Is Netflix’s Cash Queens based on a true story? – The Mirror
Need to know
The new French crime thriller follows five women who take on a daring bank heist
The French drama may seem far-fetched, but it was actually inspired by real events (Image: Netflix )
Everything you need to know about the inspiration behind Netflix’s Cash Queens
Netflix is currently streaming a brand new crime thriller about five women who take on a daring bank robbery, but what’s the inspiration behind the drama? Cash Queens landed on the streaming platform on February 5, with eight episodes ready to binge watch this weekend.
It follows Rosalie (Rebecca Marder), a single mum who learns that she must live on €30 per week in order to pay off her jailed husband’s debts. Struggling for solutions, Rosalie decides to steal €100,000 from the bank where she works as a receptionist.
When her best friend Kim (Zoé Marchal) catches wind of the plan, she gets involved in hopes she can start a massage therapy business with her share. The women go on to recruit three more members for the ‘Cash Queens’ gang and kickstart their heist.
They skilfully disguise themselves as men in order to dodge suspicion, but the heist soon attracts the attention of politicians, the police, and gangsters. It may shock Netflix viewers that this thrilling story is actually based on a real group of female robbers.
According to Tudum, the series was inspired by the Gang des Amazones, five women who robbed seven banks in the South of France in the lates 1980s. They infamously masqueraded as men by wearing wigs and fake moustaches.
California lawmakers are expressing concern about how the future of Warner Bros. Discovery could affect Hollywood’s workforce.
In an open letter addressed to Netflix Chief Executives Ted Sarandos and Greg Peters and Paramount Skydance Corporation CEO David Ellison, U.S. Sen. Adam Schiff (D-Calif.) and Rep. Laura Friedman (D-Glendale) call for the industry giants to make “concrete commitments to Californian and American workers.”
With all of these moving pieces, there’s a bipartisan fear among the nation’s lawmakers about how the acquisition could affect jobs in the U.S. entertainment industry . As stated in the letter, the industry “supports more than 680,000 jobs and contributes over $115 billion annually to the regional economy.”
Given the slowdown the industry has seen post-COVID and the growing number of international productions, Los Angeles film activity was down 13.2% from July through September 2025 when compared with the same period last year. This downward trend continues to build on the loss of 42,000 jobs in L.A. between 2022 and 2024.
Ellison and Sarandos have made arguments for why they believe their respective companies are best positioned to take over Warner Bros.
But each deal comes with major cuts. Paramount is projected to slash $6 billion in expenses over three years, and Netflix is projecting to cut $2 billion to $3 billion. Some analysts believe these cuts will have a significant effect on the workforce.
Previously, Ellison said, “We believe that what we are offering is better for Hollywood. It’s better for the customers and it’s pro-competitive.”
Sarandos is also quoted in the letter saying: “We think it’s great for consumers. We think it’s a great way to create and protect jobs in the entertainment industry.”
Earlier this week during a Senate subcommittee hearing, Sarandos said Netflix plans to increase its film and television production spending to $26 billion this year, with a majority of that happening in the U.S.
The lawmakers’ letter raises a series of questions surrounding the livelihood of creators, the use of AI and “concrete steps” about preserving jobs in L.A. Schiff and Friedman also offer the CEOs an opportunity to meet with them to discuss their answers.
In an effort to ensure “America continues to lead the world in the creative economy,” the letter said that Congress is currently working on bipartisan legislation that would establish a federal film tax incentive. It will be modeled after state programs in California, Louisiana and Georgia.
“We view this as a tool to not just protect but encourage more domestic filming and sustainable job creation on American soil,” wrote the lawmakers.
Cash Queens or Les Lionnes follows five women who take on a daring money heist, led by single mum Rosalie.
When she realises that her family has to live on just €30 a week in order to pay off her incarcerated husband’s debt, Rosalie comes up with a plan.
She sets out to rob €100,000 from the bank where she works as a receptionist. Her best friend Kim soon catches wind of the heist and jumps on board, hoping to use her share to open a massage therapy salon.
Rosalie’s cousin, Alex, also joins in and uses her skills as an architecture student to perfect their plan.
They later recruit Sofia, another desperate single mum in need of cash before social services hunt her down. And their final member is Kim’s client Chloé, who is married to the town’s shady mayor.
The newfound friend group then take on the tricky heist, cleverly disguised as men. However, “it’s not long before politicians, police, and gangsters are on their tails, scarcely imagining that a group of ordinary women are behind this band of mercenaries,” states the synopsis.
Its ensemble cast is led by Rebecca Marder, who plays leading lady Rosalie. She is joined by Zoé Marchal as Kim, Naidra Ayadi as Sofia, Pascale Arbillot in the role of Chloé and Tya Deslauriers as Alex.
While the French drama’s plot seems far-fetched, it is actually inspired by a gang of robbers from the late eighties.
According to Tudum: “The series is inspired by the Gang des Amazones, five women who robbed seven banks in the South of France starting in 1989. “
The women famously disguised themselves as men by wearing wigs and fake moustaches.
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.
Since the eight-episode series premiered last night (February 5), it hasn’t received many reviews just yet. However, Screen Rant described it as a ‘must watch’.
Entertainment publication Gazettely also shared a thoughtful review, writing: “Cash Queens provides a sharp look at economic desperation. It replaces heist glamour with the frantic reality of survival.”
The review continued, praising the show’s plot device of masculine disguises as “biting commentary on the invisibility of working-class women”.
“This production represents a shift in streaming content toward stories prioritizing character depth over spectacle. It succeeds as a grounded portrait of resistance against a system designed to ignore the poor,” they concluded.
Their opulent retreat rapidly spirals into mayhem as hidden truths emerge and schemes unravel. Upon its debut, The Decameron garnered glowing critiques from audiences.
Writing on IMDb (the International Movie Database), one enthusiast gushed: “This series is very refreshing, goofy, fun and hilarious but also well scripted, performed and beautiful cinematography as well. I am trying not to binge this one out too quickly, yet I can’t wait for more!”
A second devotee penned: “I’m so happy I saw the positive reviews and gave this a go. It’s actually brilliant, well-played and so funny, I found myself laughing out loud several times.
“I have to admit I was a bit skeptical at the beginning of the first episode, but found myself quickly drawn into the story.”
They continued: “It’s crazy, clever and highly entertaining, with many surprise twists and turns which keeps you completely invested in the story and characters.
“The actors are playing their roles almost to perfection, capturing the stupidity of their character with what feels like such a natural ease. I cannot understand the negative reviews at all! I loved this.”
A third viewer remarked: “I am glad to see that the ratings have gone up since I started watching because I honestly did not understand the hate.
“I agree with other reviewers who refer to this as Shakespearean fun. It’s like a satirical version of Midsummer Night’s Dream. I’ve watched this attentively, then I’ve put it on in the background. It’s so hilarious!”
They continued: “If you are a literature, theatre, or history enthusiast, I think you will thoroughly enjoy this. I imagine the actors were having the best time while filming this.
“I hope there is a second season and that Netflix will continue to create content for the aforementioned literature, theatre, and history enthusiasts!”
However, not everyone was impressed with the TV mini-series. One disappointed viewer wrote: “This show is a puzzlement. It’s not funny. It’s not dramatic. There are some moments of uncomfortable ‘humour’ that fall flat. The whole thing falls flat.”
Another critic observed: “A 14th-century period piece brought to Netflix full of present day tropes… the comedy is not what you expect, there is none in this series.”
The eight-part Netflix series – available for viewing now – boasts an impressive ensemble cast, featuring Sex Education’s Tanya Reynolds, Derry Girls’ Saoirse-Monica Jackson, and Veep’s Tony Hale.
The 1938 Gothic masterpiece remains a timeless favourite due to its compelling themes and jaw-dropping plot twists, proving the tale continues to mesmerise audiences nearly a century on.
This bestselling novel has seen numerous adaptations throughout the decades, with Alfred Hitchcock’s Rebecca claiming the Academy Award for Best Picture in 1940.
The latest interpretation comes from director Ben Wheatley’s Netflix production, showcasing performances from Call me by Your Name’s Armie Hammer, Lily James and Kristin Scott Thomas.
James gained recognition portraying Rose in Downton Abbey, Young Donna in Mamma Mia! Here We Go Again and Pamela Anderson in Pam and Tommy.
Meanwhile, British theatrical icon Kristin Scott Thomas is renowned for her roles as Diana Taverner in Slow Horses, Fiona in Four Weddings and a Funeral and Sylvia McCordle in Gosford Park.
The IMDb synopsis for Rebecca states: “A young newlywed arrives at her husband’s imposing family estate on a windswept English coast and finds herself battling the shadow of his first wife, Rebecca, whose legacy lives on in the house long after her death.”
Rebecca holds a disappointing 37% rating on Rotten Tomatoes, though based on viewer feedback, many believe the film deserves far greater recognition, reports the Express.
Enthusiasts flocked to the comments section to voice their opinions, with one declaring: “This movie gripped me from beginning to end. I couldn’t look away, and I didn’t see anything coming. You think you know what the movie is about, then there is a twist, and the whole thing takes a left turn you didn’t see coming.”
Get Netflix free with Sky
This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more
Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.
This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things and The Last of Us.
Another viewer exclaimed: “ABSOLUTELY LOVED IT! ! !” before adding: “Nothing can touch the original masterpiece however this film, in many ways, is faithful Du Mauriers cunning flip of stereotypes.”
A third fan wrote: “Loved the thrill, love story, period views, so well made I would watch it again,” whilst another concurred: “Loved the book and this version of it in film. Have watched I many times. Great cast and acting.”
Additional supporters praised how the timeless novel had been transformed for Netflix, with one suggesting: “If you’ve read Rebecca and it’s a beloved novel to you, this movie is amazing. A great rendition.”
Another viewer expressed bafflement at the film’s critical mauling, writing: “I don’t understand all the bad reviews for Rebecca. I loved the new adaptation. I especially loved the costumes and filming locations. Lily James does a wonderful job.”
One supporter declared: “Excellent twist on a classic thriller! I am not sure why this doesn’t have better reviews but it is well worth your time,” whilst another concurred: “This movie is a stunningly faithful adaptation of Daphne du Maurier’s classic novel.”
A further enthusiast gushed: “What a ride! ! ! This genre bending thriller will take you on the wildest roller coaster of your life. The next time someone asks me what my favorite movie is, I’m saying Rebecca.”
They added: “This movie surpassed my every expectation. Here I was, sitting on the couch expecting some lame romance but nope! ! I am going to pass this movie down through generations of my family.”
Yet not everyone shared the enthusiasm, with one viewer noting: “Bland to the point of boring.”
Another complained: “What was an interesting, suspenseful book with hints of psychological thriller in it became a vapid, rushed, and bland movie that sapped two hours of my life. If you like your movies to stick to the plot of your books, avoid this.”
A third grumbled: “As much as I love the actors and actresses in this movie, nothing about it really had me enjoying the film. The clichés were handed out like appetizers and the plot of the film was all over the place. Wasn’t a fan.”
Nevertheless, considering all the glowing feedback from fans despite the film’s disappointing Rotten Tomatoes rating, Rebecca might well be regarded as an undervalued gem.
Rebecca is available to stream now on Netflix.
**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**
Netflix Inc. Co-Chief Executive Ted Sarandos pledged to maintain a 45-day theatrical window for Warner Bros. films during a Senate subcommittee hearing Tuesday.
Sarandos also tried to dampen concerns about potential job losses and U.S. production declines related to the companies’ proposed multibillion-dollar deal.
During a two-hour hearing before the Senate Subcommittee on Antitrust, Competition Policy and Consumer Rights, Sarandos told lawmakers the proposed merger would not run afoul of antitrust concerns and would, instead, “strengthen the American entertainment industry.”
About 80% of HBO Max subscribers also have Netflix subscriptions, which he said showed the two services were “complementary.” Netflix also plans to increase its film and television production spending to $26 billion this year, with a majority of that happening in the U.S., he said.
“We are doubling down, even as much of the industry has pulled back,” Sarandos said, according to a written transcript of his opening remarks. “With this deal, we’re going to increase, not reduce, production investments going forward, supported by a stronger combined business and balance sheet.”
Sarandos was joined at the hearing by Warner Bros. Discovery Chief Revenue and Strategy Officer Bruce Campbell.
When asked by Sen. Adam Schiff (D-Calif.) whether senators should expect a “round of layoffs” or consumer price increases as a result of the deal, Campbell said no. He pointed to Netflix’s lack of comparable film and TV studios, or the distribution infrastructure that Warner Bros. has.
“We believe, based on our discussions with them in the negotiation process, that they’re not only going to keep those operations intact, in fact, they’re going to invest in those operations and invest in continued production, including on our lots in Burbank and elsewhere,” Campbell said.
Paramount Chief Executive David Ellison was also invited to appear as a witness, but declined because he did not believe it would be useful or helpful since the company’s bid for Warner had been rejected, Sen. Cory Booker (D-N.J.) said during the hearing. Ellison did, however, meet with him and other senators privately to answer questions, Booker said.
Sarandos also tried to assuage concerns about the deal’s potential effect on theatrical distribution.
“I know I’ve earned some skepticism over there over the years on this because I was talking a lot about Netflix’s business model, which was different from that,” he said. “We didn’t own a theatrical distributor before. We do now, and a great one.”
When asked if the 45-day window would be “self-enforced,” Sarandos agreed, saying that was an industry standard. He did, however, note the general caveat that “routinely, movies that underperform, the window moves a little bit” but is still referred to as a 45-day window.
And in a sign of the growing role politics has played in the perception of the deal, Sarandos tried to sidestep questions from Republican senators about perceived “woke” content on the streaming platform, as well as inquiries from Booker about President Trump’s involvement in the merger. Trump previously said he “would be involved” in his administration’s decision to approve any deal.
The hearing comes just two months after Netflix prevailed in a hotly contested bidding war for Warner Bros. The $72-billion deal would dramatically reshape the Hollywood landscape and give the streamer control over Warner Bros.’ storied Burbank film and TV studios, its lot, HBO and HBO Max.
Netflix also agreed to take on more than $10 billion in Warner Bros. debt, pushing the enterprise value of the transaction to $82.7 billion.
But Paramount has continued to pursue the company, fighting to acquire all of Warner Bros. Discovery, including its cable networks.
The company, led by Ellison, has made a direct appeal to Warner shareholders to tender their shares in support of a Paramount deal. A deadline for that offer was recently extended to Feb. 20.
Paramount has also filed proxy materials to ask Warner shareholders to reject the Netflix deal at an upcoming shareholders meeting.
Finding a new home on the platform, it quickly surged up the charts of most watched titles among UK subscribers. However, it looks like the deal to bring the show over was only good for a year, as it is set to be removed a day before its 12 month anniversary.
The show, based on the much-loved Xbox-exclusive game franchise, follows super soldier Master Chief John-117 and his team of Spartans as they battle against the alien threat known as the Covenant.
Its first season scored a respectable 70% on Rotten Tomatoes, while the second series upped the ante with an impressive 90% rating. Pablo Schreiber, known for roles in Orange is the New Black, Den of Thieves and The Wire, took on the role of Master Chief.
Despite its eventual cancellation by Paramount, many viewers have expressed their admiration for the show. This includes many acknowledging the challenge of successfully adapting such a beloved series.
One fan, sharing their opinion online, posted: “The Halo show on Paramount+ is everything I could have hoped for and more. As a fan of the Halo series, I was thrilled by how they brought the universe to life.
“The visuals are stunning, capturing the gritty yet futuristic essence of the franchise. The action sequences are intense and cinematic, especially the battles with the Covenant, which felt ripped straight out of the games.”
Another added: “Epic! If you want action, violence and non stop battles, this is for you. Amazing cinematography. Brought to screen successfully, I’d say.”
They continued: “Heaps of effort and money went into producing this, obviously. Visually stunning. Whole cast excels in character very convincingly. If you are a Halo fan, this will keep you glued to the screen. Lots of twists and dilemmas to keep it gripping and interesting.”
However, its not just dedicated fans of the game series that have been able to enjoy the show. As one person claimed: “Production quality is outstanding, on par with Star Wars or Star Trek. I found the first season intelligent, enjoyable to watch and honestly, very addictive.”
While someone else suggested: “Pure fun, best sci fi since Expanse and The Mandalorian.” And one person commented: “Excellent! They have filmed and written the storyline perfectly and it has me hooked wanting more. Binge watched whole of season 1 in two days.”
Halo is streaming on Netflix until February 28 and on Paramount Plus.
As it turns out, ‘80s pop star Kate Bush and fictional girl group Huntr/x from “KPop Demon Hunters” have a lot in common.
Over the last several years, Netflix has positioned itself as one of the few video streaming services focused on making an impact in the music industry.
From the surprise revival of older songs like Bush’s “Running Up That Hill” and Metallica’s “Master of Puppets” in shows like “Stranger Things,” to streaming the most originally produced music documentaries, there’s no doubt Netflix’s audience is musically in tune.
Last summer Netflix hit another level with the overwhelming success of “KPop Demon Hunters.” The animated movie, featuring fictional K-pop idols who fight the forces of evil, has become the most streamed Netflix movie with more than 480 million views since its release in June. But its success wasn’t limited to the viewership.
The soundtrack, full of punchy K-pop melodies and inescapable earworms, is the first to top the Billboard charts since 2022, when Disney’s “Encanto” created a similar frenzy. Huntr/x is also up for five Grammys at the awards ceremony Sunday.
The breakout single, “Golden,” which spent eight weeks at No. 1 on the Billboard Hot 100, is nominated for song of the year, the first time a Netflix production has been nominated in one of the Grammys’ big four categories.
Music and movies always have enjoyed a symbiotic relationship. Think of classic tunes like “Over the Rainbow” in “The Wizard of Oz” and “My Heart Will Go On” in “Titanic” that became generational hits.
Now, Netflix and other global streaming platforms have taken the synergy to another level, creating new opportunities for recording artists to showcase their music.
“All of a sudden, people are discovering music they didn’t know before,” said Ian Eisendrath, the “KPop Demon Hunters” music supervisor. “I think that people got hooked on the film, which hooked them on the soundtrack, which led to the discovery of other music.”
Eisendrath said the movie, produced by Culver City-based Sony Pictures Animation, was not expected to be “a slam dunk commercial success. It was a risk.”
Though geared toward children, the movie drew a vast audience of all ages.
“It hit all kinds of angles, the music, the story, the characters, the visuals — [Netflix] was very interested in a film that would have wide-ranging appeal to all the quadrants of movie watchers,” Eisendrath said.
In the streaming era, music supervisors like Eisendrath play an increasingly important role in the success of projects like “KPop Demon Hunters,” said Robert Fink, the chair of music industry programs at UCLA’s Herb Alpert School of Music.
He said over the last 10 years, the role has become about more than just finding a song to match a scene.
“They nurture artists in the way that record labels used to do,” Fink said. “They have artists that nobody knows about, or can get some people to write songs for [the project], which might then become a way that those artists and those songs become successful in the industry.”
The singing voices behind Huntr/x aren’t those of the lead actors. They belong to rising musicians Ejae, Audrey Nuna and Rei Ami. Ejae has written songs for major K-pop groups like Twice, Le Sserafim and Red Velvet, while Nuna and Ami have experience as solo artists.
Though they weren’t a group before the film, they have since performed together on the “The Tonight Show Starring Jimmy Fallon,” “Saturday Night Live” and in the Macy’s Thanksgiving Day Parade.
The soundtrack earned global appeal, with more than two thirds of its streams originating from outside the U.S., according to data from entertainment industry analytics firm Luminate. “Golden” scored a record 20 weeks at No. 1 on the Billboard Global charts. The popularity of the movie and its music helped boost music consumption on a global scale.
“KPop Demon Hunters” already is faring well this awards season: It won two Golden Globes and received two Oscar nominations for best animated feature and original song.
Justin Kamps, the music supervisor on “Bridgerton,” noticed a similar trend when new seasons of the Regency-era romance series drop. The period piece is famous for playing quaint orchestral covers of contemporary pop artists such as Billie Eilish, Pitbull and BTS. Its latest season is set to feature covers of Third Eye Blind, Coldplay and Usher.
According to Spotify, both the Vitamin String Quartet, the group behind the covers, and the original artists’ songs, like Eilish’s “Happier Than Ever” and BTS’ “Dynamite,” experienced spikes in listening after the show’s release.
“Music and streaming has grown together. It’s great for artists, because the moment that a song is featured in a project, it could be an incredible boost to their streaming numbers and get them discovered,” Kamps said.
Perhaps one of the most memorable examples of this dynamic happened in 2022, when “Stranger Things” featured Bush’s “Running Up That Hill.” Overnight, everything changed for both Bush and Netflix.
Nora Felder, the show’s music supervisor, called the moment “the perfect storm.”
“It exploded through the stratosphere. We didn’t expect that. We were focused on looking for something that told the narrative. It felt like it had been bigger than ever before,” Felder said.
“Running Up That Hill” received roughly 22,000 daily streams on average before it was featured in the show, according to Luminate. Following its star turn, the song it peaked at 5.1 million streams in a single day — nearly 40 years after its release. It entered the Billboard Hot 100 for the first time and hit 1 billion streams in 2022. The track then spawned viral trends on TikTok and pulled the ‘80s star into contemporary pop culture.
Throughout its five-season rollout, “Stranger Things” continued to influence what viewers were listening to. Felder said the draw of its soundtrack is a mix of nostalgia for older viewers who might have grown up in the ‘80s (the era in which the show is set) and an introduction to a new sonic world for younger listeners. According to Luminate, 28% of Gen Z discovers music through series that are exclusive to streaming.
When Felder works with other studios, she said music can feel like a “last consideration” or like “there wasn’t enough money being put in the music budget.” But with Netflix, music seems to be a priority, as she’s been able to license tracks from David Bowie and Fleetwood Mac and two Prince songs (which played in the “Stranger Things” series finale).
“Netflix is very careful, and for some projects, music is more of a main character than others,” Felder said. “I do feel like Netflix especially has been very careful to try and apply the budget accordingly and take a look at projects and [realize] that music could really be an added force.”
Netflix’s musicality will be put to the test during Sunday’s Grammys broadcast, as the girls of Huntr/x face off with Lady Gaga, Sabrina Carpenter, Kendrick Lamar and SZA, as well as Bad Bunny, Bruno Mars and Rosé. The Grammys will air live from the Crypto.com Arena on CBS and Paramount+.
A noughties dramedy that fans describe as ‘a truly magical experience’ has just landed on Netflix
22:44, 31 Jan 2026Updated 23:13, 31 Jan 2026
Bill Murray and Scarlett Johansson star in the Oscar-winning drama(Image: Publicity Picture)
Netflix has quietly added a cult classic drama that picked up the coveted Best Original Screenplay Oscar in 2004.
The streaming giant has a huge catalogue of Academy Award winners and Lost in Translation is worth adding to your weekend watchlist.
The 2003 dramedy was written and directed by Sofia Coppola, daughter of famed filmmaker Francis Ford Coppola (The Godfather). It follows an unlikely friendship between American strangers Bob (Bill Murray) and Charlotte (Scarlett Johansson).
The pair first meet in Tokyo, where fading movie star Bob is due to film a Japanese whiskey commercial. Meanwhile, Charlotte is a conflicted newlywed visiting alongside her celebrity-photographer husband.
After meeting at their hotel bar, the pair discover they have more in common than they expected. From there, the film dives into important themes such as alienation and the importance of human connection.
The dramedy was an instant hit with critics, earning four Academy Award nominations for Best Picture, Best Director, Best Original Screenplay, and Best Leading Actor (for Murray). Ultimately, Coppola took home the screenplay prize.
It also earned a near-perfect 95% rating on Rotten Tomatoes, where the critics praised: “Effectively balancing humour and subtle pathos, Sofia Coppola crafts a moving, melancholy story that serves as a showcase for both Bill Murray and Scarlett Johansson.”
Viewers were equally impressed, though they awarded the drama a less-impressive 85% score.
One fan raved: “The movie is a masterpiece in every sense. Nothing wanting. If you want to learn about movie making, or just enjoy something purely brilliant, this is it. A work of art.”
Get Netflix free with Sky
This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more
Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.
This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things and The Last of Us.
Someone else echoed the praise: “A hypnotically sweet and tender movie that’s quiet, but grows on you and makes you never want to leave its presence.”
While a third said: “One of the most real and raw movies I have ever seen, Coppola tells a beautiful tale of simple human connection, unlikely friends, and loneliness. This movie is wonderful and thoughtful from start to finish. Deciding never to watch it would be a mistake.”
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.
Yet another moviegoer gushed: “A truly magical experience. Concise, yet meaningful, dialogues where you have to read between the lines to uncover their true depth.
“Simple, yet touching, story that will make you laugh and cry in equal measure. Breath-taking visuals that complement the story. In fact, the main character IS indeed the city of Tokyo that unites two wandering lonely souls.”
Surrounded by stunning Georgian architecture, it feels like you’ve stepped back in time, and it’s no wonder this city has been used as a filming location for Netflix’s Bridgerton
It’s certainly one of Britain’s most beautiful cities(Image: Joe Daniel Price via Getty Images )
Britain boasts countless cities, each with its own unique character, but one historic gem stands out as possibly England’s most stunning. Its streets exude a timeless charm and relaxed atmosphere, featuring an eclectic mix of independent boutiques and upmarket retailers, while food lovers will find themselves spoilt for choice.
Now, Bath in Somerset looks set to become an even bigger draw for tourists as visitors discover this enchanting city has served as the backdrop for some of Netflix’s most talked-about releases. The globally acclaimed series Bridgerton filmed scenes throughout this Georgian city – and with the latest series now available on Netflix, eagle-eyed fans might recognise some Bath landmarks.
The city also played host to the three-part Agatha Christie Netflix adaptation ‘Seven Dials’, featuring Mia McKenna Bruce, Helena Bonham Carter and Martin Freeman.
I paid a visit last year, though it wasn’t my first trip as I’m based in a nearby county – yet this magnificent place never fails to leave me awestruck. While it has an affluent feel, ordinary residents call Bath home, too.
The city appears pristine and secure, with no shortage of distinctive shops to peruse or purchase from. Magnificent residential areas such as the Royal Crescent in Bath harken back to the 1700s, serving as perfect filming locations for costume dramas, reports the Express.
Properties on Bath’s Royal Crescent have an average selling price of £585,000, as per Rightmove. However, if that’s a bit steep for you, there are plenty of stunning period holiday homes available for short stays while you explore these famous filming locations.
You can actually step foot inside No. 1 Royal Crescent, the fictional home of Bridgerton’s Featherington family. This curved street also served as the backdrop for many of the show’s most memorable scenes.
The Georgian property, No. 1 Royal Crescent, has been converted into a museum, adorned and furnished in the style of the late 1700s, allowing visitors to “step into the lives of the Featheringtons”.
With recent releases from Netflix and BBC, Bath is being tipped as the UK’s “next biggest tourism destination” for 2026. But the city has long been a popular spot for tourists, thanks to its historical landmarks, unique Roman Baths and connections to famed English author, Jane Austen.
To help fans plan the ultimate getaway and immerse themselves in the worlds of Bridgerton and Seven Dials, a UK holiday lodge provider has delved deep into the internet to uncover the Georgian city’s most iconic filming locations from both hit shows.
According to research by holidaylodges.co.uk, there are five must-visit filming locations in Bath.
At the city’s North Parade Buildings, you can follow in the footsteps of Martin Freeman and Mia McKenna Bruce. These honey-coloured old buildings form part of a Grade II listed Georgian terrace.
The leafy location sits near Bath Abbey, which also features in Agatha Christie’s Seven Dials.
The stunning North Parade Buildings can be seen during a sequence where ‘Bundle’ (portrayed by Bruce) tails Superintendent Battle (Freeman).
Meanwhile, Bath’s Great Pulteney Street serves as the setting for Seven Dials’ action-packed car chase sequence. This thoroughfare is frequently described as the city’s most impressive street, stretching towards the magnificent Pulteney Bridge.
This location also serves as an excellent starting point for enthusiasts keen to discover Bridgerton filming locations, with the Holbourne Museum and the Royal Crescent just a brief stroll away.
The cobblestoned Abbey Green square in the city appeared in both Seven Dials and Bridgerton, making it essential viewing for period drama enthusiasts. In Bridgerton, the Abbey Deli frontage in this location doubled as the ‘Modiste’ dress boutique.
Meanwhile, at The Holbourne Museum, guests can discover Lady Danbury’s rather grand home, wandering around the refined exterior and stunning grounds of the museum as though visiting Lady Danbury’s opulent residence in Bridgerton.
The finest accommodation options near Bath, for enthusiasts wanting to transform their screen-inspired visit into a rural retreat, features gorgeous lodging just 30 minutes’ drive from the city, according to holidaylodges.co.uk.
Midnight Moon, a chic, luxury timber-framed lodge boasting a peaceful setting and stunning outdoor area, serves as an ideal base for a restful and scenic retreat near these thrilling filming locations. Rates begin at £465 per night.
The Barn in Wiltshire presents another excellent choice for a peaceful rural escape close to Bath. Featuring French doors opening onto a private courtyard, this superb wooden-clad barn is well-suited for a family, small group or two couples, with prices starting from £171 per night.
The brief preview clip, shown after viewers complete season four, episode four, reunites audiences with fan favourites Anthony (portrayed by Jonathan Bailey) and Kate Bridgerton (Simone Ashley), reports the Manchester Evening News.
The couple are shown relaxing on a bed with their newborn baby, following confirmation that Kate had given birth in India during the Viscount and Viscountess’s travels abroad.
The pair, affectionately dubbed ‘Kanthony’ by devoted fans, appear utterly content with their precious bundle nestled between them.
Fans have already flocked to Reddit to share their reactions to the heartwarming scene, particularly after some had expressed disappointment about the limited Kanthony content in Netflix’s earlier season four trailer.
Watch Bridgerton on Netflix for free with Sky
This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more
Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.
This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Bridgerton.
One delighted viewer shared a screenshot of the adorable infant on Reddit, writing: “Makes me broody for another one”, accompanied by two crying emojis.
Another commented: “Looks like a little girl with those eyelashes.”
A third gushed: “THAT KANTHONY BABY IS GORGEOUSSSSSS OMMMMGGG [sic]”, whilst a fourth fan remarked: “I devoured the first part. Absolutely incredible. So glad Kanthony have finally made an appearance as well. But oh my the chemistry between Benophie [sic].”
The newly released trailer reveals Benedict Bridgerton (portrayed by Luke Thompson) proposing that maid Sophie Baek (Yerin Ha) become his mistress, prompting her to storm off in bewilderment and revulsion.
Yet the sneak peek at season four, part two, hints that Benedict may choose to defy society’s strict conventions and pursue his true feelings.
In a pivotal moment, Benedict confides in Will Mondrich (Martins Imhangbe): “There is a woman. She is not a person of any rank, and I have upset her.”
Will responds with crucial advice: “No matter her rank, no woman truly desires to be hidden.”
These words could prove the catalyst for Benedict’s transformation.
Nevertheless, the preview teases plenty of tension, with Sophie and Benedict sharing longing yet strained looks as they navigate society’s expectations.
Sophie appears determined to depart Bridgerton House, attempting to convince Violet Bridgerton (Ruth Gemmell) that her choice isn’t influenced by “anyone” in the residence.
Yet Violet clearly senses there’s something deeper to Sophie’s story and is intent on uncovering the truth – but will she manage before the maid departs?
The trailer builds to a crescendo with Lady Whistledown’s words: “Dearest Gentle reader, there are moments in our lives when we arrive at a crossroads.”
However, her words aren’t solely aimed at Benedict’s predicament, but also touch upon Violet’s blossoming romance with Lord Anderson (Daniel Francis), Francesca Bridgerton’s (Hannah Dodd) emerging feelings for Michaela Stirling (Masali Baduza), and Lady Danbury’s (Adjoa Andoh) choice to embark on travels rather than continuing as a lady’s maid to Queen Charlotte (Golda Rosheuvel).
There’s also an exchange between Violet and Benedict, where she questions her son: “Will you sacrifice your family? Whatever you choose, you must live with it forever. We all will.”
Considering Violet’s steadfast conviction in love above everything else, she may be encouraging Benedict to pursue his heart whilst ensuring he understands the ramifications of his choice.
Bridgerton season 4, part 2 will be released on Netflix on February 26
**For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website**
Stranger Things fans are only just realising that show star Charlie Heaton is a dadCredit: SplashThe actor shares his 11-year-old son with ex-girlfriend Akiko Matsuura, who is 45Credit: GettyThe former couple (pictured in rock group Comanechi) were bandmates and met when Charlie was a teenager, with Akiko twelve years his seniorCredit: Not known clear with picture desk
And this week, Charlie has made a rare admission about his son, leading fans to only know find out he is a dad.
“He has just started getting into it,” the actor told US outlet PEOPLE.
He continued: “He got to come to set last year and that was really cool.”
Charlie’s rare insight into family life has left fans online more shocked that he has a son.
Talking on a Reddit thread, one fan said: “SON??!!!????!! TWEEN!!?!!??????!!!??”
Another wrote: “I’m 33, about the same age the mother of his child was when she was with him and had their baby. I can’t even fathom being with an 18/19 year old like he was at the time”.
“The fact that he has an eleven year-old; I am speechless. I am without speech,” said a third.
While another fan wrote: “What in the actual f***?? I can’t with the ages of Charlie, his kid, and the mother”.
Charlie was in a relationship with Akiko when they were bandmates in rock group Comanechi.
The duo met when Charlie was a teenager and are thought to have split shortly after Archie’s birth, but it’s not known exactly how long the relationship lasted.
The duo fell in love on the show’s set and confirmed their romance back in 2017.
The actor rose to fame in 2016 as a staple in the Stranger Things cast, with the show wrapping just last monthCredit: SplashCharlie has been in a relationship with his co-star Natalia Dyer for almost a decadeCredit: Getty – Contributor
Chatting on a video call from a studio in LA, the singer and producer says: “There were moments in my career where I found myself more focused on novelty and gold.
“There are artists who want to be at the Grammys in three years — that’s their focus. They want to be successful and famous within a certain time and organise all of that in their head.
“For me, I was more focused on the music than the fame. I’d be obsessed with a guitar sounding like a Chuck Berry record and I started to question if I was in the right place. Should I be chasing success?
“I thought it was weird that I wasn’t obsessed with awards and accolades, and I questioned if I was in the right industry.”
On his recent single, the hip-hop confessional Implosion, Labrinth says: “I was losing my mind. It was ripping away from my ego.
“When you taste success, it’s an addictive drug, and you don’t know you’re obsessed. It’s chasing dopamine. You don’t know you’re addicted until you try to pull away.
“If you need success to be validated or to be fulfilled, then there’s something wrong. And that’s where the implosion for me was. I needed to evolve beyond these urges and needs. Then I got an ADHD diagnosis and everything made sense.”
That was two years ago, when the artist born Timothy McKenzie finally got an answer that explained his behaviour.
He says: “I was lucky and went to see a doctor in the US.
“It can take months, even years, to get answers. I went to see Dr Amen, who is a celebrity doctor, and he did a scan of my brain.
“He could literally point things out like where I’d hit my head when I was ten. He did a real deep dive into how my brain works. And after that, it allowed me to be a lot more forgiving with myself.”
The idea for Cosmic Opera Act I came from the inner turmoil Labrinth had experienced with his mental health in the entertainment business while trying to define his own success plus his love for films like Star Wars.
“I still haven’t been to an opera — I know that sounds insane,” he says with a laugh.
“The opera is connected to drama and deep emotion.
“Then the cosmic part was after reading an article which said there are as many connections in our brain as there are stars in our universe.
“So that was the perspective of the title — with mental health the subject.
“I’ve always been a fan of opera from a distance, and I’ve always enjoyed the idea of exploring it.
“Also, I grew up with films from the Eighties like Indiana Jones and Star Wars. Those film scores stuck in my mind and I wanted to make an album that incorporated and explored their sound.
“Of course, me working in film and TV pushed me further into that direction.”
I wrote that song to show how I had evolved from the pain and confusion about my dad. I looked at myself as being a mini Luke Skywalker coming out of his demons
Labrinth
Labrinth’s love of Star Wars was also the inspiration behind one of the many standout songs on the album, S.W.M.F. (Star Wars Motherf***er), the singer feeling at peace with his demons.
It was a battle that helped him agree to soundtracking the Christmas John Lewis advert, a remake of 1990 rave classic Where Love Lives with original vocalist Alison Limerick.
“The John Lewis song was the finish line of dealing with demons for me — which was my relationship with my father.
“The John Lewis storyline was about a father and son’s relationship, so me doing the ad was like me saying, ‘Hey, Dad, I get it’.”
He adds: “Our relationship wasn’t great. My dad, who has passed, was violent and not present. He’d had a horrible childhood with an extremely violent stepfather, and that affected the way he was a father to me.
“I saw him occasionally. He was a bit of a ladies’ man, and I don’t think he knew how to be present enough for me as a kid. He didn’t do stuff like taking me to the park or giving me advice.
“Also, he was violent with me, trying to knock me for six when I was very young.
“So I had to face those demons and it made me think about my own anger or frustration. But when I look back, I feel pity for him, because he didn’t have the tools that I have today.
“It was the same with ADHD — I wanted to understand my brain and the way it works, so that I could be the best father I can be to my three young kids. And, in that journey, it made me think of my dad compared to my relationship with my kids and the moments they needed me — because I never had that.
“So I wrote that song to show how I had evolved from the pain and confusion about my dad. I looked at myself as being a mini Luke Skywalker coming out of his demons.”
Labrinth says music was his saviour as a child and he would spend hours making music after being excludedCredit: Jasper Graham
God Spoke is a special gospel-influenced track inspired by Labrinth’s struggles with religion.
He says: “I grew up very religious. My grandad is a reverend and my mum is a devout Christian. She came over for Christmas to be with her grandkids, and we had loads of talks about religion.
I had a really bad temper. I would be kicked out of class all the time and I’d end up in the music room
Labrinth
“I’m spiritual, but I don’t follow a practice. I have all the respect for those who do follow a religion but I see God as unlimited and infinite and in a lot more places than a room or a structure — that’s why, to me, it’s bigger than one religion or one place.
“So God Spoke is like a homage to my grandad. When I was a kid, a lot of people would come to church for redemption. So I wrote that I’m at the end of being the old me, and I’m ready to grow and morph into the new me.”
Burn out
Labrinth says music was his saviour as a child and he would spend hours making music after being excluded.
“I got in a lot of trouble at school,” he says.
“I had a really bad temper. I would be kicked out of class all the time and I’d end up in the music room.
“Eventually it got to the point where I would get in trouble purposely, just so I could go there, because it was the easiest place for me to be, and the most peaceful.”
Labrinth says there is still not enough help with artists and their mental health in the entertainment industry.
He says: “RSD — Rejection Sensitive Dysphoria — is associated with ADHD and there are many artists in the music industry with this.
“Artists don’t learn how to manage their careers or their mental health. When they get a deal, they can burn out because they don’t have the tools to support the way their brain works.
“A lot of artists can end up in drug abuse, because they don’t have the skills to deal with a song not working.
“There isn’t a support system in the music industry — and it’s needed.”
In April Labrinth will take Cosmic Opera Act I to Coachella festival in California.
He says: “I am still working on how that looks, because it’s not cheap to do what is on the record. But I have big ideas and big visions for how I want to present the music and what I want to explore sonically.”
The Hackney-born star last played the festival in 2023 and was the talk of the weekend, with surprise guests Billie Eilish and Zendaya — in her first live show in over seven years, performing I’m Tired and All For Us from Euphoria on the second weekend.
“Zendaya was not planned at all,” says Labrinth. “Billie was the first week but Zendaya, who was on a film set, said she couldn’t make it.
“Then she called me to say she was going to Vegas to watch Usher and would be passing by. So it was literally last minute.”
Labrinth is looking forward to working on the score for Euphoria season three because Oscar-winning composer Hans Zimmer has joined the show’s production team.
Labrinth says there is still not enough help with artists and their mental health in the entertainment industryCredit: Alamy
He says: “The show is special because it speaks to the language of this era. That’s what inspired me.
“And this time, having Hans Zimmer involved — an experienced genius — makes a difference. I’ve always wanted to work with him, so this is my chance to do so.
If I could work with anyone next I’d say David Attenborough
Labrinth
“Gladiator was the film that got me on to Hans, and True Romance is another I love.
“He and Beyonce picked my song [Spirit] for Lion King so then I was like, ‘Well, I need to meet this guy’. It seems like life is trying to pull us together.”
Labrinth has learned a lot from working with superstars.
He says: “Beyonce has been a fan for a long time, because she’s checked out a lot of my records. She’s very kind, and treats people with respect, and is a real professional.
“Abel [The Weeknd] was like an animal in the studio. He knows what he wants and then it goes crazy when he releases something.
“If I could work with anyone next I’d say David Attenborough. I know he’s not a musician, but I love his voice and I’ve always wanted to put him on a record. Morgan Freeman and him — their voices are musical instruments to me.
“But next I’m in London working with Skepta. The UK has some special artists and I’m dying to get over there to perform.”
Here’s the lowdown on exactly when you can watch Bridgerton season four, part two and what to expect from the second batch of episodes.
When is Bridgerton season 4 part 2 on Netflix?
Bridgerton season four, episode five will be hitting Netflix on Thursday, February 26 when fans will be getting another four episodes to savour.
The release schedule for season four mirrors that of the third outing after Netflix started splitting up its biggest shows to maintain its subscriber base.
Netflix recently released the episode titles for season four, part two, which marks the second half of the fourth run.
The episode titles are as follows: Episode 5: Yes or No; Episode 6: The Passing Winter; Episode 7: The Beyond; and Episode 8: Dance in the Country.
Season four is adapted from Julia Quinn’s third Bridgerton novel An Offer from a Gentleman and those familiar with the book might be able to guess what the episode titles allude to in terms of the plot.
Watch Bridgerton on Netflix for free with Sky
This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more
Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.
This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Bridgerton.
What happens in Bridgerton season 4 part 1?
WARNING: This section contains spoilers from Bridgerton season 4, part 1
Season four, part two will see what happens between Sophie Baek (played by Yerin Ha) and Benedict Bridgerton (Luke Thompson) and their blossoming romance. Despite their attempts to avoid each other, the sparks flew between them.
Benedict was also in the dark about Sophie’s complicated past, something which could come to light in the latter half of the season.
Season four, part two is also expected to address whether or not Benedict will find out if Sophie is also the Lady in Silver, and if that could have a bearing on whether he would want to marry her.
Another storyline in season four, part two will likely be Francesca Bridgerton’s (Hannah Dodd) burgeoning sexuality.
Season three previously hinted at Francesca’s feelings towards female rake Michaela Stirling (Masali Baduza), when she was left tongue-tied during their first meeting.
Finally, Eloise Bridgerton (Claudia Jessie) and her decision to become a spinster and be “left on the shelf” will be delved into further as the headstrong Bridgerton daughter might find herself fettered by the constraints of society given in her single status.
Speaking to Entertainment Weekly in a recent interview, Bridgerton’s showrunner Jess Brownell teased season four and Sophie’s arc: “We get to watch a very headstrong young woman try to decide her fate for herself and pick up the courage to believe in and dream for a life greater than the one she currently has.”
Brownell went on to say that the novel was the “easiest” one to adapt because the structure lent itself “really closely” to ones seen on the small screen.
The writer added: “There are just a lot of rich set pieces that gave us juicy conflict and high stakes. I think fans will be happy to see quite a few of the set pieces from the book in the show.”
Once season four, part two has wrapped up, fans can look forward to both seasons four and five, which are already in the pipeline with Brownell confirming to Deadline that Eloise and Francesca’s stories will be the focus of each of the outings but couldn’t confirm the order.
Given that the television adaptation has already broken with the order of the novels, there’s nothing to stop the sixth novel When He Was Wicked from being first and focusing on Francesca’s love story.
To Sir Phillip, With Love is book five in the series and focuses on Eloise.
Bridgerton season 4, part 1 is streaming on Netflix now
Netflix has added a historical drama based on the true story and viewers have been captivated
Toni Chichiarelli is a real-life artist(Image: NETFLIX)
Netflix has quietly dropped a historical drama rooted in real events, and true crime enthusiasts are already singing its praises. The streaming giant has added this Italian post-war thriller, which chronicles the life of Toni Chichiarelli (portrayed by Pietro Castellitto).
The gifted artist scrapes by creating street portraits in Rome during Italy’s tumultuous Years of Lead. This period witnessed widespread chaos fuelled by political violence from both neo-fascist groups and far-left extremists.
Time Magazine noted: “Toni’s amoral ambition leads to a life of forgery, producing perfect replicas of paintings for his gallery owner girlfriend Donata (Giulia Michelini) and other lucrative jobs for the Banda della Magliana, a criminal organization stretching its wings in Rome, with the charismatic Balbo (Edoardo Pesce) taking the forger under his wing.”
This ambitious production, amongst Netflix’s collection of fact-based films, has earned acclaim for its meticulous period detail, with reviewers highlighting the authenticity of everything from vehicles to wardrobes and soundtrack. Viewers have branded it a compelling blend of political suspense and gangster drama.
The Netflix offering is titled The Big Fake, and supporters have flocked to IMDb reviews encouraging others to give it a watch.
Pjames10 praised it as “excellent”, revealing: “I don’t want to give anything away, but the movie took some nice twists and turns. It had some filmic serendipities that, rather than distracting, only helped to reveal how our hero has led a charmed life on the periphery of legitimacy and criminality. I was sucked in, and it held my attention the entire time.”
2B-10101010 branded it “amazing”, continuing: “Intrigue, emotion, story, actors, this movie has it all. It starts a bit slow but after the initial introduction, you get to know the characters and story and you want to see more, you want to feel like you are in the movie, it’s a captivating story with a bit of flair. Maybe one of the best European movies! Give it a chance, it’s worth seeing.”
Luuthaiquangkhai awarded the film nine out of 10 stars, commending its distinctive atmosphere.
They explained: “I came in expecting a heist/criminal movie, ends up watching a Historical drama that is very much unlike any other things. They have a good story to tell, a firm set of characters with clear individual values and motivations.”
Get Netflix free with Sky
This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more
Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.
This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things and The Last of Us.
Over on Rotten Tomatoes, Giulia S enthused: “Amazing plot. Great character. Great Atmosphere. I really enjoy it!” Anthousa P declared: “Finally a movie for readers of good literature. Where the story matters less than how it is told. Lovely photography, solid acting, good steady pace, interesting musical background.”
Lucas P declared: “An absolute masterpiece of a movie with a spectacular twist at the end. This is a must-watch.”
The genuine Antonio Chichiarelli was an expert in deception, and his talents extended far beyond painting. Born in Abruzzo in 1948, he made his way to Rome possessing a skill “so dangerous it made him a protected asset for the most powerful entities in Italy”, according to The Viewers Perspective.
The Big Fake is on Netflix.
**For the latest showbiz, TV, movie and streaming news, go to the new Everything Gossipwebsite**
Netflix has shared a first look at its new crime thriller series, which is based on bestselling novels
Jo Nesbo’s Detective Hole | Official Teaser | Netflix
Netflix has dropped an exciting first look at a gripping new crime thriller series perfect for Department Q fans, adapted from a celebrated author’s chart-topping novels. The serial killer whodunnit, among Netflix’sexpanding roster of crime dramas, stars The Last Kingdom’s Tobias Santelmann in the lead role, with early reactions praising it as “fresh and true to the character”.
Set for its worldwide premiere on Netflix on March 26, the Working Title production showcases Santelmann as detective Harry Hole, with Joel Kinnaman portraying Tom Waaler and Pia Tjelta taking on the role of Rakel Fauke.
Series creator and executive producer Jo Nesbø commented: “It’s been just great working with Tobias Santelmann and creating a character that is fresh, still true to the character and his universe in the novels. I’m really looking forward to presenting this Harry Hole to the audience.”
The programme, titled Jo Nesbo’s Detective Hole, has proven to be a career highlight for Santelmann, who described the opportunity as an “honour”. He elaborated: “Stepping into Harry Hole’s shoes has been a tremendous honour and a thrilling challenge. Jo Nesbø’sworld is so rich, and Harry is a truly complex character.
“I’m thankful for this opportunity, and I hope the audience will enjoy our Harry Hole. Bringing him to life, and working with everyone involved, has been a true privilege.”
Jo Nesbø has captivated audiences globally with over 60 million books sold, cementing his status as a master of the crime thriller genre. The adaptation centres on his iconic troubled detective, Harry Hole, and explores his complex relationship with a fellow officer who walks a far darker path.
The series pits Harry against the morally compromised detective Tom Waaler. According to the synopsis: “Harry is a brilliant but tormented homicide detective who struggles with his demons.
“As the two navigate the blurred ethical lines of the criminal justice system, Harry must do all he can to catch a serial killer and bring Waaler to justice before it is too late.”
The explosive trailer plunges audiences straight into chaos with a devastating car crash, offering a glimpse into the perilous world the detective inhabits daily. Whilst acknowledged as exceptional at his job, he is “just not that good at everything else”.
Get Netflix free with Sky
This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more
Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.
This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things and The Last of Us.
His nemesis can be heard taunting him: “We are not so different, you and I. We are both intelligent. We don’t have to be enemies, you and I.”
Enthusiasts rushed to YouTube to voice their excitement, with @CANAN-07 commenting: “I read all Jo Nesbo books! I love Harry Hole’s character, and I was picturing exactly this actor type in my mind, Tobias Santelmann. This must be from The Devil’s Star book in which the killer cuts off victims’ fingers.”
User @stevelamont4593 commented: “I’m with you, I’ve read the books, I’m hoping it’s better than The Snowman (film). The book was brilliant, this looks really…. really good.”
Meanwhile, @iloveharrypotter22 enthused: “YES! I can’t wait. One of my all-time favorite book series. If you’re new to Harry Hole read the books, and skip The Snowman movie. This show has a lot of promise. Can’t wait!”
Jo Nesbo’s Detective Hole launches on Netflix on March 26.
**For the latest showbiz, TV, movie and streaming news, go to the new Everything Gossip website**
A MAJOR character from Sex and the City was seen looking sexier than ever.
The SATC heartthrob was spotted out and about walking his dogs, and honestly, he’s still looking good more than 20 years after his Sex and the City days.
Sign up for the Showbiz newsletter
Thank you!
The 58-year-old actor, who played Carrie’s writer boyfriend, was rocking a seriously shaggy beard during the low-key outing.
SATC star, Ron Livingston, is spotted years after becoming everyone’s favorite ex-boyfriendCredit: BackGrid
Ron Livingston, the star behind the oft-debated Jack Berger character in the series, threw on a blue flannel shirt for the casual dog walk.
That Post-it breakup is still one of the most talked-about moments in the entire series, and an iconic moment in television history.
For the walk in Hollywood, he added baggy blue jeans to his flannel shirt, a white undershirt, and some dark red leather sneakers.
Carrie and BergerCredit: AlamyAfter the Hamptons, before the Post-It noteCredit: Alamy
Wife and fellow actor, Rosemarie DeWitt, joined him on the dog walk in a sporty black and white look with a floppy hat.
Ron’s joked before that he got “death threats from scrunchie nation” after another scene where Berger defended a woman’s hair scrunchie.
Berger is also the one who dropped the legendary, “He’s just not that into you,” line on Miranda during that dinner with all the girls.
Since his SATC days, Ron’s been busy with stuff like The Conjuring, Boardwalk Empire, and his hit show, Loudermilk.
Ron Livingston arrives at RLJE Films’ The Man Who Killed Hitler And Then Bigfoot premiere at ArcLight Hollywood on February 04, 2019Credit: GettyCarrie and Berger meet a woman from MaconCredit: Alamy
Ron was born in Cedar Rapids, Iowa, and attended Yale along with Anderson Cooper, while singing in the a capella group, the Whiffenpoofs.
He first became known for his lead role as Peter Gibbons in the classic American movie, Office Space.
He’s also well-known for playing Captain Lewis Nixon in Band of Brothers, the HBO war series, for which he was nominated for a Golden Globe.
Unlike SJP, Ron’s kept his personal life pretty private compared to when he was in the Sex and the City spotlight.
He married Rosemarie in 2009, and the pair have two children together.
This casual dog-walking look shows he’s totally fine living a chill life away from all the Hollywood craziness.
Fans were pumped to see him looking good and living his best life.
That shaggy beard gives him a totally different vibe from his clean-cut Berger days — more rugged and distinguished now.
Even after more than 20 years, SATC fans still remember Berger as one of Carrie’s most memorable boyfriends before she met Petrovsky and ended up with Mr Big.
Ron Livingston is spotted 30 years after the cult comedy was releasedCredit: BackGridRon Livingston and Rosemarie DeWitt walking their two dogs in Los FelizCredit: BackGrid
Many in Hollywood fear Warner Bros. Discovery’s sale will trigger steep job losses — at a time when the industry already has been ravaged by dramatic downsizing and the flight of productions from Los Angeles.
David Ellison‘s Paramount Skydance is seeking to allay some of those concerns by detailing its plans to save $6 billion, including job cuts, should Paramount succeed in its bid to buy the larger Warner Bros. Discovery.
Leaders of the combined company would search for savings by focusing on “duplicative operations across all aspects of the business — specifically back office, finance, corporate, legal, technology, infrastructure and real estate,” Paramount said in documents filed with the Securities & Exchange Commission.
Paramount is locked in an uphill battle to buy the storied studio behind Batman, Harry Potter, Scooby-Doo and “The Big Bang Theory.” The firm’s proposed $108.4-billion deal would include swallowing HBO, HBO Max, CNN, TBS, Food Network and other Warner cable channels.
Warner’s board prefers Netflix’s proposed $82.7-billion deal, and has repeatedly rebuffed the Ellison family’s proposals. That prompted Paramount to turn hostile last month and make its case directly to Warner investors on its website and in regulatory filings.
Shareholders may ultimately decide the winner.
Paramount previously disclosed that it would target $6 billion in synergies. And it has stressed the proposed merger would make Hollywood stronger — not weaker. The firm, however, recently acknowledged that it would shave about 10% from program spending should it succeed in combining Paramount and Warner Bros.
Paramount said the cuts would come from areas other than film and television studio operations.
A film enthusiast and longtime producer, David Ellison has long expressed a desire to grow the combined Paramount Pictures and Warner Bros. slate to more than 30 movies a year. His goal is to keep Paramount Pictures and Warner Bros. stand-alone studios.
This year, Warner Bros. plans to release 17 films. Paramount has said it wants to nearly double its output to 15 movies, which would bring the two-studio total to 32.
“We are very focused on maintaining the creative engines of the combined company,” Paramount said in its marketing materials for investors, which were submitted to the SEC on Monday.
“Our priority is to build a vibrant, healthy business and industry — one that supports Hollywood and creative, benefits consumers, encourages competition, and strengthens the overall job market,” Paramount said.
If the deal goes through, Paramount said that it would become Hollywood’s biggest spender — shelling out about $30 billion a year on programming.
In comparison, Walt Disney Co. has said it plans to spend $24 billion in the current fiscal year.
Paramount also added a dig at Warner management, saying: “We expect to make smarter decisions about licensing across linear networks and streaming.”
Some analysts have wondered whether Paramount would sell one of its most valuable assets — the historic Melrose Avenue movie lot — to raise money to pay down debt that a Warner acquisition would bring.
Paramount is the only major studio to be physically located in Hollywood and its studio lot is one of the company’s crown jewels. That’s where “Sunset Boulevard,” several “Star Trek” movies and parts of “Chinatown” were filmed.
A Paramount spokesperson declined to comment.
Sources close to the company said Paramount would scrutinize the numerous real estate leases in an effort to bring together far-flung teams into a more centralized space.
For example, CBS has much of its administrative offices on Gower in Hollywood, blocks away from the Paramount lot. And HBO maintains its operations in Culver City — miles from Warner’s Burbank lot.
The tender offer was set to expire last week, but Paramount extended the window after failing to solicit sufficient interest among Warner shareholders.
Some analysts believe Paramount may have to raise its bid to closer to $34 a share to turn heads. Paramount last raised its bid Dec. 4 — hours before the auction closed and Netflix was declared the winner.
Paramount also has filed proxy materials to ask Warner shareholders to reject the Netflix deal at an upcoming stockholder meeting.
Should Paramount win Warner Bros., it would need to line up $94.65 billion in debt and equity.
Billionaire Larry Ellison has pledged to backstop $40.4 billion for the equity required. Paramount’s proposed financing relies on $24 billion from royal families in Saudi Arabia, Qatar and Abu Dhabi.
The deal would saddle Paramount with more than $60 billion of debt — which Warner board members have argued may be untenable.
“The extraordinary amount of debt financing as well as other terms of the PSKY offer heighten the risk of failure to close,” Warner board members said in a filing earlier this month.
Paramount would also have to absorb Warner’s debt load, which currently tops $30 billion.
Netflix is seeking to buy the Warner Bros. television and movie studios, HBO and HBO Max. It is not interested in Warner’s cable channels, including CNN. Warner wants to spin off its basic cable channels to facilitate the Netflix deal.
Analysts say both deals could face regulatory hurdles.
An underrated horror film from 2013 starring Jessica Chastain is now available to stream on Netflix
They soon discover their guardian isn’t finished with them(Image: UNIVERSAL PICTURES)
Andy Muschietti, the director of It, has a lesser-known horror gem that’s just landed on Netflix.
First hitting screens in 2013, it boasts a standout performance from Jessica Chastain, who later took on the role of Beverly Marsh in the popular Stephen King adaptation.
The film, titled Mama, also stars Game of Thrones’ Nikolaj Coster-Waldau and Yellowjackets’ Isabelle Nélisse. It tells the chilling tale of two young girls who lose their parents in a tragic incident and are subsequently raised by a malevolent entity in a dark forest.
After being rescued by their father’s twin brother, they attempt to adjust to normal life, only to find that the ominous ‘Mama’ isn’t quite finished with them yet.
Despite being Muschietti’s directorial debut, Mama didn’t exactly wow critics, earning a modest 63 percent rating on Rotten Tomatoes. However, it has cultivated a dedicated fanbase who believe it deserves another look, reports the Express.
One glowing Letterboxd review proclaimed: “I could happily sit through twenty turkeys to find one diamond like this. A masterclass in modern horror.”
Another viewer enthused: “I have seen many, many horror films in my lifetime. But I have rarely (if ever) seen one that has touched me so deeply, rewarded me so profoundly, and at the same time managed to scare the everliving s*** out of me so many times in one night.
“Mama has left me shaken to my very core, in so many good ways.”
**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**
They added: “Mama is possibly the scariest film I have ever seen, but also one of the most touching, well filmed and memorable stories in a very long time.
“More ghost story than fairytale, it’s one that is sure to haunt me for all time, and I will think twice before I turn out the lights tonight..”
The accolades kept coming on IMDb, where one fan confessed “I wish there were more movies like Mama.
“This has become one of my favorite horror movies over the years, one I keep turning to as a prime example of what the horror genre should be,” they said.
Get Netflix free with Sky for Bridgerton Season 4
This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more
‘Dearest gentle reader’, as the fourth season of Bridgerton follows second son Benedict love story, there’s a way to watch this fairytale-like season for less.
Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan. This lets customers watch live and on-demand TV content without a satellite dish or aerial and includes the new season of Bridgerton.
Meanwhile, another bewildered enthusiast questioned: “Why is this movie so underrated??
“Mama wasn’t terrible like everyone says. It was so good! The ending was super emotional and wtf-ish.”
If you’re already hooked on the recent It films, be sure to discover where it all started for horror genius Muschietti now that Mama is ready to stream.
TWO years ago, Take That’s Howard Donald delivered 52 tapes to Netflix in an enormous Ikea bag.
He had spent the past 35 years quietly filming the band as they transformed from working-class lads into bona fide global stars.
Sign up for the Showbiz newsletter
Thank you!
In one emotionally-charged interview, Gary Barlow talks about his struggle with bulimia, which started following Take That’s split in 1996 and his rivalry with RobbieCredit: NetflixGary says he spent 13 months rarely leaving the house as he struggled with his mental health and weight gainCredit: NetflixThe band had transformed from working-class lads into bona fide global starsCredit: Netflix
“Are you sure it wasn’t a Prada bag?” Howard teases as I interview the group to celebrate the release of a three-part Netflix docuseries based on that footage.
It was a bold move given the much-publicised trials and tribulations of one of Britain’s biggest bands, who have landed 12 No1 singles in their 35-year career.
The series features candid new interviews with current members Gary, 55, Howard, 57, and Mark, 54, alongside never-before-seen footage and photographs.
Robbie, 51, and Jason, 55, allowed archive chats with them to be used to narrate their part in the story.
In one emotionally-charged interview, Gary talks about his struggle with bulimia, which started following Take That’s split in 1996 and his rivalry with Robbie.
Taunts from Robbie are replayed during the documentary, with footage showing him saying: “My problem always was with Gary, I wanted to crush him. “I wanted to crush the memory of the band and I didn’t let go. Even when he was down I didn’t let go.”
Speaking at the premiere of the documentary at Battersea Power Station in South London on Monday night, Gary admits it was tough to watch.
‘Butt of the joke’’
He said: “It’s a narrative that I haven’t thought about for years and years. When we had our reunion we spent a lot of time talking about it and I remember leaving on one particular day and we’d discussed everything. And I remember leaving and my shoulders were light.
“And I’d not thought about it since because I’d not needed to. And it brought it all back. Tricky times they were.”
In the documentary, Gary shares previously unseen photographs of him as he struggled to find his purpose and says: “You’re the butt of the joke. It was so excruciating you just want to crawl into a hole.
“There was a period of 13 months where I didn’t leave the house once. I’d also started to put weight on.
“The more weight I put on the less people would recognise me and I thought, ‘This is good. This is what I have been waiting for. This is a normal life’.
“So I went on this mission then, if the food passed me I would just eat it. And I’d killed the pop star.
“I would have these nights and I would eat and eat and eat but however I felt about myself, I felt ten times worse the day after.”
At his heaviest, Gary, who has three children with his wife Dawn, weighed just over 17 stone.
He explained: “One day I thought, I have been out, it’s 10 o’clock, I have eaten too much, I need to get rid of this food.
It only took a few years to get that low, but it took me years to get back to who I wanted to be. Ten years probably.
Gary Barlow
“You just go off to a dark corner of the house and you make yourself sick. You think it’s only once and all of a sudden you’re walking down that corridor again and again.
“Is this it? Is this what I am going to be doing forever?”
By 2003, Gary turned his life around, and he said: “I just went, ‘No, I’m not having this any more, I’m going to change. I want to change and I’m determined that this is not who I’ve become’.
“It only took a few years to get that low, but it took me years to get back to who I wanted to be. Ten years probably.”
Discussing his recovery with The Sun in 2021, he explained: “I’ve been very strong-minded about how I live and what I eat.
“In general, I work on a 90/10 — 90 per cent sensible-choice food and ten per cent fun choices.
“Buy a nice little writing book, one you’ll feel good about holding and keeping on you at all times. Do a food diary every day, and look down and you’ll see what you’re doing wrong.
“A food diary will also show you what you’re missing in your diet. If you want to get serious and go to a dietician or to a friend and seek help, you can show them the diary.”
Howard is also painfully honest about how hard life was following the end of Take That.
In the documentary, Howard recalls returning home and says: “I felt like I was the only one who didn’t grow up, even though I was the eldest.
“I was a nobody in school, I didn’t go to university, I didn’t think I’d do anything but I felt like a superhero up on that stage.
“It was going towards a depressive state. I decided to go to the Thames.
“I was seriously thinking I was going to kill myself but I was too much of a s**tbag to do it.”
Speaking backstage at the premiere, Howard explains that the band did not want to hide the painful parts of their journey.
He said: “I think it is such a true documentary. You can easily do a documentary and take out all the bits that you feel uncomfortable with — and there are quite a lot of uncomfortable bits in there.
“But it’s true of the last 35 years of Take That. There is a lot of footage people have never seen. It’s good for people to see.”
Gary admits weight gain made him less recognisable – and briefly feel like he had found a ‘normal life’Credit: NetflixNetflix’s Take That is available to stream nowCredit: PA
Mark is also seen struggling to cope with life after the band, who landed their first Top Ten hit with a cover of Tavares’ It Only Takes A Minute in 1992.
He said backstage: “We were working hard, playing all these gigs and things got very hard — but then we got back together. Maybe miss out on the middle bit.”
‘I got a lot of stick’
Like Robbie and Gary, Mark attempted to launch a solo career, but was dropped by his label in 1997, a year after Take That split.
He added: “You start to feel very negative about yourself.”
Robbie and Jason’s clashes with the band’s former manager, Nigel Martin-Smith, are also discussed in the doc.
Robbie says: “Nigel as a manager, he never managed me, he managed Gary Barlow. I wanted him to love me but he never did.”
Jason adds: “When I was in Take That the first time around I was the dancer and I accepted that at the time.
“I don’t know if this is the time or place to say, I was told not to bother singing, ever.”
After the group came back as a four-piece without Robbie in 2005, they ceased working with Nigel and found new representation.
Of the change, Jason says: “Robbie and I got a lot of stick from Nigel. He made us all feel insecure.
“I could feel worthless in the band and I didn’t deserve to feel that. I didn’t want to feel that any more.
“We had chosen our own management, we had chosen our own people, we were in control.”
Director David admits there was some trepidation when it came to showing the three episodes for the first time.
In about 25 minutes we’d put things to bed that had haunted us for years.
Gary on Robbie feud
Speaking backstage alongside producer Gabe Turner, David said: “We talked long and hard about how to do it.
“There is some really hard stuff in there for them, it was a tricky thing for them to watch and it was nervy for us to watch it with them.
“They allowed us to push them to that place. We asked them to lay down their story and they allowed us to take them to that place.”
Gabe added: “Episode two is punchy. With a lot of documentaries you are building that relationship for the first time, you’re working on the fly, but these guys know us and know what we want to do.
“I felt really positive about how little they wanted to see it. They handed us the keys and said, ‘Do you thing’.”
As well as the tough times, Take That fans get a front seat to the inner workings of the group’s comeback with Robbie in 2011.
‘Haunted us for years’
Opening up about healing their old wounds, Robbie says: “I needed Gary to listen to my truth.”
Gary continues: “There were things around people not being supportive of his songwriting and his weight. I’d called him Blobby rather than Robbie one day, which I shouldn’t have done.
“Then I hit him with things he had done to me that I didn’t like
“In about 25 minutes we’d put things to bed that had haunted us for years.”
As well as hearing original demos on the series, fans also get treated to a new single, You’re A Superstar, at the end of the third episode.
The track, taken from their tenth album, is expected to be released later this year.
We’ve got the first steps, we’ve got the Netflix documentary, then we’ve got the Circus tour, then there will be new music.
Gary
Backstage at the screening in London, Howard said the trio have spent months working on the material, adding: “It’s going really well.
“We’ve all been writing separately, writing together and I think we’ve got a really good choice of really good songs.
“We are really proud of them and we just can’t wait for people to hear them.
“We’ve got the first steps, we’ve got the Netflix documentary, then we’ve got the Circus tour, then there will be new music.”
Mark continued: “The tenth album feels quite special. I am really excited about what I am hearing.
“It’s given us a boost, the songs that are coming through and the fact it’s our tenth record, it’s like ‘Go on guys!’.”
Ahead of their 17-date Circus Tour, which kicks off at St Mary’s Stadium in Southampton on May 29, fans will be wondering now if history will repeat itself — and Robbie will rejoin again.
And Gary for one is hopeful, saying yesterday: “At some point it’s going to happen.
“And that’s one of the wonderful things about our band — you never know what’s around the corner.”
Netflix’s Take That is available to stream now.
Gary shows off his buff physique while on holidayCredit: BackGridGary and Take That in 1992Credit: Getty
BRAVE BOYS GO WARTS AND ALL
THESE days, most big stars who promise a warts-and-all documentary about their lives end up pulling a Kim Kardashian and overseeing every last scene.
But not Take That, who were brave enough to hand over hundreds of hours of footage to Netflix to tell their story.
For the most part, the three-parter is the most mesmerising trip down memory lane – with Gary, Howard, Jason, Robbie and Mark starting their career in the band by performing in gay clubs and then school halls in a desperate bid to make it.
But with all the hilariously fun Nineties fashion and moments of shared joy, there is a heavier undertone that echoes around episode one before loudly arriving in the second.
The realities of being shoved into the emotional mincing machine, which was sadly part and parcel of being a pop star in the Nineties, are hard to watch.
My heart hurt as Mark, who penned my favourite Take That song Shine, begged people to ask about his solo music when the band split in 1996 – and when Jason admitted he was told that he was only good enough to dance and “shouldn’t bother singing”.
And I was close to tears as Howard recounted reaching such a desperate point after they split that he considered taking his own life.
I’m lucky enough to work with big musicians regularly and, each time, I am reminded that no matter how famous they are, they are all human.
I’ve watched artists break down backstage under the strain of big tours and have been privy to quiet moments of anxiety and fear over their chart performances.
For Take That to pull back the showbiz curtain to allow the public and fans to see the realities of the highs and lows of fame was a brave move – but, boy, it paid off.
The young cast member steals the show according to fans
Content cannot be displayed without consent
One of the cast members of a new hit Netflix series is a former social media star making her professional screen debut on the show.
Six-part comedy series Free Bert is one of the most watched shows on the platform since it released. According to the synopsis provided by the streamer, Bert Kreischer, shirtless comedian, party legend, perpetual wildcard, finds himself in uncharted territory when his daughters are accepted to an elite Beverly Hills private school. When his unbridled antics turn his family into outcasts, he decides to “put on a shirt” and stifle his true nature to better fit in.
While it doesn’t have enough critic reviews to warrant a Rotten Tomatoes score, fans have sung its praises online. Many sharing their thoughts have singled out the performances from the younger members of the cast.
One person posted: “It’s very funny, very watchable and very good. The cast is outstanding, especially the girls playing his daughters.”
But who is Ava Ryan who plays the eldest daughter? And how old is she? Here’s everything you need to know.
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.
How old is Free Bert star Ava Ryan?
Ava Ryan is one of the breakout stars of Free Bert. She plays one of the on-screen daughters of Bert Kreischer.
The character is very much based on the comedian’s real life eldest child Georgia. Ava makes her professional screen debut with the role.
While Bert’s real children are now aged 19 and 21 respectfully, the series portrays them as High School age. According to the website Famous Birthdays, Ava Ryan was born February 21, 2010 and is 15 years old.
She is a social media star who has appeared in posts and videos alongside her mother since she was a baby. Her mum shared clips of Ava on Instagram, Vine, Facebook and YouTube. One of their most popular posts was a video of Ava saying “I smell like beef” which gained millions of views.
Now a teenager with her own account, Ava boasts more than 1 million followers on her own Instagram account. Her on-screen mother played by comedian Arden Myrin recently shared a tribute to Ava on social media.
She said: “Have you watched Free Bert yet on Netflix? I love these girls so much. Lilou Lang and Ava Ryan both had their first professional acting jobs on this show and they hit it out of the park. And more importantly, they are as funny and kind and warm as they are talented. It was a joy getting to work with them. Ava and Lilou feel like my family even though they are just my TV family.”
PARK CITY, Utah — Welcome to a special Sundance Daily edition of the Wide Shot, a newsletter about the business of entertainment. Sign up here to get it in your inbox.
Good evening — it’s Monday, Jan. 26, and you’re reading the last of our Sundance dispatches. Today we’ve seen a high of 36 degrees on a notably sunny day. We waited and waited for deal news, but it hasn’t quite arrived yet.
We’re hearing about distributors circling both Olivia Wilde’s “The Invite” and the provocative “Josephine,” the latter of which is coalescing into a critical favorite at the fest.
We’ve been speaking the last few days with a parade of fascinating stars and directors: Ethan Hawke, Salman Rushdie, the legendary Billie Jean King, Brittney Griner, many more. Check out our videos right here as we make them live.
Mark Olsen spoke with director NB Mager about her debut feature “Run Amok,” which premiered at the festival today. Here are some recommendations for you.
What we’re watching today
“Gail Daughtry and the Celebrity Sex Pass”
Miles Gutierrez-Riley, John Slattery, Ken Marino, Zoey Deutch and Ben Wang in the movie “Gail Daughtry and the Celebrity Sex Pass.”
(Sundance Institute)
Twenty-five years ago, the Sundance premiere of David Wain’s “Wet Hot American Summer” reignited the ’80s-style sex romp. Now he’s returned to Park City to see if he can rescue the comedy again.
“Gail Daughtry and the Celebrity Sex Pass” stars Zoey Deutch as a Kansas hairdresser whose fiancé cheats on her with his “hall pass”: a get-out-of-the-doghouse-free exemption for canoodling with his movie-star crush. (I’ll let you discover that cameo yourself.)
To even the score, Gail travels to Los Angeles to sleep with her own idol, Jon Hamm, and is soon skipping down Hollywood Boulevard with a ragtag group of new friends, including “Mad Men’s” John Slattery as himself. There’s a sensitive indie way to tell this story — and then there’s Wain’s giddy lampoon of “The Wizard of Oz.”
Too many modern comedies are jokeless anxiety attacks. I just wanna laugh. I need to laugh. If you need to laugh, this is your hall pass to get slap-happy. — Amy Nicholson
“Chasing Summer”
Iliza Shlesinger stars in the movie “Chasing Summer.”
Comedian Iliza Shlesinger writes and stars in “Chasing Summer,” directed by Josephine Decker. Having recently lost her job and her boyfriend at the same time, Jamie (Shlesinger) returns to her parents’ house in the small Texas town where she grew up.
As she falls back into some of the same social dynamics from when she was a teenager, possibly rekindling an old flame (Tom Welling), Jamie also enjoys an affair with a much-younger man (Garrett Wareing).
Though Schlesinger’s bawdy humor and Decker’s explorations of female interiority in films such as “Shirley” and “Madeline’s Madeline” (both played at Sundance) might make for an unexpected collaboration, it’s a surprisingly good match. Funny and insightful, the movie shows that sometimes you can in fact go home again. — Mark Olsen
The sexy ‘Sundance tribute’ in ‘Gail Daughtry’
Having the world premiere of “Gail Daughtry and the Celebrity Sex Pass” at Sundance was a full-circle moment of sorts for director and co-writer David Wain. His first introduction to the festival was Steven Soderbergh’s hall of famer “sex, lies and videotape,” and Wain noted after the well-received premiere of his new film that he “overtly stole” two sex scenes from that indie classic as “a tribute to Sundance.”
Of course, “Gail Daughtry” is about as opposite as you can get from Soderbergh. It’s an absurdist, cameo-filled comedy proudly shot on location in L.A. that co-writer Ken Marino described before the screening as a “silly, fun romp.”
Even before its theatrical release, it already has the hallmarks of a cult classic à la another Wain and Co. film, “Wet Hot American Summer,” and features many faces from that movie as well as the State, the comedy troupe that cast member Kerri Kenney-Silver explained started in a supply closet at New York University because they couldn’t get any other rehearsal space.
“Making movies with your friends is a privilege,” cast member Joe Lo Truglio said. And with their ever-expanding circle of friends, we’re the ones who benefit. — Vanessa Franko
Some deal news
Neon has acquired the worldwide rights to horror film “4 X 4: The Event” from filmmaker Alex Ullom, the indie studio said Sunday afternoon.
The deal is the first to be made in Park City so far, though the film was not shown at Sundance and will begin production later this year. The value of the deal was not disclosed.
The film follows eight contestants who join an illegal “sensory assault” livestream in which they can only harm each other with items they can buy online, Neon said in a statement.
The studio previously bought global rights to Ullom’s first horror film, “It Ends,” after it premiered at SXSW last year. — Samantha Masunaga
You’re reading the Wide Shot
Samantha Masunaga delivers the latest news, analysis and insights on everything from streaming wars to production — and what it all means for the future.
