mother

Trump advises the Republican gubernatorial candidate to keep running the controversial advertisement.

US President Donald Trump has backed Republican Vivek Ramaswamy amid controversy over an attack advertisement by the Ohio gubernatorial candidate against his Democratic rival.

Trump said in a social media post on Thursday that Ramaswamy should keep running the advertisement that features Democratic candidate Amy Acton’s estranged mother.

In the advertisement, Donna Arthur, Acton’s mother, disputes her daughter’s account of a childhood involving homelessness and ⁠⁠sexual abuse by her stepfather, urging Ohioans not to vote for her.

Acton says she has not seen her mother since 1978. Acton’s brother has supported her account of being sexually abused by her stepfather when she was a child. The stepfather, who died in 2004, was charged with rape.

“Anybody whose mother spoke about a daughter in that way would normally lead to the daughter being precluded from serving in office,” Trump said.

The US president also attacked Republican Ohio Governor Mike DeWine, who advised Ramaswamy to take down the advertisement, labelling him “disloyal” to the Republican party.

‘It’s wrong’

At a gathering with reporters at the Ohio Statehouse, DeWine recalled the painful experiences of rape victims he dealt with as a county prosecutor and state attorney general.

“It’s wrong to run this ad,” he said. “And, even at this late time – my wife, Fran, saw the advertisement just run this morning on TV – I would just urge the Ramaswamy campaign to take this down.”

Acton’s brother, Philip Stearns, called the advertisement ⁠⁠a “desperate, disgusting attack”, while Acton campaign spokesperson Addie Bullock called Ramaswamy’s decision to promote it “both despicable and entirely predictable”.

Vice President JD Vance, campaigning on Wednesday with Ramaswamy ⁠⁠and US Senator Jon Husted, an Ohio Republican, had brushed aside ⁠⁠the blowback.

Vance, a former senator from Ohio, expressed disgust with Republicans “whining” about the advertisement as low and in poor taste.

Ramaswamy’s campaign said it was spending $4m to promote the advertisement.

Opinion polls suggest Acton is narrowly leading Ramaswamy in a tight race to replace the term-limited DeWine.

COLUMBUS, Ohio — President Trump said Thursday that Vivek Ramaswamy, the Republican nominee for Ohio governor, should keep running a controversial ad featuring the estranged mother of Democratic opponent Amy Acton, posting on social media that it was “hitting pay dirt.”

Trump also denounced Ohio Republican Gov. Mike DeWine, who criticized the ad as “deeply, deeply troubling” earlier in the day. Acton previously served in DeWine’s administration as a health official. Her mother lost custody of Acton and her brother after her husband — the children’s stepfather — was indicted on a charge of raping Acton.

“He strongly suggested that Vivek should, ‘take down the Ad,’ ” Trump wrote. “He probably wants a Dumocrat to win, and certainly doesn’t want someone who will do a much better job than he is capable of doing. I suggested, on the other hand, that Vivek should keep it up, and let everyone listen to the mother of a defective, dishonest, and incapable Candidate, explain how the daughter is a DISASTER who, uncontrollably, lies, cheats, and steals!”

At a gathering with reporters at the Ohio Statehouse, DeWine recalled the painful experiences of rape victims he dealt with as a county prosecutor and state attorney general.

“It’s wrong to run this ad,” he said. “And, even at this late time — my wife, Fran, saw the ad just run this morning on TV — I would just urge the Ramaswamy campaign to take this down.”

The term-limited DeWine’s remarks place him at odds with Ramaswamy, whom he has endorsed. The biotech entrepreneur and former presidential candidate plans to spend $4 million to broadcast it online and on television.

DeWine stops short of pulling his endorsement

But the governor stopped short of pulling his backing of the Republican for now. DeWine recalled a previous line of attack by the Acton campaign had mentioned Ramaswamy’s mother and said that also was wrong — “family members have always historically been off limits” — though he noted it was never used in a multimillion-dollar ad campaign.

That critique from the summer cited an investigative report into Geetha Ramaswamy’s role at a pharmaceutical company run by her son, whom Acton and Democrats described as “hiring his own mother to manipulate clinical trial data.”

The Ramaswamy campaign called those claims “slanderous” and said he’s being held to a different standard than Acton and other Democrats who have attacked Republicans’ families.

“Governor DeWine is correct that the first and only candidate to attack the mother of her opponent in this race was Amy Acton,” spokesperson Connie Luck said in a statement, adding, “We refuse to accept the media’s double standards.”

Ohio Republicans divided over the ad

By chiming in, DeWine has entered the fray of a growing rift among Ohio Republicans over the advertisement — as both the governor’s race and a race for U.S. Senate appear far tighter than expected in a state Trump won handily three times. The video features Acton’s birth mother, Donna Arthur, calling her “a liar” and insinuating she has mental health issues.

Acton, Ohio’s COVID-19-era health director, has made no secret of facing homelessness and abuse as a child. Arthur lost custody of her children after their stepfather, Arthur’s husband, was indicted on a charge of rape involving Acton. Acton’s campaign on Tuesday posted a video of her brother, who supported her backstory about living in a tent and being abused.

Republican Vice President JD Vance, an Ohio native son, expressed disgust during an Ohio campaign swing Wednesday with Republicans “whining” about the ad as low and in poor taste. But Republican U.S. Sen. Jon Husted, DeWine’s former lieutenant governor — running in a tight retention race against Democrat Sherrod Brown — has said he would not have run the ad, as has Republican Secretary of State Frank LaRose, who is running for state auditor.

Another influential Ohio Republican, former U.S. Rep. Jim Renacci, posted a lengthy essay on X overnight, suggesting that “the floor may have just fallen out from under the Republican campaign for Ohio Governor” and urging every Republican to distance themselves from it.

Amid the turmoil, Ohio Republican Party Chairman Alex Triantafilou posted what sounded like a warning, or a threat.

“The final days of a tough campaign are always the best time to find out who is really with you and who just posts and pretends,” he wrote. “Yes—we are keeping score.” The quote was followed by a winking-eye emoji.

Ad has faced bipartisan rebukes, support in conservative media

The ad is also dividing Republicans nationally.

Nikki Haley, who sparred with Ramaswamy during the 2024 Republican presidential primary over the personal nature of his attacks, called him “a bad guy” in a social media post Tuesday. “It’s a shame he continues to get away with it,” she wrote.

At the same time, Media Matters for America, a left-leaning media watchdog group, has reported that many within the national conservative media are promoting and praising the ad. Ramaswamy’s campaign manager, Jonathan Ewing, characterized it as “a campaign-ending moment for Amy Acton.”

Wayne Allyn Root, of Gateway Pundit, called it “absolutely hilarious” and Daily Wire host Michael Knowles described it as “brilliant.”

Police and court records show Cledith Arthur was arrested and charged with the rape of Acton in July 1978, when she was 12, after her biological father lodged a formal complaint against him. The abuse allegedly happened from December 1976 to April 1978. Cledith Arthur failed to show for a court appearance and became a fugitive.

Donna Arthur remained married to him until his death in 2004.

Smyth writes for the Associated Press.

COLUMBUS, Ohio — Republican Vivek Ramaswamy ’s team confirmed late Tuesday that it produced a controversial advertisement featuring the estranged mother of Amy Acton, and the campaign said it will spend $4 million to promote it despite facing bipartisan rebuke for dredging up the painful childhood of his Democratic opponent in Ohio’s governor’s race.

The decision exacerbates a deeply personal element in one of the country’s most closely watched and expensive campaigns for state office. Questions about the video will likely shadow Ramaswamy, a biotech billionaire who previously ran for president but has never before held public office, in the final two weeks of the contest. Democrats said he was growing desperate at a moment when more than 676,000 people have already cast ballots in Ohio.

The advertisement features Acton’s birth mother, Donna Arthur, calling her “a liar” and insinuating she has mental health issues. Acton, Ohio’s former public health director, has made no secret of facing homelessness and abuse as a child. Arthur lost custody of her children after their stepfather was indicted for raping Acton.

The video’s origins were initially murky when it started circulating online. It first surfaced in a post by an Ohio political blogger, then spread across social media. It did not include the “paid for” tag that is legally required to air on television so viewers can know who produced and paid for it. D.J. Brynes, who blogs as “The Rooster,” told CNN he got the video from a voter who viewed it as part of a poll and recorded it.

Connie Luck, a spokesperson for Ramaswamy’s campaign, said Acton’s mother was not paid for the one-minute video, which she said will stream online and air on television.

Acton spent Tuesday condemning Ramaswamy for the ad even before his campaign confirmed its provenance.

“I won’t normalize somebody who has said that my childhood is just something I’m complaining about, who today just released an ad using my birth mother, who I was removed from at the age of 12 for severe abuse and neglect, and sexual abuse,” she told Spectrum News, a cable news outlet in Ohio.

She said Ramaswamy made similar personal attacks during his run for the Republican presidential nomination two years ago, calling it “a lifelong pattern.”

Ramaswamy’s campaign initially issued a statement that did not address whether he was responsible for the ad or knew who produced it. In the earlier statement, Luck said Acton “has some serious problems with the truth that the public needs to be aware of.”

Democrats and Republicans condemn the ad

Casey Putsch, a car designer and YouTube provocateur who competed against Ramaswamy for the Republican nomination for governor, said on social media that he would be voting for Acton in the wake of the ad’s release. He called the video “pretty damn low.”

Acton’s campaign released a statement from her brother, Philip Stearns, who said the two were removed from their mother Donna Arthur’s custody as children after their stepfather, Arthur’s husband, was indicted for raping Acton as a child. Acton has not seen Arthur, whose last known address was in Pennsylvania, since they were in a courtroom together in 1978.

Later Tuesday, the Acton campaign released a video featuring Stearns, who recalls his older sister taking “the worst” of the abuse they faced as children in order to protect him and disparages Ramaswamy and his allies for exploiting the situation.

According to police and court documents obtained by the Associated Press, Cledith Arthur was arrested and charged with the rape of his stepdaughter, then 12, in July 1978, after Acton’s biological father reported him to authorities. The abuse allegedly happened from December 1976 to April 1978.

Cledith Arthur pleaded not guilty. He was indicted by a grand jury that September, but failed to show at a court hearing and remained a fugitive until at least 1981. He has since died.

High-profile Republicans who back Ramaswamy — including Donald Trump Jr. and influencer Laura Loomer — elevated the video in online posts.

But others joined Democrats in condemning the ad. Meghan McCain called it “dastardly” and Dan Hauser, a strategist for Republican Sen. Mike Lee of Utah, said he deleted his post sharing the video once he realized “the very serious accusations that caused their issues.”

The Democrat running for U.S. Senate in Ohio, Sherrod Brown, described the spot as “disgusting” and said everyone — including his opponent, Sen. Jon Husted — should be willing to condemn it. Husted’s campaign didn’t respond to a request for comment.

Smyth writes for the Associated Press. AP writer Ali Swenson in New York contributed to this report.

Young adult stories come in every imaginable flavor, and flavor combination, and several are present in “Phony,” premiering Tuesday on Hulu. Based on the four episodes (of eight) out for review, I am all in with this show, but as Doris Day so memorably sang, the future’s not ours to see.

Created and directed in part by Nick Paley (“Marcel the Shell With Shoes On”), it’s a mystery driven by an uncanny event, with the beating heart of a high school dramedy, in the sense that what is dramatic about adolescence is at the same time comical. (Given time.) Temperamentally, it’s closer to “Freaks & Geeks” or “Dazed and Confused” than, say, “Stranger Things,” but I also wrote “Robert Altman” in my notes.

To begin, we are in some mountainous slice of small-town Pacific Northwest, where the Canadian tax breaks call American producers across the 49th parallel and the landscape presses in from all sides. (A reference to Lewis & Clark College suggests the story is set in Oregon, but I can’t remember any other clues; also, it isn’t important.) It’s an ordinary world wrapped in mystery and sometimes mist, but it’s the ordinariness that gives the show its power as much as, or more than, the mysteriousness.

Sonny Cooke (Sam Nivola, from the third season of “White Lotus”) attends Delby High, where his mother, Ellen (Connie Britton), is the principal. This would be a nightmare for many teens, but for Sonny and Ellen, it’s more of a dream, as the two are unusually (which is not to say perversely) close. (There is no father in the picture, nor is one even mentioned.) He operates in the corridors as a kind of unofficial lieutenant to his mother, bringing cheer and care to his fellow students, spreading sunshine all over the place. This is a little strange, but he is not accounted a weirdo.

He has a nice girlfriend, Chloe (Mahaela Park), with whom he has just “decided to be official”; Ellen clucks at this — she’s a little protective. Sonny and Chloe call each other “Bobo,” and in a nice, authentic touch we see he has written that nickname in ballpoint pen on the white sidewall of his sneaker. As we open, Sonny and Chloe are planning to have sex for the first time; there is some comedy written around this. He’s the less mature, more nervous party. (He also has a tendency to fall over and bump into things.) His best friend, Vogel (Maliq Johnson), an injured basketball player, is miffed that he had to hear about this from Chloe and not Sonny, but not seriously and only for a moment.

Best friends Vogel (Maliq Johnson), left, and Sonny (Sam Nivola), who is trying to make sense of his feelings about his mom.

(David Astorga / Disney)

Driving to meet Chloe for their Big Night, after a rare argument with his mother, Sonny swerves to avoid a downed tree and drives into Bucket Pond, where an official sign commemorates the many deaths that have occurred there. When he wakes from a coma a week later, he doesn’t recognize Ellen, and you won’t quite either. However it’s been accomplished, by makeup (or an absence of makeup), prosthetics, digital manipulation, hypnosis or some combination of the above — and by acting, of course — this alteration of Connie Britton, a face we know well, is just enough off to be incredibly creepy. (What have you done with Connie Britton? we want to ask.) There is nothing more frightening than when the familiar starts acting strange, in movies or in life. Sonny’s symptoms mirror an actual condition, Capgras syndrome, which no one here mentions, though to be fair, he hasn’t told anyone who might offer that diagnosis, and is too freaked out to look it up himself. Only Sonny and the viewer notice the difference, which suggests that he may be wrong, or, alternatively, that everyone else is.

Completing a not-quite Scooby Gang are Mallory (Grace Brennan), returning to public school after three years of homeschooling, and her cousin Weldon (Colter Lee), a deadpan original turn on the nerd. Sonny and Mallory shared a kiss once, on a class camping trip, but for … reasons, they meet again on tentative terms. Despite or perhaps because of her offbeat upbringing (religious parents), Mallory is the embodiment of the cool girl who doesn’t need to demonstrate how cool she is, and perhaps doesn’t even know or, more to the point, care. In a series thoroughly well cast (by Jessica Kelly and Lisa Parasyn), Lee and Brennan, especially, stand out as originals, their performances drawn from life, or some private corner of their imagination.

Weldon, who is ready to credit Sonny’s story — he believes, for example, that Avril Lavigne died and was replaced by “someone named Melissa, who has a clubfoot” — connects him with Sharla (Meera Syal), a private investigator he knows from an online forum. “She’s into alternative knowledge. So cryptids, One World Order, face peelers…”

“I know what it’s like to be called crazy,” says Sharla, “but all you really need is one person to believe you.”

“Or two people,” adds Weldon.

“Yep, two people. Two weird people.”

Much of what makes “Phony” special happens alongside the main plot, or doesn’t involve any plot at all — it’s pure atmosphere, bits of background business and chatter in the school halls, and at a party in the woods that occupies much of Episode 4. (Nice use of long lenses by cinematographer Andy Rydzewski.) Party scenes are a yardstick by which I measure the authenticity of a teenage movie — are these characters acting their age, or have they been designed to?

With only four episodes available for review, and nothing revealed, it’s impossible to say where the show is going — is it science fiction, or fantasy, or some super-complicated conspiracy, though why such a thing would be constructed around these people is beyond me. There’s a chance it’ll be brilliant, a chance it’ll be less than brilliant, and a greater than zero chance it’ll be dumb, but given the résumés of the co-showrunners Paley and Anthony King — whose credits include “Search Party,” “The Afterparty” and “Broad City” — I expect it to be interesting. Everything so far is so well done, I don’t mind how it ends; I don’t want it to end at all.

The United States has developed plans to strike Iran with the largest non-nuclear bomb in its military arsenal on Iran’s energy infrastructure and nuclear sites if President Donald Trump orders renewed combat operations, according to US officials cited by CNN.

Deploying the GBU-43/B Massive Ordnance Air Blast Bomb (MOAB), nicknamed the “mother of all bombs”, could significantly escalate the ongoing conflict at a time when fighting has lulled, experts say.

Concerns are also being raised, including within the Trump administration itself, over what such a move would even achieve. Officials familiar with military planning discussions told US news outlet CNN and Al Jazeera that deploying the MOAB would be unlikely to help the US achieve its stated strategic goals, including to destroy Iran’s nuclear capabilities.

Brussels-based military expert Elijah Magnier told Al Jazeera that using the MOAB would not even guarantee the destruction of Iran’s deeply buried underground nuclear installations and that such a strike would likely amount to little more than “political theatre”.

Here’s what we know:

What is the MOAB?

The GBU-43/B Massive Ordnance Air Blast Bomb (MOAB) is a massive munition containing about 8,500kg (18,000 pounds or 8.5 tonnes) of high explosives. It weighs 9,800kg (21,605 pounds or nearly 10 tonnes) – about the same as four saloon cars – and is as long as a small yacht at just over 9 metres (about 30 feet).

The MOAB is typically deployed from the Lockheed C-130 Hercules cargo aircraft because it cannot fit in a stealth bomber.

The bomb, which was first manufactured between 2002 and 2003, has undergone 12 detonation tests.

Its name is a reference to former Iraqi President Saddam Hussein’s comments during the 1991 Gulf War when he invoked the “mother of all battles”.

The US has only deployed the MOAB once before – during its 2017 attacks on an Islamic State Khorasan Province (ISKP) cave and tunnel complex in Afghanistan. Afghan authorities claimed that while 94 Islamic State-Khorasan Province (ISKP) fighters were killed in the blast, no civilians were hurt. However, there were unconfirmed, local reports of civilian casualties and many homes were destroyed.

What is the ‘mother of all bombs’?

The GBU-43/B, the US’s most powerful non-nuclear bomb, was used once, against Islamic State-Khorasan…

GBU-43/B

Pallet is deployed from rear cargo door of MC-130H or C-17aircraft.

1. Released from the aircraft.

2. Cradle separates; GPS and fins guide it.

3. H6 explosives detonate.

4. A powerful shockwave spreads.

5. Hot gases, smoke and debris rise in a mushroom cloud.

1 of 4

What kind of damage can it cause?

Designed to explode a few feet above the ground, the MOAB sends out lethal waves of fire when it detonates, blasting away buildings, cave openings and other hard-surface structures.

“Its purpose is to generate an exceptionally powerful blast across a surface area,” Magnier said.

Military expert Colonel Nidal Abu Zeid told Al Jazeera the bomb does not require impact in order to detonate and that its massive blast will destroy everything above ground within a 1km (0.6-mile) radius.

It is likely that the US would aim to use the high-explosive MOAB to completely destroy Iran’s ground-force positions above ground, and to reach its underground facilities, including Pickaxe Mountain, which Trump has previously threatened to attack, Abu Zeid said.

However, Magnier said the bomb’s radius and level of destruction would depend greatly on the terrain it is used within and how populated the area is. He added that it may not be particularly effective against targets buried deep underground.

Some of Iran’s nuclear sites which the US may wish to target, such as the Fordow complex and an under-construction site at the Pickaxe Mountain, are heavily fortified and deeply buried.

“Its large explosive charge can produce devastating blast effects against exposed personnel, equipment and vulnerable structures,” Magnier said. “The Afghanistan operation demonstrates its intended application against a cave-and-tunnel position; it does not demonstrate an ability to destroy every kind of underground installation.”

While its blast can reach underground, the MOAB is not especially designed to punch through deep concrete or mountain rock in the way that a “bunker buster” bomb is. The US military’s most powerful bunker buster is the GBU-57 Massive Ordnance Penetrator. Weighing about 30,000 pounds (13,600kg), including a 2,700kg (6,000 pound) warhead, this precision-guided bomb is made of high-strength steel and built to penetrate up to 200 feet (61 metres) underground before exploding.

Would the US really use an MOAB?

It already has done – in Afghanistan in 2017.

However, besides not being guaranteed to hit underground targets effectively, Magnier told Al Jazeera it could be difficult to deploy the necessary aircraft in the regions of Iran where nuclear sites are located. Stealth bombers which are better suited to this terrain are not able to carry this size of bomb.

Using the bomb could also destroy infrastructure without inducing Iran to make any concessions, he added, noting that its deployment would risk turning “a spectacular event” into one that ultimately delivers few political results for Washington.

“The question I would put to any commander advocating its use is straightforward: What will this weapon accomplish that another available weapon cannot, and how will that result advance an achievable political settlement?,” Magnier said.

“If the answer centres on the spectacle of the explosion, the proposal is stronger as political theatre than as military strategy,” he added.

CNN reported that Trump, in private discussions, has been seeking a “definitive” end to the war that will prove Washington has been undefeated.

How might Iran respond?

A MOAB strike would likely prompt a major reaction from Iran, experts say, warning that Tehran could even invade its neighbours who host US military assets in response.

Iranian security officials have for months made comments regarding a possible invasion of countries like Kuwait to capture US troops and force Washington to surrender.

In May, during a pause in hostilities, Kuwait alleged that sailors from Iran’s Islamic Revolutionary Guard Corps (IRGC) infiltrated its Bubiyan Island, leading to an exchange of fire between Iranian and Kuwaiti forces. One Kuwaiti was injured and four Iranian soldiers were captured.

Iran denied that it had invaded the island and said the troops’ navigation system had malfunctioned.

On Tuesday, IRGC security adviser Mohammad Reza Naghdi warned that Iran could capture troops if Washington were to launch ground attacks, although military experts have long dismissed Trump’s earlier threats of an invasion due to Iran’s mountainous terrain.

“If the United States launches a ground attack, so many of its troops will be captured that it will be forced to raise the white flag,” he said.

Experts say Iran has been preparing for another round of war by stockpiling weapons, fortifying key nuclear and defence locations, and rallying its supporters.

In a television broadcast on Sunday, National Security Council chief Mohsen Rezaei threatened that Iran would attack regional digital infrastructure, including communication cables, data centres and artificial intelligence facilities in the United Arab Emirates and others, if American strikes resume.

“We’re all hiding a little bit of our personality inside,” says director Cristian Mungiu of the characters in “Fjord,” a searing drama inspired by real Norwegian child welfare cases. “The film speaks about a limit of intimacy, after which you will need to make a choice not knowing precisely what happens. This is why I wanted the film to start at the end of a conversation in which you don’t really know what kind of punishments exist in this family.” Lighting and shallow focus deepen the uncertainty of a mother (Renate Reinsve) comforting her daughter (Vanessa Ceban) and a father (Sebastian Stan) waiting to have his say: “You need to admit when you’re wrong.” “You see the role of a mother who tries to play this more empathic part, while the father is the one playing the role of the educator who imposes his rules,” Mungiu says. “This shot speaks about our way of storytelling and designing everything to be ambiguous enough about their relationship. At the same time, this also speaks about a theme in the film: this idea that there isn’t anything like right and wrong and the truth. And we all believe that the truth belongs to us. And this is the problem.”

As we head into fall television season, you might notice some familiar titles, not just because a few shows are returning for new seasons, but because they’re prequels, continuations or adaptations of well-known books or films — sometimes both.

The only guide you need for fall entertainment.

Hollywood has leaned into established IP this season, but if you’re seeking an original story, don’t fret, several of those are coming too. Viewers will have plenty to cozy up to, with a slew of series dropping around holidays — a perfect time to binge your new favorite watch.

‘Monster: The Lizzie Borden Story,’ Sept. 17 (Netflix)

Ella Beatty as Lizzie Borden in Netflix’s “Monster: The Lizzie Borden Story.”

(Netflix)

Described as a “darkly comic spin on a Victorian-era murder,” the fourth installment of Ryan Murphy and Ian Brennan’s true-crime anthology chronicles the story of Sunday school teacher Lizzie Borden, who in 1893 was the prime suspect in the still unsolved ax murders of her father and stepmother inside their Fall River, Mass., home. The 32-year-old “spinster” was tried by an all-male jury who found her innocent of the gruesome crime. Their quaint view of women as meek, docile and powerless clearly worked in her favor. Ella Beatty plays the rage-filled, blood-spattered Borden in this eight-episode series. Charlie Hunnam, who appeared in the third installment of “Monster,” portrays her wealthy but ultimately unfortunate father Andrew Borden, and Rebecca Hall plays his second wife, Abby Borden. The drama reportedly includes the music of modern artists such as Kate Bush, while the trailer simply leans into the haunting Victorian-era nursery rhyme “Lizzie Borden took an axe …” — Lorraine Ali

‘Brothers,’ Sept. 23 (Apple TV)

Woody Harrelson and Matthew McConaughey in Apple TV’s “Brothers.”

(Ryan Green / Apple TV)

Twelve years ago, after their chemistry lit up Season 1 of “True Detective,” stars Woody Harrelson and Matthew McConaughey became Hollywood’s most beloved bromance. When Harrelson later told a tale in which McConaughey’s mother revealed she had known Harrelson’s father around the time McConaughey was conceived, it made a lot of hot-rumor sense. Also, apparently, a fine pitch for a series, with the two men playing fictionalized versions of themselves. After a family crisis, Harrelson flees with his wife and daughters to McConaughey’s Texas ranch where he hears a similar “I knew your father” story from Ma Mac (Holland Taylor). As he decides what to do, McConaughey decides to run for governor of Texas. The personal eccentricities of the two leads, along with their odd-couple vibe, provide most of the show’s humor, but the best reason to watch is Taylor, who shows both stars how it’s done, by stealing the show from under their feet. — Mary McNamara

‘American Hostage,’ Sept. 20 (MGM+)

Jon Hamm as Fred Heckman in MGM+’s “American Hostage.”

(Steve Ackerman / MGM+ / Sony Pictures Television)

Set in the 1970s, this anthology series based on a scripted podcast of the same name tells the true story of Fred Heckman, a respected radio journalist played by Jon Hamm, who also executive produces. Heckman, the news director of WIBC-AM in Indianapolis, is placed at the center of a story when hostage-taker Tony Kiritsis (Giovanni Ribisi) requests to be interviewed by the newsman as police attempt to negotiate the release of his hostage, mortgage broker Dick Hall (Kristoffer Polaha). The series contemplates topics like shady lending practices by financial institutions — something that will resonate deeply with today’s economy — and the ethics of placing oneself in a news story. Shawn Ryan (“The Shield,” “The Night Agent”) and Eileen Myers (“Big Love”) serve as co-showrunners and executive producers. — Maira Garcia

‘East of Eden,’ Oct. 1 (Netflix)

Mike Faist as Charles Trask, Christopher Abbott as Adam Trask and Florence Pugh as Cathy Ames in Netflix’s “East of Eden.”

(Netflix)

Zoe Kazan has established herself in the past several years as a versatile artist who impressed critics and audiences with her lead role in “Ruby Sparks” and her Emmy-nominated performance in HBO’s “Olive Kitteridge.” The spotlight is likely to get brighter with Netflix’s “East of Eden,” the latest adaptation of John Steinbeck’s classic novel. A previous version of the novel was directed by Kazan’s grandfather Elia Kazan, and is best known as one of three films starring James Dean. Zoe Kazan is the writer and co-showrunner of the Netflix project, which stars Florence Pugh as anti-heroine Cathy Ames — a character sidelined in the 1955 film. Christopher Abbott (“Girls”) and Mike Faist (“Challengers”) co-star. — Greg Braxton

‘Below,’ Oct. 8 (Netflix)

Josh Hartnett as Calvin and Mackenzie Davis as Fonda in Netflix’s “Below.”

(Netflix)

Summer is over, but that doesn’t mean there can’t still be stories about killer creatures under the sea. Netflix’s “Below” joins the watery spectrum already inhabited by “Jaws,” “The Meg,” “47 Meters Down” and numerous other entries as it unveils its premise about a seaside town targeted by a mysterious monster. Josh Hartnett (“Trap”) stars as a fisherman and single father living in a small Newfoundland town who must find a way to protect his family and the community when an unidentified creature starts wreaking havoc. He joins forces with a marine researcher (Mackenzie Davis of “Station Eleven”) who informs him of the town’s mysterious history and buried secrets. — G.B.

‘Cupertino,’ Oct. 8 (CBS)

Rachel Keller as Olivia Siffre, Ella Stiller as Christy Palladino and Mike Colter as Michael Price in CBS’ “Cupertino.”

(Elizabeth Fisher / CBS)

Robert and Michelle King return to the network and territory of their acclaimed series “The Good Wife” with this Silicon Valley-based legal dramedy, replicating that show’s mix of quirk, current events and courtroom nail-biters. To continue the David vs. Goliath comparison the network has put out, it launches its stones at the brow of the tech industry, with Mike Colter and Rachel Keller as lawyers fired with bad cause who team up to defend the little guys from the big jerks. Ella Stiller is their ingenuous aide-de-camp, Busy Philipps a flamboyant investor and Renée Elise Goldsberry as an opposing counsel who has history with Colter. — Robert Lloyd

‘Avatar: Seven Havens,’ Oct. 9 (Paramount+)

Saheli Khan as Pavi, Dee Bradley Baker as Geet/Ruhi and Aishwarya “Aishu” Devan as Nisha in “Avatar: Seven Havens” on Paramount+.

(Paramount+)

When “Avatar: The Last Airbender” premiered over 20 years ago, it introduced audiences to a world inspired by Asian and Indigenous cultures, where certain people can manipulate elements through a martial arts-infused ability known as bending. It also helped show that an animated kids series can tackle weighty themes such as war, genocide, imperialism, sexism, propaganda and political corruption in a serialized story and be a hit. In the world of “Avatar,” there is one special bender who is the master of all four elements — water, earth, fire and air — and is tasked with maintaining balance in the world. Set after the events of “The Last Airbender” and “The Legend of Korra,” “Avatar: Seven Havens” follows the current incarnation of the Avatar, Pavi. Young Pavi and her twin sister, Nisha, live in a world that no longer sees the Avatar as humanity’s savior after it was devastated by a calamity. Pavi and her allies still have to figure out a way to save the world, though. Every Avatar seems to have to deal with problems caused or left unresolved by their predecessors. As a Korra fan, I’m curious to see what sort of legacy she ended up leaving behind. — Tracy Brown

‘VisionQuest,’ Oct. 14 (Disney+)

Paul Bettany in Marvel’s “VisionQuest” on Disney+.

(Marvel)

When we last saw Vision (Paul Bettany), the reconstructed synthezoid and former Avenger had just regained his memories — thanks to an assist from his magically created double — before flying off into the unknown at the end of “WandaVision.” Much has changed in the Marvel Cinematic Universe since then, but I’m ready to dive back into this corner of the multiverse occupied by “WandaVision,” “Agatha All Along” and the upcoming “VisionQuest.” Capping off the TV trilogy, the new series will see Vision navigating life after “WandaVision” along with existential questions about his personhood and identity with the help of some friends in the form of other Marvel AI and robots, including Ultron (James Spader). Both “WandaVision” and “Agatha” were meditations on grief, trauma and motherhood, by way of sitcoms and magical escape rooms, respectively. I’m interested to see how this final installment will explore the patrilineal connection between Ultron, Vision and Tommy (Ruaridh Mollica), one of Wanda and Vision’s long lost twins who were magically created in “WandaVision.” Could the series tee up a full Maximoff family reunion? I hope so. — T.B.

‘Crystal Lake,’ Oct. 15 (Peacock)

Linda Cardellini as Pamela Voorhees in Peacock’s “Crystal Lake.”

(Peacock)

Drew Barrymore made a fatal mistake in the opening scene of the 1996 horror film “Scream” when the creepy murderer on the telephone quizzed her about the name of the killer in the original “Friday the 13th.” When Barrymore answered “Jason Voorhees,” she was reminded that the original killer was actually Pamela Voorhees, Jason’s mother. Pamela is center stage in “Crystal Lake,” Peacock’s prequel to the bloody franchise launched in 1980. Linda Cardellini (“DTF St. Louis”) plays the grief-stricken mother who seeks revenge after her son drowns at a summer camp. There will be blood. — G.B.

‘The Diplomat’ Season 4, Oct. 15 (Netflix)

Keri Russell as Kate Wyler, Rufus Sewell as Hal Wyler and Allison Janney as Grace Penn in Season 4 of “The Diplomat.”

(Netflix)

For those of us who stay ready for the Kate Wyler 2028 campaign, it’s time to lock in. The highly competent, intensely impulsive, deeply flawed and incredibly relatable political power player with unapologetically messy hair is back to clean up more backroom deals and betrayals, volatile international crises and unstable government leadership — all while managing a topsy-turvy marriage tangled up in it. The fourth season picks up directly after the Season 3 finale cliffhanger, where Kate (Keri Russell) learned that her husband, Vice President Hal Wyler (Rufus Sewell), and President Grace Penn (Allison Janney) secretly conspired to steal a Russian nuclear weapon. The new season will explore the fallout and tension in domestic and international relationships, and the marital strife in between. Somehow, political chaos feels good in a show like this. — Yvonne Villarreal

‘Nocturne,’ Oct. 30 (Apple TV)

Stephen Graham and Liev Schreiber in Apple TV’s “Nocturne.”

(Dennis P. Mong Jr / Apple TV)

Stephen Graham plays the diabolically cunning serial killer Jurek Walter in “Nocturne,” a chilling psychological thriller that promises “Hannibal”-level creepiness (as in the film). The 10-episode drama stars Liev Schreiber as Jonah Lynn, a former soldier turned homicide detective who moves to a small town in western Pennsylvania after working the tough streets of Philadelphia. But the peace and quiet he hoped for is shattered when his family is targeted by Jurek. Lynn’s surrogate daughter, FBI Agent Saga Bauer (Zazie Beetz), steps in the fray, upping the stakes. Based on Lars Kepler’s crime novels “Lazarus” and “The Sandman,” the series also stars Bill Camp, Rory Culkin, Poorna Jagannathan, Chrissy Metz and Gary Carr. The cast alone should make “Nocturne” a killer thriller, but we’ll have to wait until October to see if it slays. — L.A.

‘Yellowjackets’ Season 4, Nov. 20 (Paramount+)

Sophie Thatcher as teen Natalie in the finale of Season 3 of “Yellowjackets.”

(Paramount+ with Showtime)

At the end of Season 3, “Yellowjackets” gave us an on-the-nose cliffhanger: We see young Natalie (Sophie Thatcher) reach a cliff, satellite phone in hand, as Aerosmith’s “Livin’ on the Edge” plays. She screams into the receiver, “Can anyone hear me?” Response: “I can hear you.” Over the past three seasons, the Yellowjackets, the New Jersey girls soccer team lost in the Canadian wilderness after a plane crash, have been trying to survive harsh weather, a lack of food and medical care — and one another. It appears we’ll finally get to see them rescued, based on the recent trailer for the new season, as well as the aftermath. The series, created by Ashley Lyle and Bart Nickerson, was originally pitched as a five-season arc, but they announced last year that Season 4 would be the last. The dual timelines in the show, where we see the survivors as teenagers and adults, have felt disconnected at times, but let’s hope this season finally offers clarity. — M.G.

‘Dig,’ Nov. 23 (Peacock)

Hugh Laurie as Neville and Amy Poehler as Elise in Peacock’s “Dig.”

(Colleen Hayes / Peacock)

A new comedy series starring Amy Poehler that she co-created with “Parks & Recreation” executive producer Michael Schur? Sign me up! The workplace at the center of “Dig” is an excavation site in Greece, where Poehler’s Elise is among a team of archaeologists that unearths a rare artifact. According to the logline, this discovery kicks off an “adventure of a lifetime” — and I’m curious what that might mean for people whose careers presumably involve carefully sifting through old dirt all day. The show also stars Hugh Laurie as Neville, a British archaeology professor, as well as Geraldine Viswanathan, Antonia Thomas and Fina Strazza. The series is based on Kate Myers’ novel “Excavations,” and in the book, the four central women have their own issues and hang-ups and don’t really get along, at least initially. If there’s anyone I trust to mine comedy gold with that setup, it’s Poehler and Schur, who is co-showrunning with J.J. Philbin. — T.B.

‘Blade Runner 2099,’ Nov. 25 (Prime Video)

Hunter Schafer as Cora in Prime Video’s “Blade Runner 2099.”

(Clay Enos / Prime)

Having slept on the franchise’s previous sequel, “Blade Runner 2049,” I find myself quite excited by the prospect of this tale of biological and synthetic life forms in a smoggy, next-millennium Los Angeles, not least (and likely most) because Michelle Yeoh stars in it. Yeoh plays an aging replicant detective in search of rogue replicants — here, in a “Planet of the Apes” style twist, the world has turned upside down, with the artificial life forms in power and the people powerless. Hunter Schafer plays Yeoh’s partner, a human masquerading as a replicant. (As to L.A., you will not recognize the old place, which in any case was created in Prague and Barcelona.) — R.L.

‘The Hunting Wives’ Season 2, Nov. 26 (Netflix)

Malin Akerman as Margo, left, and Brittany Snow as Sophie in Season 2 of “The Hunting Wives.”

(Netflix)

For those who are watching the show for the plot, get ready to yeehaw about all the melodrama that’s about to hit your screen. Following its massive breakout success on Netflix, the series about East Texas socialites is back for a twisty and steamy eight-episode second season that will no doubt launch a heavy helping of memes, GIFs and explicit fanfics. For the uninitiated, the series based on May Cobb’s bestselling novel follows Sophie (Brittany Snow), a married East Coast liberal who moves to a wealthy Texas town and immediately becomes infatuated with Margo (Malin Akerman), the local queen bee of a clique of conservative women who have a knack for behaving badly. Their toxic, lusty friendship and the show’s crime mystery subplots had viewers hooked. After the chaotic events of the Season 1 finale, the new episodes pick up with Sophie and Margo on the outs but pulled back into another dangerous game of cat and mouse that will make their situationship all the more complicated and angsty. But fear not, Margo’s wig remains a comforting presence through it all. — Y.V.

‘Harry Potter and the Philosopher’s Stone,’ Dec. 25 (HBO)

Ron (Alastair Stout), Harry (Dominic McLaughlin) and Hermione (Arabella Stanton) in HBO’s “Harry Potter and the Philosopher’s Stone.”

(Aidan Monaghan / HBO)

In the U.K., Christmas Day telly is a much bigger deal than it is in the U.S., which may be why HBO decided to launch its new “Harry Potter” series, beginning with the U.K.-titled eight-episode “Harry Potter and the Philosopher’s Stone,” on Dec. 25. “Highly anticipated” doesn’t even begin to cover it; a quarter century since the film versions began lighting up the box office, the story of “the boy who lived” continues to entrance fans old and new. Starring newcomers Dominic McLaughlin as Harry Potter, Alastair Stout as Ronald Weasley and Arabella Stanton as Hermione Granger, the series promises a richer, more detailed adaptation of the books, along with a more contemporary feel. With John Lithgow as Albus Dumbledore, Janet McTeer as Minerva McGonagall, Nick Frost as Hagrid and Paapa Essiedu as Severus Snape, the cast is just as formidable and star-studded as the films. And with a reported $58-million price tag, the production values should burn just as brightly, especially at Christmas. — M.M.

‘North of North’ Season 2, Fall 2026 (Netflix)

Anna Lambe as Siaja in Season 2 of “North of North” on Netflix.

(Netflix)

No news regarding the coming fall season has made me happier than the return of this sunny, aspirational Indigenous comedy, set in a small town among the Inuit people in Nunavut, Canada’s northernmost territory. A luminous Anna Lambe plays Siaja, who in the first season went a long way toward finding herself in a life bounded by a narcissist husband (estranged, but always around), a once-difficult mother, a rambunctious child, a new love interest, a surprising father, a capricious yet not uncaring boss (Mary Lynn Rajskub) and a mythological sea spirit — in other words, lots to go on in a second season. (For even more Canadian content: “Kids in the Hall” alum Bruce McCulloch joins the cast as a first-aid instructor.) — R.L.

‘Pride and Prejudice,’ fall 2026 (Netflix)

Lizzie (Emma Corrin), Jane (Freya Mavor), Mrs. Bennet (Olivia Colman), Lydia (Rhea Norwood), Mary (Hopey Parish) and Kitty (Hollie Avery) in Netflix’s “Pride and Prejudice.”

(Ludovic Robert / Netflix)

Every generation gets its own Mr. Darcy. Experiencing Jane Austen’s most famous work — whether on the page or on the screen — is a cultural rite of passage for many young women. The 1995 BBC miniseries starring Jennifer Ehle and Colin Firth, and the 2005 film starring Keira Knightley and Matthew MacFadyen, are the two definitive, most popular screen adaptations of the classic novel, often drawing fierce debate from enthusiasts about which is better. (Sorry, but that misty sunrise walk by MacFadyen’s Mr. Darcy changed lives — namely, mine — and will always give the 2005 version a slight edge in my eyes.) Now, the classic novel is getting its streaming-era adaptation. Written by bestselling author Dolly Alderton (“Good Material”), the six-part limited series promises to be a faithful adaptation. Emma Corrin (“The Crown”) and Jack Lowden (“Slow Horses”) take the mantel as the original and ultimate enemies-to-lovers couple, Elizabeth Bennet and Mr. Darcy. Will it live up to its predecessors? Will it capture Austen’s witty text and unforgettable scenes of yearning? I don’t know. But I’m going to watch it anyway because — I mean, come on — it’s “Pride and Prejudice” and I’m just a girl who’s always on the lookout for slow-burn tension and hand-flex close-ups. I’m preparing myself now for the hours of sleep I’ll lose getting sucked into the TikTok discourse about it. — Y.V.

Halle Berry has several loved ones in her corner amid her contentious custody case with ex-husband Olivier Martinez, who accused the Oscar winner of physically abusing their 12-year-old son. Among the actor’s supporters is Nahla Aubry, the 18-year-old daughter Berry has kept largely out of the public eye.

Aubry, whom Berry shares with ex-boyfriend Gabriel Aubry, spoke against her former stepfather Martinez and in support of her mother in a declaration filed Monday in Los Angeles Superior Court. In his request for a restraining order filed last week, Martinez accused Berry of physically abusing their son, Maceo, “putting her hands around his neck, and choking him” during a Sept. 26 incident. Martinez was granted the restraining order and is seeking sole legal and physical custody. Nahla Aubry said in her declaration, obtained by The Times, that Martinez’s allegations left her “shocked, very sad, and very upset.”

“The statements Olivier claims my mom made are wholly inconsistent with the values she has taught me my entire life,” Aubry said. She added elsewhere in her declaration: “I have never witnessed her act violently toward anyone.”

A legal representative for Martinez did not immediately respond on Thursday to The Times’ request for comment.

In her declaration, Aubry spoke about her experiences splitting time between her mother and father’s homes amid their separation and and said her mother “consistently provided me with stability, support, guidance” and that she “never heard” the actor speak negatively about her family or her ex-boyfriend. Aubry said she lived with her brother for most of her life and has “never heard my mom say anything about Olivier” to her brother, contradicting claims Martinez raised in his request for a protective order.

Martinez pointed to an alleged 2023 incident when Berry is accused of telling their son, then 9, that his father is “ ‘a white b— trying to rob a Black woman’ due to child support issues,” according to court documents. She added that Berry has “always” encouraged her children to keep “loving relationships with our fathers.” Aubry also said in her declaration that while Berry can be strict, she is also “warm, supportive and deeply involved in our lives.”

“I have never witnessed her act violently toward anyone, however, I do remember Olivier beating up my father in our driveway when I was little,” she said, referring to a 2012 brawl between Gabriel Aubry and Martinez.

In addition to denying the claims of abuse against her mother, Aubry spoke about her stepbrother’s behavior, writing in his declaration he can be “very impulsive” and “often acts without thinking and then refuses to take responsibility for his actions.” Aubry noted she last spoke to her brother a day after the alleged September incident and that he did not seem upset, and that the current restraining order prohibits her from contacting her brother.

Berry’s fiancé, Van Hunt, and her attorneys also filed declarations in favor of the “Monster’s Ball” actor. Attorney Marina Z. Beck in her declaration accused Martinez of refusing to provide information to Berry about their son and his education, of interfering with their son’s therapy and of refusing to follow therapist recommendations. The court documents also include screenshots of text message exchanges between Berry and Martinez and an email from their son’s school about his disruptive behavior days after the alleged incident.

Berry and Martinez were married from 2013 from 2015. Their divorce finally ended in August 2023, when they agreed to joint custody of their son and Berry agreed to pay Martinez $8,000 a month in child support.

In his request for a restraining order, Martinez also asked that Berry refrain from drinking or partaking in other substances during her visitation time and asked that she complete sobriety testing “before, during and after” her visitation, according to court documents. The judge denied those sobriety testing requests until a further hearing for the order on Oct. 16.

Patrick Baghdaserians, an attorney for Martinez, told The Times last week the welfare and safety of Berry and Martinez’s child remains paramount.

The Corona Centennial High football team has an interesting blend of players spelling their similar first names differently, leaving coach Matt Logan to be the referee as to which parents got the spelling correct.

There’s Jaden Jefferson, Jaden Walk-Green, Jaden Bynum, Jayden Steeber, Jayden Rodriguez and Jaiden Sapp on varsity.

Asked for a comment on what the correct spelling should be, Logan replied, “Which one?”

With six player possibilities, he better be specific as to which Jaden, Jayden or Jaiden he’s trying to alert when shouting the name.

Luckily, Logan isn’t the freshman or JV coach because there’s also Jayden Morales, Jayden Bullard and Jaidon Wilkerson. That’s nine players who qualify to join a club or create a T-shirt: Which first name is spelled correctly?

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

Maysa Abu Daoud and her daughter Mary al-Najjar among five Palestinians killed in Gaza City attack.

The Latin patriarch of Jerusalem, Cardinal Pierbattista Pizzaballa, has expressed his “deep sorrow and grief” over the “tragic” killing of two Christian women in an Israeli air attack on Gaza City.

Maysa Abu Daoud and her daughter Mary al-Najjar were among five Palestinians killed in the attack that hit the ground floor of a building in the Remal neighbourhood on Saturday, in the latest Israeli violation of a United States-brokered “ceasefire” agreement with the Palestinian group Hamas.

In a statement, the patriarch extended his “heartfelt condolences” to the loved ones of the two women and to the Christian community in Gaza.

Their funeral took place on Saturday at Saint Porphyrius Church in Gaza City’s Old City.

The two women were Palestinian Christians from Gaza City who devoted their time to helping parishioners and displaced people sheltering at the Holy Family Church, according to Palestine’s Higher Presidential Committee for Church Affairs.

The committee’s chairman, Ramzi Khoury, described their deaths as a “painful loss” for their families, the church and its parishioners.

Mary’s son, 14-year-old Fouad al-Najjar, told the Anadolu news agency the strike hit the building at about 1:30am (22:30 GMT).

“My grandmother and my mother died. May God have mercy on them,” he said.

Al-Najjar appealed for an end to Israel’s genocidal war on Gaza, saying Palestinians were losing their loved ones every day.

“We are exhausted by this war and have endured so much,” he said. “For almost three years, we have been living through the same destruction, the same grief and the same war.”

Palestinian Lutheran pastor Munther Isaac, who serves in Ramallah and directs the Bethlehem Institute for Peace and Justice, wrote on X: “The genocide continues in Gaza.”

The Gaza Strip is home to fewer than 1,000 Christians. The community was already small before the war, and many of its members have been killed since then in attacks on their homes and churches throughout the war that began in October 2023.

On October 19, 2023, an attack on the Saint Porphyrius Church compound killed at least 18 people. Two months later, the Latin Patriarchate of Jerusalem said an Israeli sniper shot dead a woman and her daughter inside the Holy Family parish compound in Gaza.

An Israeli strike on the Holy Family Catholic Church compound on July 17, 2025 also killed three people and wounded others, including parish priest Father Gabriel Romanelli.

According to the Ministry of Health in Gaza, Israeli attacks have killed at least 74,228 people, including at least 1,445 since the start of the “ceasefire” in October 2025.

Country western star Wynonna Judd is confirming that she and her sister, Emmy Award-nominated actor Ashley Judd, do not have a relationship.

She spoke with People ahead of the release of her 10th solo studio album, “The Hard Truth,” which drops Friday, and revealed that the rift between the sisters is still there after years of on and off disharmony.

Wynonna told the outlet that Ashley hadn’t heard the album, as the sisters are not “connected.”

“We’re taking a break, which all families can relate to,” she said. “She’s doing her thing, and I’m doing mine.”

In April 2022, Wynonna and Ashley’s mother, Naomi Judd, died by suicide at 76 after a lifelong battle with depression. Naomi and Wynonna made up the Grammy-winning duo the Judds.

At the time, the sisters released a statement together, writing, “Today we sisters experienced a tragedy. We lost our beautiful mother to the disease of mental illness. … We are shattered. We are navigating profound grief and know that as we loved her, she was loved by her public. We are in unknown territory.”

The following month, the two appeared at the annual Medallion Ceremony, where the Judds were inducted into the Country Music Hall of Fame, and the sisters spoke on behalf of their mother.

“While this is so much about the Judds as a duo, I want to take a moment to recognize my sister, a GOAT,” Ashley said at the ceremony. “Do you know what that means? I don’t think she knows I’m calling her the greatest of all time. She lives on a farm. She’s being a little literal.”

Ashley told the crowd that growing up as the younger sister of Wynonna, she got to “bask in this voice that was around the house, and I’ve always been so proud of the music and so proud of you. … So I know that we’re talking a lot about Mom tonight, as we should be. Our beautiful mother, and I want you to know that you also are being inducted to the Hall of Fame tonight. And newspapers don’t get much right these days, but when the Los Angeles Times said you were Elvis-like, they got it right. And I love you, and I’m proud of you. And Mom is proud of you, and she always was.”

By October 2022, rumors were flying that the sisters were fighting over their mother’s will, a claim that Wynonna shot down while speaking with People.

“Someone told me while I was at Ashley’s house, ‘Hey, did you know that they’re saying this about you?’ I went, ‘Huh? I’m fighting with Ashley?’” Wynonna said. “Fighting over what? I have such a great life. Ashley has a great life. Why would we be fighting over the will?”

This wasn’t the first time a feud was reported between the two. Back in January 2015, Wynonna gave a teary-eyed account of the disconnect during an appearance on AXS TV’s “The Big Interview With Dan Rather.”

“The only thing I have in common with my sister is a father missing and a mother that’s both of ours. She and I are very different. We don’t communicate, nor do we spend time together, and that’s a long history of being apart,” Wynonna told Rather.

Wynonna said that she and Ashley were dysfunctional, didn’t agree on anything and developed separate lives, but she cared for her younger sister growing up.

“I raised Ashley, so I think there’s a lot of work we still have to do about where do we find the ‘sister’ in all of this,” she said. “She called me sister mommy, and I really had a hard time with that, because I was like, I don’t want to be your mommy. I want to be your sister.”