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WASHINGTON — President Trump said Tuesday that the federal government owes him “a lot of money” for prior Justice Department investigations into his actions and insisted he would have the ultimate say on any payout because any decision will “have to go across my desk.”

Trump’s comments to reporters at the White House came in response to questions about a New York Times story that said he had filed administrative claims before being reelected seeking roughly $230 million in damages related to the FBI’s 2022 search of his Mar-a-Lago property for classified documents and for a separate investigation into potential ties between Russia and his 2016 presidential campaign.

Trump said Tuesday he did not know the dollar figures involved and suggested he had not spoken to officials about it. But, he added, “All I know is that, they would owe me a lot of money.”

Though the Justice Department has a protocol for reviewing such claims, Trump asserted, “It’s interesting, ‘cause I’m the one that makes the decision, right?”

“That decision would have to go across my desk,” he added.

He said he could donate any taxpayer money or use it to help pay for a ballroom he’s building at the White House.

The status of the claims and any negotiations over them within the Justice Department was not immediately clear. One of Trump’s lead defense lawyers in the Mar-a-Lago investigation, Todd Blanche, is now the deputy attorney general at the Justice Department. The current associate attorney general, Stanley Woodward, represented Trump’s valet and co-defendant, Walt Nauta, in the same case.

“In any circumstance, all officials at the Department of Justice follow the guidance of career ethics officials,” a Justice Department spokesperson said. A White House spokesperson referred comment to the Justice Department.

Trump signaled his interest in compensation during a White House appearance last week with Blanche, FBI Director Kash Patel and Atty. Gen. Pam Bondi, who was part of Trump’s legal team during one of the impeachment cases against him.

“I have a lawsuit that was doing very well, and when I became president, I said: ‘I’m suing myself. I don’t know. How do you settle the lawsuit?’” he said. ”I’ll say, ‘Give me X dollars,’ and I don’t know what to do with the lawsuit. It’s a great lawsuit and now I won, it looks bad. I’m suing myself, so I don’t know.”

The Times said the two claims were filed with the Justice Department as part of a process that seeks to resolve federal complaints through settlements and avert litigation.

One of the administrative claims, filed in August 2024 and reviewed by the Associated Press, seeks compensatory and punitive damages over the search of his Mar-a-Lago estate and the resulting case alleging he hoarded classified documents and thwarted government efforts to retrieve them.

His lawyer who filed the claim alleged the case was a “malicious prosecution” carried out by the Biden administration to hurt Trump’s bid to reclaim the White House, forcing Trump to spend tens of millions of dollars in his defense.

That investigation produced criminal charges that Justice Department special counsel Jack Smith abandoned last November because of department policy against the indictment of a sitting president.

The Times said the other complaint seeks damages related to the long-concluded Trump-Russia investigation, which continues to infuriate the president.

Shakira is all in for the Bad Bunny Super Bowl halftime performance, despite ongoing public efforts to replace the Puerto Rican singer with another artist.

In an interview with Variety, the Colombian superstar voiced support for Bad Bunny, who is set to perform on Feb. 8 at Levi’s Stadium in Santa Clara, Calif.

“It’s about time!” she said.

In 2020, Bad Bunny joined Shakira and Jennifer Lopez on stage during their halftime performance, which marked the first all-Latine show in Super Bowl history — J Balvin was also featured.

“I remember when we did ours that even having part of our set in Spanish was a bold move… Acceptance of Spanish-language music as part of the mainstream has come so far from when I started,” said Shakira, who during the interview reflected on the recent anniversaries of her critically-acclaimed Spanish album “Pies Descalzos” (released in 1995) as well as “Oral Fixation (Vol 1 and 2)” (both released in 2005).

“I hope and like to think that all the times my music was met with resistance or puzzlement from the English-speaking world before it was embraced helped forge the path to where we are now,” Shakira added.

The news that Bad Bunny would headline the major American sporting event has been met with some pushback from conservative figures, including President Trump, who labeled the decision as “crazy” and “absolutely ridiculous” in an interview with Newsmax earlier this month.

One floating petition on Change.org, which has acquired over 54,000 signatures, called for Bad Bunny to be replaced by Texas singer George Strait as a way to “honor American culture.”

The late Charlie Kirk’s Turning Point USA also announced an alternative halftime show titled, “The All American Halftime Show,” though the conservative organization has not yet announced artists.

Claims that Bad Bunny is not an American artist are factually incorrect: Puerto Rico is an unincorporated U.S. territory and Puerto Ricans are therefore American citizens. Past Super Bowl halftime shows have also featured non-American acts, including the Rolling Stones, U2, Rihanna, Shania Twain and Coldplay, to name a few.

Despite the anti-Bad Bunny buzz, Shakira doubled down on her support of the singer.

“And I’m so proud that Bad Bunny, who represents not only Latin culture but also how important Spanish-language music has become on a global scale and how universal it has become, is getting to perform on the biggest stage in the world,” she said.

“It’s the perfect moment for a performance like this. I can’t wait to watch it.”

MEXICO CITY — The small Central American nation of Belize has signed a “safe third country” agreement with the United States, the two sides said on Monday, as the Trump administration seeks to ramp up deportations and dissuade migration north.

What the agreement entails wasn’t immediately clear, but it comes as President Trump has increasingly pressured countries in Latin America and Africa to help him carry out his immigration agenda.

The deal appears to be similar to one with Paraguay announced by the U.S. State Department in August that included a “safe third country” agreement in which asylum seekers currently in the U.S. could pursue protections in the South American nation.

In Trump’s first term, the U.S. signed several such agreements that would instead have asylum seekers request protections in other nations, like Guatemala, before proceeding north. The policy was criticized as a roundabout way to make it harder for migrants to seek asylum in the U.S. and was later rolled back by the Biden administration.

Earlier this year, Panama and Costa Rica also accepted U.S. flights of hundreds of deportees from Asian countries – without calling the deals “safe third country” agreements – and thrusting the migrants into a sort of international limbo. The U.S. has also signed agreements, such as deportation agreements, with war-torn South Sudan, Eswatini and Rwanda.

The Belize government said in a statement on Monday that it “retains an absolute veto over transfers, with restrictions on nationalities, a cap on transferees, and comprehensive security screenings.”

The government of the largely rural nation wedged between Mexico and Guatemala reiterated its “commitment to international law and humanitarian principles while ensuring strong national safeguards.” No one deemed to be a public safety threat would be allowed to enter the country, it said.

On Monday, the State Department’s Bureau of Western Hemisphere Affairs thanked Belize in a post on X, calling the agreement “an important milestone in ending illegal immigration, shutting down abuse of our nation’s asylum system, and reinforcing our shared commitment to tackling challenges in our hemisphere together.”

The decision prompted fierce criticism from politicians in Belize, who railed against the agreement, calling it a “decision of profound national consequence” announced with little government transparency. The agreement must be ratified by Belize’s Senate to take effect.

“This agreement, by its very nature, could reshape Belize’s immigration and asylum systems, impose new financial burdens on taxpayers, and raise serious questions about national sovereignty and security,” Tracy Taegar Panton, an opposition leader in Belize’s parliament, wrote on social media.

She noted fierce criticisms of human rights violations resulting from similar policies carried out by both the U.S. and Europe.

“Belize is a compassionate and law-abiding nation. We believe in humanitarian principles. But compassion must never be confused with compliance at any cost. Belize cannot and must not be used as a dumping ground for individuals other countries refuse to accept,” she wrote.

Janetsky writes for the Associated Press.

A Vermont state senator who took part in a Young Republicans group chat on Telegram in which members made racist comments and joked about rape and gas chambers has resigned.

State Sen. Sam Douglass was revealed last week to have participated in the chat, which was first reported on by Politico. The exchanges on the messaging app spanned more than seven months and involved leaders and lower ranking members of the Young Republican National Federation and some of its affiliates in New York, Kansas, Arizona and Vermont. Douglass was the only elected official involved.

Vermont’s top Republican leaders, including Gov. Phil Scott, quickly called for Douglass to resign. A joint statement from the GOP lawmakers described the comments “unacceptable and deeply disturbing.”

Douglass, who was in his first year of representing a conservative district near the Canadian border, said in a statement Friday that he and his wife had received multiple hateful messages and “nasty items” in the mail since news of the group chat broke.

“I know that this decision will upset many, and delight others, but in this political climate I must keep my family safe,” Douglass said in explaining his decision to resign. “And if my Governor asks me to do something, I will act, because I believe in what he’s trying to do for the state of Vermont.”

Douglass also said he had served in a “moderate fashion,” and touted his efforts to improve Vermont’s welfare system,

“Since the story broke, I have reached out to the majority of my Jewish and BIPOC friends and colleagues to ensure that they can be honest and upfront with me, and I know that as a young person I have a duty to set a good example for others,” Douglas wrote, referencing the acronym Black, Indigenous and people of color.

Other participants in the group chat have faced repercussions, including a New York Young Republicans organization that was suspended Friday.

Kruesi writes for the Associated Press.

WASHINGTON — President Trump said Friday that he had commuted the sentence of former U.S. Rep. George Santos, who is serving more than seven years in federal prison after pleading guilty to fraud and identity theft charges.

Joseph Murray, one of Santos’ lawyers, told the Associated Press late Friday that the former lawmaker was released from the Federal Correctional Institution in Fairton, N.J., around 11 p.m. and was greeted outside the facility by his family.

The New York Republican was sentenced in April after admitting last year to deceiving donors and stealing the identities of 11 people — including his own family members — to make donations to his campaign.

He reported to FCI Fairton on July 25 and was housed in a minimum-security prison camp with fewer than 50 other inmates.

“George Santos was somewhat of a ‘rogue,’ but there are many rogues throughout our Country that aren’t forced to serve seven years in prison,” Trump posted on his social media platform. He said he had “just signed a Commutation, releasing George Santos from prison, IMMEDIATELY.”

“Good luck George, have a great life!” Trump said.

Santos’ account on X, which has been active throughout his roughly 84 days in prison, reposted a screenshot of Trump’s Truth Social post Friday.

During his time behind bars, Santos has been writing regular dispatches in a local newspaper on Long Island, N.Y., in which he mainly complained about the prison conditions.

In his latest letter, he pleaded to Trump directly, citing his fealty to the president’s agenda and to the Republican Party.

“Sir, I appeal to your sense of justice and humanity — the same qualities that have inspired millions of Americans to believe in you,” he wrote in the South Shore Press on Monday. “I humbly ask that you consider the unusual pain and hardship of this environment and allow me the opportunity to return to my family, my friends, and my community.”

Santos’ commutation is Trump’s latest high-profile act of clemency for former Republican politicians since retaking the White House in January.

Like Santos, Trump has been convicted of fraud. He was found guilty last year on 34 felony counts in a case related to paying hush money to a porn actor. He is the only president in U.S. history convicted of a felony.

In granting clemency to Santos, Trump was rewarding a figure who has drawn scorn from within his own party.

After becoming the first openly gay Republican elected to Congress in 2022, Santos served less than a year after it was revealed that he had fabricated much of his life story.

On the campaign trail, Santos had claimed he was a successful business consultant with Wall Street cred and a sizable real estate portfolio. But when his resume came under scrutiny, Santos eventually admitted he had never graduated from Baruch College — or been a standout player on the Manhattan college’s volleyball team, as he had claimed. He had never worked at Citigroup and Goldman Sachs.

He wasn’t even Jewish. Santos insisted he meant he was “Jew-ish” because his mother’s family had a Jewish background, even though he was raised Catholic.

In truth, the then-34-year-old was struggling financially and faced eviction.

Santos was charged in 2023 with stealing from donors and his campaign, fraudulently collecting unemployment benefits and lying to Congress about his wealth.

Within months, he was expelled from the U.S. House of Representatives — with 105 Republicans joining with Democrats to make Santos just the sixth member in the chamber’s history to be ousted by colleagues.

Santos pleaded guilty as he was set to stand trial.

Still, Rep. Marjorie Taylor Greene (R-Ga.) urged the White House to commute Santos’ sentence, saying in a letter sent just days into his prison term that the punishment was “a grave injustice” and a product of judicial overreach.

Greene was among those who cheered the announcement Friday. But Rep. Nick LaLota, a Republican who represents part of Long Island and has been highly critical of Santos, said in a post on social media that Santos “didn’t merely lie” and his crimes “warrant more than a three-month sentence.”

“He should devote the rest of his life to demonstrating remorse and making restitution to those he wronged,” LaLota said.

Santos’ clemency appears to clear not just his prison term, but also any “further fines, restitution, probation, supervised release, or other conditions,” according to a copy of Trump’s order posted on X by Ed Martin, the Justice Department’s pardon attorney.

As part of his guilty plea, Santos had agreed to pay restitution of $373,750 and forfeiture of $205,003.

In explaining his reason for granting Santos clemency, Trump claimed the lies Santos told about himself were no worse than misleading statements U.S. Sen. Richard Blumenthal — a Democrat and frequent critic of the administration —had made about his military record.

Blumenthal apologized 15 years ago for implying that he served in Vietnam, when he was stateside in the Marine Reserve during the war. The senator was never accused of violating any law.

“This is far worse than what George Santos did, and at least Santos had the Courage, Conviction, and Intelligence to ALWAYS VOTE REPUBLICAN!” Trump wrote.

Marcelo writes for the Associated Press. AP writers Michael R. Sisak in New York and Susan Haigh in Connecticut contributed to this report.

Victoria’s Secret called game.

WNBA player Angel Reese and Olympic gymnast Suni Lee walked the 2025 edition of the Victoria’s Secret Fashion Show on Wednesday, becoming the first major athletes to hit the runway at the lingerie and loungewear brand’s signature event.

Reese, a forward for the Chicago Sky, was part of the high-profile “Wings Reveal” lineup, with the two-time All-Star debuting two looks at the event. The first was a pink floral lingerie set paired with a feathered stole, while the second featured the brand’s iconic angel wings. She is the first professional athlete to walk the show.

“It was destined for me,” Reese reportedly said in an interview before the show kicked off. “This is already for me. I’m so happy to be sitting in this room with so many amazing models and women. The team that put this all together has been amazing. I’m so excited.”

Angel Reese debuted two looks at the 2025 Victoria’s Secret Fashion Show.

(Evan Agostini / Invision / Associated Press)

The 2025 Victoria Secret’s Fashion Show may have marked her professional modeling debut, but Reese has long been a fashion icon. She’s known for her sharp arrival looks as much as her rebounding prowess among women’s basketball fans and she even served as a member of the 2025 Met Gala’s host committee. Reese capped off her standout college career, which included an NCAA championship title with Louisiana State University in 2023, by declaring for the WNBA draft in a 2024 Vogue interview and has since graced that magazine’s cover.

Two-time Olympian Lee, meanwhile, made her fashion show debut as part of the segment dedicated to VS’ Pink line, sporting short shorts and a pink hoodie adorned with miniature wings. She hit the runway while four members of the K-pop group Twice were performing live.

Suni Lee makes her Victoria’s Secret Fashion Show debut.

(Dimitrios Kambouris / Getty Images for Victoria’s Secret)

“Stepping into something like the Victoria’s Secret Fashion Show felt like a dream outside of my comfort zone … But that’s exactly why I said yes,” Lee told Marie Claire in an interview before the show where she described her runway look as “sporty meets glam in the best way.”

Lee, of course, was part of the “Golden Girls” squad alongside Simone Biles that brought home the team gold at the 2024 Paris Olympics. Among her six Olympic medals is also the all-around gold from the 2020 Games in Tokyo, which were held in 2021 due to pandemic restrictions. The Minnesota native also competed as part of Auburn University’s gymnastics team.

WASHINGTON — President Trump on Thursday warned Hamas “we will have no choice but to go in and kill them” if internal bloodshed persists in Gaza.

The grim warning from Trump came after he previously downplayed the internal violence in the territory since a ceasefire and hostage deal between Israel and Hamas went into effect last week.

Trump said Tuesday that Hamas had taken out “a couple of gangs that were very bad” and had killed a number of gang members. “That didn’t bother me much, to be honest with you,” he said.

The president did not say how he would follow through on his threat posted on his Truth Social platform, and the White House did not immediately respond to a request for comment seeking clarity.

But Trump also made clear he had limited patience for the killings that Hamas was carrying out against rival factions inside the devastated territory.

“They will disarm, and if they don’t do so, we will disarm them, and it’ll happen quickly and perhaps violently,” Trump said.

The Hamas-run police maintained a high degree of public security after the militants seized power in Gaza 18 years ago while also cracking down on dissent. They largely melted away in recent months as Israeli forces seized large areas of Gaza and targeted Hamas security forces with airstrikes.

Powerful local families and armed gangs, including some anti-Hamas factions backed by Israel, stepped into the void. Many are accused of hijacking humanitarian aid and selling it for profit, contributing to Gaza’s starvation crisis.

The ceasefire plan introduced by Trump had called for all hostages — living and dead — to be handed over by a deadline that expired Monday. But under the deal, if that didn’t happen, Hamas was to share information about deceased hostages and try to hand them over as soon as possible.

Israeli Prime Minister Benjamin Netanyahu said Wednesday that Israel “will not compromise” and demanded that Hamas fulfill the requirements laid out in the ceasefire deal about the return of hostages’ bodies.

Hamas’ armed wing said in a statement Wednesday that the group honored the ceasefire’s terms and handed over the remains of the hostages it had access to.

The United States announced last week that it is sending about 200 troops to Israel to help support and monitor the ceasefire deal in Gaza as part of a team that includes partner nations and nongovernmental organizations. But U.S. officials have stressed that U.S. forces would not set foot in Gaza.

Israeli officials have also been angered by the pace of the return of the remains of dead hostages the militant group had been holding in captivity. Hamas had agreed to return 28 bodies as part of the ceasefire deal in addition to 20 living hostages, who were released earlier this week.

Hamas has assured the U.S. through intermediaries that it is working to return dead hostages, according to two senior U.S. advisors. The advisors, who were not authorized to comment publicly and briefed reporters on the condition of anonymity, said they do not believe Hamas has violated the deal.

Madhani writes for the Associated Press.

It felt like the kind of thing that must happen in Hollywood all the time: a hundred bucks to be a movie extra.

Austin Beagle, 31, and Nevada Barker, 30, said they were trying to sign up for food stamps this spring when someone offered them a background role outside a county social services office in Long Beach. They thought the gig seemed intriguing, albeit a bit unusual.

The offer came not from a casting director, but a man hawking free cellphones. The filming location was, oddly enough, a law firm in downtown Los Angeles.

Like many DTLA clients, Austin Beagle and Nevada Barker signed a retainer agreement that entitles the firm to 45% of their payout.

(Joe Garcia / For The Times)

Maybe this was how actors were recruited here, they figured. The couple had recently moved from the remote ranching town of Stinnett in the Texas panhandle, and the recruiter seemed to appreciate their Southern drawl. They hopped on a bus, excited to make $200 between them.

“They said we’d be extras,” said Beagle, who was unemployed at the time. “But when we got to the office, that’s not what it was at all.”

The couple said they arrived at the lobby of Downtown LA Law Group. A Times investigation published earlier this month found seven plaintiffs represented by the firm who claimed they received cash from recruiters to sue the county over sex abuse, which could violate state law. Two said they had never been abused and were told to manufacture their claims.

Downtown LA Law Group has denied any involvement with the recruiters who allegedly paid plaintiffs. The firm said in a statement it would never “encourage or tolerate anyone lying about being abused” and has been conducting additional screening to remove “false or exaggerated claims” from its caseload.

Four days after The Times’ investigation was published, the firm asked for a lawsuit on behalf of Carlshawn Stovall, one of the men who said he fabricated claims, to be dismissed with prejudice, meaning the case cannot be refiled.

The firm requested a second case spurred by Juan Fajardo, who said he made up a claim using the name of a family member, to be dismissed with prejudice on Sept. 9 after Fajardo says he told lawyers he wanted to drop the lawsuit.

Now, with Beagle and Barker, two more have come forward to allege they were told to invent the stories that led to their lawsuits.

Austin Beagle and Nevada Barker said they’d been in Southern California only a few months when they were flagged down outside a social services office where they were hoping to enroll in food stamps. The couple have since moved back to Stinnett, Texas.

(Joe Garcia / For The Times)

The couple said that when they arrived at DTLA’s offices in April, a man came down to the lobby with a clipboard and gave them a piece of paper to memorize before going upstairs. They assumed this was the role they’d be playing — with room to go off script.

“They told us to say that we were sexually abused and harassed by the guards in … Las P? I can’t think of the institution’s name,” said Beagle, who added he was told to say the incidents occurred around 2005.

“The worse it was the better,” he recalled being told.

On April 29, Downtown LA Law Group filed a lawsuit against the county on behalf of 63 plaintiffs, including Beagle and Barker, who claimed they were abused at Los Padrinos, L.A. County’s juvenile hall in Downey. The couple are now part of the $4-billion settlement.

Allegations of potential fraud and pay-to-sue tactics have rocked both L.A. County government and powerhouse law firms, which are scrambling to figure out how to salvage the largest sex abuse settlement in U.S. history.

Perhaps no group has been shaken more than sex abuse victims themselves, who fear allegations of false claims could derail what they hoped would be a life-changing settlement.

“I just couldn’t believe it,” said Jimmy Vigil, 45, who sued the county in December 2022 for alleged sexual abuse by a probation officer at a detention camp in Lancaster.

Vigil said he was repeatedly molested as a 14-year-old and forced to masturbate in front of other teens while the guard watched.

“It makes me feel disgusted,” said Vigil, now a mental health case manager in Ventura County. “You have absolutely no clue what I went through. You have no clue how hard I have strived in life to make it to where I am at today.”

Jimmy Vigil, now a mental health case worker in Ventura, said he was repeatedly molested as a teenager and forced to masturbate in front of other teens.

(Christina House / Los Angeles Times)

Barker and Beagle said that after memorizing the card with the basics of their story, they were taken upstairs to a room at DTLA’s office where about 20 people were waiting. Everyone seemed confused, they said.

They “were asking us ‘Hey, did y’all promise to get paid? And we said ‘Yeah, somebody told us that we’d get paid $100 if we come in,” Beagle said. “Everybody was just concerned about getting paid whatever they were promised.”

DTLA said in a statement it has “never directed, nor do we have any knowledge that anyone was ever paid, hired, or brought to the DTLA office, or was asked to memorize a script of any kind under the guise of filmmaking,”

“We are not filmmakers,” the firm said. “No one authorized on behalf of the firm has ever promised or implied movie extra work as a means of retaining clients.”

Beagle and Barker said they were called in together to a glass cubicle where a woman spent 15-20 minutes asking them questions about their story of abuse. Barker said she struggled to come up with details because “it was all made-up stuff.”

Beagle said he thought maybe the staffers in the law firm were also acting, pretending not to know this was “a fake thing.”

“Like, they were testing us all out to see if we knew how to act — just play the part,” Beagle said. “Like, this was a trial thing.”

The couple said they were befuddled at the interaction but figured they’d done enough to get their money; the receptionist told them to come back in a few hours to collect.

The firm said, in some circumstances, it provides “interest free loans to clients once they have retained our services.”

Beagle and Barker said they frittered away two hours at Pershing Square a few blocks away until around 4 p.m. It was only when they came back to the firm, they said, that it became clear there was no movie.

A man named Kevin paid them $100 each, and told them they were part of a massive settlement involving juvenile halls they’d never heard about until that afternoon. The man told them they could get $100 for each additional person they referred to go through the same process, Beagle said.

“We walked out thinking I don’t know how legit this is and we might even get f— in trouble for it,” Beagle said.

Like most sexual abuse lawsuits, the suit was filed using only plaintiffs’ initials. The Times reviewed paperwork that DTLA provided to Beagle and Barker, which they signed in order to become clients on April 21 and to opt into the L.A. County settlement on May 29.

Under the settlement, each plaintiff could be eligible for anywhere from $100,000 to $3 million. Retainer agreements for Beagle and Barker reviewed by The Times show DTLA would get 45% of their payout.

Beagle and Barker said they aren’t banking on getting any money from L.A. County. After all, they said, they grew up in Texas, more than a thousand miles away from the abuse-plagued facilities.

“We need it, but it’s not ours. It’s like finding a wallet,” Barker said. “Return it.”

A Times investigation published earlier this month found plaintiffs represented by Downtown LA Law Group who claimed they received cash from recruiters to sue L.A. County over sex abuse. Four now say they were told to make up the claims.

(Carlin Stiehl / Los Angeles Times)

Among some survivors, there is a palpable fear that the fraud allegations will steamroll the settlement, overshadowing the fact that many county-run facilities were home to unchecked abuse and torpedoing their chance of receiving a life-changing sum.

The Times interviewed eight victims for this article represented by Slater Slater Schulman, ACTS LAW Firm, McNicholas & McNicholas, and Becker Law Group. Many said they were aghast at learning the worst years of their life may have become fodder for quick cash.

“It felt like a kick in the gut,” said Trinidad Pena, 52. “For somebody just to lie about it was just sickening.”

On Sept. 18, Pena said, she was eating a pancake breakfast at a homeless services center in Long Beach when she learned she had something in common with a woman sitting on the picnic bench next to her.

Both had filed lawsuits against L.A. County alleging sexual abuse at county-run facilities. Both of them were part of the county’s $4-billion settlement. But she was the only one, she believed, who had actually been abused.

The woman told her she’d been paid $20 to sue by a woman who hung around on the sidewalk outside the community center clutching a clipboard, she said.

The Times could not reach the recruiters allegedly responsible for paying plaintiffs for comment.

Trinidad Pena, who sued in 2022 over sex abuse, said she was jarred to find herself at breakfast with a woman who told her she’d been paid to sue the county.

(Allen J. Schaben / Los Angeles Times)

Pena sued L.A. County in December 2022 over an alleged rape when she was 12 by a staff member at MacLaren Children’s Center, a shuttered youth shelter now infamous for predatory staff. No amount of cash is going to erase the scars from that, she says. But it would help.

Last month, Pena traded in her New Orleans shotgun apartment for the streets of Southern California, where she was raised. The move was, she said, a Hail Mary attempt to get medical treatment through the state’s public benefits for a cyst sprouting behind her right eye that made her vision wobble and her head crackle with pain.

She is currently living on $1,206 a month in and out of her van with a failing shunt in her head, which doctors implanted to treat her cyst. She eats mostly the nonperishable Trader Joe’s snacks she brought from Louisiana.

A six- or seven-figure settlement could help save her life, Pena said.

“I’m going to have myself a hell of a Charlie Sheen party and take a nosedive off a balcony at the Chateau Marmont if I do not get some sort of relief,” said Pena, who says she grew up in foster care near the legendary West Hollywood hotel.

Part of what has made the false claims so infuriating, victims say, is that L.A. County youth detention facilities were indeed home to horrific abuse decades ago.

Kizzie Jones, 47, said she’s on antidepressants as a result of a female probation officer who allegedly molested her twice a week and groomed her with bags of chips and bottles of conditioner.

Robert Williams, 41, says he has no friends — a near-total isolation he said traces back to repeated sexual assaults in the shower he suffered as a teen.

Mario Paz, 39, said a guard molested him under the guise of soothing his genitals with milk after he was pepper sprayed while naked. The abuse, he says, has left him traumatized to the point that he is unable to change his children’s Pampers.

All three of them filed lawsuits against the county alleging sexual abuse by county probation officers.

Mario Paz, 39, said his time at Los Padrinos Juvenile Hall left him traumatized and damaged the relationship he has with his own children.

(Christina House / Los Angeles Times)

“For someone to capitalize on something that they never endured or never experienced, I think it’s a travesty,” said Cornelious Thompson, a 51-year-old community health worker, who sued the county in December 2022.

When he was around 13 at Los Padrinos, Thompson says he was put on psychiatric medication that knocked him out. He woke up in his unit sore with his pants hanging by his knees, bleeding. It took him years to tell anyone.

He said he recently lost his job with a contractor for the county’s health department due to budget cuts. The county had to slash spending, in part, to pay for the $4-billion settlement.

It was “bittersweet,” he says, losing his job because the county was finally paying for what he said he endured as a teenager.

Only now, a new fear has crept in as two more people say they made up claims: Will he still be believed?

Despite a handful of popular Día de los Muertos events facing cancellation due to community fears surrounding ICE operations, many annual celebrations throughout Southern California will continue to honor the dearly departed as planned.

Organizers for the Oct. 18 El Sereno Día de los Muertos Festival are working with Councilwoman Ysabel Jurado and her team to ensure the safety of its attendees during a precarious time for immigrant communities. Others, like the Museum of Latin American Art’s Day of the Dead Family Festival on Oct. 26, are placing an added emphasis on resilience.

This year, De Los is hosting a free community celebration to commemorate the holiday on Oct. 25 from 2 to 10 p.m. at the Las Fotos Project. Attendees can enjoy a community altar, a skull decorating workshop, face painting and more.

De Los will also be accepting submissions for our annual digital altar from Oct. 15 to Nov. 2. Community members can submit a photograph or memento to honor the memory of their dearly departed — pets included.

Here is a list of other Día de los Muertos observations and events taking place across Southern California.

Karen Garcia contributed to this reporting.

If you are not prepared for it, fame can be downright deadly. Alanis Morissette knows that better than anyone. Thirty years ago, she released her third studio album, “Jagged Little Pill,” which won five Grammys, including album of the year and best rock album, and went on to sell 33 million copies.

So, Morissette has a complicated relationship with fame. Now, she will be examining that and many other dimensions of her incredible three-decade career in a new Vegas residency at Caesars Palace that begins Wednesday and runs until Nov. 2.

As Morissette explained in a wide-ranging talk with The Times, the Vegas show will be much more than a concert. The show will take on a narrative feel that will showcase her humor, improv, wellness and all the other traits that have defined her over the years.

I love that you paired with Carly Simon on the song “Coming Around Again” because I see such a kinship based on you two over generations. There is so much in common between “You’re So Vain” and “You Oughta Know.” Not the least of which is I am sure you are both beyond over being asked, “Who is the song really about?”

Right, because what people don’t understand, and I can’t speak for Carly, but there’s a difference between revenge and revenge fantasy. I’m all about the revenge fantasy and punching pillows and gyrating and sweating and losing your s— in art. And Lord knows I’m unmeasured in other areas day-to-day, too, so it’s not like I’m some paragon of containment, but yeah, just the revenge thing, there’s a lot of schoolyard stuff going on. That’s all I’ll say for the moment.

Obviously, this is 30 years of “Jagged Little Pill.” I remember seeing Bruce Springsteen in ’88, when he did “Born to Run” acoustic. Every night when he introduced it, he would say, “I was thinking about how much that song was me, and how much I don’t want it to be me.” And I thought that was so interesting because, of course, there are songs you want to be you. So, what songs did you want to be you?

Yeah, there are so many songs that I would write about potential. So, I’d be in a relationship, and I would be writing about what I wanted to the point where whomever I may have been dating at the time, if I shared the song with them, sometimes they would say, “Who’s this about? This can’t possibly be about me.” I’m like, “Well, you know what? You’re onto something there. This is about what I wish we could be.” I think about also a song, because I’m working on the Vegas show, so we’re integrating so much. And I think the song “Not the Doctor” is probably one of the ones that I realized the naivety of having written, like, your issues just get away from me. Having been married now for 15 years, I realized that your partner’s challenges, you take each other on — all of it. So, there’s a little bit of knowledge now that makes “Not the Doctor” funny to sing.

And then “Incomplete” is a song that is a manifestation, as you just described, that I would be good. It’s like a prayer manifestation. There’s a song, “Knees of My Bees,” that I wrote about what I wished. In praise of the vulnerable man, it was what I wished. So yes, there’s some composites being made where I take seven people whom I had a similar pattern repeat, and I just lop them all into one song as one person and unify the communication; there’s no holds barred.

Has there been talk about extending the show? It does sound like you are putting a crazy amount of work into a show that right now lasts little more than a week.

For a long time — and a lot of journalists have said, “Yeah, right,” when I say this — but my energy doesn’t go into outcome. Whether the show is seen three times or 300,000 times, that’s not up to me in this moment. I’m creating stories and sharing parts of myself that I have hidden for the ’90s imperative of staying in your lane or it’s career suicide. So, I’m still unlearning that, which is the reductiveness of the ’90s, where you have to stay one thing. Then, well, what is one supposed to do if they have multiple talents or multiple intelligences dying to be expressed? We’re going to contain that so that we can keep the ’90s credo going. So, over the years, it’s just been, can I bring these other aspects of self into the whole expression of me through academia, through movement, through channeling, through live shows, through interviews right now? There are so many ways to express, and the ’90s really did say, “You do it one or two ways; you step out of that and your career is over.” Thank God that messaging is softened.

How have you seen culture and values change over your career?

It used to be “I want to be a millionaire,” and now everyone wants to be a billionaire. It used to be “I want to look 21 forever,” now it’s “I want to look 14 forever.” And then it used to be “I want to have fame as a means to an end for activism.” Now it’s just “I want fame as an end,” so it’s an interesting value system snapshot right now. And so many of us are flying in the face of it, so I’m not really worried about that. But the value system has gotten smaller almost, as though fame in and of itself is going to correct our attachment wounds. It doesn’t work, and I’m constantly raising my hand going, I thought fame would result in this profound sense of community that I’d be amongst my people and we’d be petting each other’s heads by the fire. That was not the case.

I think for anyone who comes out the other side of fame, there has to be a tremendous sense of gratitude that you survive it.

That’s a big piece of this Vegas show without me nailing it on the head or belaboring the point. It’s like, “How are some of us still here?”

How do you express that in the show? And it is interesting given your passion for wellness and mental health, it is in Vegas. Which has never been known for either.

Yeah, Vegas has been known for addiction and gambling, acting out, sexual acting out. What is Vegas known for? “What happens in Vegas stays in Vegas.” It’s been known for that, but I believe that there’s a whole seismic shift going on. I have never underestimated people who come to my shows. Even in workshops, people are like, “Alanis, it’s too much.” And my thought is, “No, it’s not.” People can close their eyes, they can walk out, they can shut the radio off, they can take a break in the cafeteria. Part of why I love that it’s Vegas is that there’s this ceilinglessness in terms of no holds barred again, like I want to wear a boa. You want to do a backflip. Apparently, we’re doing a backflip. What has happened over the years is that again, it was this one-lane push, stay in your lane. And while this was all happening, there were all these other archetypal imperatives getting at me, like what about dancing? What about comedy? What about article writing? What about keynote speaking? What about workshop leading? What about channeling? There are all these other forms of expression that I live for. So, in some ways, I was cultivating them maybe privately. That’s just who I am. And I integrated it into every lyric.

Sinéad [O’Connor] said this perfectly, I don’t know word for word what she said, but the essence was you love the art, but you hate the artist. She said something about, “I appreciate that my audience wants everyone to hear more angry emotions from me through my songs, but then I have to be angry. And no one takes that into consideration.” I was like, “Yeah, because we’re used in the best way possible.” Artists are used as a screen upon which people identify themselves or people find who they are by hating and loving and trolling and attacking and it’s all projection, everything’s f— projection. So yeah, I just think people who are in the public eye have an experience inside of a social construct that is so violently unusual. And there’s no empathy afforded to them for that, other than maybe from people like you and me.

“There are all these other forms of expression that I live for,” says Alanis Morissette. “So, in some ways, I was cultivating them maybe privately. That’s just who I am. And I integrated it into every lyric.”

(Shervin Lainez)

How did you learn to deal with it? Unfortunately for Sinéad, she never was able to handle the fact that people were so hateful toward her, even though it had nothing to do with her.

I know, and basically that is the lack of handbook that is egregious, because so many people who were in the public eye are now physically gone. So much of it is their temperament, and I used to do talks at the neurobiology conferences at UCLA, and I would bring up the idea of temperament needing to be taken into consideration, whether it’s around suicidality or anything. Most artists are highly sensitive empaths. That is a version of neurodivergence over excitability, high-achieving, profound subtle awareness and attunement. All of these qualities that make the sweetest artists. And yet that temperament in a world that is doing what you just described Sinéad receiving, which is projecting hate, hate, hate, hate, hate. There’s no handbook on how to go, “Hey, we’re going to do shadow work here. We’re going to talk about rejection. We’re going to talk about if anyone’s saying anything that brings something up for you, bring it into therapy. Look at that part. Look at what they’re saying.” Also, always from me, look at the opposite. If you’re being invited to look at the part of you that is an a—. Always also look at the part of you that is deeply, deeply kind. For me, that’s the wholeness journey.

Being older, what have you learned about how to deal with all this?

I really do believe, Steve, that I could write a f— handbook now. I feel like if you and I got together, I could write the handbook, and we just hand it out to all the new celebs.

Do you now feel a responsibility to be able to pass your wisdom on to the new generation like Billie Eilish and Olivia Rodrigo?

I feel great passion about it. I happen to be someone who is hilariously conscientious and intensely empathic. I’m always blown away by them, and then I see people like Olivia and I just think, “Oh, everything’s going to be okay. We’re all going to be okay if Olivia exists; we’re good.” [laughs]

What happened to your book?

What’s interesting is I did two years worth of narrative storytelling that we recorded. Initially it was for a memoir, or some version of what was being asked for was a memoir. That’s kind of a hard “no” for me because we’re using all the pieces that feel relevant to this particular story. The reason I didn’t want to do the memoir is ’cause there’s no way to articulate a life. There’s way to articulate snapshots. There’s a way to articulate chapters, maybe. But there’s no way to articulate, like, this is my sentimental life story. It’s not possible. So that’s why songs are so great. It’s like four minutes of a moment. Let’s just keep writing these moments and capturing these moments and that’s what Vegas is for me: a moment.

One of the things I’ve talked about with artists that they love so much about Vegas residency is you get to mix it up night to night. But it sounds like you’re going to have a show, so are you going to be incorporating different stuff or is it going to be more of a narrative story?

Both. For me as an actor, I’ve always enjoyed improv. I love it when there’s a general sense of structure for something, but then go off within it. This is the way I’ve always been, both sides of the brain. I want some structure and predictability and some version of a set list, which we already have. But then within some of the interstitial stuff and the scenes and the comedy and the physicality and the movement, yeah, it’s a movable feast. We’ll see what happens. I am completely out of my wheelhouse publicly, not privately, because I was in improv teams since I was 14. And I think comedy is one of the best forms of activism art, I really do, maybe even above music. So, we’re integrating all these forms of art. And I’m not thinking about any outcome. It’s really amazing to write a record, write a song, write an email, frankly, with no agenda. The agenda is just “let’s express ourselves.” And that’s plenty.

Do you feel like you’re having more fun now at this point in your career than any other point?

I have the most fun with collaborating. So, I can’t say this is any more fun, but I can say that there’s more people. So, in the past, it’s been me alone writing or me and my bestie writing or me and Glen [Ballard] writing. So, in some ways it was insulated, isolated and with the musical and with Vegas, let’s multiply those collaborators by at least five. What I’ve said a few times, and I still stand by it, is that for me, the happiest place is in this communal “can’t swing a dirty sock without hitting a master” kind of environment, and it is truly six plus six is a thousand for us.

Do you feel like, as you’re getting older, people are embracing you more?

Yeah, I make more sense. There was a period of time where I didn’t make any sense and perhaps there wasn’t that much resonance. And then 25, 30 years later, I feel like I’m starting to make sense to the world in a way that I didn’t expect to happen. I just always thought, “Oh, I’ll be on that smallest part of the bell-shaped curve forever and I’ll probably be kind of lonely there. And that’s just what it is in this lifetime.” But here I am 30 years later and I’m starting to get a sense that what I’ve been talking about this whole time is resonant for people. And I can’t tell you how healing that is for me.

WASHINGTON — Republicans on the House Judiciary Committee requested Tuesday that Jack Smith, the former Justice Department special counsel, appear for an interview, part of an escalating effort among the GOP to pursue the perceived enemies of President Donald Trump.

Rep. Jim Jordan, the committee chair, charged in a letter to Smith that his prosecutions of Trump were “partisan and politically motivated.” Smith has come under particular scrutiny on Capitol Hill, especially after the Senate Judiciary Committee said last week that his investigation had included an FBI analysis of phone records for more than half a dozen Republican lawmakers from the week of Jan. 6, 2021

Smith brought two cases against Trump, one accusing him of conspiring to overturn the results of the 2020 presidential election and the other of hoarding classified documents at his Mar-a-Lago estate in Florida. Both were brought in 2023, well over a year before the 2024 presidential election, and indictments in the two cases cited what Smith and his team described as clear violations of well-established federal law. Former Atty. Gen. Merrick Garland, who named Smith as special counsel in November 2022, has repeatedly said politics played no part in the handling of the cases.

Smith abandoned the criminal cases against Trump after he won the presidential election last year. Trump’s return to the White House precluded the federal prosecutions, as well as paved the way for Republicans to go after Trump’s political and legal opponents.

Jordan wrote to Smith: “Your testimony is necessary to understand the full extent to which the Biden-Harris Justice Department weaponized federal law enforcement.”

In just the last weeks, the Trump administration has pursued criminal charges against both James Comey, the former FBI director, and New York Atty. Gen. Letitia James, who for years investigated and sued Trump.

The House Judiciary Committee has been looking into Smith’s actions as special counsel since the start of the year. Jordan said that it had interviewed two other members of Smith’s prosecutorial team, but they had declined to answer many questions, citing the Fifth Amendment.

An attorney for Smith did not immediately respond to a request for comment on the House Judiciary Committee’s interview request.

Groves writes for the Associated Press.

When Diane Keaton was 11, her father told her she was growing into a pretty young woman and someday, a boy would make her happy. She was horrified. One boy? Keaton — then going by her birth name of Diane Hall — needed to be loved by everyone. It was an early sign that she was meant to be an actor.

“Intimacy meant only one person loved you, not thousands, not millions,” Keaton wrote decades later in her 2011 memoir “Then Again.” Like drinking and smoking, she added, intimacy should be handled with caution.

“I wanted to be Warren Beatty, not date him,” Keaton confessed, romancing fellow artists as long as their relationship was mutually stimulating and then after that, remaining friends. “I collect men,” she jokingly told me when I interviewed her a decade ago, referring to a photo wall in her Los Angeles home of fellows she admired, including Morgan Freeman, Abraham Lincoln, Gary Cooper and John Wayne. She wanted an excuse to add Ryan Gosling and Channing Tatum, so I suggested a love-triangle comedy as a twofer. “No! Not one movie!” Keaton exclaimed. “I want to keep my career going.”

Just as she hoped, millions of us did fall in love with Keaton, who died Saturday at age 79. She captivated us for over 50 years, from awards heavy-hitters to a late-career string of hangout comedies that weren’t about anything more than the joy of spending time with Diane Keaton, or in the case of her 2022 body swap movie “Mack & Rita,” the thrill of becoming Diane Keaton.

In her final films, including “Summer Camp” and the “Book Club” franchise, Keaton pretty much only played variations of herself, providing reason enough to watch. I looked forward to the moment her character fully embraced looking like Diane Keaton, writing in my otherwise middling review of “Mack & Rita” that the sequence in which she “picks up a kooky blazer and wide belt is presented with the anticipation of Bruce Wayne reaching for his cowl.”

I wanted to be Diane Keaton, even if she wanted to be Warren Beatty.

The contradiction of her career is that the things we in the audience loved about her — the breezy humor, the self-deprecating charm, the iconic threads — were Keaton’s attempts to mask her own insecurities. She struggled to love herself. Even after success, Keaton remained iffy about her looks, her talent and her achievements. In interviews, she openly admitted to feeling inadequate in her signature halting, circular stammers. That is, when she’d consent to be interviewed at all, which in the first decade of her career was so rare that Keaton, loping across Central Park in baggy pants to the white-on-white apartment where she lived alone, was essentially a movie star Sasquatch.

Journalists described her as a modern Garbo. “Her habit is to clutch privacy about her like a shawl,” Time Magazine wrote in 1977, the year that “Annie Hall” and “Looking for Mr. Goodbar” established Keaton as a kooky sweetheart with serious range. I love that simile because she did refer to her wardrobe as an “impenetrable fortress.” The more bizarre the ensemble — jackets over skirts over pants over boots — the less anyone would notice the person wearing it.

Odd ducks like myself adored the whole package, including her relatable candor. She showed us how to charge through the world with aplomb, even when you’re nervous as heck.

Once young Keaton decided she wanted to perform, she set about auditioning for everything from the church choir and the cheerleading squad to the class play. But her school had a traditionally beautiful ingenue who landed the leads. This was Orange County, after all. Keaton would go home, stare at the mirror and feel disappointed by her reflection. She dreamed of looking like perky, platinum blond Doris Day. Instead, she saw a miniature Amelia Earhart. (She’d eventually get a Golden Globe nomination for playing Earhart on television in 1994.)

Keaton stuck a clothespin on the tip of her nose to make it smaller, and acted the part of an extrovert: big laugh, big hair and, when she stopped liking her hair, big hats. By age 15, she was assembling the bold, black and white wardrobe she’d wear forever and her taste for monochrome clothes was already so entrenched that she wrote Judy Garland a fan letter wondering why Dorothy had to leave Kansas for garish Oz. She might have been the only person to ever ask that question.

Not too long after that, Keaton flew across the country to New York where several things happened in short succession that would have puffed up anyone else’s ego. The drama coach Sanford Meisner gave her his blessing. The Broadway hit “Hair” gave her the main part (and agreed she could stay fully clothed). And “The Godfather,” the No. 1 box office hit of 1972, plucked Keaton from stage obscurity to give the fledgling screen actor its crucial final shot, a close-up.

Keaton made $6,000 for “The Godfather,” less than a quarter of her salary for the national deodorant commercial she’d shot a year earlier. Her memories from the set of the first film were uncharacteristically terse. Her wig was heavy, her part was “background music” and the one time Marlon Brando spoke to her, he said, “Nice tits.”

Nevertheless, Keaton’s Kay is so soft, friendly and assured when she first meets the Corleone clan at a wedding, sweetly refusing to let her boyfriend Michael dodge how the family knows the pop singer Johnny Fontane, that it’s heartbreaking (and impressive) to watch her become smaller and harder across her few scenes. But Keaton says she never saw the finished movie. “I couldn’t stand looking at myself,” she wrote in “Then Again.”

Woody Allen put the Keaton he adored front and center when he wrote “Annie Hall.” He wanted audiences to fall in love with the singular daffiness of his former girlfriend and it worked like gangbusters. It’s my favorite of his movies and my favorite of hers, and there’s just no use in pretending otherwise, as obvious of a pick as it is. Even now that I know the Annie Hall I worship is a shy woman putting on a show of being herself, the “la-di-dah” confidence she projects makes her the most precious of screen presences: the icon who feels like friend.

But I wonder if Allen also made “Annie Hall” so that Diane Keaton could fall in love with Diane Keaton just as he had. Maybe if she saw herself through his eyes, it could convince her that she really was sexy, sparkling and hilarious. But Keaton only watched “Annie Hall” once, in an ordinary theater well after it opened, and she found the experience of staring at herself miserable. She never absorbed her lead actress Oscar win. “I knew I didn’t deserve it,” she said. “I’d won an Academy Award for playing an affable version of myself.”

Nearly herself, that is. The onscreen version of Keaton is stumped when Alvy Singer brings her a copy of the philosophical tome “Death and Western Thought.” But a decade later, Keaton directed “Heaven,” an entire documentary about the subject, in which she asked street preachers and Don King and her 94-year-old grandmother how they imagined the afterlife. (As in Allen’s movie, her grandmother actually was named Grammy Hall.)

“Heaven” is an experimental film that’s heavy on dramatic shadows and surreal old movie footage, the sort of thing that would play best on an art gallery wall. It flopped, as test screenings warned it would, cautioning Keaton that her directorial debut only appealed to female weirdos — people like her. Keaton isn’t a voice in the film. Yet, that she made it at all makes every frame feel personal, and you hear her affection for the cadence of her occasionally tongue-tied subjects. Her first interviewee stutters, “Uh, heaven, heaven is, uh, um, let me see.” Exactly how Annie Hall would have put it.

Today more than ever, I’m wishing Keaton had been comfortable turning her camera on herself. I’d have liked to watch her explain where she thinks she’s gone, however adorably flustered the answer. But in her four memoirs, she safely bared all in print, openly confronting her harsh inner critic, her battle with bulimia, and — yes, Alvy — her musings on death.

“I don’t know if I have the courage to stare into the spectacle of the great unknown,” Keaton wrote in 2014’s “Let’s Just Say It Wasn’t Pretty,” sounding as apprehensive as ever. “I don’t know if I will make bold mistakes, go out on a blaze of glory unbroken by my losses, defy complacency, and refuse to face the unknown like the coward I know myself to be.”

At last, a sliver of confidence peeks out. “But I hope so.”

On behalf of her millions of fans, I hope so too.

SHARM EL SHEIKH, Egypt — President Trump arrived in Egypt on Monday for a global summit on Gaza’s future as he tries to advance peace in the Middle East after visiting Israel to celebrate a U.S.-brokered ceasefire with Hamas.

The whirlwind trip, which included a speech at the Knesset in Jerusalem earlier in the day, comes at a fragile moment of hope for ending two years of war between Israel and Hamas.

“Everybody said it’s not possible to do. And it’s going to happen. And it is happening before your very eyes,” Trump said alongside Egyptian President Abdel Fattah el-Sisi.

More than two dozen countries are expected to be represented at the summit. Israeli Prime Minister Benjamin Netanyahu was invited but declined, with his office saying it was too close to a Jewish holiday.

Despite unanswered questions about next steps in Gaza, which has been devastated during the conflict, Trump is determined to seize an opportunity to chase an elusive regional harmony.

“You’ve won,” he told Israeli lawmakers at the Knesset, which welcomed him as a hero. “Now it is time to translate these victories against terrorists on the battlefield into the ultimate prize of peace and prosperity for the entire Middle East.”

Trump promised to help rebuild Gaza, and he urged Palestinians to “turn forever from the path of terror and violence.”

“After tremendous pain and death and hardship,” he said, “now is the time to concentrate on building their people up instead of trying to tear Israel down.”

Trump even made a gesture to Iran, where he bombed three nuclear sites during the country’s brief war with Israel earlier this year, by saying “the hand of friendship and cooperation is always open.”

Trump is on a whirlwind trip to Middle East

Trump arrived in Egypt hours late because speeches at the Knesset continued longer than expected.

“They might not be there by the time I get there, but we’ll give it a shot,” Trump joked after needling Israeli leaders for talking so much.

Twenty hostages were released Monday as part of an agreement intended to end the war that began on Oct. 7, 2023, with an attack by Hamas-led militants. Trump talked with some of their families at the Knesset.

“Your name will be remembered to generations,” a woman told him.

Israeli lawmakers chanted Trump’s name and gave him standing ovation after standing ovation. Some people in the audience wore red hats that resembled his “Make America Great Again” caps, although these versions said “Trump, The Peace President.”

Netanyahu hailed Trump as “the greatest friend Israel has ever had in the White House,” and he promised to work with him going forward.

“Mr. President, you are committed to this peace. I am committed to this peace,” he said. “And together, Mr. President, we will achieve this peace.”

Trump, in an unexpected detour during his speech, called on the Israeli president to pardon Netanyahu, whom he described as “one of the greatest” wartime leaders. Netanyahu faces corruption charges, although several hearings have been postponed during the conflict with Hamas.

The Republican president also used the opportunity to settle political scores and thank his supporters, criticizing Democratic predecessors and praising a top donor, Miriam Adelson, in the audience.

Trump pushes to reshape the region

The moment remains fragile, with Israel and Hamas still in the early stages of implementing the first phase of Trump’s plan.

The first phase of the ceasefire agreement calls for the release of the final hostages held by Hamas; the release of hundreds of Palestinian prisoners held by Israel; a surge of humanitarian aid to Gaza; and a partial pullback by Israeli forces from Gaza’s main cities.

Trump has said there’s a window to reshape the region and reset long-fraught relations between Israel and its Arab neighbors.

“The war is over, OK?” Trump told reporters traveling with him aboard Air Force One.

“I think people are tired of it,” he said, emphasizing that he believed the ceasefire would hold because of that.

He said the chance of peace was enabled by his Republican administration’s support of Israel’s decimation of Iranian proxies, including Hamas in Gaza and Hezbollah in Lebanon.

The White House said momentum is also building because Arab and Muslim states are demonstrating a renewed focus on resolving the broader, decades-long Israeli-Palestinian conflict and, in some cases, deepening relations with the United States.

In February, Trump had predicted that Gaza could be redeveloped into what he called “the Riviera of the Middle East.” But on Sunday aboard Air Force One, he was more circumspect.

“I don’t know about the Riviera for a while,” Trump said. “It’s blasted. This is like a demolition site.” But he said he hoped to one day visit the territory. “I’d like to put my feet on it, at least,” he said.

The sides have not agreed on Gaza’s postwar governance, the territory’s reconstruction and Israel’s demand that Hamas disarm. Negotiations over those issues could break down, and Israel has hinted it may resume military operations if its demands are not met.

Much of Gaza has been reduced to rubble, and the territory’s roughly 2 million residents continue to struggle in desperate conditions. Under the deal, Israel agreed to reopen five border crossings, which will help ease the flow of food and other supplies into Gaza, parts of which are experiencing famine.

Roughly 200 U.S. troops will help support and monitor the ceasefire deal as part of a team that includes partner nations, nongovernmental organizations and private-sector players.

Superville and Megerian write for the Associated Press. Megerian reported from Washington. AP writers Will Weissert and Seung Min Kim in Washington contributed to this report.

Former Los Angeles Unified schools Supt. Austin Beutner is planning to announce a challenge to Mayor Karen Bass in the 2026 election, arguing that the city has failed to properly respond to crime, rising housing costs and the devastating Palisades fire.

Beutner, a philanthropist and former investment banker who lives in L.A.’s Pacific Palisades neighborhood, would become the first serious challenger to Bass, who is running for her second and final term.

Beutner, whose announcement is planned Monday, said in an interview Saturday that city officials at all levels showed a “failure of leadership” on the fire, which destroyed thousands of homes and left 12 people dead.

The inferno seriously damaged Beutner’s house, forcing him and his family to rent elsewhere in the neighborhood and destroyed his mother-in-law’s home.

“When you have broken hydrants, a reservoir that’s broken and is out of action, broken [fire] trucks that you can’t dispatch ahead of time, when you don’t pre-deploy at the adequate level, when you don’t choose to hold over the Monday firefighters to be there on Tuesday to help fight the fire — to me, it’s a failure of leadership,” Beutner said.

“At the end of the day,” he added, “the buck stops with the mayor.”

A representative for Bass’ campaign declined to comment.

Beutner’s attacks come days after federal prosecutors filed charges in the Palisades fire, accusing a 29-year-old of intentionally starting a New Year’s Day blaze that later rekindled into the deadly inferno.

With the federal investigation tied up, the city Fire Department released a long-awaited after-action report Wednesday. The 70-page report found that firefighters were hampered by poor communication, inexperienced leadership, a lack of resources and an ineffective process for recalling them back to work. Bass announced a number of changes in light of the report.

Beutner, a onetime advisor to Mayor Antonio Villaraigosa, could pose a serious political threat to Bass. He would come to the race with a wide range of experiences — finance, philanthropy, local government and even the struggling journalism industry.

Although seven other people have filed paperwork to run for her seat, none have the fundraising muscle or name recognition to mount a major campaign. Rick Caruso, the real estate developer whom Bass defeated in 2022, has publicly flirted with the idea of another run but has stopped short of announcing a decision.

Bass beat Caruso by a wide margin in 2022 even though the shopping mall mogul outspent her by an enormous margin. Caruso has been an outspoken critic of her mayorship, particularly on her response to the Palisades fire.

Fernando Guerra, director of the Center for the Study of Los Angeles at Loyola Marymount University, said he believes that Beutner would face an uphill climb in attempting to unseat Bass — even with the criticism surrounding the handling of the Palisades fire. However, his entry into the race could inspire other big names to launch their own mayoral campaigns, shattering the “wall of invincibility” that Bass has tried to create, he said.

“If Beutner jumps in and starts to get some traction, it makes it easier for Caruso to jump in,” Guerra said. “Because all you’ve got to do is come in second in the primary [election], and then see what happens in the general.”

Earlier Saturday, The Times reported that Beutner’s longtime X account had featured — then quickly removed — the banner image “AUSTIN for LA MAYOR,” along with the words: “This account is being used for campaign purposes by Austin Beutner for LA Mayor 2026.” That logo was also added and then removed from other Beutner social media accounts.

Beutner’s announcement comes in a year of crises for the mayor and her city. She was out of the country in January, taking part in a diplomatic mission to Ghana, when the ferocious Palisades fire broke out.

Upon her return, she faced withering criticism over the city’s preparation for the high winds, as well as Fire Department operations and the overall emergency response.

In the months that followed, the city was faced with a $1-billion budget shortfall, triggered in part by pay raises for city workers that were approved by Bass. To close the gap, the City Council eliminated about 1,600 vacant positions, slowed down hiring at the Los Angeles Police Department and rejected Bass’ proposal for dozens of additional firefighters.

By June, Bass faced a different emergency: waves of masked and heavily armed federal agents apprehending immigrants at car washes, Home Depots and elsewhere, sparking furious street protests.

Bass’ standing with voters was badly damaged in the wake of the Palisades fire, with polling in March showing that fewer than 20% of L.A. residents gave her fire response high marks.

But after President Trump put the city in his crosshairs, the mayor regained her political footing, responding swiftly and sharply. She mobilized her allies against the immigration crackdown and railed against the president’s deployment of the National Guard, arguing that the soldiers were “used as props.”

Beutner — who, like Bass, is a Democrat — said he voted for Bass four years ago and had come to regret his choice.

He described Los Angeles as a city “adrift,” with unsolved property crimes, rising trash fees and housing that is unaffordable to many.

Beutner said that he supports “in concept” Senate Bill 79, the law that will force the city to allow taller, denser buildings near rail stations.

“I just wish that we had leadership in Los Angeles that had been ahead of this, so we would have had a greater say in some of the rules,” he said. “But conceptually, yes, we’ve got to build more housing.”

Bass had urged Gov. Gavin Newsom not to sign the bill into law, which he did Friday.

Beutner is a co-founder and former president of Evercore Partners, a financial services company that advises its clients on mergers, acquisitions and other transactions. In 2008, he retired from that firm — now called Evercore Inc. — after he was seriously injured in a bicycling accident.

In 2010, he became Villaraigosa’s “jobs czar,” taking on the elevated title of first deputy mayor and receiving wide latitude to strike business deals on the mayor’s behalf, just as the city was struggling to emerge from its worst economic downturn since the Great Depression.

Slightly more than a year into his job, Beutner filed paperwork to begin exploring a run for mayor. He secured the backing of former Mayor Richard Riordan and many in the business community but pulled the plug in 2012.

In 2014, Beutner became publisher of The Times, where he focused on digital experimentation and reader engagement. He lasted roughly a year in that job before Tribune Publishing Co., then the parent company of The Times, ousted him.

Three years later, Beutner was hired as the superintendent of the L.A. Unified School District, which serves schoolchildren in Los Angeles and more than two dozen other cities and unincorporated areas. He quickly found himself at odds with the teachers union, which staged a six-day strike.

The union settled for a two-year package of raises totaling 6%. Beutner, for his part, signed off on a parcel tax to generate additional education funding, but voters rejected the proposal.

In 2022, after leaving the district, Beutner led the successful campaign for Proposition 28, which requires that a portion of California’s general fund go toward visual and performing arts instruction.

Earlier this year, Beutner and several others sued L.A. Unified, accusing the district of violating Proposition 28 by misusing state arts funding and failing to provide legally required arts instruction to students.

He also is involved in philanthropy, having founded the nonprofit Vision to Learn, which provides vision screenings, eye exams and glasses to children in low-income communities.

Former investment banker Austin Beutner, an advocate for arts education who spent three years at the helm of the Los Angeles Unified School District, appears to be laying the groundwork for a run against Mayor Karen Bass in next year’s election, according to his social media accounts.

At one point Saturday, Beutner’s longtime account on X featured the banner image “AUSTIN for LA MAYOR,” along with the words: “This account is being used for campaign purposes by Austin Beutner for LA Mayor 2026.”

Both the text and the banner image, which resembled a campaign logo, were removed shortly before 1 p.m. Saturday. Beutner did not immediately provide comment after being contacted by The Times.

New “AustinforLA” accounts also appeared on Instagram and Bluesky on Saturday, displaying the same campaign text and logo. Those messages were also quickly removed and converted to generic accounts for Beutner.

It’s still unclear when Beutner, 65, plans to launch a campaign, or if he will do so. Rumors about his intentions have circulated widely in political circles in recent weeks.

Beutner, who worked at one point as a high-level aide to Mayor Antonio Villaraigosa, would instantly become the most significant candidate to run against Bass, who is seeking a second four-year term in June.

Although seven other people have filed paperwork to run for her seat, none has the fundraising muscle or name recognition to pose a threat. Rick Caruso, the real estate developer whom Bass defeated in 2022, has publicly flirted with another run for the city’s top office but has yet to announce a decision.

A representative for Bass’ campaign did not immediately comment.

Beutner’s announcement comes in a year of crises for the mayor and her city. Bass was out of the country in January, taking part in a diplomatic mission to Ghana, when the ferocious Palisades fire destroyed thousands of homes and killed 12 people.

When she returned, Bass faced withering criticism over the city’s preparation for the high winds, as well as fire department operations and the overall emergency response.

In the months that followed, the city was faced with a $1-billion budget shortfall, triggered in part by pay raises for city workers that were approved by Bass. To close the gap, the City Council eliminated about 1,600 vacant positions, slowed down hiring at the Los Angeles Police Department and rejected Bass’ proposal for dozens of additional firefighters.

By June, Bass faced a different emergency: waves of masked and heavily armed federal agents apprehending immigrants at car washes, Home Depots and elsewhere, sparking furious street protests.

Bass had been politically weakened in the wake of the Palisades fire. But after President Trump put the city in his crosshairs, the mayor regained her political footing, responding swiftly and sharply. She mobilized her allies against the immigration crackdown and railed against the president’s deployment of the National Guard, arguing that the soldiers were “used as props.”

Beutner would come to the race with a wide range of job experiences — the dog-eat-dog world of finance, the struggling journalism industry and the messy world of local government. He also is immersed in philanthropy, having founded the nonprofit Vision to Learn, which provides vision screenings, eye exams and glasses to children in low-income communities.

He is a co-founder and former president of Evercore Partners, a financial services company that advises its clients on mergers, acquisitions and other transactions. In 2008, he retired from that firm — now simply called Evercore Inc. — after he was seriously injured in a bicycling accident.

In 2010, he became Villaraigosa’s jobs advisor, taking on the elevated title of first deputy mayor and receiving wide latitude to strike business deals on Villaraigosa’s behalf, just as the city was struggling to emerge from its worst economic downturn since the Great Depression.

Beutner worked closely with Chinese electric car company BYD to make L.A. its North American headquarters, while also overseeing decisions at the Department of Water and Power and other agencies.

Slightly more than a year into his job, Beutner filed paperwork to begin exploring a run for mayor. He secured the backing of former Mayor Richard Riordan and many in the business community but pulled the plug in 2012.

In 2014, Beutner became publisher of the Los Angeles Times, where he focused on digital experimentation and forging deeper ties with readers. He lasted roughly a year in that job before Tribune Publishing Co., the parent company of The Times, ousted him.

Three years later, Beutner was hired as the superintendent of L.A. Unified, which serves schoolchildren in Los Angeles and more than two dozen other cities and unincorporated areas. He quickly found himself at odds with the teachers’ union, which staged a six-day strike.

The union settled for a two-year package of raises totaling 6%. Beutner, for his part, signed off on a parcel tax to generate additional education funding, but voters rejected the proposal.

Beutner’s biggest impact may have been his leadership during COVID-19. The school district distributed millions of meals to needy families and then, as campuses reopened, worked to upgrade air filtration systems inside schools.

In 2022, after leaving the district, Beutner led the successful campaign for Proposition 28, which requires that a portion of California’s general fund go toward visual and performing arts instruction.

Earlier this year, Beutner and several others sued L.A. Unified, accusing the district of violating Proposition 28 by misusing state arts funding and denying legally required arts instruction to students.

WASHINGTON — Former President Biden is receiving radiation and hormone therapy as part of a new phase of treating the aggressive form of prostate cancer he was diagnosed with after leaving office, a spokesperson said Saturday.

“As part of a treatment plan for prostate cancer, President Biden is currently undergoing radiation therapy and hormone treatment,” Biden aide Kelly Scully said.

Biden, 82, left office in January after he had dropped his bid for reelection six months earlier following a disastrous debate against Republican Donald Trump amid concerns about Biden’s age, health and mental fitness. Trump, despite similar questions during the campaign about his age and mental fitness, defeated Democrat Kamala Harris, who was Biden’s vice president.

In May, Biden’s postpresidential office announced that he had been diagnosed with prostate cancer and that it had spread to his bone. The discovery came after he reported urinary symptoms.

Prostate cancers are graded for aggressiveness using what is known as a Gleason score. The scores range from 6 to 10, with 8, 9 and 10 prostate cancers behaving more aggressively. Biden’s office said his score was 9, suggesting his cancer is among the most aggressive.

Last month, Biden had surgery to remove skin cancer lesions from his forehead.

Superville writes for the Associated Press.

Hamas is pressing Israel to include prominent Palestinians in a prisoner-release list – part of a ceasefire deal that will also see hostages returned from Gaza.

Hamas’s insistence comes after the Israeli justice ministry published the names of 250 prisoners to be freed, but excluded seven high-profile prisoners, including Marwan Barghouti and Ahmad Saadat.

The men, who are serving sentences after being convicted of involvement in separate deadly attacks in Israel, have long been seen by Palestinians as symbols of resistance.

Twenty Israeli hostages are expected to be released before 12:00 (09:00 GMT) on Monday as part of the deal proposed by US President Donald Trump.

A senior Palestinian official familiar with the talks told the BBC that US envoy Steve Witkoff had promised to raise the exclusion of the Palestinian prisoners with Israeli Prime Minister Benjamin Netanyahu, but Israel has firmly refused to include them.

It is not clear whether this could be a sticking point, or impact the timeline for the release of hostages from the Gaza Strip and Palestinian prisoners held in Israeli jails.

The releases are due to take place in the first phase of Trump’s ceasefire and hostage return deal, approved this week to end the two-year war in Gaza.

It is unclear how the hostages will be released this time – on previous occasions Hamas paraded them in public, infuriating Israel and many of its Western allies.

The bodies of deceased hostages will also be returned. It is thought that at least 26 hostages are deceased, with the fate of two others unknown.

Israel will also release about 250 Palestinian prisoners serving life sentences in Israeli jails, and another 1,700 Palestinians from Gaza who have been detained.

Hamas had submitted a list of prisoners it wanted released that included Barghouti and Saadat.

Barghouti is serving five life sentences plus 40 years after being convicted in 2004 of planning attacks that led to five civilians being killed.

Opinion polls have consistently indicated that he remains the most popular Palestinian leader, and that Palestinians would vote for him in a presidential election ahead of the current Palestinian Authority (PA) President Mahmoud Abbas or Hamas leaders.

Barghouti remains a senior figure in the Fatah faction that dominates the PA, which governs parts of the occupied West Bank not under Israeli control.

Saadat, leader of the Popular Front for the Liberation of Palestine (PFLP), was sentenced to 30 years after being convicted in 2008 of heading an “illegal terrorist organisation” and involvement in attacks, including the assassination of an Israeli minister in 2001.

Among the 250 prisoners set to be released is Iyad Abu al-Rub, an Islamic Jihad commander convicted of orchestrating suicide bombings in Israel that killed 13 people in the early 2000s.

According to the Israeli justice ministry, he will be released either to Gaza or deported abroad.

The BBC understands that Hamas is also pushing for some possible additional prisoner releases. These relate to Palestinian prisoners who were released years ago as part of an exchange for the hostage Gilad Shalit – and then were rearrested after 7 October.

Hamas argues that since they were part of a previous hostage exchange, they should not be included in the 250 figure.

In Israel, hospitals are preparing for the release of hostages as families await their return.

The first phase of the Israel-Hamas deal saw a ceasefire take effect on Friday and Israeli forces partially withdraw from parts of Gaza. Hundreds of aid trucks a day are now expected to enter. The next phases are still being negotiated.

Hundreds of thousands of Palestinians have returned from southern Gaza to Gaza City, weeks after fleeing the Israeli offensive that destroyed much of the city.

Gaza’s Hamas-run civil defence agency has said it is conducting recovery operations and pulling bodies from the rubble, with Palestinians still missing across the territory.

Israel’s war on Gaza was triggered by the Hamas-led attacks on southern Israel on 7 October 2023, in which about 1,200 people were killed and 251 taken hostage.

Since then, 67,682 Palestinians have been killed in Israel’s military offensive in Gaza, the Hamas-run health ministry says.

Additional reporting by Mallory Moench

Federal prosecutors sued Southern California Edison, saying its equipment ignited the 2019 Saddle Ridge fire, which burned nearly 9,000 acres and damaged or destroyed more than 100 homes in the San Fernando Valley.

The complaint filed in U.S. District Court in Los Angeles on Tuesday claims that Edison was negligent in designing, constructing and maintaining its high-voltage transmission line that runs through Sylmar. Equipment on the line is now suspected of causing both the 2019 fire as well as the Hurst fire on Jan. 7.

Edison has acknowledged that its equipment may have ignited the Jan. 7 fire, but it has been arguing for years in a separate lawsuit brought by Saddle Ridge fire victims that its equipment did not start the 2019 fire.

Lawyers for the victims say they have evidence showing the transmission line is not properly grounded, leading to two wildfires in six years. Edison’s lawyers call those claims an “exotic ignition theory” that is wrong.

In the new lawsuit, the federal government is seeking to recover costs for the damage the 2019 fire caused to 800 acres of national forest, including for the destruction of wildlife and habitats. The lawsuit also requests reimbursement for the federal government’s costs of fighting the fire.

“The ignition of the Saddleridge Fire by SCE’s power and transmission lines and equipment is prima facie evidence of SCE’s negligence,” states the complaint, which was filed by acting U.S. Atty. Bill Essayli.

“The United States has made a demand on SCE for payment of the costs and damages incurred by the United States to suppress the Saddleridge Fire and to undertake emergency rehabilitation efforts,” the complaint said. “SCE has not paid any part of the sum.”

David Eisenhauer, an Edison spokesman, said the company was reviewing the federal government’s lawsuit and “will respond through the legal process.”

“Our hearts are with the people and communities that were affected,” he said.

The 2019 wildfire tore through parts of Sylmar, Granada Hills and Porter Ranch, killing at least one person.

The fire ignited under a transmission tower just three minutes after a steel part known as a y-clevis broke on another tower more than two miles away, according to two government investigations into the fire. The equipment failure on that tower caused a fault and surge in power.

In the ongoing lawsuit by victims of the 2019 fire, the plaintiffs argue that the power surge traveled along the transmission lines, causing some of the towers miles away to become so hot that they ignited the dry vegetation underneath one of them. Government investigators also found evidence of burning at the base of a second tower nearby, according to their reports.

The lawyers for the victims say the same problem — that some towers are not properly grounded — caused the Hurst fire on the night of Jan. 7.

“The evidence will show that five separate fires ignited at five separate SCE transmission tower bases in the same exact manner as the fire that started the Saddle Ridge fire,” the lawyers wrote in a court filing this summer.

In that filing, the lawyers included parts of a deposition they took of an L.A. Fire Department captain who said he believed that Edison was “deceptive” for not informing the department that its equipment failed just minutes before the 2019 blaze ignited, and for having an employee offer to buy key surveillance video from that night from a business next to one of its towers.

Edison has denied its employee offered to buy the video. A spokeswoman said the utility did not tell the fire department that its equipment failed because it happened at a tower miles away from where the fire ignited.

Residents who witnessed both fires told The Times they saw fires burning under transmission towers on the evening of the 2019 fire and the night of Jan. 7.

Roberto Delgado and his wife, Ninoschka Perez, can see the towers from their Sylmar home. They told The Times they saw a fire on Jan. 7 under the same tower where investigators say the 2019 fire started.

The family had to quickly flee in the case of each fire.

“We were traumatized,” Delgado said. “If I could move my family away from here I would.”

The Jan. 7 fire burned through 799 acres and required thousands of people to evacuate. Firefighters extinguished the blaze before it destroyed any homes.

How much clout does Bad Bunny have?

Enough that certain people are still mad nearly two weeks after it was announced that the “Nuevayol” singer — one of the most popular and consequential artists on the planet, someone who can single-handedly boost local economies — will be the halftime performer during Super Bowl LX, to be held Feb. 8, 2026, in Santa Clara, Calif.

The right-wing backlash was immediate, with much of the criticism focusing on three things: first, that Bad Bunny (real name is Benito Antonio Martínez Ocasio) has been vocal about his opposition to the ongoing immigration raids, both in the mainland and in Puerto Rico; secondly, that he sings primarily in Spanish; and thirdly, that he’s “not American.”

This latter point, as conservative media personality Tomi Lahren hilariously learned the hard way and in real time, is not factually correct. (The interjection by Lahren’s guest, Krystal Ball — “He’s Puerto Rican…. That’s part of America, dear” — is still sending me.) And even if it was, it’d be irrelevant. As my colleague LZ Granderson recently pointed out, there have been plenty of non-American musical acts who have performed at the Super Bowl — from the Rolling Stones to U2 to Shakira.

U.S. Homeland Security Secretary Kristi Noem was so appalled by Bad Bunny being tapped to perform that she announced that Immigration and Customs Enforcement would be present at the big game.

“I have the responsibility for making sure everybody who goes to the Super Bowl has the opportunity to enjoy it and to leave, and that’s what America’s about,” she said. “So yeah, we’ll be all over that place. We’re going to enforce the law.”

What Noem left out was that federal law enforcement agents have historically been present at such high-profile events as the Copa America and previous Super Bowls — rapper 21 Savage was even arrested by ICE during the 2019 game, held in Atlanta.

To be clear, I’m not surprised that conservatives were upset about the pick. In fact, I’m willing to bet that they would’ve been mad regardless of whom the National Football League selected. At one point, Taylor Swift was rumored to be the headliner, and we all know how President Trump feels about her — she’s a “woke singer” who “is no longer hot.” Then there’s Kendrick Lamar, who upset many on the right last year when he reclaimed the American flag for Black people during his performance.

I expected the outrage. In fact, when I found out, I lamented that the announcement came while I was still on paternity leave and would therefore be unable to write about it in this space. Because surely, the news cycle would have moved on to something else.

But I was wrong. This story is about to be two weeks old and it still has legs.

“I’ve never heard of him. I don’t know who he is,” Trump said, channeling his inner Mariah Carey during an interview with Newsmax on Monday. “I don’t know why they’re doing it. It’s crazy. And then they blame it on some promoter they hired to pick up entertainment. I think it’s absolutely ridiculous.”

(Must be a Nicky Jam fan, then. I hear “she’s hot.”)

Even the Speaker of the House Mike Johnson (R-La.), known pop culture maven, chimed in.

“I didn’t even know who Bad Bunny was. But it sounds like a terrible decision, in my view, from what I’m hearing,” Johnson said during an interview. “It sounds like he’s not someone who appeals to a broader audience. And there are so many eyes on the Super Bowl — a lot of young, impressionable children. And, in my view, you would have Lee Greenwood, or role models, doing that. Not somebody like this.”

Lee Greenwood? Be serious, Mike Johnson.

For the unfamiliar, Greenwood is best known for “God Bless the U.S.A.” and has had nearly as many marriages (five) as he’s had No. 1 hits on Billboard’s U.S. Hot Country Songs chart (seven). He clearly lacks the number of bangers to put together a solid halftime performance.

But wait, there’s more. Turning Point USA — the conservative nonprofit organization founded by the late Charlie Kirk — announced Thursday via social media that it was planning on counter-programming Bad Bunny’s performance and organizing its own Super Bowl halftime show with an artist (or artists) to be determined. The group also published a poll asking people to vote on what kind of act they wanted; with the first option being “Anything in English.” (I saw them at South by Southwest in 2012, and let me tell you — they were meh.)

If it seems like I’m making light of things, it’s because I am. The whole situation is absurd and the outrage feels manufactured. At best, it’s just fodder to feed into the bottomless right wing content machine, and at worst, it feels like a distraction from much bigger issues, like the government shutdown or the ongoing constitutional crisis playing out in cities such as Chicago and Portland, Ore.

And if right-wingers are genuinely about Bad Bunny at the Super Bowl, here’s an idea: Don’t watch. But that wouldn’t be very American, would it?

A pair of thank yous

This week’s edition of the Latinx Files is my first one since coming back from paternity leave — a period in which I was fully able to bond with my baby and not think about work. This is in large part because of Suzy Exposito and Carlos de Loera, who handled the day-to-day operations of De Los and who wrote this weekly newsletter, respectively. Thank you both. I am eternally grateful.

Stories we read this week that we think you should read

Unless otherwise noted, stories below were published by the Los Angeles Times.

Immigration

Arts and culture

Food

• The myths and realities of gentrification in Mexico City. Should you still visit?
• The best restaurants and bars in Mexico City: 34 spots that aren’t tourist traps.

“Any misperceptions, missed deadlines or misinterpretations can scupper this whole [ceasefire].”

Lecturer in International Security, Robert Geist Pinfold says things will “get complicated” now that the Gaza ceasefire has been agreed between Hamas and Israel.