packed

It took an ancient Greek epic to ignite a fire at the box office last weekend, as Christopher Nolan’s adaptation of “The Odyssey” became one of the biggest movie events of the year.

The film, led by Matt Damon as Odysseus, hauled in $123.5 million in the U.S. and Canada on its way to a global total of nearly $264 million — the biggest-ever global opening for one of Nolan’s films.

In many ways, “The Odyssey” is a throwback to old-school Hollywood filmmaking, with Nolan’s use of practical effects and numerous on-location shoots. It’s also a sign that audiences will still pack theaters for the right kind of movie.

The Universal Pictures film also outperformed studio expectations of a $117-million domestic premiere and set a record for the highest-grossing opening weekend for a live-action or R-rated film this year.

“Audiences always want to be thoroughly immersed in the theatrical experience and engulfed by the story and the production, and Christopher Nolan’s ‘The Odyssey’ is a perfect example of that,” Jim Orr, Universal’s president of domestic distribution, said Sunday. “When you have a very substantial opening, and you have those kinds of audience scores, it only points to what should be a remarkable run throughout the summer and into the fall.”

That’s good news for the summer box office, which lately has seen a bit of ebb and flow.

“The Odyssey” now ranks as the third-largest domestic opening of the year, trailing only kid-friendly films such as Walt Disney Co. and Pixar’s “Toy Story 5” and Universal, Illumination and Nintendo’s “The Super Mario Galaxy Movie.” Though family-friendly films have become power players for theaters, the two most recent flicks — Disney’s live-action “Moana” and Universal and Illumination’s “Minions & Monsters” saw softer openings.

After the big weekend for “The Odyssey,” the summer box office is up 7.3% compared with the lackluster 2025 season, according to entertainment data firm Rentrak. More encouraging, the year-to-date domestic box office is now 10.4% higher than for the same period last year.

That’s been helped not only by big blockbusters such as “The Odyssey,” which had a production budget of $200 million to $250 million, but also by the success of smaller-budget films such as A24’s “Backrooms” and Focus Features’ “Obsession.”

The common denominator is the draw of directors who have cultivated strong fan bases. “Obsession” director Curry Barker, 26, and 21-year-old Kane Parsons, who helmed “Backrooms,” have been building their reputation on YouTube among Gen Z audiences, and that loyalty is starting to count for something at the box office.

Nolan, of course, is one of the masters of building a faithful following over more than two decades. Fans started grabbing Imax 70 millimeter tickets for “The Odyssey” when they first went on sale a year ago, and the film ended up driving record presales for the Canadian entertainment tech company, which operates out of Playa Vista.

The film has notched a 95% on aggregator Rotten Tomatoes and an A CinemaScore rating.

“His films have tapped into the cultural zeitgeist,” said Shawn Robbins, director of movie analytics at Fandango and founder of the website Box Office Theory. “That’s what keeps bringing people back. They know they’re going to get a different experience; there’s always going to be a watercooler conversation around his movies, and they’re part of the cultural fabric.”

For “The Odyssey,” part of that conversation was Nolan’s old-school movie magic, including the puppetry, animatronics and robotics he used in scenes with the Cyclops, as well as the real Viking ship that the actors learned to sail.

The film also has driven interest in 70mm screenings from film buffs and casual moviegoers.

Ahead of the premiere of “The Odyssey,” Allen Michaan, owner of Oakland’s Grand Lake Theater, knew the weekend would be very busy for his four-screen movie palace. He is showing the film both in standard digital format and on 70mm film.

Michaan has made 70mm showings a priority since 1982, when the projector was installed for the release of Steven Spielberg’s “E.T. the Extra-Terrestrial.” He said the theater played that movie for 45 weeks that year. Due to the demand at the time, he installed two more 70mm projectors, making three of his four screens capable of the old-fashioned format.

Demand for the 70mm showings of “The Odyssey” has significantly outperformed their digital screenings, he said.

“We’re thrilled to get any 70mm print because it’s a gift from the filmmaker and the studio,” Michaan said.

Enhanced format screenings for “The Odyssey” made up 53% of the domestic weekend box office, with Imax film and digital revenue accounting for nearly 24%.

Imax 70mm accounted for about 4% of that total, with Imax digital making up the rest. Non-Imax 70mm film screening revenue totaled 3%, while 35mm showings made up 0.3%.

The nearly three-hour epic also marked the first feature film shot entirely on Imax cameras, a feat that required extensive collaboration between Nolan and Imax.

Nolan first told Imax Corp. Chief Executive Rich Gelfond in early 2024 that he was considering making an entire film with Imax cameras and laid out what he’d need for that to happen, including a quieter and lighter camera, a way to make film reloads easier and getting enough trained projectionists.

“It took a fair amount of time and investment” to figure out those challenges, Gelfond said. But by August 2024, the Imax team put together a series of tests to show cinematographer Hoyte van Hoytema. Two months later, Nolan saw the tests and was impressed.

“As filmmakers and studios integrate Imax, we become an increasingly important part of the ecosystem,” Gelfond said. “When a film is released in Imax or shot in Imax, I think it’s a signal to audiences that it’s somewhat special, and the filmmaker is really leaning in in a unique way.”

Times staff writer Cerys Davies contributed to this report.

Stuff We Wrote

Film shoots

Number of the week

Streaming giant Netflix narrowed its 2026 revenue forecast to $51 billion to $51.4 billion from its previous, larger range of $50.7 billion to $51.7 billion in its last Thursday’s second-quarter earnings report, renewing concerns among investors and equity analysts about the Los Gatos-based company’s future growth.

On the Friday morning after the earnings call, Netflix stock slid 13% to $65.08 a share, marking a new 52-week low. Shares eventually closed that day at $68.95.

As my colleague Wendy Lee has reported, investors are growing nervous that in recent months, Netflix’s share of TV viewing time in the U.S. has been decreasing, while YouTube’s share has increased, according to Nielsen data. Investors are concerned that if consumers are watching Netflix less, they’ll cancel their subscriptions, and that will put pressure on the company’s ability to raise prices in the U.S.

Netflix has said its engagement rates are healthy.

What I’m watching

I love a good teen mystery show, especially when it has a bit of a “Veronica Mars” vibe, so I binged Paramount+’s “School Spirits” last weekend.

Where Veronica Mars was solving realistic crimes around her local beach city, “School Spirits” tries to dig into why so many teens have died at (and haunt) a Wisconsin high school. At times, they’re hitting at a lot of different themes and storylines, but I loved the colorful ensemble of ghost characters from different decades, and Jennifer Tilly makes for an incredible villain.

Sitting atop a hill in the heart of one of the most popular areas in the UK is a charming market town that offers a step back in time along its narrow lanes and medieval backdrop

While it may be compact, this idyllic UK town is brimming with traditional tearooms and one of the best bookshops in the UK, as I discovered on a recent visit.

The Cotswolds are well-known for being home to quaint towns filled with honey-coloured cottages and meandering rivers against rolling countryside hills, so there’s a very good reason why it’s an Area of Outstanding Natural Beauty (AONB). One settlement that makes up this notoriously beautiful part of the world is Stow-on-the-Wold, the highest town in the Cotswolds.

Perched nearly 800ft above sea level in Gloucestershire, Stow-on-the-Wold is famed for its ancient market square, thriving independent scene, and for being regarded as the ‘antique capital of the Cotswolds’. Positioned just a 10-minute drive from Bourton-on-the-Water and 30 minutes from Cheltenham, it attracts visitors far and wide who come to marvel at its charms.

The renowned market square that characterises this town, dating back to 1107, is surrounded by an abundance of shops, from the gift store, The Honey Pot, sheepskin goods at Lambswold and the Cotswold Sweet Company. But if you wander further into the town, down sloping streets and past medieval stonework and climbing ivy, there’s so much more to discover.

I visited Stow-on-the-Wold for the first time this month and was left in awe of how many shops lined its narrow, honey-hued streets. There weren’t any empty stores in sight, but thriving independent businesses like Ella’s Emporium, Rhubarb Rhubarb Boutique, the florist Allium, kitchen store, The Crock Shop, beer cafe and bottleshop, Off the Square, and a local favourite at lunch, Cotswold Baguettes.

If you don’t take time strolling along its narrow lanes, off the main high street, it’s easy to miss a hidden gem, with some shops tucked a little out of the way. I could have easily missed Talbot Court, where green shopfronts and string lights adorn a courtyard, and the Borzoi Bookshop, which quickly became my favourite find.

Tucked down another courtyard decorated with flags, hanging lights and potted plants, just off Digbeth Street, the independent bookshop has been trading for more than 40 years. Packed with novels for all ages, Borzoi’s is a sanctuary for bibliophiles who are looking to find their next best read in a cosy, secluded store, or to join one of their book clubs, and I could have spent hours inside.

One visitor shared on TripAdvisor: “Lovely quaint book shop with a wide variety of books, cards and wrapping. They had a lovely children’s section with beanbags to sit on, which was inviting for our child. Staff were pleasant, and the shop was fairly busy with customers. They even had signed copies of books on sale. Would definitely recommend.”

Naturally, Stow-on-the-Wold is home to a variety of antique stores, including the White Cottage and Tare Antiques, where visitors are guaranteed to find a vintage treasure, with displays decorating entrances. But what truly makes this town stand out are the collection of traditional tearooms, which really felt as though I had stepped back in time.

Lucy’s tearoom was particularly noteworthy, with elegant seating outside and its curved window frames, while I also found the Old Bakery Tearoom, tucked inside the Fountain Court, offering classic cream tea. Huffkins also appeared to be a favourite among locals, as they sat in the summer sunshine savouring a slice of cake and a cuppa against the town’s medieval backdrop.

But a trip to Stow-on-the-Wold isn’t complete without stopping by The Porch House, which is claimed to be the oldest pub in England. I glimpsed inside the medieval pub, where its historic wooden beams and uneven floors, dating back to the 10th century, made it feel as though a pint should be served in a drinking tankard.

Meanwhile, residents were filling the streets around The Queen’s Head Inn, sipping drinks in the afternoon summer sun, with the pub adorned with hanging baskets. Others opted for a glass of wine outside at Massimo or a cocktail and bite at The Cotswolds Farm shop, before taking a stroll around the market town packed with charm.

The town is also celebrated for the ‘Tolkien Door’, located at the north entrance of St. Edward’s Church, surrounded by towering intertwined yew trees which are believed to have inspired the ‘Doors of Durin’ in J. R. R. Tolkien’s The Lord of the Rings. Twice annually, Stow-on-the-Wold also plays host to the traditional Gypsy horse fair, which stretches back over 500 years and originated as a sheep and wool fair, reflecting the town’s trading heritage.

Do you have a travel story to share? Email webtravel@reachplc.com

Epic food, amazing shows, museums you won’t find anywhere else and a helicopter ride down the famous strip – here’s my ultimate Las Vegas itinerary

The glitz, the glam, those unforgettable “wow” moments – it’s easy to see why Las Vegas remains the ultimate bucket-list destination. Whether you’re marveling at the neon skyline from 1,000 feet up or walking the Strip to soak in the music and eclectic fashion, this town is a sensory explosion that demands to be experienced at least once.

The home of the famous strip, countless wedding chapels and its own Eiffel Tower and Statue of Liberty, this place almost doesn’t feel real. It’s defined by vintage camp, 24-hour casinos, more buffet restaurants than you can possibly imagine, and high-class dining eateries. Welcome to Vegas, baby.

READ MORE: I stayed in a treetop cabin in Norway’s fairytale forest and learned the Nordic art of slowing down

READ MORE: World’s biggest rodeo and space exploration – here’s why to need visit Houston

The most exciting area to stay in Las Vegas

I arrived via a direct flight from Heathrow, checking into The Cosmopolitan of Las Vegas. Arguably the best-positioned hotel on the Strip, it offers the perfect paradox: you are in the heart of the action, yet the rooms are a sanctuary of total silence.

My suite featured a private balcony overlooking the city’s glowing landmarks and the iconic choreography of the Bellagio fountains. Watching the water dance from my room, the excitement for my desert escape truly set in.

Where to find the best places to eat in Las Vegas

Food is central to the Vegas experience, so first on the agenda once we’d dropped our bags was brunch at Alexxa’s – situated on the Strip, right in the thick of the action. In the spirit of a true American getaway, we went straight for the classics, ordering a spread of fried chicken and waffles, fluffy American-style pancakes and steak and eggs.

Of course, no Vegas brunch is complete without a little “hair of the dog.” I washed it all down with the most gargantuan Bloody Mary I’ve ever seen, complete with a slice of bacon. Nothing here is small-scale – it was the perfect, over-the-top introduction to the local food scene.

But don’t miss breakfast at the hotel either. The Cosmopolitan‘s Wicked Spoon is a brilliant buffet, with pretty much everything you could possibly think of… I even had a few sushi rolls on the side.

For dinner, we feasted at Mayfair Supper Club inside the Bellagio (yes, the one from Ocean’s Eleven), where live dancers perform around diners as they tuck into all-American classics.

But the highlight was dinner at Vanderpump Paris – and as a Real Housewives of Beverly Hills fan, it was the dream. Lisa Vanderpump knows how to put together a menu. Curated with Parisian themes embellished with Vegas flair and eclectic cocktails, I felt like a total superstar eating here.

Experiences you must not miss while you’re there

I could have filled the days just walking up and down the infamous strip. With buskers, magicians, show girls (and show boys) I spotted the Eiffel Tower, the Luxor pyramid, the Empire State Building, the Paris globe and the iconic casinos – which were already getting busy, despite it being barely two in the afternoon.

But there are so many bucket list experiences to try, too. We started with an ice hockey Game: Golden Knights vs. Edmonton Oilers (tickets around £55). I was pretty much an ice hockey novice, but that doesn’t matter a jot. American sport is packed with entertainment, and it didn’t take me long to soak up the atmosphere and join in with the chants. Why can’t this be a thing in the UK?

As if that wasn’t enough excitement for one night, we then ticked off another iconic moment – a helicopter ride down the Strip.

Now, I’m no daredevil (I was slightly apprehensive), but as soon as we got up into the sky it was magical. We were given a 10-minute tour by our pilot, taking off at 10:30pm, just as Vegas was truly coming alive for the night.

We also checked out The Sphere, which I’d like to call an immersive cinema but it’s so much more than that. It’s a one of a kind, multi-sensory show with holograms and AI. With tickets for the classic The Wizard of Oz, I was expecting a cinematic experience. In fact, it was fully immersive, to the point it made us feel like we were actually in the storm with Dorothy.

Another recommendation is the Neon Sign Museum. The bright lights of the signs are what makes Vegas so magical, so what happens to the signs when they are no longer in use? They go to the Neon Sign Museum – and it’s nearly as impressive as the Strip itself.

I loved seeing the ‘old’ Vegas here, bringing history to light – literally – and for the best experience I recommend the illuminated evening tours (from £26) but there are also self-guided daytime options (from £19).

Finally, in dedication to the stars of all the shows, we couldn’t miss a stop at the Show Girl Museum – the home of all the iconic showgirl costumes. But what makes this museum one of a kind? It’s inside Grant Philipo’s house – a former showgirl costume designer. Tickets are $33 each and Grant has nearly 300 mannequins in his home as he led us around the impressive pad, paying homage to the glamour and beauty of Las Vegas.

And if the brunch and dinner performances weren’t enough, we topped the day off by going to watch Jennifer Lopez perform at her residency in The Colosseum theatre – part of Caesar’s Palace Hotel.

You’d think with all that I wouldn’t have found time to have a little flutter on the tables, but this is a 24-hour city – there’s always time to squeeze something else in, if you can just stay awake.

How to book the ultimate Vegas trip

• Discover more at Visit Las Vegas.
• Stays at he Cosmopolitan of Las Vegas start at $189.35 / approx. £142 per night including resort fee and taxes. Stays in the Terrace One Bedroom Suites with Fountain View starts from $246.49 / approx. £185 per night, including resort fee and taxes.
• Vegas Views helicopter tour by Maverick Helicopters start at £75 per person, see maverickhelicopter.com
• Book Vanderpumps in advance here
• Virgin Atlantic offers daily direct flights to Las Vegas from London Heathrow starting from £512*, and seasonal flights from Manchester Airport. *Prices subject to change.