pandemic

Welcome back to The Times’ Lakers newsletter, where we’re mapping a new route.

Inspired by the Lakers’ stay at Salt Lake City’s Asher Adams hotel, coach JJ Redick took us on an interview tangent Sunday. The luxurious downtown hotel is named after John R. Asher and George H. Adams, cartographers known for their work mapping railroads, and staying in a repurposed railroad station inspired Redick to look for his latest metaphor.

“As the season starts, you’re mapping sort of who you can be,” Redick said Sunday before the Lakers improved to 3-0 with a win over the Utah Jazz. “Every new game early in the season, you’re discovering something different, combinations that work, lineups that work, whatever it may be, and that’s exciting.”

The Lakers welcomed a critical crew member back into the fold this week, and he’s making his presence on this adventure known immediately.

Full steam ahead

Collin Sexton’s role looks small in a box score. The guard is averaging just nine points in his first two games as a Laker in 18.1 minutes per game. He’s shooting just 25% from three. He has three steals.

The numbers don’t do Sexton’s brand of ball justice. Teammates report feeling his influence on the court the moment he checks in. The free agent acquisition guards like a pesky summer mosquito. He attacks like, well, the well-earned nickname he’s carried since high school.

“They call me a bull for a reason,” Sexton said. “Whenever I get out on that court, it’s go time. It’s no creeping into the game.”

After missing the whole preseason and the regular-season opener, Sexton is making an immediate impact for the Lakers. His energy off the bench helped shift the team’s 132-123 win over the Utah Jazz on Sunday when the Lakers overcame a lifeless first quarter.

Sexton has shown his relentlessness since he arrived. During a pickup game on the team’s summer trip to Slovenia, Sexton took a Luka Doncic elbow to the mouth that cut both his top and bottom lips. Instead of backing down, Sexton wiped his mouth with a towel and turned back toward the court with a simple “let’s go.”

“There’s a level of insanity with him,” Redick said. “And I think our team responds to insanity.”

The 27-year-old guard has always had that aspect to his game, he said. He was a scrappy young player. He wanted to keep up with older kids, including his brother Jordan. They used to call him “Young Bull.”

“Now,” Sexton said, “it’s just Bull.”

Sexton’s intense playing style has remained as his career has evolved. The eighth pick in the 2018 draft, Sexton earned second-team all-rookie honors with Cleveland. He teamed with Darius Garland to make a dynamic, high-scoring backcourt duo. But Sexton suffered a season-ending knee injury in November 2021 and he was traded to Utah in a sign-and-trade that involved bringing Donovan Mitchell to Cleveland. The former lottery pick is now on his fourth team in six seasons.

Another injury slowed the beginning of his Lakers tenure. Sexton suffered a right calf strain during training camp. He is still finding his offensive rhythm, but even when he wasn’t on the court, he wanted his teammates to feel his presence.

“One thing I was able to do is just stay present, just continue to be a leader, and continue to use my voice as much as I can,” Sexton said, “and just continue to come in with the right attitude and the right approach.”

Matisse Thybulle already knew of Sexton’s endless energy. But Sexton’s vocal leadership surprised the Lakers’ forward this season. When Sexton made his season debut against the Clippers on Oct. 23, Thybulle noticed how active Sexton was in organizing the team offensively and defensively. Already responsible for bringing defensive energy, Thybulle had no choice but to step up his own effort once Sexton arrived.

There’s no hiding this Bull on the court. And he’s inspiring a stampede.

“It gives us even more energy,” Thybulle said of Sexton. “And I think it’s just one of those things that, like, when everyone else is doing it, you don’t want to be the guy to not be.”

Mr. Consistency

Austin Reaves has been Mr. Consistency on the Lakers.

(Luke Hales / Getty Images)

With a flurry of three-pointers and defensive stops, Doncic landed body blow after body blow. Then Austin Reaves hit the knockout shot.

After Doncic hit three late three-pointers in the Lakers’ dramatic win over the Jazz, it was Reaves who hit the dagger shot with 32.3 seconds left to put the Lakers up by seven points. Reaves held a finger to his lips. The Utah fans in the crowd streamed toward the exits.

The Lakers have the highest-scoring offense in the league through (less than) one week of games, yet haven’t had all their stars aligned. Doncic needed Sunday’s 52-point, 10-assist outburst to offset what he called a “terrible” performance against the Clippers in which he had 11 turnovers. He shot 38.5% from the field during the first two games.

Walker Kessler had a perfect offensive Lakers debut then was a six-block, three-steal defensive menace in his second game. But the star center disappeared Sunday while battling an emotional return to Utah.

While his teammates still settle into the season, there’s always Reaves. The Lakers’ “Mr. Consistency,” as Redick called him.

The guard is averaging 26.7 points on just 12 shot attempts per game with 6.3 assists per game during the first three games. He is shooting an eye-popping 63.9% from the field. The efficiency, as Doncic put it in a charming mistranslation, is “off the roof.”

Fresh off a massive four-year, $180-million contract extension that solidified Reaves as a legitimate star player, the humble Arkansas native has elevated his game with the same mindset taught to him from his parents and older brother.

“Play the game the right way, the game’s gonna reward you,” said Reaves, who is trying to earn his first All-Star appearance this season. “We have a team that understands roles and what we ask them to do. … The thing about our team is there’s no ego, there’s no anything, just wanna win basketball games and however that happens is the main thing.”

Redick praised Reaves’ patience this season. Kessler marveled at Reaves’ skill and ability to score while also making plays for others.

Doncic, now the unquestioned No. 1 option since LeBron James’ departure, thrives next to another top ballhandler. In Dallas, he began with Jalen Brunson. He went to his first NBA Finals next to Kyrie Irving. The Lakers hope pairing Doncic and Reaves can go even further.

“To have him next to me, leading this team, it’s awesome,” Doncic said. “So, [if] he keeps going like that, he’s going to be really good for us.”

They passed the baton back and forth during Sunday’s gritty win. Reaves shushed the crowd after his dagger shot. Doncic waved goodbye. The only fans left to make noise were the traveling Laker faithful who showered the road team with cheers at the buzzer.

Poll results

Last week, we asked: “Where do you think the Lakers will finish in the Western Conference?”

After 1,222 votes:

Top-two seed: 2.4%

First-round home court (3-4): 33.6%

Safely in playoffs (5-6): 43.9%

Play-in (7-10): 17.3%

Cancun by mid-April: 2.8%

On tap

Records updated before Monday’s games

Tuesday vs. Trail Blazers (2-0), 8 p.m.

This could be one of the most star-studded backcourt matchups of the season. The Lakers have Doncic and Reaves. The Trail Blazers are starting Damian Lillard and Ja Morant. Lillard, returning from an Achilles injury suffered in the 2025 playoffs, is averaging 22 points.

Wednesday at Clippers (1-2), 7:30 p.m.

The Lakers ran away in the second half against the shorthanded Clippers last week. The Clippers were counting on Brandon Ingram to move on past Kawhi Leonard, but the former Lakers draft pick is still out with an Achilles injury.

Friday at Warriors (0-3), 7 p.m.

Luka vs. Yaxel, NBA Cup’s version. The Warriors’ rookie made a bold choice by trash-talking with Doncic during the season opener. With the Warriors struggling, the only bright spots of this fallen dynasty might be the flashes of brilliance from Stephen Curry and what viral content Lendeborg will provide next.

Sunday vs. Raptors (2-1), 6 p.m.

Sandro Mamukelashvili will host his former team as the Lakers begin a second back-to-back in a week. This stretch is one of the busiest the Lakers will face this season, but at least it’s all contained in California.

Monday vs. Heat (0-3), 7 p.m.

Giannis Antetokounmpo’s much-heralded move to Miami has produced big numbers, but no wins. The former Milwaukee star scored 71 points in the first two games combined, but the Heat weren’t even competitive against two playoff hopefuls (Minnesota and Detroit).

Favorite thing I ate this week

Breakfast burrito at Old Cuss Cafe in Salt Lake City.

(Thuc Nhi Nguyen / Los Angeles Times)

There’s a pennant in Downtown Salt Lake City’s Old Cuss Cafe hanging above the cash register that reads “This place sucks.” Don’t let the self-deprecating decor deter you. The breakfast burrito is awesome. It’s got the staples with potatoes, eggs, onions and sausage (or bacon), but it’s the fragrant pesto that takes it over the top. It made me forget to be mad that my hotel room wasn’t ready yet.

In case you missed it

Luka Doncic scores 52 points, hits several late clutch shots as Lakers rally to beat Jazz

‘I miss him.’ Lakers reunite with Rui Hachimura in first game against Clippers

Swanson: Luka Doncic’s trash-talking antics sharpen his edge. Lakers fans need to embrace it

Austin Reaves, Walker Kessler lead Lakers past the Clippers

How the Lakers’ Luka Doncic went from ‘Wonder Boy’ to ‘The Man’

Walker Kessler’s Lakers debut couldn’t have gone much better

Lakers’ new Luka Doncic era opens with rout of Warriors

Lakers center Walker Kessler believes his competitive side will overcome pressure

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

It’s been nearly 40 years since the dread-filled tones of the “Unsolved Mysteries” theme song first hit network TV airwaves.

In that time, the celebrated documentary series has been through nearly every iteration of the TV business — and is about to embark on a new one.

Next week, “Unsolved Mysteries” will launch a video podcast in partnership with the audio and entertainment firm Audacy. The weekly podcast, which will be available on YouTube and on all podcast platforms, will release new episodes starting Oct. 29 that explore cases such as mysterious deaths and unexplained disappearances.

The podcast will be hosted by actor and TV host Jordan Murphy and will include interviews with the people involved in the case, “Unsolved Mysteries” co-creator Terry Dunn Meurer told me in a recent interview.

“We’re still trying to expand the brand and pivot,” she said. “It just feels like that’s where the industry is heading. The YouTube audience is the biggest audience out there, and we are looking for the biggest audience because we’re trying to help solve these cases. So the more viewers we can get with these episodes, the better.”

“Unsolved Mysteries” isn’t the only Hollywood player to bet on video podcasts. Spotify has bet big on video podcasts, and Netflix has added them to its platform, both of which are attempts to compete with YouTube, diversify their offerings and keep consumers tuned in.

For “Unsolved Mysteries,” the move is just the latest way the show has tried to evolve with the TV industry’s ups and downs.

The show debuted in 1987 as a series of specials NBC used to fill holes in its lineup, Dunn Meurer said. That kind of pinch-hitting meant there was no marketing or publicity to get audiences excited about the show, but viewers started tuning in anyway.

Eventually, the specials became a weekly show that aired on NBC for nine seasons before moving to CBS. “Unsolved Mysteries” also had a syndication run on cable channels Lifetime and Spike TV.

Throughout its TV lifetime, the show would highlight stories of mysterious disappearances, escaped fugitives, lost connections and even the occasional paranormal story. “Unsolved Mysteries” made appeals to viewers, urging them that someone out there “knows the truth” and encouraged them to write in with tips or new suggestions for investigation, which has resulted in tens of thousands of submissions over the years.

More recently, “Unsolved Mysteries” was revived on Netflix for three seasons, with a format focused on a single story. The series also previously had an audio-only podcast.

In addition to the video podcast, “Unsolved Mysteries” also recently produced a full-length documentary on new evidence surrounding the so-called Tylenol Killer, a 1982 case in which seven people died after unknowingly taking cyanide-filled pill capsules.

Though the method of delivery has changed, Dunn Meurer said the show’s mission remains the same. Over the years, the series has helped to directly solve more than 260 cases, she said, though many are so-called lost love cases of missed connections, as well as fugitive whereabouts and some murders.

“There’s so many mysteries out there that need attention, cases that have gone cold,” she said. “For me personally, it’s hard to not keep putting those stories out there and helping these families and law enforcement that need the help to solve these cases.”

‘Musk’ advertising controversy

In notable media news, the TikTok ad account for Bleecker Street’s documentary “Musk” was “permanently suspended” Friday, the day the film opened nationwide, a spokesperson for the indie studio confirmed.

But on Sunday, a spokesperson for TikTok said the account was restored “after an error.”

The documentary, directed by Alex Gibney, follows billionaire Elon Musk and the effect he has had on politics and his support for the GOP and President Trump.

The ban raised suspicions in Hollywood as TikTok is now partially owned by Oracle, which was co-founded by billionaire Larry Ellison. Ellison, who still serves as executive chairman of the tech company, is briefly mentioned in the documentary when he offers to help Musk finance his acquisition of Twitter, according to the Hollywood Reporter.

The documentary will make its streaming debut on HBO Max, which is owned by Ellison’s son, David.

In its second weekend in theaters, “Musk” grossed about $306,700 across 472 screens in the U.S. and Canada, for a $650 per-screen average. The film has notched a 97% critics rating on aggregator Rotten Tomatoes.

Stuff We Wrote

Film shoots

Number of the week

A24’s “You Can See Everything” brought in $15 million at the domestic box office over the weekend, a huge feat for the nearly three-hour documentary that delves into the life of disgraced Theranos founder Elizabeth Holmes shortly before she reported to federal prison for defrauding investors.

The documentary, directed by deadpan comic Nathan Fielder and “Primetime” filmmaker Lance Oppenheim, got a ton of buzz after its surprise debut at the Telluride Film Festival last month. The $15-million opening is even more impressive given that it was available only on 855 screens.

That was good enough for second place at the weekend box office. In first was Skydance-owned Paramount Pictures’ “Street Fighter,” which scored $31 million domestically for a worldwide gross of $51.1 million.

What I’m watching

During a busy (news) week like last week, sometimes you just need a comfort watch. For me, that’s HGTV.

There’s nothing more calming than watching people try to redo their houses into the home of their dreams. But because it’s spooky season, I ended up watching “Scariest House in America,” a hilarious home makeover competition hosted by “Parks and Recreation” comedian Retta, where homeowners show off their creepy, strange or wildly dilapidated houses in hopes of winning a renovation. After watching the travails of people who chose to live in a former jail or a self-constructed giant gingerbread house with a rickety single-person elevator, I was oddly soothed.

Welcome back to The Times’ Lakers newsletter and welcome back to real NBA games.

The regular season begins Tuesday with a triple-header. It’s the first time in eight years that the Lakers are watching the opening day action at home. That could be a small sign of where the Lakers stand in the NBA pecking order now.

Not many people know what to make of this team. There are nine new players. Another ownership change is pending. The Western Conference has two juggernauts at the top.

But within this summer of change, the Lakers managed to maintain one key partnership.

Two-headed monster

With more than half of their roster wearing the purple and gold for the first time, some Lakers might still be getting on the same page after less than three weeks of practices. Meanwhile, Luka Doncic and Austin Reaves are already playing a completely different game.

“They’re always, like, playing chess out there,” guard Collin Sexton said.

After an offseason of change, it’s still the Lakers’ two most established stars who will control the season’s fate. Doncic and Reaves were 30-11 in games played together last season. In 1,092 minutes, lineups with Doncic and Reaves together outscored opponents by 8.9 points per 100 possessions, the third-best net rating on the team for any pair of regular rotation players. Their established chemistry gives the Lakers a strong foundation for the season.

“Austin and Luka, they kind of see things before it happens,” Sexton said. “And I feel like that allows them to be so good offensively and be able to score, but also to put us in the right situation to be successful as well.”

The duo that could be one of the most offensively potent pairings in the league proved that they could have success last season, helping the Lakers surge up the Western Conference standings during a magical March. Doncic scored 600 points during the month, despite missing one game because of a technical foul accumulation suspension. Reaves averaged 5.8 assists, his highest average for a month with more than six appearances last season. With LeBron James serving as the most heralded third option in the history of basketball, the Lakers went 15-2.

It was painful but a little poetic that Doncic and Reaves — whose wholesome friendship became the envy of NBA Twitter — suffered injuries during the same game to end the hot streak.

Doncic told Sports Illustrated this summer that he “regret[ted]” coming back into the game against the Oklahoma City Thunder after he felt a twinge in his hamstring during the first half. The severity of the injury kept him out for the rest of the season.

“I thought we had a team that could compete for a championship,” Doncic said during training camp. “So I was kind of disappointed, kind of let the team down, so it’s definitely motivating for this season.”

Reaves returned during the postseason after an oblique injury, but couldn’t regain his consistency. He played in a career-low 51 games last season and missed out on what could have been his first All-Star selection.

Determined to fortify his body for another long season, Reaves hired former Lakers head strength and conditioning coach Ed Streit to work with him. He hoped that having a dedicated strength coach, which stars including James and Doncic already have, would help him take “the next step,” Reaves said.

After waiting and learning behind veterans such as James and Anthony Davis, Reaves is now an undisputed top-two player on the Lakers. He signed the richest contract ever for an undrafted player this offseason. Doncic was among his most vocal supporters.

“We talked about it even middle of last year, towards the end of last year, continuing this partnership for as long as we can,” Reaves said. “I enjoy being around him so much that coming back and being a Laker was the main thing when the season ended.”

Initially Reaves didn’t know if he would establish a close bond with Doncic after the former Dallas superstar was shockingly traded. Doncic was quiet when he first arrived in L.A. Now Reaves, who loves to hate his newest best friend, is sad to admit that they’re so similar.

They share a creative style of basketball. They’re ruthless competitors. They love golf.

The most important thing is another shared obsession.

“At the end of the day, we care about winning,” Reaves said, “and that’s all that matters.”

Survey says…

In a survey of league general managers, NBA.com found that expectations for the Lakers are tepid at best.

General managers voted on the top four teams in each conference, with four points awarded for each first-place vote, three points for second place, two for third and one for fourth, and the Lakers received 10% of fourth-place votes and 1% of total available points, which placed sixth in the total score.

The San Antonio Spurs, who were also the general managers’ choice to win the NBA title, had 53% of first-place points in the Western Conference. The Oklahoma City Thunder were effectively tied in the survey, with both teams getting 34% of the available points. With two young, deep teams at the top of the conference, all roads seem to lead to an encore of last year’s Western Conference final.

But this league celebrates its parity. Eight champions in eight years? Almost nothing compared to more than the 40 years since a repeat Western Conference finals matchup. The West hasn’t had a conference finals sequel since the Lakers and Spurs in 1982 and 1983.

The season could turn unexpectedly for one of the top teams, opening the door for another team to crash the party. NBA general managers don’t think the Lakers would be first inside the velvet ropes, but executives believe the team could be an enigma. In response to a NBA.com survey question on which team’s success is the toughest to predict this season, the Lakers received the third-most votes.

The league can’t tell the type of team the Lakers will be. They at least have their goals clear.

“Realistically, I would say championship,” Doncic said at the Spectrum broadcast desk on media day. “If that’s not your goal, I don’t know what you’re doing here.”

Poll question

Where do you think the Lakers will finish in the Western Conference?

Top-two seed (1-2)

First-round home court (3-4)

Safely in the playoff (5-6)

Play-in (7-10)

Cancun by mid-April

Click here to vote in our survey

On tap

Wednesday vs. Warriors, 7 p.m. PDT

It’s here! The opener! The Lakers should be familiar with the Warriors after playing two preseason games against their in-state rivals. Rookie Yaxel Lendeborg emerged as an immediate impact player, averaging 15.6 points and 7.4 rebounds on 56.9% shooting during the preseason.

Friday vs. Clippers, 7 p.m. PDT

Old friend Rui Hachimura returns with the Clippers, who have moved on from the Kawhi Leonard Era but begin the season without Brandon Ingram (Achilles) and Max Strus (foot). Rookie guard Keaton Wagler could be one of the few bright spots for the struggling franchise this season.

Sunday at Jazz, 2 p.m. PDT

The Lakers’ first road game is a homecoming for Walker Kessler, returning to the franchise that drafted him, and a reunion with another former Laker Jaxson Hayes. Hayes, who signed a two-year, $12-million contract with the Jazz, is in line to get significant minutes for Utah after an early injury to Jusuf Nurkic (foot).

Favorite thing I ate this week

Poke from Redondo Beach’s Jus’ Poke.

(Thuc Nhi Nguyen / Los Angeles Times)

The Lakers did not bless us with a tropical training camp (looking at you, Clippers and Warriors) so a trip to Redondo Beach’s Jus’ Poke will have to be the closest I get to Hawaii for now. The poke selections are always fresh and stand out for their simplicity and execution. No superfluous toppings and sauces. Just, as the name suggests, really good poke.

In case you missed it

Lakers waive former first-round pick Dalton Knecht before season opener

Luka Doncic, JJ Redick believe revamped Lakers can contend for an NBA title

Plaschke: The new-look Lakers have much to prove and no chance of winning it all

What we learned from the Lakers’ preseason games and training camp

JJ Redick still mulling over Quentin Grimes’ role for the Lakers

Buss family asks judge to dismiss Jeanie Buss’ petition to block Lakers share sale

Ziaire Williams looks to continue providing energy boost to Lakers

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

A spectacular run that included back-to-back World Series championships and delivered unforgettable memories ended with a whimper for the Los Angeles Dodgers on Thursday.

The Milwaukee Brewers, humiliated by the Dodgers last year in a four-game sweep, returned the favor at Chavez Ravine, defeating L.A., 6-4, in the National League Championship Series. The loss eliminated the Dodgers and ended their run at a vaunted three-peat, or three consecutive titles.

No North American sports franchise can claim such an accomplishment since the Shaq- and Kobe Bryant-led Lakers from 2000 to 2002.

How did a team of All-Stars fall short? Our sports team delivered tremendous coverage that answers that question and many more.

Columnist Bill Plaschke wrote how a team with seemingly every advantage fell short, beat writer Maddie Lee documented what led to the demise, while columnist Bill Shaikin provided updates to several questions on the team’s future. The devoted fans of the Boys in Blue have also had a chance to react.

Let’s sample some of their in-depth reporting.

Shohei Ohtani’s declining health was too much to overcome

Plaschke wrote that the single biggest reason the Dodgers didn’t three-peat centered on the health of designated hitter and pitcher Shohei Ohtani.

The owner of four MVP trophies, Ohtani began the season with a goal of also winning the Cy Young Award. So he focused on pitching, and he pitched well, going 8-2 with a 1.79 ERA in 14 starts.

Then he injured his knee, but he still pitched, long past when he should have been pitching, said Plaschke. He was finally pulled off the mound in early July, but by then he had also injured his elbow and his offense suffered because he was so worried about the pitching. It was at this point the Dodgers should have shut him down entirely, given him a month off to ensure he would be ready for October, according to Plaschke.

But no. Ohtani insisted he was fine even though his plummeting batting numbers said otherwise. When he was finally placed on the injured list in early September, Plaschke said it was too late, and he entered the playoffs as a shell of his former great self.

An autopsy reveals much

Lee agreed with third baseman Max Muncy when he said, “The train finally ran out of steam, I guess.”

A major aspect of the challenge of winning three straight is simply workload. The Dodgers not only have played more games than any other team the last two years, but their schedule has included grueling travel.

The Dodgers started both the 2024 and 2025 seasons early and overseas, playing in the Seoul Series and Tokyo Series in consecutive years. And both years ended with coast-to-coast travel for the World Series, as the Dodgers won titles over the New York Yankees and Toronto Blue Jays.

The team’s collective age — the oldest lineup in the majors this year, according to Baseball Reference, weighted by at-bats and games played — may not have helped.

Cap concerns

Shaikin wrote about a lockout expected this winter as Major League Baseball owners attempt to implement a salary cap, which limits the amount of money a team can spend on player salaries.

The owners initially proposed a salary cap of $245 million for next year. The Dodgers already have $347 million committed to 14 players next year, according to Cot’s Baseball Contracts.

Under a cap, the owners have promised a transition period to account for existing commitments, and an actual negotiated cap could be higher, said Shaikin.

Even if the players do not agree to a cap — and they insist they won’t — whatever economic system emerges from collective bargaining would likely make it painful for the Dodgers to spend so freely, according to Shaikin.

What some Dodgers fans are saying

Most baseball teams create a now well-anticipated “thank you fans” social media post after the conclusion of a season.

Passionate fans use the post as a sounding board for everything that ails them about their favorite teams. Just look at the “thank you fans” X posts from the New York Yankees and Philadelphia Phillies laced with profanities and vitriol fiercer than any East Coast nor’easter.

But on Friday, Dodgers fans were gracious and supportive on the fan appreciation post on X.

“Thank you for the great run over the last three years. Let’s come back stronger,” wrote one user.

“Thank you for the ride,” another tweet noted. “We’ll be back next year!”

The week’s biggest stories

A house burns off Calle Miramar in San Juan Capistrano during the Norte fire on Friday.

(Sandy Huffaker/For The Times)

Southern California wildfires

Olympics and sports news

Crime, courts and protests

More news

Editor’s pick

More picks

Things to do

(Ariana Drehsler / For The Times)

• 🎭The world premiere play “Bobby Robotowitz” brings AI questions into your living room — literally — with performances on the Eastside and Westside.
• 👀 The 10 biggest revelations of Nathan Fielder’s new Elizabeth Holmes documentary, ‘You Can See Everything.’
• 🍽️ For many, like the preservationists pushing to save Santa Monica’s Mel’s Drive-In, the mere thought of demolishing the iconic restaurant is offensive. Eating there was certainly on the bingo card for columnist LZ Granderson when he and his son first drove across the Southwest decades ago, and it continues to be a favorite breakfast spot of theirs.

Today’s recipe

(Stephanie Breijo / Los Angeles Times)

Many meatballs are made with a panade, often a mixture of white bread soaked in milk, which lends moisture to the final meatballs. For these lamb meatballs, cooking editor Cody Reiss decided to make his panade out of ingredients that felt more in-line with the mutabbal he was serving them with. He ended up using a mixture of leftover pita bread and labneh (drained yogurt). The resulting meatballs were moist, herby, spiced, seasoned, spicy and just a joy to eat.

Photo of the day

Volunteers led by guerrilla activist Jonathan Hale paint over the faded crosswalks of an intersection near USC on Sept. 19.

(Etienne Laurent/For the Times)

Games

Here’s today’s mini crossword, plus our other free, daily crossword puzzle, sudoku, word search and jigsaw games.

Have a great day, from the Essential California team

Jack Dolan, investigative reporter
Hugo Martín, assistant editor, Fast Break desk
Kevinisha Walker, multiplatform editor
Andrew J. Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

Do you remember what you were doing when the infamous L.A. City Hall racist audio leak scandal broke four years ago?

I always will: I was naked.

Sunday morning, Oct. 9, 2022, around 8 a.m., I was about to take a shower when I decided to check my cellphone one more time. Thank God I did: If I hadn’t, I would’ve been half an hour late on assisting in one of the most explosive stories ever to hit L.A. politics.

Via Slack, Times assistant managing editor Steve Clow asked if I could serve as a second set of ears on audio that my colleagues had unearthed involving four of the most powerful L.A. políticos at the time: City Council President Nury Martinez, Councilmembers Gil Cedillo and Kevin de León, and L.A. County Federation of Labor President Ron Herrera. I was still in my birthday suit (sorry for the visual, gentle readers, but I’m sworn to report the facts on this job) when I played the snippet Clow shared: Martinez describing the Black son of then-Councilmember Mike Bonin as “su negrito” — his darky.

I put on my shorts and told my wife I wouldn’t be helping at her restaurant that day.

Clow sent me more clips over the next hour, each crasser than the other — I remember gasping audibly at the part when the four were laughing as Martinez referred to Oaxacans as “ugly.” That morning, my colleagues Benjamin Oreskes, Dakota Smith, Julia Wick and David Zahniser published their first story on the fiasco, which turned out to be a secretly recorded conversation from a year earlier that someone had posted on Reddit just the day before.

The scandal quickly became a national sensation, with even then-President Joe Biden weighing in. L.A. wretched in collective disgust and demanded action, which definitely came: Martinez and Herrera quickly resigned, while Cedillo — who had already lost his reelection bid — would stay on until his bitter end, and De León wouldn’t leave until challenger Ysabel Jurado destroyed him in his 2024 reelection bid. The electoral repercussions of the audio leak can still be felt four years later in this election, as Nithya Raman stages a strong challenge against incumbent Karen Bass — a sentence no one would’ve believed in the fall of 2022, when Bass was on the cusp of winning her first term, and Raman was the lone democratic socialist on the council.

I would’ve figured the anniversary of something as titanic as all of the above would’ve sparked more commemorations than just my columna this week. Nope! L.A. has moved on to the point that Cedillo wasn’t booted from a group photo that included current District 9 council candidate Jose Ugarte, former Assemblymember Wendy Carrillo, former Mayor Antonio Villaraigosa and current Assemblymember Mark Gonzalez — because even Chicanosauruses can survive a political asteroid, I guess?

Having political leaders spew racist, homophobic nonsense now seems like the good ol’ days in an era where infernos destroy or stink up swaths of L.A., immigration agents terrorize immigrants from Westwood to the Eastside, and a spokesperson for a sitting American president denies that the commander in chief suggested Iran bomb the City of Angels, even though he said it during a campaign rally.

I shouldn’t really be surprised, I guess: L.A. infamously loves to forget its own history. But I would urge all you readers to read the great, Pulitzer Prize-winning coverage my colleagues did in the aftermath of the audio leak scandal, because it captured the city at its worst — but also its finest as residents fought back and demanded politicians do better.

Four years later, we can only hope this upcoming election shows more of the same.

The week’s biggest stories

Domenic Hix looks back as a large wave crashes on the shoreline in Laguna Beach on Friday.

(Allen J. Schaben / Los Angeles Times)

Tropical Storm Rachel in SoCal

California real estate

California crime

In memoriam

More news

Editor’s pick

More picks

Things to do

(Illustrations by Lindsey Made This; photograph by Charles Phoenix)

Today’s recipe

(Rebecca Peloquin / For The Times)

This recipe makes apple butter that is less sweet than most; use more sugar if you like, but don’t use less or there won’t be enough to properly preserve the pureed apples.

Photo of the day

(Stephanie Breijo / Los Angeles Times)

Games

Here’s today’s mini crossword, plus our other free, daily crossword puzzle, sudoku, word search and jigsaw games.

Have a great day, from the Essential California team

Jack Dolan, investigative reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

Several years ago, DreamWorks Animation veterans Joel Crawford and Januel Mercado pitched the studio an original story centered on friendship and steeped in Filipino culture.

That draft became the animated film “Forgotten Island,” which opened in late September and counts singer H.E.R., Liza Soberano and Dave Franco among its voice cast. The movie focuses on best friends Raissa and Jo, who will soon be separated when Raissa goes to college in the U.S., and the final adventure they take to the fantastical island of Nakali.

The movie opened to a softer $13 million in the U.S. and Canada and has so far made $23.6 million at the domestic box office over two weekends. Globally, “Forgotten Island” has brought in $38.5 million on an $80-million production budget.

That opening haul is lower than the average for original animated films from a major studio, which is about $14.6 million, according to the FranchiseRe movie industry newsletter. But the studio is hoping the movie — which has garnered a strong 95% rating on Rotten Tomatoes — will pick up steam and benefit from the relative lack of animated competition at the box office until the early November debut of “The Cat in the Hat,” developed by Warner Bros. Pictures Animation.

“Forgotten Island” is a big bet for Glendale-based DreamWorks Animation, which like many studios, has largely depended on sequels to drive box office success.

Original animated stories — or original movies at all — have become rarer gambles in Hollywood these days, when sequels and reboots feel like safer options. But Crawford and Mercado knew they wanted to develop a new story together.

The pair, who wrote and directed the film, have been friends for nearly two decades after they met at DreamWorks Animation as storyboard artists. Together, they’ve worked on 2011’s “Kung Fu Panda 2,” 2013’s “The Croods” and 2022’s “Puss in Boots: The Final Wish.” The two bonded over their similar sense of humor and their love for movies, and their longtime friendship was apparent in their easy banter during a joint interview shortly after the “Forgotten Island” premiere last month.

Early on, Crawford and Mercado knew they wanted to tell a story set in the Philippines that celebrated Filipino culture. Mercado is Filipino American and Crawford’s wife is Filipino, so a movie that authentically represented Filipino culture was important to them. In the film, the island of Nakali has many creatures inspired by Filipino folklore, and the characters casually use Tagalog words alongside English.

“There’s a sophistication in terms of respecting that the audience is smart, and doing our part as filmmakers to make sure that the visual storytelling and the context gives everything the audience needs to know,” Mercado told me.

Audiences, too, are more comfortable with content in other languages these days, as I wrote last week about Neon’s Korean-language thriller “Hope.” After all, kids will sing Korean lyrics in K-pop songs, and even “Puss in Boots: The Final Wish” interspersed Spanglish into the story.

“It feels timely to update the way we tell stories, to not treat the audience like, ‘They won’t understand this,’ but really treat them with respect,” Crawford said. “It just felt right to chase authenticity and let go of expectations, especially of what an animated movie should be and has been, and really do something fresh because it’s just coming from who we are.”

In the last few years, animation has been a powerhouse at the box office. Disney and Pixar’s “Toy Story 5” and Universal Pictures, Nintendo and Illumination’s “The Super Mario Galaxy Movie” have each crossed $1 billion at the global box office, two of only five movies to do so this year. In 2024, Disney and Pixar’s “Inside Out 2” was the highest grossing movie in the U.S. and Canadian markets.

Original stories have been tougher. Pixar has recently struggled to match the theatrical success of its prior original films and the slower start for “Forgotten Island” may be a sign of similar hurdles for new stories. But culturally accurate storytelling has paid recent dividends — just look at the success of Netflix’s “KPop Demon Hunters,” which won two Oscars, broke streaming records and sold out theatrical singalongs.

“We believe that there is a platform and space for everyone’s story, for people to feel seen and to know they matter,” Mercado said. “Even when they see a story that is specifically Filipino, if we’ve done our job right, we’ve shown you that you could connect to the story, whether or not you have this experience with the Filipino community or the culture.”

With “Forgotten Island,” Mercado and Crawford also want to push the boundaries of animation beyond its perception as films just for kids. Later this year, films such as Laika’s PG-13 rated “Wildwood” and Brad Bird’s noir film “Ray Gunn” will test the audience appetite for more adult animated and original fare.

“We’re in a time of massive sequels,” Crawford said of stories today. “When you expand where you’re telling them and who is telling them, you naturally get originality. This year has been really exciting for original stories in both animation and live action. You are taking a chance on originality, but it pays off.”

Stuff We Wrote

Film shoots

Number of the week

The Tom Cruise-led “Digger” tanked at the box office last weekend with a domestic debut of $8 million, good enough for fifth place.

The Warner Bros. film was plagued by very mixed reviews from critics, as well as a challenging marketing campaign. The film stars Cruise as an aging oil tycoon whose drilling operations trigger a catastrophic climate change disaster. Worldwide, the film brought in $20 million on a production budget of $125 million.

It’s been a tough theatrical year for Warner Bros., which has seen a string of disappointments before “Digger.” Beyond the cinema, the company is now in the process of being absorbed by Paramount Skydance, with the merger set to finalize Tuesday.

What I’m watching

It’s been yet another busy week, so about the only thing I was able to watch was a few WNBA playoff games. Since the Sparks were left out of the playoff picture again, I’ve sort of adopted the Golden State Valkyries as the next best California team to root for, and what a wild game that was over the weekend against the Las Vegas Aces.

Welcome back to a new season of the Lakers newsletter, where we’re working with a brand new cast of characters.

Out are LeBron James, Rui Hachimura, Marcus Smart (and others). Walker Kessler, Quentin Grimes and Collin Sexton are among those who have been welcomed to the Lakers ensemble.

The newbies have a lot of work to do: The Lakers lost 50.8% of their points, 55.7% of their rebounds and 47% of their assists from last year. As coach JJ Redick acknowledged during his preseason press conference alongside Rob Pelinka, “There’s a lot of minutes … up for grabs.”

We know three of the starters. We start with the biggest question mark in that rotation:

Position battle we’re watching most this preseason

Austin Reaves has tormented the NBA with his crafty finishes in the lane and step-back threes. In many of his new Lakers’ teammates, he has found equally frustrating counterparts, defenders that twist him into knots like he does to them.

“They all annoy the hell out of me,” Reaves said of defensive pests such as Ziaire Williams and Matisse Thybulle.

It’s the best — and most important — problem for the Lakers to have. The Lakers’ deep group of perimeter defenders have the most to prove and could be the biggest X-factor in the season’s success.

The wing group felt so unsettled late into the offseason that the Lakers were among the final teams willing to wait out the Jonathan Kuminga sweepstakes. The 6-foot-7 forward did not make his decision until Aug. 26, spurning the Lakers for the Minnesota Timberwolves.

The Kings’ Darius Acuff Jr. dribbles under pressure from Laker Ziaire Williams during a preseason game in Sacramento on Monday.

(Thearon W. Henderson / Getty Images)

The only other offseason bandaids the Lakers could acquire were Williams and Thybulle. After signing minimum contracts, they were both in the starting lineup for the Lakers’ preseason opener Monday.

Williams, the 6-foot-9 forward from Sierra Canyon High, is relishing the chance to play for his hometown team. The former top-10 pick is on his third NBA team in six seasons, never finding solid footing with Memphis or Brooklyn. He is coming off a career-high 10.3 points per game for the tanking Nets. The expectations will be drastically different with the Lakers and the Lancaster native is ready to meet them.

“There’s not really anything I’m not comfortable with,” said Williams, who reported he currently weighs 215 pounds, up 30 from his previously listed weight with Brooklyn. “If it’s a smaller guy bringing the ball up, I pick up 94 [feet]. If it’s a bigger wing who likes to play off a live dribble and jab step, being more physical off the ball.”

Thybulle is listed at 6-foot-5, but renowned for a nearly 7-foot wingspan. Not only does he torment opponents with his length, his defensive anticipation is “top-tier,” Reaves gushed.

The Washington alumnus was a two-time second-team all-defensive honoree with the Philadelphia 76ers. The hope has always been that his three-point shot could match that defensive talent.

Thybulle is a 34.9% three-point shooter, averaging only 2.6 attempts per game during his career, although his attempts increased in Portland. Thybulle and Williams (32.2% on threes in his career, four attempts per game) are consistently shooting threes after every practice. Williams made all three of three-point attempts in Monday’s preseason game while Thybulle made two of four.

Lakers forward Sandro Mamukelashvili drives to the basket in front of Kings guard Daeqwon Plowden during a preseason game in Sacramento on Monday.

(Sara Nevis / Ap Photo/sara Nevis)

“For me personally, at this point, [it’s about] having the confidence in my shot to know that when it comes, I’m ready for it, as opposed to just hoping for the best,” Thybulle said. “I think it goes a long way as well.”

Mamukelashvili offers three-point shooting that stretches the floor. Redick described the 6-foot-9 forward as “an offensive connector” who can revive seemingly dead plays with a simple pass or a cut. After shooting 38.9% from three last season (115-of-296) with Toronto, he’s a potential starter at power forward, but the defensive matchups could be different when he and Walker Kessler share the floor compared to one of the other perimeter-oriented wings pairing with Kessler.

Young wing players including Adou Thiero and Cameron Carr have also impressed coaches and teammates with their athleticism and eagerness to learn. Reaves affectionately hailed Thiero, who was Reaves’ primary matchup during offseason pickup games, as a “freak of nature” and “one of the best athletes in the league.” That talent was obvious during his injury-plagued rookie season when Thiero scored his first NBA basket on a high-flying dunk last November.

Redick said Thiero’s development in the summer has been “unbelieveable.” The most critical part has been his health, said Thiero, who battled nagging injuries to both knees last season.

Between the veterans trying to prove themselves and the young players hoping to make an impact, the Lakers could go six or seven deep at the wing, Redick said. Depth is a critical ingredient of this era of the NBA. The Lakers are confident in theirs.

“We got some dogs on this team,” Williams said. “Everyone plays one through four. All the wings are great. There’s no slack; you see four or five wings out there playing hard, everybody else has to pick it up a notch.”

Position we should watch this preseason

Lakers center Kevon Looney drives to the basket under pressure from Kings Dylan Cardwell and Nique Clifford during a preseason game in Sacramento on Monday.

(Thearon W. Henderson / Getty Images)

There is no reason to panic about Kessler’s preseason absence. He jammed his left pinky finger on the backboard in practice last week and Redick said Kessler is “day-to-day.”

But the sight of the star center on the sideline is still an unnerving way to start preseason games, especially after the Lakers invested so much to get Kessler. The 7-foot-2 center, who cost the Lakers four first-round draft picks and a four-year, $130-million contract, is supposed to be a lynchpin of their defense. Without him, the Lakers’ entire plan could fall apart.

The only true center the Lakers have behind Kessler — who only played in five games last year because of a shoulder injury — is Kevon Looney. The former UCLA star started in Kessler’s place Monday, playing 18 minutes with nine rebounds, three assists and two points. Mamukelashvili, a power forward, can also rotate to center.

The Lakers have so much riding on the center position this year. Their backup options don’t feel strong enough to bear the weight of a possible Kessler injury. But Redick said the team’s wing players could shoulder some of that burden.

“Loon, Mamu, those guys, they’re not going to be Kessler,” Redick said. “Mamu is versatile enough that he can do different things, whether that’s a hedge or a switch or a drop, and we’ll figure out what works best for this team with that when we’re in man. Then with Loon, I think he’s smart enough and savvy enough that he can get the job done. But again, none of that matters if we’re not guarding the basketball.”

Looney, 30, is the unexpected veteran on a team of 20-somethings. Redick used the three-time champion’s experience with the Warriors for inspiration on the first day of practice, saying Looney faced plenty of adversity during those years. The Warriors fell behind in multiple series and still clawed back to win, Redick said. The Lakers expect Looney to stablize the team during the inevitable rocky periods of the season.

“What a great vet,” Kessler said. “He’s done it before. He knows what it takes to win a championship on and off the court.”

On tap

Tuesday at Warriors, 7 p.m. PDT

The Lakers open the preseason with a road back-to-back. Expect that while the Lakers have no pressing injury concerns, most of the key players will be on an early load management schedule.

Thursday vs. Kings, 7:30 p.m. PDT

The Lakers’ third game in four days – a workload that should be banned in the preseason – will be the debut of Lakers public address announcer Derrin Horton. The former KTLA broadcaster will take over for franchise legend Lawrence Tanter, who died last week at 76. Tanter retired from his game day role in June after 43 iconic years as the “Voice of the Lakers.”

Favorite thing I ate this week

From Broken Spanish Comedor, the ceviche (left) and the camote, a coal-roasted Japanese sweet potato served with pork rinds.

(Thuc Nhi Nguyen / Los Angeles Times)

I’d been reading great things about Broken Spanish Comedor, and after finally trying the new Culver City restaurant, I’m surprised to report that my favorite dish from a modern Mexican restaurant was a Japanese sweet potato. The camote was an ideal combination of textures thanks to the creamy coal roasted sweet potato and crunchy pork rinds and sweet, smokey and spicey flavors. We also ordered the ceviche, which came with a deserved heat warning, and the chicharron. The server insisted we get the hand-pressed tortillas and who’s saying no?

In case you missed it

Luka Doncic scores 21 as Lakers unveil new defense in preseason win over Kings

Lakers ace defender Matisse Thybulle learning from savants Luka Doncic, Austin Reaves

Bronny James continues to refine his skills and role with the Lakers

Lakers select Derrin Horton to be new public-address announcer

Lakers’ early defensive prowess impresses Austin Reaves, JJ Redick

‘This is a meritocracy’: Lakers open training camp with mandate of competition

How a healthy and motivated Walker Kessler could transform the Lakers’ defense

Swanson: Lakers paid Austin Reaves to be a star. Now they need him to prove his durability

Luka Doncic and Austin Reaves ready to take charge of new-look Lakers

Plaschke: It’s no myth, Lakers’ Pelinka and Redick enter season on the brink

Lakers’ new era opens with a thanks for the LeBron James era

Beloved Lakers public address announcer Lawrence Tanter dies at 76

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

The Tom Cruise-led movie “Digger” cratered at the box office this weekend, limping to a fifth-place finish with $8 million in the U.S. and Canada in its theatrical debut.

The Warner Bros. film was expected to do poorly after polarizing reviews from critics and a challenging marketing campaign. The film had a production budget of about $125 million. Worldwide, the film brought in just $20 million in its opening weekend, meaning the studio will probably post a significant loss from the release.

A representative of Warner Bros. did not respond to a request for comment.

Amazon MGM Studios’ “Verity,” starring Anne Hathaway, easily lapped “Digger,” coming in first at the domestic box office with a haul of $32.6 million. The film made $62.5 million worldwide.

The underwhelming performance from “Digger” marks a rare misfire from the usually bankable Cruise and adds to a difficult year for Warner Bros.’ film studio, whose lineup of movies has struggled to connect with audiences. That’s in stark contrast to 2025, when the studio ran up a string of hits such as “Sinners” and “Weapons.”

It also comes as Paramount Skydance’s $111-billion acquisition of Warner Bros. Discovery is set to close Tuesday. As part of the merger, there have already been several management shake-ups, including the exit of Warner Bros. film chiefs Pam Abdy and Michael De Luca. The duo oversaw the studio for the last four years, providing a mixed bag of hits and misses for the Burbank-based studio.

The deal is expected to dramatically reshape Hollywood by combining two of the major studios, a move that is expected to lead to massive layoffs. Paramount has already told Wall Street that it’s planning $6 billion in cost cuts.

“Digger” is the result of nine years of work, as director Alejandro González Iñárritu started on the project before the pandemic. The film is a satire about an impending climate change apocalypse that’s triggered by the drilling operations of oil tycoon Digger Rockwell, played by Cruise, who looks nearly unrecognizable clad in prosthetics and graying hair.

In a post-screening, onstage discussion last week, Cruise noted the carefully handcrafted props and sets.

“Everything is practical,” he said. “It was so beautiful, and I just have to say … AI can’t do that.”

Sony Pictures’ “Resident Evil” came in second at the box office this weekend with $12.5 million in its third weekend in theaters. Paramount’s “Heart of the Beast” ($11 million) and A24’s “Primetime” ($8 million) ranked third and fourth.

As of last week, Warner Bros.’ domestic box-office haul this year was $437.7 million, representing about 5.6% of the total theatrical revenue in the U.S. and Canada, according to Rentrak data.

Last year, Warner Bros.’ total at this time was $1.8 billion, aided by back-to-back successes starting with “A Minecraft Movie,” which went on to become the highest-grossing movie at the domestic box office during that calendar year.

The studio does not have any film in the top 20 of domestic box-office earners this year, with Emerald Fennell’s adaptation of “Wuthering Heights” ranking at 21 with $84 million. Bets on films such as Maggie Gyllenhaal’s “The Bride!” cratered, while DC Studios’ “Supergirl” misfired.

Every fall, I teach a Latino History of Orange County course at Chapman University — from the Portola expedition all the way to Huntington Beach’s MAGA Latina councilmember, Gracey Van Der Mark. The lecture last week focused on how anti-Mexican politics have always worked in Orange County and usually go on to be copied nationwide.

I usually, sadly, have to update this lecture every year because the lowlights just keep coming. That’s why this time around, one of my PowerPoint slides ended with “2026: Anaheim?”.

Haven’t you heard? A lawsuit accuses Anaheim mayor Ashleigh Aitken of calling her chief of staff a “dirty Mexican.”

Stay classy, O.C.!

TimesOC writer (and my fellow Anaheimer) Gabriel San Román first reported on the allegation last month. He revealed that a lawyer for Aitken’s chief of staff Berenice Ballinas was seeking mediation from the city after his client suffered a “sustained pattern of harassment, discriminatory treatment and, most recently, retaliation” while doing her job. A legal claim filed soon after offered pages of alleged incidents detailing what Ballinas claimed she had to deal with when her boss supposedly had too much to drink while on city business.

It’s an ugly read, with incidents at Disneyland’s Club 33, Angel Stadium and other Anaheim landmarks. Yet no passage is more damning — yet more Orange County — than when Ballinas claimed Aitken once called her a “dirty Mexican” in front of then-city attorney Jim Vanderpool and said another time that the mayor didn’t want “a Mexican” like Ballinas to drive her car while Aitken was supposedly what the British satirical magazine Private Eye would call “tired and emotional.”

The mayor, a Democrat who’s running for reelection, has denied the explosive charge in an official statement and during a recent council meeting. And yet the allegation against her now enters Orange County’s long, sad spectrum of anti-Mexican political history.

Just part of the list: Proposition 187. Poll guards. Trying to give local police immigration-enforcement powers. When then-Orange County supervisor Ronald Caspers called a group of Mexican American county employees who demanded promotions “bandidos” during a 1972 supervisors meeting, then suggested the supes move the county seat away from Santa Ana because the city “does not have a normal ethnic balance” — in other words, it was too Mexican.

Or how about when a Newport Beach council member, Dick Nichols, opined during a 2003 council meeting that he opposed expanding the grassy areas of Corona del Mar State Beach because Mexicans “claim it as theirs, and it becomes their personal, private ground all day”? (Asked to apologize, Nichols doubled down by saying, “Where the hell am I in any way discriminating or being a bigot by making a statement that is blatantly true?”)

My hometown is not exempt from this sad parade. Anaheim’s schools, parks and swimming pool were segregated until the 1950s. In 1999, the Anaheim Union High School District board of trustees voted to sue Mexico for $50 million for educating the children of undocumented immigrants (The Times’ write-up was the first time I appeared in the paper, although the writer misspelled my last name).

Why all the O.C. anti-Mexican hate? You’ll have to enroll in my Chapman class for the full explanation. But the main reason is that Mexicans have long functioned as O.C.’s demonized minority. When millions of O.C. residents have grown up believing the powers that be that all Mexicans do is work low-paying jobs and underachieve in life, no wonder politicians bash them again and again — and no wonder many Anaheim residents aren’t giving Aitken the benefit of the doubt.

On Friday, the Anaheim City Council announced after a closed session that it would launch an independent investigation into Ballinas’ allegations. Aitken had an eventful Friday of her own. She admitted on Instagram that she has an “unhealthy relationship” with alcohol and sighed to CBS Los Angeles that Ballinas was “somebody who I thought was my right-hand person.” And while local activists have demanded she resign, O.C.’s ascending liberal machine isn’t asking for her head the way they would’ve if it were a Republican official: Mayor Anaheim gave the opening remarks at the Orange County Labor Federation’s annual Solidarity Awards gala on Friday night to cheers.

Stay classy, O.C.!

The week’s biggest stories

Republican gubernatorial candidate Steve Hilton visits patrons at Victorio’s Ristorante in North Hollywood, where a watch party was held for the CNN governor’s race debate Wednesday night.

(Jason Armond / Los Angeles Times)

California politics

• A sexually suggestive ad from Republican gubernatorial candidate Steve Hilton has drawn millions of views — and condemnation from allies on the right and Democrats.
• Latino voters have shifted away from Karen Bass in the L.A. mayor’s race, according to a new poll.
• The poll’s findings contrast the results of the June 2 primary, in which Bass carried 35 Latino-majority neighborhoods compared with Raman’s seven.

Helicopter tragedy

Paramount-Warner Bros. merger

• David Ellison said the merged Paramount and Warner Bros. Discovery will be called Skydance — the moniker he picked nearly two decades ago when he began building his Hollywood empire.
• Although the name of the corporate parent will change, the two historic studios will continue to operate under their names.
• As Ellison names his new empire, the message is clear: He owns Hollywood, writes news and culture critic Mary McNamara.

More news

Editor’s pick

More picks

Things to do

Retro candies, zombie-themed chips, ghost-branded coffee and large-scale movie characters can all be found at the Horror Boodega snack shop in Burbank.

(Stephanie Breijo / Los Angeles Times)

Today’s recipe

(Genaro Molina/Los Angeles Times)

For culinary content producer Owen Han, his nonna’s recipe for meatballs is as classic as they come. She does not brown the meatballs but instead poaches them in the copious tomato sauce (she called it salsa di pomodoro, or sugo, but you might know it as marinara) so they are extra tender.

Photo of the day

(Nava Rawls / Los Angeles Times)

Games

Here’s today’s mini crossword, plus our other free, daily crossword puzzle, sudoku, word search and jigsaw games.

Have a great day, from the Essential California team

Jack Dolan, investigative reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.