mother

Kaden Tennyson is a high school senior who works at an ice cream shop to make a few bucks to help pay for Uber drives and a veterinarian bill for his injured dog. He’s also a shotputter and discus thrower at Riverside Notre Dame.

He was suffering from a strained tendon in his right ankle resting at home when his ice cream manager called with a request for assistance.

“It was insanely busy,” said Tennyson, who is 6 feet 6 and 300 pounds. “I took an Advil and served birthday cake, brownie, chocolate fudge.”

There was no way Tennyson wouldn’t answer the call for duty.

“It’s my first job as a teenager,” he said. “It’s good for job experience.”

Tennyson never made it to the Southern Section track preliminaries after winning the league title.

“Every throw, it hurt badly,” he said. “I wanted to push through it.”

He made the decision to protect his future, so he passed on a chance to compete at Saturday’s Southern Section track championships.

He’s enjoyed much success in high school, on and off the playing field. He was back-to-back Skyline League champion. His best efforts were 51-10 in the shotput and 145-7 in the discus. He was admitted to 19 colleges. He was recognized by the Riverside Hall of Fame as a top scholar-athlete. He’s a two-time Principal’s Honor Roll recipient.

And yet, all that pales in comparison to what he has been forced to endure while his mother, Janet, twice battled cancer, affecting everyone emotionally and financially.

“As a mother, it’s been humbling to watch the kind of young man he has become through adversity,” Janet said in a letter she wrote honoring her son.

Fighting cancer is exhausting for everyone involved.

“We didn’t a spend a lot of time together, “ Kaden said. “She was mainly asleep. I wanted to be strong at home and not cry to make her sad. My friends helped a lot.”

Some of the senior activities Kaden hoped to participate in were lost for financial reasons, like going to the prom with his girlfriend.

He’s focused on the future.

“One of my dreams is to raise my own successful family,” he said. “In order to do that, you need to be successful yourself.”

He’ll take his 3.8 grade-point average and giant body to study buisness and compete in track and field at UC Irvine.

His mother is recovering. He intends to walk at graduation on June 5.

His mother says, “Kaden’s journey reflects resilience, family, perseverance and the reality that the effects of a serious illness don’t end when treatment does.”

Kaden’s smile continues. Maybe it’s because he works at an ice cream shop.

Asked he if he gets to sample the products, he said, “Sometimes.”

That’s a happy ending on any day.

Vivica A. Fox dreamed of being a model, but in order to receive her mother’s blessing to move to Southern California, where the jobs were, she had to promise her one thing: She’d go to college.

So that’s what she did. At 18, Fox left her hometown of Indianapolis for Huntington Beach, where she attended Golden West College and got an associate’s degree in social sciences. On weekends, she’d drive up to L.A. for auditions, getting her first taste of show business while dancing on Don Cornelius’ iconic television series “Soul Train” and later nabbing her first acting gig as Dr. Stephanie Simmons on “Young and the Restless,” a role she recently reprised after more than 30 years.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

“The rest is kind of history,” says Fox, who went on to star in other hit films including “Kill Bill: Vol. 1,” “Two Can Play That Game,” “Soul Food” and “Set It Off,” which celebrates its 30th anniversary this year.

Her latest project, “Is God Is,” hits theaters Friday. Directed by Aleshea Harris, who wrote the award-winning play of the same name, the film follows twin sisters as they embark on a vengeful quest to find their abusive father, who left them for dead. Fox plays God, the twins’ mother, a burn victim and domestic abuse survivor who gives her daughters a simple yet chilling instruction: “Make your daddy dead. Real dead.” Harris handpicked Fox for the role.

“I just was so honored,” Fox says. “Then when I got the script and dove into it a little bit more, I was like ‘Ooh, this is a way no one has ever seen me. This is going to be challenging.”

She adds, “I was like, ‘Wow. We don’t get things like this,’ so it was honestly, for me, a no-brainer.”

Sundays are the one day of the week where Fox can “do me,” she says. Here’s how she’d spend it in L.A.

This interview has been lightly edited and condensed for length and clarity.

6:30 a.m.: Quick coffee run

I’m usually up by 6:30 or 7 a.m. I’m an early bird because I’m so used to either having to be on set or when my publicist, B.J., was living on the East Coast and I’d have to respond to answer his emails in a timely manner. Once I’m awake and settled, I’d get some Starbucks. I’d order a venti white chocolate mocha with an extra shot of espresso, no whipped cream. I used to order kale bites, which I’d eat with the meat from the sausage and egg sandwich, but they discontinued them so now I just get the sandwich.

8 a.m.: Float in hot springs

I’d head to the Beverly Hot Springs. I would get a body care treatment. It’s awesome because they rub you from head to toe with body oil, then they wash your hair and give you a cucumber and yogurt mask. After that, I would get a facial and float in the water. It is one of the only spas with natural, alkaline hot springs in L.A., so the water is just heavenly.

2 p.m.: Margarita and caviar fries with a view

After that, I would meet with a friend, more than likely B.J., at the rooftop restaurant at Waldorf Astoria. The reason why I love going there is because of the view. On a beautiful, clear day, you can see all of Los Angeles. It has a 360 view that is absolutely incredible. I would start off with the caviar fries and a spicy margarita with a tajin rim. Then I would do either the salmon with spinach or if it was a super cheat day, I’d have a cheeseburger.

4 p.m.: A Broadway show or a sports game

I’d probably go home and take a short nap. But if my godson, Quentin Blanton Junior, is in town, I’d go see him perform at the Hollywood Pantages Theatre. He’s playing little Michael in “MJ: The Musical” at the Pantages Theatre. [Editor’s note: We interviewed Fox before the show ended earlier this month]. I’m so proud of him. But if he’s not performing, I’d go to a Chargers or Lakers game. I’m a sports junkie. I’m from Indiana. We grow up on football and basketball. I’ve always loved the Lakers. I remember going to the games back in the day in Inglewood because I used to live there. I used to walk to the games. That was the golden era of Magic and all those guys, then Kobe and them moved up to Staples, which is now Crypto.

9 p.m.: Nightcap before bed

I’d end my Sunday with a night cap at the Delta Club at the Lakers game. I’d have a glass of wine before heading home, then I’d drink a Lacroix to hydrate. I try to be in the bed definitely before midnight.

“It’s so intimidating to walk through here,” says an arena staffer as she scurries under the sight line of a video camera on a tall tripod. It’s a couple of hours before the Sparks’ home opener against the Las Vegas Aces on Mother’s Day. None of the photographers or videographers or security guards respond. She says it again. Still they don’t react, but they’re not being rude. They’re just all laser-focused on a 6-foot-4 blond wearing a stunning white Alaïa runway set that happens to be both a perfect ab showcase and an unmistakable style gauntlet thrown.

As every WNBA fashion watcher already knows, the blond can only be Sparks forward Cameron Brink, a Vogue favorite and a staple on LeagueFits, the Instagram account that has amassed a million followers since 2018 with a curated stream of tunnel fits. How do they differ from regular off-court attire? These are highly stylized, high-stakes pregame outfits that many professional athletes wear when arriving at the stadium or arena, capitalizing on the opportunity to get seen on their own terms.

Cameron Brink wears an Alaïa top and skirt and Louboutin shoes.

The popular images share a common visual language: The players show up in outfits so expressive they raise an exhilarating middle finger to the very idea of quiet luxury. The backdrops are always drab; concrete floors and metal doors. The stark contrast between the two, and the suggestion of backstage access, make the photos irresistible to fans.

No one skips the tunnel walk. The Sparks rookies are here early, Ta’Niya Latson first, followed by Ji-Hyun Park and then Chance Gray, all arriving while the last section of sparkly black carpet is still being laid down on the literal tunnel, which is finally emblazoned with the team logo. That’s the one they’ll all walk in uniform to get onto the court. We are in the proverbial tunnel, it is the bustling back-of-house that players must traverse on their way to the locker room, which means that all around us the enormous task of staging a pro ballgame is unfolding in a practiced frenzy.

Less than a month ago, Latson went classic Hollywood at the WNBA draft with a glamour girl dress, meticulously laid spit curl and elbow gloves, but today she comes in sporty and fun, in a Puma top and jeans with a folded-down waistband. It’s her very first league game, and the moment is surreal, joyful. “It doesn’t even feel like I’m here, but I am,” she says.

A team staffer pulls a forgotten wad of blue painter’s tape off the floor. A photographer checks her light levels. Three gaffers rush by with heavy coils of electric cord slung over their shoulders. Park is next to arrive. A basketball star in Korea, she’s new to L.A. but already wearing a sweatshirt from a local brand, Madhappy, and does not seem at all intimidated by the cameras, giving them a playful pose, head cocked and leg kicked out. Not long after, Gray, in a plaid mini, is also posing at the photographers’ request, switching effortlessly between signature Gen Z stances, chin resting atop a bent hand. She, too, showed up at the draft in a flawless gown, but today all three rookies seem to have wisely cast themselves in a sort of spirited younger sibling role.

Ta’Niya Latson wears a Puma top and Louis Vuitton bag.

Jihyun Park arrives for her tunnel walk in a Madhappy sweatshirt and Nike sneakers.

Chance Gray wears a Revolve top and shoes, I.am.Gia. skirt and Ganni bag.

Word spreads that Sparks starter Kelsey Plum will be there soon and everyone straightens up. More team staffers rush by. To play basketball you need only a ball and a basket. To magic a WNBA production into existence, you need so much more. A man bearing a dozen brand new jerseys, designed as a callback to the original 1997 uniform, weaves past a line of people going the other way, carrying orange Gatorade coolers and stacks of branded blankets wrapped in thin plastic. An assistant speeds back and forth, loaded down with pallets of snacks, her long hair streaming behind her.

And then Nneka Ogwumike steps into view. After two seasons in Seattle, her return to L.A. is triumphant. As president of the Women’s National Basketball Players Assn., she helped secure a historic new agreement, signed March 24, with salary numbers that mean real money across the board. And in case there were any lingering doubts about her loyalty, she’s made a pointed clothing choice: a pair of custom tapestry pants constructed from a Lakers logo blanket, created by KA Originals designer and former player Kristine Anigwe. The message is simple. “L.A. for life,” says Ogwumike.

Nneka Ogwumike wears custom KA Originals tapestry pants constructed from a Lakers blanket.

Now the rush begins. As we’re talking to Ogwumike, Sania Feagin slips by in a multicolored knit beanie, smile unmissable, holding a bouquet of Mother’s Day flowers from one of the league’s social media managers. Then Emma Cannon embraces the holiday by pulling her son and twin daughters behind her in a wagon. As the family is photographed, several Aces members come in and pause for a brief hug and coo before ducking quickly out of frame. The energy could not be more different from a boxing weigh-in. No spotlight stealing. No antagonistic peacocking.

It is, indisputably, the home team’s turf. And Plum, next to arrive, treats it like her runway. Willy Chavarria sunglasses on, textured Ferragamo trousers glittering with each camera flash, she strides through without pausing. The look has her signature rebel edge, but the guard is working with a new stylist, Karla Welch, who’s known for transforming actors into fashion darlings — her client Greta Lee (“Past Lives”) is the face of Dior’s latest campaign.

Soon after, we get another speed strut from guard Erica Wheeler, whose giant “EW” initial chain from the GLD Shop is the iced out topper to an outfit that’s a master class in artful layering, composed with the assistance of stylist Miguel Moss. Wheeler dipped into Willy Chavarria’s Adidas collab with both her shorts and a pair of black sneakers with a metal-tooled toe in a floral pattern that the designer named after the Compton Cowboys.

WNBA LA Sparks player Emma Cannon with her three children.

Kelsey Plum wears Ferragamo top and pants, Willy Chavarria sunglasses and Jude boots.

The entire time players are walking through, music has been booming through the hallways. Gradually, it becomes clear that the game DJ and host are also getting ready, running through their playlists and patter. When Rae Burrell enters, the game announcer is rehearsing, exhorting the not-yet-arrived crowd to cheer for their team. Burrell may have worked with a shopper to procure options, but she styled herself in this cheer-worthy outfit — a gray minidress that satisfyingly contrasts with a pair of bright white Moon Boots, all pulled together the night before.

Star stylist Brittany Hampton, who has worked with Brink and Plum, says, “historically, [the players] were told to kind of put themselves in a box … to shrink themselves.” The league had very narrow standards for how women were expected to look. But now, according to Hampton, their fashion choices are a projection of power: “It’s an act of their own ownership.”

Before she headed to the locker room, Burrell thanked everyone and called out a cheerful invocation, “Successful first game!” That’s the appeal of the tunnel walk. You cannot stay suspended in pure potential. There is always a ticking clock. A game will be played. Someone will win and someone will lose. None of us know yet that the Sparks are about to get trounced by the Aces, losing by 27 points. It might seem like it would be more sensible for this ritual to take place after the game, for the victors to stage a triumphant, high-style parade and for everyone else to slink out, unnoticed. But where’s the glory in that? To be an athlete is to prove yourself constantly, to always be risking your ego and your body. Without these stakes, without the backdrop of the tunnel and the promise of the competition, it would just be a runway.

In the third quarter, as the Aces’ points keep piling up, the Jumbotron lingers on a fan wearing a simple white T-shirt, probably self-made, emblazoned with an iconic 2024 image of Kelsey Plum in black sunglasses and head-to-toe black leather. Plum is braless, her vest open to reveal a shimmery pile of silver chains, her abs on defiant display. It is a potent, and lasting, assertion of self. The fan in the T-shirt smiles as their image, and Plum’s, looms over the arena.

Dearica Hamby poses with her daughter, Amaya, and wears an Ottolinger set, Steve Madden shoes and Balenciaga.

Rae Burrell wears Prada sunglasses and Diesel bag.

Ariel Atkins wears Zara pants, Charles Keith top, Bape shoes and Ganni bag.

Sania Feagin wears Mnml pants and jacket and Supreme beanie.

Head coach Lynne Roberts.

Jade Chang is the author of the novel “What a Time to Be Alive.”

It’s early in the morning, and Birmingham baseball coach Matt Mowry is at the supermarket looking through the flowers section before classes begin. He’s engaged in an unseen, often undervalued duty as a coach — providing comfort to players and their families.

One of his players, 16-year-old sophomore outfielder JJ Rodriguez, lost his father, Anthony, 53, on a Saturday morning last month when he died in his sleep at home. Mowry is looking for a bouquet of flowers to present to JJ’s mother, Nancy, before his first game back.

There are no easy answers how to help a family dealing with grief. Mowry went through his own tragedy in 2022 when his wife, Amy, died of cancer. He prays for her before each game, looking up to the sky while grasping his wife’s necklace, then kissing a ring that has her fingerprint tattooed on it.

The message Mowry told JJ: “Times are going to be tough There’s moments you’re going to break down. It’s OK. You don’t have to hide it.”

The reason No. 1-seeded Birmingham doesn’t open the City Section Open Division baseball playoffs until Thursday is because Anthony’s funeral is Wednesday, and players and coaches will be there to provide support.

Anthony Rodriguez, the father of Birmingham baseball player JJ Rodriguez, died last month.

(Eric Sondheimer / Los Angeles)

JJ missed a couple days of school and one game after his father’s death. He wanted to be alone and was skeptical about coming back any time soon.

“He would message me and tell me coming here and being around my teammates would make me more comfortable and get my mind off things,” JJ said of Mowry. “I wanted to be alone a little bit because my mind was not in the right place. But the day I came back, I learned these guys are my family.”

JJ has become an important part of his team, starting in left field while batting No. 9 in the order. The Patriots won their first West Valley League title in 20 years and are trying to win their sixth City title under Mowry.

JJ and his mother have appreciated the emotional support, allowing them to try to heal from their sorrow.

His mother told him, “Be strong for everyone else. Your dad will always be proud of you.”

There’s a candle in the room where his father was found.

“I sometimes go there and be alone at night and talk to myself,” he said.

Before games, JJ says a prayer and thinks of his father.

“Every game,” he said. “It’s for you, Dad.”

On May 23, the City final will take place at Dodger Stadium.

Imagine the thrill for players of the two teams who reach the final. They’ll get to walk the infield, put some grass in their pockets, look up into the stands, hang out in the dugout of the two-time defending world champions.

For JJ, his father won’t be able to watch him. Or maybe he will. Every day is a step forward to healing. It’s hard, but he’s got a coach watching over him.

“I talked to him about what my son went through in the same situation,” Mowry said. “I had him get back out with the guys and be there whether he practiced or played.”

JJ is back and thankful to his baseball family.

The problem is not where to find photos on Route 66. The problem is putting down the camera, especially during this centennial year, when the road is dressed up with more lights, banners, murals and fresh paint than it has seen for decades.

Stories, photos and travel recommendations from America’s Mother Road

Travelers may be tempted to just keep snapping. But for better results on every level, say hello and ask questions first. Here are a few more photo tips along with an east-to-west gallery of what our photographers and I found on the road:

• You can’t be everywhere at dusk, when the neon signs blaze, so be strategic (and maybe plan for an early dinner or a late one).
• Use a solid tripod (for long exposures), stay off the road, and be sure to try a variety of exposure times. (Neon is tricky.)
• If you see a roadside image that needs your attention, pull over, park legally and step away from the vehicle. The result will be better and all will be safer.
• Besides the freedom of road-tripping, the spirit of Route 66 is about independent businesses bucking the odds on the road less traveled. If we all take pictures without spending, those businesses won’t last long.

Views from Navy Pier in Chicago.

Millennium Park in Chicago.

Route 66 begins in downtown Chicago at Adams Street and Michigan Avenue. Early alignments put it on Jackson Boulevard. Signs mark the spot across the street from the Art Institute of Chicago.

Art Institute of Chicago.

Cigars and Stripes BBQ in Berwyn, Ill., features a Muffler Man smoking a cigar and holding a jumbo bottle of barbecue sauce.

The Gemini Giant stands along Route 66 in Wilmington, Ill.

Atlanta, Ill., is home to the American Giants Museum — which celebrates the Muffler Men and Uniroyal Gals that were common roadside advertising features in the middle 20th century.

Springfield, Ill., is home to the Abraham Lincoln Presidential Museum and Library. Exhibits takes Lincoln from his Illinois childhood through to the Civil War and his assassination in 1865.

A barn along Route 66 near Carlinville, Ill.

The Wagon Wheel Motel on Route 66 in Cuba, Mo.

The Route 66 Car Museum’s collection includes about 70 vehicles, especially American and European sports cars. Pictured is a 1967 Pontiac Bonneville.

Gary’s Gay Parita, once a service station, won fame over the decades for its hosts’ hospitality. It’s still a popular stop, 25 miles west of Springfield, Mo.

Rockwood Motor Court in Springfield, Mo., dates to 1929. It has been restored and continues to operate.

The Meadow Gold District in Tulsa, Okla.

This fiberglass Rosie the Riveter figure went up on 11th Street in Tulsa in 2025.

Buck Atom’s Cosmic Curios occupies a former service station on 11th Street — a.k.a. Route 66 — in Tulsa.

Soda pop bottles line the walls of Pops 66 in Arcadia, Okla.

A car travels down a stretch of the Meadow Gold District in Tulsa, Okla.

The Cyrus Avery Centennial Plaza features a bronze sculpture called “East Meets West,” just off the now-closed Cyrus Avery Route 66 Memorial Bridge.

The Round Barn in Arcadia, Okla., stands along Route 66.

National Route 66 Museum and Elk City Museum Complex, Elk City, Okla.

The fastidiously restored U-Drop Inn, a Streamline Moderne filling station and cafe in Shamrock, Texas, is one of the architectural standouts of Route 66. It doesn’t sell gas, though.

Visitors to the Cadillac Ranch art installation in Amarillo, Texas, are allowed to spray-paint the 10 Cadillacs half-buried in the ground there.

The Midpoint Cafe in Vegas, Texas, celebrates the halfway point along Route 66 between Chicago and Los Angeles.

A license plate spotted in Albuquerque.

La Cita, a sombrero-topped restaurant, is one of the most popular eateries in Tucumcari, N.M. It was founded in 1940 and moved to its current location in 1961.

Motel Safari in Tucumcari, N.M., is one among a handful in town that have renovated and upgraded to attract contemporary travelers along Route 66.

Michela Franceschilli and her mom, Carla, came from Rome for their second trip exploring Route 66. They are standing by the Blue Swallow Motel, in Tucumcari, N.M.

From Old Highway 66 near Laguna, N.M., Casa Blanca Road leads to Enchanted Mesa and Acoma Village.

The exterior of Duran Central Pharmacy in Albuquerque.

The combination plate, Christmas-style, at Duran Central Pharmacy.

El Vado Motel is a rescue-and-recovery story on Central Avenue in Albuquerque.

Signs and murals line the roadside as Old Highway 66 passes through Grants, N.M.

The West Theatre in Grants, N.M.

The Painted Desert Trading Post stand west of Chambers, Ariz. The restored building and a stretch of old Route 66 are on private property behind a gate. Travelers call or text a number on the gate to ask for access.

Signage along old Route 66 in Holbrook, Ariz.

The Painted Desert portion of Petrified Forest National Park includes broad vistas and richly varied mineral colors.

Scenes from Route 66 in Williams, Ariz.

Angel & Vilma Delgadillo’s Original Route 66 Gift Shop on Route 66 through Seligman, Ariz.

Aztec Motel and Creative Space in Seligman, Ariz.

Route 66 merch in Seligman, Ariz.

Tin Can Alley is a compound of five rental Airstream trailers in Kingman, Ariz.

The stretch of old Route 66 between Kingman and Topock in western Arizona is known as “Arizona Sidewinder” for its 191 turns, often without guardrails. The old mining town of Oatman, known for its feral donkeys, is on the way.

Oatman, Ariz., is known for its roaming burros, Old West-style storefronts and busy weekends. It stands on a curvy stretch of Route 66 that attracts many motorcyclists and off-road enthusiasts.

El Rancho Motel Sign on the outskirts of Barstow, Calif.

Wigwam Motel off Route 66.

The iconic Roy’s sign stands over old Route 66 at Amboy, Calif., in San Bernardino County. These days Roy’s operates as a gas station, gift shop and snack bar, not a cafe or motel.

The fiberglass statue known as Chicken Boy stands on the roof of artist, designer and gallerist Amy Inouye’s studio on Figueroa Street in Highland Park.

The interior of the Magic Lamp Inn.

The Magic Lamp Inn in Rancho Cucamonga.

Mitla’s Cafe in San Bernardino.

Foothill Drive-In sign on the campus of Azusa Pacific University.

A portion of Route 66 that runs parallel with I-15.

Signs of Route 66 through the town of Oro Grande, Calif.

Elmer’s Bottle Tree Ranch.

The interior of the Formosa Cafe in West Hollywood.

The historic train car at the Formosa Cafe.

Mel’s Drive-In diner in Santa Monica.

Route 66 memorabilia at Mel’s Drive-in diner.

Route 66 Burger at Mel’s Drive-In, a popular stop for Route 66 travelers.

The Santa Monica Pier, which marks the western end of Route 66.

Memorabilia for sale on the Santa Monica Pier.

Scenes from the Santa Monica Pier and the end of Route 66.

A sign marking the end of Route 66 on the Santa Monica Pier.

The entrance to the Santa Monica Pier.

The Santa Monica Pier at dusk.

Two-thousand, four-hundred and forty-eight miles. That was the span of Route 66 when highway officials stitched it together to link Chicago, Los Angeles and countless cities and towns in between. But as an enduring American symbol, this highway reaches much further than that, inspiring books, songs, movies and countless road trips.

It turns 100 this year, so with summer coming, we drove it all.

Across eight states, we scouted out vintage motels, new businesses, neon signs, friendly Muffler Men, road food, vivid characters and 20th century ruins. We also kept our eyes open for hints of the road’s evolution, from the Dust Bowl years, segregation and the postwar boom to the freeway-era slump and the reemergence of Route 66 as a long, winding and living historic landmark.

Now we’re taking you along for the ride. If you’ve ever daydreamed about covering some part of the famous roadway, hop on in and let’s get our kicks, shall we?

Nick Pasqual, an actor who appeared in “How I Met Your Mother,” has been found guilty of the attempted murder of L.A.-based makeup artist Allie Shehorn.

Following a jury trial, Pasqual was also convicted of counts of injuring a spouse or partner, first-degree burglary and rape, according to court documents.

The incident occurred in May 2024, when Pasqual repeatedly stabbed Shehorn, his ex-girlfriend, in her Shadow Hills home. Prosecutors claimed that he broke into her home, attacked her with a knife and fled California. Pasqual was later stopped by authorities at a border checkpoint in Sierra Blanca, Texas, the Los Angeles County district attorney’s office said.

At the time, Shehorn’s friends speculated that she had been stabbed more than 20 times. Following the attack, she underwent emergency surgery and spent days in intensive care.

The pair first met on the set of Zack Snyder’s film “Rebel Moon.” Pasqual worked as a background actor, with credits including “How I Met Your Mother” and “Archive 81,” and Shehorn worked as a makeup artist on movies including “Family Switch” and “Babylon.”

Prior to the stabbing, Shehorn had filed a restraining order against Pasqual, which detailed acts of sexual and physical assault.

Pasqual will be sentenced on June 2. He could face a maximum sentence of life in state prison.

Former L.A. Times staff writer Nathan Solis contributed to this report.

For Sarah Gorden, Mother’s Day is special because it’s not just a celebration of motherhood. For her, it’s also a celebration of perseverance, grit and survival.

Especially survival.

Gorden became pregnant during her junior year of college and for most of the next 12 years, she tried to balance her life as a professional soccer player with her responsibilities as a single mother. It wasn’t easy.

“I honestly look back and I have no idea how we got through that,” said Gorden, who made $8,000 as an NWSL rookie with the Chicago Red Stars in 2016, less than the city’s minimum wage. “We’re making no money. We were definitely using government assistance and government aid. And then the help of family and friends.

“I’m impressed and proud of the part of me that got through that. But it was no way to live.”

As the memories come flooding back, so do the tears.

Angel City midfielder Ariadina Alves Borges walks off the pitch with her son, Luca, at BMO Stadium on May 2.

(Gina Ferazzi / Los Angeles Times)

“It’s so difficult to explain,” said Gorden, now 33 and the captain at Angel City, as she dabbed at the tears with a tissue. “Not having enough money, not having enough time, wondering if I’m being selfish, wondering if I’m making the right decision. Ultimately it came down to: I didn’t feel like I had another [choice].”

A decade later, the NWSL minimum wage is $50,500 and the league’s collective bargaining agreement guarantees mothers job protection, full salary and benefits for the duration of a pregnancy-related absence, stipends for child care and subsidized arrangements for women traveling with children up to age 14.

Angel City, founded by three mothers, has gone beyond what the league has mandated by supporting mothers with perks that include a well-stocked nursery at the team’s training facility on the campus of Cal Lutheran University.

“From the beginning, we always strive to support the whole player. Physically, mentally, emotionally, psychologically,” said Julie Uhrman, one of Angel City’s founders and now a principal adviser to the team. “And then to support them if they came in as parents or became parents. That’s not just players. Staff too.”

Uhrman, who raised two children while building a successful career as a media and entertainment executive, speaks from experience.

“They can do both and they can excel at both,” she said of her players. “And we’re going to provide the support and the environment for them to do that.”

On its active roster of 25 players, Angel City has four mothers — the most in the NWSL. The work that went into the infrastructure now in place for them originated with Sarah Smith, the team’s former director of medical and performance.

Smith, who left the club in January and now advises elite athletes — primarily skiers — in Utah, said the support she got from Uhrman and others during her own pregnancy two and a half years ago inspired and informed her work with Angel City.

“Having the leadership of the club and the female leaders in the club, and then wanting to be able to support all of the players through their different journeys, through motherhood, I was really glad to be part of that,” she said. “But it really started with the fact that I had just gone through it, and I was able to share those experiences.”

Angel City forward Sydney Leroux’s 9-year-old son, Cassius, waits for his mom to leave a team huddle at BMO Stadium on May 2.

(Gina Ferazzi / Los Angeles Times)

The first player she guided through that journey was Scottish forward Claire Emslie, who gave birth to a son in December.

“I’ll be honest. Having seen how much she wanted to do for moms in the game made me excited to become a mom,” Emslie said. “We weren’t even thinking about having a kid. But knowing what she wanted to do if there was a pregnant player made me want to have a kid because I knew that this is the best place I could possibly be.”

Emslie, 32, was cleared to suit up for Angel City’s game with San Diego on Saturday — the day before Mother’s Day — after missing the past 12 months on maternity leave. But she continued to train until just before giving birth and that, combined with the year off from the weekly pounding of professional soccer and the physiological changes her body went through during pregnancy, have made her better, she says.

“I feel better. I’m different,” she said. “I got a lot stronger and that’s something you can’t build while you’re in competition. My speed is back. I think I’m actually faster. And there’s also sort of an effect where you’ve got more red blood cells in your system now. So they say your cardio is actually better.”

The prime years for a women’s soccer player — between the ages of 25 and 29 — overlap with their prime reproductive years. Until recently, however, women had to make a choice between a family and a career. Now many are choosing to do both.

Sophia Wilson, a former NWSL scoring champion and MVP, and Mallory Swanson, her teammate on the U.S. Women’s National Team, both missed play in 2025 to give birth. They are among the 28 mothers in the league, and more are coming with the most recent NWSL availability report showing six teams missing players going on maternity leave.

Angel City player Claire Emslie, who is pregnant, tours a nursery the team built for players.

(Courtesy of Angel City FC)

Emslie’s own experiences tell her those numbers will continue to grow.

“I got to a point where I need[ed] to start thinking about life after football. And if I want to have a family, because of the biological clock, I need to start trying soon,” Emslie said. “It’s now kind of a normal thing to have a baby and come back.”

“Now I wish I’d done it younger,” she added. “Having a baby and continuing to play, they’re on the journey with you. So to have, say, five, six years professional football with a family, that’s amazing.”

Smith believes the willingness of star players such as Wilson and Swanson — and before them, Alex Morgan and Manchester United’s Hannah Blundell — has brought important focus to the issue of motherhood in soccer.

“That is where the game is going. I think you probably can see it across the league, the number of mothers,” Smith said. “And that’s a variety of circumstances. It may be mothers whose partners have carried children. It may be also players that are thinking about having children later and want to freeze their eggs. What I wanted to make sure is that we, we supported all of those different circumstances.”

That included designing and stocking the nursery at the training facility Angel City inherited from the NFL’s Rams in the fall of 2024.

“We put stuff in there for Caiden, for Sarah’s son, because it wasn’t just for Claire,” Smith said. “We wanted to make sure that all of the players and their partners felt good and comfortable. You just want to take a little bit of stress off of the players.”

Angel City captain Sarah Gorden with her oldest son, Caiden, during a photo shoot.

(Courtesy of Angel City FC)

When the club inherited the nine-acre practice facility in 2024 from the Rams, Angel City designated the largest of the offices for the nursery. The office belonged to head coach Sean McVay, and now it features walls painted pink and light blue and a crib, a changing table and a menagerie of stuffed animals.

“We want players to come to Angel City because we are the absolute best place for you to grow as an athlete, as a human,” Uhrman said. “And, you know, thinking about the fact that they might want to become mothers at some time or they’re coming in as mothers is really important.”

Gorden remembers a time not so long ago when that wasn’t the case. Early in her career in Chicago, she said she had to bring her son to a team meeting and was punished by being benched. Another time she couldn’t find child care on the day of a game — a Mother’s Day game.

“I just remember bawling all morning and just feeling so stressed,” she said.

Gorden has a fiance who is helping with parenting and her son Caiden, now in middle school, has grown into a sweet, empathetic boy.

“So yeah,” Gorden said, smiling through the tears, “a lot of progress. The league gets it now.”

On Mother’s Day, let’s salute two single mothers who became the No. 1 fans for their sports-playing sons and stayed by their side through good and bad times.

Sylmar pitcher Matthew Torres has tried to make it through life without a father after his parents’ separation when he was 12.

“He’s not been to any high school games,” Torres said.

Enter his mother, Roxanne, who has raised four boys and one girl by multitasking and embracing sports activities. She intervened to help Matthew make it through tough times.

“Her bringing me to church and getting to know God has made me the man I am today,” the 6-foot-3, 185-pound senior said.

Torres became the No. 1 pitcher in the Valley Mission League this season with an 8-0 record while also hitting .488. He helped Sylmar win the league title and become the No. 1 seed for the City Section Division I playoffs.

He has a secret plan scheduled for Sunday to salute his mother. Who doesn’t like surprises?

At Carson High, All-City quarterback Chris Fields has a mother, Shere Fletcher, who could play or coach football the way she has dived headfirst into learning the sport to be at the side of her son.

There were once tough times as a family. Fields said the family was “impoverished.” Mom worked multiple jobs while also studying but sacrificed everything to make sure her son and daughter could have a bright future. She became a paralegal and never misses a practice or game. She should be called “Coach Fletcher” but prefers mom.

“I’ve been through everything with my mom,” Fields said.

Her Mother’s Day gift since the 49ers are her favorite team is a vintage Jerry Rice jersey and a trip to Santa Anita.

There are plenty of moms who’ve spent countless hours driving, feeding and motivating their sports-playing sons and daughters through highs and lows.

Happy Mother’s Day to all.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

It’s hard to believe, as Matt Damon noted in his monologue in this week’s “Saturday Night Live,” that the actor of this summer’s “The Odyssey” has only guest hosted three times during his lengthy career. (In case you’re wondering, his frequent writing and acting partner Ben Affleck has hosted five times.)

That’s a shame because Damon checks all the boxes for what an A-list actor should do when they host the show: be super present, take every opportunity to do the silliest sketches without seeming uncomfortable, and bring at least some of their acting chops to bear to give otherwise lightweight sketches a little extra gravitas or emotion.

Damon did all that and helped start the show off with an extra jolt of energy by returning as Supreme Court Justice Brett Kavanaugh in the cold open, along with last week’s ringer, Aziz Ansari as FBI Director Kash Patel.

Not every sketch worked, like an early Godzilla parody set in a command center that was simply a series of increasingly anticipated spit takes on poor Mikey Day. Things improved when Damon played himself in a pre-taped sketch about a movie made just for moms ahead of Mother’s Day; mom’s fantasy? No conflict among the kids and a blissful marriage to Matt Damon.

Damon also played one of a trio of middle-aged men (including Marcello Hernández and Kenan Thompson) constantly getting beat up by “tough guys” who are sometimes just children. He also played a frustrated dad in a strange cat litter commercial, a substitute teacher trying to get a classroom of students to dance (unsuccessfully) and, memorably, an auctioneer in a fight with his auctioneer wife (Sarah Sherman). In these sketches in particular, Damon’s acting skills helped elevate the characters he played, grounding them in sadness or frustration. It definitely helped.

The “Odyssey” might turn out to be the summer’s biggest movie hit. If that’s the case, let’s hope Matt Damon isn’t kept from hosting “SNL” for so long after this week’s solid job.

Musical guest Noah Kahan performed “The Great Divide” and “Doors.”

At Martin’s Tavern in Washington, D.C., Defense Secretary Pete Hegseth (Colin Jost) returned yet again to shout-bark at those around him, brag about the Iran War he claims he started and, of course, talk about drinking alcohol. But this time, he was joined by his apparent drinking buddy Kavanaugh, who held a gavel and immediately ordered a “six-three decision” (six beers, three shots of Jameson whiskey). Glowing in their victories, Hegseth bellowed, “Can you believe I just started a war?” Kavanaugh replied, “Can you believe I ended abortion? Your body, my choice!” Kavanaugh went on to show off what at first looked like a dinosaur-shaped district map for Tennessee before revealing it’s his field sobriety test, when he was asked to draw a circle. Kavanaugh bemoaned the male loneliness crisis just before they were joined by Patel, who cried, “Does this bar take Kaaaaash?” Patel showed off the bourbon that bears his name. (“Somehow this is a real thing that I, the FBI director, have made. This is real!”) Kavanaugh revealed a secret: that the court is going to let Trump do a third term. “Trump found the original Constitution and on the end, he wrote, ‘Psych!’ ” The three ended the sketch by singing Chumbawamba’s “Tubthumbing” with its callouts of their drink orders.

Damon previewed his upcoming film, even though he had to mention several times that “The Odyssey” won’t be out for another nine weeks. He also had to break the news that the lovely “SNL” tradition of bringing on moms of cast members wouldn’t be happening this year due to Spirit Airlines shutting down. It turns out, after an audience member (“SNL” writer Jack Bensinger) asks, that only Hernández’s mom was able to make it. Damon then recorded a video message to moms out there for anyone who didn’t get a gift for them. “You deserve a night out… nine weekends from now,” he said, suggesting the movie would make a great date night.

Best sketch of the night: Do I hear best sketch of the night? Sold!

A sketch as gimmicky as this one — in which the premise is two auctioneers (Damon and Sherman) are having a marriage-ending fight — only works if the performers are up to the task, and luckily both Damon and Sherman navigated the super-fast dialogue expertly and without looking like they were eyeing cue cards the entire time. The two went back and forth, auctioneering a discussion about weight, infidelity, drinking, their sex life and, eventually, terms of their divorce in front of their four young sons (who, adorably, hold up little numbered signs. Yes, they were played by adult cast members.). Even for “SNL” and for the last-sketch-of-the-night slot, it was a bold sketch for live TV and Damon and Sherman expertly walked the tightrope on this one.

Also good: Your mom will only make it through 23 minutes of this

“SNL” is no stranger to spiky sketch comedy takes on motherhood: remember “Mom Jeans?” For this year’s Mother’s Day take, it presented “Mom: The Movie,” a film devoid of conflict or dramatic tension because “Moms have enough stress. Why not let them feel good for a day?” Ashley Padilla plays the mom in the film, enjoying argument-free time with her kids (Jeremy Culhane, Tommy Brennan and Veronika Slowikowska), who only deliver good news. She’s married to Matt Damon, making her Rhonda Damon, and they met when he noticed her giant turquoise necklace after a movie screening. The film is streaming where moms are expected to find it: on HomeGoods Plus.

‘Weekend Update’ winner: This ‘Update’ segment is bananas — the round kind

This week’s “Update” featured three guest segments. Hernández and Day played kamikaze dolphins who work for the government, giving them a sense of porpoise (their joke, not mine). Jane Wickline expressed her anger at people caring that she’s always late in a funny musical rant. But Culhane’s return as Tucker Carlson continued a dead-on impersonation that covered several topics, including the Met Gala’s wild outfits, the new Michael Jackson biopic, and why eating round bananas is less gay than eating traditionally shaped ones. Culhane’s impression is a thing of beauty, and this time it leaned harder into Carlson’s tendency to express things from a very white point of view. In describing ASAP Rocky’s pink robe from the Met Gala, he said the performer was, “Wearing my least favorite color … African-American.”

It is Ramadan, and Bintu Suleiman, a 55-year-old mother and trader from Ngoshe in Borno State, North East Nigeria, is about to break her fast with her family.

Then, the gunshots begin, and within the hour, her home is on fire. As the terrorists round people up, she manages to slip away with her children and grandchildren into the bush. Later, she realises four of them did not make it with her. They are somewhere up in the mountains.

In this episode of #VOV, we see that, after the attack, Bintu, now displaced, is sheltering at a government primary school in Pulka and has no news of her children and grandchildren.

Reported by Sabiqah Bello

Voice acting by Rukayya Saeed

Multimedia editor is Anthony Asemota

Executive producer is Ahmad Salkida

May 6 (UPI) — Dominican journalist Yolaine Díaz, a former fashion and beauty editor for People en Español magazine, and her mother died in a fire at a residential building in New York City that also left a third person dead, 14 injured and more than 100 displaced.

The fire began shortly after 12:30 a.m. Saturday in a six-story building on Dyckman Street near Broadway in the Inwood section of Manhattan, according to the Fire Department of New York and the New York City Police Department.

Díaz, 49, had emigrated from the Dominican Republic to New York City as a teenager and studied journalism at Lehman College in the Bronx. She joined People en Español as an intern and later worked as a fashion and beauty writer and digital editor. During her career, she interviewed celebrities including Eva Longoria, Shakira and Jennifer Lopez.

Former editor-in-chief Armando Correa remembered Díaz, who continued to contribute to the magazine, in a statement that read “Yolaine had a unique authenticity and intensity. I want to remember her always camera-ready, with her style and her smile.”

According to People en Español, Díaz and her mother, Ana Mirtha Lantigua, attempted to escape through the building’s interior stairwell, but smoke blocked the exit and both became trapped. The journalist’s stepfather managed to flee through the exterior fire escape.

Authorities said the flames started on the lower levels of the building and quickly spread through the interior stairwell to the roof. More than 200 firefighters were deployed to contain the blaze.

The fire left scenes of chaos among residents, many of them members of Latino families living in the mixed residential and commercial building, which was constructed in 1910.

“I was sleeping and what woke me up was the smell and the alarms,” resident Michael Jimenez told local media. “When I went to open the hallway door, everything was on fire. There wasn’t time to grab the extinguisher or anything.”

Another resident told WNYW-Ch. 5 she had to flee via the fire escape after a neighbor opened the hallway door and found “black smoke as far as the eye could see.”

Marty Mejia, of the New York Fire Foundation, said one of the main mistakes during the evacuation was leaving doors open, which allowed the fire and smoke to spread rapidly throughout the building, according to reports by NBC New York.

Firefighters said apartments whose doors remained closed sustained minimal damage, in line with public safety campaigns begun after another deadly fire in the Bronx days earlier.

The American Red Cross assisted evacuees with blankets and logistical support, while dozens of families remained at hospitals awaiting news about injured relatives, some suffering from burns.

The cause of the fire remains under investigation. According to The New York Times, the city’s housing department database listed more than 100 violations at the building.

Sarina Hosseiny said she had never heard of Qassem Suleimani, an Iranian general assassinated by the U.S. in 2020.

That is, not until this year, when threatening comments cropped up on social media claiming that she and her mother were relatives of Suleimani and were terrorists who should be deported.

The 25-year-old, who studies fashion at Los Angeles Trade Technical College, now sits in an immigration detention facility in Texas, alongside her 47-year-old mother. And other L.A. Iranian Americans helped put her there.

Sarina Hosseiny, 25, shown in an undated photo, is a student at Los Angeles Trade Technical College now held at an immigration detention facility in Texas, alongside her 47-year-old mother.

(Courtesy of Hosseiny family)

“They were sending me death threats. Literally saying like, they were gonna find me and kill me and my mom and all this stuff,” Hosseiny said in a phone interview from the facility last week. “All I’ve ever posted is that I was against war and just innocent people dying.”

In recent weeks, as the war in Iran continues, the U.S. State Department has detained five L.A. area-based Iranian nationals, including Hosseiny and her mother — all of whom are green card holders — and moved to strip them of their residency.

The arrests have exposed a rift in the Iranian American community, which has grown increasingly polarized in recent years, leading to online smear campaigns and at times violence.

In L.A., home to the largest concentration of people of Iranian descent outside Iran, a vocal segment has joined forces with Trump-aligned far-right conservatives, including Laura Loomer, to wage campaigns against other Iranians they believe should not be allowed to live here.

Many in the local community fled Iran after the Islamic Revolution in 1979 and cheered the recent U.S. military attacks on their native country. Some have turned on Iranian Americans who have expressed antiwar opinions, interpreting that stance as support for the current government.

A poster in support of Iran’s former crown prince, Reza Pahlavi, hangs in a window of the Gallery Eshgh, which sells artwork and clothing reflecting Iranian culture on Westwood Boulevard in Los Angeles in April 2026.

(Kayla Bartkowski / Los Angeles Times)

The tensions are interpersonal, with arguments at family gatherings and friendships strained or shattered. But much of the conflict also takes place online, as when a San Diego-based “mommy influencer” — who normally posts images of herself and her three young children in a luscious backyard shucking nuts, arranging tulips and peeling pomegranates — urged her Instagram followers to contact Loomer so that “the deportation of [the Islamic Republic’s] lackeys can be arranged.”

Anger at the Iranian government has been channeled toward family members of current or former officials, with online petitions describing them as living luxuriously in the States even as ordinary Iranians face repression from a brutal government back home.

Agoura Hills residents Seyed Eissa Hashemi and Maryam Tahmasebi, both psychology professors, were detained by immigration authorities in early April — as was their son, Seyed Mobin Hashemi. The elder Hashemi, the State Department said, is the son of Masoumeh Ebtekar, who gained fame as a spokeswoman for militants who stormed the U.S. Embassy in Tehran in 1979 and became a reformist politician pushing for environmental protections and women’s rights.

The petition that led to the family’s detention amassed more than 140,000 signatures, with many identifying themselves as members of the Iranian diaspora in the U.S., Australia or elsewhere. The creator of the petition on Change.org, a user who also published petitions targeting five other families, did not respond to a request for comment.

The Times was not able to reach Hashemi or the family’s attorney. U.S. Secretary of State Marco Rubio said on social media when announcing their detentions that the Obama administration had granted visas to the family members, who have been lawful permanent residents since June 2016.

The Department of Homeland Security declined to respond to questions about Hosseiny and her mother’s case. White House spokesperson Abigail Jackson also declined to comment. The State Department and Loomer did not respond to requests for comment.

Jamal Abdi, president of the National Iranian American Council, said that some of the sentiment comes from real grievances about corruption in Iran, such as the banker who embezzled millions before fleeing to Canada. But he said that rumors have been weaponized to muffle voices opposing U.S. and Israeli military aggression in Iran and exploited by the Trump administration to exercise a show of strength at home during a flailing war.

The flags of pre-revolution Iran are prominently displayed in the Jordan Market, a purveyor of Persian groceries on L.A.’s Westwood Boulevard, in April 2026.

(Kayla Bartkowski / Los Angeles Times)

“This witch hunt has become really pervasive, and it’s not new,” Abdi said. “What seems to be new is there’s an administration who is willing and eager to entertain this McCarthyism and actually punish people based on what the mob is calling for.”

In the section of Westwood known as “Tehrangeles,” support for Reza Pahlavi, the exiled crown prince and son of the late shah, is apparent. A campaign to install him as Iran’s leader intensified in January, as protests ripped through the country. Supreme Leader Ayatollah Ali Khamenei was killed in a U.S.-Israeli attack in February.

“Make Iran Great Again” signs and posters of a stern-faced Pahlavi are plastered on nearly every window. Iran’s flag before the 1979 revolution — green, white and red with a lion and a rising sun — flutters from many overhangs.

In early March, as the U.S. widened its assault on Iran, crowds from the diaspora rallied in the neighborhood, dancing and celebrating even as the death toll in Iran grew and reports said a missile strike had killed more than 100 schoolchildren.

In Westwood these days, many are more tepid in their support for the war than at the outset and are hesitant to speak openly, whether because of potential backlash here in the U.S. or repercussions for relatives in Iran.

Iranians who don’t back a return to a monarchy under Pahlavi or American and Israeli intervention have gotten “a hell of a lot of backlash,” said Narges Bajoghli, an associate professor of Middle East studies at John Hopkins University. Bajoghli cited a groupthink dynamic stoked by popular Persian-language media such as Iran International, as well as U.S.-funded counter-propaganda programs during Trump’s first term.

After Aida Ashouri, a human rights lawyer who is running for L.A. city attorney, posted a video explaining why she opposes the U.S. war in Iran, the comments came rolling in.

“Please deport this woman,” one user wrote, tagging Rubio and Immigration and Customs Enforcement. “She is constantly spreading suspicious anti war propaganda.”

Aida Ashouri, who is running for L.A. city attorney, poses for a picture at Astralab on April 24, 2026.

(Etienne Laurent / For The Times)

Ashouri, a U.S. citizen, spent her childhood frequenting businesses in Westwood, but she no longer feels comfortable there, fearing some sort of altercation. Some businesses removed her campaign posters from their windows after the war began, she said.

“It’s 100% impacting my campaign. It’s hard to connect with the Iranian community now, even though I’m Iranian,” she said.

The State Department has said it revoked the green cards of Iranians it targeted in recent weeks, including Hosseiny and her mother. Immigration experts said it’s not so simple, as a legal process has to play out, during which the green cards remain valid.

Even so, Muzaffar Chishti of the Migration Policy Institute said that the executive branch has vast discretion in immigration law, particularly when invoking national security justifications, and defense attorneys may face an uphill battle.

Aaron Reichlin-Melnick, a senior fellow at the American Immigration Council, said he is “personally troubled by the idea that we need to deport someone because of who their grandparent is.”

“The government doesn’t usually outsource its investigatory processes to external people,” he said, referring to Loomer and others. “There’s still a lot of questions about how these people are being found and targeted.”

After Hosseiny and her mother, Hamideh Soleimani Afshar, were arrested by U.S. Immigration and Customs Enforcement agents on April 3, the State Department asserted that they were the Iranian general’s grand-niece and niece. Afshar had denounced America as the “Great Satan” and shown “unflinching support for the Islamic Revolutionary Guard Corps” while “enjoying a lavish lifestyle in Los Angeles,” the State Department said.

Social media posts, showing Soleimani Afshar posing for glamour shots and photos of Hosseiny in a similar vein, were published by numerous news outlets.

Loomer took credit on April 4 for the two women’s arrests, writing on X that over several months she had “quietly been documenting” their social media activity and shared the information with the Department of Homeland Security and the State Department.

Within hours, however, Hosseiny and her mother’s connection to the slain general was disputed, with his daughter writing on social media that they had “no relation whatsoever” to her family. A review of family documents, as first reported by Dropsite News, shows that Afshar’s father had no brothers and that the general is from a different province than Afshar’s family.

Hosseiny said her mother has been sharply critical of the U.S. and Israel’s military assault in Iran. But Hosseiny “always thought that in America, people have freedom.”

She said that her mother’s health has deteriorated as she battles severe autoimmune-related anemia and that her mother’s home and car were broken into, amid the stream of online hate.

After four weeks in detention, Hosseiny said, she is “still in disbelief.” Her friends have been raising funds for her legal defense.

Times staff writer Cierra Morgan contributed to this report.

Guardians fan Evelyn Moore got a pretty cool souvenir from Monday’s game against the Tampa Bay Rays — a two-run home run ball hit by Cleveland second baseman Daniel Schneemann.

The 11-year-old softball player from New Philadelphia, Ohio, almost got the ball right after Schneemann hit it in the bottom of the fifth inning.

But, as seen in video footage that quickly went viral on social media, a man appeared to snatch it away as Evelyn was trying to pick it up near the rail in the left-center field stands at Progressive Field.

He eventually gave it to her, however, and now the girl’s mother wants folks on social media to leave him alone.

“This man’s life shouldn’t be ruined over this,” Nikki Moore-DeVore said. “Jokes and memes are one thing, but it’s getting excessive. It’s too much.”

Moore-DeVore said her family — which also includes her husband, Jon DeVore, and her son, Theo Moore, 9 — attend several Guardians games a year. They sit in the outfield stands, where Evelyn — an avid baseball fan and baseball card collector — likes to take her glove down to the rail and try to persuade Cleveland outfielders to toss her a ball.

Video of Schneemann’s home run shows the ball flying over the left-center field wall, where a bearded man wearing a throwback Cleveland Indians hat and T-shirt tried to catch it in the air. Instead, it bounced off his hands toward the rail to his left.

Cleveland Guardians’ Daniel Schneemann, right, is greeted at the plate by teammate David Fry after hitting a two-run home run in the fifth inning of a game against the Tampa Bay Rays on Monday in Cleveland.

(Sue Ogrocki / Associated Press)

Evelyn ran down from her seat two rows up, dropped to the ground and attempted to secure the ball in front of her. The man ran over and also dropped to the ground next to her, starting a brief struggle for control of the ball.

The man eventually emerged triumphantly.

“I did not really see how the ball came over to us. I just saw it bounce in our direction and my daughter go down to get it,” Moore-DeVore said. “And I saw the scuffle kind of from behind, but I couldn’t see much of the hands or anything like that. I just saw the shoulders shifting around.

“And then she got up empty-handed, and people started booing. The guys sitting in front of me were like, ‘That was her ball!’ My husband was booing. He was not happy, but we didn’t want to ruin the game.”

Evelyn also was upset by the turn of events, her mother said, “but she didn’t cry.”

“She actually took it like a champ,” Moore-DeVore said. “Every inning, she still went up to the rail to try to get one of the players to throw a ball to her. She didn’t give up.”

Meanwhile, Theo approached the man to request he return the ball to his sister. Moore-DeVore said her son told her the man politely refused.

“I was just proud of him for going over there and taking it upon himself to try to help his sister,” Moore-DeVore said.

The Rays broadcast of the game showed the incident involving Evelyn and the man, with the announcers taking the girl’s side. On social media, fans shared the video and shamed the man for his behavior, with some looking to make his identity public.

Later in the game, Rays sideline reporter Ryan Bass visited the family at their seats and presented both kids with baseballs.

That’s when Evelyn became emotional.

“She cried happy tears,” her mother said. “I think she just felt seen. The incident made her feel small, and Ryan made her feel seen.”

Bass posted about the moment on X.

“We had to make it right,” Bass wrote, adding in a separate post: “We got the chance to make a sweet little girl’s night. There’s nothing better. Kindness is free. Always remember that.”

Before the bottom of the eighth inning, Evelyn went down to her usual post at the rail to try to persuade an outfielder to toss her a ball. She returned with the home run ball from three innings earlier.

“She came back with the biggest smile on her face: ‘Mom, he gave it back to me!’” Moore-DeVore said. “The guys in front of me were like, ‘yeah, he’s, like, getting a lot of social media flack.’ … I’m sure he realized eventually that it was probably the wrong action to take, just not good etiquette.”

In return, Moore-DeVore said, Theo offered the man — whose name has not been revealed despite the internet’s attempts — one of the balls that Bass had given him and his sister.

“He respectfully declined,” she said, “so my son gave it to another kid.”

Moore-DeVore said both of her kids are “on cloud nine” over how everything turned out — and she wants everyone else to get over it as well.

“I don’t want this one moment to ruin this guy,” she said. “And my kids, they wouldn’t want that. They’re sweet kids. I feel like, if kids their age can forgive and offer him a peace offering, grown adults and other fans can, too.”

Allyson Felix is attempting a comeback at age 40 that could give her a chance to add to her Olympic-record medal haul two years from now in Los Angeles.

Felix, a mother of two, told Time magazine she thought about coming back some four years after calling it quits and decided: “Let’s go after the thing. Let’s be vulnerable.”

“You know, at this age, I should probably be staying home and taking care of my kids, doing all that. And just, why not? Let’s flip it on its head,” she said.

Felix has won 11 Olympic medals — the most by any woman in track — and has a record 20 medals from world championships.

She is a seven-time Olympic champion, with six in the relays and her lone individual gold coming in the 200 meters at the 2012 London Games.

Before retiring in 2022, she became an outspoken advocate for athletes who become mothers and want to keep their careers going.

Felix, who landed a spot on the IOC Athletes’ Commission in retirement, has two kids — 7-year-old Camryn and 2-year old Trey.

She said she expects to start full-time training with her coach, Bobby Kersee, in October with the goal of competing in 2027. The Olympics will be in her hometown a year later.

“I totally get the person who sticks around too long and you’re like, ‘What are they doing?’” Felix said. “I know, at 40, I am not at my peak. I have no illusions about that. I’m very clear in what it is and what I want to see. And so I hope it’s seen that way.”

LONDON — The challenge for King Charles III as he arrives in the United States this week is, as always, to live up to his mother’s example.

The late Queen Elizabeth II wowed Congress in 1991 with a speech that celebrated the shared democratic traditions of Britain and the United States, quoted Abraham Lincoln, Franklin D. Roosevelt and Ralph Waldo Emerson, and highlighted the deep bonds between the two nations.

Those themes will also be at the top of Charles’ agenda as he celebrates America’s 250th birthday and seeks to calm tensions surrounding Prime Minister Keir Starmer’s refusal to support President Trump’s war against Iran, said Douglas Brinkley, a presidential historian at Rice University in Texas.

“We’ve got to always make the distinction that there’s a difference between the government of the U.K. and the kings and queens of Great Britain, who are really always coming to try to put [on] a good face,” Brinkley told the Associated Press. “Politics come and go; prime ministers, presidents, come and go; but there’s something deeper about the special relationship between the United States and the U.K.”

Charles and Queen Camilla begin a four-day trip on Monday, when they will have tea with the president and First Lady Melania Trump, then tour the White House beehive, in a nod to the king’s focus on the environment.

The formal arrival ceremony will take place Tuesday, with a 21-gun salute, brass bands playing the national anthems of both countries and a contingent of U.S. service members passing in review. The ceremonies will be followed by a meeting between Trump and Charles.

Behind the scenes

But beneath the pomp and pageantry will be a carefully choreographed diplomatic event staged, like all royal visits, at the request of the British government. Starmer resisted pressure to cancel it after Trump belittled the British military’s sacrifices in Afghanistan and criticized him personally for failing to back the U.S. in its war alongside Israel against Iran.

Despite those tensions, Trump has continued to speak warmly about Charles.

“History has shown that President Trump really tries to be impressive whenever he’s dealing with British royalty,” Brinkley said. “And I’m sure it’ll be the same this time around.”

Ever since 1939, when King George VI became the first British monarch to set foot on the soil of the country’s former colony, there’s been a special sort of excitement whenever the royals come to the United States.

Take that first visit, which took place as World War II loomed over Europe. The royals toured the East Coast and attended a picnic at President Roosevelt’s private home in Hyde Park, N.Y. “King tries hot dog and asks for more,’’ declared the New York Times.

But the big moment was when the royals traveled to Mount Vernon to lay a wreath at the tomb of George Washington. It showed respect at a time of isolationism.

“People could see the handwriting on the wall and know that it was going to be important for the United States and Britain to stay strong for fighting against Hitler,” said Barbara Perry, a presidential scholar at the University of Virginia’s Miller Center.

But bonding over sausages had broader benefits, helping the royals build links to the general public as well as its leadership. After war broke out in September 1939, Queen Elizabeth, the wife of George VI and mother of the future Elizabeth II, wrote to First Lady Eleanor Roosevelt to say how moved she’d been by letters from Americans who enclosed small sums for British forces.

“Sometimes, during the last terrible months, we have felt rather lonely in our fight against evil things, but I can honestly say that our hearts have been lightened by the knowledge that friends in America understand what we are fighting for,’’ she wrote.

The queen’s connection

Queen Elizabeth II built on those relationships, making four state visits to the U.S. during her 70-year reign. She joined President Ford in celebrating America’s bicentennial in 1976 and met with President George W. Bush in 2007 as British and American forces fought in Iraq and Afghanistan.

Smoothing turbulent waters and reminding both sides about their common bonds were what those trips were all about.

Charles’ visit will be no different. It includes a commemoration of the Sept. 11, 2001, attacks, a ceremony honoring fallen service members and an event to be attended by Queen Camilla to mark the 100th anniversary of Winnie the Pooh stories by British author A.A. Milne.

Certain events will be avoided.

The royals won’t meet with Jeffrey Epstein’s victims, despite calls for the king to address his accusations related to his brother Andrew’s links to the convicted sex offender. Nor are there plans for Charles to meet with his son Prince Harry, who has been a critic of the monarchy since giving up royal duties and moving to California.

Those issues aren’t the priority, said Robert Hardman, author of “Elizabeth II: In Private. In Public. The Inside Story.”

“He’s going because 250 years ago the Founding Fathers of the USA kicked out his great-times-five grandfather, and he’s going to say, `No hard feelings, it’s been a great divorce, we’ve had a lovely 250 years and let’s reflect on the high points,’’’ Hardman said. “I mean, there are going to be some very, very large elephants in the room during that visit … but, you know, there are plenty of other things for the king to focus on.”

History, not politics

Charles’ speech to a joint session of Congress offers the chance to deliver the message that long-term friendship is more important than transient disputes.

He is also likely to offer a bit of humor, as his mother did when she addressed lawmakers in 1991.

Wearing soft peach amid a sea of gray suits, the diminutive monarch began her remarks with a joke about an earlier blunder at the White House when her lectern was so tall it obscured the audience’s view of her.

“I do hope you can see me today from where you are,’’ she deadpanned.

The chamber erupted in laughter. A standing ovation followed. Then she launched into a speech about democratic values, the rule of law and the Atlantic Alliance — the foundation of NATO.

Those are values that critics of the current U.S. administration say it has retreated from in recent years. But Charles will offer his own take on those ideas, Brinkley said.

“The theme of the speech is going to be American exceptionalism, American history, the importance of U.S.-British alliance, and some memories from the past,” he said. “But also about the love affair the two countries share with each other, even though it goes over rocky rapids from time to time.”

Kirka writes for the Associated Press.

Sophy Romvari’s luminous debut feature “Blue Heron” is a loving and studious act of remembrance. Her protagonist and surrogate, Sasha (Amy Zimmer), attempts to understand her family’s past through a reverent process of recreation. While she finds that not everything can be understood, there is beauty and solace in the journey itself — and maybe a kind of catharsis.

“Blue Heron” is an autobiographical project, but it’s more apt to call it a memoir. Sasha admits she doesn’t remember much of her childhood and doesn’t even trust the fragments. But she will try anyway. As Sasha zooms in on her iPhone, standing at the bluff overlooking her hometown, Romvari rolls up the back of a moving truck to deliver a lush slice of ’90s childhood nostalgia, picking up the memory as her Hungarian immigrant family — two parents, three brothers and one sister — arrive at their new home on Canada’s Vancouver Island.

Father (Ádám Tompa) settles into work on the home computer; Mother (Iringó Réti) attempts to amuse the kids with trips to the beach and nature preserves. Snippets of summer filter through the eyes and ears of 8-year-old Sasha (Eylul Guven) and in the photos snapped by their parents.

But a disquieting presence looms: Jeremy (Edik Beddoes), the eldest son. Blond, light-featured and tall, he is visually distinct from the three other children and his silent rebellion permeates the atmosphere.

His misbehavior is minor — irritating but untenable when stacked together — like bouncing a ball against a wall, disappearing for fun or climbing on the roof. He mostly just seems like a moody, unsatisfied teen, drawing elaborate maps and sometimes playing with his siblings sweetly. It all seems like harmless mischief until it escalates.

The movie’s title refers to a key chain from a gift shop that Jeremy, who almost never speaks, presents to his younger sister. Like him, the film is quiet and meditative, bathed in the cool blues and verdant greens of the setting, captured in Maya Bankovic’s saturated cinematography. We are transported to a place of natural beauty and a period of seemingly unlimited time. But Jeremy-related tension simmers beneath the domestic surface, just as it does in Chantal Akerman’s 1975 landmark “Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles,” referenced in a shot of a mother and daughter peeling potatoes.

“Blue Heron,” though, is not just going to simply be a throwback family drama about a troubled boy and his younger sister. The film suddenly zooms out, linearly, to two decades later. Zimmer’s older version of Sasha is grappling with her brother’s void and she does so with her mind, her work, her actions. She conducts a focus group of social workers for a documentary in order to try to understand Jeremy’s behavior and the treatment he got at the time. She scrubs through video and photos and interviews a case worker. She escapes into old movies.

In Romvari’s award-winning 2020 short “Still Processing,” a companion piece to “Blue Heron,” she processes the loss of two brothers through photography, sifting through boxes of old photos and film negatives shot by her father, who trained as a cinematographer in Hungary. It seems natural for Romvari to access the emotional through artistic practice, to give her — and Sasha — something to do with their hands. The tactility of the photographs in “Still Processing” provide an access point to the past. Romvari weeps as she spreads them out on a table, saying “hi” softly to her brothers. But there’s a remove in the rigorous focus on the snapshots that perhaps also protects her from the full crushing weight of these emotions.

But in a film like “Blue Heron,” anything is possible, including time travel, and for Romvari, it’s the channel that she offers Sasha to achieve the closure that she needs: a visit to a time she doesn’t really remember, even as she’s building an archive of materials to bolster herself.

If young Sasha watches (and Guven is absolutely terrific at watching), the older Sasha speaks. Zimmer, a New York City comedian, is tasked with a heavy, grief-laden dramatic role, and she’s utterly convincing, entrancing in her stillness. But she also has a way with words, a clarity that rings with a rare kind of honest empathy, especially in a letter that Sasha reads to her parents.

That letter is what “Blue Heron” represents for its filmmaker — an attempt to re-create the past, to bring it back to life. Even if imperfect, the value is in the effort, in the ongoing practice of remembering, as an act of devotion to family and self.

A woman who brutally beat her four-month-old son and left him to die in a bathtub was sentenced Thursday to life imprisonment in a child abuse case that stunned the nation.

The Suncheon branch of the Gwangju District Court ruled that the mother, in her 30s, had “cruelly” abused her child for half of his short life before ending it.

The woman was indicted for indiscriminately beating her son and leaving him in a running bathtub at their home in Yeosu, about 310 kilometers south of Seoul, on Oct. 22. The infant died of multiple fractures and internal bleeding.

The court also sentenced the child’s father to four years and six months in prison on charges of neglecting the abuse and threatening a witness in the case.

“Despite the defendants having the infinite responsibility of raising their child safely as parents, the child died 133 days after being born due to the abuse from his own parents, who should have been the world to him,” the court said.

Prosecutors had sought a life sentence for the mother and a 10-year term for her husband.

Investigators earlier determined that the woman had abused her child on 19 separate occasions since Aug. 24, and found multiple bruises and signs of internal bleeding on the infant’s body.

The case drew nationwide attention after footage of the abuse was aired by local broadcaster SBS’ investigative series “Unanswered Questions.”

A group of protestors staged a rally outside the court earlier in the day calling for heavy punishment.

Copyright (c) Yonhap News Agency prohibits its content from being redistributed or reprinted without consent, and forbids the content from being learned and used by artificial intelligence systems.

April 20 (UPI) — A mother and her six children, ranging from 3- to 11-years-old, died in a fire in Clinton County, Pa., when their home exploded.

On Sunday at about 8:42 a.m. EST., emergency response units from nearby Centre and Lycoming counties were alerted to a fire on Long Run Road in Lamar Township. The home of 34-year-old Sarah B. Stolzfus and her children was fully engulfed in flames when first responders arrived on the scene.

State police said the cause of the explosion is under investigation.

Stolzfus and her children, four boys ages 11, 10, 4 and 3, and two daughters, ages 8 and 6, were pronounced dead at the scene.

A propane leak inside the home is a potential cause for the explosion, state police said. There were propane tanks outside of the home that did not explode, nor were they involved in the fire.

Families, in their various flavors, have been essential to television since that light first flickered on. They may be ideal or nightmarish, or both, or in between, and we take to them — be they Waltons or Addamses or Simpsons — according to our own experience or desires, having known families of our own or wanted something other than what we had.

In “Schitt’s Creek,” Dan Levy co-created — with his father, Eugene, yet — one of the medium’s greatest family comedies. It was a show that grew over time from a basic premise about rich people who lose their money and are forced to live at close quarters in adjoining motel rooms to a paean to love, understanding and acceptance. It swept the comedy categories at the 2020 Emmys, including acting awards for both Levys, Catherine O’Hara and Annie Murphy and writing and directing trophies for Dan.

“To family” are in fact the last words spoken in the first season of “Bad Mistakes,” Levy’s noisy, funny new show, co-created with Rachel Sennott and now streaming on Netflix — though given what precedes it, it’s less a blessing than a curse. Levy plays Nicky, a pastor at a sparsely attended suburban New Jersey church of no evident denomination. He’s out as gay, but supposedly celibate; that he has a boyfriend, Tareq (Jacob Gutierrez), is known only to Tareq; this, of course, creates a secret, which will create pressure, which will create comedy.

Sister Morgan (Taylor Ortega) is an elementary school teacher, a job that doesn’t quite jibe with everything else we see about her — it’s barely represented, anyway, summer having come — and a very longtime boyfriend, Max (Jack Innanen), who has decided that now is the moment to propose. She had once tried acting in New York, which means that she lived a wilder life once and is something of an improviser. Their mother, Linda (Laurie Metcalf), who owns a hardware store, is running for mayor and the campaign is being managed by extra daughter Natalie (Abby Quinn).

The series begins as their grandmother is dying, and at Linda’s command, they rush out to buy her a present — Linda is trying to squeeze in an “early birthday” before her mother passes. And because she is that sort of person, Morgan shoplifts what she imagines is a cheap necklace from a convenience store. (Attendant Yusuf, played by Boran Kuzum, will have much to do.) The necklace isn’t cheap, it turns out, for no particularly good reason, and the convenience store isn’t just a convenience store, but a kind of waystation for stolen goods run by local Russian mobsters. As a result, Morgan and Nicky find themselves forced to run errands for them, under threat of death, or worse.

The show gets very complicated on its way to a circular semi-conclusion; there is a lot going on, with Linda’s mayoral ambitions and various relationship issues. (Elizabeth Perkins plays Max’s mother, bridging storylines.) But it’s a good ride, and classic in its way; searching the phrase “get mixed up with gangsters” brings forth a host of old comedies. Through the dodgiest situations, brother and sister do not hesitate to argue. Nicky would love to be anywhere else, while Morgan finds it invigorating. Though it is all improbable, the parts do mesh neatly; they make television sense.

Finally, the series rests on the shoulders of the three principal players, who are just a pleasure to watch; the camera obliges by moving in close. Levy brings a soft-spoken breathlessness you may recognize from his David Rose on “Schitt’s”; his softly muttered “OK,” which might just mean “stop talking,” is almost a trademark. Ortega brings a kind of poignance to her reborn wild child, while Metcalf plays Linda with a kind of small-town operatic intensity, eyes popped and pronunciation precise — she’s like a country cousin to O’Hara’s Moira Rose — as if she were onstage pitching to the back row of the theater.

Michelle Pfeiffer and Elle Fanning in “Margo’s Got Money Troubles,” premiering April 15, 2026 on Apple TV.

(Allyson Riggs/Courtesy of Apple)

In “Margo’s Got Money Problems, premiering Wednesday on Apple TV, Elle Fanning plays the title character, a college student flattered into bed by her married-with-children writing professor, Mark (Michael Angarano), despite my shouting at the screen for her not to do it. Soon she is pregnant, and soon after that the essentially single mother of baby Bodhi, unable to find work or the time to write. (As the heroine, we assume her talent.)

Presumably in search of some normalcy, Margo’s mother, Shyanne (Michelle Pfeiffer), a former good time girl — but still sparkly — has become engaged to Kenny (Greg Kinnear), Christian, square and sincere; the Ralph Bellamy of the piece, you are not asked to take him quite seriously (though Kinnear plays him straight). Shyanne’s ex-husband is Jinx, a former professional wrestler, played by Nick Offerman with the low-key affect of Ron Swanson, dialed down even further; depression and drug addiction will do that to you. Fresh out of rehab, he trades a championship belt for a motorcycle and joins the household; though he left Margo early, and unlike Shyanne, he proves to have a marvelous, easy way with Bodhi. (The baby himself, or babies — they use twins for this job — are themselves marvelous.)

Also in residence is roommate Susie (Thaddea Graham), a chirpy cosplayer — and coincidentally Jinx’s biggest fan — whose skills will become valuable as Margo, needing cash, sets off into the world of OnlyFans. First picking up tips describing followers’ penises in terms of Pokémon (no explanation has been thought necessary), she pivots to video, mounting increasingly elaborate sexy sci-fi productions alongside Susie (sets and costumes), Jinx (narrative advice, stunt coordinator) and OnlyFans veterans KC (Rico Nasty) and Rose (Lindsey Normington), a fabulous tag team to whom Margo turns for advice. (Margo does seem to take things over, but it’s her name in the title, so there you go.) This introduces an element of Mickey and Judy, my uncle’s got a barn, let’s put on a show comedy. More important, it creates a team, melding the family you make with the family you have.

It’s as sweet as can be. Apart from sleeping with one’s professor — students, do not do this! — the show is positive about just about everything: motherhood, daughterhood, professional wrestling, second chances, sex work, cosplaying and the way art shows up in strange places. Only Marcia Gay Harden, as Mark’s mother, Elizabeth, is an outright villain, and you will hate her.

The series was created by David E. Kelley (Mr. Michelle Pfeiffer), from Rufi Thorpe’s 2024 novel, once again under the umbrella of Nicole Kidman’s Blossom Films (following their collaborations on “Big Little Lies,” “Nine Perfect Strangers” and “Love & Death”), with its house style of well-upholstered capital-Q Quality (as distinct, in its pop-cult, way, from prestige). (Kidman has a small role as a wrestler-turned-lawyer and it’s been a while since I’ve seen her this well used.) “Margo’s Got Money Problems” can be terribly sentimental, almost corny — the climax is pure Hollywood — but undeniably effective. And if its mix of comedy and drama can be a little destabilizing, you won’t need to worry about where it ends up.

Anyone who has jumped out of a plane with a parachute deserves respect, but to do it 36 times, that’s worthy of a salute.

Saul Pacheco, who turns 88 in November, is sitting in a lawn chair at the Arcadia Invitational with his friends, the starters dressed in red suits who fire pistols to begin races.

That’s when he mentions how he was in the 82nd Airborne Division and jumping out of planes in the 1960s after graduating from Wilmington Banning High and UCLA.

“I was a jump master who became in charge of the parachute troopers,” he said.

Then he talks about becoming a teacher and wanting to return to his alma mater, Banning, which had no openings, so he ends up at rival Carson and coaching the offensive line for Hall of Fame coach Gene Vollnogle for more than two decades. Vollnogle was football coach from 1963 to 1990, winning eight City titles.

Pacheco also became a track starter in 1977. He was already well trained to fire a pistol. It was learning all the rules required in track and field that needed to be mastered.

He apparently did just that, because he’s been at it for 49 years and plans to retire as a track starter this spring. For 25 years, he was a starter for the Arcadia Invitational. Then he became the meet referee to settle any disputes. The respect he has earned can be seen in the way other starters appreciate him for helping them learn the ropes.

He’ll be inducted into the Carson Hall of Fame this fall for his contributions as a coach and athletic director.

His story is pretty amazing. He was one of 13 children. His parents apparently wanted enough siblings to form a football team. His father was a carpenter helping build minesweepers at Terminal Island for the Navy. His mother stayed home and took care of everyone. The first seven kids born were boys. He was No. 5. Imagine the competition for food at dinner time.

“Everbody came in to eat at different times,” Pacheco said. “My mother did a great job having stuff ready.”

But what about 13 children together for Thanksgiving?

“We had a lot of laughs. We all got along.”

Five of the brothers are still alive, including a 90-year-old. All three sisters are alive. One of his brothers, Henry, was football coach at San Pedro for 12 years. Henry was drafted and ended up in the Vietnam War, where environmental issues might have led to the illness, lymphocytic leukemia, that took his life in 1991.

Two of his brothers worked for the LAPD. Two other brothers became firefighters. He has a grandson who’s a deputy sheriff in Riverside.

Pacheco has worked five state track championships and numerous City Section championships.

Like an umpire in football who calls a holding penalty, the only time anyone notices a starter in track is when there’s a false start.

“If there’s a false start, someone complains,” he said.

So why spend 49 years as a track starter?

“The fun part is watching all the athletes compete and being around all the other officials,” he said. “The officials are tremendous and dedicated trying to do a good job.”

All this came out by just happening to stop by and say hello to the starters who are always pleasant and enjoy talking. Unless you ask a question, you’ll never find out about someone’s background.

So why wasn’t Pacheco wearing a red suit like the rest of his friends at Arcadia?

“I brought it just in case,” he said. “I was an alternate.”

Pacheco is always prepared, whether jumping out of planes or teaching life lessons to football players.

If anyone deserves a salute, it’s Saul Pacheco.