packed

It took an ancient Greek epic to ignite a fire at the box office last weekend, as Christopher Nolan’s adaptation of “The Odyssey” became one of the biggest movie events of the year.

The film, led by Matt Damon as Odysseus, hauled in $123.5 million in the U.S. and Canada on its way to a global total of nearly $264 million — the biggest-ever global opening for one of Nolan’s films.

In many ways, “The Odyssey” is a throwback to old-school Hollywood filmmaking, with Nolan’s use of practical effects and numerous on-location shoots. It’s also a sign that audiences will still pack theaters for the right kind of movie.

The Universal Pictures film also outperformed studio expectations of a $117-million domestic premiere and set a record for the highest-grossing opening weekend for a live-action or R-rated film this year.

“Audiences always want to be thoroughly immersed in the theatrical experience and engulfed by the story and the production, and Christopher Nolan’s ‘The Odyssey’ is a perfect example of that,” Jim Orr, Universal’s president of domestic distribution, said Sunday. “When you have a very substantial opening, and you have those kinds of audience scores, it only points to what should be a remarkable run throughout the summer and into the fall.”

That’s good news for the summer box office, which lately has seen a bit of ebb and flow.

“The Odyssey” now ranks as the third-largest domestic opening of the year, trailing only kid-friendly films such as Walt Disney Co. and Pixar’s “Toy Story 5” and Universal, Illumination and Nintendo’s “The Super Mario Galaxy Movie.” Though family-friendly films have become power players for theaters, the two most recent flicks — Disney’s live-action “Moana” and Universal and Illumination’s “Minions & Monsters” saw softer openings.

After the big weekend for “The Odyssey,” the summer box office is up 7.3% compared with the lackluster 2025 season, according to entertainment data firm Rentrak. More encouraging, the year-to-date domestic box office is now 10.4% higher than for the same period last year.

That’s been helped not only by big blockbusters such as “The Odyssey,” which had a production budget of $200 million to $250 million, but also by the success of smaller-budget films such as A24’s “Backrooms” and Focus Features’ “Obsession.”

The common denominator is the draw of directors who have cultivated strong fan bases. “Obsession” director Curry Barker, 26, and 21-year-old Kane Parsons, who helmed “Backrooms,” have been building their reputation on YouTube among Gen Z audiences, and that loyalty is starting to count for something at the box office.

Nolan, of course, is one of the masters of building a faithful following over more than two decades. Fans started grabbing Imax 70 millimeter tickets for “The Odyssey” when they first went on sale a year ago, and the film ended up driving record presales for the Canadian entertainment tech company, which operates out of Playa Vista.

The film has notched a 95% on aggregator Rotten Tomatoes and an A CinemaScore rating.

“His films have tapped into the cultural zeitgeist,” said Shawn Robbins, director of movie analytics at Fandango and founder of the website Box Office Theory. “That’s what keeps bringing people back. They know they’re going to get a different experience; there’s always going to be a watercooler conversation around his movies, and they’re part of the cultural fabric.”

For “The Odyssey,” part of that conversation was Nolan’s old-school movie magic, including the puppetry, animatronics and robotics he used in scenes with the Cyclops, as well as the real Viking ship that the actors learned to sail.

The film also has driven interest in 70mm screenings from film buffs and casual moviegoers.

Ahead of the premiere of “The Odyssey,” Allen Michaan, owner of Oakland’s Grand Lake Theater, knew the weekend would be very busy for his four-screen movie palace. He is showing the film both in standard digital format and on 70mm film.

Michaan has made 70mm showings a priority since 1982, when the projector was installed for the release of Steven Spielberg’s “E.T. the Extra-Terrestrial.” He said the theater played that movie for 45 weeks that year. Due to the demand at the time, he installed two more 70mm projectors, making three of his four screens capable of the old-fashioned format.

Demand for the 70mm showings of “The Odyssey” has significantly outperformed their digital screenings, he said.

“We’re thrilled to get any 70mm print because it’s a gift from the filmmaker and the studio,” Michaan said.

Enhanced format screenings for “The Odyssey” made up 53% of the domestic weekend box office, with Imax film and digital revenue accounting for nearly 24%.

Imax 70mm accounted for about 4% of that total, with Imax digital making up the rest. Non-Imax 70mm film screening revenue totaled 3%, while 35mm showings made up 0.3%.

The nearly three-hour epic also marked the first feature film shot entirely on Imax cameras, a feat that required extensive collaboration between Nolan and Imax.

Nolan first told Imax Corp. Chief Executive Rich Gelfond in early 2024 that he was considering making an entire film with Imax cameras and laid out what he’d need for that to happen, including a quieter and lighter camera, a way to make film reloads easier and getting enough trained projectionists.

“It took a fair amount of time and investment” to figure out those challenges, Gelfond said. But by August 2024, the Imax team put together a series of tests to show cinematographer Hoyte van Hoytema. Two months later, Nolan saw the tests and was impressed.

“As filmmakers and studios integrate Imax, we become an increasingly important part of the ecosystem,” Gelfond said. “When a film is released in Imax or shot in Imax, I think it’s a signal to audiences that it’s somewhat special, and the filmmaker is really leaning in in a unique way.”

Times staff writer Cerys Davies contributed to this report.

Stuff We Wrote

Film shoots

Number of the week

Streaming giant Netflix narrowed its 2026 revenue forecast to $51 billion to $51.4 billion from its previous, larger range of $50.7 billion to $51.7 billion in its last Thursday’s second-quarter earnings report, renewing concerns among investors and equity analysts about the Los Gatos-based company’s future growth.

On the Friday morning after the earnings call, Netflix stock slid 13% to $65.08 a share, marking a new 52-week low. Shares eventually closed that day at $68.95.

As my colleague Wendy Lee has reported, investors are growing nervous that in recent months, Netflix’s share of TV viewing time in the U.S. has been decreasing, while YouTube’s share has increased, according to Nielsen data. Investors are concerned that if consumers are watching Netflix less, they’ll cancel their subscriptions, and that will put pressure on the company’s ability to raise prices in the U.S.

Netflix has said its engagement rates are healthy.

What I’m watching

I love a good teen mystery show, especially when it has a bit of a “Veronica Mars” vibe, so I binged Paramount+’s “School Spirits” last weekend.

Where Veronica Mars was solving realistic crimes around her local beach city, “School Spirits” tries to dig into why so many teens have died at (and haunt) a Wisconsin high school. At times, they’re hitting at a lot of different themes and storylines, but I loved the colorful ensemble of ghost characters from different decades, and Jennifer Tilly makes for an incredible villain.

Sitting atop a hill in the heart of one of the most popular areas in the UK is a charming market town that offers a step back in time along its narrow lanes and medieval backdrop

While it may be compact, this idyllic UK town is brimming with traditional tearooms and one of the best bookshops in the UK, as I discovered on a recent visit.

The Cotswolds are well-known for being home to quaint towns filled with honey-coloured cottages and meandering rivers against rolling countryside hills, so there’s a very good reason why it’s an Area of Outstanding Natural Beauty (AONB). One settlement that makes up this notoriously beautiful part of the world is Stow-on-the-Wold, the highest town in the Cotswolds.

Perched nearly 800ft above sea level in Gloucestershire, Stow-on-the-Wold is famed for its ancient market square, thriving independent scene, and for being regarded as the ‘antique capital of the Cotswolds’. Positioned just a 10-minute drive from Bourton-on-the-Water and 30 minutes from Cheltenham, it attracts visitors far and wide who come to marvel at its charms.

The renowned market square that characterises this town, dating back to 1107, is surrounded by an abundance of shops, from the gift store, The Honey Pot, sheepskin goods at Lambswold and the Cotswold Sweet Company. But if you wander further into the town, down sloping streets and past medieval stonework and climbing ivy, there’s so much more to discover.

I visited Stow-on-the-Wold for the first time this month and was left in awe of how many shops lined its narrow, honey-hued streets. There weren’t any empty stores in sight, but thriving independent businesses like Ella’s Emporium, Rhubarb Rhubarb Boutique, the florist Allium, kitchen store, The Crock Shop, beer cafe and bottleshop, Off the Square, and a local favourite at lunch, Cotswold Baguettes.

If you don’t take time strolling along its narrow lanes, off the main high street, it’s easy to miss a hidden gem, with some shops tucked a little out of the way. I could have easily missed Talbot Court, where green shopfronts and string lights adorn a courtyard, and the Borzoi Bookshop, which quickly became my favourite find.

Tucked down another courtyard decorated with flags, hanging lights and potted plants, just off Digbeth Street, the independent bookshop has been trading for more than 40 years. Packed with novels for all ages, Borzoi’s is a sanctuary for bibliophiles who are looking to find their next best read in a cosy, secluded store, or to join one of their book clubs, and I could have spent hours inside.

One visitor shared on TripAdvisor: “Lovely quaint book shop with a wide variety of books, cards and wrapping. They had a lovely children’s section with beanbags to sit on, which was inviting for our child. Staff were pleasant, and the shop was fairly busy with customers. They even had signed copies of books on sale. Would definitely recommend.”

Naturally, Stow-on-the-Wold is home to a variety of antique stores, including the White Cottage and Tare Antiques, where visitors are guaranteed to find a vintage treasure, with displays decorating entrances. But what truly makes this town stand out are the collection of traditional tearooms, which really felt as though I had stepped back in time.

Lucy’s tearoom was particularly noteworthy, with elegant seating outside and its curved window frames, while I also found the Old Bakery Tearoom, tucked inside the Fountain Court, offering classic cream tea. Huffkins also appeared to be a favourite among locals, as they sat in the summer sunshine savouring a slice of cake and a cuppa against the town’s medieval backdrop.

But a trip to Stow-on-the-Wold isn’t complete without stopping by The Porch House, which is claimed to be the oldest pub in England. I glimpsed inside the medieval pub, where its historic wooden beams and uneven floors, dating back to the 10th century, made it feel as though a pint should be served in a drinking tankard.

Meanwhile, residents were filling the streets around The Queen’s Head Inn, sipping drinks in the afternoon summer sun, with the pub adorned with hanging baskets. Others opted for a glass of wine outside at Massimo or a cocktail and bite at The Cotswolds Farm shop, before taking a stroll around the market town packed with charm.

The town is also celebrated for the ‘Tolkien Door’, located at the north entrance of St. Edward’s Church, surrounded by towering intertwined yew trees which are believed to have inspired the ‘Doors of Durin’ in J. R. R. Tolkien’s The Lord of the Rings. Twice annually, Stow-on-the-Wold also plays host to the traditional Gypsy horse fair, which stretches back over 500 years and originated as a sheep and wool fair, reflecting the town’s trading heritage.

Do you have a travel story to share? Email webtravel@reachplc.com

Epic food, amazing shows, museums you won’t find anywhere else and a helicopter ride down the famous strip – here’s my ultimate Las Vegas itinerary

The glitz, the glam, those unforgettable “wow” moments – it’s easy to see why Las Vegas remains the ultimate bucket-list destination. Whether you’re marveling at the neon skyline from 1,000 feet up or walking the Strip to soak in the music and eclectic fashion, this town is a sensory explosion that demands to be experienced at least once.

The home of the famous strip, countless wedding chapels and its own Eiffel Tower and Statue of Liberty, this place almost doesn’t feel real. It’s defined by vintage camp, 24-hour casinos, more buffet restaurants than you can possibly imagine, and high-class dining eateries. Welcome to Vegas, baby.

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The most exciting area to stay in Las Vegas

I arrived via a direct flight from Heathrow, checking into The Cosmopolitan of Las Vegas. Arguably the best-positioned hotel on the Strip, it offers the perfect paradox: you are in the heart of the action, yet the rooms are a sanctuary of total silence.

My suite featured a private balcony overlooking the city’s glowing landmarks and the iconic choreography of the Bellagio fountains. Watching the water dance from my room, the excitement for my desert escape truly set in.

Where to find the best places to eat in Las Vegas

Food is central to the Vegas experience, so first on the agenda once we’d dropped our bags was brunch at Alexxa’s – situated on the Strip, right in the thick of the action. In the spirit of a true American getaway, we went straight for the classics, ordering a spread of fried chicken and waffles, fluffy American-style pancakes and steak and eggs.

Of course, no Vegas brunch is complete without a little “hair of the dog.” I washed it all down with the most gargantuan Bloody Mary I’ve ever seen, complete with a slice of bacon. Nothing here is small-scale – it was the perfect, over-the-top introduction to the local food scene.

But don’t miss breakfast at the hotel either. The Cosmopolitan‘s Wicked Spoon is a brilliant buffet, with pretty much everything you could possibly think of… I even had a few sushi rolls on the side.

For dinner, we feasted at Mayfair Supper Club inside the Bellagio (yes, the one from Ocean’s Eleven), where live dancers perform around diners as they tuck into all-American classics.

But the highlight was dinner at Vanderpump Paris – and as a Real Housewives of Beverly Hills fan, it was the dream. Lisa Vanderpump knows how to put together a menu. Curated with Parisian themes embellished with Vegas flair and eclectic cocktails, I felt like a total superstar eating here.

Experiences you must not miss while you’re there

I could have filled the days just walking up and down the infamous strip. With buskers, magicians, show girls (and show boys) I spotted the Eiffel Tower, the Luxor pyramid, the Empire State Building, the Paris globe and the iconic casinos – which were already getting busy, despite it being barely two in the afternoon.

But there are so many bucket list experiences to try, too. We started with an ice hockey Game: Golden Knights vs. Edmonton Oilers (tickets around £55). I was pretty much an ice hockey novice, but that doesn’t matter a jot. American sport is packed with entertainment, and it didn’t take me long to soak up the atmosphere and join in with the chants. Why can’t this be a thing in the UK?

As if that wasn’t enough excitement for one night, we then ticked off another iconic moment – a helicopter ride down the Strip.

Now, I’m no daredevil (I was slightly apprehensive), but as soon as we got up into the sky it was magical. We were given a 10-minute tour by our pilot, taking off at 10:30pm, just as Vegas was truly coming alive for the night.

We also checked out The Sphere, which I’d like to call an immersive cinema but it’s so much more than that. It’s a one of a kind, multi-sensory show with holograms and AI. With tickets for the classic The Wizard of Oz, I was expecting a cinematic experience. In fact, it was fully immersive, to the point it made us feel like we were actually in the storm with Dorothy.

Another recommendation is the Neon Sign Museum. The bright lights of the signs are what makes Vegas so magical, so what happens to the signs when they are no longer in use? They go to the Neon Sign Museum – and it’s nearly as impressive as the Strip itself.

I loved seeing the ‘old’ Vegas here, bringing history to light – literally – and for the best experience I recommend the illuminated evening tours (from £26) but there are also self-guided daytime options (from £19).

Finally, in dedication to the stars of all the shows, we couldn’t miss a stop at the Show Girl Museum – the home of all the iconic showgirl costumes. But what makes this museum one of a kind? It’s inside Grant Philipo’s house – a former showgirl costume designer. Tickets are $33 each and Grant has nearly 300 mannequins in his home as he led us around the impressive pad, paying homage to the glamour and beauty of Las Vegas.

And if the brunch and dinner performances weren’t enough, we topped the day off by going to watch Jennifer Lopez perform at her residency in The Colosseum theatre – part of Caesar’s Palace Hotel.

You’d think with all that I wouldn’t have found time to have a little flutter on the tables, but this is a 24-hour city – there’s always time to squeeze something else in, if you can just stay awake.

How to book the ultimate Vegas trip

• Discover more at Visit Las Vegas.
• Stays at he Cosmopolitan of Las Vegas start at $189.35 / approx. £142 per night including resort fee and taxes. Stays in the Terrace One Bedroom Suites with Fountain View starts from $246.49 / approx. £185 per night, including resort fee and taxes.
• Vegas Views helicopter tour by Maverick Helicopters start at £75 per person, see maverickhelicopter.com
• Book Vanderpumps in advance here
• Virgin Atlantic offers daily direct flights to Las Vegas from London Heathrow starting from £512*, and seasonal flights from Manchester Airport. *Prices subject to change.

This small but charming UK market town punches above its weight with a flourishing food scene of Michelin-starred restaurants and a renowned gingerbread legacy

A picturesque UK town boasts an incredible culinary scene, with Michelin-starred restaurants and the birthplace of a beloved British confection.

When it comes to restaurants celebrated for their culinary excellence by the esteemed Michelin Guide, our thoughts might drift towards those dotted along the streets of Britain’s major cities. However, it seems a foodie paradise lies hidden in plain sight within the unassuming Lancashire market town of Ormskirk.

Nestled in the heart of West Lancashire, under an hour from Liverpool and two hours from Birmingham, sits a destination defined by medieval buildings, walkable streets, and the famous Clock Tower standing proudly at its centre. Once a Viking settlement, it’s celebrated for the Charter Market, among the oldest and most authentic outdoor markets in the UK, yet it’s the dining scene that truly warrants recognition.

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Michelin-starred restaurants

Ormskirk plays host to not one, but three Michelin-starred establishments. Among them is Moor Hall, helmed by chef patron Mark Birchall, who delivers classic British cuisine alongside his brigade of culinary experts. The restaurant, located in the village of Aughton in Ormskirk, remarkably boasts three Michelin Stars, a Michelin Green Star and five AA Rosettes.

As Mark Birchall himself puts it: “We want to bring together the very best – beautiful surroundings, with an unrivalled dining experience that pushes boundaries.”

But there’s more. Moor Hall’s sister restaurant, The Barn, has also scooped a Michelin star for its “varied menu created with the best seasonal ingredients”. Diners can look forward to indulging in “60-day aged grass-fed ex-dairy Jersey beef tartare, Jerusalem artichoke, and nasturtium; Cornish Cod, smoked onion, charred leek, bacon crumb, or Stem ginger panna cotta, blood orange, granola”.

Another establishment adding to the town’s buzzing food scene is sō-lō, delivering an “exceptional” fine-dining experience under the helm of Tim Allen. Also holding a Michelin star, its website reads: “Highlighting modern British cuisine, Tim incorporates culinary influences from around the world. Marrying incredible flavours and textures, he ingeniously crafts dishes of the finest seasonal ingredients, which are both truly memorable and emotive.”

‘Gingerbread Town’

Beyond its celebrated restaurants, Ormskirk boasts a rich history of its own and is fondly dubbed the ‘Gingerbread Town.’ The beloved bake cemented its legacy in the town after three trailblazing women first sold gingerbread to passers-by in the 1770s.

The delectable biscuits soared in popularity and are said to have captured the attention of Edward VII and The Princess Royal. Today, that proud tradition endures, with the town even hosting an annual Gingerbread Festival in its honour, and the cherished sweet treat is sold throughout the town, including at its local market and bakeries.

Historic outdoor market

The renowned Ormskirk Charter Market, which has been running since 1286, fills the town centre around the Clock Tower every Thursday and Saturday, with roughly 100 stalls offering everything from fresh fish, meat, and vegetables to artisan breads, creamy cheeses, and homemade pies. Friendly traders also sell plants, flowers, cards, stationery, clothing, homeware gifts, and pet supplies.

The market truly has something for everyone and is undeniably a cornerstone of the town, consistently bringing the local community together with a warm, village-like feel. On occasion, residents can soak up live music and entertainment while picking up their locally sourced produce, browsing the town’s selection of independent boutiques, or catching up with friends over a coffee at one of the fashionable cafés such as Bloom and Brew and Two Brothers Coffee.

Do you have a travel story to share? Email webtravel@reachplc.com

In the northwest corner of the United States, Oregon has fostered a reputation as a left-wing stronghold. Since the 1980s, the Beaver State has consistently elected Democrats in most of its statewide races.

But even in a comfortably blue state like Oregon, the fight to hold onto political power can be competitive.

On Tuesday, the state will hold its latest primary races, with each of the major parties picking its nominees for November’s midterm elections.

But a packed field of roughly 25 contenders, both Democrats and Republicans, is jockeying to replace Tina Kotek as she seeks a second term as governor.

Tuesday’s vote could also serve as an economic bellwether. Voters will weigh in on a referendum that could repeal a state fuel tax, as the US-Israel war on Iran heaps strain on consumers at the gas pump.

Who is running? And which races have attracted the most attention? We tackle those questions and more in this brief explainer.

What time do polls open?

Polls will open on Tuesday at 7am Pacific US time (15:00 GMT) and close at 8pm (4:00 GMT).

Who is running for governor?

Incumbent Governor Kotek is making a bid for a second four-year term. But she is fielding competition from dozens of other candidates, including nine Democrats.

Going into the Democratic primary, Kotek is the frontrunner. Her challengers include a children’s book author, the leader of an Indigenous nonprofit and an inventor who hopes to address water shortages.

Even more contenders are angling for the Republican gubernatorial nomination.

Among them is State Senator Christine Drazan, who ran against Kotek in 2022. Drazan has been critical of President Donald Trump’s tariff policies but supportive of his tough stance on immigration.

Also on the Republican ballot is former NBA player Chris Dudley, who was the Republican gubernatorial candidate in 2010. He had the smallest losing margin of any Republican candidate in decades.

State Representative Ed Diehl, meanwhile, is hoping to capitalise on the momentum he gained after leading the charge to block Kotek’s gas tax and fee increase package.

What are the opinion polls saying about the governor’s race?

Polls show Drazan leading the race to receive the Republican nomination, with 35 percent support.

Kotek is likely to grab an easy victory in the Democratic primary, with none of her opponents polling close behind.

What about the Senate race?

Another Democratic incumbent attempting to hold onto his seat is US Senator Jeff Merkley.

The 69-year-old, who began his career working on affordable housing, is running for a fourth consecutive six-year term. He first took office in 2009.

But while the senator faces eight rivals on the campaign trail – one Democrat and seven Republicans – his seat is considered relatively safe.

He is expected to win the Democratic primary on Tuesday and become the frontrunner for November’s general election.

What other positions are up for grabs?

All six of Oregon’s members of the US House of Representatives are running for re-election and will face the primary process on Tuesday.

Five are Democrats. One, Cliff Bentz, is a Republican, and he represents Oregon’s second congressional district, a sprawling area encompassing the entire eastern half of the state.

Also on Tuesday, voters will choose their party representatives in races for the state Senate and House.

The election will also determine a nonpartisan commissioner to lead the state Bureau of Labor and Industries.

Why does this race matter?

Oregon is a closed primary state, meaning that voters choose nominees only for the party they are registered under.

Given the state’s left-wing bent, the winners of the statewide Democratic primaries will likely emerge as frontrunners in November’s midterm races.

Still, there is room for surprise. According to state voter rolls, less than 25 percent of Oregonians are registered Republicans. But only 32 percent are registered Democrats, with the largest proportion of voters identifying as “non-affiliated” with any party.

Primary races in right-leaning areas like Oregon’s second congressional district could signify how closely the state’s Republican politicians want to align with President Trump.

Voters will also have a chance to vote on the referendum that could repeal the gas tax increase on Tuesday’s ballot.

Democrats in the state legislature raised Oregon’s gas tax to pay for roads and supplement the state’s transportation budget.

But as the US-Israel war on Iran causes gas prices to skyrocket, Republicans have used the referendum to appeal to voters on the cost of living. Gas is now averaging about 80 cents more in Oregon.

In addition, there are nearly 100 local measures sprinkled on ballots across the state, tailored to different counties. Many will focus on funding local fire departments, schools and libraries.

When are results expected?

Preliminary results are expected on Tuesday evening, shortly after polls close at 8pm local time.

But ballots will continue to arrive after election day, as mail-in votes and provisional ballots are counted, and some races may not be officially called until days later.

The Defense Advanced Research Projects Agency (DARPA) is asking for concepts for drones with a high degree of autonomous operation, as well as remotely-operated containerized systems to launch, recover, and otherwise support them. What DARPA is really interested in is a pairing that can be employed as part of a largely self-sustaining “autonomous constellation” capable of supporting networked swarms consisting of as many as 500 drones at once.

A “constellation” like the one described above, incorporating drones configured for a wide array of roles, including surveillance and reconnaissance and kinetic strike, could be readily deployed in contested areas, or even potentially positioned deep behind enemy lines. Ukraine’s Operation Spiderweb covert drone attacks on several Russian airbases last year, as well as Israel’s near-field attacks from within Iran during the opening phases of the 12 Day War, have already demonstrated the effectiveness of the kind of capability DARPA is seeking. TWZ has also highlighted the value that this kind of drone swarm launch capability would offer on land and at sea on several occasions in the past, including after the Pentagon’s Defense Innovation Unit (DIU) put out a very similar call for proposals earlier this year.

DARPA’s Tactical Technology Office (TTO) first put out its request for information for this containerized drone swarm capability back in April, but has updated the relevant contracting notice several times since then. The latest version was posted online yesterday. At least from what has been shared so far, DARPA has not yet given this project a name.

“Existing commercial, airborne Group 1-3 platforms are limited in endurance, payload capacity, and onboard electrical auxiliary power. When operated as constellations, they typically require substantial infrastructure and basing area [sic] for deployment and recovery. These constellations typically require human involvement to recover, recharge/refuel, and launch again, lacking full autonomy necessary to achieve sustained operations spanning days or longer,” the current version of the contracting notice explains. “The landscape of current platform technologies has broad limitations that require evolution to achieve high-endurance constellations consisting of drones with meaningful payload Size Weight, Power, and Cost (SWaP-C) staged from fully autonomous containers capable of complete mission-cycle management inclusive of launch, sustainment/swap-out, and recovery.”

The U.S. military breaks drones into five different categories. Collectively, drones in Groups 1 and 2 can have maximum weights of up to 55 pounds, fly up to altitudes of 3,500 feet, and have top speeds of up to 250 knots. Group 3 is a very broad middle tier that covers designs that weigh anywhere from 56 to 1,320 pounds and can get up to 18,000 feet, but again have speeds of 250 knots or less. Together, Groups 1 through 3 include a very wide range of drones from small quadcopters all the way up to long-range one-way attack munitions.

Given the aforementioned limitations, “DARPA has identified an exigent need for highly deployable, versatile-SWaP Group 1-3 platforms, operating in autonomous constellations that are stored within, deployed from, recovered in, and managed by a fully autonomous container, to support a variety of payloads and missions in GPS-denied environments,” the contracting notice adds. “Advancements in low-SWaP technologies enable constellations comprising a variety of novel payloads, each requiring dedicated power and weight, but capable of operating in synchrony across the constellation. Constellation populations may comprise up to 500 platforms (number may vary as a function of payload type). Each platform will be equipped with a subsystem or independent payload system with the potential to achieve high operational availability for the combined system over multiple-day periods.”

The notice leaves the requirements for the drones and the containerized launch and recovery systems relatively open-ended.

“Unmanned aerial vehicle (herein referred to as “drones”) in the Group 1-3 space with capabilities for fully autonomous launch, recovery, storage, organization, recharging/refueling, organization, internal logistics management, and pre/post-flight checkout. Proposed drone designs must form a mission-focused, collaborative constellation. Responses must be cognizant of long endurance drone constellations with high operational availability and constellation management,” per the notice. “Novel configurations that enable multi-day continuous operations with their corollary constellation management software (ideally with path optimization and collision deconfliction) and innovative configurations of autonomous container-based deployment solutions are of particular interest to DARPA.”

“Storage containers (herein referred to as “containers”) that provide fully autonomous drone storage, logistics management, launch, recovery, and recharge/refuel, while conforming to the intention of a standardized military container (e.g. Conex, 463L pallets, Tricon, ISU container, etc.),” the notice adds. “Innovative ideas and non-standard containers (e.g. suitcase-based distributed systems, box-based systems) will also be considered within the context of the presented approach, but solutions should be compatible with current military transport capabilities. It is envisioned that these containers shall be self-sufficient with consideration of energy storage, communication equipment, and compute capability.”

DARPA also says it has a tangential interest in a remotely operated “host platform” that could carry the containers to and from a designated area, from which the drones can then be launched and recovered. The contracting notice does not specify whether this would be an air, ground, or maritime platform, or some mixture thereof.

The video in the social media post below shows a launch system for quadcopter-type drones installed on an uncrewed ground vehicle, which the U.S. Army previously tested.

Perhaps most interestingly, DARPA’s contracting notice highlights existing drone-and-launcher combinations used for “preplanned lightshows and commercial activities,” though it also notes that these are not suitable for U.S. military use. Last year, TWZ pointed out how these exact kinds of developments in the commercial entertainment space underscore very real threats posed by more capable, weaponized swarms. That piece came after a Chinese firm, DAMODA, rolled out a containerized system capable of launching, recovering, and recharging thousands of small, electrically-powered quadcopter-type drones at the touch of a button.

China just dropped a new level of drone swarm tech | One-click auto-deploy of thousands | by DAMODA

As we wrote at that time:

It is worth reiterating that DAMODA’s Automated Drone Swarm Container System, at least as it exists now, is clearly designed for entertainment industry use first and foremost. Though the company’s drone light show routines are certainly visually impressive and often go viral on social media, they are pre-scripted and conducted in a very localized fashion. What the company is offering is not a drone swarm capable of performing various military-minded tasks in a highly autonomous manner at appreciable ranges from its launch point.

At the same time, large-scale drone light shows put on by DAMODA (and a growing number of other companies), do highlight, on a broad level, the already highly problematic threats posed by swarms. The new Automated Drone Swarm Container System underscores the additional danger of these same threats hiding in plain sight. The steady proliferation of advances in artificial intelligence and machine learning, especially when it comes to dynamic targeting, will only create additional challenges, as TWZ has explored in detail in this past feature.

This is not theoretical, either. As mentioned, in June [2025], Ukrainian forces launched multiple drone attacks on airbases across Russia with the help of covert launchers loaded on the back of unassuming civilian tractor-trailer trucks. This entire effort was dubbed Operation Spiderweb and took months of planning.

The global market space for containerized launch systems for drones and other payloads is already substantial and continues to grow. Firms in China have been particularly active in this regard, and developments in that country have often also been tied to work on swarming capabilities. Companies in the United States, as well as in Europe and elsewhere around the world, are also increasingly active in this arena.

中国电科陆空协同固定翼无人机“蜂群”系统

Modular Payload System: Launching from Land or Sea

In general, containerized weapon systems offer immense flexibility for employment in ground-based modes, including for rapid deployment to remote or austere locations, as well as on any ship with sufficient deck space. TWZ has previously laid out a very detailed case for why the U.S. Navy should arm its warships with containers loaded with swarms of drones, which you can find here.

Container-like launchers for drones, many of which are mounted on trucks, are also an increasingly common sight globally. Iran has been a particularly significant developer of such capabilities as part of its development of long-range kamikaze drones, as seen in the video below.

Баражуючий іранський боєприпас «Shahed 136»

However, most existing relevant containerized or container-like systems focus on launching payloads rather than recovering them, let alone getting them ready to be relaunched. To date, the latter capabilities have been more of an area of interest for commercial applications. Chinese firm DJI and other companies are increasingly offering container-like ‘docks’ for small commercial drones, though they are generally designed to host just one uncrewed aerial system at a time.

TWZ actually covered much of this already after the DIU announced it was hunting for a very similar-sounding Containerized Autonomous Drone Delivery System (CADDS) capability in February. The CADDS announcement, however, was focused purely on the launch-and-recovery components of the equation, as you can read more about here. How DIU’s effort might be related to what DARPA is exploring now is unknown.

In its call for CADDS proposals, DIU had also highlighted a new, more general emerging demand for more launch capacity to go along with a U.S.-military push to acquire and field hundreds of thousands, if not millions, of new drones, especially smaller types, in the next few years. This has all been spurred on by sweeping new guidance from the Pentagon rolled out last year, aimed at “unleashing U.S. Military drone dominance.” Though DARPA’s contracting notice does not touch on this directly, the capability it is describing would help address this broader question of how U.S. forces were actually employ all of these new uncrewed aerial systems.

Furthermore, as we wrote after DIU put out its call for CADDS proposals:

“Even in an overt operational context, readily deployable containerized systems capable of acting as hubs for drone operations across a broad area with limited manpower requirements could offer a major boost in capability and capacity. Ships, trucks, and aircraft, which could themselves be uncrewed, could be used to bring them to and from forward locations, even in remote areas. If they can support a ‘heterogeneous mix’ of uncrewed aerial systems, a single container could be used to support a wide array of mission requirements, including intelligence, surveillance, and reconnaissance, electronic warfare, kinetic strikes, and/or communications signal relay.”

“An inherent benefit of a drone swarm, in general, is that each individual component does not have to be configured to perform all of the desired tasks. This creates additional flexibility and resilience to threats, since the loss of any particular drone does not necessarily preclude the swarm from continuing its assigned missions. There are tangential design and cost benefits for the drones themselves, since they can be configured to carry only the systems required for their particular mission demands.”

Army Aviation Launches Autonomous Pack Hunters

…

“Drone swarms are only set to become more capable as advancements in autonomy, especially automated target recognition, continue to progress, driven by parallel developments in artificial intelligence and machine learning, as you can read more about here. Future highly autonomous swarms will be able to execute various mission sets even more efficiently and in ways that compound challenges for defenders. Massed drone attacks with limited autonomy already have an inherent capacity to just overwhelm enemy defenses. In turn, electronic warfare systems and high-power microwave directed energy weapons have steadily emerged as some of the most capable options available to tackle swarms, but have their own limitations. Even powerful microwave systems have very short ranges and are directional in nature, and electronic warfare systems may simply not work at all against autonomous drones.”

It remains to be seen whether or not DARPA’s exploration of drone swarms and associated launch systems that could form future “autonomous constellations” leads to an operational capability. Still, this, together with DIU’s CADDS effort, shows clear interest within the U.S. military in making this a reality, if possible.

Contact the author: joe@twz.com

A UK ‘city of stories’ where independent bookshops stacked to the ceiling with novels sitting alongside traditional tearooms, makes the perfect weekend escape for book lovers

A delightful UK city bursting with independent bookshops and cafés makes for an ideal retreat for bibliophiles or those keen to discover the ‘city of stories’.

Strolling through Norwich in Norfolk on a weekend break is enough to whisk you away to another world, courtesy of its medieval and timber-framed buildings. Narrow lanes and cobbled streets are lined with more than 500 independent shops, offering homeware treasures, gifts and vintage clothing, alongside traditional tearooms, cafés, restaurants and bars.

Yet it’s the collection of independent bookshops, stacked floor to ceiling with novels and snug reading nooks, that truly steals the show. It comes as little surprise to stumble upon such a treasure trove of bookshops in the ‘city of stories’ – England’s first UNESCO City of Literature.

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Highlights include The Book Hive, boasting a charming green façade, tables piled high with your next great read, and window seats perfect for a spot of people-watching between chapters. Nearby, the independent children’s bookshop Bookbugs and Dragon Tales is a firm favourite – famously visited by Jacqueline Wilson, who has signed their dedicated author wall – and a wonderland where little ones can spend hours browsing its vibrant shelves.

Dormouse Bookshop, its shelves laden with rare and antiquarian books, is yet another hidden gem, and its setting on Elm Hill will have you feeling as though you’ve wandered straight into a fairy tale. And that’s just the beginning.

Stroll through the streets, and you’ll stumble upon second-hand books at virtually every turn. From Undercover Books to City Bookshop and Tombland Bookshop, there’s even a comic book store, Abstract Sprocket, catering to avid collectors and anime enthusiasts, reports the Liverpool Echo.

Whatever your preferred genre, Norwich has something for everyone, with each independent bookshop boasting its own unique character, whether through vibrant wall art or tucked-away nooks perfect for a peaceful read free from distractions. Beyond its wealth of bookshops, Norwich lays claim to some remarkable literary achievements.

The city is celebrated for opening the first English civic provincial library in 1608 and for being the home of one of the earliest known female writers in England, Julian of Norwich. It also boasts the only National Centre for Writing, hosts its annual City of Literature weekend, and the University of East Anglia (UEA) pioneered the first Creative Writing MA.

The city has also been a home to celebrated authors such as Kazuo Ishiguro, Ian McEwan, Eimear McBride and Sarah Perry. It’s also thought that around 108 different languages and dialects are spoken throughout the charming streets of Norwich, only adding to its storybook reputation.

For those who enjoy a good read accompanied by a warming cuppa, you’ll be thoroughly spoilt for choice when it comes to cafés. There are traditional tearooms, such as Biddy’s Tea Room and Harriet’s Cafe Tearooms, alongside cosy spots like The Yard Coffee, Flock, and Kofra, as well as the Refectory café nestled within the Cathedral.

After browsing the array of bookshops and coffee houses, there’s the 900-year-old outdoor market packed with independent food vendors and shops spanning around 200 lively stalls. For a glimpse of its heritage, there’s the 12th-century Norman castle and Norwich’s two impressive cathedrals, set against its winding alleyways and vibrant street art in a city brimming with character and stories to share.

Do you have a travel story to share? Email webtravel@reachplc.com