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Why Mahershala Ali is no longer starring in Marvel’s ‘Blade’

It’s been seven years since Mahershala Ali was announced as Marvel’s Blade, but the acclaimed actor says that his involvement in the project is officially dead and buried.

According to the two-time Oscar winner, if the project does get off the ground, it won’t be with him. Ali told GQ during an interview published on Friday that he has “moved on” from the plan to play the iconic vampire hunter that Wesley Snipes made famous in the ‘90s and early aughts.

“If they wanted to do it, we would’ve done it,” Ali told GQ.

Last month, Marvel Studios President Kevin Feige told the “Happy Sad Confused” podcast that he wasn’t proud to have let the project slip through his fingers, saying, “I am feeling like a gigantic loser and failure that we didn’t get off the ground with Mahershala.”

In the same interview, Feige said he was very excited to have gotten Snipes back “for a time” as Blade in “Deadpool & Wolverine.”

In Snipes’ scene in the 2024 Marvel hit, he may have answered any lingering questions on the matter just before blowing up a building with a missile launcher: “There’s only been one Blade,” he said, “there’s only ever gonna be one Blade.”

The project had notably gone through a slew of writers and directors; writer-director Bassam Tariq stepped away in 2022, work was stalled due to the writers’ strike in 2023, and the project just couldn’t seem to get its bearings amid all the brouhaha. During Ali’s interview with GQ, the outlet asked if “Blade” was any closer to becoming a reality.

“Not with me. The best way I can answer this question is, when I look at what is for me, is it was either this or that — and I’ll take this,” he said, referring to “Your Mother Your Mother Your Mother,” his forthcoming action-adventure film penned and directed by Tariq that hits theaters Sept. 25.

“No offense to them. I’ve been doing this professionally for pushing 30 years now, and one thing I’ve learned is that what is for you is for you and what is not is not,” he continued. “For whatever reason, that project is not for me. If they wanted to do it, we would’ve done it. So I have to move on, and I have moved on. ‘Your Mother Your Mother Your Mother’ feels very much in alignment with the type of work I want to be known for. I don’t really want to be known for remakes. I’d love to do original work that resonates with people and impacts them in unique ways.”

Though Ali seemed to be at peace with what happened with “Blade,” he still threw some shade Marvel’s way.

“Again, you had me under contract, they have billions of dollars, if they wanted to do the movie, we would’ve done the movie,” he said. “So we’re not doing the movie.

“When I look at this and ‘Blade,’ I couldn’t have done both, and the reason this even exists is because that project fell apart and Bassam had the time, space, energy and focus to go and write this and then re-approach me,” he continued. “And I was able to use those skills that I had been working on for over a year training for ‘Blade.’ In that way, I feel creatively redeemed on some level, just in my own journey between me, myself and I. But I feel ready to move on from the ‘Blade’ questions. Those questions are for them. They didn’t want to do it, so they should answer that question.”

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PC Harper’s mother ‘devastated’ his killers set for early release under revised plans

In a separate statement, Lissie Harper, PC Harper’s widow, said it was “disgusting” that his killers could be eligible for early release.

She said she was “beyond appalled and bristling with anger to hear that Andrew’s killers are soon to be free to roam the streets”.

Thames Valley Police Chief Constable Jason Hogg said the decision not to exclude them was “demoralising for all police officers”.

The Sentencing Act was amended in January, with the eligibility for early release based on the length of fixed sentence, rather than the type of offence.

The act already excluded some of the most serious and dangerous offenders, such as murderers serving life sentences or those on extended sentences.

But last month, Burnham paused the plans after backlash from survivors. The scheme will now restart in October.

Announcing the changes on Monday, he said: “I fully understand the anger, anxiety and distress that’s been caused. I’ve heard that loud and clear.”

Under the revised plans, rape and child sexual offences will now also be excluded from early release.

The government also announced an extra £10 million will go to front-line victim support services, including a new national helpline.

This move does not require changes to the existing legislation before October, the government said, though it may make amendments in the future to exclude certain offenders from being released.

Offenders of other crimes serving longer sentences of four years or more will be eligible for release halfway through their sentences rather than two-thirds as had previously been the case.

Those serving less serious sentences could be freed after a third of their time, rather than half.

The changes are due to be phased in, beginning with prisoners serving sentences of less than 575 days, going up to inmates jailed for 12 years or more being eligible for early release in June 2027.

The “presumption” will be that offenders are tagged and will face longer periods of supervision and tough new rules including “restriction zones”, Burnham said.

The number of individuals released each time will depend on the make-up of the prison population, which the government says will evolve between now and implementation.

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Savannah Guthrie issues new plea in her mother’s disappearance

“Today” show host Savannah Guthrie said Saturday on social media that her family was “desperate” and “begging for help” in the disappearance of her mother, a day after authorities released two ransom notes including one saying that she had died.

Authorities released an early note in the investigation into the disappearance of 84-year-old Nancy Guthrie, hoping that someone will recognize the writing style. A second note said Guthrie died shortly after she was kidnapped and “is buried in nature now.” Both notes initially were sent to a Tucson television station days after Guthrie went missing from her home outside Tucson on Feb. 1.

Desperate plea

“We are begging for help. We are desperate. We need someone to come forward. Someone knows something. Someone suspects something. Someone recognizes the writing in the ransom demand notes,” Guthrie wrote on her Instagram account, alongside a photo of her mother.

“Someone has noticed something different, strange, troubling or just unusual — perhaps with someone they deeply love,” she wrote. “Perhaps they are afraid to come forward. Perhaps they are conflicted. Perhaps they are angry or upset for being in this situation. There is a way out — to tell what you know.”

Guthrie went on to say she and her family “wanted to find out what happened to her, so that we can give her the dignity of a proper goodbye — a celebration of her remarkable life that she so deserves.”

Missing since February

Saturday is the six-month mark since Guthrie disappeared. No suspects have been arrested. The investigation has been dogged by unanswered questions, such as how many people are believed to have taken part in her abduction and whether she was taken by someone who knew her.

The FBI in Washington did not respond to questions about the ransom notes, including whether both messages sent to the Tucson station have been deemed legitimate.

In releasing the notes, the Pima County Sheriff’s Department said that “we believe these distinctive linguistic characteristics may be recognizable to someone who knows or has interacted with the notes’ writer.”

Ransom notes released

The first note, sent Feb. 2, said Guthrie was safe but scared and would be released unharmed once her captors received $4 million in cryptocurrency, with the ransom amount increasing if the first demand was not met. It said Guthrie would be released within 12 hours if the payment was received. It also included a threat to kill her if the ransom wasn’t paid.

“Your mother is aware of this and her life is in your hands,” the first note read. “It is in the best interest of everyone to have this completed as soon as possible.”

The second note was sent Feb. 6 and said Guthrie died shortly after she was taken. “She is buried in nature now,” it said. “Nothing you could have done could have changed the outcome.” The note ended with an apology: “We are truly sorry.”

The Pima County Sheriff’s Department said the notes reveal a distinctive pattern of word choices and provide insight into the writer’s mindset. The agency said someone who knows the notes’ writer may recognize the patterns.

Authorities similarly used a suspect’s writings as a tool to find Theodore “Ted” Kaczynski, branded the “Unabomber” by the FBI. Kaczynski, who killed three people and injured 23 others with mail bombs over a 17-year span, pressured the Washington Post, in conjunction with the New York Times, to publish his 35,000-word manifesto in 1995. He was finally arrested after his brother realized his sibling was the suspect and notified authorities.

Signs of preparations

The sheriff’s office also said Friday that two videos recovered from Guthrie’s doorbell camera might be from two separate days and indicate an unidentified male prepared ahead of when Guthrie was taken. Authorities are seeking information on anyone who was behaving differently, changed their physical appearance, suddenly left the Tucson area or had a noticeable or unexplained interest or disinterest in the case.

“Investigators continue to pursue every available technological and investigative lead,” the sheriff’s office said. “However, community members remain a vital resource as we seek to provide answers for Nancy’s family.”

The FBI had released surveillance videos of a masked person who authorities said appeared to tamper with a camera on Nancy Guthrie’s front porch and block it with a plant. They described the person as a male about 5 feet, 9 inches tall.

Casey writes for the Associated Press.

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U.S. cites ‘unauthorized travel’ to end DACA status for a mother of 3 deported to Mexico

A Texas mother deported to Mexico despite having legal permission to stay in the U.S. has filed a lawsuit against the federal government after it notified her it would be terminating her permission because of “unauthorized travel” stemming from her deportation.

Jessica Treviño, 34, filed a lawsuit through her attorney this week asking a federal judge to intervene.

Treviño and her husband were arrested in December after federal agents followed them and two of their daughters into a Home Depot parking lot in South Texas. Both were deported and are living in Matamoros, Mexico, just south of Brownsville, Texas. Their three children, all U.S. citizens, are living with family on the U.S. side near the border.

After being brought to the country as a child at the age of 7, Treviño subsequently received legal permission at 20 to remain in the U.S. under the Deferred Action for Childhood Arrivals program, or DACA. Introduced in 2012, DACA does not confer legal status but has allowed hundreds of thousands of people who had come to the U.S. as children to temporarily remain and obtain work permits.

As a DACA recipient, she must maintain a clean criminal record and is not allowed to travel outside the United States.

Her attorney, David Rozas, filed the lawsuit. He noted her status and work permit were most recently authorized until April 2027.

Notice to terminate DACA cites ‘unauthorized travel’

Last week, U.S. Citizenship and Immigration Services sent her a notice of intent to terminate her status for “unauthorized travel outside of the United States on or about March 25, 2026,” the same day she was deported from the country by the Department of Homeland Security.

In a statement, DHS said Treviño’s husband was in the country without permission and driving at the time of the arrest. After a collision between the couple’s vehicle and an unmarked Homeland Security Investigations vehicle, the couple was arrested. DHS claimed she “knowingly accepted voluntary departure and waived appeal. She left the U.S. on March 25, 2026, and will NOT return.”

In a recent interview with the Associated Press, Treviño said she did not sign any forms at the U.S. Immigration and Customs Enforcement detention facility and did not want to be deported.

Lawsuit seeks restitution of status

Rozas filed a petition asking a federal judge in Brownsville to declare the woman’s expulsion was unlawful, order the government to facilitate Treviño’s return to the U.S. and allow her DACA status to remain valid.

“The government had no lawful basis to remove her, and we filed this petition to demand she be brought back home,” her attorney added.

An immigration judge under the Justice Department had issued a voluntary departure order for Treviño in February while she was in ICE custody, but a valid DACA status prevents the Department of Homeland Security from deporting her.

“I would be so blessed to be able to go back home, because that’s what I long for most right now. I’m really desperate. It’s been seven months since I’ve been home,” Treviño said Thursday. Her three children are set to start school next month and Treviño said she would like to be there.

The current Trump administration has deported 86 DACA recipients and arrested 241 others, according to a DHS letter sent in February to Democratic Sen. Richard J. Durbin of Illinois.

Advocates for DACA recipients say Treviño’s deportation is part of a pattern.

“This is what a deliberate, systematic effort to destroy DACA looks like in practice: target recipients one by one, manufacture justifications after the fact and leave their children to grow up without them,” said Todd Schulte, president of FWD.us, a policy organization defending immigration rights.

Gonzalez writes for the Associated Press.

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Killing Eve’s Harriet Walter admits ‘I’m rethinking my mother entirely’ after huge secret

Killing Eve’s Harriet Walter was left ‘astounded’ after discovering her mother’s incredible secret job on Who Do You Think You Are

Dame Harriet Walter was left speechless after discovering an ‘astounding’ secret about her mother.

The legendary actress, 75, has graced our screens for years in incredible films and television shows, such as Star Wars: The Force Awakens, Rocketman, Downton Abbey, The Crown, Succession, Killing Eve, Ted Lasso and Call The Midwife.

However, Harriet put her family in the spotlight for the latest episode of Who Do You Think You Are? on Thursday night, where she discovered an incredible secret about her mother, Xandra Lee – the elder sister of renowned actor Sir Christopher Lee.

Showing old pictures of her lookalike mother, Harriet said: “This is my mother, Xandra. She was a very sweet woman, had the most amazing sense of humour, but she was sort of slightly belittled by the men in my family.”

Harriet continued: “This picture is my parents, and they were married in December 1946. I knew a bit about what she did in the war. She worked in naval intelligence in the Admiralty, but she said, you would never in a million years tell your best friend, your husband, anybody what you were doing. You just would not do it.

“She said she was one of thousands of cogs in the machine and I just want to know much more about exactly what that machine was doing and what her part in it was. So I’m going to see what I can find.”

However, Harriet got more than she bargained for upon discovering her mother played an important role in the success of the 1944 D-Day landings, which she learnt thanks to ground-breaking research on women in wartime intelligence conducted by Dr Helen Fry.

During the meeting at the Old Admiralty Building in London, Dr Fry revealed after sharing archive details and facts: “To get this into perspective, your mother was in charge of the whole intelligence picture for naval intelligence for the D-Day landings.”

Harriet was left speechless as she put her head in her hands, before adding: “Wow, wow. It’s just astounding. It’s astounding. I had this rather frivolous idea of her sort of just having a great time in the canteen and flirting with the boys and I had no idea she had this sort of responsibility.”

Dr Fry then pointed out: “The oath of secrecy, they knew when they took it, it was for life and she kept it”, adding that her mother’s work was “detailed analytical work” and “highly responsible”.

Harriet added: “That is extraordinary. I’m sorry to say this, but when I think how she was sort of put down by my dad and my stepfather and, you know, ‘your mother’s not very logical’, you know, had they only known what she’d done, they might have treated her with more respect.

“Blimey. It’s so extraordinary. I’m rethinking my mother entirely. You know, it’s extraordinary how that changes your image of somebody, to think of her in that position of responsibility. I have such a mixture of feelings.

“I mean, mainly I’m astounded that my mother had any kind of significance in the war effort, because she never exposed anything of that sort. She was the epitome of, I would say, modesty in some kind. Not coy, but just sort of, ‘Oh, I don’t matter, darling.’ You know.

“I feel certainly silly that I’ve got some kind of fame for having done absolutely nothing except, you know, pretend to be other people for a living.

“And she, who had a quite a strong role in the D-Day landings, which opened up the whole path to peace. Good for her. Good for Xandra Carandini Lee.”

Who Do You Think You Are? airs at 9pm on Thursday on BBC One and BBC iPlayer.

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After a deadly raid, a displaced Nigerian mother finds a lifeline in sewing | News

Jibia, Katsina State, Nigeria – Safiya Musa’s sewing machine has given her something violence had taken away: a way to provide for her children.

But the livelihood she built after losing her husband and two of her children has left her facing a painful choice: whether to return home or risk losing the fragile independence she has created after being forced to flee.

Safiya cannot remember which month it was, only that it was 2023, when armed bandits raided the town of Kankara in Katsina State, where she and her husband had built their life after moving from their hometown of Batsari. Kankara is a small rural community where farms sit close to homes, and her husband worked as a farmer and foodstuffs trader. They lived there with their two youngest children, Umar (4) and Maryam (6), while their three older children, Sani (12), Hajara (10) and Zubaida (8), were staying with relatives in Batsari.

The attackers had come to kidnap the town head, but the attempt failed. As gunfire spread through the community, Safiya locked herself inside her room while Umar and Maryam were outside playing with other children. Her husband had left for the farm when the attack happened. The bandits killed about 20 people as they left the town.

Three days later, after she had learned that her husband had also been killed during the attack, she fled to Batsari, where she was reunited with Sani, Hajara and Zubaida. When another bandit attack reached Batsari, she fled again with her three surviving children – now aged (15), (13) and (11) – to Jibia, where they eventually settled in a camp for displaced people.

She still remembers the night she lost much of her family.

“Minutes later, silence overwhelmed the atmosphere,” she recalled. “Then I started thinking about my husband, who had left for the farm, and my children, who were outside playing with other kids.”

The thought of them pushed her out of hiding.

But she was too late.

“They were all killed,” she told Al Jazeera.

Safiya’s experience reflects a wider crisis affecting communities across northwest Nigeria. For more than a decade, the region has faced attacks, kidnappings and village raids by armed groups commonly called bandits.

The violence has forced thousands of families from their homes, disrupted farming and trade, and left many people struggling to rebuild their lives.

Katsina State, which borders Niger, has been among the areas hardest hit.

After arriving in Jibia, Safiya survived by taking whatever work she could find. She ground grain for local residents and relied on temporary jobs to support her children.

She was then selected for a handbag-making training programme organised by the United Nations Development Programme (UNDP) through its Climate Security Project.

The initiative provides women affected by conflict with vocational training and equipment to help them start small businesses.

Months later, the programme gave her a source of income. The work brought stability, but it also created a new uncertainty: whether she could continue the business if she returned home.

“The essence is to give them an opportunity to become self-reliant,” said Muhammad Hamisu, the project coordinator in Jibia.

A skill that changed her circumstances

After completing the training, Safiya turned handbag-making into a source of income for her family.

With sewing materials and new skills, she began cutting fabric, stitching designs and producing handbags she could sell to support her children.

The work did not erase the pain of what she had lost, but it gave her something she had struggled to regain since fleeing: the ability to provide for herself.

“I used to wake up with nothing to offer my children,” she said. “There were days I sent my boys out with bowls to beg for food because I had nothing to give them. Now I can feed them myself.”

In March 2024, the Climate Security Project trained 20 women in Jibia in handbag production and provided sewing machines and materials to help them begin working.

Jibia’s location near the border with Niger also gives traders access to cross-border markets, including those in the Maradi region, one of Niger’s major commercial areas.

For some women, the business has become an important source of income.

“I make approximately $50 a month,” said 30-year-old Karima Sule, who has lived in Jibia since fleeing violence four years ago. “When demand is high, I earn even more. I help my husband and pay the school fees for my two older children from this business.”

A business shaped by insecurity

But building a business in a conflict-affected area remains difficult.

Safiya said her biggest challenge is finding enough money to buy materials.

“Sometimes I run out of stock and don’t have the funds to buy more,” she said. “When that happens, I lose customers.”

Karima said violence continues to affect sales.

“Whenever violence happens, market activities slow down for days,” she said. “People stop buying, and we lose income.”

Their growing economic activity may also expose them to new risks, according to Abdussamad Ahmad Yusuf, a human security researcher at HumAngle, a Nigerian newsroom that reports on conflict.

“Kidnapping for ransom in that region is becoming more targeted,” he said. “Authorities should conduct regular conflict and security risk assessments to identify high-risk trading routes, markets and emerging threats before expanding commercial activities.”

The Katsina government established the Community Watch Corps in 2023, a local security initiative that uses community members to gather intelligence and support responses to attacks.

Officials said security has improved in some communities, but many families who fled violence remain uncertain about returning home.

An uncertain future

Safiya hopes to return home one day and reunite her children with their relatives.

But the livelihood she has built in Jibia has become a reason to hesitate.

The handbag business has allowed her to buy food, support her children and depend less on unstable work. Leaving it behind could mean losing the independence she has worked hard to build.

She has been told that conditions in her hometown are improving, but she remains unsure whether she could rebuild the same source of income there.

For Safiya, returning home is not only about finding safety again. It is also about whether she can continue providing for her family.

“I want to go back home because my children need their relatives,” she said. “But I am afraid of losing this business. If I cannot continue it there, how will we survive?”

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Savannah Guthrie pleads for help to find missing mother | Newsfeed

NewsFeed

Journalist Savannah Guthrie has made an emotional public appeal for information about her missing mother, Nancy Guthrie, saying her family is living through “a nightmare that will not end.” The plea comes after investigators said kidnapping notes linked to the case were fake.

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Chiefs OC Eric Bieniemy’s son arrested in connection to shooting

The son of Kansas City Chiefs offensive coordinator Eric Bieniemy has been arrested and charged under suspicion of shooting a woman who is reportedly his mother in Virginia on Sunday night.

The victim was not identified by name in a Loudoun County Sheriff’s Office news release but has been reported by multiple media outlets to be Mia Bieniemy, wife of the Chiefs’ coordinator and mother of their two adult sons. She suffered multiple gunshot wounds and has been hospitalized for treatment of serious injuries but is said to be in stable condition.

Elijah Zion Bieniemy, 27, was arrested and charged under suspicion of malicious wounding, use of a firearm in commission of a felony and discharge of a firearm inside of a dwelling, the sheriff’s office said Monday. He is being held without bond at the county’s adult detention center.

Elijah Zion Bieniemy looks straight ahead in his booking photo

This booking photo of Elijah Zion Bieniemy was released July 27 by the Loudoun County, Va., Sheriff’s Office.

(Loudoun County Sheriff’s Office Via Associated Press)

According to the sheriff’s office, deputies responded to a report of a shooting at around 7:32 p.m. on Sunday. Public records show that Eric, Mia and Elijah Bieniemy currently reside at a house with an address on the block where the incident allegedly occurred.

Eric Bieniemy, who was the associate head coach and offensive coordinator at UCLA in 2024, was with the Chiefs for the second day of training camp in St. Joseph, Mo., earlier Sunday but was not present for Monday’s practice.

Chiefs coach Andy Reid addressed the matter on Monday.

“Our hearts go out to Eric Bieniemy and his family. Thoughts and prayers are with them,” Reid told reporters. “I can’t get into details on it, but things happen sometimes, and Eric will work through it. He’s got a great support group here, as does his family as needed, and then we’ll just let time take care of it from there. Mia is stable, which is a plus.”

Reid said he has known Mia Bieniemy for a long time, as her husband served on his staff from 2013 to 2022, first as the running backs coach and then as offensive coordinator, before returning this offseason.

“She’s a saint. We all know that, the people that know her,” Reid said. “One of God’s good blessings, really a special person.”

The Associated Press contributed to this report.

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Malcolm-Jamal Warner’s wife Tenisha Warner sues his mother

Malcolm-Jamal Warner‘s widow and his mother are on opposing sides of a legal battle over $1.2 million, a year after “The Cosby Show” star died suddenly at age 54.

Tenisha Warner, the actor’s wife and mother to his daughter, on Monday filed a civil complaint against her mother-in-law alleging breach of contract. The complaint, filed in DeKalb County Superior Court in Georgia, alleges that Pamela Warner — trustee of the Warner Family Trust — owes her daughter-in-law an approximate total of $1,276,042.46 stemming from the spouses’ premarital agreement and the actor’s other alleged financial obligations to his wife, according to legal documents reviewed by The Times.

Malcolm-Jamal Warner, the Emmy-nominated actor who starred as Theo Huxtable for eight seasons on “The Cosby Show,” died on July 20, 2025, in an accidental drowning while on vacation at Playa Grande, Cahuita, Limón. He married Tenisha in May 2022.

According to her complaint, Tenisha and Malcolm-Jamal Warner’s premarital agreement stated that the actor should purchase and maintain a term life insurance policy of $1 million with his wife as the sole beneficiary. Malcolm-Jamal also agreed in their prenup to maintain and contribute the maximum annual amount to a Roth IRA account for his wife, a financial obligation worth $30,500, according to court documents. Tenisha also claims Malcolm-Jamal agreed to pay her $16,000 a year for each wedding anniversary and a monthly salary of $5,500 “for her service as his Chief of Staff.” The complaint includes a copy of the premarital agreement.

In a statement shared with The Times on Wednesday, Tenisha said she has attempted to privately settle Malcolm-Jamal’s “complicated estate and honor his last wishes” and that the actor “had every intention to provide for our nine-year-old daughter and me.” Tenisha also said her late husband intended to finalize a new estate plan — “the stale plan created [was] in 1996 when he was 26 years old” — but was unable to do so before his death.

“I have been struggling to care for our daughter as a single mom and now as her sole provider. Legally, I had no choice but to take action to protect our rights before any potential statute of limitations expired,” she continued. “We thank you for your support, love, and understanding as we work through this painful process while honoring Malcolm’s life on the first anniversary of his death.”

According to the complaint, Malcolm-Jamal died “without having satisfied his obligations” to his wife and Tenisha has not received payments related to her agreements with the actor. “The full amount of the obligations described herein remains due,” the complaint said.

Tenisha’s complaint also seeks a declaration confirming the validity of her premarital agreement.

Pamela Warner commemorated the anniversary of her son’s death on Tuesday, sharing photos from their past on the Instagram page dedicated to her son’s memory. In between photos from Malcolm-Jamal’s childhood, Pamela included a lengthy statement about moving forward amid a year of “pain, hurt, loss and emotional de-stabilization.” Her statement talks about purpose, healing and a journey to “be better, improve and transform our spiritual selves.”

“During my year long journey, I have discovered how cruel, evil and greedy a human can be,” she wrote, seemingly alluding to the legal battle but not naming her daughter-in-law. “I have also discovered the depth of love, care, concern and support that humans are capable of. All of which I have been the recipient of. The good, the bad, and the ugly. These are the lessons that I apparently will need as I continue my journey.”



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Fisher Brings Quiet Voice, Caring Heart to AIDS Controversy : HIV-positive mother is coping with illness, attending to her family and spreading the message she brought to the GOP convention.

For Mary Fisher–mother, artist, philanthropist and HIV-positive woman–the moment is now.

She tries hard not to think about the future: her future, or the possibility that her children will face their future without her. When she feels the fear, it comes “in that reflective place you find yourself in at night, when you’re forced to find a quiet time,” she said.

“I allow my work and my children to fill my time, so I don’t have to think about those things on a daily or hourly basis,” she said. “I couldn’t get through the days if I did.”

Nor does Fisher dwell on her medical situation with her two young sons, who are now 6 and 4. Neither of them is infected with the human immunodeficiency virus, which causes AIDS.

“The best thing I can do for them is be with them, look them straight in the eye, answer their questions as best I can and be here, be involved in their lives as best I can,” she said. “They know I have a disease. I don’t know if they’re relating it to what their dad had–and I don’t know if I want them to relate to it, because I’m not sick.

“I don’t want to instill my fears–if I have them–in my children,” she added.

It has been nearly two years since Fisher, 45, seared the public consciousness with her speech before the Republican National Convention.

Standing before her fellow Republicans, she spoke in calm, gentle tones–but delivered a personal story that shocked the hall into silence.

“I think she reaches people that activists like myself can never reach, which is people who respond to maternal warmth and not to yelling,” said playwright Larry Kramer, a close friend of Fisher’s who is a founding member of ACT UP (AIDS Coalition to Unleash Power).

“That’s why she is as important as we are, maybe more so,” he said. “We’re a funny pair because she’s always saying to me: ‘Larry, I wish I had some of your anger.’ And I’m always saying to her: ‘Mary, I wish I had some of your compassion.’ I see her speeches on TV and say: ‘Mary, why don’t you get angrier?’ And she says: ‘Larry, I can’t.’ But I think she’s exceedingly effective being as she is, and I don’t want her to change a decibel.”

Fisher challenged the Republican Party to confront the AIDS epidemic with candor and compassion and to make the issue its own.

Since then, she has traveled the nation, speaking in churches, schools, prisons–wherever there is an audience that can learn from her message: If it can happen to me, it can happen to you.

In many quarters, “people perceive AIDS as a depressing subject and don’t want to take personal responsibility,” Fisher said from the home she now rents in a Maryland suburb outside Washington, where she moved her family from Boca Raton, Fla., last summer.

“They try to make me an exception,” she said. “I am not unusual. I am unusual only because I am speaking out. . . . The point is, there are a lot of me’s out there, women with small children who are (HIV) positive, women who are devastated, women who are scared to talk about it. I know, because they come to me when I am traveling. It’s truly amazing.”

In some ways, Fisher is wrong–she is unusual in the framework of the AIDS epidemic: She is wealthy the daughter of longtime GOP fund-raiser and Detroit real estate mogul Max Fisher and she works for herself at home (she creates art using handmade paper) so she has no “workplace problem” with AIDS.

And she has enough money to keep her children sheltered, although she has not isolated them.

Moreover, she is a longtime Republican with impeccable political credentials and connections.

Fisher includes former Presidents Gerald R. Ford and George Bush and their families among her closest friends. She once worked in the Ford White House, and photographs of Ford and her two sons, Max and Zachary, adorn her living room.

But AIDS is the great leveler, so she is also right–in many ways, she is no exception at all.

Fisher was infected by her former husband, Brian Campbell, who reportedly was at one time an intravenous drug user. He has since died of AIDS. Women infected through heterosexual contact have become a rapidly growing population.

Fisher said it took a long time for her to come to grips with her infection–and to speak about it.

“The discovery that we are HIV-positive tends to divide our lives into ‘before’ and ‘after,’ ” Fisher wrote in a newly published collection of her speeches, “Sleep with the Angels,” subtitled, “a mother challenges AIDS.”

The book, she says, “is not just about AIDS, it’s about children. It’s about religion. It’s about how we as a people deal with each other, and it’s about my life, my relationships with others and the unconditional love that’s out there.”

Kramer, who is quick to criticize others involved in AIDS activities, has only praise and affection for Fisher.

“It’s impossible not to like Mary because she is so caring and loving and motherly and interested, and because she puts her arms around you and gives you wonderful hugs,” he said.

Fisher learned in July, 1991, that she was infected, but she said it took six months before she was ready to tell her story publicly.

After she did, and after she spoke to the GOP convention, Bush appointed her to the now-defunct National Commission on AIDS, replacing Earvin (Magic) Johnson, the HIV-positive retired Los Angeles Lakers star who quit over what he said was an unresponsive Administration.

Fisher also founded the Family AIDS Network, a nonprofit organization dedicated to raising AIDS awareness nationwide.

The network, she says, plans to give “care-giver” awards this spring because “they are the people who take care of us. They are the people who do not leave this epidemic.” She also said she hopes that the organization can raise enough money for small AIDS research grants.

Currently, Fisher has no symptoms and takes no AIDS medication. “I feel really healthy, and am doing fine,” she said. “As far as I know, everything is good.”

Fisher said she intends to keep doing everything she is doing for as long as she can, speaking quietly and forcefully about the epidemic to whoever will listen.

“If we can create a dialogue and keep it going, I believe it’s the only way we can make a difference,” she said.

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Scott Bryce dead: ‘As the World Turns’ star was 68

Scott Bryce, the actor best known for originating the role of Craig Montgomery on the soap opera “As the World Turns,” has died. He was 68.

Bryce died Sunday evening “surrounded by his loving wife Jodi Stevens-Bryce and loving son Jackson Bryce,” his agent Ken Melamed told The Times by email on Tuesday. “He was beloved by all!”

The actor revealed last year that he had been diagnosed with Stage 3 esophageal and stomach cancer in 2024.

“This evening my father lost his long-fought battle with cancer. What began as stage three esophageal cancer eventually spread and became brain tumors that took his life away from him,” Bryce’s son, Jackson, wrote in a tribute posted Sunday to Instagram. He said his father approached his treatments with “pride and courage, and an unshakable belief that somehow, everything would work out.”

“May his strength and relentless belief forever live within me,” he added. “He fought the hardest and most honorable fight I have ever witnessed.”

Born Jan. 6, 1958, in New York, Bryce followed in the footsteps of his actor parents. His father, Ed, portrayed Bill Bauer on the daytime drama “Guiding Light” for years, while his mother, Dorothy, was known for her role on the hospital soap “The Doctors.”

Bryce made his television debut as Craig Montgomery on CBS’ long-running soap “As the World Turns” in 1982. He received two Daytime Emmy nominations for his portrayal of the charming but ruthless businessman, whom he portrayed off and on from 1982 to 2008. The character was known for his ambition and mysterious business dealings but also had a reputation for being unlucky in love. One early romantic interest was Betsy Stewart, who was portrayed by Meg Ryan from 1982 to 1984.

Finn Carter, who played Montgomery’s wife, Sierra Esteban, on the show, shared a tribute to Bryce on Instagram Monday.

“My sadness knows no bounds. My gratitude for Scott knows even fewer,” Carter wrote. “Scott was the best husband a woman could ask for. As an actor he was fearless, kind, generous and forever looking for ways to grow. And what a sense of humor!”

Over the course of his decades-long career, Bryce appeared on shows such as “The Facts of Life,” “The Golden Girls,” “Murphy Brown,” “L.A. Law,” “The Good Fight,” “Law & Order” and “Law & Order: Special Victims Unit.”

He also portrayed Mike McQueen, the father of a cheerleader (Leslie Bibb) on the millennial teen drama “Popular.” McQueen marries the mother of his daughter’s high school rival (Carly Pope) in the series, which ended on a cliffhanger in 2001 after its cancellation.

“When asked what he wanted people to remember about him, he said, ‘I was a one-take actor. Two takes, max,’” Jackson Bryce wrote in his tribute. “In working with Dick Wolf on NBC, directors would schedule him at the end of the day because they knew it wouldn’t take long.”

In addition to his onscreen work, Scott Bryce was a theater actor as well as a director and a producer, with credits including the 2010 television movie “Frederick Douglass, From Slavery to Freedom” and the satirical web series “Steamboat.”

“My dad also made sure I knew his greatest accomplishment that came at 50 years old, becoming a Dad,” son Jackson said in his tribute. “He is a part of everything I’ve done and everything I will do.”



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Transgender girls who challenged Trump sports order drop lawsuit after Supreme Court ruling

Two transgender girls who were the first to challenge President Trump’s executive order, “Keeping Men Out of Women’s Sports,” have withdrawn their lawsuit in New Hampshire based on a recent U.S. Supreme Court ruling that upheld state bans on transgender athletes in girls’ sports and their own personal hardships, their lawyer said.

“This case was always about two courageous young girls who simply wanted the same opportunities as their peers to participate in school life,” their lawyer, Chris Erchull of GLAD Law, said in a statement Thursday. “Their willingness to stand up to extraordinary hostility made clear the human cost of laws that target transgender youth.”

The teenagers, Parker Tirrell and Iris Turmelle, took on Trump’s executive order last year, amending their 2024 complaint against New Hampshire’s law on banning transgender girls from school sports. A federal judge had granted a court order allowing them to play as the case proceeded.

For Tirrell, it meant being able to keep playing on her high school girls’ soccer team. For Turmelle, it was having a chance to try out for different sports.

Both sides agreed to pause the case and wait for a ruling from the Supreme Court as it considered similar state laws barring transgender girls and women from playing on school and college athletic teams in Idaho and West Virginia. Last month, the court upheld the laws. It also said that barring transgender girls and women doesn’t run afoul of the federal law known as Title IX, which prohibits sex discrimination in education.

One teen and her family decided to move from New Hampshire

Turmelle and her family moved out of New Hampshire last summer following proposed legislation against transgender people. One measure signed into law by Republican Gov. Kelly Ayotte last year prohibits medical professionals from providing puberty blockers and hormone replacement therapy to new transgender patients under age 18.

“Though there may be a carve-out for people already receiving gender-affirming care, that is way too close a call for us to risk staying,” Turmelle’s mother, Amy Manzetti, wrote in an op-ed piece at the time. “Other New Hampshire laws also seek to erase her.”

Most Republican-controlled states in the past five years have adopted laws or policies limiting gender-affirming care for transgender minors and limiting which school bathrooms transgender people can use, as well as sports restrictions. The Williams Institute at UCLA estimates that about 3% of youth ages 13 to 17 identify as transgender.

“The challenges with relocation are significant and burdensome — this includes having to find new employment, buying and selling homes, packing and moving possessions, integrating kids with a new school system, losing access to longstanding family and friends, and potential loss of income,” Corinne Goodwin, the executive director of Eastern PA Trans Equality Project in Pennsylvania, said in an email.

“But these families do so because they love their kids and know that supporting them with the care and opportunities they need is critical to their long-term success and happiness.”

The other teen gave up playing soccer at high school

Tirrell, 17, began her junior year last fall on the girls’ junior varsity soccer team. Things were fine at first, and each time she scored a goal, she got a round of ice cream from her parents. But a few weeks into the season, she decided to stop playing.

“With all of the political stuff going on, soccer wasn’t just about the game anymore,” her mother, Sara Tirrell, told The Associated Press in an interview.

It became more about preparing for the possibility of conflict.

“Were there any local Facebook groups where they were sort of agitating about potential protests and how do we prepare, and what are we walking into, and we never kind of knew,” she said. “We were on a lot of pins and needles, especially after the previous season.”

She was referring to a controversy at an away game where two dads from an opposing team were banned from school grounds for wearing pink wristbands marked “XX” to represent female chromosomes. They sued the school district and a judge ruled against them. They have appealed their case.

Last fall, there was an increased presence of school administrators at the games and bus drivers pulled in closer to the field so the students weren’t in the parking lot, she said.

“Parker didn’t talk about it a lot, but I think she could see that stress for everybody — for her, for her teammates, for her coaches,” Sara Tirrell said. “She felt kind of bad about pulling them all into that circus again. And so she ultimately said, ‘This isn’t fun anymore and I don’t want to do it.’”

Parker’s father described the atmosphere as “palpable tension.”

Even playing on her own turf, “there would typically be a couple of police officers at the home games where there weren’t previously,” Zach Tirrell said.

In the past, Parker also played soccer in a recreation league and could still do so.

“But I think it all kind of still sort of weighs on her,” her mother said. “It’s the same group of kids that she plays with who, honestly, have been very supportive and love to have her on the team and have expressed that to her many times over. But I think she still has that worry in her brain around, ‘What are other people going to say and do if I show up at a game?’”

Parker’s parents hope she’ll return to playing soccer some day. In the meantime, “she plans to be around and use her voice to continue standing up to discrimination,” her mother said. “In some ways she’s had to grow up a lot faster than some of her peers.”

McCormack writes for the Associated Press. AP writer Geoff Mulvihill in Haddonfield, N.J., contributed to this report.

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10 books to read in July: New releases from Colson Whitehead and more

Reading List

10 books for your July reading list

If you buy books linked on our site, The Times may earn a commission from Bookshop.org, whose fees support independent bookstores.

New reads abound for your vacation tote throughout the weeks of July, with fiction picks featuring a Carnival cruise casualty, a highly entertaining jewel heist at the Waldorf-Astoria, and a Soviet-era madcap adventure. In nonfiction, authors consider how we define wild places, how we pigeonhole the aging, and how languages live or die. Happy reading!

FICTION:

A REAL ANIMAL by Emeline Atwood

A Real Animal: A Novel
By Emeline Atwood
Catapult: 368 pp., $29
(July 7)
After surviving a sexual assault, narrator Lucy stalks her college campus as a leopard. Don’t spend too much time worrying about whether this transformation is real, or not; Lucy’s knowledge of her fierceness is the point, a fierceness she employs as she struggles to negotiate her independence from parents who wish she’d come home to recover and men who offer up their desires and ignore hers. It’s an astonishing debut with a compelling voice.

MAN OVERBOARD! by Kathleen Rooney

Man Overboard!: A Novel
By Kathleen Rooney
Gallery Books: 208 pp., $27
(July 7)
Readers expecting something akin to Rooney’s wondrous previous novel, “Lillian Boxfish Takes a Walk,” should remember that that book followed “Cher Ami “ and “Major Whittlesey,” a story about a pigeon and a World War I Army officer. In other words, Rooney doesn’t repeat herself, and in “Man Overboard!” she’s concocted a hilarious adventure tale of a man floating in the Gulf of Mexico, adrift with himself, his thoughts, and a few sea creatures.

ASTRONAUT! by Oana Aristides

Astronaut!: A Novel
By Oana Aristides
W. W. Norton: 272 pp., $28
(July 14)
Imagine a dystopia set neither in the future nor in fantasy; that’s the 1989 Romania 7-year-old Lia inhabits, its adults living in fear of Communist dictator Nicolae Ceauşescu, its infrastructure strained by deprivation, and its reality so scrambled that calling an explorer an “astronaut” instead of “cosmonaut” risks punishment. When Lia sets out to buy her mother a birthday gift, she sets in motion a series of weirdly probable yet totally weird events.

CITY OF WIDOWS by Nadia Hashimi

City of Widows: A Novel
By Nadia Hashimi
William Morrow: 432 pp., $32
(July 28)
During the two decades of American occupation, Afghanistan experienced a sort of peace, one in which women could be educated, work as professionals, and even serve in the military. When the U.S. left in 2020, those same women found themselves — regardless of their individual status — subject to Taliban restrictions that deny differences in gender, desire and ambition. Hashimi (Sparks Like Stars”) shows how desperate and daring the women become.

COOL MACHINE by Colson Whitehead

Cool Machine: A Novel
By Colson Whitehead
Doubleday: 368 pp., $30
(July 21)
First “Harlem Shuffle,” then “Crook Manifesto,” and now, “Cool Machine,” the highly anticipated “Harlem Trilogy” conclusion from the two-time Pulitzer Prize-winning Whitehead. The inimitable Ray Carney, who started out as a minor criminal, is now Sterling Furniture’s “Northeast Regional Dealer of the Month,” a respected businessman. It’s the mid-1980s, and when Ray’s beloved wife Elizabeth gets turned down for a small-business loan, he takes matters into his own hands, in his own former ways.

NONFICTION:

HOW TO KILL A LANGUAGE by Sophia Smith Galer

How to Kill a Language: Power, Resistance, and the Race to Save Our Words
By Sophia Smith Galer
Crown: 304 pp., $33
(July 7)
Smith Galer’s nonna spoke an Italian she called “dialet”; her mother spoke “dialet” and English; Smith Galer herself speaks only English. What do we lose, the author asks, when a language dies? The answers she found are powerful, like an enzyme to treat HIV that was found in a tree that was discovered because a researcher spoke Samoan. Unsurprisingly, she also found that language death often corresponds to ecological and cultural devastation.

THE EARTH SAID REMEMBER ME by Jason Dove Mark

The Earth Said Remember Me: How to Revive Our Memories and Restore Our Planet
By Jason Dove Mark
W. W. Norton: 224 pp., $25
(July 14)
Perhaps art will be the thing that preserves the environment, even if humans can’t save it. “Go outside. Bear witness. Make a record. Pass it on,” writes Mark in this eloquent, impassioned plea for us all to remain involved in environmental action. The more we appreciate the natural world, the more we’ll want to care for it, share it with others, and help future generations understand how some changes are natural and not all are inevitable.

AGING OUT by Lucy Schiller

Aging Out: An Exploration of Caregiving, Community, and How Americans Grow Old
By Lucy Schiller
Flatiron Books: 272 pp., $30
(July 14)
Services for the elderly range from luxury assisted-living facilities to special digital devices meant to bypass phone scams, but as Schiller explains, these things not only commodify a natural life passage — they separate older people from their natural communities. The author was inspired to investigate our country’s aging population when she cared for a grandmother who died from COVID; the book weaves the personal with the political in a meaningful way.

DAD, LOVE, ME: A Memoir by Matthew Quick

(Avid Reader Press/Simon & Schust)

Dad, Love, Me: A Memoir
By Matthew Quick
Avid Reader Press: 320 pp., $30
(July 21)
Novelist Quick (“The Silver Linings Playbook”) turns to memoir in recounting his contentious relationship with his father, whom he’s losing to dementia. While the author has had big highs (like the movie adaptation of “Playbook”), he’s also experienced deep lows, including alcoholism and severe creative block. Somehow, through recovery (which he credits to Jungian therapy), he affords both his imperfect, ailing parent and himself grace.

THE SAVAGE LANDSCAPE by Cal Fly

The Savage Landscape: How We Made the Wilderness
By Cal Flyn
Viking: 448 pp., $35
(July 28)
In “Downton Abbey”, the Dowager Duchess of Grantham starchily asked “What is a ‘weekend?’” In this book, journalist Cal Flyn asks — more affably, but with equal intensity — “What is a wilderness?” Her answer: Depends on your perspective. In other words, nearly every place on Earth teems with life. It’s only humans who have attached words like “wild” and “unexplored” to regions where they feel uncertain, afraid, and even awed.

Patrick is a freelance critic and author of the memoir “Life B.”

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Comedy saved Teruko Nakajima. Her ‘Made in America’ is saving others

Comedy saved Teruko Nakajima’s life.

In 2016, Nakajima received psychiatric care at Cedars-Sinai Medical Center, diagnosed with depression, PTSD and suicidal ideation. Her doctors searched for ways to manage her stress by exposing her to various activities, including video games, serene Icelandic landscapes and an aerial silks performance. The last brought her anxiety down, revealing that the arts were the answer. Her doctor prescribed the arts, comedy specifically, so she went to the Upright Citizens Brigade for class.

She found a calling and a safe space in comedy.

“I didn’t know I was born a comedian,” Nakajima said. “Finally, I really felt I was accepted as a comedian, validated for who I am.”

Nakajima shares her healing journey to the stage in “Made in America,” which just had an encore performance at UCB on Tuesday after its award-winning run in 2022 (it is also available for streaming on UCB’s website through Tuesday). The one-woman show arrives in time for the United States’ 250th anniversary on Saturday, documenting Nakajima’s search for the American dream as a first-generation Japanese American woman. “Made in America” premiered in 2022 at the Hollywood Fringe Festival during Joe Biden’s presidency and following the Jan. 6 United States Capitol attack. In 2026, its musings on identity and belonging pierce through today’s political landscape shaped by Donald Trump’s second presidency.

“I wanted to let people know this is an American story,” she said.

“Made in America” is about Nakajima’s life. It begins in her mother’s womb. She felt so safe there, she yearned to return. Growing up, she experienced an emotionally and physically abusive life at home, recalling her father breaking furniture and her mother’s alcohol-induced belittling comments. But her name, Teruko, translates to a “shining child.” Thus, she proclaims in the show, “I’m a superstar!”

The beauty in “Made in America” is Nakajima’s ability to find the humor in her trauma. When the show transitions to her life in America, she talks about her life as a dominatrix in New York City and her struggles with romance in Los Angeles. Her comedic jabs at the American economy and humorous reflections juxtapose somber moments of stillness in the midst of her struggles. This balance puts her life into perspective, revealing a positive personality beneath a dark saga.

Nakajima performs "Made in America" at Upright Citizens Brigade Theater.

Nakajima performs “Made in America” at Upright Citizens Brigade Theater.

(Nick Rasmussen)

“I look very happy-go-lucky and cheerful, but actually, I am a very dark person because I have a dark history,” she said. “I always wanted to leave my story behind. I wanted to leave my mark in this world before I died, so I needed to make something.”

The first class Nakajima took at UCB was John Flynn’s storytelling course. There, she started building pieces of the show without realizing it. As they added up, the idea for a show surfaced. After class one day, she asked Flynn to direct it. Flynn, who has been teaching at UCB in New York and L.A. for about 20 years, agreed.

“She disarms people,” Flynn said. “There’s something about her that is just so unique and so delightful that you won’t forget her.”

Flynn first met her at his storytelling open mic. She walked in with her emotional support dog Titi (also known as Tiny Teruko), wearing her signature red heart-framed glasses, without lenses. Soon, these glasses would make him double over in laughter when she performed and cried, dabbing her eyes with tissue through the frame.

“When you start to learn her story and the experiences she’s had, it is amazing that she is so positive,” he said. “She’s such a sort of undeniable positive energy that she just radiates all the time, which is so compelling and why people are so drawn to her.”

Woman in red outfit against red wall holding small white dog.

Revived at UCB amid Trump’s second term and the nation’s 250th birthday, Nakajima’s show doubles as a defiant immigrant love letter to America — and a refuge for audiences feeling alone.

(Nick Rasmussen)

Nakajima puts all of herself into the show. Aside from comedy, she has been a cheerleader in Japan, a salsa dancer in New York and a sculptor on the side — she loves sculpting MLB players’ butts; Derek Jeter is her favorite. In the show, she folds these aspects of her life into a single story, dancing from section to section. Comedy is more than just laughs; it’s storytelling.

“I am so good at cheering people up, since I was very little,” she said. “I had no competition with others because I’m the one and only. Nobody looks like me.”

Together, Flynn and Teruko parsed through her life stories to give the show an arc. For Flynn, it’s like carving away at what is already there to create something fun and cohesive, like a sculpture. “What’s fun about directing one-person shows like this is that it’s usually just two people in a room putting something together,” Flynn said.

Bringing the show back this year, the work gets sharper and tighter, but the biggest shift is in its conclusion. Once optimistic about the future of life in America, the show now has a stronger desire to make change. There was a sense of hope in 2022 for women like Nakajima, an immigrant who sought safety in a new country and struggled with abuse from her family and strange men. Today, as Trump’s immigration policies lean on deportation and discrimination, she simply wants to be seen.

“America, thank you for not giving up on me,” Nakajima said toward the end of the show. She is proud to be American, not just because she gets to have the same nationality as her dog Titi, but primarily because of the new life it offered her. America promised happiness. Whether it actually comes is another story, but in this one, the promise itself gave her a sense of purpose.

“After the show, people come to me in person and through messages,” she said. “A lot of people said, ‘I felt like I am not alone.’ That gives me so much hope and unity. I feel safe and like I have something to look forward to because I’m not the only one.”

Flynn realized how much he took for granted while working on the show with Nakajima. “I think, even though these are scary times and things seem to be going in directions that aren’t the best, there are still great people, and there’s something that is still there and is not dying and is still fighting,” Flynn said.

When she began her acting journey, Nakajima thought she’d turn to drama, but there’s something more unguarded in comedy.

Nakajima holding up her dog Titi during a performance of "Made in America."

Nakajima holding up her dog Titi during a performance of “Made in America.”

(Nick Rasmussen)

“I’m very authentic and invincible through comedy,” she said.

By the end of “Made in America,” Nakajima is no longer trying to find her way back to her mother’s womb. She is confident in her place in the world. She remembers that she is a star. She brings out her dog Titi, who was hidden on stage throughout the entire performance, and shares that UCB gave her a new outlook on life. Comedy breaks away her stresses and allows viewers to be vulnerable with her.

“I always wanted to feel safe,” she said. “I never had that. Finally, I found a safe space, and then I realized that I’m actually important. I’m actually worthy. I’m so happy right now to be able to express myself through comedy because it’s the truth.”

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‘Young Washington’ review: We deserve a more exciting founding father

It’s the 250th birthday of the United States of America and how better to celebrate than with a big-screen hagiography of America’s first president, George Washington? “Young Washington” arrives in theaters just in time for the Fourth of July with a chiseled, hot young actor in the lead role and the sheen of a prestige HBO drama, though the result isn’t really big-screen spectacle or appointment television. It feels more like something to be watched on the AV rig in a middle school social studies class. At least there won’t be a quiz at the end.

But there could be, because the plot of “Young Washington” plays out with all the thrill of a textbook chapter. It takes place mostly around 1753-55, at the advent of the French and Indian War. We open in medias res when the 23-year-old Col. Washington (William Franklyn-Miller) lurches from a dysentery-riddled nap directly into battle in the Pennsylvania woods, his battalion on the back foot, surrounded by gore and gunpowder. Another officer describes how dire the situation is while George ponders saving his men and asks, “What could be worth the risk?” Washington steels his gaze and we cut to black. You can almost hear the eagles scream, guitars riff and engines rev.

“Young Washington” is produced and distributed by Angel Studios, the faith-based movie studio that churns out films based on true stories that either feature freak accidents, strange illnesses or, more recently, unique stories from the past in which faith in God is a factor. Apparently, our nation’s founding also falls under this umbrella.

The film is directed by Jon Erwin, one of the in-house Angel Studios mainstays, who also helmed “Jesus Revolution,” “I Still Believe” and “I Can Only Imagine.” Erwin gives the whole project a kind of gritty, visceral approach — very “Game of Thrones” in red coats. It’s violent, muddy, the contrast is high and too many drone shots soar over the forest treetops.

Though it opens with a bang, this 1755 battle framing device gives way to the George origin story, starting with his father’s death 12 years earlier, when the 11-year-old George is bereft that he’ll have to sacrifice his education in order to become a tenant farmer and provide for his family including his mother, Mary (Mary-Louise Parker, doing a bizarre accent).

His older half-brother Lawrence (John Foss) takes him under his wing and teaches him, and the young George grows into a smart, bright, ambitious young man, whose dreams of becoming a British officer are dashed because he doesn’t have formal education, a fortuitous marriage or his own land. But he’s bootstrapped himself into intelligence and with savvy networking and know-how, he becomes indispensable to the British, volunteering as a major to survey land and negotiate treaties with the Native tribes and French army. It’s all a bunch of politicking and petty disputes until it escalates into all-out war thanks to an ill-advised ambush.

Sir Ben Kingsley, Kelsey Grammar (who starred in “Jesus Revolution”) and Andy Serkis play the British officers who begrudgingly, at times, believe in George and his capabilities, though a lot of the film is about a young man getting rebuffed by snobbish British officers.

He’s the kind of character who always makes the noble choice, does and says what’s right, and sees everyone as equals (including enslaved African men and Native American allies). He inspires his brother and others that the world can change and takes inspiration from his mother, who encourages him to continue his path and do it as God’s servant.

Unfortunately, this doesn’t make for a character that’s in any way complex or interesting at all. Franklyn-Miller is certainly pretty, serving as a fine face for this story, but the screenplay (by Erwin, Diederik Hoogstraten and Tom Provost) flattens his character into a basic cookie-cutter hero. Audiences, including the middle school social studies students, deserve better and more nuanced stories about this country and the values it was built upon.

“Young Washington” is propaganda in the form of a history lesson wrapped in a summer blockbuster. If only it were even slightly entertaining — maybe they’ll tackle that in the inevitable sequel.

‘Young Washington’

Rated: PG-13, for sequences of strong war violence and some bloody images

Running time: 2 hours, 5 minutes

Playing: Opens Friday, July 3 in wide release

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Brother of NFL’s Calais Campbell charged with murdering their mother

A brother of veteran NFL star Calais Campbell has been charged with the murder of their mother in her Atlanta home on Tuesday.

Ciarre Campbell, one of the Baltimore Ravens defensive end’s seven siblings, faces two counts of murder as well as aggravated assault, and possession of a knife during the commission of a felony in connection with the death of his 71-year-old mother Nateal Campbell, according to the affidavits for his arrest issued by the magistrate court of Fulton County, Ga.

“We are devastated to share that the Campbell Family has lost its matriarch, Mrs. Nateal Campbell,” the family said in a statement. “While the details of her passing are still being investigated, we take comfort in knowing she is reunited with our father, her beloved Chuck, and in the arms of our Lord and Savior, Jesus Christ. We ask for privacy at this time so that we may honor her and share in our overwhelming grief privately and as a family.”

According to the Atlanta Police Department, officers responded Tuesday at around 12:36 p.m. to a welfare check at Nateal Campbell’s address. They found a male, later identified as Ciarre Campbell, 41, who “appeared to have barricaded himself inside the home.”

Nateal Campbell was found unresponsive inside the home and was pronounced dead at the scene by EMS services. Ciarre Campbell was detained by the officers and transported to the Fulton County Jail, where he was held without bond. He waived his initial court hearing Wednesday.

A booking photo of Ciarre Campbell provided by the Fulton County Sheriff's Office on Wednesday.

A booking photo of Ciarre Campbell provided by the Fulton County Sheriff’s Office on Wednesday.

(Fulton County Sheriff’s Office Via Associated Press)

WSB-TV in Atlanta reports that Ciarre Campbell is being represented by defense attorney Jay Abt, who told the station that his client is innocent.

“We look forward to his day in court,” Abt said. “I’m honored to defend him and, most importantly, the Campbell family.”

In a 911 call released by police, a man said he was calling for authorities to check on his mother at her house. He said he was there with his sister and brother-in-law but they couldn’t get inside. According to the caller, his brother — whom the caller says is “mentally ill” — had been staying at the house and was seen driving their mother’s car, “which is very unusual [because] he doesn’t drive at all.”

The caller said his brother was inside the house and told them their mother had left, even though video footage from a neighbor showed that wasn’t the case.

The affidavit for arrest stated that Ciarre Campbell created “incisions upon the victim’s neck causing her to be nearly decapitated.”

Atlanta police say they have received at least 10 calls for service at that address since September, including one in April reporting arson. According to a police report from that incident, Kimba Blaylock had called 911 because her brother, identified in the report as Ciarrie Campbell, had started a fire to rid the house of demons.”

Firefighters found no one inside the house.

Another police report from May 26 states that police were dispatched to the address on a dispute call. The responding officer wrote that a neighbor told him that her neighbor’s son, identified in the report as Ciarri Campbell, “was acting crazy and putting stuff in her trash and yelling at her.” She told the officer that the neighbor’s son had just been released from a hospital “for mental issues” a couple of days earlier.

The neighbor also said that Nateal Campbell had told her that her son “was a good kid.”

Calais Campbell is a five-time Pro Bowl selection who has played 18 seasons in the NFL for the Arizona Cardinals, Jacksonville Jaguars, Miami Dolphins, Atlanta Falcons and Ravens. He was named the Walter Payton NFL Man of the Year in 2019.

“We are incredibly saddened to learn about the passing of Calais Campbell’s mother,” the Ravens said Wednesday in a statement. “We extend our deepest condolences and full support to Calais and his family during this difficult time.”

The Associated Press contributed to this report.

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Some paid the ultimate price to enact voting rights. Their survivors see America turning backward

Holiday gatherings and major life events have come with an empty seat. Certain dates on the calendar meant time at a cemetery, standing before granite stones.

They are a relatively small group of people, scattered across different states, but they share a common bond that stretches decades: Each had a family member die violently in the struggle for voting and civil rights, victims on a long and difficult path marked by blood that ended when the country seemed to mature into the nation of its creed.

But 61 years later, and as the country approaches its 250th anniversary this weekend, those sacrifices are in question. In a series of decisions over the last dozen years, including one in April, the Supreme Court has essentially dismantled the law that their family members died to see enacted, the Voting Rights Act of 1965.

“My mother’s blood is on that bill. We were always proud of that, and now it’s gone,” said Anthony Liuzzo, whose mother, Viola Liuzzo, died on an Alabama highway between Selma and Montgomery while driving marchers in 1965.

Critics of the law contend that times have changed, an argument Chief Justice John G. Roberts Jr. made in a 2013 decision that was the first major step in rolling back the law.

Survivors of lost loved ones disagree, pointing to the speed with which Republican-led state legislatures eliminated majority-Black congressional districts after the court’s April ruling, which severely weakened a section of the law that had protected voting rights for minority communities. They feel anger and sadness that a milestone political victory decades ago has been reversed, but they are committed to keep fighting.

A church bombing and a chunk of concrete

Lisa McNair was born Sept. 19, 1964. Her older sister, Denise, died in the Sept 15, 1963, bombing of the 16th Street Baptist Church in Birmingham, Ala. The church had been a central organizing point for civil rights protest.

The explosion killed Denise McNair, 11, and 14-year-olds Addie Mae Collins, Carole Robertson and Cynthia Morris Wesley. Nearly two dozen others were injured. Three Ku Klux Klansmen were convicted years later.

One of Lisa McNair’s early memories of her sister was of the box that their grandmother kept from the funeral home. It included Denise McNair’s shoes, a purse and a rock-sized piece of concrete that had been embedded in her skull.

The crime brought the civil rights struggle onto the national stage and outraged President Kennedy.

The times were tumultuous, McNair said, but it seemed the nation was heading in the right direction. Most of her life, “I’ve seen advances” on television, in commercials, with interracial marriages, civil rights and voting rights, “a plethora of rights that we got over the greater part of my lifetime.” But that has changed, she said.

McNair, 61, said she is “physically sick” about the Supreme Court decision and subsequent actions by lower courts and legislatures.

“I am constantly working to pray my way through it, so I can get up and go to work in the morning and do what I need to do. But I just want to ask every white person I see, ‘What more do you want?;” she said. “‘Why do you hate us so?’”

They left for Freedom Summer and never came home

Michael Schwerner, known as Mickey, came from a family in which human rights activism and challenging social norms were expected. He was in Mississippi in 1964 as part of Freedom Summer when he, Andrew Goodman and James Chaney vanished one day in June while investigating a bombing at a Black church.

Their bodies were found weeks later, buried in an earthen dam in a rural area of Neshoba County. Schwerner, 24, and Goodman, 20, were white; Chaney, 21, was Black.

Stephen Schwerner, who died earlier this year and was a social activist in his own right, told the Associated Press in a 2023 interview that as soon as the family heard his younger brother and the other men were missing, they knew they were dead.

“Our family was very out front in the media that the only reason there was international attention was two of the young men were white,” said Stephen’s daughter, Cassie Schwerner. “Had all three of those young men been Black, they would have ended up absent from our history and our narrative.”

The executive director of Morningside Center for Teaching Social Responsibility, Cassie Schwerner, said her family has followed voting rights through their ups and downs. That includes the 2013 Supreme Court decision that allowed states and counties with a history of discriminatory voting rules to make changes without prior approval from the Department of Justice.

The court’s April decision, she said, brought rage “and a good deal of sadness — not for me and my family, but for this country.” There is, she said, work to be done on multiple fronts.

Rights paid for in blood turned out to be fragile

Tamara Orange said among her many thoughts when she heard of the Supreme Court decision in this year’s Voting Rights Act case, there was relief — “relief that my dad is not here to see that; that Jimmie Lee Jackson is not here to see it; that Viola Liuzzo is not here to see it,” she said. “I’m relieved for them because to me, it’s as though the sacrifices that were made were done in vain.”

Her father, James Orange, was working with the Southern Christian Leadership Conference to organize voting rights protests in Marion and Perry County, Ala., in 1965. When juveniles joined the effort, he was arrested for contributing to the delinquency of minors. Concern arose that Orange was going to be taken out of the jail and lynched.

A protest to intervene ended with Jackson, a 26-year-old Black church deacon, being shot in the stomach by a state trooper while Jackson tried to shield his mother and grandfather.

His death was the catalyst for what became the Selma-to-Montgomery march and “Bloody Sunday.”

Orange stayed in the movement all his life and died in 2008, Tamara Orange said. But even after the Voting Rights Act passed, “he would say, ‘Be careful or we’re going to lose it.’”

‘We got bad news for you’

Anthony Liuzzo had just turned 10 when his mother, 39, left their middle-class neighborhood in Michigan and headed for Selma. She had cried as she watched scenes from “Bloody Sunday” on television.

Viola Liuzzo participated in a portion of the second march and then helped drive other civil rights protesters around the Black Belt region of the state. On March 25, 1965, she was driving one protester between Selma and Montgomery when a vehicle pulled alongside and fired into the car.

The phone call came around midnight. Anthony Liuzzo remembers the caller asking his dad, “Is your wife Viola? We got bad news for you. She’s been shot.” When his father asked whether she was all right, the caller said, “No, she’s dead,” and then hung up.

An informant for the FBI quickly identified members of the Ku Klux Klan as her killers. The three men charged would escape conviction on state charges but be convicted in federal court.

Anthony Liuzzo and his siblings lived with the lost birthdays and other missed milestones. His comfort was that the voting rights she had died for had become a reality. But the April ruling by the Supreme Court and the subsequent rush by Republican-led legislatures in several Southern states to eliminate congressional districts represented by Black lawmakers left him angry and distraught.

Even so, he said he is still proud his mother had the courage to go to Selma “when others sat in their pretty little houses.”

One morning, the Klan returned

The inscription at the bottom of Vernon Dahmer Sr.’s tombstone reads simply: “If you don’t vote, you don’t count.”

It is a message that embodies his life’s work and the story behind his death.

Even after President Johnson signed the Voting Rights Act, not every state was eager to implement the new law. In Mississippi, it came with a poll tax. The amount was $2, but in a world where a farmworker’s wages might only be $5 a day, that was substantial, said Dahmer’s son, Dennis Dahmer Sr.

The elder Dahmer, 57 at the time of his death, was a successful businessman who owned a store, sawmill and farm near Hattiesburg. He also was a civil rights leader and NAACP president in Ford County. He offered to pay the $2 for Black residents who wanted to register to vote.

He had already been under scrutiny by the local Ku Klux Klan. There was harassment and there were threatening phone calls. The windows were shot out of his store, but no one challenged him directly because his sons were always present and armed.

That seemed to tail off after Johnson signed the law.

“The Klan quit calling,” Dennis Dahmer said. “They quit shooting out the windows, so my family thought that all of this was behind us.”

That changed in the early hours of Jan. 10, 1966, when two carloads of Klansmen showed up. They firebombed the house and adjacent grocery store and began shooting at the house. The elder Dahmer shot back, using his ample arsenal to fight off the attack.

His wife and the three children who were home survived, but he suffered severe injuries from inhaling the smoke and fumes from the flames. He died later that day.

Dennis Dahmer was 12 as he stood next to his dad’s hospital bed. He wondered why some people wanted his father dead just for trying to help Black people vote.

A former Imperial Wizard of the Ku Klux Klan, Sam Bowers, was convicted in 1998 for the attack and sentenced to life in prison.

Like the families of other survivors, Dennis Dahmer’s family has witnessed the methodical dismantling of the Voting Rights Act.

“Finally, they basically turned it into a relic,” he said.

His plan now is activism, to speak out and promote the need for a massive voter turnout. He also wants to remind people of the price that certain families paid for everyone to have the right to vote and be represented by someone of their choosing.

“We’re living in a time when America has a lot of the same characteristics of the 1960s that I grew up in,” he said. “People say, ‘Are we going back?’ Hell, we’re already there.”

Fields writes for the Associated Press.

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Between English and mother tongue: Kenya’s education language dilemma | News

Kericho, Kenya – When Lona Chepkemoi walked into a technical college classroom in 2023, she found something she had rarely experienced during her years in school: She could understand what the teacher was saying.

After leaving primary school in 2008, Chepkemoi had failed her final exam, and her family could not afford to send her to secondary school. For years, the dream of becoming a fashion designer seemed out of reach.

Then a scholarship from her local member of parliament gave her a second chance.

But what surprised the now 33-year-old mother of five was not returning to education. It was hearing lessons delivered partly in Kalenjin, her mother tongue, she said.

“When I got to college, I felt at home because the language of instruction was my mother tongue [Kalenjin], and was mixed with a bit of Swahili and English, unlike in school when teachers only taught in English and exams were strictly only in English. Language here was accommodating, and it made me feel happy because I understood the concept quite well,” she told Al Jazeera.

For Chepkemoi, the difference went beyond comfort, it was comprehension.

Her experience reflects a wider global reality. According to UNESCO’s Global Education Monitoring (GEM) reports, about 40 percent of learners worldwide are not taught in a language they understand well, rising to about 90 percent in some low- and middle-income countries.

A second chance through familiar language

In Kenya, education policy provides for mother-tongue instruction in the early years of primary school, typically up to grade 3, before English becomes the main language of instruction from grade 4, with Kiswahili also widely used. In practice, however, classrooms often shift between languages depending on region, teacher capacity and student background.

Kenya Inclusive Education
After years away from school, Lona Chepkemoi discovered that learning in her mother tongue made education feel possible again [Dominic Kirui/Al Jazeera]

Across much of Africa, the language of schooling still reflects colonial legacy systems, where English, French or Portuguese dominate classrooms even when children grow up speaking entirely different languages at home.

UNESCO’s Global Education Monitoring work shows multilingual classrooms are now the norm in many countries. The organisation has consistently argued that children learn best in a language they understand, describing mother-tongue-based multilingual education as key to improving literacy and learning outcomes.

When English meets the classroom reality

Chepkemoi was not alone in finding confidence through familiar language. Her husband, Philemon Tonui, enrolled at the same institution to study building and construction.

Although Tonui completed secondary school, he was unable to sit his final examinations because his family could not afford the fees, leaving him without a certificate.

For Tonui, the use of Kalenjin alongside English and Kiswahili made a significant difference.

“Nothing could beat that. I felt like if every level of education were instructed in their mother tongue, many people would excel in their education,” he told Al Jazeera.

Kenya Inclusive Education
Tonu checks the nails on an iron sheet he just installed [Dominic Kirui/Al Jazeera]

Ismael Kiplang’at, a 28-year-old mason, also studied at the same institution. He recalls instructors making a deliberate effort to teach in languages students could understand.

“Our college was in a town with many communities in it, and even though the instructors did not understand all languages, at least they repeated their words in almost three languages just to make sure everyone was on board and understood the content. And those who came from other tribes always expressed satisfaction, saying that they really felt involved and not left out,” he said.

Now working as a mason three years after graduating, he credits that approach with helping him succeed.

“If education meant those tired English classes that we were taken through earlier in school, I would not have achieved my passion in masonry and earned a living,” he told Al Jazeera.

Between understanding and opportunity

Yet Kenya’s education system, like many across Africa, continues to face a structural tension: Early learning is most effective in familiar languages, but English remains essential for higher education, formal employment and global mobility.

Kiplang’at says he now practises English daily because he hopes to study further and work abroad.

For Shadrack Tonui, national chairperson of the Kenya Association of Technical Training Institutions, the challenge is not choosing between languages, but balancing them in multilingual classrooms.

“Generally, the mode of training is in English as the language of instruction and learning within the institutions. But of course, with the need to understand the flexibility of learning, there can be emphasis and use of a language that the learner will be able to understand at lower levels,” he told Al Jazeera.

Kenya Inclusive Education
Kiplang’at uses mortar to build a wall [Dominic Kirui/Al Jazeera]

He adds that institutions bring together students from diverse linguistic backgrounds, making it impractical to rely on one local language, while also stressing the need for English proficiency in the labour market.

The challenge is not unique to Kenya. UNESCO’s Global Education Monitoring work shows multilingual classrooms are now the norm in many countries, and education systems often struggle with teacher preparation, learning materials in local languages, and competing expectations from parents and employers over the role of English.

‘Why must we learn in another language?’

As for Chepkemoi, she is less concerned with policy than with practice. Most of her clients speak Kalenjin, while Kiswahili allows her to communicate with a wider customer base.

“Even though we were lucky to have teachers who would bring a point home while in college, we also had classmates from other communities who did not speak Kalenjin, and the teachers would explain it to them in Kiswahili,” she said.

For Kiplang’at, however, the debate ultimately comes down to one question: understanding.

“I ask myself sometimes why someone in Europe, Asia, or America learns in a language they grew up speaking, while we are expected to compete in theirs,” he said.

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”The Little Sister’ review: Queer drama bolstered by complex performances

In “The Little Sister,” a teenager tries to hide in plain sight. Although everyone comments on her beauty, 17-year-old Fatima prefers to tie her hair back in a ponytail, her bright eyes buried underneath a black ball cap, her body concealed in unflattering tracksuits. As played by first-timer Nadia Melliti, who won the actress award at last year’s Cannes Film Festival, Fatima is encased in a kind of armor, an outward manifestation of her hesitancy to share her sexual orientation with a world she knows will judge her. This graceful film chronicles the process by which Fatima gradually sheds that reserve.

Adapted from Fatima Daas’ 2020 novel “The Last One,” a work of autofiction detailing the French author’s own coming out, “The Little Sister” takes place over five seasons, observing Fatima as she completes grade school and begins attending university. An adept athlete with a tomboyish demeanor, Fatima disappears inside a friend group consisting of immature teen boys who treat her like one of the guys, including her in their raunchy sex talk. Fatima has a boyfriend, Adel (Ahmed Kheloufi), but the relationship feels vestigial, with him constantly complaining that she should dress more feminine. Just as upsetting to Adel: When he tells Fatima that he loves her, she doesn’t respond in kind.

This is the third feature from French actor and director Hafsia Herzi, who herself made an acting splash in 2007’s “The Secret of the Grain.” For “The Little Sister,” Herzi takes a cue from Daas’ book, mapping Fatima’s inner journey as a modest series of tentative steps forward and anxious steps back. Fatima has reason to be skittish. The youngest of three daughters in a loving French-Algerian Muslim family, she conceals any hint of her sexuality from her mother, father and sisters, anticipating their disapproval. Many queer coming-of-age movies position the character’s awakening as an act of defiance. For Fatima, a practicing Muslim who adores her parents, the stakes feel even higher. Melliti’s performance is one of silent suffering, illustrating Fatima’s deference to her family.

But as much as she smothers her desires, others can sense them. An altercation between her friends and a gay male classmate gets heated once the classmate accuses her of being closeted, which she vehemently (and violently) denies. Soon after, Fatima secretly joins a dating app, hoping to understand her queerness. Her first date, in which she uses a fake name, focuses on learning terminology such as scissoring, and she approaches each new encounter like a fact-finding mission. Melliti keeps the shy teenager’s reactions neutral, Fatima’s stoicism a strategy to prevent exposing her inexperience.

That’s when she meets Ji-Na (Park Ji-min, the free spirit of “Return to Seoul”), a physician’s assistant who practically glows in her presence, overwhelming Fatima’s cautious nature. Ji-Na and Fatima’s love story — its blossoming, its unraveling, its possible resuscitation — forms the heart of “The Little Sister,” which also received the Queer Palm at Cannes. Melliti and Park exude a frisky, lusty chemistry, but it’s a film as much about self-love, as Fatima seeks to become comfortable in her own skin. Ji-Na is open and confident while Fatima remains closed off, her shame about her sexuality deeply culturally ingrained. When our main character starts lowering her defenses, however, that’s when she’s hit by a jolt that sends her spiraling.

Herzi’s slender, unassuming drama contains few emotional crescendos or grand insights, although this is the rare French film to center on a Muslim lesbian as its protagonist. “The Little Sister” grows even more intriguing once the love affair runs aground, forcing Fatima to flounder in her heartache. Her odyssey will lead to threesomes and lonely nights, but also difficult questions regarding how her faith and family may leave her perpetually adrift.

“The Little Sister” leaves much unspoken, which is fitting for a protagonist who rarely expresses herself in clear terms. Even during a touching scene near the finale, as Fatima sits at the dinner table weeping, upset over the end of a relationship, she and her mother (Amina Ben Mohamed) engage in a nimble dance: Fatima doesn’t feel safe explaining precisely why she’s crying, while her supportive mom chooses her words carefully, perhaps knowing more about her daughter than she dares say aloud. But despite the character’s rocky path to sexual awakening, Herzi navigates toward a hopeful conclusion that doesn’t peddle phony uplift. Fatima still faces a community that won’t embrace her true self. But maybe, at last, she’s willing to be seen.

‘The Little Sister’

In French, with subtitles

Not rated

Running time: 1 hour, 48 minutes

Playing: Opens Friday, June 12 at Laemmle Glendale

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In Sundance breakout film ‘TheyDream,’ a Puerto Rican family heals old wounds

At this year’s Sundance Film Festival, filmmaker William D. Caballero won the NEXT Special Jury Award for Creative Expression for his intensely personal, multimedia feature debut, “TheyDream.” During his acceptance speech, he made a powerful statement.

“In case ICE were ever to harm me or kill me, this film will serve as the truth of who I am, and who my family is, before Fox News or this administration ever makes us out to be the villain[s],” he recalls paraphrasing during a recent interview.

Blending live action footage with different animation techniques — as well as the 3-D-printed miniatures that have been a fixture of Caballero’s work for more than a decade — “TheyDream” honors the filmmaker’s Puerto Rican loved ones, particularly his mother, Milly.

She collaborated with him in the making of this one-of-a-kind portrait of loss, resilience and shared healing. Their heartfelt exchanges throughout this process are also shared on-screen.

“Seeing her light up and become transformed throughout was just invigorating, because it allowed us to talk about heavy things and bond throughout the process of creating a story that’s personal [for us] both,” Caballero says. “It’s like, ‘Let’s guide each other and instead of me taking your stories and making magic with them, let’s make this magic together.’”

The brilliantly unconventional piece of autobiographical storytelling will screen as the closing night film of the Los Angeles Latino International Film Festival (LALIFF) on Sunday. Recently, John Leguizamo and Ben DeJesus joined the film as executive producers.

Starting with his 2013 short film “How You Doin,’ Boy? Voicemails From Gran’pa,” Caballero has used miniatures to immortalize his loved ones. That bite-sized introduction to his Boricua grandfather’s humorous wisdom evolved into the HBO Latino show, “Gran’pa Knows Best.”

“When I started working on ‘Gran’pa Knows Best,’ I knew that 3-D printing was this new technique,” he says. “But I’d never seen anyone that looked or sounded like my grandfather in it. I realized that it could be a really creative method to preserve his voice and his story. “

Then came the 2017 short “Victor & Isolina” about his grandparents’ relationship, and more recently in 2022, he debuted “Chilly and Milly,” which focused on his parents. Some of the sets from these shorts, tiny replicas of places familiar to Caballero, and a few of the miniature characters were reused in “TheyDream.”

“Being able to create these things in miniature is almost like getting back in touch with the idea of play,” Caballero explains. “As a child, you invent lots of stories all the time. But now as an artist, I’m able to tell stories that touch upon reality and painful memories, but also hopes and dreams in a way that hearkens back to the innocence of childhood.”

Man holds his folded hands in front of his mouth while he sits.

Filmmaker William D. Caballero will screen “TheyDream” on Sunday at the Los Angeles Latino International Film Festival (LALIFF).

(William D. Caballero)

“TheyDream” is a culmination of the eclectic and nimble artistic practice that Caballero has developed since he studied digital art at the Pratt Institute in Brooklyn.

“I’d always just been attracted to new ways of expressing myself and expressing stories. And I say this both in a way that brings me pride, but also brings me a bit of a headache, because I don’t think I’ll ever be a conventional filmmaker,” he says, laughing.

Still, working outside the margins of traditional moviemaking requires great adaptability.

When Caballero received funding for “TheyDream” in 2021, the money wasn’t enough to conceive it as he had originally envisioned it: entirely told with 3-D-printed figures in physical sets. The lack of resources forced him to rethink his approach, and he opted for hiring two Puerto Rican animators, Julisse Tinoco and Frank Martinez, each of whom animate in distinct styles, to help him create some of the sequences needed.

“This all goes back to the resourcefulness that I learned when I was young,” Caballero says. “When you’re born Latino and low-income in this society, you can’t let yourself be written off or you’re already defeated before you even begin.”

Caballero grew up in housing projects in New York City, and later in a trailer in his grandmother’s backyard in Fayetteville, N.C. Both of his parents were disabled.

Filmmaker William D. Caballero poses as his father for a reference shot in the making of his 2026 film "TheyDream."

Filmmaker William D. Caballero poses as his father for a reference shot in the making of his 2026 film “TheyDream.”

For Caballero, he says the arts have provided an escape that he “needed in order to survive and not feel weighed down by American consumerism, by poverty and by feeling trapped.” Whenever grief has perturbed him, Caballero has processed it through creativity.

With “TheyDream,” he wished to extend that vehicle for self-reflection to his mother. The film addresses complicated familial bonds and his mother’s experience caring for others.

“Throughout the years, we’ve lost several of my family members that we were both close to, but my mother especially,” he says. “She feels their absence much stronger than I do. I live in Los Angeles, my mother still lives in North Carolina. Knowing that she was alone in the mobile home, it just made me feel like, ‘That can’t be good for her.’”

His mother, he says, deals with self-esteem issues because her identity has for so long been reduced to being a caretaker for elderly relatives, who, inevitably, pass away — leaving her feeling like a failure. In reality, it was thanks to her devotion that they added years of life.

Caballero’s mother was at the Sundance premiere of “TheyDream,” where she witnessed how others saw her through the film she helped her son craft.

“I wanted her to feel like, ‘Mom, look at all these people that are clapping for you. They’re clapping for you because you are a hero. You deserve to hold yourself high and be strong and know that there’s something incredible in your story that’s indicative of the stories of many low-income Americans, regardless of race,’” Caballero says, visibly moved.

A prolific and highly regarded artist (he is a 2018 Guggenheim Fellow), Caballero has several other projects in the works that he’s trying to shop around. One of them is an episodic series titled “Second Fiddle,” about a 15-year-old Latino boy who gets accepted to a prestigious summer youth orchestra camp — and whose overbearing mother decides she’s going to stay in the camp with him.

Caballero's mother, Milly, got the animated treatment in "TheyDream."

Caballero’s mother, Milly, got the animated treatment in “TheyDream.”

“I never saw a Latino playing violin on TV or the big screen. I didn’t see any quirky, nerdy, artsy Latino kids like I was,” he says. “And I felt in my core that [it] was just wrong and something that I could change.”

Another project, “Raúl Playing Game,” is “an adult version of Pixar’s ‘Inside Out,’ ” that takes place in the mind of a closeted bisexual man. Caballero himself is bisexual. In 2022, “Raúl Playing Game” was selected for the LALIFF Inclusion Fellowship, which provided support for a short film version that serves as proof of concept for a potential TV show.

“I always wanted to make sure that I was telling authentic stories even if not necessarily always positive stories,” he says. “I’m very happy that I never lost track of that. Because I do believe that we need to tell our own stories, in our own unique voices, before someone else does it for us.”

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Convicted ‘How I Met Your Mother’ actor sued for sexual assault

Nick Pasqual, the “How I Met Your Mother” actor who was found guilty of attempted murder of his ex-girlfriend last month, faces new legal fire.

Makeup artist Allie Shehorn, Pasqual’s ex-girlfriend, on Tuesday sued the actor for sexual battery, assault and negligence, among other counts, according to a lawsuit submitted in Los Angeles County Superior Court. The 17-page complaint echoes details about the May 2024 stabbing that led to Pasqual’s arrest two years ago and his attempted murder conviction. Pasqual was also convicted of injuring a spouse or partner, first-degree burglary and rape.

Legal representatives for Pasqual did not immediately respond to a request for comment.

According to the lawsuit, Shehorn and Pasqual began dating in 2023 and the actor “engaged in a continuing pattern of controlling, coercive, threatening and physically violent conduct” throughout their relationship. Shehorn alleges Pasqual “used force, threats, coercion and physical retraint” to rape and sexually assault her in April 2024. Pasqual also allegedly continued to engage in “escalating threatening” behavior, the lawsuit said.

The lawsuit resurfaces allegations that Pasqual unlawfully entered Shehorn’s home in Sunland a month after he raped her and stabbed her with a knife more than 20 times, “intending to kill her.” The Times previously reported that Shehorn’s friend Christine White found the makeup artist — who filed a restraining order against her former partner — lying in a pool of blood and that Shehorn underwent emergency surgery and remained in the ICU for several days.

Pasqual was arrested May 31, 2024, at a border checkpoint in Sierra Blanca, Texas. The actor, who met Shehorn on the set of Zack Snyder’s “Rebel Moon,” was convicted after a jury trial and will be sentenced on June 2. He could face a maximum sentence of life in state prison.

Shehorn is also suing Pasqual for gender violence, intentional infliction of emotional distress and violation of the Ralph Civil Rights Act. She seeks an unspecified amount in damages, including medical expenses and lost wages.

Time staff writer Cerys Davies and former Times staff writer Nathan Solis contributed to this report.

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