mother

Sophy Romvari’s luminous debut feature “Blue Heron” is a loving and studious act of remembrance. Her protagonist and surrogate, Sasha (Amy Zimmer), attempts to understand her family’s past through a reverent process of recreation. While she finds that not everything can be understood, there is beauty and solace in the journey itself — and maybe a kind of catharsis.

“Blue Heron” is an autobiographical project, but it’s more apt to call it a memoir. Sasha admits she doesn’t remember much of her childhood and doesn’t even trust the fragments. But she will try anyway. As Sasha zooms in on her iPhone, standing at the bluff overlooking her hometown, Romvari rolls up the back of a moving truck to deliver a lush slice of ’90s childhood nostalgia, picking up the memory as her Hungarian immigrant family — two parents, three brothers and one sister — arrive at their new home on Canada’s Vancouver Island.

Father (Ádám Tompa) settles into work on the home computer; Mother (Iringó Réti) attempts to amuse the kids with trips to the beach and nature preserves. Snippets of summer filter through the eyes and ears of 8-year-old Sasha (Eylul Guven) and in the photos snapped by their parents.

But a disquieting presence looms: Jeremy (Edik Beddoes), the eldest son. Blond, light-featured and tall, he is visually distinct from the three other children and his silent rebellion permeates the atmosphere.

His misbehavior is minor — irritating but untenable when stacked together — like bouncing a ball against a wall, disappearing for fun or climbing on the roof. He mostly just seems like a moody, unsatisfied teen, drawing elaborate maps and sometimes playing with his siblings sweetly. It all seems like harmless mischief until it escalates.

The movie’s title refers to a key chain from a gift shop that Jeremy, who almost never speaks, presents to his younger sister. Like him, the film is quiet and meditative, bathed in the cool blues and verdant greens of the setting, captured in Maya Bankovic’s saturated cinematography. We are transported to a place of natural beauty and a period of seemingly unlimited time. But Jeremy-related tension simmers beneath the domestic surface, just as it does in Chantal Akerman’s 1975 landmark “Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles,” referenced in a shot of a mother and daughter peeling potatoes.

“Blue Heron,” though, is not just going to simply be a throwback family drama about a troubled boy and his younger sister. The film suddenly zooms out, linearly, to two decades later. Zimmer’s older version of Sasha is grappling with her brother’s void and she does so with her mind, her work, her actions. She conducts a focus group of social workers for a documentary in order to try to understand Jeremy’s behavior and the treatment he got at the time. She scrubs through video and photos and interviews a case worker. She escapes into old movies.

In Romvari’s award-winning 2020 short “Still Processing,” a companion piece to “Blue Heron,” she processes the loss of two brothers through photography, sifting through boxes of old photos and film negatives shot by her father, who trained as a cinematographer in Hungary. It seems natural for Romvari to access the emotional through artistic practice, to give her — and Sasha — something to do with their hands. The tactility of the photographs in “Still Processing” provide an access point to the past. Romvari weeps as she spreads them out on a table, saying “hi” softly to her brothers. But there’s a remove in the rigorous focus on the snapshots that perhaps also protects her from the full crushing weight of these emotions.

But in a film like “Blue Heron,” anything is possible, including time travel, and for Romvari, it’s the channel that she offers Sasha to achieve the closure that she needs: a visit to a time she doesn’t really remember, even as she’s building an archive of materials to bolster herself.

If young Sasha watches (and Guven is absolutely terrific at watching), the older Sasha speaks. Zimmer, a New York City comedian, is tasked with a heavy, grief-laden dramatic role, and she’s utterly convincing, entrancing in her stillness. But she also has a way with words, a clarity that rings with a rare kind of honest empathy, especially in a letter that Sasha reads to her parents.

That letter is what “Blue Heron” represents for its filmmaker — an attempt to re-create the past, to bring it back to life. Even if imperfect, the value is in the effort, in the ongoing practice of remembering, as an act of devotion to family and self.

A woman who brutally beat her four-month-old son and left him to die in a bathtub was sentenced Thursday to life imprisonment in a child abuse case that stunned the nation.

The Suncheon branch of the Gwangju District Court ruled that the mother, in her 30s, had “cruelly” abused her child for half of his short life before ending it.

The woman was indicted for indiscriminately beating her son and leaving him in a running bathtub at their home in Yeosu, about 310 kilometers south of Seoul, on Oct. 22. The infant died of multiple fractures and internal bleeding.

The court also sentenced the child’s father to four years and six months in prison on charges of neglecting the abuse and threatening a witness in the case.

“Despite the defendants having the infinite responsibility of raising their child safely as parents, the child died 133 days after being born due to the abuse from his own parents, who should have been the world to him,” the court said.

Prosecutors had sought a life sentence for the mother and a 10-year term for her husband.

Investigators earlier determined that the woman had abused her child on 19 separate occasions since Aug. 24, and found multiple bruises and signs of internal bleeding on the infant’s body.

The case drew nationwide attention after footage of the abuse was aired by local broadcaster SBS’ investigative series “Unanswered Questions.”

A group of protestors staged a rally outside the court earlier in the day calling for heavy punishment.

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April 20 (UPI) — A mother and her six children, ranging from 3- to 11-years-old, died in a fire in Clinton County, Pa., when their home exploded.

On Sunday at about 8:42 a.m. EST., emergency response units from nearby Centre and Lycoming counties were alerted to a fire on Long Run Road in Lamar Township. The home of 34-year-old Sarah B. Stolzfus and her children was fully engulfed in flames when first responders arrived on the scene.

State police said the cause of the explosion is under investigation.

Stolzfus and her children, four boys ages 11, 10, 4 and 3, and two daughters, ages 8 and 6, were pronounced dead at the scene.

A propane leak inside the home is a potential cause for the explosion, state police said. There were propane tanks outside of the home that did not explode, nor were they involved in the fire.

Families, in their various flavors, have been essential to television since that light first flickered on. They may be ideal or nightmarish, or both, or in between, and we take to them — be they Waltons or Addamses or Simpsons — according to our own experience or desires, having known families of our own or wanted something other than what we had.

In “Schitt’s Creek,” Dan Levy co-created — with his father, Eugene, yet — one of the medium’s greatest family comedies. It was a show that grew over time from a basic premise about rich people who lose their money and are forced to live at close quarters in adjoining motel rooms to a paean to love, understanding and acceptance. It swept the comedy categories at the 2020 Emmys, including acting awards for both Levys, Catherine O’Hara and Annie Murphy and writing and directing trophies for Dan.

“To family” are in fact the last words spoken in the first season of “Bad Mistakes,” Levy’s noisy, funny new show, co-created with Rachel Sennott and now streaming on Netflix — though given what precedes it, it’s less a blessing than a curse. Levy plays Nicky, a pastor at a sparsely attended suburban New Jersey church of no evident denomination. He’s out as gay, but supposedly celibate; that he has a boyfriend, Tareq (Jacob Gutierrez), is known only to Tareq; this, of course, creates a secret, which will create pressure, which will create comedy.

Sister Morgan (Taylor Ortega) is an elementary school teacher, a job that doesn’t quite jibe with everything else we see about her — it’s barely represented, anyway, summer having come — and a very longtime boyfriend, Max (Jack Innanen), who has decided that now is the moment to propose. She had once tried acting in New York, which means that she lived a wilder life once and is something of an improviser. Their mother, Linda (Laurie Metcalf), who owns a hardware store, is running for mayor and the campaign is being managed by extra daughter Natalie (Abby Quinn).

The series begins as their grandmother is dying, and at Linda’s command, they rush out to buy her a present — Linda is trying to squeeze in an “early birthday” before her mother passes. And because she is that sort of person, Morgan shoplifts what she imagines is a cheap necklace from a convenience store. (Attendant Yusuf, played by Boran Kuzum, will have much to do.) The necklace isn’t cheap, it turns out, for no particularly good reason, and the convenience store isn’t just a convenience store, but a kind of waystation for stolen goods run by local Russian mobsters. As a result, Morgan and Nicky find themselves forced to run errands for them, under threat of death, or worse.

The show gets very complicated on its way to a circular semi-conclusion; there is a lot going on, with Linda’s mayoral ambitions and various relationship issues. (Elizabeth Perkins plays Max’s mother, bridging storylines.) But it’s a good ride, and classic in its way; searching the phrase “get mixed up with gangsters” brings forth a host of old comedies. Through the dodgiest situations, brother and sister do not hesitate to argue. Nicky would love to be anywhere else, while Morgan finds it invigorating. Though it is all improbable, the parts do mesh neatly; they make television sense.

Finally, the series rests on the shoulders of the three principal players, who are just a pleasure to watch; the camera obliges by moving in close. Levy brings a soft-spoken breathlessness you may recognize from his David Rose on “Schitt’s”; his softly muttered “OK,” which might just mean “stop talking,” is almost a trademark. Ortega brings a kind of poignance to her reborn wild child, while Metcalf plays Linda with a kind of small-town operatic intensity, eyes popped and pronunciation precise — she’s like a country cousin to O’Hara’s Moira Rose — as if she were onstage pitching to the back row of the theater.

Michelle Pfeiffer and Elle Fanning in “Margo’s Got Money Troubles,” premiering April 15, 2026 on Apple TV.

(Allyson Riggs/Courtesy of Apple)

In “Margo’s Got Money Problems, premiering Wednesday on Apple TV, Elle Fanning plays the title character, a college student flattered into bed by her married-with-children writing professor, Mark (Michael Angarano), despite my shouting at the screen for her not to do it. Soon she is pregnant, and soon after that the essentially single mother of baby Bodhi, unable to find work or the time to write. (As the heroine, we assume her talent.)

Presumably in search of some normalcy, Margo’s mother, Shyanne (Michelle Pfeiffer), a former good time girl — but still sparkly — has become engaged to Kenny (Greg Kinnear), Christian, square and sincere; the Ralph Bellamy of the piece, you are not asked to take him quite seriously (though Kinnear plays him straight). Shyanne’s ex-husband is Jinx, a former professional wrestler, played by Nick Offerman with the low-key affect of Ron Swanson, dialed down even further; depression and drug addiction will do that to you. Fresh out of rehab, he trades a championship belt for a motorcycle and joins the household; though he left Margo early, and unlike Shyanne, he proves to have a marvelous, easy way with Bodhi. (The baby himself, or babies — they use twins for this job — are themselves marvelous.)

Also in residence is roommate Susie (Thaddea Graham), a chirpy cosplayer — and coincidentally Jinx’s biggest fan — whose skills will become valuable as Margo, needing cash, sets off into the world of OnlyFans. First picking up tips describing followers’ penises in terms of Pokémon (no explanation has been thought necessary), she pivots to video, mounting increasingly elaborate sexy sci-fi productions alongside Susie (sets and costumes), Jinx (narrative advice, stunt coordinator) and OnlyFans veterans KC (Rico Nasty) and Rose (Lindsey Normington), a fabulous tag team to whom Margo turns for advice. (Margo does seem to take things over, but it’s her name in the title, so there you go.) This introduces an element of Mickey and Judy, my uncle’s got a barn, let’s put on a show comedy. More important, it creates a team, melding the family you make with the family you have.

It’s as sweet as can be. Apart from sleeping with one’s professor — students, do not do this! — the show is positive about just about everything: motherhood, daughterhood, professional wrestling, second chances, sex work, cosplaying and the way art shows up in strange places. Only Marcia Gay Harden, as Mark’s mother, Elizabeth, is an outright villain, and you will hate her.

The series was created by David E. Kelley (Mr. Michelle Pfeiffer), from Rufi Thorpe’s 2024 novel, once again under the umbrella of Nicole Kidman’s Blossom Films (following their collaborations on “Big Little Lies,” “Nine Perfect Strangers” and “Love & Death”), with its house style of well-upholstered capital-Q Quality (as distinct, in its pop-cult, way, from prestige). (Kidman has a small role as a wrestler-turned-lawyer and it’s been a while since I’ve seen her this well used.) “Margo’s Got Money Problems” can be terribly sentimental, almost corny — the climax is pure Hollywood — but undeniably effective. And if its mix of comedy and drama can be a little destabilizing, you won’t need to worry about where it ends up.

Anyone who has jumped out of a plane with a parachute deserves respect, but to do it 36 times, that’s worthy of a salute.

Saul Pacheco, who turns 88 in November, is sitting in a lawn chair at the Arcadia Invitational with his friends, the starters dressed in red suits who fire pistols to begin races.

That’s when he mentions how he was in the 82nd Airborne Division and jumping out of planes in the 1960s after graduating from Wilmington Banning High and UCLA.

“I was a jump master who became in charge of the parachute troopers,” he said.

Then he talks about becoming a teacher and wanting to return to his alma mater, Banning, which had no openings, so he ends up at rival Carson and coaching the offensive line for Hall of Fame coach Gene Vollnogle for more than two decades. Vollnogle was football coach from 1963 to 1990, winning eight City titles.

Pacheco also became a track starter in 1977. He was already well trained to fire a pistol. It was learning all the rules required in track and field that needed to be mastered.

He apparently did just that, because he’s been at it for 49 years and plans to retire as a track starter this spring. For 25 years, he was a starter for the Arcadia Invitational. Then he became the meet referee to settle any disputes. The respect he has earned can be seen in the way other starters appreciate him for helping them learn the ropes.

He’ll be inducted into the Carson Hall of Fame this fall for his contributions as a coach and athletic director.

His story is pretty amazing. He was one of 13 children. His parents apparently wanted enough siblings to form a football team. His father was a carpenter helping build minesweepers at Terminal Island for the Navy. His mother stayed home and took care of everyone. The first seven kids born were boys. He was No. 5. Imagine the competition for food at dinner time.

“Everbody came in to eat at different times,” Pacheco said. “My mother did a great job having stuff ready.”

But what about 13 children together for Thanksgiving?

“We had a lot of laughs. We all got along.”

Five of the brothers are still alive, including a 90-year-old. All three sisters are alive. One of his brothers, Henry, was football coach at San Pedro for 12 years. Henry was drafted and ended up in the Vietnam War, where environmental issues might have led to the illness, lymphocytic leukemia, that took his life in 1991.

Two of his brothers worked for the LAPD. Two other brothers became firefighters. He has a grandson who’s a deputy sheriff in Riverside.

Pacheco has worked five state track championships and numerous City Section championships.

Like an umpire in football who calls a holding penalty, the only time anyone notices a starter in track is when there’s a false start.

“If there’s a false start, someone complains,” he said.

So why spend 49 years as a track starter?

“The fun part is watching all the athletes compete and being around all the other officials,” he said. “The officials are tremendous and dedicated trying to do a good job.”

All this came out by just happening to stop by and say hello to the starters who are always pleasant and enjoy talking. Unless you ask a question, you’ll never find out about someone’s background.

So why wasn’t Pacheco wearing a red suit like the rest of his friends at Arcadia?

“I brought it just in case,” he said. “I was an alternate.”

Pacheco is always prepared, whether jumping out of planes or teaching life lessons to football players.

If anyone deserves a salute, it’s Saul Pacheco.

Biblical stories like Jonah and the whale would be required reading for Texas public schools students under proposals that are putting the state at the center of another contentious wrangling over the role of religion in classrooms.

Religious leaders, teachers, parents and students spent hours Tuesday before the state education board arguing about the reading list for the state’s 5.4 million kindergartners to 12th-graders. The debate is part of widening efforts in the U.S. to incorporate religion in schools, mostly in Republican-led states, driving legislation and legal action.

Nationally, President Trump has pledged to protect and expand religious expression in public schools. And Texas, a red state that is home to about 1 in 10 of the nation’s public school students, often helps set the agenda.

Texas became the first state to allow chaplains, in 2023. And just last year, a Republican-led mandate that the Ten Commandments be displayed in public schools took effect in the state, although around two dozen districts took them down because of a lawsuit.

But while the debate over Texas’ reading list could have national implications, to the speakers the issue boiled down to whether the passages are essential to understanding the nation’s history and morals — or unconstitutional.

“Our children need truth,” said Nathan Irving, a pastor and father of eight from Myrtle Springs, Texas. “Truth is the only currency that never devalues. Investing truth into our children is the most loving thing that we can do for them. This is the truth. This country and this state were founded upon a Christian worldview. Like it or not, it is true.”

Final vote on the changes still ahead

A final vote on the list is expected in June, and if approved by the Texas State Board of Education, the changes would take effect in 2030.

Several speakers cited the “establishment clause” of the 1st Amendment, which states that “Congress shall make no law respecting an establishment of religion.”

“This list is a tool of proselytization that has no place in our public schools,” Rabbi Josh Fixler, of Congregation Emanu El, a reform synagogue in Houston, told the board. “There is a difference between teaching about religion and teaching religion, and this list will force teachers to cross that line.”

Megan Boyden, a mother of three from Denton, Texas, described is as a direct attack on her private faith.

“As a Christian mother, it is my right and responsibility to teach our family’s religion,” she said. “It is not the state’s job to shed through the lens of a teacher who may not share the same beliefs I do. Will Bible passages be taught in conflict with my beliefs?

“What,” she asked, “of non-Christian students?”

The list stems from a state law passed in 2023, which called for the creation of a state-approved list of high-quality materials.

Third-graders would learn about the Road to Damascus, which tells the story of Paul’s transformation from an early persecutor of Christians into a follower. Seniors, meanwhile, would learn about the Book of Job, a story about a man whose faith is tested when he loses everything.

The list also includes classics like Dr. Seuss’ “The Cat in the Hat,” stories about the national folk hero Daniel Boone. And there are also works by famous African Americans like Frederick Douglass and Martin Luther King Jr. and a book about Harriet Tubman of the Underground Railroad fame.

Texas has already approved optional curriculum that incorporates the Bible

The GOP-leaning board previously approved a new Bible-infused curriculum that is optional for schools to incorporate in kindergarten through fifth grades.

The board also is considering social studies standards that have been criticized as too state-centric, not focused enough on world events and rife with an undercurrent of American exceptionalism. They call for students to “identify the Texas flag as a symbol of Texas pride,” and recognize the state song “Texas, Our Texas.”

Students also are supposed to be able to understand stories about Texas Independence.

Curriculum debates crop up occasionally. Over the years, state boards in places such as Kansas have debated whether the teaching of evolution should reflect doubt about the well-established scientific theory — and leave room for arguments that the universe’s complexity points to an intelligent design.

Allison Cardwell, a mother of a fourth-grader and a fifth-grade social studies teacher, urged the board to rethink the standards. She said fifth grade would be the only time most Texas students would receive instruction in U.S. history until high school.

“We have to ask ourselves, how can we expect to create citizens who value liberty, responsibility, and the principles this country was founded on, if we don’t ensure that they truly understand those foundations?” she said.

Hollingsworth writes for the Associated Press.

Actor Tori Spelling and seven children were injured after being involved in an accident Thursday in Temecula.

Spelling and all the children were taken to a local hospital, where they were treated for injuries, according to NBC News and multiple reports.

She is the mother of four of the children traveling in the SUV she was driving when it was struck by another vehicle that was allegedly speeding and ran a red light.

The Riverside County Sheriff’s office told People in a statement Sunday that deputies responded to a crash at 5:45 p.m. Thursday in Temecula, 80 miles outside of Los Angeles.

The drivers and passengers were evaluated at the scene, and no arrests were made. The cause of the collision remains under investigation.

Spelling is the daughter of the TV producer Aaron Spelling and is best known as a co-star of the 1990s hit Fox drama “Beverly Hills, 90210.” She is the mother of five children, Liam, 19, Stella, 17, Hattie, 14, Finn, 13, and Beau, 9, whom she shares with her ex-husband, Dean McDermott.

In 2011, Spelling was involved in a crash with her children in a vehicle that she said was prompted by paparazzi. Spelling was pregnant at the time of the incident, and her oldest two children were in the car. “Paparazzi chased me w/the kids 2school,” she wrote in a post on Twitter. “I was trying to get away from him and had a pretty big accident. Took down whole wall of school.”

TUCSON — Savannah Guthrie is renewing pleas to neighbors, friends and residents of Tucson to jog their memories in hopes of sparking new leads in the disappearance of her mother, Nancy.

The “Today” show co-host posted a new family statement on her personal Instagram account Sunday morning, hours after the show’s Instagram account shared it.

After expressing gratitude to the community, the family said in its statement that it believes someone in Tucson or in southern Arizona may “hold the key to finding the resolution in this case.”

“Someone knows something. It’s possible a member of this community has information that they do not even realize is significant.”

The family urged people to go over their memories of Jan. 31 — when Nancy Guthrie was last seen — and Feb. 1 as well as the evening of Jan. 11.

“Please consult camera footage, journal notes, text messages, observations, or conversations that in retrospect may hold significance,” the statement said. “No detail is too small.”

They also acknowledged in the statement that their family’s matriarch may no longer be alive.

“We cannot grieve; we can only ache and wonder.”

Nancy Guthrie was reported missing Feb. 1. Authorities believe the 84-year-old was abducted or otherwise taken against her will. The FBI released surveillance videos of a masked man who was outside Guthrie’s front door on the night she vanished.

The Guthrie family has offered a $1-million reward for information leading to the recovery of their mother.

On March 5, Savannah Guthrie visited the NBC “Today” show studio in New York City for the first time since her mother’s disappearance. The show said she plans to return to the air at some point but “remains focused right now supporting her family and working to help bring Nancy home.”

Tucson is a little more than 100 miles south of Phoenix and 70 miles north of the Mexico border. The Catalina Foothills, the neighborhood where Nancy Guthrie lives, is known as an affluent area with popular hiking trails.

Savannah Guthrie has been a co-anchor of the longtime NBC morning show since 2012. One of her former colleagues, Hoda Kotb, has returned to “Today” to fill in during Guthrie’s absence.

Owalai, Uganda – Martha Apolot navigates a dusty path through fields of cassava and millet under the searing hot sun. She carries a hoe on one shoulder, the blade carefully balanced, and over the other, her eight-year-old son, Aaron.

Every day, the 21-year-old mother takes Aaron to the fields where she works.

“Aaron is so weak, so I have to carry him from the house and lay him somewhere so I can work,” Martha says quietly, holding Aaron on her lap as she sits on the bare earth inside their tiny, single-room hut in Owalai, a rural hamlet in eastern Uganda.

They return home when it’s time to feed Aaron or when he has soiled himself, not when the tilling is done.

Aaron has an undiagnosed disability. He cannot walk, talk, eat solid foods or hold up his head without support. The back of his head is balding from lying down and prone to sores. He needs constant care, but Martha has no one else to look after him while she works.

Martha was 13 when a man lured her from her schoolyard and raped her. She did not know the man and never saw him again, she says. Her memories of that day are traumatic, and she goes quiet, breathing deeply and looking skyward.

Her pregnancy created an immediate rift within her family.

“My dad did not want me to come home, but my mother pleaded with my father to [let me] stay,” she explains after a long pause.

The seventh of eight children, Martha ran away, spending months at friends’ homes. Eventually, her older brother Paul, with whom she is close, tracked her down and told her their parents had accepted the situation and she could return home.

Aaron’s birth was long and complicated. After 15 hours of labour, doctors at the hospital in the city of Soroti admitted the teenager for an emergency caesarean section

Martha remembers the love she felt when she first saw her baby. “I felt so good, receiving my child. He was so handsome,” she recalls.

But Aaron was placed on oxygen shortly after birth. When he was taken away, she thought he had died. As he spent the first week of his life on oxygen, doctors warned Martha of future complications.

Il Etait Temps powered over the line in the Queen Mother Champion Chase to earn trainer Willie Mullins his third win of day two at Cheltenham Festival.

Majborough was the odds-on favourite to claim victory in the big race of the day but a poor jumping display made it an impossible victory.

A mistake at the final fence almost cost Il Etait Temps the win, but jockey Paul Townend steered him over the line at the Festival’s first Ladies Day in five years.

“There was a lot of work put into this horse after Ascot so I have a lot of people to thank,” Townend told ITV Racing. “It shows how tough this lad is. He’s such a courageous horse again today. He was flat as a pan everywhere.

“I wasn’t going to force him but he just found his rhythm.”

Mullins told BBC Radio 5 Sports Extra: “Out of the corner of my eye I could see Paul Townend thinking ‘now we have a horse race’.

“He started to get confident and he planned his move around the last bend.”

Libberty Hunter, priced at 50-1, and Sir Alex Ferguson’s horse, L’eau Du Sud, finished third.

The first winner of the day for Mullins came in the opening race with 11-1 shot King Rasko Grey powering over the finish line.

Act of Innocence, ridden by Nico de Boinville, followed up in second.

Mullins was “disappointed” with his horses in Tuesday’s Supreme Hurdle, but King Rasko Grey’s “form worked out”.

He told BBC Radio 5 Sports Extra: “We were all disappointed with our horses in the Supreme, but his form worked out. The day we bought him from the sales, he looked like a really smooth mover.

“I am very happy. When I saw them here on Monday, my worry was they looked too well.

“I don’t think I have seen my team on the gallop look so well, but they are racing well.”

It was a Mullins one-two in the Novices’ Chase with a brilliant jumping display from 11-1 chance Kitzbuhel allowing him to hold off the challenge of 7-2 shot Final Demand.

Jockey Harry Cobden labelled Kitzbuhel a “phenomenal little horse”.

He told ITV: “He’s braver than I am, this little chap. He’s a phenomenal horse.

“He was brilliant today, looking right the whole way, so that’s why I kept him in the middle. Everywhere I asked him, he delivered. He’s very tough.”