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TILLY Ramsay has celebrated her fourth anniversary with her very rarely seen boyfriend in a new social media snap.

The daughter of chef Gordon took to Instagram to mark the occasion by sharing a new loved-up image with her man, Henry Farrow.

Tilly and Henry have been dating for four years but unlike her sister Holly in her union with Adam Peaty, Tilly has aimed to keep the romance private where possible.

Sharing a snap from a recent luxe getaway together, Tilly paid tribute to Henry with a gushing post.

Tilly captioned the snap with: “Four years with the best.”

She then shared another mirror selfie of the pair with the caption: “Love love love you.”

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Who is Tilly Ramsay’s boyfriend Henry Farrow?

Tilly and Harry have largely kept their romance out of view and only went public for the first time on Valentine’s Day 2023.

He only briefly appeared alongside her on the family’s Netflix programme and Harry has largely shunned taking on any of his own media appearances.

In episode 5 viewers caught a glimpse of Henry smiling supportively at Tilly.

He travels down with her family to surprise her whilst she is training in Cork, Ireland.

Henry is from Bristol and is the Son of an entrepreneur father.

Little else is known about him but he is believed to have graduated from Nottingham University in 2024 alongside Tilly.

A three-part series following investigative reporters and police investigators who were instrumental in holding Gary Glitter accountable for his sex abuse crimes has been paused

Netflix has paused the release of an investigative docuseries into disgraced Gary Glitter’s history of sexually abusing minors.

The streaming giant has issued a statement confirming that the three-part series will no longer be released on October 14 as they originally announced.

A spokesperson for Netflix said: “We have made the decision to pause the release of Hunting Gary Glitter originally due to launch on October 14.

“This follows new legal information we recently became aware of. We’re not able to share further detail at this time, but we’ll provide an update as soon as we’re in a position to do so.”

The synopsis for the series states: “A string of dogged journalists chases fugitive pop star Gary Glitter across the globe — from Cuba to Cambodia to Vietnam — determined to expose the child sexual abuse he concealed behind decades of chart-topping fame.

“This documentary follows their pursuit alongside the survivors who speak out, charting Glitter’s 1997 conviction, through to his years on the run, and eventual incarceration.”

The rocker, real name Paul Gadd, was a popular British glam rocker in the 1970s and sang numerous hits like Do You Wanna Touch Me and I Love You Love Me Love.

In 1999, his popularity was derailed by numerous allegations of child sexual abuse and subsequent conviction for possession of child pornography.

Later, in 2006, he was jailed in Vietnam for the sexual abuse of two girls. In 2015, he was convicted of sexually abusing three additional young girls.

In 2023, Gadd was released for a short time on probation before being reincarcerated. Police did not publicly say how he violated the terms of his release.

Featured in the trailer of Hunting Gary Glitter, the docuseries uses first-person interviews to detail Gladd’s original convictions and years hopping from country to country, including Vietnam, Cuba, and Cambodia to avoid prosecution and jail time.

The advert was released alongside the initial announcement but has now been pulled as has all the other assets from Netflix’s media website.

Hunting Gary Glitter was due to be released on Netflix on October 14 but has been paused

Filming a broadcast television show can leave even the most seasoned actors feeling like they’ve lost sense of time. But by afternoon on a recent weekday, Josh Charles actually looks like he teleported to the past as he collapses into a seat inside his production trailer in upstate New York.

He’s in the throes of filming Season 2 of “Best Medicine,” the Fox dramedy he headlines that’s set in a small fishing village in Maine, and the reason he’s shed his character’s usual suit and tie for gaitered trousers and a navy coat with red facings eventually reveals itself: Port Wenn, the show’s fictional town, is putting on a Revolutionary War reenactment. And if you’re familiar with Martin Best, the curmudgeonly doctor with an almost permanently furrowed brow portrayed by Charles, the character’s willingness to don such a getup likely took some coaxing.

That’s the fun of it all for Charles.

He’s been a working actor since childhood — making his debut at 15 in John Waters’ cult classic “Hairspray,” followed soon after by his turn as Knox Overstreet in “Dead Poets Society” — and a fixture in TV and film ever since.

While best known for dramatic roles like high-powered lawyer Will Gardner in “The Good Wife,” Charles easily pivots to comedy — like the time he memorably played the triple-collared, snobby camp ringleader in “Wet Hot American Summer: First Day of Camp.” Now, “Best Medicine” lets Charles leans into the push and pull of the comedy and drama within his tightly wound alter ego.

Josh Charles as Martin Best in Fox’s “Best Medicine.”

(Francisco Roman / Fox)

Created by Liz Tuccillo (“How to Be Single,” “Sex and the City”), the series follows a brilliant but cranky heart surgeon who, after developing a crippling blood phobia spurred by a traumatic medical case, abandons his thriving career in Boston to become a general practitioner in the town where he spent summers as a child. Martin Best is a doc whose bedside manner could use some TLC, but he came to town hoping he can still practice medicine — that is, if the townspeople would actually do as he says.

“I have been really wanting to do more comedy lately and looking — especially if I was going to call a place home for a particular period of time, like you do in a television show — for something that was a little more lighter air than I had been networking in of late,” says Charles, whose recent credits include dystopian drama “The Handmaid’s Tale” and spy thriller “The Veil.”

The series is based on the beloved British dramedy “Doc Martin,” which starred Martin Clunes as a doctor with a similar storyline, that aired between 2004 and 2022. Tuccillo says Charles brought an elegance and depth to the fish-out-of-water dynamic his character navigates in the quirky town.

“He never hits a false note,” she says in a separate video call. “I knew the material would be in great hands in that he would always elevate it just by his artistry and being. I knew he was going to be able to play the gruffness, but any time that you’re doing a show, there is a question mark on so many things. To be honest, we were like, ‘But is he going to be super funny? Is he going to want to do pratfalls? Is he going to be game for the comedy part of it?’ When we started working, it was clear he was game for all the shenanigans … he likes to laugh. So I try to devise things that I think will amuse him.”

A special advance preview of the Season 2 premiere aired Sunday, but the show will move into its regular time slot Tuesday. Here are edited excerpts from the conversation with Charles.

Josh Charles poses for photos on the “Best Medicine” set in upstate New York. He says he was drawn to the Fox dramedy because it was “a little more lighter air” than the other work he had done recently.

(Ebru Yildiz / For The Times)

“Best Medicine” hit Netflix after its first season aired. Building an audience outside the traditional linear viewing has become such a key component of television today. How do you feel about it?

One of my dad’s best friends told me, “I’m watching the show on Netflix!” He’s like, “I just can’t watch shows with commercials anymore” — as people are programmed now. That is the new shift. You go into these platforms for periods of time, build your audience in a different way and hopefully keep growing that audience. [Television] keeps evolving and growing in a way that I don’t fully understand, but I do know that it’s a different world right now. Netflix has a great reach, and it’s great that we’re on there and that people are discovering it. And apparently we did very well.

Season 2 opens with Martin on probation and under review by the medical board. What is Martin in for this season?

When it starts off, he’s really in it. Eden [Martin’s ex-girlfriend played by Eliza Coupe] is now back in the picture. She’s coming from Boston every weekend, and she’s rubbed a lot of people in town the wrong way. And the progress that Martin made, we see him maybe take a few steps back in the way that he interacts with people. He’s with her and I think there’s feelings there, but I think their relationship feels very — I don’t know, it’s interesting. It doesn’t have the fire. But she doesn’t make him feel bad about himself. She respects him, and I think those things are important. And he’s around in this town where nobody’s listening to him half the time. People are just always mad at him about something, and she’s not. She puts him a little bit on a pedestal, and I think he really needs that.

All that presents an obstacle for the show’s slow burn: Martin and Louisa (Abigail Spencer). There’s been some discourse about the art of the slow burn and how the pacing has changed in an era of short episode orders and unpredictable renewals. You have experience in this department with “The Good Wife.”

Liz and I have talked about it a little bit. You don’t want to muck bait it and drag it out for the sake of dragging it out. I think they’ve done a good job of putting the obstacles in a way that still feels organic and genuine and not yet a reach. In the British show, things accelerated so much faster. They only made eight [episodes] a year. We want to also have it feel like it’s plausible. It is really fun to have Eliza Coupe here. It’s fun to play scenes with her and [see] the different side that brought out in Martin. That is the challenge because I don’t think we’re as interested in doing it quite that fast [as the British show]. I have faith in them that we’ll land it in a good way.

Ellen Soraya Nikbakht as a peculiar patient and Josh Charles as Martin Best in the Season 2 premiere of “Best Medicine.”

(Danielle Mathias / Fox)

You’ve played in comedy and drama in your career. It’s fun to watch you straddle both sides with this character. How has it been finding the rhythm or tone with him?

A lot of the comedy I’ve done, I’ve done some stuff that’s more silly and kind of over the top. I love playing the fool. What’s really fun [here], to me, are the circumstances they put Martin in where things are blowing up in front of him and he’s just trying to deal. I’ve enjoyed doing a lot of the physical comedy on the show.

I [also] found it really interesting to have a character who doesn’t want to be around people, but he actually does. He just doesn’t really know how to do it, and he’s never really had any kind of practice at it in his life. And he’s gone through a lot of trauma in his life. He’s a really specific kind of workaholic. For him to grow up with what he did, and losing his sister really young in his life — I did research on that and what that does to people and how that can sort of frame your life. I imagine he went to private school, maybe a boarding school, then he goes on the track of going to college and medical school — we know how hard that is, the kind of hours they put in; then to be really successful at it, you put everything you have into your work. There’s this other side of his life that is completely empty. This town kind of just softens off the edges of him a little bit and helps him become a little more authentic version of who he was maybe meant to be. That gives me some place to build off of and to go with the character, other than it feeling kind of just very one-note.

Matthew Goode, left, as Finn Polmar and Josh Charles as Will Gardner in a scene from Season 5 of “The Good Wife.”

(CBS)

This series marks your return to broadcast television after leaving “The Good Wife” in its fifth season. You’ve done TV since then, of course. But a big reason you left broadcast was because of the grind of a 20-plus episode season. With “Best Medicine,” you’re the lead and the second season will have 14 episodes. Does that feel like the sweet spot?

If “The Good Wife” was “The Good Fight,” I would have done that until the wheels come off. I would have never wanted to leave that because I would have had a life. I could have been able to go do a play, travel with my family, see my kids. At the time of “The Good Wife,” I didn’t have kids, but we were about to get married and wanted to have children. I was only going to do 18 [episodes] at most with this show, if they wanted it. And then I asked them this year, “Well, we’re just at 14. What was the decision [there]?” And I’m happy about it. They also agree. This just feels like where the show wants to live creatively. You work really hard for four or five months, and then you get to go explore other projects and travel and live your life.

Your departure from “The Good Wife,” with your character Will Gardner dying, felt like an out–of–body viewing experience as it happened. The fact that it was kept under wraps —

I can’t believe we did it, honestly. There was one journalist who obviously had a source somewhere and did find out. Part of being able to keep that silent until the moment was an agreement that they would come to set and be there as long as it was [kept secret]. I remember like when the episode aired, I was in the editing bay with the editors in L.A. [for an episode I directed]. I’m seeing things come in and I was like, “Oh my God!” I thought it was going to get ruined for people on the West Coast. These days, you know how they make something, how much this cost, how they did this scene … we used to be surprised by things. To be able to truly shock people you know like in an Orson Welles-style “War of the Worlds” way. I felt like in our own sort of network TV way, this was the equivalent of that. We really got to narratively pack a punch. That season was one of the great treats of my career. I just felt the writing on that show that season was at another level.

Lizzie Borden is the latest infamous figure to step into Netflix’s spotlight in Ryan Murphy’s Monster.

Lizzie Borden’s disturbing children’s rhyme might be entertaining but it is false.

Monster on Netflix is back following the global success of season three which told the horrific story of Ed Gein, starring Sons of Anarchy legend Charlie Hunnam.

This time around, all eyes are on Lizzie Borden who was accused of the brutal murder of her dad and step-mother in the late 19th Century before she was acquitted.

Despite Lizzie being set free, her reputation was never restored and for more than 100 years, a gruesome children’s rhyme has immortalised the crimes.

But even though this is why Lizzie Borden remains a familiar name in criminal history, the chant is far from factually correct.

Lizzie Borden rhyme explained

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Here is the Lizzie Borden rhyme in full: “Lizzie Borden took an axe, and gave her mother 40 whacks.

“When she saw what she had done, she gave her father 41.”

It states that Lizzie killed her mother and father but the woman was actually her step-mother Abby Borden as her biological mum died when she was just a child.

The rhyme goes on to detail that her parents were “whacked” 40 and 40 times but this is an exaggeration as Abby was killed by 18 or 19 strikes and father Andrew by 10 or 11.

In addition, the rhyme states that the murders were committed with an axe but police and experts believe the weapon was a hatchet, a far smaller and compact tool meant for lighter tasks in comparison to an axe.

There’s also the matter that the children’s song states that Lizzie Borden was the one to commit these crimes.

However, a jury acquitted Lizzie of their murders in 1893, so legally, she didn’t kill Abby and Andrew Jackson Borden.

Despite this verdict, public suspicion remained throughout her life and to this day, especially since it was an all-male jury that didn’t think an upper-class woman could commit such a “feral” crime.

Monster: The Lizzie Borden Story is available to watch on Netflix

If you’re looking for a Netflix series to watch, this show already has two seasons available and it’s so good, viewers will happily stay up all night watching every episode

On the hunt for a new Netflix series? It can be hard finding something new to watch, but Netflix is showing a series so good viewers are binging all episodes within days.

The show is so addictive, viewers will happily stay up late to binge as many episodes as they can. Two seasons are currently available to watch and the streaming platform even confirmed in May this year a third season will be on the cards. Social media users recently shed light on the comedy series which stars Kate Hudson and Max Greenfield. So what show is everyone talking about?

Running Point, a sport comedy series, follows Isla Gordon (Kate Hudson), who’s unexpectedly put in charge of her family’s pro basketball team, the Los Angeles Waves.

The reformed party girl has a lot to prove as she soon learns that running a basketball team comes with its own set of challenges both on and off the court.

Over on Reddit, many people who have already watched both seasons had really good reviews about the Netflix series. One person wrote in the Running Point forum: “Just started this show, I LOVE IT!

“Last night I was endlessly scrolling through comedy shows on Netflix and nothing was sticking. I decided to start Running Point (with low expectations) and it immediately hooked me. I stayed up all night and just started season 2.”

Speaking about the entire cast, which also features Drew Tarver, who plays Sandy Gordon, Isla’s younger half-brother and chief financial officer of the Waves, Scott MacArthur as Ness Gordon, the older brother and general manager of the team, and Brenda Song as Ali Lee, Isla’s college roommate, best friend and chief of staff.

The person continued: “Kate Hudson absolutely crushes her role as President of the Waves.”

Over in the comments section, other people agreed Running Point has been a good watch. Someone said: “Oh my gosh yes! This was my first thought when I watched this show, all the similarities to Arrested Development.

“It’s so great. My personal favourite is Ness and all his quirkiness and how funny he is.”

A third admitted: “I came across it last weekend. Binged it in 2 days.” And a fourth chimed in: “My family and I started it like a week ago and we already finished it, so funny! Ness is hands down my favourite character, and I really like Sandy.”

Season 2 premiered in April this year, while Netflix announced a month later the series would be renewed for a third season. While an official release date is not finalised, previous release patterns suggest season 3 could be out around early 2027.

LONDON — Prince Harry and his wife, Meghan, have moved their two children to a new school over security concerns, a spokesperson said Tuesday, just weeks after the family returned to the U.K. to make a fresh start.

“The decision for the children to move school was taken following a discussion with the family’s security team about the practicalities of their current arrangements,” the spokesperson said in a statement.

Prince Archie, 7, and Princess Lilibet, 5, had only just started the new school year in England after the family relocated from California in late August.

British media reported that the distance of the school run and the heavy traffic on the route were among the concerns raised by the couple and their security team. The family is living at a private, non-royal residence outside of London.

“This decision should in no way be interpreted as a reflection on the school or the exceptional care the children have received there,” the statement added.

The news followed reports that Harry and Meghan were awaiting a new risk assessment from the government committee that reviews protection of VIPs, including a decision on whether the family should be entitled to publicly funded security now that they live in the U.K.

Harry and Meghan gave up their royal duties and moved to California more than six years ago, saying they wanted to earn their own living. They later signed lucrative contracts with Netflix and Spotify.

Although relations with the rest of the royal family have soured since then, Harry has recently expressed an interest in reconciliation so he could spend more time with his father, King Charles III.

Harry has fought a long-running battle with Britain’s government for the restoration of publicly funded police protection, which was canceled when the couple gave up their royal roles.

He had previously said he couldn’t “see a world in which I would be bringing my wife and children back to the U.K.” without a security guarantee.

Earlier this month, the king reiterated that Harry and Meghan remain non-working members of the royal family and would continue to refrain from using formal royal titles, such as his royal highness and her royal highness, as they have done since 2020. The couple said they were surprised by the way the monarch issued that statement because they were given little time to review it.

GUY RITCHIE is casting the net wide for the third series of The Gentlemen – in the hope of Baggin’ two huge Hollywood superstars.

Insiders have told me the hotshot director is trying to sign up Lord Of The Rings actors Elijah Wood and Orlando Bloom for the hit Netflix show.

If he pulls off the move, it would reunite Orlando, who played Legolas, and Elijah, who starred as Frodo Baggins, two decades on from Peter Jackson’s hit film trilogy.

A source said: “The Gentlemen is the hottest TV show in town and Guy has big plans for the third series.

“Elijah is being courted to appear as a villain, while Orlando is also one of their key casting targets.

“For Lord Of The Rings fans working on the production, the idea of having Frodo and Legolas back together would be amazing. No deals are signed yet, but discussions are ongoing.”

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And those aren’t the only actors that Guy is lining up for a part.

Prince Harry’s wife Meghan’s name is being bandied about as a potential star of the third instalment.

And it seems Guy’s show needs a bit of a Hollywood rocket to give it a boost.

Streaming figures for The Gentlemen’s opening weekend of the second series were 50 per cent down on the initial run of shows, with 6.7million views in the first four days it was available to watch.

Season two saw Theo James reprising his role as aristocrat-turned-drug kingpin Eddie Horniman alongside Kaya Scodelario, who plays ice-cold crime boss Susie Glass.

Love Island host Maya Jama made her acting debut in the second series after being cast as mob wife Aisha.

And she is definitely back for the next run, admitting she loved working with Guy on set. Maya said: “He’s very personable and he would be like, ‘Yeah, you’re doing well’, and reassure me, which was really nice.

“He’s just really involved and kind of a genius to watch, because everyone’s practising their lines and then he says something that’s way better than the original.”

After Brian Koppelman and David Levien wrapped their hit Showtime series “Billions,” the co-creators were undecided about where they would go next. A more than hourlong visit from a Netflix executive settled it.

Netflix had been developing a Las Vegas drama with Martin Scorsese, who is executive producing through his Sikelia Productions. The streamer brought in Koppelman and Levien, and the pair pitched a present-day casino story. Jinny Howe, Netflix’s head of U.S. and Canada scripted series, went to their office to make the case.

“When she left our office, we looked at each other and said, ‘Well, whatever we do, we want to do it with her,’” said Koppelman, recalling their meeting from two years ago. Their new Las Vegas series, “The Roman” starring Oscar Issac as a casino president, is expected to be released year. Netflix ordered it in December.

Howe has one of the hardest jobs in Hollywood — finding must-see scripted programs that keep Netflix’s subscribers watching. The company said it had over 325 million paid subscribers worldwide at the end of 2025. Her instincts for creators, combined with years as an entertainment executive and a lifelong viewer have given her a track record of championing hits, including thriller “The Night Agent,” drama “The Diplomat” and Regency-era romance “Bridgerton.”

That led to her promotion last year as head of U.S. and Canada scripted series — her fourth advancement in four years. She succeeded Peter Friedlander, who left after nearly 14 years, and reports to Chief Content Officer Bela Bajaria.

“In my role, I feel I am really ear to the ground, really listening to what audiences are asking for, and really trying to understand where the culture is, where the conversation is, to really make sure we’re giving these audiences what it is that they want and they crave,” said Howe, 48.

The pressure is on. Key franchises are in their final seasons. “Stranger Things” ended in December, “Outer Banks” concluded with its fifth season last month and “Emily in Paris” finishes with its sixth season in December. Netflix has confirmed that the fifth season of legal drama “The Lincoln Lawyer” will be its last.

Wall Street has soured. Netflix shares, which closed Thursday $76.01, are down 39% over the past 12 months, a slide that began with its $83-billion bid for Warner Bros. Discovery in December — a deal it later walked away from — and continued through 2026 when the company lowered its growth projections.

Analysts have also flagged sluggish engagement growth. View hours rose about 2% in the first half of 2026 compared with a year earlier, even as content spending climbed.

After graduating from UCLA, Jinny Howe worked at Brillstein Entertainment Partners and John Wells Productions before joining Netflix in 2018.

(Jason Armond/Los Angeles Times)

Nonetheless, Howe is confident that Netflix continues to outshine its competitors, noting that the streamer is still in a “growth mindset” that bets on original ideas. The streamer also has franchises that continue to pull in large audiences, such as the fourth season of “Bridgerton,” she said.

“We’re not slowing down at all,” Howe said.

This year her department has a slate of 44 new and returning scripted series from the U.S. and Canada, excluding stand-up, comedy formats and adult animation. They span genres and mix seasoned showrunners and bets on emerging talent. Six are run by first-time female showrunners, a notable number at a time when the industry has cut back and women have historically had fewer chances to lead series. Those programs include “East of Eden,” a series based on the popular John Steinbeck novel; YA drama “The Body” and “A Different World,” a sequel series based on the NBC sitcom about Black students at a fictional college.

Howe leads a team of people spanning the U.S. and Canada, with hubs in Los Angeles and Toronto. While she is accountable for the U.S. and Canada scripted slate, the decisions are made in partnership with her team.

Scripted series out of the U.S. and Canada remain central to the business. Many of Netflix’s most-watched shows of all time come from the region, which accounts for about 40% of global revenue — the streamer’s largest market. Netflix reported 89.6 million memberships in the U.S. and Canada at the end of 2024, the last time it broke out regional numbers.

“There’s so many amazing creators and stories to be told from the U.S. and Canada and historically, English language scripted television for many, many years has traveled to lots of different countries around the world,” Bajaria said.

The region also drives Netflix’s awards profile. The streamer collected 111 Emmy nominations in July, second to HBO Max’s 122. Netflix says 83 of them came from scripted series and variety specials under Howe’s slate. “Beef” season 2 led Netflix’s titles receiving Emmy recognition with 16 nominations.

Competition for attention is fierce. Rival streamers are investing in live sports, and YouTube continues to take a significant share of TV viewing time in the U.S. Netflix has responded by adding video podcasts, sports and games to its lineup. It also lacks the deep historic library some competitors hold — the gap its failed Warner Bros. bid would have closed.

So finding new gems matters. In 2015 the streamer bet on Matt and Ross Duffer, then first-time showrunners, for “Stranger Things.” It became one of the biggest hits in the company’s history.

Then the Duffers agreed to produce a show created by Haley Z. Boston, the horror series “Something Very Bad Is Going to Happen,” about a woman who is cursed and could die if she doesn’t marry her soulmate. Other studios didn’t see Boston as the showrunner, but Howe and Netflix did.

“We need people to take chances on us,” 31-year-old Boston said. “There is still a glass ceiling … I’m excited about new future where you don’t have to have done the job already to do it. All you need is the right support.”

The series debuted at No. 2 on the streamer’s global top 10 English language shows and reached 20.3 million views on Netflix in the first half of this year, according to the streamer.

“Netflix had the confidence that we can find the right audience for this,” she said.

Connecting with a range of storytellers early is part of the strategy. Howe’s relationship with creator Molly Smith Metzler goes back about a decade, to when Metzler submitted her play “Elemeno Pea” while Howe was working at John Wells Productions. Howe was impressed and recommended her for the “Shameless” writers room. Metzler went on to lead the critically acclaimed 2021 limited series “Maid” for Netflix, her first job as a showrunner, and signed an overall deal with the streamer in early 2022.

One of Howe’s ideas was to build a series out of “Elemeno Pea.” That became the drama “Sirens,” starring Meghann Fahy, Milly Alcock and Julianne Moore. Released in 2025, it debuted at No. 1 on Netflix’s global top 10 and earned four Emmy nominations, including a surprise lead actress nod for Fahy.

“We spent so many cups of coffee and walks talking about what that could be and what it could look like, and we really built it from the ground up,” Metzler said. “She is very hardworking, and she’s extremely committed to the projects she does. That commitment and that rigor is contagious.”

Jinny Howe, who grew up in the San Gabriel Valley, is one of the few prominent Asian American content leaders in Hollywood.

(Jason Armond/Los Angeles Times)

In her soul, Howe said, she’s a producer first. Koppelman and Levien said she was instrumental in the casting “The Roman,” including speaking with some of the leading actors. Alongside Isaac, the series stars Betty Gilpin, Alec Baldwin, Jimmy O. Yang and Jason Schwartzman.

“This would not have come together had Ginny not rolled up her sleeves,” Koppelman said. “When we look at this cast, sometimes we can’t really believe what got put together.”

Howe and Netflix also supported showrunner Rebecca Sonnenshine’s push to make a version of “Little House on the Prairie” that includes more of the Osage perspective.

“She was very open to a vision that explored all the things that we wanted to explore in this show,” Sonnenshine said.

Howe grew up in Walnut, in the San Gabriel Valley, a self-described latchkey kid and the daughter of a residential real estate agent and a women’s clothing store owner. She was born in Seoul and immigrated to California when she was 15 months old.

“So I really am a California girl, I grew up just adjacent to the glittering lights of Hollywood, but close enough to know that there was a real business there,” Howe said.

While her parents worked, she and her brother watched a lot of TV, sitcoms like “Diff’rent Strokes” and “Small Wonder” and soaps like “Dynasty” and “Dallas.” That turned into a career. She graduated from UCLA with a bachelor of arts degree in theater, film and television, worked in the talent division at Brillstein Entertainment Partners and rose to executive vice president of television at John Wells Productions before joining Netflix in 2018.

She is one of the few prominent Asian American content leaders in Hollywood, in a position that helps shape what the world watches.

“I definitely do feel it’s not something I take for granted to be in these rooms and to know that my voice matters,” Howe said. “I get to be a decision-maker in a lot of these conversations. It’s really gratifying, and it’s something that I think is not lost on me at all.”

Crew Girl heartthrob Sam Braun is openly dating a fellow actress

Crew Girl viewers have been left curious about Sam Braun’s off-screen love life, and it’s not as tangled as his character’s.

The Canadian actor plays popular boy Josh Regis in the brand new young adult show, now available to stream on Netflix. The drama follows Teagan (played by Miku Martineau), a skilled teenage rower who is forced to move to a small town after a family scandal.

She hopes to have a fresh start at the prestigious Easton Prep, but soon discovers she will be the only female on her new school’s rowing team. A synopsis reveals: “Thrust into a world of old money and brutal competition, Teagan must find a way to lead a team that doesn’t want her and somehow bring them together.”

As well as juggling her rowing ambitions and family complications, Teagan also finds herself at the heart of a heated love triangle with Josh and Cam (Kyle Clark). We won’t spoil who she chooses in the end, but many fans have already rallied behind Team Josh.

But what is there to know about actor Sam’s real-life romances?

Who is Sam Braun’s partner?

Sam appears to be dating fellow actress Shanti Harris. The couple often posts loved-up pictures on Instagram, documenting everything from their romantic trips to work collaborations.

She has theatre experience as well as credits in short films, including Untethered, The First Dance, and Laundry. Sam and Shanti are also performing together on a new play called The Truth and Darers, which was written by Shanti.

It’s currently showing at the Vancouver Fringe and follows six teenagers who strike up a high-stakes game of Truth or Dare.

The first season of Crew Girl landed on Netflix on Thursday morning (September 10), and some fans are already hoping it’ll return for a second series. There’s no news yet on the future of the show, but the leading stars have ideas on where the story could go next.

“If we go to season 2, I think we should go on summer break or something, get lost in the woods,” Sam told Tudum. “It’d be really fun to do a summer bash and be on the lake boat and see what their life is [like] outside of rowing too.”

Meanwhile, Kyle added: “We really want to step it up if we have more time.” With leading lady Miku stating: “Who knows what can happen in season 2? A love square — is that even possible?”

Crew Girl is streaming now on Netflix

Baby Reindeer star Jessica Gunning has reportedly taken on a new role in a “darkly comedic” thriller.

Fans of disturbing thrillers like Baby Reindeer are urged to keep their eyes on an upcoming Netflix project starring one of its leads. For the first time since her big breakout moment with Baby Reindeer, Jessica Gunning is reportedly returning to the streamer for a new series.

The actress has reportedly been cast as one of the four leads in Netflix’s Feral, a “darkly comedic thriller series based on a 1987 novel by Shirley Conran”, Deadline shared. The news outlet teased: “In the series, four very different women learn to survive on a lethal tropical island after their mining exec husbands are kidnapped. The question is, can they put aside their differences, their self-doubts, and their vanities to stay alive?”

The Mirror has contacted Netflix for confirmation, but Deadline said Gunning plays Annie, a “quietly dutiful wife who has sacrificed her ambitions to raise four sons under her domineering husband, Duncan”. Gunning previously earned an Emmy, a Golden Globe, a BAFTA TV Award, an Actor Award, a Critics’ Choice Award, and an Independent Spirit Award for her work in Baby Reindeer, which aired on Netflix in April 2024.

Her latest reported project is based on Shirley Conran’s novel, Savages, which “deals with five women, transformed from wives of the powerful rich executives to widows in the jungle, coming face to face with the savage inside themselves”. The story has been described by readers as a “female Lord of the Flies” and has recently been adapted into a TV series.

Fans took to Goodreads to share their thoughts on the original source material, with one saying: “I keep going back to this book; I’ve probably read it 7 or 8 times. I like the way she shows the relationships and how they change. The suspense is great.

“I like how you see the strengths come out, and the frailties, and how they cope with them. I find this book inspiring. It seems like just another fluffy beach read, but these women are tested to the limit and overcome overwhelming difficulty.”

Another added: “Oh my gosh. This book was so good. Engrossing. I had trouble putting it down to do anything else. It’s going on my list of favourite books. And, it was educational. I learned a lot about wilderness living. Just wow, really.”

A third commented, “I have never forgotten this female Lord of the Flies type book. Women get stuck on a deserted island, and what issues ensue. I loved this book and especially how the power struggle shook out. One of my favourite books!”

In March 2026, Gunning opened up about how her award-winning role in Baby Reindeer changed her life and catapulted her to global fame, telling Variety Australia: “The whole of the Baby Reindeer journey was just so surreal. What an amazing thing to be part of. I don’t feel like I’ve changed as a person, but I feel like I’ve had some amazing opportunities since.

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“I was over in America loads, and haven’t been before. And also the people I’ve met and the jobs I’ve had a chance to do since have just been so lovely.” She caught the eye of directors who have offered huge opportunities, adding: ” [There have been] a few things coming in which has been lovely.

“And I’ve just had, I suppose, more and more people have got to know who I am really, which is always nice. So yeah, hopefully more interesting [projects] will come my way.”

Feral is expected to air on Netflix

SPICE GIRLS, Girls Aloud and Little Mix are just some of the huge girl groups who have ruled the charts over the years.

Now the next generation is ready to get in on the action.

Step forward Manifest — Turkey’s picture-perfect group, who are taking the world by storm.

Despite being yet to release a single English-language track, the girls already have 7.3million monthly listeners on Spotify alone.

The group is made up of six amazing women: Sueda Uluca, Hilal Yelekci, Lidya Pinar, Mina Solak, Esin Bahat and Zeynep Sude Oktay.

And they have the backing of Dua Lipa, who personally invited them to perform as part of her Sunny Hill music festival in Kosovo earlier this summer, and has tipped them for greatness.

DUA LEAPER

Dua Lipa jumps for joy as she marks 31st birthday in Ibiza on 8th trip of year

TAUT & TANNED

Dua Lipa shows off bronzed body in a bikini as she sunbathes on girls’ trip

They said: “Dua was amazing. We really love her, and meeting with her was like a dream come true. We saw meeting Dua and playing her festival as a step to becoming global stars.

“She gave us some great advice and was keen for us to just remember to enjoy the show.

“She encouraged us to enjoy our time on stage and not worry too much. If we have fun, the fans have fun.”

Each member has their own distinct personality and style, and since being put together on a TV talent contest in Turkey last year, their popularity has skyrocketed.

Keen to take on the world, the girls invited Bizarre’s Jack to Izmir, on Turkey’s Aegean coast, to see them in action at their three-day festival, Manifestival.

He was blown away — not only by the vocals and the sharp choreography but by just how lovely the girls were backstage.

In their first UK interview, the group explained: “We have been manifesting ourselves to be a successful band for years. We have always believed we can do it and make it global.

“We believe people can manifest anything, so when it came to picking a name for us, as soon as someone mentioned Manifest, it stuck.

“We loved it. We didn’t want a name that was too cheesy.”

The group are putting in some serious hours to make themselves stars.

They explained: “We don’t have days off, we have hours. We are so busy, but that’s good. We are constantly in rehearsals.

“It only takes us one day to learn a dance but then we practise it over and over again.

“We want the show to be perfect. Sometimes we will practise a single routine for five days until it’s ready.”

Next month, Manifest will jet to the UK for their first ever headline show on British soil and, boy, are they starting big.

Leapfrogging smaller venues due to demand, they will headline London’s Wembley Arena on October 16.

As well as the gig, the girls are set to take part in a number of promo activities across the capital to show there’s a new band in town.

Admitting they still battle with nerves even though they have “made it” in their home country, the group said: “When we first started to perform, we were really nervous — it almost felt like you were having a heart attack from the nerves.

“But now it’s just excitement. Every time we perform, it’s still so exciting for us. It’s what we love to do.

“We have rituals to calm us down, and we pray to God before we take to the stage.”

In another sign Manifest are attracting all the right attention, they have also landed themselves a Netflix series which will show them on the road and take each member back to their home town.

Setting their sights as high as possible, the girls now hope they can emulate their Girl Power idols.

They added: “We would love to be as big as the Spice Girls; they are our inspiration.

“We have just recorded our first English song, which should be out soon, and we are coming to London.”

Take it from us, there are big things to come from Manifest.

Sam’s on £400m sales

SAM SMITH looked pleased as punch receiving this plaque celebrating the sale of 400million singles worldwide.

The Lay Me Down singer, whose latest album Hazel Eyes came out last month, beamed backstage at the London Coliseum.

Sam played the first show of an eight-night To Be Free residency there on Tuesday, and I’m sure this boost was most welcome before taking to the stage.

An ABBA Fab tribute

IN what I can only describe as the maddest musical mash-up I’ve heard of in a long time, Una Healy, Samantha Mumba, Duncan James and Antony Costa are teaming up for an ABBA extravaganza.

All Stars: The Music Of Abba is a new stage show ­celebrating the Swedish group’s biggest hits.

Across a 21-date tour, The Saturdays star Una, Samantha and the Blue bandmates will form a pop supergroup paying homage to the works of the chart legends, backed by a live band.

Further dates are expected down the line, but they will kick off in Croydon on February 26, before ­taking in shows in cities nationwide including Aberdeen and Edinburgh, Cardiff, Birmingham, Southend, Nottingham and Hull.

Tickets go on pre-sale from 10am today online at allstarsonstage.com.

SHAKIRA’S World Cup anthem Dai Dai with Burna Boy has surpassed one billion views on YouTube and made her the most-viewed female artist on the platform.

The achievement comes ahead of the launch next week of her sold-out 12-night residency at a purpose-built stadium in Madrid.

THE WEEKND has wrapped his 42-date After Hours Til Dawn 2026 tour, grossing £255million after performing in front of more than two million fans.

The gigs gave a massive boost to local economies and raised more than £1.6million in charitable donations for both the United Nations World Food Programme and the Global Citizen project.

Strike a pose Julia

JULIA GARNER is the spitting image of a young Madonna as she vows that the superstar’s biopic will be made.

The Ozark actress sported cropped blonde hair and a feathery gown in the October issue of Elle magazine after being cast in the film, which was canned amid budget rows.

Julia insisted: “I think the movie has to get made. But we’ll see . . .”

She and Vogue singer Madge filmed for Apple TV show The Studio together earlier this year. Their spoof storyline is inspired by the Queen of Pop’s axed film.

Julia said: “She’s one of the funniest people I’ve ever met. Like actually. And people don’t know that.”

Peter’s spaced out in new film role

WHATEVER you think about Peter Andre, it’s safe to say he likes to keep his career varied.

Last year he played a gangster trying to secure his nan’s £35,000 care home fee in comedy film Jafaican.

Now, I’m told the Mysterious Girl singer is about to start work on his next ­production.

Insiders tell me his latest foray into the movie world will be Love In Space, which has a similarly hilarious plot.

It will tell the story of a young man who falls in love with a charming female ­scientist after being abducted by UFOs.

A source said: “Pete just loves acting and if the project feels right and he likes the script, he goes for it.

“This film is really futuristic and Pete will be filming at the end of this month in a ready-made spaceship.”

Popcorn at the ready . . . 

A Biggie break for Swayvo

ANOTHER nepo baby has bagged a major role in Hollywood.

The son of neo-soul pioneers D’Angelo and Angie Stone has been cast as Biggie in the upcoming Snoop Dogg biopic.

Swayvo Twain, whose real name is Michael D’Angelo Archer II, will star in the Universal Pictures movie called Snoop, which is being produced by the rapper himself.

Biggie, also known as Notorious B.I.G., was one of the biggest names in hip-hop in the Nineties and had a mutual appreciation with Snoop, despite the fact they were on either side of the East Coast-West Coast rap rivalry.

Jonathan Daviss will play the main man himself in the flick, which is due to hit cinemas next August.

Nirvana go for a gong

NIRVANA will be honoured with the prestigious Video Vanguard Award at the MTV VMAs on September 27.

The gong is akin to a lifetime achievement award and has been won by Mariah Carey and Rihanna in recent years, with Nirvana being the first band to do so since Duran Duran in 2003.

They only released three albums before frontman Kurt Cobain died, but surviving members Dave Grohl, Krist Novoselic and Pat Smear are being tipped to attend, 34 years after winning the Best New Artist and Best Alternative Video prizes for Smells Like Teen Spirit.

The 2026 ceremony will take place at the Peacock Theater in Los Angeles, with Madonna leading the nominations with 11.

In reach for Adela

WITH just one day of sales left, the battle for No1 is almost over but breakout star Adela is fighting for the top spot.

And it’s not just chart success she is hoping for but world domination, following the release of her brilliant debut album Prima on Friday.

More than a million videos have been made on TikTok using the audio for her single Ain’t In LA.

Now that single is set to enter the Top 20 tomorrow, plus A-lister Nicole Kidman has praised Adela after the Slovak singer named her next track after the actress.

Meanwhile, Adela has revealed her drive to become a pop star in the first place.

Speaking about her favourite Disney Channel show as a youngster, she told Bizarre’s Howell: “Hannah Montana’s where I first saw like, ‘Oh, you can sing and dance for a living and you can be a pop star. This is what that is like’.

“That’s literally where this all first began. For me, it was seeing that show and becoming obsessed with it.”

Of the show’s star Miley Cyrus, she added: “She’s like a mythical creature to me. I don’t think I can actually meet her.”

If Prima manages to clinch the No1 spot from competitors Kasabian, who she is just 332 copies behind, she will be the first solo female to go straight to No1 with her debut album since Olivia Rodrigo’s Sour in 2021.

And judging by Adela’s drive, talent and creativeness on this record, the world is her oyster.

VENICE, Italy — “My actual personality is not very friendly, I’m afraid,” claims Korean actor Jeon Do-yeon. “Myself and actor Sul Kyung-gu, we can be a little bit brusque. We don’t really have the talent to make the set fun.”

As she says it, though, Jeon and co-star Cho Yeo-jeong are laughing — making the assertion rather harder to believe when it arrives in English from Korean via an interpreter. Throughout our conversation, in fact, the pair chuckles, nods along to each other’s answers, interjects sounds of assent. Enough for me to understand that their chemistry comes naturally, whatever Jeon’s protestations.

“In the film I play a character that chases [Jeon’s character] and it really suited me, almost to the point where I didn’t really need to try and act this role,” as Cho puts it. “I was almost like a sunflower, constantly facing and chasing actor Jeon.”

The actors needed every ounce of the sublime chemistry they forged to portray the magnetic but fatally flawed relationship at the heart of auteur Lee Chang-dong’s first film in eight years, “Possible Love,” which premiered Sunday at the Venice Film Festival. South Korea’s international feature submission for the 2027 Oscars, the Netflix film sees Ye-ji (Cho), a documentarian married to a wealthy businessman (Zo In-sung), cozy up to Mi-ok (Jeon), whose husband (Sul) has been seriously injured in a brutal crackdown on striking factory workers, in order to secure an interview with him — only for divisions of class and professional ambition to expose the fault lines in their relationship, and in turn their marriages.

“It seems like they want to be friends with each other, but then there seems to be a line that just cannot be crossed between them,” says Lee, also through an interpreter, of the actors’ accomplished double act, referring to a scene in which Ye-ji bristles at Mi-ok’s suggestion that her high-end clothes are out of place interviewing unemployed laborers. “[Jeon and Cho] knew of that and they went into shooting that scene knowing that it was quite challenging to express. There were, of course, some things that were up to the camera in bringing that about, but I think that was a scene where the two were able to express just how nuanced and quite strange the relationship can be.”

The film itself is just as slippery and multi-layered, down to Lee’s heady admixture of documentary and dramatic aesthetics. Inspired by real-life labor conflict in South Korea, “Possible Love” uses Ye-ji’s nonfiction study of laid-off workers as a window into the lives of ordinary people swept up in large-scale social change, against the backdrop of which the two women’s competing priorities are thrown into stark relief. Can a filmmaker who totes a $4,000 Lora Piana backpack, however well-intentioned, truly understand the plight of the working class? Is a subject eager to publicize a political struggle prepared for the risk that her personal privacy will be invaded in the process?

To choreograph the film within the film — so compelling that I almost missed seeing its conclusion when “Possible Love” shifts the focus to interpersonal fireworks in the third hour — Lee cast a real-life documentary director and cinematographer as Ye-ji’s crew, lending what Cho calls their “natural energy” to the movements of the camera. Cho herself prepared by consulting the late master of the form, Frederick Wiseman, who was unabashed about the tension between documentary filmaking’s often radical politics and the privilege required to turn it into a profession.

“[Wiseman] was posed the question by some students studying film and documentary: ‘How can I pursue this work in reality?’” she recalls. “And he replied with the immortal words, ‘Marry a rich man.’ And you know, I was preparing for the role of Ye-ji, so it was such an apt response for her situation.”

Jeon, left, and Cho in “Possible Love.”

(Joo Jae-bum/Netflix)

The potential for conflict bursts into the open at a seaside home that has been in Ye-ji’s husband’s family for years, where the group has decamped for a supposedly restorative holiday. Reminded of the setting by the location of our conversation — a set of green-curtained, pink-carpeted suites at the Hotel Excelsior, overlooking the northern shores of the Adriatic — I ask the actors what’s going through their characters’ minds when Mi-ok and Ye-ji’s promising connection ultimately severs.

Mi-ok “doesn’t really want to reveal to anyone else what’s going on in the family … She only wants to show the good side that they are trying to live their best life and trying to improve and move forward with hopefulness,” Jeon says, citing an early scene in which Mi-ok asks the crew not to film her son’s awkward taekwondo at a school field day. When the camera’s prying eye becomes more intrusive, though, she “feels a great sense of betrayal, that her family is being used and exploited.”

For Cho, who says Ye-ji is “constantly balancing the ethical dilemma” between documenting the truth and treating her subjects with care, the break was always inevitable, and no amount of Ye-ji’s remorse or guilt can repair the damage.

Against this microcosm of the class war Lee sets the emergence of artificial intelligence, which threatens to further destabilize labor across a range of industries — including his own. Although he’s uncertain if, when or how AI will “intrude” on the “entirely creative” filmmaking process, the “Poetry” and “Burning” director is already using it for everyday tasks.

“Before going to see the doctor, I like to ask AI all the symptoms that I have, ask what’s wrong with me. Or I would ask, you know, ‘What’s the weather like in Venice?’” he says. “AI gives us instant answers, and it goes even beyond that to where it gives you advice these days. And in that sense, AI has indeed really gotten deeply intertwined in my daily life.”

Similarly, Jeon is open to using AI for more “trivial” matters, such as simultaneous translation from English to Korean and vice versa. But she admits to more “extreme thoughts” than Lee about the technology’s role in the future of screen acting.

“I’m going to be starring in a [Korean-language adaptation] of Anton Chekov’s “The Cherry Orchard” upcoming in New York. And I was wondering, actually, is the stage the last place that cannot be conquered by AI, and will not be replaced by AI?”

Perhaps. But the scene in “Possible Love” that best captures the finely honed chemistry of its female leads, in which Mi-ok and Ye-ji drunkenly bond over soju and Korean barbecue as their bemused husbands look on, seems to me beyond the capabilities of AI — it’s too warm, too meticulously rendered to be anything other than fully human, the sort of acting one hopes the Venice jury will remember when it hands out the Volpi Cup for best actress on Saturday.

“It is quite difficult technically and practically — it was a scene that we shot all night long,” Cho says. “But I remember shooting it with a lot of pleasure.”

No protest there.

Many true crime fans said it was a ‘wild’ watch as they tune in for the first time

An “insane” true crime documentary available to stream online is guaranteed to have your jaw on the floor.

There is an abundance of documentaries and films to watch on Netflix, but there is one particular watch that viewers say did not get “enough recognition” when it was first released.

Premiering in 2019, Bikram: Yogi, Guru, Predator examines the dramatic rise and fall of the controversial founder of hot yoga, Bikram Choudhury.

Directed by Academy Award winner Eva Orner (Taxi to the Dark Side), the film details how the controversial founder built a global fitness empire before it collapsed following numerous sexual abuse allegations.

An official synopsis on Netflix reads: “Arriving in Beverly Hills from Calcutta, India in the early 1970s, Choudhury quickly cultivated a celebrity following and built a global fitness empire that furnished him with extreme wealth.

“But by the 2010s, as numerous sexual abuse allegations emerged and stories of his aggressive, cult-like training environment surfaced, the lawsuits started to mount and Choudhury’s unorthodox teaching style became front-page news.”

It later adds: “BIKRAM: YOGI, GURU, PREDATOR, a Netflix original documentary, shines a light on the stories of the women who took him down and explores the contradiction of how this healing discipline could simultaneously help and hurt so many.”

Recently, one true crime reviewer took to social media having recently watched the documentary film, as they branded it an “insane” watch.

Sharing a video explaining the synopsis of the documentary, they wrote: “This true crime documentary will have your jaw on the ground.”

In the clip, they added: “This insane true crime documentary didn’t get enough recognition when it first came out.” One person replied: “Ohhh I loved this one crazzzyyyy”, as another commented: “Yes this was WILD!!!!”

A third added: “There’s a podcast about this too. Very strange, weird story.” A fourth wrote: “Oh yea this was a good one lol.”A fifth said: “That was a b***** crazy doc!! Too cray cray!!” Another stated: “I saw this already and I screamed at that ***!!! Absolutely insane!!”

Over on IMDb, one reviewer previously said: “The documentary was impeccably put together and a must watch for any yogi.”

Another wrote: “‘Bikram: Yogi, Guru, Predator’ is an exceptionally well made and well constructed documentary. It’s also one that, by the end, will probably also make you very angry for a variety of reasons.”

Bikram: Yogi, Guru, Predator can be streamed on Netflix

The Gentleman actress Jasmine Blackborow appeared on Sunday Brunch to promote the second season and conversation quickly turned to her co-star Maya Jama

One of Maya Jama’s The Gentleman co-star’s has revealed what the Love Island host was really like behind the scenes.

The presenter has has made her major scripted acting debut in the second series of Guy Ritchie’s comedy-drama Netflix’s The Gentleman as Aisha, a gangster’s moll and the wife of Prince Amir bin Abdullah al-Hadidi (Amra Mallassi).

She makes appearances during key moments of the season, notably featured in Episode 1 and Episode 4 and it has been reported that Maya will return for season three.

Actress Jasmine Blackborow, who plays Lady Charlotte “Charly” Horniman, the younger sister of the protagonist Eddie Horniman in The Gentleman, appeared on Sunday Brunch on September 6 so promote the show.

Conversation turned to Maya joining the cast with hosts Simon Rimmer and Tim Lovejoy keen to find out what the Celebrity Traitors was like when the cameras stopped rolling.

Jasmine said: “She was absolutely gorgeous on set and she was nervous because she’s not done this before. She was there running her lines again and again and when she did it she was just such a pro.”

Maya, who has been the host of Love Island since 2023, previously opened up about joining cast of the hit Netflix series and say director Guy made her feel comfortable while filming.

Speaking to Variety, she said: “He’s really kind and nice. He doesn’t feel as intimidating as you’d think, being who he is. He’s very personable and he would be like ‘yeah, you’re doing well’, and reassure me, which was really nice.

“He’s just really involved and kind of a genius to watch, because everyone’s practicing their lines and then he says something that’s way better than the original. You just feel like you’re in the presence of greatness.”

Hugh Bonneville and Michele Morrone are among other names joining season two of The Gentlemen, which is based on Guy’s film of the same name and explores the criminal underbelly of high society Britain.

The first series of The Gentleman premiered with an audience of 3.5 million and secured a place as one of UK’s most-watched TV shows of 2024.

The only other acting experience that 32-year-old Maya has had was in a brief cameo role for Katherine Ryan’s The Duchess on Netflix six years ago.

Speaking about the role at the time, Maya said: “I did the tiniest little cameo in a Netflix series called The Duchess” referring to her appearance as a dental nurse.

“But it was like one day filming, whereas this was my first one where I had to properly learn lines and be on set for a few days. But I was so, so excited because I loved the series.”

The Gentleman is now streaming on Netflix

Michelle Keegan has reportedly quit a drama just weeks before she was set to begin filming and now a former Doctor Who star has is said to have taken over the role

Michelle Keegan has quit a drama just weeks before she was set to begin filming.

The actress, 39, is said to have been gearing to take on the part of a working class barrister in a new series that has been penned by Sherlock creator Steve Thompson, with cameras set to roll from November.

But it’s now thought that Michelle, who has to Palma, 18 months, with husband Mark Wright, has pulled out of the project in what is being called a “huge blow” for the production.

A source said: “Michelle was really keen to take on the meaty role, but the heavy filming schedule would take her away from daughter Palma for too long.

According to reports, former Doctor Who actress Jodie Whittaker has been drafted into the role instead but fans of Michelle will soon be able to see her in in Netflix drama The Woods, which is based on the Harlan Coben thriller of the same name.

Speaking to The Sun, the source added: “The hours were quite intense and the project was starting straight after her Netflix drama The Woods and she just couldn’t commit. She is dedicated to her acting career, but like all working mums has to prioritise being there for her family, juggling work, parenting and being present for Palma.”

Michelle shot to fame when in 2008 when she was cast as Tina McIntyre on Coronation Street, and stayed with the soap for seven years before making a permanent exit when the much-loved Rovers barmaid was killed off as part of a whodunnit plot. Since then, she has Michelle has become one of the most famous actresses in Britain, starring in top-rated programmes like Brassic and Ten Pound Poms.

Michelle previously starred in Fool Me Once for Netflix, which was based on Coben’s 2016 thriller, but this time round, she will play Lucy Silverfield, who helps her former partner, played by Tom Bateman. In

When the latest adaptation of The Woods was first announced, Coben said in a statement: “The Woods is a haunting and very personal story. It has everything you expect from us – twisty, turning, gasp-inducing – but at the core is a story of old love and yearning.

“Working with a cast led by Tom Bateman, Michelle Keegan, Mandeep Dhillon, Pearce Quigley, James Buckley, Tom Allen – it’s an embarrassment of riches.”

Penned by Danny Brocklehurst, the upcoming eight-part thriller begins with a mysterious disappearance 20 years ago that leaves a family devastated.

When new evidence comes to light that convinces barrister Paul ‘Cope’ Copeland (played by Bateman) his missing sister could be alive after all, he begins a relentless investigation to unearth the truth.

The Mirror has contacted Michelle’s representatives for comment

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Netflix bosses have raised UK prices for the second time this year – with the cheapest plan going up by a third

There is bad news for Netflix users after bosses raised the prices of UK subscriptions for the second time this year.

The streaming platform, which houses Stranger Things, Love Is Blind, Bridgerton, Selling Sunset and many other beloved programmes, has updated its pricing – with the cheapest rising by a third.

Customers will be given 30 days’ notice by email before the changes. Those with the standard plan with ads will now pay £7.99 a month, up from £5.99, while the advert-free option has moved from £12.99 to £13.99.

Users who have a premium plan, which allows them to add extra members and stream on more devices, will pay £20.99 from their next billing cycle, a change of £2.

For viewers who want to add an extra member for their subscription, they will have to pay £5.99 under new guidelines, up from £4.99.

This is the second time that the prices have increased this year, with previous changes being introduced in February.

A spokesperson said, via Deadline, that the changes “reflect improvements to our wide range of entertainment and the quality of our service.”

“Our approach remains the same: we continue offering a range of prices and plans to meet a variety of needs, and as we deliver more value to our members, we reinvest in quality entertainment and improve their experience by updating our prices,” the statement added.

“We know members have never had more choices in entertainment, and we’re committed to delivering an experience that meets and exceeds their expectations.”

The news was confirmed just after the second series of Guy Ritchie’s acclaimed drama, The Gentlemen, landed on the platform, with many high-profile releases still to come.

Keira Knightley will be returning in season two of Black Doves in November, while a documentary on late Friends actor Matthew Perry will hit screens at the end of October.

In recent years, original shows including Adolescence, Baby Reindeer, The Crown and Ozark have collected a string of awards. Fans have also raved about Netflix’s film slate, including Voicemails for Isabelle, Nonnas, Carry-On and Rebel Ridge.

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The brand new series shows the ‘unfiltered’ side of a well-known social media star

A beloved social media star’s new Netflix show has come under fire just hours after landing on the platform.

The streaming giant added Earle Meets World to its lengthy reality TV roster on Friday (September 4), and it has already divided viewers. The eight-part show promised to showcase influencer Alix Earle’s “unfiltered” life away from social media feeds.

A synopsis teases: “Gen-Z’s ultimate It Girl, Alix Earle, is making the next big jump in her career. Can she balance her burgeoning business empire with being that unfiltered, twenty-something, hot mess that America fell in love with? Now she’s taking her candid chaos from your FYP to TV… and nothing is off limits.”

We follow the 25-year-old as she comes to terms with her first major breakup from long-term partner Braxton Berrios, as well address her ongoing feud with podcaster Alex Cooper.

Despite her online following of over 13 million, Alix’s venture into TV has been hit with brutal reviews. One viewer took to TikTok to confess they switched off the show during its first episode, penning: “I can’t get past the first 20 minutes and I love Alix and reality shows.”

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Critics have also shared scathing verdicts, with Variety stating: “The same relatability that makes Earle a dependable brand ambassador also makes her everyday life almost painfully boring to watch, with the few juicy nuggets either overhyped, downplayed or both.”

Time agreed, writing: “If the show made a genuine effort to fulfil the 25-year-old social media star’s vow to reveal the rawest, most intimate aspects of her life, then the only reasonable conclusion to draw from it would be that there just isn’t much to see.”

Meanwhile, The Sunday Guardian published a more generous review stating: “Fans of Alix Earle will probably enjoy getting more access to her family, career and personal life”. And it seems they were spot on because Alix’s fanbase are completely hooked on the series.

“I love the show so far,” someone posted on TikTok. Another person added: “LOVING already so excited to watch more.”

A third viewer praised the show for its authentic approach to the genre, saying: “As someone that is a chronic reality TV watcher, the show is not over-produced and that has been my biggest qualm with the reality TV shows that I watch.”

Someone else admitted: “No guys I’m so invested,” and a final captivated viewer shared: “Oh they got me hook, line and sinker!”

All eight episodes of Earle Meets World are streaming now on Netflix

Love Island host Maya Jama’s mysterious role in the Gentlemen season two has been revealed.

Love Island icon Maya Jama has made her debut in The Gentlemen season two on Netflix.

A number of new faces are being welcomed into the fold of Netflix’s epic crime drama The Gentlemen season two, including Downton Abbey star Hugh Bonneville.

But someone who subscribers may not have been expecting to see in the eight-part second outing is Love Island presenter Maya Jama as it marks her first major scripted TV debut.

The only other acting experience that the 32-year-old has had was in a breif cameo role for Katherine Ryan’s The Duchess on Netflix six years ago.

With The Gentlemen season two now ready to binge-watch, fans are eager to find out all there is to know about Maya Jama’s role.

When does Maya Jama appear in The Gentlemen season 2?

It isn’t long before Maya Jama pops up on our screens as she features in the first episode of The Gentlemen season two.

She is mostly seen speaking to Kaya Scodelario’s Susie Glass but shows up once again in episode four.

Maya Jama’s The Gentlemen season 2 role explained

Maya Jama portrays a character named Aisha in the second season of The Gentlemen on Netflix.

She plays the wife of one of Eddie Horniman’s (played by Theo James) criminal associates, Prince Amir bin Abdullah al-Hadidi, brought to life by actor Amra Mallassi, reports the Express.

Susie Glass (Kaya Scodelario) describes her as a “clever girl” and “aspirational”, saying: “Looks after herself and everyone who comes within her orbit. She moved out to the Middle East five years ago to work in hospitality. Now she’s snagged herself a seat at the royal table.”

Talking about her experience shooting The Gentlemen, Jama described creator Guy Ritchie as “very personable” to Variety.

She continued: “He’s really kind and nice. He doesn’t feel as intimidating as you’d think, being who he is. He’s very personable and he would be like, ‘Yeah, you’re doing well’, and reassure me, which was really nice.

“He’s just really involved and kind of a genius to watch, because everyone’s practising their lines and then he says something that’s way better than the original. You just feel like you’re in the presence of greatness.”

The Gentlemen is available to stream on Netflix.

The drizzle cleared up as stars arrived at the Guildhall, with Vinnie Jones, Kaya Scodelario, Joely Richardson and Ray Winstone all in attendance.

When asked about the reports regarding Meghan, Jones said he’s heard “only what you have”.

But he joked: “We’ve got a lot of pretty women in this. So I’m not sure there’s room for any more.”

“Way above my pay grade,” Scodelario said, while Bonneville commented he had “no idea” if there was any truth to the rumours.

Jama, meanwhile, said as a newcomer herself to the cast, she had no tips to share with Meghan.

“Oh my God, she’s a seasoned actor. I have no advice for her. She knows what she’s doing,” added Jama.

Ritchie, who also attended the premiere, did not speak to the press. But writer and executive producer Matthew Read told BBC News they were looking forward to “bringing up more energy and surprises in series two and further on in the series”.

Not a no then, I asked.

“I just don’t think it’s right to speculate at this stage, so I wouldn’t like to say yes or no,” he added.

Guy Ritchie is back on Netflix this week with his big name cast for Season Two of hit series The Gentleman

Guy Ritchie admitted the success of his drugs thriller The Gentlemen “surprised” him and made him work even harder on the follow up series. The Gentlemen became a global success when the series launched in March 2024, having reached the global Top 10 in over 90 countries and securing the number one spot in 75. Between 2024-2025 the series generated 100 million views globally.

Speaking at a London press conference to launch the second season of The Gentlemen, Creator, Writer and Executive Producer Ritchie said: “We were quite surprised by the interest that season one provoked. And then of course the challenge is how do you keep this live and interesting.

“We have paid more attention to the second season but our principle challenge is to evoke an unpredictable but enough of the same world where we were stimulated. And the audience would feel they were given enough of something new, but a meal that they were anticipating. We are trying to thread the needle of something new and provocative and something that is also familiar enough.”

The award-winning filmmaker also discussed the difficulties of trying to come up with a story which was “new and provocative” whilst also being “familiar enough”.

“The scripts, to some degree, write themselves as characters do,” Ritchie added. “Once characters have been given a voice, it’s odd how they can unfurl their characteristics and subsequently the drama that thereby follows.”

The first season followed aristocratic Eddie Horniman, played by Theo James, who inherits the family estate and discovers that it is home to a huge weed empire. In a separate interview with other media, actor Theo was asked about the rumours of Meghan Markle making her acting comeback in Season Three, which is yet to begin filming.

“I think that is just a rumour,” Theo responded. “I don’t even know the practicalities of how one would make that happen.”

Ritchie and other cast were not asked about Meghan possible involvement at the drama’s main global press conference, despite questions being submitted on the subject.

Manda Levin, Netflix ’s scripted chief in the UK, cryptically said last week “all bets are off” when asked about Meghan.

The Gentlemen also stars Skins actress Kaya Scodelario, who plays Susie Glass. Susie teamed up in business with Eddie in the first series and is the daughter of Ray Winstone’s character Bobby Glass. On working with Winstone, 34-year-old Kaya said: “Some days I’d go home, having spent 12 hours on set honestly feeling like I’ve grown as an actor.

“Working with Ray really is a masterclass. I’ve also learned how funny and kind Ray is and that you can be both this sort of scary East End guy and also a feminist. But then Ray’s the father of three daughters so what do you expect?”

The second series begins a year on from when Eddie and Susie joined forces to work together in Bobby’s criminal empire overseas. But Bobby is making some dubious decisions which seem to be increasingly unsound and the duo have to decide what to do next.

There is also a growing tension between the pair when it comes to business.

Other cast members who attended the premiere in London’s Guildhall included Vinnie Jones, Joely Richardson, Hugh Bonneville and Chris Eubanks Jnr.

* The Gentlemen Season 2 launches September 3/today.

Raygun became a global phenomenon back in 2024, now she is speaking out in her own documentary

Netflix subscribers have said the same thing following the release of a documentary on a viral breakdancer.

Raygun, whose real name is Rachael Gunn, became a global phenomenon at the 2024 Olympics in Paris when her unconventional breakdancing routine went viral – for all the wrong reasons. Her unusual routine featured non-traditional movements including floor rolls and the now famous kangaroo hops, and she later found herself an internet meme.

After scoring zero points, the routine sparked controversy across the world, resulting in heightened mockery and online hate as she became one of the most talked about athletes of 2024.

Now, she has returned to cameras for her very own Netflix documentary titled ‘Untold: Raygun Breaking Badly’ which has today (September 1) landed on the streaming platform.

An official synopsis reads: “Nobody, least of all Rachael Gunn, expected to be an Olympian. But as Raygun’s performance at the 2024 Paris Olympics went viral overnight, so did an avalanche of memes, misinformation, and conspiracy theories questioning how she ever got there.”

Taking to Instagram, Netflix UK shared a teaser clip from the documentary as they captioned their post: “From Australian academic to global meme… Untold Raygun: Breaking Badly is now playing on Netflix!”

After landing on the streaming platform today, viewers are already having their say as opinions are divided. As some questioned “why” the documentary was released, one person penned: “There’s a Raygun documentary. That I have to watch!!! Surely there’s an interesting story behind those dances.”

Another said: “Just finished the Raygun documentary on Netflix and it is definitely a must-watch.” A third wrote: “Watching this Raygun documentary on Netflix and I’m in real tears lol Netflix the GOAT of documentaries btw but S/O to her for doing this too tho cuz [sic] she didn’t have to!”

On Instagram, one person said: “Fair play to her.” Another penned: “Just watched it. Jaw dropped to the floor all the way through. This screams Will Ferrell movie in all its aspects.”

Breakdancing, officially called breaking, made its Olympics debut in 2024. Away from the sporting event, Raygun was an academic as she has now opened up about the event that made history.

In the clip shared to social media today, Rachael can be heard saying: “Right before the Olympics, I went to my therapist, panicked. She was like ‘what’s the worst that could happen?’

“The whole world could laugh at me. She’s like ‘do you think that’s reasonable?'” She later adds: “There was this frenzy. It was this growing monster.”

Untold Raygun: Breaking Badly can be streamed on Netflix

Jared Freid remembers the moment he found his true calling in comedy.

Oddly it came after he’d already found success with his debut Netflix special “37 & Single” in 2023, which allowed him to live the stand-up dream of making it to a big streamer. But then that moment passed and the Boston-bred comic was once again starting from square one scrounging for joke ideas. That’s when he decided to dig up an old story he’d told on stage about his dad body-shaming him during a family outing in Delrey Beach, Fla.

“We’re sitting at the beach, and my dad asked me how much I weighed, and I was so mad about it,” Freid remembers. Seething at his dad for poking at his body insecurities, the comedian dealt with his emotions like any good millennial — by podcasting about it. Venting the story that took only about a minute to tell on a microphone led to more fights with his aging boomer parents soon after when they heard the episode.

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Jared Freid sits down with LA Times Entertainment Editor Nate Jackson to discuss his new Netflix hour, “The Family Plan,” which turns a beach blowup with his dad into a sharply observed, big-hearted look at boomer-millennial family warfare and reconciliation.

Scrolling back through that memory, Freid said something clicked when he thought about the alarmingly close relationship millennials still have with their parents in adulthood including still being on the family cellphone plan. “I can pay my own cellphone bill, but I’m still on their family plan,” he said. “That says something about the millennial/boomer relationship, in my opinion. We’re weirdly attached to our parents, and in a way that no other generations were tied like that, like not mushed together.”

Extending his one-minute bit into a full hour in his new Netflix special “The Family Plan” (out on Tuesday) took two and a half years of dedication polishing the story and seeing it start to resonate on tour at shows around the world. It also required him understanding that what underlies the struggles between millennials and their parents is how shockingly alike they are despite being constantly annoyed by each other. Freid now says his goal is to be a family-friendly comedian for families that usually aren’t friendly with each other but can easily agree on that fact while they laugh at jokes about themselves.

This interview was edited for length and clarity.

Your new one-hour special was inspired by a one-minute story you’ve told about a fight with your dad at the beach. You tapped into something really universal with the strife between boomer parents and their millennial children — a real tug of war for power that’s happening in a lot of people’s lives right now.

Totally, I and I feel it, especially because we can talk back to [our boomer parents] in a respectful way. We can have debates. You’re finding out your parents are just people too. I started telling people on my podcast, “Bring your parents.” This special is to be enjoyed with your family. You’d see a guy with his dad [at one of my shows], point at him and go “[Jared’s] talking about you!” That made me feel so good. I did it in Canada, Australia, New Zealand, Europe, I did it everywhere, and it was always just unbelievable how much people related to it and now it’s how I want to do comedy. This is who I am. This special means so much to me. It’s been a fight to get it out. I wanted it on a platform like Netflix because I want parents to watch it with their kids. It’s hard enough to get your parents on your Netflix account. Imagine getting them to watch a special on YouTube? They’re not going to do it. So I need this to be in a place where boomers and millennials can share it with each other and enjoy it together.

As an adult, what’s been the most interesting thing about seeing what things you picked up from your parents despite constantly arguing with them?

We’re exactly the same. We’re so alike that that’s probably why my dad’s asking me how much I weigh at the beach because I also look like him. It’s almost like an argument with yourself. I’m a version of him, and he’s a version of me. I have a lot of empathy for my parents. I’m 41, no kids, never married. They had to grow up while having a kid. I can’t understand that.

Right now there’s a lot of talk about divorcing your parents going around. I also can’t understand that for a second, because it’s not in my nature. For so many of the things that I go through in my life and feel frustrated by, [my parents] are, they’re my conscience a lot of times. Like when I wonder whether I should go right or left, I hear my mom in my head like, “You’re gonna go right? Why would you go right? You always go right. You’re lazy.” I hear them. I feel like I understand them more now, being older.

From selling life insurance in New York to headlining global tours and hit podcasts, Freid has built a devoted, largely female fan base that treats his stand-up like family therapy.

(Christina House / Los Angeles Times)

Every generation has their obstacles, and we’re constantly looking at each saying “Oh, you have it easy, no you have it easy!” But in your special, it kind of comes out that there’s obstacles for every group.

Totally. I don’t do comedy to make anyone feel bad. I do it to make people laugh and enjoy. And like it was cool to see a family would come to me to take a picture afterwards, and then the parents would be like, “We’re the boomers you’re making fun of.” I’m making fun of them, but I’m also making fun of ourselves [as millennials]. And I think it strikes a balance between the two because it does show that I love my family. I love how I grew up. I love that you know the people in my life. That doesn’t mean you can’t be totally angered by them.

Where did you cut your teeth in comedy?

I started in New York. I was selling life insurance and annuities in New York, and I was writing funny emails to friends. Any time we were on the same group email, Gmail, or G Chat it was always “what did we do last weekend, and what are we going to do this weekend?” And then you just make fun of each other. Anytime someone would write back “Oh my God, I’m dying at my desk. That made me laugh so hard,” I was like, “That that feels like drugs. How do I get that?” I started doing open mics, and I kind of treated it like grad school. I did improv, sketch, and storytelling. I took all these classes, and just to see what I liked, because I just wanted to be funny for my friends. Plus I could go to open mics at night, so you could add that in and feel forward momentum.

Being a millennial comedian right now seems very much like being stuck between two worlds of having the old model of success in comedy you learned from your idols and then you have people who are younger than you who are blowing up just by like posting a random video.

What you’re saying is completely right. Like we’d look up to these guys like Colin Quinn on his show “Tough Crowd,” that’s the table I wanted to sit at, and I wanted to hang out with those guys and bust each other’s chops, that’s what comedy is. I always could see myself at that table, but I also understood that table is kind of earned. You don’t just get to it because you’re funny. When I started, you could count the comedians on one hand that could do theaters, without being on a TV show. You know, there was like Brian Regan, Kathleen Madigan, Jim Gaffigan. These people weren’t on TV, but they had their audience, so it was very different to be a stand-up. Earthquake is in that group. Then you look at the sitcom people who get to do stand-up because they were on a sitcom, like you know Seinfeld and you know Ray Romano, and these are great stand-ups.

A millennial comic wedged between club legends and viral upstarts, Freid uses candid stories and crowd work to bridge generational divides — including in L.A.’s intimate, under-the-radar comedy rooms.

(Christina House / Los Angeles Times)

How did podcasting allow you to grow your career in a different way?

I thought “well, I’m listening to these podcasts. I should start a podcast.” And I was downloading podcasts in 15-minute increments to my iPod Nano. I love talk radio. I grew up on WEI in Boston. I love sports, I like sports talk, I like high energy shows. At that time, I thought everyone had one, but now I look like I started early. I can do a podcast where I can speak directly to people who might want to come to my shows. I didn’t even think of ads. I wasn’t thinking of that stuff. I was just [thinking] I can talk right to someone who likes what I do, and I would team up with these websites… I was trying to do this internet stuff, understanding there was power there. I was caught between two worlds, working on my stand-up as kind of my nighttime job, and then doing these podcasts and contributing wherever I could as a daytime job.

When you started working with Betches Media through podcasting on shows like “U Up?” [with platform co-founder Jordana Abraham] it opened up a lane for you to suddenly grow a female audience in a way that seemed natural despite being out of the ordinary for most straight male comedians. What’s that been like to grow that type of audience?

It’s weirdly gratifying. It’s not what I was like angling towards. I think if I was angling towards a female audience as a stand-up, it wouldn’t work. I think that it would be a lie. I’m so happy with it. I feel really thankful because you know the [founders of] Betches [Abraham, Aleen Dreksler and Samantha Fishbein] they’re my sisters. The audience is family like when they come to shows I know them, you know, that’s like a beautiful thing and I think especially in the world of stand-up where all you hear about is like the Manosphere and the Rogan types, and a lot of stand-up comedy is men dragging a girlfriend to someone they think is funny because they get an ego puff out of showing a woman who they know is to be funny. And my shows are very different. It’s women bringing their boyfriends, women who now bring their husbands, couples coming together, and I love it.

Lastly, what cellphone family plan are you and your parents currently on?

Oh, we’re on T-Mobile. I’m getting kicked off by my dad currently.

Because you’re too famous?

Yeah, he’s like it’s getting embarrassing for him. I could pay for it myself. I just like, now I got to go to the store, I gotta go do it. It’s annoying.