Paul

THE friction between Sir Paul McCartney and Ringo Starr in 1970 will be brought to life in the upcoming Beatles biopic.

But I can reveal there is tension among the two actors playing the pop legends, too.

Oscar-nominated Barry Keoghan is playing drummer Ringo, alongside Gladiator II star Paul Mescal as Macca.

Sources on the set of the film, directed by Sam Mendes and due for release in 2028, have noticed that the relationship between the two Irish actors has become strained.

One said: “Barry has been rubbing people up the wrong way.

“His timekeeping is not always up to scratch and he often references that he is a parent — despite not living with his son.

THESE WALLS

Dua Lipa and Callum Turner’s wedding prep is underway as security ramps up

‘SO STRESSED’

Katie Price says ‘I look like Skeletor’ as her weight drops over Lee battle

“He also brings his brother Eric on set as his assistant, which doesn’t always bring out the best in his character.

“Barry is professional and can bring out the best in any script.

“But he can test the boundaries off-camera.”

Paul and Ringo, the last surviving members of the band, clashed in 1970, shortly before the group split in April that year.

Paul was preparing to release his first solo album, McCartney, just a few weeks before The Beatles album Let It Be was due to come out.

His bandmates wrote him a letter asking him to delay it, and Ringo hand-delivered it to Paul’s home in London.

Paul, who is now close friends with Ringo, later admitted it was the only time he threw someone out of his house.

The new screen project is a series of four biographical films based on the lives and careers of each member of The Beatles.

The four intersecting biopics, written by James Bond screenwriter Jez Butterworth, will tell the story of the group from their humble beginnings in Liverpool to becoming the biggest band on the planet.

Stranger Things’ Joseph Quinn will portray George Harrison and Harris Dickinson stars as John Lennon.

Earlier this week, Harris and co-star Paul went to the Primavera Sound festival in Barcelona, where they were filming.

Of the four films, Mendes explained: “Each one is told from the particular perspective of just one of the guys. This is a chance to understand them a little more deeply.”

Even so, it sounds like there’s another meaty story behind the camera.

Reza’s sharpe move

MADE In Chelsea couple Reza Amiri-Garroussi and Bella Sharpe have got back together.

The pair, who first dated in 2024, have been spotted together in London.

It comes as Reza’s ex Ruby Adler announced her engagement to multi-millionaire Luxe Listings Sydney star Gavin Rubinstein after just a year of dating.

An insider said: “Reza and Bella split due to the pressures of filming Made In Chelsea. But now they’re taking a break from the show, they’ve reconnected.

“Reza always wanted to give the relationship another chance. With Ruby out of the picture, there’s nothing to stop them.”

Hopefully it’ll be second time lucky for these two.

CHLOE’S PRICE IS RIGHT

TOWIE’S CHLOE BROCKETT is dating a new man – her co-star’s ex.

I can reveal the reality star is courting Essex lad Daniel Price, who used to romance Yazmin Oukhellou.

Chloe recently split with Love Island champ Jack Fincham.

A source said: “Chloe and Daniel have kept their relationship quiet. They are enjoying getting to know each other. He treats her well and she is happy.”

It’s not the first time Yasmin and Chloe have shared the same taste in men after they both had trysts with James Lock.

Small world . . .  

BEBE AND JASON ON THE BALL

POP’S finest didn’t let the relentless rain dampen their spirits yesterday as they took to the stage to perform for Capital FM’s Summertime ball at London’s Wembley Stadium.

Bebe Rexha belted out hits in a denim corset teamed with a fluffy pink cardie, Jason Derulo ripped his shirt off to bust out some signature moves, and superstar DJ Fatboy Slim got fans dancing.

Lola Young was back on fine form as she sang her anthem Messy and expressed her gratitude to the crowd for their support.

Opening up about her sobriety on the socials this week, she wrote: “Sometimes I feel like I am grieving an old version of myself that I have chosen to let go of. Even though I chose a path that is better and safer, there are days where it still all feels wrong.”

 HOPEFULS GIVE XTINA ROLE A BURL

CHRISTINA AGUILERA has cast three young stars to share the lead role in her upcoming production of Burlesque The Musical.

British newcomers Natalia Jacques and Gracie O’Brien will portray Ali, the waitress-turned-dancer played by Christina in the 2010 movie.

American Cecilia Petrush will also star in the role.

Writer and director Steven Antin said: “When Christina brought Ali to life in the film, she created something truly iconic.

“Bringing Burlesque from screen to stage is about honouring that legacy. These three exceptional actresses step into those heels not to imitate Christina, but to continue the legacy she began.”

Burlesque The Musical returns to London this September at the new West End venue The Arts At Marble Arch.

Netflix boosts brand

NETFLIX has added rape- accused Russell Brand’s hit film St Trinian’s on to the streaming service.

The actor and comedian starred in the 2007 movie about rebellious schoolgirls alongside Colin Firth and Rupert Everett.

Netflix added the flick under “comedies” last month.

Brand starred as crook Flash Harry who taught the schoolgirls about “the seven laws of crime”.

He is accused of three rapes, three sex assaults and an indecent assault on six women from 1999 to 2009.

His trial at Southwark Crown Court is due to start in October and is expected to take up to eight weeks.

The former TV and radio presenter denies all charges against him.

Rupert, who played headmistress Camilla Fritton in the film, claimed Brand behaved “perfectly well” on set.

He said: “There were a lot of beautiful women on St Trinian’s and there was never any scandal to do with Russell Brand.”

Sean sis: it’s real deal

LOVE Island star Sean Fitzgerald has uncovered a perfect match in Lola Deal, according to his sister.

Gaelic footballer Sean, who is in a couple with former police detective Lola, sealed their romance with a kiss at the villa in Majorca earlier this week.

The hunk’s sister Katie revealed: “I absolutely adore Lola.

“She is gorgeous, so sweet, kind, and the smile she puts on Sean’s face is really nice to see.

“As of right now in the villa, I think Lola is best suited to him.”

She said of her brother: “I would just like to see more of his goofy side that we all see at home.”

JEANIE IS OUT FOR B*WITCHED

THEY rose to fame in the late Nineties wearing double denim – but Irish pop band B*Witched have revealed that the outfits in their 1998 hit video C’est La Vie were not actually planned.

Twin sisters Edele and Keavy Lynch, who supported their brother Shane and his Boyzone bandmates last night, sat down with Biz on Sunday’s Emily ahead of their performance at London’s Emirates Stadium.

Edele said: “The day before we were doing the C’est La Vie video, our clothes got stolen from the record company and they never knew where they went.

“So in a panic they ended up going to Levi’s in the morning to just grab some clothes.”

She added: “I still have my outfit from the 1998 tour and I still fit into it. I don’t know if that is a good thing or a bad thing at this point. My eldest daughter borrows stuff all the time and I’m always coming across it.

“In the winter she wears this white fluffy jacket which I wore for the To You I Belong video.”

The twins, along with bandmates Sinead O’Carroll and Lindsay Armmaou, released their single Firefly on Friday ahead of an EP in August – but as they gear up for their 30th anniversary, they don’t plan on hanging up their jeans any time soon.

Edele explained: “We’ve realised that if we turn up without denim, we might as well not sing.”

Asked about the possibility of being in a campaign with Levi’s, the singer said: “I think they are missing a trick.”

KATE’S SEACRET TALENT

KATE MOSS has made her debut as an artist this week by unveiling her first watercolour for sale.

The supermodel painted a green and blue seahorse, left, which is being shown alongside new pieces by Rolling Stone bandmates Ronnie Wood and Keith Richards, Hollywood actress Sharon Stone and Guns N’ Roses legend Slash.

The collection is being auctioned online to raise funds for Doodle Drop For Coral, a new campaign led by Project Zero, the ocean conservation charity co-founded by Ronnie’s son TYRONE WOOD.

Kate has signed her seahorse by hand, writing: “Love, Kate Moss”, alongside a tiny heart.

The current bid stands at £285.

A nude portrait of Kate was painted by the late British artist Lucian Freud in 2002. It sold for £3.5million.

Tyrone told me: “Kate’s seahorse is one of those pieces that makes you smile.”

NIGELLA LAWSON has revealed the secret ingredient she tucks into that keeps her skin looking young and plump.

The Great British Bake Off judge, left, said: “I’m a great believer in butter. I just eat what I want.

“I’m not punish-ing myself trying to look like a model. I just waddle over and enjoy myself.”

Speaking at London’s Japanese restaurant Nobu, Nigella insisted she will not jump on the tweakment bandwagon, adding: “Cosmetic work is a tyranny. I just think there’s no point.”

Remind me to include a tub of Lurpak on my shopping list.

WHO can blame Paul McCartney for glancing in the rear-view mirror on his latest record? 

At 83, the likely lad from Liverpool, who became a Beatle and Britain’s best-loved songwriter, is due a moment of reflection.  

He looks at it this way: “As a writer, you often write about things in the past, even if it’s just yesterday.” 

Or even, as Macca can’t resist saying, if that past “always seems so far away”.  

“That’s another nice idea. I think I might have done that one,” he adds in acknowledgment of his immortal Beatles ballad Yesterday. 

His 20th solo studio album, The Boys Of Dungeon Lane, finds him casting his mind back to innocent times before The Beatles changed his life for ever. 

FESTIVAL FEVER

Snow Patrol debut never-before-heard song at In It Together festival  

HOT LIKE PVC

Pussycat Dolls look sexier than ever in latex for first TV gig in six years

Five of the 14 tracks visit the simple pleasures of youth — As You Lie There, Days We Left Behind, Down South, Home To Us (a first ever duet with Ringo) and Salesman Saint — and, as you’ll discover, each comes with a captivating back story. 

Here, the master storyteller, whose previous character studies include Eleanor Rigby, The Fool On The Hill and She’s Leaving Home, turns the spotlight on himself for what might just be his most personal song cycle yet. 

On The Boys Of Dungeon Lane, Sir Paul makes you believe in HIS yesterdays. 

Asked why much of his latest work deals with memories, he replies: “I think writers, including me, ask themselves that. 

“When you think about, say, Charles Dickens, what’s he going to write about except stuff he knows and stuff he remembers? Then he can gussy them up.” 

And do recent Beatles and Wings reissue projects have an impact on the way he fashions a song these days? 

“No,” answers McCartney emphatically. “The thing that pulls it all together is me — it’s my brain making music.  

“I don’t think, ‘Wow, oh yeah, let’s do this. This is a Beatles idea, or this is a Wings idea’. I don’t think like that. It’s all current. It’s me. This is what I do.” 

Listen to The Boys Of Dungeon Lane and you’ll understand what he’s getting at.  

Despite first picking up a guitar nearly 70 years ago, he’s still making eclectic, freewheeling music, brimful of ideas, even if many lyrics are bathed in nostalgia. 

The album was recorded over the past five years, when time permitted between touring and other commitments, in the company of in-demand American producer Andrew Watt, known for his work with Ozzy Osbourne, Post Malone, Lady Gaga, Miley Cyrus and, ironically, The Beatles’ chief Sixties chart rivals, the Rolling Stones. 

“We just enjoyed it,” says Macca of his sessions with Watt. “We were like a couple of Boys Of Dungeon Lane — little boys in a sandpit — and we were having fun.” 

So, with the help of telling observations from the man himself, given to me by his team, let’s take a deep dive into the key tracks. 

As You Lie There begins proceedings in memorable style with an intimate spoken word passage delivered over minor key acoustic strums. 

McCartney intones: “I used to walk past your house. Every night I’d look up at your window. The light was on. I saw your silhouette on the blind. Do you think of me? Do I ever cross your mind?” 

The song, with its squalling rock refrain, recalls a teenage crush from the time Macca lived at 20 Forthlin Road in the Allerton area of south Liverpool, in the house where he and John Lennon first discovered their spark of creative chemistry. 

“Up in one of the ­windows, there was a girl I ­fancied called Jasmine,” he says of his tale of unrequited love. “But I didn’t know how to approach her. I never spoke to her. 

“The joke was, she did show up later that year and knocked on the door. I was indisposed — I was on the toilet — so I missed Jasmine.” 

Aside from the sweet story behind the lyrics, As You Lie There is important because it is the song that kickstarted the whole process, just as the world was emerging from the Covid pandemic. 

McCartney says: “The album really started when my manager said, ‘Would you like to meet Andrew Watt?’ 

“I knew he was an active young producer, and I liked some of his stuff. I said, ‘Yeah, great’. He said, ‘Well, it’s just a cup of tea. Go down to his studio’.” 

The pair hit it off and what began as that cuppa at Watt’s basement studio — located in his Beverly Hills residence once owned by Charlie Chaplin — soon turned into something much more significant. 

Macca described his songwriting process, how he would try “to find  

a really weird chord”, to give him “a little inspiration”. 

To his delight, he realised that Watt, a big guitar collector, “had figured that if I was coming down, it would be handy to have a left-handed guitar. 

“I struck this mad chord,” he continues. “I still have no idea what it is, then I changed one note, then another. Suddenly we  had a three-chord sequence and Andrew said, ‘We should record this’.” 

As the song took shape, they considered bringing in Chad Smith of Red Hot Chili Peppers on drums but Watt suggested that McCartney, a more than proficient drummer, should play them himself.  

He says: “I really enjoyed drumming to it, so I put down the drum track, then obviously the bass.  

“Then Andrew put the guitar lick down, because he’s a good guitar player. And over a few days, we made As You Lie There. That started the journey.” 

The “journey” included recordings in various LA studios as well as Macca’s own Hog Hill Mill in Sussex and his old Beatles stomping ground, Abbey Road. 

Of all the ensuing songs, first single Days We Left We Behind sets the tone — and is also significant for yielding the album title. 

“This is very much a memory song for me,” says McCartney. “I was just thinking about those days I left behind.” 

Whenever he goes to Liverpool these days, to visit the city’s Institute for Performing Arts (LIPA) for instance, he notes that “the back entrance to the airport is in Dungeon Lane”. 

He remembers trips down that lane “as a little kid, because I used to wander off, just on my own, with my little bird book”. 

It was the keen ornithologist’s gateway to stunning Mersey Shore, an area teeming with wading birds just a short distance from suburban Speke where he lived between the ages of five and 13. 

“Speke is quite working class,” says McCartney. “We didn’t have much at all but it didn’t matter because all the people were great and you didn’t notice it. 

“It’s my wife Nancy’s favourite track on the album. When we play it to people, we say, ‘You don’t need to cry’, and then you look up and see that they are.” 

When asked how he settled on the album title, Macca says you could ask the same question about Sgt. Pepper’s Lonely Hearts Club Band. 

“It’s just some words I like. We were thinking Along The Mersey Shore could be good. But then I liked The Boys Of Dungeon Lane — it’s a bit more, ‘What’s that about?’ ” 

McCartney says Days We Left Behind “involves a bit in the middle about John and Forthlin Road”. (The McCartney family moved there in 1955). 

It suggests that he and his much-missed songwriting partner in The Beatles “wrote a secret code, to never be spoken”. 

This leads us to the folkie Down South which, says Macca, is “another one about reminiscing”.  

“I often think about John and George,” he continues. “We used to hitchhike in the days before The Beatles. It was in the days when you could — now I warn my grandkids, ‘Don’t do it’, because there are too many nutters out there.” 

He remembers: “I got a tip from someone who said, ‘You start off in Chester — because that’s where all the lorries are and they’re all going straight down south. That’s a good place to get your first lift’.” 

With Harrison, seven months his junior, coming along for the ride to places like Harlech in Wales, it was a perfect chance to do some “bonding” with his future bandmate. 

And speaking of bandmates, what about the rousing Home To Us, which, for good reason, is the only track McCartney doesn’t play the drums on. 

During one of his breaks from sessions with Watt, he “talked to Ringo about Andrew”. 

“Then Ringo went round to Andrew’s studio and drummed a bit. Next time I saw Ringo, he said, ‘Well, he didn’t do anything with it.’  

“I asked what he’d expected and he said, ‘Well, you know, a track’.” 

When Macca finally heard his old mucker’s efforts, he suggested to Watt: “We SHOULD make a track and send it to Ringo. So, we did.” 

On writing the Home To Us lyrics, he reveals: “This song is done totally with Ringo in mind. I’m talking about where we came from.  

“In common with a lot of people, you come from nothing and you build yourself up. Ringo was the one who came from the most ‘nothing’ in The Beatles. 

“He was from the Dingle and that was well hard. He used to get mugged coming home from work. 

“Even though it was crazy, it was ‘home to us’ and I made the song around that idea.” At first, Ringo only sang a few lines of chorus, but Macca rang him and said he’d “love to hear him sing the whole thing”. 

“Next, we took my first line, Ringo’s second line and we had a duet — something we’d never done before.  

“We also wanted backing vocals, and I had the idea it would be nice to hear girls. Chrissie Hynde and Sharleen Spiteri are mates — and they did it.” 

The last of McCartney’s memory songs is the most poignant, Salesman Saint, which pays tribute to his midwife mother Mary who died when he was only 14 (the “mother Mary” of Let It Be) and his salesman/amateur musician father Jim. 

He says: “This song is me remembering my mum and dad. I was born in World War II and I often think, ‘Bloody hell, it’s tough enough having a baby now but imagine if we were all conscious that bombs could be falling any minute’ — and Liverpool was getting heavily bombed.  

“I was thinking about them bringing up this kid in those circumstances. My dad happened to be a cotton salesman, and my mum was a nurse. They did it. They managed it and they brought up me and my brother [Mike]. 

“Got us to doctors, got us to school and did all these things under those circumstances. At the end of the song, there’s music I’m trying to make from their era.” 

So now you’ve heard about all the songs inspired by McCartney’s youth but there are NINE more tracks to digest. So here, in Macca’s own words, are his thoughts on those: 

Lost Horizon: “This one came about when our dearly beloved and now sadly deceased studio manager, Eddie Klein, was logging some old cassettes of mine.  

“He asked me if I remembered Lost Horizon and I said, ‘No’. He said, ‘It’s good, you should listen to it’. So, we remade it faithfully to the cassette version — just with a more modern sound.” 

Ripples On A Pond: “It’s a love song. Like a few of the songs, we started this in my studio in Sussex. I said to Andrew, ‘You’re supposed to be a pop producer and we’re making all these records that don’t sound like that to me so, come on, let’s pop this one up!’ ”  

Mountain Top: “My wife is a real live music fan and if there’s anything on she’s like, ‘Can we go?’ So, we go to Glastonbury every year and I started fantasising about some young girl tripping — she’s magic mushroomed out. The things you write songs about!” (Nancy delivers the closing spoken words.)  

We Two: “A lot of Beatles records were made on a four-track Studer machine, including A Day In The Life. It’s such a classic now. I’ve got one in the studio and we use it sometimes. Andrew loves all these recording legends of the past. I showed him the Studer and he said, ‘Can we use it now?’ Luckily, it’s in full working order so we did We Two on it. It’s a little love song.” 

Come Inside: “Going to side two now. We start it off with a rocker love song. It’s straightforward — but with verve.” 

Never Know: “When I was in LA, I always liked the idea of Laurel Canyon and that scene. The days of Joni Mitchell, the Eagles — all that hanging out, getting stoned and playing guitars. So that was the vibe that started off Never Know.” 

Life Can Be Hard: “I had a little instrumental chord sequence during Covid — and there was a little baby in the house, my wife’s niece’s new baby and it was a thrill. For a lot of people, Covid was terrible if you weren’t with family.  

“Anyway, this baby used to like these chords, and it became a song. Life can be hard, but that’s when we put it together again. It’s a positive message.”  

First Star Of The Night: “I was on tour and had a day off, which was precious. We were in Costa Rica and it rained hard — all day heavy, tropical rain. I was thinking about being out by the pool, but you really couldn’t go out.  

“I thought, ‘I know, I’ll write a song’. I had my guitar with me. So, this starts out, ‘Even when it’s raining’, but then I switched it to, ‘Even when it’s raining inside’, just to give myself somewhere to go with the song.” 

Momma Gets By: “The last track on the album and it’s totally imaginary. I was thinking of Porgy and Bess’s world. It’s basically about a woman who you can see is the strength in the family.” 

Finally, Macca is asked how he hopes listeners will respond to his new album. 

He replies: “Well, I hope they fall in love with the songs and the performances. I hope it takes them to a place of joy.” 

Whether it’s Penny Lane, Dungeon Lane or Memory Lane, Paul McCartney will transport you there. 

Roll up! Roll up! He is your magical not-so-mysterious tour guide. 

PAUL McCARTNEY

The Boys Of Dungeon Lane

★★★★★

The roar erupting from the capacity audience inside the Ed Sullivan Theater when Stephen Colbert stepped on the stage of his “Late Show” for the last time made it clear that they did not want him to say goodbye.

Colbert took his final bow as his beloved late-night show came to an end Thursday. The episode was so crammed with top celebrities who showed up to share a last moment with the comedian that it extended several minutes beyond its usual one-hour run time.

Before the official start, Colbert addressed the audience as he thanked the staff, calling the show “The Joy Machine”: “We call it the Joy Machine because to do this many shows, it has to be a machine. But the thing is, if you choose to do it with joy, it doesn’t hurt as much when your fingers get caught in the gears, and I cannot adequately explain to you what the people who work here have done for each other, and how much we mean to each other.”

In his opening monologue, Colbert downplayed the event‘s status, rolling a series of jokes about news stories in New York and New Jersey. But he was repeatedly interrupted by audience members Bryan Cranston, Paul Rudd and Tim Meadows who all became irritated when Colbert informed each of them that they would not be his last guest.

When the show’s supposed scheduled last guest, Pope Leo XIV, refused to leave his dressing room, Paul McCartney popped on stage to a rapturous ovation. The legendary musician presented Colbert with a framed photo of The Beatles when they appeared on Sullivan’s show in 1964.

The only subtle reference to President Trump came when McCartney relayed a story how the Beatles, before their Sullivan appearance, got their faces covered with bright orange makeup. “That’s pretty popular in certain circles these days,” Colbert quipped.

The episode marked the finale of Colbert’s 11-year run on CBS’ late-night show, which he has been counting down since July of last year, when CBS said it was canceling the show because of financial difficulties. “The Late Show” franchise, which Colbert inherited in 2015 from David Letterman, was the top-ranked late-night show, but it faced challenges due to dramatic declines in viewership and a drop in advertising revenue.

However, industry observers also contended the move was tied to Colbert’s relentless criticism of Trump. The decision was announced after Paramount, the parent company of CBS, had settled a lawsuit filed by Trump over a “60 Minutes” interview with then-Vice President Kamala Harris. The company agreed to pay $16 million to settle the suit, which came as Paramount was attempting to get regulatory approval for its merger with Skydance Media, which Colbert called “a big fat bribe.” Trump made no secret of his disdain for Colbert and other late-night hosts who have skewered him and his administration over the years.

Colbert, his guests and others continued to blast Trump in this final week. In his introduction Wednesday of his performance of “Streets of Minneapolis,” Bruce Springsteen said: “I’m here in support tonight for Stephen, because you’re the first guy in America who has lost his show because we got a president who can’t take a joke.”

And Jimmy Kimmel on his ABC late-night series said Wednesday, “I will be watching tomorrow night. I hope that those of you who watch will also tune in to CBS for the last time. Don’t ever watch it again.”

In a tribute to Colbert, Kimmel, another target of Trump, and NBC‘s “Tonight Show” host Jimmy Fallon said their respective shows would not air new episodes during Colbert’s finale.

But the overall vibe on “The Late Show” this week has centered on celebration and spotlighting the show’s comedic formula. Several celebrities who have a special connection with the show made appearances, including Jon Stewart from “The Daily Show” and filmmaker Steven Spielberg.

In one of the more arguably iconic sequences, David Byrne and his band — all attired in bright blue uniforms — appeared Tuesday to perform the Talking Heads anthem “Burning Down the House.” Colbert joined in at the end, dancing in his matching blue outfit.

The “Late Show” time slot will be occupied starting Friday by Byron Allen and his “Comics Unleashed” syndicated show. CBS executives have said they hope to develop a new original late-night series in the future.

HIS love life has been almost as varied as his incredible songwriting catalogue.

Sir Paul McCartney endured the tragedy of losing first wife Linda to cancer and a catastrophic £24million divorce from Heather Mills before finally finding happiness again with American businesswoman Nancy Shevell.

But today The Sun can reveal the identity of the secret childhood crush who became Sir Paul’s “one that got away” — a pretty neighbour whose striking good looks inspired the opening track to his new album, which tells the story of his childhood in Liverpool.

The record was unveiled at a preview event in London this month, where the legendary Beatles songwriter recalled memories of a pretty neighbour called Jasmine, who lived close to his home.

Today, it has emerged she is retired mum-of-three Jasmine Howe, who left the area and resettled in Hertfordshire before retiring to the New Forest in Hampshire.

And the now 83-year-old’s ­family were stunned to learn of the £800million rock legend’s youthful infatuation — revealing she had “absolutely no idea” about his fondness for her.

Read More on Paul McCartney

BEATLES VS STONES

Stones and Beatles go head-to-head as Sir Paul & Sir Mick drop new albums

BANNED ON THE RUN

McCartney BANNED from his own online fan page after ‘breaking its rules’

They explained: “It’s a cute story, she lived nearby and knew who he was, but she never got close to him — meanwhile, he obviously felt very differently!

“It’s an amazing story — a very long time ago now, but we’ve chatted as a family in the past about how Jasmine grew up close to Paul McCartney.
Goosebumps

“She just knew him as one of the boys in the local area. It’s enough to give you goosebumps!”

The Boys Of Dungeon Lane is Sir Paul’s first solo album in five years, and critics say it is his “most personal to date”.

The title is taken from Days We Left Behind, a wistful acoustic track that references Dungeon Lane, near the River Mersey, where McCartney played as a boy, as well as a “secret code” and mysterious promise made to John Lennon at the time, which he insists “will never be broken”.

At a special event, held at the iconic Abbey Road studios in London where the Fab Four ­produced their biggest hits, Sir Paul played tracks from the new record and explained their ­origins — beginning with opening song As You Lie There.

The lyrics recall: “Do I ever cross your mind as you lie there? As you lie across your bed, am I there inside your head?”

Revealing the inspiration to a small invited audience, Sir Paul explained: “Up in one of the ­windows, there was a girl I ­fancied called Jasmine.

“But I didn’t know how to approach her — I never spoke to her.

“The joke was, she did show up later that year and knocked on the door. I was indisposed — I was on the toilet — so I missed Jasmine!”

Turning to his wife Nancy, who he married in 2011, he grinned and quipped: “Sorry, Nancy.”

Prior to meeting his third wife, Macca famously had quite a ­colourful love life.

His first serious romance was with Dorothy ‘Dot’ Rhone, who he met at the Casbah Coffee Club in Liverpool in 1959.

The pair dated for more than two years and even got engaged, but split just before Beatlemania exploded.

In 1963, Paul met actress and model Jane Asher backstage at one of the band’s concerts.

The relationship would last five years and Paul even moved into the family home on London’s Wimpole Street.

Jane was his muse and introduced him to the avant-garde arts and classical music scene, which would inspire some of his most famous songs.

Despite being charmed by Jane’s cultured family and domestic life, Paul had secret flings with model Maggie McGivern and US writer Francie Schwartz — betrayals that ultimately shattered one of the Sixties’ most iconic romances.

He met his second wife, model and amputee activist Heather Mills, at a charity event in 1999, marrying her three years later.

Their daughter Beatrice was born the following year. However, the pair split acrimoniously three years later with a very publicly played-out divorce — one that cost the star £24million.

However, the singer enjoyed real happiness with his first wife, American photographer Linda.

They married in 1969, raised four children together, and were ­inseparable until her death from breast cancer in 1998.

Growing up, Sir Paul lived with his parents at 20 Forthlin Road in Allerton, Liverpool, while Jasmine lived with her family on the corner of neighbouring Hurstlyn Road, just 20 yards away.

Both properties still stand in the south Liverpool suburb, nestled in a series of brick-built terraces — though Sir Paul’s is now owned and maintained by The National Trust as a museum.

The Trust operates tours around Sir Paul’s home and also John Lennon’s childhood home nearby.

Inside, the three-bed property has been meticulously preserved as a snapshot of 1960s Liverpool, including some of the family’s original decor — and a blue plaque outside commemorates “The Birthplace of The Beatles” as Paul and pal John would meet there to compose their earliest songs.

Jasmine later married her boyfriend Charles, known to the family by his middle name, ­Christopher, and they had three sons — Philip, Matthew and, amusingly, Paul.

A photograph of Jasmine posted online by a family member shows her looking elegant in a navy blazer at a relative’s wedding, with carefully cropped blonde hair beneath a wide-brimmed hat.

The relative explained: “She is 83 now and lives quietly. She wouldn’t want it to become any more of a story than it is — she had no idea that Sir Paul liked her, but she’s happy to leave it as that.

“It’s a good story for our family.”

The album, released on May 29, returns the world’s greatest living songwriter to many of his early memories and experiences, with Sir Paul going on to explain more about his 18th solo collection.

He said: “This was a lot of memories of Liverpool for me, but also any days we’ve left behind.

“Everyone’s got them, school, old mates  . . . It has memories of John in the middle — that’s lovely to go back to. Someone asked: ‘What’s the secret code?’ I’m not telling.

“You make up a lot of stuff when you write songs.”

And that admission may chime with Jasmine’s family, who later jokingly insisted: “She never ­actually knocked on his door.”

On another track, Salesman Saint, Sir Paul turns to his parents. “I was born in 1942, in the war. I was too young to appreciate that, but my parents weren’t.

“My dad was a fireman, putting out fires from the bombs. My mum was a nurse and midwife. But they carried on, because they had to.

“Like people in Ukraine, Gaza and elsewhere now.”

Meanwhile, Down South, one of the album’s most nostalgic tracks, recalls a story of hitchhiking with Lennon and fellow pal and later Beatles bandmate George Harrison.

The lyrics explain: “It was a good way to get to know you before we learned Twist & Shout.”

And reminiscing about the trip, Sir Paul reveals how he and George climbed on to a milk float.

He says: “There was the driver’s seat, a battery and a passenger seat. George got the battery. His jeans had a zip on the back and it connected with the battery. Later, he showed me the big zip burn.”

The new record was unveiled in Liverpool with a series of cryptic posters around the city.

Artwork for the project was designed by Sir Paul’s nephew, Josh.

It features cameos from Ringo Starr, The Pretenders singer Chrissie Hynde and Texas frontwoman Sharlene Spiteri.

And its release coincides with a series of major Beatles retrospectives — including Peter Jackson’s seminal Get Back documentary put together from restored archive footage that details the creation of their final album, Let It Be, and the band’s break-up.

But still to come is a major new dramatisation of the band’s rise to fame directed by Sam Mendes and with Paul Mescal as Macca.

The blockbuster will be released simultaneously as a quadrilogy in 2028, with each movie focused on one of the Fab Four’s formative years, charting their coming together as the world’s greatest musical group.

Filming with Mescal as Paul, Harris Dickinson as John, Barry Keoghan as Ringo and Joseph Quinn as George has already begun.

Will Ferrell has done the Will Ferrell thing for so long — playing embarrassingly self-absorbed doofuses, both fictional and based on real people — that it’s easy to forget that when it counts, he can still serve as the glue on “Saturday Night Live.”

For his sixth time hosting the show since leaving the cast in 2002, Ferrell had plenty of those doofuses to portray, including a “Nudeman” dad whose underwear are exposed in the rear when he meets his daughter’s boyfriend. But in sketch after sketch on the show, he showed his usual 100% commitment to every character, even when he was playing himself in the monologue doing a bit about an identity mix-up with Red Hot Chili Peppers drummer Chad Smith. (Smith stuck around for the whole show, sitting in with the “SNL” band and playing drums for Paul McCartney.)

The ability to stay in character no matter how absurd the premise served Ferrell well yet again whether he was playing a doctor who accidentally chopped off a man’s penis (Mikey Day, trying hard not to laugh), a halfling in a “Lord of the Rings”-style fantasy clip who betrays his fellowship, a gibberish-speaking mechanic, and a cruel high school drama teacher (along with another former cast member, Molly Shannon) withholding a cast list for “Grease.” He also made a surprising appearance in the cold open as the ghost of Jeffrey Epstein.

Ferrell was an ideal closer for Season 51, which has largely been about developing relatively new talent in the cast, including rising stars Ashley Padilla, Jeremy Culhane and Marcello Hernández. Ferrell gelled with each of them and everybody else, doing the Will Ferrell thing, which still works tremendously well after all these years.

Musical guest Paul McCartney appeared in Ferrell’s monologue and in the mechanic sketch, and performed a new song, “Days We Left Behind,” as well as “Band on the Run” and “Coming Up” at the end of the show while the credits were shown.

After an absence of a few weeks, President Trump (James Austin Johnson) returned, sleepy from his trip to China. After a non-apology for not bringing Vice President J.D. Vance (Culhane) with him, Trump fell asleep on a gold bar from Switzerland before being visited by Epstein (Ferrell), who makes a series of jokes and insinuations about his association with Trump. When Trump bemoans his low approval rating in the 30s, Epstein responds, “The 30s? Gross, call me when it hits 17.” But Epstein, who claims Hell is “really, really hot” and includes Joseph Stalin and John Wayne Gacy, is there to show Trump the future, one in which former Secretary of Homeland Security Kristi Noem (Padilla) is selling vacuum cleaners on the Home Shopping Network and Secretary of Defense Pete Hegseth (Colin Jost) and FBI Director Kash Patel (a returning Aziz Ansari) are co-hosting a bro podcast while sharing a giant beer bong. Trump believes the podcast is a signal that by then, the war in Iran will be over. “We came in second,” Epstein assures him. The two then launched into a version of “Just the Two of Us” before almost kissing ahead of launching into “Live from New York… It’s ‘Saturday Night!’”

Even eagle-eyed viewers might have needed a full minute or so to realize that the person on stage delivering the monologue was not actually Will Ferrell but Red Hot Chili Peppers drummer Chad Smith, who has been doing an extended gag for more than a decade about their uncanny resemblance. Ferrell followed, wearing the same gray suit, claiming, “He pushed me down backstage. And I fell hard. Lorne (Michaels) had to give me mouth to mouth.” Ferrell tried to do a hard reset of the monologue but couldn’t get the vibe back. He turned to the audience for questions, but only found McCartney there, who still couldn’t tell the difference between the host and the drummer. Ferrell listed many of the songs that McCartney has written (which weren’t performed on the show this time out), but pointed out that there are a few great songs he didn’t write, including “Timber” featuring Pitbull.

Best sketch of the night: Did you at least check the sprog box on your Rav4?

In a piece that calls itself, “What It Feels Like Talking to a Mechanic,” Ferrell plays an auto expert telling a clueless couple (Day and Padilla) that their vehicle needs a lot of work. But he uses completely foreign terms including “dong rod gasket” and a “camber” that’s out of whack and rotting to describe what’s wrong. Another specialist (Hernández) arrives, who describes the car’s ailments in funny noises and partly in Spanish. “You need a new trans person,” he declares. He also expects them to return every six days and come to his private party. A third mechanic (McCartney) found the steering wheel is on the wrong side and that their “tipsy wispy” is all “dangly goodly.” The absurdity level keeps rising, but it will feel familiar to anyone who’s ever felt like their mechanic is speaking in an entirely different language. The only false step in the sketch is the ending, which goes on on a cheap joke.

Also good: That white flag he was carrying around should have been a tip-off

It’s been a bit shocking how good some of the pre-filmed pieces this season have looked, including this one, a “Lord of the Rings” Midnight Matinee sketch called “Bobbin’s Sacrifice.” It features, with quite good special effects and costumes, a full cast of orcs, elves and dwarves during a castle siege, as well as Ferrell as a little Hobbit-looking halfling named Bobbin who bravely volunteers to destroy a bridge that separates the heroes from the monsters. However, once outside the castle gates, Bobbin proudly declares in song that he’s switching sides. And not just switching, but offering the orcs blueprints of the castle and giving them magic items he stole from his friends. Things don’t end so well for Bobbin, but at least he goes out memorably and with a song in his heart.

‘Weekend Update’ winner: How does one apply to be a Blast Boy?

“Update” traditionally does a joke-off between co-hosts Jost and Michael Che in which each writes jokes the other has to read. This edition wasn’t too surprising: Jost was made to spew racist jokes about black vampires (in reference to “Sinners”) and using his Staten Island Ferry to ship Black people “back to the motherland.” Che was made to make light of molestation claims against Michael Jackson. The segment ended up being one of the weaker joke-offs, ending with the threat of Jost getting his hair cut off by a barber on live television (it didn’t happen). Surprisingly, the joke-off was not as funny as Culhane’s return as Mr. On Blast, a guy with takes that are far from hot. Example: “AI? More like P.U.” “Metaverse? Why don’t you go read a Bible verse?” Mr. On Blast punctuates his weak jokes with very entertaining dance moves punctuated with sound effects. This time out, the character deployed a new catch phrase, “Devout!” in reference to being both Christian and Jewish, and he brought out bearded backup dancers called Blast Boys. Culhane was on point and is a lock to return next season for more fun like this.

Seven-time Ulster Championship winner Paul McGrane believes that Monaghan will “have no fear” facing Armagh in Sunday’s Ulster Senior Football final.

Kieran McGeeney’s side are favourites to end their 18-year wait to lift the Anglo-Celt Cup given they have hit 100 points in their three Ulster games to date, including a thumping 28-point victory over Down in the semi-final.

But Monaghan have recovered from a poor league campaign to reach the final as they look to win the county’s first Ulster title since 1988.

McGrane, who was the last Armagh captain to lift the Anglo-Celt Cup in 2008, says that Monaghan’s experience of beating Armagh in the All-Ireland in 2023 and the Ulster SFC in 2021 will give them confidence at Clones.

“There’s a Monaghan team coming that are Ulster club champions, on their own patch and the display of grit they showed against Derry and to do what they did with the sideline points, they’ll relish playing Armagh,” he told BBC Sport NI.

“They’ll have no fear playing them. The last two big games they played them; in Croke Park [shootout win], they came out the right side of it and in the match in Pairc Esler [a thrilling 4-17 to 2-2 win].

“They’ll be going with hunger the same that Armagh have to get over the line and get an Ulster title themselves.”

THE Beatles and the Rolling Stones both launched their latest albums yesterday – on separate continents. 

It was a case of let’s attend the knights together in honour of British rock royalty, Sir Paul McCartney and Sir Mick Jagger. 

At London’s fabled Abbey Road Studios, where the Fab Four recorded nearly all their songs, Macca held a lunchtime listening party for his latest LP, The Boys Of Dungeon Lane (out May 29). 

Then, in New York City hours later, Sixties chart rivals Jagger and Keith Richards as well as the later arrival to the ranks, Ronnie Wood, were seen strolling out of a Brooklyn theatre at the launch of their album, Foreign Tongues (out July 10). 

In a neat twist, Sir Paul plays bass on new Stones track Covered In You, recorded at the same session as his contribution to Bite My Head Off from 2023’s Hackney Diamonds. 

And BOTH albums were produced by American hotshot producer Andrew Watt, known for work with Ozzy Osbourne and Lady Gaga. 

END OF AN ERA?

Huge rock band spark SPLIT rumours after 14 years with cryptic video

NO CAP

Lewis Capaldi shocks fans as he drops the C-bomb in brutal takedown of troll

Before a select audience of fans and “my lovely son James” in Studio No2, McCartney, 83, introduced all fourteen tracks on his heartfelt 21st studio effort. 

For nearly two hours, he filled the time with fascinating anecdotes, playing select chords on his acoustic guitar and even mouthing some of the lyrics.  

Many songs have nostalgia-filled backstories, including As You Lie There about unrequited love for a girl called Jasmine. 

The “trippy” Mountain Top recalls Glastonbury, where he headlined in 2022, while Down South is about hitchhiking trips to Wales with George Harrison. 

Elsewhere, there’s a first-ever duet with fellow Beatle Ringo Starr on new single Home To Us, also featuring Chrissie Hynde and Sharleen Spiteri. Salesman Saint is a moving tribute to Macca’s parents, Jim and Mary. 

Meanwhile, the Stones also heralded their album with the release of a single, In The Stars, the follow-up to Rough & Twisted, a limited edition vinyl single which appeared under a pseudonym, The Cockroaches. 

Then Oscars host Conan O’Brien hosted a Q&A session with Mick and Keith, both 82, and Ronnie, 78. 

Besides McCartney, other guests on Foreign Tongues (also 14 songs) include The Cure’s Robert Smith on three tracks and Steve Winwood. 

The Great British Bake Off host Alison Hammond appeared on ITV’s Lorraine on Monday

A Great British Bake Off star has opened up about Nigella Lawson’s chemistry with Paul Hollywood.

Nigella has taken over from Prue Leith as the latest judge, where she will join Paul, Alison Hammond and Noel Fielding in the tent for the upcoming season that’s set to air later this year.

Alison appeared on ITV’s Lorraine on Monday (May 4), where she spoke to Lorraine Kelly about the new series, which has begun filming.

Lorraine said: “There’s a new judge. How’s that all going? Have you met up?”

Alison replied: “She’s so lovely. Nigella is incredible. Obviously we’ve started, so I’ve been watching.”

She added: “I’m telling you, the chemistry between her and Paul is unbelievable,” before clarifying: “Not in that sort of way!”

A picture of Paul and Nigella was then shown on screen, with Alison saying: “Don’t they look good looking?”

Lorraine jokingly added: “Do you know what, that looks like a crime scene, doesn’t it?!”

Alison continued: “But honestly, they’re so good together! I’ll be honest with you, they don’t always agree – it’s so good,” with Lorraine concluding: “No, that’s fine, and that works.”

Prue Leith announced her exit from the hit competition back in January after nine years. The 85-year-old restaurateur and broadcaster first joined the series in 2017 when it moved from the BBC to Channel 4, and has been a beloved fixture on it ever since.

In a statement, she said: “Bake Off has been a fabulous part of my life for nine years. I have genuinely loved it and I’m sure I’ll miss working with my fellow judge Paul, Alison and Noel, and the teams at Love Productions and Channel 4.”

Speaking about stepping into Prue’s shoes, Nigella said: “I’m uncharacteristically rather lost for words right now. Of course it’s daunting to be following in the footsteps of Prue Leith and Mary Berry before her, great dames both, but I’m also bubbling with excitement.”

She added: “The Great British Bake Off is more than a television programme, it’s a National Treasure – and it’s a huge honour to be entrusted with it.

“I’m just thrilled to be joining the team and all the new bakers to come, I wish the marvellous Prue all the best, and am giddily grateful for the opportunity!”

The Great British Bake Off returns to Channel 4 later this year

In a hearing about competing protective order filings from reality TV star Taylor Frankie Paul and her ex-boyfriend Dakota Mortensen, a Utah judge granted Thursday that both orders go into effect, though he delayed making a decision on a custody arrangement.

The orders, which were issued by third district court commissioner Russell Minas, are in place for three years and require Paul and Mortensen to stay at least 100 feet away from each other. He also warned that they both could be subjected to criminal charges if there’s a violation of the orders.

“I do think it’s important that there be mutual orders,” Minas said. “I am just concerned that if I don’t order both of them to stay away from each other, there’s going to be some additional problems.”

Addressing Paul and Mortensen, Minas said: “I’m hoping that you’re not people who just thrive on the drama and the conflict … I do want to work with both of you to try to restore some sense of normalcy. I just think right now, you two need to stay away from each other and there needs to be orders that will result in consequences if you attempt to try to engage each other because I still think you have this attraction to each other, physical or otherwise.”

“The Secret Lives of Mormon Wives” star, 31, and Mortensen, 33, both appeared in Utah court for the hearing, which was livestreamed, the first time they’ve been seen in the same room together since news broke last month that they were involved in domestic violence investigations involving multiple allegations.

In the weeks leading up to the ruling, the judge had granted Mortensen custody of their son, with up to eight hours per week of supervised visitation for Paul, known as one of the stars of Hulu’s “The Secret Lives of Mormon Wives.” That arrangement will stay in place until the judge offers his recommendation on parent time on or before May 11.

Dakota Mortensen in the courtroom on Thursday.

(Bethany Baker / Associated Press)

A review hearing is set for June, once mental health and domestic violence assessments of Paul and Mortensen ordered as part of the safety plan by child protective services have been completed and processed.

Paul’s attorney, Eric M. Swinyard, described the hearing as a “significant step forward.”

“Taylor was incredibly candid with the Court that she is not perfect and owned her faults,” read part of his statement. “She looks forward to continuing to cooperate with the Court to make progress in the custody case.”

The Times also reached out to Mortensen for comment.

Paul and Mortensen had been under investigation by both the Draper City Police Department and West Jordan Police Department regarding a series of allegations each made that the other had acted violently during altercations in February, as well as an incident that took place in 2024. After the February allegations made headlines, a video of Paul in 2023 that led to her arrest was leaked; it showed the reality star throwing bar stools at Mortensen while her daughter was present. (Paul pleaded guilty in abeyance to aggravated assault following that incident and her probation in that case will be up in August.) Amid the investigation, Mortensen and Paul filed competing protective orders against each other.

The Salt Lake County district attorney’s office and the Draper City prosecutor both declined to file charges against Paul in April, citing insufficient evidence to prove allegations beyond a reasonable doubt.

The situation between the embattled exes also resulted in the pausing of filming of “Mormon Wives” Season 5. The show has documented the pair’s tumultuous relationship since it’s launch in 2024. It also led to the shelving of Season 22 of ABC’s “The Bachelorette,” which featured Paul as its heroine.

But Thursday’s ruling on the orders comes a week after reports surfaced that “Mormon Wives” has resumed production on its fifth season, without Paul and Mortensen’s involvement — though, Paul reportedly has the option to return. The fate of the unaired season of “The Bachelorette” remains unclear.

Alexandra Del Rosario contributed reporting.

Like the milieu in which they’re set, prison movies can be terribly constricting. Often focusing on well-worn themes of masculinity, regret and redemption, they feature (and sometimes indulge) rough-hewn portrayals of tortured characters suffering through physical and emotional tumult. Inherently compelling but also a shade predictable, the genre promises a tantalizing glimpse at a terrifyingly macho world — one that most of us are fortunate not to know firsthand.

Cal McMau’s feature directorial debut hardly reinvents the formula, but it does remind audiences what remains so sturdy about the premise of an ordinary man trying to stay alive behind bars. And thanks to the latest impressive turn from rising star David Jonsson, “Wasteman” even finds a few new notes to play within a familiar stark melody.

Jonsson is Taylor, who has been serving 13 years in a U.K. prison for a drug deal that went tragically wrong, leading to an accidental death. Soft-spoken and overly accommodating, the young man mostly wants to avoid trouble, allowing himself to be bullied by cell-block thugs Paul (Alex Hassell) and Gaz (Corin Silva) while offering to cut their hair in exchange for the pills that fuel his addiction. Taylor has learned to go along to get along, existing in a zombie-like state from the perpetual high he chases.

But Taylor’s stasis is interrupted by the news that he may be granted early parole. (The overstuffed U.K. penal system needs to shed nonviolent prisoners to make room for dangerous offenders.) Longing to reconnect with his estranged teenage son Adam (Cole Martin), Taylor can see the light at the end of the tunnel — until the arrival of Dee, his new cellmate.

Played by a snarling, coiled Tom Blyth, Dee swaggers whereas Taylor shrinks. Seeing his new home as his kingdom, Dee quickly becomes the prison’s chief supplier of whatever you need — sneakers, candy, drugs — while ferociously asserting his dominance. (Early on, Dee slashes a fellow inmate’s face, recognizing him as someone who once ran with a rival crew.) Taylor adapts to the volatile situation as he always has, serving as the unthreatening beta, eventually earning Dee’s trust and friendship. Soon, Dee takes an interest in Taylor, ordering his lackeys on the outside to give Adam gifts that they claim are from his dad.

“Wasteman” introduces this odd-couple scenario and then waits for their fragile coexistence to rupture. Accustomed to being the prison’s top dogs, Paul and Gaz don’t take kindly to Dee invading their turf, resulting in an escalation of tension that puts Taylor’s parole at risk. But if much of “Wasteman” follows an expected trajectory, the film’s conception of Taylor proves thornier than anticipated.

Although probably best known for the HBO series “Industry,” Jonsson has demonstrated a dazzling range over a short period of time, including acing romantic dramas (“Rye Lane”) and dystopian thrillers (“The Long Walk”). But what unites his diverse roles is the sense of a sensitive, intelligent actor who constantly makes us wonder what he’s thinking.

Jonsson’s silences always seem to say so much and in “Wasteman” he capitalizes on his reserved demeanor and smaller frame to create a character who is much less frightening than those around him. Unlike Dee, he’s no hardened criminal, merely a guy who made one stupid mistake to financially support his child, and “Wasteman” initially encourages viewers to sympathize with this delicate soul who’s been thrown to the wolves.

Gradually, though, Jonsson complicates our feelings about Taylor. Equally desperate to be freed and to keep getting high — essentially escaping one prison while remaining in another — he slowly reveals himself to have little in the way of principles or ethics. When Paul and Gaz confront Dee, Taylor’s response is so cowardly that it’s pathetic, suggesting a spinelessness that bedeviled him long before he wound up in jail. The film presents Taylor as a kindly spirit, which turns out to be little more than calculated self-preservation.

Within the confines of a fairly conventional prison drama, McMau dissects an anonymous nobody who discovers that, both in prison and in life, there are consequences for not taking sides. Despite Dee’s savagery, Blyth portrays Taylor’s cellmate as loyal and honest — someone who believes in a personal code of conduct. The movie’s bitterest irony is that, of the two men, it’s ultimately Dee who may be more honorable.

McMau’s attempts to amplify the story’s grim authenticity occasionally fall flat. (Inspired by footage shot by actual inmates with contraband cellphones, the first-time director incorporates stagey inserts meant to re-create these intimate, graphic images.) He’s on firmer footing exploring his two leads as they square off inside this smoldering crucible. Like Jonsson, Blyth hints at a whole universe inside his character simply by the way he quietly listens and observes. As Taylor’s parole looms, the stakes grow. By the time “Wasteman” reaches its ambiguous finale, our loyalties are far from clear-cut.

Production on Season 5 of “The Secret Lives of Mormon Wives” will resume after filming was halted weeks ago amid a domestic violence investigation involving star Taylor Frankie Paul, The Times has learned.

Filming on the Hulu reality series paused in mid-March after the Draper City Police Department in Utah launched an investigation that involved Paul and her ex-boyfriend Dakota Mortensen and stemmed from an alleged incident in February. It was later revealed that Paul was under investigation for an alleged third domestic violence incident involving her and Mortensen in 2024, which was being led by police in West Jordan, Utah. The Salt Lake County district attorney’s office announced last week it would not be filing charges against Paul.

It has not been disclosed when cameras will pick back up or whether Paul or Mortensen will return to the series. In addition to Paul, the main cast includes Whitney Leavitt, Mayci Neeley. Jessie Draper, Jen Affleck, Mayci Neeley and Miranda McWhorter.

Paul was previously arrested in 2023 for another incident with Mortensen, which was partially documented on Season 1 of “Mormon Wives.”

“Here come the ugly parts of what healing actually looks like,” Paul wrote in a lengthy post Sunday on Instagram. “If you know me you know I’ll admit my parts, flaws, and faults. I’m well aware thats apart of it. We’ll get there. This public atrocity that I not only lived through once but twice now, on even a bigger scale was ultimately the cost to my freedom. I wouldn’t wish this upon my worst enemy or even the ones who publicized it. I cried on my knees in pain while also saying THANK YOU 🙏🏼”

When the investigation tied to the alleged February incident was made public, a video from the events involving the 2023 incident — showing Paul throwing barstools at Mortensen while her young daughter was present — was leaked to TMZ. It quickly led to ABC pulling Paul’s season-headlining “The Bachelorette” just three days before its March 22 premiere.

With 13 medals between them, Alex ‘Tattie’ Marshall and Paul Foster lead the Scotland bowls team for the Commonwealth Games in Glasgow this summer.

The vastly experienced duo will link up in the men’s pairs event, which they won at Glasgow 2014.

Marshall, who has seven Commonwealth Games medals in his collection, said of his eighth selection: “It is always such an honour and privilege to be selected to represent Team Scotland at the Commonwealth Games.

“To have another opportunity to be a part of a home Games is also not lost on me, and I know that Paul and I will give it our very best to try and win a medal for the team.”

Marshall’s niece Beth Riva, who won 2025 World Championship mixed pairs gold with Jason Banks last year, joins Caroline Brown in the women’s pairs.

Banks will make his Team Scotland debut in the singles event.

Bowls Scotland announced the host nation’s squad on Tuesday, with the Commonwealth Games bowls events running from 24 July to 2 August.

For the first time in Commonwealth Games history, all of the bowls and para bowls events will be played indoors, taking place at the SEC Centre.

In the para team, Pauline Wilson, Garry Brown, Robert Barr and his director Sarah Jane Ewing are all aiming for repeat golds after topping the podium at Birmingham 2022.

The third season of Apple TV’s “Shrinking” concludes with Jimmy (Jason Segel) being, well, “Jimmy-ed.”

For three seasons, Jimmy, a therapist grieving the loss of his wife, has used unconventional methods —think taking someone with aggression issues to a boxing ring — to get through to his patients. In the last moments of “And That’s Our Time,” Jimmy’s mentor and fellow therapist Paul (Harrison Ford) turns that approach on its namesake, flying across the country to give Jimmy a much needed push to move forward with his life. “Jimmy needed permission and encouragement from someone to say, ‘All right, it’s time,’” Segel says. “This is the end of this story and it’s time to start a new one.”

In the scene, Paul finally tells Jimmy he’s like a son to him. “I found ourselves writing a conversation that if we were lucky enough to have a conversation like that with our own fathers, we’d be grateful,” executive producer Bill Lawrence says. “A lot of my shows have an element of mentorship in them. To see Jimmy’s mentor come through for him in the way that I would always hope he would meant a lot to me.”

Lawrence had always envisioned the three-season arc for Jimmy ending this way. But when they found out the comedy would be returning for a fourth season, he and his fellow executive producers were faced with a dilemma: End the season the way they would have the series or push their original ending out for one more season. After much discussion, they decided to stick the landing.

“It still felt right,” Lawrence says. “This particular story with these characters has been told and you should feel, in a good way, like it’s gonna be OK for Jimmy. Jason is so good at it, watching him play the agony of trying to get through it all and come out on the other side was my favorite kind of journey on the whole show.”

Segel spoke to The Envelope about filming this pivotal scene and bringing the third season to a close.

What did filming this final scene mean to you? To play this part of Jimmy’s journey coming to an end?

I’m always really interested in, “What is the dirty underneath? If we go one level deeper, what is the thing that the person is not saying?” This arc with Jimmy over the three seasons had been building up to Jimmy finally saying the actual thing, which is some version of, “Who’s gonna want me now?”

Paul answers that question by telling Jimmy that his scars are “evidence of a life well–lived.”

I had a therapist I was talking to about having to show up somewhere with people I knew from 25 years ago. I remember having a little bit of apprehension because I’ve had a twisty-turny life. I thought, “God, there’s so much to catch up on and I’m showing up covered in scars.” And this therapist said to me, just matter of fact, “What a shame it would be to show up anywhere at 45 years old not covered in scars.” And I went straight to Bill and [executive producer] Neil [Goldman], this is a year ago, and I said, “This is what Harrison says to Jimmy at the end of this arc.” And we worked it in.

What was the actual day of filming the scene like for you?

It was a difficult day. It was loud that day. There was a little bit of discombobulation on the street. There was construction and they couldn’t hold the cars right. It wasn’t the ideal environment for a scene like this where you would love to hear a pin drop. People were coming into the restaurant asking, “Are you guys open?” It almost felt like we were making a student film. And Harrison and I took a minute and we walked away from the set and we started running the scene, walking up and down the busy street to kind of acclimate ourselves. And I’m walking up and down the street with this man who I idolize and we are at that moment like equals and teammates. We have to go build this scene together. It is a real honor to have that dynamic with him.

Do you think it was important to have such a pivotal scene outdoors?

They’re a good reminder that the show takes place in the real world and that you’re like a representative of reality almost. I think that there’s something vulnerable about all that taking place outside. … There’s other patrons there. It’s surrounded by people, surrounded by life, and Paul is showing up and telling Jimmy, “It’s time to step into it. Look, it’s all around you.”

This season we met Jimmy’s father (played by Jeff Daniels), who never really connected with his son and, in a heartbreaking moment, chooses a fishing trip with his buddies over staying for Alice’s (Lukita Maxwell) high school graduation.

One of the things this show does really well is handle these situations honestly. Whether it’s Parkinson’s or loss or a complicated relationship with a family member. It’s not gonna magically change. None of it. And so the show is very much true to, “How do we get through it with each other?” That’s really the theme of the show. These issues are gonna be there. What are we gonna do with the realities of life? I think the reason they brought Jeff Daniels in is to highlight why Jimmy so desperately wants Paul’s affection. Where is this coming from? Bill is a genius in terms of setting something up in a previous episode so that there’s a payoff in the finale. I think that we understand suddenly how desperate Jimmy is to have somebody say, “You’re my son and I love you.” And he finally gets that at the end from Paul.

The other major event that happens in the finale is that Alice leaves for college.

To me, [Jimmy’s relationship with Alice] has been the heart of the show and the most important storyline. The show started out with Alice parenting a troubled child in her father. And that dynamic slowly, slowly, slowly shifted to being the right direction. Until finally he is able to see her off to college and she feels safe to leave him behind. He is the parent and she is the child and everything is the right size again. I think watching Lukita as an actor and a human being grow up over these past four years, it’s been really the joy of my career. When I met her, she called me Mr. Segel. I realized she grew up with my “Muppet” movie. I have the real honor of being more of a mentor than a contemporary to Lukita. To get to the point where I am being surprised and challenged and blown away and moved to tears in scenes with Lukita is like the coolest thing in the world.

Cobie Smulders and Jason Segel in “Shrinking.”

(Apple TV)

We see Jimmy sit down at the restaurant with his potential love interest Sofi (Cobie Smulders), but we don’t hear their conversation.

It originally ended with a hard cut to black. Then then they did this beautiful cinematic pullback. I think the most important line is, “Hello.”

As the scene ends, Paul tells Jimmy that he can either “stay stuck” or “go make new scars.” Paul advises Jimmy to “choose wisely” and then winks at Jimmy. It’s a subtle nod to the famous “choose wisely” scene from “Indiana Jones and the Last Crusade.”

Harrison is not so secretly one of the funnier people I know. He always knows exactly what he’s doing and we’ve had a few of those throughout the season, some little nods to Harrison’s body of work. It was a perfect way to end that scene. Paul slash Harrison is always just a little smarter than you. One of the great qualities that they have is they’re just a little bit ahead of you, which a great mentor should be, right?

Have you thought about how it will be to play Jimmy in the show’s fourth season now that this particular story arc has come to an end?

I think an equally interesting and complicated and fun area is someone deciding they’re ready to be happy. Because God knows it’s one thing in your house alone in front of the mirror [to say], “Now I’m gonna be happy.” And then you go out and in practice, it’s its own set of complications, right? And so, I’m actually really excited about that idea of someone saying, “OK, I’m ready to take it for a spin.” And then seeing that’s its own thing.

April 18 (UPI) — On this date in history:

In 1506, the cornerstone was placed for St. Peter’s Basilica in Rome.

In 1775, U.S. patriot Paul Revere began his famous ride through the Massachusetts countryside, crying out “The British are coming!” to rally the minutemen.

In 1906, an earthquake estimated at magnitude-7.8 struck San Francisco, collapsing buildings and igniting fires that destroyed much of what remained of the city. Researchers and historians concluded that about 3,000 people died in the quake and its aftermath, and roughly 250,000 were left homeless.

In 1912, three days after the sinking of Titanic, her survivors arrived in New York City aboard the RMS Carpathia.

In 1923, the original Yankee Stadium opened in New York. The stadium was demolished in 2010 after it was replaced a year prior by the new Yankee Stadium.

File Photo by Monika Graff/UPI

In 1942, Lt. Col. James Doolittle led a squadron of B-25 bombers in a surprise raid against Tokyo in response to the Japanese sneak attack on Pearl Harbor on Dec. 7, 1941.

In 1945, U.S. journalist Ernie Pyle, a popular World War II correspondent, was killed by Japanese machine-gun fire on the island of Ie Shima in the Pacific.

In 1949, the Republic of Ireland formally declared itself independent from Britain.

In 1968, McCulloch Oil Corp. paid $2.24 million to buy London Bridge, which was sinking into the Thames under the weight of 20th century traffic. The oil company rebuilt the bridge bloc by block over Lake Havasu in Arizona.

In 1980, Rhodesia became the independent African nation of Zimbabwe.

In 1983, the U.S. Embassy in Beirut, Lebanon, was severely damaged by a car-bomb explosion that killed 63 people, including 17 Americans.

In 1992, an 11-year-old Florida boy sued to “divorce” his natural parents and remain with his foster parents. The boy eventually won his lawsuit.

In 2002, former U.S. Sen. Bob Kerrey, D-Neb., revealed that at least 13 civilians were killed by his U.S. Navy unit in a Vietnamese village in 1969.

File Photo by Ezio Petersen/UPI

In 2007, more than 125 people were killed in a suicide car-bomb explosion near a Baghdad market.

In 2014, an avalanche on what is known as a particularly dangerous route to the top of Mount Everest in the Himalayas killed 16 Sherpa guides.

In 2018, the first movie theaters in Saudi Arabia opened with a public screening of Black Panther.

In 2024, police arrested more than 100 protesters at Columbia University for refusing to leave a large pro-Palestinian encampment on campus. The incident sparked more protests at the school and other campuses across the country.

File Photo by John Angelillo/UPI

Paul W. Downs can’t help it that even on the weekends, his life intersects with “Hacks,” the HBO comedy he co-created and co-showruns with his wife, Lucia Aniello, and their friend Jen Statsky. (He also appears on the show as Jimmy LuSaque Jr., the besieged manager of its two stars, played by Emmy winners Jean Smart and Hannah Einbinder.) The fifth and final season of “Hacks” premiered last week, but on Downs’ days off, he often finds himself at its previous filming locations or hanging out with cast members who have become like family.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Downs moved to Los Angeles in 2011, but soon after, he and Aniello were hired to write (and for him to act) on the über-New York show “Broad City,” keeping them away from the West Coast for years. Now the couple live in Los Feliz, which they enjoy with their young son.

“I love Los Feliz because it’s a real neighborhood with restaurants and bars, but also feels close to nature with Griffith Park,” Downs says. “Also it’s very central to my Eastside friends and Westside agents.”

And if he had to live at a local mall, like the character Ava Daniels did in the third season of “Hacks,” which would he choose?

“It would be the Americana, obviously.”

Here’s how he’d spend a perfect day in L.A.

10 a.m.: A late rise and a li’l barista

I’m sleeping in if I can, which I can’t because I have a toddler, but let’s say I can sleep ’til 10. That would be insane.

Then I’m making coffee at home. I’m making it with my 4-year-old because he likes to make my coffee now. He always wanted to help, now he really wants to do it on his own. I’m still there to supervise, but he does do a lot of it.

I do batch brew. I’m doing Verve Coffee that I’m grinding there, and then I’m brewing four cups because I need my coffee. I had a Moccamaster for a long time, but I recently got a Simply Good Coffee. There’s no plastic — it’s all glass and metal.

11 a.m.: Chocolate croissants for everyone

We’re driving to Pasadena and we’re going to [Artisanal Goods by] CAR, which is the place to get the best chocolate croissant, I think, in the world. I don’t just think in L.A., I think they’re better than Paris. I’m going there with my wife and my kid and I’m having another coffee and some pastry. We’re ordering three [chocolate croissants]. We’re not doubling up.

11:45 a.m.: The family business

We’re driving to Fair Oaks in Pasadena. There’s a place called T.L. Gurley. We shot “Hacks” there, actually. Not only in Season 1, but also full circle in Season 5. We’re going to shmay around and look at antiques. My kid is going to want to play a vintage pinball machine. We’re going to find a little piece of art for the house or what have you. It’s not necessarily that I’m on the hunt. It’s to pass the time and to have some fun. If I could do anything and have a leisurely day and take my mind off work, that’s what I’m doing.

People love to interact with my kid when he’s there. We’re really training him to appraise things at a young age. My parents are part-time dealers of antiques. My grandmother bought and sold antiques. It’s kind of a family business.

1:30 pm.: Baguettes and books

We’re driving to Larchmont and we’re getting a sandwich at Larchmont Village Wine, Spirits & Cheese. I’m doing prosciutto-mozzarella-basil on a baguette.

Then we’re going to Chevalier’s Books. What’s sad is that I’m often not looking for leisure material. I’m looking for something that I’m interested in learning more about or writing about, or that they’re turning into a show I want to audition for. But we’re also doing Little Golden Books for my son. He’s obsessed. We’re not huge on screen time, so we really encourage the book-buying.

2:30 p.m.: Cast pool party

We’re having some family fun in the pool and we’re doing that until evening. We invite people over all the time. My sister-in-law is a New Yorker, but she actually wrote last season on “The Rooster” and she’s often writing on shows in L.A., so she’s often here and she’ll have a couple friends come over. I know this sounds like a piece of PR or something, but we’ll really literally have Hannah [Einbinder] and maybe Mark Indelicato from “Hacks” come over to swim. Jen, our co-creator of “Hacks,” will come over.

6:00 p.m.: Family dinner

Sometimes we’ll order Grá to the house, which is a pizza place in Echo Park — excellent sourdough crust pizza. But if we don’t do that, an ideal evening is an early dinner at All Time on Hillhurst in Los Feliz. We’re ordering the ceviche and my son is having all of it and not sharing with anybody at the table.

8:45 p.m.: A thrilling ending to the day

After putting my kid to bed, my wife and I, in an ideal world (full disclosure: we haven’t done this in two years), we’ll watch something together that we’ve been meaning to watch. We have a long list of movies and we either want to revisit or that we haven’t seen that we need to watch.

We don’t watch a lot of comedies. It’s a dream to watch a “Black Bag” or a little espionage thriller. We really like that because it’s so different than the stuff that we’re working on in the day.

Often the things we watch are things that we admire. We like deconstructing it as fans of film and television. We do like talking about the making of it, but it’s less of a critique and more of a listing of the things we appreciated about it.

10:30 p.m.: No work tomorrow

And then it’s lovemaking ’til morning on a perfect Sunday. If it’s a perfect Sunday, there’s also a Monday that’s off.

Four months after being pushed into retirement by the Clippers, future Hall of Famer Chris Paul apparently took delight in the team’s quick exit from the postseason Wednesday night.

Paul posted the familiar meme “stopped by my biggest hater’s funeral” on his Instagram story shortly after the Clippers blew a 13-point fourth-quarter lead in a 126-121 play-in loss to the Golden State Warriors.

Paul, the Clippers’ all-time assists leader, called out teammates, coaches and executives during his short second stint with the team early this season. In an effort to inject accountability during the team’s 6-21 start, Paul instead angered many, including head coach Tyronn Lue, who wasn’t on speaking terms with Paul at the end.

“Everyone was fed up,” a league source told The Times in December.

Paul, who is second to John Stockton in NBA career assists with 12,552, posted at the time about his being cut on social media, saying “Just Found Out I’m Being Sent Home,” along with a peace emoji.

For their part, the Clippers turned around their season, going 36-19 after a horrific start to finish with a winning record for the 15th consecutive season at 42-40.

Then came the dispiriting loss to the Warriors and the 40-year-old Paul’s opportunity to get in the last meme, even though it wasn’t exactly original. Philadelphia 76ers star Joel Embiid posted the same one when the team traded guard Ben Simmons in 2022.

Taylor Frankie Paul won’t face criminal charges in connection with alleged domestic violence incidents between her and her ex-boyfriend, the Salt Lake County district attorney’s office said Tuesday.

The embattled “Secret Lives of Mormon Wives” star’s cases were reviewed by multiple attorneys due to their high-profile nature, according to the district attorney’s office.

“After reviewing reports and evidence submitted to the Draper Police Department and West Jordan Police Department, the Salt Lake County District Attorney’s Office has declined to file charges against Taylor Frankie Paul,” the statement reads.

According to the news release, Dakota Mortensen, Paul’s ex and the father of her youngest child, reported several domestic violence incidents, “some of which occurred more than three years ago.”

“Any incidents of misdemeanor offenses which are alleged to have occurred more than two years ago are barred by the statute of limitations,” the district attorney’s office wrote, adding that “several incidents that were submitted do not rise to the level of criminal offenses.” The remaining incidents lack sufficient evidence to support filing criminal charges, according to the district attorney’s office.

Mortensen filed a report with the West Jordan Police Department in Utah in February alleging an incident of domestic violence that he said occurred in early to mid-2024. Utah’s Draper Police Department was also looking into a separate incident involving the former couple.

Days before the premiere of Season 22 of “The Bachelorette,” in which Paul was set to star, a leaked video of a 2023 domestic dispute between Paul and Mortensen circulated online.

That 2023 incident resulted in Paul being arrested. She eventually pleaded guilty in abeyance to aggravated assault, and Paul’s arrest was featured in the first season of “Secret Lives.”

Although the incident had already been addressed publicly and dealt with in court, the leaked video featured previously unseen footage of the dispute. As a result, Paul was hit with a restraining order, she temporarily lost custody of Ever, the 2-year-old son she shares with Mortensen, and ABC pulled “The Bachelorette.” Production on the hit reality series had already wrapped and the premiere was slated for March 22.

Last week, a Utah judge ruled that Paul can have supervised visits with Ever, until another hearing for a protective order later this month.

The exes are also ordered to appear remotely at a court hearing April 30 to review the merits of Mortensen’s protective order against Paul. Paul has also filed her own protective order against Mortensen, which a Utah judge signed off on last week.

Mortensen sought a protective order after two incidents in February that involved “grabbing, scratching, shoving, and striking” that allegedly left Mortensen with marks on his neck, according to police documents. A judge granted the order last month.