person

Yes, voting centers will be open across Los Angeles this week. And no, you don’t have to cast your ballot by mail.

With days left before the June 2 primary, President Trump made a round of misleading claims about the electoral process, this time falsely suggesting that the city was holding elections only by mail.

Trump’s comments came Saturday during an appearance on Fox News when he was asked by host Lara Trump — the president’s daughter-in-law — about his predictions for the upcoming primary.

“You know, they don’t have voting booths; everything’s by mail,” Trump responded. “I don’t think a Republican can win in California unless you pass the Save America Act — then they’re gonna have to show proof of citizenship, they’re going to have to get rid of mail-in voting.”

The L.A. County registrar-recorder moved to set the record straight in a tweet posted Sunday morning that read “MISINFORMATION ALERT.”

Noting that in-person voting was in fact allowed, the agency announced that it had 646 vote centers across the county — each with multiple voting booths. The centers will be open from 10 a.m. to 7 p.m. on Monday and Tuesday, the agency said in the posting, while tagging Fox News and the White House.

A map of polling locations featured on the agency’s website shows that there are dozens of voter centers available countywide. Mobile vote centers also were made available at various sites in the county. Mobile voting runs for the 10 days before election day and will not be available on June 2, according to the county registrar-recorder.

As of Friday morning, 333,000 mail-in votes had been cast in the June 2 primary for Los Angeles mayor, city attorney, city controller and eight of the 15 City Council seats. This was up from 321,000 at the same time in 2022, according to registrar-recorder.

Registered voters already should have received a ballot in the mail. Those who choose to vote in person can take their mail-in ballot to a vote center and ask to vote in person instead. Residents who haven’t yet registered to vote can still do so by requesting a conditional voter registration application at any voter center and filling out their ballot as they normally would.

Recent polling suggests that, ahead of Tuesday’s primary, incumbent Los Angeles Mayor Karen Bass has what pollsters deem a statistically insignificant lead in her bid for reelection as the city’s top executive. Bass is locked in a tight race with councilmember and former ally Nithya Raman and Spencer Pratt.

Trump has signaled his support for Pratt but hasn’t formally endorsed the former reality TV star and registered Republican. Former Trump advisor Steve Bannon said the president hadn’t done so out of the fear it would hurt Pratt’s chances in Democrat-dominant Los Angeles.

In 2020, during the outbreak of the COVID-19 pandemic, Gov. Gavin Newsom took the unprecedented step of issuing a statewide order for voting by mail for that year’s election in what he described as a necessary step to limit the virus’ spread.

A handful of rural counties had no in-person voting locations that March.

In 1979, the state eliminated the need for an excuse to receive an absentee ballot, and an option to choose permanent absentee voting was created in 2002. In the decades since, Californians have embraced the flexibility that voting away from a polling place offers. In nearly every statewide election since 2008, the majority of votes have not been cast at a traditional polling place.

Fourteen more counties — including Orange, Sacramento and Santa Clara — have adopted the state Voter’s Choice Act, an optional state law that requires them to mail every voter a ballot and to replace traditional neighborhood polling places with multipurpose vote centers. Those in-person locations offer multiple election services for up to 10 days before election day.

Los Angeles, the 15th county to adopt the new state law, was initially given special permission by the Legislature to implement it without mailing every voter a ballot.

Trump has for years repeated baseless claims that the 2020 election was stolen and that undocumented immigrants were swaying elections by voting illegally.

In light of these claims, Trump and some Republicans have pushed for new restrictions on voters. A federal proposal known as the Save America Act — which would require Americans to prove they are U.S. citizens before they register to vote and to show identification at the polls, among other things — cleared the U.S. House but stalled out in the Senate.

In November, California voters will weigh in on a similarly contentious ballot measure pushed by Republicans that would require all voters in future elections to show identification every time they vote in person or provide a special PIN when submitting mail-in ballots.

Under current state law, Californians are required to provide identification when registering to vote and must swear under penalty of perjury, a felony, that they are eligible to vote and are U.S. citizens. They are not required to show or provide identification when casting a ballot in person or by mail.

If passed, the California ballot measure would require voters to present government-issued identification, such as a state driver’s license, every time they vote. Voters mailing ballots would be required to write a four-digit number, essentially a PIN, on their ballot envelopes matching the one generated when they registered to vote.

Critics of California’s voter ID initiative, including many legal scholars, say the ballot measure addresses a problem that does not exist.

In May, a federal judge handed Trump a victory by declining to halt the president’s executive order creating a federal list of eligible voters and then directed the U.S. Postal Service to deliver mail ballots only to those on the list. Observers say the decision opens the door for potential sweeping changes in how American elections are run shortly before this year’s midterm elections.

The Associated Press contributed to this report.

MINNEAPOLIS — A federal immigration officer wanted for shooting a Venezuelan man during the Trump administration’s Minnesota crackdown was arrested Friday in Texas, authorities said.

Christian Castro, of the Immigration and Customs Enforcement agency, was taken into custody 11 days after Minneapolis prosecutors charged him with assault and falsely reporting a crime in the Jan. 14 nonfatal shooting of Julio Cesar Sosa-Celis.

Hennepin County, Minnesota prosecutors said the state’s Bureau of Criminal Apprehension located Castro, 52, in Texas and worked with agents from the Department of Homeland Security’s Inspector General’s Office and the Texas Rangers to arrest him.

“Today’s arrest is a critical step forward in our prosecution of Mr. Castro,” Hennepin County Attorney Mary Moriarty said.

Online court records do not list an attorney for Castro and it wasn’t immediately clear if he has one. Messages seeking comment were left with ICE, the Homeland Security Inspector General’s Office and the Texas Rangers.

Castro is the second federal agent to be charged over their conduct during the Minnesota crackdown, which was known as Operation Metro Surge. He is one of two agents that ICE Director Todd Lyons said lied about the circumstances of the incident.

Hennepin County attorney Mary Moriarty holds up a document containing charges against ICE agent Christian Castro during a news conference at the Hennepin County Government Center in Minneapolis, on Monday, May 18, 2026.

(Renée Jones Schneider/Minnesota Star Tribune Via Associated Press)

According to prosecutors, Castro fired through a home’s front door and shot Sosa-Celis in the thigh after Castro and another officer chased a different man, Alfredo Alejandro Aljorna, to the Minneapolis apartment duplex where he and Sosa-Celis lived. Sosa-Celis and Aljorna were legally in the U.S., Moriarty said.

Federal authorities initially accused Sosa-Celis and Aljorna of beating an officer with a broom handle and a snow shovel. A federal judge later dismissed the charges, and ICE and the Justice Department opened an investigation into whether officers lied about what happened.

In a statement after the charges were announced, ICE said the U.S. attorney’s office was investigating statements made by officers, who could face disciplinary action including being fired and prosecuted. ICE called the Hennepin County attorney’s action “unlawful and nothing more than a political stunt.” DHS’s Inspector General’s Office, which Moriarty credited with assisting in the arrest, is separate from ICE and is meant to serve as a watchdog for DHS agencies, including ICE.

Minneapolis last month released video showing the moments before Sosa-Celis’s shooting, captured from a distance by a city-owned security camera.

The video appears to show a person standing with a snow shovel outside the house, near the street, then retreating toward the house and tossing the shovel into the yard. This happens as a person being chased by another person runs up from the street, falls on the sidewalk, gets up, and keeps heading toward the house.

The three appear to scuffle near the front steps for about 10 seconds. The exact moment when Sosa-Celis is shot isn’t clear. A car with flashing lights pulls up, and another person walks up.

The Trump administration sent thousands of officers to the Minneapolis and St. Paul area as part of President Trump’s national deportation campaign and considered Operation Metro Surge a success.

But tensions mounted during the weekslong campaign, and the shooting deaths of U.S. citizens Renee Good and Alex Pretti by federal officers sparked mass unrest and raised questions about officers’ conduct.

Minnesota leaders and the Trump administration have clashed over who has the authority to investigate and prosecute federal officers for on-duty conduct.

Moriarty’s office last month charged immigration agent Gregory Donnell Morgan Jr. with assault for allegedly pointing his gun at people in a car on a highway. He turned himself in last week and his lawyer disputes the charges.

The county is also investigating Good’s and Pretti’s killings and sued the Trump administration in March to gain access to evidence in those cases and the Sosa-Celis shooting.

WASHINGTON — The Justice Department has opened an investigation into whether E. Jean Carroll, the longtime advice columnist who has said Donald Trump sexually assaulted her in a New York department store 30 years ago, lied during the course of civil litigation against the Republican president, according to a person familiar with the matter.

The person who confirmed the existence of the investigation was not authorized to publicly discuss an ongoing inquiry and spoke on the condition of anonymity. The perjury investigation is being led by the federal prosecutors’ office in Chicago, and acting Atty. Gen. Todd Blanche has had no involvement because of his prior work as Trump’s personal attorney, the person said.

Lawyers for Carroll did not immediately respond to requests for comment from the Associated Press on Thursday.

It’s the latest in a series of investigations the Trump administration Justice Department has opened into perceived adversaries of the president. The actions, including securing an indictment last month against former FBI Director James Comey, have raised alarm from Democrats and former officials that an institution meant to make prosecutorial decisions independent of the White House is being weaponized.

Carroll has said a flirtatious, chance encounter with Trump in 1996 at Bergdorf Goodman’s Fifth Avenue store in Manhattan ended violently. She said Trump slammed her against a dressing room wall, pulled down her tights and forced himself on her. Trump has called the allegations a “made-up scam,” and he has attacked her motivations, saying they were politically driven or arose from a desire to promote her memoir.

A jury in 2023 found Trump liable for sexually abusing Carroll, awarding her $5 million. The following year, another jury awarded Carroll $83.3 million in a defamation case related to Trump’s social media attacks on her.

The Justice Department is scrutinizing a statement Carroll made in the course of the civil litigation that no one else was paying her legal fees. It later became public that a Chicago-based organization backed by Reid Hoffman, the co-founder of LinkedIn, had helped fund Carroll’s case. Trump’s lawyers in the civil case accused Carroll of concealing that information, which they said called into question whether the case was politically motivated.

A court entry earlier this month said Trump won’t have to pay the award until the U.S. Supreme Court gets a chance to review the case or reject an appeal. The 2nd U.S. Circuit Court of Appeals agreed to a request by one of Trump’s lawyers that it let the president delay the payment to Carroll, though it required that he post a $7.4 million bond to cover any additional interest costs, a request Carroll’s attorney had made.

The Carroll investigation was first reported by CNN.

Richer and Tucker write for the Associated Press.

MSC Cruises has announced its commitment this summer and offers for UK passengers

MSC Cruises has issued an update today, Thursday, May 28, with bosses announcing a commitment to UK passengers this summer. The cruise line offers various voyages spanning the globe and currently operates a fleet of 23 cruise ships, with plans for further expansion in the coming years.

On Thursday, MSC Cruises said it is inviting guests to experience the ‘best holiday ever’ over the coming months, with the “peace of mind” of no added fuel surcharge for summer 2026 and low deposits until the end of June. Antonio Paradiso, Vice President of International Sales at MSC Cruises, said: “MSC Cruises ‘Best Holiday Ever’ commitment reinforces our position as the leading choice for UK and Irish holidaymakers seeking an effortless, all-in-one travel experience.

“Backed by dedicated support every step of the way, guests can book with confidence and peace of mind in today’s changing travel environment and relax knowing that their holiday is taken care of. With our low deposit of just £50, no-fly cruises from Southampton, Fly and Cruise packages with the reassurance of no added fuel surcharge for 2026, and the option to change your cruise date or destination if required, we are making it easier than ever for guests to secure their next holiday.”

Guests can book a trip with MSC Cruises with a low deposit of £50 per person, extended until the end of June. This applies to all cruises (excluding World Cruise and MSC Yacht Club cabins).

Passengers have a wide variety of amenities on board. There is full-board dining across the main restaurants and buffets, evening shows, multiple swimming pools with aquaparks, fitness facilities and family entertainment programmes.

There are many cabin types to choose from, including comfortable and economic inside cabins and connecting cabins for larger groups, which combine inside and balcony cabins together. Ocean View cabins offer sunset views, or for that sea breeze, opt for a balcony cabin.

A spokesperson added: “An MSC Cruise offers so much in one transparent price and, despite recent increases in global fuel prices, the cruise line will not be introducing a fuel surcharge this summer, giving guests extra confidence there are no unexpected added costs. The price guests see at the time of booking is the price they will pay, part of the best holiday ever commitment, just peace of mind and a seamless holiday experience this summer.”

MSC Cruises offers a range of Fly and Cruise packages that combine flights, transfers, and a cruise into one holiday. Designed to ‘simplify the journey from start to finish’, the cruise line says these packages are built in partnership with some of the world’s most renowned airlines.

Flights align with cruise schedules, with transfers between the airport and the ship included. Guests can select their preferred cruise itinerary, choose the Fly and Cruise fare, and confirm flights during the booking process. Fly and Cruise holidays in 2026 depart from:

• Belfast to Palma and Tenerife
• Dublin to Barcelona, Rome, Venice and Tenerife
• Edinburgh to Rome, Naples and Tenerife
• Glasgow to Tenerife
• Newcastle to Tenerife
• Manchester to Rome and Tenerife
• Birmingham to Tenerife
• London Heathrow to Seattle and Barbados

MSC Cruises also offers a selection of no‑fly cruises from Southampton year-round. Some standout destinations include the Norwegian Fjords, Northern Europe and the Mediterranean. And on selected dates, well-known TV stars and sports legends are on board, giving guests complimentary classes and talks:

• June 6, 2026 – Southampton to Iceland and the Norwegian Fjords (14 nights), with TV personality Anthea Turner onboard.
• August 8, 2026 – Southampton to the Canary Islands (12 nights), with Rugby Legends Ben Cohen, Neil Back and Ben Kayplus dance star Kristina Rhianoff onboard.
• October 19, 2026 – Southampton to the Netherlands, Belgium and France (5 nights), with Football Legend Gianfranco Zola on board.

When actors from TV’s top comedy series recently gathered for The Envelope’s Emmy Comedy Roundtable, any lessons they’d learned over the years about how not to break quickly went out the window — this year’s guests made each other laugh early and often.

Contributing to the hilarity were Danielle Deadwyler, whose English professor in HBO’s “Rooster” has her life disrupted by a bestselling writer; Donald Faison, who reprises the role of Christopher Turk, now chief of surgery, in the revival of ABC’s medical sitcom “Scrubs”; Sabrina Impacciatore, who embodies the vain managing editor of a failing regional newspaper on Peacock’s “The Paper”; Justine Lupe, who plays Morgan, a flighty but loyal sister and podcast co-host in Netflix’s rom-com “Nobody Wants This”; Lamorne Morris, who portrays New York City journalist Robbie Robertson in Prime Video’s Depression-set “Spider-Noir”; and Chris Perfetti, who features on “Abbott Elementary” as awkward but well-intentioned social studies teacher Jacob Hill.

In the course of our conversation, participants discussed surviving bad reviews, what fans misunderstand about comedy and, yes, how they keep a straight face during funny scenes (if not on The Envelope roundtable). Read excerpts from the conversation below.

What is the last thing that made you laugh out loud, whether it was meant to be funny or not?

Lupe: I have a one-and-a-half year-old. She’s just starting to talk. She doesn’t really say a lot of words at once, but she started doing this thing where, when she’s going poop, she just goes, “Oh, wow. Oh, wow.” And every time it’s just so cute.

Perfetti: I also do that when I poop, so please tell her it’s normal… I don’t know, guys. It’s scary times. I don’t find myself laughing out loud very much anymore. I guess to that end, I watch Jimmy Kimmel’s monologue every night and I think that it’s pretty drop-dead gorgeous. It’s so funny, and he’s using that platform in such a gorgeous way.

Faison: My daughter was playing a volleyball game against a very formidable opponent. I’m just going to put it out there: LeBron James’ daughter. She was serving and pushed everybody back with her serve. Boom! Everybody backs up. Now she’s got everybody out of bounds, then she taps it real soft and it falls in front of them. I laughed out loud. I was just so impressed, and my daughter looked at me like, “You mother—. Don’t you enjoy that!”

Impacciatore: A couple of days ago I was fighting with my boyfriend and it was a very bad fight and I really wanted him to understand my reasons. I was trying to put on my trousers and unfortunately I put two legs in one [side]. He started to laugh so loud and I was so upset. And then I started to laugh loud too. But it’s horrible when it happens, because I’m a very serious person when I fight.

Donald, the last season of “Scrubs” concluded in 2010. Now Dr. Turk is back working at the hospital with his buddy J.D. (Zach Braff) and a lot of the original cast. What was it like stepping back into that world?

Faison: When the pandemic happened, Zach and I did a rewatch podcast of “Scrubs,” and that’s where all of this started to formulate again. In doing the rewatch podcast, we researched what the fans liked, what we liked, and what we thought was funny. And we were very honest about it. If it sucked, we said it sucked. Then the T-Mobile [ad campaign with Faison and Braff] happened. So for the past five or six years, I’ve been playing Turk to Zach Braff’s J.D. When the revival came around, it was easy to slip back in because we had been doing this banter for so long. The only thing that’s different is that he’s older, but maturity has not set in with him yet. He’s a 50-year-old kid who’s really good at cutting people open and training younger people, but for the most part, he’s still silly.

Chris, “Abbott Elementary,” which follows several teachers at an underfunded public school in Philly, is heading into its sixth season. That means you’ve been playing Jacob for quite some time. Do you ever find the line between your personalities blurring?

Perfetti: The line between Chris and Jacob is definitely blurring. When we first started, I was shocked that [creator] Quinta [Brunson] saw me as this person. We weren’t alike at all, but I trusted that she saw something [in me] she wanted to exploit. Now, I would be so lucky to steal some of what he’s got going on. He’s unbelievably loyal and ambitious and really comfortable in his own skin. He leads from that place. And I need to shut the hell up and stop telling the writers things about my own life because now they’re showing up in the show. So truly the line between Chris and Jacob is getting weirder.

Danielle, “Rooster” takes place at a fictitious college. You actually have several degrees, including multiple master’s. Did you draw on your own experience in academia for “Rooster”?

Deadwyler: I was a student, and that’s a very different dynamic than being an administrator or a professor. But I dig education. I dig the intention of the environment, the debate, the ongoing pushing of the self and weaving that into your personal life. It’s all super connected. So I just brought that to the show.

You’re renowned for your work in intense films like “Till” and “The Piano Lesson.” Do you use a different muscle for comedy?

Deadwyler: I was always saying to the [“Rooster”] team, ‘Hey, guys, I feel good. I can breathe. I have energy to do things. Is that normal for people?’ So yes, it’s a completely different muscle. But [co-star] Steve [Carell] says this beautiful thing that characters don’t know whether they’re in a comedy or a drama. And that’s about as true as it gets. You bring full rigor and development and discipline to the making of a role, regardless of what genre.

Justine, how much do you relate to your character Morgan in the interfaith romantic comedy “Nobody Wants This”? Or is it more like you want to fix her?

Lupe: I don’t know if I want to fix her because that’s what’s compelling about her. I have so much fun playing the mess of Morgan. I relate to her. I started off where she was kind of a semiautobiographical story of [show creator] Erin Foster’s relationship with her sister, Sara. Then immediately the ship left the dock when I took the character. Justine has now taken over this idea of who this person is, and it’s a lot more sloppy and unbridled. The mess of her is actually me, because I’m a little bit sloppy as a person.

The show really captures the relationship between siblings, and sisters in particular.

Lupe: I identify with the idea of being someone who’s evolved past their original home life, and then going back into circumstances with your family, and regressing immediately. I wanted to play with that dynamic. Morgan might think that she’s evolved past certain things and then the minute she’s codependent with her sister, they devolve back into the bratty kid-like versions of themselves that are like picking on each other. I know the feeling, when you go back home and you’re like, “Wow, have I grown up at all?”

Lamorne, “Spider-Noir” is based on a Marvel comic and is set in an exaggerated version of 1930s New York. Audiences have the choice to watch the series in black and white or in color. How does the tone change between the two styles?

Morris: I watched both and they both have their own unique qualities. I would say the way folks should watch it is the way we traditionally watched TV as a people. You start in black-and-white and then when color was introduced, you would go back and watch those same films when they added color to it. While we’re filming it, [I was thinking] “How are they gonna make this visual effect look cool in black-and-white?” And then you watch it in black-and-white and you go, “What the f—?!” And I go back and watch it in color and go, “Holy — it looks great in color, too.” Everything down to the wardrobe [and] the set design, you watch it in black-and-white and it looks bold and as vivid as if it were in color. But then when you watch it in color and you go, “Holy crap, that house is blue, that suit is orange.” So just go watch it in both versions.

Sabrina, your character in “The Paper” wants to be the managing editor of the Toledo Truth Teller, but she’s really all about the clickbait. How much did you know about that conflict in modern journalism?

Impacciatore: I made sure not to know anything about it because Esmeralda doesn’t have a clue. Esmeralda is not a real journalist. Esmeralda is there for some mysterious reasons that I’m trying to figure out. She’s the queen of bull—, so I made sure not to know anything about journalists. And because I had played Valentina in “White Lotus,” I wanted to make sure that this character is going to be completely different from her. She must be out loud, she must be big. So I made some choices about her, for example, the nails. I still have these nails because I’m still shooting, but usually I don’t have long nails. But these nails started to make me think in a different way, to move my hands in a different way. Like these are guns, weapons to manipulate people. [Touches Morris with her nails.]

Morris: Consider myself manipulated.

Impacciatore: I’m the opposite. I have no filters in life. I am my own worst enemy. I’m too transparent. I don’t know how to hide feelings. So I thought, “What does she do?” Because it’s a documentary, she thinks one day she will be a star. So I have her have hair like Rita Hayworth the first day I arrived on set. They were looking at me like, “What is she doing?” They didn’t get it, so I had to explain that she wants to be a star. Once you start to play a manipulative person, you see manipulation everywhere. It’s like now I’m losing a bit of innocence, because I don’t trust anybody anymore. Now randomly I say, “Are you trying to manipulate me?”

“The Paper” and “Abbott Elementary” are mockumentaries. Does it make a difference in how you’re performing when it’s shot in that style?

Perfetti: On our best day, we’re trying to dupe people into believing that it’s real life. But similarly, I think Jacob thinks that he will be the star of this documentary whenever it comes out. He’ll be an executive producer on it. So there’s very much an element of having one foot in the audience’s experience. His outrage is heightened because he knows it’s being captured on film. I grew up doing plays and so it’s an easy dynamic to borrow from. When you’re on stage, even on your best days, you always have even a pinkie in the audience’s experience. You have to be able to be in conversation with them. The mockumentary format really allows for that and I think it informs the show in a really beautiful way.

Impacciatore: The first time that I watched “The Office,” I thought, “This project is incredible, but the light is so horrible. I will look so ugly.” I was trying not to be chosen for this project because I was so scared to be so ugly. So when I arrived on set as the character, I brought my own ring light and I said, “Guys, Esmeralda, because she knows she’s in a documentary, she needs her own lighting.” I got away with it. To me, comedy is a very serious thing.

What do audiences underestimate or misunderstand about what it takes to make a comedy?

Deadwyler: The assumption is that you’re being funny, and it’s not that at all. When you [Chris] just talked about doing plays, I was thinking theater is the thing that enabled me to really lean into the joy and transition into working on “Rooster.” There’s a rhythm and a quality of engagement that I learned completely in the theater world that applied to the gelling and the cohesion of “Rooster” in all of the scenes. So leaning into drama enables you to lean into the hilarity or the quirkiness or awkwardness of humor.

Morris: If the script is funny, it’s going to be funny if you’re an actor playing it real. And obviously you have throughout history those characters who know how to add to that, who can ham it up in such a way. Chris Farley and those guys. The Belushis, the Will Ferrells. They can take something really funny and just say, “I’m gonna add my stamp to it so when you see this type of humor, you know it was from me.” Then you have your Judd Apatows of this world who can create a funny environment and all the actors are basically playing it real and playing it straight.

Faison: People think you’re actually that funny or you’re that quick and you can come up with those jokes that fast. But really you’re saying somebody else’s words and you’re being somebody else. Somehow I got labeled as a stand-up comic. I’ve never done stand-up in my life, but I’ve been in so many comedies that people think, “He must be funny in real life.” I imagine Jack Black must hate going outside because everybody’s, “Do that skandosh, sliggidy, diggity thing that you do!”

Deadwyler: They want you to do that you do for drama, too.

Morris: “Make me cry”?

Deadwyler: They want you to give them the feeling that they know you for, because that’s all they’ve witnessed of you. They want me to ride a horse. They want me to cry. And it’s like, “I’m just trying to get these chicken wings and go home.”

And trying to break out of that, whatever that is, and move on to the next thing that you want to do.

Faison: For a long time it was very difficult as an actor to do anything else other than comedy, because you could get typecast. That’s something that happens right away. You could be the best friend for the rest of your life if you’re not careful.

Morris: I came up in traditional comedy. Second City, Chicago. When I was a kid, I didn’t care about anything else other than like making people laugh. So in plays and things, I was always cast as the comic relief, back in my ham-it-up days. Up until the beginning of my TV career with “New Girl.” I didn’t know who I wanted to be on that show. I didn’t know who I was and I’m thankful to the staff for just allowing me to grow into that character. But what I grew into was a f— clown. I just was like, “Oh man, I get to do this for seven years.” I loved every minute of it.

When you get recognized out in public or somebody knows they know you from something, who have you been misidentified as? Or do they simply call you by your character’s name?

Faison: I was at sushi once and it was actually another famous person that came up to me, I’m not gonna say their name. And he looks at me and goes, “Alfonso?” I said, “Nope.” And he hightailed it out so quick. I was like, “I gotta call Alfonso Ribeiro and tell him that somebody thought that I was him at a restaurant.” I’m glad to be recognized, but I am not Alfonso Ribeiro.

Morris: People think I’m everybody, but there’s one guy I get. Malcolm Barrett. This has been going on for 15 years. A good friend from theater school, we did every play together, he called me when I moved to L.A. and was like, “Dude, congratulations on your AT&T commercial!” I was like, “What AT&T commercial?” And he’s like, “The one where you’re playing Pop-a-Shot basketball.” And I’m like, “That’s not me.” Years later, everyone, people would come up to Malcolm all the time and say, “Congrats on ‘New Girl.’”

Perfetti: I cannot go to Philadelphia because I suddenly now have 5 million new family members. I don’t get mistaken for an actual person, but I do love the moment where you pass them on the sidewalk or on the subway and you see the wheels churning in their mind.

Lupe: I have a yoga teacher that still calls me Willa [her character from “Succession”]. I’ve been going to her for like a year and she’ll be like, “And Willa, you want to move into down dog.”

Justine, you’ve been referred to as a scene-stealer more than once for your work in “Succession” and “Nobody Wants This.” What do you make of that?

Lupe: That was the thing about “Succession.” I started when I was 26 and I felt like I got to be a fly on the wall in so many incredible scenes with all-star actors. To even be even seen among that kind of company, it makes me so happy. I feel the same way about “Nobody Wants This.” I look around and I’m like, “Wow, these are just incredible people that I’m working with.” So it’s nice to know that people are even registering my existence.

Perfetti: Willa is responsible for what I think may be one of the funniest TV moments ever. I can’t remember which season where you read your reviews and throw the iPad overboard, but it lives in my mind rent-free. The sound you make, the way that you just kind of stare off into the distance afterward, it’s one of the greatest things I’ve ever seen.

Do you read reviews of your work?

Morris: I did a movie called “Sandy Wexler” with Adam Sandler and he said to me, “Hey buddy, when a film comes out, don’t read the reviews.” He’s like, “Who cares? We got our own thing going.” … It allowed him to stay true to who he is for his fan base, which is larger than life. If you start caring so much about what people think about your art, it’s going to change what got you there in the first place. That’s what Jamie Foxx talked about after winning an award, you don’t want to switch it up all of a sudden because everybody looks at you like you’re this great actor, you won this thing, and you start doing things differently.

Impacciatore: On set, if someone gives me a feedback about something that he liked, I don’t want to hear that because it feels like a trap. And I don’t want to know what worked and what didn’t work because I want to be free. I want to explore things. Reading a review … it’s something rational that is describing something irrational. Like to me, acting is an irrational act. It’s wild when it happens. It’s going somewhere else and not even knowing what you did.

Faison: I tend to not look at reviews. This was the first time ever in my life … when “Scrubs” came out this time around. It’s because we made it for the fans. It was strictly for the fans. So when we put it out and the critics were very nice this time around, that was cool. And then you get to Reddit and Instagram and you’re waiting for them to be like, “You guys suck!” “How dare you?!” And that didn’t show up. It was like, well, I’m gonna read the reviews then.

Lupe: I once had a critic call me a “bargain-basement Gwyneth Paltrow.”

Morris: You’re like, “Gwyneth Paltrow, you say?”

Lupe: As long as the word Gwyneth is in there, I’m OK.

Morris: If someone calls me “a bootleg Eddie Murphy,” I’m retiring.

Faison: “He kind of reminds me of a poor man’s Richard Pryor.” Why, thank you.

Lupe: There was like a part of me where I was like, “Well, if I can make it through that, then whatever. Who cares? It’s just fun to hear people’s perceptions of what you’re putting out there. How people interpret it. Because sometimes you can’t see the forest through the trees. If you have enough perspective, it’s interesting to hear the dialogue about the things that you’re working on.

Deadwyler: If it’s productive, I find that critical analysis is useful. But if it’s critical stabbing, that’s useless to me.

Faison: I have a question for all of you guys. When it comes to acting on set, do you prefer to see what you just did or do you prefer to trust what the director says? When it comes to comedy, I wanna see what the f— we are doing just to make sure we’re in the rhythm.

Lupe: I don’t watch it in the moment. I’ve gotten easier on myself watching things after they’re released. When I first watched my work, I just wanted to like, in all honesty, tear my face off. It was really a tough experience.

Morris: If I trust the director, I never look at the monitor. No knock on, like first-time directors, because I work with a lot of first-time directors that I trust, but there are some from time to time that just go, “It’s great,” every take. And so sometimes I have to go, “Just give me a second, let me see.” … A couple of times [they’d tell me], “Everything you did was brilliant.” And I know for a fact it wasn’t. So now I don’t trust s— you say.

The Envelope’s 2026 Emmy Comedy Roundtable: Lamorne Morris, from left, Justine Lupe, Chris Perfetti, Danielle Deadwyler, Donald Faison and Sabrina Impacciatore.

Chris, the cast on “Abbott” are so good at bouncing lines off one another. How are you not breaking all the time, or are you?

Perfetti: It’s certainly gotten harder as we’ve gotten closer. We’re all trying to make each other break now. But we’re pretty good. The show is sort of made on the fly and we’re constantly throwing jokes away or trying to see how far we can push something. I think a lot of what we find funny on “Abbott” is people trying to avoid pain. Even when it’s ridiculous, it doesn’t feel too hard to keep our feet on the ground. We’re also so blessed with the mockumentary [format]. The story is very much told by the camera. So I’m always on, and something that comes up in that take might make it into the final cut because there’s three cameras going at all times. But Quinta probably breaks the most because … she genuinely forgets about some of the jokes that she writes. And so when she hears it again, it takes her by surprise.

Lupe: There is something to that energy of people enjoying being in that kind of space with each other, like on the verge of laughing. Riding the line of being just about to break, it’s so much fun. The chemistry between them is so palpable. When you see a break like that, you’re like, “Wow, they’re really enjoying each other.”

Morris: [It’s hard when] I’m literally loopy, it’s late and I know this actor I’m working with is a f— killer. I start laughing before we roll, and I’m like, “This is gonna be so difficult.”

Lupe: And then it’s like that thing when you’re like a little kid, where someone’s like, “Stop laughing” and it makes it worse because you are trying so hard not to laugh.

Impacciatore: If there is that moment where we can break, there is a real abandonment and there is a real freedom … It’s the most beautiful feeling about being an actor. It’s about feeling less lonely.

Faison: Danielle, you’re working with Steve. First of all, he’s gonna break everybody. I’m pretty clear that everybody on set’s gonna laugh because he’s just got that. But has anybody made him break yet? And who is that person? I know if I made Steve Carell break in the middle of a scene, I’m dancing for a while. I’m gonna be calling my mom like, “Yo, he f— laughed at my joke!”

Deadwyler: I know that they wilded out the day the bed broke [during a fight scene with co-star Phil Dunster]. But I have not seen him break in that way. He is so rigorous. He’s about building the character, building a dynamic, trying to tell a full story.

Lupe: He also must have so much practice from “The Office.”

Deadwyler: He’s strong.

Faison: I laugh harder at “Saturday Night Live” when they break than when they keep it together.

The 21-year-old man shot and killed after opening fire on U.S. Secret Service agents near the White House was a Maryland resident, according to online records.

Following Saturday’s shootout, the Associated Press identified the suspect as Nasire Best. According to virtual records, Best lived in the Prince George’s County suburb of Glenarden with his family.

The shooting occurred near a White House security checkpoint shortly after 6 p.m., according to a social media post from the Secret Service, which alleged that Best “pulled a weapon from his bag and began firing.”

Secret Service Uniformed Division officers returned fire, striking Best, who was taken to a hospital where he was pronounced dead a short time later, the post said. The Secret Service said no officers were injured, but a bystander was struck by gunfire and remained in serious but stable condition Sunday, according to the Associated Press.

The Secret Service said the bystander, who has not been identified, suffered a gunshot wound described as not life-threatening, the AP reported. It was not clear how the person was shot.

The Secret Service post also noted that President Trump was in the White House during the incident and was not harmed.

A person listed as having the same name as Best has three failure-to-pay rent cases for a dwelling in the Foundry by the Park Apartments in Dundalk, Md., from as recent as November. The Baltimore Sun could not confirm whether the cases are linked to the person killed Saturday.

The AP reported that Best was identified as the suspect by a law enforcement official who spoke on condition of anonymity due to not being authorized to discuss the investigation.

The AP noted that court documents indicated that Best was arrested in July 2025 after he attempted to enter a White House checkpoint without authorization. It wrote that the court records said Best did not heed officers’ commands to stop, “claimed he was Jesus Christ” and told officers he wanted to be arrested.

The court issued Best a “pretrial stay away order,” which typically requires defendants not to go near a person or area before a trail, the AP reported. In August, a bench warrant was issued against Best after a notice of “noncompliance.” He did not appear for a subsequent hearing, the AP reported.

The shooting remains under investigation, and additional information will be release as it becomes available, according to the Secret Service.

Saturday’s shooting was the third time in the last month that shots were fired near the president, including at the White House Correspondents’ Assn. dinner in late April and near the Washington Monument earlier this month.

Hubbard writes for the Baltimore Sun. This story was distributed by the Associated Press via Tribune News Service.

WASHINGTON — The U.S. Secret Service shot a person near the White House on Saturday, and a bystander also was shot, a law enforcement official said.

Both individuals were said to be in critical condition, according to the official, who spoke on condition of anonymity because they were not authorized to discuss the investigation.

Journalists working at the White House on Saturday reported hearing a series of gunshots and were told to seek shelter inside the press briefing room.

On X, the Secret Service said it was “aware of reports of shots fired near 17th Street and Pennsylvania Avenue NW” — one block from the White House — and was “working to corroborate the information with personnel on the ground.”

In a social media post, FBI Director Kash Patel said officers were responding to shots fired and said he would “update the public as we’re able.”

President Trump was inside the White House at the time.

Evidence of the shooting was visible on a sidewalk just outside the White House complex, where yellow crime scene tape snaked across the pavement and Secret Service officers placed dozens of orange evidence markers on the ground. Medical material, including what appeared to be purple surgical gloves and kits typically used by emergency medical personnel, were also seen.

In a post shared on X, Selina Wang, the senior White House correspondent for ABC News, shared video of the moment she said she heard what “sounded like dozens of gunshots” and ducked for cover. Writing that she had been performing an ordinary task that reporters at the White House do every day — filming themselves on a cellphone, for a social media post — Wang’s video shows her speaking for a few seconds about Trump’s statements earlier Saturday about a potential Iran deal.

As the sounds of gunfire are heard in the background, Wang’s eyes grow wider, and she ducks down in the media tent, which is among those situated in a line along the White House driveway where broadcasters film their reports. On X, Wang’s video had been shared thousands of times as of Saturday evening, and viewed at least 3 million times.

The Metropolitan Police Department said on its X account that the Secret Service was working the scene and cautioned people to avoid the area. The scene is near where a gunman ambushed two members of the West Virginia National Guard in November.

U.S. Army Spc. Sarah Beckstrom, 20, died from her wounds. Andrew Wolfe, then 24, was critically wounded. Rahmanullah Lakanwal has been charged in that incident.

The gunfire Saturday comes nearly a month after what law enforcement authorities said was an attempted assassination of the president on April 25 as he attended the annual White House Correspondents’ Assn. dinner at a Washington hotel. Cole Tomas Allen of Torrance recently pleaded not guilty to charges that he attempted to kill Trump and remains in federal custody.

Following that scare, Secret Service officers shot a suspect they said had fired at officers near the Washington Monument, also near the White House. Michael Marx, 45, of Midland, Texas, was charged in a complaint filed in U.S. District Court in connection with the May 4 shooting. A teenage bystander was wounded in that incident.

Superville and Durkin Richer write for the Associated Press. AP photojournalists Jose Luis Magana and Alex Brandon and writers Gary Fields, Meg Kinnard and Matthew Daly contributed to this report.

WHO chief, Tedros Adhanom Ghebreyesus, urged all countries to monitor passengers who were on the MV Hondius cruise ship.

The World Health Organization has urged countries to continue monitoring passengers for hantavirus after a case was detected among a Dutch crew member of the ship at the centre of the outbreak.

Tedros Adhanom Ghebreyesus, the WHO chief, told a news conference in Geneva on Friday that he urges all countries to monitor the passengers who were on board the MV Hondius cruise ship and “move carefully for the remainder of the quarantine period”.

Tedros said a Dutch crew member had tested positive and was now in isolation, taking the total positive cases to 12.

So far, three people have died due to the virus.

Tedros reiterated that no deaths have been reported since May 2, when the outbreak was first reported to the WHO.

“More than 600 contacts continue to be followed in 30 countries, and a small number of high-risk contacts are still being located,” he added.

Dutch authorities also confirmed that the infected crew member had been taken to hospital.

“The Andes virus has been detected in one person who was in quarantine in the Netherlands. The patient has since been admitted to the hospital as a precaution and is in isolation,” said the Dutch National Institute for Public Health and the Environment (RIVM).

“The RIVM understands that this news may raise questions or concerns. However, the chance of further spread in the Netherlands remains very small,” the statement said.

According to the RIVM, everyone who had evacuated from the Dutch-flagged ship to the Netherlands is tested every week, and two separate laboratories confirmed the positive test.

It added that the person who had tested positive had been isolating at home.

The initial cruise ship had departed on April 1 from Ushuaia, Argentina, before heading to Cape Verde and then Tenerife in Spain’s Canary Islands.

While the WHO is investigating how the virus got on board the ship, it is believed that the first person to contract it could have been exposed to rodents during a bird-watching expedition.

While rodents spread hantavirus, the Andes strain is the only known strain capable of spreading from human to human.

Quarterback Matthew Stafford, the reigning NFL most valuable player, is now under contract with the Rams through the 2027 season.

Stafford signed a contract extension Thursday, the team announced. Terms of the deal were not released but it is a one-year extension worth $55 million, a person with knowledge of the situation said. The person requested anonymity because the contract has not been posted.

Stafford, 38, is scheduled to carry a salary-cap number of $48.3 million this season, according to Overthecap.com.

With Stafford, receivers Puka Nacua and Davante Adams and a defense featuring edge rusher Jared Verse and recently acquired All-Pro cornerback Trent McDuffie, the Rams are regarded as a favorite to play in Super Bowl LXI at SoFi Stadium.

Whether Stafford, a 17-year veteran, plays in 2027 remains to be seen.

Last month, the Rams selected former Alabama quarterback Ty Simpson with the 13th pick in the draft. Fourth-year pro Stetson Bennett also is on the roster.

The Rams and Stafford had been working on the framework of an extension ever since Stafford announced during NFL Honors in February that he would return this season to play for a team that advanced to the NFC championship game before losing to the eventual Super Bowl champion Seattle Seahawks.

The team and the quarterback have been conducting contract talks on a year-to-year basis since 2024, after Stafford delayed his arrival to training camp because of a contract impasse. Last year, Stafford and the team came to an agreement on March 1.

In 2025, Stafford passed for 46 touchdowns, with eight interceptions. He was voted All-Pro and won his first MVP award.

Stafford has been participating in voluntary offseason workouts. The team begins more comprehensive organized-team activities next week.

Training camp opens in July in preparation for the Sept. 10 season opener against the San Francisco 49ers in Melbourne, Australia.

As plenty of Californians remain undecided about the gubernatorial primary’s unsettled Democratic field, some are waiting to cast their ballots, creating the potential for a slower vote count or a longer wait to find out the winners.

Though the landscape could change quickly if Democrats coalesce around a single candidate within the next several days — signs of which were emerging this week — for now, many Democratic-leaning voters appear to be waiting for new developments before making their final decisions, political analysts say.

“This has been a roller coaster of a race, and I think voters are waiting to see when the ride is going to end and cast a vote at that time,” said Steve Maviglio, a Democratic strategist.

A larger-than-usual number of people casting mail ballots on or close to election day could extend the ballot-counting process, said Kim Alexander, president of the nonpartisan California Voter Foundation. County election officials said they were prepared for that possibility. Early returns so far haven’t made it clear whether most voters will wait longer than usual to cast ballots.

Mike Sanchez, a spokesperson for the Los Angeles County registrar, said the county was “fully prepared” for the possibility of receiving “a significant number” of ballots returned close to or on election day, June 2.

“It is not uncommon in primary elections, particularly those with a large number of contests and candidates, for some voters to take additional time to review their ballots and hold onto them longer before returning them,” he said.

Californians who want to vote on or close to election day can vote in person or use a mail-ballot return option that doesn’t rely on the U.S. Postal Service to help speed the process and avoid the risk of a mail ballot arriving late, election officials said.

Hesitation by Democratic-leaning voters reflects the toll of a historically uncertain primary race for governor. The contest has been marked by the unusual lack of a clear Democratic front-runner and the party’s failure to line up behind a single candidate after former U.S. Rep. Eric Swalwell dropped out in April.

Early concerns within the party that a split Democratic electorate could put two Republicans on the November ballot under the state’s top-two primary system also heightened the sense of stakes among left-leaning voters.

Those factors, combined with a large slate of candidates, voter confusion about how candidates’ platforms differ and a desire to choose the person “most likely to win” have made Democratic-leaning voters uncertain, said Christian Grose, director of the USC Democracy and Fair Elections Lab.

“There’s a little bit of, whoever’s in the lead some Democrats are choosing to vote for … but people don’t know who that person is,” Grose said, noting that “some of that [could start] to go away” as the race tightens.

An indication that Democrats are starting to consolidate around Xavier Becerra, the former U.S. Health and Human Services secretary, came Tuesday in a new survey released by the California Democratic Party. It showed Becerra with support from 21% of respondents, followed by billionaire Tom Steyer with 15%.

Republican-leaning voters appear to favor Steve Hilton, who had support from 22% of survey respondents. Republican Chad Bianco, the Riverside County sheriff, had 10%. Under California’s primary system, the top two vote-getters advance to the general election, regardless of party.

Tallies from a handful of counties showed varying early turnout so far.

In San Francisco, a relatively small number of ballots have been returned, indicating that voters may be waiting, Michelle Parker, president of the city’s elections commission, said Tuesday. If people vote by mail close to election day — rather than voting in person or using a drop box — it could affect the speed of vote-counting, a possibility the city’s election staff is prepared for, she said.

“We’ll see how quickly they come in, but knowing what the news has been like and watching what the dynamic has been like across the state, I’m not surprised people are waiting,” Parker said, referring to the governor’s race.

In San Bernardino County, 5.6% of mail ballots had been returned as of Tuesday, a rate comparable with previous elections, Registrar of Voters Joani Finwall said. Election officials “strongly encourage” voters to cast ballots early using drop boxes or early voting locations, Finwall said.

In Orange County, by contrast, data so far indicate that voters are not waiting, the Registrar of Voters office said. More than 129,000 vote-by-mail ballots had been returned by the end of the day Monday, more than had been returned by the same time in the 2024 and 2022 primaries. Of those, a slightly higher percentage of Republicans than Democrats had voted.

If a large number of voters were to wait until June 2 to cast a mail ballot, the county would be able to efficiently process them, said Registrar of Voters Bob Page, noting that 90% of the county’s early vote-by-mail ballots were included in election night results in the 2024 presidential primary.

Voters should be prepared for the possibility that the gubernatorial results aren’t determined on election night, Grose said. One candidate could appear to be in the lead on election night and another could overtake them once all ballots are counted.

State election officials warned this month that some social media posts urging Democrats to vote “late” could be misinformation. Secretary of State Shirley Weber’s office said it would look into such posts, one of which falsely attributed the message to historian Heather Cox Richardson.

Mail ballots must be postmarked on or before election day and arrive within seven days after the election; otherwise, they are considered late and not counted.

Rusty Hicks, chair of the California Democratic Party, acknowledged chatter around people holding onto their ballots but said the survey released Tuesday indicated voters are “beginning to move towards specific candidates.”

Even as Becerra and, to a lesser extent, Steyer rose in popularity, other Democrats saw support in the single digits in the poll, including former U.S. Rep. Katie Porter, San José Mayor Matt Mahan and former Los Angeles Mayor Antonio Villaraigosa.

“This race isn’t over; we’ve certainly seen a lot of twists and turns to this point, but you do see some clear consolidation taking place for both Democrats and Republicans,” Hicks said on a call with reporters. “I’m not concerned about California Democrats having their voices heard.”

Still, the race’s surprises have taken a toll on voters, Grose said: Swalwell’s exit under a cloud of sexual assault allegations, along with a guilty plea to federal corruption charges by Becerra’s former longtime advisor, two videos that raised questions about the temperament of Porter and a lack of disclosure by influencers being paid to promote Steyer.

“There is some uncertainty among Democrats about, ‘Is there one more shoe to drop for someone?” Grose said. “That’s one reason people are holding onto their ballots.”

Voters who want to cast ballots later than May 26 should return their mail ballots at a voting site, county election office or drop box, rather than via the Postal Service, by 8 p.m. on June 2 or should vote in person, recommended Alexander, of the California Voter Foundation.

Because mail ballots require election officials to conduct signature verification, they take longer to count than in-person ballots. In addition, recent changes at the U.S. Postal Service have slowed mail service, creating a higher potential for mailed ballots to arrive late.

Alexander also urged voters to take advantage of Saturday in-person voting, available at county election offices statewide the weekend before election day, and other early voting options.

“I am very sympathetic with voters who want to take their time to make their decision in this very fluid election,” she said. “The important thing is to have a plan.”

Maya Hawke sits at a picnic table in Griffith Park with an iced tea and a small notebook and happily reports that she still likes her new record.

“Every other album cycle I’ve done, by the time I got to the point where the album came out, I hated it,” says the 27-year-old singer and actor. “I was just exhausted by the internet and by being public, and I wouldn’t want to post about it. So I kind of tried to build this rollout where it could be enjoyable. And it seems to be working.”

On this recent morning, she’s about a week and a half from releasing “Maitreya Corso,” a set of deep-thinking folk-pop songs about love and art and how the two intersect; to help drum up interest in the LP, Hawke’s fourth, she’s on tour playing intimate live gigs like the one she did last night at the Troubadour, where she was accompanied by Christian Lee Hutson, with whom she made the record.

Hutson, who’s known for his work with Phoebe Bridgers, is also Hawke’s husband: After collaborating on her 2022 album “Moss” and 2024’s “Chaos Angel,” the two were married this past Valentine’s Day in Hawke’s hometown of New York. (You may have seen the pictures in People magazine of the couple on the street with Hawke’s parents, Ethan Hawke and Uma Thurman, and her castmates from “Stranger Things.”)

As we talk, Hawke wears the same vintage Beastie Boys T-shirt she had on at the Troubadour; when we’re finished, she’s got a flight to catch to Denver for her and Hutson’s next show.

I was struck last night by the intense eye contact between you and your husband.
I’ve never played guitar before onstage, and so I think a lot of that is me being nervous and wanting to keep rhythm. I’m looking at his eyes but also at his hands. His chordal shapes are different than mine but I’m following the rhythm to make sure I’m staying in the pocket.

Why didn’t you play guitar before?
I’ve been playing since I was 11, but I reached a point where I was getting better a lot slower than my brother was or than other people in my life. You pick up the guitar to play and then a bunch of guys sit down next to you and they’re like, “Oh, can we jam?” And you’re like, “I don’t know if I can jam. I was trying to write a song and now you’re noodling all over me. You know what? I’ll just put it down.” Later, when I started making music professionally, I met all these extraordinary musicians, and I thought: Why would I play guitar when I’m not as good as you are? Then I really hated doing shows.

Because of that?
I’m not a dancer — I don’t want to be a pop star and do dance moves. I don’t have a big Adele voice. And standing up there and just singing — I was like, I should be at a poetry reading. So I made myself a promise that if I made another record I would have to play guitar and write songs that I can play.

It’s funny: You were both super locked-in during the songs, but then between them your banter was extremely loose.
I wanted to build a show that was a concert I would want to go see. I’m weird — I don’t love concerts, but I do I like it when people talk. I can hear the record at home — what I don’t get at home is a sense of the person.

Who would you say are some of music’s great between-song talkers?
Hmm.

I think Adele might be the best I’ve seen.
She’s really good. I saw her once when I was younger — I had a year where my dad took me to see all the biggest women of that year. I remember thinking: When I leave the theater, I’m filled only with joy and no jealousy because I could never do what she’s doing. That’s a gift from God, and I’m not in competition with that gift.

But after she hits you with that, she’ll just freestyle for three or four minutes.
That’s what I want too — I want to see some humanity, especially these days when everybody is being force-fed so much perfection and so much unattainable grace.

There are a tremendous number of words on this record.
It’s very verbose.

Why?
I love words — lyrics are my favorite part of songs. One of the first songs that got written for this record was “Devil You Know,” which was like an experiment where I wrote this poem in free verse. I’ve been in a fight with my husband about free verse versus poetic form. He’s pro-free-verse, I’m anti-free-verse.

What’s your beef?
My beef is: Free verse is great — I wish you could have spent a little more time making it rhythmically sound.

To you it feels like —
Like a first draft. The confines of a structure make your brain work in a different way: How do I get this idea across in a sonnet or a villanelle? But I tried writing this free verse thing, and I really liked it and wanted to write more things like that. Normally, I love the arrow of a Willie Nelson lyric, which is: What’s the simplest way I can say the most complicated thing? And I have some of that on this record, like in “Bring Home My Man.” But I also was like, What’s the most complicated way I can say the simplest thing?

OK, speaking of that: I read the essay you had this philosopher Justin Smith-Ruiu write about the album. I understood probably 11% of it.
I’m obsessed with him. I read his Substack religiously — it’s called the Hinternet. He’s just a brilliant genius, and I was like, I don’t know what he’s gonna say, and I don’t know if it’ll make sense to anyone, but it’ll make sense to me.

Honestly, some of the songs might also have gone over my head. How important is it to you that the listener grasps everything that’s going on in your music?
Zero percent important. I want people to take from it what they take from it. One of the coolest things in my life has been putting out songs and having people form crazy personal attachments — sometimes communal attachments, where all the people think it’s about the same thing and they’re all wrong. That’s so much more interesting to me than if they just thought it was exactly what I thought it was.

How do you listen to the songs you love? Are you trying to figure out where they came from?
Yes, but I don’t care if I’m right. I’ve had many a debate about what [Elliott Smith’s] “Say Yes” is about — gone through the lyrics with friends and been like, “Wouldn’t you say that this supports my theory?” But it doesn’t matter to me what it is. It’s just fun to try to connect all the dots.

Maya Hawke and Christian Lee Hutson in New York in March.

(Ilya S. Savenok / Getty Images for Tibet House US)

Break down the chronology of your and Christian’s relationship. You made this record not as married people but —
As engaged people.

How did that compare to the previous album?
When we made “Chaos Angel” we were maybe in a slightly uncanny valley of being friends who were in love but not together at all. But our working dynamic has always been pretty amazing, even from when we met doing “Moss.” Christian was really the person who made me want to play guitar and write music. He was like, “What do you mean your music isn’t good enough? Why, because you didn’t go to jazz school? I didn’t go to jazz school.” That kind of belief really shaped my journey from “Moss” until this record.

Are you the type of person who needs a facilitator?
I really enjoy support and encouragement, and I often need permission.

I wonder why.
Just a couple of weeks ago, I was talking to someone, and I was like, I want to spend less time with this person, but I want them to want to spend less time with me. I don’t want to be the one to draw the boundary — I need their permission to draw a boundary between us. My therapist was like, “We can work on that.”

Is this classic child-actor people-pleasing stuff?
I wasn’t a child actor.

When did you start?
I did my first audition at 15 but I didn’t get the part. Then I didn’t end up working until I was 18.

I’d argue that at 18 the world still sees you —
As a young person, yeah.

But I take your point.
I don’t know what it has to do with. It’s not exactly people-pleasing. There’s definitely an oldest-sibling thing I have a bit. I’m very interested in sibling-order theory. I think it’s extremely influential to who people are — better than astrology, for sure.

You’re older?
I’m oldest of five. Generally, when I meet eldest siblings, there’s a kind of interesting energy of someone who both needs to be in charge and needs a lot of permission.

Has anything changed about the way you and Christian collaborate since you got married?
We’re really happy, and we’ve been really happy. It’s awesome that we were friends for a long time first. When I got into relationships in the past, I would kind of pick the person that liked me the least. I didn’t like myself very much, and I thought that someone who didn’t like me must be a genius and that I could overcome my inherent ineptitude by getting them to like me. And in order to get them to like me, I would transform myself into becoming a person that they would like. Then we’d have a very happy couple of months until I got bored of not being myself. What being friends with someone first did was that it made it very hard to trick them.

Some of these new songs seem very clearly to be about the two of you.
Totally. A lot of this record is about how much I learned about what love really is — what it could be and how to be good to another person. My ideas about those things really transformed in the last couple of years.

As a child of divorce, were you ambivalent about marriage?
I think if anything it was the reverse. I wanted to get married twice in my life. Once was when I was 18 years old, and it was definitely mental illness: I want the nuclear family that I didn’t have, and I want it now. Then I was kind of neutral on whether or not I would get married. Then I met Christian, and I was like, “I don’t know if I’m ready to be in this kind of relationship, but you’re my person.” And we stayed in each other’s lives until it ended up being the right time.

Plenty of people find their person without wanting to have a wedding.
Are you a romantic?

I’m not sure I know.
When I was younger, I imagined myself in a sort of French marriage where we both cheated on each other but didn’t talk about it and had a lot of mutual respect. But I didn’t find a French marriage — I found my best friend. You know what a piece of s— I am and you still love me? I wake up every morning still happy to see you? That’s a miracle — we gotta have a party.

Last thing: Did finishing “Stranger Things,” which had defined the structure of your life for so long — did that change the way you think about making music?
It’s changed the way I think about everything. Basically, from about four months before the show wrapped until a year after that, I was pretty freaked out.

Because you knew a big change was coming?
Because I didn’t know how I would be reborn out of it. Even when I was resentful of being like, “I’m booked, and I can’t do this other thing that I want to do,” the show was so grounding. I was really lost without it. I’m not freaked out about it anymore, but I’m in a renegotiation of the structure of what I want my life to look like.

Do you feel some kinship with your former castmates on that?
Everyone freaked out in different amounts and at different times and to different degrees of wanting to talk about it. But we all collectively had a very, very intense time moving through the last season.

You’ve got upcoming acting projects —
I didn’t actually die like I thought I was going to.

But did the end of that job create space for music to play a bigger role in your life?
In some ways, it could become smaller. I had an ensemble part in a show that takes a year to film, which creates a tremendous amount of waiting-around time. I think that’s why so many “Stranger Things” actors have musical projects: You can’t film anything else but you can sit in your house with your keyboard. What I’ve really been feeling since the show ended was an invigorated desire to double down on acting. I’ll never not make music, but the music industry is difficult for me. I don’t know if it’s just that I was raised in the acting industry and I understand the things that are f— up about it better.

The music biz feels more opaque to you?
I struggle with some of the things that one should do in that industry to grow their project. When you’re promoting a movie, you’re on a team promoting an external item. When you promote a record, you’re doing self-promotion: “Buy my stuff. Do my thing. Put me on your chest.” It feels a little too “Look at me,” which isn’t my comfort zone.

Better start making those TikToks.
Yeah, I can’t. I really can’t.

WASHINGTON — As Kamala Harris eyes a possible 2028 presidential bid, there is little outward enthusiasm among her biggest 2024 backers to fund a repeat performance, adding to uncertainty about the former vice president’s prospects in what is sure to be a crowded primary field.

The Times reached out to more than two dozen top donors to the biggest pro-Harris super PAC in 2024. Several of them said they do not plan to support her should she choose to run, or declined to talk about her. Others did not respond.

“I don’t think it’s a helpful narrative [for 2028] to start with the 2024 hangover,” said one fundraiser for Harris’ 2024 campaign, who requested anonymity to speak candidly. “There is an enormous appetite for new blood — something fresh, something that really represents the future, not the past.”

That narrative is poised to present Harris’ biggest challenge if she decides to run — particularly if it jeopardizes her ability to pull in crucial funding. Though few in the party want to criticize Harris, few appear inclined to endorse her, and conversations about her prospects often come down to one thing: Democrats’ anxiety about winning.

“She’s run, she’s lost, so the question’s going to be, is there somebody that gives Democratic voters more of a sense that they could win?” said Dick Harpootlian, a longtime South Carolina Democratic strategist. “That’s what all of us are looking for. We want to win in ‘28.”

The chatter among party elites appears at odds with recent polling in Harris’ favor, including in April’s Harvard Center for American Political Studies/Harris Poll, which showed Harris leading the Democratic field with support from 50% of Democrats.

The former vice president has also been met with enthusiasm from audiences in a series of recent speaking stops — including when she told a friendly crowd at a New York conference in April that she “might” run for president.

Harris remains undecided about whether to mount a run, according to a person familiar with her thinking, who said Friday she has been focused on boosting Democrats ahead of the midterm elections, meeting voters and delivering messages about the economy and affordability.

If she were to run, Harris would expect a crowded primary field to split donors and would be aware of the need to overcome the perception of skeptics, this person said — but noted that 2028 would afford a very different dynamic than the circumstances under which she took the nomination in 2024.

“There’s a bit of a ‘doth protest too much’ quality to some of these complaints about the idea of her running,” said the person close to her. “It may be a backhanded way of acknowledging that she’d be quite formidable if she decided to get in.”

Speculation about whether Harris would run again — and whether she should — has swirled since her truncated 2024 campaign ended in defeat to Donald Trump. Harris’ decision not to run for California governor in a wide-open race was broadly viewed as signaling presidential ambitions, and she reentered the public eye with the publication of a book about the 2024 campaign and an associated speaking tour.

Last month, Harris gave her strongest signal yet that she could seek the party’s nomination again, telling the Rev. Al Sharpton at a gathering of his civil rights organization in New York that she was “thinking about it.”

“I know what the job is and I know what it requires,” Harris said at the time.

Harris’ 2024 loss to Trump and failure to capture any battleground states — after entering the race late following President Biden’s exit — was bruising for Democrats. The defeat is lingering longer for some top donors than it did after Hillary Clinton’s loss to Trump in 2016, making them extra wary, said one Democratic political consultant.

“Especially in the donor class, everyone feels burnt,” he said. “People just want to turn the page.”

The Times contacted top donors to Future Forward, the Democratic super PAC that spent the most to back Harris in the 2024 election. All the donors contacted gave at least $1 million and some acted as bundlers for the campaign, soliciting big checks from other donors in addition to their own contributions.

Netflix co-founder Reed Hastings, who gave $1 million to Future Forward in 2024, said he hoped to support a different Californian.

“Gavin is the candidate who can motivate both the left and the center,” Hastings told The Times, referring to Gov. Gavin Newsom.

A bundler for both Harris and Biden said it comes down to who can give Democrats the best chance to succeed.

“I think it is too early to pick a favorite in the 2028 race, but Kamala Harris will not be my candidate,” this person said. “I don’t think she would appeal to a swing voter, and we need swing voters to win.”

Others, including a few party leaders, deflected questions by citing a focus on this year’s midterm elections. Rep. James E. Clyburn (D-S.C.), who last year praised Newsom’s presidential prospects during a visit by the governor, said Tuesday that Democrats should be zeroed in on 2026.

“I’m not thinking about 2028, and if she were to call me I wouldn’t talk to her about it,” Clyburn told The Times when asked about Harris’ chances.

Enthusiasm for Harris and skepticism about her viability in 2028 aren’t mutually exclusive, said the former Harris fundraiser.

“A lot of people love her and also don’t think that she is the answer for 2028,” the fundraiser said.

The attitudes of the donor class and political elite may be at odds with those of regular Americans, particularly Black and working-class voters, the Democratic political consultant said. Few of the possible candidates have the potential to excite Black voters the way Harris does, he said.

If a candidate, whether Harris or someone else, makes a successful case that they can win, Black voters will be “strategic and optimistic enough” to rally around whoever it is, said Keneshia Grant, a Howard University political scientist.

But, she said, “I don’t think that they are going to take well to work by elites or the donor class to sideline Harris if there is no clear, reasonable, exciting, Obama-level, yes-we-can candidate instead of her.”

Harris speaks the Public Counsel Awards Dinner on April 29 in Beverly Hills.

(Frazer Harrison / Getty Images)

In recent weeks, Harris has spoken at a fundraiser in South Carolina, a party luncheon in Michigan and a dinner in Arkansas. On Thursday, she was in Nevada to rally Democrats ahead of the midterm primary.

She also joined other likely 2028 contenders at the Colorado Speaker Series in Denver and Sharpton’s conference, accepted an award from the nonprofit Public Counsel at a Los Angeles gala and addressed the National Women’s Law Center gala in Washington to a warm reception, as did Illinois Gov. JB Pritzker.

“She was inspiring, she was hopeful, she pushed back on Trump,” said Jay Parmley, chair of the Democratic Party in South Carolina, where Harris spoke at a party-hosted fundraiser in Greenville on April 15.

South Carolina, a key primary state, could help unlock Harris’ path to the nomination. If Black voters there boosted her to a win, she could build early momentum.

But Parmley said he believed she would have to “get over” the hurdle of convincing voters that she can beat the GOP.

“I don’t think it’s a given she wins here without work,” Parmley said. “She’s going to have to really visit with voters and work just like everybody else.”

Times staff writer Ana Ceballos in Washington contributed to this report.

A Frontier Airlines plane has hit and killed a person at Denver’s international airport, prompting the evacuation of passengers. Authorities say the man jumped a perimeter fence and ran in front of the plane as it was taking off to Los Angeles.

Like most of his música mexicana contemporaries, Diego Millán, better known artistically as Calle 24, sang about the excesses of living the rock star life — the money, the cars, the booze and the women.

Since signing with Street Mob Records — the independent label founded by Fuerza Regida frontman Jesús “JOP” Ortiz Paz — in 2020, the singer-songwriter has been responsible for hits like “Que Onda, ” which featured labelmates Chino Pacas and Fuerza Regida. The trombone-laced earworm about a deboucherous tryst was a breakthrough for Millán, reaching No. 61 on the Billboard Hot 100 after it debuted in August 2023.

These days, the 23-year-old Chihuahua-born artist is dialing down the glitz, opting for songs that aren’t about living the luxurious life.

“Money brings more problems,” Millán tells me inside an Italian restaurant at the Americana at Brand, Glendale’s monument to opulent consumerism. “Because the more money you have, the more things you have to support.”

In April, Millán released “Eterno,” his fourth studio album. The 15-track LP largely forgoes the boisterous brass section that’s become a staple in the genre in favor of stripped-down tracks about being disillusioned with newfound wealth (“10 de mayo”), his mental health (the gritty “Si Me Ven”) and romantic heartbreak and anguish (“Solo”). He also touches on a topic that might be too taboo to discuss: Mexico’s widespread systemic relationship of organized crime (“El Sentrita”).

Millán says this is the most authentic he’s ever been in his music, something he attributes to moving back to Mexico, a country he believes is deeply misunderstood and has profoundlyshaped his personality.

“[Mexico] is filled with deep values, strong ethics and a profound sense of social understanding,” he said.

While música mexicana artists might feel compelled to move to the states in search of fame and fortune, Millán now finds freedom in his native country — and through “Eterno.”

“Now, I can be myself,” he said.

The follwing interview was conducted in Spanish, and has been condensed and edited for clarity.

In “Solo” you talk about romantic loneliness. Why was that vulnerability important to include in this album?

I prefer to approach those themes from a more grounded perspective. With that song, I wanted to really open myself up to that feeling and express regret, that sense of loneliness that comes with saying “I screwed things up.” I feel that’s how you establish a deeper connection with your audience. After all, so many people out there don’t have luxuries or material things like that so how do you get to them? With emotion. A feeling that expresses regret, including with the phrase: “I know I’m a piece of s—, but you know that I love you.”

It reminds me of Joan Sebastian’s “Un Idiota,” in which the singer admits he still loves the person he wronged, and that he knows he messed up.

That’s what I wanted to do too, talk about the human experience and what it is. I wanted people to listen to it as they’re drinking, and all of a sudden that wave of feelings just hits you like a slap to the face.

The song “Si Me Ven” talks about burnout and the idea that money isn’t as fulfilling as one might think. Did you base it out of your own personal experiences?

This song fits like a ring on my finger. They say that money won’t make you happy and it’s true. In my case, I spent five years without seeing my family and missed many things.

On Instagram, you told fans: “I feel like I am more human than artist, I hope you all can understand. Sometimes I wake up wanting to do nothing, or sometimes asking myself what am I doing? Where am I going?” Do you feel drained by this career?

Of course [being a successful musician] is my dream, but I didn’t know all that it would entail. To this day, it has been draining, and there’s some days where I don’t feel like doing anything because I’m more of a person than an artist. There are some colleagues that do live life as if it were a movie, but I’m more of a homebody.

How do you make sense of the industry where part of the allure is tied to wealth, fancy cars and material goods?

I obviously love cars. Any normal person would love those types of things. And when you work hard, of course you fill the gaps you had when you were younger. But I don’t like putting it in people’s faces.

You say this, but your “Eterno” album cover shows you with a stack of money.

[Laughs] But there’s something curious about that cover. I was feeling down that day, there was just a lot of sadness around that time. Yet there I am, surrounded by all that stuff and that’s where the clash lies, you know? That contrast is what gives my album cover its depth.

Let’s talk about “El Sentrita.” The song contextualizes organized crime as a systemic issue. What prompted you to write about this topic?

I wanted to frame it as social commentary, addressing what has been going on in Mexico for decades, as well as the obstacles we face as artists who aren’t allowed to express ourselves or certain themes through music. Just as we were discussing right now, rap used to be how artists delivered social commentary through the medium of music. I would like to do that as well.

I figured if the government tells me I can’t sing a corrido, then I’ll use a corrido to offer them some criticism instead. You have to pay close attention to follow the character’s storyline as it unfolds. At the end of the song, it hits you, none of this would have happened if someone would have given him a chance. The goal was to raise awareness, to show that there are so many dreams within [Mexico] but they need to be given the opportunity to pursue them so that they don’t end up on the wrong path.

The music video for “El Sentrita” shows how one young boy gets roped into organized crime. It feels less of a choice and more a result of the system. Tell me more about this decision to give dimension to the character.

That’s the question: Who is the victim in this system? The way I saw it was that he was a good person who fell in with bad people and ended up becoming a bad person himself. If we look at it from a different angle, one where you don’t judge whether a person is good or bad, he was simply someone operating in that world out of necessity.

That’s when you have to question yourself and ask: how can we call someone a bad person when society leaves them with no other choice. I also wanted to do this to show young people that life in that world isn’t easy. Society right now is deeply damaged. This new generation of youth needs a lot of attention.

There is a phrase at the end of the song where you say, “You don’t sing about what you do, you sing about what you see.” What did you mean by that?

Because it’s not like we’re out there doing those things, you know? We aren’t engaging in any kind of criminal activity whatsoever. We simply sing, literally, about what we see, about what goes down in [Mexico] every single day. Because it’s not just some isolated incident; it’s something that happens constantly — day in, day out, without fail.

For the next week or so, in homes all over California, ballots will be arriving for the June 2 primary.

Since 2020, a ballot has been mailed to every active registered voter in the state — more than 23 million, by last count. The time to choose is drawing nigh.

In addition to the race for governor, Californians will vote in contests for seven other statewide offices, the Board of Equalization — which oversees the property tax system — and a great many congressional, legislative and local races, including the primary for Los Angeles mayor.

What’s a voter to do?

If you’ve waited your entire life for a candidate like Republican Chad Bianco, the Riverside County sheriff running for governor, or you’ve been jonesing to cast a gubernatorial ballot for Democrat Katie Porter from the moment she whipped out her famous whiteboard, the choice is easy. Fill out that ballot and toss it in the mail, stat! No postage needed.

“Don’t mess around,” said Paul Maslin, a veteran Democratic campaign strategist. (His candidate for governor, Betty Yee, quit the race late last month, so he’s a neutral observer at this point.)

“If you have pretty good inkling what you want to do,” Maslin urged, “vote.”

But if, like many, you’re not wed to a particular candidate, what then? If you’re worried about mailing in your ballot and then having some awful, Eric Swalwell-like revelations surface, or if you fret about wasting your vote by supporting someone who drops out before June 2, then what?

There are no do-overs in a California election. Once you’ve cast your ballot, you’ve made your choice. That’s it, however sorry you may be.

Which is why Republican strategist Rob Stutzman, who’s worked in California politics for decades, urged voters not to mail their ballot too soon. Like Maslin, he’s unaffiliated with any of the gubernatorial campaigns.

“It’s a slow-developing race,” Stutzman said of the contest for governor, the marquee attraction on the June ballot. “These are still relatively little-known candidates. There’s going to be a lot more campaigning to go in the weeks ahead. [So] unless you feel really strongly about somebody, I’d hang on to that ballot and see what happens over the next several weeks.”

Then again, with all the talk of clamping down on mail-in ballots and concerns about processing delays by a stretched-thin Postal Service, is there a danger of waiting too long to vote? What if your ballot arrives past the deadline to be tallied?

In March, the U.S. Supreme Court strongly signaled a likelihood it would require mail ballots to be received by election day if they are to be counted as legal. As it stands, California accepts mail-in ballots that were cast before the end of election day, so long as they arrive no later than seven days after.

The court seems unlikely to issue its ruling before the June primary — but that’s not guaranteed.

So is there a sweet spot, somewhere between voting in haste and having your ballot go to waste?

The Official Voter Information Guide, produced by California’s secretary of state, urges those voting by mail to “return your ballot … as soon as you receive it.”

But Kim Alexander, head of the nonpartisan California Voter Foundation, falls into the wait-a-bit camp. “Don’t vote too early,” she counseled, “because this is a very dynamic election.”

Once you’ve made up your mind, her best advice is to mail your ballot at least a full week before election day, which is May 26, to ensure it arrives on time to be processed and counted. If someone wants to drop their ballot off in person, either at a vote center or secure drop box, Alexander suggests doing so by May 30, which is three days before the election.

“The good news,” she said, “is that under a new state law … all county election offices will be open at least six hours on Saturday, May 30, for voters to come vote in person or to turn in their vote-by-mail ballots.”

Voting in person is an option right up until 8 p.m. on election day, even if you received a ballot in the mail. That applies everywhere in California, save for three sparsely populated, rural counties — Alpine, Plumas and Sierra — which conduct their elections entirely by mail. Bring your unused vote-by-mail ballot to your local polling place and swap it for a polling-place ballot you can use instead.

For procrastinators or those wanting to wait until election day to mail their ballot, they run the risk that it won’t be postmarked until after June 2. That means it won’t be counted, regardless of when it arrives at their county elections office.

“Voters who want to hold out as long as possible … ought to be planning to turn their ballot into a drop box or a voting site and not use the mail at all,” Alexander said.

Having spent decades working to make voting easier and elections safer and smoother, Alexander knows that voting by mail has made many people miss “the election day experience.” (Things like bringing the kiddos into the voting booth, or posing for selfies with an “I Voted” sticker.)

Her suggestion is to find other ways to mark the occasion.

“Help somebody else go and vote,” Alexander suggested, “or volunteer to help with an organization” running a get-out-the-vote operation.

“If you want to help election officials get ahead on the vote count” — a source of repeated upset as the country awaits California’s lagging results — “you can be part of the solution by getting your own ballot in just a little bit earlier.”

All of which sound like fine ideas. That way you can celebrate election day and make sure your ballot isn’t cast for naught.

NEW ORLEANS — A federal appeals court has restricted access to one of the most common means of abortion in the U.S. by blocking mailing of mifepristone prescriptions.

Friday’s unanimous ruling from a three-judge panel of the New Orleans-based 5th U.S. Circuit Court of Appeals is requiring that the abortion pill be distributed only in person and at clinics, overruling regulations set by the federal Food and Drug Administration.

The ruling, which is likely to be appealed to the U.S. Supreme Court, is the biggest jolt to abortion policy in the U.S. since the 2022 Supreme Court ruling that overturned Roe vs. Wade and allowed states to enforce abortion bans.

In the ruling, Judge Kyle Duncan, who was appointed by President Trump, agreed with the state of Louisiana’s contention that allowing the drug to be mailed there makes moot the state’s ban on abortion at all stages of pregnancy.

“Every abortion facilitated by FDA’s action cancels Louisiana’s ban on medical abortions and undermines its policy that ‘every unborn child is a human being from the moment of conception and is, therefore, a legal person,’” the ruling states.

Commonplace treatment

Mifepristone was approved in 2000 as a safe and effective way to end early pregnancies. It is typically used in combination with a second drug, misoprostol.

Surveys have found that the majority of abortions in the U.S. are provided via pills and that about 1 in 4 abortions nationally are prescribed via telehealth.

One survey of abortion providers last year estimated that more women in states where abortion is banned obtained abortions that way than by traveling to other states.

Some Democratic-led states have laws that seek to protect providers who prescribe via telehealth to patients in places with bans.

That rise in prominence is why abortion opponents have targeted the pills in legislation and litigation.

Little precedent

There is little precedent for a federal court overruling the scientific regulations of the FDA, and it wasn’t immediately clear how quickly or completely the decision would affect mailing of the drug throughout the country.

Judges have long deferred to the agency’s judgments on the safety and appropriate regulation of drugs.

FDA officials under Trump have repeatedly stated that the agency is conducting a new review of mifepristone’s safety, at the direction of the president.

The judges, all nominated by Republican presidents, noted in their ruling that the FDA “could not say when that review might be complete and admitted it was still collecting data.”

Because of rare cases of excessive bleeding, the FDA initially imposed strict limits on who could prescribe and distribute the pill — only specially certified physicians and only after an in-person appointment where the person would receive the pill.

Both requirements were dropped during the COVID-19 emergency. At the time, FDA officials under President Biden said that after more than 20 years of monitoring mifepristone use, and reviewing dozens of studies involving thousands of women, it was clear that women could safely use the pill without direct supervision.

GenBioPro, which makes generic mifepristone, said in a statement that the court’s decision “ignores the FDA’s rigorous science and decades of safe use of mifepristone in a case pursued by extremist abortion opponents.”

Broader impact

In a court filing, Louisiana’s attorney general and a woman who said she was coerced into taking abortion pills requested that the FDA rules be rolled back to when the pills were allowed to be prescribed and dispensed only in person.

A Louisiana-based federal judge last month ruled that those allowances undermined the state’s abortion ban but stopped short of undoing the regulations immediately.

Friday’s ruling is in effect as the case works its way through the courts and extends beyond Louisiana and other states with abortion bans.

Telehealth prescriptions have become common even in states where abortion is allowed — and the ruling blocks them there, too.

“This is going to affect patients’ access to abortion and miscarriage care in every state in the nation,” said Julia Kaye, an ACLU lawyer. “When telemedicine is restricted, rural communities, people with low incomes, people with disabilities, survivors of intimate partner violence and communities of color suffer the most.”

The National Right to Life Committee said the ruling “restores a critical layer of oversight” in women’s health.

“Women deserve better than an abortion-by-mail system that prioritizes ideology over safety,” said Carol Tobias, the group’s president.

Next step

Friday’s ruling sets up a likely appeal to the Supreme Court.

“I look forward to continuing to defend women and babies as this case continues,” Louisiana Atty. Gen. Liz Murrill, a Republican, said in a statement.

The conservative-majority high court overturned abortion as a nationwide right in 2022 but unanimously preserved access to mifepristone two years later.

That 2024 decision sidestepped the core issues, however, by ruling that the antiabortion doctors behind the case didn’t have legal standing to sue.

Representatives for the FDA and the U.S. Department of Justice did not immediately respond to requests for comment Friday evening.

In the meantime, antiabortion groups are celebrating Friday’s ruling. Marjorie Dannenfelser, president of Susan B. Anthony Pro-Life America, applauded the ruling as “a huge victory for victims and survivors of Biden’s reckless mail-order abortion drug regime.” She also criticized the Trump administration for taking time to conduct its own review of mifepristone, saying its slow movement has forced states to take action.

“Women and children suffer and state sovereignty is violated every day the FDA allows abortion drugs to flood the mail,” Dannenfelser said.

Mulvihill and Schoenbaum write for the Associated Press. AP writers John Hanna, Matthew Perrone and Lindsay Whitehurst contributed to this report.

WASHINGTON — Former FBI Director James Comey was indicted Tuesday in an investigation over a social media photo of seashells arranged on a beach that officials said constituted a threat against President Trump, according to a person familiar with the matter.

The person was not authorized to publicly discuss the matter and confirmed the indictment to the Associated Press on the condition of anonymity. The charge or charges against Comey were not immediately known.

It’s the second criminal case the Justice Department has brought against the longtime Trump foe, who said he assumed the arrangement of shells he saw on a walk, reading “86 47,” was a political message, not a call to violence. Comey is among multiple foes of the Republican president to come under scrutiny by the Justice Department over the last year, as acting Atty. Gen. Todd Blanche aims to position himself as the right person to hold the job permanently.

Comey was interviewed by the Secret Service in May after Trump administration officials asserted that he was advocating the assassination of Trump, the 47th president. Comey deleted the post shortly after it was made, writing: “I didn’t realize some folks associate those numbers with violence” and “I oppose violence of any kind so I took the post down.”

His lawyer did not immediately respond to a request seeking comment Tuesday.

Merriam-Webster, the dictionary used by the Associated Press, says 86 is slang meaning “to throw out,” “to get rid of” or “to refuse service to.” It notes: “Among the most recent senses adopted is a logical extension of the previous ones, with the meaning of ‘to kill.’ We do not enter this sense, due to its relative recency and sparseness of use.”

Trump, in a Fox News Channel interview in May, accused Comey of knowing “exactly what that meant.”

“A child knows what that meant,” Trump said. “If you’re the FBI director and you don’t know what that meant, that meant assassination. And it says it loud and clear.”

The fact that the Justice Department pursued a new case against the ex-FBI director months after a separate and unrelated indictment was dismissed will likely spark defense claims that the Trump administration is going out of its way to target Comey, who had overseen the early months of an investigation into whether the Republican president’s 2016 campaign had coordinated with Russia to sway the outcome of that year’s election.

The former FBI director was indicted in September on charges that he lied to and obstructed Congress related to testimony he gave in 2020 about whether he had authorized inside information about an investigation to be provided to a journalist. He denied any wrongdoing, and the case was subsequently dismissed after a judge concluded that the prosecutor who brought the indictment was illegally appointed.

Comey was the FBI director when Trump took office in 2017, having been appointed by then-President Obama, a Democrat, and serving before that as a senior Justice Department official in President George W. Bush’s Republican administration.

But the relationship was strained from the start, including after Comey resisted a request by Trump at a private dinner to pledge his personal loyalty to the president — an overture that so unnerved the FBI director that he documented it in a contemporaneous memorandum.

Trump fired Comey in May 2017 amid an FBI investigation into potential ties between Russia and Trump’s presidential campaign. That inquiry, later taken over by special counsel Robert Mueller, would ultimately find that while Russia interfered in the 2016 election and the Trump team welcomed the help, there was insufficient evidence to prove a criminal collaboration.

The department, for instance, is also pursuing a criminal investigation into former CIA Director John Brennan, another key figure in the Russia investigation — one of Trump’s chief grievances and a saga for which he and his supporters have long sought retaliation.

CNN was the first to report the second indictment against Comey.

Richer and Tucker write for the Associated Press.

WASHINGTON — President Trump was evacuated from the White House Correspondents’ Assn. dinner on Saturday evening after an incident led to a security response and reports that gunshots were fired.

A Times reporter attending the dinner was forced to shelter in a restroom. He said he heard about four to five gunshots around 8:30 p.m. Eastern time. He said security told him that the person may have had a firearm. It was unclear whether the person was dead or wounded.

Guests at the White House Correspondents’ Assn. dinner mingle while awaiting updates about a shooting during the event at the Washington Hilton Hotel on Saturday.

(Andrea Castillo / Los Angeles Times)

A presidential motorcade was spotted outside the Washington Hilton hotel at about 8:45 p.m., though Trump’s location is yet unknown.

At about the same time, an ambulance arrived on scene as about 100 event attendees were escorted out of the secured event. The bulk of the attendees are still inside the hotel.

This is a developing story and will be updated.

A man on an 8-hour long haul flight was left gobsmacked when he saw what his fellow passenger had brought to amuse himself with– and the viral video has racked up more than 85,000 likes

Most of us do everything we can to keep ourselves entertained on a flight, particularly on a long-haul journey. However, one man was left completely stunned when he spotted what his fellow passenger had brought along to pass the time.

Influencer Tonio Guajardo, who has 23,100 followers on Instagram, took to the platform to share a reel of the incident. The clip began with Tonio filming himself before panning the camera round to reveal the man sitting beside him. Overlay text on the video read: “This guy brought a 1,500 piece Lego set on our 8-hour flight.” His fellow traveller was filmed pulling the Lego pieces from a small bag before leafing through the instruction booklet to guide his build.

Further text stated: “He kept dropping pieces,” as the man was shown attempting his Lego set on the cramped aircraft tray table, repeatedly bending down to retrieve fallen bricks.

A subsequent update then read: “Six hours in and we weren’t even close,” as the passenger’s rather modest Lego progress was revealed.

In the caption, Tonio wrote: “No flight is THIS long.”

The post went viral and garnered more than 85,000 likes, with viewers thoroughly enjoying it.

One person joked: “All fun and games until the plane hits some turbulence.”

While another commented: “Honestly this is a game-changer for flights. One bag at a time.”

A third chipped in: “Lowkey I’m going to start doing this.”

Even the official Lego account joined in, asking: “How did he manage to fit all that in his carry-on?”

LEGO remains enormously popular across the UK, firmly holding its place as a top brand in an expanding toy market.

The British toy industry recorded its first growth since the pandemic in 2025, with overall sales hitting £3.9 billion. Building sets, largely fuelled by LEGO, emerged as the fastest-growing category, surging by 25% on the previous year.

A key factor behind LEGO’s lasting appeal is its ability to captivate multiple generations.

So-called “Kidults” (adults and teenagers over 12) now represent roughly one-third of all toy sales in the UK.