period

Anyone who has been a new parent knows it’s not easy to do on your own — it really does take a village. And in the latest season of “The Four Seasons,” which returned to Netflix last week, Ginny, played by Erika Henningsen, finds her village as she navigates single parenthood after the sudden death of Nick, played by Steve Carell. While that may sound gloomy — no, terrifying — the comedy series created by Tina Fey, Lang Fisher and Tracey Wigfield keeps the laughs coming, whether they involve the central friend group spreading Nick’s ashes — morbid, I know, but I promise you’ll laugh — a malfunctioning breast pump or making friends with someone who loves to dig really big holes in the sand at the beach. Henningsen dropped by Guest Spot to talk about her character and what she hopes comes next if the show gets a third season.

And if you breeze through the second season’s eight episodes, there’s plenty else to watch this weekend. For more laughs, Mindy Kaling’s latest comedy series, “Not Suitable for Work,” premiered this week with three episodes. The TV creator spoke to Times TV writer Yvonne Villarreal about how the series touches on the heightened feelings Kaling experienced living in New York in her 20s, trying to break into comedy writing. But if you are looking for the complete opposite, the first two episodes of the newest iteration of “Cape Fear” are out today on Apple TV (you may remember the 1991 film version directed by Martin Scorsese and starring Robert De Niro, or even the 1962 version starring Robert Mitchum). The series, which inserts some modern elements and twists, stars Javier Bardem as the villainous Max Cady and Amy Adams as lawyer Anna Bowden, who our television critic says “is low-key forceful as his primary opponent.”

Also in this week’s Screen Gab, our critics recommend a web short that will give you some background on “Backrooms,” as well as a horror film with a similar vibe, and a new nature documentary series. — Maira Garcia

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Recommendations from the film and TV experts at The Times

Chiwetel Ejiofor in “Backrooms,” which was inspired by Kane Parson’s surrealist web videos.

(A24)

“Backrooms – Presentation” (YouTube), “Buffet Infinity” (VOD)

Last weekend, 20-year-old Kane Parsons became the youngest filmmaker to hit No. 1 at the box office with “Backrooms,” a surrealistic experiment about a furniture salesman (Chiwetel Ejiofor) drawn into a maze of humdrum office space. Peek into the movie’s lore on Parsons’ YouTube channel where his eight and a half minute short, “Presentation,” hints at why Mark Duplass was running around in a lab coat. Or let the feature stand as its own work and watch Simon Glassman’s “Buffet Infinity” instead. Told through snippets of local TV commercials, this morbidly hilarious horror tale is like plopping down on one of the backroom’s couches to channel surf. The bland muzak and cinematography are spot-on, as are the familiar breeds of low-budget pitchmen: the car salesman, the personal injury lawyer, the housewife. But once two neighboring restaurateurs duel over the rights to a special sauce — and one gets defamed and disappeared — these escalating, tense ads reveal a town under siege. Things have gotta be bad when the pawn broker starts rapping about his vast selection of knives. — Amy Nicholson

A pilosaurs in NBC’s “Surviving Earth.”

(NBC)

“Surviving Earth” (NBC, Peacock)

If computer animation is good for anything, it is its ability to bring prehistoric creatures to convincing conjectural life. From Willis O’Brien‘s stop-motion dinosaurs in “The Lost World,” to “Jurassic Park,” to the BBC’s “Walking With Dinosaurs,” we are ever glad to take that trip backward, in increasingly sharp detail. “Surviving Earth,” an eight-part nature documentary cum disaster movie cum action film, adds a thematic twist: extinction. With titles like “When the Earth Burned,” “When the Seas Died” and “When the Forests Collapsed,” it is, on the one hand, a dark tour through a long history of climate crises and population collapse; on the other, per its title, its relatively cheering theme is that life, generally speaking, can handle whatever the planet (or stray asteroid) throws at it. (Humans are not left off the hook; the two episodes out for review each conclude with a visit to our destructive modern world.) As in many nature films, the animals are framed in cute or suspenseful stories that largely involve family and community; territory and travel; and looking for food and not being food. (The more adorable the animal, the more likely it is to escape uneaten, and some of those baby dinos are precious.) It premieres Thursday at 8 p.m. on NBC, and new episodes air weekly, followed by a rebroadcast of “The Americas,” the network’s earlier present-day nature series, and stream on Peacock the next day. — Robert Lloyd

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A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Kerri Kenney-Silver as Anne and Erika Henningsen as Ginny in Season 2 of “The Four Seasons.”

(Emily V. Aragones/Netflix)

What if you found out you were pregnant? And then your partner died suddenly. Oh, and he hadn’t divorced his wife yet, so there’s no money to support yourself and a new baby. For some people, it would be enough to cause a meltdown and an existential crisis. But in Season 2 of “The Four Seasons,” Ginny takes it all in stride. The character, played by actor Erika Henningsen, forges ahead, has the baby — fathered by the now-deceased Nick — and ends up getting help from the most unexpected person: Anne, her partner’s ex.

The comedy series once again follows the close-knit friend group consisting of Jack (Will Forte) and Kate (Tina Fey), Danny (Colman Domingo) and Claude (Marco Calvani), and the new odd couple, Anne (Kerri Kenney-Silver) and Ginny. This season, they take trips to the Catskills, the Jersey Shore and Italy as they try to navigate grief following Nick’s death, supporting Ginny despite the awkwardness of her situation with Anne, and an international move by Danny and Claude after they decide not to have a child.

Henningsen discussed Ginny’s arc this season and how she connects with Anne, who finds purpose in caring for baby Gino (or Eugene, depending on whom you ask), and what it was like juggling multiple projects along with filming “The Four Seasons.” — M.G.

At the end of the first season of “The Four Seasons,” viewers were hit with a big surprise: Ginny is pregnant. And in Season 2, we see her further along and eventually with a baby. What was it like to play Ginny at this stage in her life, navigating single motherhood? Did you look to anyone for inspiration?

I feel like Ginny’s character arc in this season was a tightrope walk that our writers executed flawlessly. Because, let’s be honest, the situation between Anne and Ginny is a bit bizarre. To quote our show, “there is no Beyoncé song” for what to do when your recently deceased ex-husband’s pregnant girlfriend shows up on the group hiking trip! What myself and the writers really tried to highlight, especially in those early spring episodes, is how scared Ginny feels to be entering motherhood without a partner by her side and how that fear and grief become the dominating force behind her actions. She’s just scrambling for some semblance of confidence and security, to feel like she’s going to be “ready” when the baby arrives. But, as any real mom can attest, there is no ‘“ready” when it comes to a baby. You just take it one day at a time and figure it out as you go. I love that Ginny has that realization toward the middle of the season. She may not be the perfect mom to Gino, but she’s his mom, and getting to play the beach scene where Ginny takes one tiny bold step, alone, into motherhood was super special. In terms of inspiration, I was constantly texting two friends of mine who had just had babies for ways to walk, ways to lay down, ways to stretch, etc. Also, our incredible hair department head, JT Franchuk (shoutout, JT!), was on set with me every day, and I was lucky to have her as a confidant and sounding board as she was seven months pregnant when we began shooting Season 2.

You share many great scenes with Kerri Kenney-Silver, who becomes a surrogate mother to Ginny and grandmother to her baby, despite the history between them. How did you two navigate this dynamic, and what was it like working together?

Kerri Kenney-Silver is truly the greatest scene partner an actor could have for a litany of reasons. Kerri comes from an improv background but is also a technical wordsmith. She’s constantly throwing out new line readings and physical comedy to bounce off of, but is also deeply respectful of the words Tina Fey and company have crafted, so she’s equal parts anchor to a scene as well as a playmate. Kerri and I never tried to nail down one exact “right” way to play a scene. We were constantly adjusting the levers with each take, digging into one another versus backing off, casually throwing away a sentimental line versus staring into one another’s eyes. What we did agree on was to never judge these two characters. Some people might look at our character’s choices as debilitating or selfish, but we both found that Anne and Ginny deeply needed and wanted to be there for one another. In their own little “odd couple” way, they were choosing one another to get through the next tenuous, unknown chapter of life. Oh, and working with Kerri? As I’ve said, “if you’re gonna lose a Steve Carrell, just wait til you gain a Kerri-Kenney Silver.” She is obviously so talented, but also one of the warmest and most welcoming humans I have worked with. And she makes me snort-laugh on a regular basis.

You came up in theater and originated the role of Cady Heron in the Broadway production of “Mean Girls,” based on the film by Fey. You were on Broadway in “Just in Time” last year, too. What has it been like to balance your stage work with your TV work lately?

Honestly? It’s been a lot! I say that with 98% gratitude and 2% “so tired when is vacation?” exhaustion. Last year, I was doing press for “The Four Seasons” while opening a brand-new original Broadway show, while also recording Season 3 of the hit animated series I currently star in, “Hazbin Hotel” [Prime Video]. My days were spent doing interviews in the morning, rushing to Circle in the Square theater for “Just in Time” preview rehearsals in the afternoon, recording episodes of “Hazbin Hotel” on my dinner break, all before heading back to the theater for an 8 p.m. curtain. I remember there was one night I did a SAG panel with Tina, Kerry and Marco on 55th and Broadway that ended at 7:45, and I was in pincurls and fake eyelashes, ready to go onstage opposite Jonathan Groff at 8:15. It is definitely a balancing act, and one I would not be able to navigate without my team and my husband. Nonetheless, I wouldn’t have it any other way. I love how each discipline has started to inform the other: I’ve taken my spontaneity in the voice-over booth onto set, I’ve taken my trust in stillness in front of the camera onto the stage, and I’ve taken my discipline doing eight shows a week into everything. Getting to dip a toe into multiple pools of the entertainment industry is, I think, the only way my brain wants to operate.

If “The Four Seasons” gets a third season, where would you like to see Ginny go?

In a perfect world? I’d love if Danny/Claude planned a fabulous trip to a gay destination like Mykonos that the rest of the group somehow gloms onto. I remember visiting Fire Island for the first time a few summers ago at Tina’s recommendation and loving it so much. I texted her that I never wanted to leave and she basically wrote back, “Yup. Always follow the gays.” So, maybe we will do exactly that in Season 3. Also, on a very specific Ginny note, I will hopefully have a toddler in Season 3 as opposed to a baby (our babies on set were under 6 months old so they definitely fell into the “handle with care” category!), and my dream is to be able to hold one the way Diane Keaton holds her toddler in “Baby Boom.” It’s a perfect moment of physical comedy, and I aspire to re-create it.

What have you watched recently that you are recommending to everyone you know?

“Beef” Season 2 and the recent Rafael Nadal documentary, “Rafa.” Both Netflix. What can I say? I’m loyal. The entire cast in “Beef” is spectacular, and I love the genre-bending the showrunner weaves throughout. You never quite know where you stand, but the twists feel earned and character-driven as opposed to gimmicky. There’s one quasi-bottle episode set in an ER that felt perfectly surreal, claustrophobic and exactly what it feels like to be in the ER on bad health insurance (speaking from 21-year-old experience). “Rafa” is just … no words. I love a sports doc (“The Last Dance” [Netflix], “Prefontaine” [VOD], “The Endless Summer” [Tubi] — you name it), probably because, in my heart of hearts, I just want to be an athlete.

What’s your go-to comfort watch, the movie or TV show you go back to again and again?

I will never tire of watching “The Parent Trap” [Disney+]. It’s perfect. Chessy is a queer icon, Meredith Blake is the “villain” but also get that vineyard honey, one of Lindsay Lohan’s best performances, and what I wouldn’t give to have an ounce of the class that was Natasha Richardson. Every scene is perfect, there’s not a single “skip” on the soundtrack. Also a flawless Maggie Wheeler cameo! Nancy Jane Meyers: You outdid yourself.

ICYMI

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Downton Abbey may be over, but these Netflix period dramas are giving fans plenty to enjoy

Downton Abbey may have drawn the curtain on the beloved ITV saga, however, Netflix offers a wealth of period dramas.

For viewers eager to fill that void, the streaming giant is renowned for its vast collection of original and licensed content spanning numerous genres, and boasts an impressive selection of costume and historical productions perfectly suited to Downton Abbey devotees, reports the Express.

Much like the beloved ITV period drama that became a worldwide phenomenon after American audiences became utterly captivated by every twist and turn in Julian Fellowes’ fast-paced series, Netflix has three spectacular costume dramas that could arguably surpass Downton Abbey itself.

Here’s a closer look at each one and what viewers have had to say about them.

1. The Crown

Netflix’s magnificent House of Windsor epic The Crown is unrivalled in its excellence, according to devoted fans since its debut in 2016.

The series, crafted by The Queen screenwriter Peter Morgan, chronicles the British monarchy from the beginning of Queen Elizabeth II’s reign through to the 2005 wedding of Prince Charles and Camilla Parker Bowles.

The Crown underwent several cast changes to reflect the passage of time, with Claire Foy, Olivia Colman and Imelda Staunton each taking on the role of Queen Elizabeth II. The Crown amassed a remarkable collection of awards, including 24 Emmys and two Golden Globes for best series, while Netflix disclosed back in 2020 that 73 million households had tuned in since its launch in 2016, according to BBC News.

Given that the series concluded in December 2023, considerably more viewers would have caught the show since that point.

Furthermore, a notable spike in viewership followed the passing of Queen Elizabeth II in 2022, as 17.6 million hours of The Crown were streamed on Netflix, the platform confirmed to CNN.

Viewers on Reddit have drawn comparisons between Downton Abbey and The Crown, weighing in on which they favoured.

One wrote: “I watched them both. I personally liked The Crown better although both are exceptionally well-done shows.”

A second chimed in: “The Crown. I could never fully get into Downton Abbey.”

A third Redditor observed: “Depends what you like. I prefer downton as The Crown is too slow sometimes. Downton also shows the life of all the staff in the Abbey as well as the rich people. The Crown has a way bigger budget, better cinematography and is about real historical characters [sic].”

2. Bridgerton

Regency bodice-ripper Bridgerton, adapted from the much-loved historical romance novels by American author Julia Quinn, stands as another hugely popular period drama on Netflix.

Each series centres on a different lead couple and explores various romantic storylines, amongst them friends-to-lovers, enemies-to-lovers and fake courtship blossoming into genuine romance. Bridgerton proved a runaway success following its arrival around Christmas 2020, transforming into a massive pop cultural sensation much like Downton Abbey.

The opening season accumulated 113,300,000 views within the initial 91 days of release, while the third season attracted 106,000,000 viewers upon its debut.

The programme stands as Netflix’s ninth most watched English-language series ever, Variety reported earlier this year.

Since its original launch and following subsequent seasons, it’s been viewed by hundreds of millions of devotees – and the figure continues climbing.

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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.

This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Bridgerton.

The programme is set to return for a fifth and sixth season, meaning these viewing statistics will climb even higher.

Opinion remains divided on whether Bridgerton surpasses Downton; nevertheless, one Redditor commented: “Hard to say. Bridgerton is an alternative history romantic fantasy as compared to a period drama. I watch it, but to me it’s not nearly as good as Downton Abbey.”

Another stated: “I love both Downton Abbey and Bridgerton, but they are very different shows.

“I loved “Bridgerton,” but an attempt to draw similarities and differences to “Downton Abbey” is a proverbial apples-to-oranges comparison. I enjoy both for the space they occupy in entertainment,” a third observed.

3. The Empress

Lastly, sweeping German period drama The Empress has captivated audiences and draws from the actual life of Empress Elisabeth of Austria (Devrim Lingnau). The programme first launched in 2022 and charts the struggles and triumphs of a ruler navigating her romance with her husband, his conniving family, and the treacherous world of court politics.

The series ranks amongst the most watched non-English language programmes on Netflix, having amassed over 76 million views, according to What’s on Netflix.

One viewer took to IMDb to share their thoughts: “If you like The Crown, you’ll like this.”

They went on to say: “Just a couple of scenes at the first half. Romantic would be something like Pride and Prejudice or Bridgerton. This was more like Downton Abbey or The Crown, where in the drama is the focus.”

A second viewer enthused: “The acting is superb. I simply cannot believe how amazing this series is, and it easily rivals ‘The Crown’, ‘Downton Abbey’, ‘Outlander’, ‘Poldark’ and ‘Vikings’, and surpasses many others. It’s more serious than contemporary feeling shows like ‘Bridgerton’. In my opinion it is a contender with all the top historical dramas.”

The Crown, Bridgerton and The Empress are all available to stream on Netflix now

Eleanor Tomlinson is returning to screens in the new Channel 5 thriller The Fortune

Poldark actress Eleanor Tomlinson is returning to television screens as she leads the cast in a gripping new Channel 5 drama.

The 34-year-old actress is famed for playing Demelza Poldark on the BBC period drama across all five seasons from 2015 to 2019.

The character was the devoted wife of Ross Poldark, played by Aidan Turner, an army officer who returns to his native Cornwall after the American Revolutionary War in 1783.

Following her exit from Poldark, Tomlinson played Louisa Bryne in the period drama The Forsytes and Mary Brighton in The Nevers, a Victorian-set drama. However, the actress will now be appearing in the modern psychological thriller The Fortune, reports Radio Times.

The Fortune will premiere on Channel 5 on Tuesday, 2 June and follows Tomlinson’s character, Amanda, after she suddenly inherits a vast fortune from a man she has never met or heard of.

With his own family incensed to find out his estate is going to a supposed stranger, battle lines are soon drawn, and threats soon start to fly.

Amanda goes from her regular life of working in a café and being a happily married mother to her life being turned upside down.

Ahead of The Fortune landing on screens, Tomlinson has opened up to Radio Times about the direction of her career following her exit from Poldark.

“I’d done it for five years”, she said, “There are elements I miss, but it was time to do something else, spread my wings and push myself in a different direction.”

When asked which acting role she mostly gets recognised for by fans, she explained: “Poldark is the main one and I get a lot of One Day, and The Forsytes. It’s always nice when they get it right and don’t say, ‘Were you in Game of Thrones?’, ‘No, wrong redhead!’.”

As well as Tomlinson leading the cast, The Fortune also boasts the likes of Harry Potter star Matthew Lewis, All Creatures Great and Small favourite Callum Woodhouse and former EastEnders star Nina Wadia.

Also starring in the Channel 5 drama are Rebecca Front (The Thick of It), Stephen Tompkinson (DCI Banks), Paula Wilcox (Trying), Danielle Walters (Chewing Gum) and Denis Lawson (Bleak House).

The synopsis for The Fortune reads: “Amanda Blakefield’s life is a happy one, with her husband Jimmy and their son Luke. But when Amanda is left an enormous inheritance by a man she has neither met nor heard of before, her life starts to fall apart.

“Amanda becomes embroiled in the world of the Worralls, where Martin Worrall is head of a family bound in past secrets. As Amanda is drawn further and further into past events and relationships, all of their lives are turned upside down.”

It’s now been confirmed that The Fortune will premiere on 5 on Tuesday, June 2 at 9pm, followed by the second episode the following Wednesday evening at the same time.

The hit period drama has been hailed by fans as ‘even better than Downton Abbey’ – and both were created by the same person.

A period drama branded “superior” to Downton Abbey has totally captivated audiences.

The star-studded series, which fans are describing as “pure binge-worthy escapism”, has already secured renewal for an additional season.

Historical drama enthusiasts will be thrilled to discover the acclaimed new programme was crafted by Julian Fellowes, the creative force behind international hit show Downton Abbey.

Taking place several decades prior to the ITV drama, this series unfolds in the USA, with an IMDb synopsis stating: “The conflicts surrounding the new money Russell family and their old money neighbors, the van Rhijn family, in 1880s New York City high society.”

The Gilded Age debuted its inaugural season in 22, with season 3 landing just last year in 2025, reports the Express.

Fans are already clamouring for additional episodes, as the most recent instalment delivered more “nail-biting drama” than previously seen.

The impressive ensemble also boasts numerous recognisable talents, including The White Lotus’ Carrie Coon, Poldark’s Harry Richardson, Sex and the City’s Cynthia Nixon and Mamma Mia! star Christine Baranski.

Numerous devotees have championed the period drama, with one posting to The Gilded Age Fan Page on Facebook: “The Gilded Age is even better than Downton Abbey.”

In the comments section, multiple viewers expressed their views, with one agreeing: “Listen up! I just wrapped up the first season of Downton Abbey to carry me over until tonight, and let me tell you, it’s a solid show. However, The Gilded Age is on a whole different level.”

“The Gilded Age is indeed superior!” a second declared, as another contributed: “I actually agree but only because I’m American and this history is more close to home personally. Very interesting!”

Nevertheless, others disagreed, with one person stating: “I love The Gilded Age BUT Downton Abbey stands alone no comparison.”

Another added: “Sorry but Downton Abbey is better in my eyes but I do love the Gilded Age too.”

Others couldn’t decide, with another viewer explaining: “They are equally wonderful. A pair of timeless masterpieces.”

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Sky is giving away free subscriptions to Netflix, Disney+, HBO Max, Hayu and discovery+ to customers on the Ultimate TV bundle. This also includes 135 channels such as Sky Atlantic and Sky One.

Meanwhile, some enthusiasts recalled one of Britain’s most celebrated period dramas, observing: “But not as good as the original Upstairs, Downstairs, on which it was based.”

Another concurred: “Oh guys, Upstairs Downstairs from the 70’s was deeply wonderful.”

The Gilded Age boasts an impressive 89% fresh rating on Rotten Tomatoes, with season 3 in 2025 achieving its highest score yet of 96%.

Taking to the comments section on the review aggregator platform, one enthusiast remarked: “Amazing series! Can’t wait for season 4.

“The show keeps getting better!” another gushed, as a third penned: “One of the best series on TV.. I and my daughter absolutely loved it. All 3 seasons. The nail biting drama at the end of each episode, kept us on the edge of our seats. Nicely done. The acting was superb.”

“I have been watching this show since the 1st season and it just gets better and better,” another concurred, as another contributed: “Love it!!! the Gilded Age is pure binge worthy escapism!!”

One enthusiastic viewer wrote: “Best show on TV right now! I am from India and I freaking low this show. Been a fan of Downton Abbey and this show just gives more drama, power issues and love lessons. Beautiful to the core! Love it.”

The Gilded Age is currently available to watch on Sky, while Downton Abbey can be streamed on ITVX.

A British historical fantasy drama series has left viewers on the edge of their seats

Fans of period dramas have been eagerly binge-watching a beloved series.

Britannia is a British historical fantasy drama created by Jez Butterworth and Tom Butterworth. The series is set in 43 AD, when the Romans invaded Britain – 90 years after Julius Caesar failed to conquer the nation.

General Aulus Plautius and his second-in-command, Lucius, are hell-bent on succeeding where Julius Caesar fell short, by whatever means necessary.

The series chronicles Rome’s conquest of the Celts across the British Isles – “a mysterious land ruled by wild warrior women and powerful druids who can channel the powerful forces of the underworld,” according to the official synopsis.

Celtic rivals Kerra and Antedia eventually join forces to repel the Roman invasion spearheaded by Aulus. But are they successful? You’ll need to tune in to find out, reports Wales Online.

Britannia originally aired on Sky Atlantic in the UK in 2018, with two further series following in 2019 and 2021. For those wishing to immerse themselves in the mystical era of the Roman Empire, all 27 episodes are now available to stream on NOW and Sky Go.

The programme boasts an impressive ensemble cast, featuring David Morrissey as Aulus Plautius, Hugo Speer as Lucius, and Yellowstone’s Kelly Reilly as Kerra. Further stars include Aaron Pierre, Zoë Wanamaker, Mackenzie Crook, Nikolaj Lie Kaas, Barry Ward, Stanley Weber, Joe Armstrong, Eleanor Worthington Cox, and Ian McDiarmid.

The production was largely shot across Wales and the Czech Republic. In Wales, the dramatic coastline and untamed landscapes were captured in rural settings, including the nation’s “most beautiful” beach Rhossili Bay, along with Henrhyd Falls and Nash Point.

Britannia garnered a broadly favourable response following its launch, with numerous critics labelling it “the new Game of Thrones”.

Viewers have similarly praised the series, with one IMDb user commenting: “What an epic series! You’ll definitely not regret watching this show. It’s perfect.”

Another wrote: “Excellent production, breathtaking locations, amazing cast. One of the best series I have watched in a while,” while a third remarked: “A magical retelling of British history. Game of Thrones fans will love this.”

A further viewer posted: “One of the best series ever! Captivating story telling with superb locations. A wild tale brought to life. Couldn’t stop watching. I’m hooked!”

A fifth enthusiast concurred, stating: “The show is brilliant, the actors are phenomenal. Crazy, funny, and steamy. Total masterpiece.”

Yet another viewer noted: “Britannia is a mesmerising historical fantasy series that masterfully blends myth, mysticism, and warfare. The series stands out for its bold storytelling, rich character development and immersive soundtrack. If you’re a fan of historical dramas with a touch of the mystical, Britannia is a must-watch.”

Britannia is available to stream on NOW and Sky Go

The epic period war drama has enthralled critics and audiences world-over, earning glowing praise from all quarters, with viewers comparing it to the brilliance of Gladiator.

Fans of iconic filmmaker Ridley Scott and his cult classic Gladiator are in for a treat, because there’s another film by the director that viewers feel is giving his OG period war masterpiece a run for its money. With a screenplay penned by Ben Affleck, Matt Damon, and Nicole Holofcener, the 2021 epic historical war drama has enthralled critics and audiences world-over, earning glowing praise from all quarters — and it’s streaming on Disney+ and Amazon Prime Video.

Viewers can’t stop raving about Scott’s 2021 film, The Last Duel, which stars Jodie Comer ( Killing Eve ) in the titular role, alongside Adam Driver and Damon. Affleck also has a supporting role in the movie, and the stars are joined by Harriet Walter, Alex Lawther, and Serena Kennedy to round out a stellar supporting cast.

Filmed in France and Ireland, Scott’s epic period drama is one that most people haven’t heard of, owing to its release during the height of the COVID-19 pandemic in October 2021.

Based on true events, the film’s official plot summary states: “Jean de Carrouges is a respected knight known for his bravery and skill on the battlefield. Jacques Le Gris is a Norman squire whose intelligence and eloquence make him one of the most admired nobles in court. The two knights must fight to the death after Carrouges’s wife, Marguerite, accuses Le Gris of assault. The ensuing trial by combat, a gruelling duel to the death, places the fate of all three in God’s hands.”

Garnering largely positive reviews from both critics and audiences, The Last Duel has made its mark, especially when it comes to the period war drama genre.

One critic said of the film: “A brutal, harrowing, intriguing, stunningly well-made film that will linger in your thoughts for quite some time.”

While another reviewer lavished praise on the director: “Ridley Scott delivers one of his best works in years with this brutal, righteous, superbly acted historical drama.”

A third critic said of the historical epic: “With the stakes set so high, Scott rises to the challenge and delivers a brutal, visceral ‘last duel’ with complex narrative designs and a phenomenal carousel of performances.”

While one reviewer simply declared: “Trust us when we say this is a cinematic epic.”

Audience reviews follow in a similar vein, with one fan saying: “A classic Ridley Scott’s work. A masterpiece.”

While another viewer writes: “Brilliant historic epic, beautifully filmed and captivating characters. If you like historical dramas, this is a great film for you”

A glowing IMDB user review of The Last Duel states: “Ridley Scott is the Master of this Genre for a reason. Best director you can find for this kind of visual storytelling is Ridley Scott, and believe me, he’s still top of his game. To be honest, I don’t think that Gladiator was a best picture because of Ridley’s effort, I think it was Russel’s incredible performance. But this movie shines because of Ridley’s awesome visual style.”

While another impressed audience member commented: “[Ridley] Scott certainly gives us a big, bloody and savage movie. Indeed of all his films, this could be the one most likely to appeal to fans of ‘Gladiator’. It’s a fantastic-looking film. There is so much about ‘The Last Duel’ that is smart, funny and totally unexpected that it just might turn out to be the most unlikely multiplex movie of the year.”

Another IMDB review of the period drama (and Ridley Scott’s brilliance) states: “This is, I think it could be argued, in the absolute top tier of Ridley Scott’s filmmaking oeuvre. More than that — and this might be more controversial, but I stand by it — I think it’s his best film, and that it isn’t close.

“This is a Rashomon-style multiple-viewpoints epic with lavish production values, superb acting across the board from a powerhouse cast, and supremely subtle and skilful directing. It is thoughtful, impactful cinema that should be part of the conversation about the best outings in historical filmmaking.”

The Last Duel is available to stream on Disney+ and Amazon Prime Video.

Huddersfield Town boss Liam Manning has left the club by mutual consent, two months after taking compassionate leave.

Manning stepped back from his role in March, with the League One side saying in a statement at the time that the decision was made after he “made the club aware of ongoing personal matters relating to the tragic passing of his newborn son Theo in October 2024”.

“I want to pay huge tribute to Liam today,” chairman Kevin Nagle told the club website.

“Stepping away from this role is the correct decision for him and his family, and that comes before absolutely everything else.”

The Ducks’ second-round playoff showdown with the Vegas Golden Knights has become a best-of-three series.

With a 4-3 victory Sunday before a raucous sold-out crowd at the Honda Center, the Ducks evened the series 2-2 as it heads back to Las Vegas for Game 5 on Tuesday. But it wasn’t easy, with the Golden Knights twice rallying from one-goal deficits, only to see the Ducks answer each time.

And the Ducks’ power play, so lethal in the team’s first-round win over Edmonton and so ineffective in the first three games of this series, finally found a spark, scoring goals in each of the first two periods.

The Ducks’ goals came from Beckett Sennecke, Mikael Granlund, Alex Killorn and Ian Moore. Pavel Dorofeyev, Brett Howden and Tomas Hertl scored for Vegas.

The Ducks were fast and physical in the early going, playing with an urgency they lacked in their Game 3 loss. They also did a better job protecting the puck and that paid off with the team’s first power-play goal of the series 8:43 into the first period.

Vegas had killed 11 penalties against the Ducks and 21 in a row dating back to Game 3 in their first-round series against Utah. But after Dylan Coghlan went off for interference, Sennecke teed up a slap shot from the top of the right circle for his fourth goal of the playoffs, putting the Ducks up 1-0.

The lead didn’t last long, however, with Dorofeyev evening things with a power-play goal of his own about a minute and half later. The goal, on a tip-in, was Dorofeyev’s fifth of the postseason.

Ducks defenseman Ian Moore celebrates with teammates after scoring in the third period of a 4-3 win over the Golden Knights in Game 4 on Sunday at Honda Center.

(Allen J. Schaben / Los Angeles Times)

Granlund put the Ducks back on top less than five minutes before the first intermission, taking a pass from Jeffrey Viel along the left-side boards and getting off a shot as he battled Vegas forward Cole Smith. The puck appeared to strike the blade of Smith’s stick as Viel let it go and that proved fortunate for the Ducks since the deflection fooled defenseman Noah Hanifin and goalie Carter Hart, who both let the bouncing puck tumble through them and into the goal.

That lead didn’t last long, either, with Howden tying things again for Vegas 4:04 into the second period. The goal, on the Golden Knights’ ninth shot, was Howden’s seventh of the playoffs, giving him a share of the NHL lead. Mitch Marner assisted on the first two Vegas goals, giving him a league-best 15 points in 10 postseason games.

However, Killorn scored the Ducks’ second power-play less than two minutes before the second intermission, putting the Ducks in front to stay. Moore doubled the lead 3:43 into the third, lining in a slap shot from well above the right circle.

The two-goal lead matched the largest of the series for the Ducks. Hertl cut that in half with 64 seconds to play after Vegas pulled their goalie for an extra attacker. But the Golden Knights got no closer.

Both teams have split their two games at home. The Golden Knights will have the home-ice advantage — if there is one — over the last three games since two are scheduled in Las Vegas.

Sunday’s win marked the sixth consecutive time the Ducks evened a playoff series it trailed 2-1 after three games.

Vegas played without winger Mark Stone, whose 28 goals were second-most on the team during the regular season. Stone, who had a goal and an assist in the first three games against the Ducks, is the team’s all-time playoff scoring leader with 79 points (39 goals, 40 assists) in 94 games. He sustained an undisclosed injury in the first period of Game 3 and his status for the rest of the series is unclear.

The period drama has now been split into four parts for the free streaming service.

A “masterpiece” period drama split into four parts is free to watch on BBC iPlayer.

The Count of Monte Cristo is a 2024 film based on the 1844 novel by Alexandre Dumas.

Starring Pierre Niney as Edmond Dantes, the tale follows the young sailor falsely imprisoned for treason on his wedding day.

Escaping more than a decade later from the fortress he is imprisoned in, he transforms into a wealthy Count and builds a new life under the fake identity.

Behind the mask, he sets out to get his revenge on those who betrayed him.

The synopsis reads: “Falsely accused, imprisoned for 15 years – now he’s out for revenge on those who wronged him. An epic drama of betrayal, love and vengeance starring Pierre Niney.”

The 2024 film has been split into four parts for BBC iPlayer after becoming a huge hit when it first premiered.

One fan hailed it an “excellent adaptation from the beautiful novel, with another calling it “absolutely terrific”.

One viewer branded it a “masterpiece”, while someone else said: “I truly loved this movie and I am not an avid movie watcher, easily one of the best movies I’ve ever seen.”

“A dream come true for Monte Cristo fans,” one said, as another review was titled “Absolutely stunning”.

“Go out of your way to see this one,” one viewer advised, while someone else called it “unmissible”. They continued: “I was absolutely captivated by the film from start to finish. Every moment kept me on the edge of my seat, and I wasn’t bored for a single second.”

“A gorgeous modern production of timeless epic,” another person said, while one fan called it “spectacular”.

Despite the widespread praise, French actor Pierre Niney previously admitted he was “pessimistic” about the project at the start.

He told Forbes: “I remember thinking ‘It’s not going to be made, they’re not going to find the money’. It would take people crazy enough to embark on a 1200 pages book to make one movie.

“So I was pessimistic at the start, thinking it was too good to be true. And actually it’s even better than what I had imagined, so it will stay engraved in my memory forever.”

The Count of Monte Cristo is available to watch on BBC iPlayer.

This captivating period drama has had viewers binge-watching all ten episodes after just one week

A brand new period drama adaptation has arrived on BBC iPlayer, and viewers are already captivated.

The Lady Grace Mysteries is a collection of children’s detective fiction novels, originally penned by English author Patricia Finney, before Sara Volger and Jan Burchett later came aboard as co-authors.

Written in diary format, the story centres on Lady Grace Cavendish, a maid of honour to Queen Elizabeth I, who sets out to unravel a series of mysteries within the royal court.

The series comprises 12 books in total, with the earliest releases regarded as the most beloved titles. These include Assassin, Betrayal, and Conspiracy – published in 2004 and 2005. The final instalment, Loot, hit shelves in 2010.

Now, audiences can immerse themselves in the 16th-century royal court as the beloved books have been brought to life in a new BBC adaptation. The “vibrant” new drama breathes excitement, humour and intrigue into Queen Elizabeth I’s court, appealing to younger viewers, as well as older fans who grew up devouring the books, reports the Liverpool Echo.

“The series introduces 14-year-old Grace Cavendish, a spirited lady-in-waiting with a sharp mind, a strong sense of justice and one enormous secret: she is the Queen’s top secret teenage spy,” reads the official synopsis for the series.

“Moving through the glittering but treacherous world of the Tudor court, Grace must juggle her official duties with undercover missions as she tackles everything from stolen crowns and mysterious hauntings to political plots and deadly traitors hiding in plain sight (Claudia Winkleman not included).

“With picture perfect palaces, sweeping gardens, secret passageways and lavish royal celebrations, The Lady Grace Mysteries brings the Elizabethan Golden Age to the screen in a way that feels both authentic and fresh. Alongside her best friends, Ellie, a fearless scullery maid, and Masou, an ambitious young actor, Grace’s world is packed with daring escapades, heartfelt friendships and relatable teenage drama, just with more ruffs, royal balls and assassination attempts.”

Sarah Muller, Head of Commissioning 7+ at the BBC, commented: “The Lady Grace Mysteries is everything we love in co-viewing a series: it’s warm, funny and full of adventure, with a brilliant young heroine at its heart.

“It blends mystery, history and big emotional stories in a way that feels fresh and exciting for today’s audience, while giving parents and grandparents something richly nostalgic and visually spectacular to enjoy too. We’re so proud of this show and can’t wait for families to discover Grace’s world together.”

Evie Coles takes on the role of Grace, with Rebecca Scott portraying Queen Elizabeth I. The cast further features Carys John, Twinkle Jaiswal, Rafael Alessandro, Georgia Farrow, and Fintan Buckard. All ten episodes of The Lady Grace Mysteries dropped on BBC iPlayer earlier this month (April 20), with viewers already devouring the entire series in one sitting.

Numerous fans have taken to social media to express their enthusiasm, with one user posting on X (formerly Twitter): “The Lady Grace Mysteries are heaps of fun.”

Another chimed in: “It’s actually a kids show but I’m liking the teenage spy at the Elizabethan court. Great fun with FAB costumes. Each character has their own colour scheme, Lady Grace in greens, the Queen in orange/gold, another in purple, one in blue. NICE!”

The official CBBC Instagram account also enthused: “If you like and miss Malory Towers… we’ve got you! Brand new series, with familiar faces… #TheLadyGraceMysteries is available right now.”

The Lady Grace Mysteries is available to stream on BBC iPlayer

Fans of The Other Bennet Sister looking for their next period drama fix should watch the BBC’s gripping sequel to Pride and Prejudice available on iPlayer

The Other Bennet Sister has made a significant impression on period drama fans but as they complete the first and only season, they’re desperately searching for another Jane Austen tale.

Within the same universe Austen crafted, they can opt to watch Death Comes to Pemberley, a narrative that begins exactly where Pride and Prejudice concluded.

Much like the 2026 series, The Other Bennet Sister, this 2013 standalone series is also a follow-on from Jane Austen’s Pride and Prejudice, penned by a different author.

It’s adapted from P.D. James’s 2011 novel, which employs the same characters and style of the original 1813 work.

Over three episodes, it pursues a murder mystery angle, featuring the characters that Austen devotees recognise and adore but in a somewhat different setting.

The Guardian said its production was “respectful” of Austen’s iconic work while managing to “stand out” and be its own “very different” entity.

Though it also shares similarities with the Pride and Prejudice adaptation, as Chatsworth House in Derbyshire served as the exterior location for Pemberley. This was the identical setting used for the estate in the 2005 film.

A viewer headed to IMDB to post their assessment of Death Comes to Pemberley, stating: “If you are like me and enjoy your Pride and Prejudice and a good murder plot, then you would love this series!”

They continued: “Elisabeth in particular is just like I would have imagined; she is the same spirited, outspoken person we know and love, while Darcy is more brooding, quiet and responsible (while I may have chosen other actors in terms of appearance, I think they portray the characters very well as reactions).”

A PopMatters critic also weighed in, writing: “Death Comes to Pemberley, a sequel to Jane Austen’s Pride and Prejudice by P.D. James, is a worthy addition to Austen’s original, and the BBC adaptation makes that case wonderfully.”

Set in 1803, the drama kicks off six years after the wedding of Mr Darcy and Elizabeth Bennet, when a mysterious disappearance unsettles the entire community. Wickham and Denny quarrel before departing in a horse and carriage, and shortly afterwards, two gunshots ring out.

Upon being informed of the incident and the two men’s disappearance, Darcy dispatches a search party. They find Wickham frantically clutching Denny’s lifeless body, setting in motion the tale of how this devastating death came about.

Naturally, venturing into Austen’s world carries considerable weight, as the cherished author’s work is regarded as sacred by legions of devoted fans.

As a result, the series has faced its fair share of criticism over its depiction of certain Austen characters which have since been reimagined by other writers.

One critical IMDB reviewer wrote: “When you use well-known and loved characters from something as famous as Pride and Prejudice, they should at least stay faithful to their original characters. Which it does, mostly, but the portrayal of Elizabeth Bennett was just really off.”

Anna Maxwell Martin takes on the role of Elizabeth, alongside Matthew Rhys as Fitzwilliam Darcy, Jenna Coleman as Lydia Wickham and Matthew Goode as George Wickham.

For those seeking their next Austen-inspired drama, this compact three-episode series makes for an ideal binge-watch; Death Comes to Pemberley is currently available to stream on BBC iPlayer.

The movie is beloved by viewers and critics with a 97% score on Rotten Tomatoes

A historical post-war film has been hailed as “one of the most beautiful movies ever made.” This film follows a young Irish woman who is torn between two worlds in the 1950s. Critics and audiences alike have praised its emotional precision and timeless appeal.

Boasting an impressive 97% on Rotten Tomatoes, Brooklyn (2015) is the perfect weekend watch. It is now available to stream for free on BBC iPlayer. However, viewers only have 19 days left to catch the film.

In the 1950s, young Irishwoman Eilis Lace (played by Saoirse Ronan) leaves her small hometown for a new life in Brooklyn, drawn by the promise of opportunity in America.

Though she initially struggles with homesickness, she gradually adapts. Eilis eventually falls in love in Brooklyn, and embraces her independence.

However, a sudden family emergency calls her back to Ireland, where she becomes entangled once again in the life she left behind.

Caught between her past and her future, Eilis must choose between two countries and the very different lives each offers.

Reviews

“In short, Brooklyn is one of the very best films of the past decade and worth looking back on,” wrote Dave Giannini for InSession Film.

Giving the film a five out of five, Don Shanahan from Film Obsessive shared: “Brooklyn is a forthright, approachable, and esteemed historical drama where the dignity and honesty soar to heavenly heights to shine on the plights of love and independence.”

Audience members also raved about this film. One said: “Beautiful story. One of the best movies. Moving.” Another added: “Beautiful classic in every sense of the word. Outstanding performances. Atmospheric joy. Don’t miss it.”

A third wrote: “It’s a masterpiece, and profoundly moving, especially if you’re an immigrant yourself. The closing is one of the most beautiful romantic scenes ever. In my opinion.”

Lastly, someone said: ” One of the most beautiful movies ever made. Colours, music, and reticence punctuate throughout. I have watched the scene in the dining room of the church 7,351,212 times.

“The man sings, the actress recognises brilliance amidst shuffles and anonymity, and then the director cuts to her chaperone listening to a radio. So god**** brilliant.”

You can now watch Brooklyn on BBC iPlayer by clicking here.

RISING fuel costs linked to the war in Iran have forced a major airline to slash more than 100 flights – including services to and from London.

Dutch company KLM is axing 160 flights across Europe over the next month as soaring fuel prices pile pressure on the industry ahead of the busy summer period.

The cuts will hit routes in and out of Amsterdam’s Schiphol Airport, with departures and arrivals split evenly .

Despite the disruption, the airline insists there is no shortage of jet fuel, saying the move is purely down to spiralling costs.

A KLM spokesperson said: “Passengers affected by these changes will be rebooked onto the next available flight.

“As these are destinations KLM serves multiple times a day, such as London and Düsseldorf, travellers can usually be accommodated quickly.

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“KLM expects a busy May holiday period and is making sure passengers can travel to their holiday destinations as planned.”

KLM’s flight cancellations comes after the head of the International Energy Agency Fatih Birol said mass flight cancellations will begin “soon” if the Strait of Hormuz remains closed.

“In the past there was a group called ‘Dire Straits.’ It’s a dire strait now, and it is going to have major implications for the global economy”, Birol told AP.

Adding: “And the longer it goes, the worse it will be for the economic growth and inflation around the world.”

Birol’s deadline means airports could face critical fuel shortages by May, causing travel chaos for Brits heading abroad during the school May half-term holidays.

Oil prices have soared since the start of March after Iran closed off the Strait in response to US-Israeli forces bombing.

The Persian Gulf chokehold sees around 40 per cent of the world’s jet fuel supply pass through.

It comes after ACI Europe, which represents European airports, said the key trade route must open within three weeks or fuel reserves will run drastically low on Friday.

A number of airports in Italy have already warned that they were running out of fuel.

According to local reports earlier this week, Brindisi-Casale Airport confirmed that Jet A1 fuel was not available for a short period of time.

And British Airways has announced it will permanently axe its service from London Heathrow to Jeddah in Saudi Arabia from April 24.

The airline had been operating a four flights a week service since November 2024.

But a shift in demand, due to the conflict in the Middle East, has led to the airline terminating the service.

KLM stressed the cancellations make up just one per cent of its European schedule.

But the move will still spark concern for Brits planning trips abroad as airlines battle rising operating costs.

It comes as carriers across Europe scramble to balance the books amid the fuel crisis.

Earlier this month, UK airline Skybus pulled the plug on all future flights between London Gatwick and Newquay.

The route, which launched in November 2025, had been backed by Cornwall Council and the Department for Transport under a public service scheme due to run until the end of May.

However, a slump in passenger numbers combined with higher fuel costs forced the airline to ground the service early, with its final flights taking off on April 2.

The latest cuts raise fresh fears of further disruption for holidaymakers as the peak summer season approaches.

Meanwhile other vital UK services could also face shortages if a deal to end the Middle East war is not struck soon.

Medicines UK, which represents companies making 85 per cent of NHS prescriptions, said NHS patients could face prescription shortages within weeks.

This could place “significant pressure for the NHS as early as June”, the organisation warned.

And Brits could even face shortages of supermarket staples such as beer and meat as officials fear the blockade of the Strait could cut vital carbon dioxide supplies.

CO2 is used in food packaging to improve the shelf life of salad, packaged meats and baked goods – and also slaughtering nearly all pigs and most chickens.

Tim Lang, professor of food policy at the University of London, who has been a member of several government bodies including the UK Council of Food Policy Advisors, told The Sun that the UK has “next to no food storage”.