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Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

It seems odd that the biggest news of the week was the fact that tickets for a movie went on sale, but apparently Christopher Nolan’s upcoming “The Odyssey” is no typical movie. Having already made tickets available for some shows a full year in advance, Universal put more of them on sale for the July 17 opening weekend of the Oscar-winning filmmaker’s ancient epic. There were reports of long online wait times, crashing ticketing systems and the kind of problems more often associated with pop stars than movie nerds.

“The Odyssey” will be playing in a variety of formats, with the Imax 70mm screenings among the most coveted. More venues than usual have also been announced as playing the film in 70mm, including the Village Theatre in Westwood. (A handy visual guide to the different fomats is on the film’s website.) While there is a hint of the ridiculous to some of this mania — popcorn buckets in the shape of Imax cameras and movie tickets going on the resale market for hundreds of dollars — there is no denying how exciting it is to see this kind of anticipation building around any movie.

Back to a ’90s phenomenon

Ewen Bremner, left, Ewan McGregor, Johnny Lee Miller and Robert Carlyle in the movie “Trainspotting.”

(Liam Longman / Sony Pictures Classics)

When it first came out in 1996, “Trainspotting” was an instant cultural phenomenon, capturing the vibes of the “Cool Britannia” moment with its sparkling soundtrack, inventive, high-energy style and cast that included up-and-coming talents such as Ewan McGregor and Kelly Macdonald. It was only the second feature directed by Danny Boyle, who would go on to be an Oscar winner, mount an Olympics opening ceremony and remain a reliably exciting filmmaker all the way to his recent “28 Years Later.”

“Trainspotting” is now back in theaters in a 4K restoration for its 30th anniversary, having lost none of its brash vigor. In his original review, Kenneth Turan said of the film, “Exuberant and pitiless, profane yet eloquent, flush with the ability to create laughter out of unspeakable situations, ‘Trainspotting’ is a drop-dead look at a dead-end lifestyle that has all the strength of its considerable contradictions.”

Appearing like magic

Kathy Najimy, left, Bette Midler and Sarah Jessica Parker in the 1993 comedy “Hocus Pocus.”

(Disney)

Directed by Kenny Ortega, “Hocus Pocus” is one of those movies that has seen its fanbase grow steadily over the years — it is now much more beloved than it ever was on initial release. (It even inspired a 2022 sequel.) Bette Midler, Sarah Jessica Parker and Kathy Najimi play the Sanderson sisters, 17th century witches who find themselves inadvertently brought to modern day by a group of teenagers messing around with casting spells.

The film will play Saturday at the Gardena Cinema, featuring a live commentary from cast members Omri Katz, Thora Birch, Larry Bagby, Tobias Jelinek and Vinessa Shaw followed by a Q&A. This is a rare appearance by Katz in particular, who has retired from acting. Fans of the movie should make the effort to attend.

The Gardena, the last family-owned single-screen theater in Los Angeles, suffered a blow last weekend when a burst pipe flooded the venue. Though they are operational, a campaign has been started to help them recoup repair costs.

Examining the life of the mind

John Turturro in the 1991 movie “Barton Fink.”

(20th Century Fox)

Ranking the films of Joel and Ethan Coen has become a cottage industry of its own. Personally, I go back-and-forth on where to place 1991’s “Barton Fink,” which won the Palme d’Or at Cannes, as well as prizes for director and actor. The movie is by turns funny, disturbing and inscrutable (all good things), with John Turturro in the title role as an intellectual New York playwright who goes to Hollywood to write screenplays — and slowly goes insane.

The movie will play Friday in 35mm at Vidiots with an introduction from Noah Segan, who directed Turturro in one of the breakout titles from this year’s Sundance, “The Only Living Pickpocket in New York.” Hopefully, this will turn into a year in which Turturro gets some long-deserved accolades.

Christmas in June

Elliott Gould on the set of 1978’s “The Silent Partner.”

(Anwar Hussein / Getty Images)

There is something particularly charged about watching a Christmas movie at other times of year — an odd sense of dislocation and maybe even something a little naughty, a circuit-scrambling frisson. So it is particularly notable that as part of their salute to the independent studio Carolco Pictures (behind such films as “Basic Instinct,” “Terminator 2: Judgment Day” and “Reservoir Dogs”), the Vista will be showing 1978’s “The Silent Partner.”

Just the kind of tight and gripping thriller that people pine for all year round, “The Silent Partner” has a screenplay by Curtis Hanson, who would go on to make “L.A. Confidential.” Elliott Gould plays a Toronto bank teller who tries to rip off the thief (Christopher Plummer) who robs his branch wearing a Santa costume as a disguise. Soon they are both scheming against each other.

In his original review of the film, Kevin Thomas called it “tense and ingenious.” In a reconsideration of the film some months later, Charles Champlin called it “a stylish crime-suspense story, a cat-and-mouse game between Christopher Plummer as a clever, sadistic bank robber and Elliott Gould as a bored bank teller who sees a way out of his boredom and into riches.”

So much beauty

Brooke Adams and Sam Shepard in the 1978 movie “Days of Heaven.”

(Criterion Collection)

Terrence Malick’s 1978 “Days of Heaven” is still strikingly singular: a love story told with a stirring visual style. The film’s beauty — aside from its impossibly good-looking lead actors, Richard Gere and Brooke Adams — in part comes from gifted Spanish cinematographer Néstor Almendros, who made his American debut after a career in Europe that saw him working with filmmakers such as Eric Rohmer and François Truffaut. Almendros would win an Academy Award for the film.

The New Beverly will show “Days of Heaven” in 35mm Tuesday through Thursday as a double bill with Truffaut’s 1970 “The Wild Child,” shot by Almendros in black-and-white. Writing about “Days” in 1978, The Times’ Charles Champlin called it “an extraordinary and original visual experience and a movie which is thrilling in its uncompromised purity.”

Perverse fun

Ha Jung-woo, left, and Kim Min-hee in the 2016 movie “The Handmaiden.”

(TIFF)

Korean filmmaker Park Chan-wook was just president of the Cannes jury and has become a much-beloved figure on the international circuit for his wicked sense of humor and sharp sense of style. Nowhere is that on better display than his 2016 film “The Handmaiden,” which is somehow at once a period drama, a con-man thriller and an erotic lesbian romance. Vidiots will be showing the movie Sunday.

As Justin Chang wrote when the film was released, “Without sacrificing his taste for psychosexual perversity or his flair for violent grace notes, Park has given us a teasingly witty and elegant puzzle-box of a thriller whose pleasures are rooted not in visceral shock but in narrative surprise, and which wisely opts to seduce rather than pulverize its audience.”

In an interview at the time, Park said the film’s unpredictability was part of the project’s appeal. “That’s the exact kind of fun to be had with this film and the reason why I chose to make this film. Everything becomes a game of perception. Rather than to say it’s a difficult thing to navigate, it is fun to deal with. Not only for me as a filmmaker but for the audience to see that and engage in that game.”

New this week

• Amy Nicholson reviews the latest attempt to make a movie out of a popular Mattel toy with the lightly-tongue-in-cheek “Masters of the Universe.”
• Amy also reviewed the revival of the satirical “Scary Movie” franchise, with original stars Anna Faris and Regina Hall returning to make fun of such recent hits as “Sinners,” “Weapons” and “The Substance.”
• The documentary “Time and Water” looks at climate change through the life and work of Icelandic writer Andri Snaer Magnason as directed by Sara Dosa, who had a hit with her last film “Fire of Love.” Robert Abele reviews.

One last thing…

This week, our colleagues at De Los launched a podcast hosted by Fidel Martínez and Suzy Exposito. The interview-style video podcast will feature conversations with the people shaping Latino culture in the United States.

The first episode features singer and actor Leslie Grace, who talks about her experiences working on the film “In the Heights” as well as being the star of the canceled “Batgirl.”

The children were asleep in the little tent behind us, wrapped in two sleeping bags, each with an extra helping of wool blankets. Earlier, all I could see were their little faces half-lit by torchlight as I read them a book about rivers to the sound of rain on canvas. They fell asleep as fast and thick as the fog pooling in the valley below.

My partner and I sat outside, huddled together under a waterproof coat, cheek to cheek, perched on our daughters’ foam swim vests because the ground was saturated. We were laughing. As parents, absurdity and beauty make for familiar bedfellows.

Just a few days earlier, it had seemed impossible we would go anywhere; every affordable campsite, yurt and cottage was booked up for the Easter holidays. Then I remembered how last year, tagging along with the Right to Roam crew, I ended up sleeping on the floor of the Beeches, a former Quaker residential community house in the village of Bamford, on the edge of Derbyshire’s upper Derwent valley. Its new stewards had amazing plans – a space for community health, social justice and ecological regeneration, all in collaboration with local people and grassroots groups.

I pinged them an email – “Can we stay on your land for one night?” – and, feeling inspired, contacted a few other initiatives, too.

We were in luck. Our hosts, Vanessa and Max, welcomed us into the Beeches, which was just as beautiful as I remembered. At the end of a wildflower path, past allotments and woodland, are two outbuildings: sheds on the outside, cosy cabins on the inside. “A family of deer lives here,” Vanessa said to my daughters, five and three, holding one hand each.

By the firepit, we unloaded still-hot pizzas, still-cold beers and marshmallows for roasting. As the dark set in, the children set the ends of sticks on fire, drawing shapes in the air.

In our cabin, candles, fairy lights and a wood-burning stove cast flickering shadows. The sofa beds were pushed together to make one giant bed. As I told the kids a story beneath the covers, I felt I was in a story myself.

By morning, we were a tangle of limbs. Light filtered through egg-patterned curtains. A train rumbled past and the sound summoned adventure. I opened the doors to birdsong while my partner prepared instant coffee and porridge. “I wish today would never end, Mama,” said my eldest.

We ate lunch at the nearby Anglers Rest, Bamford’s community-owned pub, with a cafe and post office in the same building. I dropped my sacred local texts, Wild Swimming Walks Peak District and The Upper Derwent: 10,000 Years in a Peak District Valley by Bill Bevan, on to the table. There was so much to explore – reservoir, ruin, gritstone edge – but the sun was calling.

The River Derwent was just down the road, its banks dotted with bluebells, cow parsley, clover and stitchwort. A mandarin duck watched from a patch of brambles as we quickly changed into our swimming costumes. Wading in upstream from the stepping stones at Bamford Mill, I was instantly ecstatic, while the children sat in the shallows, covering themselves in river mud.

That evening, we followed a winding road up into the hills above Ladybower reservoir. Lockerbrook Farm Outdoor Centre is a hill farm now run as a residential education centre by Woodcraft Folk, a national youth charity promoting education for social change. “We will make an exception,” they explained in their email, “because the camping field is empty.” They don’t usually rent camping pitches to individuals who are not on their courses, but have a cottage on the site available for rentals.

The friendly warden showed us around: field, sink, toilet, the most stupendous view of the high moorlands and deep cut of Derwent valley. The field was on an incline and, while we set up camp, the children bickered over which molehill was theirs. A group of cyclists passed above: “You’re very brave!” shouted one, and I thought he meant the children until my partner pointed out the dark clouds bruising the horizon.

“I’m hungry, Mama!” I went to light the camp stove. It didn’t work. Drizzle turned to rain. The packet of macaroni cheese said it would be edible with cold water. It wasn’t. I ran to beg the warden for boiled water and found a scene of pure bliss – young people cooking together in a warm cottage. One hot flask, two pots of apology-porridge and countless-kisses later, the children were asleep.

And so, this is how my partner and I found ourselves pressed together outside the tent in the dark, in the rain. “Next time we must bring a waterproof blanket to sit on,” he said.

“And an umbrella,” I said.

“And test the stove,” he laughed. “And then maybe we’ll be ready for a wild camp!”

We were giggling, shushing one another, when a female tawny owl screeched, quickly answered by the male, echoing from what seemed to be all the trees: ke-wick hoo-hoo, ke-wick hoo-hoo.

The next morning, we packed up early and drove down to Fairholmes car park, where the Refreshment Kiosk was waiting with hot drinks and pasties. From here, there’s a family-friendly trail featuring carved wooden creatures on the shores of Ladybower reservoir. I told the children about the lost villages beneath its waters. They were already there, one foot always in the imaginary.

We smelt of mildew, wildflower, woodsmoke, river water and sweat. Dandelion seeds were caught in my daughter’s curls. I blew the wishes free.

The Beeches has cabins sleeping four from £125 a night; camping £10pp per night. Lockerbrook Farm is predominantly for large groups, but the Warden’s Cottage sleeps six from £33pp per night. The weekend is accessible from Bamford train station for those who love hiking: the Beeches is a 15-minute walk; pub and wild swimming 20 minutes; Fairholmes is two hours; and Lockerbrook Farm a further 30-minute uphill hike from there.

June 3 (UPI) — People in the United States have pulled back from support of LGBTQ+ issues over the past few years, with 65% percent showing support for same-sex marriage now as opposed to 71% in 2022-2023, a Gallup poll released Wednesday shows.

The percentage of U.S. residents saying that gay or lesbian relations are “morally acceptable” also fell to 62%, the lowest that percentage has been since 2016.

This comes after a surge in acceptance in the late 2010s and early 2020s. Gallup said that between 1996 and 2022, the percentage of those in favor of legal same-sex marriage increased from 27% to 71%. However, that percentage has declined since.

The poll (Gallup’s annual Values and Beliefs survey) first asked about same-sex relationships and morality in 2001. Then, 40% percent said they were “morally acceptable.” That percentage grew to 71% by 2022, dropping to 64% in 2023.

The Gallup release noted that Republicans are largely responsible for the decline in acceptance. In 2021 and 2022, it said, 55% of Republicans expressed acceptance for same-sex marriage, but that has now dropped to 37%. Democrat views, however, are the same today as in 2022, with 87% in favor. Independents dropped from 73% to 67%.

There is a similar trend in opinion on the overall morality of same-sex relationships. In 2022, a high of 56% of Republicans said same-sex relationships were morally acceptable, but that percentage has now fallen 21 points to 35%. Democrats remain at 81% for that measure, while Independents have fallen eight points to 64%.

Gallup noted that Republican views on that measure are now where they were between 2005 and 2014.

The poll also asked about the perceived morality of changing one’s gender. The percentage of those in support has decreased from 46% over five years to 38 percent. Among Republicans, 22% expressed support in 2021, the first year the question was asked, compared to 5% today. Among Independents, the percentage decreased from 48% to 42%, and among Democrats, it decreased from 67% to 60%.

“The change has come as conservative leaders have pushed back against diversity, equity and inclusion programs that were intended to foster greater acceptance of LGBTQ+ people and other historically disadvantaged groups,” a Gallup release said.

The Trump administration has worked against protections for LGBTQ+ people in both terms, including ending civil rights settlements with college and school districts intending to prevent discrimination against transgender students.

Gallup surveyed 1,001 adults between May 1-17 with a 4% margin of error.

THERE’S bad news for Brits heading to Spain this summer as they might not be able to enjoy a drink in the sun on an outdoor terrace.

Under new rules, terraces in Spain will be forced to close when the weather gets too hot.

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

The rules – that were campaigned for by hospitality unions – will apply when the State of Meteorological Agency (AEMET) issue an orange or red alert.

AEMET’s orange alert means there is a major risk such as severe storms, heavy snow or intense heat and then for a red alert, it is an extreme risk and includes extreme rainfall, life-threatening storms and dangerously high temperatures.

In the case of exceptionally hot weather, restaurants, bars and cafes have to close their terraces if there is not enough shade or cooling systems for staff.

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The rules are likely to apply during the hottest hours of the day.

Areas across Spain reach high temperatures, especially during July and August, with some destinations reaching over 40C.

Even though closure of outdoor spaces is a last resort measure, if a bar, restaurant or cafe does not follow the new rules then it could face a fine of more than €50,000 (£43,326) in extreme cases.

For tourists, this could mean when temperatures reach high levels they won’t be able to grab a cold drink and sit on a restaurant’s terrace.

If you do want a drink though, you can still head inside as this is a shaded area.

As a result of the new rules, businesses across Spain are being encouraged to create different schedules for staff, with more breaks so they can stay hydrated.

The Lyrid meteor shower was first recorded almost 3,000 years ago by Chinese astronomers.

And they were named after the constellation of Lyra from where the meteors appear to originate and occurs every year from 16 to 25 April, but often peaking around 22 April.

Distinctive features of the Lyrids are their colours and brightness – along with exceptionally bright fireballs from time to time, outshining the planet Venus.

The colours are created by very small dust particles – no bigger than a grain of sand – interacting with the particles and ions in Earth’s atmosphere.

As the grains heat up and ionise, they produce the light we can see with the trail produced as the meteor cools and fades.

Fireballs are made when larger pieces of debris – more like the size of a grape or an acorn – pass though the atmosphere. As they are so much bigger when they heat up they create a flash and a line, often called a train, behind them.

While the Lyrid meteor shower is visible every year, Comet Thatcher takes 415 years to complete its orbit of the Sun and won’t be visible again until 2283.