Centre back William Saliba won’t require surgery for injury sustained at World Cup, his club says.
Published On 23 Jul 202623 Jul 2026
Arsenal defender William Saliba will be sidelined for an extended period after suffering a back injury while playing for France during the 2026 FIFA World Cup, the reigning Premier League champions say.
Saliba was hampered by the injury throughout the tournament in North America, limiting his training. He was substituted in the first half of France’s 2-0 semifinal defeat by Spain and missed the 6-4 third-place playoff loss to England.
“Subsequent specialist reviews on William’s return to London this week have confirmed that he has suffered a back injury which will require a period of rehabilitation,” Arsenal said in a statement on Wednesday.
France’s William Saliba shakes hands with coach Didier Deschamps after sustaining an injury and being escorted off the pitch [Marco Bello/Reuters]
“Extensive assessments have concluded that surgery is not recommended, but William should now commence a managed recovery programme.
“Everyone is fully focused on supporting William to ensure he is back to full fitness as soon as possible.”
Saliba made 50 appearances across all competitions for the North London club last season as the Gunners ended a 22-year wait to win the Premier League title and also reached the Champions League final.
As the first Muslim family to live in Albert Square since the Karims in the late 80s, and the first Asian family since the Ferreiras in 2003, the Masoods brought a fresh perspective to the long-running BBC soap, and they quickly rose in popularity.
In 2016, after nearly a decade, Himesh decided to leave his role on EastEnders to pursue new opportunities in his acting career. It seems to have been a very wise decision, as he is now a movie star with his latest role in the blockbuster movie The Odyssey.
Who is Himesh Patel in The Odyssey?
Sir Christopher Nolan’s new movie, an adaptation of Homer’s Ancient Greek epic, stars Matt Damon as Odysseus, the Greek King of Ithaca, on his perilous 10-year journey home after the Trojan War.
The highly anticipated film, released on Friday, July 17, is the first-ever feature film shot entirely with IMAX cameras.
It has brought in a huge $264.1million (£196m) worldwide in its first weekend, surpassing the $249million (£185million) opening of The Dark Knight Rises (2012), which went on to be Nolan’s highest-grossing film, exceeding $1billion.
In the film, Patel plays Eurylochus, Odysseus’ trusted second-in-command. He’s not only fiercely loyal, but he also calls out Odysseus and serves as his conscience as they try to make their dangerous trek home to Ithaca.
The Odyssey features a star-studded A-list cast alongside Himesh and Matt Damon, including Zendaya, Tom Holland, and Robert Pattinson.
“Everything I’ve done in the last seven to eight years has been beyond my wildest dreams, but this movie was such a singular experience,” Himash told the Radio Times.
“There is only one guy who makes movies like this. I don’t know where my career is going but even if I have the privilege of working with Chris [Nolan] again, it won’t be this story, it won’t be this sort of thing.”
Since his EastEnders exit, Himesh has taken on significant roles in several notable films, including Danny Boyle’s Beatles-inspired film Yesterday (2019) and Christopher Nolan’s time-manipulating film Tenet.
In addition, he played the part of Jennifer Lawrence’s character’s romantic partner in the Netflix disaster film Don’t Look Up.
What are viewers saying about The Odyssey?
The Odyssey has already received rave reviews, and taking to Rotten Tomatoes, one viewer dubbed the movie “phenomenal”, while another added: “This is a cinematic masterpiece. Guaranteed Oscars sweep this year!”
A third chimed in: “Film. Of. The. Year. Possibly the decade”, while another added: “A cinematic masterpiece”, while another added: “Got to be one of the best adaptations of all time.”
“The Odyssey is an absolute masterpiece and my favorite movie of the year so far. Christopher Nolan delivers a visually breathtaking epic that had me glued to the screen from beginning to end,” added another.
The Odyssey is available to watch in various cinemas across the UK
The ‘outstanding’ historical drama, adapted from a best-selling book series, has been dubbed ‘highly addictive’ by fans who are calling it ‘a treat to watch’ — streaming free on Channel 4
The ‘addictive’ series has been hailed as ‘tremendously entertaining’(Image: BBC/Company Pictures & ALL3MEDIA/Ed Miller)
The series, originally developed for the BBC, delves into Britain’s history and is based on real events that took place in the 1400s in the tumultuous battle for the throne of England. With the War of the Roses as the backdrop of the historical drama, the series takes a closer look at real-life incidents and the drama surrounding court politics at the time.
The period drama is based on author Philippa Gregory’s Cousins’ War book series and has been adapted from three best-selling novels — The White Queen, The Red Queen, and The Kingmaker’s Daughter.
The costume drama is an amalgamation of stories, characters, and instances from all three books and follows the story of three women — Yorkist Elizabeth Woodville, wife of King Edward IV and played by Rebecca Ferguson; Lancastrian Margaret Beaufort, mother of the Tudor King Henry VII of England and portrayed by Amanda Hale; and Yorkist Anne Neville, wife of the Duke of Gloucester, King Richard III, portrayed by Faye Marsay.
Elizabeth Woodville is the protagonist of the 2009 novel The White Queen, while Margaret Beaufort and Anne Neville are the focus of The Red Queen (2010) and The Kingmaker’s Daughter (2012) respectively. These three women appear in the three novels which constitute the screenplay of this underrated television drama which first hit UK airwaves in June 2013.
The series has been on the receiving end of glowing reviews from both critics and audiences.
One critic says of the show: “As a love story set in an impossibly chivalrous past, this was deliciously enjoyable. The conflict between the houses of Lancaster and York ceased to matter — the crucial conflict was between Innocence and Experience.”
While another reviewer writes: “Part soap opera, part war film, and part melodrama, this series is an intoxicating jaunt through a snippet of British history fraught with contentious loyalties and lethal power struggles.”
A third critic said: “It’s a great tale and beautifully told with beautiful actors…Don’t miss it.”
One viewer posted to IMDB: “Fantastic!! The BBC, like most of their period piece dramas, got this series right. It is highly addictive and very watchable. The White Queen has everything an avid audience for this type of show craves; It is romantic; It is violent; It is full of vengefulness, cruelty and karma. I thoroughly enjoyed it and wanted more.”
While another fan of the show added: “Excellent period drama! BBC does it again! I came across this title by accident and I ended up watching the first four episodes! I love the love story, the drama, the betrayal. Truly a treat to watch! I really enjoyed it, I found the actors to be truly convincing, the decor lovely and the storyline engaging!”
Another IMDB user review reads: “I’ve read the 3 books, The White Queen, The Red Queen and The Kingmaker’s Daughter, and this series is one of the most faithful adaptations I have ever watched.
“The portrayal of the Tudor and Lancastrian England, the life and politics of the feudal society, how Kings and Queens and Great Royal Houses were made or unmade with in fire and blood, and the brilliance and fortunes of Edward’s court, with some artistic license from Philippa Gregory, make for a very compelling watch.”
While one audience review of the show on Rotten Tomatoes states: “I absolutely loved this mini-series. Gorgeous costumes, realistic scenery, intrigue, treachery, lies, unexpected twists and a torrid love story. Seriously, what more could you ask for?”
The White Queen is available to stream for free on Channel 4.
The synopsis reads: “Britain looks almost normal, but the flags are different, the news is careful, and nobody says certain things out loud anymore. But everyone can feel it. Somewhere beneath the surface of ordinary life, something has gone terribly, quietly wrong.
“Out of the shadows emerges a former soldier known only as Berry, who starts building a secret resistance network. He knows one thing above all else: don’t act before you’re ready.”
An unlikely band of individuals, comprising a soldier, student, journalist and radiographer, gradually gathers around him as they conclude they can no longer turn a blind eye.
The synopsis continued: “Ordinary people, with ordinary lives, making an extraordinary and irreversible choice. Against them: a state with unlimited reach, a ruthless minister who’ll do whatever it takes to maintain “order”, and an American intelligence operative called Jessie, who is very, very good at her job.
“Army of Shadows is a tense, propulsive thriller about what resistance actually costs. If your country were occupied, what would you do?”
The broadcaster has confirmed that production has kicked off across Liverpool, Manchester, London and Paris.
Billed as ‘provocative’, Army of Shadows draws from Jean-Pierre Melville’s 1969 film and Joseph Kessel’s landmark novel of the same name.
Penned by Ronan Bennett, Army of Shadows charts how resistance begins to take hold in an occupied Great Britain during the Second World War, reports the Liverpool Echo.
Discussing the upcoming drama, Interim Head of Drama at Channel 4, Gwawr Lloyd, expressed their enthusiasm while applauding the ‘stellar cast’ signed up for the series.
They said: “Ronan Bennett has created a gripping, provocative and action-packed drama that feels both epic in scale and strikingly relevant. Army of Shadows asks powerful questions about freedom, resistance and the choices people make when democracy is under threat.
“With a stellar cast lined up under the direction of Lisa Gunning, this is exactly the kind of thought-provoking and high-stakes drama that Channel 4 looks to bring to our viewers.
“We’re delighted to partner with STUDIOCANAL and Two Cities Television on what promises to be an unmissable event series.”
Channel 4 has confirmed that additional information regarding the show’s broadcast date will be revealed in due course.
The ‘beautiful’ BBC period drama is perfect for fans Jane Austen and is based on a literay classic.
2005’s Pride and Prejudice stars Keira Knightley and Matthew Macfadyen(Image: Publicity picture)
Pride and Prejudice fans have been encouraged to rediscover a “brilliant” overlooked period drama.
The sweet romance on Prime Video, situated in the mid-19th century, has earned acclaim for its “beautiful” landscapes and “heartwarming” narrative.
Originally broadcast on the BBC in 2005, the production boasts a stellar ensemble headed by Miss Austen’s Keeley Hawes. Additional cast members include The Crown’s James Murray, Inside No. 9 actor Steve Pemberton and Lark Rise to Candleford star Ben Miles.
Now that the film has become available to stream, audiences have been revisiting the adaptation based on Thomas Hardy’s celebrated novel of the same name.
Under the Greenwood Tree marks the second published work by the English writer Thomas Hardy, initially released anonymously in 1872, reports the Express.
It chronicles the tale of a romance between schoolmistress Fancy Day (Hawes) and church musician Dick Dewey (Murray).
The official synopsis reads: “In this lighthearted romance from Victorian novelist Thomas Hardy, the beautiful new village school teacher is pursued by three suitors: a working-class man, a landowner, and the vicar.”
Helmed by Nicholas Laughland, the production carries a 6.9/10 rating on IMDb and appears not to have received extensive critical assessment at the time of its release.
Audiences have flocked to IMDb to express their admiration for the overlooked period drama, describing it as ‘brilliant’ and ‘perfect comfort viewing’.
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TV lovers can get 30 days’ free access to tantalising TV like The Boys, Reacher and Clarkson’s Farm by signing up to Amazon Prime. Just remember to cancel at the end and you won’t be charged.
One viewer wrote: “In the tradition of Pride and Prejudice, Sense and Sensibility, there is the mix of position, miscommunication, and the delightfulness of authenticity of period. A treat to watch. The acting, script, and setting all played well together. If you adore period romances, then this should go on your list to watch.”
Another fan gushed: “Superb. This film, although made for TV, will be a classic, just like the 1995 Pride and Prejudice directed by Simon Langton. The sets seemed remarkably authentic, and all the cast were excellent […] I have watched it 3 times in two days.”
A third viewer reflected: “The scenery was stunning, the plot had depth and kept me and my family gripped throughout. I thoroughly recommend it to anyone with a warm heart, as it certainly warmed mine.”
“Beautiful film in every way, from the classic Thomas Hardy novel,” another viewer said, while a further admirer agreed: “A thing of beauty and wonder.”
However, not everyone was won over by the film, with one critic labelling it a ‘big let down’ and another commenting: “I usually don’t like Hardy’s stuff… I guess that continues.”
Under the Greenwood Tree is streaming now on Prime Video.
Jane Austen’s most famous novels have been adapted numerous times, but one film adaptation is widely praised as one of the best.
Kelly Reilly stars in the iconic film(Image: UNIVERSAL PICTURES)
Period drama fans need to clear their diaries this weekend for a Jane Austen classic.
Devotees of period dramas and Jane Austen classics are being urged to set aside time as a “simply excellent” Austen reimagining is being broadcast free-to-air. Pride & Prejudice stands as one of Austen’s most celebrated novels and the 1813 masterpiece has been brought to screen on countless occasions.
The narrative charts the tempestuous relationship between Elizabeth Bennet and Mr Darcy and the ramifications of rash judgements.
In 2005, a period romance film featuring Keira Knightley and Matthew Macfadyen in the principal roles was released and it garnered widespread critical acclaim from audiences at home. The 2005 Pride & Prejudice film is being shown on BBC Two this Sunday, July 12, having recently departed Netflix.
Screenwriter Deborah Moggach dedicated more than two years to crafting the script, creating approximately 10 different drafts.
Actress Knightley also disclosed on The Graham Norton Show that she hadn’t been an obvious contender for the leading role, as director Joe Wright believed she was “too pretty”.
Despite considerable uncertainties surrounding the film and some criticism from reviewers, Austen devotees have proclaimed it among the finest adaptations to date.
In July 2025, the film appeared in the Readers’ Choice edition of The New York Times’ list of The 100 Best Movies of the 21st Century.
Enthusiasts turned to IMDb reviews to voice their opinions, with one declaring it an “emotional masterpiece”, stating: “Pride and Prejudice was the best movie I’ve seen in a very long time, if not the best I’ve ever seen.
“It captured the very essence of Jane Austen’s brilliant novel. In fact, I enjoyed the movie more than the book itself. Everything about the movie was perfect.
“This movie is a work of art, an emotional masterpiece. Watching this movie was actually a life-changing experience.”
Another viewer described it as “absolutely perfect”, sharing: “This Pride and Prejudice adaptation perfectly captured the wit, the intelligence, the passion and the romance of Jane Austen’s classic.
“The 1995 mini is fabulous, and I have watched it many times, but I have always been frustrated that while it got so much of the dialogue and the detail right, it somehow fell flat on some of the more subtle dynamics of the novel. But this movie adaptation has captured what has before been missing!”.
A final fan labelled it “simply excellent”, sharing: “Loved this movie. It’s simplicity that empowered every possibility for imagination. The music, the natural scenes, the arts, and every honest soul in the movie made this film alive.”
Pride & Prejudice is being broadcast on BBC Two this Sunday, July 12, at 4.25pm.
An ‘exquisite’ period romance adaptation is available for free on BBC iPlayer and fans say it’s the best version of this classic tale
‘Mesmerising’ period drama on BBC iPlayer fans say is ‘exquisite’
The iconic tome has been adapted many times over the years – could this be the best?
BBC iPlayer is currently hosting a “masterpiece” adaptation of a much-loved classic novel, available for just one more month. Having aired on Sunday 5th July on BBC Two, the 1943 adaptation of Charlotte Brontë’s Jane Eyre can be streamed on the platform for the next 29 days.
Widely regarded as one of the greatest novels ever penned, this enduring story follows a young woman who, after losing her parents at an early age, is dispatched to a harsh boarding school. A decade on, she takes up a position as a governess to a young girl, the ward of the mysterious and imposing master of Thornfield Hall.
Little by little, she finds herself falling for her unpredictable employer, all while beginning to unravel his deeply buried secrets.
Helmed by Robert Stevenson, best known for directing Disney’s much-cherished Mary Poppins, this underappreciated Gothic romance from Hollywood’s golden age features Joan Fontaine as Jane and Orson Welles as Mr Rochester.
Film enthusiasts have long maintained that it stands amongst the finest screen adaptations of Brontë’s novel ever committed to film. It’s an absolute must for viewers who have lapped up recent period romances such as Wuthering Heights and The Other Bennet Sister, or are eagerly anticipating the forthcoming versions of Jane Austen’s Sense and Sensibility and Pride and Prejudice, reports the Express.
One glowing 10/10 review from an IMDb user declared that, while other renditions of Jane Eyre are equally stunning, fans should “see this to be fully satisfied”.
“This is simply an exquisite film,” they continued. “Film-making at its best in every respect; and while not as letter-perfectly definitive as the 1983 miniseries, I feel it is overall the best, truest version of JANE EYRE.”
Another film enthusiast commented: “While not staying completely true to the book, this is still the best version of Jane Eyre ever made.
“Joan Fontaine is plain but still beautiful and Orson Welles is absolutely powerful and alluring. The chemistry these two share is on screen phenomenal.”
As if that weren’t sufficient, they added: “The scene where they kiss is the most powerful and most beautiful kiss I have ever seen.”
Someone else declared it “A masterpiece!” and wrote: “Magnificent is the only word that can be applied to this remarkable film. It represents Hollywood’s ability to make the occasional brilliant movie when all aspects of the film-making craft come together in such talented union.
“I first saw this film as a very young child, and it gripped and enthralled me then as it still does all these years later. Romantic, gothic and mesmerising, it is as near faultless as it is possible for any movie to be.”
And one final admirer went even further, gushing: “In my opinion, this is the best movie ever made. It’s sweet and romantic, and true to the book. Joan Fontaine is great as the title role, and I think this is Orson Welles in his finest performance.”
Period drama enthusiasts should make certain this gem is at the top of their watchlist before it ceases to be available free of charge at the month’s end.
A highly divisive period drama starring Taylor Swift is currently available on Netflix as the hitmaker weds Travis Kelce in New York
Taylor Swift’s ‘painful to watch’ period drama is on Netflix (Image: GETTY)
It has its fair share of defenders but scored just 32 percent on Rotten Tomatoes.
A 2022 period drama with an all-star cast including pop star Taylor Swift is currently available to stream on Netflix – but it’s not some of the star’s most acclaimed work.
The 1989 chart-topper has just tied the knot with Kansas City Chiefs tight end Travis Kelce on Friday, July 3 at a lavish ceremony in Madison Square Garden in New York.
Attended by around 1,000 guests and officiated by Hollywood A-lister Adam Sandler, it’s become one of the most publicised celebrity weddings in history.
For those looking to Netflix for their Swiftie fix to mark the occasion, you can currently stream her acclaimed behind-the-scenes documentary Miss Americana, a Netflix Original released in 2020.
However, she is also known for infrequent movie roles, including the critically maligned musical Cats and lending her voice to animated film The Lorax.
Her only acting role currently streaming on Netflix in the UK may be a surprise to fans as it’s David O Russell’s critical and commercial flop Amsterdam, a mystery thriller set in the 1930s.
Based on the real-life Business Plot case from 1933, an investigation into the death of a retired US general, Swift has a supporting role as Elizabeth Meekins alongside an all-star cast that also includes Christian Bale, Margot Robbie, John David Washington and Anya Taylor-Joy.
Made on a budget of $80 million (£59 million), it was a box office bomb for 20th Century Studios with an estimated loss of more than $100 million (£74.9 million).
While it was critically panned, Amsterdam does have some defenders with one fan even claiming: “An instant classic. Given time, it will be regarded as one of the greatest films ever made. The cast is outstanding.
“I can’t remember ever seeing so many talented actors in one film like this before. Everyone brought their A-Game and absolutely nailed their respective performances.”
Unfortunately, not everyone shares their opinion as a Rotten Tomatoes user branded the film “A confused mess that was painful to watch”.
“An incoherent mess. A waste of the stellar cast,” another viewer slammed, and someone else wrote: “Honestly in contention for the worst movie of the 2020s.”
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The film continues to be eviscerated on IMDb, with one user slamming Amsterdam as “Quite literally one of the most worthless movies I’ve ever seen.
“The first few scenes set up what could only be anticipated as an action packed murder mystery type movie, only to be followed by a nearly pointless flashback with categorically pointless scenes attempting to make you feel something for characters that make absolutely no sense.
“This movie had serious potential, with an amazing cast. I took three friends and I feel like I owe them several hours of wasting their life.”
Swifties have been warned to stick with Miss Americana this weekend, or perhaps stream her concert extravaganza The Eras Tour, which was filmed and released by Disney+.
Adapted from Giuseppe Tomasi di Lampedusa’s 1958 novel of the same name, The Leopard is a lavish period drama set in 19th century Sicily, reports the Express.
The six-part Italian series charts the fortunes of the Prince of Salina and his aristocratic family during a turbulent era of great change.
The Leopard unfolds against the backdrop of the Risorgimento, or the unification of Italy, as various states across the Italian peninsula were brought together to form the Kingdom of Italy.
During this momentous period, widespread political and social upheaval, along with rebellions and revolutions, preceded the formation of the Kingdom of Italy.
A synopsis of the show from Netflix reads: “Based on what many consider to be one of the greatest Italian novels of all time, The Leopard is a dazzlingly sensuous epic, set against the backdrop of revolution in 1860s Sicily.
“At its heart is Don Fabrizio Corbera, the Prince of Salina, who leads a life surrounded by beauty and privilege. But as Italy moves towards unification and the old aristocratic order is threatened, he realizes that his family’s future is in jeopardy.
“New allegiances must be made, each one a threat to his principles. Eventually Don Fabrizio is faced with an impossible choice.
“He has the power to engineer a marriage, between the rich and beautiful Angelica and his nephew Tancredi, that could secure his family’s legacy, but doing so he would break his favorite daughter, Concetta’s heart.
“The series will be a modern exploration of timeless themes – power, love, and the cost of progress.”
The Leopard boasts an outstanding ensemble cast, including Everybody Loves Diamonds star Kim Rossi Stuart as Don Fabrizio Corbera, Prince of Salina, Benedetta Porcaroli from Netflix’s Baby as Concetta Corbera di Salina, Love & Gelato’s Saul Nanni as Tancredi Falconeri, and The Beautiful Summer star Deva Cassel as Angelica Sedara.
Further cast members include Astrid Meloni, Paolo Calabresi, Gaetano Bruno, Francesco Di Leva, Alessandro Sperduti, Jozef Gjura, and Romano Reggiani.
One viewer posted in their 10/10 review: “Cinematography is absolutely stunning. What a beautiful period piece ; costumes magical, This is a stunningly visually crafted masterpiece of a series.”
A second glowing review proclaimed it a “masterpiece”, with the critic stating: “This is an absolute must-see series! It could have actually been a cinema film, this is the perfection of its film making. An epic construction of story telling, acting, costumes, scenery and music offers an utter delight to watch.”
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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.
This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things and The Last of Us.
A third top-rated review described it as an “absolute masterpiece”, elaborating: “The journey is beautiful, poignant, and brutally honest.”
Yet another awarded it 10/10 and celebrated it as a “masterpiece”, writing: “I wish there were MORE series like this: based on literature, ravishingly beautiful and (99%) aesthetically accurate.”
They went on to draw a comparison with Downton Abbey creator Julian Fellowes’ other notable series, remarking: “The Gilded Age could learn a lesson from “The Leopard’s” creative team.”
The Leopard is available to stream on Netflix now.
The adaptation of a much-loved Jane Austen novel has long been hailed a classic so watching it at the outdoor cinema at Kew Gardens was truly magical
An outdoor screening of Pride and Prejudice
More than 25 years since its release, this adaptation of a beloved classic novel is still winning over new fans.
Hailed a film masterpiece and dubbed the greatest ever made by devoted fans, Pride and Prejudice, starring Keira Knightley and Matthew McFadyen, tells the story of Elizabeth Bennet and her Mr Darcy.
Based on Jane Austen’s novel of the same name, released in 1813, this timeless love story follows our couple as they go from sworn enemies to something far deeper.
Austen’s classic work was adapted for the big screen by Deborah Moggach and was directed by Oscar-winning director, Joe Wright, as his first film.
With a star-studded cast that also includes Donald Sutherland as heroin Elizabeth’s long-suffering father, Mr Bennet, and Brenda Blethyn as her meddling mother, Mrs Bennet, along with Rosamund Pike as older sister Jane, Carey Mulligan as Kitty and Tom Hollander as the ever annoying Mr Collins. Judi Dench’s appearance as Lady Catherine de Bourgh is one of the many highlights of the film.
Just imagine watching this masterpiece period drama in one of the most dramatic of settings – an outdoor cinema in the middle of the stunning Kew Gardens in London.
Fans and critics alike can’t get enough of the film and it has an impressive 90 percent approval rating on Rotten Tomatoes.
One critic said: “Between Wright’s magnetically captivating vision and the impeccable performances, Pride and Prejudice 2005 shines as a leading benchmark of a breathtaking adaptation, earning a rightful stamp of approval from countless longtime fans.”
While another wrote: “Wright embraces the tactility of touch, the energy of chaos, and the beauty of stolen glances. Regardless of which Austen is your favorite, it’s easy to fall in love with Wright’s visual feast of a movie.”
Meanwhile a third added: “With the earnest, yet simple depiction of love and the gorgeous, dreamy visuals, Joe Wright’s Pride & Prejudice remains an enduring classic.”
Fans also adore Pride and Prejudice with many describing it as the “greatest period drama ever made”.
One wrote: “Everything about this movie is perfect. The soundtrack and cinematography are truly incredible and I will always say that this is my favourite adaption of Jane Austen’s Pride and Prejudice. It has also been my comfort movie for the last 10 years of life.”
While another added: “This is the best movie I’ve ever seen!!! Beautiful cinematography, The acting is by far the best thing about this movie everyone had such amazing chemistry and understanding of their characters. This really captures the essence and the tone of Jane Austen.”
What better place to watch a beautiful classic film than in one of the most stunning settings in the country – outdoor cinema at Kew Gardens.
As part of a weekend long series of outdoor showings, which included Jurassic Park, The Gruffalo, Mamma Mia and Dirty Dancing, sitting surrounded by the greenery and calm of Kew was the perfect way to spend a sunny Sunday afternoon.
Run along with Adventure Cinemas, the weekend of movies was a sell-out success and it’s easy to see why. Enjoying a picnic, or even a tipple or two, while watching some of the most iconic cinema ever made in such a stunning and incredible location feels like something out of a dream.
While this year’s event is now complete, when tickers become available again, run don’t walk to the front of the queue.
For more information about upcoming events at Kew Botanical Gardens, visit the website.
Television viewers are being encouraged to watch this visually breathtaking series, which was filmed on location at Lambton Castle in County Durham.
The Paradise is a British costume drama adapted from Émile Zola’s 1883 novel, Au Bonheur des Dames. While Zola’s original work focused on retelling the tale of Aristide Boucicaut, the Bellême-born founder of Le Bon Marché, the series instead transfers the story to the North East of England.
It centres on an “intoxicating love story” unfolding within England’s first department store during the 1870s.
The series made its debut on BBC One in 2012, before crossing the Atlantic to American audiences the following year. A second series subsequently aired in 2013, reports Chronicle Live.
The opening season begins in 1875, charting the lives, romances and ambitions of those who worked, shopped and traded in and around England’s first department store. The proprietor of The Paradise is widower John Moray, a former draper’s boy at Emersons, the modest shop that flourished under his stewardship into The Paradise itself.
Into this world arrives Denise Lovett, a young woman hailing from the small Scottish town of Peebles, whose uncle Edmund is among the local shopkeepers desperately fighting to stay afloat.
Denise secures a position at The Paradise and swiftly catches Moray’s eye as a rising talent, much to the irritation of Miss Audrey, the formidable head of ladies’ fashion, and fellow shopgirl Clara.
Joanna Vanderham leads the cast as Denise Lovett, with Emun Elliott portraying John Moray. The ensemble further includes Peter Wight, Matthew McNulty, David Hayman, Sarah Lancashire, Sonya Cassidy, Stephen Wight, and Elaine Cassidy.
Viewers can now lose themselves in all things retail, as all 16 episodes of The Paradise are available to stream without charge on U.
Fans have expressed their admiration for the drama across numerous social media channels, with one IMDb reviewer declaring: “This was a thoroughly delightful series to watch. Stunning costumes and scenery. Outstanding performances. Flawless masterpiece.”
Another proclaimed: “The best ever!! Just as good as Downton Abbey,” while a third stated: “Absolutely captivated by the brilliance of Denise and the charm of Mr Murray.”
One viewer remarked: “The Paradise is just that! An amazing show which captivates you very quickly and has you thinking constantly,” with another revealing: “My wife and I have enjoyed other period shows such as Downton Abbey, Bridgerton, and The Gilded Age, and I think it’s better than all of them.”
A sixth enthusiast reinforced this view, declaring: “One of the most underrated shows. It compels you to binge watch! It’s a stand out series. So flawless.”
Another fan concurred, stating: “Better than Mr Selfridge,” while someone else observed: “Impeccably cast, extremely handsome, predictably soapy and a trifle slow moving, it’s another first-rate costume drama.”
One of the most devastating moments in world history will be brought to life on Disney+ by a beloved star of The Night Manager and Marvel blockbusters
The Night Manager star bags role in ‘gripping’ period drama(Image: BBC)
It’s shaping up to be one of the year’s most gripping docudramas.
BBC The Night Manager star Tom Hiddleston will be playing time detective in an immersive new historical series coming to National Geographic and Disney+ later this year.
Pompeii: Out of Time will reunite the iconic Marvel star with Loki executive producer Kevin R Wright for the three-part series that promises to lift the lid on the explosive historical moment.
The first-look trailer has given fans a glimpse of Hiddleston stepping into his new role as he makes the case that the eruption of Vesuvius wasn’t just a catastrophic day of death and destruction.
His latest series will feature an eye-opening investigation into those who may have survived the blast, brought to life with immersive and thrilling dramatisations.
Along for the journey is a team of ancient Rome experts, from archaeologists and historians to geologists and disaster experts, who will uncover remarkable real-life stories that challenge assumptions people have about the fateful day in 79 AD.
A teenage apprentice, a powerful businesswoman and a mysterious Praetorian Guard are all vital pieces of the puzzle as Hiddleston steps back in time to explore the hours before and during Vesuvius’ eruption in what is shaping up to be an essential watch for any history buff. A synopsis from Disney+ teases: “As the volcano awakens and the countdown to catastrophe begins, the evidence converges in a gripping race against time to uncover who survived, who perished, and what determined their fate.”
Hiddleston says in a statement: “The ancient world has compelled my imagination and curiosity for as long as I can remember: I’ve been fascinated by it all my life.
“Classical Antiquity is the foundation and cornerstone of Western and European culture. To visit Pompeii is to feel the distance of the 2,000 years between now and then compress. The past becomes the present; the past feels so close. Tangible, honest and real.
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“Our relationship with the past is alive — studying who we were in order to understand who we are. Pompeii is a gateway for that conversation. It’s a privilege to host this visually immersive and dynamic series.”
He added: “Pompeii is often remembered for how its story ended. But by looking closer, we can uncover the details of people’s lives, the choices they made, and the moments that came before the city was buried.
“To revisit the final hours of those ordinary people, caught in an extraordinary moment, and to help bring these remarkable human stories back into the light, is a genuine honour.”
The upcoming series is already generating excitement amongst fans, with one user commenting below the trailer on YouTube: “Omg this seems so interesting.”
“This is absolutely fascinating — Pompeii is an incredible place, and this approach brings its story to life in a very powerful way,” someone else replied, adding they’re “really looking forward” to tuning in.
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Disney+ is offering a discounted subscription at £3.99 per month for three months when signing up by May 6. This provides cheaper access to hit series like Rivals, Only Murders in the Building and The Bear, plus countless titles from Marvel, Star Wars, Pixar and more.
“I want to see it NOW!” another fan exclaimed, and a final fan wrote: “For someone who’s survived Ragnarok, Tom Hiddleston couldn’t be better suited for this doc. Looking forward – or back – to it.”
Mark your calendars, as all three episodes will be available to stream in just over a month’s time.
Pompeii: Out of Time with Tom Hiddleston premieres Thursday, 23rd July on National Geographic and Disney+.
Anyone who has been a new parent knows it’s not easy to do on your own — it really does take a village. And in the latest season of “The Four Seasons,” which returned to Netflix last week, Ginny, played by Erika Henningsen, finds her village as she navigates single parenthood after the sudden death of Nick, played by Steve Carell. While that may sound gloomy — no, terrifying — the comedy series created by Tina Fey, Lang Fisher and Tracey Wigfield keeps the laughs coming, whether they involve the central friend group spreading Nick’s ashes — morbid, I know, but I promise you’ll laugh — a malfunctioning breast pump or making friends with someone who loves to dig really big holes in the sand at the beach. Henningsen dropped by Guest Spot to talk about her character and what she hopes comes next if the show gets a third season.
And if you breeze through the second season’s eight episodes, there’s plenty else to watch this weekend. For more laughs, Mindy Kaling’s latest comedy series, “Not Suitable for Work,” premiered this week with three episodes. The TV creator spoke to Times TV writer Yvonne Villarreal about how the series touches on the heightened feelings Kaling experienced living in New York in her 20s, trying to break into comedy writing. But if you are looking for the complete opposite, the first two episodes of the newest iteration of “Cape Fear” are out today on Apple TV (you may remember the 1991 film version directed by Martin Scorsese and starring Robert De Niro, or even the 1962 version starring Robert Mitchum). The series, which inserts some modern elements and twists, stars Javier Bardem as the villainous Max Cady and Amy Adams as lawyer Anna Bowden, who our television critic says “is low-key forceful as his primary opponent.”
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Also in this week’s Screen Gab, our critics recommend a web short that will give you some background on “Backrooms,” as well as a horror film with a similar vibe, and a new nature documentary series. — Maira Garcia
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Recommendations from the film and TV experts at The Times
Chiwetel Ejiofor in “Backrooms,” which was inspired by Kane Parson’s surrealist web videos.
Last weekend, 20-year-old Kane Parsons became the youngest filmmaker to hit No. 1 at the box office with “Backrooms,” a surrealistic experiment about a furniture salesman (Chiwetel Ejiofor) drawn into a maze of humdrum office space. Peek into the movie’s lore on Parsons’ YouTube channel where his eight and a half minute short, “Presentation,” hints at why Mark Duplass was running around in a lab coat. Or let the feature stand as its own work and watch Simon Glassman’s “Buffet Infinity” instead. Told through snippets of local TV commercials, this morbidly hilarious horror tale is like plopping down on one of the backroom’s couches to channel surf. The bland muzak and cinematography are spot-on, as are the familiar breeds of low-budget pitchmen: the car salesman, the personal injury lawyer, the housewife. But once two neighboring restaurateurs duel over the rights to a special sauce — and one gets defamed and disappeared — these escalating, tense ads reveal a town under siege. Things have gotta be bad when the pawn broker starts rapping about his vast selection of knives. — Amy Nicholson
A pilosaurs in NBC’s “Surviving Earth.”
(NBC)
“Surviving Earth” (NBC, Peacock)
If computer animation is good for anything, it is its ability to bring prehistoric creatures to convincing conjectural life. From Willis O’Brien‘s stop-motion dinosaurs in “The Lost World,” to “Jurassic Park,” to the BBC’s “Walking With Dinosaurs,” we are ever glad to take that trip backward, in increasingly sharp detail. “Surviving Earth,” an eight-part nature documentary cum disaster movie cum action film, adds a thematic twist: extinction. With titles like “When the Earth Burned,” “When the Seas Died” and “When the Forests Collapsed,” it is, on the one hand, a dark tour through a long history of climate crises and population collapse; on the other, per its title, its relatively cheering theme is that life, generally speaking, can handle whatever the planet (or stray asteroid) throws at it. (Humans are not left off the hook; the two episodes out for review each conclude with a visit to our destructive modern world.) As in many nature films, the animals are framed in cute or suspenseful stories that largely involve family and community; territory and travel; and looking for food and not being food. (The more adorable the animal, the more likely it is to escape uneaten, and some of those baby dinos are precious.) It premieres Thursday at 8 p.m. on NBC, and new episodes air weekly, followed by a rebroadcast of “The Americas,” the network’s earlier present-day nature series, and stream on Peacock the next day. — Robert Lloyd
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A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Kerri Kenney-Silver as Anne and Erika Henningsen as Ginny in Season 2 of “The Four Seasons.”
(Emily V. Aragones/Netflix)
What if you found out you were pregnant? And then your partner died suddenly. Oh, and he hadn’t divorced his wife yet, so there’s no money to support yourself and a new baby. For some people, it would be enough to cause a meltdown and an existential crisis. But in Season 2 of “The Four Seasons,” Ginny takes it all in stride. The character, played by actor Erika Henningsen, forges ahead, has the baby — fathered by the now-deceased Nick — and ends up getting help from the most unexpected person: Anne, her partner’s ex.
The comedy series once again follows the close-knit friend group consisting of Jack (Will Forte) and Kate (Tina Fey), Danny (Colman Domingo) and Claude (Marco Calvani), and the new odd couple, Anne (Kerri Kenney-Silver) and Ginny. This season, they take trips to the Catskills, the Jersey Shore and Italy as they try to navigate grief following Nick’s death, supporting Ginny despite the awkwardness of her situation with Anne, and an international move by Danny and Claude after they decide not to have a child.
Henningsen discussed Ginny’s arc this season and how she connects with Anne, who finds purpose in caring for baby Gino (or Eugene, depending on whom you ask), and what it was like juggling multiple projects along with filming “The Four Seasons.” — M.G.
At the end of the first season of “The Four Seasons,” viewers were hit with a big surprise: Ginny is pregnant. And in Season 2, we see her further along and eventually with a baby. What was it like to play Ginny at this stage in her life, navigating single motherhood? Did you look to anyone for inspiration?
I feel like Ginny’s character arc in this season was a tightrope walk that our writers executed flawlessly. Because, let’s be honest, the situation between Anne and Ginny is a bit bizarre. To quote our show, “there is no Beyoncé song” for what to do when your recently deceased ex-husband’s pregnant girlfriend shows up on the group hiking trip! What myself and the writers really tried to highlight, especially in those early spring episodes, is how scared Ginny feels to be entering motherhood without a partner by her side and how that fear and grief become the dominating force behind her actions. She’s just scrambling for some semblance of confidence and security, to feel like she’s going to be “ready” when the baby arrives. But, as any real mom can attest, there is no ‘“ready” when it comes to a baby. You just take it one day at a time and figure it out as you go. I love that Ginny has that realization toward the middle of the season. She may not be the perfect mom to Gino, but she’s his mom, and getting to play the beach scene where Ginny takes one tiny bold step, alone, into motherhood was super special. In terms of inspiration, I was constantly texting two friends of mine who had just had babies for ways to walk, ways to lay down, ways to stretch, etc. Also, our incredible hair department head, JT Franchuk (shoutout, JT!), was on set with me every day, and I was lucky to have her as a confidant and sounding board as she was seven months pregnant when we began shooting Season 2.
You share many great scenes with Kerri Kenney-Silver, who becomes a surrogate mother to Ginny and grandmother to her baby, despite the history between them. How did you two navigate this dynamic, and what was it like working together?
Kerri Kenney-Silver is truly the greatest scene partner an actor could have for a litany of reasons. Kerri comes from an improv background but is also a technical wordsmith. She’s constantly throwing out new line readings and physical comedy to bounce off of, but is also deeply respectful of the words Tina Fey and company have crafted, so she’s equal parts anchor to a scene as well as a playmate. Kerri and I never tried to nail down one exact “right” way to play a scene. We were constantly adjusting the levers with each take, digging into one another versus backing off, casually throwing away a sentimental line versus staring into one another’s eyes. What we did agree on was to never judge these two characters. Some people might look at our character’s choices as debilitating or selfish, but we both found that Anne and Ginny deeply needed and wanted to be there for one another. In their own little “odd couple” way, they were choosing one another to get through the next tenuous, unknown chapter of life. Oh, and working with Kerri? As I’ve said, “if you’re gonna lose a Steve Carrell, just wait til you gain a Kerri-Kenney Silver.” She is obviously so talented, but also one of the warmest and most welcoming humans I have worked with. And she makes me snort-laugh on a regular basis.
You came up in theater and originated the role of Cady Heron in the Broadway production of “Mean Girls,” based on the film by Fey. You were on Broadway in “Just in Time” last year, too. What has it been like to balance your stage work with your TV work lately?
Honestly? It’s been a lot! I say that with 98% gratitude and 2% “so tired when is vacation?” exhaustion. Last year, I was doing press for “The Four Seasons” while opening a brand-new original Broadway show, while also recording Season 3 of the hit animated series I currently star in, “Hazbin Hotel” [Prime Video]. My days were spent doing interviews in the morning, rushing to Circle in the Square theater for “Just in Time” preview rehearsals in the afternoon, recording episodes of “Hazbin Hotel” on my dinner break, all before heading back to the theater for an 8 p.m. curtain. I remember there was one night I did a SAG panel with Tina, Kerry and Marco on 55th and Broadway that ended at 7:45, and I was in pincurls and fake eyelashes, ready to go onstage opposite Jonathan Groff at 8:15. It is definitely a balancing act, and one I would not be able to navigate without my team and my husband. Nonetheless, I wouldn’t have it any other way. I love how each discipline has started to inform the other: I’ve taken my spontaneity in the voice-over booth onto set, I’ve taken my trust in stillness in front of the camera onto the stage, and I’ve taken my discipline doing eight shows a week into everything. Getting to dip a toe into multiple pools of the entertainment industry is, I think, the only way my brain wants to operate.
If “The Four Seasons” gets a third season, where would you like to see Ginny go?
In a perfect world? I’d love if Danny/Claude planned a fabulous trip to a gay destination like Mykonos that the rest of the group somehow gloms onto. I remember visiting Fire Island for the first time a few summers ago at Tina’s recommendation and loving it so much. I texted her that I never wanted to leave and she basically wrote back, “Yup. Always follow the gays.” So, maybe we will do exactly that in Season 3. Also, on a very specific Ginny note, I will hopefully have a toddler in Season 3 as opposed to a baby (our babies on set were under 6 months old so they definitely fell into the “handle with care” category!), and my dream is to be able to hold one the way Diane Keaton holds her toddler in “Baby Boom.” It’s a perfect moment of physical comedy, and I aspire to re-create it.
What have you watched recently that you are recommending to everyone you know?
“Beef” Season 2 and the recent Rafael Nadal documentary, “Rafa.” Both Netflix. What can I say? I’m loyal. The entire cast in “Beef” is spectacular, and I love the genre-bending the showrunner weaves throughout. You never quite know where you stand, but the twists feel earned and character-driven as opposed to gimmicky. There’s one quasi-bottle episode set in an ER that felt perfectly surreal, claustrophobic and exactly what it feels like to be in the ER on bad health insurance (speaking from 21-year-old experience). “Rafa” is just … no words. I love a sports doc (“The Last Dance” [Netflix], “Prefontaine” [VOD], “The Endless Summer” [Tubi] — you name it), probably because, in my heart of hearts, I just want to be an athlete.
What’s your go-to comfort watch, the movie or TV show you go back to again and again?
I will never tire of watching “The Parent Trap” [Disney+]. It’s perfect. Chessy is a queer icon, Meredith Blake is the “villain” but also get that vineyard honey, one of Lindsay Lohan’s best performances, and what I wouldn’t give to have an ounce of the class that was Natasha Richardson. Every scene is perfect, there’s not a single “skip” on the soundtrack. Also a flawless Maggie Wheeler cameo! Nancy Jane Meyers: You outdid yourself.
Downton Abbey may be over, but these Netflix period dramas are giving fans plenty to enjoy
Downton Abbey wrapped up last year with a movie(Image: ITV)
Downton Abbey may have drawn the curtain on the beloved ITV saga, however, Netflix offers a wealth of period dramas.
For viewers eager to fill that void, the streaming giant is renowned for its vast collection of original and licensed content spanning numerous genres, and boasts an impressive selection of costume and historical productions perfectly suited to Downton Abbey devotees, reports the Express.
Much like the beloved ITV period drama that became a worldwide phenomenon after American audiences became utterly captivated by every twist and turn in Julian Fellowes’ fast-paced series, Netflix has three spectacular costume dramas that could arguably surpass Downton Abbey itself.
Here’s a closer look at each one and what viewers have had to say about them.
1. The Crown
Netflix’s magnificent House of Windsor epic The Crown is unrivalled in its excellence, according to devoted fans since its debut in 2016.
The series, crafted by The Queen screenwriter Peter Morgan, chronicles the British monarchy from the beginning of Queen Elizabeth II’s reign through to the 2005 wedding of Prince Charles and Camilla Parker Bowles.
The Crown underwent several cast changes to reflect the passage of time, with Claire Foy, Olivia Colman and Imelda Staunton each taking on the role of Queen Elizabeth II. The Crown amassed a remarkable collection of awards, including 24 Emmys and two Golden Globes for best series, while Netflix disclosed back in 2020 that 73 million households had tuned in since its launch in 2016, according to BBC News.
Given that the series concluded in December 2023, considerably more viewers would have caught the show since that point.
Furthermore, a notable spike in viewership followed the passing of Queen Elizabeth II in 2022, as 17.6 million hours of The Crown were streamed on Netflix, the platform confirmed to CNN.
Viewers on Reddit have drawn comparisons between Downton Abbey and The Crown, weighing in on which they favoured.
One wrote: “I watched them both. I personally liked The Crown better although both are exceptionally well-done shows.”
A second chimed in: “The Crown. I could never fully get into Downton Abbey.”
A third Redditor observed: “Depends what you like. I prefer downton as The Crown is too slow sometimes. Downton also shows the life of all the staff in the Abbey as well as the rich people. The Crown has a way bigger budget, better cinematography and is about real historical characters [sic].”
2. Bridgerton
Regency bodice-ripper Bridgerton, adapted from the much-loved historical romance novels by American author Julia Quinn, stands as another hugely popular period drama on Netflix.
Each series centres on a different lead couple and explores various romantic storylines, amongst them friends-to-lovers, enemies-to-lovers and fake courtship blossoming into genuine romance. Bridgerton proved a runaway success following its arrival around Christmas 2020, transforming into a massive pop cultural sensation much like Downton Abbey.
The opening season accumulated 113,300,000 views within the initial 91 days of release, while the third season attracted 106,000,000 viewers upon its debut.
The programme stands as Netflix’s ninth most watched English-language series ever, Variety reported earlier this year.
Since its original launch and following subsequent seasons, it’s been viewed by hundreds of millions of devotees – and the figure continues climbing.
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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.
This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Bridgerton.
The programme is set to return for a fifth and sixth season, meaning these viewing statistics will climb even higher.
Opinion remains divided on whether Bridgerton surpasses Downton; nevertheless, one Redditor commented: “Hard to say. Bridgerton is an alternative history romantic fantasy as compared to a period drama. I watch it, but to me it’s not nearly as good as Downton Abbey.”
Another stated: “I love both Downton Abbey and Bridgerton, but they are very different shows.
“I loved “Bridgerton,” but an attempt to draw similarities and differences to “Downton Abbey” is a proverbial apples-to-oranges comparison. I enjoy both for the space they occupy in entertainment,” a third observed.
3. The Empress
Lastly, sweeping German period drama The Empress has captivated audiences and draws from the actual life of Empress Elisabeth of Austria (Devrim Lingnau). The programme first launched in 2022 and charts the struggles and triumphs of a ruler navigating her romance with her husband, his conniving family, and the treacherous world of court politics.
The series ranks amongst the most watched non-English language programmes on Netflix, having amassed over 76 million views, according to What’s on Netflix.
One viewer took to IMDb to share their thoughts: “If you like The Crown, you’ll like this.”
They went on to say: “Just a couple of scenes at the first half. Romantic would be something like Pride and Prejudice or Bridgerton. This was more like Downton Abbey or The Crown, where in the drama is the focus.”
A second viewer enthused: “The acting is superb. I simply cannot believe how amazing this series is, and it easily rivals ‘The Crown’, ‘Downton Abbey’, ‘Outlander’, ‘Poldark’ and ‘Vikings’, and surpasses many others. It’s more serious than contemporary feeling shows like ‘Bridgerton’. In my opinion it is a contender with all the top historical dramas.”
The Crown, Bridgerton and The Empress are all available to stream on Netflix now
Following her exit from Poldark, Tomlinson played Louisa Bryne in the period drama The Forsytes and Mary Brighton in The Nevers, a Victorian-set drama. However, the actress will now be appearing in the modern psychological thriller The Fortune, reports Radio Times.
The Fortune will premiere on Channel 5 on Tuesday, 2 June and follows Tomlinson’s character, Amanda, after she suddenly inherits a vast fortune from a man she has never met or heard of.
With his own family incensed to find out his estate is going to a supposed stranger, battle lines are soon drawn, and threats soon start to fly.
Amanda goes from her regular life of working in a café and being a happily married mother to her life being turned upside down.
Ahead of The Fortune landing on screens, Tomlinson has opened up to Radio Times about the direction of her career following her exit from Poldark.
“I’d done it for five years”, she said, “There are elements I miss, but it was time to do something else, spread my wings and push myself in a different direction.”
When asked which acting role she mostly gets recognised for by fans, she explained: “Poldark is the main one and I get a lot of One Day, and The Forsytes. It’s always nice when they get it right and don’t say, ‘Were you in Game of Thrones?’, ‘No, wrong redhead!’.”
As well as Tomlinson leading the cast, The Fortune also boasts the likes of Harry Potter star Matthew Lewis, All Creatures Great and Small favourite Callum Woodhouse and former EastEnders star Nina Wadia.
Also starring in the Channel 5 drama are Rebecca Front (The Thick of It), Stephen Tompkinson (DCI Banks), Paula Wilcox (Trying), Danielle Walters (Chewing Gum) and Denis Lawson (Bleak House).
The synopsis for The Fortune reads: “Amanda Blakefield’s life is a happy one, with her husband Jimmy and their son Luke. But when Amanda is left an enormous inheritance by a man she has neither met nor heard of before, her life starts to fall apart.
“Amanda becomes embroiled in the world of the Worralls, where Martin Worrall is head of a family bound in past secrets. As Amanda is drawn further and further into past events and relationships, all of their lives are turned upside down.”
It’s now been confirmed that The Fortune will premiere on 5 on Tuesday, June 2 at 9pm, followed by the second episode the following Wednesday evening at the same time.
Taking place several decades prior to the ITV drama, this series unfolds in the USA, with an IMDb synopsis stating: “The conflicts surrounding the new money Russell family and their old money neighbors, the van Rhijn family, in 1880s New York City high society.”
The Gilded Age debuted its inaugural season in 22, with season 3 landing just last year in 2025, reports the Express.
Fans are already clamouring for additional episodes, as the most recent instalment delivered more “nail-biting drama” than previously seen.
The impressive ensemble also boasts numerous recognisable talents, including The White Lotus’ Carrie Coon, Poldark’s Harry Richardson, Sex and the City’s Cynthia Nixon and Mamma Mia! star Christine Baranski.
Numerous devotees have championed the period drama, with one posting to The Gilded Age Fan Page on Facebook: “The Gilded Age is even better than Downton Abbey.”
In the comments section, multiple viewers expressed their views, with one agreeing: “Listen up! I just wrapped up the first season of Downton Abbey to carry me over until tonight, and let me tell you, it’s a solid show. However, The Gilded Age is on a whole different level.”
“The Gilded Age is indeed superior!” a second declared, as another contributed: “I actually agree but only because I’m American and this history is more close to home personally. Very interesting!”
Nevertheless, others disagreed, with one person stating: “I love The Gilded Age BUT Downton Abbey stands alone no comparison.”
Another added: “Sorry but Downton Abbey is better in my eyes but I do love the Gilded Age too.”
Others couldn’t decide, with another viewer explaining: “They are equally wonderful. A pair of timeless masterpieces.”
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Sky is giving away free subscriptions to Netflix, Disney+, HBO Max, Hayu and discovery+ to customers on the Ultimate TV bundle. This also includes 135 channels such as Sky Atlantic and Sky One.
Meanwhile, some enthusiasts recalled one of Britain’s most celebrated period dramas, observing: “But not as good as the original Upstairs, Downstairs, on which it was based.”
Another concurred: “Oh guys, Upstairs Downstairs from the 70’s was deeply wonderful.”
The Gilded Age boasts an impressive 89% fresh rating on Rotten Tomatoes, with season 3 in 2025 achieving its highest score yet of 96%.
Taking to the comments section on the review aggregator platform, one enthusiast remarked: “Amazing series! Can’t wait for season 4.
“The show keeps getting better!” another gushed, as a third penned: “One of the best series on TV.. I and my daughter absolutely loved it. All 3 seasons. The nail biting drama at the end of each episode, kept us on the edge of our seats. Nicely done. The acting was superb.”
“I have been watching this show since the 1st season and it just gets better and better,” another concurred, as another contributed: “Love it!!! the Gilded Age is pure binge worthy escapism!!”
One enthusiastic viewer wrote: “Best show on TV right now! I am from India and I freaking low this show. Been a fan of Downton Abbey and this show just gives more drama, power issues and love lessons. Beautiful to the core! Love it.”
The Gilded Age is currently available to watch on Sky, while Downton Abbey can be streamed on ITVX.
A British historical fantasy drama series has left viewers on the edge of their seats
A period drama has been hailed the “new Game of Thrones”(Image: Sky UK)
Fans of period dramas have been eagerly binge-watching a beloved series.
Britannia is a British historical fantasy drama created by Jez Butterworth and Tom Butterworth. The series is set in 43 AD, when the Romans invaded Britain – 90 years after Julius Caesar failed to conquer the nation.
General Aulus Plautius and his second-in-command, Lucius, are hell-bent on succeeding where Julius Caesar fell short, by whatever means necessary.
The series chronicles Rome’s conquest of the Celts across the British Isles – “a mysterious land ruled by wild warrior women and powerful druids who can channel the powerful forces of the underworld,” according to the official synopsis.
Celtic rivals Kerra and Antedia eventually join forces to repel the Roman invasion spearheaded by Aulus. But are they successful? You’ll need to tune in to find out, reports Wales Online.
Britannia originally aired on Sky Atlantic in the UK in 2018, with two further series following in 2019 and 2021. For those wishing to immerse themselves in the mystical era of the Roman Empire, all 27 episodes are now available to stream on NOW and Sky Go.
The programme boasts an impressive ensemble cast, featuring David Morrissey as Aulus Plautius, Hugo Speer as Lucius, and Yellowstone’s Kelly Reilly as Kerra. Further stars include Aaron Pierre, Zoë Wanamaker, Mackenzie Crook, Nikolaj Lie Kaas, Barry Ward, Stanley Weber, Joe Armstrong, Eleanor Worthington Cox, and Ian McDiarmid.
The production was largely shot across Wales and the Czech Republic. In Wales, the dramatic coastline and untamed landscapes were captured in rural settings, including the nation’s “most beautiful” beach Rhossili Bay, along with Henrhyd Falls and Nash Point.
Britannia garnered a broadly favourable response following its launch, with numerous critics labelling it “the new Game of Thrones”.
Viewers have similarly praised the series, with one IMDb user commenting: “What an epic series! You’ll definitely not regret watching this show. It’s perfect.”
Another wrote: “Excellent production, breathtaking locations, amazing cast. One of the best series I have watched in a while,” while a third remarked: “A magical retelling of British history. Game of Thrones fans will love this.”
A further viewer posted: “One of the best series ever! Captivating story telling with superb locations. A wild tale brought to life. Couldn’t stop watching. I’m hooked!”
A fifth enthusiast concurred, stating: “The show is brilliant, the actors are phenomenal. Crazy, funny, and steamy. Total masterpiece.”
Yet another viewer noted: “Britannia is a mesmerising historical fantasy series that masterfully blends myth, mysticism, and warfare. The series stands out for its bold storytelling, rich character development and immersive soundtrack. If you’re a fan of historical dramas with a touch of the mystical, Britannia is a must-watch.”
Britannia is available to stream on NOW and Sky Go
The epic period war drama has enthralled critics and audiences world-over, earning glowing praise from all quarters, with viewers comparing it to the brilliance of Gladiator.
The epic war drama is streaming on Disney+ and Amazon Prime Video(Image: Jessica Forde)
Fans of iconic filmmaker Ridley Scott and his cult classic Gladiator are in for a treat, because there’s another film by the director that viewers feel is giving his OG period war masterpiece a run for its money. With a screenplay penned by Ben Affleck, Matt Damon, and Nicole Holofcener, the 2021 epic historical war drama has enthralled critics and audiences world-over, earning glowing praise from all quarters — and it’s streaming on Disney+ and Amazon Prime Video.
Viewers can’t stop raving about Scott’s 2021 film, The Last Duel, which stars Jodie Comer ( Killing Eve ) in the titular role, alongside Adam Driver and Damon. Affleck also has a supporting role in the movie, and the stars are joined by Harriet Walter, Alex Lawther, and Serena Kennedy to round out a stellar supporting cast.
Filmed in France and Ireland, Scott’s epic period drama is one that most people haven’t heard of, owing to its release during the height of the COVID-19 pandemic in October 2021.
Based on true events, the film’s official plot summary states: “Jean de Carrouges is a respected knight known for his bravery and skill on the battlefield. Jacques Le Gris is a Norman squire whose intelligence and eloquence make him one of the most admired nobles in court. The two knights must fight to the death after Carrouges’s wife, Marguerite, accuses Le Gris of assault. The ensuing trial by combat, a gruelling duel to the death, places the fate of all three in God’s hands.”
Garnering largely positive reviews from both critics and audiences, The Last Duel has made its mark, especially when it comes to the period war drama genre.
One critic said of the film: “A brutal, harrowing, intriguing, stunningly well-made film that will linger in your thoughts for quite some time.”
While another reviewer lavished praise on the director: “Ridley Scott delivers one of his best works in years with this brutal, righteous, superbly acted historical drama.”
A third critic said of the historical epic: “With the stakes set so high, Scott rises to the challenge and delivers a brutal, visceral ‘last duel’ with complex narrative designs and a phenomenal carousel of performances.”
While one reviewer simply declared: “Trust us when we say this is a cinematic epic.”
Audience reviews follow in a similar vein, with one fan saying: “A classic Ridley Scott’s work. A masterpiece.”
While another viewer writes: “Brilliant historic epic, beautifully filmed and captivating characters. If you like historical dramas, this is a great film for you”
A glowing IMDB user review of The Last Duel states: “Ridley Scott is the Master of this Genre for a reason. Best director you can find for this kind of visual storytelling is Ridley Scott, and believe me, he’s still top of his game. To be honest, I don’t think that Gladiator was a best picture because of Ridley’s effort, I think it was Russel’s incredible performance. But this movie shines because of Ridley’s awesome visual style.”
While another impressed audience member commented: “[Ridley] Scott certainly gives us a big, bloody and savage movie. Indeed of all his films, this could be the one most likely to appeal to fans of ‘Gladiator’. It’s a fantastic-looking film. There is so much about ‘The Last Duel’ that is smart, funny and totally unexpected that it just might turn out to be the most unlikely multiplex movie of the year.”
Another IMDB review of the period drama (and Ridley Scott’s brilliance) states: “This is, I think it could be argued, in the absolute top tier of Ridley Scott’s filmmaking oeuvre. More than that — and this might be more controversial, but I stand by it — I think it’s his best film, and that it isn’t close.
“This is a Rashomon-style multiple-viewpoints epic with lavish production values, superb acting across the board from a powerhouse cast, and supremely subtle and skilful directing. It is thoughtful, impactful cinema that should be part of the conversation about the best outings in historical filmmaking.”
The Last Duel is available to stream on Disney+ and Amazon Prime Video.
Huddersfield Town boss Liam Manning has left the club by mutual consent, two months after taking compassionate leave.
Manning stepped back from his role in March, with the League One side saying in a statement at the time that the decision was made after he “made the club aware of ongoing personal matters relating to the tragic passing of his newborn son Theo in October 2024”.
“I want to pay huge tribute to Liam today,” chairman Kevin Nagle told the club website.
“Stepping away from this role is the correct decision for him and his family, and that comes before absolutely everything else.”
The Ducks’ second-round playoff showdown with the Vegas Golden Knights has become a best-of-three series.
With a 4-3 victory Sunday before a raucous sold-out crowd at the Honda Center, the Ducks evened the series 2-2 as it heads back to Las Vegas for Game 5 on Tuesday. But it wasn’t easy, with the Golden Knights twice rallying from one-goal deficits, only to see the Ducks answer each time.
And the Ducks’ power play, so lethal in the team’s first-round win over Edmonton and so ineffective in the first three games of this series, finally found a spark, scoring goals in each of the first two periods.
The Ducks were fast and physical in the early going, playing with an urgency they lacked in their Game 3 loss. They also did a better job protecting the puck and that paid off with the team’s first power-play goal of the series 8:43 into the first period.
Vegas had killed 11 penalties against the Ducks and 21 in a row dating back to Game 3 in their first-round series against Utah. But after Dylan Coghlan went off for interference, Sennecke teed up a slap shot from the top of the right circle for his fourth goal of the playoffs, putting the Ducks up 1-0.
The lead didn’t last long, however, with Dorofeyev evening things with a power-play goal of his own about a minute and half later. The goal, on a tip-in, was Dorofeyev’s fifth of the postseason.
Ducks defenseman Ian Moore celebrates with teammates after scoring in the third period of a 4-3 win over the Golden Knights in Game 4 on Sunday at Honda Center.
(Allen J. Schaben / Los Angeles Times)
Granlund put the Ducks back on top less than five minutes before the first intermission, taking a pass from Jeffrey Viel along the left-side boards and getting off a shot as he battled Vegas forward Cole Smith. The puck appeared to strike the blade of Smith’s stick as Viel let it go and that proved fortunate for the Ducks since the deflection fooled defenseman Noah Hanifin and goalie Carter Hart, who both let the bouncing puck tumble through them and into the goal.
That lead didn’t last long, either, with Howden tying things again for Vegas 4:04 into the second period. The goal, on the Golden Knights’ ninth shot, was Howden’s seventh of the playoffs, giving him a share of the NHL lead. Mitch Marner assisted on the first two Vegas goals, giving him a league-best 15 points in 10 postseason games.
However, Killorn scored the Ducks’ second power-play less than two minutes before the second intermission, putting the Ducks in front to stay. Moore doubled the lead 3:43 into the third, lining in a slap shot from well above the right circle.
The two-goal lead matched the largest of the series for the Ducks. Hertl cut that in half with 64 seconds to play after Vegas pulled their goalie for an extra attacker. But the Golden Knights got no closer.
Both teams have split their two games at home. The Golden Knights will have the home-ice advantage — if there is one — over the last three games since two are scheduled in Las Vegas.
Sunday’s win marked the sixth consecutive time the Ducks evened a playoff series it trailed 2-1 after three games.
Vegas played without winger Mark Stone, whose 28 goals were second-most on the team during the regular season. Stone, who had a goal and an assist in the first three games against the Ducks, is the team’s all-time playoff scoring leader with 79 points (39 goals, 40 assists) in 94 games. He sustained an undisclosed injury in the first period of Game 3 and his status for the rest of the series is unclear.
