Nation

A diverse group of writers tackle the nation’s identity crisis

• American playwrights, recognizing that identity is more complicated and slippery than ideology, have been shedding fresh light on what it means to be an American.
• Writers such as Young Jean Lee, Tarell Alvin McCraney, Quiara Alegría Hudes, Branden Jacobs-Jenkins, Jeremy O. Harris, Ayad Akhtar, and Bess Wohl have been creating drama from the multidimensional, intersectional realities of characters whose backgrounds refuse to be compartmentalized into a single category.

The American democratic experiment stands on shaky ground. Not since the Civil War have these proverbially United States been so disunited. As the nation throws itself a grand old 250th birthday bash in Washington, the mood in much of the country is more funereal than festive.

All-out partisan warfare has sown chaos. Republican legislators, taking their lead from a president who sees half the nation as his personal enemy, have put their own party’s interests over the republic’s. Staying in office has become the only thing that matters. The values imparted to me throughout my public school education — equal opportunity, impartial justice, respect for expertise, basic honesty — have been abandoned by a new breed of politician that has turned governance itself into a blood sport.

Where can one turn for reassurance that America’s best years are still ahead? Would you believe me if I said the theater? I’m not toeing the line for my field. I’m merely calling attention to a development that’s been gaining strength since I first reported on it in 2015. A cohort of playwrights, breathtakingly diverse demographically as well as aesthetically, has been rejuvenating American theater.

These writers aren’t on a sociological mission. They’re not trafficking in grievance or appealing to a particular political base. They let their plays do the talking. And they’ve been trying to have a conversation that isn’t hijacked by the most doctrinaire voices in the room.

From an institutional perspective, the American theater is in bad shape. The triple whammy of the COVID-19 closures, inflation and technological disruption has left everyone hurting. The Mark Taper Forum had to suspend programming for more than a year, smaller companies still in operation are producing fewer shows, and producers everywhere are gravitating toward the bankably familiar.

But despite this difficult terrain, it has been a boom time for American playwriting. For more than a decade, I’ve been teaching a course at the California Institute of the Arts called American Drama Now, and each year the selection of plays has become harder to whittle down. I designed the seminar partly around theater offerings in Los Angeles to connect students to recent developments in the field and to consolidate awareness that something special is happening in the American theater.

The current generation of playwrights has revealed itself to be remarkably resilient and independent. It has had no other choice. By the time many of these rising talents were accruing debt in graduate writing programs, the dream of a sustainable career in the nonprofit theater had already gasped its last breath.

When Wendy Wasserstein, Tony Kushner, Craig Lucas and Jon Robin Baitz emerged in the late 1970s and ’80s, it was still imaginable that a chosen few playwrights could make a living via the regional theater circuit, that constellation of companies founded as an alternative to the Broadway model.

That prospect was growing dimmer a few years later when playwrights such as Suzan-Lori Parks and Lynn Nottage came into prominence. But hope was still alive in the late 1990s and early 2000s. Regional theaters such as Seattle Rep, the Guthrie, the Goodman and Baltimore Center Stage remained committed to their missions while New York nonprofit companies continued to hold the line off-Broadway.

When did the picture change? In 2009, “Outrageous Fortune: The Life and Times of the New American Play” was published by the Theatre Development Fund, and one of the key findings in this study written by Todd London with Ben Pesner and Zannie Giraud Voss is that “there is no way to view playwriting as anything but a profession without an economic base.” A chasm had opened between the network of increasingly corporate-minded nonprofit theaters and the artists this system was built to serve.

The situation has grown bleaker in the last decade and a half as commercial pressures have ramped up and media consolidation and digital shortsightedness have obliterated arts coverage. Yet there’s been an unexpected upside. Theater artists who have come of age in this period have been released from the burden of having to conform to notions of regional theater respectability.

Instead of worrying about the timid taste of subscription audiences, these dramatists have been writing for themselves and their communities, dreaming up plays that don’t have to fit into institutional slots or stay within the staid bounds of traditional proscenium house decorum. The irony is that in not trying to pass muster with more conservative theatergoers (and their fastidious institutional guardians), playwrights have been winning over not just critics but also formerly squeamish artistic directors and perennially nervous Broadway producers.

The playwrights who appear regularly on the syllabus in American Drama Now — Young Jean Lee, Tarell Alvin McCraney, Annie Baker, Branden Jacobs-Jenkins, Samuel D. Hunter, Martyna Majok, Jeremy O. Harris, Will Arbery, Jackie Sibblies Drury, Quiara Alegría Hudes, Ayad Akhtar, among them — are of different ages, sensibilities and backgrounds. What they share is an appreciation of the complexities and contradictions in being an American.

The politics of identity for them is a lived experience. And as dramatists, they’re uniquely positioned to appreciate the conflicted loyalties and communal tensions of American life in dramatic rather than dogmatic terms. Whatever agendas they may personally espouse, these writers are too alert to the messiness of history and human nature to be rigidly ideological in their work.

The ongoing war between woke and anti-woke factions is a fatuous melodrama best left to the satirists. The goal of playwrights grappling seriously with what it means to be an American today isn’t to score social media points but to shed light on the fractured reality of our collective experience.

Three men around a coffee table in the play "Straight White Men."

Characters in plays by Young Jean Lee, such as “Straight White Men,” are often “trying on masks to see what might prove effective in a given situation.”

(Lawrence K. Ho / Los Angeles Times)

Identity is not a fixed fact but a raucous collision of parts. No single category can contain the Whitmanesque multitudes jockeying for position inside us. Race, religion, ethnicity, gender, age, sexuality, class, disability and geography don’t line up in perfect political harmony, and each social marker tells only a fraction of the whole story. (Money, the great unequalizer, may be the most taboo subject of all.) “We are not only but also,” the sociologist and cultural historian Todd Gitlin wrote in his 1995 book “The Twilight of Common Dreams: Why America Is Wracked by Culture Wars.” We also overlap and often even clash with ourselves.

Discussion around identity can be dangerous. How can anyone be expected to navigate the minefield? Tribalists and traditionalists have controlled the terms of the battle, one by simplifying, the other by denying, the way privilege has shaped our compound selves.

Playwrights know better. They understand the way oppression, which falls disproportionately on the marginalized, has warped all of us. History, whether acknowledged or not, is etched in our souls.

It is a long-held tenet of the theater that the most interesting characters, like the most interesting people, are defined by their schisms and paradoxes. (How else could Hamlet have maintained his centuries-long hold?) Dramatists are more cognizant than ever of the sociopolitical import of these contradictions and they’ve been chronicling the way this historically freighted baggage emerges in the drama of everyday life.

All the world is indeed a stage and all its inhabitants merely stock players, as Jaques lays out in “As You Like It.” Hegel described Shakespeare’s characters as “free artists of their own selves.” The truth where we and our contemporary stage surrogates are concerned is somewhat more constrained. Culture and representation largely determine the range of our performance possibilities.

Zarah Mahler, Grace Kaufman and Melora Hardin in the play "Appropriate."

Plays such as Branden Jacobs-Jenkins’ “Appropriate” reexamine “the canon of great American family dramas … to uncover the stories that have been suppressed.”

(Craig Schwartz)

Jacobs-Jenkins has recognized perhaps more acutely than any of his peers the way dramatic forms have locked us into set scripts about our lives. He tackles genres — adapting a Dion Boucicault melodrama in “An Octoroon,” reexamining the canon of great American family dramas in “Appropriate” — to uncover the stories that have been suppressed in the dominant white middle-class narratives that would prefer not to think of themselves as political.

Lee’s standout identity plays — “Straight White Men,” “The Shipment” and “Songs of the Dragons Flying to Heaven” — reject the illusion of stable, coherent characters propagated by psychological realism. The figures in her uncategorizable works are in experimental flux, trying on masks to see what might prove effective in a given situation. Even “Straight White Men,” which uses the old home-for-the-holidays genre as a springboard, can’t help spinning away from the drama’s droll hyper-naturalism toward something resembling performance art. (Not even straight, white men want to be confined to a box, even a relatively plush one.)

The cast of "Fairview" at Rogue Machine, sitting at a dining room table.

“Fairview,” by Jackie Sibblies Drury, “theatricalizes the experience of the white gaze.”

(Jeff Lorch)

In “Fairview,” Jackie Sibblies Drury theatricalizes the experience of the white gaze, ultimately reversing the comfortable position white theater audiences have traditionally held. Bess Wohl’s “Liberation,” this year’s most decorated play, reanimates the history of the 1970s feminist movement by questioning what it could be leaving out of the picture. “The Balusters,” by David Lindsay-Abaire, brings the current culture wars to the stage with unique sensitivity through the squabbles of a neighborhood association torn between protecting its town’s heritage status and coming to terms with the more pluralistic demands of the 21st century.

“Fairview,” “Liberation,” and “The Balusters” are extremely funny plays that also happen to be deadly serious. If philosophy begins in wonder, trenchant social drama seems to start in laughter.

What do theatergoers want? They don’t just want to look; they also want to be seen. Isn’t that what any of us wants when gazing into the mirror held up to nature, as Hamlet describes the theater? To be granted a more expansive view of ourselves and others?

E pluribus unum, the motto of the United States, is so fundamental that it’s printed on our currency. There’s perhaps no place where the truth of this phrase — out of many, one — is more regularly realized than at the theater, where strangers transform over the course of a show into that mysterious organism we call an audience.

Gitlin ends “The Twilight of Common Dreams” with a plea: “For too long, Americans have busied themselves digging trenches to fortify their cultural borders, lining their trenches with insulation. Enough bunkers! Enough of the perfection of differences! We ought to be building bridges.”

A coalition mindset doesn’t mean denying history or pretending that America has been a level playing field. It’s been anything but in this “melting pot where nothing melted,” to quote the rabbi whose eulogy sets Kushner’s “Angels in America” in motion. But history happens to all of us, not just a select few. And to be an American is to be embroiled in the great democratic experiment that has been defined by division from the beginning. Empathy, the nuclear fusion of playwriting, is expanded when we’re allowed to take in more of our patchwork selves. Today’s dramatists have been extending a generous invitation to their compatriots: We’ll show you our complexity, if you’ll show us yours.

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Trump refashions America’s 250th as a celebration of himself

Small towns across America had big plans to celebrate the nation’s semiquincentennial this weekend. Local historical societies scheduled town square readings of the Declaration of Independence, hired bands to play patriotic tunes, organized parades and set up themed baking contests.

But many of their most ambitious plans were scrapped after the Trump administration cut $100 million in federal funding for humanities nonprofits and state councils at the start of its term. The decision severely hampered local planning for America’s 250th anniversary, disrupting history projects, museums and educational programs nationwide.

Instead, the Trump administration funneled tens of millions in federal dollars to Event Strategies, the firm behind Trump’s infamous rally at the Ellipse on Jan. 6, 2021, to organize anniversary events throughout the nation’s capital centered on President Trump.

The result, historians say, has become a centralized, more politicized spectacle, marking the national milestone as a celebration of an imperial presidency rather than a revolution from kingly rule.

The spectacular show that Americans will see features Trump at its center, culminating a year of concerted efforts by the president to put his face on passports and currency, national park passes and government buildings.

Girls in red and blue sequined dresses hold up red, white and blue balloons.

Members of the Dance4Life studio in Claymont, Del., prepares to march ahead of the Red, White, & Blue To-Do Pomp & Parade on July 2, 2026, in Philadelphia.

(Al Drago / Getty Images)

Yet, beyond the noise of the nation’s capital, historians and teachers, docents and curators, archivists, tour guides and reenactors have sustained the messy, organic discourse of the American story, less funded but no less vocal in their patriotism.

“The way history has been argued since Trump returned to office has been a reminder that governments and political figures have remarkable power to shape a society’s historical memory,” said David Ekbladh, a history professor at Tufts University and author of “Look at the World: The Rise of an American Globalism in the 1930s.”

Trump’s effort to control the anniversary narrative has reminded Ekbladh of one of George Orwell’s most famous quotes: “Who controls the past controls the future. Who controls the present controls the past.”

“The administration’s clear signals that it can and will restrict funding to institutions seems to have muted the way many institutions, like museums and universities, have approached the anniversary,” Ekbladh added. “With this said, Trump’s own direct, personal use of the 250th has been less about articulating a clear view of the nation’s history than using the moment itself to keep attention on him.”

The White House has taken a more active role in the festivities than initially planned, setting up its own Freedom 250 project to supplement America250, a bipartisan congressional effort to celebrate the occasion.

A "detour" sign appears on an image of the Statue of Liberty on screen fencing.

Fencing is seen around the Great American State Fair on the National Mall on Thursday.

(Kevin Dietsch / Getty Images)

The Trump administration has directed funding to events centered on the president’s attendance, primarily around Washington, and partnered with conservative organizations such as PragerU and Hillsdale College to present the country’s founding story through a conservative Christian lens.

Historians are in broad agreement that this year’s celebration has garnered far less attention than the bicentennial, marked in 1976, which generated blanket media coverage and widespread national excitement.

Andrew Rudalevige, a professor of government at Bowdoin College and author of “The New Imperial Presidency,” attributed the lack of enthusiasm this time in part due to a more fragmented media landscape than existed 50 years ago, denying the country a “core curriculum” and a shared story.

“I don’t think it’s a lack of patriotism, so much as a determination that no presidential administration should be able to center itself as the focus of that patriotism,” Rudalevige said.

“There’s a lot to celebrate in the text of the declaration. But that’s not where the focus of the Freedom 250 efforts has been,” Rudalevige said. “It would have been interesting to see what the bipartisan America250 initiative could have come up with if its funding and energies had not been diverted.”

A sign on a chain-link fence says "Coming to you on July 4th."

The Lincoln Memorial Reflecting Pool is fenced off in preparation for Fourth of July fireworks.

(Kevin Dietsch / Getty Images)

Trump has scheduled little national travel around the anniversary, visiting North Dakota this week for an event that allowed him to debut a new version of Air Force One, donated by Qatar and outfitted to the president’s tastes. Trump intends to keep the plane after leaving office for his personal use.

The jet will fly over the National Mall alongside the Defense Department’s most impressive equipment on Saturday, before the president delivers a speech in what is forecast to be a blistering heat wave. The evening will end, according to administration officials, with the largest fireworks display in U.S. history.

“The fundamental challenge that we face now is the fight between the historians — people who have been studying the past and who have been thinking about how to tell that story to the public — and government leaders over who gets to control that story,” said Peter Kastor, chair of the history department at Washington University in St. Louis.

“The people who are really on the front lines are museum professionals, the operators of historic sites and schoolteachers,” he said. “They face the responsibility for explaining the past to a general audience on a day-to-day basis, and they are the ones who most often face the backlash from people who want the story to be told differently.”

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Senegal’s World Cup agony: Nation left rueing last-gasp collapse | World Cup 2026 News

Dakar, Senegal – The silence came before kickoff. Not from fear but anticipation, a nation holding its breath.

Across Dakar, radios crackled from open windows. Men gathered shoulder to shoulder in cafes, their eyes fixed on flickering television screens. Families crowded into living rooms. Friends leaned over phones, tea growing cold as conversation gave way to concentration.

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The city’s usual rhythm horns, its markets, its arguments, its laughter – did not disappear. It simply yielded to something larger.

Senegal were in the first knockout round of the World Cup, playing against Belgium.

On the 25th-minute mark of the game, the boy from the suburbs of Dakar, Habib Diarra, delivered the nation from its anxiety, sweeping a loose ball beyond the Belgian goalkeeper: 1-0 to Senegal.

Eight thousand kilometres away from the game in Seattle, the United States, Dakar became the stadium. The celebrations only grew after Senegal scored a second goal early in the second half. Confidence turned into complacency. Five minutes from full-time, car horns blared and firecrackers echoed through the night. Victory was near.

But the celebrations came too early.

Belgium scored once. Then again. All in the space of five minutes, completing an astonishing comeback. And then, in the final minutes of extra-time, Senegal gave away a penalty: 3-2 to Belgium.

Problem is preparation

A day later, the silence remains.

Not quite mourning, but more disbelief.

“It’s incomprehensible,” says former Senegal international footballer Ferdinand Coly. “When you control a match with such quality until the 85th minute, you have to finish it. But psychologically, everything changed.”

Coly believes the turning point was not Belgium’s resurgence, but the Senegal coaching team’s decisions.

“The substitutions completely changed the midfield. There was no reason to make them. Once Belgium scored, they gained the psychological advantage. Senegal became fragile. They retreated, played with fear, and never recovered.”

Coly was part of Senegal’s 2002 World Cup squad, the team that famously stunned France in the tournament’s opening match.

“It’s never over… until the final whistle,” he said, reflecting on Belgium’s dramatic comeback.

Since retiring, Coly has swapped his football boots for farming. He has also worked with the Senegalese Football Federation, and believes the national team has lost sight of the basics.

For him, the problem is not talent but preparation.

He criticises what he sees as an over-reliance on data, statistics, and performance apps, instead of building a coherent team identity and developing a clear tactical strategy.

As Belgium searched for an equaliser, their coach was still scribbling notes on a sheet of paper, adjusting and reacting until the very last minute.

“What a contrast!” Coly said. “We’re relying on technology when football is still about reading the game, adapting and thinking.”

Soccer Football - FIFA World Cup 2026 - Round of 32 - Belgium v Senegal - Seattle Stadium, Seattle, Washington, U.S. - July 1, 2026 Senegal's Pathe Ciss looks dejected after the match as Senegal are eliminated from the World Cup REUTERS/Lee Smith
Senegal’s Pathe Ciss looks dejected after the match as the team are eliminated from the World Cup [Lee Smith /Reuters]

Same old struggle

Coly’s analysis echoes that of supporters still trying to process a defeat that slipped away in the closing minutes.

Ibrahima Diop is a die-hard fan of the Lions of Teranga. He travelled to the 2022 FIFA World Cup in Qatar. He was even jailed in Morocco after trouble during the Africa Cup of Nations Final earlier this year.

In that controversial final – played against the hosts, Morocco – Senegal’s coach controversially called his players off the pitch after a disputed penalty decision. Senegal went on to win the match, but later lost the title over the incident.

For Diop, the lesson was the same as against Belgium.

“It comes down to concentration,” he says. “For 85 minutes the team was organised and united. Then it disappeared. European teams are prepared psychologically to fight until the very end. We still struggle in those final minutes.”

Diop also believes Senegal were missing something impossible to measure.

“The team played without its supporters. Visa restrictions and the economic crisis meant many fans could not travel. The players know what that atmosphere gives them. Mentally, it made a difference.”

US President Donald Trump signed a proclamation in December declaring that no visas would be given for business or tourism to nationals of Senegal, and several other countries. This meant that fans with only Senegalese nationality were unable to travel to the tournament.

Diop sees a pattern in this World Cup. Ivory Coast, DR Congo, and now Senegal led until the closing minutes, only to watch victory slip away in stadiums empty of their fans.

Senegal supporters react after their team lost the 2026 World Cup round of 32 football match against Belgium as they watch the game at the FIFA Fan Zone at the Place de l'Obelisque in Dakar on July 1, 2026.
Senegal supporters watch as their national football team snatches defeat from the jaws of victory in the World Cup round-of-32 game against Belgium [AFP]

Cruel for country

Football is rarely just football. This World Cup – meant to unite – has revealed the deep inequalities beyond the stands. A nation may be united in victory. But when the referee blows the final whistle, another game begins: the blame game.

Football is opium for the masses, says Coly.  It has become one of the few moments when political loyalties disappear. For 90 minutes, everyone wears the same colours.

“The national team is a bridge,” Coly said. “When Senegal plays, there is no political affiliation. It’s simply Senegal. Sport has this unique ability to unite people beyond their differences.”

The unity makes defeat feel disproportionately heavy.

Social media quickly filled with frozen moments from the match: missed chances, defensive mistakes, and coaching decisions replayed endlessly.

Under pressure, football often reveals more than just sporting weaknesses.

Babacar Fall, a Senegalese journalist who has closely followed the national team, argues that the problems began long before kickoff.

According to him, uncertainty over the coach’s future, disagreements inside the federation, and unresolved contractual issues created instability during the tournament.

“There were already problems before the Norway match,” he says. “The coach’s contract wasn’t settled. There were disagreements over player selection. Then, 10 minutes from the end against Belgium, one substitution broke the defensive structure completely.”

He draws an even broader comparison.

“The country is paralysed. There was so much hope after the Africa Cup of Nations, just as there was so much hope politically. Today, there is disappointment. In many ways, the team’s collapse reflects the country’s mood.”

Those views capture a feeling repeated by many supporters in Dakar this week. There is frustration, not simply because Senegal lost, but because of how it lost.

The talent was there. The opportunity was there. For much of the match, Senegal looked like the stronger side. That is perhaps why the silence lingers.

This generation has raised expectations. Winning continental titles transformed how Senegal sees itself. Reaching the knockout stages is no longer enough; supporters believe this team should compete with the world’s best.

Ultimately, it is only football. But in Senegal, football has become something larger than sport. It is a source of national pride, a rare moment of collective unity, and a reflection of possibility.

That is why this defeat feels so cruel. Not because a match was lost. But because, for one evening, it felt as though an entire country’s potential had slipped away in the space of just five minutes.

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Former Olympian indicted on felony charge over alleged Reflecting Pool vandalism

A former Olympian was indicted Thursday on a felony charge in what President Trump has called vandalism of the Lincoln Memorial Reflecting Pool, where a renovation project he launched has been riddled with problems.

David Hearn, a former Olympic canoe racer, was indicted on a single count of property destruction in a Washington, D.C. court.

District of Columbia U.S. Atty. Jeanine Pirro said Hearn ripped up recently installed sealant on the pool in “a deliberate act” that caused more than $1,000 in damage. She accused him of “forcefully and violently” pulling up the bottom liner “with both hands” and acting belligerently toward an employee who told him to stop.

“This is a case with tremendous evidence,” she said, adding that authorities have made about six other misdemeanor arrests.

In a statement, Democracy Defenders Fund co-founder Norm Eisen and Mary Dohrmann, senior counsel at Washington Litigation Group, said that they represented Hearn and that the charges were “outrageous and should be alarming to every American.” Eisen and Dohrmann construed the case as representative of “the misuse of government power against an ordinary citizen based on a concocted narrative.”

Hearn didn’t immediately return a phone call seeking comment. He previously told the Associated Press that he reached into the pool on June 19 to examine the newly peeled coating. He said he briefly touched a chunk that was still attached to the side of the pool, then let go shortly after a park worker told him to.

“I’m a curious citizen,” Hearn said in a telephone interview last month. “I reached down to see what it felt like. It was very rubbery.”

Hearn, 67, of Bethesda, Md., owned a company that made composite materials used to build watercraft.

Saying that he stopped by the pool during a 64-mile bike ride, Hearn said he was detained by National Guard troops and U.S. Park Police for five hours before being released.

Trump said last month that federal authorities made “multiple arrests” of people he accused of vandalizing the Reflecting Pool as he struggled to explain why the $16-million rehabilitation project he launched for the nation’s 250th anniversary seemingly backfired. Without providing any substantiation, he also said vandals dumped fertilizer into the pool and slashed the coating with a box cutter.

In subsequent days, National Guard members and the park police patrolled the deck around the Reflecting Pool as Trump’s administration faced a self-imposed deadline to fix a botched renovation before the nation’s 250th anniversary celebration. Contractors and federal workers used chemicals and ozone nanobubbles to combat an algae bloom, and Trump has said that the problems probably require draining the pool again for liner repairs.

Whitehurst and Kinnard write for the Associated Press. Kinnard reported from Columbia, S.C.

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When, unlike our upcoming 250th anniversary, a bicentennial mattered to orchestras

A century and a half ago, Richard Wagner was running out of cash as he was preparing to stage his four momentous nights of opera known as the “Ring Cycle” when he got a message from the Women’s Centennial Executive Committee in Philadelphia. It offered him a princely $5,000 (around $150,000 today) to write a triumphant 12-minute orchestral score to open the Centennial Exposition in Fairmont Park celebrating the 100th anniversary of the Declaration of Independence.

On May 10, 1876, Theodore Thomas, perhaps America’s most famous conductor at the time (he would go on to head the New York Philharmonic and help found the Chicago Symphony), led the premiere of Wagner’s “Grosse Festmarsch” with a 150-member orchestra, its brass and percussion so impressive that the addition of cannon fire Wagner suggested was not needed. The crowd was said to number well over 100,000. President Ulysses S. Grant attended and invited Emperor Dom Pedro II of Brazil to join him along with members of Congress and Supreme Court justices for what remains a unique Declaration of Independence spectacle and debacle.

The “Centennial March,” as it came to be known, turned out to be dreck. Even Wagner, who carelessly tossed it off in a couple of weeks, said the best thing about the score was the fee, which he had demanded to be paid in gold. But what sounds like something AI might come up with if asked to write a pompous march in the style of Wagner began the American obsession with celebrating the Declaration of Independence, the words and deeds of our presidents, our very democracy with the assist of the symphony orchestra and opera.

One hundred years later, the country was awash with federal, state, city and philanthropic funding for a music-happy bicentennial of exceptional ambition. “With millions available in hand and more money to come,” Time Magazine wrote in 1975, “the Bicentennial is the biggest bonanza for the American composer since Hollywood discovered the musical.”

And so it was. The centerpiece was the National Endowment for the Arts Bicentennial Orchestra Commissioning Project. That funded America’s six top orchestras to each commission a major work that all six would play. In addition, the NEA offered further support to 34 American orchestras for dozens more new scores.

Everyone got into the act. The New York State Council of the Arts alone sponsored 68 commissions. Orchestras everywhere came up with striking projects. The Pittsburgh Symphony, for instance, premiered L.A. composer John LaMontaine’s opera/oratorio “Be Glad Then America” that featured the folk singer Odetta as the Muse of Liberty and enlisted ROTC students to reenact the Battle of Lexington overhead the orchestra.

The National Symphony commissioned symphonies from Roy Harris and William Schuman as well as Alan Hovhaness’ “Ode to Freedom,” a lovely short violin concerto written for Yehudi Menuhin. The list goes on.

We are obviously not seeing or hearing much like that in a semiquincentennial year when our government’s green gets the most attention for promoting algae. Even so, the NEA does indeed have an “America250” project (though it does little to publicize it, let alone fund it on the scale of 50 years ago) that is promoting more than 50 artworks. In music, they range from the Montgomery Symphony’s premiere in February of Nkeiru Okoye’s oratorio “A Time for Jubilee,” commemorating the 60th anniversary of the 1965 Selma-to-Montgomery civil rights marches, to a New West Symphony premiere last weekend of Michael Christie’s “A Ronald Reagan Portrait” at the Ronald Reagan Presidential Library and Museum.

The major East Coast orchestras are paying some attention. The New York Philharmonic premiered David Lang’s luminous “the wealth of nations.” The National Symphony got the most attention in its attempt to commission Philip Glass’ “Lincoln” Symphony, which the composer pulled in opposition to an un-Lincoln-like presidential takeover of the Kennedy Center. Glass then gave the rights to the Boston Symphony for a July 5 first performance.

The National Symphony did pull off the premiere of Peter Boyer’s “American Mosaic,” and it was to the Altadena composer that Philadelphia, this time around, entrusted its Declaration of Independence commemoration. Boyer’s multimedia oratorio, “A Hundred Years On,” was given its premiere by the Philadelphia Orchestra last month at the orchestra’s outdoor summer home, the Mann Center.

Upcoming will be a few repeat performances. Next month, “the wealth of nations” lands at the Aspen Festival, as does the “Lincoln” Symphony at the Cabrillo festival (with an L.A. Phil performance next season). “American Mosaic,” of which the Pacific Symphony was a co-commissioner, had its West Coast premiere in Costa Mesa last month and was scheduled to be performed at the Hollywood Bowl by the National Symphony in August, but that has now been replaced by Dvorak’s commonplace “New World Symphony.”

None of this comes close to comparing with the attempted civic zest of 1976. The NEA made it a matter of admirable policy that commissioned new works get multiple performances. Yet despite several of these being substantial works by some of our most noted and venturesome composers, few bicentennial commissions have survived. Even odder is that many of the composers did not necessarily feel compelled to explore nationalist themes. For them, American liberty implied freedom to simply write the kind of music they cared about.

The six works for the six orchestras were David del Tredici’s irresistibly over-the-top “Final Alice” (Chicago Symphony), Elliott Carter’s arrestingly impenetrable-on-first-hearing “Symphony for Three Orchestras” (New York Philharmonic), John Cage’s irrepressibly come-what-may “Renga” (Boston Symphony), Morton Subotnick’s brilliant electronic-landscaped “Before the Butterfly” (Los Angeles Philharmonic), Leslie Bassett’s introspective “Echoes From an Invisible World” and Jacob Druckman’s abstract-modernist “Chiaroscuro” (Cleveland Orchestra).

No orchestra has brought back its commission over the last half century, and only Chicago and New York recorded their commissions. No recording at all exists of L.A.’s, although Subotnick’s inventive uses of electronic music with a standard symphony orchestra went on to have considerable influence. None of these works, it appears, are likely to be heard anywhere in America this year, with one sort-of exception.

An explanation for that may be that, while 1976 was a fraught time for America — the country was recovering from the Vietnam War, we had a president and vice president who were not elected, there was runaway inflation, etc. — the music of the time represented optimism. Many works around the country explored new electronic music technology. It was the year Glass wrote “Einstein on the Beach” and Steve Reich created “Music for 18 Musicians” — the composers’ first masterpieces — demonstrating that Minimalism mattered.

That sense of liberation is clearly behind Del Tredici’s “Final Alice,” an hourlong romp around the ending of “Alice in Wonderland” for superhuman soprano and orchestra. It is so obsessively and addictively wild that its tamest moments sound like Richard Strauss on LSD. It does have a cult following although performances are few and far between.

Cage’s score is an abstract work based on the Japanese form of collective poetry known as renga, in which each poet attempts to write a line that is as distant as possible in meaning from the preceding line. Cage translates that to an independence of instrumental parts. While “Renga” can be performed alone Cage further suggests it be played along with an actual bicentennial work he wrote separately, “Apartment House 1776.” That is what Boston and the other orchestras did.

Indeed, “Apartment House” got the lion’s share of bicentennial attention and ridicule. When Zubin Mehta conducted it at the Dorothy Chandler Pavilion, the L.A. Philharmonic did not take it seriously and many walked out on it.

The work features four vocal soloists who represent Native American, Sephardic, African American and Protestant religious traditions, along with instrumental music based on early American hymn tunes. Everything is cut up and put together through chance operations into what Cage called a Musicircus. Under the circumstances “Renga” was hardly noticed, although two decades later, “Renga” came into its own when Michael Tilson Thomas famously conducted it with the San Francisco Symphony and the surviving members of the Grateful Dead.

Still the idea that “Apartment House” need not stand alone, that our traditions and those of long-ago Japan belong together, represented for Cage a future for America. We need not act like a superpower, he noted, but merely be one nation, no more and no less, among many.

We are obviously not that nation. A half-century later, “Apartment House” tends to exist mainly in its own right. An excellent London new music ensemble calls itself Apartment House. Detroit Opera recently staged it with a 2026 need to give the singers the opportunity to select their own music rather than reflect on our heritage. If American music in 1976 represented a collective, inquisitive, inventive American spirit of discovery, the semiquincentennial in the age of social media has become more about the individual identity.

As a sign of how we think about ourselves, the Los Angeles Philharmonic begins its Hollywood Bowl season five days after the 4th with a program of American music conducted by Thomas Wilkins that opens with Valery Coleman’s “Fanfare for Uncommon Times,” which was written five years ago.

But for now, the work that stands out is Lang’s “the wealth of nations.” It balances harsh thoughts of how the promise of capitalism has failed society and how racism remains with music of stunning beauty and glory, to gently but forcefully show us, in our age of American dissatisfaction, the direction in which we might go to make us proud again. It needs many performances.

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Trump wants to show off D.C. for the Fourth. His construction is in the way

As America’s 250th birthday arrives this weekend, President Trump’s mark is clearly visible on Washington.

Visitors to the nation’s capital are being met with cranes hanging over the White House and construction at the site of the demolished East Wing. Fences crisscrossing the National Mall to hem in the Great American State Fair have blocked the famed sightline from the U.S. Capitol to the Washington Monument to the Lincoln Memorial.

Some fountains newly sparkle as a result of Trump’s renovations. National Guardsmen patrol the sidewalks. The partisan flavor of the Trump-aligned Freedom 250 organization’s events is on display, and the fireworks show Saturday will feature a rally-style speech from Trump, with fireworks reportedly pushed back to 11 p.m.

President Trump stands near scaffolding and looks up.

President Trump examines the maintenance work Wednesday on the exterior of the White House.

(Alex Wong / Getty Images)

The memorial’s Reflecting Pool, where fireworks will be set off Saturday, was barricaded from the public earlier than usual after onlookers flocked last week to see the algae and peeling paint that followed Trump’s renovation, and Trump accused vandals of tampering with it.

“You don’t have a sense of ‘land of the free’ here,” said Melissa McFarlane, 61, standing along the fencing on the Mall. She said she was born in Silver Spring, Md., and she grew up watching July 4 fireworks on the Mall with her parents.

She recalled the nation’s 200th anniversary celebrations as “open and inviting” but said this year’s “heavy-duty fencing” and the presence of National Guardsmen made it feel different.

“It’s majorly disorganized, which is weird for our country,” McFarlane added.

A sign on a fence reads, "These improvements are being completed using your fee dollars."

A sign outside Lafayette Park near the White House.

(Julia Demaree Nikhinson / Associated Press)

Trump has fixated on making changes to the nation’s capital in his second term, declaring in an early executive order that his administration would make the district “safe and beautiful.” Some of the renovations have been successful; fountains are running anew, including the long-dormant cascading water feature at the city’s popular Meridian Hill Park.

Interior Secretary Doug Burgum said Sunday on “Fox & Friends” that more than 50 parks and circles have been restored and 22 fountains, along with repairs to lights on the National Mall.

“President Trump should be thanked for all he is doing to leave things better than he found them for the good of our great nation,” an Interior Department spokesperson said in a statement. “D.C. residents and visitors are experiencing working fountains, clean parks and safe streets across the district for the first time in decades, all thanks to President Donald J. Trump.”

But Trump’s growing slate of projects has drawn legal challenges from preservationist groups and raised questions about the cost to taxpayers. The $14.7-million repainting of the Reflecting Pool became particularly controversial last month after algae overtook the renovated pool and the new paint appeared to peel off.

On Sunday, the president took a tour of some of his construction sites, walking through Lafayette Park with Burgum before traveling to the East Potomac golf club he plans to renovate, which sits on federal land. Trump walked part of the property and inspected blueprints in view of reporters; he was then driven by the site where he wants to erect a marble arch.

Over the weekend, he posted on Truth Social about his improvements to the city in a post about D.C. mayoral candidate Janeese Lewis George, casting it as a “Safe and Prestigious Community” that is now at risk of being “destroyed” by Lewis George.

“I have worked too hard to make Washington, D.C., the Envy of the World, with almost No Crime, and a Beautification process that has been second to none,” Trump wrote.

Construction crews stand on scaffolding next to Trump's name on the Kennedy Center.

Construction crews build scaffolding outside the Kennedy Center on June 13 before removing President Trump’s name from the venue’s exterior.

(Tasos Katopodis / Getty Images)

Involvement by presidents in the city’s plan goes back to George Washington, said Matthew J. Bell, an architecture professor at the University of Maryland. That is not unusual, nor is it strange for cities, including Washington, to change over time, he said.

“It’s probably more a matter of timing in terms of inconvenience for people coming for the Fourth,” Bell said of the ongoing construction. “If there had been a more coordinated plan for some of these things … it probably could’ve been managed better.”

At the National Mall, the fencing design for the state fair drew head shakes and confusion from some tourists. Visitors are corralled into a walkway by the Freedom 250-branded fencing on one side and low metal barriers on the other.

It’s normal for fencing to be used to control foot traffic for events on the mall, said Charles A. Birnbaum, chief executive of the Cultural Landscape Foundation, but he perceived the problem as slapdash placement, including of the Ferris wheel, which was put on the mall’s axis.

“Things are being plopped down,” said Birnbaum, whose organization sued the administration over the repainting of the Reflecting Pool. “It speaks to what Trump is doing at the ballroom, what he’s proposed [with] the arch — he’s just plopping these things down in major view sheds that have major historical and cultural significance.”

A woman is silhouetted in front of a Ferris wheel.

People walk past the Ferris wheel at the Great American State Fair on the National Mall.

(Jen Golbeck / Associated Press)

A fountain in a park.

The fountains in Lafayette Park are running again near the White House on June 23.

(Andrew Harnik / Getty Images)

The state fair itself has drawn relatively few crowds, though some attendees have been enthusiastic.

On Monday, McFarlane and two friends were outside the fencing, leaning against the metal barriers in front of the Department of Agriculture, which faces the National Mall.

“It’s a little too secure,” said one of them, John, 60, who was visiting from Burbank and declined to give his last name.

He gestured over the barrier to a manicured plot with shady benches. “Here’s the People’s Garden,” he said, reading its sign, “and we can’t go in.”

A construction crane over the White House.

A construction crane works on the White House ballroom on Monday.

(Julia Demaree Nikhinson / Associated Press)

A man takes a photo of a model of an arch near a Ferris wheel.

Visitors take photos Tuesday of a model of President Trump’s proposed marble arch at the Great American State Fair on the National Mall.

(Mark Schiefelbein / Associated Press)

People watch as water fills the Reflecting Pool.

Early-morning joggers observer the refilling of the Lincoln Memorial Reflecting Pool on June 5.

(John McDonnell / Associated Press)

The anniversary celebrations also come on the heels of the reflecting pool controversy. Last week, after chunks of paint were spotted in the water, Trump blamed vandals for tampering with the pool and said people had been arrested at the site. Two dead ducks were found in a pond about 250 feet away from the pool.

The area last week was surrounded by surveillance cameras and patrolled by National Guardsmen as lifelong resident John Cates strolled the area.

“It’s kind of creepy,” Cates said about the security cameras mounted around the pool. “It is unnecessary that we have to have this pond deemed a high security risk. That is weird.”

The area was fenced off at the end of last week. Fencing normally occurs in preparation for the July 4 fireworks show, but it went up “a couple days early to protect the pool,” Burgum said in the Fox News interview. He said seven people had been arrested in connection with the pool.

Tom Ayers, 34, was disappointed to find the fences already up on Monday. He traveled with his father from Wisconsin for the 250th, but they were finding it difficult to get around the Mall and they were upset to see the East Wing gone.

When they reached Lafayette Park, where the fencing had yet to be removed, they were again disappointed by the obscured view of the White House. Ayers’ father recalled a different scene in 1976, when he visited as a child for the nation’s bicentennial.

“I was kind of hoping for a summer similar to that,” Ayers said, “but overall, it seems nowhere close.”

Times staff writer Ana Ceballos in Washington contributed to this report.

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Retrofitted Qatari jet takes flight as Air Force One for Trump’s trip to North Dakota

President Trump on Wednesday took his maiden voyage on a new Air Force One — a retrofitted Boeing 747 worth $400 million gifted by Qatar that embeds his personality more deeply into the institution of the American presidency.

Gone is the trademark light blue hull that helped Air Force One blend into the sky. The refurbished jet is painted to Trump’s preferred color scheme of a navy blue belly and red and gold stripes. It has the luxury features that the president believes a commander-in-chief’s entourage should have — plush carpets, lie-flat seats, wood paneling and a presidential seal on the seat belts, according to reported tours of the plane.

Trump told reporters that he was proud of the luxurious plane. “You can do two things: You can low-key it, or you can show it,” he said.

Reporters are generally not permitted to take photos on the plane unless Trump is present. But on Wednesday, Trump administration staffers posted images of the plane’s interior on social media.

White House communications director Steven Cheung posted a photo of aides gathered around a circular table that had off-white place mats and leather captain’s chairs. Monica Crowley, the chief of U.S. protocol, posted a picture of herself perched on a leather couch between a pair of Air Force One throw pillows. Mounted on the wall behind her was a framed photo of the Thomas Jefferson Memorial.

The jet carried Trump to North Dakota to see the Theodore Roosevelt Presidential Library, its first official visitor ahead of its opening on the nation’s 250th anniversary.

The gift from the Middle Eastern power raised ethical concerns, but Trump saw the plane as a necessary replacement to the 35-year-old planes that had previously ferried him as president.

“This is a gift from a country that has treated us very well,” Trump said.

The new jet will only temporarily be in the nation’s service, as Boeing is expected to deliver in 2028 long-delayed planes that will permanently serve as Air Force One. Trump, a Republican, has said in the past that the Qatar plane would end up in a presidential library.

The Air Force has said that it did little to change the cabin layout of the plane and that it spent less than $400 million on security upgrades.

Nikhinson and Boak write for the Associated Press.

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America 250 celebrations bring extraordinary security challenge to Washington

Federal law enforcement authorities are preparing for one of Washington’s largest and most complex security operations as the nation’s capital gears up to celebrate the 250th anniversary of the nation’s freedom.

With rising political violence, including recent incidents near the White House, and a president who enjoys being at the center of public pomp yet has repeatedly faced attempts on his life, a major security challenge awaits.

“It comes as no surprise to you that D.C. on a normal day is a target-rich environment,” said Darren B. Cox assistant director in charge of the FBI’s Washington field office at a recent news conference detailing the security preparations. “We are prepared for any threats.”

Hundreds of thousands of people are expected to visit Washington in the coming weeks for the festivities.

The throngs will be joined by thousands of law enforcement officers and agents and 5,000 National Guard troops, along with military-style vehicles and other hardware they don’t often see on the streets of America.

Authorities are preparing for a major security operation

The largest crowds are expected July 4, with multiple events happening simultaneously, including the Great American State Fair, a showcase for each state and a signature attraction of the celebrations that stretches across the National Mall.

The annual fireworks display that night is designated a National Security Special Event for the first time by the Department of Homeland Security, the highest classification for federal security coordination.

For visitors, that means strict ID requirements, long lines and magnetometers, similar to air travel security. Snipers are also expected to be deployed at some events.

Flights at Ronald Reagan Washington National Airport, which is across the Potomac River from Washington, will be suspended longer than in other years because of the scope of the celebrations — from noon on July 4 until the next day. Other America 250 events that include flyovers or parachute jumps could prompt more flight disruptions.

The FBI, Secret Service, U.S. Capitol Police, U.S. Park Police and D.C. National Guard have all been involved in security coordination for the events. At the news conference earlier this month, equipment that could be deployed to guard the city was on display, including BearCat armored SWAT vehicles, Mine-Resistant Ambush Protected vehicles, known as MRAPs, as well as communication vans and FBI diving boats.

“Our protective model is meant to adjust to any type of direct or indirect threats that we come across,” said Tara McLeese, special agent in charge of the Secret Service Washington field office. “I can assure you that we have no lack of imagination as to the potential threats out there.”

Brig. Gen. Leland Blanchard II, interim commander of the D.C. National Guard, said the planning had been underway for months and included rehearsals.

Blanchard said the Guard members would continue the roles they have served the last 10 months as part of a deployment to the city President Trump says is meant to fight crime. Blanchard highlighted that guard members, including military police officers, would be helping with duties like traffic and crowd control as well as responding to emergencies around the events.

President Trump, who has already attended several events leading up to July 4, including the kickoff rally last week launching the Great American State Fair, has said on Truth Social that he would hold a rally on the National Mall.

Speaking at a news conference Monday updating the upcoming security preparations, Cox reiterated that “at this time we are not tracking any credible threats related to the July 4 event, but we always remain vigilant.”

Recent violence has shaped the threat picture

The festivities come at a fraught moment, with recent political violence creating a complex threat environment for authorities. One man, Cole Tomas Allen, has been charged with attempting to assassinate the president after he sprinted past security at the White House Correspondents’ Assn. dinner in April. Allen has pleaded not guilty.

In the following weeks, two men on two separate occasions opened fired at Secret Service officers, the service said. Each incident happened in the vicinity of the White House.

More recently, the FBI announced it had thwarted a planned attack targeting Trump’s UFC cage-fighting show at the White House. Several suspects have been arrested in that case.

Security was already enhanced on the National Mall ahead of the launch of festivities, as Trump claimed without providing evidence that vandals had damaged the Reflecting Pool that he had recently renovated.

Matt Dallek, a political scientist at George Washington University who studies extremism, said Trump posed a unique security challenge because he is “both an accelerant and a target of political violence.”

The nation’s bicentennial offers a historical parallel

Observers draw some parallels to the 1976 bicentennial. The nation was coming off Watergate and Vietnam, and 10 months before the celebration there were two assassination attempts against then-President Ford.

“There was a lot of sourness in the country in ’76, a lot of cynicism about the direction of the country,” Dallek said. But both Ford and his Democratic opponent Jimmy Carter understood the threat political divisions posed and “were looking to bring down the level of vitriol.”

Angelyn Spaulding Flowers, professor of Homeland Security & Administration of Justice at the University of the District of Columbia, said the amount of security was unparalleled for the city, citing the ongoing and open-ended National Guard presence that has flooded Washington with additional security patrols for months.

Fields writes for the Associated Press.

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Khadijah Farrakhan, ‘first lady of Nation of Islam,’ dies at 90

Khadijah Farrakhan, longtime wife of Nation of Islam leader Louis Farrakhan, died Saturday, the Nation of Islam has announced. She was 90.

“Mother Khadijah” worked alongside her provocative and charismatic husband for decades, helping lead their religious and sociopolitical movement, which espouses Black self-reliance. Its home base was Mosque Maryam on the South Side of Chicago, where the couple lived.

“The Honorable Minister @LouisFarrakhan with deep sadness yet with profound gratitude to Allah informs you that his beloved wife of 72 years, the first lady of the Nation of Islam, Mother Khadijah has returned to Allah (may Allah be pleased),” a statement by the Shura Executive Council said.

Her death came seven months after devotees had marked Khadijah’s 90th birthday. The statement said funeral services are to be announced.

Mosque Maryam remembered her as “a devoted follower” with “a precious soul, a sweet heart.”

In a post on Facebook, R&B artist ZaRio Son Rise recalled her as “a true queen, a righteous woman, and one of the greatest examples of dignity, faith, loyalty, and grace our generation has ever witnessed.”

Born Betsy Ross, Khadijah Farrakhan married her husband, then named Louis Walcott, in Boston on Sept. 12, 1953. The two had nine children. Their eldest son, Louis Farrakhan Jr., died in 2018, and another son, Joshua Farrakhan, died in 2023.

Khadijah Farrakhan converted to Islam in 1955, the same year that her husband joined the Chicago-based movement after being heavily influenced by Malcolm X, his friend from Boston. The pair changed their names around that time.

Louis Farrakhan, who is now 93, stepped into the organization’s leadership vacuum shortly after Malcolm X was assassinated in 1965. Among his most significant accomplishments was the Million Man March on Washington in 1995.

Two years later, Khadijah Farrakhan spoke before a gathering of America’s Black women in Philadelphia dubbed the Million Woman March.

“A nation can rise no higher than its women,” she told the crowd. “We focus on women, but cannot lose sight that we must rise as a family — men, women and children.”

Smyth writes for the Associated Press.

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Cape Verde break record as smallest nation to reach World Cup knockouts | World Cup 2026 News

Tiny Cape Verde have become the history makers of World Cup 2026 by defying all odds to become the smallest country to earn a spot in the knockout stages of the competition.

Their improbable run through the group stage, with a third straight World Cup draw, was completed with a 0-0 draw against Saudi Arabia on Friday night to advance in the tournament.

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Keeping goal for Cape Verde throughout has been Vozinha, 40, who has embodied the grit of his nation.

“We are small, but we have big hearts and we are fighters,” said the goalkeeper, who last season played for Chaves in Portugal’s second tier.

The island nation off the western coast of Africa, which is making its debut on football’s grandest stage, already held 2010 champion Spain to a 0-0 draw – a shock in itself to begin their campaign.

They then came from behind to get a 2-2 result against Uruguay – the winners of the inaugural World Cup in 1930.

“The team was very eager to show this to the whole world,” Cape Verde coach Bubista said while draped in his country’s flag after the Saudi Arabia game.

“We are proud of having arrived at this stage. We have shown that we are a small country, but that we fight for the things that we want to achieve.”

Cape Verde’s three points put the team in second place behind Spain, which beat Uruguay on Friday night and won the group.

Cape Verde will play reigning World Cup champion Argentina in Miami on July 3.

Drawing all three group matches doesn’t guarantee advancement at major football tournaments, but several teams have done it in the past. Those include: Wales in 1958, Ireland and the Netherlands in 1990, and Chile in 1998. New Zealand, however, also got three draws at the 2010 World Cup and were eliminated.

On the eve of the match, Bubista mused, “Everyone is entitled to dream and nothing is impossible.”

The Blue Sharks proved him right, overcoming seemingly insurmountable odds as this country of just  530,000 reached the round of 32.

A woman, her face painted with a flag of the archipelago, held a sign that read: “Small Islands, Big Dreams,” a dream that these underdogs have made reality as they continue their charmed run on the world stage.

They did it with another strong game from Vozinha, whose tournament success has helped him amass more than 16 million Instagram followers.

He had a save in first-half stoppage time, grabbing a header from Mohamed Kanno to keep Saudi Arabia scoreless. Another save came in the 66th minute when he leaped to deflect a shot from Mohammed Abu al-Shamat.

A third came in the 92nd minute when he stopped a shot by Abdullah al-Hamdan.

Cape Verde players and staff celebrate after the Saudi Arabia match match as Cape Verde qualify for the knockout stages of the World Cup
Cape Verde players and staff celebrate after the Saudi Arabia match [Phil Noble/Reuters]

“There is a lot of quality in our national team,” Vozinha said. “Maybe for many of you, you think the Cape Verdean player is not good enough. But we came here to show that we have a lot of quality and we are here to compete and our players can play everywhere in the big competition, in the big leagues.”

A group of shirtless men in the crowd each painted one letter of his name on their chests as they cheered Cape Verde.

But Vozinha had a much bigger fan among the crowd of 68,278 as his mother Ana Candida Evora watched from a luxury suite, waving a tiny Cape Verde flag. It was her second match of the tournament after missing Vozinha’s epic seven-save performance against Spain because of visa issues.

Cape Verde had a chance to score in the 50th minute, but Kevin Pina’s shot from distance was just above the crossbar. Another chance came in the 74th minute when Laros Duarte’s shot from the middle of the box was stopped by goalkeeper Mohammed al-Owais.

A last chance to score came in the final seconds when Nuno da Costa sent a shot from the middle of the box wide left.

But it didn’t matter because a couple of minutes after the final whistle, Spain completed its victory over Uruguay and set off a joyous celebration among Cape Verde’s players and fans, many of whom cried as they rejoiced.

Having led his squad to new heights, Bubista was asked if he could have imagined such a run entering the tournament.

“I’ve always said that sooner or later Cape Verde would be on such a stage,” he said. “Of course, it’s hard to have such a forecast, but I always knew.”

Saudi Arabia were eliminated after finishing with two points in the group stage.

“We were very poor in terms of creating things, controlling the game and creating actions,” coach Georgios Donis said. “And one cannot win a game this way. It would be very difficult.”

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Trump budget omits L.A. fire relief funds, drawing senators’ criticism

California’s two Democratic senators on Thursday criticized the Trump administration after it requested $87.6 billion from Congress to address some of the nation’s most “urgent needs” but omitted funding for victims of last year’s Los Angeles wildfires.

“Donald Trump’s desire to punish Los Angeles and the state of California for not voting for him, means once again that thousands of Angelinos are left watching this administration fight for anything but them, their businesses, and their communities,” Sens. Alex Padilla and Adam Schiff said in a joint statement.

“These fires did not discriminate based on party or political preference. Neither should this administration,” they added.

The omission is the latest strain in a yearlong standoff between California leaders and the Trump administration over federal disaster aid, and it comes after Los Angeles Mayor Karen Bass and Los Angeles County Supervisor Kathryn Barger met with President Trump at the Oval Office in April to request the funding.

At the meeting, Trump signaled his commitment to working with local officials to help with disaster recovery efforts. The officials asked for $16 billion that would be split between the city and county. The money would consist primarily of disbursements from the Federal Emergency Management Agency flagged for communities hit by the fires, part of a $33.9-billion wildfire relief funding request made by Gov. Gavin Newsom.

Two months later, those talks have yet to yield results sought by local leaders.

The budget request, submitted by the Office of Management and Budget on Wednesday, mostly seeks funding for the Pentagon to address costs related to the Iran war. It also includes $11.1 billion in economic assistance for American farmers, $1.4 billion to address the Ebola virus outbreak in Central Africa, $500 million to support “ongoing efforts to complete restorations and construction projects” across the nation’s capital and $1 billion to boost the pensions of workers at General Motors that were cut as a result of the automaker’s bankruptcy.

“I urge the Congress to take action on these important and urgent requests as soon as possible,” White House budget director Russell Vought wrote in a letter addressed to House Speaker Mike Johnson (R-La.).

Vought said the administration was open to discussing “additional relief for other urgent matters.” The White House did not immediately respond when asked why the budget request did not mention the Eaton and Palisades disaster relief funds.

State leaders, including Newsom, have repeatedly accused the Trump administration of stonewalling billions in wildfire aid. The governor visited Washington in December to meet with lawmakers, including three who serve on the Senate and House appropriations committees, to push for the funding.

The governor also attempted to meet with FEMA about the matter, but said his request was denied. Newsom, a political foe of Trump’s, would not say whether he had attempted to meet with Trump to talk about the recovery efforts.

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Trump administration can replace Washington slavery exhibit in Philadelphia, appeals court says

The Trump administration can replace a slavery exhibit at George Washington’s home in Philadelphia, a federal appeals court panel said Thursday, striking down a lower court’s injunction that required the National Park Service to reinstall the interpretive panels.

The unanimous ruling by the three-judge panel of the 3rd U.S. Circuit Court of Appeals said a lower court judge wrongly interpreted Philadelphia’s contract claims involving Independence National Historical Park, saying the city merely having standing to sue did not mean its arguments had merit. The panel also praised the plans for the replacement installation, writing that they were “full of historical context,” despite objections from historians and city officials that the content appears whitewashed.

The ruling comes a week after a Massachusetts federal judge ordered the Trump administration to restore sites changed under an executive order calling for the nation’s museums, parks and landmarks to not display elements that “inappropriately disparage Americans past or living.” The federal government has asked for a stay on that ruling while it appeals.

It was unclear how the Massachusetts ruling would affect the restoration or replacement of the panels at the President’s House Site. About half the large panels at the outdoor exhibit had been restored before a February pause in the work.

Messages to spokespeople for the Department of Interior and the National Park Service were not returned.

In a statement on Instagram late Thursday, Philadelphia Mayor Cherelle Parker vowed to pursue legal avenues to reverse the decision.

“We cannot and WILL not rest until the full story of American history – including the existence of Slavery at the President’s House here in Philadelphia – is told, for our Nation and the World to see,” she wrote.

Dawn Chavous, a volunteer for Avenging the Ancestors Coalition, one of the advocacy groups that helped develop the site in the 2000s, said they are disappointed with the decision but are speaking to their attorneys and considering options.

“For decades, ATAC has worked to ensure that the stories of the enslaved African descendants who lived and labored at the President’s House are not erased, overlooked, or misrepresented,” the group said in an emailed statement. “That commitment remains unwavering. We believe that historical truth matters, and we will continue to advocate for the protection, preservation, and accurate interpretation of this important chapter of American history.”

The city of Philadelphia sued in January after the National Park Service, in response to President Trump’s executive order, removed the explanatory panels from the President’s House Site, where George and Martha Washington lived with nine of their slaves in the 1790s, when Philadelphia was briefly the nation’s capital.

The city had worked in tandem with the federal government, historians and private partners to create the exhibit in the early 2000s — as part of a longstanding cooperation agreement over the downtown historical park — and contributed $1.5 million toward its creation.

The city argued that the federal government must consult with the city before making changes to the President’s House Site. Justice Department lawyers argued the administration alone can decide what stories are told at National Park Service properties.

In its ruling Thursday, the appeals panel said the maintenance portion of the contract between the city and the federal government could not be interpreted to mean the site would remain as it was when it was completed.

“The duty to ‘maintain’ is better understood as a general management obligation that accompanies ownership, not a promise that the exhibits will forever remain in place regardless of the owner’s wishes,” the opinion said.

Casey and Lauer write for the Associated Press. Casey contributed to this report from Boston.

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Trump marks 80th birthday with UFC event as big political issues loom

President Trump planned to mark his 80th birthday on Sunday with a celebration that once would have seemed unfathomable: a cage-fighting show on the storied South Lawn of the White House.

In the week ahead, some hard realities of the office have threatened to overshadow the ostentatious UFC mixed martial arts extravaganza, where combatants sealed inside a wire-mesh octagon try to punch, kick, chop and pummel each other into submission.

Trump has found himself boxed into an unpopular and costly war he helped start in Iran. An agreement to end the conflict could be close, but the crucial details are still to be negotiated. Meanwhile, about a mile from Trump’s birthday bash, crews pried the president’s name off the John F. Kennedy Center for the Performing Arts facade after a judge ruled that renaming it to include Trump was not allowed.

Regardless, the president will walk out of the White House and be surrounded by Cabinet leaders, top administration officials, Republican lawmakers and 4,000-plus spectators screaming themselves hoarse in a temporary arena under “The Claw,” a spaceship-like metal arch fitted with lighting, sound equipment and large screens. Thousands more will be watching on big screens from the nearby Ellipse.

“This event is a one-of-one event, incredible event. I love it,” said UFC chief Dana White, a close friend of Trump, during a Friday night hype session at the Lincoln Memorial where pairs of fighters shoved and scuffled for the cameras under the stoic gaze of Honest Abe’s marble likeness.

Trump has sought to tie Sunday’s event — which features seven fights running past midnight — to larger, months-long celebrations of the 250th anniversary of the signing of the Declaration of Independence.

But it is much more geared toward feting himself, so much so that the Group of 7 summit for leaders of industrialized nations pushed back their get-together so that the president could attend his cage-match party and then fly straight to France for the meetings.

The weather, though, could put a damper on things. Strong thunderstorms and heavy lightning disrupted Friday’s Lincoln Memorial event, and the forecast for Sunday evening also looked threatening.

“I’m sick and tired of hearing about the weather,” White declared Friday, before conceding that he’d prefer to hold future UFC events inside arenas only.

A very different 80th birthday celebration

When Trump’s predecessor, President Biden, turned 80 in November 2022, he celebrated with a private family brunch at the White House, a reminder of just how much and how quickly things have changed.

Asked about the contrast, White House spokesperson Allison Schuster said that the fight “will be one of the most entertaining nights in American history” and said that the timing was appropriate. “Having this spectacle take place at the people’s house on Flag Day during our nations’ semiquincentennial anniversary is a fitting tribute,” Schuster said in a statement, apparently including a punctuation error in referring to “nation’s.”

When he turned 80, Biden was the oldest president in U.S. history, and was months away from launching a reelection bid that he would ultimately abandon after a disastrous debate against Trump and mutiny among Democrats concerned that voters would perceive him as too old to handle a second term.

Trump has now supplanted Biden as the oldest person to be elected U.S. president. He’s constitutionally barred from running again, yet constantly toys with the notion publicly. That’s despite polls showing rising public skepticism about Trump’s mental and physical health — recalling concerns Biden faced as he turned 80.

A Washington Post/ABC News/Ipsos poll conducted in April found that less than half of U.S. adults think Trump has the mental sharpness or physical health to serve effectively as president.

The White House countered with a lengthy statement from Trump’s former White House physician, Republican Rep. Ronny Jackson of Texas, saying that Trump’s “stamina, focus, and strength are exceptional and on display every day. Claims to the contrary are pure fiction.” Jackson added that polling concerns were “being propagated by the same biased, liberal, Trump-hating press that completely ignored the absolute cognitive and physical disaster that was President Biden.”

Trump has nonetheless undergone four publicly announced physical examinations this term alone, with White House physician Dr. Sean Barbabella recently declaring him in “excellent health.”

‘Bread and circuses’ — Trump-style

The UFC event is an apt metaphor for Trump’s pugilistic political style. He has also long been a practitioner of political misdirection, purposely presenting people with something other than his presidency to focus on when things aren’t going well.

With the war in Iran grinding on despite weeks of assurances from Trump that its end is nigh, gas prices staying high, renewed concerns about inflation and plummeting job approval ratings for Trump — a White House birthday party unlike anything America has ever seen is definitely a diversion.

“This is all distraction,” said Mike Fontaine, a classics professor at Cornell University, who likened it to the gladiatorial games of Imperial Rome, when combatants brutalized each other for public entertainment meant to bolster rulers’ popularity and quell potential unrest.

“This is a classic strategy,” Fontaine said. “In ancient Rome, the phrase would be ‘bread and circuses.’”

Trump says the UFC is paying for the event, and though its full cost hasn’t been divulged, the National Park Service said in a court filing that $60-plus million and tens of thousands of hours of labor have gone into it, while seven government agencies have “allocated significant resources and manpower.”

UFC also announced Friday that it was adding as an official partner for the event World Liberty Financial to create a $250,000 athlete bonus pool for Sunday night’s winners. The cryptocurrency company is co-owned by the Trump family, founded with the president’s special envoy Steve Witkoff and run by the diplomat’s son Zach. The arrangement further blurs lines between the Trump family’s financial interests and the events and construction projects the president has prioritized and used government resources to pull off, which many critics and political analysts have labeled corrupt.

Still, Fontaine said that when it comes to a personal flair for pageantry, Trump’s second-term tendency to lean into “hardcore masculinity and brute fighting” is marrying the UFC’s blood sport with Trump’s distinctive sense of humor and enduring sense of showmanship.

“President Trump has a once-in-a-generation talent for this stuff,” he said.

Weissert writes for the Associated Press.

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Trump administration ordered to restore national park signage on climate change, slavery

A federal judge has ordered the Trump administration to restore signs related to topics such as climate change, slavery and Indigenous and LGBTQ+ history that were removed under an executive order to purge language at national parks that allegedly cast America in a negative light.

The order has prompted the removal of mentions of President Washington’s slaves at Independence National Historical Park in Philadelphia, signs regarding climate threats at Fort Sumter in South Carolina and a pride flag at the Stonewall National Monument in New York City, according to the lawsuit challenging the action.

In California, language related to the internment of Japanese Americans at the Manzanar National Historic Site, as well as the history of Indigenous people in Death Valley and Muir Woods came under scrutiny.

A preliminary injunction was issued Friday by U.S. District Judge Angel Kelley in Boston, who sided with a coalition of conservation and historical groups and ordered all language removed under the order to be reinstated before the Fourth of July. Earlier this year, another federal judge ordered the signage related to Washington’s slaves restored.

In Friday’s injunction, Kelley accused the Trump administration of seeking “to rewrite the Nation’s history with a white-out pen,” and said that national parks play an important role in telling the multifaceted history of America, including “the good, the bad, and the ugly.”

“Because Defendants deemed it important to strip the parks of these undeniable truths in anticipation of the 250th Anniversary of our great Nation,” she wrote, “it is equally important that our shared history be honestly told and fully restored by the 250th Anniversary to properly honor the remarkable achievements of the United States.”

A spokesperson for the U.S. Department of the Interior dismissed the ruling as the work of a “liberal activist judge.”

“The Department will look at our appeal options while we celebrate UFC Freedom 250 on the South Lawn of the White House this weekend in honor of our nation’s 250th with the greatest president in the history of our country — President Donald J. Trump,” the spokesperson said in a statement.

Trump initially signed the executive order in March 2025, arguing that a revisionist movement is seeking to undermine American history by replacing objective fact with a distorted, ideologically driven narrative.

“Under this historical revision, our Nation’s unparalleled legacy of advancing liberty, individual rights, and human happiness is reconstructed as inherently racist, sexist, oppressive, or otherwise irredeemably flawed,” the order stated.

Under the order, more than 430 sites under the purview of the National Park Service were told to review language on monuments, memorials, statues and markers to ensure they didn’t disparage Americans past or present, with a close eye on language added during former President Biden’s administration. QR codes were also added at sites encouraging visitors to report any signs they believed violated the order.

In February, a coalition including the National Parks Conservation Assn., American Assn. for State and Local History, Assn. of National Park Rangers and Union of Concerned Scientists filed a lawsuit in federal court in Boston alleging that the order was erasing American history and science.

“National parks serve as living classrooms for our country, where science and history come to life for visitors,” Alan Spears, senior director of cultural resources at the parks conservation association, said in a February statement. “As Americans, we deserve national parks that tell stories of our country’s triumphs and heartbreaks alike. We can handle the truth.”

The Associated Press contributed to this report.

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House vote to extend FISA spy tool fails and it could lapse as Friday deadline looms

A rare lapse in a law that allows the United States to gather intelligence abroad appears likely after the House failed on Thursday to temporarily extend the program, in a protest of President Trump ‘s refusal to name a permanent head of the nation’s intelligence agencies.

Trump has doubled down on his temporary pick for director of national intelligence, federal housing finance regulator Bill Pulte, even though Pulte has little experience for the job. Democrats say they won’t support the renewal of Section 702 of the Foreign Intelligence Surveillance Act, known as FISA, unless the Republican president withdraws Pulte’s appointment and nominates a permanent replacement.

The House vote collapsed in bipartisan fashion, with some Republicans and nearly all Democrats rejecting the temporary measure, 198-218. The Senate may try its own vote later Thursday, but hopes are dimming to prevent what could be an unprecedented lapse in the surveillance tool. The law expires on Friday at midnight.

The impasse could soon result in limitations on what intelligence the U.S. government can collect abroad just as World Cup games begin in cities around the country and ahead of celebrations for the nation’s 250th anniversary.

“We can’t let them extort us,” Trump said of Democrats.

Trump has stuck with Pulte as the acting head, rebuffing demands from lawmakers for a more qualified nominee. Trump asked Congress for a short-term extension of the law to “provide time for the selection and confirmation” of a permanent director. He said he wants Pulte to begin downsizing intelligence agencies.

The parties leveled blame for the potential interruption in what has been seen as an essential, if long-debated, surveillance program for keeping the country safe.

“We’re going to ask every member here to do the right thing,” said House Speaker Mike Johnson, R-La. “We cannot allow that to go dark.”

The House Democratic leadership announced its opposition, saying Pulte has no relevant intelligence background, in defiance of the law’s requirement for “extensive” national security experience.

“The apparent motivation for his elevation is the demonstrated willingness of Bill Pulte to search government databases for alleged dirt on President Trump’s chosen political enemies,” Democratic leader Hakeem Jeffries of New York and the leadership team said in a joint statement. They said there is a path to reauthorizing FISA, “but it will require enacting meaningful reforms.”

GOP leaders lobby the White House, to no avail

Congressional Republicans have lobbied Trump all week to quickly nominate a permanent replacement. But he said he needs more time to do so.

Senate Majority Leader John Thune, R-S.D., said Republican leaders have “made our views known” to the White House.

Trump has said that he is interviewing five candidates for his pick to lead the agency permanently, after the resignation of Tulsi Gabbard.

Johnson said the president has made it very clear that Pulte will serve a “very short term — a sort of renovation role” to help the Office of the Director of National Intelligence be “renovated and downsized.”

But Democrats on the House Intelligence Committee led by Rep. Jim Himes of Connecticut said in a letter to the president that Pulte is a “uniquely poor choice” to serve even in the acting capacity.

Both Republican and Democratic lawmakers skeptical of Pulte have pointed to his lack of intelligence experience and also his record at the Federal Housing Finance Agency. In the position, he has been linked with criminal referrals over allegations of mortgage fraud by public officials Trump sought to punish, including New York Attorney General Letitia James, a Democrat; Sen. Adam Schiff, D-Calif.; and Lisa Cook, a board member of the Federal Reserve.

“He has distinguished himself only as someone who will do or say anything to stay in your good graces,” Himes and the other lawmakers wrote, “qualities that are precisely the opposite of what our nation needs.”

FISA will lapse at midnight Friday

Section 702 of FISA allows agencies such as the CIA, National Security Agency and FBI to collect communications from foreign targets overseas without a warrant.

While members of both parties who cite privacy issues have long wanted to limit the authority, there was broad bipartisan support to renew it, especially after Republicans and Democrats recently worked out a compromise bill.

Virginia Sen. Mark Warner, the top Democrat on the Senate Intelligence Committee, has worked with Republicans on the compromise legislation to renew the authority. But he called Pulte’s appointment to replace Gabbard “a live hand grenade” disrupting the process.

Warner said the only way he’ll support a short-term extension of the surveillance law is if the principal deputy director of national intelligence, Aaron Lukas, is the acting leader during the duration of that extension.

Arkansas Sen. Tom Cotton, the chairman of the Senate Intelligence Committee, and Iowa Sen. Chuck Grassley, chairman of the Senate Judiciary Committee, have warned the administration that the spy tool is likely to lapse.

The administration should prepare “for a potential significant gap in foreign intelligence collection,” they wrote in a letter.

Trump doesn’t back down on Pulte

After bipartisan pushback to Pulte’s temporary appointment, Trump said last week that he would not permanently nominate him to the position. But Democrats, and some Republicans, want his appointment pulled immediately and for Trump to nominate a replacement that can be confirmed by the Senate.

On Tuesday, though, Trump announced that Pulte would not only take over as acting director — he’d also start earlier than expected, on June 19.

One of several possible replacements could be Pete Hoekstra, Trump’s ambassador to Canada and a former chairman of the House Intelligence Committee. The White House has reached out to Hoekstra about the job and conversations are ongoing, according to a person familiar with the outreach who requested anonymity to discuss the private conversations.

Jalonick, Mascaro and Kim write for the Associated Press. AP reporters Joey Cappelletti, Kevin Freking and Eric Tucker contributed to this report.

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Republican senators warn surveillance program may lapse after Trump intel pick backlash

Republicans are warning the White House that a critical surveillance authority is likely to lapse this week amid bipartisan backlash over President Trump’s pick to lead the nation’s intelligence community.

Sen. Tom Cotton, the chairman of the Senate Intelligence Committee, and Sen. Chuck Grassley, chairman of the Senate Judiciary Committee, sounded the alarm over the weekend after a failed procedural vote to extend the program.

The senators in a letter urged Secretary of State Marco Rubio to prepare “for a potential significant gap in foreign intelligence collection” if the authority expires. Section 702 of the Foreign Intelligence Surveillance Act, set to lapse June 12, allows agencies including the CIA, National Security Agency and FBI to collect communications from foreign targets overseas without a warrant.

Efforts to secure a long-term extension of the program already faced hurdles because of bipartisan concerns that the program can incidentally collect Americans’ communications. Privacy advocates and some lawmakers have been pushing to create a new warrant requirement before those communications can be searched.

Senate leaders from both parties appeared to be nearing agreement on a long-term extension. But the effort collapsed after Trump selected federal housing finance regulator Bill Pulte to serve as acting director of national intelligence.

“I know how important this tool is. Why the president would throw this live hand grenade of Bill Pulte in 10 days before this is due to expire, I’m not sure,” Sen. Mark Warner, the top Democrat on the Senate Intelligence Committee, said on ABC’s “This Week.”

Pulte pick upends bipartisan deal

Early Friday morning, after senators spent the night debating separate immigration legislation, seven Republicans joined nearly all Democrats in blocking a long-term extension of the surveillance authority.

Democrats and several Republicans registered their opposition to Trump’s selection of Pulte, arguing the federal housing finance regulator lacks the experience needed to oversee the nation’s 18 intelligence agencies.

“The naming of Pulte to that position, although the timing arguably wasn’t the best, I still don’t think it ought to derail something that’s this important,” Senate Majority Leader John Thune said.

Thune has expressed concern over Pulte’s pick, saying the nation’s top intelligence post should not be “weaponized” and that the job should be filled by “professionals.” Cotton, who rarely strays from supporting Trump and a leading advocate for the surveillance authority, declined to endorse Pulte, saying only that he had “no observations on the matter.”

“He’s not qualified for the long-term position,” Republican Sen. James Lankford, another member of the Intelligence Committee, told “Fox News Sunday.” “That’s been clear on this. He has no national security background.

Both Republican and Democratic senators skeptical of Pulte pointed to his record at the Federal Housing Finance Agency. In the role, he’s been linked with criminal referrals over allegations of mortgage fraud by public officials Trump sought to punish, including New York Attorney General Letitia James, a Democrat; Sen. Adam Schiff, D-Calif.; and Lisa Cook, a board member of the Federal Reserve.

Republicans will need to garner some Democratic support to pass any extension of the surveillance authority in the Senate. But a breakthrough appears difficult so long as Pulte remains in the position, which Trump said last week would only be temporary.

“I don’t see any path to convincing enough Democrats,” Warner said on CNN’s “State of the Union” when asked if renewal was possible with Pulte in the position.

The current reauthorization debate is hardly the first time that lawmakers have grappled with the fate of the surveillance program, particularly after a flurry of revelations about government misuse of the vast trove of intelligence it collects.

The topic in recent years has scrambled predictable partisan alliances, with Democratic critics of the Trump administration uniting with skeptics of government power on the right in voicing concerns about Section 702’s renewal.

In 2024, for instance, those divisions nearly caused the program to lapse. The Senate barely missed its midnight deadline that year before approving by a 60-34 margin legislation to reauthorize Section 702 that was subsequently signed by then-President Joe Biden.

A spokesperson at the Justice Department did not immediately return messages seeking comment Monday about the national security concerns that would be created if the program lapses. The Office of the Director of National Intelligence referred inquiries to the White House, which did not immediately respond to a request for comment.

“America faces real threats from foreign adversaries, terrorists, cyber actors, and hostile intelligence services,” Defense Secretary Pete Hegseth said on social media Sunday. “Section 702 remains one of our nation’s most effective tools for identifying and disrupting those threats before they reach our shores.”

Cotton and Grassley said they believed Democratic leaders would not support another short-term extension of the surveillance authority and urged Rubio to prepare contingency plans. They said Trump should consider an executive order to prevent a disruption in intelligence collection.

Cotton and Warner had said they were close on a bipartisan deal on a long-term extension and could still move quickly should a change occur before Friday. Still, the bill would likely need to go through the House — and the two chambers so far have disagreed on a separate issue regarding central banking digital currency.

“If we go dark next week, right before the World Cup FIFA games, and the 250th anniversary, that would be the most grossly irresponsible thing I’ve seen Congress do in my 22 years in office,” Texas Republican Rep. Michael McCaul said on ABC’s “This Week.”

Cappelletti, Jalonick and Tucker write for the Associated Press.

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UCLA softball coaches inspire nation’s most prolific offense

UCLA’s Megan Grant is just like every other college senior her age.

Sure, it might not seem like it from the outside looking in. After all, how can someone who has hit 89 home runs across her college career — one short of the Bruins’ record — and helped one of softball’s most dynamic offensive teams check off a list of new NCAA and program records relate to the other sociology majors in her classes at UCLA?

Grant disappears into her head sometimes, something she readily acknowledges. But her solution might not be as accessible to all the other “Twilight”-binging, video-game-loving UCLA students. She has coach Kelly Inouye-Perez keep her, the Division I home run queen, from getting caught up in the moment.

“She does a really great job with just keeping me neutral,” Grant said. “Sometimes I may get in a little crazy headspace, but she does a really great job helping me get out of those feelings that I’m stuck in, and she pulls me out and makes me realize, ‘Hey, as long as I can be who I am, that’s enough.’”

UCLA head coach Kelly Inouye-Perez confers with associate head coach Lisa Fernandez next to their dugout during a game.

UCLA head coach Kelly Inouye-Perez, left, confers with associate head coach Lisa Fernandez next to infielder Jordan Woolery during NCAA reigonal game on May 15.

(Gina Ferazzi/Los Angeles Times)

Inouye-Perez and assistant coach Lisa Fernandez are some of the Bruins’ biggest keys to success as the team prepares for the start of the Women’s College World Series in Oklahoma City. The Bruins will face Texas Tech at 4 p.m. PDT Sunday in a game airing on ESPN.

UCLA closed its super regional with a single-season home run record (200) and a record for WCWS appearances (34).

Grant is no stranger to the work necessary to see that level of success. But even in her rare bad at-bats and struggles, Inouye-Perez and Fernandez allow her the space to fail. After all, there are nine places in the lineup. One person alone isn’t indicative of UCLA’s wins or losses, Inouye-Perez says.

“We really focus on succeeding and learning how to fail, so they can just get to the next pitch,” Inouye-Perez said. “We talk about the ability to slow the game down, to take deep breaths, to be able to enjoy the moment. It’s not on any one Bruin.”

That mentality doesn’t exist in a void. Inouye-Perez and Fernandez worked in tandem to create the powerhouse team, which is in the midst of one of the best offensive seasons in D1 softball history.

Inouye-Perez is in her 20th year coaching the Bruins and is the only NCAA softball player to win a championship as a player and a coach. She led the 2010 and 2019 teams to those titles. Meanwhile, Fernandez, in her 28th year coaching at UCLA and her fourth as associate coach, has taken primary responsibility for hitting — one of the Bruins’ biggest keys to success. The team leads the nation in batting average (.385), RBIs per game (10.38) and on-base percentage (.496).

“Me and her, we’re workhorses,” Grant said of Fernandez. “We work all day after practice hours together, and it just means the world. You can tell that she loves the game and her little nuggets that she teaches me.”

The Bruins’ success in the batter’s box also has helped raise the tide of a team that could’ve fallen into many pitfalls. The team has only one main pitcher, Taylor Tinsley, who’s spent the most time in the circle in the NCAA tournament with 29-1/3 innings pitched. The Bruins are also young. Of the 21 players on the roster, only eight are seniors, redshirt juniors or juniors.

Seniors Jordan Woolery and Grant are one pace to break NCAA records, but the underclassmen aren’t far behind. Redshirt freshman Aleena Garcia set a single-game RBI record (7) when she hit two three-run homers in UCLA’s 14-4 win over Central Florida in the Super Regional.

Much like Inouye-Perez, Fernandez’s best attribute is her ability to be a sounding board for Grant.

“You get her enthusiasm too,” Grant said. “If you mess up, she’s always there to have your back. She celebrates your wins as well, and she gets very ecstatic about it. It almost makes me laugh, because it makes things so much more fun. She just brings that out of people.”

Even when teams lose to UCLA and Fernandez, it’s still a positive experience for some.

UCLA associate head coach Lisa Fernandez huddles on the mound with starting pitcher Taylor Tinsley and other Bruins.

UCLA associate head coach Lisa Fernandez huddles near the mound with starting pitcher Taylor Tinsley (23) during the fifth inning of a comeback win over California Baptist. The Lancers scored 10 runs in the fifth, but Tinsley bounced back from outing.

(Gina Ferazzi/Los Angeles Times)

Central Florida coach Cindy Ball-Malone considered Fernandez one of the best softball players ever, calling her the Michael Jordan of the sport. But what makes her truly impressive, Ball-Malone said, is that Fernandez is an even better coach.

“She’s just a winner,” Ball-Malone said. “I kind of just want to rub up on her or something to get that mojo because she’s got it. Her attention to detail, her belief in the smallest things, that’s why she is so good at what she does.”

It’s no wonder then why so many people, regardless of team affiliation, want to see UCLA’s coaches in person.

If you’re a part of the Bruins, you get to learn from people who have brought the school championships. And, if you’re trying to beat UCLA, there’s no better accomplishment than saying you beat Inouye-Perez and Fernandez’s record-breaking team.

“[Fernandez is] going to push you, and it might be uncomfortable, but dang it, you have no choice but to get better,” Ball-Malone said. “If you can get through her, you can get through anybody, and I’m going to learn from that so I can bring that to this program.”

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Treasury Secretary Bessent confirms steps for a Donald Trump $250 bill

Treasury Secretary Scott Bessent said Thursday that his department has prepared the design for a $250 bill featuring President Trump, anticipating the passage of stalled legislation in Congress to put the president on a new denomination of legal tender.

Bessent said at the White House that authorizing the currency will be up to lawmakers on Capitol Hill, but that “we’ve created the bill” because “we have to be prepared.”

The secretary downplayed the idea that the administration is pushing the matter, despite Trump’s penchant for infusing his name and likeness across the nation’s capital and into the observances of the 250th anniversary of the Declaration of Independence. Bessent also insisted there is nothing inappropriate about Trump’s visage being part of the seminal national celebration.

“The president doesn’t do it; the House and the Senate have to do it,” Bessent said at the White House, referring to legislation, introduced by Rep. Joe Wilson (R-S.C.), that would direct the Treasury Department’s Bureau of Engraving and Printing to put Trump’s face on the new bill to mark the 250th anniversary of the nation’s founding.

A Treasury Department spokeswoman said the agency carried out “appropriate planning and due diligence” to implement a potential congressional mandate “to produce a $250 commemorative note which will appropriately recognize the 250th Anniversary of our great nation.” The spokeswoman did not mention Trump.

If passed and signed into law by Trump, Wilson’s bill would mark an extraordinary recognition for a sitting U.S. leader and comes as Trump has sought to place himself at the center of Independence Day commemorations. The Department’s preparation for the languishing legislation suggests some enthusiasm for the idea on the part of the Trump administration.

Report: Trump ally has pushed to expedite new currency

The agency’s explanation follows a Washington Post report stating that U.S. Treasurer Brandon Beach, a Trump appointee, has been pushing the Bureau of Engraving and Printing to expedite the process for a new currency note. The paper also reported that the former BEP chief, Patricia Solimene, was reassigned after pushing back.

The Treasury spokesperson declined to comment on Solimene’s status but confirmed that Michael Brown, a top Beach aide, became acting director of engraving and printing May 18.

Beach did not respond to an Associated Press request for comment.

Wilson’s legislation, which so far has languished in Congress, is intended to create an exception to existing law that bars any living person from appearing on U.S. currency; the bill would allow current and former presidents to be featured.

Bessent confirmed the measure is designed for one person.

“Donald J. Trump,” he said emphatically, repeating the full name that the president himself often uses in the third person.

According to the Post report, Beach last fall provided the Bureau of Engraving and Printing with the design for the new bill. It featured Trump’s portrait — the same one that adorns banners hanging on some federal buildings in Washington — and a 250th anniversary logo. Trump’s signature also was included, a design element that would differ from other paper money.

British artist Iain Alexander told the Post he designed the bill and said he’d discussed it with the president. Alexander did not respond to an AP request for comment.

The newspaper also reported that Solimene resisted pressure from Beach and Brown and stressed to them the lengthy legal and procedural process required to issue new currency. Solimene was reassigned against her will, the Post reported, paving the way for Brown to oversee the bureau.

Trump has aggressively spread his name and likeness

A new currency note would be the latest example of Trump expanding his personal brand in his official capacity since returning to the White House last year.

Beach and Bessent already streamlined approval of a commemorative 250th anniversary coin featuring Trump. The Treasury Department has asserted that those special coins fall outside the prohibition on living presidents appearing on money. In 1926, the nation’s 150th anniversary, then-President Calvin Coolidge appeared on a commemorative half-dollar coin that was official legal tender.

The Trump administration has had banners featuring his portrait hung on the Department of Justice and other federal buildings. And his slate of appointees to the Kennedy Center governing board added his name to the national performing arts facility that Congress originally designated as a memorial to assassinated President John F. Kennedy. That renaming is being challenged in court because of the federal law establishing the center as the official memorial to the 35th president.

Bessent noted that unless Wilson’s exception passes, current law sets just two conditions for him to consider on currency: that “In God We Trust” is printed somewhere on it, and that only deceased individuals be depicted, with their names described below their portraits.

“It’s all up to Capitol Hill,” Bessent said. “We will stick to the law.”

Barrow writes for the Associated Press.

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Tulsi Gabbard resigns as director of national intelligence, citing her husband’s health

Tulsi Gabbard resigned as President Trump’s director of national intelligence on Friday, saying she needed to step away as her husband battles cancer. She is the fourth Cabinet official to depart during Trump’s second term.

“Unfortunately, I must submit my resignation, effective June 30, 2026,” Gabbard wrote in her resignation letter, which she posted on X. “My husband, Abraham, has recently been diagnosed with an extremely rare form of bone cancer.”

There had been rumblings that Gabbard would split with Trump after the president’s decision to strike Iran, which caused some division within his administration. Joe Kent, the director of the National Counterterrorism Center, announced his resignation in March, saying he “cannot in good conscience” back the war.

Gabbard, a veteran and former Democratic congresswoman from Hawaii, built her political name on her opposition to foreign wars. This put her in an awkward position when the U.S. joined Israel in launching attacks on Iran on Feb. 28.

During a congressional hearing in March, her measured comments were notable for their careful non-endorsement of Trump’s decision to strike Iran. She repeatedly dodged questions about whether the White House had been warned of potential fallout from the conflict, including Iran’s effective closure of the Strait of Hormuz.

Gabbard said in written remarks to the Senate Intelligence Committee that there had been no effort by Iran to rebuild its nuclear capability after U.S. attacks last year “obliterated” its nuclear program. That statement contradicted Trump, who has repeatedly asserted that the war was necessary to head off an imminent threat from the Islamic Republic.

This created several awkward exchanges with lawmakers who asked Gabbard for her opinion on the threat posed by Iran as the nation’s top intelligence official. She repeatedly said it was Trump’s decision to strike, not hers.

“It is not the intelligence community’s responsibility to determine what is and is not an imminent threat,” she said.

Gabbard’s departure follows Trump having ousted Homeland Security Secretary Kristi Noem in late March, in the midst of mounting criticism over her leadership of the department — including the handling of the administration’s immigration crackdown and disaster response.

The second Cabinet member to leave was Attorney General Pam Bondi, in response to growing frustration over the Justice Department’s handling of files related to Jeffrey Epstein. And Labor Secretary Lori Chavez-DeRemer resigned in April, after being the target of various misconduct investigations.

A surprising choice for the job

A veteran but without any intelligence experience, Gabbard was a surprising choice to head the Office of the Director of National Intelligence, which oversees the nation’s 18 intelligence agencies. She ran for president in 2020 on a progressive platform and her opposition to U.S. involvement in foreign military conflicts.

Citing her military experience, she argued that U.S. wars in the Middle East had destabilized the region, made the U.S. less safe and cost thousands of American lives. Gabbard later dropped out of the race and endorsed the ultimate winner, President Joe Biden.

Two years later she left the Democratic Party to become an independent, saying her old party was dominated by an “elitist cabal of warmongers” and “woke” ideologues. She subsequently campaigned for several high-profile Republicans and became a contributor to Fox News.

She later endorsed Trump, who also was a strong critic of past U.S. wars in the Middle East and campaigned on a pledge to avoid unnecessary wars and nation-building overseas.

Iran caused early tensions

But friction with the president started soon after he began his second term and tapped Gabbard to lead ODNI, which was set up after the Sept. 11, 2001, attacks to improve coordination between the nation’s intelligence agencies.

Shortly after taking on the job, Gabbard testified before lawmakers that there was no intelligence suggesting Iran was seeking to develop nuclear weapons. After Trump launched attacks on Iranian nuclear sites in June he said Gabbard was wrong and that he didn’t care what she said.

She appeared to be back in Trump’s good graces when she took a lead role in Trump’s effort to relitigate his 2020 election loss to Biden, whom Gabbard had endorsed. She appeared at an FBI search of election offices in Fulton County, Georgia, even though her office was created to focus on foreign espionage, not state elections.

Earlier this week, however, she testified to lawmakers during an annual threats hearing that last year’s strikes on Iran’s nuclear sites had “obliterated” their nuclear program and that there had been no subsequent effort to rebuild.

The statement seemed to complicate Trump’s repeated assertions that Iran posed an imminent threat and created several awkward exchanges with lawmakers who asked Gabbard for her opinion on Iran’s threat as the nation’s top intelligence official. She repeatedly said that it was Trump’s decision to strike, not hers.

“It is not the intelligence community’s responsibility to determine what is and is not an imminent threat,” she said at one of this week’s hearings.

Gabbard wrought big changes in one year

Gabbard vowed to eliminate what she said was the politicization of intelligence by government insiders. But she quickly used her office to support some of Trump’s most partisan of arguments — that he won the 2020 election.

She also worked to undermine the results of earlier investigations into Trump’s ties to Russia.

In her year on the job, Gabbard oversaw a sharp reduction in the intelligence workforce, as well as the creation of a new task force that she charged with considering big changes to the intelligence service.

Earlier this year an intelligence sector whistleblower filed a complaint that Gabbard was withholding intelligence for political reasons, a complaint that prompted calls from Democrats for Gabbard’s resignation.

Gabbard, 44, was born in the U.S. territory of American Samoa, raised in Hawaii and spent a year of her childhood in the Philippines. She was first elected as a 21-year-old to Hawaii’s House of Representatives but had to leave after one term when her National Guard unit deployed to Iraq.

As the first Hindu member of the House, Gabbard was sworn into office with her hand on the Bhagavad Gita, the Hindu devotional work. She was also the first American Samoan elected to Congress.

During her four House terms she became known for speaking out against her party’s leadership. Her early support for Sen. Bernie Sanders ’ 2016 Democratic presidential primary run made her a popular figure in progressive politics nationally.

Kinnard, Weissert and Klepper write for the Associated Press.

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Trump holds prayer rally to ‘rededicate’ US as ‘one nation under God’ | Donald Trump News

The administration of United States President Donald Trump has hosted a nine-hour prayer event on the National Mall in Washington, DC, as part of its efforts to commemorate the country’s 250th anniversary.

Sunday’s event was called “Rededicate 250: A National Jubilee of Prayer, Praise and Thanksgiving”, and it took place from 9am to 6pm Eastern US time (13:00 to 22:00 GMT).

On the jubilee’s website, organisers explained that their aim was to mark “rededication of our country as One Nation to God”.

The event featured performers, pastors and civil rights leaders, as well as Trump’s Republican allies, among them Senator Tim Scott of South Carolina.

“Our rights don’t come from the government,” Scott told the crowd. “No, our rights come from God, the king of kings.”

Members of the Trump administration, including the president himself, also recorded video messages that were broadcast from the stage.

Trump’s video showed him seated behind the Resolute Desk in the White House, reciting a speech from the Book of Chronicles that God gave to King Solomon, promising protection to his followers and destruction to those who forsake him.

Secretary of State Marco Rubio, meanwhile, used his video to describe the US as a country uniquely shaped by the “Christian idea”.

“Before the Christian West, most societies – and civilisations, for that matter – thought in stagnant cycles: the flooding of the Nile, the return of the rains, the cycle of the harvest. History for them was a wheel to nowhere,” Rubio said.

“But our faith calls us outwards into the limitless darkness of the unknown. It tells us to go forth and preach the gospel to the world as a witness unto all nations and to the ends of the earth.”

The event was not without controversy, though. Critics pointed out that only one speaker, a rabbi, was non-Christian.

Some religious leaders even rejected the event as a political stunt, rather than a sincere testament to faith.

Paul Raushenbush, a reverend and president of the Interfaith Alliance, posted on social media that his objections did not stem from an “antipathy towards religion”. Rather, he said his faith compels him to cherish the “rich tapestry of beliefs” that come together in the US.

“Rededicate 250 is a betrayal of America’s founding values guaranteed in the First Amendment – which made clear that there shall be no establishment of religion by the government and that each one of us should be free to live out our beliefs in our own way,” Raushenbush wrote.

Traditionally, the Establishment Clause of the US Constitution has been interpreted as prohibiting the government from establishing or imposing religious beliefs on its citizens.

But critics argue the Trump administration has blurred the separation between church and state, including by having regular prayer services at the Department of Defense.

Trump, however, has accused the federal government of “anti-Christian bias“. He launched a task force last year to root out the purported discrimination.

Evangelical Christians form a pillar in Trump’s right-wing base of support. The demographic is a powerful force during election seasons in the US, and Trump has sought to rally Christian voters ahead of major votes.

Their views could reshape how the US Constitution is interpreted. A survey from the Pew Research Center released last week found a slight uptick in the number of US adults who believe Christianity should be named as the country’s official religion. Seventeen percent now share that view, up from 13 percent in 2024.

That said, Pew researchers noted that a majority of Americans, roughly 54 percent, still believe in the separation of church and state.

About 52 percent also said that “conservative Christians have gone too far in trying to push their religious values in the government and public schools”.

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Thousands flock to the National Mall for prayer rally

Thousands of people streamed onto the National Mall for a daylong prayer rally Sunday headlined by President Trump and billed as a “rededication of our country as One Nation under God.”

Against the backdrop of the Washington Monument, worship music blared from a stage that made clear the event’s Christian focus. Arched stained-glass windows, set underneath grand columns resembling a federal building, depicted the nation’s founders alongside a white cross.

The nation’s tradition of separating church and state, however, was not on display. Most speakers celebrated Christianity’s ties to American history, a blending of ideas that critics decried before the gathering as Christian nationalism.

Trump read a passage of Scripture in a video shown at the rally. Filmed in the Oval Office, it was the same footage used during a marathon Bible-reading event last month. The verses from 2 Chronicles are often cited by those who claim America was founded as a Christian nation.

“If my people, which are called by my name, shall humble themselves, and pray, and seek my face, and turn from their wicked ways,” Trump read, “then will I hear from heaven, and will forgive their sin, and will heal their land.”

Other leading Republicans, including Defense Secretary Pete Hegseth, Secretary of State Marco Rubio and House Speaker Mike Johnson (R-La.), were also on the schedule for the event, part of the celebrations marking the nation’s 250th anniversary.

Only one name on the Rededicate 250 program was not Christian. Most were among Trump’s longtime evangelical supporters, including Paula White-Cain of the White House Faith Office and evangelist Franklin Graham of Samaritan’s Purse.

“We are deeply concerned that what is really being rededicated is a nation to a very narrow and ideological part of the Christian faith that betrays our nation’s fundamental commitment to religious freedom,” said the Rev. Adam Russell Taylor, a Baptist minister who leads the progressive Christian organization Sojourners.

The conservative Christian lineup featured guests who often assert that the United States was founded as a Christian nation, a narrative disputed by many historians and other religious traditions and inconsistent with American legal precedent.

Rabbi Jonah Dov Pesner, director of the Religious Action Center of Reform Judaism, noted the religious diversity of early America, including Jews, Muslims and Indigenous people. “I want to shine a light on America’s history as a nation that welcomes, celebrates and protects people of all faiths and those of no faith,” Pesner said.

‘It’s all about Jesus’

Many in the crowd wore Trump hats and patriotic colors, joining the festivities under a sweltering sun.

“It’s all about Jesus,” said Denny Smith, 72, of Rhode Island, who rented a motorized scooter to traverse the National Mall.

Retha Bond, a 58-year-old from southern Illinois, said she was here to hear Trump speak nearby on Jan. 6, 2021. She said she did not join the protesters who rioted later that day at the Capitol, attacking police officers while attempting to overturn the presidential election result, but she has remained a steadfast Trump supporter.

“I’m not saying Trump is the savior,” Bond said. But she said that “this is one of the most important things that could be going on in the world, for us to rededicate our nation back to God.”

At least one event speaker mentioned the slain conservative activist Charlie Kirk. Kirk’s activism has been a powerful example for Alessandra Seawright, 15, of Santa Fe, N.M., who came to Rededicate 250 with her mother.

“I think we just need more of this in our country, and we just need to share the word of the Lord,” she said. “We love going to events like this.”

They also attended Kirk’s memorial service in Arizona, which mixed Christian worship and political messages. Events like these, Seawright said, help her feel less alone in her conservative Christian beliefs.

Prayer event spurs protest

Hegseth, who has infused Christian language and worship with his role leading the Pentagon — drawing criticism — asked the gathering in a video to pray to “our Lord and Savior Jesus Christ.” Referencing George Washington’s faith, he said, “Let us pray without ceasing. Let us pray for our nation on bended knee.”

Orthodox Jewish Rabbi Meir Soloveichik was the only non-Christian religious leader listed on the program. To applause, he told the crowd, “Antisemitism is utterly un-American” — a seeming reference to debates dividing the right.

Soloveichik serves on the Trump administration’s Religious Liberty Commission along with White-Cain, Graham and Cardinal Timothy Dolan and Bishop Robert Barron, Catholic clerics also featured on the program.

The event was organized by Freedom 250, a public-private partnership backed by the White House. Congressional Democrats have questioned the nonprofit’s structure and finances, which they see as a Trump-controlled end run around a separate commission charted by Congress a decade ago to prepare semiquincentennial events.

Progressive groups staged counter-programming. Among them were the Freedom From Religion Foundation, which advocates a strict separation of church and state, and the Christian organization Faithful America. The two groups displayed a large balloon near the mall of a Trump-like golden calf, a biblical reference to idolatry.

On Thursday evening, the Interfaith Alliance projected protest slogans onto an exterior wall of the National Gallery of Art. “Democracy not theocracy,” said one. Another said: “The separation of church and state is good for both.”

Stanley writes for the Associated Press. AP writer Peter Smith in Pittsburgh contributed to this report.

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Taiwan says it is an independent nation after Trump arms sale remarks | Newsfeed

NewsFeed

Taiwan stressed that it is a “sovereign and independent” nation after US President Donald Trump raised uncertainty over a major weapons sale to Taipei. The Chinese government pledged to deepen security cooperation with the US while insisting that Beijing has no right to claim the island.

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