period

The epic period war drama has enthralled critics and audiences world-over, earning glowing praise from all quarters, with viewers comparing it to the brilliance of Gladiator.

Fans of iconic filmmaker Ridley Scott and his cult classic Gladiator are in for a treat, because there’s another film by the director that viewers feel is giving his OG period war masterpiece a run for its money. With a screenplay penned by Ben Affleck, Matt Damon, and Nicole Holofcener, the 2021 epic historical war drama has enthralled critics and audiences world-over, earning glowing praise from all quarters — and it’s streaming on Disney+ and Amazon Prime Video.

Viewers can’t stop raving about Scott’s 2021 film, The Last Duel, which stars Jodie Comer ( Killing Eve ) in the titular role, alongside Adam Driver and Damon. Affleck also has a supporting role in the movie, and the stars are joined by Harriet Walter, Alex Lawther, and Serena Kennedy to round out a stellar supporting cast.

Filmed in France and Ireland, Scott’s epic period drama is one that most people haven’t heard of, owing to its release during the height of the COVID-19 pandemic in October 2021.

Based on true events, the film’s official plot summary states: “Jean de Carrouges is a respected knight known for his bravery and skill on the battlefield. Jacques Le Gris is a Norman squire whose intelligence and eloquence make him one of the most admired nobles in court. The two knights must fight to the death after Carrouges’s wife, Marguerite, accuses Le Gris of assault. The ensuing trial by combat, a gruelling duel to the death, places the fate of all three in God’s hands.”

Garnering largely positive reviews from both critics and audiences, The Last Duel has made its mark, especially when it comes to the period war drama genre.

One critic said of the film: “A brutal, harrowing, intriguing, stunningly well-made film that will linger in your thoughts for quite some time.”

While another reviewer lavished praise on the director: “Ridley Scott delivers one of his best works in years with this brutal, righteous, superbly acted historical drama.”

A third critic said of the historical epic: “With the stakes set so high, Scott rises to the challenge and delivers a brutal, visceral ‘last duel’ with complex narrative designs and a phenomenal carousel of performances.”

While one reviewer simply declared: “Trust us when we say this is a cinematic epic.”

Audience reviews follow in a similar vein, with one fan saying: “A classic Ridley Scott’s work. A masterpiece.”

While another viewer writes: “Brilliant historic epic, beautifully filmed and captivating characters. If you like historical dramas, this is a great film for you”

A glowing IMDB user review of The Last Duel states: “Ridley Scott is the Master of this Genre for a reason. Best director you can find for this kind of visual storytelling is Ridley Scott, and believe me, he’s still top of his game. To be honest, I don’t think that Gladiator was a best picture because of Ridley’s effort, I think it was Russel’s incredible performance. But this movie shines because of Ridley’s awesome visual style.”

While another impressed audience member commented: “[Ridley] Scott certainly gives us a big, bloody and savage movie. Indeed of all his films, this could be the one most likely to appeal to fans of ‘Gladiator’. It’s a fantastic-looking film. There is so much about ‘The Last Duel’ that is smart, funny and totally unexpected that it just might turn out to be the most unlikely multiplex movie of the year.”

Another IMDB review of the period drama (and Ridley Scott’s brilliance) states: “This is, I think it could be argued, in the absolute top tier of Ridley Scott’s filmmaking oeuvre. More than that — and this might be more controversial, but I stand by it — I think it’s his best film, and that it isn’t close.

“This is a Rashomon-style multiple-viewpoints epic with lavish production values, superb acting across the board from a powerhouse cast, and supremely subtle and skilful directing. It is thoughtful, impactful cinema that should be part of the conversation about the best outings in historical filmmaking.”

The Last Duel is available to stream on Disney+ and Amazon Prime Video.

Huddersfield Town boss Liam Manning has left the club by mutual consent, two months after taking compassionate leave.

Manning stepped back from his role in March, with the League One side saying in a statement at the time that the decision was made after he “made the club aware of ongoing personal matters relating to the tragic passing of his newborn son Theo in October 2024”.

“I want to pay huge tribute to Liam today,” chairman Kevin Nagle told the club website.

“Stepping away from this role is the correct decision for him and his family, and that comes before absolutely everything else.”

The Ducks’ second-round playoff showdown with the Vegas Golden Knights has become a best-of-three series.

With a 4-3 victory Sunday before a raucous sold-out crowd at the Honda Center, the Ducks evened the series 2-2 as it heads back to Las Vegas for Game 5 on Tuesday. But it wasn’t easy, with the Golden Knights twice rallying from one-goal deficits, only to see the Ducks answer each time.

And the Ducks’ power play, so lethal in the team’s first-round win over Edmonton and so ineffective in the first three games of this series, finally found a spark, scoring goals in each of the first two periods.

The Ducks’ goals came from Beckett Sennecke, Mikael Granlund, Alex Killorn and Ian Moore. Pavel Dorofeyev, Brett Howden and Tomas Hertl scored for Vegas.

The Ducks were fast and physical in the early going, playing with an urgency they lacked in their Game 3 loss. They also did a better job protecting the puck and that paid off with the team’s first power-play goal of the series 8:43 into the first period.

Vegas had killed 11 penalties against the Ducks and 21 in a row dating back to Game 3 in their first-round series against Utah. But after Dylan Coghlan went off for interference, Sennecke teed up a slap shot from the top of the right circle for his fourth goal of the playoffs, putting the Ducks up 1-0.

The lead didn’t last long, however, with Dorofeyev evening things with a power-play goal of his own about a minute and half later. The goal, on a tip-in, was Dorofeyev’s fifth of the postseason.

Ducks defenseman Ian Moore celebrates with teammates after scoring in the third period of a 4-3 win over the Golden Knights in Game 4 on Sunday at Honda Center.

(Allen J. Schaben / Los Angeles Times)

Granlund put the Ducks back on top less than five minutes before the first intermission, taking a pass from Jeffrey Viel along the left-side boards and getting off a shot as he battled Vegas forward Cole Smith. The puck appeared to strike the blade of Smith’s stick as Viel let it go and that proved fortunate for the Ducks since the deflection fooled defenseman Noah Hanifin and goalie Carter Hart, who both let the bouncing puck tumble through them and into the goal.

That lead didn’t last long, either, with Howden tying things again for Vegas 4:04 into the second period. The goal, on the Golden Knights’ ninth shot, was Howden’s seventh of the playoffs, giving him a share of the NHL lead. Mitch Marner assisted on the first two Vegas goals, giving him a league-best 15 points in 10 postseason games.

However, Killorn scored the Ducks’ second power-play less than two minutes before the second intermission, putting the Ducks in front to stay. Moore doubled the lead 3:43 into the third, lining in a slap shot from well above the right circle.

The two-goal lead matched the largest of the series for the Ducks. Hertl cut that in half with 64 seconds to play after Vegas pulled their goalie for an extra attacker. But the Golden Knights got no closer.

Both teams have split their two games at home. The Golden Knights will have the home-ice advantage — if there is one — over the last three games since two are scheduled in Las Vegas.

Sunday’s win marked the sixth consecutive time the Ducks evened a playoff series it trailed 2-1 after three games.

Vegas played without winger Mark Stone, whose 28 goals were second-most on the team during the regular season. Stone, who had a goal and an assist in the first three games against the Ducks, is the team’s all-time playoff scoring leader with 79 points (39 goals, 40 assists) in 94 games. He sustained an undisclosed injury in the first period of Game 3 and his status for the rest of the series is unclear.

The period drama has now been split into four parts for the free streaming service.

A “masterpiece” period drama split into four parts is free to watch on BBC iPlayer.

The Count of Monte Cristo is a 2024 film based on the 1844 novel by Alexandre Dumas.

Starring Pierre Niney as Edmond Dantes, the tale follows the young sailor falsely imprisoned for treason on his wedding day.

Escaping more than a decade later from the fortress he is imprisoned in, he transforms into a wealthy Count and builds a new life under the fake identity.

Behind the mask, he sets out to get his revenge on those who betrayed him.

The synopsis reads: “Falsely accused, imprisoned for 15 years – now he’s out for revenge on those who wronged him. An epic drama of betrayal, love and vengeance starring Pierre Niney.”

The 2024 film has been split into four parts for BBC iPlayer after becoming a huge hit when it first premiered.

One fan hailed it an “excellent adaptation from the beautiful novel, with another calling it “absolutely terrific”.

One viewer branded it a “masterpiece”, while someone else said: “I truly loved this movie and I am not an avid movie watcher, easily one of the best movies I’ve ever seen.”

“A dream come true for Monte Cristo fans,” one said, as another review was titled “Absolutely stunning”.

“Go out of your way to see this one,” one viewer advised, while someone else called it “unmissible”. They continued: “I was absolutely captivated by the film from start to finish. Every moment kept me on the edge of my seat, and I wasn’t bored for a single second.”

“A gorgeous modern production of timeless epic,” another person said, while one fan called it “spectacular”.

Despite the widespread praise, French actor Pierre Niney previously admitted he was “pessimistic” about the project at the start.

He told Forbes: “I remember thinking ‘It’s not going to be made, they’re not going to find the money’. It would take people crazy enough to embark on a 1200 pages book to make one movie.

“So I was pessimistic at the start, thinking it was too good to be true. And actually it’s even better than what I had imagined, so it will stay engraved in my memory forever.”

The Count of Monte Cristo is available to watch on BBC iPlayer.

This captivating period drama has had viewers binge-watching all ten episodes after just one week

A brand new period drama adaptation has arrived on BBC iPlayer, and viewers are already captivated.

The Lady Grace Mysteries is a collection of children’s detective fiction novels, originally penned by English author Patricia Finney, before Sara Volger and Jan Burchett later came aboard as co-authors.

Written in diary format, the story centres on Lady Grace Cavendish, a maid of honour to Queen Elizabeth I, who sets out to unravel a series of mysteries within the royal court.

The series comprises 12 books in total, with the earliest releases regarded as the most beloved titles. These include Assassin, Betrayal, and Conspiracy – published in 2004 and 2005. The final instalment, Loot, hit shelves in 2010.

Now, audiences can immerse themselves in the 16th-century royal court as the beloved books have been brought to life in a new BBC adaptation. The “vibrant” new drama breathes excitement, humour and intrigue into Queen Elizabeth I’s court, appealing to younger viewers, as well as older fans who grew up devouring the books, reports the Liverpool Echo.

“The series introduces 14-year-old Grace Cavendish, a spirited lady-in-waiting with a sharp mind, a strong sense of justice and one enormous secret: she is the Queen’s top secret teenage spy,” reads the official synopsis for the series.

“Moving through the glittering but treacherous world of the Tudor court, Grace must juggle her official duties with undercover missions as she tackles everything from stolen crowns and mysterious hauntings to political plots and deadly traitors hiding in plain sight (Claudia Winkleman not included).

“With picture perfect palaces, sweeping gardens, secret passageways and lavish royal celebrations, The Lady Grace Mysteries brings the Elizabethan Golden Age to the screen in a way that feels both authentic and fresh. Alongside her best friends, Ellie, a fearless scullery maid, and Masou, an ambitious young actor, Grace’s world is packed with daring escapades, heartfelt friendships and relatable teenage drama, just with more ruffs, royal balls and assassination attempts.”

Sarah Muller, Head of Commissioning 7+ at the BBC, commented: “The Lady Grace Mysteries is everything we love in co-viewing a series: it’s warm, funny and full of adventure, with a brilliant young heroine at its heart.

“It blends mystery, history and big emotional stories in a way that feels fresh and exciting for today’s audience, while giving parents and grandparents something richly nostalgic and visually spectacular to enjoy too. We’re so proud of this show and can’t wait for families to discover Grace’s world together.”

Evie Coles takes on the role of Grace, with Rebecca Scott portraying Queen Elizabeth I. The cast further features Carys John, Twinkle Jaiswal, Rafael Alessandro, Georgia Farrow, and Fintan Buckard. All ten episodes of The Lady Grace Mysteries dropped on BBC iPlayer earlier this month (April 20), with viewers already devouring the entire series in one sitting.

Numerous fans have taken to social media to express their enthusiasm, with one user posting on X (formerly Twitter): “The Lady Grace Mysteries are heaps of fun.”

Another chimed in: “It’s actually a kids show but I’m liking the teenage spy at the Elizabethan court. Great fun with FAB costumes. Each character has their own colour scheme, Lady Grace in greens, the Queen in orange/gold, another in purple, one in blue. NICE!”

The official CBBC Instagram account also enthused: “If you like and miss Malory Towers… we’ve got you! Brand new series, with familiar faces… #TheLadyGraceMysteries is available right now.”

The Lady Grace Mysteries is available to stream on BBC iPlayer

Fans of The Other Bennet Sister looking for their next period drama fix should watch the BBC’s gripping sequel to Pride and Prejudice available on iPlayer

The Other Bennet Sister has made a significant impression on period drama fans but as they complete the first and only season, they’re desperately searching for another Jane Austen tale.

Within the same universe Austen crafted, they can opt to watch Death Comes to Pemberley, a narrative that begins exactly where Pride and Prejudice concluded.

Much like the 2026 series, The Other Bennet Sister, this 2013 standalone series is also a follow-on from Jane Austen’s Pride and Prejudice, penned by a different author.

It’s adapted from P.D. James’s 2011 novel, which employs the same characters and style of the original 1813 work.

Over three episodes, it pursues a murder mystery angle, featuring the characters that Austen devotees recognise and adore but in a somewhat different setting.

The Guardian said its production was “respectful” of Austen’s iconic work while managing to “stand out” and be its own “very different” entity.

Though it also shares similarities with the Pride and Prejudice adaptation, as Chatsworth House in Derbyshire served as the exterior location for Pemberley. This was the identical setting used for the estate in the 2005 film.

A viewer headed to IMDB to post their assessment of Death Comes to Pemberley, stating: “If you are like me and enjoy your Pride and Prejudice and a good murder plot, then you would love this series!”

They continued: “Elisabeth in particular is just like I would have imagined; she is the same spirited, outspoken person we know and love, while Darcy is more brooding, quiet and responsible (while I may have chosen other actors in terms of appearance, I think they portray the characters very well as reactions).”

A PopMatters critic also weighed in, writing: “Death Comes to Pemberley, a sequel to Jane Austen’s Pride and Prejudice by P.D. James, is a worthy addition to Austen’s original, and the BBC adaptation makes that case wonderfully.”

Set in 1803, the drama kicks off six years after the wedding of Mr Darcy and Elizabeth Bennet, when a mysterious disappearance unsettles the entire community. Wickham and Denny quarrel before departing in a horse and carriage, and shortly afterwards, two gunshots ring out.

Upon being informed of the incident and the two men’s disappearance, Darcy dispatches a search party. They find Wickham frantically clutching Denny’s lifeless body, setting in motion the tale of how this devastating death came about.

Naturally, venturing into Austen’s world carries considerable weight, as the cherished author’s work is regarded as sacred by legions of devoted fans.

As a result, the series has faced its fair share of criticism over its depiction of certain Austen characters which have since been reimagined by other writers.

One critical IMDB reviewer wrote: “When you use well-known and loved characters from something as famous as Pride and Prejudice, they should at least stay faithful to their original characters. Which it does, mostly, but the portrayal of Elizabeth Bennett was just really off.”

Anna Maxwell Martin takes on the role of Elizabeth, alongside Matthew Rhys as Fitzwilliam Darcy, Jenna Coleman as Lydia Wickham and Matthew Goode as George Wickham.

For those seeking their next Austen-inspired drama, this compact three-episode series makes for an ideal binge-watch; Death Comes to Pemberley is currently available to stream on BBC iPlayer.

The movie is beloved by viewers and critics with a 97% score on Rotten Tomatoes

A historical post-war film has been hailed as “one of the most beautiful movies ever made.” This film follows a young Irish woman who is torn between two worlds in the 1950s. Critics and audiences alike have praised its emotional precision and timeless appeal.

Boasting an impressive 97% on Rotten Tomatoes, Brooklyn (2015) is the perfect weekend watch. It is now available to stream for free on BBC iPlayer. However, viewers only have 19 days left to catch the film.

In the 1950s, young Irishwoman Eilis Lace (played by Saoirse Ronan) leaves her small hometown for a new life in Brooklyn, drawn by the promise of opportunity in America.

Though she initially struggles with homesickness, she gradually adapts. Eilis eventually falls in love in Brooklyn, and embraces her independence.

However, a sudden family emergency calls her back to Ireland, where she becomes entangled once again in the life she left behind.

Caught between her past and her future, Eilis must choose between two countries and the very different lives each offers.

Reviews

“In short, Brooklyn is one of the very best films of the past decade and worth looking back on,” wrote Dave Giannini for InSession Film.

Giving the film a five out of five, Don Shanahan from Film Obsessive shared: “Brooklyn is a forthright, approachable, and esteemed historical drama where the dignity and honesty soar to heavenly heights to shine on the plights of love and independence.”

Audience members also raved about this film. One said: “Beautiful story. One of the best movies. Moving.” Another added: “Beautiful classic in every sense of the word. Outstanding performances. Atmospheric joy. Don’t miss it.”

A third wrote: “It’s a masterpiece, and profoundly moving, especially if you’re an immigrant yourself. The closing is one of the most beautiful romantic scenes ever. In my opinion.”

Lastly, someone said: ” One of the most beautiful movies ever made. Colours, music, and reticence punctuate throughout. I have watched the scene in the dining room of the church 7,351,212 times.

“The man sings, the actress recognises brilliance amidst shuffles and anonymity, and then the director cuts to her chaperone listening to a radio. So god**** brilliant.”

You can now watch Brooklyn on BBC iPlayer by clicking here.

RISING fuel costs linked to the war in Iran have forced a major airline to slash more than 100 flights – including services to and from London.

Dutch company KLM is axing 160 flights across Europe over the next month as soaring fuel prices pile pressure on the industry ahead of the busy summer period.

The cuts will hit routes in and out of Amsterdam’s Schiphol Airport, with departures and arrivals split evenly .

Despite the disruption, the airline insists there is no shortage of jet fuel, saying the move is purely down to spiralling costs.

A KLM spokesperson said: “Passengers affected by these changes will be rebooked onto the next available flight.

“As these are destinations KLM serves multiple times a day, such as London and Düsseldorf, travellers can usually be accommodated quickly.

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“KLM expects a busy May holiday period and is making sure passengers can travel to their holiday destinations as planned.”

KLM’s flight cancellations comes after the head of the International Energy Agency Fatih Birol said mass flight cancellations will begin “soon” if the Strait of Hormuz remains closed.

“In the past there was a group called ‘Dire Straits.’ It’s a dire strait now, and it is going to have major implications for the global economy”, Birol told AP.

Adding: “And the longer it goes, the worse it will be for the economic growth and inflation around the world.”

Birol’s deadline means airports could face critical fuel shortages by May, causing travel chaos for Brits heading abroad during the school May half-term holidays.

Oil prices have soared since the start of March after Iran closed off the Strait in response to US-Israeli forces bombing.

The Persian Gulf chokehold sees around 40 per cent of the world’s jet fuel supply pass through.

It comes after ACI Europe, which represents European airports, said the key trade route must open within three weeks or fuel reserves will run drastically low on Friday.

A number of airports in Italy have already warned that they were running out of fuel.

According to local reports earlier this week, Brindisi-Casale Airport confirmed that Jet A1 fuel was not available for a short period of time.

And British Airways has announced it will permanently axe its service from London Heathrow to Jeddah in Saudi Arabia from April 24.

The airline had been operating a four flights a week service since November 2024.

But a shift in demand, due to the conflict in the Middle East, has led to the airline terminating the service.

KLM stressed the cancellations make up just one per cent of its European schedule.

But the move will still spark concern for Brits planning trips abroad as airlines battle rising operating costs.

It comes as carriers across Europe scramble to balance the books amid the fuel crisis.

Earlier this month, UK airline Skybus pulled the plug on all future flights between London Gatwick and Newquay.

The route, which launched in November 2025, had been backed by Cornwall Council and the Department for Transport under a public service scheme due to run until the end of May.

However, a slump in passenger numbers combined with higher fuel costs forced the airline to ground the service early, with its final flights taking off on April 2.

The latest cuts raise fresh fears of further disruption for holidaymakers as the peak summer season approaches.

Meanwhile other vital UK services could also face shortages if a deal to end the Middle East war is not struck soon.

Medicines UK, which represents companies making 85 per cent of NHS prescriptions, said NHS patients could face prescription shortages within weeks.

This could place “significant pressure for the NHS as early as June”, the organisation warned.

And Brits could even face shortages of supermarket staples such as beer and meat as officials fear the blockade of the Strait could cut vital carbon dioxide supplies.

CO2 is used in food packaging to improve the shelf life of salad, packaged meats and baked goods – and also slaughtering nearly all pigs and most chickens.

Tim Lang, professor of food policy at the University of London, who has been a member of several government bodies including the UK Council of Food Policy Advisors, told The Sun that the UK has “next to no food storage”.