters will also be used for special events.

“The film program, like so much in the museum, is unique in its structure and content. It is an open-door program that runs continuously throughout the day, allowing people to come and go at their leisure,” Ryan Linkof, senior curator and head of the museum’s film programs, wrote in an email. The news was first revealed Thursday during a Hall H panel at San Diego Comic-Con. “In this way, it fits within the larger mission of the museum to allow visitors to choose their own path through the museum and discover content at their own pace. It is also a varied and diverse program that includes everything from the earliest cinema experiments to avant-garde film, documentaries and animation, providing a platform for many underrecognized and rarely seen films and filmmakers.”

Adjacent to each other on the ground floor, off the north lobby of the $1-billion museum, the theaters are named after two giants of film history: Robert J. Flaherty, whose 1922 silent film “Nanook of the North” revolutionized documentary filmmaking; and early Hollywood montagist, cinematic artist and experimental filmmaker Slavko Vorkapich, who also served as chair of the USC film department from 1948 to 1950, more than a decade before Lucas enrolled in the program.

Two 299-seat theaters will be located on the ground floor of the new Lucas Museum of Narrative Art, which opens to the public Sept. 22.

(Jason Armond / Los Angeles Times)

The Flaherty theater will be dedicated to documentaries, including those that chronicle the work and artistic process of many of the artists and storytellers featured in the museum’s opening exhibitions such as Norman Rockwell, Jim Lee, Charles M. Schulz, Maurice Sendak, Diego Rivera, J.C. Leyendecker and Weegee. The museum will also screen “Seeing Is Believing: The Story of Narrative Art,” a new documentary series it commissioned from Robin Dashwood. It will also show episodes of the 2024 television series “The Power of Film,” created by Howard Suber and directed by Laura Gabbert, and the 1988 Ron Mann-directed doc “Comic Book Confidential.”

The experience will be more avant-garde in the Vorkapich theater, which will contain programming “showcasing cinematic innovation and imagination through experimental and formally inventive short films that speak to the essence of cinema: the magic of seeing still images come to life,” wrote Linkof.

Offerings include Lucas’ student films, as well as montage sequences by Vorkapich for movies like “Mr. Smith Goes to Washington”; silent films by Georges Méliès, Émile Cohl, W.K.L. Dickson, Edwin S. Porter and more; early animations by Winsor McCay; experimental films created by Man Ray and László Moholy-Nagy; early sound animations by Walt Disney and Fleischer Studios; experimental films by Canadian animator Norman McLaren; Looney Tunes cartoons; abstract “visual music” works by Mary Ellen Bute, Oskar Fischinger, Jordan Belson and others; excerpts from Busby Berkeley musicals; experimental films from the 1960s by Stan Brakhage and Kenneth Anger; experimental animation by Vince Collins; “Cowboy Bebop”; and an episode of “Star Wars: Visions.”

The Lucas Museum opens Sept. 22. Tickets went on sale Tuesday and were going briskly, with digital wait times reported of more than four hours in queues with as many as 13,000 guests. Museum representatives declined to comment on how many sold that first day, noting, “We’re grateful for the response and early enthusiasm from our Founding Member community and first wave of visitors. We look forward to welcoming them in September.”

FORGET racing round the sights – the best Spanish holidays begin the second you stop asking what happens next.

That’s the idea behind San Miguel’s Spanish Summer – less a checklist, more a state of mind: warm, curious and always ready for a “shall we?” that turns into the best bit of the trip.

HOLLYWOOD filmmaker Guy Ritchie has been given the go-ahead to create Airbnbs on his historic airfield.

The Brit director angered local residents with his scheme to turn staff accommodation at Compton Abbas Airfield in Dorset into holiday lets.

They have accused him of trying to build an “aviation theme park by stealth” and “by any means” with no consideration for he local environment.

They fear his ultimate goal is to have a hotel on the sensitive site which is in the Dorset National Landscape and part of the Cranborne Chase International Dark Sky Reserve.

The Lock, Stock and Two Smoking Barrels director has already opened a smokehouse restaurant and re-routed a 130-year-old public footpath since buying the airfield in 2022.

He puts on Spitfire flight experiences and has turned the airfield into a popular visitor destination with events held throughout the year.

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Now his plans for two holiday apartments – one two-bedroom and one four-bedroom – have been won planning permission.

They will allow guests to stay overnight while they enjoy flying experiences during the day.

The airfield has had permission for a flat for live-in staff since 2005.

Locals argued this was for a member of staff to live on site to provide “security and safety”.

But Dorset Council disagreed and said there was no planning reason to refuse it.

Planning officer Jamie Francis said: “The owner has been open that they are seeking to generate additional income streams for the airfield, which would have personal gain, this is also considered to bring economic benefits to the area.

“Overall, the re-use of the building for tourist accommodation in place of staff accommodation is considered acceptable.

“A condition has been applied to ensure that the accommodation is used for short term lets only and not for permanent residential accommodation.

“The conversion of one unit of staff accommodation and one office unit to two units of holiday accommodation is considered acceptable.

“In addition, two units of accommodation to two units of holiday accommodation are considered acceptable.

“Therefore, the Council see no reason to refuse the application on this basis.

“The impact of holiday accommodation is anticipated to have a negligible impact on neighbouring amenity, air pollution, and the overall business of the airfield and flight activities.”

The airfield is near Ritchie’s Ashcombe Estate on the Dorset/Wiltshire border.

He previously shared Ashcombe House with ex-wife Madonna and now he and wife Jacqui split their time between their London home and the country estate.

He has hosted celebrity pals there, including David Beckham and Robert Downey Jnr.

Neighbour Christopher Dymond said the regular flying events caused a nuisance and disturbance to neighbours and likened going into his garden to “walking onto a WW2 film set”.

Mr Dymond said: “Compton Abbas Airfield, until recently, was a polite small grass airfield run for local flying enthusiasts and was managed carefully to reflect the incredibly sensitive location and the proximity of local villages.

“The airfield now is run on a much more commercial basis and largely by stealth is morphing into an aviation theme park with numerous events, shows and visitor attractions.

“The nuisance and disturbance to local residents has increased significantly and many of the historic planning restrictions governing the airfield are not being adhered to.

“Often, on a summer weekend, entering your garden is like walking onto a WW2 film set with noisy historic aircraft constantly flying overhead.

“The current apartment was only allowed on the basis it was an absolute necessity for a member of staff to be on site for safety and security reasons.

“If this safety and security requirement is no longer a necessity there are provisions in the planning legal agreements for the use to cease, not for it to be opened up for paying visitors to stay on the site, without any staff presence.”

Philip Cayford, a neighbour and member of the Compton Abbas Airfield Monitoring Group, said: “It began as a small private strip capable of hosting up to six small aircraft.

“It has long since been accepted that the original permission was a planning mistake; councils since that time have accepted the need to curb the expansion pushed for by successive owners.

“The current application would appear to be a further attempt to increase the size and profitability of this site by any means with no regard whatever for environmental issues or the inconvenience to local residents.

“Approving this application would constitute one further step in the commercial development of one of the most beautiful and sensitive rural landscapes in southern England, and as such is quite inappropriate.”

The Sun has approached Ritchie’s reps for comment.

The Pentagon has reached new framework agreements with three defense contractors as part of a strategy to acquire thousands of lower-cost air-launched cruise missiles in the coming years. The deals are directly in support of the U.S. Air Force’s Family of Affordable Mass Missiles (FAMM) program. The Air Force has already said that it is aiming to buy nearly 28,000 FAMM munitions in the next five years.

Under FAMM, the Air Force plans to acquire multiple types of lower-cost cruise missiles in different configurations. This will include ‘lugged’ types (FAMM-L) designed to be launched directly from hardpoints on aircraft, as well as ones intended to be employed from cargo planes via palletized munitions systems (FAMM-P). The service is also pursuing extended-range FAMM-BAR designs, with BAR here standing for “Beyond Adversary’s Reach.”

“Through [FAMM] agreements with Anduril, CoAspire, and Zone 5, the DoW will accelerate rapid validation of a new family of low-cost, air-launched cruise missiles – capabilities that will strengthen the Arsenal of Freedom,” according to a press release from the Pentagon today. “The agreements are a direct outcome of several Acquisition Transformation Strategy initiatives, including stabilizing demand signals, procuring industry-driven solutions, and maximizing flexible contracting.”

Anduril, CoAspire, and Zone 5 were also among the companies to receive framework deals from the Pentagon in May as part of plans to buy 10,000 lower-cost ground-launched cruise missiles through 2029. This is under a separate program called Low-Cost Containerized Missiles (LCCM). Leidos is part of the LCCM effort, as well. At that time, the Pentagon announced an additional agreement with Castelion regarding the production of 12,000 Blackbeard lower-cost hypersonic missiles. It’s also worth noting here that, since then, Norwegian defense contractor Kongsberg has aquired Zone 5.

“A key feature of these [FAMM] deals is the establishment of seven-year, multi-year agreements which, subject to congressional appropriations and enactment of all necessary authorizations, will be awarded upon the successful validation and competitive selection of the munitions,” today’s release adds. “The Department was granted 5-year authorization for FAMM in the Fiscal Year 2026 National Defense Authorization Act (NDAA) and is actively seeking congressional approval in the FY27 NDAA and Appropriations Bill for a 7-year multi-year procurement program to provide stability to new entrants.”

The Pentagon’s press release does not name any specific munitions.

Anduril has confirmed that its contribution will be versions of its Barracuda-500 design, and that it is aiming to start making deliveries under FAMM next year. The company will also be delivering a surface-launched version of the Barracuda-500 for the LCCM effort. Anduril first unveiled the full Barracuda family, which includes several tiers of what it calls “expendable autonomous air vehicles,” back in 2024, as you can read more about here. There are reports that at least one version of the Barracuda-500 has received an official U.S. military designation, AGM-189A.

Introducing: Barracuda-M Family of Cruise Missiles

“We joined the FAMM-L program in February 2026 and will execute the first ground and flight tests for Lug-Launched Barracuda-500M in the next several months,” Anduril noted in its release. “We completed the first successful flight test of Pallet-Launched Barracuda-500M in September 2024 and have since conducted dozens of successful flight tests that have further validated the maturity, performance, and modularity of the Barracuda-500 system, including Networked Collaborative Autonomy flights, terminal engagements, and payload performance validation testing.”

Zone 5 has also confirmed that it will be supplying its AGM-188A Rusty Dagger missile.

“By leveraging modern manufacturing and commercial technology, we are breaking the traditional cost curve, enabling the Department of War to field scalable, affordable capacity. The AGM-188 Rusty Dagger will deliver thousands of weapons per year for fighter and cargo aircraft employment but importantly without sacrificing exquisite performance,” Zone 5’s CEO Thomas Akers said in a statement. “Modern conflict has made one thing clear – the ability to rapidly scale production without sacrificing capability is critically important for air superiority. Rusty Dagger is built to deliver affordable, adaptable, highly survivable, incredibly lethal and rapidly deployable weapons that give the U.S. and our allies the ability to outpace and overwhelm evolving threats without being constrained by cost or production limitations.”

The deal with CoAspire is for that company’s Rapidly Adaptable Affordable Cruise Missile.

“The inclusion of CoAspire in this groundbreaking FAMM program multi-year agreement underscores CoAspire’s ability to revolutionize our country’s strike capabilities, offering a long-range solution that can be deployed across multiple platforms,” Doug Denneny, CoAspire’s CEO, Owner, and Founder, said in his own statement. “We, and our 56 first-tier suppliers across almost every state are excited to support the Air Force’s need to affordably procure thousands of FAMM cruise missiles over seven years. We applaud the Department’s inclusion of CoAspire as the only small business in this historic production opportunity. This is a true commitment to expand the defense industrial base while growing jobs across the US and bringing affordable cruise missile capabilities to the Air Force.”

RAACM Rapidly Adaptable Affordable Cruise Missile

Rusty Dagger and RAACM were both developed initially under the Air Force’s Extended Range Attack Munition (ERAM) program. ERAM’s main initial focus has been on delivering lower-cost air-launched strike capabilities to Ukraine. Zone 5 has previously confirmed that AGM-188A deliveries to Ukraine have begun, but it is unclear whether they are now being employed operationally. ERAM is known to be feeding into the FAMM effort, as well.

Overall, “offering both lugged and palletized variants, the FAMM provides the Air Force with flexible logistics, handling, and deployment options,” the Pentagon’s press release today notes.

“The multi-year approach utilizes firm-fixed-price contracting with a minimum quantity floor. Shares are split among all qualified vendors to ensure multiple production lines are positioned to surge,” the release further explains. “Contractors that meet or exceed production schedules will be eligible for additional procurement quantities – pending congressional appropriations – fostering a competitive environment that rewards efficiency and speed.”

These latter points highlight the fact that the FAMM program, as well as the LCCM effort, has a larger goal of addressing the critical need for strike munitions that can be produced at scale and in a cost-effective manner. TWZ has been calling attention to this broader reality for years, which has only been underscored by the latest conflict with Iran and a succession of other global crises. As we previously wrote after the announcement of the LCCM framework deals:

“Expenditures of critical air-to-surface and surface-to-surface munitions, as well as anti-air interceptors, by the U.S. military, as well as its allies and partners, in conflicts in recent years have only underscored the vital need to bolster these inventories. Demand for stand-off munitions, in particular, would be far greater in any future high-end fight against a near-peer adversary like China. That is a scenario where American forces could easily find themselves tasked to prosecute tens of thousands of targets, just in the opening phase.”

“Furthermore, existing munitions are often exquisite in design, and take months, or more often years, of lead time to produce. The Pentagon’s focus on “disruptive new entrants and commercial innovators,” rather than any of America’s long-established prime defense contractors, with its newly announced framework deals, is extremely significant in its own right. This is the latest example of a major shift away from awarding high-profile contracts to large legacy providers, helping to diversify the industrial base and promote competition. This also means moving away from companies accustomed to very long lead procurement and production arrangements.”

The Pentagon has also made clear that the FAMM framework agreements with Anduril, CoAspire, and Zone 5 do not preclude other companies from being brought into the program in the future. “The Department will also preserve competition opportunities for new vendors to be onboarded for additional quantities and new capabilities in the future as technology continues to advance,” per today’s release.

The market space for lower-cost cruise missiles has exploded in recent years in the United States and elsewhere globally. Relevant designs also occupy a space where the defining lines between these weapons and long-range kamikaze drones, as well as decoys, are increasingly blurry. Overlap between the FAMM and LCCM programs also highlights how many of these weapons are being adapted for launch from air, land, and maritime domains, which can help streamline production and supply chains, as well as offer operational benefits.

Taking deliberate steps to leave the door open to future competition reflects a larger push to avoid so-called ‘vendor lock’ in the U.S. defense contracting space. This has also been punctuated by moves to ensure greater government control of intellectual property rights and a focus on modular, open-architecture systems across major U.S. military acquisition efforts.

With the FAMM framework deals announced today, on top of the LCCM agreements back in May, the Pentagon is continuing to lay a vital foundation for the procurement of thousands of lower-cost strike munitions for years to come.

Contact the author: joe@twz.com